Podcasts about rolling thunder revue a bob dylan story

Bob Dylan i vitmålat ansikte, en oskyldig boxare bakom galler och Allen Ginsberg som en vandrande haiku med finger cymbals. Rolling Thunder Revue, Desire och låten som försökte befria Rubin Carter – plus en mahjongturnering för 80-åringar ingen såg komma, men alla borde ha sett.Musikpodden finns även på:Instagram: Musik_poddenSpotify: Musikpodden med Arvid BranderApple podcast: Musikpodden med Arvid BranderKontakt: podcastarvid@gmail.comKällförteckningBöckerShelton, R. (1987). No Direction Home: The Life and Music of Bob Dylan. New York: William Morrow & Company.Sounes, H. (2011). Down the Highway: The Life of Bob Dylan. New York: Grove Press.Artiklar och webbpubliceringarLofthouse, A. (2019, 3 april). Hurricane. BBC.co.uk. Producerad av P. Dawkes, redigerad av R. Killworth. Hämtad från: www.bbc.co.ukVon Tunzelmann, A. (2014, 24 april). The Hurricane: The Facts of Rubin Carter's Life Story Are Beaten to a Pulp. The Guardian. Hämtad från: www.theguardian.comBaker, K. (2015, 18 maj). ‘Welcome to Fear City' – The Inside Story of New York's Civil War, 40 Years On. The Guardian. Hämtad från: www.theguardian.comFilmer och dokumentärerScorsese, M. (Regissör). (2019). Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese. Netflix.YouTube-videorOkänd originalkälla. (1975). New York City asks for a bailout (1975). Uppladdad av Mike Gardner, 1 februari 2011. Hämtad från: YouTubeCBC News. (1991). Rubin "Hurricane" Carter (1991) – The Fifth Estate. Uppladdad av CBC News, 30 mars 2015. Hämtad från: YouTubeÖvriga källorWikipedia. (2025, 23 februari). Rubin Carter. Hämtad från: www.wikipedia.org Hosted on Acast. See acast.com/privacy for more information.

Des guitares, dont la "Oxblood" Gibson Les Paul 1954, et d'autres équipements de musique de Jeff Beck, guitariste britannique de légende décédé début 2023, vont être mis en vente aux enchères en janvier à Londres. Le célèbre producteur musical et trompettiste américain Quincy Jones a reçu à titre posthume un Oscar honorifique au cours d'un gala hollywoodien émouvant qui s'est déroulé dimanche devant un parterre de stars. On découvre enfin quelques images du film ‘'Beatles 64'', réalisé par David Tedeschi et produit par Martin Scorsese, qui raconte l'histoire de l'arrivée des Beatles aux États-Unis il y a soixante ans, à voir sur Classic21.be . L'album ‘'Songs Of A Lost World'' de The Cure est actuellement l'album le plus vendu aux États-Unis, dans le classement des ventes physiques, comme au Royaume-Uni. Une montre Patek Philippe, d'une valeur estimée à 4,5 millions de dollars, offerte par Yoko Ono à John Lennon pour son 40e anniversaire en 1980 subtilisée, un tribunal suisse a statué. The Edge a fait le point sur le prochain album de U2, expliquant qu'il ne s'agira pas d'un ‘'truc rock pur et dur''. Mots-Clés : pièce phare, couverture, solo, Blow by blow, 1975, concerts, prix, euros, objets, amplis, utilisés, carrière, décennie, titan, industrie musicale, américaine, personnalités, Frank Sinatra, Michael Jackson, décédé, cancer du pancréas, prestigieux, prix, carrière, décerné, Académie, Governors Awards, documentaire, Rolling Thunder Revue : A Bob Dylan Story, succès, mois, première, Wish, 1992, studio, charts, Billboard, Vinyl Albums, Top Album Sales, compte, physique, téléchargement, numérique, tête,Top Rock, Top Alternative Albums, pays, classement général, streaming, propriétaire, chauffeur, turc, Turquie, l'objet, assassinat, enchère, allemand, ressortissant, italien, Chine, agence Reuters, tribunal, vol, société genevoise, valeur, avocat, restituée, matériel, produit, lockdown, Covid, expérimenter, thèmes musicaux, différent, sons, traditionnel, déclaration, Bono. --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, en direct chaque jour à 7h30 et 18h30 sur votre radio rock'n'pop. Merci pour votre écoute Plus de contenus de Classic 21 sur www.rtbf.be/classic21 Ecoutez-nous en live ici: https://www.rtbf.be/radio/liveradio/classic21 ou sur l'app Radioplayer BelgiqueRetrouvez l'ensemble des contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Découvrez nos autres podcasts : Le journal du Rock : https://audmns.com/VCRYfsPComic Street (BD) https://audmns.com/oIcpwibLa chronique économique : https://audmns.com/NXWNCrAHey Teacher : https://audmns.com/CIeSInQHistoires sombres du rock : https://audmns.com/ebcGgvkCollection 21 : https://audmns.com/AUdgDqHMystères et Rock'n Roll : https://audmns.com/pCrZihuLa mauvaise oreille de Freddy Tougaux : https://audmns.com/PlXQOEJRock&Sciences : https://audmns.com/lQLdKWRCook as You Are: https://audmns.com/MrmqALPNobody Knows : https://audmns.com/pnuJUlDPlein Ecran : https://audmns.com/gEmXiKzRadio Caroline : https://audmns.com/WccemSkAinsi que nos séries :Rock Icons : https://audmns.com/pcmKXZHRock'n Roll Heroes: https://audmns.com/bXtHJucFever (Erotique) : https://audmns.com/MEWEOLpEt découvrez nos animateurs dans cette série Close to You : https://audmns.com/QfFankx

