Podcasts about Homogenic

On this episode of Vinyl Verdict, Bell, Jamie and Adam listen to Adam's next pick, Bjork's "Homogenic". Released in 1997, it was subject to widespread critical acclaim. Many critics lauded the production, lyrics and general vibe of the album as being excellent. The album spawned five singles, two of which were nominated for Grammy Awards for their music videos. The album itself was nominated for Album of the Year, but lost to Radiohead's "Ok Computer". Rolling Stone calls "Homogenic" the #202 album of all time, but what will the boys think? Will they call it "Immature", or will they say "All is Full of Love"? Come along and find out!

The EarWax crew takes on one of the most brilliantly enigmatic artists out there this week as we cover Björk's "Homogenic."Made during a time of personal strife, this record is an homage to her home in Iceland, a place where she needed to leave for a time. Homogenic mixes traditional influences with sounds far ahead of its time. It feels fresh, sounds fresh, and is fresh today. Björk is a true innovator and artist, and this record is one of the best examples of what she has to offer. Thanks for listening! Check out everything we have going on via the info below: Instagram: @earwaxpod TikTok: @earwaxpod Amoeba on Instagram: @amoebahollywood @amoebasf @amoebaberkeley Questions, Suggestions, Corrections (surely we're perfect): earwaxpodcast@amoeba-music.com Credits:Edited by Claudia Rivera-TinsleyAll transition music written and performed by Spencer Belden"EarWax Main Theme" performed by Spencer Belden feat. David Otis

En este episodio hablamos de Homogenic, el aclamado álbum de Björk de 1997. Con su fusión de electrónica, clásica, pop y toque emocional, este disco redefine los límites de la música y la expresión artística.

Entretien sur les débuts du festival en 1997 avec Sophie Rosemont, journaliste et réalisatrice, autrice de Girls Rock, un livre qui raconte les destins croisés de femmes rockeuses devenues mythiques. Avec elle, nous évoquons la création du festival tout en dressant un état des lieux de la place des femmes dans la musique à la fin des années 90. Un podcast produit par Les Femmes S'En Mêlent et réalisé par Inbar dans le studio d'enregistrement de La Gaîté Lyrique et écrit par Stéphane Amiel.Directrice de création et voi off : Marine RivolletMontage, Sound Design et Mixage : Valentin LavoillotteRemerciements particuliers aux personnes ayant témoignéNathalie Ridard (Directrice de promotion et fondatrice d'Ephélide), Perrine Leydier (Ancienne collaboratrice Les Femmes S'en Mêlent et indépendante ​​CAE Clara et Clarabis), Suzanne Combo (Directrice et co-fondatrice La GAM & Artiste et musicienne du groupe Pravda), Stephy La Fouache (Manageuse de Mensch, Vale Poher, Helluvah, Larsovitch), Silly Boy Blue (Artiste et musicienne), Nicolas d'Aprigny (Directeur/Programmateur du Normandy à Saint-Lô), Brisa Roché (Artiste et musicienne), Yannick Martin (Programmateur à la Carène à Brest), Vale Poher (Artiste et musicienne).Archives :Shannon Wright : Enregistrement live au Café de la Danse en 2002.Elysian Fields : Performance au Café de la Danse en 2002.Gore Gore Girls : Concert à la Maroquinerie en 2008.The Slits : Concert du 26 avril 2007 à la Maroquinerie, Paris, dans le cadre du festival Les Femmes S'en Mêlent.Robots in Disguise : Live à la Maroquinerie en 2008.Musiques :Sonic Youth – "Kool Thing" : Extrait de l'album Goo sorti en 1990.Sister Rosetta Tharpe – "Didn't It Rain" : Enregistrement live de 1964.Holden – "Sur le pavé" : Titre de l'album Chevrotine sorti en 2006.Björk – "Bachelorette" : Extrait de l'album Homogenic sorti en 1997.Kim Gordon – "Bye Bye" : Titre de l'album No Home Record sorti en 2019.Hole – "She Walks on Me" : Extrait de l'album Live Through This sorti en 1994.Hole – "Rock Star" : Titre de l'album Live Through This sorti en 1994.Portishead – "Roads" : Extrait de l'album Dummy sorti en 1994.Fiona Apple – "Criminal" : Titre de l'album Tidal sorti en 1996.Hazy – "Dreamer" : Morceau libre de droits.Godie and the Gingerbeads – 1962.The Slits – "Typical Girls" : Extrait de l'album Cut sorti en 1979.Dum Dum Girls – "Bedroom Eyes" : Titre de l'album Only in Dreams sorti en 2011.Courtney Barnett – "Avant Gardener" : Extrait de l'EP The Double EP: A Sea of Split Peas sorti en 2013.Kely Boys – "Cœur Néon" : 2001.Peaches – "The Pain Away" : Extrait de l'album I Feel Cream sorti en 2009. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Entretien sur les débuts du festival en 1997 avec Sophie Rosemont, journaliste et réalisatrice, autrice de Girls Rock, un livre qui raconte les destins croisés de femmes rockeuses devenues mythiques. Avec elle, nous évoquons la création du festival tout en dressant un état des lieux de la place des femmes dans la musique à la fin des années 90. Un podcast produit par Les Femmes S'En Mêlent et réalisé par Inbar dans le studio d'enregistrement de La Gaîté Lyrique et écrit par Stéphane Amiel. Directrice de création et voi off : Marine Rivollet Montage, Sound Design et Mixage : Valentin Lavoillotte Remerciements particuliers aux personnes ayant témoigné Nathalie Ridard (Directrice de promotion et fondatrice d'Ephélide), Perrine Leydier (Ancienne collaboratrice Les Femmes S'en Mêlent et indépendante ​​CAE Clara et Clarabis), Suzanne Combo (Directrice et co-fondatrice La GAM & Artiste et musicienne du groupe Pravda), Stephy La Fouache (Manageuse de Mensch, Vale Poher, Helluvah, Larsovitch), Silly Boy Blue (Artiste et musicienne), Nicolas d'Aprigny (Directeur/Programmateur du Normandy à Saint-Lô), Brisa Roché (Artiste et musicienne), Yannick Martin (Programmateur à la Carène à Brest), Vale Poher (Artiste et musicienne). Archives : Shannon Wright : Enregistrement live au Café de la Danse en 2002. Elysian Fields : Performance au Café de la Danse en 2002. Gore Gore Girls : Concert à la Maroquinerie en 2008. The Slits : Concert du 26 avril 2007 à la Maroquinerie, Paris, dans le cadre du festival Les Femmes S'en Mêlent. Robots in Disguise : Live à la Maroquinerie en 2008. Musiques : Sonic Youth – "Kool Thing" : Extrait de l'album Goo sorti en 1990. Sister Rosetta Tharpe – "Didn't It Rain" : Enregistrement live de 1964. Holden – "Sur le pavé" : Titre de l'album Chevrotine sorti en 2006. Björk – "Bachelorette" : Extrait de l'album Homogenic sorti en 1997. Kim Gordon – "Bye Bye" : Titre de l'album No Home Record sorti en 2019. Hole – "She Walks on Me" : Extrait de l'album Live Through This sorti en 1994. Hole – "Rock Star" : Titre de l'album Live Through This sorti en 1994. Portishead – "Roads" : Extrait de l'album Dummy sorti en 1994. Fiona Apple – "Criminal" : Titre de l'album Tidal sorti en 1996. Hazy – "Dreamer" : Morceau libre de droits. Godie and the Gingerbeads – 1962. The Slits – "Typical Girls" : Extrait de l'album Cut sorti en 1979. Dum Dum Girls – "Bedroom Eyes" : Titre de l'album Only in Dreams sorti en 2011. Courtney Barnett – "Avant Gardener" : Extrait de l'EP The Double EP: A Sea of Split Peas sorti en 2013. Kely Boys – "Cœur Néon" : 2001. Peaches – "The Pain Away" : Extrait de l'album I Feel Cream sorti en 2009.

G'day mate! Welcome to the land of the living. Download this episode and start listening to the best podcast about Bjork and the 202nd greatest album of all time, Homogenic. Warning this episode is RO RL and ordinary.   Before we unravel the album, we become the best podcast for food lovers and discuss last meals, ice cream flavors, being late for dinner, and lactose decisions that will leave your stomach bamboozled. We also chat about our signature moves and dream jobs and share a review of the Foo Fighters concert.   Then at (57:00) the alarm call goes out for Bjork and her electronica album Homogenic. We compare and contrast Bjork with Radiohead, discuss Icelandic choirs, and cover the artists with the most Grammy nominations without a win. We also talk about Nintendo music and have a surprise run-in during the celebrity death match between Beck and Bjork.    Next week, Beck Did it Better will be the place to be when we become the best Nick Drake podcast and discuss the 1972 folk album, Pink Moon. 

Hey everyone,  This week we hit our second A Tribe Called Quest Album and we pretty much become the best podcast about Midnight Marauders. We are talking USA up all night, Jock Jams, and the time Rob went to Military School.    Aaron talks about Rucking and Rob talks about talking about getting horny. Everyone thinks its normal that Aaron orders messed up stuff at the ball game and we go over the insane music choices our nephews are making.   Then we go over Midnight Marauders and talk about how this album is a little more grown up than Low End Theory but still fun. Then Rob talks about talking about being horny again.    Next week, we have Bjork with Homogenic and no one will get sick during the recording of the podcast. 

