Podcasts about Mono no aware

XGゴッチさんのApple Vineger awardのDos Monos・Mono no Aware同時受賞Bialistocksライブ7seedについて

Today, my good friend Hian and I discuss the concept of Mono No Aware in Japanese culture—the "Romance of Impermanence" and the beauty of letting go while maintaining the appreciation of precious memories. Hian's Essay: https://drive.google.com/file/d/1EsKkfrt8wyaZUqwWjsnJDg1jNGoWM80s/view?usp=drive_link

後藤正文（ASIAN KUNG-FU GENERATION）がノンジャンル・ノンカテゴリーで、
イノベーションの最前線にINSIGHTする「LIFE UPDATE」 今回は、MONO NO AWAREのギター 加藤成順さんをお迎えして、今年6月にリリースされた、後藤も気に入っている5枚目のアルバム「ザ・ビュッフェ」をアップデート！「ギターは本当にいい楽器…」加藤さんがレスポールに持ち替えて感じたことなども。See omnystudio.com/listener for privacy information.

Reflections on Impermanence, Friction, and Responsibility In this episode, Cam shares personal reflections on finding solace in impermanence, using the Japanese concept of 'Mono no aware' as a metaphor for appreciating the fleeting beauty of life's moments. The episode delves into the idea that experiencing and acknowledging the transitory nature of life, especially in personal growth and parenting, can lead to a deeper appreciation of the present. Furthermore, the concept of friction as a catalyst for self-improvement and alignment, emphasizing that challenges and discomfort can serve as indicators for areas in our lives that require homework. Through personal anecdotes and philosophical insights, the episode encourages you to embrace life's pathways to growth, and to remain present and engaged in the journey towards fulfillment. 00:00 Welcome to Another Episode: Tiny Thoughts to Ponder 00:32 Embracing Impermanence: The Beauty of Mono No Aware 03:36 Finding Growth in Friction: The Homework of Life 06:06 The Journey of Responsibility and Success 07:20 The Power of Not Knowing: Embracing the Present 10:19 Joining the Community: An Invitation 11:17 Closing Thoughts: Living Life Beyond Optimization Aya Odyssey: https://ayaodyssey.com/retreat Open: Guided Meditation: https://o-p-e-n.com/ Join the TMBH Community: https://community.tmbh.co/checkout/community-subscription Follow Cameron on Instagram: https://www.instagram.com/cameronrosin/ Follow Cameron on TikTok: https://www.tiktok.com/@cameronrosin Subscribe to Cameron's YouTube: https://www.youtube.com/channel/UCpHzeVzFita4bRZbQQP_Q6g For more information visit https://camrosin.io/

Wednesday March 6th Distorted Disco hosts Mono No Aware(Germany/HANDS) , Threat of Innocence, Ratio Strain, and DJs Cervello Elettronico vs Nick Viola , Bractune, and Spheric. Our other resident, Sleep Clinic contributes this mix from his new home outside of LA. Enjoy as a complimentary soundscape to the night!

It was a wild and woolly ride of fun and laughs this week with special guests comedian Chris Fleming and musician Ruth Garbus performing “Mono No Aware” with celebrity back-up vocalist Tim Heidecker! Watch or listen to another hour with Chris, Ruth, a surprise visit from King Tuff, Phil Braun's top 3 Beatles and get tons of other stuff when you subscribe to OFFICE HOURS+. Get a FREE seven-day trial at patreon.com/officehourslive. Get your very own DJ Douggpound "In The Mix" skateboard deck now at douggpound.bigcartel.com/product/in-the-mix-skateboard-deck. Find everything Office Hours including the merch store at officialofficehours.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

「風の向きが変わって」をリリースしたMONO NO AWAREにインタビュー。6月26日にオンエアした模様を公開！ 出演： MONO NO AWARE DJ： 土井コマキ ■FM802 MIDNIGHT GARAGE 番組HP https://funky802.com/garage/ Twitter https://twitter.com/FM802_MG Instagram https://www.instagram.com/fm802_mg/

farm house is dead. long live farm house!DOWNLOAD/STREAM RECORDING00:00 (intro by omar)00:20 Store Front “Fugirlzi” Task EP03:11 jason calhoun “survey” jedidiah05:44 Paradise “I Wanna Behave” I Wanna Behave09:02 Mormon Toasterhead “free doom/little ease/orange lights” half last looped12:38 Bad Bad Hats “Talk With Your Hands” Lightning Round15:41 Boy Romeo “LET’S ROLL” PURE SOUL19:03 Set-Top Box “8 Lane Highway” TV Guide Test21:12 Adelyn Rose “Mind Mine” Wintering24:50 Nice Legs “By You” Can Say28:41 NIGHT PAIN “LOG LETTERS” NIGHT PAIN31:39 Personality Cult “Pressure Point” New Arrows33:24 Mo Troper “In Love With Everyone” Natural Beauty35:35 Small Sur “Rays of Light” Rays of Light EP39:23 Geranium “Sister” Geranium EP43:20 A.L.F. “F” 3 SONGS45:01 Femignome “Depressed Mess” Crisis Magic47:33 Sunforger “Atlas” Mono No Aware49:23 Barnacle “BEACH FREAK” BEACH FREAK51:02 ghost orchard “milk2 (demo)” with love, (2016 unfinished)52:54 Non La “Not In Love” Not In Love

2023年6月15日（木）のオンエアには、MONO NO AWAREから玉置 周啓が登場。 自分達のルーツとなる音楽との出会いについて語ります。 J-WAVE（81.3）で毎週月曜～木曜22:00-24:00にオンエアしているワイドプログラム『SONAR MUSIC』内、毎日22:41-22:46にてオンエア中。 音楽との「まだ、ここにない、出会い。」 をお届けしている、『RECRUIT OPPORTUNITY FOR MUSIC』の放送アーカイブ。

2023年6月14日（水）のオンエアにはMONO NO AWAREから玉置周啓が登場。 新曲「風の向きが変わって」に込めた自分たちらしさについて語ります。 J-WAVE（81.3）で毎週月曜～木曜22:00-24:00にオンエアしているワイドプログラム『SONAR MUSIC』内、毎日22:41-22:46にてオンエア中。 音楽との「まだ、ここにない、出会い。」 をお届けしている、『RECRUIT OPPORTUNITY FOR MUSIC』の放送アーカイブ。

Según Kitayama Keita en: Diccionario de Genji Monogatari (1886) aware «es el sentimiento profundo que nos embarga al contemplar una hermosa mañana de primavera, y también la tristeza que nos sobrecoge al mirar un atardecer otoñal. Pero, ante todo, es un sentimiento de delicada melancolía que puede derivar en una profunda tristeza al sentir hondamente la belleza caduca de todos los seres de la naturaleza». Esa sensación agridulce de que pasó lo que tenía que pasar, y ahora las cosas cambiaran… Conviértete en colaborador de este podcast, y escucha a continuación este capítulo exclusivamente para socios, esto a través de patreon en la siguiente liga: https://www.patreon.com/ligeradeequipaje.

Excerpt: At the heart of the teaching of impermanence is conditioned existence but what is conditioned existence? Conditioned existence is the reality that all phenomena, all things that exist  arise in dependence upon other phenomena: "if this exists, that exists; if this ceases to exist, that also ceases to exist"  This is the heart of impermanence of all - because all things all phenomena arise out of conditions and when the condition causes it to arise, cease then, that which arose, vanishes or transforms into something different.   That is way the Buddha says, “All conditioned things have the nature of vanishing,” Let that sink in  Everything by its nature vanishes. In Japanese the heartbreak, the melancholy of the impermanence of all things is summed up in the phrase Mono no Aware.  Mono-no-aware can't truly be translated. Any one who speaks another language understands this but it can be literally translated to “the ahhness of things” The isness of things or “the bittersweet poignancy of things.”   I remember some years ago reading the introduction to one of my favorite poets Eugenio de Andrade.   The poet writes from his love of the world and the grief and praise that come from its transience.  Something that I am learning as of late is that Grief and Praise are intertwined, as Martin Prechtel teaches us in his book, The Smell of Rain on Dust.  So too are impermanence and gratitude.  Now the concept of mono-no-aware is born from the teachings of shinto and Buddhism, and was first used to explain Japanese aesthetics to explain uch traditions as cherry-blossom viewing and haiku.  But this insight is much more than simply aesthetics.  Mono No Aware is at the heart of a meaningful everyday Buddhism.