Did you miss Taylor Swift's The Eras Tour or Beyoncé's Renaissance World Tour? Fear not Swifties and fans of Queen Bey as they both have concert films due out soon. Concert films are nothing new. Since "Woodstock" in 1970 — and even some earlier films that The Beatles did as they slowed and stopped touring — films have captured important festivals and tours, and provided insight into bands as well as the fans during specific time periods. And even acclaimed directors have gotten into the act. Martin Scorsese has directed some of the most notable concert and musician biopics of all-time when not busy with gritty dramas. Crank up the volume as co-hosts Bruce Miller and Terry Lipshetz talk about their favorite concert films of all time, discuss the marketing genius that is Taylor Swift, and share additional stories and thoughts as well.  Where to watch "Taylor Swift: The Eras Tour" in theaters Oct. 13 "Renaissance: A Film By Beyoncé" in theaters Dec. 1 "Woodstock" (1970) "One Direction: This Is Us" (2013) "The Last Waltz" (1978) "No Direction Home: Bob Dylan" (2005) "George Harrison: Living in the Material World" (2011) "Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese" (2019) "Michael Jackson's This Is It" (2009) "Diana Ross" Live in Central Park" (1983) "The Song Remains the Same" (1976) "Led Zeppelin: Celebration Day" (2012) "A Hard Day's Night" (1964) "Help!" (1965) "Gimme Shelter" (1970) "Les Misérables 25th Anniversary Concert at the O2" (2010) "Springsteen on Broadway" (2018) "U2: Rattle and Hum" (1988) "Medusa: Dare to Be Truthful" (1991) "Hamilton" (2020) "1991: The Year Punk Broke" (1992) Contact us! We want to hear from you! Email questions to podcasts@lee.net and we'll answer your question on a future episode! About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. Episode transcript Note: The following transcript was created by Headliner and may contain misspellings and other inaccuracies as it was generated automatically: Terry Lipshetz: Welcome, everyone, to another episode of Streamed and Screened an entertainment podcast about movies and TV from Lee Enterprises. I'm Terry Lipshetz, a senior producer at Lee and co host of the program with our band leader Bruce Miller, editor of the Sioux City Journal and a longtime entertainment reporter. So if you're John Lennon, does that. Bruce Miller: Make me Ringo? No Paul McCartney. Oh, I'mccartney you get to be the big one. Why not go for the good one, right? Terry Lipshetz: Exactly. Taylor Swift's concert film is coming out next week Terry Lipshetz: So music. Taylor this is the week. Bruce Miller: This is the week. Did you know this? If you were a Swiftie, you would know these kinds of things, and that is that Taylor Swift's movie is coming out in the next week, and it's based on her era's tour. What I like to look at this as those of us who couldn't afford or get tickets to her tour will be able to see it without having to really bust a hump. Terry Lipshetz: That's the best part to me about concert films is that it's a great way to get you to the show, if you can't get to the show, because sometimes some of these tour stops and, I mean, you're in Iowa, so for you, how often does I mean, you'll get shows. Sure, come to Iowa, but not something this big, right? Bruce Miller: Yeah. Terry Lipshetz: You got to travel. You got to go to Chicago or, Minneapolis. Bruce Miller: I had friends tell me they spent $12,000 to see Taylor Swift. Terry Lipshetz: Holy cow. Bruce Miller: $12,000. Someday this will sound like I'm, absurd thinking that that's a lot of money, but in this day, it's a lot of money. It factors in the price of the tickets, the cost of getting there, the hotel room you have to have. I mean, it's like, I don't know that there's anybody on this earth that I would spend $12,000 to see. Terry Lipshetz: I don't have that kind of spending cash. Bruce Miller: But knowing that it is coming out on film, on DVD, I'm sure eventually all those kinds of things, it's an opportunity for all of us to enjoy whatever it was that was put out there and then maybe be even a little more critical about what they saw. Because I think they were all caught up in the enthusiasm of the moment. So I don't know. Maybe it isn't that good. Maybe 44 songs is too many. Who knows? Terry Lipshetz: It sounds like, from what I've heard, it's a really good show. I've seen a lot of clips of it. If you like Taylor Swift, I think it's definitely a show you want to see. I keep hearing 44 songs, but it's not like she performs them in full. There are some snippets here and there, and she kind of goes through the eras. No word if there is ranch dressing involved. Did you hear about no, no. So she's dating or at least seeing Travis Kelsey from the Kansas. You can't escape. Bruce Miller: Right. Terry Lipshetz: So every little thing she does now gets dissected, and on social media. They were looking when she was at the Chiefs game in her luxury suite, somebody spotted a picture of her with a chicken finger on a plate with what appeared to be ketchup and then a white substance that was labeled as seemingly ranch. Seemingly ranch. So ranch dressing companies, are like, running with it. Taylor eats ranch dressing. Bruce Miller: Who knew that she had such clout? Right. Terry Lipshetz: Right. It's crazy. Bruce Miller: Anything she does when she was here, she did play here way back in the early, early days when she was considered a country artist, if you dare say that. And, the thing I found most amazing about her is that she didn't do her t shirt in one style. She did the look of it in like five different colors. So these fans would want all five of them. And I thought that is a brilliant marketing decision by somebody that you weren't just getting the tour shirt, you were getting all of them. Because, if I'm going to get one, I got to have them all. What color do I pick? How do I pick? What am I going to do? So marketing genius. I think she's far more skilled at selling herself than she is at anything else. And that is not a diss. That means that she is just a genius at it. She should be teaching this at Harvard. Terry Lipshetz: Well, you know, with me, I'm, a record collector because you've seen my music collection and stuff in the background. Taylor. It extends to releasing physical media. So with the, album, actually, all of her recent albums, she'll release it on vinyl on a standard black edition. Limited. Limited, but well, the black is always that's standard. You can get that anytime you want. But then there is a different colored version that you can buy at Target. And then you can buy four different versions with four different album covers on four different colors through her website. And she puts them up at these intervals, like for the next 48 hours, only you can buy this one. And then it goes away. And then people freak out because they're like, you're making me buy it multiple times and you're charging me shipping multiple times. Why can't you just put it all up? But people will do that. I've seen people on social media sharing out. She's only got it's not like she's got 35 albums. She's got a solid catalog of a dozen different albums or so. But each one has like five or six or ten variants. Like you could literally have a, ah, collection of 200 Taylor Swift records. And it's just like a dozen albums. Bruce Miller: At this point, which is kind of unreal. That is crazy. Terry Lipshetz: And people buy like Taylor's army. They will buy it. And it's like, as I said, I'm a record collector. I do have multiple copies of certain albums, but it's less about like, I need a black version and I need a green version and a red version. It's like I've got the original pressing, an early pressing of Born to Run by Bruce Springsteen. I have a Japanese copy. I have a UK copy. They're pressed in different places, so the sound might be a little bit different. Bruce Miller: Are they unplayed? Do you keep them so that nobody touches them? Terry Lipshetz: No, I play them. And that's a little bit of the difference with some of the Taylor Swift fans is they might play one copy, but then they've got 13 that sit on a shelf or they hang on a wall or something. Bruce Miller: That could end up being the Beanie Babies of our era. It's going to be, should I say eras? Terry Lipshetz: eras. yes, Beanie Babies of our so. But yeah, like shameless self promotion. Beyoncé's film drops after the end of her tour Terry Lipshetz: Bruce, if you do want to check me out on social media, my Instagram handle is at vinyl underscore Terry. And you can just see what music I'm listening to. Bruce Miller: I will look. That's great. Check it out. The Beehive is also or the Beehive, I should say, is going to have its film in. Know, she's once she sees what Taylor does, she's got to do one better. Terry Lipshetz: well, and her strategy is a little different. So with Taylor, she's a little bit on hiatus at the moment. She's taking a small break in her tour. Right. Well, she goes I think in another month she heads down to South America. She's going to do like, Argentina and all that. So her film is going to drop October 13, I believe. And then, with Queen Bey, her tour is over. So she's going to drop hers on, I believe it's December 1 and it's going to air in theaters on Thursdays, Fridays, Saturdays, and Sundays for about four weeks. So it's going to be like a limited run month of December. But her tour is done. So it's not like right. You either saw it and want to relive the moment or you missed it and here's your opportunity. Whereas with Taylor, this is just kind of just another opportunity to see her. And then you can fly off to South America or you can wait for her to circle back in North America next summer. Bruce Miller: We've got to spend $12,000 and follow her around. Terry Lipshetz: Yeah. Bruce Miller: And then go to all the, Chiefs games to make sure that we see that in case she happens to wave to the audience from the skybox. You know how it is. Well, I must tell you, I have followed these kinds of films for know going Back to Woodstock was probably the first good concert ish film because it did give you a sense of it and made me glad I never went there because I don't think I could have withstood Mud and all that kind of whatever crap was invited. I was in California one summer and I was invited. I think it was summer. It either was summer or January, but it was the, preview of, One Direction's film. One Direction had a film called this Is US. I think it is. This is us. Terry Lipshetz: Okay? Bruce Miller: And they were having this sneak in the Grove, which is a kind of upscale shopping center in Los Angeles, okay? And somehow the word got out that this was going on and all these little girls who were fans of One Direction gathered there. They were outside this theater like you couldn't believe. It was like the scene in Frankenstein where the villagers are going to storm the castle because they want in. And they had heard that One Direction was going to be there. That they were going to turn up for, this screening that they weren't invited to that they couldn't get into. And so I'm sitting in the theater, right? And we get the manager of the theater looking just really whipped and he says, whatever you do, do not leave your seat. If you leave your seat and you leave the theater, you will not get your seat back. Because if somehow they break in and they start sitting in the seats where there aren't people, we can't kick them out, huh? We have no way of doing it. So please do not leave your seat. And we heard people pounding at the door outside and this made news. You'll find if you want to go back and look it up, pounding at the door, insistent that Harry Styles was in there somewhere and we were keeping them from meeting him. It was unlike any situation I've ever been in that's, a preview of anything. Was the movie okay? I have no clue. I was worried that I was going to be beaten by a twelve year old at some point because I was in there sitting and watching this movie that meant so much to them. Terry Lipshetz: But they weren't well, they, didn't show up, right? Bruce Miller: They were out there, but the cops came and the cops kept them and got them out of the theater. So they were not in the theater at all. And then when we walked out, you could see that there was like you who was in there? Who was in there with you? Did you see Niall? Was he in there with were the kids were real questioning. I thought they could kill people. I think they really could kill people. Terry Lipshetz: They probably could if you're determined. If you're determined. Bruce Miller: And so then I said, oh, it was wonderful. You've got to see this film. It's just so yeah, yeah. Scorsese directed a documentary about Bob Dylan's 1975 concert tour Terry Lipshetz: Woodstock, though. That's probably the first concert film I had ever seen. It was actually one I'm trying to think when my dad let me see it because it's a know, there's some language in it, there's some drug use in it, there's definitely some nudity in it. And it may have even been the first movie I had seen with nudity. But it's really a fascinating look at what went on. I think my dad always had a real connection with it too, because he bought tickets with friends to Woodstock. Yeah, he didn't get to it. He got stuck on the New York State throughway and eventually had to turn around because they left a little too late on whatever day it was. And by that time it was crazy. People had stormed the grounds. It had become a free concert. And he was angry. So he did what any other person who bought a ticket tickets? No, he sent it back and got a refund. And he regrets it. he regretted it for the rest of his life because he wished he could have had that ticket stub of like, I actually bought a ticket and I couldn't get there. But yeah, it was all of his favorite bands were playing. It's an incredible thing. So I think he always wanted us to, my siblings to really feel that connection with him, with Woodstock. But it's a fascinating film too, because Woodstock, up until that movie, was just a financial disaster. And it took that movie to kind of help them break even, basically. Bruce Miller: Well, and it showed you how acts that they weren't counting on turned out to be the stars really made their fortunes for them. Whereas other ones that they were counting on, it's like, well, not so sure here. This is not necessarily the star. Terry Lipshetz: Yeah. And you know who, not a director of the film, but one of the film editors of it. Do you know what famous, director Scorsese was? One of his earliest, works was as a film editor on Woodstock. Bruce Miller: See what happens see what happens when you're available and you can get to that place. Terry Lipshetz: Right. Bruce Miller: Only but he wouldn't have gotten a t shirt because he probably weren't selling any. Terry Lipshetz: yeah, but Marty, and we know Martin Scorsese by Marty because we're. Bruce Miller: He'S one of our pals, right, right. Terry Lipshetz: But he's got a long history in doing movies, documentaries, know musicians. He directed The Last Waltz, which was the final concert of the Band. He did, ah, no Direction Home, which was the documentary about the early life of Bob Dylan. They captured him leaving Minnesota and then going to New York and kind of rising through the folk scene. And then it kind of ended, when he plugged in. He did a documentary on, George Harrison. did you ever see the one he did called, Rolling Thunder Review a Bob Dylan Story. Do you remember that one? Bruce Miller: No. Terry Lipshetz: So he directed this and it was the most bizarre thing. So it's based on Dylan's concert tour during I think it was 1975, it was a transitional stage in Dylan's career. But he went out with this huge group of people. It was like 20 people on stage. It was almost like a circus dylan painted his face. He had like white makeup on every night and wore a big hat. And it captures a lot of those performances. But the film that Scorsese did was almost part fiction because it plays into the myth that is Dylan. And it talks like, I think Sharon Stone was in it and she talks about how she was a groupie during but she wasn't, she wasn't on the tour with Dylan at all. But they added in, for whatever reason, different moments of fiction to what was actually supposed to be a documentary of his tour of the mid seventy s. So it's kind of a crazy oh, my crazy thing. Yeah. Bruce Miller: One that I am fascinated by is the Michael Jackson one. Supposed to be about his last concert tour. And they kind of created it into that tour. I mean, if you were there, you would see all of the numbers that they were planning to do, but you realize in the course of that somewhere, there was no way he was going to be able to produce this every night. He couldn't. He didn't have the energy, he didn't have the stamina. I mean, it was fascinating when they did each number, but you'd think somebody's got to go get some oxygen at some point because it's just way too much. And it's telling because it shows how talented he was, but also how old he was. And the idea that you can do that maybe past your prime is unreal. But if you haven't seen that one, please watch it because it's unbelievable. Terry Lipshetz: This is it, right? Yeah. And that came out in 2009. I remember watching that one and it was really fascinating because it took you inside of the prep for the tour. But it was also really sad too, because you were seeing his decline basically too at the time. Obviously, in retrospect, when you see it, you're like, well, okay, that makes sense. But at the time you probably didn't even realize that he was nearing the end of his life. Bruce Miller: Right? Well, I think it's one of those things where he thought, too, I'm not going to do it. I'm not going to be able to do this. This isn't going to happen. Instead of doing it once and doing it for film it and then you never have to do it again, why know, right. Do you remember when HBO was real big about doing these live, specials? And there was a Diana Ross one live from Central Park, and it started to rain, and it was like the worst rain ever. And not as bad as the one they've had recently, but it was bad so that the people were like, well, she just kept on going. She was the bunny and wouldn't let it up and come on, everybody, sing with me. And it's like, wow, this is real. But I think they like that document of their time because it is a way to mark certain hallmarks of their career. And then also it's a way for fans to say, you know what, she or he really was that good. Terry Lipshetz: Yeah, I won't watch every concert documentary out there. But if it's a musician that I at least either like or respect, I like to check it out. Because it's always a good time capsule to kind of see what happens. Led Zeppelin's concert films bookend two eras Terry Lipshetz: An interesting one for me is, The Song Remains the Same, the documentary concert film, about the, Led Zeppelins tour from 1973, where they filmed it at Madison Square Garden. And here is that band at, really the height of their popularity, right? It's middle of their career. Things are crazy. And it captures the moment. And that came out in 76. And then years, years later, they did another concert film. And it's called Celebration Day. And that came out in 2012. Now, this is after John Bonham had died. And after John Bonham died, the band broke up. And they swore, we're never getting back together. And there were little things here and there, like Robert Plant and Jimmy Page did a side project together. But they never really went back out. I think they had that one off, like at Live Aid, where they came together and played. But they never again really did any sort of tour or anything. They swore we're never going to reunite. But then they ended up doing, a benefit concert at the Two Arena in London. And it was just a one off. And they said, we're going to do it. We're doing this benefit. It's for one of their early managers or promoters. So that's the only reason we're going to do it. And it's sold out in minutes. And the cool thing about it, though, is that they brought in Jason Bonham, who is John Bonham's son, to play on drums. And I always thought it was cool watching that concert. Know, you knew that this is know, you're not going to be able to see them again. They're never going to get back again. But they opened it up with the song Good, Times, Bad Times. And it was very much like a drum driven song. So we're going to open it up. We're going to let Jason Bonham kind of take center stage in honor of his dad kind of thing. And then they kind of tore through like 16 songs after that. So it was a really nice moment. And there's a band that kind of had two ends of the spectrum. Like one at the height of craziness in the we're like grandparents now. But this is us. We're going to get back to one more time. We're going to honor a friend of ours and do it one more time. And I thought that was pretty cool. Bruce Miller: Well, and we look at the Beatles really did concert films too. They just did them more like music videos, right, with all of their kind of help and you name it, Let It Be, all that kind of stuff. Had a moment. They never really sat it down and did, something that we're seeing a lot of, but so we still have that kind of record of their time on earth. The Rolling Stones, however, had, give me shelter. Terry Lipshetz: And do you? Bruce Miller: That was like, wow, yeah, those times. I don't know that I would have been eager to go to those concerts at the time. But in retrospect, as an older person with more hopefully smarts about what I'm doing, I can appreciate it much more than I would have at the time. I would have been worried about getting out. Are we getting out time? Ah, is the parking going to be bad? Do I have to worry about all that? You know what I mean? Now it's a lot of fun to watch it, and especially when they're still performing. I'm sure every move they make now when they're in concert is photographed somewhere, somehow. We didn't have social media back in the day, so everybody wasn't holding a phone up and, recording it. They were just appreciating what it was at the time. Terry Lipshetz: The Beatles, it's an interesting example because they had several movies that are still popular to this know, like A Hard Day's Night, and there were concert elements within the film, but it was more of a traditional film. But it captured Beetlemania, ah, at the height of Beetlemania. So if you weren't there in the experience, Beetlemania, even though it's kind of a light hearted film, you still got the essence of it. And then you got some of the goofiness with help and all that. But it's really a shame with them because they stopped touring in the mid 60s because they couldn't hear themselves. And if you ever get a chance, I have like a bootleg DVD of their Shay Stadium concert. And it's the craziest thing. It's like a 25 minutes concert. I mean, that's all their concerts were back there. They would do 20 songs in 25 minutes and then they were done. Bruce Miller: Wow. I've been to the theater, the Ed Sullivan Theater, where they did their big performance on television, the first one. And the place is small. It's really small. And I remember seeing people in the balcony, like they were jumping up and down and were so excited that they thought it was going to come down. And you realize, wow, we were really kind of duped back in the day thinking that it was just this huge Madison Square Garden kind of experience. And it was just a small you know, the cameras made it look like it was much bigger than it actually was. Terry Lipshetz: If you ever get a chance in New York City, you take the NBC Studios tour and they usually will take you to a couple different sets, including it's like they always do Saturday Night Live, and then they'll give you like, one or two. And I remember when I took the tour one time we went to the Saturday Night Live set, and you're just kind of blown away because you realize you actually can't see some of if you're in that studio audience. Because of the way they have to arrange the floor. They might be filming part of it off to the side where the audience can't actually see it. And you have to watch it on monitors. You just see where they come out for the monologue and you see where the band performs. But then some of the other configurations are all over the place. And then we also went out to, I think it was Conan O'Brien's when he was still it was before he the Tonight Show, and he had that late, night program. And I remember going there and we saw the Max Weinberg drum kit sitting out there and Conan's desk. But it's tiny. It's a tiny little. Bruce Miller: Sneaky. Yes. Bruce Miller: you mentioned Saturday night. I was lucky enough to have been there during the early years. I saw an episode that, I don't know if you remember any of these things, but there was a dance that Gilda Radner and Steve Martin did and they were, like, going all around the whole area and they came near me, and I was able to get on camera at some point with them. So if you ever have access to that, go back and look. But it was fascinating because you could not see all of the skits. There could be a skit right down below you, but, you can't lean in and look at that. And so you'd basically get to see a couple and that's about it. But, the flurry of activity that's going on between the skits is just amazing. And then the sound is really good for, the guest artist, whoever is singing that week or whatever. It's really good. a couple of times I've gotten to go to Saturday Night Live. It's like the most impossible ticket to get because, at best, you're going to get a rehearsal ticket at this point because they do a rehearsal before they do the final show, right? And, somehow they'll let people in there. But you really need to know somebody if you're going to go to the actual show itself. So put that on a bucket list. It's really worth it. Bruce Miller: You had mentioned back a little bit earlier about the two this huge venue in London, and, every year, it seems they're rerunning this on PBS. And that's the Les Miz anniversary special. And it's just unbelievable. I love the show. Les Miz arabla. As a musical, it's wonderful. But this they combined a whole bunch of old stars, people who had been in it before, made this kind of masterful thing. And then you saw these people walking up the aisles of this show and it was like, oh my God, I can't believe this. And those are those once in a lifetime experiences that somehow need to be captured on film. But The Two is a place where they all play at some point. Look at all the things they did when Prince Charles and, when Queen Elizabeth had her anniversary. You name it, they did something there. And it's a place I'd love to go to just to see what it's like in person. Terry Lipshetz: Yeah, that would be a fun one. And then you think about entertainment destinations now, too, with The Sphere in Las Vegas with U Two and U Two, because U Two is such a visual band that they're able to utilize the interior. I mean, that's just amazing. It's just a giant Led screen, basically. But they had a concert film as well. I don't know. Do you remember Ratle and Hum? Bruce Miller: Oh, yes, I think we got them. And get it free. If you had like, some Apple product, they gave it to you. Terry Lipshetz: I don't know, you might have, but no, I think that might be something else. But Ratle and the Hum came out in, I think it was 1988. And it was a combination, album. It was like a live album that came out after The Joshua Tree. And it also had a companion film that went with it. The companion film. Some people love it, some people hate it. I don't know if there's very many people that are kind of like in the middle on this one. It's really bizarre. So on one hand, you get a lot of performances from the Joshua Tree tour, which is really at that know, they had a few earlier albums that did were critically acclaimed, but they didn't necessarily explode commercially. But The Joshua Tree exploded commercially and they had huge hits. So they documented parts of this tour and they shot a lot of it in black and white. But then near the end, they went into color. But then they had these intermittent weird side journeys where they went to Graceland and they talked about their love for Elvis and they met with BB. King and they did this. And it was just kind of a strange document of the time. I would have been happier with. Just give me 25 songs of a straight YouTube concert. If you got to take a few performances from a few different shows, so be it. But, I don't know. I could probably have done without the side commentary. Yeah, exactly. Because I love you two and I've seen them in concert and I have all their albums. But Bono has a certain way about them, I guess is a way of saying it. And it's just like they're a little bit too over the top sometimes, even for me. I think Rattle and Hum really, it sums up that time, at least, even though. Bruce Miller: All those little pop stars. Anna Montana, right? bieber had one. I think it was 3D. Katy Perry, you name them, they all get these movies at some point. And it's somebody saying, you know, here's how we can make the budget on that tour. That didn't go so well. We'll put out a movie, and then we'll make up the difference that we lost in, know, having that big set piece that you had. There was a great mockumentary about Madonna's tour. Remember how Madonna had the cone bra and all that? And Julie Brown. Not the Julie Brown that you remember from MTB, but a different Julie Brown who was a comedian, did her spoof of was. So I think she called herself Medusa or something. Terry Lipshetz: Okay. Yeah. Bruce Miller: But if you ever get to see that, it is such a hoot. It makes fun of these in the best way. The best way. And Madonna had to have loved it. And she's another one who should look at those things and say, I'm glad I have this document. I really am. Because I don't know that her tours now are as iconic as they should be. Gaga she has done things. She's done films or specials, but I don't know that she's done one of these kind of big movie things that would have told all or showed all or whatever. And maybe she's ripe for one. Terry Lipshetz: Maybe. You know which one I really like, too. And this was an opportunity because I couldn't get to New York, and I'm a huge Springsteen fan. And then this is like my other Broadway. Yeah. In my other shameless self promotion, I have another Instagram account called at Bruce Springsteen Collection, where I document all of the Springsteen albums in my collection. And I'm not just talking about the regular stuff. I've got some things that were not officially released that I show off on this thing. Bruce Miller: But does Bruce know? Terry Lipshetz: He knows this stuff is out there. Bruce Miller: Okay. Terry Lipshetz: but, yeah, no, I'm a huge hardcore. I've seen him in concert 1314 times at this point. Bruce Miller: Why didn't you go to the Broadway show? Come on. Terry Lipshetz: Yeah, I mean, I really wanted to, but the cost for tickets, I got to travel from the Midwest to the city. Yeah, it's an expensive show. So, when Netflix made the deal to air, know, one of the performances of Spring Scene on Broadway, it was a really good opportunity. And I would have loved to have gone to the Walter Kerr Theater to see it live. But I think in this type of setting, the way they filmed it, you felt like you were right there. Terry Lipshetz: It was a very well done documentary, know, whatever you want to call it. it captured the know, it was kind of like, with Hamilton, because if you couldn't see the original cast, you at least got to see it on Apple TV. And I think that was a good second opportunity. And I think that's what this is. Bruce Miller: I told you my story about Hamilton, right? That I was determined to see Hamilton no matter what. Terry Lipshetz: No, I don't think I heard this one. Bruce Miller: Oh, do you mind if I go ahead. Story. The thing about me is I have to see the original cast. I have to see the original actor in a Broadway show or I don't feel like if it's a big thing sure. And I knew that Hamilton was going to be a big thing even before Hamilton was a spark on anybody's radar. And then it got out there and I thought, I've got to go, but when am I going and how do I get tickets? And it was like this whole thing where I couldn't get the tickets. The tickets were just outrageous. And I decided I was going to go on StubHub. And so StubHub I went on, and it was like, 1000 something for the tickets, and am I going to spend $1,000? And then I start rationalizing all these things. Well, life is short. You're not going to be around that much longer. You want to see it, you should go. The original cast was breaking up after that. I was rationalizing. Terry Lipshetz: Right. You played it out, like, 15 steps and you're like, I'm on board. Bruce Miller: And it got down to the point where it was $777. Terry Lipshetz: Oh, you got to do it. Bruce Miller: And I did it. I jumped. And then I was at a hotel and we had to add, you know, how this thing is where you print out the tickets, but you're not really sure about all this, and you think, oh, they're going to take money to the cleaners and I'm going to lose $700, and it's going to be just the worst, right? Terry Lipshetz: Yes. Bruce Miller: And so I went to the business office at the hotel and they said, yeah, these are pretty good. You should be all right. You shouldn't have a problem. But if I were you, I'd get to the theater early, because if somebody sold this ticket twice, which could happen, you won't be the one who gets in. It'll go the one who got in before you. I made a beeline to that theater as fast as I could. And when I heard that M of the ticket, it was like, yes. So I get to my seat, and the seat was really good. And I'm talking to the people next to me. And there was a family from Los Angeles who came because the daughter had been listening to the album all along and wanted to see this. Right. This was her goal. And they gave up going to any other shows. They weren't going to any kind of theme parks. They weren't doing anything but Hamilton. And they spent $10,000. And they were sitting next to me. And we talked to people, like, in the row before us. They spent nothing. Somebody handed them tickets at the theater. So there were all these kind of stories that were going around among the people, and you felt lucky. You felt like, I have won the lottery. I am here. And then you hear and you think, this is, like, the most unbelievable experience I've ever been in my life. It was everything. And then a little bit more. And I'll tell you an, intermission. I ran to the merchandise table and bought $200 worth of crap just because I wanted to prove that I had been to Hamilton, right? So it was my thing. And I realized, you know what? It was money well spent. It was really money well spent. Now, when I saw the Apple version of or I mean, the Disney version, disney plus version of, Hamilton, it was perfect. It lived up to all of the things that I remember, because after that cast, the original cast left. I did go see it again, and it did not live up to the hype. But having seen the original cast and then seeing the original cast do the filmed version of Was, if you want to know how good it was, watch that. It was very good. And I think they did a great job of capturing that whole moment. But, yeah, that's cool. My Hamilton story. So for the next year after that, I got more Hamilton crap from people because they said, well, you're the one that really likes Hamilton, don't you? Here's a hamilton. Whatever. But I had talked to Lin Manuel Miranda before he was even writing it. He was on a TV series as, like, a third stringer. And I said, well, what are you working on? Because he had done some other stuff for the theater. And that if you know anything about me, I'm just a hardcore theater person. I live for that. And he said, well, I'm working on a little thing I call the Hamilton mixtape. It's a show about Alexander Hamilton, but it's done with rapid hip hop and that kind of stuff. He says, we'll see where it goes. And I'll look where it went. Terry Lipshetz: We'll see where it goes. It may pan out. Who knows? Bruce Miller: It's a fascinating story. And then to even take it further, while he was doing Hamilton, he was writing the songs for Moana. He would do zoom calls with the directors of Moana, who one of them happens to be from Sioux City. And he would tell me about how yeah, he'd come after before they start the show or during an intermission or whatever, and they would like, work well, this song needs to be this, and this song needs to be that. Okay, I'll work on it, and I'll get you another one. And then he'd go out and do the show. Terry Lipshetz: That's crazy. Bruce Miller: Yeah, it's weird, but there's your $0.02 worth on those kind of direct to the screen versions. Bruce Miller: But you know what? I think these are ways for all of us to enjoy entertainment that we maybe don't have the access to. Terry Lipshetz: Absolutely. Bruce Miller: It's an affordable way and you still get all the bells and whistles. And even if you had a bad seat at the show itself, if you did go, here's a way to see things that maybe you didn't see. Terry Lipshetz: Yeah, and it's a cool way too, because it captures the moment of the time. So if you're like me, who I'm in my later forty s and I was born after Woodstock. I can see what m people of my parents age looked like and acted like ah, as youngsters and realized that some of the things that they yelled at me for, they were doing them also back in. Bruce Miller: As someone who was around, I will tell you they were just as bad, if not worse than we see kids today. Terry Lipshetz: Yeah, exactly. And then I look back at something like 1991, the film The Year Punk Broke, which looks at bands like Sonic Youth and Nirvana when they exploded in the early ninety s. And I watched those and I'm like, oh, did I really dress that way in high school? Yeah. Oh man. Bruce Miller: No, it's fascinating. I was talking to a college student today, and she was doing a project for one of her design classes. And she says, I am going back to the I'm trying to kind of conjure all those things that were big in the some of these things that you're coming up with weren't in the little careful, because I don't remember this stuff. And I remember the 70s like nobody. Terry Lipshetz: You do. Yeah, you absolutely remember them. So again, we've got October 13, Taylor Swift's, the Era's tour film, coming out. Beyonce has her film coming out in December. And check out some of these films that we talked about opportunities like Woodstock, Ratle and lot of like Scorsese has done a lot of if you're into like like you know, he's got a lot of things besides, the gangster films. He loves music and it plays into all of his films and he's done quite a few, so a lot of good things. And he's got a new movie coming up and then we have another episode coming out next week. You have an interview with that, right? Bruce Miller: With Goosebumps? Yeah. Get ready. We're getting closer to Halloween and they've rebooted Goosebumps. They had a series where they would do a different book for each episode. Now they've created a kind of a mashup where they put the characters together and they're telling stories from four or five different books in the course of a season. And you'll get a chance to hear the producers talk about why they did what they did with this. And it's a little more adult than you may remember the Goosebumps book being. So look for that. That's next week when we come back on Streamed and Screened. Terry Lipshetz: Sounds good. So we'll talk about Goosebumps and we'll talk about maybe some other family friendly ish kind of Halloween things that we can dive into if you must. Bruce Miller: If you're not we're talking about saw. Terry Lipshetz: I will tap out. If we're talking horror movies, I am tapping out before we get started. We won't do saw. None of that stuff. I like to get a solid night's sleep, Bruce. I don't need horror things flashing through my head. That stuff's scary. I don't like scary things. Bruce Miller: Yeah, we'll play the Springsteen white noise machine, and you'll be able to go to sleep. Terry Lipshetz: Sounds good. All right. We'll be back again next week with another episode of Streamed and Screened.See omnystudio.com/listener for privacy information.