Björk is an Icelandic singer, songwriter, composer, producer, and actress. Noted for her distinct voice, three-octave vocal range, and sometimes eccentric public persona, she has developed an eclectic musical style over a career spanning four decades, drawing on electronic, pop, trip hop, classical, and avante-garde music. This mix captures her first three albums from Debut through to Homogenic. Enjoy! Intro: I Love To Love Human Behaviour: Le French Dimitri From Paris Club Mix TouchVenus As A Boy: Stefan Baghiu EditPlay Dead: Paul Morrell's Dark Club MixBig Time Sensuality: Dom T's Big Time Club MixViolently Happy: Mercurio RemixThere's More To Life Than This: Ivan Sallas Extended Non Toilet Club MixArmy of Me: RalphiDee's After Midnight Bootleg MixIsobel: Dim's Enchanted Forest Club MixHyperballad: David Morales Classic Club MixI Miss You: Junior Vasquez Arena Club Anthem MixJoga: Breaks Mix

We're doing something a little different for our 80th episode! Here's a song that wasn't written or co-written by Andrew, or even by Josh. But Something Corporate covered this song over 20 years ago and it must have been a significant song for the guys. We explore what makes it so special and learn a bit about the original artist. Are there any Bjork fans here? Something Corporate's cover version: https://youtu.be/6b6Uah-4mtQ?si=Gmrxh_DpIgt6A32O Original version by Bjork: https://youtu.be/cteN9xDkP_w?si=Ghzv2694QN_HXLlm Radiohead's cover version: https://youtu.be/KVvO4mPoZiA?si=dNtwkP7JLa5GMpoR Jason Mraz's cover version: https://www.youtube.com/watch?v=DVfoxOBmF8s Live performance by Bjork, 2002: https://youtu.be/6Ua4tkvkweA?si=doCWG52PW_psgLue

00:00 Eminem's Bizarre Feud with Moby 26:56 Kuniva "History of Violence 2" album review 56:07 Bjork "Homogenic" album review feat. AdequateEmily linktr.ee/therealrapcritic linktr.ee/mues

On this installment of SRR we break out the Sony CDP-CE315 five CD disc changer and discuss not just 1 but 5 albums that we've loaded up for a hot summer Friday night. The digital age is back baby!

On n'arrête pas Alice Khol : photographe, réalisatrice de courts métrages, clippeuse (Loïc Nottet, BRNS) et auteure (365 degrés (d'amour), aux éditions LOCO), cette Bruxelloise d'adoption multiplie les casquettes avec aisance et talent. Pour le retour de Game Changer après de longs mois de pause, Alice Khol a choisi un disque aussi essentiel à sa vie de femme qu'à la musique des années 90 : Homogenic de Björk. Raconté par le menu, le troisième album de la chanteuse islandaise est aussi le prétexte à une discussion sur ses nombreuses activités, entre contraintes et ambitions, mais toujours avec passion. Bonne écoute les goûteurs. Animation : Jeff Lemaire & Amaury Rauter Visuel : Gwen Pitseys Habillage : Nico Grombeer Mix : Tommy Desmedt Alice Khol : site officiel  / instagram Goûte Mes Disques : facebook  / twitter / instagram Ah oui, et pour nous soutenir : cliquez sur le mot amour.

Are you ready for this? I'm not sure we were! Sam, Tessa, and Jarret talk about the Icelandic treasure that is Björk. We talked about several of her albums: Debut, . All is full of love! 16:00 - Debut 25:08 - Homogenic 47:30 - Vespertine 1:11:14 - Biophilia 1:29:00 - Utopia Jarret's YouTube Björk Playlist: https://youtube.com/playlist?list=PL6O8R1id6scdxHLL8sC8meHCikCZKoSfe Join our discord community here: https://t.co/VXKe87hY6g

Thrill as the gang tries their darndest to pronounce Icelandic words! Marvel as they Bjork things up all over again! Don't Miss it! Send us your experimental pop albums: pleasedontcast@gmail.com patreon.com/pleasedontcast twitter.com/pleasedontcast

In this episode we welcome the excellent Gary Kemp to RBP's Hammersmith HQ and invite him to talk about Spandau Ballet, the New Romantics and Pink Floyd. After describing the pop baptism that was watching David Bowie sing 'Starman' on Top of the Pops, Gary recalls seeing the Sex Pistols at the Screen on the Green; the Bowie nights at Billy's; Steve Strange and the Blitz kids; and the formation of the band that became Spandau Ballet. With special reference to Betty Page's Sounds pieces on Spandau, we discuss the New Romantics and their complex relationship with the music press. From Spandau to Floyd is not a segue anyone would have made back in 1979, but Gary explains how he saw the half-century-old Dark Side of the Moon played live at Wembley's Empire Pool in 1974 and how he later joined forces with Floyd drummer Nick Mason in Saucerful of Secrets. In the course of a conversation about Dark Side, we hear clips from Jim Sullivan's 1997 phone interview with the late Rick Wright, who reflects on the state of Syd Barrett and his own (temporary) firing from Floyd. With a nod to Rockonteurs — Gary's own great podcast with Saucerful of Secrets bassist Guy Pratt — we pay tribute to the late David Crosby, who was the duo's guest in early 2020. Mark then talks us out with quotes from pieces about the Beatles (1966), the New York Dolls (1973) and Joni Mitchell at the Troubadour (1968 and 1973), after which Jasper concludes the episode with quotes from reviews of Björk's Homogenic (1997) and a Manchester "Gods of Rap" show starring Wu Tang Clan, De La Soul and Public Enemy... Many thanks to special guest Gary Kemp. Visit his website at garykemp.com and find the Rockonteurs at rockonteurs.com. Pieces discussed: A Manifesto for the Eighties, Spandau Ballet, the New Romantics, Rick Wright audio, Pink Floyd, Dark Side of the Moon, Nick Mason, The Byrds' David Crosby, A Hippy out of Hell, A Long Strange Trip, The New York Dolls, The Beatles, Joni Mitchell at the Troubadour in 1968 and then in 1973, Björk and Gods of Rap. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode we welcome the excellent Gary Kemp to RBP's Hammersmith HQ and invite him to talk about Spandau Ballet, the New Romantics and Pink Floyd. After describing the pop baptism that was watching David Bowie sing 'Starman' on Top of the Pops, Gary recalls seeing the Sex Pistols at the Screen on the Green; the Bowie nights at Billy's; Steve Strange and the Blitz kids; and the formation of the band that became Spandau Ballet. With special reference to Betty Page's Sounds pieces on Spandau, we discuss the New Romantics and their complex relationship with the music press. From Spandau to Floyd is not a segue anyone would have made back in 1979, but Gary explains how he saw the half-century-old Dark Side of the Moon played live at Wembley's Empire Pool in 1974 and how he later joined forces with Floyd drummer Nick Mason in Saucerful of Secrets. In the course of a conversation about Dark Side, we hear clips from Jim Sullivan's 1997 phone interview with the late Rick Wright, who reflects on the state of Syd Barrett and his own (temporary) firing from Floyd. With a nod to Rockonteurs — Gary's own great podcast with Saucerful of Secrets bassist Guy Pratt — we pay tribute to the late David Crosby, who was the duo's guest in early 2020. Mark then talks us out with quotes from pieces about the Beatles (1966), the New York Dolls (1973) and Joni Mitchell at the Troubadour (1968 and 1973), after which Jasper concludes the episode with quotes from reviews of Björk's Homogenic (1997) and a Manchester "Gods of Rap" show starring Wu Tang Clan, De La Soul and Public Enemy... Many thanks to special guest Gary Kemp. Visit his website at garykemp.com and find the Rockonteurs at rockonteurs.com. Pieces discussed: A Manifesto for the Eighties, Spandau Ballet, the New Romantics, Rick Wright audio, Pink Floyd, Dark Side of the Moon, Nick Mason, The Byrds' David Crosby, A Hippy out of Hell, A Long Strange Trip, The New York Dolls, The Beatles, Joni Mitchell at the Troubadour in 1968 and then in 1973, Björk and Gods of Rap.

In 2022 Björk released her 10th studio album. Considering how many artists have stopped after five or fewer, it's a big accomplishment. But it's even more significant when you consider how experimental Björk's records have been, especially after Homogenic. So how has Björk managed to make it as an artist even though she's pretty “uncommercial”? How has she continued to create on a global scale — without compromising her bold artistic vision? In this episode I'll share three reasons: her choice of record label, her early relationship with Nellee Hooper, and her DIY attitude. Enjoying Björk Unravelled? Support the show with a monthly donation on Anchor or a one-time donation on PayPal (https://www.paypal.com/donate/?hosted_button_id=8RAFVQKASALSQ). Every dollar helps me make new episodes! --- Support this podcast: https://anchor.fm/bjorkunravelled/support

I denne anden del af ”Portrætalbum Special”, hvor Anders Bøtter har udvalgt nogle af de mest rørende øjeblikke fra 2022, forsætter snakken med Magtens Korridorer frontmand Johan Olsen. Hør ham bla. fortælle om hvorfor han stadig kan blive rørt til tårer over sangene på Pink Floyds album ”The Wall”. Til sidst kan du møde Carpark North forsanger Lau Højen, der har valgt Björk albummet ”Homogenic” til at tegne et portræt af ham. Og så kan du høre om hvordan det store hit ”Transparent And Glasslike” er inspireret af dengang Lau blev overfaldet og gennembanket. Sendt første gang d. 06.01.2023 Udsendelse nr.: 52 Vært: Anders Bøtter Klip og lyddesign: Emil Germod Medvirkende: Johan Olsen og Lau Højen.See omnystudio.com/listener for privacy information.