'Seijin-no-hi' celebrates those who turn 20 on what is the first bank holiday of this year. Meanwhile, travel disruption, some planned and some unexpected, has affected both trains and planes. The JR Yamanote line was partially suspended over the past weekend as portions of track were moved, while a Jetstar flight from Tokyo en-route to Fukuoka was rerouted due to a bomb threat. And with the Visit Japan Web entry procedure now greeting foreign visitors who arrive at Narita and Haneda, the alternative art space and hostel Center, just north of Tokyo, welcomes two analogue film makers this week from MONO-NO-AWARE, a non-profit organisation that specialises in film from New York. Learn more about your ad choices. Visit megaphone.fm/adchoices

It is that time of year, dear listeners, where we once again set sail in the celestial sea of diamonds in search of a better tomorrow, and seek the renewal of our mental energy and creative awakening. I'm here to assist you in your voyage, as you know that your old boy Tonepoet would never expect you to navigate blindly through the ether. It is you who will guide this ship through the pathway of stars, and I am more than happy to be your severely relaxed co-pilot. As we sail gently along this route, let's reflect on the things in the past that made us happy and engaged. As we bathe in this nostalgia, start to bundle up the negative energy and various letdowns of this past year so that we may set them afloat towards a black hole, never to be seen again. While you might not see it, there is a lighted path towards a better you, and a tree that sprouts positive vibe. Steer the craft towards this tree so that we may taste the nectar of positive energy and enlightenment. Understand that this tree withers and fades, and seems to lack the abundant life at times. Yet, this tree is constantly growing, even through the darker times, and replenishing it's weather beaten suit in effort to rise up in the seasons of growth and replenishment. This is not unlike us, dear listener, as we seek to keep growing, and still do so, even during the darkest of times. That period of perceived stagnation is only a readjustment. Use this to recalibrate your mind and energy. Awaken with your renewed strength. While we become one with the light that burns brightly into a new tomorrow, close your eyes and feel the air move by you. It's subtle, but it's there, and that is out indication that we are still drifting toward a higher plane of existence. Take it in, and enjoy the journey. I will see you all in 2023. Peace. BTW, Merry Christmas!! This is my gift to you, sorry that I couldn't wrap it somehow! Turn on, tune in, sleep... https://www.tonepoet-music.com https://www.facebook.com/tonepoetmusic    TRACK LISTING “As The Light Moves Through The Air” by Steve Pacheco from Place For Peace (Start Time: 00:00) “Some” by Jogging House from Chants (Start Time: 05:00) “Mit Ausblick” by Thomas Fehlmann from Böser Herbst (Start Time: 09:20) “Orion's Field” by Telomere from The Stellar Sea (Start Time: 12:14) “The Veils Of Beta Pavonis” by Jonn Serrie from The Sentinel (Start Time: 22:42) “Monument II” by In The Branches And Neglect from Monuments (Start Time: 33:24) “The Arrival” by Hollan Holmes from A Distant Light (Start Time: 37:31) “Orangeville” by Saint Sorrow from Windows (Start Time: 43:19) “I Found A Bit Of Myself” by A Cerulean State from Just Out Of Sight (Start Time: 45:48) “Remaining (Excerpt)” by Aperire from Aperire (Start Time: 49:15) “Birkets” by Hammock from Columbus (Original Motion Picture Soundtrack (Start Time: 50:45) “Mono No Aware” by Hammock from An Introduction To Hammock (Start Time: 51:35) “Symphony Of Extinct Lights” by CloudFall & Tonepoet from Forgotten Hymns (Start Time: 57:35)

Excerpt:   At the heart of the teaching of impermanence is conditioned existence but what is conditioned existence? Conditioned existence is the reality that all phenomena, all things that exist  arise in dependence upon other phenomena: "if this exists, that exists; if this ceases to exist, that also ceases to exist"  This is the heart of impermanence of all - because all things all phenomena arise out of conditions and when the condition causes it to arise, cease then, that which arose, vanishes or transforms into something different.   That is way the Buddha says, “All conditioned things have the nature of vanishing,” Let that sink in  Everything by its nature vanishes. In Japanese the heartbreak, the melancholy of the impermanence of all things is summed up in the phrase Mono no Aware.  Mono-no-aware can't truly be translated. Any one who speaks another language understands this but it can be literally translated to “the ahhness of things” The isness of things or “the bittersweet poignancy of things.”   I remember some years ago reading the introduction to one of my favorite poets Eugenio de Andrade.   The poet writes from his love of the world and the grief and praise that come from its transience.  Something that I am learning as of late is that Grief and Praise are intertwined, as Martin Prechtel teaches us in his book, The Smell of Rain on Dust.  So too are impermanence and gratitude.  Now the concept of mono-no-aware is born from the teachings of shinto and Buddhism, and was first used to explain Japanese aesthetics to explain uch traditions as cherry-blossom viewing and haiku.  But this insight is much more than simply aesthetics.  Mono No Aware is at the heart of a meaningful everyday Buddhism.  

Are you drawn to "sad" music? Do you get deeply moved by bittersweet literature, film, and art? If so you're not alone. Life's bittersweet edges have been enjoyed by human beings throughout history. But why? What is it about what Susan Cain describes as bittersweet melancholy, that moves us so deeply? And why are we drawn to the enjoyment of what we often refer to as "sad songs"? I've felt the pull of bittersweet melancholy for as long as I can remember. Even as a child I wanted to revisit music and films that had previously made me cry. This kind of beautiful ache and painful beauty has underpinned my relationship with the music I enjoy and the music I create. Powerful emotions like yearning and longing can shine a light on why some of us find energising, generative and creative joy when we spend time in the melancholic realm of the bittersweet. In this episode of the podcast, we are going to explore this stuff more deeply. Where do we get the joy of "sad songs and rainy days?" What purpose does this serve? Why is this attributed in particular to highly sensitive people? And how can we cultivate a positive creative relationship with "the inconsolable longing for we know not what"? Table of contentsBittersweet Longing | 0:34What Does Yearning Feel Like? | 3:47Fleeting Moments of Bittersweet Beauty | 5:00The Snowman Will Melt | 8:04Why We Love "Sad" Music | 15:19Bittersweet Art Doesn't Create Emotion | 21:45Are You Homesick and Yearning For A Place That Doesn't Exist? | 26:14Anemoia, Vellichor, and Mono No Aware | 29:12We Don't Want What We Think We Want | 34:21The Inconsolable Longing For We Know Not What | 42:30Our Life's Work and Creative Offering | 51:54Further Exploration | 55:55The Haven | 58:07 "The Sunset" at Wilpena Pound in South Australia Bittersweet Longing | 0:34 A recent Haven Sunday Kota meeting was dedicated to this topic. Yearning and longing had come up in our conversations several times over the years. So when we saw that Susan Cain sharing her research around this idea, it felt like a perfect opportunity to dig a little deeper into it. It was amazing to spend time listening to stories about how art moves us all in different ways. We chatted about memories of hearing particular pieces of music for the first time. And we shared our experiences with so-called sad songs, deep conversations, and poignant experiences in our lives. What Does Yearning Feel Like? | 3:47 The word 'yearning' seems to capture the essence of bittersweet melancholy. It shares the in-between spaces around the edges of our lives with gentleness. We know how it feels to yearn. We recognise its beautifully painful ache. Yearning is the deep longing for something we know is missing. But this longing is accompanied by the awareness that we can never acquire that missing thing. Because it can't be perfectly conceptualised, articulated, or defined. Yearning takes us on a journey through the silence between the notes. It's the gaps around the words on the page. The space between the brush strokes. Yearning is the emptiness that asks life questions about its meaning and form. And life itself asks the endless question to us...how can we capture the essence of the undefinable? Fleeting Moments of Bittersweet Beauty | 5:00 Have you ever witnessed something so beautiful it was painful? A few years ago I visited Wilpena Pound in South Australia with some close friends. On the night we were there, the conditions were perfect for what in my view was an obscenely beautiful sunset. I felt a bizarre mix of emotions as I paid witness to the moment. There was a deep appreciation of the beauty before me. It felt expansive and warm, like everything about the world was some kind of lavishly excessive gift. But this was flanked by shadows of foreboding loss. The awareness that this moment would soon disappear below the horizon. That was what yearning feels like. It both inspires and haunts us.

We are back after a sudden two week break (it has been balls to walls busy for Honey) but huzzah! It's a book chaser where we discuss Emily Itami's sparking debut Fault Lines and Jessica Au's contemplative Cold Enough For Snow. There is honesty here with strong female voices, introspection of where you are in life, meditation, travel and a sense of place. You'd want to visit Tokyo and Kyoto after this because both books bring you on a journey, not only of a physical one but an internal one too. Come travel with us this week!

