Podcasts about Otomi

Welcome to this BONUS episode of Pattern Portraits on the occasion of Bethan Laura Wood's solo exhibition at The Design Museum in London!Step into the wiggle world of designer Bethan Laura Wood as she chats with Lauren Godfrey about hidden versus mirrored repeats, the similarities between kaleidoscopes and iPhones and pattern in three dimensions.Known for her joyful and maximalist approach to design, Bethan Laura Wood has turned her hand to furniture, lighting, rugs and even handbags. Enhancing all she does with a friendly wiggle, a playful pattern and an immaculate eye for colour.Bethan has collaborated with many companies including Hermes, Perrier-Jouet champagne and fine porcelain manufacturers, Rosenthal. She has work in collections worldwide including at the V&A and The Design Museum in London.Bethan has chosen a veritable party of patterns including an Otomi embroidery from Mexico, a quilt from Pakistan, a book matched section of veneer made by Bethan, a vibrant Luntaya Acheik from Myanmar and a metallic zig zag pattern (origin unknown).You can see all of Bethan's patterns and more on instagram @patternportraitspodcast‘The Wiggle World' - The PATTERN PORTRAIT print artwork to accompany Bethan's interview and featuring the patterns we discuss is available to buy now at www.laurengodfrey.co.uk Hosted on Acast. See acast.com/privacy for more information.

We meet the truly impressive young coinage activist Xiye who shares with Jayda how living on the frontlines of climate change in her native Mexico led to her becoming a climate activist, how this was always a part of her parents and her Indigenous activists parent's life, but how moving to New York after her home was flooded and getting involved with Fridays for Future and connecting to Greta Thurnberg cemented her destiny. Xiye talks about her indigenous identity and the values that are a core part of her and how that drives her activism work and why she thinks the number one thing western activists can do is listen to the communities affected by climate issues. Xiye also explains why she and her family call themselves environmental defendants and what stewarding land and the amazon means and how it shows that indigenous people and the land like the Amazon are inseparable. She also talks about the absolute necessity of hope, and why hope cannot be an option, but has to be a priority for people on the frontlines of the climate crisis, and why started the re-earth initiative to embody her values. Follow Xiye Bastida Follow Jayda GFollow Here's Hoping PodcastMore on our guestRe-Earth Initiative IGRe-Earth Initiative WebsiteXiye Bastida is a 22-year-old Mexican climate justice activist and mobilizer. Through her Otomi roots, she champions Indigenous worldviews as a solution for the climate crisis. She was an organiser with Fridays For Future and is the co-founder of Re-Earth Initiative, an international youth-led organisation that supports frontline youth across 27 countries. Xiye was the recipient of the 2018 UN Spirit Award and was named TIME100 Next in 2023. She earned her degree from the University of Pennsylvania in 2024. Hosted on Acast. See acast.com/privacy for more information.

A new multimedia package produced by The Imprint and Voices of Monterey Bay takes readers, viewers and listeners deep inside rural Oregon's Indian Country, where elders are Indigenizing social work through equine therapy for young people who have experienced foster care and youth justice systems.“Horses take us all the way back to our history before our land was taken away,” explains John Doug Spence, who leads equine therapy sessions across Oregon. “It's a way of taking back our power.” The project, Healing the Children of Horse Nations, is a collaboration between The Imprint's Indigenous Children and Families Reporter Nancy Marie Spears, an enrolled member of the Cherokee Nation of Oklahoma; podcast producers Julie and Mara Reynolds; and visual storyteller Josué Rivas, who is Mexica and Otomi.To read Nancy Marie Spears' reporting for "Healing the Children of Horse Nations," visit: https://bit.ly/3J41mprFor a collection of photography for this project by Josué Rivas, visit:  https://bit.ly/3U1xFeX

From October 27th until Novemnber 2nd, many start putting out their ofrendas and altars for the loved ones no longer physically with us. Sometimes, on the day of the dead, Dia de Muertos, it feels like our loved ones really do visit us. On today's episode, Cristina shares a listener story that takes place during Dia de Muertos and MJ shares her own Dia de Muertos story. In the first 15 minutes of the episode, we discuss Gaza, an attack on the Otomi and protests in Guatemala, skip to around minute 16 if you do not want to hear that.Learn more about the BDS movement: https://bdsmovement.net/get-involved/what-to-boycottWhere to donate to supoort the Palestinian cause: Click to Donate: https://arab.org/click-to-help/palestine/thank-you/Palestinian Children's Relief Fund: https://www.pcrf.net/Middle East Children's Alliance: https://www.mecaforpeace.org/Thank you so much for sending your stories! If you have a spooky story to share, email Espookytales@gmail.com or leave us a voicemail at call the Espooky Hot Line (360)836-4486. You can also submit it on Discord!For more spooky stories, check out the Tiktok! https://www.tiktok.com/@espookytalesInstagram https://www.instagram.com/espookytales/Chat with us on Discord! https://discord.gg/4zVbvd7HekWant to be a Patron? Get episodes AD-FREE, listen before they are released to anyone else, get bonus episodes, exclusive stickers, additional and more! Support Espooky Tales. Learn more by visiting https://www.patreon.com/EspookytalesGet Espooky Merch: https://www.bonfire.com/store/espooky-tales/Find us on YouTube:https://youtube.com/@espookytalesJoin us for movie nights on Twitch! https://www.twitch.tv/espooky_cristinaMailing AddressEspooky Tales PO BOX 3234Vancouver, WAThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5931957/advertisement