Miguel Lázaro continúa con nosotros en su sección de discos con historia. En esta ocasión la artista elegida es la islandesa Björk y su disco 'Homogenic'

Episodio 16 de Discos con Historia de Miguel Lázaro dedicado al disco Homogenic de Björk. Emitido el 18/09/2022 en SER Historia, Cadena SER, el programa de Historia con Nacho Ares.

Warrior, active, volcanic beats , confrontational, icelandic octet, beats, cosmopolitan/icelandic contrast, green, patriotic.

Carpark North forsanger Lau Højen har et helt særligt forhold til Björk albummet ”Homogenic”, som har fulgt ham siden de formative år på hans efterskole og i årene efter. I denne første del af ugens Portrætalbum kan du høre Lau fortælle om hvordan han blev udsat for en voldeligt overfald, blev indlagt på hospitalet og her fandt inspirationen til at skrive Carpark Norths gennembruds-hit ”Transparent & Glasslike”. Sendt første gang d. 19.08.2022 Udsendelse nr.: 32 Vært: Anders Bøtter Klip og lyddesign: Emil Germod Medvirkende: Lau HøjenSee omnystudio.com/listener for privacy information.

Carpark North forsanger Lau Højen er stadig helt vild med Björk albummet ”Homogenic”, som har fulgt ham lige siden de formative år. I denne anden del af ugens Portrætalbum udsendelse, kan du høre Lau reflektere over tabet af hans mor, som gav ham styrken og inspirationen til at skrive på dansk for første gang. Få også gode råd til, hvordan man bibeholder en glødende gnist i sit parforhold, selvom man betegner sin ægtefælde som sin bedste ven Sendt første gang d. 19.08.2022 Udsendelse nr.: 32 Vært: Anders Bøtter Klip og lyddesign: Emil Germod. Medvirkende: Lau HøjenSee omnystudio.com/listener for privacy information.

Björk is often dismissed as a weirdo by the general public and comedians on SNL. But have you ever really taken the time to listen to her music? Join us as we discuss Björk's third album, Homogenic. One listen reveals a haunting, beautiful work even if it is unconventional. Follow us on Instagram @brothersinsong Items for purchase https://brothers-in-song.creator-spring.com

In this episode of INSIGHTS, we are joined by Nick Worrall, a London-based producer, DJ and media composer who releases music under the pseudonym Wordcolour. His music is a collage of vibrant, detailed, cinematic sound design, mind-bending breakbeat chops and gut punching bass. At every turn in a Wordcolour track, you can hear influence from classical music, minimalism, film soundtracks and, of course, the contemporary scene of bass-oriented UK electronic music. His new album ‘The trees were buzzing, and the grass' is set to be released on June 24th. We've been following Nick's work since his EP ‘Juno Way' dropped back in 2020, and couldn't have been more excited to hear that a full length was on the way.Over the course of this interview, we discuss Nick's formative experiences, including childhood radio experiments, being introduced to ‘Kid A' and ‘Homogenic' and playing in a band with Angus Finlayson aka Minor Science. We then move onto Nick's creative output, discussing ‘Juno Way' and his relationship with the Fabric-affiliated Houndstooth records before doing the deep-dive on his startling and cinematic new album! Nick gives an insight into his production process, approach to sampling, collaborating with vocalist Natasha Lohan and percussionist Michael Anklin, his fascination with foley and sound mixing in film and the influence this has on his music. We finish by discussing Nick's plans for the future, his new live set and some of his favourite current music, which you can support via the Buy Music Club link below.Special thanks to Nick Worrall and Houndstooth for allowing the use of clips from 'Blossom' and 'Cloud Room' in this episode. ---SUPPORT WORDCOLOUR:Buy Music Club: https://buymusic.club/list/awakeallhours-insights-014-wordcolour-the-trees-were-buzzing-and-the-grassSoundcloud: https://soundcloud.com/wordcolour?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharingBandcamp: https://wordcolour.bandcamp.comInstagram: https://www.instagram.com/wordcolour_/---SUPPORT AWAKE ALL HOURS: Patreon: www.patreon.com/awakeallhoursSoundcloud: https://soundcloud.com/awk-all-hrs?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing Instagram: https://www.instagram.com/awake.allhours/

Homogenic, un disco que cumple 25 años en 2022 y que nos transporta directamente a los escenarios nórdicos de Islandia. Una carta de amor sonora que sirvió para que Björk se convirtiera en una artista global. Espacio patrocinado por: Wasabi Segovia, Domingo Santabárbara, María Garrido, RafaGP, PabloArabia, Sergio Serrano, Macu Chaleka, Laura, Yu Carlitus, Jorge Altarriba, Vicent Martin, Jorge Rico, Dani Diez, kevinbazan95, David Molinedo ,Zaca Furinyaki, Infestos, Öki Þeodoroson, Ikr Uri Arte, davidgonsan, Juan Carlos Mazas, 61garage, JJM, Rosa Rivas, Naïa, Bassman Mugre, SrLara, David Meño Manzaneque, Próxima Estación Okinawa, Barullo, Megamazinger, Francisco Javier Indignado Hin, Unai Elordui, carmenlimbostar, Piri, J. Gutiérrez, Miguel Ángel Tinte, Alvaro Perez, Miquel CH, Jon Perez Nubla, screaming, agui102, Raul Sánchez, Nuria Sonabé, davicin blackmetal, Franc Puerto, Spinda Records, Pere Pasqual, Giulia Governi, Juanmi, JulMorGon, Alexander Castañeda Padilla, Juan Carlos Acero Linares, JM MORENTE, Eduardo Mayordomo Muñoz, Alfonso Moya, Pilar Díez, Rubio Carbón, LaRubiaProducciones, cesmunsal, Carlos Conseglieri, Mr.Kaffe, Marcos, Aytiro Saki, Fernando Masero, jocio, Dani RM, Alejandro Gómez García, baron72, Norberto Blanquer Solar, Eduardo Vaquerizo, VICTORGB, Tolo Sent, Israel, Jordi, LIP, Carmen Ventura y varios oyentes anónimos. GRACIAS 🙏

Monday roundup of the latest releases of the month that make life a lot brighter. With a selectrion of mind-soothing downtempo atmospherics from Shabaka, Mary Lattimore, The Smile, Arooj Aftab, Interpol, Rudresh Mahanthappa, Nick Cave & Warren Ellis... A quick moment of appreciation for Björk's Homogenic, just because... and a listen to a cut from Eddie Gale's Ghetto Music reissue.

Primavera Sound é o nome do Festival de Música que vai trazer Björk de volta ao Brasil. É pouco ou quer mais? Nós aqui no #podcast Farelos Musicais queremos mais, já trouxemos a Björk para analisar 3 canções anteriormente e vamos voltar para falar da melhor de todas: Bachelorette, do álbum Homogenic. Quer saber mais de Isobel, a mulher nascida de uma faísca mágica na floresta e que vai à cidade para se desiludir e ser arremetida de volta às suas raízes? Então é só chegar e clicar no play.

Finally back with a new episode! Ryan is  joined once again by Amanda Stilwell, the founder of Last Craft Designs, to talk about Icelandic artist Björk and her masterpiece album Homogenic! 

This pamphlet by LGBT pioneer and philosopher Edward Carpenter was originally intended to form part of his work "Love's Coming of Age", but was removed following public discourse on the Oscar Wilde trials of 1895. It was subsequently published privately and circulated among his inner circle. This is Carpenter's first publication on the subject of homosexuality, and displays his typical forward-thinking and utopian sentiments. It seeks to make clear that homosexuality is innate, is more widespread than generally accepted, and even implies that degress of bisexuality may be universal. Genre(s): Essays & Short Works Edward Carpenter (1844 - 1929) --- Support this podcast: https://anchor.fm/3daudiobooks0/support

What is up Good People? Join us this week as we talk about the sweetest thing to emerge from Iceland since the Sugarcubes! That is to say, Bjork. This week we are talking about her 1997 album, Homogenic. This was a first for Will but a standard for Jimbo and the discussion is spirited and lively! Check out the Spotify playlist for the music from the episode!

