Podcasts about Huitzilopochtli

Part 2 with Julian: The Inner Sauron – Power, Possession, and the Psyche In this episode, Julian and I dive deep into The Lord of the Rings through the lens of psychology, mythology, and IFS (Internal Family Systems). We explore the dark allure of Sauron—not just as a villain seeking domination through the One Ring, but as a metaphor for the exiled forces within us all. Julian draws powerful parallels between Sauron and the Aztec god Huitzilopochtli, both powerful spirits who reside in higher realms yet influence human behavior in devastating ways. We reflect on how these archetypes show up in our inner worlds—manipulating, isolating, and consuming us when left unseen. What if Sauron is an inner part we exile, giving it more power? And what if the One Ring acts like an unattached burden—seductive, cursed, and waiting to latch on to vulnerable parts of our psyche? We ask the big question: how do we care for our inner Sauron, and what choices emerge when we do? You can learn more about Julian's work at https://www.psychedelic-integration.net

Después de un largo peregrinar, que comenzó con la salida del pueblo azteca más o menos por el año 1110 de una ciudad al norte del país llamada Aztlán y tras varias peripecias, llegaron a un paraje donde encontraron la señal que su dios, Huitzilopochtli, les había indicado para fundar su ciudad y eso ocurrió en el año 1325, conforme lo que señalan varias crónicas, hace 700 años. Este fue el nacimiento de la grandiosa, imponente y fascinante Ciudad de México, hecho que nos obliga a recordar el pasado y, sobre todo, a mirar hacia el futuro, reflexionar los retos que enfrenta esta metrópoli, para ello, el pasajero invitado es el Mtro. Emmanuel León, director general de política urbanística de la Secretaría de planeación, ordenamiento territorial y coordinación metropolitana. Durante 2025, El Cocodrilo tendrá diversos programas para celebrar a nuestra gran CDMX. Si quieres saber más sobre la ciudad y paseos con Sergio Almazán, síguelo en su sitio web y redes sociales: X: @salmazan71 IG: @ElcocodriloMVS Facebook: El Cocodrilo MVS www.sergioalmazan.com Escucha El Cocodrilo con Sergio Almazán todos los sábados de 16:00 a 17:00 horas y los jueves de 22 a 23 horas. Por MVS 102.5 FM.See omnystudio.com/listener for privacy information.

Puente Internacional Piedras Negras, operará con un horario adicional el 19, 20 y 21 de diciembre El Estado de México será sede del Congreso Nacional de Física 2025Avistamientos en Nueva Jersey son una combinación de drones legales, aeronaves y estrellasMás información en nuestro Podcast

It's Friday, and we're rounding up the biggest news of the week. First, Secretary of State Jena Griswold is in hot water after a spreadsheet with sensitive election-related passwords was exposed online. Will this flub have an impact on voter turnout? Will Griswold resign? Then, the future of big cat hunting is up for debate as millions of dollars pour into both sides of a surprisingly complex ballot question. Producer Paul Karolyi and host Bree Davies are joined by returning fave, Aspen Times politics reporter Elliot Wenzler, to talk about Griswold's rough week and how the effects of our 2020 wolf reintroduction vote will influence the way Denverites think about big cats, plus an Aurora councilwoman's NSFW texts, at tattoo shop gets phallic revenge, and another Chicano mural is whitewashed with no warning. Here are some links to Elliot's coverage of the mountain lion hunting ban measure and the stress of wolf reintroduction on CPW. Paul found some unedited footage of the phallic paintings on the tattoo shop and played a clip of Kyle Clark's interview on 9Newwith the Secretary of State. Bree mentioned Denver's push to get incarcerated people to the polls, David Ocelotl Garcia's previously whitewashed — and then restored — mural, “Huitzilopochtli”, and a piece from the GES Gazette, “Can Art Survive Here?”. What do you think about the proposal to ban big cat hunting? Text or leave us a voicemail with your name and neighborhood, and you might hear it on the show: 720-500-5418‬ For even more news from around the city, subscribe to our morning newsletter Hey Denver at denver.citycast.fm. Follow us on Instagram: @citycastdenver Chat with other listeners on reddit: r/CityCastDenver Support City Cast Denver by becoming a member: membership.citycast.fm/Denver Learn more about the sponsors of this November 1st episode: Denver Heath Denver Public Library - RSVP to the grand reopening here Denver Film - Get your tickets here! BetterHelp - get 10% off at betterhelp.com/CITYCAST New Era Colorado PineMelon - Use promo code CITYCASTDENVER for $35 off your first delivery Looking to advertise on City Cast Denver? Check out our options for podcast and newsletter ads at citycast.fm/advertise Learn more about your ad choices. Visit megaphone.fm/adchoices

Tenochtitlan, fundada en 1325 en una isla del lago Texcoco, fue la capital del Imperio azteca y una de las ciudades más avanzadas de su tiempo. Los mexicas, guiados por Huitzilopochtli, construyeron una metrópoli con templos, palacios y canales. Su esplendor terminó en 1521 con la conquista castellana liderada por Hernán Cortés, quien, tras un largo asedio, destruyó la ciudad. Esto marcó el fin del Imperio azteca y el comienzo de la colonización por la Monarquía Hispánica. Te lo cuentan Luis Castrillón, María Vázquez y Antonio Gómez. ✌️Victoria Podcast pertenece al Canal de 🏭Factoría Casus Belli ⭐Victoria Podcast forma parte del 📀 Sello Ivoox Originals, por lo que solo lo podrás escuchar en esta plataforma. 📚 Zeppelin Books zeppelinbooks.com es un sello editorial de la 🏭 Factoría Casus Belli. ⚡SUSCRÍBETE para recibir cada semana un nuevo programa en tu iVoox. ❤️Danos un LIKE si crees que nos lo hemos merecido. 👍Estamos en TWITTER como @PodcastVictoria @PodcastVictoria 💪SI QUIERES APOYARNOS puedes hacerlo con el 🆒botón azul de apoyar, y por un euro y medio al mes tendrás ACCESO ANTICIPADO de 4 semanas a todos los programas, y además SIN PUBLICIDAD. También ACCESO AL HISTÓRICO que son los programas que llevan 1 año publicados. Si quieres contratar publicidad o episodios patrocinados en este podcast 👉 https://www.advoices.com/victoria-podcast-historia 🎵La música que nos acompaña es “Battlecry” de Grégoire Lourme bajo licencia Creative Commons. https://creativecommons.org/licenses/by-nd/3.0/ 🎭Las OPINIONES expresadas en este programa de pódcast, son de exclusiva responsabilidad individual. Que cada palo aguante su vela. ⚛️ El logotipo de Victoria y de la Factoría Casus Belli están diseñados por Publicidad Fabián publicidadfabian@yahoo.es Muchas gracias por escucharnos, y hasta la próxima. ¿Quieres anunciarte en este podcast? Hazlo con advoices.com/podcast/ivoox/781831

We'll be back next week with a new episode. In the meantime, we're excited that our friends at Off the Walls are taking over the feed this week – with the people and the stories behind Denver's street art. Listen to all five episodes of Off the Walls on CPR.org or wherever you listen to podcasts. To see photos of the mural “Huitzilopochtli,” visit CPR.org. Credits for “The Hummingbird Warrior” from Off the Walls: Hosts: Kibwe Cooper, Emily Williams Editor: Jo Erickson Written and reported by Emily Williams and Kibwe Cooper Mixed by Kibwe Cooper Denverite editor: Obed Manuel Additional editorial support: Kevin Beaty, Erin Jones, Rebekah Romberg, Luis Antonio Perez Theme music by Kibwe Cooper. Additional music via Universal Production Music. Executive producer: Brad Turner, Kevin Dale Thanks also to Kevin Beaty, Hart Van Denburg, Jodi Gersh, Kyle Harris, Desiree Mathurin, Kim Nguyen, Maria Juliana Pinzón, Clara Shelton, Rebecca Tauber, Isaac Vargas, Arielle Wilson. This show was produced with support from PRX, and is made possible in part by a grant from the John S. and James L. Knight Foundation and a grant from the Bonfils-Stanton Foundation. Off the Walls is a production of Denverite and Colorado Public Radio — part of the NPR Network. Credits for ¿Quién Are We?: Host and producer: May Ortega Mixed by: Emily Williams Editors: Erin Jones, Andrew Villegas Project Manager: Rebekah Romberg Additional editorial support: Jo Erickson, Kibwe Cooper, Luis Antonio Perez Theme music by Pedro Lumbrano; additional music courtesy Universal Production Music Cover art: Mia Rincón Executive producers: Brad Turner, Kevin Dale Thanks also to Hart van Denburg, Jodi Gersh, Clara Shelton, Matt Herz, Kim Nguyen, Brittany Werges and CPR's members and staff. QuienAreWe.org Follow May on Twitter: @MayVOrtega

Donde hoy se alza Ciudad de México se fundó Tenochtitlán, la capital de los mexicas o aztecas. Cultos y tecnológicamente muy avanzados, lograron transformar una inhóspita zona pantanosa en el corazón de un imperio que llegó a sumar 500.000 km2. Un antiguo mito cuenta que los aztecas (autodenominados mexicas, de donde procede el topónimo México) abandonaron la isla de Aztlán (“lugar de las garzas”). El dios Huitzilopochtli les predestinó a convertirse en el Imperio del Sol, pero antes debían encontrar una señal divina: un águila devorando a una serpiente. Eso les indicaría dónde estaba la tierra en la que debían instalarse. Aquel grupo de cazadores nómadas peregrinó –esto es un hecho probado, al margen del mito– durante más de 200 años hasta que, en 1325, halló la señal. Allí fundaron Tenochtitlán, sobre las aguas del lago Texcoco, como una reminiscencia de su mítica isla de Aztlán. Aquel largo periplo y los lugares donde se fueron asentando están descritos en varios códices que recogen dibujos y textos prehispánicos, entre ellos el conocido como Tira de la peregrinación. Sin embargo, las informaciones que albergan estas obras son en general mitológicas y además contradictorias entre sí. Déjanos tu comentario en Ivoox o Spotify, o escríbenos a podcast@zinetmedia.es Comparte nuestro podcast en tus redes sociales, puedes realizar una valoración de 5 estrellas en Apple Podcast o Spotify. Texto: Laura Manzanera Dirección, locución y producción: Iván Patxi Gómez Gallego Contacto de publicidad en podcast: podcast@zinetmedia.es

Between 1998 and 2006, at least 48 elderly women were strangled to death in Mexico City. These murders would lead to Mexico's first ever investigation into an active serial killer. The task force was certain that a man was responsible for the killings, and were shocked to realize the killer was a middle-aged mother of four.  A wannabe luchadora who told friends she once wrestled under the name of the Lady of Silence. Watch the Suck on YouTube: https://youtu.be/HJtJRTu_ILIMerch: https://www.badmagicmerch.comTimesuck Discord! https://discord.gg/tqzH89vWant to join the Cult of the Curious Private Facebook Group? Go directly to Facebook and search for "Cult of the Curious" to locate whatever happens to be our most current page :)For all merch-related questions/problems: store@badmagicproductions.com (copy and paste)Please rate and subscribe on Apple Podcasts and elsewhere and follow the suck on social media!! @timesuckpodcast on IG and http://www.facebook.com/timesuckpodcastWanna become a Space Lizard? Click here: https://www.patreon.com/timesuckpodcast.Sign up through Patreon, and for $5 a month, you get access to the entire Secret Suck catalog (295 episodes) PLUS the entire catalog of Timesuck, AD FREE. You'll also get 20% off of all regular Timesuck merch PLUS access to exclusive Space Lizard merch. And you get the download link for my secret standup album, Feel the Heat.

Las guerras Floridas de mesoamerica Las guerras Floridas fueron una serie de conflictos bélicos que se desarrollaron entre los mexicas y diversos pueblos mesoamericanos, principalmente los tlaxcaltecas, los huexotzincas y los cholultecas, desde el siglo XV hasta la llegada de los españoles. El objetivo principal de estas guerras era obtener prisioneros para ser sacrificados en honor a los dioses, especialmente a Huitzilopochtli, el dios de la guerra y el sol. Las guerras Floridas se iniciaron durante el reinado de Moctezuma I, quien estableció una alianza con Texcoco y Tlacopan para formar la Triple Alianza, que dominó gran parte del centro de México. Moctezuma I emprendió varias campañas militares para expandir su territorio y obtener tributos, pero también para capturar cautivos que sirvieran como ofrendas en las ceremonias religiosas. Estas guerras se llamaron Floridas porque se realizaban en la época de floración de las plantas, y porque los guerreros se adornaban con flores y plumas. Las guerras Floridas no buscaban la aniquilación o la conquista total del enemigo, sino el mantenimiento de un equilibrio de poder que permitiera la renovación periódica del ciclo cósmico. Los mexicas consideraban que el sacrificio humano era necesario para alimentar al sol y evitar el fin del mundo. Por eso, las guerras Floridas tenían un carácter ritual y simbólico, en el que se respetaban ciertas reglas y se evitaba el uso de armas letales. Los combates se realizaban en campos abiertos, previamente acordados, y se limitaban a ciertos días y horas. Las guerras Floridas tuvieron un impacto profundo en la cultura y la sociedad mesoamericana. Por un lado, generaron una gran cantidad de víctimas, tanto entre los prisioneros como entre los combatientes. Por otro lado, estimularon el desarrollo de las artes, la ciencia, la política y la religión. Los mexicas construyeron impresionantes templos y pirámides para honrar a sus dioses y a sus guerreros. También desarrollaron un complejo sistema de escritura, calendario, astronomía y matemática. Asimismo, crearon una ideología que legitimaba su dominio sobre los demás pueblos. Las guerras Floridas terminaron con la llegada de los españoles, quienes aprovecharon las rivalidades existentes entre los mesoamericanos para aliarse con algunos de ellos y derrotar a los mexicas. Los españoles impusieron su religión, su cultura y su sistema político, poniendo fin a una época de esplendor y gloria para los pueblos del Anáhuac. ----------------------------------------------------------------------------------------------------------------- ***VIAJE AGOSTO 2024*** https://antenahistoria.com/normandia-memorable/ ----------------------------------------------------------------------------------------------------------------- Antena Historia te regala 30 días PREMIUM, para que lo disfrutes https://www.ivoox.com/premium?affiliate-code=b4688a50868967db9ca413741a54cea5 ---------------------------------------------------------------------------------------- Produce Antonio Cruz Edita ANTENA HISTORIA Antena Historia (podcast) forma parte del sello iVoox Originals ---------------------------------------------------------------------------------------- web……….https://antenahistoria.com/ correo.....info@antenahistoria.com Facebook…..Antena Historia Podcast | Facebook Twitter…...https://twitter.com/AntenaHistoria Telegram…...https://t.me/foroantenahistoria DONACIONES PAYPAL...... https://paypal.me/ancrume ---------------------------------------------------------------------------------------- ¿QUIERES ANUNCIARTE en ANTENA HISTORIA?, menciones, cuñas publicitarias, programas personalizados, etc. Dirígete a Antena Historia - AdVoices Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Las guerras Floridas de mesoamerica Las guerras Floridas fueron una serie de conflictos bélicos que se desarrollaron entre los mexicas y diversos pueblos mesoamericanos, principalmente los tlaxcaltecas, los huexotzincas y los cholultecas, desde el siglo XV hasta la llegada de los españoles. El objetivo principal de estas guerras era obtener prisioneros para ser sacrificados en honor a los dioses, especialmente a Huitzilopochtli, el dios de la guerra y el sol. Las guerras Floridas se iniciaron durante el reinado de Moctezuma I, quien estableció una alianza con Texcoco y Tlacopan para formar la Triple Alianza, que dominó gran parte del centro de México. Moctezuma I emprendió varias campañas militares para expandir su territorio y obtener tributos, pero también para capturar cautivos que sirvieran como ofrendas en las ceremonias religiosas. Estas guerras se llamaron Floridas porque se realizaban en la época de floración de las plantas, y porque los guerreros se adornaban con flores y plumas. Las guerras Floridas no buscaban la aniquilación o la conquista total del enemigo, sino el mantenimiento de un equilibrio de poder que permitiera la renovación periódica del ciclo cósmico. Los mexicas consideraban que el sacrificio humano era necesario para alimentar al sol y evitar el fin del mundo. Por eso, las guerras Floridas tenían un carácter ritual y simbólico, en el que se respetaban ciertas reglas y se evitaba el uso de armas letales. Los combates se realizaban en campos abiertos, previamente acordados, y se limitaban a ciertos días y horas. Las guerras Floridas tuvieron un impacto profundo en la cultura y la sociedad mesoamericana. Por un lado, generaron una gran cantidad de víctimas, tanto entre los prisioneros como entre los combatientes. Por otro lado, estimularon el desarrollo de las artes, la ciencia, la política y la religión. Los mexicas construyeron impresionantes templos y pirámides para honrar a sus dioses y a sus guerreros. También desarrollaron un complejo sistema de escritura, calendario, astronomía y matemática. Asimismo, crearon una ideología que legitimaba su dominio sobre los demás pueblos. Las guerras Floridas terminaron con la llegada de los españoles, quienes aprovecharon las rivalidades existentes entre los mesoamericanos para aliarse con algunos de ellos y derrotar a los mexicas. Los españoles impusieron su religión, su cultura y su sistema político, poniendo fin a una época de esplendor y gloria para los pueblos del Anáhuac. ----------------------------------------------------------------------------------------------------------------- ***VIAJE AGOSTO 2024*** https://antenahistoria.com/normandia-memorable/ ----------------------------------------------------------------------------------------------------------------- Antena Historia te regala 30 días PREMIUM, para que lo disfrutes https://www.ivoox.com/premium?affiliate-code=b4688a50868967db9ca413741a54cea5 ---------------------------------------------------------------------------------------- Produce Antonio Cruz Edita ANTENA HISTORIA Antena Historia (podcast) forma parte del sello iVoox Originals ---------------------------------------------------------------------------------------- web……….https://antenahistoria.com/ correo.....info@antenahistoria.com Facebook…..Antena Historia Podcast | Facebook Twitter…...https://twitter.com/AntenaHistoria Telegram…...https://t.me/foroantenahistoria DONACIONES PAYPAL...... https://paypal.me/ancrume ---------------------------------------------------------------------------------------- ¿QUIERES ANUNCIARTE en ANTENA HISTORIA?, menciones, cuñas publicitarias, programas personalizados, etc. Dirígete a Antena Historia - AdVoices Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Hoy en La Cueva De lMago les traemos un podcast sobre un dato curioso ¿sabian que Huitzilopochtli fue representado como demonio en algunas ilustraciones europeas? Existen grabados europeos en donde Huitzilopochtli, fue representado como demonio gobernando el mundo indígena con alas de murciélago, patas de cabra y un rostro perverso , una muy mala interpretacion por parte de los conquistadores y desde una optica cristiana

Our last episode of Season 1: A Solstice Lament, Creation Myths, Huitzilopochtli, Aztec God of the Sun and War, Utopia, Dystopia, & the Power of the Word. Join us for the last episode of Season One!