Track-list 1. Nova (04:36) 2. Mono No Aware (09:42) 3. Nowhere, Still Somewhere (04:34) 4. Fortapt (11:55) 5. I Close My Eyes So I Can See (05:16) 6. Everything Must Come To An End (07:47) Bonus track 7. Dissolution (05:58) Total: 49:51 --- Send in a voice message: https://anchor.fm/brutally-delicious/message

ADZG 955 ADZG Sunday Morning Dharma Talk by Zenshin Florence Caplow

Choices. Artists this week include Mono No Aware, Defrag, and Serpent Column. The post Ep. 362 – A Construct of Our Own Deciding first appeared on Fancy Pants Gangsters.

Choices. Artists this week include Mono No Aware, Defrag, and Serpent Column. The post Ep. 362 – A Construct of Our Own Deciding first appeared on Fancy Pants Gangsters.

Charlotte and Caitlin return to discuss Star Wars: Visions! First, they talk about their trip to San Francisco & Napa, detailing their quick trips to Star Wars historical locations. In part one, they discuss visuals — the use of color, animation style, and how they all support each story. In part two, they talk about generational stories. In part three, they dive into a phrase Caitlin is super obsessed with: “breadth of play.” What does that mean? Then, Caitlin talks about the concept of Wabi-Sabi and Mono No Aware and how they contribute to the Star Wars Feeling. All this and more on this episode of Skytalkers.   This episode was edited by Danny Pirtle.   https://www.patreon.com/skytalkers http://skytalkers.com  http://www.twitter.com/skytalkerspod https://www.tiktok.com/@skytalkers  http://facebook.com/skytalkerspod  https://www.instagram.com/skytalkerspodcast  http://www.twitter.com/crerrity  http://www.twitter.com/caitlinplesher  hello@skytalkers.com 

In a massive and seemingly uncaring universe, fatalism and the resignation of inevitability is one way to look at the world. The philosophical concept of Mono No Aware and Ken Liu's powerful short story "Mono No Aware" offer an alternative point of view through concepts of inherent beauty, the transient nature of life and death, and the recognition of the impermanent nature of the moment.  Read the story here: http://www.lightspeedmagazine.com/fiction/mono-no-aware/ Support the podcast: https://www.patreon.com/reflectinghistory Reflecting History on Twitter: @reflectinghist If you like the podcast and have 30 seconds to spare, consider leaving a review on iTunes/Apple Podcasts...It helps! Try my audio course: Why do 'good' people support evil leaders? What allure does Fascism hold that enables it to garner popular support? And what lessons can history teach us about today?   My audio course 'A Beginners Guide to Understanding & Resisting Fascism: Nazi Germany and the Battle for the Human Heart' explores these massive questions through the lens of Nazi Germany and the ordinary people who lived, loved, collaborated and even resisted during those times.   Through exploring the past, I hope to unlock lessons that all learners on the course can apply to the present day - from why fascism attracts people to how it can be resisted. I'm donating 20% of the proceeds to Givewell's Maximum Impact Fund, and the course also comes with a 100% money back guarantee. Check it out at https://avid.fm/reflectinghistory

Mono no Aware is a story written by @thisismyvibe_ about how she stumbled upon the phrase "Mono No Aware" -- which depicts a poignant feeling of transcience, and how she associates with the word in her daily life in India. Japanese translation by @sleepy.auru and maybe.mana // Music credits to Purrplecat

https://newnakanostories.com/?p=1544 ・ネバーエンディング羊動画 ・ピザーラのスタッフスウェットとSUBPOP ・Podcastランキング ・読書：『幼年期の終わり（Childhood’s end）』アーサー・C・クラーク ・音楽：『言葉がなかったら』MONO NO AWARE ・音楽：『in 20XX』Dos Monos ・Podcast：奇奇怪怪明解事典 ・片付けられないタクシー ・志村けんを愛する小学生 ＜参考資料＞ ■羊 https://twitter.com/urupzia/status/1383518691963260933?s=19 ■ピザーラのスタッフスウェットとSUBPOP https://garden730.com/items/59a7a927b1b6192a4c00003b ■Podcastランキング https://twitter.com/NewNakanoStorie/status/1380992985345630209?s=20 ■『幼年期の終わり（Childhood's end）』アーサー・C・クラーク https://www.amazon.co.jp/dp/B00APBGAXK/ref=cm_sw_r_tw_dp_A91WAYQ8RWY37SR7GJTY ■音楽：MONO NO AWARE "言葉がなかったら" ttps://www.youtube.com/watch?v=YQJLMyjqX74 ■音楽：Dos Monos - in 20XX https://www.youtube.com/watch?v=uq3J8C51bAY ■Podcast：奇奇怪怪明解事典 https://podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy8xYzQ5MjIxNC9wb2RjYXN0L3Jzcw== https://www.youtube.com/watch?v=a1Rh9kowbFw

We ruminate on the end of Legend of the Five Rings: The Card Game.

Today we zoom over to Tokyo, and find out about the bittersweet feeling of Mono no Aware. It's a delicate emotion; both happy and sad, and one that's mostly used to reference the brief blooming of the cherry blossom trees in Japan. The nation are delighted to see it happen but sad to see it end, which perfectly encapsulates what Mono no Aware is all about. A joy, accompanied by a knowing sadness that the joy will not last long. Translator Sonoko Ishii, who is from Japan and works mostly with the theatre industry, helps us to delve into the emotion and why it means so much to people in her country. She also gives her own experience of the emotion, from another part of her culture- delicate Japanese fireworks. Maybe Mono no Aware extends past the cherry blossom trees, and into everyday life? Let's find out...Support this show http://supporter.acast.com/getting-emotional. See acast.com/privacy for privacy and opt-out information.

The usual. Artists this week include Mono No Aware, The post Ep. 352 – Not Particularly Weird first appeared on Fancy Pants Gangsters.

The usual. Artists this week include Mono No Aware, The post Ep. 352 – Not Particularly Weird first appeared on Fancy Pants Gangsters.

sent $$$ this week to Sacramento Community Fridges.instagram.com/sacfridge4all/“Our goal is to foster a sense of trust in our community and show our powerful potential for collective care networks. These fridges will eliminate rampant food waste while combating food insecurity/hunger. Sacramento Community Fridges are for our unhoused neighbors, families, students, or anyone at all struggling under this COVID pandemic + rampant capitalism.”DOWNLOAD RECORDINGsubscribe to the podcast here: http://feeds.feedburner.com/5432fun(intro by omar)Cough Drop “Pensacola” Yell HeahCandy “Thankful” Under The WeatherElsa Lester “Lemonade” Stress ReliefJulep Maisey “Hannah Rowan” Activity BookReptile Tile “Judy Boon” Reptile Tile vs Human ManBeauty Parlor “Mistrals” Fall in LoveEmma Lee Toyoda “Take Care” I Hear U & I’m Here 4 UBedwetters Anonymous “Poverty Porn” mild discomfortHalf Shadow “Forgiveness” Split TapeCave Cricket “Afraid of Death” Split TapePrivate Joan “your face” organic outputSpacer “Anxiety” New DemosNOTCHES “Different Expectations” Almost Ruined EverythingRose Dorn “Mousetrap” Call HerPT Ori “Only One to Blame” Sad Boys Aren’t Nice GuysFrench Kettle Station “Rock Is Irrelevant” At Machines WillHazel’s Wart “Three of a Kind” Demos/CoversMono No Aware “Atlas” Mono No AwarePage of Swords “Bolth” Stamina XXIXTerra Pines “Uri” Terra Pinescartoon monster “wish/resistance” a wish and resistance to itMono Lisa “On a Tangent” Mono Lisa’s Greatest Hits vol. 2Furnsss “10 Spot” all brought clouds and the deep blue skyJudy And The Jerks “Fight” Roll On Summer HolidaysTrauma Harness “Avalanche” Snow Warning EPWurld Series “Slow Going” Stately and Befrothed