Warning: sexual violence and death are mentioned.This week, on Wednesday March 8th 2023, it was International Women's Day. Almost two years to the day since the most traumatic event of my life.Misseducated is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.I left my house at about 3pm to attend the women's marches in Mexico City. I was wearing purple, following the dress code my friend had told me about. As I left my apartment, I grabbed a 500 pesos note from my drawer. I knew instinctively what I had to do.As I walked to the march, crowds of women also wearing purple and holding signs gradually gathered around me. My throat started to swell up. I hadn't expected to get emotional already. The chanting, the energy, the spirits of all the women overwhelmed me.“¡Señor, señora, no sea indiferente, se matan las mujeres en la cara de la gente!"(“Sir, Madam, don't be indifferent, they are killing women in the face of the people!”)If you didn't know already, I am one of the millions of women who has experienced sexual violence in Mexico. At the marches that day, I thought about it a lot. I thought about how much I had suffered from post-traumatic stress disorder these last two years. I thought about all the women who had never made it out alive, who had never been found, and who might have been saved if they had had 500 pesos on them at the time. And how many of their abusers were living free out there in the world, like my abuser was. I also thought about how unbelievable it is that I now call Mexico my home. This country is so beautiful, so vibrant and magical. But there is no justice. When unspeakably awful things happen here, there are no consequences for the perpetrators. In addition to not committing crimes in the first place, that is what needs to change.By the time I met my friends at the Angel of Independence statue, I was crying already. I was embarrassed about being so emotional in front of them and was grateful that they held space for me. I had a good old sob, right there in front of the crowds of people. But I felt determined to make it count.I shared my plan with Itzel, my amazing photographer friend, and her friend Renata, who I had just met. We walked around the statue, dipping through the crowds to find the right angle in the sun. I took out my 500 pesos note. I held it up to the Angel of Independence. Another girl gave us some flowers. That's the story behind these pictures. Two years ago, I made it out of there. I live to tell the tale today. I am free. He didn't get me. But I was only saved because I had money. My story is that 500 pesos, about $25USD, was the difference between me being raped or not raped. Killed or not killed. This privilege is not lost on me. It's the harsh, damning reality of the world we live in. I think of all the missing women in Mexico, and the family members I saw that day who were marching for them. What would it have taken for them to be saved? How many of them would still be alive right now if they had had $25USD in cash?The crowds were singing and the air was vibrant and fun. There were beautiful signs of painted uteruses with the ovaries putting up two middle fingers.“¡El que no brinque es macho!”(“Whoever doesn't jump is a macho!”)After that chant, the entire crowd would start jumping each time. There were “callaberas” (horse riders) on horseback from Veracruz. There were Otomi women, the oldest indigenous group in Mexico who also predate the Aztecs, in their colorful, traditional dress.But as we headed down Reforma, to the Palacio de Bellas Artes, I couldn't help but notice the few men in the crowd. They were often holding crosses or signs with names on them, “Jimena”, “Diana” or “mi prima” (my cousin). They wore t-shirts with a woman's photo on them. Each one a named face of the roughly 25,000 desaparecidas (missing women) in Mexico. Families and friends travelled in groups, often wearing similar clothes, like beacons of their loved one's voices in physical form. This was a stark contrast from the flyers stamped across the graffitied fronts of buildings, with pictures of men's faces and their names, tagging them as “violador” (rapist), “golpeador” (beater) or “abusor psicológico” (psychological abuser).We passed one woman holding up a sign which read,“Escribeme el nombre de tu acosador / violador / feminicida”“Write the name of your stalker, rapist, femicide”People were queuing up to write names all over her body with thick, black markers. This was another emotional moment for me. I knew I wanted to write something. But the truth is, I don't know the name of my abuser and I never will. I used Google translate on my phone. I was shaking as I wrote on her arm, “Anónimo” (Anonymous). Itzel captured this really incredible picture. I felt the weight of my privilege as I was writing. I thought about all the women in Mexico who had experienced violence at the hands of someone whose name they would never know, like me. I thought about the women who had died at the hands of anonymous abusers. That moment was incredibly heavy. But it made me think about how I could be using my privilege more to help other people. I felt like I was carrying the weight of duty on my shoulders.At sunset, we passed about a hundred female police officers, silently standing in a long row. Some had flowers stuffed in the pockets of their black armored suits. Others stood expressionlessly as the thousands of women marched in front of them. When we arrived in Centro, the downtown area, I saw some stores had been smashed. The air was more tense and seemed angrier there. But none of the damage done to the storefronts could compare to the gravity of what the women were fighting for. To the absolute unspeakable immensity of how many people had been murdered, how many innocent lives had been lost or ruined forever by violence and grief.By this point, we had entered the Zocalo, the main square and the center of government. The crowd was booming. Itzel, Renata and I felt exhausted. We were ready to go home. The last sign I took a picture of was:“Existo porque resisto”(“I exist because I resist.”)I thought about how I still existed because I had resisted in the moment on that hilltop in Oaxaca two years ago. I felt incredibly grateful for that, for standing up for myself so that I could have a chance of being whole again, like I feel now.As we got in a taxi to head back to my apartment, I remembered a sign I had seen earlier that day.“Por que? Algo tan simple cómo volver a casa es un privilegio.”(“Why? Something as simple as coming home is a privilege.”)p.s. A photo of Itzel being a badass photographer: Misseducated is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit misseducated.substack.com/subscribe