Margaret Bodde is the executive director of The Film Foundation, the non-profit organization created by Martin Scorsese in 1990 dedicated to the preservation and protection of motion pictures. Working in partnership with the archives and studios, TFF has preserved and restored over 925 films, including 49 restorations from 28 countries as part of the World Cinema Project.TFF educates young people about the visual language of film through its cinema literacy program, The Story of Movies. In addition, Bodde is the award-winning producer of several of Scorsese's documentaries."Our American artistic heritage has to be preserved and shared by all of us. Just as we've learned to take pride in our poets and writers, in jazz and the blues, we need to take pride in our cinema, our great American art form.” - Martin Scorsese, Founder and Chair The Film Foundation, the non-profit organization created by Martin Scorsese to preserve cinema, invites you to come together for a series of beautifully restored films in the Restoration Screening Room, our new virtual theater, available through any web browser.Presentations will take place within a 24-hour window on the second Monday of each month, along with Special Features about the films and their restoration process. Monthly programming will encompass a broad array of restorations, including classic and independent films, documentaries, and silent films from around the world.The next free screening is August 8th. They will be playing an amazing Film Noir double feature.Arthur Ripley's 1946 classic The Chase and Edgar G. Ulmer's 1945 masterpiece Detour. Margaret is also a producer, known for Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese (2019), The 50 Year Argument (2014), Public Speaking (2010), George Harrison: Living in the Material World (2011), No Direction Home: Bob Dylan (2005), and the PBS 7-part series The Blues (2003).Please enjoy my conversation with Margaret Bodde.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Jeremy & Eric discuss the 2019 film "Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese" Go to patreon.com/ericandjeremy for bonus stuff!

