Podcasts about hi fi

Tune in for Part II of one the favorite hi fi conversations that has taken place on the podcast: Analog Wars, with Ken Kessler & Michael Fremer! Don't miss the second half of these audio gurus conversation with Jay Jay.Ken is a Hi-Fi expert journalist, who joined Hi-Fi News & Record Review in 1983, to which he still contributes. He also writes a column for the website Soundstage UK, is the author of "Quad: The Closest Approach", "McIntosh … For The Love Of Music", and co-author of "Sound Bites" and "KEF: Innovators In Sound." Michael Fremer is the editor of analogPlanet.com, and senior contributing editor at Stereophile magazine. He's also contributed to The New York Times, The San Francisco Chronicle, Consumer Digest, and The Bergen Record (New Jersey) among other publications and periodicals.Produced & edited by Matthew Mallinger

This week on Mel & Floyd: The Juneteenth episode; A solution for the reflecting pool; Schrodinger's peace deal; A four ton elephant communicates its feelings at a GOP convention; Odd man out at the G7,  And other random topics; Notice something missing?  For the complete Mel and Floyd Experience, buy the CD “The Very Best of James Brown” and play it on your Hi-Fi while listening to this podcast!  Or listen live at 89.9 FM or wortfm.org/listen-live/ every Friday from 1 to 2 PM Central Time. Photo courtesy Becky Phan  on Unsplash Did you enjoy this story? Your funding makes great, local journalism like this possible. Donate hereThe post When the Circus Came to Mel's Backyard appeared first on WORT-FM 89.9.

Playlist: Assaf Spector, Brian J Gitkin - Desert DanceLobono, featuring ok cam - EnsembleMasego - BreatheArin Ray - Sweet ThangDelvon Lamar Organ Trio - If I CouldBOB MARLEY & THE WAILERS - Roots Rock Reggae - Live at the Hammersmith OdeonNightshade, The 18th Parallel, Roberto Snchez - No Flowerpot DubJOHNNY OSBOURNE - What About MeDeeNucka, Don Carlos - Too LateEric Benet - Who's Gonna Save Us?Jalen Ngonda - Love is GoneAllison Russell, Brittney Spencer - Black LavenderFlytrap, Sargeant & Comrade - Straight to the MoonTea Fannie, Goldenchild - OkayPastel Blank - DopamineEtran de L'Aïr - Toubouk Ine ChihoussayJackie Venson - Keep On (Live)Mary Jane's Soundgarden - Born to DeliverMandrill - Mango MeatSouls In Rhythm - GaslightDJ Vadim, Graziella, echo crew - too goodANOTR, featuring Wayne Snow, 3DDY - Hold On, Let GoBrooklyn Funk Essentials - Bust teh Bus StopNIghtmares on Wax - Nights IntroludeCumbiafrica, Angelique Kidjo, Ale Kuma - Batonga