Visions and Voices, the first publication from ISPU's Native American and Indigenous Muslim Stories (NAIMS): Reclaiming the Narrative project, is the first-ever photo narrative project to center the lived experiences of Native American and Indigenous Muslims in the United States. This research amplifies Indigenous Muslim voices to highlight the challenges, strengths, and needs of this small but incredibly diverse community.ISPU Researchers conducted 17 in-depth, semi-structured interviews with Native American Muslims over a period of six months. Interviews explored identity, ways to navigate multiple marginalized communities, and insights into participants' struggles, hopes, and dreams. Listen to an audio clip from Amor Crey's (Nahua, Otomi, Huichol, Wixaritari, Tarahumara, Purépecha) story, excerpted from the interview. Explore the full project: ispu.org/naims-visions-and-voices.The research team for NAIMS: Reclaiming the Narrative includes: Brennan McDaniel, Principal Investigator, Ph.D. student, Yale University.Dalia Mogahed, Director of Research, Institute for Social Policy and UnderstandingDr. Nida Ahmad, Research Associate, independent researcher and consultantHuda Rahman, Research Associate, undergraduate student, Vassar CollegeNura Maznavi, writer and editorAyesha Mattu, writer and editorMaha Elsinbawi, Research Project Manager, Institute for Social Policy and Understanding

As US government-backed Dakota Access Pipeline proponents wreaked havoc on Indigenous peoples, their lands, sensibilities, and on Nature herself, First Nations (Mexica and Otomi) documentary photographer, cinematographer, and film director, Josué Rivas was on the scene as witness and participant; demonstrator and Water Protector. The experience endangered his life. It also marked what he calls his “year of awakening.” He's since received the FotoEvidence Book Award with World Press Photo for STANDING STRONG, his stunning and haunting photographic account of the events at Standing Rock.

In Aztec mythology, the god of the hunt, known as Mixcoatl, was identified with the Milky Way and the stars in Mesoamerican cultures. He was also the patron deity of the Otomi and the Chichimecs. Mixcoatl, was the Aztec god of hunting and the patron deity of the Tlaxcalans as well. Similar to Huitzilopochtli, he led the Chichime people to Tlaxcala. The city-states of Tlaxcala eventually sided with the Spaniards against the Aztec Empire.The god known as Mixcoatl was regarded as the central deity of the Tlaxcala and Huejotzingo peoples. It's believed that he was the leader of a group of warriors and hunters who lived in central Mexico. In Mesoamerican mythology, he's the father of multiple southern constellations and to Quetzalcoatl.As a hunter, Mixcoatl was often depicted using various weapons such as a bow and arrow, a basket, and a net. He was also known to wear a cloak of human skin. His own exposed skin was covered in white and red stripes, and he wore a headdress that was adorned with an eagle feather. Aztec art also commonly depicted yellow skin as people wearing the skin of sacrifice victims.Read more at https://mythlok.com/mixcoatl/

Marla Leigh Goldstein – Drum Yourself WellAired Monday, June 20, 2022 at 11:00 AM PST / 2:00 PM EST / 7:00 PM GMT / 8:00 PM CETThere is a 500-year-old Otomi prophecy that says When 8000 sacred drums sound together, an intense healing of Mother Earth will commence.” Join Voice Visionary Kara Johnstad and grammy -nominated frame drum specialist, flutist, and composer Marla Leigh Goldstein is a heartfelt conversation on the art of Frame Drumming. How can we stay positive through challenging times by using the language of rhythm? A mystical instrument used by Priestesses and Shamans in cultures worldwide for rituals, celebrations, and rites of passage, drumming is powerful medicine. The drum is a voice of great power, alive and feeling. When it speaks, we must listen. Drumming increases our Alpha brainwaves, those feelings of well-being and euphoria, strengthens our immune systems, heals stress, and helps us express our feelings when words fail. Most of all, drumming can put us into a deep state of calmness and well-being. Can the universal language of rhythm help us rediscover our genuine connections and heal our bodies and communities? Yes, it can, and Marla Leigh is right there with us, cheering us on as we seek to nourish our creative nature and deepen our connection with ourselves and mother earth. Join Us.#MarlaLeighGoldstein #Drumming #OurVoice #VoiceRising #KaraJohnstadConnect with Marla Leigh Goldstein at https://marlaleigh.comTo get in touch with Kara go to http://www.karajohnstad.com/Visit the Voice Rising show page https://omtimes.com/iom/shows/voice-rising/Subscribe to our Newsletter https://omtimes.com/subscribe-omtimes-magazine/Connect with OMTimes on Facebook https://www.facebook.com/Omtimes.Magazine/ and OMTimes Radio https://www.facebook.com/ConsciousRadiowebtv.OMTimes/Twitter: https://twitter.com/OmTimes/Instagram: https://www.instagram.com/omtimes/Linkedin: https://www.linkedin.com/company/2798417/Pinterest: https://www.pinterest.com/omtimes/

A la #alfombraroja de la #MetGala acudió una admirable mujer #mexicana de origen indígena que deslumbró a todos con su sofisticado look y no, no es #EizaGonzález. Se trata de la activista #XiyeBastida, originaria de #Atlacomulco, Estado de México, quien en su atuendo reflejó con orgullo sus raíces al portar joyería #otomí.

In Episode 5, Cortes marched inland toward Tenochtitlan and passes through difficult terrain and battles on his way to finding a new and powerful ally.Part 1 - Departing CempoalaCortes and his men depart the Totonac town of Cempoala and head into the lush highlands of the Sierra Madre.Part 2 - Deserts, Valleys and VolcanoesThe Spanish expedition reaches the desert highlands and the men suffer from hypothermia, dehydration and hunger. Part 3 - The Fight to TlaxcalaSeveral local people, including the Otomi, attack the Spanish.Part 4 - New Allies in TlaxcalaCortes makes a powerful new ally.Part 5 - Staying in TlaxcalaThe Spanish stay in Tlaxcala for two weeks, recuperating, eating and learning of another Aztec enemy in the four cities of the Tlaxcala Federation.Episode 5 CreditsWritten, researched, performed and produced by Jeremy Lipps.~ Music ~Intro Coda, acoustic guitar by Valentin SosnitskiyFourth Imaginary City by cryptic sceneryDaniel Birch, www.danielbirchmusic.comEarly Morning BreakupSustained LightThe Gates Are LockedAway by Meydänintro by lost dream ~ Sound Effects ~jungle-tropical-birds-and-insects by mikeypmemarching by webbfilmsukwalk on dirt road by mikeypmemercado 05 by dobroidetimber tree falling by matt_beerbig bad dogs 5 by robinhood76horse whinny by inspectorjcanadian horse running by vero marengerehorses whinnying by leandiviljoenhorse snort by bruno auzetsoft wind by florianreicheltwalk on dirt road by laurentarmy marching by craigsmithcold breeze ambiance by siyamahlobocampfire sound by sterckxsforest stream between mekhanizatorov settlement and akhtyrka vilage moscow region by halfofthesky