Margaret Bodde is the executive director of The Film Foundation, the non-profit organization created by Martin Scorsese in 1990 dedicated to the preservation and protection of motion pictures. Working in partnership with the archives and studios, TFF has preserved and restored over 925 films, including 49 restorations from 28 countries as part of the World Cinema Project.TFF educates young people about the visual language of film through its cinema literacy program, The Story of Movies. In addition, Bodde is the award-winning producer of several of Scorsese's documentaries."Our American artistic heritage has to be preserved and shared by all of us. Just as we've learned to take pride in our poets and writers, in jazz and the blues, we need to take pride in our cinema, our great American art form.” - Martin Scorsese, Founder and ChairThe Film Foundation, the non-profit organization created by Martin Scorsese to preserve cinema, invites you to come together for a series of beautifully restored films in the Restoration Screening Room, our new virtual theater, available through any web browser.Presentations will take place within a 24-hour window on the second Monday of each month, along with Special Features about the films and their restoration process. Monthly programming will encompass a broad array of restorations, including classic and independent films, documentaries, and silent films from around the world.The next free screening is August 8th. They will be playing an amazing Film Noir double feature. Arthur Ripley's 1946 classic The Chase and Edgar G. Ulmer's 1945 masterpiece Detour. Margaret is also a producer, known for Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese (2019), The 50 Year Argument (2014), Public Speaking (2010), George Harrison: Living in the Material World (2011), No Direction Home: Bob Dylan (2005), and the PBS 7-part series The Blues (2003).