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight on Apex Express, Host Miko Lee talk story with singer-songwriter Thao Nguyen.  Hear about her new album Fossil,  her short documentary, and about her artistic inspirations. Thao's tour starts this week in North Carolina, so listen in to hear from the brilliant Thao, and then check out her website to catch a live show.   SHOW TRANSCRIPT [00:00:00] Opening: Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   [00:00:35] Miko Lee: Tonight on Apex Express, we talk story with singer-songwriter Thao Nguyen. Join me, your host, Miko Lee, as I talk with this multi-hyphenated artist. We get to hear about her new album, chat about her short documentary, and hear about her artistic inspirations. Thao's tour starts this week in North Carolina, so listen in to hear from the brilliant Thao, and then check out her website to catch a live show.   [00:01:05] Ayame Keane-Lee: In today's show, you'll be listening to some songs from Thao & The Get Down Stay Down's 2020 album, Temple. First off, let's listen to “Pure Cinema.”   MUSIC     [00:05:44] That was “Pure Cinema” by today's guest, Thao Nguyen. Let's get to the interview.   [00:05:50] Miko Lee: Welcome  Thao Nguyen to Apex Express.    [00:05:54] Thao Nguyen: Thank you. I'm so happy to be here.    [00:05:57] Miko Lee: I love talking with creative people and you're such an amazingly talented singer and songwriter and imagination creator. I'm wanna start with the first question I ask all of my guests, which is, who are your people and what legacy do you carry with you?   [00:06:16] Thao Nguyen: Who are my people? Some of them include the family I was born into. I'm from Virginia. I was born and raised in Virginia. but I'm the daughter of Vietnamese refugees of war. And, I moved out to the Bay in 2006 after my first US tour. And, I'm so fortunate to have such a robust community here in the bay and all of my chosen family here.   [00:06:40] Miko Lee: And what legacy do you carry with you?    [00:06:43] Thao Nguyen: What legacy? I think the legacy I prioritize. I think, you know, [laughs] we inherit a lot and as time goes on and we get older, we realize everything is finite and you have to choose which legacies you choose to continue, and perpetuate and honor and what you have to leave by the wayside. And so the things I choose to continue and celebrate are that of a real ability to be very present and in the moment and available to joy and I think the people I come from are really good at metabolizing joy because they know the flip side of it so well.    [00:07:23] Miko Lee: Ooh, that's so interesting. Can you speak more about what it means to metabolize joy?    [00:07:30] Thao Nguyen: [Laughs] uh, an ongoing practice? I think it is to be truly present and I believe, of course gratitude goes a long way, but I to fully metabolize it is to allow yourself to feel embodied in it. And, you know, there's more somatic practice I think that to actually feel it course through your body, you are allowing it, you're honoring it as completely as possible. And, do you have to acknowledge that it's happening as it's happening? You know, I think that's having true presence with it.   [00:08:08] Miko Lee: Can you roll back with me in time and talk about your earliest childhood memories of being a singer or songwriting? What came first?    [00:08:18] Thao Nguyen: I loved music from a very early age, but I didn't have a lot of access to it, to making it, it was more as a listener. The soundscape that I grew up with, there was a series called Paris by Night, which probably you've heard of within Vietnamese diaspora, uh, community and Culture. And it was this variety show that was, created by, people who had to flee Vietnam. And originally it was in Paris and it showcased A lot of singers and performers, who had fled, either before, during, or right after the fall of Saigon. And, it was this one gathering wherein. entertainers from the different generations, from my grandmother's generation, from my parents were able to coalesce and exist together. And there was just this sampler platter of a lot of different sonic influences. And then you had the younger generation, which was reinterpreting what American pop music was at the time. So you'd have my grandmother who [sang] cải lương which was this incredibly, it's like, almost like folk operatic, very dramatic, theatrical singing with a lot of pitch bending and, which I didn't understand that I was absorbing it in such a way that I would recreate it later on in my playing, but I would go on to credit it to being from Virginia and saying it was more of like an Appalachian influence, which it was as well. But the origins, the true origins were within my soundscape before I understood what that was. You know, so you have that and then you have, an artist named Lynette who's. basically in reinterpreting, like the latest Madonna song and has a cone bra on, so everyone's existing act after act in the same, um, sorry for that ramble. Did I answer that question?    [00:10:13] Miko Lee: Yeah. Uh, I, so what was, do you remember the age or you just grew up hearing all these different kinds of sounds?    [00:10:20] Thao Nguyen: I mean, that was from before I knew what age I was, you know, that was just like, and that was such, um. For the community and within my family it was such an event every time one of these, you know, double VHS things were issued that people would be making copies, someone would drop it off at the house. You know, there, there was always one or two in circulation, but it was this. Event that you'd,    [00:10:43] Miko Lee: are these like bootleg copies?    [00:10:45] Thao Nguyen: Yeah, there's like, wow, there's bootleg. There's also, there was one book in music store in Eden Shopping Center, which was like the hub of, of the Vietnamese community in, in, uh, Northern Virginia. And so someone would buy the original and then go and bootleg it. You don't know how you ended up with what, but just like they would drop off some citrus and and Hennessy or whatever, and then the Paris By Night thing. And um,    [00:11:11] Miko Lee: I love that the combo citrus, Hennessy and some music.   [00:11:16] Thao Nguyen: Everything is a digestif, you know? And, um, so I would have that. But then of course, I, you know, I, I listened to the radio. That was what, that was my main resource and I listened to the oldie station the most, and I loved Motown. And I remember, in this I was like five or six, we had these large speakers that's sat on the floor either side of, of this cassette deck, radio unit. And I would lay down and, every time Smokey Robinson came on, “You really got a hold of me” that was like my favorite song and I would tape it and then so either I would listen to it live or I would play the cassette and I would just lay down and get as close to the speakers as I could. But at that point, I hadn't seen who Smokey Robinson was, and I imagined, because I also am a child of eighties and nineties. I imagined it was Crystal who was Roseanne's best friend from the Roseanne show. You know, I didn't know anything, but I felt all of it.    [00:12:20] Miko Lee: Wow. Yeah. I love that. So, I love that. And I was really wondering, I heard this story about you, that you actually did a rap for on Charlotte's Web when you were in elementary school.   [00:12:33] Thao Nguyen: Okay. Okay. This is a deep cut. You've done some research.    [00:12:39] Miko Lee: Tell me about how that came to be. So you must have been introduced to rap pretty young to be doing that.    [00:12:44] Thao Nguyen: Oh, absolutely. This, so this was another, and this, I'm so glad you brought that up, because all of this is, every genre, every kind of music I, at this point is so vital to me, and it actually goes on to reflect the kind of music I make. And so I have an older brother who's almost eight years older, and around this same time, he's a huge hip hop fan, or that's one of the things he loves, he loves like Duran Duran and like the Fat Boys, you know? And , when I saved money, the first cassette I ever bought was Salt-n-Pepa. And I, yeah, so I was listento the Fat Boys and Queen Latifah. And I loved, I loved every, I loved to hear the flow, the different cadences and in third grade I was voted best rapper. This, and, you know, not coincidentally. This is the year I, I do the book report, the Charlotte's Web, you know, and they gave me the option. You can either write it or you can write a song or whatever. And so I wrote a rap about Charlotte's Web, but I was too shy. I had recorded it and just played it in my presentation. I didn't perform it live.    [00:13:51] Miko Lee: And how was it received?    [00:13:54] Thao Nguyen: I mean, I can still hear the roar. yeah, everyone, [laughs] I think the teachers    [00:14:01] Miko Lee: The crowd roared. The third graders roared.    [00:14:03] Thao Nguyen: Yeah. I mean, everyone's standing on their desks. It's rickety, you know, teachers are worried about child safety, it doesn't matter. They're like, Encore. I'm like, I don't have anything else. Uh, you know, uh,   [00:14:15] Miko Lee: Wait for real?   [00:14:17] Thao Nguyen: No, no. [laughs] the teachers thought it was cute. Probably the kids thought it was funny. I actually don't know because I was so nervous I even pressing play. I was so nervous. I don't know if I registered what, how it was received.    [00:14:34] Miko Lee: That's so sweet. Given your eclectic music knowledge and the music that was around you at the time as a musician, now you've been described with so many different categories, country tinge, indie folk, pop, blues. How would you describe your music?  [00:14:54] Thao Nguyen: I would describe it as. What's embarrassing is I've been doing this a long time now and I've never figured out a way to describe it. I would, I, I generally just say it's, you know, it's under the umbrella of indie rock, but influenced by jazz and hip hop. And because I learned to play guitar by picking out country blues songs. And because I grew up in Virginia, there, there are these, like old time, Country blues picking patterns that I've used. I, you know, it's, yeah. So that, I've never figured out a way to say it succinctly and I continue    [00:15:29] Miko Lee: and you don't need to. That's okay.    [00:15:31] Thao Nguyen: Thank you.    [00:15:31] Miko Lee: Is there a big Vietnamese population in Virginia?    [00:15:35] Thao Nguyen: Yeah, I, I think there is a very healthy population there. And it was one of the first places that people were settling when they were being resettled. And my parents met, in a refugee camp in Guam. And then they were sent to Arkansas. And then from there sponsored out to North Carolina. And then from there of a few friends that they had made, had found work with Metro, which is the public transportation train system in DC and found my dad work there. So that's why people resettle, that's why we ended up in Virginia.    [00:16:16] Miko Lee: So Thao & The Get Down Stay Down you released five studio albums and now you're working primarily as a solo artist. Right?    [00:16:25] Thao Nguyen: Yes. Yeah. I will say I still work record and perform with a band. And a lot of the people who worked and performed with me in that iteration are still with me. it was more I wanted to, just use my name and move beyond what the get down stay down was, which I was never really sure. With things that you choose when you're 22. As time goes, you know, it starts to, and you're lucky if you can kind of shed things and not, not stay beholden too much.   [00:16:57] Miko Lee: Ah, what have you learned to shed?   [00:17:02] Thao Nguyen: Oh my gosh. Thankfully a great deal and it's an ongoing exercise, but. I used to be so much heavier with the weight of what I thought a serious artist was what I thought a serious songwriter should be, who I thought, where I thought my, you know, different benchmarks of what success were. What I should be making versus what people wanted to hear versus what I wanted to hear. I actually never I wasn't always all the way sure about what I wanted. You know, I, I think a lot of people encounter that, but I've thankfully been able to shed as much as I can. It's an ongoing practice, but I, you know, one thing it. Is that I used to think, I can't believe I've been doing this this long. And it's, not necessarily, I didn't understand what I was working towards, but only that I had not gotten there yet. And then, you know, I think pandemic and on, I've been just so and as I get older, the transition into being so sincerely grateful that I'm still here and I get to do this. this is what my job is, and however I can, and whatever I can do to sustain, being able to, to do this for my livelihood and maintain my integrity within it is the greatest gift. So as when I made that switch a a lot of things, a lot of the darkness left me.    [00:18:39] Miko Lee: Oh, that's beautiful. Thank you for sharing.   [00:18:42] Ayame Keane-Lee: Next, let's listen to Temple, the first track off of Thao's album of the same name.   MUSIC   [00:22:56] That was Temple by Thao and the Get Down Stay Down. Back to her interview with Miko.   [00:23:01] Miko Lee: I'm wondering if you could talk a little bit about the 2017 documentary Nobody Dies, a film about a musician, her mom in Vietnam. How did that, and that's a documentary that follows you and your mom as you go to Vietnam. I'm wondering how that project came about.  [00:23:17] Thao Nguyen: Yes, I'm happy to tell you about it. in 2015 I was invited by concert promoters in conjunction with the US Embassy based in Hanoi, to come perform for the, I guess at that point it was the 25th anniversary of the normalization of relations between the US and Vietnam, and I was able to bring my band and I was able to bring my mom, and she hadn't been back in 43 years, and she used to work for the South Vietnamese embassy and was stationed in Lao, when Saigon fell. So she actually left Vietnam in 73, assuming she would go back after her time abroad and then was never able to return. So I was able to bring her, the struggle was would she actually come, you know, and we had, I had, a bear of the time initially convincing her it would be okay. And, it was like, just begging her to come. She's like freaking out. She hangs up on me. I call back. She hangs up. You know, it was a back and forth that I'm trying to convince her of things that I'm not sure of where she's like, I'm still on a list. I'm like, no, you're not. But I don't know that, you know who, how would I know that? But I told her she wasn't on the list. Anyway, my, a friend of mine who's a filmmaker, as this all was happening, he asked if he could come along and document all of it. And he and, his DP traveled with us and it was an incredibly intense trip, and it was beautiful and I am so glad it was documented. And then somewhere along the way I had a performance and, this was all in editing. And then I ran into Don Young at CAAM Center for Asian American Media. Oh, I know what it was. It was something for Sundance and Don Young and I were just in the same shuttle going to the airport and we were talking and I told him a little bit about this and then I sent him some footage and you know, and then CAAM and PBS were gracious enough to co-produce and, Make it so it could be, you know, a a half hour documentary that aired on PBS. Um,    [00:25:21] Miko Lee: so that that was on a bus ride.    [00:25:23] Thao Nguyen: That was on an airport shuttle.    [00:25:25] Miko Lee: Airport shuttle. I love it.    [00:25:26] Thao Nguyen: Yeah [laughs].    [00:25:28] Miko Lee: So was it hard to convince your mom, I know it was hard to convince her to go to Vietnam. Was it hard to convince her also then to be on film? What was her response to that?    [00:25:37] Thao Nguyen: Well, luckily for all of us, my mom loves to be on film and is, um, a total flirt and ham and. Oh,    [00:25:48] Miko Lee: so that was a bonus. That was like a,    [00:25:49] Thao Nguyen: that was a bonus. The camera loves her. As did the film director, my friend Todd, she loved it. And she just, she comes alive and she's a true performer. And, it was really beautiful to see her in this element that I, I didn't know if I'd ever, I actually. Never thought I'd get to see her this way. You know, I grew up, both my brother and I grew up translating for her, it is sort of at every, at every level. And, we'd go out to restaurants and it's not that she, you know, it's like she would get shy and then it would just easier, it always just became easier if we just did it for her. But, so we'd order for restaurants and, and to see her. not to say that she doesn't I mean, she was a small business owner. She owned a laundromat, dry cleaners in Virginia and totally is the reason why everybody is alive, you know? But, to see her move so seamlessly and easily, I'm sorry, it's emotional in the world was this, such a gift I didn't know I'd get. And, You see her haggling with people, you know, and, and she's directing as she's pointing out. Yeah. It was just a really, no matter how long someone has been away from the place they were born, you know, to see them back there is, um, it was, yeah, it was just such a beautiful gift and I'm glad we have it on film.   [00:27:17] Miko Lee: Did you discuss that with your mom? How different that was for you to see her in a different way?    [00:27:22] Thao Nguyen: You know, not, not, um, not directly. I've written about it, but I've not, we don't have the kind of, Yeah. That, that's never come up in those ways. You know, we talk a lot. I basically, I try to call her at least, uh, almost every day, just 'cause she lives across the country. So I wanna just be sure that, you know, I'm just doing these like, casual wellness checks, but we don't often get into those more philosophical conversations. Um, but she did, you know, the, the song Temple, Which would become the lead single of the album Temple was, inspired by this moment of candor that I had never experienced before and I would never experience again. It happened one night when we were in Vietnam and she just said outta nowhere. You have to understand what freedom is and you have to understand why a million people would risk their lives at sea, and I can't. I can't teach you that. I can't help you with it. You have to know for yourself. And that's what became, the song Temple where wherein she's speaking to me about her life before, during, and after war.   [00:28:35] Miko Lee: That's so powerful. Thank you for sharing. I, I appreciate that about your music, the personal, visions and dreams and pain that you experience putting that in. Is there another song of yours that really stands out to you?    [00:28:51] Thao Nguyen: Another one. Aside from that?    [00:28:53] Miko Lee: Aside from that.    [00:28:54] Thao Nguyen: There's. You know, yes, there's a, there's definitely a few from this new album that is, that I just finished and it's releasing in September. From that same album Temple there's, the song Marrow. there's a few. That album is as much, it was, it was this, I just had this, I knew that I had to make it both about, what my Vietnamese identity is and what it is to be queer in Vietnamese and stay in the culture, which is not something that I thought I could do. So yeah, I would say both Temple and Marrow encapsulate, this effort to fully align myself in ways that I hadn't been able to.    [00:29:40] Miko Lee: And what is Marrow about?    [00:29:42] Thao Nguyen: Marrow is about what it means to fully accept yourself so that you could offer yourself to the rest of your life. You know, it's, it's like.   [00:29:54] Miko Lee: That's all.   [00:29:56] Thao Nguyen: That's all. And it's, and it was against the backdrop of getting married. but it was more about me coming to terms with not even coming to terms, like even that language is so, disparaging. It's, it was just about claiming myself and saying to my family, I need to be, you know, I, I need to be my full self and I believe I can be with you still. But you know, the lines are, It's so funny. I sing it all the time and I can't do that. The line I'm thinking of in particular is, at that point I'm apologizing to my partner at the time and saying, you know, I am basically, I couldn't claim us because of this barrier, but I'm sorry to you and I'm sorry to me, and the, you know. I have grief in my marrow. Will you marry me still? So is it, that's a roundabout way of explaining what that, what that song is.   [00:30:54] MUSIC    [00:34:24] Ayame Keane-Lee: You just listened to “Marrow” by tonight's guest, Thao Nguyen.    [00:34:28] Miko Lee: You talk about Temple and how that was based on this trip you took in 2015, right? 2016. How long does it generally take you for a song to germinate?    [00:34:41] Thao Nguyen: You know, that one, um, that's, that is an example of a, a longer, uh, gestation period because it was such an intense, because Vietnam was such an intense time. Uh, it was months, maybe it was two years before I could even think about it, honestly. And there are other things that happen. I wish things happened more instantaneously. It's very rare that a whole song will just present itself. You know, temple, that song in particular, when I started writing it, it took maybe two hours, but it took me two years to get to the point where I could    [00:35:20] Miko Lee: And it just came to you in two hours?   [00:35:22] Thao Nguyen: Yeah. It just came, just the vision. All those, the imagery, everything that I'd wanted to say. It just, I understood how. To present it. And I think I had tried in other forms over that time, but it just wasn't ready. Other songs, um, yeah, anywhere from it's, it's like the chorus or a hook or a verse will come very quickly, and then the time, the more arduous stuff is building around it to make sure that it, it, you know, it's properly bolstered. Like I, if I believe in a hook, then I'll, I'll try to build the house around it.    [00:36:02] Miko Lee: And how, what do you do? Do you just record it straight up right when you get the hook, like on a small device or what's your process?    [00:36:09] Thao Nguyen: It um, typically I'm playing an instrument, either guitar or piano or I've written, you know, sometimes I get bored, I write on other instruments, but primarily it's guitar, piano, and, um. It'll be the melodic hook only on the instrument, and then I'll put words. But yeah, it's, I, I just use voice memos and then as I'm building it, then I'll move into pro tools and, and, and record a more proper demo.    [00:36:40] Miko Lee: And do you have a set working process or you just vibe it whenever you're feeling it? And I ask because I always ask this of artists. Because I think it's so interesting, what is the discipline it takes for your art form? And I remember I interviewed Isabel Allende years ago and she said, yes, I make myself go in my studio at 8:00 AM every day. And even if I can't write, I sit there from this time to this time. So what, what is your process like? Or do you have a set process?    [00:37:05] Thao Nguyen: Yes. Absolutely. And it's taken me so many years to figure out what my set process is and to have the discipline to really, really, um, I do believe it is a daily practice and it is a daily discipline and I'm so afraid of what happens when I slip out of it because I know what happens. I've tumbled into this very dark, deep well of despair and I don't know. You, you start to question what your whole purpose is. It gets bad very quickly, right? So I'm always trying to stay on the side of not completely sliding down. Not to say it isn't very joyful and I mean this a very lucky position to be in. One of the things that's been going on for the last few years is I have multiple projects going on at once and I do have to figure out, I had an, um, the album is just finished thankfully, but I am developing a musical and I'm also writing a book. And so I have to figure out, I divvy out the days. I would like to say that I can work on all three in one day, not possible. So I have to choose, um. And it's always, the morning time is the best for generating something from nothing. And then I try not to edit or revise or question it until that afternoon or later. Actually, you don't question it within that same day. Like the main, I think the main priority for me is maintaining momentum and optimism. So I need to do whatever it is to thwart whatever part of me is trying to take it down. Um, so I'll work in the morning for a few hours and then leave it, you know, and as writers say, leave it no matter if it's songwriting or whatever, like leave it at a place where you, when you start again, you feel good about it and you know what the next step is.   [00:39:08] Miko Lee: Do you have a set time? It's like just the morning from this time to this time. And then do you say musical today? Book today. Album today. How do you do that?    [00:39:17] Thao Nguyen: Well, it depends on the deadlines.    [00:39:21] Miko Lee: Of course.    [00:39:22] Thao Nguyen: I, yeah, I, I work to the deadline. 'cause there's always, thankfully, there's always at least one happening and yeah, I. I love this by the way, because I actually, when I'm stuck, I just look up different routines for writers and artists. It's like my favorite thing to do. So I love to participate in this conversation. Um, but I wake up, I meditate, I try to do a little stretching, and then I do a walk. It depends on where I'm working. Okay? Here's the thing. If I'm working on music, I have to work at home. If I can write, then I'm gonna go to a coffee shop or the library or my friends just opened up local economy, uh, that, that, so I've been going there and because writing is so lonely and miserable that I cannot be in the house, I, I, there's no way I have to be in public. Um, and just at least feeling the energy of other life    [00:40:18] Miko Lee: With songwriting also?    [00:40:19] Thao Nguyen: With songwriting, I have to be home 'cause I'm making all this noise. So what? Yeah, with songwriting I'll be at home, but that's way less miserable 'cause I can just play guitar or piano or something and then, or I'll be in studio with my friends that I'm making the album with. Um, now that I've finished the album and I'm moving and I'm more squarely in the book writing, um, I try to do two hours. You know, not, not solid. I will try, like, for a while, um, I was doing the timer with the, you know, 25 minutes at a time. And then that wasn't, I wasn't getting enough done and then, yeah, and then more than two hours. I, I just can't, it's not sustainable. Um, for me, I feel like I get a solid hour to two. Or maybe you hit like a two page, two or three page, um, quota or something, and then just don't even look at it and then go, and then I go exercise and I need to be outside and, or go on a hike or something.    [00:41:34] Miko Lee: Okay. Tell us about this book. What is it about, what's the timeline? No pressure.    [00:41:41] Thao Nguyen: I would love to tell you what it was about, if I knew better. Um, what it was. It's, it's a collection of essays and I'm calling it, so it's, it's, uh, it'll be out on Gray Wolf, um, into, in spring of 27. And so it is due relatively soon 'cause they, it's a longer lead time. I'm calling it a community memoir, um, because it's a collection of essays from different, it's all through my lens, but it's to celebrate these characters that I grew up with in Foster Virginia, within my family, within the community that I, they're so vivid to me and. Their stories. The quieter sides, the quieter moments of what it means to live in diaspora or what I wanna capture. And also what, you know, part of it is what shaped my musical life. And, and there are all these influences and elements that I, that I just wanted to celebrate and honor and. These people that I remember, but I, I'm, we're all, you know, I'm, I'm turning 42. I'm like, I, we're close to lo I'm close to losing the Hi-Fi detail of them, you know, and, and I don't know who else, is in a position to capture it. You know, and, and also it's this amazing opportunity to talk to my mom's, brothers and sisters. You know, there are tales. There's, of course, you grow up with, I think it's really different to, I was raised, you know, in Virginia by my, primarily by my mom. My grandmother and my aunt didn't come till I was five, but the stories that I heard. Mostly were from my mom who fled in, who left in 73, and her experience is so different than my grandmother, my aunt, all of my mom's siblings who stayed, who had to stay through the fall and, and live in a different regime, you know?    And so to get to hear those stories of just like the more quotidian indignities of what is life after you've lost your. To them they've lost their country, but they're still in it. You know, like, what is it to, with what were the rice rations like? Yeah. So, 50 years on what stays with people, you know, against the backdrop of the most devastating thing that can happen is that like the rice was so broken and it was so rationed and the quality of it was so infuriating and that they and my uncle talks about just for the 50th anniversary, I went back, I had an event, um, I think at the Smithsonian, and I went and I was staying with my uncle, and so I was able to ask them questions and he remembers buying meat on the black market. But you, you'd go to this market, you'd make eye contact with the person. They, you follow them to a behind the stall. They give you this meat wrapped in newspaper. You don't even know what it is. You don't, you can't unwrap it till you get home, you know? Anyway, those are the things that I, I just am so fascinated by, and I, there's just this kind of humanity and life in them that I wanna help. Um, record and if nothing else, just so that I know that it gives me an opportunity to ask these questions. Um, there's stuff about, you know, I'm estranged from my father and I have a lot there, there are things that I, you know, it just, these essays are helping me, better understand and, and process. these open-ended. storylines that, that, have punctuated and haunted me.    [00:45:38] Miko Lee: And this is your first book, right?    [00:45:40] Thao Nguyen: It is, yes.    [00:45:42] Miko Lee: What made you decide to do a book format and also essays, I heard you say? Mm-hmm. Um, as opposed to another album or a series of songs.    [00:45:52] Thao Nguyen: Um, I've always wanted to be a writer. Bef I wanted to be a writer before I was a songwriter, before I wanted to do anything. And I think it scares me the most in my life. And, and it was time to, you know, the opportunity came up, um, very fortunately to get to write a book for Gray Wolf, which of which I'm a huge fan, you know, and, uh, it's a true honor to be affiliated with them. And. Uh, I wanted to do it because it's a lifelong goal and dream, that actually is way scarier to me than making music and performing music. So I, I kind of just needed to see that I, I needed to try.    [00:46:38] Miko Lee: And why an essay format?    [00:46:40] Thao Nguyen: Um, I think that's what naturally. For this, for the first go, it, it, it is what naturally I'm drawn to and what happens most easily. Uh, and I think they're similar to songs in that way. And I, I am very much as a writer, as a songwriter or any or prose writer, I want to try and just capture the, a moment and a feeling and I. Um, that's my main prerogative and my main compulsion when I write. And so for this first go, I'm hoping that there will be more, but this, yeah. Is, is just the, the easiest way to package it.    [00:47:28] Miko Lee: I'm absolutely looking forward to reading it. Now share about a musical. Tell me more    [00:47:34] Thao Nguyen: Musical. I don't know how much I can say besides, uh, it's not been announced yet, but I do, I have been in, I do spend a lot of time in New York, um, and it's an adaptation. Um, I. I shouldn't have. I, I just wanted to mention that it was happening, but I know now that I sh I can't actually say.    [00:47:56] Miko Lee: Okay. That's okay. It's secret, So how can our audiences find out more about you and your work? We'll put a link to your website absolutely. On their webs, on our, program page. But are there other ways that folks can find out more and keep up to date with what you're doing?   [00:48:11] Thao Nguyen: For sure there's, um, well, all the social media, um, outlets were on there @thaogetstaydown. And um, I have a substack called THAO For The Record, which actually was just me sort of documenting my process of making this next record. Um, but that is my preferred way to be in touch in a more long form, um, less harried way. And the new album is coming out in mid to late September. And so I'm really excited about that. And we're, we are gearing up for more touring, starting the summertime.    [00:48:54] Miko Lee: Excellent. Can't wait to listen to you more and hear the new, piece. And thank you so much for joining us on Apex Express.    [00:49:02] Thao Nguyen: Thank you so much for having me. It was such a joy to speak with you.   [00:49:05] Ayame Keane-Lee: The last song we're playing tonight is also the last on the album Temple. It's called “I've Got Something.”   MUSIC [00:53:51] That was “I've Got Something” by Thao & The Get Down Stay Down. [00:53:55] Miko Lee: Thank you so much for listening tonight. Remember to reconnect to your ancestral technologies and hold in the power of tenderness. Please check out our website, kpfa.org/program/apexexpress to find out more about our show and our guests tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world because your voices are important. Apex Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Isabel Li, Jalena Keane-Lee, Miko Lee, Miata Tan, Preti Mangala-Shekar and Swati Rayasam. Tonight's show was produced by me Miko Lee, and edited by Ayame Keane-Lee. Have a great night.            The post APEX Express – 6.18.26 Talk Story with Thao Nguyen appeared first on KPFA.