Metin, ses, resim ve konuşmaları 70+ dile çevirin Microsoft Çevirmen 70'ı aşkın dilde çeviri yapan bedava bir uygulamadır.Yazıları, sohbetleri, sesleri ve resimleri tercüme eder. Dahası, yolculuğa çıkmadan önce çevrimdışı çeviriler için dilleri indirebilirsiniz! • Çevrimiçi ve çevrimdışı 70'ın üzerinde dilde metin çevirisi. • Fotoğraflar ve ekran resimlerindeki yazıları çevirme yeteneği. • Konuşmaları çevirmek için ses çevirisi ve iki dilli sohbeti çevirebilmek için bölünmüş ekran işlevi. • Çok kişili sohbet çevirisi – Aygıtlarınızı birbirine bağlayıp 100 kadar kişi ile çeşitli dillerde sohbet edin. • Onaylanmış çeviriler için konuşma ve telaffuz kılavuzları yolculukta gerekebilecek önemli cümleleri öğrenmenize yardım eder. • Bir kelimenin farklı çeviri ve anlamlarına bakıp kendinizi daha iyi ifade edin. • İnternet bağlantınız olmayacaksa, çevrimdışı kullanım için dilleri indirin. • Tercüme edilen cümlenizin nasıl okunduğu öğrenmek için çalıp dinleyin. • Çeviriyi telaffuz etmenize yardım etmesi için harf çevirisine (telaffuz kılavuzu) bakın (Çince için Pinyin desteği dahil) • Çevirinizi başka uygulamalar ile paylaşın. • Sıkça kullandığınız çevirileri kaydedin. • İçerik menüsü çevirisiyle başka uygulamalarda metin çevirisi yapın. Çevirmen şu dilleri desteklemektedir:  Afrikaans, Arapça, Bengalce, Boşnakça (Latin), Bulgarca, Kantonca (Geleneksel), Katalanca, Çince (Kolaylaştrılmış), Çince(Geleneksel), Hırvatça, Çekçe, Danca, Flemenkçe, İngilizce, Estonca, Fijice, Filipince, Fince, Fransızca, Almanca, Yunanca, Haiti Kreyolu, İbranice, Hintçe, Hmong Dili, Macarca, Endonezce, İtalyanca, Japonca, Svahili, Korece, Letonca, Litvanca, Malagaşça, Malayce, Maltaca, Maori, Norveççe, Farsça, Lehçe, Portekizce, Quer'etaro Otomi, Rumence, Rusça, Sırpça (Kiril), Sırpça (Latin), Slovakça, Slovence, İspanyolca, İsveççe, Tahiti dili, Tayca, Türkçe, Ukraynaca, Urduca, Vietnamca, Galce, and Yukatek Maya dili. Microsoft Çevirmen, Office, Bing, Skype, İnternet Explorer'ın yanı sıra Yelp, eBay, WeChat ve daha birçok ortak tarafında kullanılan son teknoloji ile desteklenmektedir. *Bazı özellikleri her dilde mevcut olmayabilir.

Mexican Otomi embroidery, or the more simplified Tenangos embroidery, is a vibrant celebration of riotous colour using a mix of both ancient and modern culture, showing the Otomi's ability to overcome adversity.

The most popular Ingress controller for Kubernetes is ingress-nginx, created in 2015 by Alejandro de Brito Fontes. Alejandro stepped down earlier this year, and the project is now maintained by a team including Ricardo Katz. Learn the history and what’s in the new 1.0 release from a pair of South American self-proclaimed sysadmins. Do you have something cool to share? Some questions? Let us know: web: kubernetespodcast.com mail: kubernetespodcast@google.com twitter: @kubernetespod Chatter of the week New Zealand cinema worker left red-faced after voicemail blooper Uncensored version on TikTok News of the week Amazon EKS Anywhere is GA and EKS Connector is in preview CNI 1.0.1 Red Kubes makes Otomi self-service features free of charge Scale down mode and custom policy for Microsoft AKS k8ssandra moves from Helm to operator API server tracing in Kubernetes 1.22 by David Ashpole Episode 113 How Docker Broke In Half, by Scott Carey] Episode 156, with Sebastien Pahl Episode 110, with Adrian Ionel Links from the interview ingress-nginx Early computing IBM PC/XT Windows 95 Pinball Flight simulator easter egg in Excel 97 Slackware Bible Foca Linux History of Ingress Ingress announced in Kubernetes 1.1 CoreOS Fleet Service loadbalancer kube-haproxy-router Kubernetes Ingress proposal issue ingress-gce ingress-nginx: Alejandro’s proposal for ingress-nginx Original PR Alejandro’s bare metal cluster - then and now Ricardo’s early contributions Note that NGINX Inc. have their own Ingress controller, for the open source or commercial versions of NGINX Their comparison of the two versions Supporting open source: Alejandro steps down as ingress-nginx maintainer He actually tried earlier, but no-one else stepped up! Core Infrastructure Initiative fund for supporting the Internet xkcd on internet dependencies Episode 116, with Alex Ellis The future: ingress-nginx 1.0.0 NGINX Inc. commits more to open source Gateway API IngressClass and upgrades to the v1 Ingress API ModSecurity and Curiefense Alejandro de Brito Fontes on Twitter Ricardo Katz on Twitter