【本期嘉宾】朱达欣、思践、沈浩翔、苏青阳朱达欣（原腾讯数字多媒体产品部总经理，2006-2011年负责QQ音乐业务）思践（虾米音乐创始人，园钉科技创始人）沈浩翔（虾米音乐早期产品部总经理 2010-2012年负责虾米电台/客户端产品等业务，播客「坐井说天阔」主理人）。苏青阳（前云音乐社区业务线负责人 2019-2021年负责评论、视频、云村等社区板块产品运营）主播：潘乱（乱翻书主理人）【时间线】02:37 从下载听音乐到在线听音乐，为什么会发生这样的变化呢？04:47 音乐平台歌曲曲库从哪来的？音质问题是怎么解决的？09:34 音乐分发都有哪些的方式方法，发展历程是怎样的？18:28 为什么虾米电台的推荐优于其他几家平台，有什么特殊之处？22:37 「中国只有两种音乐分类：一种叫流行音乐，一种叫做非流行音乐。」25:12 拥有超大用户量的QQ音乐，用户的使用习惯上会跟其他几家平台有什么不一样吗？28:31 如何看待短视频对于这个音乐产业这个影响？真的是他自己在决定自己喜欢听什么样的音乐吗？31:09 如今，音乐的创作更多是往爆款、走量、碎片化的方向走，影响音乐创作方向的因素有哪些？39:22 怎么看待抖音等短视频对于音乐的冲击和影响？52:05 「受各种因素影响，我们对于音乐上的、文学上的什么是好东西，可能没概念。」53:06 如何看待微信与字节做音乐？61:20 音乐怎么解决它的版权问题？65:45 音乐平台与唱片公司的合作是怎样达成的？69:02 聊聊QQ音乐「绿钻贵族」71:45 「今天，我们的市场依然只是一个音乐扫盲的市场。」77:59 「阿里星球是一个非常悲惨的故事」84:32 现在的版权管理体制，它真的促进了音乐产业的发展吗？87:16 展望：音乐行业未来可能会有什么样的趋势和走向？94:20 在需要更多创作者的今天，唱片公司在干啥，起到什么样作用呢？【开场&结尾音乐】石进 - 夜的钢琴曲五【名词解释】1、对话中提及的虾米「南瓜」：创始人王皓在音乐圈内常被人称作“南瓜”。之所以叫“南瓜”，是因为他非常喜欢碎南瓜乐队（The Smashing Pumpkins）2、「SP业务」：SP是英文Service Provider的缩写，中文翻译为服务提供商，通常是指在移动网内运营增值业务的社会合作单位。它们建立与移动网络建立相连的服务平台，为手机用户提供一系列信息服务，如：娱乐、游戏、短信、彩信、WAP、彩铃、铃声下载、定位等等。【相关推荐】1、《虾米之死》稿源：南方人物周刊 | 作者： 刘璐明 日期： 2021-03-13http://nfpeople.infzm.com/article/105642、《生而荒芜，我心光明：中国音乐流媒体产业简史》——潘乱https://mp.weixin.qq.com/s/CQnXLir35nTYNOMJmcOXcg3、《属于云音乐的路，其实只有一条》——杨百顺https://mp.weixin.qq.com/s/aeRqnuN3UYxS5CWwHGgr2g4、沈浩翔的播客——《坐井说天阔》https://www.xiaoyuzhoufm.com/podcast/60578fe50d9e1dc5c6d085485、电影推荐：《Once（曾经）》(爱尔兰 2007年上映)6、纪录片电影推荐：《Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese（滚雷巡演：鲍勃·迪伦传奇）》 (美国 2019上映)【图】虾米关站公告微信公众号：乱翻书视频号：潘乱商业合作：联系微信 tongxing717本期编辑：怀杭

The Jokermen are joined by singer-songwriter Pearl Charles to review Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese (yes that's really the full title). Some parts of this movie rock. Other parts don't do that. LISTEN TO PEARL'S LATEST ON SPOTIFY AND FOLLOW HER ON INSTAGRAMSUSCRIBE TO JOKERMEN ON PATREONLISTEN TO JOKERMEN THEME-TYPE RADIO: XMAS ON SPOTIFY FOLLOW JOKERMEN ON TWITTER AND INSTAGRAM AND SUBSCRIBE ON YOUTUBE See acast.com/privacy for privacy and opt-out information.

Rock Docs: A Podcast About Movies About Music Episode 1: Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese In which we review this movie. Is this even a rock doc? Hosted by David Lizerbram & Andrew Keatts Twitter: @RockDocsPod Instagram: @RockDocsPod Cover Art by N.C. Winters - check him out on Instagram at @NCWintersArt

Visit our website BeautifulIllusions.org for a complete set of show notes and links to almost everything discussed in this episodeSelected References:2:00 - Listen to Beautiful Illusions Episode 12 - “A New Enlightenment: The Age of Cognitivism” from March 20212:09 - See Seven and a Half Lessons About the Brain by Lisa Feldman Barrett and Mistakes Were Made (But Not by Me): Why We Justify Foolish Beliefs, Bad Decisions, and Hurtful Acts by Carol Tavris and Elliot Aaronson2:30 - See the “Literary Theory and Schools of Criticism” subsection of the Purdue Online Writing Lab website3:28 - F. Scott Fitzgerald, author of The Great Gatsby3:48 - See the entry on “allostasis” from the extended endnotes of How Emotions Are Made by Lisa Feldman Barrett and/or the “Allostasis” Wikipedia entry3:50 - See “Confirmation bias”, and the “Cognitive bias cheat sheet” and “What Can We Do About Our Bias?” by Buster Benson writing for Better Humans14:39 - Frankenstein by Mary Shelley, which Jeff and I discussed at length in Beautiful Illusions Episode 05 - “It's Alive!” from October 202014:41 - Jacques Lacan was an influential French psychoanalyst15:16 - Watch Carol Tavris and Elliot Aaronson describe “The Pyramid of Choice” and how it leads to justification of actions and leads to further action and self justification22:50 - See “How Robert Zimmerman Became Bob Dylan” - Born in Minnesota as Robert Allen Zimmerman in 1941, he settled officially on the name Bob Dylan in 1961, having already gone by Elston Gunn, and Robert Allen. In a 2004 interview Dylan said "You call yourself what you want to call yourself. This is the land of the free." and perhaps most tellingly, in the 2019 Martin Scorscese documentary “Rolling Thunder Revue: A Bob Dylan Story” he says “Life isn't about finding yourself—or about finding anything, Life is about creating yourself.”23:20 - Released in 2007, I'm Not There explores different aspects of Dylan's life and career through 6 vignettes where the “Dylan” character is played by different actors26:40 - The quote “We are what we pretend to be, so we must be careful about what we pretend to be.” comes from Kurt Vonnegut's 1961 novel Mother Night40:05 - For more on System 1 and System 2 thinking see “Of 2 Minds: How Fast and Slow Thinking Shape Perception and Choice” from Scientifc American, excerpted from Thinking Fast and Slow by Daniel Kahneman41:14 - Stumbling on Happiness by Daniel Gilbert, listen to episode 40 of the It's Not What It Seems podcast where Darron discusses Stumbling on Happiness by Daniel Gilbert with his brother Doug44:05 - See the entry on “Tuning and pruning” from the extended endnotes of Seven and a Half Lessons About the Brain by Lisa Feldman Barrett53:06 - The Secret of Our Success by Joseph Henrich53:39 - See “Secret Fears of the Super-Rich” (The Atlantic, 2011)55:25 - According to American Heritage “Stoddard's The Rising Tide of Color is apparently the book that Tom Buchanan of The Great Gatsby has in mind when he praises “‘The Rise of the Coloured Empires' by this man Goddard.” Although he had the title and author wrong, he wasn't all that far off. Henry Goddard was, in fact, the author of the famous eugenical study of The Kallikak Family.57:10 - See “Ten Years Later: Timeline of Tiger's Scandal” (Golf Channel, 2019)1:06:55 - For more on the predictive nature of the brain see the entry on “allostasis” from the extended endnotes of How Emotions Are Made by Lisa Feldman Barrett and/or the “Allostasis” Wikipedia entry1:08:29 - The quote “‘Who controls the past,' ran the Party slogan, ‘controls the future: who controls the present controls the past.'” comes from George Orwell's 1949 classic Nineteen Eighty-Four: A Novel1:11:20 - Slaughterhouse Five  by Kurt VonnegutThis episode was recorded remotely via Zoom in May 2021The “Beautiful Illusions Theme” was performed by Darron Vigliotti (guitar) and Joseph Vigliotti (drums), and was written and recorded by Darron Vigliotti

Hablamos sobre "Rolling Thunder Revue: A Bob Dylan Story", "What Happened, Miss Simone?" y "The Bee Gees. How can you Mend a Broken Heart". Y, además, escuchamos unos temones! Seguinos en #Instagram como @enelpanal.