Recorded June 18, 2026 The AV SuperFriends are back on the InfoComm 2026 show floor for day two with first impressions, fresh booth finds, and a newcomer's view of just how overwhelming the show can be. This episode covers the practical side of InfoComm: EASE modeling, PTZ camera overload, reusable silicone cable ties, modular conferencing systems like Nureva HDX, and the ongoing tension between full ecosystem solutions and small, purpose-built widgets. The crew also spots a familiar trend: plenty of auto-tracking, plenty of "AI," and not always a clear difference between the two. Rachel Bradshaw crashes the show to talk about working the Vanco booth, hearing directly from end users, and how AV is being used to create better experiences in places like zoos, courtrooms, campuses, and public spaces. Along the way, the group digs into Dante adapters, EVO-IP updates, digital signage, accessibility, and why sometimes the most exciting thing on the show floor is still a really satisfying button. Alternate show titles: It's a lot Here's something that'll blow your mind Silicone zip ties Can we get our logo on this? Rack dressing Widgets, big time Chinese button factory booth Hi-Fi listening room If you're an end user, ask your integrator You can't go in there with a cattle prod  We stream live every Friday at about 315p Eastern/1215p Pacific and you can listen to everything we record over at AVSuperFriends.com    ▀▄▀▄▀ CONTACT LINKS ▀▄▀▄▀ ► Website: https://www.avsuperfriends.com ► Twitter: https://twitter.com/avsuperfriends ► LinkedIn: https://www.linkedin.com/company/avsuperfriends ► YouTube: https://www.youtube.com/@avsuperfriends ► Bluesky: https://bsky.app/profile/avsuperfriends.bsky.social ► Email: mailbag@avsuperfriends.com ► RSS: https://avsuperfriends.libsyn.com/rss   Donate to AVSF: https://www.avsuperfriends.com/support