https://go.dok.community/slack https://dok.community/ ABSTRACT OF THE TALK Kubernetes is a platform for building platforms and is not really developer-friendly. That's why red Kubes created Otomi, the first and only Kubernetes-based operating system. Install Otomi with a single Helm Chart, login, and start deploying applications with only a few clicks. Use Otomi to build your Enterprise Container Platform or Internal Developer Platform in minutes. In this talk, I'm going to introduce Otomi. We'll start by looking at the architecture and how you can install Otomi on any Kubernetes cluster. But don't expect a long and boring slide deck, we'll quickly take a look at a live install and navigate through all the Otomi features. BIO Sander is the founder and CEO of Red Kubes, the company behind Otomi. Otomi is an open-source extension for Kubernetes to support the most common DevOps and SRE use cases. Before Sander founded Red Kubes, he worked as a freelance consultant for the last 12 years, doing a lot of cloud-native stuff with Azure, AWS, and of course Kubernetes. KEY TAKE-AWAYS FROM THE TALK - Now I can turn my Kubernetes cluster into my own Internal Developer Platform in minutes - With Otomi, developers can deploy containers without having to write any YAML manifests - With Otomi, you can provide developers with self-service and onboard new development teams onto the platform within minutes - Use Otomi to build your Enterprise-grade Container Platform - Otomi is completely FREE and open-source - And Otomi runs on any Kubernetes cluster in any cloud

Environmental and cultural educator, Miguel Cruz, prepares to launch environmental education programs in Mexico and to learn Otomi, his family's indigenous language. LINKSMiguel's YouTube channel - Nature, Culture, Nurture (@venconmige)Facebook (@venconmige)Instagram (@venconmige)Miguel on LinkedInInformation about ethnicity and language (Otomi)Advocates for Indigenous California Language Survival (AICLS)AICLS Master Apprentice ProgramNative-Land.caBEETLESEE Forward Summit

In 2015 the United Nations announced a radical plan to change the world. Global leaders drew up a list of 17 "sustainable development goals" to create a blueprint for a better future. The goals cover things like gender equality, health provision, a good education and much more. We've asked 17-year-olds from 17 different countries tell us what they think needs to change if the world is to meet those goals by 2030. Seventeen-year-old Israel is a member of the Otomi indigenous community. He lives in Mexico City but he faces police harassment when he works selling sweets and cigarettes on the streets of the capital. For Project 17 Israel went to meet an Otomi woman who was arrested and sent to jail after being picked up by the police - and he talks to indigenous activists fighting for equal access to justice for all Mexicans.Presenter: Sana Safi Producer: Tim ManselProject 17 is produced in partnership with The Open University

Americana is a Brazilian city in the state of São Paulo that was founded by a group of American Confederate families fleeing the Southern United States after the American Civil War. The Confederates hoped to continue their plantation-style of life within the tropics of Brazil, where slavery was legal until 1888. They became known as the "Confederados." In this episode, you'll learn about the development of the city, the integration of the Confederados into Brazilian society, and how their descendants celebrate the Confederacy.

This week we will be diving into the complex discussion of Asian hate in Latin America, which has been prevalent for centuries. Over generations, affluent Asian communities have been established throughout North and South America in Brazil, Mexico, Peru, and more. However, these groups have continued to face discrimination. Our focus for this episode will be the massacre of the Chinese community of the Mexican city of Torreón. The Torreón Massacre of 1911 resulted in the murders of 303 Chinese residents of the city. Hopefully, you can make some connections between this historical event and our contemporary times as you listen!

Below the towering skyscrapers of Mexico City lie the ruins of Tenochtitlán, the ancient capital of the Mexica (Aztec) Empire. As depicted on the Mexican national flag, this was the sight where the Mexica witnessed the prophesized legend of their patron deity, Huitzilopochtli, where an eagle would devour a snake atop a nopal (cactus). In this episode, we dive deeply into the history of the Anáhuac (Valley of Mexico) and its early inhabitants, who cultivated it into the largest metropolis of Mesoamerica.

It has come to my attention that there is some confusion regarding how the letters "B" and "V" are pronounced in Standard Spanish (both European and Latin American Spanish). Closely describing the accurate phonemes, I address the mistakes commonly made by non-native speakers. To end the episode, I explain the origin of the Spanish language's unique treatment of the "B" and "V".

In the USA, affirmative action is regarded as a somewhat controversial topic. In Brazil, the process is newer and still developing. Over time, more attention has been directed to the fact that the self-identification of one's race for college admissions is prone to fraudulent activity. As a result, new measures are being implemented, and we will take a look at those measures in this episode.

This episode, we'll be looking at my desired approach to my last semester of high school. The approach is based on Irish philosopher Iris Murdoch's philosophy of "unselfing." By interacting more directly with the world around me, I hope to take the time to really enjoy life in the present.

Happy New Year! Entering 2021, I would like to reflect on the past hectic year. My college application process is now over, but I have been able to learn more about myself and my passions. In this episode, I discuss the culture of the college application season in the Bay Area and how I did my best to be a competitive applicant. Although this was a stressful process, I definitely learned a lot!

December 12th is the Day of the Virgin of Guadalupe. This is a very important holiday for Latin American Catholics, especially Mexicans. Pilgrims from across Mexico visit La Basílica de Guadalupe to pray to "la tilma," which displays the sacred image of "La Virgen Morena."