Historia 1852, las fronteras de Japón se abieron a occidente y se tenía un cierto miedo de que pensaran que eran moralmente laxos y dieran mala impresión internacional. Así que empezaron a regular las imagenes relacionadas al sexo. Antes era aceptable los baños mixtos y se empezó a generar verguenza a partes el cuerpo que antes eran vistas como naturales. 1897 Llega el cine a Japon. La primera película del cine japonés es Momijimari, una pieza de teatro kabuki filmada en 1899. En el teatro Kabuki predominan las historias fantasmales, el llamado Kaidan. El teatro Kabuki es una de las formas más tradicionales de teatro japonés. Tenía tres características particulares: la historias basadas en la época feudal, música particularmente con un instrumento de cuerdas y la presencia de un narrador. Las obras teatrales no utilizaban a mujeres actrices - eran represetnados pro hombres llamados Onigama. Las obras estaban basadas en el priodo Edo (1603-1868) y abundaban las obras Kaidan. Éstas obras mostraban vestuarios ostentosos y maquillaje elevado que representaban al personaje interna y externamente - emociones y valores. El rojo significaba juventud y justicia. El azul, negro y café era para monstruos y gente mala. Kaidan: se refiera a cualquier historia de fantasmas. Otro tipo de teatro era el No - similar al Kabuki pero para las clases sociales altas. Combina l amúsica, la poesía y se le conoce en particular por el uso de máscaras. Es central que solo haya un perosnaje que no utiliza máscara, pues es él único humano. Éste se le conoce como Waki. El waki aparece tradicionalmente como aquella persona que advierte a otros sobre la aparición de un fantasma o de una maldición. Generalmente eran dramas donde el fantasma de un guerrero regresaba a la batalla donde había sido asesinado y estaba reviviendo la escena una y otra vez. Aunque eran fantasmas, no eran figuras de horror. Sino, sufrimiento trágico que debe aceptar la derrota o muerte prematura. El cine y el teatro estuvieron fuertemente relacionados porque con la llegada del cine, también se creó el sistema de Estudios (como Hollywood) y los dueños de los teatros, eran también los dueños de los Estudios. La forma en que se presentaban las películas, era similar a la del teatro. Películas que se hacían famosas luego las transformaban en obras y viceversa. Además, la presentación de películas presentaba también esos tres elementos. Las tomas eran de frente al escenario y fijas, simulando el teatro. El sistema de Estudios El sistema de estudios a diferencia de Hollywood que estaba centrado en el productor, estaba centrado en el director. El director era quien elegía a su equipo y no solo eso, este sería su equipo para futuras producciones. Es decir, se mantenía una lealtad que debía respetarse y honrarse. Esto le daba mayor libertad creativa a los directores, pues ellos tenían la última palabra. Los estudios más importantes: Takejiro Otani (Ozu, Akira Kurowawa y Takashi Miike) Shochiku - primero en introducer mujeres actrices Nikkatsu - que se enfocó en dramas sociales en contextos modernos Yurei (Fantasmas) Mitología japonesa, las yurei son fantasmas mujeres que quieren venganza. Vestidas de blanco, de cabello negro y largo No tienen piernas y mueven las muñecas sin sentido Estos fantasmas aparecen por el On - una deuda queno fue pagada o personas que murieron sin poder curbrir sus responsabilidades familiares. Esto crea un desbalance y conecta al mundo de los vivos con el de los muertos. Primeras cintas La primera cinta de horror japonesa es de 1910: Botan Doro. Una historia de fantasmas (Yurei) y es la segunda historia más adaptada al cine, TV y OVA (only video available) después de Yotsuya Kaidan (El Fantasma de Yotsuya) Para 1920, los tres estudios mencionados eran dueños de 3/4 de todos los teatros de Japón. En 1923, muy tarde para la época, introducen el sonido al cine. Ésto porque era demasiado popular el uso de Benshi (narrador). Incluso había narradores estrella que todos querían nescuchar. En 1936, un hombre poderoso y constructor de los trenes en Japón, Ichizo Kobayashi, fundó Toho abandonando el sistema de actores estrella. Antes de la WWII, este estudio era el mayor productor de imagenes de propaganda. Después de la WWII, este estudio es quien daría luz a Godzilla. Toei - fundada en 1956, es unod e los estudios más importantes de Japón, casa de Hayao Miyazaki, director de el viaje de Chihiro y los estudios Ghibli. El sistema de Estudios hoy en día ha decaído, por ejemplo, en 2003, 234 de 287 películas, provenían de estudios independientes. Esta prevalencia se viene dando desde 1960. La razón es que los mismos estudios, promovían a directores independeintes. Epoca de OroCon el triunfo de Rashomon de Akira Kurosawa en el festival de Venecia en 1950, y logra el Oscar a mejor película extranjera; es cuando el mundo voltea a Japón.curiosamente toca la sexualidad desde un ángulo criticado en Japón: l ahistoria de una violación que pasa a segundo plano (e invalidada) en un juicio de muerte a un samurai, donde la palabra del bandido (violador) carita tiene más peso y empatía de la audiencia que el de los demás.Se da la apertura, y comienza a participar en festivales.Sin embargo, existía una gran censura al arte japonés por la ocupación estadounidense al termino de la Segunda Guerra Mundial. Los aliados pidieron una redición incondicional por parte de los japoneses. Lo peor que pudo sucederles como nación, donde su sistema de valores por centenas de años favorecía la muerte honorable sobre la derrota. De 1945 a 1952 - el colonizador se volvió colonia, ocupado por los aliados. Esto dejó un trauma en la sociedad que nunca se ha borrado y se puede ver en el cine a partir de los años 1950 los arquetipos como "the wronged woman" o "a la mujer a quien le hicieron mal" Para asegurar que "Japón nunca volviera a realizar disturbios mundiales" la división Civil de Censura restringió todas las narativas KAbukis, todo lo que involucrara la lealtad feudal, sacrificio. Buscaron otras formas de darle la vuelta a las regulacione spor medio de poner la acción en otro periodo, como el Meiji. Esto era porque las cintas retrataban historias donde los espadachines justicieros japoneses incitaban a la rebelión (genero llamado Jidaigeki). El enemigo a vencer era el invasor.Se incitaba a los valores del sistema "ie" que promovían el honor, la lealtad y alta valoración a la comunidad. Los americanos traían consigo sus propios valores, con modelos más democráticos que perseguían deseos individuales y capitalistas. El sistema ie consistía en 5 clases: el samurai en la cina, seguido por aldeanos, artesanos, mercantes. La quitan clase, y la más baja, era de los exiliados, aquellos que trabajaban en profesiones impirtas. Responsabilidad de la casa recaía en el jefe de la familia que a su vez, tenía responsabilidad de la comunidad en general y al emperador. El hijo mayor es el sucesor, los demás hijos hacen sus vidas. Si no hay heredero, adoptan a uno para que siga el nombre de la familia. El sistema oprimía a la mujer, ya que las reglas de comportamiento eran dictadas por su obediencia a sus padres, esposo e hijos en ese orden. Están los conceptos GIRI y NINJO. Giri es el sentido de obligación y responsabilidades a los superiores, la familia y a los ancetros. Es el tejido social que une a Japón. Ninjo es la compasión a los desprivilegiados y simpatía por otros. ON es el sistema de obligaciones que une a los vivos con los miertos (en terminos de deuda) como Giri. Era natural el sacrificio propio para reponer la reputación de la familia, si era deshonorada. Claro, que mejor forma de promoer tus valores que con la regulación de lo que se puede producir. Agregaron regulaciones de censura en Japón. Declararon obsceno el mostrar los genitales femeninos y escenas sexuales explicitas. Pero esta misma censura, impulso el cine de horror, se ve beneficiado ya que los estadounidenses lo consideraban historias del folklore japonés y no revolucionarias. En el año 1960 es donde se viene lo que se conoce como "La Nueva Ola" que es la que reta los valores tradicionales japoneses, el discurso romántico que se reemplaza por la sexualidad objetivizada y el cuerpo violado. En 1976, resalta una película que se llama Imperio de los sentidos, que está basada en la historia real de Sada Abe, quien tiene una relación sadomasoquista con su esposa, Kichizo Ishida. Esta relación, llega a tal intensidad, con incremento que hacia el final de la película, termina matando y castrando surante el acto sexual a Sada. Luego es arrestada por cargar en su bolsa del Kimono el miembro de Sada. Por esta película, el director Oshima fue acusado por obscenidad, pues mostraba la genitalia. En 1982, le quitaron los cargos y se permitió representar el sexo de manera más explícita en el cine japonés. Después de la WWII se viene un fuerte conflicto de identidad que proviene de la comparasión de uno contra el otro. En este caso, japón como su lenguaje, cultura y gente se sientes únicos pero al estar ocupados por los aliados y traer estos nuevos valores, se vuelve confuso quienes son realmente y nace este deseo de reencontrar su identidad. Especilamente, después de la gran derrota sufrida y el aftermath de la guerra: dos ciudades en ruinas y radioactivas, la