Join us this week as we revisit a previous favorite of Jay Jay's conversations on hi-fi audio; If there are two individuals who know the world of Hi-Fi audio, it's Ken Kessler & Michael Fremer. Ken is a Hi-Fi expert journalist, who joined Hi-Fi News & Record Review in 1983, to which he still contributes. He also writes a column for the website Soundstage UK, is the author of "Quad: The Closest Approach", "McIntosh … For The Love Of Music", and co-author of "Sound Bites" and "KEF: Innovators In Sound." Michael Fremer is the editor of analogPlanet.com, and senior contributing editor at Stereophile magazine. He's also contributed to The New York Times, The San Francisco Chronicle, Consumer Digest, and The Bergen Record (New Jersey) among other publications and periodicals. These two audio experts are long-time friends of Jay Jay's, & their conversation was so extensive that we had to split it into two parts. This is "Analog Wars: Part I" with Ken Kessler & Michael Fremer.Produced & Edited by Matthew Mallinger

This week on Mel & Floyd: Pants has a puppy [and some unfortunate dreams];  Mulitple studio visitors and a presentation from “Cosmic Carl”; Hegseth blocks some promotions of women and minorities; An existential threat to wind power;  “A very special baby”; Residual algae in reflecting pool;  And other random topics; Notice something missing?  For the complete Mel and Floyd Experience, buy the CD “The Very Best of James Brown” and play it on your Hi-Fi while listening to this podcast!  Or listen live at 89.9 FM or wortfm.org/listen-live/ every Friday from 1 to 2 PM Central Time. Photo courtesy Anna Kumpan on Unsplash Did you enjoy this story? Your funding makes great, local journalism like this possible. Donate hereThe post A Beagle With Every Pledge? appeared first on WORT-FM 89.9.

Playlist: Yazim Lacey - Sweetest SeasonClerel, C the Reason - In Your ArmsFaouzia - You're a NuisanceNectar Woode - Rivers EndBlack Uhuru, featuring 12" Mix - Eden Out DehJOHNNY OSBOURNE - Cool DownYoung Kulcha, The 18th Parallel, Roberto Sanchez - Dub RevelationDeeNucka, Sister Nancy - Talk And MissJames Blood Ulmer - Are You Glad to Be in America?Ibibio Sound Machine - Concept of LoveIbrahim Maalouf, Trombone Shorty, anthony evans, Jon Baptiste - Bring the LightJalen Ngonda - Burning TempationLou Bond - Why Must Our Eyes Be Turned BackwardsDominique Fils-Aimé - Sun SkinSouls In Rhythm - Starring RoleZuffalo - Digging a HoleFelipe Gordon - Funky FunghiDJ Vadim , Graziella, echo crew - too goodKalisway - Not So SweetThe Beginning of the End - Come DownSlap Dragon - Already WonMorcheeba, featuring NATURE version - Sound of BlueBonobo - Me and YouBegonia - The LightNina Simone, featuring HAAi Remix - That's All I Ask

Marc is back from his travels abroad and he returns with all the good news, highlights and best sound from the HIGH END Vienna show. Hosted for the first time at its new location in Austria, HIGH END 2026 found a new home for one of the biggest international audio shows on the planet. Marc and Brian dive deep into the best parts of the Hifi event, with all the audio goodies and tasty sounds from the massive high end convention.  S14E8 Sponsors: VAC-AMPSdotCOM - When Music Matters PTdotAUDIO - Great Sounds Meet Good Times JMF-AUDIOdotCOM - Intstruments For The Music AUDIOQUESTdotCOM — High-Performance Cables & Power Products — Made for You BORDERPATROLdotNET - For Music Lovers, Not Scope Jockeys

"When we sing together like that, it feels like a real superpower...like you're part of something much bigger..." —Josh "...this is a chance to take stock, and move forward into whatever the next thing is" —AndyMusic can make friends.  And that's how this friendship started.In the shadow of the Hi Fi's, Handsome Ned and Cowboy Junkies, at a time when traditional country music was the soundtrack of Toronto's Queen Street West, a musical partnership was crafted.  And these forty years ago, a new band was formed.West Montrose would become Skydiggers. Skydiggers would become the stuff of legend. When Josh Finlayson and Andy Maize first made music, the songs on West Montrose were the songs they played - the songs where they found that their voices merged.Songs that became something bigger when they sang them together.Now with Maize and Finlayson celebrating 40 years as musical partners, the album West Montrose is an opportunity for Skydiggers to revisit the songs that became their foundation. In this episode, Josh and Andy discuss Side B of West Montrose - the album, and that moment in time that changed it all.West Montrose is available everywhere on June 5, 2026. Listen here. Stream, download, and follow SkydiggersEmployee of the Myth is brought to you by Skydiggers ProductionsFeaturing: Andy Maize and Josh FinlaysonProducer & co-host: Joel StewartHost and Editor: Jane Gowan (Music Buddy)Audio Engineer: Tim Vesely

236: Vera of Taxi Girls talks to us about: Where do names come from, Punk linguistics, Origin of Taxi Girls, Vera and Jamie writing team, Ego disillusion, Guitar solos that make you cry, Highs and lows, Flow of a record, plus much much static more static STATIC!Taxi Girls on BandcampTaxi Girls at STOMPWild Honey Records on Facebook

Mi történik, amikor valaki seftelésből indul, nagy céget épít, majd a növekedés közben majdnem mindent elveszít? Vendégünk Surányi Feri, az M.I Solution Kft. tulajdonosa volt, akivel a könnyített cégmodellről, a túl nagyra nőtt vállalkozás veszélyeiről és az önműködő cég valódi áráról beszélgettünk.

This week on Mel & Floyd: Pledge drive show on Esty's Birthday; Professional headphone detangler sought; Esty, ‘Pants and Mel's ages revealed!; Return of the screw worm; Studying Mars' atmosphere [or lack thereof]; Andrew Jackson and banks; And other random topics; Notice something missing?  For the complete Mel and Floyd Experience, buy the CD “The Very Best of James Brown” and play it on your Hi-Fi while listening to this podcast!  Or listen live at 89.9 FM or wortfm.org/listen-live/ every Friday from 1 to 2 PM Central Time. Photo courtesy Dmitry Dreyer  on Unsplash Did you enjoy this story? Your funding makes great, local journalism like this possible. Donate hereThe post Friday Afternoon Gummies appeared first on WORT-FM 89.9.

Playlist: Ghostkeeper - MohkinstisTammy Rae - Tammy RaeHelado Negro, Heldao Tropical, Reyna Tropical - TocandoDe-Phazz, Ella Fitzgerald - THIS GIRL'S IN LOVEMoses Sumney, Dahi, Mez - Find MeBeres Hamilton, Queen Africa - What a nightGentleman's Dub Club, KAYA, Fyah - Ain't got timeLone Ark, The 18th Parallel - Man Kill ManFREDDIE MCGREGOR - Let there be lightJackie Mitoo - Henry the GreatJackie Mitoo - Grand FunkLina Azul - ButterfliesLinda Jones - Things I've been throughYves Jarvis - All cylindersGil Scott Heron - GunKimbra, Gabriel Garzon, Montano - Stuff I Don't needMyles Sanko - Standing in my placeJalen Ngonda - Hannah, what's the matter?Thee Marloes - 6 YearsLOV - MamaJoy Crookes - CarmenFatoumata Diawara - DjanneKINGH, Shy FX - La Prima (B-side)Zuffalo - Morning LightSouls In Rhythm - Don't make everything about youPrince - FascinationMandrill - Fat City StrutPino Palladino, Blake Mills - EkuteThe O'Jays - Peace

The ability to diagnose rare diseases is at a turning point as greater genomic awareness, technological advances in long-read HiFi sequencing, and improved economics are converging to shorten the diagnostic odyssey for patients and families. PacBio's long-read whole-genome sequencing overcomes the limitations of exomes and short read technologies by capturing structural variants, epigenetic signatures, and regulatory information, which raises diagnostic yields by 10 to 15 percentage points and increasingly justifies its use as a first-line test. PacBio CEO Christian Henry discusses the company's long-read HiFi whole-genome sequencing, how it is reshaping the rare disease diagnostic journey, and the growing acceptance of the technology among payers.