Josué Rivas (Mexica and Otomi) is an Indigenous Futurist, creative director, visual storyteller and educator working at the intersection of art, journalism, and social justice. "My mission, I think, is to come and show us the light. Like, what does that look like. How can you do it with storytelling that is compelling and is beautiful and is also regenerative for the people in the image,” he says. Josué's work has appeared in National Geographic, The Guardian,The New York Times and Apple amongst others. He aims to challenge the mainstream narrative about Indigenous peoples, build awareness about issues affecting Native communities across Turtle Island, and be a visual messenger for those in the shadows of our society. He is a 2020 Catchlight Leadership Fellow, Magnum Foundation Photography and Social Justice Fellow, founder of the Standing Strong Project, co-founder of Natives Photograph and winner of the 2018 FotoEvidence Book Award with World Press Photo. Josué is the latest guest in our Wide Awakes activation. He is based in Portland, OR and is available for photo assignments, film projects and exhibitions.

In this episode, we take a look at more specific traditions of El Día de Los Muertos. I discuss the importance of the Xoloitzcuintli, or Mexican hairless dog, in Mexican culture and its significance on the holiday. Additionally, we revisit the topic of Afro-Mexican communities. This time, however, we discuss the Afro-Mexican celebration of El Día de Los Muertos and the historical context of La Danza de Los Diablos.

Mexicans just recently celebrated El Día de Los Muertos on November 1st and 2nd. This is a very important celebration in Mexico and reflects the vibrant indigenous heritage of Latin America. With my mother growing up in Michoacán, a state with some of the most colorful Día de Los Muertos celebrations, I've grown up visiting the cultural heart of the celebration. In this episode, I share some of my personal experiences and knowledge of this great festivity. Please enjoy this two part segment.

Matt, Thomas, and Representative Welch pull back the curtain on what coalition building actually looks like in practice - the importance of coalitions in organizing work, how to deal with tensions and disagreements in coalitions, and how to think about coalition building around climate change, specifically. Thomas shares their story organizing in support of the #nodapl movement, how that work led to his involvement with the International Indigenous Youth Council, and the lessons he gleaned about coalition building from that experience. Rep. Welch shares his personal story and how it informs his approach to public life, what it's like to build coalitions with politicians and legislators, and his advice for listeners who want to build relationships with their local politicians. Thomas explores coalitions as a source of learning and intergenerational knowledge for organizers as well as resource allocation. Rep. Welch shares an example of how he helped shepherd immigration legislation to become law through coalition building across the state in partnership with community groups. The group wraps up by exploring coalition building around climate change. Resources Referenced: The Future Coalition Website and Instagram The International Indigenous Youth Council Bios: Thomas Lopez Jr. (they/them) was born and raised in Denver, CO, They are Otomi, Diné, Apache and Sicangu Lakota. Thomas is one of the founding members of the International Indigenous Youth Council and continues to sit on the Council’s Board of Directors. Thomas is a proud Two Spirit person and continues to advocate and defend the Two Spirit community. Thomas is also the Partnerships Coordinator for the Future Coalition’s Youth Climate Strikes. Representative Emanuel “Chris” Welch. Representative Welch has been a State Representative from the 7th District of Illinois since 2013. Welch serves on several key House Committees including Executive, Revenue, Cities and Villages, Counties and Townships, and Higher Education. Welch serves as Chair of the House Executive Committee. He previously served as Chair of the House Higher Education Committee where he lead efforts to pass historic legislation like the four year map grant award and the AIM High Scholarship. He also served as Co-Chair of Governor J.B. Pritzker’s Educational Success Transition Committee.

Josué Rivas (Mexica and Otomi) is a creative director, multidisciplinary visual storyteller, and educator working at the intersection of art, journalism, and social justice. His work aims to challenge the mainstream narrative about Indigenous peoples, build awareness about issues affecting Native communities across Turtle Island, and be a visual messenger for those in the shadows of our society. He is a 2020 Catchlight Leadership Fellow, Magnum Foundation Photography and Social Justice Fellow, founder of the Standing Strong Project, co-founder of Natives Photograph and winner of the 2018 FotoEvidence Book Award with World Press Photo. His work has appeared in National Geographic, The Guardian,The New York Times, Apple and Nike N7 amongst others. He is available for photo assignments, film projects and exhibitions. Josué is based in Portland, OR.In this episode Josué explores why he believes the future is Indigenous. We discuss the colonial mindset existing the language of photography, how the process of image making has evolved and Indigenous narratives are being reclaimed. Josué explains the why and how of his Standing Strong project and the impact it's made on his collaborators and community. Hear who has influenced Josué’s work and which emerging photographers he has his eyes on.This is We Are Photographers with Josué Rivas and this is his story.Connect with Josué Rivas: josuerivasfoto.com | nativesphotograph.com | Instagram | Twitter | FacebookAt CreativeLive we believe there is a creator in all of us. If you’re looking to get fresh perspectives, inspiration or skills to boost your hobbies, business or life head over to creativelive.com and check out The Creator Pass, our subscription that gives you anytime on demand access to 1500+ classes taught by the world’s top creators and entrepreneurs.Connect with your CreativeLive community: creativelive.com | IG @creativelive | TW @creativelive | YT @creativelive | FB @creativeliveConnect with your host Kenna Klosterman: IG @kennaklosterman | TW @kennakphotoSubscribe, rate & review We Are Photographers wherever you listen to your favorite podcasts! We’d love to hear from you.

Growing up in Silicon Valley, my religious background has often been juxtaposed with my increasingly secular surrounding environment. As I have become more familiar with the practice of Catholicism in various nations, I have noticed that one's culture has a significant impact on a community's celebration of their Catholic faith. In this episode, I discuss the unique qualities of "Hispanic" Catholicism and how it has played an important role in my life.

This episode, we take a look at the model minority myth. Growing up in the Bay Area, my community has been largely composed of Asian Americans. Today, I have Tej Tummala, a close friend of mine, as a guest. He gives his perspective on the model minority myth as an Indian American student living in Silicon Valley. We also address the manner in which this myth impacts non-Asian minorities and the way that they are perceived by American society.