Today we give our first impression of Bjork's 3rd album, Homogenic. After we reviewed Post earlier this year, everyone told us Homogenic had to be next. We were split in our reaction, as you'll see. Is this your favorite Bjork album? What album should we listen to next? Let us know in the comments.0:00 - How we got to Homogenic1:09 - Our First Impressions3:39 - Cover Art4:54 - The Style of Homogenic8:20 - All Neon Like9:47 - A Deeper Dive12:35 - What Bjork Album is Next?13:20 - Recording Homogenic#bjork #homogenicLinks:Apple Podcasts: https://podcasts.apple.com/us/podcast/scratch-a-track-presented-by-the-dude-and-grimm-show/id1507247887Spotify: https://open.spotify.com/show/0qBOg1wkxPu5EY0FQQaMgOGoogle Podcast: https://podcasts.google.com/?feed=aHR0cHM6Ly9mZWVkcy5idXp6c3Byb3V0LmNvbS85ODIyMDQucnNzAll music on this podcast has been provided and used with permission by:...more https://soundcloud.com/user-122188109The Timnz https://soundcloud.com/the-timnz

Part two of our Björk convo with des hume is here. We swan-dive into Vespertine, a sexy-swirl of a record. Tune-in for the nuance and stay for the hot takes at the end. LinksFurther Seems Forever covers Pagan Poetrydes hume - Shockerbaby (official video) Pagan Poetry - Björk - (Live at Royal Opera House)  

It is Tulip planting season in Holland, so we circled back again to plant some seeds for Drag Race Holland Season 3 and to speak with Drag Queen extraordinaire Hoax LeBeau (Remy could never). This 11-year-old drag-entrepreneur got her first job offer after attending a theme party and turn that into a drag, DJ, and host career! She also founded The Drag Agency to empower other drag royalty to make that good money! Hoax gives the full scoop on her relationship to Nyx and 3Nyx and also lets' us know about her own club night Traffamafia (Crossdresser Mafia). Oh, the times we will have if ever get to Holland! On the pod: Drag Race Holland Season 2 Holland 1st trans winner. How is Holland processing?  Why did Vanessa Van Cartier have such a rough time in Belgium's pageant system? Why representation matters? What are POCs always the first out the door?  Why Drag is genderless.  Drag Race UK Season 3, episode 2, “Dragoton” The knee injury!!!  Should Victoria Scone just come back for season 4?   Are they filming these seasons too quickly and endangering the queens? Krystal Versace's harsh attitude. Trigger Warning: Orange Veronica Green's wardrobe choices Krystal Versace's redemption arc WHAT WAS THIS MAXI CHALLENGE? About our guest:Hoax started hosting during gay pride of 2011 at the door of Supperclub Amsterdam for the party Rumour Has It. Since then, she's become one of the most frequently asked hosts in Amsterdam. Hoax hosts. Hoax performs. Hoax'll do anything for money.  As a classically trained actor, Hoax has something that most drag performers don't have: The ability to transform and take on a character Hoax graduated from Utrecht School of Arts (HKU) in Acting in 2009 and has worked as a freelance actor ever since; working with some of the best companies and directors in Holland including: Het Zuidelijk Toneel / Matthijs Rümke, Golden Palace / Ingrid Kuijpers, Het Woud Ensemble / Christiaan Mooi, De Toneelmakerij / Ad de Bont & Liesbeth Coltof,  and many more. When Hoax hosts your party, Hoax lives by the golden rule set by the legendary Andy Warhol: 'It's a dictatorship at the door and a democracy on the dance floor.' Hoax has hosted several of the hottest parties in The Netherlands including: Italo Elite, (2011–2012), Homogenic (2012), Rumour Has It (2011–2012), Afterfest (2011–Now), Prefest (2012–Now), Disco Total (2011–2013), Room (2012), Cabaret Noir (2013), Reddingsfest (2013–Now), Milkshake Festival (2012), and CHAOS (2012-2013). As a performer, she's performed at Wasteland, Pink Istanbul, Oddball, Lalaland festival, BNN's Ruben vs. Sophie, Spuiten&Slikken, Taboobar, and Amstel54 amongst others. Hoax has also performed with the Trippin Angels on several occasions and is a part of the dj duo cu2nt (with her drag sister Heisa Jynx). Hoax spins at a lot of Dutch clubs and parties on a regular basis and has had her own club night Traffamafia since 2018. She also gives tours around the Amsterdam redlight district for Original Tour and works as a freelance makeup artist and stylist. As a makeup artist, she's done shows for Bas Kosters, most looks for entertainer Sven Ratzke, and for several club nights in and around Amsterdam. As a stylist her first publication was in Ferry Manly magazine in July 2013. And, later that year, the new videos of the famous Dutch rock band Within Temptation.  FOLLOW HOAX LEBEAU Instagram: HoaxLeBeau and thedragagencyFacebook: hoaxlebeauLinktree: hoaxlebeau FOLLOW NICK Instagram: neprobst and grow_withnickTwitter: neprobst  FOLLOW MIJON Instagram:majorzu FOLLOW THE HUNTYS Instagram: whisperinghuntysFacebook: whisperinghuntysTiktok: whisperinghuntysTwitter: huntywhisperingWhispering Huntys Website  Whispering Huntys is an Apocalypse Podcast Network Podcast. Sign up to our Listserv: http://eepurl.com/hfnySr

We discuss two magnificent Björk albums with "garbage-pop princess" des hume. In today's episode, we discuss Homogenic! Links:des hume on YouTubedes hume on BandcampBjork Live At Royal Opera House December 7, 2001https://preachervan.bandcamp.com/

In this week's episode with chat with Italian-born singer Irene Serra.She shares more about her journey to the UK via Copenhagen and Milan, settling in to jazz life in Hackney, developing her fabulous band ISQ and her creative influences including dance.We discuss her upcoming album, remixing and listening to music and of course there's a quiz, top 3 album choices and a vocal addition to the house band. It's a lovely chat all round!Irene's album recommendations include:Piano and A Microphone 1983 by Prince (2018) released by NPG/Warner BrosAfter Hours by Sarah Vaughan (1961) released on RoulettePost (1995) and Homogenic (1997) by Björk, both released on One Little IndianIrene's website: www.irenaserra.comSupportYou can help support the podcast and keep us ad free. Especially useful if you'd like to support the podcast and want to keep it ad free. Plus it makes Chris feel very happy indeed! https://www.buymeacoffee.com/ChrisNewsteadShow infoPresenter: Chris NewsteadTheme: by SoundWorkLab, licensed through AudioJungle.Recorded September 2021.

Empezamos a explorar otras sonoridades en nuestro bloque de nerdeo musical, aventurándonos a territorios no tan adyacentes al rock. En este caso, desmenuzamos en profundidad el tercer disco de la islandesa Björk. Una placa con tanto de vanguardia como de pertenencia a su lugar de origen. #music #música #discos #trip hop

SHHHHH!Leaving the Sugarcubes behind we start looking at the proper solo work of Icelandic legend, Björk. Ewan over-labours a Radiohead analogy, Liam cries under a table, Nick definitely didn't get drunk watching the football, and we are joined by friend of the Facebook Group and man who prepared by watching all of the Björk live DVDs in order...Jeffrey McDonald. Oh, and we are all slightly shocked by how long it took One Little Independent to change their name. There was a huge tech issue in post-production and if you barely notice it then Ewan deserves a medal. In this episode we discuss these records: Debut (1993) Post (1995) Telegram (1996) Homogenic (1997) Vespertine (2001) NOTE: This was originally intended to be released much earlier in the season so we may reference that, Yes we are still amateurs!! DOUBLE NOTE: As mentioned we had a bunch of mess-ups post production but I think I have fixed it, As usual there's a Spotify playlist incorporating the podcast and selected songs which you can find at https://sptfy.com/tfb2 (https://sptfy.com/tfb2) The Guests: Our guide for the records was Liam Moloney (@liamtmaloney), who has the rather excellent Dancing about Architecture pocast which you can find at https://beat.rehab/daacast ( https://beat.rehab/daacast) And he has a bandcamp full of Electronic magic over at https://liamthomasmaloney.bandcamp.com/ (https://liamthomasmaloney.bandcamp.com/) Jeffrey McDonald is a long-time contributor to our Facebook group and it was a pleasure to have him on If you fancy supporting the show, either leave us a review somewhere on Apple or Podchaser which would help enormously. Or just tell your friends!! There is a Patreon as well https://www.patreon.com/tempfans (https://www.patreon.com/tempfans) Jonathan is the genius behind our theme music and you can hear more of his stuff on his https://jonathanfisher.bandcamp.com/ (Bandcamp) Additional music in this episode by https://sessions.blue/licensing/ (Blue Dot Sessions ) All available under the following licenses: https://creativecommons.org/licenses/by/4.0/ (https://creativecommons.org/licenses/by/4.0/) Support this podcast

For July 2021, Sonic Collective member Scott Gregory chose to review the pride of Iceland, Bjork's 3rd studio album, Homogenic. None of the four of us within the Sonic Collective had ever listened to any full album from Bjork, so we were intrigued. Listen and you will find out why all four of us respected the artistry, we just had a rough time trying to understand and get into the album. In what scenario can you put this album on? What the heck is going on in the track Pluto? Is Bjork an alien from Bladerunner movies? To learn the answer to all of these questions, please listen along and visit us at TheSonicCollective.com for full show notes, links and media. Enjoy ... we didn't. Sorry Birch Tree lady.

Eine Neuerscheinung, angekündigt vom Künstler selbst, ein Klassiker der uns Überrascht und eine Überraschung die ein Klassiker sein könnte. Das erwartet euch in unserer 33. Folge! Konkret bedeutet das folgende Alben die wir besprechen: „Homogenic“ von Björk „Live in Cook County Jail“ von B.B. King „Ready the Astronaut“ von William Fitzsimmons Eine bunte Mischung aus verschiedenen Stilrichtungen und doch passen die Alben irgendwie zusammen und wir erkennen Gemeinsamkeiten. Hört rein! Präsentiert werden wir wie immer von @meinmusikpodcast.de!