This show has been flagged as Explicit by the host. Background This episode describes the contents of an old fishing tackle box I got as a birthday present very many years ago. I used it over the years to gather a pile of mostly useless electronic components and junk. I came across it recently when we were doing a clear out. Mrs X wanted to throw it out. I had a lot of sentimental value due to the long time I've had it. I am a bit of a hoarder and it took a bit of persuasion on my part to be able to keep it especially since I could not think of a single use for any of the contents! I've not had time to add links against all the items. Hopefully I've managed to add links to most of the more unusual items. Apologies if I've missed any. Contents of Box Top row left to right, back to front Compartment 1 Stereo Jack plug & socket Double pole double throw (2-way) switch 12V dc relay from RS 3 legged semiconductor (voltage regulator?) Compartment 2 Multiple fuses mostly for cars Compartment 3 Small silica jelly pouch Micro Switch Reed switches (Not reed relays as I call them in my show) Compartment 4 Potentiometers, Rheostat, variable resistors https://en.wikipedia.org/wiki/Potentiometer Control knobs Compartment 5 Large selection of miniature panel mounted toggle switches https://en.wikipedia.org/wiki/Switch#Toggle_switch Compartment 6 Two crocodile clips https://en.wikipedia.org/wiki/Crocodile_clip Half of a Hi Fi speaker plug https://en.wikipedia.org/wiki/File:Speaker_din_male_and_female.jpg Washer Compartment 7 Mostly chocolate block connectors https://en.wikipedia.org/wiki/File:Leuchterklemme_75dpi.jpg Small selection of glass cartridge Fuses Single 13 Amp mains fuse for UK plug Assortment of soldering iron tips Crocodile clip Air adapter for foot pump for blowing up an air bed or similar Spare nozzle for a de-soldering tool. Made from PTFE https://en.wikipedia.org/wiki/Desoldering#/media/File:Vacuum_plunge.jpg https://en.wikipedia.org/wiki/Polytetrafluoroethylene Ferrite ring https://en.wikipedia.org/wiki/Ferrite_bead Compartment 8 Rubber Grommets and a heatsink Middle row left to right, back to front Compartment 1 Large selection of glass cartridge fuses Compartment 2 Another large selection of glass cartridge fuses Small selection of diodes, some quite Large https://en.wikipedia.org/wiki/Diode Compartment 3 Two multi turn precision variable resistors https://en.wikipedia.org/wiki/Potentiometer#/media/File:Beckman_Helipot_potentiometer_SA1400A_2007.075.002.jpg Cheap variable resistor with in built switch Compartment 4 Bag of multi coloured LED's (Cheap for Pi add on board) 2 inch 8 ohm speaker Compartment 5 Panel mounted heavy duty toggle switch, two pole one way Compartment 6 Light Dependent Resistor (LDR) https://en.wikipedia.org/wiki/Photoresistor Large Tricolour LED Compartment 7 Variable capacitors PCB (Printed Circuit board) mounted Spare nozzle for de-soldering tool. Made from PTFE Light Dependent Resistor (LDR) Panel mounted heavy duty rotary switch, two pole one way Bag of various fuses Halogen 12V car headlight bulb Variable resistor with long plastic spindle, panel mount Heatsink possibly for heavy duty transistor Compartment 8 Variable resistor PCB (Printed circuit board) mounted Bottom row This is just a big jumble of stuff, listed in no particular order DC red and black power lead with inbuilt fuse Small solder-less breadboard for prototyping https://en.wikipedia.org/wiki/Breadboard Bag of various plugs & connectors mostly Jack plugs and sockets Bag of quartz crystals and a components receipt from 1985 I added crystals to an old PMR (Private mobile radio) boot mount radio. Possible a Pye Westminster Radio. I looked but couldn't find picture of the radio Several bits of Perfboard or strip board https://en.wikipedia.org/wiki/Perfboard 1 Watt audio amplifier kit with instructions not built! D-type serial port mounted to PCB with screw down connections Bag of resistors https://en.wikipedia.org/wiki/Resistor Large bag of LED panel mount holders Electronic Instruction guide XH79L (Maplin) price 25p Chocolate block connecting block https://en.wikipedia.org/wiki/File:Leuchterklemme_75dpi.jpg Telephone pickup for recording phone calls. (Never worked) https://www.amazon.co.uk/Black-Telephone-Pickup-Sensitive-Microphone/dp/B000L1OZG8 Multi coloured ribbon cable Plastic trimming tool screwdriver set. https://www.amazon.co.uk/C-K-T4857-Precision-Plastic-Trimmer/dp/B000WKIYTW Panel mounted BNC socket (Baby Neill Constant) https://en.wikipedia.org/wiki/BNC_connector Provide feedback on this episode.

The best combination, Romance and Hi Fi!   Phineas Newborn – Love And Marriage Dave Lowe – No Time To Die Nathan Haines – Lament Ella Fitzgerald – Mood Indigo Teddy Randazzo – The Countess Dan Stein – Elegant Manhattan Marty Paich Trio – Dusk Light Frank Sinatra – It's All Right With Me Denis Farnon – Highballs At Villa Rienza Pepper Greenwald – Rooftops Dave Grusin – The Girl From U.N.C.L.E. Chet Baker – Blue Thoughts Baby Grand – Just Drive Sam Rivers – Euterpe (Remastered) Jackie Gleason – Deep Purple Blue Velvet John Neel And His Orchestra – Blue Martini

Une assiette de pâte fumante nous attend à l'amariciana, vous préférez des polpette ? Les deux ? C'est possible aussi ! Bouchées de cuisine italienne, la fameuse et tant aimée, tant partagée de par le monde ! Une cuisine italienne, patrimoine de l'humanité... reprenons : matrimoine si l'on prête attention aux sources de cette cuisine : à celles qui la font, la préparent, la transmettent : qui trouvons-nous ? Des femmes, des donne, des mamma, leur mère, les nonnas, les tantes, les sœurs, ...   Historiquement peut-être parce que la cuisine est domestique. Une cuisine du quotidien, de la maison, et donc une cuisine majoritairement féminine, notamment dans l'Italie préindustrielle et largement rurale.   Santa mamma   Les femmes – et toutes ses déclinaisons dans un foyer et une famille - gèrent tout ce qui fait tourner un foyer : l'approvisionnement, la transformation des produits, la cuisine quotidienne, elles maîtrisent les savoirs liés à la conservation (fromages, salaisons, bocaux, séchage, fermentation) et à la transformation, et maîtrisent les budgets, déploient des trésors de créativité et d'imagination pour nourrir leur famille y compris quand les temps sont durs.   La transmission s'est longtemps faite oralement. Elle est familiale, non codifiée, transmise entre générations, ce qui explique aussi l'attachement des Italiens et de leur cuisine aux saisons et aux productions locales, voire micro locales, d'ingrédients simples, végétaux, Avec en prime, le goût d'être ensemble, de faire ensemble, de se retrouver, et de transmettre.  Quelle place pour le répertoire culinaire féminin ?   Chaque région italienne repose sur ces savoir-faire et ces recettes. Des pâtes fraîches réalisées à la main en Émilie-Romagne aux sauces mitonnées des heures, aux fritures de Campanie, les soupes, les fromages, les pains, les pâtisseries, la maitrise de fruits et des légumes, dont cette tomate arrivée relativement tard en Italie.    Les femmes sont souvent considérées comme « les dépositaires du goût juste » : qui est aussi le goût de la maison, des tablées et de la famille, du tempo de la vie. Elles savent quand la pâte est bonne, quand l'huile est à son point, quand le fromage est prêt. Ce savoir est sensoriel, pas écrit.  D'où le paradoxe fondamental : les femmes cuisinent, les hommes écrivent (ou signent) les grands ouvrages culinaires italiens des XVIIIè–XIXè siècles (Artusi notamment) : ils compilent des recettes issues du monde domestique, mais les attribuent rarement aux femmes qui les pratiquent et cuisinent sans signer.   La mamma : icône figée ou vivante et respectée ?   Le revers de la médaille, c'est le coût symbolique de la figure de la mamma : elle fige la femme dans un rôle domestique, elle freine la reconnaissance professionnelle. On célèbre la « mamma », mais on célèbre le chef (souvent masculin) au restaurant.  Depuis la fin du XXème siècle, les femmes sont de plus en plus visibles. Certaines cheffes italiennes revendiquent explicitement un héritage domestique féminin, longtemps dévalorisé. La cuisine féminine italienne est aussi une forme de résistance : résistance à l'uniformisation industrielle, résistance à l'américanisation du goût, résistance à la perte des savoirs locaux. Dans beaucoup de villages : ce sont encore les femmes âgées qui savent faire les plats « correctement » pour les fêtes, les rites, les saisons.   Les mamas et les nonnas ont la cote et gagnent encore en visibilité avec les réseaux sociaux. Les comptes dans lesquels un « petit » enfant filme sa grand-mère en train de faire sa recette de polpette, les pâtes maison se sont multipliées comme des petits pains depuis la Covid notamment, remportant un succès détonnant !  Avec - Madalena Fossati, journaliste, rédactrice en chef du magazine « La Cucina Italiana ».   Maddalena a porté avec Silvia Sassone l'inscription de la cuisine italienne sur la liste du patrimoine immatériel de l'Unesco, chose faite le 10 décembre 2025. Elle est aussi présentatrice à la télévision de l'émission « Celibrity chef » sur TV8.  - Alba Pezone, autrice, cuisinière, l'une des voix de la gastronomie italienne, et de la Campagnie en France. Alba a notamment publié Dimore d'Italia, recettes secrètes, In cucina chez Hachette Cuisine, Pizza mania, aux éditions Lamartinière.  À écouter aussiEn Italie, tout le monde cuisine, tout le temps, et pour tout le monde: nous sommes la cuisine! ► Pour aller plus loin   - Erri de Luca Récits de saveurs familières, Éditions Gallimard   - Autour de Scapi : le cuisinier des papes évoqué par Maddalena - Grazia Deledda, Prix nobel de littérature italienne, dont le prix a été décerné le 10 décembre 1926, 100 ans avant l'inscription de la cuisine italienne au patrimoine immatériel de l'humanité  - Pellegrino Artusi : la science en cuisine et l'art de manger, Éditions de l'Epure  - Fondation Artusi  - Marieta Sabatini, la gouvernante d'Artusi   - Italie, dictionnaire des saveurs, d'Emmanuelle Mourareau – Cosmopole.  Musique : That thing de Mungo's Hifi et Aziza Jay. 