Born and raised in Anchorage, Alaska, Michael Martinez is Yup'ik and Otomi, and is currently pursuing a degree in Biological Sciences at UAA. On campus, Michael works at the Advanced Instrumentation for Microbiome Studies facility, manufacturing Covid-19 tests for the state of Alaska. ATMI producer Ryan Danigole spoke with Michael to talk about the work he's doing, precautions he takes at work and at home, as well as common misconceptions about the coronavirus. The interview was recorded remotely on July 21, 2020. Hosted by Rowan Pickard. Music by Devin Shreckengost. Many thanks to supporters of our podcast including United Way of Anchorage and the National Endowment for the Humanities and the Rasmuson Foundation through the Arts in Education Fund administered, under contract, by the Alaska State Council on the Arts. RESOURCES FOR YOUTH DURING QUARANTINE Center for Disease Control and Prevention: cdc.gov/coronavirus carelinealaska.com: Alaska Suicide Prevention and someone to talk to line: 1-877-266-4357 suicidepreventionlifeline.org: 1-800-273-8255 National Domestic Violence Hotline www.thehotline.org: 1-800-799-7233 and TTY 1-800-787-3224 or text LOVEIS to 22522 alaska211.org or Help Me Grow Alaska 1-833-464-2527 for help connecting to resources and services or for help knowing where to start. These resources provided in collaboration with the State of Alaska, Department of Health and Social Services, Division of Behavioral Health.

What's the difference between race and ethnicity? I'm certain that you've asked yourself this question before. For Latinos, answers to questions of race are often ambiguous. Latin America is one of the most racially diverse regions of the world. This week, I address the issue of racial ambiguity in Latin America and the manner in which it impacts individuals, like me, with regards to one's ability to confidently identify with a racial group. I additionally analyze several misconceptions regarding the unclear lines between race and ethnicity. Relax and enjoy our first episode of Otomí!

Querida Gente de Mente Abierta! Gracias por estar aquí de vuelta con nosotros en un episodio mas de nuestra tercer temporada. En la vida tenemos de todo un poco. De igual manera, el podcast de hoy podría ser considerado un microcosmos de esa vida metafórica por la que todos pasamos. Amor, pasiones, propósito, inspiraciones, historia, reconciliación, aceptación, entrega, fe, creencias, experiencias, mentores, obstáculos, retos, éxitos, conexiones, dudas, aventuras, incertidumbres, certidumbres y todo lo que se les pueda ocurrir. En el caso de Marta, nuestra invitada de hoy lo que le sucedió fue la bendición del desempleo y la certeza de que de alguna manera lograría su meta; compartir con el mundo el Arte Otomí Como siempre no me queda mas que agradecerles por seguirnos escuchando, nos encanta grabar estos podcasts para ustedes y esperamos y los disfruten tanto como nosotros disfrutamos crearlos. Recuerden por favor comentar, darle like, compartir, profundizar más del tema siguiendo los links y evaluar nuestro podcast con unas 5 estrellitas (o las que gusten). Queremos que Mente Abierta trascienda e inspire a continuar la conversación. Cuidense mucho, manténganse sanos, disfruten su tiempo con su familia, Nos escuchamos para la proxima. Por último, quisiera pedirles como gran favor considerar convertirse en donadores del Podcast A través de cualquiera de los siguientes medios: Venmo: https://venmo.com/AHierro Paypal: https://www.paypal.me/mareepm AnchorFM: https://anchor.fm/knowmadicmente/support Nos escuchamos en la próxima. Recuerden mantener la Mente Abierta Links Alecz Website: https://www.knowmadicprjct.com/ Instagram: https://www.instagram.com/alexhp1983/ Facebook: https://www.facebook.com/knowmadicprjct/ LinkedIn: https://www.linkedin.com/in/ahierro/ Marta Website: http://www.etsy.com/shop/arteotomi Instagram: https://www.instagram.com/arteotomi/ https://www.instagram.com/arteotomihome/ Facebook: https://www.facebook.com/ArteOtomi --- Send in a voice message: https://anchor.fm/knowmadicmente/message Support this podcast: https://anchor.fm/knowmadicmente/support

In the final episode of our series, Breaking the Glass Ceiling, Kat Armstrong chats with the brilliant and creative Debora Annino. Debora’s story of creativity, faith and bravery is the inspiration we all need right now.  Spending more than twenty-five years in the fashion apparel and textile industry, Debora led design, merchandising and sourcing teams developing national and international brands. No longer content to use business solely for profit, Debora returned to school earning an M.A. in Cross-Cultural Ministry from Dallas Theological Seminary. Now, she passionately pursues opportunities to use creativity for positive impact in the lives of others. Her creative enterprises include Common Project Artisan Market, a pop-up market showcasing a curated collection of local and global artisan brands that use the power of business for transformation, and Casita No. 8, a collection of unique, hand-embroidered home décor and textiles created by the indigenous Otomi women and men in Central Mexico.    After her husband was diagnosed with terminal cancer, it was Barry’s last wish, and her last gift to him, to launch the Little Things Matter Foundation, which serves individuals, families and communities through small-scale, project-based investment, transforming communities and connecting lives. As the foundation’s executive director, Debora seeks investment opportunities that generate long-term impact and economic empowerment for marginalized people in San Miguel de Allende, Mexico. Her foundation’s key contributions include sponsorship of a week-long  children’s camp that engages creativity, outdoor activities, creation science and spiritual formation; a women’s cooperative teaching creative and providing marketplace opportunities; and funding for organic gardens and chicken farming to provide nutritious food in addition to economic opportunities.  Connect With Debora Instagram: @debora_annino Website: littlethingsmatter.net Book: Little Things Matter by Debora and Barry Annino Stay connected with Polished by: Attending a Polished event Following Polished on Instagram Joining the Polished Network Starting a Polished chapter in your area

Mexican Jesuit, Fr. Alfredo has been working with several groups of indigenous peoples in Mexico for decades. He has a close up view of the pressures that lead to immigration and the hard challenges of being on the outside.

Hoy hablamos de temas de la cultura de los pueblos Otomi, Mazahua; etc. --- Send in a voice message: https://anchor.fm/vu00edctor-daniel/message

CDI Cultura Otomi E.6 CDI Cultura Otomi E.6 CDI Cultura Otomi E.6

In this podcast we are happy to share some of the great music that we've been sent/given during the year... - starting with a remix by our friend Koichi Yuasa/japanetehq of a Japan Sound Portrait track made with Takeshi Nishimoto at last year's nowJapan Festival. - followed by a track called City (Lm version) by GOOD LUCK HEIWA, from their album Lm released at the end of 2017. http://goodluckheiwa.jp/lm/ GOOD LUCK HEIWA are Takuji Nomura on Keyboards and Daichi Ito on Drums and Whistling, and they are also part of Haruomi Hosono's touring band - we were grateful to receive their CD as everyone was saying their goodbyes following their concert at The Old Market in Brighton earlier in the year. - next is the track Doujiri by Ken Sugai. https://sugaiken.bandcamp.com/track/doujiri The image accompanying this podcast is of Ken-san, and is a fantastic modern re-creation of an important religious statue of the itinerant monk Kuya. https://en.wikipedia.org/wiki/K%C5%ABya Where in the original image/statue there are six small statues of the Buddhist deity Amida coming from Kuya's mouth, representing the power of devotionally chanting the syllables 'na-mu-a-mi-da-butsu', Ken-san has replaced these figures with diodes, perhaps playfully suggesting the revelatory potency of experimental electronic music.  - this is followed by a track called Otomi, by Chihiro Ono. This was drawn to our attention by Neil Luck as part of a release called New Vocal Solutions on his label squib-box https://squib-box.bandcamp.com/album/new-vocal-solutions-sampler a compilation of experimental music artists working with Vocaloid technology (most famous for powering digital avatar popstar Hatsune Miku). This track hinges around a field recording of the fermentation process of  ko-ji - a natural fungus used in the process of making Sake, Miso and Soy sauce. - and finally we have some selections from a new collection of tracks we have received from TA2MI, https://ta2mi.bandcamp.com/ made in collaboration with ZUMBO. We are also delighted to announce that TA2MI will be visiting the UK for a series of performances/events in late February/early March 2019, so please watch this space for further announcements...

Abel González, Eulogio Martínez, y Thubini Mästo̱ho̱ acompañan a Andrea y Ada para compartir sus historias como hablantes de Hñähñu (Otomi) que trabajan en la preservación del lenguaje. Abel y Eulogio son los cofundadores de Ra rojo ra Hñähñu, una clase multigeneracional de Hñähñu en Asheville, NC. Thubini vive en México y enseña Hñähñu y Tù'ùn Savi (Mixteco) por internet a través de su proyecto Mastoho Lenguas Originarias. Acompáñanos en una conversación muy especial sobre revitalización del lenguaje, decolonización, y migración.

Abel González, Eulogio Martínez, y Thubini Mästo̱ho̱ acompañan a Andrea y Ada para compartir sus historias como hablantes de Hñähñu (Otomi) que trabajan en la preservación del lenguaje. Abel y Eulogio son los cofundadores de Ra rojo ra Hñähñu, una clase multigeneracional de Hñähñu en Asheville, NC. Thubini vive en México y enseña Hñähñu y Tù'ùn Savi (Mixteco) por internet a través de su proyecto Mastoho Lenguas Originarias. Acompáñanos en una conversación muy especial sobre revitalización del lenguaje, decolonización, y migración.

Abel González, Eulogio Martínez, and Thubini Mästo̱ho̱ join Andrea and Ada to share their experiences as Hñähñu (Otomi) speakers working on language preservation. Abel and Eulogio are the cofounders of Ra rojo ra Hñähñu, a multigenerational Hnähñu class in Asheville, NC. Thubini lives in Mexico and teaches Hñähñu and Tù'ùn Savi (Mixteco) online through his project Mastoho Lenguas Originarias. Join us for this very special multilingual conversation about language revitalization, decolonization, and migration.

The privatization of Mexico’s oil and gas resources in 2013 has allowed US and Canadian energy companies access to the market south of the US border. But companies like Sempra Energy and TransCanada are facing resistance from the Yaqui and Otomi people over pipelines crossing the US-Mexican border and infringing on indigenous land rights. We speak with Steve Horn, a freelance investigative journalist based in San Diego.

El origen del Sol y del maíz. Lengua Otomí. Estado de México.

Entrevista con Isaac Díaz Sánchez Medico, Filosofo, escritor y poeta Otomi.  Danzas Mexicanas explora la historia y trabajo de Isaac Díaz  su formación como sacerdote de una etnia indígena. hablamos de la importancia de la identidad así como algunos aspectos de la medicina Otomi y hacemos reflexión en la educación en Mexico.  La musicalizaron de la entrevista es de Ramiro Ramírez y luís Méndez de su álbum Equilibrando elementos. Al final de la entrevista Isaac Díaz nos lee de su ultimo libro de poesía en Otomi y español.

"Al mediodia" entrevista al pintor Otomi Jose Luis Romo Martin sobre su arte. Escuchenos en vivo en nuestra pagina web: www.spanishpublicradio.org seleccione "Listen" y una vez en Audiorealm busque "SPRCHICAGO"Sigamos compartiendo la lengua de la inmensa minoria!