Viajó a la ciudad de Málaga, España, para grabar su tercer disco, de 1997, se alejó de las corrientes más populares y exploró la electrónica de vanguardia con guiños a Kraftwerk, Brian Eno y al compositor Karlheinz Stockhausen.

Enquanto trabalhava na extensa turnê de divulgação do elogiado "Post" (1995), Björk decidiu mergulhar na produção do terceiro álbum de estúdio da carreira. Entretanto, o perturbador suicídio de um antigo perseguidor fez com que a cantora se isolasse na Espanha, investisse em novos colaboradores e fizesse da dor sentida naquele momento as bases para uma de suas principais obras: "Homogenic" (1997). Casa de algumas das principais composições da artista islandesa, como "Jóga", "All Is Full of Love", "Bachelorette" e "Hunter", o registro é o tema da discussão entre os jornalistas Cleber Facchi (@cleberfacchi) e Renan Guerra (@_renanguerra) em mais uma edição do Clássicos VFSM.

Bjork, the Icelandic musical oddity (and ya know, massive global pop-star), set her artistic sights ever higher with 1997's Homogenic. This album of "strings and beats" is beautiful, fiery and glacial all at once. So, so good. And fellow Bjork enthusiast Attxla is here to get just as excited about it with me! He's a phenomenal multi-genre singer from Houston, TX. His R&B/electronic full-length debut "Ebb" is top-notch. https://www.niagaramoonmusic.com/ https://attxla.com/

Dans cet épisode on va vous parler de Björk Guðmundsdóttir notre islandaise préférée et de "Homogenic" un tournant radical dans sa carrière.  Bjork est un ovni. Depuis le début des 90s elle mélange l’avant-garde avec la pop et n’en fait qu’à sa tête. En 1997, un troisième album va la faire passer du spectaculaire au film d’auteur : c’est "Homogenic", un disque introspectif marqué par des arrangements de cordes atmosphériques et des gros beats électroniques. Il contient quelques uns de ses plus grands titres comme “Jóga”, “All is full of love” et bien sûr “Bachelorette”.  On vous raconte la story de Björk avec Olivia, on part aux studios El Cortijo en Espagne avec Grégoire et Fanny revient sur le clip incroyable de "All is full of love”.  Crédits :  Générique : Dr Alban "Sing Hallelujah". Titres écoutés dans l'émission : Björk “Hunter”, “Jóga”, “Unravel”, “Bachelorette”, All neon kike”, “5 Years”, “Immature”, “Alarm call”, “Pluto”, “All is full of love”, “Alfur Út Úr hól”, “It’s oh so quiet”, “All is full of love (clip version)”. Deodato “Also sprach Zarathustra” Extraits : “Bjork the south bank show documentary” (Youtube, 1997), “Björk (Nulle Part Ailleurs)” (Youtube, 1998) Chaque mois dans Radio K7 on vous raconte l'histoire d'un disque culte qui a marqué nos années 90s. Une émission animée par Emmanuel Minelle, Fanny Giniès, Olivia Godat et Grégoire Sauvage. Enregistrée chez Fanny Giniès. Identité graphique réalisée par Floating Studio.  LAISSEZ UN MESSAGE APRES LE BIP ! Vous pouvez nous appeler au 07 61 36 84 15, pour suggérer un album, donner votre avis ou raconter une blague ! On diffusera les messages au prochain épisode ! Sinon retrouvez-nous sur les internets : Twitter : @RadioK7Podcast Instagram : @radio_k7 Facebook : @Radiok7podcast

A recurring theme in Björk's music is the intersection of humanity and technology. Think of how she effortlessly combined the human pulse of strings with crunchy electronic beats in Homogenic. Or how she mixed vibrant drums and horns with electronic instruments in Volta. But her experimentation goes beyond the music itself. Björk also plays with the technology of music distribution. Her seventh studio album, Biophilia, became the first record to be released as an app — with each song accompanied by a musicology or science game — and her immersive virtual reality exhibit, Björk Digital, paved the way for some of the first VR music videos. In this episode I'll talk about how Björk's music intersects with technology and science. I'll start with Biophilia and trace its evolution into the even more expansive Björk Digital exhibit — to show how she uses technology to transform the way we experience music. Note: There was an error in the Biophilia segment. Bjork did not commission the creation of the sharpsichord, but she was one of the first to use it in a live performance. Enjoying Bjork Unravelled? Support the show with a one-time donation (https://www.paypal.com/donate/?hosted_button_id=8RAFVQKASALSQ) or a monthly donation on Anchor. Every dollar will help me keep the show alive! --- Support this podcast: https://anchor.fm/bjorkunravelled/support

Today the group talks about Chamber Pop, which might be considered more of a movement than a formal genre. Juan serves as the primary tour guide as the group spotlights songs that they feel encapsulate the overall sound. Song Samples from the Discussion:Mercury Rev – “Holes” from Deserter’s Songs (1998)The Flaming Lips – “Race For The Prize” from The Soft Bulletin: Live at Red Rocks [feat. The Colorado Symphony & André de Ridder] (2019)Belle & Sebastian – “Seeing Other People” from If You’re Feeling Sinister (1996)Tindersticks – “Rented Rooms” from Curtains (1997)Sufjan Stevens – “Chicago” from Illinois (2005)R.E.M. – “Nightswimming” from Automatic For The People (1992)Björk – “Joga” from Homogenic (1997)The High Llamas – “Berry Adams” from Talahomi Way (2011)Matt Pond PA – “Is It Safe” from Several Arrows Later (2005)Sufjan Stevens – “The Predatory Wasp Of The Palisades Is Out To Get Us!” from Illinois (2005)Also, check out the Youtube playlist Juan created with these songs and other great examples!Support the show (https://www.patreon.com/SchizoMusic)

In this episode, I will discuss Lady Gaga's "The Fame Monster" and  Bjork's "Homogenic". Listen in as I break down  the stories behind making the album, themes, and favorite lyrics with special guest this week, Stony.Links: inktr.ee/trebletreblepodThanks For Coming! A Rupaul's Drag Race Podcast: linktr.ee/tfcpod

Björk is a genre unto herself and Homogenic one of her earliest masterpieces. Apparently Iceland has fertile ground for growing experimental acts in general and we take some time to dig into Sigur Ros and mum, two acts pushing and ignoring genre much like Björk. Is it worth trying to understand what Jonsi is singing? Does mum take us to the limit of how much post-rock doesn’t need to, ya know, rock? How many Icelandic bands does Matt know? Will Agaetis byrjun or Finally We Are No One stand as the Björkiest of them all?

S2. Ep. 8 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/tyler-schield/support

One of the most common complaints I hear about Björk's music is her voice. And these complaints aren't unfounded. Sometimes she grinds her vocal cords together. Sometimes she wails. And yes, sometimes she shrieks. But if you suspend your discomfort, you might realize how rich and true-to-life it is because it evokes the full sonic and emotional spectrum. If you've ever wondered, "Why is she screaming in her songs?" then you might ask yourself, "Why are there cymbals in an orchestra?" In this episode I'll explore how Björk's vocals add texture and depth to her songs — specifically in her third studio album, Homogenic. I'll discuss three songs from that album with my sister Marisa (who introduced me to Björk's work) to understand how her unusual vocals are integral to her music. Enjoying Bjork Unravelled? Support the show with a one-time donation (https://www.paypal.com/donate/?hosted_button_id=8RAFVQKASALSQ) or a monthly donation on Anchor. Every dollar will help me keep the show alive! --- Support this podcast: https://anchor.fm/bjorkunravelled/support

NOTE: This episode was removed from the feed by our podcast host. Listen on our website: https://discordpod.com/listen/bjrk-homogenic-1997On her junior album Homogenic, Björk (pronounced “Bjerk”) dumped the playful genre-bending of her earlier albums for a consistent palette of strings and volcano-like, almost proto-dubstep beats, and the result is almost universally considered the pièce de résistance of her career. But even more than that, the album is a mature, unique expression of Björk's inner life, at a time when the press often treated her as more a quirky headline in a swan dress and less a human being. Well, Discord & Rhyme will have none of that! Returning guest Shivam Bhatt has a limitless ability to gush over Björk, and he joins Rich, John, and Mike for an episode best described as “groveling at the feet of a deity.” There are so many things we love about Björk, from her truly outside the box lyricism to her absolutely otherworldly voice, and we hope this episode conveys the unpredictable joy of getting to know her music.Cohosts: Rich Bunnell, Mike DeFabio, John McFerrin, Shivam BhattComplete show notes: https://discordpod.com/listen/bjrk-homogenic-1997Discord & Rhyme's merch store: http://tee.pub/lic/discordpodSupport the podcast! https://www.patreon.com/discordpod

On her junior album Homogenic, Björk (pronounced “Bjerk”) dumped the playful genre-bending of her earlier albums for a consistent palette of strings and volcano-like, almost proto-dubstep beats, and the result is almost universally considered the pièce de résistance of her career. But even more than that, the album is a mature, unique expression of Björk's inner life, at a time when the press often treated her as more a quirky headline in a swan dress and less a human being. Well, Discord & Rhyme will have none of that! Returning guest Shivam Bhatt has a limitless ability to gush over Björk, and he joins Rich, John, and Mike for an episode best described as “groveling at the feet of a deity.” There are so many things we love about Björk, from her truly outside the box lyricism to her absolutely otherworldly voice, and we hope this episode conveys the unpredictable joy of getting to know her music.Cohosts: Rich Bunnell, John McFerrin, Mike DeFabio, Shivam BhattComplete show notes: https://discordpod.com/listen/bjrk-homogenic-1997Discord & Rhyme's merch store: http://tee.pub/lic/discordpodSupport the podcast! https://www.patreon.com/discordpod