sorry first hour of the show got deleted, not sure how - but i was ahead on cancon...Playlist: Clerel - In Your ArmsKris DeMeanor - GunslingerBob Moses - Leavev Like ThisBaby Rose - But, NvmEzra Collective, featuring Pa Salieu - Only LoveOne Self, DJ Vadim, Yarah Bravo, blu rum 13, La Ruka - yo quieroSonny Rollins - Strode RodeRolling Stones, featuring Sonny Rollins - Waiting on a FriendStro Elliot, James Brown - Get Up OffThe Allergies - All the TimeJill Scott, featuring IQ Musique Rework - Not Like CrazyJonah Smith, Family Company, Eric Krasno - IrmaJungle - The Wave

This week on Mel & Floyd: Memories of school days; The new feudalism; A running list of cat names; Corporations can vote in Delaware??; Cash for moms-to-be improves outcomes; Thanksgiving on steroids in Antarctica; Mosquitos learning to like insect repellant; Pigeon navigation; Bratfest results; And other random topics; Notice something missing?  For the complete Mel and Floyd Experience, buy the CD “The Very Best of James Brown” and play it on your Hi-Fi while listening to this podcast!  Or listen live at 89.9 FM or wortfm.org/listen-live/ every Friday from 1 to 2 PM Central Time. Photo courtesy Loan on Unsplash Did you enjoy this story? Your funding makes great, local journalism like this possible. Donate hereThe post Doin' the Cat Thing appeared first on WORT-FM 89.9.

An interview with Julie Mullins of Stereophile Magazine, Analog Planet and many more endeavors. This week we chat with Julie about her long history in audio (which includes all the major HiFi publications) and her epic history as a freelance writer for the arts. From audiophile roots growing up to her high-paced journalism, Mullins has been both listening and writing for most of her life. We discuss music, the arts, AI and writing in this episode - along with some interesting conversations about listening and some of the unique hurdles HiFi faces as a community.  S14E7 Sponsors: VAC-AMPSdotCOM - When Music Matters PTdotAUDIO - Great Sounds Meet Good Times JMF-AUDIOdotCOM - At Hi-Fi Deluxe Show In Vienna, June 5-7 AUDIOQUESTdotCOM — High-Performance Cables & Power Products — Made for You  

In dieser Folge von Life After SAE tauchen wir tief in die Welt der Hi-Fi- und Tonstudio-Technik ein. Janek Kinzig, ein Experte von der SAE Köln, teilt seine Erfahrungen, wie Raumakustik, technische Normen und persönliche Leidenschaft die Qualität des Musikgenusses beeinflussen. Er erklärt, wie man das perfekte Hi-Fi-Setup erkennt und was es braucht, um Musik auf höchstem Niveau zu erleben. In diesem Gespräch tauchen wir tief in die Welt der Hi-Fi-Audio-Reproduktion ein. Janek erklärt komplexe Themen wie Klangfarben, Verzerrungen, Raumakustik und die Herausforderungen bei der Wiedergabe von klassischer Musik und Atmos-Formaten. Er teilt seine Erfahrungen mit selbstgebauten Klavieren, Live-Konzerten und der Bedeutung von Offenheit für verschiedene Musikgenres.HiFi Schmitz: https://hifi-schmitz.de/1smart-speaker/

Episode 235: Dan Vapid of Sludgeworth talks to us about one inch equals one inch, toby and red scare, lineup changes and the additions of simon, enthusiasm is an important aspect of being in a band, 35 years later/maximizing strength, science & philosophy, instant gratification and the flow of a record and the bigger picture, plus much worth sludge more!Second Time Around LP at Red Scare Pre-order (available June 19 2026)Digital version at bandcamp

Host Mitch Anderson interviews IsoAcoustics' Sean Morrison and Matt Reilly about hi-fi isolation, vibration control, and why speakers, tube amps, turntables, and audio components may perform better when properly isolated. From floating a CBC Radio studio on 3,000 pucks to becoming an OEM solution for more than 50 hi-fi manufacturers, IsoAcoustics explains why the quietest product in your system might be doing more than you think.Thank you to our sponsor of this episode, SVS! www.svsound.com• Original intro music by The Arc of All. https://www.sourceoflightandpower.com• Voice Over Provided by Todd Harrell of SSP Unlimited. https://sspunlimited.com• Production by Mitch Anderson, Black Circle Studios. https://blackcircleradio.comKeep up-to-date with all the latest Hi-Fi, Headphone, Home Theater and Music news by visiting:https://www.ecoustics.com#hifi #isoacoustics #soundisolation #proaudiohacks #recordlathe #blackcircleradio #vinylcommunity  #ecoustics #audiophile #homelistening

Playlist: Elbow Kiss - Blue EmberParis Pick - Same PageAllison Russell, featuring Kara Jackson and Denitia & Explore - Cold AprilVeronica Raine - augustThe 18th Parallel, featuring Yuko Arakawa - KanataGentleman's Dub Club, featuring Kaya Fyah - Ain't Got TimeJOHNNY OSBOURNE - Trench Town SchoolSLY & ROBBIE, featuring Simply Red - Night Nurseundecided - Pull UpBrayden Lowe - Meet in the MiddleAdeoluwa - Stay with MeKing of Foxes - Only Here on LoanNostalgia 77 - Stubborn RhythmJonah Smith, Family Company - SatisfiedDojo Cuts - SundayMuzi, Bongeziwe Mabandla - NgaphayaYves Jarvis - Beast in the FleshNina Simone, featuring Mochakk Mix - See-Line WomanCalibro 35 - RiotsCerrone, Adi Oasis - New HighsThe Allergies, Andy Cooper, BlabberMouf - Dig It UpDegiheugi - So GoodPigeon - NRGNIghtmares on Wax , adrian sherwood - On the Seven Seas DubThe Lionyls - Go to WorkTropi Calvibes, Nickodemus - Desert Night Dub

This week on Mel & Floyd: Floyd comes back from assignment to fill in for SmartyPants who's checking out the stars at Harvard; Who doesn't go to their son's wedding?; Looking for “medium-size Walter”; Firing top infectious disease officials in time for Hantavirus; Coming soon: The Bay of Piggy fiasco; And other random topics; Notice something missing?  For the complete Mel and Floyd Experience, buy the CD “The Very Best of James Brown” and play it on your Hi-Fi while listening to this podcast!  Or listen live at 89.9 FM or wortfm.org/listen-live/ every Friday from 1 to 2 PM Central Time. Photo courtesy Biblioteca Valenciana Nicolau Primitiu on Unsplash Did you enjoy this story? Your funding makes great, local journalism like this possible. Donate hereThe post Apparently We Have a Lot of Blimps appeared first on WORT-FM 89.9.

This week on the SoundStage! Network Audiophile Podcast, host Jorden Guth is joined by Blake Alty, product manager for Paradigm and Anthem, along with John Bagby, managing director at PML Sound—the parent company behind Paradigm, Anthem, MartinLogan, and GoldenEar. Together, they discuss how brands maintain distinct identities under one corporate roof, how manufacturing scale affects modern hi-fi, the industry's generational divide, the partnership with WiiM, and whether high-end audio risks losing touch with ordinary music lovers as million-dollar systems increasingly dominate the conversation. Sources: “Paradigm Shift—The Bagbys Are Back!”: https://www.soundstagehifi.com/index.php/opinion/1350-paradigm-shift-the-bagbys-are-back “A Fantastic Gateway: A Q&A with Paradigm's Zoltan Balla and Blake Alty on the New Monitor SE 8000F Loudspeaker”: https://www.soundstageaccess.com/index.php/feature-articles/1186-a-fantastic-gateway-a-qa-with-paradigms-zoltan-balla-and-blake-alty-on-the-new-monitor-se-8000f-loudspeaker Chapters: 00:00:00 Announcement 00:00:36 Introductions 00:07:21 Maintaining separate brand identities 00:11:30 Economies of scale 00:13:54 Defining value in an uncertain economy  00:17:11 The future of million-dollar hi-fi 00:20:39 The myth that kids don't care about good sound 00:24:03 Headphones 00:25:55 The next generation 00:29:16 Wonder Twin Powers, Activate! 00:33:04 Education matters 00:34:52 Ten years down the road? 00:40:43 Outro music: "Crystal Ball” by Adv3n7ur35

In the latest episode of CHASING BETTER SOUND, hosts David and Louis V. dive deep into one of the biggest questions in their never-ending pursuit of audio bliss: What makes a record truly incredible sounding? Listen as they each share 20 vinyl records they regularly use to test and evaluate Hi-Fi audio systems — covering everything from soundstage and imaging to bass response, dynamics, detail retrieval, vocal realism, tonal balance, and overall musical engagement. These are the albums that help reveal what a turntable, cartridge, phono stage, speakers, room setup, and complete analog system are truly capable of delivering. This isn't just another list of expensive audiophile pressings or hard-to-find collectibles. These are real-world reference records David and Louis continually return to while chasing better sound. Some selections are legendary demo discs, while others will surprise even longtime vinyl enthusiasts. Familiar faces (and sounds), to new or emerging artists - these titles won't be what you'd normally expect! What records do YOU use to test your system? Join the conversation and let us know your go-to reference albums for evaluating sound quality. And join us in the continued pursuit of CHASING BETTER SOUND!  

Episode 234: CJ Ramone of The Ramones, Bad Chopper, and Spike & The Gimme Gimmes talks to us about Hard Rock & Guitar Pete's Axe Attack - Auditioning and Learning to Downstroke for The Ramones, Living on Long Island & Forming an Identity, Working with Ed Stasium, What it was Like Replacing Dee Dee Ramone and then Becoming his Friend, The Mystery & Privacy of the Ramones, CJ's New Podcast plus one two three more!CJ Ramones' Patreon for his Podcast, CJ Says: A Ramones PodcastJughead's Basement Patreon

This week on Mel & Floyd: Smarty Pants' visit to the British Museum and the “dear leader's” visit to China; Multiple data centers being considered in Alliant Energy territory; 1890's now referred to as the “First Gilded Age”; Absurd hantavirus conspiracy theories; And other random topics; Notice something missing?  For the complete Mel and Floyd Experience, buy the CD “The Very Best of James Brown” and play it on your Hi-Fi while listening to this podcast!  Or listen live at 89.9 FM or wortfm.org/listen-live/ every Friday from 1 to 2 PM Central Time. Photo courtesy Rapha Wilde on Unsplash Did you enjoy this story? Your funding makes great, local journalism like this possible. Donate hereThe post Why Mosquitos Prefer SmartyPants appeared first on WORT-FM 89.9.