modernización de japón con todo el desecho industrial que perjudica al medio ambiente. Las víctimas sobrevivientes que por años sus generaciones tenían deformaciones. La idea de que ya no le deben a sus antepasados, sino esta idea actual del consumismo y materialismo. Reconstruir al país implicaba el estar trabajando largas horas diariamente, absentismo del padre en la familia.todo este escenario con tanta ansiedad social es una receta para crear historias de horror: depresión, recesión, post guerra, inflación, confusión de identidad nacional y personalMundo de vivos y muertosLos japoneses creen que los espíritus habitan en el mismo mundo pero en un plano diferente. Por eso, deben de honrarse las deudas o responsabilidades pasadas de generación en generación. De otra forma, regresan a como espíritus vengativos. Si cumplen con sus obligaciones, se vuelven espíritus positivos y hasta deidades.Taro HiraiSurge el considerado el Edgar Allan Poe japonés, el novelista Taro Hirai quien redefinio con sus escritos el terror japonés respetando sus códigos tradicionales, pero mezclándolos con ciertos esquemas de la literatura anglosajona, la cual conocía a la perfección.20 min - Introducción al cine de horrorNobuo NakagawaEs uno de los principales realizadores de la época de oro del terror japonés. Onna Kyuketsuki (la mujer vampiro, 1959). Tokaido Yotsuya Kaidan (1959). Historia donde al violarse los valores tradicionales termina en tragedia. primero in samurai exiliado Iemon (no siguió el código de honor Bushido) quiere casarse con Oiwa. Como no lo dejan (clases) su padre, termina matando al padre y su acompañante. La hermana de Oiwa, Sode quiere casarse con otro. Matan a su prometido. Cansado de su estado de pobre, corteja Iemon a una noble adinerada. Termina en todos muertos básicamente - tanto Iemon, su cuñado, la hermanas - dando como ejemplo que este camino de deslealtad y "sucio" no llega a nada. Todo porque los fantasmas de los muertos, aparecen y los tormentan. Concepto de MONO-NO-AWARE: la impresión de la nada. Esto es recurrente en el cine de horror japonés, donde la consecuencia es un destino solo, sin nada. Como el dicho, más vale pájaro en mano que ciento volado. El que se va por los del cielo, termina sin nada. Años 60'sAparece lo que se denomina cintas de terror para turistas.Son cintas que se alejan de lo tradicional, abordando lo intelectual, contando con gran producción y que se considera excesivamente artificial.Estas cintas sufren del Efecto Kurosawa, donde en el interior de Japón son rechazadas, pero fuera del país son aceptadas y galardonadas.Trilogía de autor para consumo internacional o terror para turistas: Kaidan (1964). Onibaba (1964) cuenta con una mascara icónica en el cine japonés y porque no del cine de horror en general. Hace referencia al las obras estilo No La máscara es una expresión externa de lo que la mujer tiene de dentro. Kuroneko (1968).Basada en el folkor japonés de el fantasma/vampiro que se transforma en gato. si no les cortan la cola cuando son jóvenes (a los gatos) se pueden convertir en nekomata - gato goblin - que posee el poder de la muerte. Así nace el género bakeneko mono (monster cat tales). Una mujer y su hija son violedas y asesinadas en su casa por soldados. Un gato lame la sangre de los cuerpos lo cual preserva sus espíritus (mitología japonesa). Regresan con look muy elegante, muy hermosas y atraen a los samurai su casa, para después matarlos. Un soldado lo mandan a resolver el conflicto, pues están asesinado soldados y cuando llega, se d acuenta que es su madre y esposa, los fantasmas. Aquí el código dice: lo que dija el jefe militar es lo que debe hacerse y él debe sacrificarse por la comunidad apaciguando la maldad. Por otro lado, la esposa había hecho un pacto con el inframundo para regresar y matar Samurai. Su esposo, era un reconocido samurai y tení que matarlo. Ambos están negando sus responsabilidades... por 7 días de pasión. Se revela contr ala madre, le corta un brazo (pata de gato) y la lleva al jefe como prueba. Se vuelve un héroe y lo mandan purificar. En el proceso, regresa a la casa donde estuvo con la esposa y encuentra la antigua casa donde fueron asesinadas y se ve un gato merodeando. La consecuencia a sus actos fue el mono-no-aware, se quedó sin nada. Aquí inova la película porque comunmente, en las obras obras Kabuki, las mujeres fantasma se vengan de quienes las dañaron. En Kuroneko no, la maldición es un pacto de matar a cualquier Samurai y van y los seducen para matarlos. Pinku eigaEran las cintas roman porno que se les conoce como las que salvaron a la industria del cine japonés.La primera era pink eiga empieza en 1964 y termina en 1972.Se utilizaba el sexo como herramienta política.Años 70'sSe ve muy influenciado por la estetica británica de la compañía Hammer Films.Vampiros y licantropia se incorporan a las cintas japonesas.Ejemplo: Trilogia de mujer vampiroMujer vampiro (1970).Los ojos del vampiro (1971).La rosa vampiro (1974). La segunda ola pink eiga de 1972 al 82 comienzan los estudios Nikkatsu y Toei a realizar películas sexualmente violentas conocidas como pinky violence. Aquí aparecía el subgénero del fantasma erótico. Aquí ya empiezan otras variantes donde se ve el fantasma que se suicidó. Angel Guts: 4 filmes que superficialmente pueden verse como de explotación, pero marcan como va cambiando la sexualidad entorno al abuso y violación: Proviende un un manga y la adaptaron alc ine, con 4 adaptaciones por 4 directores diferentes. Se ve el arco de Nami: primero sobrevive un gang rape, luego la tratan de "ayudar" proponiéndole que le tomen fotos, tiempo después Nami se vuelve prostituta y la degran al máximo (orinan y violan por dinero del mejor postor) y finalmente se vuelve enfermera y no permite que la violen un paciente en diferentes ocasiones. Años 80'sTraería una renovación al cine fantástico de Japón con la presencia del realizador Shinya Tsukamoto. Su trabajo muestra una combinación de terror, cyberpunk.La Aventura del Chico del Poste Eléctrico (1987) donde el protagonista debe de combatir a un grupo de vampiros motorizados.Akira (1988)Pero no es hasta su opera prima con la que revoluciona el horror japonés, la famosa Tetsuo (1989) con su mezcla de gore, sexo y body horror, pero aquí la transformación es hacia una maquina.Gore JaponesEl horror japonés será mundialmente conocido por ser la creadora de una de las etapas mas sangrientas de la historia del cine: el cine gore japonés. Se llevo a niveles demenciales.Guts of a Beauty (1986).Tetsuo (1989)Organ (1996).Naked Blood (1995).El falso mito del snuff japonesSe llevo tanto al limite del gore, que se creyo que eran cintas snuff reales.Surgió a finales de los años 80 cuando de forma clandestina empezó a circular un video donde una chica era brutalmente torturada hasta asesinarla.Se trataba de Akuma no Jikken (1988), primer episodio de la serie Ginea Pig.Pero la mas famosa es Chiniku no hana o Flowers Of Flesh & Blood (1989), que es la que sitúa a Ginea Pig como un mito en el horror japonés y el snuff.Los creadores tuvieron que presentarse a declarar a las autoridades que todo era una película, ficción.El pobre actor que interpreto al asesino, era hasta buscado por las autoridades.El resultado, tuvieron que editar y distribuir las peliculas de forma comercial, incluir créditos y hasta el grado de incluir documentales de como se realizaron estos cortes.90'sRingu, la renovación que sacudió al mundo.El cine japonés se convirtió en la base de las películas por venir, todos empezaron a realizar "cine a la japonesa" gracias a Ringu (1998).Fue un regreso a lo básico, la historia de un fantasma (yurei). utiliza mitos y folklore clásicos, pero de una manera occidental, mezcla perfecta y el secreto del éxito de Ringu.Se convirtió en la película mas importante del cine de horror japonés.Inicia una oleada de cine de horror japonés, algunas muy buenas, otras viles copias de Ringu.Destaca la saga de Ju-On, como segundo pilar del cine de horror japonés.Un dato curioso, es lo que significa el fantasma femenino que data de más de 400 años.Japón es un país donde la mujer esta sometida por el hombre, símbolos de esto son los grandes peinados, la vestimenta, con grandes capas de tela y el maquillaje.Los fantasmas japoneses femeninos le provocan un terror a los hombres, con Sadako, les recordó que la mujer muerta es poderosa, estando muerta es capaz de hacer justicia por propia mano, recuerden que en la religion japonesa, los fantasmas existen y conviven en este plano dimensional, si es posible.Los fantasmas femeninos tienen esta larga cabellera suelta, ya no usan los ropajes, solo el camisón, son libres y ya no están sometidas a las leyes del hombre.2000'sNeo-gore Japones, cintas donde la sangre a borbotones y la ciencia ficción desbordada son poco terroríficas, es 100% visual, ya que carecen de una historia creíble.Battle Royale (2000)Suicide Club (2001)Ichi the Killer (2001)Noroi (2005)Tokyo Gore Police (2008).Vampire Girl VS. Frankenstein Girl (2009).Meatball Machine (2005).Créditos:Radio Horror es producido por Caro Arriaga y Rael Aguilar.Edición por Matías Beltrando desde Destek Soporte.Música Closing Theme Hounds of Love por Dan Luscombe (Intro)Nightlong por FSM Team (Outro)★ Support this podcast on Patreon ★