Whether you own your home or rent we'll break down what this week's special legislative session means for you taxwise. Then, a Denver rabbi addresses her congregation after marching on Washington, D.C. in support of Israel. And "Off the Walls" on the restoration of "Huitzilopochtli," the Hummingbird Warrior.

Whether you own your home or rent we'll break down what this week's special legislative session means for you taxwise. Then, a Denver rabbi addresses her congregation after marching on Washington, D.C. in support of Israel. And "Off the Walls" on the restoration of "Huitzilopochtli," the Hummingbird Warrior.

Painting his first mural was a powerful experience for artist David Ocelotl Garcia. But a few years ago, that mural, "Huitzilopochtli," was painted over, without permission. David set out to bring the mural back, but he didn't know how that would go. No one in Colorado had attempted what he was going to do. In the process, David discovered the beauty in not just making art, but reviving it. To learn more about the Chicano/a/x Murals of Colorado Project, visit chicanomuralsofcolorado.com. You can find the mural at 2895 West 8th Ave in Denver. To see photos of the mural, visit CPR.org/podcast/off-the-walls. We've collaborated with Apple Maps to create a guide to the murals and special places you've heard about on Off the Walls. It features a map of some of the coolest public art in Colorado, plus photos of the murals we talk about on the show. To check it out, go to apple.co/Off-The-Walls. Hosts: Kibwe Cooper, Emily Williams Editor: Jo Erickson Written and reported by Emily Williams and Kibwe Cooper Mixed by Kibwe Cooper Denverite editor: Obed Manuel Additional editorial support: Kevin Beaty, Erin Jones, Rebekah Romberg, Luis Antonio Perez Theme music by Kibwe Cooper. Additional music via Universal Production Music. Artwork: Maria Juliana Pinzón Photography: Kevin Beaty Executive producer: Brad Turner, Kevin Dale Thanks also to Hart Van Denburg, Jodi Gersh, Kyle Harris, Desiree Mathurin, Kim Nguyen, Clara Shelton, Rebecca Tauber, Isaac Vargas, Arielle Wilson. This show was produced with support from PRX, and is made possible in part by a grant from the John S. and James L. Knight Foundation and a grant from the Bonfils-Stanton Foundation. Off the Walls is a production of Denverite and Colorado Public Radio — part of the NPR Network. Denverite.com

Mexico's Bumblebee Hummingbird is one of the smallest birds in the world. Less than 3 inches in size and weighing less than a bottlecap, they're easily confused with a bumblebee as they buzz by. But as tiny as they are, they defend their breeding territories fiercely. Perhaps that's why the ancient Mexicas associated hummingbirds with their most important god: Huitzilopochtli, the god of war…and of love. Huitzil means hummingbird in Náhuatl.More info and transcript at BirdNote.org. Want more BirdNote? Subscribe to our weekly newsletter. Sign up for BirdNote+ to get ad-free listening and other perks. BirdNote is a nonprofit. Your tax-deductible gift makes these shows possible.

El Zumbador Mexicano es una de las aves más pequeñas del mundo. Con menos de ocho centímetros de tamaño y pesando menos que la tapa de una botella, se pueden confundir fácilmente con un abejorro cuando pasan zumbando por ahí. A pesar de su pequeño tamaño, defienden ferozmente sus territorios de reproducción. Quizás por eso los antiguos mexicas asociaban a los colibríes con su dios más importante: Huitzilopochtli, el dios de la guerra... y del amor. Huitzil significa colibrí en náhuatl.Visite birdnote.org para obtener más información y una transcripción de este episodio.

Independentemente da cultura e da mitologia que analisamos: é sempre briga de família! Separe trinta minutos do seu dia e aprenda com o professor Vítor Soares (@profvitorsoares) sobre como é a Mitologia Asteca. - Se você quiser ter acesso a episódios exclusivos e quiser ajudar o História em Meia Hora a continuar de pé, clique no link: www.apoia.se/historiaemmeiahora - Compre nossas camisas, moletons e muito mais coisas com temática História na Lolja! www.lolja.com.br/creators/historia-em-meia-hora/ - PIX e contato: historiaemmeiahora@gmail.com Apresentação: Prof. Vítor Soares. Roteiro: Prof. Vítor Soares e Prof. Victor Alexandre (@profvictoralexandre) REFERÊNCIAS USADAS - BOONE, EH. Encarnações do Sobrenatural Asteca: A Imagem de Huitzilopochtli no México e na Europa. Transações da Sociedade Filosófica Americana, 1989. - BRUNDAGE, BC. Huitzilopochtli: Era Mundial e Guerra no Cosmos Mexica. História das Religiões, 1979. - BEALE, G. K. Você se torna aquilo que adora. São Paulo: Editora Vida Nova, 2014 - MORENO, Aguilar M. Manual para a vida no mundo asteca. Imprensa da Universidade de Oxford, 2006. - Syed Rafid Kabir, "Huitzilopochtli: O Deus da Guerra e o Sol Nascente da Mitologia Asteca", History Cooperative , 30 de março de 2023, https://historycooperative.org/huitzilopochtli/ .

Buenos días, hoy nuestro invitado el Sr Fernando Rosas López nos lleva a Santa Cruz Acalpixca de la alcaldía Xochimilco y nos comparte sobre la  tradición familiar dentro de la agroindustria la elaboración de dulces típicos, ya que las distintas recetas, procesos e ingredientes han sido compartidas de generación en generación de su familia, ya durante cuatro neraciones con el fin de preservar la vida de los exquisitos y deliciosos  Dulces Tradicionales Mexicanos delicias de sabores y color variados. Que México custodia para el mundo de color, siendo interesante que a partir de frutos, semillas, huevo y leche como elementos principales con miel, jarabe de maguey, piloncillo, azúcar, harina de trigo, canela, vainilla, anís y otros elementos complementarios, se elaboren productos que prolongan su disponibilidad como golosinas con sabor artesanal algunas de origen prehispánico y otras producto de la fusión de gustos y tradiciones durante la época de la  colonia española. Desde tiempos prehispánicos la gastronomía mexicana nos complace el paladar con sabores salados, amargos, ácidos y dulces. Lo dulce es acompañante e guisos emblemáticos cpmo el mole o los chiles en nogada y en forma importante la tradición del gusto por los dulces. Estas delicias de sabores variados que México guarda para el mundo son vastos y llenos de color y unos de los que seguro conoces, son saludables y ricos postres que se encarga de endulzar el alma de cualquiera.    El caso de las frutas cristalizadas y sus particularidades  así como las innovaciones  y las golosinas muy conocidas por todos, recordando la gran variedad de dulces tradicionales cristalizados como calabaza, chilacayote, camote, membrillo, higos, piña, coco, limón y naranja entre otros y las innovaciones que sorprenden a todos, con el chile que se rellena que es de los más recientes, también comparte la tradición que hay en la población y enriquecen con la elaboración de alegrías, palanquetas de cacahuate, de semillas de calabaza o pepitas, ajonjolí o nuez, cacahuates garapiñados, cocadas, ates, suspiros y gaznates, muéganos, tamarindos, obleas de cajeta y pepitorias, dulces de leche cajeta, glorias, merengues, duquesas, jamoncillo con piñones, nueces, higos, . Glorias, mostachos, macarrones, borrachitos,  lagrimas, botellitas de anís, entre otros manjares que a mucho hacen salivar, muy importantes en determinadas fechas del año para contribuir con la gastronomía mexicana.    Alimentos importantes para la nutrición de los pueblos originarios, un ejemplo el amaranto en la época prehispánico dio origen a las alegrías que  eran preparadas con miel de abeja o jarabe de maguey, se adicionaba frutos secos como pasas, cacao, nueces o cacahuates. Y en ocasiones se incluía cacao o fresas que contribuye con sus sabores tan particulares, golosinas que también fueron usados como monedas de cambio o con fines ceremoniales, como ofrendas a Huitzilopochtli (el dios de la guerra) con presentaciones  de forma cuadrada, redonda o figuras diversas. Además los dulces tradicionales contribuyen a la sana  y nutritiva alimentación con sus componentes tan variados por ejemplo las alegríasc de amaranto además de ser deliciosas son muy nutritivas, contienen una gran cantidad de nutrientes, fuente de proteínas que contienen vitaminas A, B, C y B1, B2 y B3, minerales, ácido fólico, calcio, hierro y fósforo y muchos otros elementos.     Te invitamos a escucharlo y difundirlo     GRACIAS

When you think of the most impressive empires in the world, you cannot avoid thinking of the Aztec Empire, the powerful Mesoamerican civilization that conquered much of modern-day Mexico and was comprised of several million people. This is because, for a civilization that ruled over 500 years ago, the Aztecs accomplished many impressive feats in terms of medicine, society and technology, and were extremely skilled at the arts of diplomacy and war. However… this civilization also had a great lust for conquest and blood, and both their practices of human sacrifices and slavery made them hated among local tribes that they had subjugated. Because of this, it is no surprise that when the Spanish colonizers arrived on their shores, a great alliance of indigenous people rose up to smash them. But how exactly did the Aztecs fall, and how was their society structured? Find out in this week's episode of the Learn Spanish with Stories podcast! Transcript of this episode is available at: https://podcast.lingomastery.com/listen/1169

Hey guys! We are back after a month away. Todays episode reflects that, its a long one! We jump all over the place, skip to 35 minutes if you want to get right into the actual episode haha. Give it a listen and let us know what you thought here! https://linktr.ee/Mythologicast Also, we hit 1000 listens, again! Thank you guys so much for listening, we truly appreciate each and every one of you.

La terre est glissante Ce principe était en vigueur dans le système de croyance des Aztèques, une civilisation avancée qui a existé entre le 14e et le début du 16e siècle. Il y a 40 ans, j'étais au Mexique avec mes parents, les temples m'ont fait une grande impression, jusqu'à aujourd'hui, les structures monumentales ne me sortent plus de la tête. Les hommes, les animaux et les plantes s'adaptaient parfaitement à leur habitat, mes visites sur les pyramides des peuples passés ont été un "point culminant" de ma vie. De mes visites au Mexique, je retiens cette phrase : "La terre est glissante". Selon les croyances de la civilisation mésoaméricaine, tout homme pouvait glisser sur la terre glissante ; le "mal", comme le "bien", n'était pas séparé dans la tradition continue de la religion indigène, mais s'opposait directement comme faisant partie de la vie. Les différents chapitres de l'histoire contemporaine ont marqué cette région, et malgré l'adversité, la fusion des influences spirituelles a une énorme présence jusqu'à aujourd'hui. Et oui, la terre est glissante, à tout moment nous pouvons glisser, tomber, toucher le sol. Tout le monde peut glisser, mais comment gérons-nous nos erreurs ? Que savons-nous de la religion des Aztèques, des Mayas et des Incas ? Peu de choses ! Les conquérants ont fait du bon travail et ont rapidement scellé le destin du nouveau monde. Il reste peu de choses de la culture des habitants d'Amérique centrale, mais cette phrase est passée à la postérité : "La terre est glissante". Qu'a vu ce continent au cours des siècles, l'oppression et l'esclavage sont venus comme un péché originel par les Européens, le contexte traumatique n'a pas été suffisamment traité jusqu'à aujourd'hui. Le principal dieu des hommes polythéistes était "Huitzilopochtli", le dieu du soleil et de la guerre, généralement représenté par un jaguar. En raison du changement des générations en cours, il y avait le concept de sélection naturelle, "l'arbre de vie" était compris dans leur culture comme une évolution ! J'ai beaucoup aimé la philosophie spirituelle de la "terre glissante", je ne cesse d'y penser. J'ai confiance en l'avenir, chaque personne peut "glisser" une fois, car la terre est vraiment très glissante. L'enseignement de Bouddha est très proche de cette conception, nous aussi, hommes d'aujourd'hui, devrions donner une nouvelle chance à nos semblables qui ont glissé, nous avons le droit de faire des erreurs en tant que partie de la nature, notre destin est écrit selon Bouddha, nous ne sommes donc pas coupables. La transformation en un être d'âme se fonde sur le concept d'"illumination", sur le pardon, sur l'amour et sur le pardon. Notre plus grande gloire n'est pas de ne jamais tomber, mais de nous relever à chaque fois. - Nelson Mandela - ancien président de l'Afrique du Sud - 1918 à 2013 Dieu a manifestement aimé les gens ordinaires, car il en a fait tant. - Abraham Lincoln - 16e président des États-Unis d'Amérique - 1809 à 1865 Copyright : https://shaolin-rainer.de (Veuillez également télécharger mon application „Shaolin-Rainer" depuis les magasins Apple et Android) Veuillez nous noter sur Apple, Google ou Spotify podcast pour nous aider à promouvoir l'émission. --- Send in a voice message: https://podcasters.spotify.com/pod/show/buddha-blog-francais/message

The earth is slippery This principle was valid in the belief system of the Aztecs, an advanced civilization that existed between the 14th and the early 16th century. 40 years ago I was in Mexico with my parents, the temples made a great impression on me, until today I can't get the monumental structures out of my head. People, animals and plants adapted perfectly to their habitat, my visits to the pyramids of the past peoples were a "highlight" in my life. From my visits to Mexico, this sentence has remained in my memory: "The earth is slippery". According to the beliefs of Mesoamerican civilization, anyone could slip on the slippery earth; "evil," like "good," was not separate from each other in the continuing tradition of indigenous religion, but was directly opposed to each other as part of life. The various chapters of contemporary history have shaped this area; against all odds, the fusion of spiritual influences has enormous presence to this day. And yes, the earth is slippery, at any time we can slip, fall, hit the ground. Anyone can slip, but how do we deal with our mistakes? What do we know about the religion of the Aztecs and the Mayas, the Incas? Little! The conquerors did a great job, had quickly sealed the fate of the New World. Little is left of the culture of the Central American inhabitants, but this phrase has been handed down: "The earth is slippery". What has this continent seen over the centuries, oppression and enslavement came as original sin by the Europeans, the traumatic background is still not sufficiently processed. Main god of the polytheistic people was "Huitzilopochtli", the god of the sun and war, mostly represented as a jaguar. Due to the change of the ongoing generations there was the concept of natural selection, the "tree of life" was understood as evolution in their culture! I liked the spiritual philosophy of the "slippery earth" very much, again and again I have to think about it. I trust in the future, every person is allowed to "slip" once, because the earth is really very slippery. Buddha's teaching is very similar to this view, also we today's people should give the fellow human beings who slipped again a chance, we as a part of nature are allowed to make mistakes, our fate is written according to Buddha, therefore we are not at fault. The transformation to a soul being is based in the concept of "enlightenment", in forgiving, in love and in forgiveness. Our greatest glory is not to never fall, but to rise again every time. - Nelson Mandela - former President South Africa - 1918 to 2013 God obviously loved ordinary people, because he made so many of them - Abraham Lincoln - 16th President of the United States of America - 1809 to 1865 Copyright: https://shaolin-rainer.de (Please also download my app "Buddha-Blog English" from the Apple and Android stores) Please rate us on Apple, Google, or Spotify podcast to help us promote the show

Copyright: https://shaolin-rainer.de Bitte laden Dir auch meine App "Buddha-Blog" aus den Stores von Apple und Android. Dieser Grundsatz galt im Glaubenssystem der Azteken, einer Hochkultur, die zwischen dem 14. und dem frühen 16. Jahrhundert existierte. Vor 40 Jahren war ich mit meinen Eltern in Mexiko, die Tempel haben einen großen Eindruck auf mich gemacht, bis heute gehen mir die monumentalen Strukturen nicht mehr aus dem Kopf. Menschen, Tiere und Pflanzen passten sich ihrem Lebensraum hervorragend an, meine Besuche auf den Pyramiden der vergangenen Völker waren ein „Höhepunkt“ in meinem Leben. Von meinen Besuchen in Mexiko ist mir dieser Satz im Gedächtnis geblieben: "Die Erde ist glitschig" Nach dem Glauben der mesoamerikanischen Zivilisation konnte jeder Mensch auf der glitschigen Erde ausrutschen; das „Böse“ war, wie das „Gute“, in der fortwährenden Tradition der indigenen Religion nicht getrennt voneinander, sondern stand sich als Teil des Lebens direkt gegenüber. Die verschiedenen Kapitel der Zeitgeschichte haben diese Gegend geprägt, trotz aller Widrigkeiten hat die Fusion der spirituellen Einflüsse bis heute enorme Präsenz. Und ja, die Erde ist glitschig, jederzeit können wir ausrutschen, fallen, am Boden aufkommen. Jeder kann ausrutschen, wie aber gehen wir mit unseren Fehlern um? Was wissen wir von der Religion der Azteken und der Mayas, der Inkas? Wenig! Die Eroberer haben ganze Arbeit geleistet, hatten das Schicksal der neuen Welt schnell besiegelt. Von der Kultur der mittelamerikanischen Bewohner ist wenig übrig, aber dieser Satz wurde überliefert: "Die Erde ist glitschig". Was hat dieser Kontinent über die Jahrhunderte gesehen, Unterdrückung und Versklavung kam als Erbsünde durch die Europäer, der traumatische Hintergrund ist bis heute nicht ausreichend verarbeitet. Hauptgott der polytheistische Menschen war „Huitzilopochtli", der Gott der Sonne und des Krieges, meist dargestellt als Jaguar. Durch die Veränderung der laufenden Generationen gab es das Konzept der natürlichen Auslese, der „Baum des Lebens“ wurde in ihrer Kultur als Evolution verstanden! Mir hat die spirituelle Philosophie der „glitschigen Erde“ sehr gut gefallen, immer wieder muss ich daran denken. Ich vertraue in die Zukunft, jeder Mensch darf einmal „ausrutschen", denn die Erde ist wirklich sehr glitschig. Buddhas Lehre ist dieser Auffassung sehr ähnlich, auch wir heutigen Menschen sollten den Mitmenschen, die ausgerutscht sind, nochmals eine Chance geben, wir als ein Teil der Natur dürfen Fehler machen, unser Schicksal steht nach Buddha geschrieben, uns trifft daher auch keine SCHULD. Die Umwandlung hin zu einem Seelenwesen begründet sich im Konzept der „Erleuchtung“, im Vergeben, in der Liebe und im Verzeihen. Unser größter Ruhm ist nicht, niemals zu fallen, sondern jedes Mal wieder aufzustehen - Nelson Mandela - ehemaliger Präsident Südafrika - 1918 bis 2013