On her junior album Homogenic, Björk (pronounced “Bjerk”) dumped the playful genre-bending of her earlier albums for a consistent palette of strings and volcano-like, almost proto-dubstep beats, and the result is almost universally considered the pièce de résistance of her career. But even more than that, the album is a mature, unique expression of Björk’s inner life, at a time when the press often treated her as more a quirky headline in a swan dress and less a human being. Well, Discord & Rhyme will have none of that! Returning guest Shivam Bhatt has a limitless ability to gush over Björk, and he joins Rich, John, and Mike for an episode best described as “groveling at the feet of a deity.” There are so many things we love about Björk, from her truly outside the box lyricism to her absolutely otherworldly voice, and we hope this episode conveys the unpredictable joy of getting to know her music. Cohosts: Rich Bunnell, Mike DeFabio, John McFerrin, Shivam Bhatt Complete show notes: https://discordpod.com/listen/bjrk-homogenic-1997 Support the podcast! https://www.patreon.com/discordpod

We're onto 1997! Featuring Autechre's 4th LP, Chiastic Slide (1:17), the Envane EP (1:07:07), and Cichlisuite (1:24:08). Email us: GonkcastPod@gmail.com  Follow us on Twitter: @GonkcastPod

This week, the NTWIC crew talks ART POP! Who could have possibly known that Bjork would be the one to finally unlock the true potential of the LMNOP Podcast. We certainly did not! Things get (perhaps) closer to home than ever before as the crew takes on topics like pretention in music and "why they enjoy being a music podcaster". All this, and much more... here at NTWIC radio!

Will & Matt are joined by actor and music enthusiast Mat Horne for another edition of The Record Store. The Gavin and Stacey star brings along with him Maxinquaye by Tricky, Homogenic by Bjork and Kid A by Radiohead. These albums were particularly important in Mat's evolution from Brit Pop fan to electronic lover. Follow us @TheMadSoundsPod on Twitter. Hosted on Acast. See acast.com/privacy for more information.

Risa Saraswati memulai karirnya sebagai penyanyi dari band bernama Homogenic. Menyadari memiliki kelebihan, Risa memulai Youtube Channel Misteri dengan nama Jurnal Risa dan setiap videonya berhasil mencapai jutaan viewers.

Risa Saraswati memulai karirnya sebagai penyanyi dari band bernama Homogenic. Menyadari memiliki kelebihan, Risa memulai Youtube Channel Misteri dengan nama Jurnal Risa dan setiap videonya berhasil mencapai jutaan viewers.

Gæst: Hannah Schneider. Vært: Casper Bach Hegstrup. (Sendt første gang 8. august 2016).

Clayton who is a regular at Joy 94.9 talks to Neil and Carla about his album of the week. http://media.rawvoice.com/joy_sundayartsmagazine/p/joy.org.au/sundayarts/wp-content/uploads/sites/276/2020/06/Clayton.mp3 Podcast: Play in new window | Download (Duration: 9:06 — 10.4MB) Subscribe or Follow Us: Apple Podcasts | Android | Google Podcasts | Spotify | RSS The post Clayton Wimshurt – Album of the Week Bjork’s Homogenic appeared first on Sunday Arts Magazine.

Using the show as a bit of therapy, Jake talks about the loss of one of his pets, and what he's going through because of it.Music recommendations are “Homogenic” by Bjork, and “Zappa in New York” by Frank Zappa.Wake & Jakehttps://www.auxchicago.com/wake-jakehttps://www.instagram.com/wakeandjakepod/https://twitter.com/WakeandJakePodJake Fisherhttps://www.instagram.com/kennyg.g.allin/https://deathbotrecords.bandcamp.com/Music Composed by Jake FisherLogo by Baitul Javid

Chaque jour sur Nova, Marie Bonnisseau fait dessiner à vos enfants vos plus belles pochettes de disques. Et pendant qu'ils colorient sans (presque) déborder, on leur raconte ce qui se cache derrière ces pochettes cultes. Et qui pourrait aussi intéresser les adultes... Aujourd'hui : Homogenic de Björk. 

On décortique l’ADN de la trip-hop, qui est bien plus complexe que de la simple musique « downtempo ». Dans l’ère post acid-house, l’Angleterre des années 1990 a vu naître un tout nouveau genre musical qui a pris racine tant dans le dub et le reggae jamaïcain, dans le hip-hop new-yorkais ou le post-punk anglais, que dans les musiques électroniques et l’acid-jazz.   Mix musical Glory Box / Portishead / Dummy / 1994 Unfinished Sympathy / Massive Attack / Blue Lines / 1991 Gimme Your Love / Morcheeba / Head Up High / 2013 Tops & Bottoms / Mr Twin Sister / Salt / 2018 All Is Full of Love / Björk / Homogenic / 1999 When I Grow Up / Fever Ray / Fever Ray / 2009 Before Today / Everything But the Girl / Walking Wounded / 1996 Overcome / Tricky / Maxinquaye / 1995 Gorecki / Lamb / Lamb / 1996   Pendant l'émission Teardrop / Massive Attack / Mezzanine / 1991 In/Flux / DJ Shadow / In/Flux / 1994 Tattoo / Siouxsie & The Banshees / Dear Prudence / 1983 Liberty City / Mark Stewart & the Maffia / 1983 Final Home / DJ Krush feat. Esthero / Kakusei / 1999 It Could be Sweet / Portishead / Dummy / 1994 Keep The Streets Empty For Me / Fever Ray / Fever Ray / 2009 Set me free / Mr Twin Sister / Salt / 2018

We're BAAACK with our first year episode of Season 4! Get ready for all things 1997! We cold open with our guest, Stephen Cadena, aka DJ Shoestring (0:00) We then give him a proper introduction (1:51) Marty and Stephen reminisce on growing up with Hip Hop in Ohio and Texas (5:59) We move on by breaking down the state of Hip Hop in 1997 (16:34) Wu-Tang Forever and how it fit into the time contextually (27:54) More seminal Hip Hop albums from '97 (34:00) Master P's "Ghetto D" and how he inexplicably used DIY aesthetic and branding to build an empire (36:50) We then charge forward with Stephen's pick, Björk's lush masterpiece, Homogenic. (48:52) Be on the lookout for 1997 Episode 2 next week!

Første gang musiker Signe Høirup Wille-Jørgensen hørte Björks "Unravel", lå hun under dynen med 40°C i feber. Det smukke og vemodige nummer satte den sygdomsramte Signe i en meget speciel tilstand, der har sat sig fast i erindringen. Siden har nummeret fulgt Signe i afgørende livsøjeblikke - og hun har givet sin egen fortolkning af det under kunstnernavnet Jomi Massage. Signe Høirup Wille-Jørgensen er senest aktuel med Speaker Bite Me-albummet Future Plans (https://rillbar.dk/da/speaker-bite-me-future-plans) (2018) og kortromanen [Priktegning over et år](https://www.saxo.com/dk/priktegning-over-et-aarjomi-massagehaeftet9788799837984)_ (Asger Schnacks Forlag, 2018). Varighed: 7:24

Björk é o tema central desse episódio! E para falar de uma das artistas mais criativas e autênticas da música, temos como convidado especial, Bruno Barrionuevo, criador do canal UnBjörkxing, principal canal de conteúdo em português sobre a cantora. Falamos sobre temas importantes do começo da sua carreira até ao patamar que a conhecemos hoje. Abordamos aspectos criativos, musicalidade, fama e influências, falando da sua infância quando lançou seu primeiro disco, suas bandas underdrounds com uma pegada mais post-punk e seu início de carreira com o Debut e o Post. Além disso, falamos também sobre o momento mais delicado da sua carreira, onde foi vítima de um atentado horrível contra a sua vida e, que, de certa forma, foi um dos impulsos para a criação do incrível Homogenic, álbum responsável pela sua maior transformação sonora. Concluímos o episódio comentando a obra-prima Dancer In The Darkness e o fruto que saiu desse grande filme, o disco Selmasongs.

We begin our third collection of musings on queer musos with a deep dive into Andy’s second favourite of all time, Mother Björk. Defiantly impossible to compare to pretty much any other artist, queers the world over have clasped Bjork to their alternative bosoms since her 1993 first album Debut, but what exactly is it about her body of work, visual language and legacy that appeals so directly to so many queer fans?Drew and Andy take her commercial and critical peak, 1997’s Homogenic, as a starting point for a journey attempting to answer those questions, inevitably coming across many more along the way. Are the rewards worth the listening experience’s challenges? How much yarn can a drag queen unravel from her breasts? Why is there an Iceland supermarket in Iceland?This episode’s companion playlist features all the songs we discuss, and serves as a nifty introduction to Björk herself if that is what you seek. Let us know what you thought by emailing at auralfixationpodcast@gmail.com, sliding into our DMs at @auralfixationpodcast, or even better, rating and subscribing on your podcast provider. Follow the boys at @drew_down_under and @andrewdoyouthinkyouare.