Redonner vie et sens à la mélancolie N’oubliez pas de vous abonner car cette série est composée de 7 épisodes dédiés aux expériences, et à la persévérance , avec des idées pour l’expérimenter dans votre vie dès aujourd’hui ! Attraper votre tasse de thé, et laissez vous porter! Pour restez connecté : Instagram : https://www.instagram.com/hodasafiah/Facebook : https://www.facebook.com/HodaSafiahLifecoach/ WEBSITE : https://www.hodasafiah.com/

物の哀れ traducido como “Mono No Aware” del idioma japonés se refiere a la conciencia de la impermanencia, esa sutil tristeza de un momento bello pero pasajero. Se refiere a esa naturaleza efímera de la belleza.

物の哀れ traducido como “Mono No Aware” del idioma japonés se refiere a la conciencia de la impermanencia, esa sutil tristeza de un momento bello pero pasajero. Se refiere a esa naturaleza efímera de la belleza.

GRAB YOUR TISSUES. The Bitches are getting real deep and real melancholy this episode as they discuss Kazuo Ishiguro’s poignant and bittersweet novel, Never Let Me Go. Ginnye and Raven discuss the humanistic toll of scientific advancement; Mono No Aware, the Japanese concept of impermanence; and who did it better, the book or the movie. Book & Bitch is a bi-weekly podcast that combines all the juicy bits of the book with the insightfulness of the forward. Highlighting author backstories with cultural context and writing theory, we’re the book club you’ve always wanted to join. A reader lives thousands of lives. And we bitch about them all.

In this episode, I speak with Chen "Chen" Xiang-Yun, the writer and director of the beautiful experimental film, Breathed Away, which was selected for screening at The Experimental Film Fest. Steve Crossman, founder of Brooklyn's Mono No Aware, which is a cinema-arts non-profit organization and film positive community. Chen is a visual artist from mainland China. She created Breathed Away using a 16mm film camera (Bolex) from Mono No Aware. --- Support this podcast: https://podcasters.spotify.com/pod/show/experimentalfilmpodcast/support

Wykorzystuję: Marcel Proust, W stronę Swanna. W poszukiwaniu straconego czasu. Tom 1, s. 58-60 Paul Varley, Kultura japońska, Kraków 2006 Anna Duda, Twórczość Harukiego Murakamiego w świetle zjawiska transkulturowości – muzyczne studium przypadku. W: "Politea", 2016, nr 43, s. 387-408 Haruki Murakami, Drive my car w: tegoż: Mężczyźni bez kobiet, przeł. Anna Zielińska-Elliott, Muza, Warszawa 2015. Julie Pointer Adams, Żyj Wabi-Sabi. Japońska Sztuka odnajdywania piękna w niedoskonałości. Kraków 2018.

Długi wstęp o odmiennościach historii Japonii i Starego świata; następnie staram się omówić koncepcję mono no aware; korzystam z: Conrad Totman, Historia Japonii, Kraków 2009 Paul Varley, Kultura japońska, Kraków 2006 Boye Lafayette de Mente, Geoff Botting, Etykieta japońska, Kraków 2017 Haiku Basho Matsuo: furuike ya kawazu tobikomu mizu no oto (1685r.) Haiku w propozycji przekładu Grzegorza Sionkowskiego.

Since his first breakthrough in the industry as the D.P. for Michel Gondry’s 2012 Cannes Film Festival feature THE WE AND THE I, Alex Disenhof has lensed over a dozen feature films and TV shows spanning diverse genres. Highlights include a 2016 ASC award nomination for the pilot episode of THE EXORCIST, a 2009 Camerimage nomination for the music video "Mono No Aware," and the Somali pirate film FISHING WITHOUT NETS taking the US Dramatic Directing award at Sundance in addition to being nominated at Camerimage in 2014. He's had films play at festivals all over the world including the aforementioned Cannes, Sundance, Camerimage, Tribeca, and SXSW. His most recent projects include the season Finale of HBO's critically-acclaimed WATCHMEN, FX's LEGION, and the films CAPTIVE STATE and CODE 8. Alex is currently in Mexico filming AppleTV+ MOSQUITO COAST, due out fall 2020.

Join me from the Pickup Line as we talk more about Walter Ong's "Orality and Literacy". Can sound be still? How do we remember? Have you ever heard the Japanse phrase, "Mono No Aware?" Let's talk about it! "Memories" by The Midnight --- Send in a voice message: https://anchor.fm/justin-r-cary/message

In episode 95 UNP founder and curator Grant Scott is in his shed, feeling political and strident, suggesting that the photographic establishment need to start talking 'with' not 'at' photographers, reflecting on issues of photographic self-doubt and calling for a punk informed attitude amongst the photo community to creating new initiatives!  Plus this week photographer Anton Kusters takes on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which he answer's the question ‘What Does Photography Mean to You?' Anton Kusters was born in Belgium in 1974, and obtained a master's degree in Political Science at K.U.Leuven, Belgium. He studied photography at STUK Leuven and at the Academy of Fine Arts, Hasselt, Belgium. Kusters has photographed, published and exhibited two major bodies of work, the Yakuza in 2011 and Mono No Aware in 2014. In 2017 he completed the online epistolary #image_by_image, an experimental public dialogue based on associations of image and word, fragment and concept, re-contextualisation and reflection. In 2019 year he was nominated for the Prix Pictet, and he is a finalist in the 2020 Deutsche Börse Photography Foundation Prize for his exhibition The Blue Skies Project in the Fitzrovia Chapel, London, curated and produced by longstanding collaborator Monica Allende. An installation of The Blue Skies Project will be exhibited in 2019-2021 at the US Holocaust Memorial Museum in Washington DC, and in 2020 a monograph on the work will be published. He is currently working on several installations and collaborations: Caduta Massi, La C.H., and On Your Shoulders We Stand. Anton was also the co-founder of BURN Magazine, an online platform dedicated to emerging photographers. He currently lives and works in Belgium and Tokyo. https://antonkusters.com If you have enjoyed this podcast why not check out our A Photographic Life Podcast Plus. Created as a learning resource that places the power of learning into the hands of the learner. To suggest where you can go, what you can read, who you can discover and what you can question to further your own knowledge, experience and enjoyment of photography. It will be inspiring, informative and enjoyable! You can find out here: www.patreon.com/aphotographiclifepodcast You can also access and subscribe to these podcasts at SoundCloud https://soundcloud.com/unofphoto on iTunes https://itunes.apple.com/gb/podcast/a-photographic-life/id1380344701 on Player FM https://player.fm/series/a-photographic-life and Podbean www.podbean.com/podcast-detail/i6uqx-6d9ad/A-Photographic-Life-Podcast Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, and the author of Professional Photography: The New Global Landscape Explained (Focal Press 2014) and The Essential Student Guide to Professional Photography (Focal Press 2015). His book New Ways of Seeing: The Democratic Language of Photography was published by Bloomsbury Academic in 2019. His documentary film, Do Not Bend: The Photographic Life of Bill Jay can now be seen at www.youtube.com/watch?v=wd47549knOU&t=3915s. © Grant Scott 2020

Seconda puntata dedicata ai brani più significativi del 2019 per Jazz Ahead. Niente di Natalizio, ma buona musica...1. Mono No Aware, C'Mon Tigre, Racines, BDC, 2019..2. Never The Same, Francesco Diodati Yellow Squeeds, Never The Same, Auand,2019..3. Lush Life, Bill Frisell and Thomas Morgan, Ephistrophy, ECM, 2019..4.Gastromantic, Mondongo, Gastromantic, UR Records, 2019..5. TimeWave Zero, The Comet is Coming, The Lifeforce of the Deep Mystery, Impulse! Records, 2019..6. Deo Volente, Reiner Baas and Ben Van Gelder, Mokum in Hi-Fi, Do You Mind? Records, 2019..7. Every Death Of Pope, I Casi, Vecchie che Cadono, Irma Records, 2019..8. Night Sea Journey, Aarset/Rabbia/Petrella/, Lost River, ECM,2019 ..9. Upper Manhattan Medical Group, Alessandro Lanzoni, Unplanned Ways, Cam Jazz, 2019