Playlist: Nectar Woode - Rivers EndJorja Smith - What's Done is DoneLOV - Can I?Delilah Raine - Don't Call Me BabyPawPaw Rod - Hot StreakTHE TAMLINS - BaltimoreSunDub - Shoot Yor ArrowXana Romeo - Folie á DeuxJOHNNY OSBOURNE - Get CrackingPimps of Joytime, featuring Brian J Gitkin - Magic MovesBrooklyn Funk Essentials, featuring Alison Limerick - ShamelessAngélique Kidjo, featuring Pharrell Williams & Quavo - BandoBonerama, Trombone Shorty, Cyril Neville, Ivan Neville - OhioJoni Mitchell - Black CrowNu Genea, Tom Misch - OnenonGabriele Poso, Nickodemus, Flaco Navaja - La Conga Vieja - Radio EditDJ Satelite, DJ Gálio, Seres Producoes, Pierre Kwenders - KunaLance Ferguson, featuring Gil sm - LosalamitoslatinfunklovesongAudrey Ochoa - Left Foot RightEast of Underground - Walk on ByCurtis Mayfield - Ain't Got No TimeBrother Wallace - A Patient ManOldchap - Watching YouDown to the Bone - The Special BranchC.W. Stoneking - Mama Got the Blues

Episode 233: Isaac Thotz of The Arrivals, Treasure Fleet, and Clown Sounds talks to us about Growing up in Blue Island, Origin of The Arrivals, One of the House Bands at Fireside Bowl,  Thick to Recess Records, Musical Communities and Isaac's move to San Pedro, Treasure Fleet & Clown Sounds, Preparing for the New Record Payload, Writing Political Songs, We've Been Doing This a Long Time, plus much much molotov more more more!Bandcamp for The Arrivals Record, PAYLOAD​Vinyl at Recess Records

This week on Mel & Floyd: The latest on “Don Snore-leone”; Problems with Canvas educational software; Mel is back on his bike!; Chief Justice Roberts laments correct public perception; War crimes prosecution as a growth industry; $850 Million tax dollars to cancel wind power projects;  Cheetah poplation increases in Iran; And other random topics; Notice something missing?  For the complete Mel and Floyd Experience, buy the CD “The Very Best of James Brown” and play it on your Hi-Fi while listening to this podcast!  Or listen live at 89.9 FM or wortfm.org/listen-live/ every Friday from 1 to 2 PM Central Time. Photo courtesy OGenius Aficionados on Unsplash Did you enjoy this story? Your funding makes great, local journalism like this possible. Donate hereThe post Back in the Saddle Again! appeared first on WORT-FM 89.9.

In this episode, Matt Yocum, an SVS artist and working film sound engineer, explains how modern movie soundtracks are built and why low frequency clarity plays a critical role in shaping the final experience. Drawing on his work across major film and television projects, Yocum discusses how much of what audiences hear is created in post production, how he approaches mixing for the LFE channel using SVS subwoofers, including the SB 4000, and why he often relies on dual subwoofer setups instead of one. The conversation also explores why SVS has become part of his workflow and what that says about the demands of contemporary film sound design. Learn more about Matt and SVS here:https://www.svsound.com/blogs/artist-spotlight/svs-featured-producer-matt-yocum-movie-and-tv-sound-engineer• Original intro music by The Arc of All. https://www.sourceoflightandpower.com• Voice Over Provided by Todd Harrell of SSP Unlimited. https://sspunlimited.com• Production by Mitch Anderson, Black Circle Studios. https://blackcircleradio.comKeep up-to-date with all the latest Hi-Fi, Headphone, Home Theater and Music news by visiting:https://www.ecoustics.com#svs #hifi #lowendmixing #2026subwoofers #soundforfilm #hometheater #svsspeakers #svssubwoofers #ecoustics #audiophile #homelistening #soundforfilm

Detroit is having a week full of newness — and we've got all of it. PWHL Detroit is officially happening: the city's new Professional Women's Hockey League franchise will play at Little Caesar's Arena starting in the 2026–2027 season, in black, silver, and a hint of Red Wings red. The PWHL Awards and entry draft are coming to Detroit on June 16th and 17th, and roster building kicks off May 28th. Norris Howard weighs in on the collapse of Spirit Airlines — plus, the case for trains over short-haul flights. Downtown development: The historic 1908 Ford Building on Griswold — a Daniel Burnham Chicago-style gem — is headed to auction at just 14% occupancy, raising questions about what it takes to bring Detroit's financial district back to life. [Crain's Detroit] Jer and Norris dream big: 100,000 people in 7.2 square miles, a Trader Joe's in the State Savings Bank, and density done right. Bedrock's Belle — a 1926 Beaux Arts building on Broadway — is now accepting pre-lease tours on its 42 newly finished units. And coming soon to Southwest Detroit at 2545 Bagley: Tigris, a hi-fi listening bar with a custom Bing Audio sound system, vinyl DJ sets, Middle Eastern-inspired cocktails, and a daytime café to boot. Finally, Jer is moderating a panel at the free Business of Food Summit on May 18th at the Marrow in the Market — all about what it takes to make Michigan a true culinary destination, and what Michelin recognition could mean for the state.

This week on Mel & Floyd: Toxic fumes in Hegseth's hair gel?; Another Fox “personality” for the cabinet; A return to Jim Crow; Putin dials back internet access for Russians; A long dry summer on the way for the Southwest; Standardized testing glitch in NY; From ticks to Nixon; And other random topics; Notice something missing?  For the complete Mel and Floyd Experience, buy the CD “The Very Best of James Brown” and play it on your Hi-Fi while listening to this podcast!  Or listen live at 89.9 FM or wortfm.org/listen-live/ every Friday from 1 to 2 PM Central Time. Photo courtesy Sergi Viladesau on Unsplash Did you enjoy this story? Your funding makes great, local journalism like this possible. Donate hereThe post Counting Explosions appeared first on WORT-FM 89.9.

*Trigger Warning: Mention of being an SA survivorIn episode 75, Alex and Karly introduce Nic Flores to the pod!"I am Nic Flores, owner of Hi-Fi Friends, Father of a neurodivergent child, Husband, and inclusion advocate. I have learned to turn my painful experience as a sexual abuse survivor into a purposeful driven mission of diversity, equity and inclusion. I spend my free time at Disneyland and trying new coffee shops."Thanks for tuning in!-A+KConnect with Nic:www.hififriends.shopIG: @hifi.friendsConnect with us to share your stories, to join the community, or are in need of peer support-Email: pod.thespecialinterest@gmail.comTo be a guest: guest.thespecialinterestpod@gmail.comIG: @thespecialinterestpod Join our Patreon: All tiers get access to monthly zoom events ~ patreon.com/TheSpecialInterestPodcastDiscord: https://discord.gg/vn6RGPdqrTNeed extra support? Contact us about 1:1 coaching!New episodes biweeklyCredit:Music+ Audio:Peter FilippiProduction: Kaitlyn BoschShout out to our awesome team for all their support!

Caldo sonoro cocinado con discos y singles favoritos entre las novedades que hemos presentado en el mes de abril.Playlist;SHORTY’S SWINGIN’ COCONUTS “The call of Tangaroa” (Mai Tai in Hi-Fi pt.2 EP)JIM JONES ALL STARS “I’m on fire” (Cat fight)AL DUAL “Revolution”MIKE SANCHEZ and DREW DAVIES RHYTHM QUARTET “Lydia” (Hey now!, 2025)DOCTOR VELVET “Road to nowhere” (New breed, 2025)BRAD MARINO “Voodoo” (Agent of chaos)MARC VALENTINE “Temporary buzz” (Uncommon side effects)RUBY and THE CLUMSY DOLLIES “Mad” (New and improved)SICK SHOOTERS “Heartbreaker soulshaker” (Super sonic rock saga)IGUANA DEATH CULT “Reckless running” (Guns out)JACK WHITE “GOD and the broken ribs”JON SPENCER “Knock em out”DENIZ TEK “The beat” (The Beat)THE WAVES “Summer breeze” (Summer of sunshine, 2025)RADIO DAYS “Bang Bang”TAMI NEILSON “Are you sure”LAUREL AITKEN and THE MIGHTY MEGATONS “Angel baby” (Love and understanding)PALMYRA DELRAN and “Hold tight”A.J. FULLERTON and LAUREN FRIHAUF “I don’t want to grow up”Escuchar audio

A huge show this week with both Steve "The Audiophiliac" Guttenberg and legendary speaker designer Andrew Jones. The Reviewer and the Designer was recorded live at AXPONA 2026 in Chicago this year. In a keynote session on Friday, The Occasional Podcast had a live audience for the first time. The three way banter was a great variation for the format, with some great conversations and educational bits alike. We pulled out some interesting stories from both Steve and Andrew, along with some unique perspectives on both measurements and design philosophy.  Andrew's new speaker is the field-coil concentric Jones And Cerreta Troubador. And Steve Guttenberg has a new book coming out titled "The Blind Projectionist" but you can also follow his HiFi commentary on his regular YouTube channel "The Audiophiliac". S14E5 Sponsors: VAC-AMPSdotCOM - When Music Matters AUDIOQUESTdotCOM — High-Performance Cables & Power Products — Made for You PTdotAUDIO - Great Sounds Meet Good Times AUDIOVISIONSFdotCOM - San Francisco May 16th-17th In-Store HiFi Celebration    