Guy has been a highly sought-after British producer/keyboardist since the early '90s and is just now releasing his debut album, Stet. We discuss "Mono No Aware" and "Dorian" from that album and "Unravel" from Björk's Homogenic (1997). End song: "Let's Go" by Frou Frou from Details (2002). Intro: "Crazy," co-written with Seal from his debut album (1991). Hear more Nakedly Examined Music. Like our Facebook page. Support us on Patreon. Sponsor: Visit masterclass.com/EXAMINED for 15% off a MasterClass All-Access Pass.

Guy has been a highly sought-after British producer/keyboardist since the early '90s and is just now releasing his debut album, STET. We discuss "Mono No Aware" and "Dorian" from that album and "Unravel" from Björk's Homogenic (1997). End song: "Let's Go" by Frou Frou from Details (2002). Intro: "Crazy," co-written with Seal from his debut album (1991). Hear more Nakedly Examined Music. Like our Facebook page. Support us on Patreon. Sponsor: Visit masterclass.com/EXAMINED for 15% off a MasterClass All-Access Pass.

Waits returns to more directly narrative material through the lyrics of William Burroughs, as Jenny, Sam and Martin talk about vocal quality, musical dissonance, and the extraordinary musical stylings of Björk. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Flash Pan Hunter, The Black Rider, Tom Waits (1993) Hunter, Homogenic, Björk (1997) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Où l'on apprend que The Voice est Islandaise. Références du morceau : «Jóga», Björk (composition Björk, Sjón) 1997. Quelques liens vers des morceaux incontournables de Björk :- «Human Behaviour», sur l’album Debut (1993)- «Venus As A Boy», sur l’album Debut (1993)- «The Anchor Song», version tirée de l’album Debut (live), version en studion sur l’album Debut (1993)- «Satisfaction», reprise des Rolling Stones en duo avec PJ Harvey à l’occasion des Brit Awards (1994)- «Hyperballad», sur l’album Post (1995)- «Isobel», sur l’album Post (1995)- «All Is full Of Love», sur l’album Homogenic (1997)- «Bachelorette», sur l’album Homogenic (1997)- «Hunter», sur l’album Homogenic (1997)- «Pagan Poetry», sur album Vespertine (2001)- «Unravel», version en concert tirée de Vespertine (Live), version studio sur l’album Vespertine (2001)- «Earth Intruders», album Volta (2008)- «Dull Flame Of Desire (Modselektor Remix For Girls)», dans le coffret Voltaïc (2009), version originale de ce duo avec Anohni du groupe Anthony and the Johnsons sur l’album Volta (2008).

The 3rd Björk album to get a review in this discography run through, will be Homogenic. This is a bonus episode of the Rock n' Beards Podcast, where we break albums down track by track and share thoughts on each one. Holden Stephan Roy (HSR) cannot wait to hear your thoughts on each one. 02:23 General chit chat about Björk09:44 Hunter18:53 Joga26:55 Unravel33:09 Bachelorette42:11 All Neon Like46:40 5 Years51:14 Immature54:46 Alarm Call01:00:08 Pluto01:04:10 All Is Full Of Love - Homogenic album review grade reveal  Join the request pool on Patreon:https://www.patreon.com/BehindThatSuit

Pela primeira vez após 39 episódios o nosso podcast vai repetir uma artista. E é merecido. A incrível cantora islandesa Bjork reaparece com duas canções, Cosmogony do álbum Biophilia, e Pluto do álbum Homogenic. A motivação: a exposição Bjork Digital que está rolando em São Paulo no MIS. Duplo "bora lá" para vocês!

时下正是爬山的好时节——想要爬山的话，一年四季都是可以的。春日赏花，夏日避暑，秋日观红叶，冬日看雪景。 在山间，不但可以暂时地逃离都市森林的污浊与压抑，山亦与海一样，是最能感受人类之渺小的地方。 造山运动的时间尺度之长，甚至超越了人类的文明，于是，山又变成了永恒的量度。 自古以来，山都是文人墨客的心头好。音乐人们自然也不会放过“山”这一含义丰富的意象。本期节目，小马和勺子将向各位听众推荐八首与山有关的歌。 趁着春光正好，听着我们的节目去爬山吧！   本期封面改自吴冠中画作《月下玉龙山》（1987）。   本期歌单 张惠妹 - 站在高岗上 @ 妹力四射 (1997) Marvin Gaye & Tammi Terrell - Ain't No Mountain High Enough @ United (1967) 逯学军 - 爬山 (1995) Björk - Jóga @ Homogenic (1997) 额尔古纳乐队 - 两座山 @ 鸿雁 (2006) Fleetwood Mac - Landslide @ Fleetwood Mac (1975) 甜蜜的孩子 - 山 @ 清仓 (2018) 窦唯 & 译乐队 - 山秀谷 @ 雨吁 (1999)  

For an artist as creative as Björk, finding the essence of her sound meant pushing farther out than ever before. Ideas, sounds, and approaches that seemed at odds added up to something greater on "Homogenic". The result was vast, nuanced “emotional landscapes” unlike anything we’ve ever experienced … do yourself a favor and walk around them with us. We dare you.

For an artist as creative as Björk, finding the essence of her sound meant pushing farther out than ever before. Ideas, sounds, and approaches that seemed at odds added up to something greater on "Homogenic". The result was vast, nuanced “emotional landscapes” unlike anything we’ve ever experienced … do yourself a favor and walk around them with us. We dare you.

Que disco lançado por uma mulher mudou a sua vida? É exatamente isso que Helô Cleaver (Revista Balaclava Records), Isadora Almeida (Rádio Popload), Nik Silva Monkeybuzz) e Cleber Facchi (Miojo Indie) respondem no primeiro capítulo de uma série especial produzida para o mês da mulher. #OPodcastÉDelas Ouça: Nesta edição do programa ● Descobrindo mulheres a partir de outras mulheres. ● Uma dobradinha de Marisa Monte. ● Como a indústria da música moldava nossos gostos. ● Descobrindo o pop com Beyoncé. ● A herança e importância de Rita Lee. ● Discos da Isadora Almeida - Joni Mitchell: "Blue" (https://spoti.fi/2XGdtQG) - CSS: "Cansei de Ser Sexy" (https://spoti.fi/2TizJBz) - HAIM: "Days Are Gone" (https://spoti.fi/2tW3sRu) ● Discos do Cleber Facchi - Marisa Monte: "Verde Anil Amarelo Cor de Rosa e Carvão" (https://spoti.fi/2H2VDCq) - Björk: "Homogenic" (https://spoti.fi/2XHJqrV) - Beyoncé: "4" (https://spoti.fi/2VJRoyX) ● Discos da Helô Cleaver - Marisa Monte: "Memórias Crônicas e Declarações de Amor" (https://spoti.fi/2IYYduP) - Ella Firzgerald: "Ella & Louis" (https://spoti.fi/2SOWyaJ) - Rita Lee: "Rita Lee" (https://spoti.fi/2TxAVAb) ● Discos do Nik Silva - Laura Marling: "I Speak Because I Can" (https://spoti.fi/2EBUOwC) - Fiona Apple: "Extraordinat Machine" (https://spoti.fi/2tPZha0) - Joanna Newsom: "The Milk‑Eyed Mender" (https://bit.ly/2fErlG4) Comentados no programa ● Cansei de Ser Sexy tocando Os Morenos: https://goo.gl/BjBXPS ● Björk batendo em repórter: https://bit.ly/2C6SLjR ● Rita Lee presa no último show da carreira: https://goo.gl/BC5UGs ● O vocabulário de Joanna Newsom: https://bit.ly/2SJ99fP #NãoParoDeOuvir ● Duda Beat: "Chapadinha" (https://bit.ly/2EEya6J) ● Lia Clark: "Toca Raba" (https://bit.ly/2ECvOFy) ● Pabllo Vittar: "Buzina" (https://bit.ly/2TefZyi) ● Kehlani: "While We Wait" (https://spoti.fi/2H2XNlh) ● Hatchie: "Without a Blush" (https://spoti.fi/2SM5RbB) ● Jessica Pratt: "Quiet Signs" (https://spoti.fi/2tVksYa) ● Bibio: "Curls" (https://spoti.fi/2XIhuEf)

Podcasts collide as musician (The One AM Radio) and creator of my two favorite podcasts (Song Exploder, The West Wing Weekly) Hrishikesh Hirway joins me to delve into the sonic world Björk created on her classic 1997 album ‘Homogenic’ and how it inspired Hrishi to develop his own unique musical identity. From the beats to the string arrangements and beyond, we unpack the incredible craft and attention to detail that went into the album, and then Hrishi tells the story of Bjork’s appearance on Song Exploder, from how he landed his dream guest, behind the scenes on how the show is put together and the chance encounter he had with Bjork afterwards.

Nick and FeeFEE discuss Bjork's Homogenic album, plus recommendations of Kenny Dorham and DJ Honda feat. Mos Def. Also mentioned is the Black Moon concert they went to. @YSIAGIBpodcast

♫ It's the most frightful time of the year ♫ Pour l'épisode 18, je vous fais découvrir les meilleurs mashups d'Halloween, provenant des films et des séries, du folklore moderne américain et je vous pousse quelques suggestions de tounes de party! (82min)

T1/E26 Los Imprescindibles: Björk

T1/E26 Los Imprescindibles: Björk

The Album: Björk: Homegenic (1997) Josiah Wise aka serpentwithfeet joined us to talk about one of his biggest influences: Björk and 1997 album, Homogenic. First introduced to her as a child, serpentwithfeet found a kindred spirit in the eclectic creativity of the Icelandic star. That especially extends to Homogenic, which, thanks to Björk and producer Mark Bell, would mark a hard turn from the more pop-friendly sounds of Post towards a new, baroque, electronic majesty. Our conversation touched on the mesmerizing nuances of Björk's voice, the album's heavy embrace of dance music, and what it's like to be a fan of an artist when you don't even know what they look like. More on serpentwithfeet The Fader cover story Björk's "Blissing Me" remix feat. serpentwithfeet "serpentwithfeet Crafts His Own Language For Queer Life" (NPR) Bandcamp | Twitter More on Homegenic Album review (Pitchfork) "Put A Björk In It: How A 14-Year-Old Album Is Still Influencing Music" (Deadspin) "Homogenic Turns 20" (Stereogum) Show Tracklisting (all songs from Homogenic unless indicated otherwise): All is Full of Love Björk:Bænin All Neon Like Björk: Human Behaviour Joga serpentwithfeet: blisters Unravel serpentwithfeet: whisper All is Full of Love Björk: Hidden Place Hunter Immature Bells Atlas: Bachelorette Unravel Erykah Badu: On and On Radiohead: Exit Music (For a Film) Janet Jackson: Got 'Til It's Gone Missy Elliott: The Rain (Supa Dupa Fly) Roni Size: New Forms Unravel Björk: Pagan Poetry serpentwithfeet: blisters serpentwithfeet: bless ur heart Here is the Spotify playlist of as many of the songs as we could find on there If you're not already subscribed to Heat Rocks in Apple Podcasts, do it here!

Musik, teknologi, dan entrepreneurship dari kacamata seorang Grahadea Kusuf, CEO Kuassa dan member dari grup elektronik Homogenic now HMGNC. -- Line Square Podcast Indonesia line.me/ti/g2/UCQTRDSCS2 Talk everything about podcast, and share your passion or experience in here! Don't forget to post your channel podcast in home square~ -- RengengRengengRadio adalah podcast mingguan yang membahas tentang pop culture dan berbagai hal menarik lain yang ada di ranah internet dari kacamata seorang pekerja media.

Classic Album Sunday is a vinyl listening experience in Brussels and this month's chosen album is Bjork's Homogenic, which is marking its 20th anniversary. The session will be moderated by Frank Duchêne, one of the founding members of the highly successful Belgian band Hooverphonic. He tells us about his love of Bjork's music - and why vinyl is so special.

September 1997

Meet Jesal and Rochard. We are the Transatlantic Rebels. In Episode 31, we take a look at two pivotal albums by one of Rochard's favourite singers, Bjork. Jesal thought he was a relative newbie to Bjork... But it turns out Rochard picked  "Post" (1995) and "Homogenic" (1997) - and Jesal was actually familiar with both! Next week in Part II, we take a look at "Vespertine" (2001) and "Vulnicura" (2015). Jesal is from the UK, and Rochard is from America. We like to talk in depth about albums, films, TV shows and books. Rochard has a background in TV, acting, writing and many other areas of art creation. Jesal has a background in music: DJ, producer, artist, critic and other stuff. Enjoy! Follow us on Twitter - https://twitter.com/T_Rebels Find us on Facebook: https://www.facebook.com/TransatlanticRebels  

This mix is for Black women who love Björk Guðmundsdóttir. For some of us Björk is one of the guiding forces in the most secret parts of our emotional lives. And there is something to be said about the fact that my deepest, most intimate romantic relationships have been with Black women who speak Björk. She is one of the most brilliant artists of our time, with relevance far beyond the boringly sensational Academy Award swan dress debacle, which on the low, I believe was a challenge to American popular cultural values. Like on some fashion resistance shit. “I thought I could organize freedom, how Scandinavian of me?” During my New York years, I had the opportunity to witness Björk live at the Apollo with three other Black women. Björk at The Apollo? What a combination and what an honorable way to honor the Black folks that get down with her like that. Aside from the sheer weight of the decision to perform in Harlem, we, like thousands of her students, made sure to have loot in hand ready to buy tickets the moment they went on sale. We managed to get tickets, but please understand, in less than five minutes the show was sold out. And to be honest, it wasn’t Harlem or Brooklyn who showed up to see her, which I understand; Björk is ‘strange fiction.’ It was the usual crew at the Apollo concert; former club kids, angsty white women and entitled hipsters. And of course some of us were in the house. My crew and I represented for all the Black women inspired by her audaciousness, by her work ethic, and by her willingness to make whatever screw face necessary to offer ‘love scholarship’ through song. We cheered from the balcony squinting to experience what looked like an Icelandic ball of glitter performing unapologetically to self-composed electro folk music. I will never forget her relationship with the microphone, dancing around it, stepping away from it, looking into it and making it sing her songs. She’s a beast of a live performer. After the concert I kept thinking about how to build on the energy felt from the experience. So I reached out to Greg Tate, one of the only Black men in my life who loves Bjork as much as I do, to discuss the possibility of the Black Rock Coalition’s involvement in a tribute to Björk, at the Apollo Theater no less. The vision was to have my favorite artists, including Tamar Kali, Joi and Taylor McFerrin, to not so much perform, but interpret her music. I believe that only an original interpretation is possible. A night of Björk covers would never do. Later I decided to hold off on the tribute in fear of not having the resources to do the event justice. One cannot half step when the name Björk is attached to a project and slowly but surely my budget fronted on my vision. While a major tribute event was not possible, I kept thinking of ways to express the impact this creature of an artist has had on my artistic and personal development. I’ve turned to Björk’s music so many times for heart education and the inevitable ‘feeling of feelings’ that happen when you find yourself brave enough to face the dark beauty of a song like ‘Unravel’ from the Homogenic album. For years I’ve waited for whatever it is I am supposed to do with this special place that I hold for her work in my heart. It turned out to be this mix, which was partially inspired by the release of her latest and ninth studio album, Vulnicura. My Black girl Bjork tribe was surprised, maybe even betrayed to learn that I don’t love it. It’s brilliant by default, but part of why I love her so much is because she speaks to lovers wherever they are on their journey, excavating lessons buried deep in the nuanced exchanges between intimate partners in any given space and time. A breakup album felt too obvious for me. Before listening to Vulnicura I had to ask myself if I even had the emotional capacity to hold Björk’s heartbreak this winter? Björk’s triple Scorpio heartbreak? Triple Scorpio? What the hell does it mean to be in partnership with a Björk? She’s always been so perfectly naked or ‘Violently Happy?’ But I listened, hoping that I hadn’t become one of those fans who run away when artists are inspired to drive their work in a different direction? I mean I get it. Sometimes you need something epic, a release, to get the hurt out. Marvin did it brilliantly with “Here My Dear,” Nas even did it with his Post Kelis “Life Is Good” album, and I’m sure there are hundreds of other artists who produced entire projects around mourning, or celebrating the ending of a relationship. And there are jewels all up in and through Vulnicura, don’t get it twisted, I know who she is. But did I miss her impersonal cryptic lyrical finesse?” Yes. And do I understand how honest, brave, vulnerable and musically sound it is? Absolutely. So far there is only one song that I can return to, “Atom Dance” and it too is represented on this mix. I’ll be revisiting ‘Vulnicura’ at a later time, certainly a different season. Maybe my European winter was not the right time? But I trust her and my resistance could have everything to do with where I was when it was released, so leave space for me to retract my underwhelm please? I do, however, credit Vulnicura for sending me back to her catalog with the intention to create a Björk syllabus of sorts. I listened to all of her albums and carefully selected songs that have gotten me through and past IT, that have taken me over and under IT. And because she is such an incredible writer, thinker, feeler, this mix will function like a literature review of her discography, yes, music as text. Get into it. Sending special love to Porter Ferbee, a bonafied scholar who can school you on the time and place of almost every song created under the hand of Björk and to Zetoille, for introducing my 1998 self to Bjork on one late night in San Francisco. And to Dream Hampton who while listening to ‘Vespertine’ is quick to point out the genius of her lyricism, calling attention to the lines that turn your ass in circles. I hope this special compilation honors us all. Track list: Song (Album) Who Is It (Medúlla) One Day (Debut) Cvalda (Selmasongs) Human Behaviour (Debut) Immature (Homogenic) I Go Humble (Family Tree) The Modern Things (Post) 5 Years (Homogenic) Wanderlust (Volta) Undo (Vespertine) Hidden Place (Vespertine) Hunter (Homogenic) Atom Dance (Vulnicura) Crying (Debut) Triumph Of A Heart (Medúlla)

Verdens bedste plader. Så enkelt kan det siges. Kristian Leth & Ralf Christensen tager hver uge hovedspring ned i et centralt album fra pop- og rock-historien, som stadig får nutidens musikalske landskaber til at skælve. Vi hører hele albummet, fra ende til anden, inklusive værternes rablende kommentarer, alle de gode historier og de store linjer. Denne gang Björk: Homogenic.