Seconda puntata dedicata ai brani più significativi del 2019 per Jazz Ahead. Niente di Natalizio, ma buona musica...1. Mono No Aware, C'Mon Tigre, Racines, BDC, 2019..2. Never The Same, Francesco Diodati Yellow Squeeds, Never The Same, Auand,2019..3. Lush Life, Bill Frisell and Thomas Morgan, Ephistrophy, ECM, 2019..4.Gastromantic, Mondongo, Gastromantic, UR Records, 2019..5. TimeWave Zero, The Comet is Coming, The Lifeforce of the Deep Mystery, Impulse! Records, 2019..6. Deo Volente, Reiner Baas and Ben Van Gelder, Mokum in Hi-Fi, Do You Mind? Records, 2019..7. Every Death Of Pope, I Casi, Vecchie che Cadono, Irma Records, 2019..8. Night Sea Journey, Aarset/Rabbia/Petrella/, Lost River, ECM,2019 ..9. Upper Manhattan Medical Group, Alessandro Lanzoni, Unplanned Ways, Cam Jazz, 2019

This week we chose a story that is actually critically acclaimed as well as being yet another story on LeVar Burton Reads. Ken Liu redeems himself with a little short story spanning the time leading up to and the end of the world. It is still no Paper Menagerie, but it hits all the notes […]

Seconda puntata dedicata ai brani più significativi del 2019 per Jazz Ahead. Niente di Natalizio, ma buona musica...1. Mono No Aware, C'Mon Tigre, Racines, BDC, 2019..2. Never The Same, Francesco Diodati Yellow Squeeds, Never The Same, Auand,2019..3. Lush Life, Bill Frisell and Thomas Morgan, Ephistrophy, ECM, 2019..4.Gastromantic, Mondongo, Gastromantic, UR Records, 2019..5. TimeWave Zero, The Comet is Coming, The Lifeforce of the Deep Mystery, Impulse! Records, 2019..6. Deo Volente, Reiner Baas and Ben Van Gelder, Mokum in Hi-Fi, Do You Mind? Records, 2019..7. Every Death Of Pope, I Casi, Vecchie che Cadono, Irma Records, 2019..8. Night Sea Journey, Aarset/Rabbia/Petrella/, Lost River, ECM,2019 ..9. Upper Manhattan Medical Group, Alessandro Lanzoni, Unplanned Ways, Cam Jazz, 2019

Continuing on Latour's We Have Never Been Modern (1993) with guest Lynda Olman. Latour rejects the idea of objective truth totally apart from perceivers, so is he an idealist? We lay out the "Constitution" of modernity that keeps science and politics separate, how it makes it difficult for us to address issues like climate change, and what Latour thinks should replace it. Start with part 1 or get the full, ad-free Citizen Edition. Please support PEL! End song: "Mono No Aware" by Guy Sigsworth, as discussed on Nakedly Examined Music #109. Sponsors: $10 off at skylightframe.com (code PEL), 20% off at hempfusion.com (code PEL), learn about St. John's College at sjc.edu, and give effectively through givewell.org/PEL.

Guy has been a highly sought-after British producer/keyboardist since the early '90s and is just now releasing his debut album, STET. We discuss "Mono No Aware" and "Dorian" from that album and "Unravel" from Björk's Homogenic (1997). End song: "Let's Go" by Frou Frou from Details (2002). Intro: "Crazy," co-written with Seal from his debut album (1991). Hear more Nakedly Examined Music. Like our Facebook page. Support us on Patreon. Sponsor: Visit masterclass.com/EXAMINED for 15% off a MasterClass All-Access Pass.

Guy has been a highly sought-after British producer/keyboardist since the early '90s and is just now releasing his debut album, Stet. We discuss "Mono No Aware" and "Dorian" from that album and "Unravel" from Björk's Homogenic (1997). End song: "Let's Go" by Frou Frou from Details (2002). Intro: "Crazy," co-written with Seal from his debut album (1991). Hear more Nakedly Examined Music. Like our Facebook page. Support us on Patreon. Sponsor: Visit masterclass.com/EXAMINED for 15% off a MasterClass All-Access Pass.

It was a dark weekend in Belgium for F1 and Jawad reflects on the loss of Anthoine Hubert to the motorsport world and the emotionally charged grand prix at Spa. He previews the upcoming Italian Grand Prix as well, pondering whether Ferrari can win on home soil.

Sanna Almajedi talks to composer and trombonist Peter Zummo, and Eve Essex, a musician who performs with alto saxophone, piccolo, voice and electronics. The music heard in this episode was recorded live during the fifth edition of Satellite at Bar Laika on March 12, 2019, featuring Zummo and Essex.  Peter Zummo is a composer and trombonist whose music encompasses both the contemporary-classical and vernacular genres. His work is informed by five decades of realizing the work of other composers, poets, bandleaders, choreographers, directors, and filmmakers. The way in which he maneuvers the contemporary trombone is genre non-conforming, and still finds a place in any genre.  Zummo worked closely with Arthur Russell, appearing on many of his recordings. He has also collaborated with Pauline Oliveros, Phil Niblock, and Yasunao Tone. His music has been released by Foom, Optimo Music, and Experimental Intermedia Foundation. Eve Essex is a Brooklyn-based musician who performs with alto saxophone, piccolo, voice and electronics, harnessing elements of classical, drone, free jazz, and distorted pop. She has performed as Das Audit (with guitarist Craig Kalpakjian), as well as in trios Hesper (with James K and Via App), and HEVM (with MV Carbon and Hunter Hunt-Hendrix). She has also collaborated extensively with Juan Antonio Olivares as installation/performance-art duo Essex Olivares. Her first solo album, Here Appear, was released by Soap Library (cassette) and Sky Walking (LP) in 2018. She also appears on Pan’s compilation Mono No Aware. Select solo performances include Artists Space, Outpost Artists Resources, Safe Gallery, and Meakusma Festival. Satellite is a monthly experimental music series curated by Sanna Almajedi.

Anke Van Meer

It's time for a mega-episode! The boys go to bat for James Blake, You on Netflix, W.E.B. DuBois, PAN's ambient Mono No Aware album, and Angels in the Outfield prequel Wings of Desire. Shots are indiscriminately fired at Fyre Fest, the Fyre Fest Docs, and the mouthwatering possibilities of Elon Musk and Grimes' sex life.

This one’s a little different than the others. To start with, this is the first actual audio cassette we’ve come across in this bizarre scavenger hunt. The rest of the audio we’ve uncovered so far has been recordings extracted from digital sources. What’s more interesting is that this appears to be two personal, audio journal entries where we get to see a very different side of Jane Ripley than what we’ve seen in the Morning Maelstrom broadcast tapes. It’s clear she’s begun to realize that there may be sinister forces at work in the Deep Reach, but she clearly does not yet grasp how dangerous they truly are.

On a causé du label PAN. On a cherché des trucs biens à en dire, mais il y avait quand même beaucoup de fiel lors de cette émission. Une ambiance délétère pourrait-on dire. Alors que bon, il y a quand même des choses plus que recommandables sur PAN. On a essayé de sélectionner le meilleur, du coup. Tracklist : M.E.S.H. - Optimate (Piteous Gate, 2015) Objekt - Dogma (Flatland, 2014) Lee Gamble - Kuang Shaped Prowla (Dutch Tvashar Plumes, 2012) Eli Keszler - Cold Pin 2 (Cold Pin, 2011) Rashad Becker - Themes I (Traditional Music of Notional Species vol. 1, 2013) Amnesia Scanner - AS A.W.O.L. (Another Life, 2018) Mohammad - Sakrifis (Som Sakrifis, 2013) Valerio Tricoli - Stromkirche or Terminale (Clonic Earth, 2016) ADR - Shortcuts (Deceptionista, 2015) Mika Vainio / Kevin Drumm / Alex Dörner / Lucio Capece - II (Venexia, 2012) Puce Mary - The Transformation (The Drought, 2018) Oren Ambarchi - Tokyo Knots (Live Knots, 2015) Photo : Pochette de Mono No Aware, V/A (2017)

On a causé du label PAN. On a cherché des trucs biens à en dire, mais il y avait quand même beaucoup de fiel lors de cette émission. Une ambiance délétère pourrait-on dire. Alors que bon, il y a quand même des choses plus que recommandables sur PAN. On a essayé de sélectionner le meilleur, du coup. Tracklist : M.E.S.H. - Optimate (Piteous Gate, 2015) Objekt - Dogma (Flatland, 2014) Lee Gamble - Kuang Shaped Prowla (Dutch Tvashar Plumes, 2012) Eli Keszler - Cold Pin 2 (Cold Pin, 2011) Rashad Becker - Themes I (Traditional Music of Notional Species vol. 1, 2013) Amnesia Scanner - AS A.W.O.L. (Another Life, 2018) Mohammad - Sakrifis (Som Sakrifis, 2013) Valerio Tricoli - Stromkirche or Terminale (Clonic Earth, 2016) ADR - Shortcuts (Deceptionista, 2015) Mika Vainio / Kevin Drumm / Alex Dörner / Lucio Capece - II (Venexia, 2012) Puce Mary - The Transformation (The Drought, 2018) Oren Ambarchi - Tokyo Knots (Live Knots, 2015) Photo : Pochette de Mono No Aware, V/A (2017)

A space traveler flashes back to memories of his childhood in Japan, before the world ended. Recorded live at the Wilbur Theatre with music provided by Katy Wherry and Jake Wherry. "Mono No Aware" appears in THE PAPER MENAGERIE AND OTHER STORIES. Ken Liu's new anthology, BROKEN STARS, is out this month. This episode is sponsored by Calm (www.calm.com/LEVAR).

The latest podcast from The Haiku Pea on poetrypea.com What is mono no aware and examples of the technique used in haiku. And a new featured poet.

Will and Grant discuss the latest releases by Mono No Aware, RP Boo, Golden Teacher, and Buttechno, plus a Rockin' Apple update.

The inside look of what it's like for a clean athlete to run in one of the dirtiest races in Olympic history. Canadian Hilary Stellingwerff tells her story of the 2012 London Olympic 1,500m, where six of the 13 finalists were dopers. READ MORE: https://runningmagazine.ca/womens-1500m-final-2012-olympic-doping/ Music: Daphni, "Poly" and "Life is What You Make It" from the album Joli Mai: https://caribouband.bandcamp.com/album/joli-mai CFCF, "Colours of Life" https://1080pcollection.bandcamp.com/album/the-colours-of-life Yves Tumor, "Limerence" from Mono No Aware https://p-a-n.bandcamp.com/album/v-a-mono-no-aware

In this episode, Sean and Jake have some catching up to do—while they dedicated almost all of last week's episode to Father John Misty's new album, several other albums worth discussion came out. Topics include new albums from Future Islands, White Reaper, Arca, The New Pornographers, and a Various Artists Compilation of ambient music, "Mono No Aware." The guys also discuss the Twitter war waged between Diet Cig and Pitchfork.

01 - KANDYTOWN “1TIME 4EVER” from MV 02 - Sandii & The Sunsetz “Calling You” from Rhythm Chemistry 03 - tofubeats “No.1 (ft. G.RINA)” from ホログラム 04 - Frank Chickens “Cheeba Cheeba Chimpira” from We Are Frank Chickens 05 - 戸川純 “諦念プシガンガ” from 玉姫様 06 - The Checkers “Song for U.S.A.” from Song for U.S.A. 07 - MONO NO AWARE “me to me” from 舟 08 - Grand Emperor “Emperor” from Grand Emperor 09 - Flat Sucks “Flat Sucks” from The Nap Time 10 - cheap cheese “Over and over again” from The first time Notes: Guests Laughmatician and The Chemist join us to talk about Pokémon, Yu-Gi-Oh! & Mario Party! Check out The Chemist's Generation Why blog at generationwhyblogging.wordpress.com  -Tyler Abstract.

Will and Grant discuss new music by Bob Mould, Mono No Aware, Horse Jumper of Love, Kane Strang, and the Painters.

Will and Grant discuss new music by So Pitted, Mono No Aware, yyu, and Hellier Ulysses.

For Episode 2 we discuss Mono No Aware by Ken Liu http://hitekelvis.podbean.com/mf/web/k7g57w/NimbusMagnifica_Episode_2.mp3 Direct Download link(Right Click, Save As…) You can read the story for free here: http://www.lightspeedmagazine.com/fiction/mono-no-aware/ You can listen to the story for free here: http://escapepod.org/2013/08/06/ep407-mono-no-aware/

Mat och film verkar höra ihop. På filmfestivalen i Berlin finns en hel sidoserie med gastronomisk film. Hur många älskade inte filmen The Trip, fascinerades av Landet Brunsås och fänglsas av Halv åtta hos mig eller Sveriges Mästerkock. Givetvis har även dokumentärvärlden påverkats av trenden. För en tid sedan kunde man se "El Bulli - cooking in progress", om den spanska krogen El Bulli och deras vetenskapliga inställning till mat, och nu är det premiär för "Jiro dreams of sushi", om en japansk trestjärning sushibar där jakten på perfektion inte har någon gräns. Nina Asarnoj har inventerat en smakfull och växande genre där matskapande faller någonstans mellan konst och vetenskap. I Svt:s nya dokumentärserie Malmöpolisen ska tv-tittarna ska få en inblick i vardagen för poliserna i staden som sägs vara Sveriges våldsammaste. Kino har låtit Rakel Chukri, kulturchef på Sydsvenska Dagbladet, och Shang Imam, programledare för samhällsprogrammet Verkligheten i P3, titta på de två första avsnitten av dokumentärserien. Filmaren Moa Geistrand har besökt utställningen/festivalen Mono No Aware i New York, en sorts festival för konstnärer och filmmakare som arbetar med film, jusprojektioner och installationer - som man sedan kan kombinera med till exempel performanceinslag, uppläsningar och dans. Det enda som inte är tillåtet är digitala projektioner. Man vill helt enkelt komma åt en sorts filmens lavjkänsla. Man skulle kunna säga att det handlar om en sorts analog motståndsrörelse... I maj 1986 bestämde författaren Lena Anderssons klassföreståndare att man skulle investera klassens överskott på kulturpengar i ett biobesök. Eftersom man just läst om Afrika så föll det sig naturligt att man valde den sjufaldigt Oscarsbelönade Mitt Afrika om den danska författaren Karen Blixen med Meryl Streep och Robert Redford i huvudrollerna. Detta biobesök under slutspurten av högstadietiden i Tensta blev betydelsefullt för den då mest sportintresserade Lena Andersson. Anders Bennysson gick hem till henne för att ta reda på konsekvenserna av det där biobesöket. Den danska komikern Dirch Passers liv har blivit till långfilmen Dirch. Trots att Passer är en av de legendariska underhållarna i vårt grannland och gjort både tv och film i Sverige, så är det nästan ingen som minns honom här idag. Och visst, sen sin död 1980 har kanske inte Dirch Passer varit så aktuell här i Sverige. Letar man bland utbudet på hyr-dvd så har man till exempel bara att välja på mjukporrisen Den ståndaktige kyrkoherden och vikingakomedin Här kommer bärsärkarna. I den sistnämnda springer Dirch och Carl-Gustaf Lindstedt springer runt i djurfällar och vikingahjälmar och Dirch försöker prata dansksvenska. Programledare: Roger Wilson Producent: Sara Lundin

Colin Marshall talks to novelist Todd Shimoda, author of 365 Views of Mt. Fuji, The Fourth Treasure and now Oh!: A Mystery of Mono No Aware. Shimoda calls his stories “somewhat experimental, post-modernish, dealing with Asian or Asian-American themes to some degree, but also broad questions of existence,” or “philosophical mysteries.” His latest novel documents an embodies a search for the elusive Japanese literary concept of mono no aware. Persons/places/works/sites referenced in this interview, in the order mentioned Todd and L.J.C. Shimoda's web site, Shimodaworks Todd Shimoda's novels: 365 Views of Mt. Fuji: Algorithms of the Floating World, The Fourth Treasure and Oh!: A mystery of 'mono no aware' The literary concept of mono no aware Novelist Yukio Mishima (1925-1970) Novelist Kobo Abe (1924-1993) Novelist Albert Camus (1913-1960) Albert Camus' The Stranger (Everyman's Library) The Japanese concept of ikigai, or the worth of living Chin Music Press Kobo Abe's The Ruined Map: A Novel An excerpt of Todd Shimoda's Ruined Map sequel-in-progess, Why Ghosts Appear

SPECIAL FORCES Trilogy Mo’Wax THE SUPREME TRUTH S/T (Eight Miles High Dub Mix) Klang CORRADO IZZO Edita (Dark Blue Mix) Gadgets NICK RAPACCIOLI Bit Vertical Form ANDREA PARKER Atacama Giant Mo’Wax DARREN PRICE Things Change Novamute LUKE SLATER’S 7TH PLAIN Think City GPR AS ONE Freefall Shield ALEX CORTEX 6 Billion and One World Kanzlerant […]