  Stu Levitan welcomes a special guest for a special topic on this day after Bob Dylan's 79th birthday. We're joined by The Rev. L. J. Sloman of the Last Exit Before the Freeway Church of God, as seen on WMTV's The Weekend Starts now with Ben Sidran, a/k/a UW graduate student Larry Sloman, a/k/a Ratso, to talk about a book, and album and a movie. The book is On the Road with Bob Dylan, his epic account of Dylan's 1975 tour, the Rolling Thunder Revue. The critically acclaimed album is Stubborn Heart, from which that brief snippet of Dylan's Sad-Eyed Lady of the Lowlands was borrowed, and which includes 8 Ratso originals. The movie is Martin Scorcese's fascinating and fanciful Rolling Thunder Revue: A Bob Dylan Story,” in which he has a featured role – as he did in Dylan's own movie about that tour, Reynaldo & Clara. As to Bob Dylan, he is, without question, the greatest singer-songwriter since Homer. And his live performances on that 1975 tour were among his most intense and electrifying in a 60-year career of intense and electrifying performances. As to Larry Sloman, he has had a career path I both envy and appreciate. A native New Yorker, he made phi beta kappa and graduated magna cum laude from Queens College in 1969, with a degree in sociology. To avoid the draft, he joined Volunteers in Service To America, the domestic peace corps, and was assigned to Milwaukee, where he worked with Father James Groppi's welfare mothers, and sometimes their daughters. After a year in VISTA, he accepted a fellowship from the National Institute for Mental Health and came to Madison for his Master's in Deviance and Criminology, which, as he notes has informed his work ever since. But more importantly, while here he also became music editor of the Daily Cardinal. Which helped him sell a story to Rolling Stone, after which he wrote for it some more, and then broke big news with a preview of Dylan's Blood on the Tracks album. From there, he got the Rolling Stone gig to cover the Rolling Thunder Revue– at least for a while -- and then wrote the book which Bob Dylan himself calls “the War and Peace of rock and roll.” Then five years as Editor-in-Chief of High Times magazine, six as Executive Editor of National Lampoon, and a literary career that now includes Steal This Dream: Abbie Hoffman and the Countercultural Revolution in America, Reefer Madness: The History of Marijuana in America, The Secret Life of Houdini: The Making of : America's First Superhero, and Thin Ice: A Season In Hell With the New York Rangers. And best-selling collaborations with radio personality Howard Stern, boxer Mike Tyson, magician David Blaine, Red Hot Chili Peppers singer Anthony Kiedis, and Peter Criss of Kiss. Various side projects, including producing the award-winning music video of Dylan's song Jokerman. And now he's a recording artist, as well. As I said, envy and appreciate. It is a great pleasure to welcome to Madison BookBeat the legendary Larry Ratso Sloman.  

009: Fernanda Kostchak Paulistana, Violinista, Integrante da banda Vanguart, militante ativista da cultura e feminista. Neste episódio você irá conhecer um pouco sobre a Fernanda Kostchak: a experiência com a Banda Vanguart, o violino na música eletrônica, o violino nas raves, a música celta, entre tantas outras histórias que ela irá compartilhar especialmente com agente. Não perca! Alta frequência: Youtube: Canal Tese Onze - Sabrina Fernandes (socióloga e escritora) Documentário: Rolling Thunder Revue: A Bob Dylan Story by Martin Cultura Pra quem (página da web) Coletivo "As mina na frente" Filme: A Lavanderia (Netflix) Maryl Streep (The Laundromat) Livro: O segredo dos ricos - Thomas Piketty Darcy Ribeiro A humanização de acordo com Paulo Freire Átila Iamarino Potyguara Bardo Cordel do fogo encantado Música no final do episódio: Remains, por Fernanda Kostchak Website: https://fernandakostchak.com/ ------ Quer ajudar o show? Então aqui vai algumas sugestões: - Ajude outras pessoas a encontrar o programa deixando uma nota e uma crítica no iTunes. - Nos mostre um pouco de amor no Instagram e Facebook - Conte para todo mundo! Esse programa foi produzido por O Fabuloso Concerto, feito com amor, carinho e entusiasmo. Arte Podcast 440: Raffaella Goi Música: Majestade Sertaneja e Recompensa, por Ruama Quimera Edição e gravação: Daniela Garcia

Tyler and David discuss what they've been watching, including The Devil Wears Prada, Radioactive, The Time Traveler's Wife, Bela Lugosi Meets a Brooklyn Gorilla, Remember, Wild Combination: A Portrait of Arthur Russell, Guest of Honour, See You Yesterday, The Great Buster, Southland Tales, Willy Wonka & the Chocolate Factory, Red Penguins, Ask No Questions, Before Midnight, Eagle Eye, Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese, The Price of Fame and more.

Happy new year. We've only gone and done another fortysomething minutes of talk about male mental health. This episode: • 2019 and all that. We considered a look back on our favourite albums and movies and shows and things and trends of 2019. But we got bored with it, and talked about what we're worried about and looking forward to in 2020 instead. ----- Get in touch: contact@emotionalcripples.com @emcripples (Twitter) Facebook group: https://www.facebook.com/groups/1707014319375624/ ----- Samaritans: https://www.samaritans.org/  Call 116 123 (UK and ROI)   Befrienders: https://www.befrienders.org/ CALM – the Campaign Against Living Miserably: https://www.thecalmzone.net/ ----- SHOW NOTES MUSIC The Weathermonger - 'Fourier' The Weathermonger - 'Through The Honeycomb Window' https://soundcloud.com/theweathermonger https://open.spotify.com/artist/11QnHi5wotoXtx2O4uF8ny?si=TWAYe_bzS9-q9le35nVFZA   Chase The Rainbow: https://www.simonandschuster.co.uk/books/Chase-the-Rainbow/Poorna-Bell/9781471160721 The Bob Dylan film Tim goes on about: https://en.wikipedia.org/wiki/Rolling_Thunder_Revue:_A_Bob_Dylan_Story_by_Martin_Scorsese Julian Baggini - The Ego Trick: https://www.microphilosophy.net/the-ego-trick/ The Enigma of Kaspar Hauser: https://en.wikipedia.org/wiki/The_Enigma_of_Kaspar_Hauser Derren Brown - Happy: https://www.waterstones.com/book/happy/derren-brown/9780552172356 Brian & Roger: https://play.acast.com/s/brianandroger

Anyways Dude, I trip out on the abstract connections between my old friend Rod Sweitzer and Sam Shepard, with an assist from an artistic nude photo of Patti Smith shot by Robert Mapplethorpe.CHARACTERS: Fred "Sonic" Smith, Bob Dylan, Seth Meyers, Larry "Ratso" Sloman, Matthew McConaughey, Sam Elliott,Paul Newman, Kris Kristofferson, Johnny CashLOCATIONS: New York City,Toluca LakeTHEATER/PLAYS: Broken Story, White Horse Theater Company, True West,Cowboy MouthBOOKS: Year of the Monkey, M Train, Nobel Prize in Literature, On the Road with Bob DylanMUSIC: Bring it All Back Home, A Hard Rain's Gonna Fall, MC5MOVIES/TV: Skavlan,Rolling Thunder RevueSTUFF: Facebook, skateboarding,BMX bike,feathered hair, Brazilian Jiu-Jitsu, surfing, Airborne,Rhodes ScholarSOUNDS: cars,car alarm,dog, snap, commotion GENRE: storytelling,personal narrative, personal journalPHOTO: "Rod's Broken Story" shot on my "new" iPhone6RECORDED: November 8, 2019 on the observation deck at the Zane Grey Estate in Altadena,California GEAR: Marantz Solid State Recorder PMD670, Sennheiser MD 46 microphoneDISCLAIMER/WARNING: Proudly presented rough, raw and ragged. Seasoned with salty language and ideas. Not for most people's taste. Please be advised."Lance Anderson tells anecdotes with stunning fragmented and cluttered feeling." - Hanna Fahl of Dagens Nyheters (Google translation of Sweden's daily newspaper)

Rolling Thunder Review, on the release of Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese

This week on the Podcast we discuss First Impressions of: Motherless Brooklyn & The Laundromat(01:08) and the Titles: Hail, Satan?(07:03), American Factory(20:17), Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese(31:47), Honeyland(43:46), and The Image Book(58:07).   Visit us at https://drinkinthemovies.movie.blog/

This is an abridged version of our latest episode on patreon.com/reelpolitik. If you want to hear the full episode, which is an hour and seventeen minutes long, please subscribe and support the RP propaganda machine! In this Short Cut we discuss Martin Scorsese's love of Elia Kazan, The Wicker Man's assorted spinoff films, Louis Theroux's third Westboro Baptist Church documentary, and the rock doc A Band Called Death, from whom the episode draws its name. In flagrant violation of episode-artwork continuity, you'll have to subscribe to the Patreon to get the Lars Von Trier stuff. ---- (Original episode description from patreon.com/reelpolitik:) YOU JUST GOT GOT BY THE RP FALSE NEWS MACHINE! That's right, the St Petersburg Troll Factories are ready, and they're at it again. This episode isn't even about politicians: it's our long-promised movie roundup, in which Jack and Yair run through some of the major releases of the last few months, the coming months, and have a wide-ranging discussion of cinema in general. Reviewed: Ava Duvernay's powerful & accurate miniseries When They See Us, as well as Lars Von Trier's grimly funny The House That Jack Built (this episode was gonna be named after a pun on that title but I didn't want to a) take more credit for "building this show" than I deserve and b) compare myself to a serial killer - Jack). We bitch about superhero movies, misanthropic art films, and Martin Scorsese's predilection for whitewashing the political context of his favourite movies, particularly when it comes to hated stool pigeon Elia Kazan. This is all, of course, while we drool over Marty's forthcoming the Irishman, his innovative use of pioneering False News techniques in his recent documentary Rolling Thunder Revue: A Bob Dylan Story, and of cutting-edge cocaine-removing technology in The Last Waltz - because he makes some of our favourite movies. We look back on the sacrilegious double-whammy of the Wicker Tree (2011 - bad) and Witchfinder General (1968 - good) and, finally, Jack recommends the excellent, bittersweet 2012 documentary A Band Called Death, and we play the episode out with the Death banger that gave it its name. The name of the song at the start? Well, you see...YOU HAVE THE (MOTHER'S) MIWK!!!! (BY THE MEAT PUPPETS!!!!)