Hoy te ofrecemos una gran variedad de cócteles con sabores a surf, garage, exótica, country punk o rhythm n’ blues. El primero es un Mai Tai en alta fidelidad servido por los californianos Shorty’s Swingin’ Coconuts, seguido por nuevos y próximos lanzamientos del sello de New Jersey, Hi-Tide Recordings. Tito Ramírez se alía con los holandeses Doctor Velvet y Mike Sanchez con el saxofonista Drew Davies, y nos llegan estupendas novedades flequilludas desde Melbourne, Tesalónica o Betxí.Playlist;(sintonía) SHORTY’S SWINGIN’ COCONUTS “Theme from Star Trek” (Mai Tai in Hi-Fi, Pt. II” EP)SHORTY’S SWINGIN’ COCONUTS “Dance girl dance” (Mai Tai in Hi-Fi, Pt. II” EP)THE BABALOONEYS “Soup surfer” (Goin’ for it)I. JEZIAK and THE SURFERS “The swell”THE VOLCANICS “Spin out” (In 3-D)GOONS “Rob, cheat, steal” (Never go back)THE UNTAMED YOUTH “The harem” (Git up and go)TIKIYAKI and THE HAWAIIAN BRASS “Let’s go for a ride” (Weekend in Waikiki)MAGIC SANDS “Hawai’i Kai” (Limon y Sal)DOCTOR VELVET “City jungle” (New breed)DOCTOR VELVET feat TITO RAMIREZ “Camino hacia ningún lugar”MIKE SANCHEZ with THE DREW DAVIES RHYTHM COMBO “Hey now” (Hey now)THE GNOMES “Magic man”THE SENCES “Best friend” (Can’t beat the Sences)LOS ALTRAGOS “Lo mejor de ti” (Necios y engreídos)JABATO “Vagabundo” (Guateque Taboo)OLD LADY “Good money, good time” (Tears around last call)JENNY DON’T and THE SPURS “Flying high”Escuchar audio

This week on Mel & Floyd: Is Mr. SmartyPants your favorite “butter and egg man”?; A.I. “hallucinations” in legal briefs; Should tree-huggers “take it to the next level”?; Report on Covid vaccine effectiveness is suppressed; Tales of Kash Patel [AKA J. Edgar Boozer]; Big game hunter discovers Karma; Record high corporate profits & record low consumer confidence; And other random topics; Notice something missing?  For the complete Mel and Floyd Experience, buy the CD “The Very Best of James Brown” and play it on your Hi-Fi while listening to this podcast!  Or listen live at 89.9 FM or wortfm.org/listen-live/ every Friday from 1 to 2 PM Central Time. Photo courtesy BUDDHI Kumar SHRESTHA on Unsplash Did you enjoy this story? Your funding makes great, local journalism like this possible. Donate hereThe post Use Your Brain, Human! appeared first on WORT-FM 89.9.

In this episode, Steinway Lyngdorf CCO Peter Keller-Larsen draws on his experience at Nokia during the iPhone era to explain why user experience, simplicity, and real customer insight now matter more than ever. From gaming and home cinema to changing listening habits, he argues that hi-fi must evolve—or risk being left behind. Sources: “The Hi-Fi Generation Gap—and What the Industry Must Do”: https://www.soundstage.life/e/the-hi-fi-generation-gap%e2%80%94and-what-the-industry-must-do/ “Yet Another Navel-Gazing Editorial About Boomers, Kids, and the Future of Hi-Fi” by Dennis Burger: https://www.soundstageaccess.com/index.php/feature-articles/1368-yet-another-navel-gazing-editorial-about-boomers-kids-and-the-future-of-hi-fi “German Hi-Fi Giant T+A's CEO on the Future of Audio”: https://www.soundstage.life/e/german-hi-fi-giant-ta-ceo-on-the-future-of-audio/ Chapters: 00:00:00 Announcement 00:00:36 Introductions and origin stories 00:06:18 The Danish Steve Jobs? 00:09:38 Dennis was right about gaming . . . 00:18:01 . . . and the physiological benefits of good sound 00:21:49 Plug and play 00:24:52 Opposition research 00:27:09 Who's getting it right? 00:34:26 Outro music: “Cloud Ten” by Novembers

Recorded from the show floor at AXPONA 2026, HiFi Bear unboxes the T10 Bespoke eCoustics Special Edition In-ear Computers, a custom release created for a show floor raffle. This episode focuses on the design, presentation, and what sets this limited edition apart, offering a first look at a unique collaboration built specifically for the event. Oh yeah, they sound great too.Panel:Hi-fi Bear - T10 BespokeCaptain Kangaroo - eCoustics ProducerCredits:Original intro music by The Arc of All. https://sourceoflightandpower.bandcamp.comVoice Over Provided by Todd Harrell of SSP Unlimited. https://sspunlimited.comProduction by Mitch Anderson, Black Circle Studios. https://blackcircleradio.com#t10bespoke #inearcomputer #IEM #headfi #headphones #wirelessearbuds #ecoustics #hifi #bespoke #luxuryaudio #axpona2026

Episode 232: Erik Funk of Dillinger Four talks to us about his band Billingsgate - Victory Records to Nemesis Records - The Erik Funk/Erik Fink Story - Bloodline, Angerhouse and the move to Minnesota - The Beginning of Dillinger Four, Friendship, and the thing about Paddy, Dynamics of their voices - How titles fuck with the brain - Aaron Cometbus and Scooby Don't - About the new song, plus much much one two three more more dillinger four!Dillinger Four Web Page

I go live and get my hands dirty with Claude Design, Anthropic's new design tool in research preview. Across roughly an hour, I run a real workflow end-to-end: pulling a product idea from Idea Browser, generating wireframes, iterating into visual designs, building a pitch deck, and attempting a 30-second video ad. I share my first reactions in real time and take feedback from the chat. By the end, I land on a clear verdict — best-in-class for wireframes and visuals, weaker for video — and give you a practical sense of where this tool fits in your workflow. Timestamps 00:00 – Intro 00:50 – Claude Design walkthrough 03:48 – Picking a product idea from Idea Browser: Senior Brains 05:54 – Wire-framing Senior Brains 13:54 – Reacting to the generated wireframe 20:44 – Building a pitch deck for Senior Brains 30:39 – Reacting to a pitch deck 34:58 – Reacting to Hi-Fi wireframe 40:40 – Creating a 30-second animated video ad 48:58 – Reacting to animated video ad 58:10 – Final verdict and recommendations Key Points Claude Design's wireframing is the strongest capability I've seen in a design tool to date, especially the questionnaire that extrapolates like a product manager. The pitch deck generation nails roughly 90% of the output with minimal input, which saves hours. Visual design mockups come through clean and usable, ready to iterate with 30 minutes of back-and-forth. Video generation lands at about a 5/10 — workable as a social post, weaker as a real commercial. Start with wireframes first to conserve tokens and sharpen feature decisions before committing to high fidelity. The #1 tool to find startup ideas/trends - https://www.ideabrowser.com LCA helps Fortune 500s and fast-growing startups build their future - from Warner Music to Fortnite to Dropbox. We turn 'what if' into reality with AI, apps, and next-gen products https://latecheckout.agency/ The Vibe Marketer - Resources for people into vibe marketing/marketing with AI: https://www.thevibemarketer.com/ FIND ME ON SOCIAL X/Twitter: https://twitter.com/gregisenberg Instagram: https://instagram.com/gregisenberg/ LinkedIn: https://www.linkedin.com/in/gisenberg/

This week on Mel & Floyd: Smarty Pants [The Great Prognosticator] returns!; Sprinkling the fairy dust over war crimes; The Strait of Vermouth??; Boebert declines to meet “King George”; Voter fraud in Colorado; GOP votes to despoil Boundary Waters; And other random topics; Notice something missing?  For the complete Mel and Floyd Experience, buy the CD “The Very Best of James Brown” and play it on your Hi-Fi while listening to this podcast!  Or listen live at 89.9 FM or wortfm.org/listen-live/ every Friday from 1 to 2 PM Central Time. Photo courtesy Inside Weather on Unsplash Did you enjoy this story? Your funding makes great, local journalism like this possible. Donate hereThe post Davenport Braces Itself appeared first on WORT-FM 89.9.

Live from Chicago, IL - The cast and crew from PartTimeAudiophile's coverage of AXPONA 2026 weigh in. Held April 10-12 in the Schaumburg Convention Center, this episode reports back on all the showroom highlights and the latest hifi product releases from the largest high fidelity audio event in North America. Best of show, standout gear and plenty of weekend observations. Special thanks to Marc Phillips and to all the fans who weighed in on the songs this week! Hear all the AXPONA 2026 songs and see the room-by-room coverage on: Facebook: https://www.facebook.com/ThePartTimeAudiophile/reels/ YouTube: https://www.youtube.com/@PT-Audio Seasonal Merch is now available! The pt.AUDIO Record Weight In Copper S14E4 Sponsors: AUDIOQUESTdotCOM — High-Performance Cables & Power Products — Made for You PTdotAUDIO - Great Sounds Meet Good Times BORDERPATROLdotNET - For Music Lovers, Not Scope Jockeys    

In this episode of Kids Ministry Calling, we explore practical ways to make midweek kids ministry both fun and meaningful. From creating a relaxed, engaging environment to balancing teaching with relationship-building, this conversation is packed with ideas to help kids feel like they truly belong—not just attend.We unpack the FLIP model—a simple framework for building connections between kids, leaders, influencers, and pastors—and why those relationships are key to lasting discipleship. You'll also hear how to use tools like Hi-Fi curriculum and TeamKid to equip volunteers, engage kids, and reinforce identity in Christ in ways that stick. Because at the end of the day, participation isn't the goal—belonging is.Whether you're rethinking your midweek strategy or looking for fresh ideas to energize your team, this episode will help you create a space where kids are known, valued, and excited to come back.Listen in and start building a midweek ministry kids don't just show up to—they belong to.SHOW LINKS:Connect with Lifeway Kids Leave us a voice message here with any questions or feedback!

This week on Mel & Floyd: It's the annual film festival show with Mel, Luther and guests; Attendance is up; Public access TV in NYC; A prepared statement from Four Star; The importance of home movies & photos; The Last Critic; And other random topics; Notice something missing?  For the complete Mel and Floyd Experience, buy the CD “The Very Best of James Brown” and play it on your Hi-Fi while listening to this podcast!  Or listen live at 89.9 FM or wortfm.org/listen-live/ every Friday from 1 to 2 PM Central Time. Photo courtesy Bruno Guerrero on Unsplash Did you enjoy this story? Your funding makes great, local journalism like this possible. Donate hereThe post Madison Still Has a Video Rental Store? appeared first on WORT-FM 89.9.

Episode 231 with Brad and Felix from The Fake Friends.  On This episode we talk about: On being a close-knit group of friends - A deep unlearning  and being liberated from cohesive sludge - Music theory - Groove, dance, and the importance of getting people to move - repetition, monotony, and spontaneity in live performance - Felix wants the whole pie, wearing influences on your sleeves, plus more more and obviously MORE!The Fake Friends on Stomp RecordsThe Fake Friends on Bandcamp