Hola estimados seguidores, hoy les voy a hablar de un personaje muy especial, su nombre es Dayami, ella pertenece a mi cultura, es parte de la esencia del pueblo mexica quien se encuentra en una situación bastante compleja porque es una de las doncellas que será sacrificadas para ofrecerlas al templo de Huitzilopochtli. esto por qué sucede. sucede porque se consideraba que la deidad solar requería de la sangre y el corazón de las doncellas para seguir iluminando el espacio que protegía al imperio azteca a ellas se les daba una bebida para qué sintieran una cierta estimulación ante lo que iban a hacer y se sintieran convencidas de que lo que iban a hacer estaba bien, esto, por una parte Por otra parte, les daban una flauta, con esa flauta avanzaban por las escalinatas del templo donde se encontraban con el Tlatoani, quien con una daga de obsidiana una vez que ellas estaban dispuestas en la piedra de los sacrificios, se iniciaba el ritual Entonces su pecho era abierto y el corazón sangrante expuesto y ofrecido a la deidad del Sol, es decir Huitzilopochtli; si lo vemos de esa manera realmente era muy salvaje, acompáñenme a descubrir algo más al respecto. --- Send in a voice message: https://podcasters.spotify.com/pod/show/aryg-f/message

Hierofanias, cabras, rigor , gripa , solsticio, invierno, se compran lavadoras , luna de dignidad, Huitzilopochtli, Coatlicue, y más.... . Nuestro tercer episodio de la temporada 5 con el astrólogo, chef e historiador Rodrigo Llanes. #justinetimeyoga#podcastjustinetime#temporada5#astrologia#lunanueva Historia del podcast Justine Time Un podcast creado por Mélanie Justine Marie Berthaud durante el encierro histórico de marzo 2020, como un walk and talk podcast sobre distintos temas y ahora una sola temporada, para abordar conversaciones íntimas o extimas sobre temas tales como: - sociedad, - psicoanálisis - literatura, - feminismo, - espiritualidad , con Thich Nhat Hanh, y el libro sobre Sanar el niño interior, que leemos en francés, así como el libro de Deepak Chopra: "Buda". El libro se publicó en 2007, con el título "Buddha: a story of enlightenment". - psicología y el trabajo de Bessel Van der Kolk, y el libro "The body keeps the score" - astrología y las entrevistas con el astróogo, chef e historiador Rodrigo Llanes. #besselvanderkolk#thebodykeepsthescore#traumasensitiveyoga#meljustinemarie#hypnotherapist#psychoanalysis#resilience#memory#yoga@justine.time.yoga.poetry.art#temporada5#chef#historiadorrodrigollanes#podcastjustinetime#justinetimeyogapoetryarts#astrology#moon#newmoons#newmoonrituals ¿Cómo interactuar ? Puedes sugerir temas y dejar mensajes vocales en la página de Anchor , y los incluimos en los episodios que siguen. ¡Animate! Aquí el link: https://anchor.fm/mel88888. ig: justine.time.yoga.poetry.art www.vinyasayogajustinetime.com Esperamos tus comentarios y preguntas. Gracias -------- Mel Berthaud es politóloga, profesora de yoga y meditación, psicoanalista e hipnoterapeuta. Ha integrado completamente la práctica de yoga como ciencia, filosofía y arte. Certificada por RYT500. Con más de 2000 horas de enseñanza registradas en Yoga Alliance. También ejerce el psicoanálisis desde hace 16 años. Es hipnoterapeuta y heutagoga. --- Send in a voice message: https://podcasters.spotify.com/pod/show/mel88888/message

  Late lies the wintry sun a-bed,A frosty, fiery sleepy-head;Blinks but an hour or two; and then,A blood-red orange, sets again.Before the stars have left the skies,At morning in the dark I rise;And shivering in my nakedness,By the cold candle, bathe and dress.Close by the jolly fire I sitTo warm my frozen bones a bit;Or with a reindeer-sled, exploreThe colder countries round the door.When to go out, my nurse doth wrapMe in my comforter and cap;The cold wind burns my face, and blowsIts frosty pepper up my nose.Black are my steps on silver sod;Thick blows my frosty breath abroad;And tree and house, and hill and lake,Are frosted like a wedding-cake.Robert Louis Stevenson Hierofanias, cabras, rigor , gripa , solsticio, invierno, se compran lavadoras , luna de dignidad, Huitzilopochtli, Coatlicue, y más.... . Nuestro tercer episodio de la temporada 5 con el astrólogo, chef e historiador Rodrigo Llanes. #justinetimeyoga#podcastjustinetime#temporada5#astrologia#lunanueva Buzzsprout -Puedes empezar tu podcast HOY. Si quieres apoyar el Podcast Justine Time y obteneruna tarjeta regalo para empezar tu propio podcast con Buzzsprout:Dale click en: https://www.buzzsprout.com/?referrer_id=1776044Mil gracias por tu apoyo y bienvenidx en la familia de podcasteros y podcasteras

This week in La Voz en Breve with Mariel Fiori is education and family week. I spoke with Laura Garcia about the December 17 Nuestro Futuro Conference, organized between the Newburgh Library and Orange County Community College, for Immigrants and Undocumented Families about the cultural misconceptions regarding college education. Sandra Salguero invited us to the end of the year celebration of the Latinos in Businesses that Succeed Together. Free, but please bring an unwrapped toy for the Rural Migrant Ministry on Friday, December 16 from 6-10pm at Brotherwood's in Washingtonville, NY. Register at eventbrite (eventbrite.com/e/latinos-in-business-annual-holiday-mixer-at-the-brotherhood-tickets-467996188197?) In addition, in her column La cultura cura, the teacher of the ancestral cultures of the Anahuac, Anita Campion, told us how to celebrate the Birth of Huitzilopochtli. Anita suggested we do a morning exercise every day until December 21 (the winter solstice) to develop willpower and decision-making power. The exercise consists of writing a list of blessings in a notebook, and writing down why we are grateful for each blessing. Read the list every day and at the end of each item say thank you. Write down five blessings each day, preferably different ones. This gratitude will help us to be happier and will develop our willpower.

Hay muchos mitos y legendas de como se creo el universo y este mundo en el que vivimos. ¿Pero has escuchado la leyenda de la creación de acuerdo a los antiguos Aztecas? Embarcate conmigo en esta fascinante historia de traición, rivalidad, infidelidad y trabajo en equipo. Expande tu mente con estos 4 dioses creadores Quetzalcóatl, Tezcatlipoca, Xipe Totec, y Huitzilopochtli. Lee un poco más sobre la rivalidad entre Quetzalcóatl y Tezcatlipoca. https://arqueologiamexicana.mx/mexico-antiguo/tezcatlipoca-frente-quetzalcoatlSígueme en redes sociales

In Aztec mythology, the god of the hunt, known as Mixcoatl, was identified with the Milky Way and the stars in Mesoamerican cultures. He was also the patron deity of the Otomi and the Chichimecs. Mixcoatl, was the Aztec god of hunting and the patron deity of the Tlaxcalans as well. Similar to Huitzilopochtli, he led the Chichime people to Tlaxcala. The city-states of Tlaxcala eventually sided with the Spaniards against the Aztec Empire.The god known as Mixcoatl was regarded as the central deity of the Tlaxcala and Huejotzingo peoples. It's believed that he was the leader of a group of warriors and hunters who lived in central Mexico. In Mesoamerican mythology, he's the father of multiple southern constellations and to Quetzalcoatl.As a hunter, Mixcoatl was often depicted using various weapons such as a bow and arrow, a basket, and a net. He was also known to wear a cloak of human skin. His own exposed skin was covered in white and red stripes, and he wore a headdress that was adorned with an eagle feather. Aztec art also commonly depicted yellow skin as people wearing the skin of sacrifice victims.Read more at https://mythlok.com/mixcoatl/

The Pro-Abortion domestic terrorists firebombing pro-life groups and pregnancy resource centers announce a “Night of Rage” for the evening that Roe v. Wade falls. The group “Jane's Revenge” calls for followers to carry their “anger out into the world” by “expressing it physically.” As the high places begin to crumble, we begin to realize that this culture war was always a proxy war for the spiritual war. The rage of Moloch, Tezcatlipoca, and Huitzilopochtli is only beginning and their disciples will do their master's biding. Time to wake up! Date: 06/16/22 To help UnAborted create more pro-life content and take our content to the streets, become a Patron of the show at https://www.patreon.com/unaborted To help Seth educate and expose culture to the evil of abortion so that every person has a right to be born, become a monthly supporter at https://unaborted.com/donate

This week we look at the Aztec goddess Coatlicue, whose name refers to the skirt of rattlesnakes that she wears. She is the mother of the 400 gods of the southern stars, and the war god Huitzilopochtli via a virgin birth, an event that prompted some of her other enraged children to attack and kill (or try to kill) her. The podcast focuses on her various attributes, and the way in which the celestial and chthonic are viewed differently in Aztec mythology.

The name of the deity Quetzalcoatl comes from the Nahuatl language, and it means "Precious Serpent," which is a reference to the serpent that is associated with the god. Quetzalcoatl was a prominent deity in the Aztec pantheon, as he was related to various phenomenon such as the planet Venus, the wind, and the sun and was also the patron of the Aztec priesthood. Aside from these, he was also associated with other gods such as Tlaloc, Huitzilopochtli, and Tezcatlipoca.In ancient Mesoamerica, Quetzalcoatl was one of the most important gods. He was known for his role in the creation of the world and its inhabitants. His name combines the Nahuatl words coatl and quetzal. From 1200, Quetzalcoatl was regarded as the patron deity of merchants and priests in Central Mexico. He was also known for inventing the calendar and was associated with various animals, such as the opossum and also the Morning Star Venus. He also discovered a mountain full of seeds and grains.Following the arrival of Nahua-speaking tribes in the north, Quetzalcoatl's cult underwent significant changes. During the Toltec era, his temple was the centre of ceremonial life in the city of Tula and the culture emphasises war and human sacrifice.Read more at https://mythlok.com/quetzalcoatl/

Today Al chats with the writer/creator of Aztec Warrior God, David Towner. https://youtu.be/TfTj1VWFd8U www.aztecwarriorgod.com https://www.facebook.com/aztecwarriorgod About Aztec Warrior God: The Project Aztec Warrior God is an exciting, action-filled superhero franchise created with modern audiences in mind. The story is crafted to appeal to broad, multicultural audiences with strong messages of equality, tolerance, racial and social harmony, environmental responsibility and compassion. While the characters are traditional superheroes, capable of using their powers for destruction, they practice restraint, diplomacy and seek intellectual solutions to problems before resorting to violence. The franchise features indigenous characters from every region of the world and a female-centric, ensemble cast, with 8 of the 13 ensemble characters being women.  The Series Facing imminent extinction during the final day of Hernan Cortes' assault on Tenochtitlan (August 13th, 1521), many surviving Tenochca withdraw into a designated region of the underworld (Mictlan) which was gifted by the god Huitzilopochtli, to re-build, re-populate and thrive without interference from the outside world. The gods subsequently granted 13 warriors and designated intellectuals, superpowers and immortality in order to ensure strict cultural preservation and maximum potential for advancement. Their immortality is preserved by a well-guarded water source known as the “Healing Waters” AKA fountain of youth. Over the next five hundred years, the intellectuals integrate themselves into various cultures around the world to develop an understanding of technology, cultural development and languages to ensure their prosperity during the 1000-year integration, always returning to their civilization in the underworld and sharing their teachings with their peers. Their intellectual and technological knowledge rival any country on earth. However, they remain true to their culture and live as they did in the 16th century. One designated warrior, Amoxtli, later nicknamed “Aztec” by society, has been granted powers of superhuman strength and shapeshifting, which he has spent nearly 500 years developing. He will emerge on earth on the 500th anniversary of their transition to Mictlan to fulfill his destiny. On August 13th, 2021, he will enter the world and find opportunities to help create a more stable, peaceful and sustainable planet, using his powers and knowledge. Amoxtli and his group are aided by warriors from the spirit world who have been hand-selected by the Spirit World Tribal Council (AKA "The Council"); Danuwoa (Cherokee) and Ahiga (Navajo) who appear periodically to serve as earthly guides as well as regional guides from Hindu, Zulu, and Taino cultures. About Emergence (First Chapter):  On the 500th anniversary of the fall of their empire (August 13th, 2021), the immortals emerge to discover a world that has been crippled by a Lassa virus pandemic. Upon discovering that the virus was created in a lab by a Russian Oligarch named Adrian Volkov, who is also manipulating and selling vaccines to the highest bidder, they decide to negotiate with him to help distribute vaccines to the most devastated countries. When Volkov makes it clear that he has no interest in supporting their cause, the warriors decide that his organization must be destroyed. Bio: Originally from Alaska (Chugiak-Eagle River), David Towner is an American Entrepreneur, Comedian, Writer and Filmmaker. Prior to pursuing his business and entertainment ventures, he served as a US Army Paratrooper with missions in Somalia, Haiti and Cuba. Towner is most known for his quirky feature film, Our Scripted Life, which was released in 2020 and was downloaded half a million times in the first three months after being released. The film was the public introduction to Towner's character Roscoe Turner, a hillbilly from Kentucky who offers his own brand of unsolicited wisdom. Towner is also the Creator and Head Writer for the graphic novel series, Aztec Warrior God, which has gained millions of fans around the world. He is married to model Brandi Mendoza. The couple has triplet girls, born in 2017, and reside primarily in Palm Beach County, Florida. Thanks for listening / watching! Host: Al Mega (Twitter/Instagram/Facebook): @TheRealAlMega / @ComicCrusaders Make sure to Like/Share/Subscribe if you haven't yet. https://www.youtube.com/c/comiccrusad… Twitch: https://www.twitch.tv/comiccrusaders Visit the official Comic Crusaders Comic Book Shop:  comiccrusaders.shop Visit the OFFICIAL Comic Crusaders Swag Shop at: comiccrusaders.us Episode 104 in an unlimited series! Main Site: https://www.comiccrusaders.com/​​​​ Sister Sites: http://www.undercovercapes.com​​​​ http://www.geekerymagazine.com​​​​ http://www.splinteredpress.com Pick up official Undercover Capes Podcast Network merchandise exclusively on RedBubble.com – bit.ly/UCPNMerch Streamyard is the platform of choice used by Comic Crusaders and The Undercover Capes Podcast Network to stream! Check out their premium plans for this amazing and versatile tool, sign up now: https://bit.ly/ComicCrusadersStreamyard

Los pobladores de Aztlan, al norte de lo que hoy en día es México, tuvieron que abandonar su hogar en busca de la tierra prometida por los dioses.Los futuros Aztecas o Mexicas, formados por pueblos nahuas, por órdenes del dios de la guerra y el sol, Huitzilopochtli tuvieron que dejar el lugar en el que residían e iniciar una peregrinación hasta encontrar un águila devorando a una serpiente posada sobre un nopal.Huitzilopochtli les dijo a los mexicas que cuando encontraran al águila sobre el nopal esa sería la señal de que habían llegado a la tierra en donde debían de fundar el imperio más poderoso de Mesoamérica.Descubre la historia completa en este episodio y si tienes alguna sugerencia de leyenda que deberíamos investigar, da click aquí. See acast.com/privacy for privacy and opt-out information.

La madre virgen que engendro al dios del sol y de la guerra, huitzilopochtli.

Con este episodio inicia la Segunda Temporada de el Chichimeco, y que mejor para iniciar el año, así que disfruta de lo que nos platica acerca de la Xiuhcóatl, serpiente de fuego, la misma que fue el arma de Huitzilopochtli en su nacimiento. No olvides seguir a 'El Chichimeco' en Facebook y YouTube. Y escucha una nueva entrega, todos los martes a las 7:30 PM y/o jueves a las 18:30 PM través de XAHNIradio. Te invitamos a escuchar en la plataforma que mas te guste: Spotify Anchor Apple Podcasts Google Podcasts Overcast Breaker Pocket Casts Radio Public

El Dios mexica Huitzilopochtli también nació a la media noche del 24 de diciembre. El Chichimeco nos platica sobre su nacimiento y su simetría con el nacimiento del sol. No olvides seguir a 'El Chichimeco' en Facebook y YouTube. Y escucha una nueva entrega, todos los martes a las 7:30 PM y/o jueves a las 18:30 PM través de XAHNIradio.

Historia completa -https://www.inah.gob.mx/boletines/2205-el-mito-del-nacimiento-de-huitzilopochtli https://arqueologiamexicana.mx/mexico-antiguo/en-coatepetl-el-nacimiento-de-huitztlopochtli

Welcome back to EverWorld! This second book, Land of Loss, is a lot darker. However, it's told through the mind of the most sarcastic character so at least we get some comedic relief along the way. We can't wait to dive more into this fantasy world filled with Greek and Aztec gods, vikings, and maybe even a dragon! Buckle up for another wild ride into, EVERWORLD.Be warned, there will be SPOILERS ahead in this episode. If you would like a spoiler free experience, check out K.A. Applegate's Everworld: Land of Loss. Don't forget to come back and join our weird book club podcast once you've finished the story!Check out our social media and send us some feedback! We can't wait to hear from you constant listeners!Twitter: @palaverweirdlitInstagram: @palaverpodcastGmail: palaverweirdlit@gmail.comWe are looking for MORE listener suggestions to expand our bookshelves and use in upcoming episodes! If you are interested in sharing a book you love with us or our weird book club, share your listener suggestions through our gmail (palaverweirdlit@gmail.com). Share with us the title of your book, a spoiler free summary of the book/series, and why you love the book. If you would not like your name shared with your suggestion please let us know in the email. We look forward to hearing from you!Intro & Outro MusicWaltz Of The Skeleton Keys by WombatNoisesAudio | https://soundcloud.com/user-734462061Music promoted by https://www.free-stock-music.comCreative Commons Attribution 3.0 Unported Licensehttps://creativecommons.org/licenses/by/3.0/deed.en_USI Saw A Ghost Last Night... by Leonell Cassio | https://soundcloud.com/leonellcassioMusic promoted by https://www.free-stock-music.comCreative Commons Attribution-ShareAlike 3.0 Unportedhttps://creativecommons.org/licenses/by-sa/3.0/deed.en_US

En Cultura de la alimentación, la Dra. Isaura Cecilia García, coordinadora de educación continua y vinculación de la Facultad de Filosofía y Letras, habla acerca de la historia de las posadas y de las cenas navideñas, las cuales comienzan con la llegada del adviento y tienen su origen en las celebraciones prehispánicas a Huitzilopochtli. Después de la conjunción de culturas y tras el período de La conquista se implementan algunos elementos básicos en la celebración: las piñatas, el ponche, los aguinaldos, las posadas, entre otros. ¿Y tú cómo las celebras?

Las frases de la semana. Ecos desde la FIL y entrevista con Cecilia Rendón, autora del libro Los hijos de Huitzilopochtli. Viernes de recomendaciones cinematográficas.

¿Quieres escuchar el audiolibro completo? Visita www.penguinaudio.comEl arqueólogo forense Diego Daza ha sido poseído por Kukulcán y no reacciona: mientras él se cree testigo de los designios de Huitzilopochtli, quien guía a su pueblo hacia la fundación de México, Tenochtitlan, sus amigos, encabezados por el hábil detective Delfino Endoque, preparan el enfrentamiento final contra Gregorio Urquidi y sus secuaces.Todos los misterios, las intrigas y los crímenes de los que hemos sido testigos en El misterio de la serpiente y La senda del jaguar en La revelación del águila serán revelados y resueltos. See acast.com/privacy for privacy and opt-out information.

Huitzilopochtli was a god of the Aztecs and was considered the supreme god of the Méxica. He was named Ce Técpatl and was associated with gold, warriors, and rulers. The Aztecs believed that the battle between him and Coyolxauhqui was a recurring theme that explained the daily exchange of sky control and the concept of night and day.Read more at https://mythlok.com/huitzilopochtli/

Today Al chats with the illustrators of Aztec Warrior God by David Towner, the very talented, Andrea and Diego Lopez Mata. https://www.youtube.com/watch?v=37j-bFd39zc www.aztecwarriorgod.com https://www.facebook.com/aztecwarriorgod About Aztec Warrior God: The Project Aztec Warrior God is an exciting, action-filled superhero franchise created with modern audiences in mind. The story is crafted to appeal to broad, multicultural audiences with strong messages of equality, tolerance, racial and social harmony, environmental responsibility and compassion. While the characters are traditional superheroes, capable of using their powers for destruction, they practice restraint, diplomacy and seek intellectual solutions to problems before resorting to violence. The franchise features indigenous characters from every region of the world and a female-centric, ensemble cast, with 8 of the 13 ensemble characters being women.  The Series Facing imminent extinction during the final day of Hernan Cortes' assault on Tenochtitlan (August 13th, 1521), many surviving Tenochca withdraw into a designated region of the underworld (Mictlan) which was gifted by the god Huitzilopochtli, to re-build, re-populate and thrive without interference from the outside world. The gods subsequently granted 13 warriors and designated intellectuals, superpowers and immortality in order to ensure strict cultural preservation and maximum potential for advancement. Their immortality is preserved by a well-guarded water source known as the “Healing Waters” AKA fountain of youth. Over the next five hundred years, the intellectuals integrate themselves into various cultures around the world to develop an understanding of technology, cultural development and languages to ensure their prosperity during the 1000-year integration, always returning to their civilization in the underworld and sharing their teachings with their peers. Their intellectual and technological knowledge rival any country on earth. However, they remain true to their culture and live as they did in the 16th century. One designated warrior, Amoxtli, later nicknamed “Aztec” by society, has been granted powers of superhuman strength and shapeshifting, which he has spent nearly 500 years developing. He will emerge on earth on the 500th anniversary of their transition to Mictlan to fulfill his destiny. On August 13th, 2021, he will enter the world and find opportunities to help create a more stable, peaceful and sustainable planet, using his powers and knowledge. Amoxtli and his group are aided by warriors from the spirit world who have been hand-selected by the Spirit World Tribal Council (AKA "The Council"); Danuwoa (Cherokee) and Ahiga (Navajo) who appear periodically to serve as earthly guides as well as regional guides from Hindu, Zulu, and Taino cultures. About Emergence (First Chapter):  On the 500th anniversary of the fall of their empire (August 13th, 2021), the immortals emerge to discover a world that has been crippled by a Lassa virus pandemic. Upon discovering that the virus was created in a lab by a Russian Oligarch named Adrian Volkov, who is also manipulating and selling vaccines to the highest bidder, they decide to negotiate with him to help distribute vaccines to the most devastated countries. When Volkov makes it clear that he has no interest in supporting their cause, the warriors decide that his organization must be destroyed. Bio: Originally from Alaska (Chugiak-Eagle River), David Towner is an American Entrepreneur, Comedian, Writer and Filmmaker. Prior to pursuing his business and entertainment ventures, he served as a US Army Paratrooper with missions in Somalia, Haiti and Cuba. Towner is most known for his quirky feature film, Our Scripted Life, which was released in 2020 and was downloaded half a million times in the first three months after being released. The film was the public introduction to Towner's character Roscoe Turner, a hillbilly from Kentucky who offers his own brand of unsolicited wisdom. Towner is also the Creator and Head Writer for the graphic novel series, Aztec Warrior God, which has gained millions of fans around the world. He is married to model Brandi Mendoza. The couple has triplet girls, born in 2017, and reside primarily in Palm Beach County, Florida. Thanks for listening / watching! Host: Al Mega (Twitter/Instagram/Facebook): @TheRealAlMega / @ComicCrusaders Make sure to Like/Share/Subscribe if you haven't yet. https://www.youtube.com/c/comiccrusad… Twitch: https://www.twitch.tv/comiccrusaders Visit the official Comic Crusaders Comic Book Shop:  comiccrusaders.shop Visit the OFFICIAL Comic Crusaders Swag Shop at: comiccrusaders.us Episode 1 in an unlimited series! Main Site: https://www.comiccrusaders.com/​​​​ Sister Sites: http://www.undercovercapes.com​​​​ http://www.geekerymagazine.com​​​​ http://www.splinteredpress.com Pick up official Undercover Capes Podcast Network merchandise exclusively on RedBubble.com – bit.ly/UCPNMerch Streamyard is the platform of choice used by Comic Crusaders and The Undercover Capes Podcast Network to stream! Check out their premium plans for this amazing and versatile tool, sign up now: https://bit.ly/ComicCrusadersStreamyard

En 1325 los aztecas encontraron la señal de los Dioses, un águila que, posada sobre un nopal, desgarraba una serpiente y decidieron fundar México-Tenochtitlán. Era un islote, un pedazo de tierra inhóspita, apenas elevado sobre el nivel de las aguas, fácilmente inundable y rodeado por dos lagos, el mayor de los cuales, Texcoco, era de agua salada, y el otro, Xochimilco, de agua dulce pero no potable. Nadie en su sano juicio hubiera fundado nada ahí, pero como tenían la venia de su dios principal, los aztecas no vacilaron. El nombre de la ciudad fue por el último sacerdote-caudillo y jefe militar que comandó la peregrinación de los aztecas, llamado "Tenoch" por ello el nombre de la ciudad. Gobernó hasta su muerte ocurrida en 1360. Casí 200 años vivió este imperio, se convirtieron en los mejores guerreros de esta tierra, abusaron de los pueblos aledaños por su fuerza e inteligencia, hasta 1518 cuando por la costa de Veracruz, unos hombre barbados y a caballo desembarcaron, y siguiendo sus creencias atribuyeron su presencia a la profecía del regreso de Huitzilopochtli. Momento que empezaría a marcar el fin del imperio azteca. Descubre en este episodio como fueron los siguientes 3 años, hasta el 13 de agosto de 1521, día que se consumo la toma de la ciudad en manos de los españoles.

"Cortés and his men leapt across the breach in the causeway to pursue the fleeing Aztecs, only to see them turn and attack. Drawn into the trap, Cortés and sixty-eight other Spaniards were captured and dragged off, leaving scores of others dead on the road. Ten captives were killed immediately, and…the remaining fifty-eight were taken to the towering Great Temple, which could plainly be seen from the Spaniards' camp, made to dance before the statue of the Aztec god of war, Huitzilopochtli, and then, on by one, they were sacrificed…Cortés escaped this fate only through the intervention of Cristóbal de Olea, who sprang to his defense, killed the four Aztecs who were dragging him off, and freed his leader at the cost of his own life. The very conquest of Mexico hung on this single act." — Ross Hassig, "The Immolation of Hernán Cortés    What if Cortés had died on the causeway or at any other point in his dangerous career? Join us as we continue asking "What if", speak to what might have happened if the conquistador had met his end at the hands of those he sought to conquer, and how our world might be different today. 

¿Quieres escuchar el audiolibro completo? Visita www.penguinaudio.comÉsta es la profecía de Quetzalcóatl, su revelación, nuestro destino.El 13 de agosto de 1521 cayó Tenochtitlán en manos de decenas de miles de guerreros de diversos pueblos y ciudades del Anáhuac. Los herederos de los toltecas se liberaron del terrible yugo de los hijos de Huitzilopochtli, con el inesperado pero indispensable apoyo de un puñado de aventureros castellanos. Una era llegó a su fin y, como siempre ocurre en la historia humana, una nueva comenzó a nacer. Descendió la noche sobre el Pueblo del Sol e inició el amanecer de un México que no ha sabido salir de las tinieblas.El regreso de Quetzalcóatl es un recorrido que abarca a toda la humanidad, y que pasa de la historia a lafilosofía, de la psicología a la religión, y de ahí al misticismo para volver a la historia. Va de Teotihuacán a Roma , del mundo maya al valle del Nilo, de Mesoamérica a la India, de la toltequidad a la filosofía griega, y ante todo del pasado que debemos superar al presente en el que tenemos una última oportunidad para tratar de vislumbrar el futuro. Si descifras a Quetzalcóatl podrás salvar a México de hundirse en su inframundo. See acast.com/privacy for privacy and opt-out information.

Definitivamente Tienes que escuchar esto...

Ashley kicks off our Irish triptych with a tale woven together from a few different sources and a few different religions. Take a trip back in time to witness the turmoil surrounding the arrival of Crom Cruach, a dark and ancient deity brought to Ireland by the Fomorians to strike fear into the hearts of King Tigernmas and his people. Through the lens of this dark and bloody myth, we can see the effects of the clash between the Ancient Celts and other powerful cultures in Europe. For dessert, Ashley offers up a smorgasbord of supreme beings who were worshipped through sacrifice.Find Blood and Firewater on your favorite social media or streaming platform at https://linktr.ee/Bfwpodsquad (https://linktr.ee/Bfwpodsquad)To stay on top of all the latest from Pineapple Pizza Podcast, be sure to check out our website at http://www.pineapplepizzapodcast.com (www.pineapplepizzapodcast.com) where you will find links to merch, Patreon and a variety of ways to support the show, as well as detailed episode descriptions and regional specials. Help our show grow by leaving us a review on Apple Podcasts at https://podcasts.apple.com/us/podcast/pineapple-pizza-podcast/id1543640038 (https://podcasts.apple.com/us/podcast/pineapple-pizza-podcast/id1543640038)Or on Podchaser at https://www.podchaser.com/podcasts/pineapple-pizza-podcast-1568165 (https://www.podchaser.com/podcasts/pineapple-pizza-podcast-1568165)You can also send mail to: Pineapple Pizza PodcastPO Box 341Wyoming, MN 55092Remember, no matter how you slice it, you're awesome and we love you.Sources:J. P. Reedman. Smoke from the Samhain Fires: Four Tales from the Celtic Shadows.“The Fall of Crom Cruach.” Emerald Isle. https://emeraldisle.ie/index.php?p=the-fall-of-crom-cruach (https://emeraldisle.ie/index.php?p=the-fall-of-crom-cruach)“Crom Cruach. (Krom crew ahk)” Wikipedia. https://en.wikipedia.org/wiki/Crom_Cruach (https://en.wikipedia.org/wiki/Crom_Cruach)“Ancient Celtic Religion.” Wikipedia. https://en.wikipedia.org/wiki/Ancient_Celtic_religion (https://en.wikipedia.org/wiki/Ancient_Celtic_religion)“Dindsenchas.” Wikipedia. https://en.wikipedia.org/wiki/Dindsenchas (https://en.wikipedia.org/wiki/Dindsenchas)“Fomorians.” Wikipedia. https://en.wikipedia.org/wiki/Fomorians (https://en.wikipedia.org/wiki/Fomorians)“Moloch.” Wikipedia. https://en.wikipedia.org/wiki/Moloch (https://en.wikipedia.org/wiki/Moloch)“Plagues of Egypt.” Wikipedia. https://en.wikipedia.org/wiki/Plagues_of_Egypt (https://en.wikipedia.org/wiki/Plagues_of_Egypt)“Huitzilpochtli.” Wikipedia. https://en.wikipedia.org/wiki (https://en.wikipedia.org/wiki)/HuītzilōpōchtliProinsias (Pron she iss) Mac Cana. “Celtic religion.” Britannica. https://www.britannica.com/topic/Celtic-religion/The-Celtic-gods (https://www.britannica.com/topic/Celtic-religion/The-Celtic-gods)“Moloch.” Britannica. https://www.britannica.com/topic/Moloch-ancient-god (https://www.britannica.com/topic/Moloch-ancient-god)“Myths & Legends – The Metrical Dindshenchas (Din hen chas) – Volume 3.” Mythical Ireland. https://mythicalireland.com/myths-and-legends/the-metrical-dindshenchas-volume-3/ (https://mythicalireland.com/myths-and-legends/the-metrical-dindshenchas-volume-3/)“Who Were the Celts?” History. https://www.history.com/topics/ancient-history/celts (https://www.history.com/topics/ancient-history/celts)“Annals of the Four Masters.” Royal Irish Academy. https://www.ria.ie/library/catalogues/special-collections/medieval-and-early-modern-manuscripts/annals-four-masters (https://www.ria.ie/library/catalogues/special-collections/medieval-and-early-modern-manuscripts/annals-four-masters)“Huitzilopochtli.” World History Encyclopedia. https://www.worldhistory.org/Huitzilopochtli/ (https://www.worldhistory.org/Huitzilopochtli/)

En honor y en memoria de Miguel León Portilla, filósofo e historiador mexicano, hemos elaborado este paisaje sonoro basado en los presagios funestos mencionados en la Visión de los Vencidos. Deberás de encontrar en el audio los ocho presagios: primer presagio, un cometa en el cielo; segundo presagio, el incendio en el templo de Huitzilopochtli; tercer presagio, el rayo silencioso; cuarto presagio, la lluvia de fuego; quinto presagio, el lago hirviente; sexto presagio, el llanto de Cihuacoatl; séptimo presagio, el ave de los espejos; octavo presagio, aparición de criaturas deformes. Support the show (https://patreon.com/historiachiquita)

  En este episodio hablamos de: El Factor Caos, una historia crossover para Mago: La Ascensión, Hombre Lobo: El Apocalipsis y Vampiro: La Mascarada donde se cuenta el último capítulo de la historia de la sangrienta y violenta ascensión de Samuel Haight hasta que se enfrenta a Huitzilopochtli... Marcas de Tiempo: 00:04:55 Noticias 00:15:00 Intro: El Factor Caos 00:22:00 Un Dia en la Vida e Introduccion 00:28:09 Capitulo 1: Historia y Geografia 01:28:22 Capitulo 2: Personajes 01:43:30 Intro: Cronica 02:05:39 Capitulo 1 03:02:50 Capitulo 2 03:49: 46 Apendices 04:06:30 Opiniones 04:21:16 Saludos Nuestro Canal de Discord:  https://discord.gg/k39sEzA Nuestro Canal de Youtube:  https://www.youtube.com/channel/UCBCkwBOAd2Hy8CS9_buJitg Nuestro Canal de Twitch: https://www.twitch.tv/juarezbynight -------------------------------------------------------------------------------- Nuestros patrocinadores: Vaping Jrz: https://www.facebook.com/VapingJRZ/ Oliver de la Parra, el Jugador Causal está en:  https://www.facebook.com/oliverjugadorcasual/   https://www.youtube.com/channel/UCW264O8WM1sJwj2yqUdqIzQ   https://open.spotify.com/show/4CpeDuA2sk1KxNBQul8fIy  https://www.instagram.com/jugador.casual/ Vlad: https://www.instagram.com/antlered_head/ Gelial:  www.twitch.tv/gelialtron  www.facebook.com/GelialGaming Edgar Meritano: https://www.instagram.com/emeritano/  https://www.flickr.com/photos/emeritano/ https://twitter.com/emeritano https://www.youtube.com/channel/UCFeI6hHnrfpCn8AMekTk4Dw Odile Clio: https://twitter.com/OdileClio https://www.instagram.com/odileclio/ Sophidia https://www.instagram.com/sophidia/ Nuestro amigos: WOD Latino America:  https://www.facebook.com/WoDLatinoAmerica https://www.instagram.com/wodlatinoamerica/ https://www.youtube.com/channel/UCz-Lx1LTQ-dkQlW9hRxcSCA El Gremio de la Frontera: https://www.facebook.com/groups/443096336234894/ Ones for all Roleplay: https://www.instagram.com/ones_for_all_roleplay/ Shire Filaments: https://www.instagram.com/shire_filaments/ Master Phase:  https://open.spotify.com/show/64fwdiaY5eivxzS5qZDYyf https://www.youtube.com/channel/UCBhZefZH7kIpDPkXuh4SKbQ Jose Antonio Badia:  https://twitter.com/ElBadiablo  https://www.instagram.com/elbadiablo/ El Dollop:  https://www.youtube.com/channel/UCgtRDZyErd_QQwnclSyyo4A https://open.spotify.com/show/5o5VNgyXWpa1161ppev6ml https://twitter.com/eldollop?lang=en https://www.instagram.com/eldollop/ Leyendas Legendarias: https://www.youtube.com/channel/UCugC9R-gE-6mgUgIqNy387Q/featured https://open.spotify.com/show/6wF969GfLUfypoKaicH5gr https://twitter.com/leyendaspodcast?lang=en https://www.instagram.com/leyendaspodcast/?hl=en Vargulf: https://www.facebook.com/Vargulfmxr https://www.instagram.com/vargulfmx/ Recuerden que pueden contactarnos con comentarios, sugerencias y preguntas a juarez.by.night@gmail.com y seguirnos en https://www.instagram.com/juarez.by.night/ y en https://www.facebook.com/juarez.by.night/ para conocer más de Juárez by Night y noticias sobre Vampiro la Mascarada. Y si tienen algún evento, grupo o mesa de juego que gusten publicitar con mucho gusto los mencionaremos en el programa. Algunas partes de los materiales son derechos de autor y marcas registradas de Paradox Interactive AB, y se usan con permiso. Todos los derechos reservados. Para obtener más información, visite white-wolf.com Este programa no forma parte del material oficial del Mundo de Tinieblas de White Wolf. Música de Fondo: Un Dia en la Vida e Introducción | Vintersorg - Artifacts of Chaos, del álbum "The Focusing Blur" (2003) Capítulo 1: Historia y Geografia | Diary of Dreams - Reign of Chaos, del álbum "Nigredo" (2004) Capítulo 2: Personajes | Symphony X - The Lords of Chaos, del álbum "Iconoclast" (2011) Intro : Cronica | Nachtmahr - Chaos, del álbum "Feindbild" (2014) Capitulo 1 | Crossfaith - Chaos Attractor, del álbum "The Dream, The Space" (2011) Capitulo 2 | The Mission - Beautiful Chaos, del álbum "Masque" (1992) Apendices | Eternal Tears of Sorrow - Tar of Chaos, del álbum "Chaotic Beauty" (2000)

In the Aztec pantheon, Huitzilopochtli occupied a place similar to that of Mars in the Roman. In ancient Roman religon, Mars was the god of war and a guardian of agriculture - a rather strange combination, but characteristic of early Rome. Second in importance only to Jupiter, Mars was the most prominent of the military gods in the religion of the Roman army. Although origin of Huitzilopochtli is obscure, the myth relating to it is distinctly original in character. This episode is also available as a blog post: http://martinifisher.com/2018/11/16/huitzilopochli-the-birth-of-a-war-god/

Presentan: Antonio Espino López (vídeo), Rafael Rodrigo, Julio Alberto Robredo, Pau Crespo y Asociación Española de esgrima antigua. Participan: Desperta Ferro, 31 Enero Tercios y Tercios Viejos. Hace cinco siglos, el 13 de agosto de 1521, caía Tenochtitlán, la otrora esplendorosa capital del Imperio azteca y ahora tan devastada como sus habitantes, exterminados por la guerra, el hambre y la viruela. Un mundo, el de Moctezuma y Cuauhtémoc, el de Huitzilopochtli y el Tezcatlipoca, se extinguía, y otro, el de Cortés y Malinche, el de Cristo y la Virgen de Guadalupe, nacía. Un hito en la historia universal, que supuso un bocado de león en la conquista española de América y que marcó el nacimiento del país mestizo que es México. Un hito doloroso, pero que cinco siglos después sigue asombrando: ¿cómo pudieron Cortés y su puñado de españoles, prácticamente incomunicados, en medio de un mundo que les era totalmente ajeno y extraño, conquistar un Imperio que se enseñoreaba sobre una vasta parte de lo que hoy es México? ¿Cómo pudieron escapar en la Noche Triste y vencer a los guerreros águila y jaguar en Otumba? Antonio Espino, catedrático de Historia Moderna en la Universitat Autónoma de Barcelona, y que respondió a una pregunta similar en Plata y sangre. La conquista del Imperio inca y las guerras civiles del Perú, aborda en Vencer o morir. Una historia militar de la conquista de México la aventura de Hernán Cortés y su reducida pero extraordinaria hueste, para resaltar la poderosa personalidad del líder hispano y el papel de las armas y mentalidad europeas en contraposición con las de sus enemigos mexicas, pero evidenciando también la importancia de las alianzas tejidas con los indígenas, sin cuyo concurso la conquista habría sido imposible. Un visión renovada presentada desde el prisma de la nueva historia militar, que analiza un periodo tan fascinante como complejo libre de prejuicios y tópicos con la intención de dotar al lector de instrumentos lo más objetivos posibles para que pueda formarse su propia opinión de cómo se produjo y significó la conquista de México. COMPRA EN AMAZON CON NUESTRO ENLACE AFILIADO https://amzn.to/3gDTmfV

Below the towering skyscrapers of Mexico City lie the ruins of Tenochtitlán, the ancient capital of the Mexica (Aztec) Empire. As depicted on the Mexican national flag, this was the sight where the Mexica witnessed the prophesized legend of their patron deity, Huitzilopochtli, where an eagle would devour a snake atop a nopal (cactus). In this episode, we dive deeply into the history of the Anáhuac (Valley of Mexico) and its early inhabitants, who cultivated it into the largest metropolis of Mesoamerica.

¿Hay números de la buena o mala suerte? en este capítulo de Las Morras Malditas hablamos de algunos números y fechas relacionados con la mala suerte y otros con la buena suerte, como en el caso del 666, el viernes y martes 13, las horas repetidas como el 11:11 o el número 7. En la sección ARTERROR la Maldo nos cuenta de los Poetas Malditos y en TERROR EN CORTO Jannis nos platica de una misteriosa experiencia con la hora 11:11.También nos remontaremos al pasado, donde hablaremos de un número muy repetido entre los mexicas, el Cenzontli, 400, que es referido en el Cenzontle, ave de las 400 voces, en el nacimiento de Huitzilopochtli y cómo persiguió a sus hermanos, los 400 Surianos (Centzon Huitznáhuac) porque querían matarlo, y de los 400 conejos y su madre, Mayahuel; así como del símbolo Nahui-Ollin.Por cierto, te compartimos dos datos que se no dijimos durante el programa:LOS CABALLEROS TEMPLARIOS: orden religiosa-militar de la edad media, es decir, fundada en 1118 aprox. y cuya labor era proteger a los cristianos.¿DÓNDE PUEDES VER A LA COYOLXAUHQUI? En el Museo del Templo Mayor, a unos pasos de donde fue descubierta, en el zócalo de la Ciudad de México.https://www.templomayor.inah.gob.mx/Mándanos tus historias a: morrasmalditas@gmail.comSíguenos en Facebook: https://www.facebook.com/Morras-Malditas-102395411920963Twitter: https://twitter.com/morrasmalditasSpotify:https://open.spotify.com/show/4NFj1Q4BotsQYlKXMEXS8v--- Send in a voice message: https://anchor.fm/morras-malditas/message See acast.com/privacy for privacy and opt-out information.

Welcome to the Instant Trivia podcast episode 36, where we ask the best trivia on the Internet. Round 1. Category: Spiders 1: 1 of the world's most dangerous spiders is this country's Sydney funnel web Australia. 2: 2 of the 3 colors found in names of the "widow" spiders found in the U.S. (2 of) black, brown and red(-legged). 3: Scientists separate these hairy cousins from the "true spiders" tarantulas. 4: Spiders are among the earliest island colonists after these create a new environment, as at Krakatoa volcanoes. 5: Of 30,000 known species, only Argyroneta aquatica truly lives in this type of environment water. Round 2. Category: On The Lone Prairie 1: The prairie has been called a "Sea of" this, like the over 6-foot-tall Big Bluestem Grass. 2: They're the family who resided in TV's "Little House on the Prairie" Ingalls. 3: Legendary Pecos Bill was raised by one of these animals that's also known as a prairie wolf Coyote. 4: A lot fewer of this Kansas state animal "roam" the prairies today than in the 19th century Buffalo/bison. 5: This city's nicknames include "City of the Lakes and Prairies" and "Hog Butcher for the World" Chicago. Round 3. Category: Aztec Gods 1: As the goddess of this, Acuecucyoticihuati probably would be all wet the ocean (the sea). 2: Sounds like a bright guy; Tonatiuh was the Aztec god of this heavenly body the sun. 3: Mictlantecuhtli was the Aztec god of this and therefore lived in the underworld the dead (or death). 4: You'd have to get up pretty early to catch Tlahuizcalpantecuhtli, the Aztec god of this the dawn (the morning). 5: Don't make Huitzilopochtli mad; he was the Aztec god of this and is often shown waging it war. Round 4. Category: Sunny Songs 1: This song by the Animals is actually about a house of ill repute "House of the Rising Sun". 2: According to the title of this Stevie Wonder hit, "That's why I'll always be around" "You are the Sunshine of my Life". 3: So don't delay, act now, you might as well name this song by Smash Mouth heard here "Walking on the Sun". 4: The 5th Dimension hit No. 1 with a medley of "Aquarius" and this song from the musical "Hair" "Let the Sunshine in". 5: George Harrison wrote this Beatles song in one day in Eric Clapton's garden "Here Comes the Sun". Round 5. Category: Put Me In, Coach! 1: On Jan. 16, 2008 this former Indiana coach won his record 900th basketball game, guiding Texas Tech over Texas and (Bobby) Knight. 2: With 4 for the Pittsburgh Steelers, he won more Super Bowls than any other NFL coach Chuck Noll. 3: Put me in at quarterback! Wilson and I have been working on this old-time trick play named for a monument Statue of Liberty play. 4: Bob Kersee coached this woman, his wife, to 4 world championships, 2 in the heptathlon and 2 in the long jump Jackie Joyner-Kersee. 5: Put me in as this substitute on the basepaths! I'll steal second before you know it a pinch runner. Thanks for listening! Come back tomorrow for more exciting trivia!

‘Mictlan’ es un nuevo videojuego que comenzará su desarrollo en México con una propuesta muy ambiciosa, convertirse en un mundo abierto donde podremos pelear junto a dioses como Quetzalcóatl y Huitzilopochtli. Mont tuvo la oportunidad de charlar con el creador del juego y nos revela más detalles. Escuchaste un fragmento del ROM 128, descarga el programa completo en tu app de podcast preferida.

Huitzilopochtli was a bloodthirsty war god, but he wanted nothing but the best for the Aztec people, who became the Mexica people and founded modern-day Mexico City under his watchful eye and protection. The stories of Huitzilopochtli are a fascinating look into the beliefs of the Aztecs and answers the question you may have asked yourself, "Were the Aztecs actually how Hollywood depicts them?"

Join us this time on Mythology Stew as we hear one of the varying tales of the Birth of Huitzilopochtli, the Aztec (Mexica) war-god. The Southern Hummingbird, Huitzilopochtli, was revered by the Aztec peoples and even had blood sacrifices made to him. His temple in the Aztec capital marked the Winter Solstice, dry season or the traditional war season for the Mesoamerican people. If you'd like to learn about Huitzilopochtli and other mythological figures, tune into Mythology Stew! (Other Resources Available below). Story Adaptation: https://davidbowles.us/poetry/translations/the-birth-of-huitzilopochtli/ Resources: https://www.britannica.com/topic/Huitzilopochtli https://www.mexicolore.co.uk/aztecs/gods/god-of-the-month-huitzilopochtli Episode Artwork: Israel Perez, https://www.artstation.com/artwork/WGbR2

¿Navidad? O deberíamos decir: ¿Saturnalia? ¿Nacimiento del Dios Nórdico del Sol? ¿Celebración a Huitzilopochtli? Aclaraciones SOLO EN MANIÁTICOS INTELECTUALES. --- Support this podcast: https://anchor.fm/man-in/support

Las similitudes culturales, aprovechadas por los españoles

Sería la estrella de Belén, el colibrí azul Huitzilopochtli??

Raúl Barrera, director del Proyecto de Arqueología Urbana

C.P. TECNICO AGROPECUARIO LETICIA GARAY RIVERA Estamos en Diciembre momento de unión familiar, felicidad, acercamiento religioso y fraternidad. Por esto platicaremos de las posadas que es una tradición muy nuestra En México se inician las fiestas decembrinas con las posadas que son días previos a la navidad del 24 de diciembre. Y muchos nos preguntaremos ¿Que son las posadas y cuales su origen? Las posadas tienen un sincretismo profundo sin duda. Es amalgama de dos tradiciones culturales El origen de las posadas fueron tomadas de las fiestas que los pueblos originarios realizaban en honor a Huitzilopochtli, principal deidad delos mexicas, asociado con el sol y Dios de la guerra; Que de acuerdo al calendario náhuatl del mes Pānquetzaliztli (Levantamiento de las Banderas) donde su equivalente al calendario actual correspondía del 30 de Noviembre al 21 de diciembre aproximadamente, En el cual se celebraba con procesiones, antorchas, cantos, danzas y ofrendas. Otra celebración que se hacía en esos días –y que le da nombre a este mes–es aquella en la que se ponían unas banderitas (pantli) de papel amate a todos los árboles frutales y plantas comestibles como zapotes, capulines, aguacates, guayabos, nopales, magueyes, etcétera. El día de la fiesta se sahumaba a los árboles y se les ofrendaban tortillas (tlaxcalli) y pulque (octli) con el fin de agradecerles sus frutos que fueron alimentos durante el año. •El día del solsticio de invierno, el 21 de diciembre, cuando el Sol había llegado hasta su máximo desplazamiento hacia el sur, cuando se celebraba el nacimiento del Huitzilopochtli. Para entonces, el Sol ya había recorrido la bóveda celeste y había muerto el 20 de diciembre. Se decía que el Niño Sol se iba al Mictlán, lugar de reposo o de los muertos, donde se transmutaba en forma de colibrí para regresar al origen. Coincidentemente, el 24 de diciembre era el día en que el Sol resurgía en Malinalco –al sur–y Huitzilopochtli significa colibrí del sur, acarreando consigo una gran cantidad de danzas y fiestas que se empatan con la navidad. •Durante la colonización española que se da en 1533 y con ella viene la imposición de la religión católica, utilizan estas fiestas de los pueblos originarios para convertirlos en fiestas católicas. Se cuenta que Fray Diego de Soria observa “el mes panquetzaliztli” y decide celebrar 9 misas en la noche y para esto pide permiso al papa Sixto V, (1587) ya que en esa época no eran permitidas misas de noche, le otorgan el permiso y se llevan a cabo celebrar las 9 misas "de aguinaldo" entre el 16 y el 24 de diciembre en la iglesia de San Agustín Acolman y que inicialmente se realizaban en el atrio de la iglesia en los que repartían antorchas, habían cantos, se repartían también frutas y se hacía procesión; Tomaron pues las costumbres de las fiestas de los pueblos originarios para evangelizar y fusionar la tradición cultural y religión católica, dando paso a lo que hoy conocemos como posadas •.Esas misa de aguinaldo en el siglo 18 fueron prohibidas por Carlos III y no fue hasta que el murió que se volvieron a celebrar, de manera diferente, ya en los barrios y en las casas haciéndose más populares y transformándose de acuerdo a la religión católica. •En México se sigue celebrando las tradiciones religiosas que son una mezcla de elementos de los pueblos originarios y católicos, han venido a ser una nueva expresión religiosa de esta gran nación. •También se introdujo el baile, bien arraigado desde entonces en el gusto de los habitantes de la ciudad de México Con estos y muchos otros elementos que añadió el pueblo a las posadas, estas celebraciones adquirieron un carácter menos solemne que el que tenía en sus inicios •Y por eso ahora se celebra el nacimiento del niño Dios a través de las posadas. Gastronomía de temporada • Llegan las fiestas decembrinas y siendo sinceros, esta es la época en la que más comemos, y aunque es un placer sagrado el disfrutar de los alimentos, por eso es interesante pensar e

SINCRETISMO Y CONQUISTA RELIGIOSA Coatlicue, diosa de la Tierra y diosa madre, representa una cosmovisión mitificada, también se le llamaba Tonatzin cuyo templo estaba en el Cerro de Tepeyac. La Virgen de Guadalupe no es sino la antigua diosa Tonatzin de los aztecas, madre de Huitzilopochtli y de los aztecas. Existe un sincretismo entre la religión azteca y la religión católica.

After leaving his vengeful sister behind, Huitzilopochtli continues leading the Mexica to their new home. But with each new enemy he encounters along the way comes a new temptation: power. Huitzilopochtli must choose what kind of leader he will be. 

Before they were the great Aztecs of Mesoamerica, they were a wandering tribe called Mexica. They enlist a warrior god named Huitzilopochtli to guide them to a new home, but along the way, his vengeful sister Malinalxochitl plagues them with insects… and plots total destruction.

A mesomérica pré-colombiana foi o lar de centenas de povos. A partir de 500 dC, os olmecas, maias e zapotecas eram as principais civilizações que estabeleceram cidades centralizadas como San Lorenzo, Monte Albam e Tikal. O comércio entre os diferentes povos em breve criaria uma escrita, arquitetura e religião em comum entre as civilizações. Em 750, os Toltecas estabeleceram uma poderosa cultura militar expansionista com uma complexa ordem social. O Império Tolteca foi o maior da América Central, mas teve sua queda em 1063, provavelmente devido a uma rebelião ocasionado por uma severa seca, a mesma que devastou as cidades maias. Os toltecas foram sucedidos pelos astecas que habitaram o centro do México a partir do século 14, com campanhas militares expansionistas, submetendo outros povos em estados vassalos e tributários. A partir de 1428, os astecas tornaram-se o maior império da mesomérica, com uma complexa estrutura social. Os astecas foram os primeiros que estabeleceram uma educação universal para todos os habitantes de seu império, ensinando conceitos matemáticos, militares, astronômicos e religiosos para seus habitantes, sendo eles astecas ou de outros povos como toltecas, chichimecas ou maias. Todas as classes sociais, incluindo escravizados, deveriam frequentar o ensino público. Sendo politeístas, cada cidade asteca tinha um padroeiro diferente, sendo sua capital, Tenochtitlán em homenagem ao deus do Sol e da Guerra, Huitzilopochtli. Em sua mitologia, os astecas só existiam pois os deuses haviam se sacrificado para criar o seu mundo. Por isso, ser sacrificado em homenagem aos deuses era uma das maiores honras da sociedade, sendo que anualmente de 500 – 700 sacrifícios ocorriam anualmente apenas na capital asteca. Embora prisioneiros de guerra fossem sacrificados eventualmente, quanto maior era a classe do indivíduo, maior era a importância do sacrifício oferecido. Portanto, em eventos religiosos ou devido a mudanças climáticas, sacerdotes eram muitas vezes sacrificados.

TESTO DELL'ARTICOLO ➜http://www.filmgarantiti.it/it/articoli.php?id=42APOCALYPTO § (2006) *****MEL GIBSON E' FIN TROPPO BUONO: I MAYA ERANO ANCORA PIU' FEROCI di Giacomo Samek LodoviciNell'anno 2000 una spedizione archeologica al Cerro Llullaillaco, sulle Ande, trovò la mummia perfettamente conservata di una bambina che gli scopritori chiamarono Cara de Angel, «viso d'angelo». Era stata sotterrata ancora viva a testa in giù ai piedi dell'altare sacrificale di uno degli innumerevoli e sanguinari dèi degli Incas. Non è altro che uno dei tantissimi ritrovamenti con cui gli archeologi via via confermano quel che i conquistadores spagnoli scrissero nei loro rapporti alla Corte iberica.Il recente film di Mel Gibson, Apocalypto, non fa che narrare quel che nessuno ha mai descritto finora al cinema: le civiltà precolombiane si basavano sui sacrifici umani praticati in scala industriale. Basti pensare che, solo per consacrare il tempio dedicato al dio Huitzilopochtli, nel 1486, gli Aztechi nella loro capitale, Tenochtitlán, squartarono ben settantamila vittime in una cerimonia che durò giorni e giorni. Possiamo solo immaginare l'orrore e il raccapriccio provati dagli spagnoli quando si ritrovarono a camminare su un tappeto di decine di migliaia di teschi umani (non è un'esagerazione: ai piedi del tempio di cui abbiamo detto ne contarono esattamente centotrentaseimila; il film, accusato di eccessiva violenza, tiene, al contrario, la mano leggera rispetto alla storia).Ciò spiega come potè un pugno di avventurieri (letterale: Cortés aveva con sé solo una settantina di cavalieri) aver ragione di imperi colossali e perfettamente organizzati che disponevano di milioni di guerrieri. Infatti, con i conquistadores si allearono immediatamente tutte quelle tribù il cui unico scopo, secondo i dominanti Maya, Incas e Aztechi, era quello di fornire carne fresca per gli interminabili sacrifici in cima alle piramidi a gradoni.Gli Aztechi, per esempio, chiamavano xochi-yayotl, «guerre fiorite» quelle che scatenavano ogni primavera al solo scopo di procurare prigionieri da sacrificare. Tanto per far capire la situazione locale nell'America precolombiana, si ponga mente al fatto che lo stesso Cristoforo Colombo fu accolto con giubilo dagli arawak, eterne vittime dei cannibali caribi. Hernán Cortés, appena sbarcato a Vera Cruz, si vide subito offrire alleanza dai cempoaltechi, dai totonachi, dai tlazcaltechi, dai texcucani, dagli zapotechi e dai taraschi. Tutti popoli stufi di fare da carne da macello agli Aztechi.Lo stesso accadde a Francisco Pizarro: contro gli Incas ebbe compagni i cañari, i chachapuya, gli huanca e soprattutto gli yana, che oltre a servire da vittime sacrificali erano pure schiavi della «razza superiore» inca. Più gli archeologi procedono con gli scavi e più si apprende sui sacrifici umani, i cui modi erano i più vari. Di solito, il sacerdote apriva il petto alla vittima e le estraeva il cuore ancora palpitante, di cui mangiava una parte. Il cadavere veniva subito scuoiato e il sacerdote ne indossava la pelle. Indi, il corpo veniva fatto rotolare giù dalle scale, in fondo alle quali si scatenava una festosa gazzarra per appropriarsene. Il «fortunato» possessore poteva mangiarselo ritualmente con gli amici. Il rifornimento di vittime era assicurato, come si è detto, dalle guerre all'uopo scatenate e dalle razzie periodiche (come si vede in Apocalypto).Ma erano particolarmente apprezzati anche i bambini, la cui purezza e innocenza erano vieppiù gradite alla divinità. I modi di uccisione, come abbiamo detto, variavano: sono stati trovati resti di vittime arse vive, altre amputate fino alla morte, altre ancora stritolate sotto pesanti lastroni. Le analisi chimiche sugli stucchi dei templi aztechi hanno scoperto che nella composizione entravano ferro e albume impastati con sangue umano. Quest'ultimo, insieme alla carne, era anche parte di un intingolo molto apprezzato a base di mais, il tlacatlaolli.Ma non si pensi che l'efferata barbarie di Maya, Incas e Aztechi riguardasse solo le suggestive cerimonie religiose, perché anche la vita quotidiana sotto di loro era un vero e proprio incubo totalitario (è antipatico citarsi, ma è lo scarso spazio a costringerci a rimandare i lettori agli appositi e corposi capitoli del nostro libro I mostri della Ragione-Ares). Di solito, gli intellettuali relativisti glissano sulla realtà dei sacrifici umani e rimangono estasiati davanti alle opere ciclopiche e ai perfetti calendari solari delle civiltà precolombiane.Anche la loro arte li manda in visibilio. Si potrebbe osservare che pure i nazisti facevano opere ciclopiche, erano perfettamente organizzati e praticavano il genocidio sistematico ma nessuno si sognerebbe di lodarli. Per quanto riguarda l'arte, fu un calibro come Arnold Toynbee a notare che il tema preferito dagli artisti maya, incas e aztechi erano, ossessivamente, gli scuoiamenti, gli squartamenti, le teste mozzate.Così scriveva Franco Cardini proprio su queste pagine nel 1987: «Spiace davvero di non poter mettere certi studiosi alla prova». E proseguiva dicendo sostanzialmente che, ci fossero stati «certi studiosi»" al posto delle vittime dei Maya, degli Incas e degli Aztechi, forse il loro giudizio sarebbe alquanto diverso. Ebbene, un sano esercizio per cercare di comprendere tutta questa storia è provare a mettersi nei panni degli spagnoli cinquecenteschi quando si trovarono di fronte agli spettacoli che abbiamo succintamente descritto.È quel che ha fatto Mel Gibson con un film che, la si pensi come si vuole, è davvero grande cinema. Gibson, infatti, non è un «idiota» ma un cattolico professo, uno dei pochissimi del suo ambiente. Come il protagonista del suo The Passion, Jim Caviezel, il quale in un'intervista lamentò che essere cattolici nel giro hollywoodiano è come «andare in giro con un bersaglio sulla schiena con su scritto "sparatemi"». Questo è il vero motivo, temiamo, per cui Gibson si tira addosso, ogni volta, critiche e insulti (ma il botteghino è galantuomo). Noi italiani, invece, per «grande cinema» intendiamo i cosiddetti «film di Natale» o quelli di Nanni Moretti. Contenti noi...LA MADONNA DI GUADALUPE di Andrea GalliE' una delle scene del film di Mel Gibson con cui inizia il lungo, agghiacciante cammino verso la piramide del sacrificio. Quando gli indigeni catturati dagli emissari della capitale, legati come bestiame da portare al macello, devono guadare un fiume. E una madre, trascinata via con le altre prede, si gira per l'ultima volta verso i sopravvissuti alla razzia, i bambini che si affacciano dall'orlo della foresta, implorando la dea Ixchel di proteggerli e di vegliare su di loro.Altra scena. La moglie di "Zampa di Giaguaro", il protagonista, incinta e nascosta in fondo a un pozzo da cui non può più risalire da sola, getta uno sguardo che sa di implorazione a una luna piena. Luna che nella mitologia maya era associata ad Ixchel, la Madre numinosa, dea dell'amore e della fertilità, dea della conoscenza intuitiva e dell'arte della guarigione, protettrice degli abitanti del mondo di quaggiù.Sguardi, implorazioni di soccorso - già rivolti ad un cielo muto da generazioni e generazioni di maya nel passato - che avrebbero trovato una risposta nel 1531. Quando una donna misteriosa apparve sul colle Tepeyac, nei pressi della futura Città del Messico, nel luogo in cui sorgeva un antico tempio dedicato alla dea Tonantzin, "sorella" settentrionale della Ixchel dei maya. Una donna che parlò in lingua nahuatl ad un campesino indio, battezzato col nome di Juan Diego: "Io sono la perfetta sempre Vergine Santa Maria, madre del verissimo Dio, colui per il quale si vive, colui che sta dando l'essere alle persone, il Signore che sta vicino a tutto e nel quale tutto è ricapitolato, il padrone del cielo e della terra... io ho l'onore di essere la vostra Madre compassionevole, tua e di tutte le genti che in questa terra siete una cosa sola... Perché sarò sempre disposta ad ascoltare il loro pianto, la loro tristezza, per curare tutte le loro diverse miserie, le loro pene, i loro dolori".Il finale di quella apparizione, com'è noto, fu l'immagine che apparve sulla tilma, il saio di Juan Diego, quando costui riuscì a farsi ricevere dal vescovo per portargli una prova dell'apparizione di Maria: l'immagine di una donna dai tratti meticci, profezia della piena fusione di due popoli non più nemici.Una donna cinta da un nastro nero, il segno portato dalle indigene gravide, con un "quincunce", il fiore a quattro petali simbolo di Quetzalcoatl, il dio atteso, disegnato all'altezza del ventre. Una donna con un manto azzurro e verde, colori divini per gli aztechi. Una donna rivestita di sole, con la luna sotto i suoi piedi: come quella dell'Apocalisse.Quell'immagine acheropita, cioè non dipinta da mani umane, il popolo indigeno la riconobbe subito: l'aveva pre-vista da secoli. Capì subito anche il messaggio di quella che sarebbe stata chiamata la Vergine di Guadalupe: un'autentica "teologia della liberazione".Fu quell'apparizione che diede il vero via all'evangelizzazione dell'America Latina, fino ad allora piuttosto incerta. E trasformò lo sforzo di francescani e domenicani in un caso di inculturazione miracolosa (il "nuovo inizio" di cui parla Zampa di Giaguaro alla fine del film). Raccontano gli stessi missionari che i canti indios ad Ixchen e a Tonantzin, vietati dagli spagnoli, ripresero dopo il 1531 rivolti alla Vergine Maria. Gibson tutto questo non l'ha detto esplicitamente. Ma l'ha lasciato intendere. Anche fissando l'uscita del film nelle sale americane l'8 dicembre, festa dell'Immacolata.

Había una vez un mundo aztec donde no había nada. Así, el Dios eterno Ometecuhtli creó a Tonacatecuhtli (hombre) y a Tonacacihuatl (mujer) para que poblaran el mundo. Tuvieron cuatro hijos, en el orden descendente:-Xipetotec; que nació rojo y sin piel.-Tezcatlipoca; que nació negro, con garras y colmillos de jaguar.-Quetzalcoaltl;que nació blanco, con cabello rubio y ojos azules. Más conocido como el “SERPIENTE EMPLUMADA”.-Huitzilopochtli; nació azul, con la mitad de su cuerpo descarnada.Juntos estos cuatro hermanos crearon el fuego, el cielo, la tierra, el mar y el inframundo Al paso del tiempo, los cuatro hermanos se acordaron en crear una obra que los venerase y dignificase como dioses. Crearon al hombre (Huehuecoyotl) y a su mujer, la pareja se llamaba Macehualtin y lesordenaron tener hijos que les rindieran honores como dioses. Después, crearon los lagos, las montañas donde pusieron animales para que el hombre se alimentara por la caza.Finalmente, la obra era completa, exepto que había tinieblas en el Tlatipac, nunca era de dia puesto que no había sol.* Primer sol *Tezcatlipoca fue el primer dios en transformarse en sol, dando como nombre a esa época: Ocelotonatiuh. Fue el comienzo de la era inicial del mundo, en la que los demás dioses crearon hombres gigantes que vivían en la Tierra y comieron bellotas. Tan poderosos eran estos gigantes que arrancaban los arboles simplemente con las manos. No obstante, Quetzalcoatl luchó contra Tezcatlipoca y ganó enviando a Tezcatlipoca al fondo del mar de donde emergio convertido en un enorme jaguar que se comio a los gigantes que habitaban la tierra, y luego subió al cielo y se convirtió en una constelación que hoy conocemos como la osa major. Al final, la tierra se quedó despoblada. Esta época duró 676 años.** Segundo Sol **Luego, Quetzalcoatl se corporeizo también en Sol, el sol del viento, y permitió que las cosechas se dieran en abundancia y que los hombres fueran felices. Todo era idílico hasta que Nahui-Ehecatl, el jaguar, subió a los cielos y derribó a su hermano de un zarpazo. En su caída, Quetzalcoatl provocó un gigantesco vendaval que destruyo todo. Muchos no sobrevivieron y otros, caminando encorvados, aferrándose a lo que tenían, se convirtieron en monos refugiándose en un bosque. Este sol duró 676 años.*** Tercer Sol ***Los dioses pusieron Tláloc por Sol, el sol del fuego, la cual duró 364 años. Pero, los hombres se dedicaron a los placeres malsanos (robo, homicidio…). Harto de tanta podredumbre, Quetzalcoatl, ordenó Xiuhtecuhtli (Dios del fuego), que destruyo a la humanidad así que comenzó a llover fuego del cielo, y los hombres atemorizados les rogaron a los dioses que los convirtieron en pájaros para huir. La ardiente lluvia transformo al pueblo de esta civilización en pavos que volaron. **** Cuarto Sol ****Surgio entonces el cuarto sol. El sol del agua que el regido por la esposa de Tlaloc, la de la falda de jade, la diosa de los riachuelos y de las aguas estancadas. Los hombres poblaron nuevamente la tierra, pero varias lluvias derrumbaron el cielo sobre la Tierra y los hombres se murieron o fueron transformados en peces por los dioses. Llovió tanto que al final los cielos perdieron el equilibrio y se derrumbaron sobre el Tlaltipac. Los dioses deciden reparar su error, avergonzados de haber transformado a los hombres, entonces los cuatro hermanos crearon a cuatro hombres (Atemoc, Itzacoatl, Itzmaliza y Tenoch) que emergieron en los cuatropuntos cardinales, cada uno convertido en un árbol diferente. Juntos, los dioses y árboles, levantaron los cielos y los colocaron las estrellas. Al final, los cuatro hombres se convirtieron en cuatro aves preciosas.Todo fue ordenado, pero no había hombres sobre la tierra, y por eso se creó la versión definitiva de la humanidad, cuyo primer hombre fue llamado Huehuec

Parce que chaque semaine qui commence est un nouveau départ, j'avais envie de vous lire une histoire. Alors je vous propose une histoire de bijou comme un bisou du dimanche soir. Il était une fois le bijou soleil. Le soleil est une étoile, son énergie vient de la fusion nucléaire qui transforme l'hydrogène en hélium. Le directeur de recherche au CNRS Pierre Untos estime que le soleil est vieux de 4,5 milliards d'années, qu'il est à la moitié de sa vie et que dans 5,5 milliards d'années, il deviendra une étoile géante rouge 300 fois plus brillante et 50 fois plus grande qu'aujourd'hui et il transformera la Terre en fournaise avant de s'éteindre. Pas étonnant que le soleil nourrisse notre imaginaire depuis des siècles. En Egypte antique le soleil est au cœur des croyances. Il a plusieurs représentations : le jour sous la forme de Khépir le scarabée qui désigne le futur, puis le disque solaire Rê qui resplendit et symbolise le pouvoir et enfin la nuit pendant laquelle il navigue en barque et combat les forces hostiles dont Apopis, le Serpent Géant, pour donner accès à l'aube qui tous les jours permet la renaissance de l'humanité. Dans les guerres qu'il doit mener, Sekhmet, la Lionne puissante, incarne le pouvoir consumant du soleil. Le disque solaire appelé Rê ou encore Ra aurait donc créé les éléments de la vie en les faisant sortir de l'océan primordial. Il est souvent représenté avec une tête de faucon sur laquelle est posé le disque solaire protégé par le cobra dressé. Ce symbole solaire a donc inspiré en 2018 une collection appelée Ra diamant de légende par la célèbre maison De Beers où des diamants blancs de taille marquises sont encadrés de rayons de diamants d'un jaune éclatant. Dans cette collection il y a bien sûr une bague, des boucles d'oreille et le collier a pour pierre de centre un diamant taille brillant jaune fancy intense de 3 carats qui le rend exceptionnel et qui dessine en son coeur, sur le médaillon, le motif de la croix ankh mythique.  Ce qui est étonnant c'est que pour les égyptiens antiques la gemme du soleil était le Péridot qui peut avoir des reflets dorés mais qui est verte. C'était l'une des pierres favorites de la Reine Cléopâtre. Plus tard elle sera très appréciée des Pirates qui la disaient capable d'éloigner le mauvais oeil ainsi que les terreurs de la nuit. Le soleil est synonyme de pouvoir. On a bien compris que le soleil est le principe de vie chez les Egyptiens puisqu'il permet à l'humanité de vivre. Mais par ailleurs ils célèbrent de nombreux Dieux dont Amon qui signifie « le Caché » ou « l'Inconnaissable », car il se révèle sous de nombreux aspects dont celui d'une oie qui pond l'œuf primordial d'où sort la vie. Cependant quand Amenhotep IV au environ de moins 1355 avant Jésus-Christ cherche à unifier son peuple et stabiliser son régime, il se tourne vers Aton qui est la lumière universelle dispensée par le disque soleil. En dehors du fait que décidemment le soleil a beaucoup de représentation déique, c'est la première trace historique du pouvoir politique prêté au soleil. Amenhotep IV, l'époux de Néfertiti, devient Akhenaton, crée un nouveau culte et une nouvelle capitale. Vers moins 300 avant JC, c'est Alexandre le Grand, qui reprend le mythe du pouvoir par le soleil quand il se met en tête de conquérir l'Egypte. Mais lui se réfèrera à Amon, le Dieu soleil qui règne sur le monde. Dans ce cadre le soleil est toujours rayonnant et éclatant. Je ne sais pas si la référence à Amon était présente à l'esprit de la maison Chaumet quand en 2019 elle sort sa collection de Haute Joaillerie nommée Les Ciels de Chaumet mais ce qui est certain c'est que le disque soleil égyptien fait partie de ses influences au même titre que les ciels abstraits contemporains. Ce qui donne notamment en pièces maitresses un collier Soleil Glorieux transformable en or blanc et jaune, sertis d'un diamant Fancy Intense Yellow IF de taille coussin d'environ 5,33 carats entouré de diamants blancs et jaunes en taille brillant et un extraordinaire diadème en or blanc et jaune, où le diamant Fancy Intense Yellow IF taille coussin d'environ 2,51 carats est entouré de 21 nuages de cabochons de cristal de roche et de diamants blancs et jaunes en taille brillant. Les pièces sont travaillées en fil-couteau une spécialité de Chaumet qui donne toute sa légèreté aux bijoux.  Quand à Alexandre Le Grand, sous le symbole solaire, il réussit à réunir la Macédoine et les cités grecques avant d'envahir l'Empire perse. Ce faisant il aborde un autre mythe solaire. En effet, dans le Panthéon grec, c'est Apollon, fils de Zeus et de la Titane Léto qui devient l'incarnation du soleil. Au départ Apollon est le dieu des arts, du chant, de la musique, de la beauté masculine, de la poésie à ce titre il est le conducteur des 9 muses. Il est aussi le dieu de la lumière et au Moyen Age puis à l'époque Moderne il devient un dieu solaire. C'est comme cela que louis XIV choisit le symbole du soleil pour asseoir son pouvoir. Il devient le Roi-soleil, exaltant le mythe d'Apollon. Il change son palais du Louvre pour celui de Versailles, organise de somptueuses fêtes dans ses jardins dans lesquels il apparait en Apollon solaire et la grotte de Thétis une autre effigie du dieu abrite justement une statue d'Apollon assis dans son char, et qui a les traits de Louis XIV. En hommage à ce roi soleil, la jeune marque de joaillerie parisienne Justine Théo d'Or propose un disque solaire rayonnant dont on peut voir toutes les étapes de fabrication sur son fil Instagram ou sur les réseaux sociaux d'Il était une fois le bijou. Elle a choisit des disques de fluorite ou d'œil du tigre.  Mais une autre gemme incarne aussi le soleil, c'est l'héliodore, une variété de Béryl d'une intense couleur jaune. Son nom vient du Dieu Hélios, Hλιος, qui en grec ancien est le dieu du Soleil personnifié et du pouvoir de création qui en découle. Il est le fils des Titans Hypérion et Théia Bizarrement ce n'est pas tout de suite un Dieu majeur. Ou du moins pas dans toute la Grèce antique.  Il est représenté comme un jeune homme d'une très grande beauté, couronné d'une auréole solaire, et il conduit le char solaire à travers le ciel chaque jour autour d'Océan et redescend chaque nuit. Cette similitude d'attitude va provoquer une assimilation des identités d'Apollon et d'Hélios. La broche en soleil souriant de la Boutique des musées s'appelle justement Hélios. Par la suite l'empereur romain Aurélien va instaurer le culte de Sol Invictus, littéralement le soleil invaincu qui va amalgamer cette fois les cultes de Sol le dieu solaire romain à Hélios son équivalent grec. Sol devient alors le dieu du soleil, de la lumière et de la chaleur, il est le frère de la lune, Luna, et symbolise le cycle des saisons. On voit combien ce symbole solaire est puissant, aussi quand Boucheron termine la rénovation de son siège historique du 26 place Vendôme, la collection de haute joaillerie de juillet 2019 qui s'appelle « Vu du 26 » comprend de splendides pièces contenant la gemme solaire héliodore. Spécialement pensé pour cette réouverture par Claire Choisne, la directrice artistique, la Maison Boucheron présente notamment un duo de bague dite Signature où des héliodores de 31,03 et 32,50 carats sont en taille émeraude en hommage à la fois au dessin de la place Vendôme et au logo de la Maison. D'un porté moderne entre-doigt, la couleur jaune solaire profonde est renforcée par un pavage de diamants et un liseré d'émail noir, sur or blanc. Le béryl héliodore est aussi choisi et la pièces reine des 4 bijoux appelés « taille émeraude » dont le cristal de roche qui l'entoure reflète la couleur du béryl héliodore à l'infini : plus de 8 carats pour le sautoir, 43,46 carats pour le bracelet et 14 carats pour chacune des 2 bagues.  Au-delà de l'héliodore, le dieu Hélios serait aussi à l'origine de l'ambre. La légende raconte que son fils Phaéton qui signifie le lumineux avait voulu conduire le char de feu d'Hélios et en se rapprochant trop près de la terre l'aurait incendiée. Zeus furieux, le foudroie. Les sœurs de Phaéton éclatent en sanglots et ce sont leurs larmes qui donnent naissance à l'ambre qui devient ainsi l'expression matérielle d'une douleur d'origine solaire. La couleur ambrée est appelée électrum en grec et c'est pourquoi le féminin Electra signifie aussi une part de soleil. La joaillière Jenny Dee s'en est donc inspiré pour créer une gamme de bijoux en soleil rayonnant aux couleurs de l'été mêlant rubellite et diamant, pierre de lune et saphirs ou encore la turquoise et le rubis.  Dans les croyances Hélios devient Mithra le conducteur du char d'Ahoura Mazda, le dieu zoroastrien créateur de la lumière. Les Aztèques l'appellent Huitzilopochtli, dieu du Soleil et de la guerre, le maitre du monde. Au Japon, le pays du soleil levant, la famille impériale se disait descendre d'Amaterasu la déesse du soleil. Chez les Indiens Jivaros d'Amazonie, Etsa, le soleil s'unit à Nantu la lune dont le fils devient le premier Jivaros.  Bref, le soleil est un symbole universel, de création et de vie. En alchimie il est aussi le symbole de l'or et est représenté par un cercle avec un point en son centre :                      Il représente l'intérieur avec tout ce qui gravite autour. En astronomie et en astrologie, le symbole est le même. Pour les joailliers la représentation est plus variée.  Dans la collection Célestial, Anthony Lent raconte sa version personnelle et syncrétique du soleil, de lune et des étoiles. Son soleil est antropomorphique, souriant et bien sûr rayonnant. Son visage soleil est en citrine gravé en pendentif et dans la paire de boucle d'oreille que je préfère le visage souriant et mutin en or est entouré de grenat rouge avec au verso un grenat orange spessartite en cabochon. Pour le joaillier designer français Antoine Camus le soleil est aussi synonyme de couleur chaude. Ce spécialiste du bijou ancien, expert et gemmologue met sa grande culture joaillière au service de pièces uniques qu'il crée sur mesure dans son atelier parisien. En ce moment il s'attache à des recherches ergonomiques afin que celles et ceux qui aiment les pièces imposantes puissent les porter même si leur morphologie est fine. Alors son soleil est ainsi un volumineux grenat facetté, entouré de saphirs à la chaleureuse couleur jaune. Une bague au fini rond qui présente un soleil gourmand caractéristique de son style moelleux et confortable. Ainsi se termine cette histoire d'Il était une fois le bijou. Je vous souhaite une jolie semaine ensoleillée et vous donne rendez-vous dimanche prochain. Si cette histoire vous a plus envoyez moi plein de bisous sur les réseaux sociaux d'Il était une fois le bijou et encouragez moi en partageant les bijoux bisous tout autour de vous. A bientôt pour un prochain bijou, un nouveau bisou du dimanche soir.   Site Twitter Facebook Instagram LinkedIn

Si para la cultura griega antigua su dios más importante lleva el nombre de Zeus. Para los Aztecas fue Huitzilopochtli; podríamos decir que gracias a él la cosmogonía Azteca y Mexicana se unen en el mito de la fundación de México-Tenochtitlán: nuestro escudo nacional. Escucha al Conde Fabregat narrarnos el origen del dios más grande de la cultura Azteca; el dios de los Mexicas: Huitzilopochtli.Todos los jueves son JuevesMíticos. MANTÉNGANSE MÍTICOS...Un podcast donde dos comediantes hablan sobre cosas que nunca existieron.

Howard Philips Lovecrafto escribió este relato en 1919, pero fue publicado hasta el año de 1944, en su momento se negó a que fuera publicado, pero no se sabe las razones reales, de por que se negaba, este es uno de sus relatos menos conocidos de este escritor La historia tiene lugar en una mina de oro, la mina norton, donde un desconocido conoce a Juan Romero, quien era el único sobreviviente de su pueblo, en la cual descubrieron accidentalmente el acceso oculto a un abismo sin fondo en el que escuchan un extraño latido. Una vez más nos vamos por las puertas que se pueden abrir a través de los viajes oníricos, que nos pueden dar la llave a mundos ocultos pero si no estamos preparados para ello pagaremos con nuestras vidas, También podemos ver mencionado a un dios conocido por los mexicanos Huitzilopochtli, el "Colibrí Azul a la Izquierda," la principal deidad de los mexicas del Sol y la guerra. El es representado como un hombre azul completamente armado, con plumas de colibrí en su cabeza. Su madre Coatlicue se embarazó con Huitzilopochtli cuando una bola de plumas cayó desde el cielo y la tocó. la mitología mexica, Huitzilopochtli ordena la fundación de México-Tenochtitlan en el lugar donde los mexicas encontraran a un águila portando el Atl-tlachinolli, la cual tendría que estar reposando sobre un nopal entre otras características. Este mito mexica acerca de Huitzilopochtli y la fundación de México-Tenochtitlan se encuentra en el Escudo Nacional de México, parte de la Bandera de México actual. https://ernestodelavega.com https://patreon.com/ernestodelavega Playera y taza: https://www.tienditadelmomento.com/MLM-695719119-unicornio-kaede-playera-deportiva-taza-_JM?quantity=1 --- Send in a voice message: https://anchor.fm/ernestodelavega/message

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! La Toltequidad. ¿Los Toltecas fueron un pueblo o una sociedad iniciática? Los teocallis y el error de traducción. Los distintos tipos de guerreros. "Huehuetlatoli": palabra de los ancestros. La práctica del temazcal estaba prohibida. Los dos Méxicos. La demonización y ridiculización. Las danzas del sol y los Lakota. Palabras del abuelo Tlakaélel. Ejemplos de huehuetlatoli. Ipalnemohuani. Ometéotl. Quetzalcóatl. Tezcatlipoca. Huitzilopochtli. Xipe Tótec. Tonantzintlali. Tlazoltéotl. El gran dolor del hombre y la mujer. El Principio de Correspondencia. La reencarnación. El cuento de la aldea. * Podrás encontrar los enlaces relacionados en la entrada correspondiente de nuestro sitio web: https://alfilodelarealidad.com/Escucha este episodio completo y accede a todo el contenido exclusivo de Al Filo de la Realidad. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/3844

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! La Toltequidad. ¿Los Toltecas fueron un pueblo o una sociedad iniciática? Los teocallis y el error de traducción. Los distintos tipos de guerreros. "Huehuetlatoli": palabra de los ancestros. La práctica del temazcal estaba prohibida. Los dos Méxicos. La demonización y ridiculización. Las danzas del sol y los Lakota. Palabras del abuelo Tlakaélel. Ejemplos de huehuetlatoli. Ipalnemohuani. Ometéotl. Quetzalcóatl. Tezcatlipoca. Huitzilopochtli. Xipe Tótec. Tonantzintlali. Tlazoltéotl. El gran dolor del hombre y la mujer. El Principio de Correspondencia. La reencarnación. El cuento de la aldea. * Podrás encontrar los enlaces relacionados en la entrada correspondiente de nuestro sitio web: www.alfilodelarealidad.com.ar * * * Próximas Actividades de Gustavo Fernández * * * https://alfilodelarealidad.wordpress.com/2019/08/25/proximas-actividades/

Su nombre significa "Colibrí Azul a la Izquierda," era el dios Azteca del Sol y la guerra. Es representado como un hombre azul completamente armado, con plumas de colibrí en su cabeza. Su madre Coatlicue se embarazó con Huitzilopochtli cuando una bola de plumas cayó desde el cielo y la tocó. Mitote Radio es parte de la Red Nacional de Contenidos de Radio y Televisión Dilo Fuerte, llevado a cabo por el Instituto Mexicano de la Juventud (IMJUVE) y el Instituto Mexiquense de la Juventud (IMJUVE)

Tenía garras afiladas en sus manos y pies. Coatlicue era una diosa sedienta de sacrificios humanos. Su esposo era Mixcoatl, la serpiente de las nubes y dios de la persecución. Coatlicue dio a luz a Huitzilopochtli luego de que una bola de plumas cayó en el templo donde estaba barriendo y la tocó. Mitote Radio es parte de la Red Nacional de Contenidos de Radio y Televisión Dilo Fuerte, llevado a cabo por el Instituto Mexicano de la Juventud (IMJUVE) y el Instituto Mexiquense de la Juventud (IMJUVE)

Two Ancient  Maya Mexica Stories DECODED... Ixchel, our Moon Goddess and Coatlicue and Huitzilopochtli...  powerful  archetypes within you...   I am you Magdala  

Main Sources The Aztecs - RF Townsend Aztecs - I Clendinnen The Aztecs of Central America - F Berdan https://webpages.uidaho.edu/engl257/Ren/aztec_empire_in_1519.htm https://www.britannica.com/topic/Huitzilopochtli https://tecpaocelotl.livejournal.com/25254.html

Original Upload: November 13, 2017 Sci-Star Entertainment's first podcast "The Infinite Canvas" is a playground for comic book ideas. You the listener are on a journey with comic book writers John Vanegas and David Faz as they try to find the perfect comic book premise. There will be many fumbles and plain old bad stories, but it'll always be fun to listen to. In Episode 3 they create mythological superheroes: John reinterprets the Epic of Gilgamesh into a sci-fi alien story and David creates a war epic based on the Aztec god Huitzilopochtli or Torch for short. Intro and outro are "Adventures" by "A Himitsu"

Überlegungen zu Huitzilopochtli, einem aztekischen Gott. Mit Überlegungen über die Bedeutung von Huitzilopochtli in der aztekischen Mythologie, im aztekischen Pantheon. Welche Bedeutung hat Gott Huitzilopochtli im Pantheon, im Götterhimmel?

Überlegungen zu Huitzilopochtli, einem aztekischen Gott. Mit Überlegungen über die Bedeutung von Huitzilopochtli in der aztekischen Mythologie, im aztekischen Pantheon. Welche Bedeutung hat Gott Huitzilopochtli im Pantheon, im Götterhimmel?

“In Tenochtitlan, Tezcoco and other cities there were groups of wise men known as tlamatinime. These scholars carried on the study of the ancient religious thinking of the Toltecs, which Tlacaelel had transformed into a mystical exaltation of war. Despite the popularity of the cult of the war-god, Huitzilopochtli, the tlamatinime preserved the old belief in a single supreme god, who was known under a variety of names. Sometimes he was called Tloque-Nahuaque, “Lord of the Close Vicinity,” sometimes Ipalnemohuani, “Giver of Life,” sometimes Moyocoyatzin, “He who Creates Himself.” He also had two aspects, one masculine and one feminine. Thus he was also invoked as Ometeotl, “God of Duality,” or given the double names Ometecuhtli and Omecihuatl, “Lord and Lady of Duality,” Mictlantecuhtli and Mictecacihuatl, “Lord and Lady of the Region of Death,” and others.”  ― Miguel León-Portilla, The Broken Spears: The Aztec Account of the Conquest of Mexico A stone of legend is hidden in a temple lost to time. We didn't do a primer episode for Dragons Conquer America as the rules are in Beta. Important to note that the kickstarter for this game was cancelled. You can see the page here.  We had some issues with the game, noting that you would have to come at it with a very mature and aware group of players and possibly do some outside research to fully understand the complex issues. There is a great article on Vice by Dia Lacina, you can read it here. The characters for this game: Maria Milagros Castaneda (Ken Breese) - A Spanish noble woman turned explorer. Citlali (Giaco Furino) - A Mexica peasant turned adventurer.   Find Giaco on twitter @giacofurino and his writing here. Find John on twitter @LordJoho Find Ken on twitter @Berlingsbeard Follow us on twitter @boredghostworld Our Bored Ghost theme comes from the amazing Pat Cupples, see his band website Hotels and Highways. Bored Ghosts we hope you found some distraction from your eternity in the void this week!

The powerful god of war demanded human sacrifices & blind obedience. The post War God of the Aztecs: Huitzilopochtli appeared first on Mexico Unexplained.

Huitzilopochtli pelea en el peñón de los baños, Los prehispánicos baños del peñón, La pequeña Colombia en México, el nacimiento de los sonideros y mucho más. Acompáñanos a descubrir un tesoro prehispánico que está mas cerca de lo que te imaginas, además estrena con nosotros el nacimiento de SMV Boston radio "La radio sin tabues"

Episode 002 with hosts Natalie Newell (Science Moms) and Dan Broadbent (A Science Enthusiast)! Guest: Dr. Clay Jones! He is a pediatrician at Newton-Wellesley Hospital in Newton, Massachusetts. He also writes for Science Based Medicine and has his own podcast, The Prism Podcast, which he does along with Dr. Grant Ritchey (who also has written for SBM). Articles mentioned during the interview: Naturopaths Push to Go Mainstream Fact-checking Naturopathic Talking Points at DCFLI A Question off the Naturopathic Licensing Exam Petition: Naturopaths are not doctors God of the week: Huitzilopochtli ... Which somehow turned into a discussion about

And the Blood of Dead Gods Will Mark the ScoreBy Gary KlosterI had a frat-boy stretched out on the table, a pink slab of drunken meat just itching for ink, when Huck blew back into my life and brought the blood trade with him."Dead gods, Woody, this is the shit-hole you crawled into?"  The shop was damn small, Huck was damn big, and the perfectly tailored black ass of his suit pants leaned against my desk before I'd even raised the humming needle from frat-boy's hide."I'm busy, Huck.  Back off."Full transcript appears after the cut.----more----Hello! Welcome to GlitterShip episode 19 for January 5, 2016. This is your host, Keffy, and I'm super excited to be sharing this story with you.It's been a while since I ran a story for you, so I hope you've been well in the past few months. Before we get started today, I have some bad news and some good news. The bad news is that I've decided to shift GlitterShip back to two episodes a month instead of four. This is mostly because with moving, and grad school, and trying to do everything else I need to do, I was having trouble sustaining a 4 episodes per month. The good news is that this means that GlitterShip's funds will last until April 2017 at the very least, and that I will be able to showcase more guest readers.I also have some original fiction lined up to start in April 2016, at which point GlitterShip will finally shift from all reprints. Instead, each month I'll bring you one original and one reprint story.If you're a writer or reader and are interested in getting involved, check out the submissions guidelines at glittership.com/submission-guidelines.Our story today is "And the Blood of Dead Gods Will Mark the Score" by Gary Kloster.Gary Kloster is a writer, librarian, martial artist, and stay at home father. Sometimes all in the same day, but seldom all at the same time. His first book, Firesoul, is out now.And the Blood of Dead Gods Will Mark the ScoreBy Gary KlosterI had a frat-boy stretched out on the table, a pink slab of drunken meat just itching for ink, when Huck blew back into my life and brought the blood trade with him."Dead gods, Woody, this is the shit-hole you crawled into?"  The shop was damn small, Huck was damn big, and the perfectly tailored black ass of his suit pants leaned against my desk before I'd even raised the humming needle from frat-boy's hide."I'm busy, Huck.  Back off.""Busy?"  Huck pursed his lips, made a show of studying the stencil I'd taped across the customer's shoulder blades.  "Gettin you some ink, boy?  A tribal?  Something all spiky and black and awesome to show off to the bitches back home?"Huck's deep voice slowly penetrated my customer's drunken meditations, and his blood shot eyes rolled to blink back my ex-partner's regard.  "Who the hell…"  The young man's voice trailed off, the twitchy edge of drunken belligerence fading as he caught sight of Huck's face.Huck smiled, and his smile stretched the pink rift of scar tissue that ran up from the corner of his jaw, across the twisted pit of his ruined right eye and onto his broad forehead.  Before Nikolai's betrayal, Huck's face had been sternly handsome and the blood tatted into his dark skin had shone like lightning.  That tat's magic had made him beautiful and terrifying, like a storm rolling, and with a look he could make all the world his bitch.  Now, left with just the scar and the spark of rage that still burned in the depths of his remaining eye, he had to be content with just scaring people shitless."Tribals are crap, redneck poser ink.  Do yourself a favor and piss off."Two minutes after Huck banged in and my only customer that whole damn day was sulking out, a black dot of ink no bigger than a pimple hidden beneath his shirt.  "Follow him out, Huck," I said as the door rattled shut and I trashed the ink that I'd laid out for the job.  "We're done, remember?""Woody."  He picked up my sample book, stared at my name splashed across its front in bright red graffiti style.  "Dumb ass name.  Nikolai helped you pick that, didn't he?  Did that cocksucker give you a wooden pecker to go with it?"My teeth clenched, locked back the curse I wanted to hurl at him.  It'd always been so easy for him to control me, to drop a few words and make me flare up in rage.  Or desire.  But those days were gone.  We were different people now.  "Just go.  Whatever it is, I don't want to hear it.""You don't want to hear it?  Don't even want to hear it?"  Huck's big hands flipped restlessly through the pages of my sample book, but his eye was roaming the cheap sample-art posters tacked to the lumpy plaster of the walls.  "You rent yourself some space in a crappy little parlor on Hollywood so you could draw ugly tats with plain ink onto tourists, and so you don't need to hear me out?  You sure you can afford to say that?"Threat growled like distant thunder through his smooth voice, but I wasn't going to let him shake me that way either.  "I can afford to stay out of jail.""Jail."  The scar shifted around his smile.  "What was that to you?  Four years learning to ink and picking out girlfriends.  Jail must have been nothing for you.  Tough guy."Four years being the freak in a cage.  That wasn't nothing, no, not at all.  I rubbed a hand over the rough bristles on my chin, shook my head, so sick of Huck and all those memories that rode his wake.  "They weren't my type."Huck's hands snapped my book shut, dropped it to my desk where it teetered and fell to the floor in a glossy heap.  He pushed himself up straight to tower over me, the bright spot of spite in his eye burning down at me.  "Yeah, and you ain't my type anymore either, are you?"  In his face, I could read the disgust, the anger he still had at me for what I'd done, for the truth I'd carved into my flesh.  Flesh he once thought he had claim to.  "So stop trying to play the big boy.  There's new blood in town, big god's blood, and I mean to have it.  So that means I need me a bloodhound.  I need you.""I ain't your dog, Huck."His hands were on me, yanking me into him, and suddenly all I could see was his bright, furious eye and its ruined twin.  "You are my dog, Woody.  You're my bitch.  Always."  He shoved me away and I hit the table behind me, stumbled and landed on my ass.From the floor I stared up at him, body shaking, anger and fear rattling through me.  We'd been lovers for years before it all burned down, before Nikolai destroyed us.  Years good, bad and chaotic, especially at the end when I had told him what I really was, told him that his pretty girl never believed she was a girl at all.  And that I wanted to change.  Through all of that, in all the twisted grotesquerie of what we had called our love, he had never touched me in anger, never dared name and claim me like that.  "Get out.""No."  He stared down at me, hands twitching, his ill-leashed fury hungry for release, but as I pushed my back slowly to the wall he reined it.  "No.  This isn't just some score.  It's the score, the one that wraps this business up for all of us, you, me and Nikolai.  This pays it all."Nikolai.  I close my eyes and let my head rock back to thump my crew-cut into the wall.  Of course it was Nikolai. Of course he'd come back to LA, blood in his hands and a smile on his lips.  "Oh gods, Huck, just give it up.  He hurt me too, hurt me bad.  Four years of my life are gone because of him.  But I can't steal those years back, and you can't hurt him enough to bring back your tat. Cut your damn losses and move on.  Going after Nikolai, getting back in the trade, it's just a slow bullet through your brain.""You think I can let this go?"  His finger traced over the ruin of his face.  "He burned me.  He set me up and burned me, burned the blood of Zeus right out of my face.  I'm never going to let that go.  My balls won't let me.  How about yours?"A cheap shot and I gathered up my book and stood while I let the pain of its bite fade.  "No Huck.  No.  I don't want your revenge, and I don't want your money.  Find yourself some other dog.  I'm done with the blood trade.""I wasn't offering money."The softness of his voice made me look at him, but he was staring away from me now, through the neon and out at the tourists passing in the garish unnight.  "What?""He has Ungud.""Fuck!"  The book hit the wall, pages flying, the bright wings of butterflies torn away by a storm.  The trap had shut, and I never even saw it coming.  "Fuck me," I whispered, and damn he was smiling at me, sympathy and satisfaction."Not anymore, baby-girl.  Not anymore."I watched them kill a god, once.  My mother took me.She made me wear a dress, and I hated that.  I hated the crowd, the heat and perfume stink of the people around me as everyone pressed close to glass so thickly etched with wards that the altar below seemed to float in a fog of incantation.  I hated it all, but she made me watch.  Mom thought they were saving the world, culling the idols of the infidels.  Even then, I wondered if they were just making a profit.The god looked like a dirty old woman, senile and sick.  It felt obscene, watching the priests stagger to the altar under the weight of their icons of protection, dragging her with them.  While they made their prayers, she drooled and muttered.  I watched, and couldn't believe it would happen.  Couldn't believe that anything so sad, so contemptible, could be a god.  Couldn't believe they were going to kill that wasted old crone.  Then they bent back her head and cut her throat.One quick flash of a knife, and the blood came.  The black blood boiled out of her, writhed and splashed like a thousand snakes and the priests caught as much as they could.  Caught it to seal up in sacred vessels and sell for the glory of their particular truth.  That black essence of belief, sold by the ounce.Truth wins, chaos dies.  My mother pointed to the sacred circle carved into the altar, stained black.  The old beliefs were all going away, and the world would be pure.  I listened, silent and horrified at the thought.  A world where everything fit, just so.  Where no one could be out of place.  She pulled me away, content in her sanctimony, but I looked back and watched the priests trying to gather every last dark drop.  And I saw them fail.It escaped them, slipped past them, ran away.  Some portion of that tainted tincture of everything that the dead god's worshippers had once invested in her ran back into the world.  Escaped, to pool in graveyard shadows and on the wings of crows, in bottles of dark beer and in the eyes of sick children.  No one could contain the blood.  That was a truth I could believe in.So the blood of the dead gods gathered in the dark spaces, the secret places, and of course there were those stupid enough, crazy enough, to seek it out.  We found the dreams of a million souls gathered in the curdled essence of a deity and packaged it into little glass spheres, convenient for sale.  Of course the dealers were all fucked up.  And I had fallen in love with two of them, and my hands had been soaked in the blood of the divine.  It didn't matter that I was a blood hound, one of those dubiously gifted few who could sniff out the blood where it hid, who could resist somewhat the madness it cast in its raw form.  It still tainted my life.  Trying to turn my back on it had been a stupid dream.Stretched out in my narrow bed, I stared at the peeling walls of my tiny apartment, tacked over with diagrams, photos, maps of the hills above LA.  Five years of impotent rage hadn't done much for Huck's temper, but it had honed his cunning, and now my room was a shrine to his dream of revenge.  For the past two weeks he had been force-feeding me every detail of Nikolai's return.  Dead gods knew where he'd gotten it all, or how he'd paid for it.  But now it was my job to know it.  Just like the old days.The good, crazy days.  When Huck planned the scores and I pulled them off, riding his smarts through the job until I hit the point where the information broke down and I would just have to gut it through.  Then Nikolai would line up the buyers and bring in the cash.  That was when we were one tight little family, completely screwed up and seething but together, functioning somehow.  Until it had all blown apart.I had tried to pretend I could turn my back on Huck and Nikolai and everything we had done to each other. Tried to pretend that we were over and done.  A stupid mistake.  We would never be over as long as all three of us still breathed.  Huck was too furious, Nikolai too careful, and me… They both knew me too well to let me go.  They knew exactly how to pull me back in.  Ungud.  The aboriginal god of snakes and rainbows and desire, a god who could be male or female, depending on its want.  Who was what it was, what it wanted to be.  A god whose blood could make me exactly what I was.Three days, and maybe this would really would be over, like Huck said, solved under a sky painted red and black by his rage.  Three days, and maybe I or Nikolai or Huck might finally get what we wanted.  Or maybe again all our dreams would just spill out and be lost to violence, like the blood of that dead god.A helicopter thundered overhead, hauling water east to the fire lines and that finally shut Huck up."I know," I said, before he could start up again when the noise faded.  "I know, and if I don't know it's too damn late to worry about it.  You've done your job, now let me do mine."  I watched his hands tighten on the steering wheel of his Tahoe, remembered how mad this made him.  A control freak, placing his carefully crafted creation into the hands of an improviser.  Five years of obsession hadn't changed that."The fire is rolling in faster than I wanted it too.  They might be thinking of moving.""Yeah, maybe.  So what?  I'll deal with it."  My hands were slapping a quick beat over my body, checking pockets to make sure every piece of equipment was where I wanted it.  "You wanted me, you got me, now let me go.  I've got work to do.""A real tough guy now, ain't you?""Always was."His eye looked me over, and I could imagine him trying to picture me the way I was when we met, to see again the person I'd been when he'd wanted me.  It made me itch, uncomfortable.  "Were you really?""Yeah.  Why do you think you loved me, instead of all the other women you'd screwed?"  And then I was out of the car, slamming shut the door and leaving him with that.  As good a last line as I was going to get, if this all went to hell and I never saw him again.  I started down the street, heading for the bike paths that would take me to the house hidden high in these dry hills where Nikolai and the blood were waiting.  As I walked, I wrapped a black bandana across my face to block out the smell of burning.  And wondered if things had already gone to hell a long time ago.The wards were easy, always were.  My nature makes me slippery, hard to fix with magic.  And I had them marked on a map.  The alarms were harder, but Huck knew my weaknesses and had drilled me on how to handle the ones that were still operating, the ones that hadn't fallen when the fire took out the power and the data lines.  The fire or some hired hand of Huck's, using the fire for cover.  Even the cell nets were almost useless, jammed with the panicked calls of property owners.I pulled myself up onto the bumpy tile roof of the house, giving thanks as I did to the testosterone injections that built the muscle that made it easy.  It was a big place, some old money mansion built out in the wilderness before Santa Clarita had blown up in the valley below.  It must have cost Nikolai a bundle to rent, and I was betting he wasn't going to be getting his deposit back.  If he really had the blood of ten dead gods down there, it didn't matter how hard they warded the spheres that encased it.  Power would bleed out, and the shadows of this house would crawl with nightmares for years.That, though, was the least of my ex-partner's problems.  I found the skylight I wanted and peered down into a room, empty and lit only with the ruddy glow of the approaching fire.  An empty room, except for the brass bound box that gleamed below me.  I frowned down at it.  Clear the ward on this skylight, slip down and gather up the loot, then away.  Just like Huck had planned.My fingers danced around the skylight's edge, pasting in place the twists of iron and hair, spit and paper.  Charms to break the ward without letting it know it's been broken.  Then I worked loose the alarm wire, slipped open the lock and tied off my rope.  All in the plan.  I swung myself in, quiet as a cat, and slid down.  Adrenalin danced in my veins, waiting for the moment the plan went to hell.I could smell the blood, even before I cracked the case.  I'd never been very gifted at sniffing the stuff out, had never been a good tracker.  My bloodhound abilities lay more in my gift at resisting its gnawing effect on my sanity.  But the scent was so strong here I could taste it, and I knew that there must be more blood in the case than I had ever seen before.  With care, I lifted away the soft packing meant to prevent the psychic hell storm that would burst forth if one or more of the globes inside broke.  And that was when the plan burned.Eleven spheres nestled carefully in velvet.  Big crystal globes, and in the heart of each black liquid rolled and stirred, moving in tides that were steered more by my heartbeat than the moon.  Eleven.  Huck had said ten.  Behind me, the door swung open and my job really began."Woody.""Nikolai."  Five years had barely changed him, but he was vain.  Exercise to keep the belly away, dyes to tint the grey that was creeping in, injections and charms to smooth the nascent wrinkles.  Still, he looked good.  He stepped into the room alone, shut the door behind him.  Didn't matter.  The guards would be on the periphery, waiting."I like what you've done with yourself."  His grey eyes roamed me, flicked across my short hair and goatee, the muscles I'd added, lingered on the bulge in the black fatigues I wore.  "You're packing now.""In more ways than one," I said.  But I kept my hands still, didn't try to pull on him.  Nikolai wanted to talk, and I was fine with that."You like the merchandise?""It's interesting.""It's expensive."  Nikolai walked a little closer, stopped.  With the box open, I knew he had to be feeling it, the buzzing edge of distortion that gave normal people the fits and left bloodhounds like me mostly alone.  An advantage, since it kept him back from me.  A little one."South American, mostly.  Huitzilopochtli.  Weet-seal-oh-POACHED-lee  They mix a tiny drop of that with meth and slam it.  Guys do that and they can dodge bullets.  For a little while.  Tezcatlipoca. Tez catly pouka Put a trace of it in the ink of a jaguar tattoo, and no one will ever lie to you again.  And nine more.  The trade's been good to me, lately.""I see."  Good.  Eleven full globes, each the size of a damn softball, each one a pure god, each of them worth a fortune.  We'd risked our lives for a globe of mixed blood a tenth the size of these in the old days.  That case cradled more money and power than I'd ever seen in the trade.  Power enough that I could feel it gnawing at my inborn protections."I'm glad Huck persuaded you to come.  I've been wanting to see you.  I owe you an apology.""You don't owe me anything."  Friends, lovers, family, they hurt each other and had to apologize.  Nikolai had been all of those to me, once, but he wasn't anymore.  Burning out Huck's tat had been a too clever attempt at assassination, and if I hadn't gotten spooked and ditched the blood I was carrying down a storm sewer, I wouldn't have been doing four years for breaking and entering.  Transporting even that little bit of unsanctioned blood would have kept me in a cage for life.  Nikolai had tried to take both our lives when he decided to stop freelancing and left us to join the east coast family that was muscling in on the LA blood trade. When he betrayed us, he stopped being anything but an enemy.  And enemies, they never need to apologize.Nikolai read the thread of my thought in my body's tension.  He nodded, and I knew he never expected any other answer.  "I always thought I was the clever one.  But you both were smarter than I thought.  But this isn't really smart at all."  He waved a hand at the spheres.  "Who do you think fed Huck all the info that led you here?  Who do you think his informants were really working for?  And why do you think I made sure that he knew that I had Ungud?  I wanted you to come, Woody.  So I brought you a gift."The spheres gleamed, shining soft in the red fire light.  I reached down, slow, and plucked up the odd one out.  In its depths, the black blood moved and flashed, brightened.  There were colors there, every color, vibrant as a rainbow, and they twisted together into the form of a serpent, into a woman, into a man.  Ungud.  "A gift.  Or a payment?""What is he to you, Woody?  What did he do when you told him what you really were?  When you told him that his girlfriend wasn't really a girl at all?  He would have driven you out, thrown you away.  I was the one who understood, who let you be what you are.  Who loved you as you really are.  Who let you stay.  That was me."  He looked at me, blue eyes so sincere, and my hand gripped the sphere so tightly I wondered if it might crack.  "Take my gift.  Then lead me to him.""So you can finally finish with him?"  And here it was again, the real sick heart of our little family.  It had always been about the struggle between these two, to find out who was really in charge, who was really the alpha dog.  And I had always been a marker, part of the score.  That's why he hadn't just let me take the stuff and followed me back to his ex-partner.  He had to know that I was betraying Huck.  That he had won, finally.  "Fuck you.""What other choice do you think you have?" Nikolai always sounded so sad when he had you right where he wanted you.  When he thought you were his bitch."What choice?  Did I ever have a real choice, pinned between you two?"  I looked out the broad windows at the distant hills, at the bright flames that stretched up into the darkness.  Ungud's sphere was tight in my hand.  "Here's my choice.  Everything breaks, and everybody dies."Nikolai was smart, but slow, too damn slow.  He didn't even have time to wipe that sad, smug look from his face before my hand was wrapping around the velvet, yanking it free from the box.  In the air the dead god's blood shone in their clear cages, beautiful.  Then they slammed into the floor and shattered.  I only heard the start of Nikolai's screaming as the air broke around us, filled with ten thousand dreams of gods, dead and howling.  In my head, I denied them, walled them out and fumbled through their passions for the rope that hung beside me.  It was in my hand, the black nylon harsh against my skin, when they broke through and the whole world began to burn.Around me, the ash fell like snow.  Smoke rose, black columns that made the sun a sick pale circle rising slowly in the east.  Closing my eyes blotted out that grey light, but the visions that had been burned into the darkness behind my eyelids gave me no comfort.  I opened them again and watched the fires crawl across the distant hills until Huck came for me."Woody."  He swung himself out of his truck, hand hidden beneath his suit jacket, waiting for an ambush.  "What happened?""What do you think?"  I wiped my bandana across my face, tried to blink away the smoke and visions.  In the ruins of his face, colors ran and danced like a broken rainbow, making my eyes burn.  "It was a setup.  It all went to hell.""You didn't get the blood?"I opened my hand, let the wan sun shine on the glass orb it still held.  "Ungud.  Only Ungud.  I dumped the rest."He grunted.  "You dumped them?""I broke them all.  Broke them and crawled out through the chaos.  It was the only way to get past the guards.  And Nikolai."  I watched him twitch when I spoke the name.  "I smashed them at his feet."Huck stared at me, his one eye red and burning.  "Then you did good."I'd spilt out hell in that house and run away, and the screams of Nikolai and his men had echoed behind me until the fire finally swept over them.  I'd bought a new life and Huck's vengeance with the blood of dead gods and the screams of damned men.  My dreams were going to be tainted with both, forever."Good.  Yeah."  In the globe, the blood trembled, stirred by the tremor in my hand.  "I always do my best when your plans fail, and when chaos rules."    Holding the glass sphere tight, I made myself go on.  "Huck, I need something.""I thought we were done.  I thought that was what you wanted.  You did your job, and your payment's in your hand.""Huck, I don't want your money.  I want your help.  We used to do that, sometimes, remember?  Just help each other?  When you still loved me?"He looked away, stared out at smoke and ruins, a big man with a rumpled suit and a scar.  "What?""I need a tat.  With this blood.""So you can finally become a real boy?"I ignored the stupid, useless bitterness in his voice.  He could never believe that this had nothing to do with him. "So I can be what I am.""A man," he said.  "That much blood, you could be more than that."I turned the sphere and watched the colors shine in the dark blood.  So much power, so much potential.  "Yes.  I can be every man.  Young and old, big and small.  All different, and all the same.""A shapeshifter.  A changeling."The idea pleased me, so much possibility after a lifetime of being trapped.  "I like change."Huck's eye came back to me, and the corner of his mouth moved, almost made a smile.  "No lie there, baby-girl."  The words made me twitch, his name for me when we had been lovers, what he called me when we were tangled together.  "You could even be a woman.  Again."I looked up and met his eye, and for first time ever he looked away.  "It's not for you, Huck.  I'm not going to be your girl again.  Ever.""No.  I guess not."  He pushed himself up straight, walked around the truck and stopped by the door.  "This smoke is killing my eye.  Let's get out of here."I stood, but didn't step forward.  "The blood?"Huck frowned at me, his scar darkening.  Then he shrugged.  "I know a guy.  But he'll want to get paid."My turn to shrug, and I did it while walking toward the car.  "Shouldn't be a problem, for us."  His eye narrowed, and I smiled.  "We just agreed not to screw each other anymore.  Best basis for a partnership we ever had.""Shit."  He shook his head, but then slid into the truck, popping the door for me.  "Spilling that blood's made you crazy.""No.  It made me sane."  In my hand, I clutched the blood tight, and in my head I held just as tight to the image of a serpent spiraling across my skin in every color of the rainbow.  A serpent that could weave my flesh into a thousand shapes that made a greater truth.  I would bear the blood of a dead god, and become what I'd always wanted to be.  Myself.END"And the Blood of Dead Gods Will Mark the Score” was originally published in Fantasy Magazine in August 2010 and reprinted in Podcastle later that year.This recording is a Creative Commons Attribution-NonCommercial-NoDerivatives license which means you can share it with anyone you’d like, but please don’t change or sell it. Our theme is “Aurora Borealis” by Bird Creek, available through the Google Audio Library.Thanks for listening, and I'll be back on January 19 with "Skeletons" by Bonnie Jo Stufflebeam.

The Doubtcasters take a look at Ray Comfort's film "180" that equates a woman's right to choose with the atrocities of the Holocaust. In God Thinks Like You, Dr. Prof. Luke discusses a new study that finds people view atheists as being as untrustworthy as rapists. The Aztec god Huitzilopochtli will rip your heart out in PolyAtheism. Plus, Obama doesn't acknowledge God in his Thanksgiving address, the Catholic Church goes old school and we answer listener questions about how to deal with the ridiculous and how to find comfort in atheism.

Über Sonnenopfer in Adlerschalen.

Über Sonnenopfer in Adlerschalen