It’s only August, & awards season is already rife with controversy & MMO debate. After we react to the Little Women trailer & review Martin Scorsese’s Bob Dylan doc, we analyze the Tarantino / Bruce Lee, Disney / Jojo Rabbit, & WGA / ATA showdowns in the trades this past week. What is an Oscar Race Checkpoint? - 1:04 OSCAR TRAILER REVIEW: Little Women Trailer 1 - 1:34 Dolemite is My Name Trailer 1 - 7:17 Portrait of a Lady on Fire Trailer 1 - 10:33 Parasite Trailer 1 - 13:41 A Hidden Life Trailer 1 - 17:18 American Factory Trailer 1 - 19:55 MAKE THE CASE: DOC FEATURE CATEGORY - 21:51 RECAPPING A WEEK OF CONTROVERSIES: Tarantino’s Bruce Lee Controversy Will Not Die - 27:33 Disney Fears Jojo Rabbit - 40:22 Mike and Mike Fight About Disney, Part 2 - 43:12 FILM FESTIVAL NEWS: TIFF Adds More Movies - 55:47 Blackbird Opens San Sebastian FF - 57:39 BREAKING DOWN THE WGA/ATA NIGHTMARE - 58:26 RIP PETER FONDA - 1:05:40 AND RIP RICHARD WILLIAMS - 1:07:03 BLOW THE MAN DOWN GOES TO AMAZON - 1:08:20 Your Homework/PLEASE LEAVE US 5*’S - 1:10:55 What’s Next From MMO/Words of Wisdom - 1:11:37 These early Oscar Race Checkpoint episodes were supposed to be a testing ground for a bunch of new segments we wanted to try. But instead, we’ve had 3 weeks full of Oscar contender trailers, film festival news, and some controversies we could not ignore. So be it. This series debuted in the nick of time. We’re finally getting some first looks at some of the most anticipated contenders of awards season. This week, we react to the trailers for Little Women, Dolemite Is My Name, Portrait of a Lady on Fire, Parasite, A Hidden Life, and American Factory. In fact, we’re so impressed with one aspect of one of these trailers that we declared a new frontrunner. But what’s most fun about these trailer reviews is that we can have side conversations about our hopes & dreams for these films, including some speculation about campaign strategies. There’s a Make The Case segment where we discuss Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese, now on Netflix. Does it feel like a Best Documentary Feature contender? And are we rooting for or against it? Then let the controversies continue. Mike & I try to look at the Bruce Lee / Tarantino controversy from Once Upon a Time in Hollywood from multiple angles. Could Quentin have avoided it? Should he have avoided it? And will it derail some of OUATIH’s momentum? The leaked Jojo Rabbit reactions & Bob Iger’s comments spark the biggest debate of the episode though. We get you up to speed on our ongoing argument, & then have round 3, or is it round 4 now in what’s becoming an epic MMO battle of wits & lungs. There’s also an Also Mike prophesy in here for good measure. Finally, Mike 1 is able to shine some light on what’s happening between the Writers Guild & Talent Agency stalemate. Why has it come to this? And is there another storm on the horizon? Then of course, we must pay some tribute to Peter Fonda & Richard Williams before we finish with an updated look at Amazon’s Oscar hopefuls. Where do you fall on all these hot button issues in the movie world? Let us know. We’re @MMandOscar on Twitter, and we are on Instagram, Facebook, Reddit, and Gmail. You can subscribe / rate / review / like / share / & listen to us on iTunes, Soundcloud, Stitcher, Google Play, Tune In, Spotify, and just about wherever you listen to podcasts. When reality sucks, keep watching movies with us. We’re Mike, Mike, & Oscar!

August has arrived and that means there is one big summer special effects extravaganza left and we are ready to review it this week. That is right, we're discussing the Dwayne Johnson and Jason Statham starring action spin-off to Fast and Furious in Hobbs & Shaw. A movie that is probably even a bigger deal to cinephiles is also being reviewed this week in Quentin Tarantino's latest. Once Upon a Time . . . in Hollywood. We also have two Netflix Originals in the thriller Secret Obsession and the quasi-documentary Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese. Then after that, we pay tribute to the career of cult movie star and one of the great actors who played memorable villains, Rutger Hauer. As always, we had a blast recording the show and we really hope you love it. If you do, please spread the word to other movie fans. Reminder that you can subscribe either to The Movie Breakdown feed (a subscription link is at the top right hand of this site) or on iTunes (if you enjoy the show, please help us by giving us a five star review).Four Star Movie Rating:Secret Obsession *½ (CS) & ** (SM)Once Upon a Time . . . in Hollywood **** (CS)Rolling Thunder Review: A Bob Dylan Story by Martin Scorsese **½ (CS) *** (SM)Hobbs & Shaw *** (CS)The Summer Box Office Challenge Draft Picks:Scott:1. The Lion King $191 770 7592. Hobbs and Shaw $60 038 9503. Detective Pikachu - $54 365 2424. The Secret Life of Pets 2 $46 652 6805. Men in Black International $30 035 8386. Annabelle Comes Home $20 269 7237. Angry Birds 28. Shaft $8 901 4199. Dora and the Lost City of Gold10. Long Shot - $9 740 064Total: $421 774 675Christopher:1. Toy Story 4 $120 908 0652. Spider-Man Far from Home $92 579 2123. Godzilla: King of the Monsters $47 776 2934. Aladdin $91 500 9295. X-Men: Dark Phoenix $32 828 3486. Rocketman $25 725 7227. John Wick Chapter 3: Parabellum: $56 818 0678. Once Upon a Time in Hollywood $41 082 0189. Child's Play (replaced Artemis Fowl) $14 094 59410. Ma $18 099 805Total: $541 413 053

#82 The Lion King, The Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese, The Dirt This week has the heavy, the light and the horrid. The heavy with substance and history is The Rolling Thunder Revue, which shows Bob Dylan and his group in the 70’s knocking the house and minds down. The light is the music biopic of Motley Crue; their crazy ups and highs and drug-fueled lows. The horrid is the unnecessary, photo-realistic remake of The Lion King.     Next Time: The Nightingale, The Kitchen, Hail Satan? August Bonus: Fast & Furious Present: Hobbes and Shaw   podmoviecast@gmail.com otherpodcast.com @podmoviecast   Oscar: @Armenfilmmaker Ralf: @GamerRalf Luke: @SlothMasterLuke   Recent Discoveries Ralf: Oscar: Crimes of Grindelwald, Wine Country, Secret Obsession   Show Notes 00:00:00 INTRO 00:03:29 Recent Discoveries 00:16:28 The Lion King 00:39:08 Rolling Thunder Revue 01:04:21 The Dirt 01:21:54 EXIT

It's the end of an era. This is the final episode of the first run of The Arts Fuse Podcast. Matt is moving to New Orleans, and Lucas is taking an extended hiatus and then moving back to Dublin, Ireland. For this episode, Matt and Lucas kick back and have a friendly chat between two good old boys, discussing the bizarre OJ Simpson Twitter feed, and how we're more easily bored these days. The fellas then take a deep dive into Matt Hanson's review of Martin Scorsese's new Netflix documentary Rolling Thunder Revue: A Bob Dylan Story and let their obsessions drive the content. From Matt's review: "Unsurprisingly, the main subject's notorious elusiveness means that expectations of some ostensibly “real” or “intimate” look at Dylan's inner life, both at the time the tour was being filmed and looking back via contemporary interviews, will be frustrated. He's not some all-knowing wizard calculatedly pulling the strings; instead, he is content to be the relatively quiet eye of the hurricane of talent that came together for a strange, adventurous, and memorable trip around the country during a particularly uneasy time in its history." It's a very chill episode, with two friends having fun talking about movies and music and more. Thanks to all of you who have listened and supported the show during its first run. Matt and Lucas are eternally grateful. Have no fear! The Arts Fuse Podcast will be returning soon in a new format, this time being led by Deanna Costa, so keep an eye out and keep listening and reading the best arts coverage in the Boston area from The Arts Fuse. Thanks again. https://artsfuse.org/185769/film-review-rolling-thunder-revue-a-bob-dylan-story-by-martin-scorsese/ https://www.patreon.com/theartsfuse https://theartsfuse.simplecast.fm/ For anyone who is wondering, this is where we've been getting almost all of the music you hear on the show: http://www.jazz-on-line.com/. Our closing theme has been "Anything Goes" by Patrick et son Orchestre de Danse.

Greg keeps things light by bringing up President Trump's response to the A$AP Rocky Sweden story… Song: Roy Hargrove - "Strasbourg/St. Denis" Jay is excited about Martin Scorsese's recent Bob Dylan documentary on Netflix, "Rolling Thunder Revue: A Bob Dylan Story", which, strangely, is about 20% made up, complete with actors playing people who didn't exist, stories that didn't happen, and faked photos. Reaction has been....mixed. Song: Nick Lowe - "Trombone" Nick dredges up a story that Jay has wanted to discuss for a while... an update on the Ryan Adams. Song: Black Midi - "953"

Hey Dude, my recent binge of The Sopranos wakes me up and reminds me of the time that Richie Aprile cut in front me at the Jamba Juice in Sherman Oaks.CHARACTERS: Sweet Leaf, Michael Imperioli (Christopher), James Gandolfini (Tony Soprano), Lorraine Bracco (Dr. Melfi), Edie Falco (Carmela), Little Steven (Silvio), David Proval (Richie), Martin Scorsese TV/FILMS: Goodfellas, The Americans, Mean Streets, Rolling Thunder Revue: A Bob Dylan Story by Martin ScorseseLOCATIONS: Rose Bowl, Dodger Stadium, DTLA, Pacific Ocean, San Gabriel Mountains, San Fernando ValleySTUFF: HBO, sexism, racism, consciousness, mafia genreSOUNDS: birds, cars, crowsGENRE: storytelling, personal narrative, personal journalPHOTO: "Richie Googled" shot on my iPhone5RECORDED: July 19, 2019 on the observation deck at the Zane Grey Estate in Altadena, California DISCLAIMER/WARNING: Proudly presented rough, raw and ragged. Seasoned with salty language and ideas. Not for most people's taste. Please be advised. (CHUNKY AUDIO)

Hey Dude, my recent binge of The Sopranos wakes me up and reminds me of the time that Richie Aprile cut in front me at the Jamba Juice in Sherman Oaks. CHARACTERS: Sweet Leaf, Michael Imperioli (Christopher), James Gandolfini (Tony Soprano), Lorraine Bracco (Dr. Melfi), Edie Falco (Carmela), Little Steven (Silvio), David Proval (Richie), Martin Scorsese  TV/FILMS: Goodfellas, The Americans, Mean Streets, Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese LOCATIONS: Rose Bowl, Dodger Stadium, DTLA, Pacific Ocean, San Gabriel Mountains, San Fernando Valley STUFF: HBO, sexism, racism, consciousness, mafia genre SOUNDS: birds, cars, crows GENRE: storytelling, personal narrative, personal journal PHOTO: "Richie Googled" shot on my iPhone5 RECORDED: July 19, 2019 on the observation deck at the Zane Grey Estate in Altadena, California  DISCLAIMER/WARNING: Proudly presented rough, raw and ragged. Seasoned with salty language and ideas. Not for most people's taste. Please be advised. (CHUNKY AUDIO)  

Our look at musical films that willfully straddle the line between fact and fiction brings in Martin Scorsese’s newest effort for Netflix, ROLLING THUNDER REVUE: A BOB DYLAN STORY, to see how it applies that MO to a documentary format, where Todd Haynes’ VELVET GOLDMINE applied it to a narrative one. After debating to what extent ROLLING THUNDER REVUE tells us anything about its slippery subject, we bring these two films together to see how they each play with ideas about alter-egos and disposable identities, what they have to say about art and commerce, and how each reflect their 1970s setting. Plus, Your Next Picture Show, where we share recent filmgoing experiences in hopes of putting something new on your cinematic radar. Please share your comments, thoughts, and questions about VELVET GOLDMINE, ROLLING THUNDER REVUE, or anything else in the world of film, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. SHOW NOTES Works Cited: • “Truth and Legends: The Extraordinary Documentaries of Martin Scorsese,” by Scott Tobias (theringer.com) Your Next Picture Show:  • Keith: Larry Charles’ MASKED AND ANONYMOUS • Scott: Martin Scorsese’s GEORGE HARRISON: LIVING IN THE MATERIAL WORLD • Genevieve: John Cameron Mitchell’s HEDWIG AND THE ANGRY INCH Outro music: Bob Dylan, “A Hard Rain’s a-Gonna Fall [Live]” Learn more about your ad choices. Visit megaphone.fm/adchoices

We’re tired. So tired. That’s what you want to hear when you’re about to fire up a podcast, right? You are reading this, aren’t you? Buried among such illuminating subjects as the coffee Arlo’s drinking, Paul’s underhanded behind-the-scenes manipulations, and the boys’ general unprofessionalism, there is indeed some pop culture palaver and parley. The boys are digging HBO’s troubled teens drama Euphoria despite being approximately 400 years too old to say things like “that’s a mood”; Arlo is losing faith in The Handmaid’s Tale; Paul remembers Yesterday; and they both are in awe of Toy Story 4 being so much more than a cynical cash-grab.   Next: Toby Maguire now vanquished, Jake Gyllenhaal finally makes his way into a Spider-Man movie, donning a fishbowl for Spider-Man: Far From Home.   THE BREAKDOWN Total Run Time: 01:11:48 00:00:30  - Intro / The Dog Ate My Sleep 00:07:35  - We Never Talk About Pop Culture Anymore 00:09:49  - Euphoria 00:25:12  - The Handmaid’s Tale  00:36:33  - The Walking Dead Comic Series is Dead 00:45:55  - The Kitchen Trailer (and Tiffany Haddish Fatigue?) 00:50:15  - Toy Story 4  00:57:19  - Yesterday (Very Briefly...More to Come) 01:00:35  - Rolling Thunder Revue: A Bob Dylan Story 01:04:46  - Anima 01:07:45  - Outro / Next

Páraic and Nigel are back and have an absolute bucket load of films to get through including Spider-Man: Far From Home, Child's Play, Apollo 11, Toy Story 4, Rolling Thunder Revue: A Bob Dylan Story, Booksmart, Dark Phoenix, Rocketman, Diego Maradona, Murder Mystery, Late Night and Papi Chulo. And we preview the Galway Film Fleadh, and reveal the best and worst films we've seen this year...

We take on two, count 'em, two, direct-to-Netflix releases: Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese and Murder Mystery. Bonus features: Chef, Model Shop and more!

Put on your masks if you want us to tell you the truth! Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese is out and we talk about it! As always, full show notes at our website. You can also follow along with our weekly real-time Spotify playlist – See That My Playlist is Kept Clean – and join the conversation on Twitter, message us on Facebook, and like on Instagram. And if you're loving us, consider our Patreon. For as little as one dollar you get early access to every episode we do as soon as they're edited (and a dedicated feed just for you) and exclusive content that'll only ever be on Patreon. Thanks! See you in time!

Vincent et Joanie survolent l'actualité. Chronique Disque dur avec Stéphane Plante: Le documentaire Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese qui vient de sortir sur Netflix. Entrevue avec Benoit Laplante, spécialiste en missions spatiales: L'astronaute David Saint-Jacques de retour sur Terre. Le Buzz de Vincent Dessureault: La technologie qui nous fait éviter les accrochages. Entrevue avec Kevin Paquette, président de la Commission de la Relève de la CAQ: Dangers des écrans: les jeunes caquistes pressent Québec d'agir. Entrevue avec Mehran Ebrahimi, directeur du Groupe d’étude en management des entreprises de l’aéronautique de l’UQAM: Mitsubishi achète le programme CRJ de Bombardier. Chronique avec Marième: Michael Jackson est mort il y a 10 ans, un homme arrêté pour le vol d'une statue de Marilyn Monroe à Hollywood et Marième parle des vols les plus audacieux de l'histoire. Entrevue avec Diego Bayancela, propriétaire du Mindful Bar, premier bar sans alcool à Montréal. Production QUB Radio Juin 2019

Chronique Disque Dur avec Stéphane Plante: Le documentaire Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese qui vient de sortir sur Netflix.

Nico raves about the Netflix documentary ‘Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese’ and explains what it means for the Dylan mythos… The post Cultured #47: Rolling Thunder Revue, Euphoria and a Matrix Reboot appeared first on Too Many Thoughts.

Earlier this month Netflix released Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese. The perfect time to revisit Mr Zimmerman! So don't fear if you hear A foreign sound to your ear It's alright, Ma, it's only the ReVisited podcast! Ben Burrell’s podcast Bob Dylan: Album by Album is available here Thingamajig by Audionautix is licensed under a Creative Commons Attribution licence (creativecommons.org/licenses/by/4.0/)

Paco can't quite get into Bob Dylan although our guest has tried to turn him on to the canon. Comedian Tony Camin joins the Sup Doc gang to provide a Dylan fan's insight into the obtuse Netflix concoction Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese (2019).Netflix describes it as “part concert film, part fever dream” and an “alchemic mix of fact and fantasy.”“Rolling Thunder Revue” is an engaging but disorganized and long-winded account of the time in 1975 that Bob Dylan convened a vagabond caravan of musicians, poets, reporters, photographers, money men, and hangers-on to tour the United States in the lead-up to the country’s Bicentennial celebration. The tour was a bust financially and in terms of cultural impact. Nevertheless, the Rolling Thunder Revue rejuvenated Dylan as a musician, in the manner of Elvis Presley’s 1968 “comeback” special. And it generated enormous amounts of tour footage, some of which is reproduced here, within a highly conceptual framework, by Scorsese.Our guest Tony Camin has appeared on Late Night with Conan O’Brien, Jimmy Kimmel Live, Real Time with Bill Maher, and lots of others that have been cancelled. He’s has performed at The Just For Laughs festival in Montreal as well as The HBO US Comedy Arts Festival in Aspen, as well as the Melbourne Comedy festival in Australia. Tony has written for programs on NBC, VH1, and Comedy Central. In addition to being co-creator/ performer of “The Marijuana-Logues”, he can also be seen as a correspondent for “The Media Project”, on IFC, and was a recent contestant on NBC’s Last Comic Standing.Follow Tony:Twitter: @tonycaminFollow Sup Doc on:Twitter: @supdocpodcastInstagram: @supdocpodcastFacebook: @supdocpodcastsign up for our mailing listAnd you can show your support to Sup Doc by donating on Patreon.

pivotalfilmpodcast@gmail.com, www.twitter.com/filmpivotal, www.pivotalfilm.com. Mario’s dream has come true this week, as he is not disappointed in the reboot of “Child’s Play,” starring the voice of Mark Hamill, Aubrey Plaza and Brian Tyree Henry (7:40). They then share differing views of Netflix’s “Rolling Thunder Revue: A Bob Dylan Story” directed by Martin Scorsese (23:35). They then stand at the edge of a cliff looking for evidence of their number 57’s below them: Tom(45:09), Mario (1:11:02). On Tap! New Haven, CT’s East Rock Brewing Company: Meyer Lemon Gose (Meyer Lemon and Coriander Wheat Beer) (https://eastrockbeer.com/beers/meyer-lemon-gose/)(1:57) Music Credits: "Her Eyes Play Tricks on the Camera" Robert Pollard, "Pivotal Film" Guided By Voices, “Sugarcube” Yo La Tengo, “Ghost” Neutral Milk Hotel

There are so many shows worth checking out right now that we crumbled under the pressure and instead spend our first 10 minutes talking about rewatching 30 Rock - a sitcom that absolutely still holds up really well. We also explore teens staying up all night in HBO teen drama Euphoria (thanks to drugs and partying) and American Graffiti (thanks to enjoying driving around in cars). Oh, and we delve into the Martin Scorsese doco Rolling Thunder Revue: A Bob Dylan Story. Oh, and then we discuss the abstract comedy genius that is Good Afternoon Adelaide. This is too much podcast. Can you believe you're getting it for free? --- Send in a voice message: https://anchor.fm/always-be-watching/message

No Reboot this week, because we've got four spanking new movies for us both to discuss. There's the "Men in Black" branding exercise, Jim Jarmusch's new film "The Dead Don't Die," Martin Scorsese's Netflix documentary (sort of) about Bob Dylan "Rolling Thunder Revue" and ... another Shaft movie. (This has not been the best summer.) Timestamps (approximate): 7:23 "Men In Black: International" 24:28 "The Dead Don't Die" 45:33 "Rolling Thunder Revue: A Bob Dylan Story" 1:08:15 "Shaft" Thanks to Dylan Mayer and My Friend Mary, both of which are wonderful, for the music. We hope you enjoy. Let us know what you think @griersonleitch on Twitter, or griersonleitch@gmail.com. As always, give us a review on iTunes with the name of a movie you'd like us to review, and we'll discuss it on a later podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices