Podcasts about Hyperlapse

What if you could create the impossible with AI? In this debut episode of Artful Intelligence, Chris McLeod introduces us to Montreal-based filmmaker Malick Lombion, whose groundbreaking technique, Hyperlapse X AI, is redefining video art. Malick combines hyperlapse cinematography with cutting-edge AI tools like DALL-E to compress time, space, and reality into surreal and mesmerizing visuals. Malick pushed AI to its creative limits, proving that human ingenuity and machine learning can work in tandem to unlock new dimensions of art. Reid Hoffman and Chris explore what it takes to innovate at this level: the right partnerships, a willingness to fail publicly, and a commitment to going all in. Discover how Malick's work inspired a new wave of video creators—and what it says about the future of creativity in an AI-driven world. For more info on the podcast and transcripts of all the episodes, visit https://www.possible.fm/podcast/  Time Stamps: Introduction 00:01 – Artful Intelligence introduction. 02:36 – Chris and Reid discuss the central question: Can AI amplify human creativity? 04:08 – A brief history of cinematic breakthroughs, from Georges Méliès to hyperlapse. 08:13 – Malick explains Hyperlapse x AI. Part 1: The Right Humans Are Required 10:01 – Malick discovers DALL-E 2 and its potential for groundbreaking visuals. 10:55 – Malick teams up with Manuel Sainsily to create Hyperlapse x AI. 12:26 – A long and tedious process.  13:35 – Reid Hoffman on the value of diverse collaborators in AI innovation. Part 2: Plan on Failure in a Public Way 18:39 – Malick gets an offer to work with Insta360. 20:45 – Public experimentation on Instagram leads Malick to hyperlapse videos. 23:08 – Trial and error with a 10-foot selfie stick. 26:39 – Reid Hoffman on iterative deployment and learning from failure. Part 3: Once You Know Where You're Going, Go All In 31:26 – Malick begins transforming his 360 footage into a Hyperlapse x AI video. 32:16 – Malick moves from Guadeloupe to Montreal, fully committing to his passion for video creation. 37:09 – Malick completes his breakthrough video. 40:33 – Malick's Hyperlapse x AI video goes viral. Outro 49:19 – Chris reflects on Malick's journey and previews the next episode in the series. Links: Malick Lombion's Instagram: https://www.instagram.com/malick.fr?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw== Malick's Hyperlapse x AI video with the Insta360 camera https://www.instagram.com/reel/CiPyY1VAv6I/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA== An updated version of Malick's and Manuel Sainsily's first Hyperlapse x AI video https://www.instagram.com/reel/ChNyS6iAEA8/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==

This lecture was filmed in Green Bay on November 20, 2024. This video is of the one-hour lecture on troublesome toxins, K9 drug overdose, point of injury, and prehospital care for Operational K9 Handlers. Note: This lecture was originally filmed in a video format called Hyperlapse which took 15-minute chunks of video and compressed it into a 1-minute hyperlapse video. This video has been edited using AI to recover missing frames in this slowed down version of the video. The good news is that the audio was internally recorded to the mic and was fully recovered. Dr. Converse, a veterinary emergency and critical care specialist, has more than 25 years of clinical, educator, and administrative experience in veterinarian healthcare settings. Her positions have included veterinarian practice ownership, medical director, residency director, clinical instructor, and volunteer veterinarian. Dr. Converse is a founding member of Operational K9 Medical Team of Wisconsin. As the organization’s president and medical director, she currently travels throughout Wisconsin educating K9 handlers and EMS personnel on point of injury care for animals experiencing a traumatic event. She was a co-founding member for the National Association Veterinary Emergency Medical Services (NAVEMS) and has also served on multiple nonprofit organizations focusing on suicide prevention and veterinary hospice. She presently is self-employed as a Locum Clinical Instructor in veterinary emergency and critical care with current responsibilities at multiple colleges of veterinary medicine nationally. Dr. Converse obtained her Doctor of Veterinary Medicine from the University of Wisconsin, Madison and is a Diplomate of the American College of Veterinary Emergency and Critical Care. Lyn has more than 25 years of clinical, veterinary practice management, and educator expertise in primary and emergency veterinary care, in addition to roles as a veterinary relations representative and an operations director. Outside of her veterinary employment responsibilities, her genuine passion for volunteering her time and talents for the health of animals is very apparent to her community and profession. She is a member of the Wisconsin Veterinary Medical Association(WVMA), the Wisconsin Practice Manager Association (WVPMA), the Wisconsin Veterinary Technician Association (WVTA), and the National Association Veterinary Emergency Medical Services (NAVEMS). Lyn also sits on the Veterinary Examining Board. Lyn is a founding member of Operational K9 Medical Team of Wisconsin where she serves as its operations director and on its board of directors. Her present role involves scheduling, coordinating, and co-teaching all the Operational K9 Medical Team of WI educational sessions on point of injury care to K9 handlers and emergency medical service personnel. Her veterinary technician degree was obtained from Madison Area Technical College in Madison, Wisconsin. ASPCA Animal Poison Control: (888) 426-4435

MATTHEW VANDEPUTTE's career from learning how to shoot timelapses online to becoming one of the top Timelapse photographers shooting for some of the biggest brands in the world is nothing short of remarkable. In this week's episode I sit down with Matthew to explore his extraordinary career and discover the secrets behind the art of Timelapse photography.******************************************************************SUPPORT THE PODCAST: www.buymeacoffee.com/camerashake******************************************************************JOIN THE CAMERA SHAKE COMMUNITY for the latest news and some behind the scenes insights:  www.camerashakepodcast.com******************************************************************Check out our sponsor: www.platypod.com******************************************************************THIS WEEK'S LINKS:INTERESTED IN THE LOFOTEN VIKING PHOTOGRAPHY WORKSHOP?https://www.idavewilliams.com/trainingTHIS WEEK'S LINKS:JOIN THE CAMERA SHAKE COMMUNITY for the latest news and some behind the scenes insights:  www.camerashakepodcast.comMatthew Vandeputte on the web:https://www.matjoez.comhttps://www.store.matjoez.comMatthew Vandeputte on Social Media:Facebook: https://www.facebook.com/MatjoezOfficial/YouTube: https://www.youtube.com/matthewvandeputteInstagram: https://www.instagram.com/matjoezPinterest: https://www.pinterest.co.uk/matjoez/X (Twitter): https://twitter.com/matjoez======================================Camera Shake Photography Podcast on YouTubehttps://www.youtube.com/camerashakeFULL EPISODE 200 ‘Timelapse Secrets REVEALED - with MATTHEW VANDEPUTTE' IS ALSO AVAILABLE ON: YouTube: https://youtu.be/0rvwDiKWkPEApple Podcasts - https://apple.co/2Y2LmfmSpotify - https://spoti.fi/304sm2G FOLLOW US ONInstagram: https://www.instagram.com/camerashakepodcast/Facebook: https://www.facebook.com/camerashakepodcastTwitter: https://twitter.com/ShakeCameraKersten's website:www.kerstenluts.comKersten on Instagram:https://www.instagram.com/kerstenluts/https://www.instagram.com/threeheadsinarow/

It's time for this week's weigh-in results. I also shared an aha moment I had while helping Catalina and Javi with a science experiment to teach them how water turns into ice. Tune in and grab a nugget of inspiration for your own weight loss journey. Subscribe to the podcast free with the Amazon Music app. Amazon Music provides Prime members with access to millions of songs, top podcasts, and thousands of playlists and Stations ad-free, included with Prime at no additional cost. Sign up here for a free 30-day trial of Prime. Get the episode show notesSign for for my free action plan Stay connected with me on IG @IrresistibleIcingSupport the show

Has the Mavic 3 become the ultimate DJI drone? After 3 months of updates and improvements... Should the Mavic 3 be on the top of your drone wishlist? The Mavic 3 has seen improvements to the digital zoom options (improved sharpness and additional zooming modes), we have seen Hyperlapse waypoints and directional tracking. The Mavic 3 also has the most advance obstacle avoidance, dual camera system and 46 minute flight time. Is this enough to call the Mavic 3 the ultimate DJI drone... or, do we deserve more prosumer features? Subscribe to DansTube.TV: https://www.youtube.com/channel/UCa10m04VDy8yJghT3eJET9Q?sub_confirmation=1 ⭐ Sign up to the ultimate online drone course for beginners: https://fearlessdrone.academy/

Tras el cierre de la aplicación de IGTV por parte de Instagram, otras aplicaciones como Boomerang, la cual servía para hacer bucles de video, así como Hyperlapse, la cual funcionaba para crear lapsos de tiempo comprimidos, han desaparecido de las tiendas de iOS y Android.

Det er slut med de to selvstændige apps Hyperlapse og Boomerang fra Instagram. Begge apps er allerede fjernet. Boomerang havde omkring 300 millioner globale downloads fra 2015, hvor den udkom, til i dag. Faktisk havde Boomerang stadig i gennemsnit 26.000 downloads om dagen, da den blev fjernet. Hyperlapse havde 23 millioner i hele sin levetid og var kun tilgængelig på iOS. Nyheden er ikke overraskende, og udmeldingen fra Instagram om at fjerne de to apps kom kort efter, at Instagram bekræftede sin plan om at lukke sin selvstændige IGTV-app. Begrundelsen er, at man i stedet vil fokusere på initiativer som Reels. Links til baggrund på den og de 3 andre nyheder her: Episode 155

Sobre o Podcast O Loop Matinal é um podcast do Loop Infinito que traz as notícias mais importantes do mundo da tecnologia para quem não tem tempo de ler sites e blogs de tecnologia. Marcus Mendes apresenta um resumo rápido e conciso das notícias mais importantes, sempre com bom-humor e um toque de acidez. Confira as notícias das últimas 24h, e até amanhã! -------------------------------- Apoie o Loop Matinal! O Loop Matinal está no apoia.se/loopmatinal e no picpay.me/loopmatinal! Se você quiser ajudar a manter o podcast no ar, é só escolher a categoria que você preferir e definir seu apoio mensal. Obrigado em especial aos ouvintes Advogado Junio Araujo, Alexsandra Romio, Alisson Rocha, Anderson Barbosa, Anderson Cazarotti, Angelo Almiento, Arthur Givigir, Breno Farber, Caio Santos, Carolina Vieira, Christophe Trevisani, Claudio Souza, Dan Fujita, Daniel Ivasse, Daniel Cardoso, Diogo Silva, Edgard Contente, Edson  Pieczarka Jr, Fabian Umpierre, Fabio Brasileiro, Felipe, Francisco Neto, Frederico Souza, Gabriel Souza, Guilherme Santos, Henrique Orçati, Horacio Monteiro, Igor Antonio, Igor Silva, Ismael Cunha, Jeadilson Bezerra, Jorge Fleming, Jose Junior, Juliana Majikina, Juliano Cezar, Juliano Marcon, Leandro Bodo, Luis Carvalho, Luiz Mota, Marcus Coufal, Mauricio Junior, Messias Oliveira, Nilton Vivacqua, Otavio Tognolo, Paulo Sousa, Ricardo Mello, Ricardo Berjeaut, Ricardo Soares, Rickybell, Roberto Chiaratti, Rodrigo Rosa, Rodrigo Rezende, Samir da Converta Mais, Teresa Borges, Tiago Soares, Victor Souza, Vinícius Lima, Vinícius Ghise e Wilson Pimentel pelo apoio! -------------------------------- Amazon é ligada a trabalho escravo: https://www.theverge.com/2022/3/7/22965654/amazon-suppliers-forced-labor-china-uyghurs Sony pode levar série de TV de God of War ao Amazon Prime: https://www.theverge.com/2022/3/7/22966267/sony-god-of-war-amazon-prime-tv-show Valve interrompe vendas do Steam Deck: https://www.theverge.com/2022/3/7/22965793/valve-steam-deck-reservation-q3-order-window-october-countries-expansion Ubisoft e Take-Two bloqueiam vendas na Rússia: https://www.theverge.com/2022/3/7/22965890/ubisoft-take-two-blocking-game-sales-russia-ukraine-invasion Apple suspende vendas de anúncios na App Store russa: https://9to5mac.com/2022/03/07/apple-search-ads-suspended-from-russian-app-store/ Uber Moto chega a mais cidades no Brasil: https://tecnoblog.net/noticias/2022/03/07/uber-moto-e-expandido-para-mais-11-cidades-do-brasil-veja-lista/ Uber Eats descontinua entrega de comida no Brasil: https://tecnoblog.net/noticias/2022/03/07/uber-eats-encerra-entrega-de-restaurantes-no-brasil-e-culpa-ifood/ Europa votará regulação de crypto: https://www.coindesk.com/policy/2022/03/07/eu-parliament-monetary-committee-to-vote-on-mica-next-week/ Instagram mata os apps Boomerang e Hyperlapse: https://techcrunch.com/2022/03/07/instagrams-boomerang-and-hyperlapse-apps-disappear-from-app-stores/ Google pode comprar a Mandiant: https://www.theinformation.com/articles/google-in-talks-to-buy-mandiant-a-4-5-billion-cybersecurity-firm Google lança o Android 12L: https://www.xda-developers.com/pixel-feature-drop-march-2022/ Android 12L chegará a telefones da Samsung, Lenovo e Microsoft: https://www.theverge.com/2022/3/7/22965155/android-12l-update-release-devices-lenovo-microsoft-samsung-google Chrome 99 fica mais rápido no Mac: https://macmagazine.com.br/post/2022/03/07/chrome-99-bate-safari-e-e-o-navegador-mais-rapido-do-macos/ Apple TV+ terá jogos de baseball: 
https://www.apple.com/newsroom/2022/03/apple-and-major-league-baseball-to-offer-friday-night-baseball/ Apple anuncia novas cores para o iPhone 13: 
https://www.apple.com/newsroom/2022/03/apple-introduces-gorgeous-new-green-finishes-for-the-iphone-13-lineup/ Apple anuncia novo iPhone SE: https://www.apple.com/newsroom/2022/03/apple-announces-the-new-iphone-se-a-powerful-smartphone-in-an-iconic-design/ Apple anuncia iPad Air com M1: https://www.apple.com/newsroom/2022/03/apple-introduces-the-most-powerful-and-versatile-ipad-air-ever/ Apple anuncia o chip M1 Ultra: https://www.apple.com/newsroom/2022/03/apple-unveils-m1-ultra-the-worlds-most-powerful-chip-for-a-personal-computer/ Apple anuncia o Mac Studio e o Studio Display: https://www.apple.com/newsroom/2022/03/apple-unveils-all-new-mac-studio-and-studio-display/ -------------------------------- Site do Loop Matinal: http://www.loopmatinal.com Anuncie no Loop Matinal: comercial@loopinfinito.net Marcus Mendes: https://www.twitter.com/mvcmendes Loop Infinito: https://www.youtube.com/oloopinfinito

The latest Chrome update is faster than Safari. Pixel update lets you type to talk during phone calls. Boomerang and Hyperlapse apps have been removed.

Instagram pulls Boomerang and Hyperlapse from app stores; Riot Games will donate proceeds from in-game passes to Ukraine relief

Le Guide de Survie sur Twitch : http://bit.ly/nowtechteam Sommaire Le Mug Nowtech : 00:00:00 Début du stream 00:07:27 Le Kawa 00:08:29 Les dernières rumeurs de l'Apple Event 00:23:11 YouTube propose de l'argent aux podcasts populaires 00:34:25 Les app Boomerang et Hyperlapse d'Instagram ont disparu 00:40:23 Instagram et les créateurs noirs 00:47:22 La tartine de Marion : Les actus tech en lien avec le conflit Russie-Ukraine 01:05:24 Les corn FAQ #LeMugNowtech est une émission quotidienne qui parle de technologie. C'est une revue de presse des meilleurs articles que nous retenons sur nos Flipboards. Elle est enregistrée en Live à 08h00 (heure de Paris) tous les matins de la semaine. #LeMugNowtech c'est du lundi au vendredi sur la chaîne Twitch NowtechTeam : https://www.twitch.tv/nowtechteam/ ●♦● ABONNEZ-VOUS à nos chaînes ●♦● ►Nowtech Replay : http://bit.ly/2weGg0f Replay des lives Twitch de NowtechTeam ►Nowtech : http://bit.ly/19lUGZZ Tests vidéo d'applications mobiles et tech. ►Twitch NowtechTeam : https://www.twitch.tv/nowtechteam/ Gaming, Revue de presse Tech, Unboxings, Q&A etc... ●♦● SOUTENEZ LA CHAÎNE ●♦● ►En contribuant financièrement : https://www.patreon.com/nowtech ►En devenant Sponsors de la chaîne principale : https://www.youtube.com/channel/UCVwG9JHqGLfEO-4TkF-lf2g/join ►Sub Twitch NowtechQG : https://www.twitch.tv/products/nowtechteam ►En devenant bénévole : benevoles.nowtech@gmail.com ►D'autres façons de nous soutenir : http://nowtech.news/soutenir-nowtechtv/ ►Lien de la boutique Nowtech sur Teespring : https://teespring.com/fr/stores/nowtech-2 ↓ PLUS D'INFOS ↓ ------------ Nos Flipboards --------------------------------------------------------- ►nowtech.tv : https://flipboard.com/@jkeinborg/nowtechtv-ogcbmgbby ►SHOOT : https://flipboard.com/@jkeinborg/nowtechtv-shoot-p3e5vba1y ------------ Suivez NowTech ---------------------------------------------------- ►Lien Instagram de Nowtech : https://www.instagram.com/nowtechteam/ ►Twitter : https://twitter.com/NowtechTeam ►Facebook : https://www.facebook.com/NowtechTeam ►Site Web : http://nowtech.news ►Discord Nowtech : https://bit.ly/nowtechDiscord ►►► EN LIVE tous les matins sur la Chaîne ! Nowtech, chaîne indépendante de tests d'applications mobile et de Tech, est présentée par des passionnés qui partagent leurs avis, astuces et conseils. L'idée derrière Nowtech, c'est de vous offrir des tests soignés et divertissants, pas forcément liés à l'actualité et aux nouveautés, mais avec un vrai ton « homemade ». Nous pensons fondamentalement qu'il est important, en tant que consommateurs, qu'un maximum de personnes s'expriment sur les produits et nous avons voulu apporter notre pierre à l'édifice.

Mercado Libre confirma que un actor malicioso accedió a parte de su código fuente, así como a información de aproximadamente 300,000 usuarios.La firma de ciber seguridad Mandiant confirmó que llegó a un acuerdo para ser adquirido por Google en una transacción en efectivo valorada en 5,400 millones de dólares.Un reporte reciente publicado por el grupo de ciber seguridad detalla que grupos de hackers apoyados por el gobierno chino se han infiltrado en los sistemas de al menos seis estados de Estados Unidos.Tras el cierre de la aplicación de IGTV por parte de Instagram, otras aplicaciones como Boomerang, la cual servía para hacer bucles de video, así como Hyperlapse, la cual funcionaba para crear lapsos de tiempo comprimidos, han desaparecido de las tiendas de iOS y Android.Apoya este podcast escuchando, suscribiéndote y compartiéndolo. Para el análisis a fondo de las noticias acompáñanos en www.dailytechnewsshow.com See acast.com/privacy for privacy and opt-out information. Become a member at https://plus.acast.com/s/noticias-de-tecnologia-express.

Mail bültenimize abone olmak için tıklayın. 5 Dakikada Teknoloji Gündemi Tarih: 9 Mart 2022 Apple, Peek Performance etkinliğini gerçekleştirdi. egirişim, fonbulucu ile 2 milyon 250 bin TL finansmana ulaştı. Nişasta bazlı atıklardan biyopolimer üreten yerli girişim Plastic Move, 4.5 milyon dolar değerleme üzerinden yatırım aldı. Instagram'ın Boomerang ve Hyperlapse uygulamaları yayından kaldırıldı. Podcast Boş İşler'de Önceki Bölümlerimiz

The story of an amateur video maker who started selling historical footage purchased on Ebay in microstock agencies such as Pond5 and Shutterstock, achieving 1000 euros a month earnings after his first year in the microstock businessIn the 19th episode of Sell Your Photos and Videos Online, Daniele Carrer also talks about:- A tool that tells which keywords buyers of a stock image have entered- Why the same buyer should buy photos of a specific contributor multiple times- How to go from being a contributor to being an entrepreneur- The best software and marketplaces for 3D graphics- Why agencies are selling new content faster- How to shoot a hyperlapse properly- A good DSLR for shooting 8K stock footage- The new iStockphoto API key for Microstock Plus- Why can't you upload stolen videos to YouTubeFind the text of the podcast and all the links and resources mentioned on this page:https://www.microstockguru.com/selling-historical-footage/

Sebastian Benz ist ein sehr erfolgreicher Streckenflieger. Seine Flüge dokumentiert und kommentiert er in lehrreichen Zeitrafferfilmen. +++ Wenn Du eine Kamera laufen und den Film später in höherer Geschwindigkeit abspielen lässt, so wird dadurch die Zeit und das dokumentierte Geschehen gerafft. Timelapse heißt das auf Englisch. Wenn beim Filmen zugleich auch noch der Standort beziehungsweise das Blickfeld der Kamera verändert wird, dann wird aus dem Timelapse ein Hyperlapse. Ein schneller Sprung durch Zeit und Raum. Der Schweizer Sebastian Benz nutzt diese Hyperlapse-Technik, um seine Streckenflüge mit dem Gleitschirm zu dokumentieren. So wird aus einem zehnstündigen 250er-FAI-Dreieck im Tessin, das man wohl kaum in epischer Länge im Film nachbetrachten wollte, ein 20-minütiges, kurzweiliges Meisterwerk. Derart zeitlich komprimiert, sieht man nicht nur Wolken wachsen und vergehen, auch die entsprechend gelegte Flugroute tritt einem geradezu logisch vor Augen. Besonders wertvoll macht diese Filme allerdings, dass Sebastian das Geschehen, seine Entscheidungen zur Routenwahl, seine Überlegungen zu Thermiktriggern und Wolkenentwicklungen etc. kommentiert und sehr verständlich erklärt. Damit werden aus den Hyperlapse-Aufnahmen tolle Streckenflug-Lehrfilme. In dieser Folge Nummer 70 von Podz-Glidz erzählt der 34-jährige Sebastian nicht nur vom Hyperlapse-Filmen, und was er selbst daraus gelernt hat. Es geht unter anderem auch darum, wie er zu einem der erfolgreichsten Streckenflugpiloten wurde. Immerhin gewann er 2020 den World Online XC Contest der FAI. Und im XContest ist von ihm die schier unglaubliche Zahl von mehr als 65.000 Streckenflugkilometern verzeichnet. +++ Wenn Du Podz-Glidz und den Blog Lu-Glidz fördern möchtest, so findest Du alle zugehörigen Infos unter: https://lu-glidz.blogspot.com/p/fordern.html +++ Musik dieser Folge: Track: West Bad | Artist: Jeremy Black No Copyright Music. https://www.youtube.com/watch?v=83VV-NtjmME

Insieme a Niccolò parliamo un po' delle partite del week-end in attesa di quelle del lunedì.

Alpha Universe editor Christopher Robinson speaks with timelapse cinematographer Drew Geraci. In Tech Talk, we’ll rundown some camera setup tips for shooting timelapse. And finally we’ll wrap up with Drew Geraci sharing his top tip for aspiring timelapse movie makers in Do This Now. Drew Geraci is a timebending cinematographer who has built a vast library of work that includes everything from captivating commercials for Cartier to breathtaking timelapse captures across the Alps and the Grand Canyon to the mesmerizing opening sequence to Netflix’s House of Cards. Drew is here to talk about the technology of timelapse, his surprising revelation about the new Sony Alpha 1, and the processing power he uses to produce his latest projects. See more about Drew at alphauniverse.com and subscribe to his  YouTube channel HERE.

Today we sit down with Marc Donahue of PermaGrinFilms to discuss shooting hyperlapse videos. How they're shot, what goes into them and the different techniques of shooting them.Support our Affiliates:Video Business MasteryWedding Film FrameworkMusicbedIntellytech LightingPhantom LUTS (Get 20% OFF with code "ARIEL")_______________________________iFilmmaker PodcastWebsiteInstagramPatreonFacebook Group_______________________________Ariel MartinezWebsiteInstagramFacebookTwitterGear used on the show:Mic - Shure SM7BMixer - Zoom F6Camera - Sony A6300Lens - Sigma 16mm f/1.4Software - Adobe AuditionSupport the show (https://www.paypal.com/paypalme/my/profile)

Hey Wicked Hunters,  Welcome back to another episode The Art of Photography Podcast. Today you'll here conversation I had with Emeric behind 9 years of his journey as a timelapse photographer. He shared how he got started and fell in love with timelapse photography, but most of all how managed to get to where he is right now working with world's leading brand within 7 years doing it professionally.  For you who want to learn more about Emeric you can go to: https://www.emerictimelapse.com/ https://www.facebook.com/EmericTimelapse https://www.instagram.com/emerictimelapse/ If you want to watch the video podcast, head to https://youtu.be/AtpeYlMWPfw Other ways to listen and subscribe to the podcast: Spotify - http://bit.ly/twhspotify  Apple Podcast - https://bit.ly/Theartofphotography  Google Podcast: https://bit.ly/TheArtOfPhotographyWithStanleyAr  Website: podcast.thewickedhunt.com   Tune In (Alexa) - https://bit.ly/TuneInTheArtOfPhotographyPodcastWithStanleyAr  For those of you who want to see more of The Wicked Hunt Photography: Instagram: https://www.instagram.com/thewickedhunt/    Facebook: https://www.facebook.com/thewickedhunt/ Masterclass: https://www.TheWickedHuntPhotography.com    Photo print: https://www.TheWickedHunt.com/  Don't forget to let us know your favourite part of the Podcast on the comment below and subscribe ------------------- Emeric Time Lapse  0:00   And at some point, the sun shining through the clouds and, you know, lit up the entire skyline. But since you know we're facing east, you can see the sunset in the buildings. So it's a pretty interesting concept. And then, few minutes later the clouds starting to turn pink. I was like, oh my god, it's like perfect timing so, Stanley Aryanto - The Wicked Hunt  0:33   you know, this podcast if you already been tuning in, you know, it's it's, it's more about how we share our passion as photographers and creatives. And in this podcast as someone very excited to introduce to you very different in terms of photography world. So I actually met him or come across his profile in social media, and about his score. So I'm excited to go through that. But it's Emmerich and he is a master of time lapse photography. Hamrick. How're you doing? Emeric Time Lapse  1:10   He's totally doing great. What about you? Stanley Aryanto - The Wicked Hunt  1:12   Yeah, not too bad. Not too bad. Just, I mean, I'm so happy to have you here today. having me? Yeah, I'm so glad to have you on board. I mean, you know, I just met you. Well, just first time I talked to you, I suppose. That's what I was trying to say. I just hit you up, Instagram and you reply, and then you say, yeah, so I was really, Emeric Time Lapse  1:35   the first time we talked was like, five days ago, right? Like this. And you asked me for the podcast. I was like, yeah, it's exciting. That's awesome. Stanley Aryanto - The Wicked Hunt  1:46   I mean, like, you know, it's, I guess that's the cool thing about the social media nowadays, you get to meet new people that you know, in the other side of the world, so that's perfectly what you've been up to a house. You know, how's 2020 been for you? Emeric Time Lapse  2:04   It's been pretty hectic. I have to say. No, yeah, I was actually living in Atlanta at the being of the year. So my story is kind of crazy. But I'm going to try to, you know, not talk for too long. So I was living in LA for seven years. At the end of 2018. I moved to Atlanta. And for a year 2018 2020, I was living in Atlanta, I just hated it. I was I was missing LA. I was like, I'd like to another great time. At the end of 20, I moved back to LA. And it was a you know, another big trip where I had to move all my furniture from coast to coast. Drive for 30 hours alone. It was a pretty pretty long, but um, anyway, yeah, I'm back here in LA. And even was the situation right now. I'm pretty happy to be back. Yeah, finally settling. That's fine. I'm pregnant, as you can see. Stanley Aryanto - The Wicked Hunt  3:03   Yeah, it looks it looks good. That's, that's awesome to hear. I'm glad you you know, it's I think it's always good to be able to find your happy place. And I heard that you got your visa as a top notch photographer. So Congratulation. Thank you. Appreciate that. So So tell us a bit more about your background, like you say that you are living in Atlanta, and then you can move to Los Angeles, but where you actually from and you know, what makes you come to America or you know, to settle in Los Angeles? And what makes Los Angeles. So your your happy place basically? Emeric Time Lapse  3:42   That's a good question. So I'm actually from France. So I was born in France. But for say, I took both languages. And so until I was 21, I was living in a medium town called Andre in France. It's like ours from Paris. And I went actually went to college in France to and shortly after. graduating, I actually always wanted to come to America for some reason, like the American dream, what you see in the movies, it's big. It's like you can make money, so many opportunities, all this and I wanted to try it out. Just wanted to see only come here, I didn't know where exactly. At first, I really I was a big fan of New York. And then LA was kind of the back of my mind as well. So shortly after college, I was sending emails to companies. I was finding on Craigslist. It was like, Okay, I do video editing. I'm gonna go to Craigslist and try to see if I can find companies offering you know, internship or maybe small jobs, to see if they agree to work with. And actually one company accepted, you know, to to work with me. So I worked a little bit for them in France and they say okay, Come here for a few months. So I came to LA actually near La was a j one visa. So it was this student visa for people who just graduated. So it was for like, you know, experience the professional work in the US. The experience, I think also it's called anyway, so I started now like this just as an intern in video editing. And then you know, I climb the ladder, we can say this started from the bottom now we're here. And year after year, year after year, I got like new visa. And like recently, I have an O one visa, which is a visa for artists people for people talented in, in their field. That's how they call it. So it's people in the film industry photography. Even like athletes, all of this, it's pretty wide, but it's people who are pretty good in what they're doing. So I was pretty happy to get my own visa for video editing and time lapse photography. This year, they added the time lapse photographer title in the visa, so I got pretty excited. Finally. So yeah, I was living in LA, I started I moved from France to Los Angeles in 2013. I lived in LA for seven years until 2019, which is six, six and a half years. And I was coming titled la so last year I moved to Atlanta on the East Coast. And I was actually sorry, I talk a lot. I was supposed to move to New York. So I drove between LA and New York. I didn't want to move to New York. So I moved to Atlanta because I'd love to it was cheaper. I could keep my car and you know, I want to try it. It's kind of centralised. There is Miami Chicago not too far. So I tried to plan it out for a year just didn't like it decided to come back. Because I feel comfortable in LA you know, I feel like I have some I have a bigger network. I have people around. The weather is nice. I know the city really well. You know, I'm someone who is kind of love anxiety sometimes. So if I feel comfortable in a CD, I feel like it's gonna help a lot. Stanley Aryanto - The Wicked Hunt  7:16   Yeah, for sure. Emeric Time Lapse  7:18   Finding in Atlanta Title I was every time I was going out and especially because you know, you have like expensive gear. So I need to know the area I need to feel comfortable in place where I'm shooting or it's just not going to work. Stanley Aryanto - The Wicked Hunt  7:33   You could argue LA is not the safest as hell. Emeric Time Lapse  7:36   I know the area to avoid areas not to go that's why I should allow from Griffith Park Santa Monica some area in downtown where you're fine. And there's also most people I know more people in LA photographers, we need to go shoot with me so Stanley Aryanto - The Wicked Hunt  7:54   it's I actually used to live in LA. That really Yeah, I live in in Korea, Thailand, and I went to Mark Twain Middle School right in Venice Beach. I used to skip school all the time to skate in Venice Beach. I love that place. But you watch this or hear this stay in school, right? Yeah, I love LA actually, I've been I've been meaning to come out. I was gonna come back this year. I was gonna go storm chasing in this storm alley or something like that. And then yeah, I was gonna make it east coast. But then this can Emeric Time Lapse  8:30   the tornado Valley. Yeah, that's, that's my that's my bucket list. That's definitely my list, Stanley Aryanto - The Wicked Hunt  8:36   man. It's, it's amazing. They're cool. Like, um, yeah, thanks for sharing that. For those listeners who kind of like, don't know what time lapse photography is. You're like, well, I guess time lapse and Hyperlapse gets theirs to to kind of like intertwined. If you want to like, tell us a little bit more about what it is? Emeric Time Lapse  8:57   Sure. Yeah, it's pretty remote. I'm always having a hard time answering this question. But the time zone Hyperlapse is a time lapse that moves in space. So that's pretty simple. A time lapse is a time lapse or Hyperlapse is a time lapse that moves. So time lapse is it's a sequence of images that you're going to take with a specific interval. And then when you put all these images to regular, you know, format video format, like 2430 frames per second is going to make your scene look like everything is going faster than real time. So this time that you know time lapses you know, how do you explain that it's it's like you take a two hour video and if you speed up this video to five minutes, for example, everything's gonna look faster, but to grid better time lapse, cheaper price, better quality, we take a sequence of images with a specific interval and then we have like programmes to like kind of create the video from the image sequence And yeah, I think it's amazing to see day to night transition in like 20 seconds. The clouds floating above a city skyline or landscape or changing like traffic is so many awesome subject for time lapse photography, which makes it really exciting. It's a very different than still photography, because you need to think how is how's your scene gonna look like in 1020 minutes or maybe two hours? Is it worth shooting a time lapse of this? Do you have like constant motion and Zimbra thing moving? Is it a good subject for time now Salafi? Stanley Aryanto - The Wicked Hunt  10:39   Yeah, is that in the hyperlapse? Sorry, yeah, keep going. Emeric Time Lapse  10:44   And Hyperlapse is a time lapse. But between every time you take a picture, you can move the tripod a little bit the camera a little bit, and it's going to create, like a kind of 3d perspective around your subject. It's pretty exciting. Stanley Aryanto - The Wicked Hunt  10:58   So do you actually do Hyperlapse manually by moving your tripod. Emeric Time Lapse  11:06   So yeah, you have different way of doing Hyperlapse videos, you can do handheld, but you're limited, you know, as your shutter speed. I always use a tripod. Yeah, so I do a tripod, I take a picture and move the tripod, maybe a foot or so. And then you aim the camera at your anchor point, you have to select an anchor point or the perspective is going to change if you move the camera. So if you use the guideline on your camera, you set an anchor point. And it's pretty easy. We still have to stabilise the clip after but having the anchor point is very important to get something that looks real, you know, Stanley Aryanto - The Wicked Hunt  11:40   that's crazy. Yeah, cuz like I know that. More people nowadays start using doing Hyperlapse using the gimbal. And connect this with emotion, time lapse on like you say a faster shutter speed. So, but to do it. I know like I've seen kind of tutorials on how to do that, man, it's, it's less, it's a lot of effort to do that. Emeric Time Lapse  12:03   It is time consuming. For sure. Yeah, it takes a long time, especially if you do a tripod where you really have to move the tripod every time. So obviously, your interval is going to be longer than a regular time lapse because you need the time. But the effect you get at the end is amazing. Yeah, I should force myself more Hyperlapse videos, because it's really cool. Stanley Aryanto - The Wicked Hunt  12:27   That's really cool. Yeah, this might be just what I need to push me to start doing Hyperlapse but so far, I haven't had the patience to do it. Is that you cannot touch base a little bit on that. But tell us a little bit why why time lapse photography one why not just still photography, what makes you jump into that sort of genre. Emeric Time Lapse  12:53   The funny thing is, I started photography by shooting time lapse. Oh, like I never actually I've never ever shot still photography for fun. I really went straight from like doing some fun videos with my family and friends to time. That was photography. I didn't do really still photography and I'm thinking I'm pretty bad at still photography. Yeah, I do sometimes do still photography for fun. But yeah, I went straight to time lapse. And I know that there's something very special about time lapse photography, it's mixing, first of all photography and video making, you know, there's no other art form that mixes both video and photography, which is pretty exciting because you get a video from photos from pictures. So I really love the aspect of you know, mixing two different art forms into one. And I really just, I get super excited every time I come back home and and watch you know the products watch the time lapse live for the first time. Enter time lapse. Yeah, I think it's it's exciting. And it's travelling to new places and staring at amazing views for hours. I've actually shut timelapses was still photographers. And obviously still photographers don't like staying in one place for four hours. Like they take they take their pictures and like okay, I'm good. I'm done. Let's go to the next locations. And like, I have only one time lapse like I can't believe right now. Stanley Aryanto - The Wicked Hunt  14:29   I got the second. Yeah, exactly. So Emeric Time Lapse  14:33   it's a very different world than still photography. And yeah, I just I'm getting it's exciting. I think it's it's like seeing the world turn in a way. Yeah. Stanley Aryanto - The Wicked Hunt  14:45   I think one thing that really makes me excited about how much it's just that transformation from one to another interesting thing. And I suppose like, you know, people can argue Oh, why not just take video right? Well A video is very difficult to see that transformation in such a long period so that you don't actually see that much transformation. So, I really love that. Especially day to night. That's something that I really been wanting to do. I can I try a little bit on that, but I want to do like a proper date and I what I've done is kind of just like from two hours. It's quite incredible to see. And, look, I know how much commitment it takes to to to do this to make this short food he has hers right? How long does usually stay out there to have your time lapse like at a time Emeric Time Lapse  15:44   usually so what I've been doing a lot recently is like you just said I'm a big data nice fan. So like at a point where maybe like a few months back had to tell my son to force myself to shoot something else and I'm so like, Okay, I should always do tonight because it's exciting. It's challenging, you know, and yeah, like you say seeing the transition from day to night is exciting. So now when I go shoot my time lapses I just usually go a couple hours before sunset. I shoot a few few time lapses during the day a couple day tonight's a few night shots. And if I feel like it I go to different spots but usually I don't like going to different spots so I just go home. So yeah, really average is like three two flowers on location. As I'm travelling sometimes we can go way more than this because you know I have limited time in the city so I need to get the most out of it in a few days only so I can stay out for like seven hours and go different places different location in the city. It's pretty exhausting. Yeah. But it's exciting. Yeah, it's exciting. Stanley Aryanto - The Wicked Hunt  16:56   That's insane, like four and a half hours at a time staying at one place. Well what do you do and you're waiting. Emeric Time Lapse  17:04   So I should have identified manually so I have to keep an eye on my camera all the time. So it kind of keeps me busy. I know a lot of people have started shooting AV mud that's when I could get better but I'm the manual guy I like shooting my stuff manually all the time. Otherwise it just to Instagram I shoot my blog I try to find a class or a free youtube tutorial two shoots just look at the view. Seriously, sometimes it's just what I'm doing. And every time I regret not bringing a chair with me, I don't have a chair I need to buy a chair. But every time I forget to buy a chair so I'm like standing for like four or five hours sometimes it's it's pretty exhausting, but I don't know I have the passion around time lapse photography like that has been going for almost 10 years now and it's not fading away so that's pretty exciting. Stanley Aryanto - The Wicked Hunt  17:57   So what what what was she like every time you know like like you say you know you get to a location you're looking at this beautiful scenery, you don't have a chair you have to stand you reset your camera for a time lapse and you start shooting everything else blogging, whatever you enjoy the scenery and then I'm sure after a while you're like Okay, I think I had enough of this kind of like scenery you know, after you spend half an hour an hour on that, what puts you to go like the extra hour or you know the extra whatever time it takes for you to stay there to get that footage. Emeric Time Lapse  18:33   Sometimes I tell myself like I'm here, so just let's just shoot it, you know, like it will be pointless to just come back later. I'm here let's do it. I think I just don't want to I don't like wasting my time. So I feel like and also make money from the time lapse I'm like okay, that's a good time lapse. If I if I feel like it's worth it. I'm gonna force myself to stay a little longer and then just do it you know, even if it's outside my comfort zone even if I'm tired like okay, I'm here I'm on vacation I can reset up let's just shoot it or I'm going to regret it. I rather you know get a little more tired but not regret it later. Stanley Aryanto - The Wicked Hunt  19:13   Yeah, I do I do get that I do get get that as like I really hate it when I go to a place and I realised I should have brought that particular lens. You know it's slightly different context there. I know exactly what you mean. termsof rather have that extra effort and not regret it later. Emeric Time Lapse  19:33   Exactly. Yeah. Stanley Aryanto - The Wicked Hunt  19:34   Do you have like a you have like a specific like song or like snack that you would bring? You're like, Tom let's Emeric Time Lapse  19:43   not even besides water actually I never bring anything with me for some reason. If I feel tired, I'm gonna get like, like an energy drink. But for some reason I don't like eating on when I'm shooting. So I just besides water I don't really have anything with me. Stanley Aryanto - The Wicked Hunt  20:00   It's crazy I remember this lunch I was doing like I'm like I was gonna shoot the sunset. And then because the cloud was like oh interesting and then the cloud was disgusting I was like well that's perfect. And now it's like you know what the Milky Way gonna rise there I can kind of be a good like you know, they didn't like bacon I found that so I brought up like a stove and like I was kicking into noodles and everything because I just got bored that's that's crazy. Like that's Yeah, that's amazing to see that that much dedication I suppose we should Emeric Time Lapse  20:37   like to do is like you were talking about like food or whatever is something I really like is booking like hotels was like crazy views. So you can set up the camera by the window and do whatever you want. You can have a couple of beers you can go up at a restaurant for you know to eat you don't care because the camera are protected they're safe. So that's why I like to do a lot when I go to a new city trying to find a hotel is a crazy view. I've been I've been doing this in San Francisco and Chicago New York yet but it's a I love shooting from hotels because you can relax you know Yeah, just a camera watch TV enjoy a few beers go for food like and then the time lapse is doing it's the camera is doing his job. So Stanley Aryanto - The Wicked Hunt  21:23   that's awesome. Yeah, that's that's definitely good to add tips there. What sort of So what sort of gear that can be used to shoot unless you like bring like sliders and all that as well or mainly just a tripod and your camera. Emeric Time Lapse  21:39   So 90% of the time I should just use a regular tripod I do have all the gear for slider you know Pan and Tilt system but 90% of the time as just my cameras and couple of tripods. I have two cameras because sometimes you know there's a beautiful sunset you want to shoot different part different like time lapses so I have two cameras sometimes two tripods and like some hiking I just take one camera and yeah, I have sliders. I have a drone as well to do some like Hyperlapse from the sky which is pretty amazing what you can do yeah, that's pretty much it but I do have sliders I have actually served you know serve the brand. Stanley Aryanto - The Wicked Hunt  22:21   No, not really. Emeric Time Lapse  22:22   That is why RP serve. They do like filmmaking and time lapse sliders Pan and Tilt system. So I'm a brand ambassador, they actually from New Zealand for it's a new company based in New Zealand, and some brand ambassador, they send me some gear and I'm you know, I have to work with a do some review videos. So once in a while do should we sliders. It's, it takes a while to set up. I think that's why I don't like it so much. But um, definitely get like a very nice, you know, one, two or three axis time lapse at the end. So it's pretty exciting. But it takes time to set up so Stanley Aryanto - The Wicked Hunt  23:01   Yeah, cuz like, I mean, I could imagine if you have two cameras, that means two tripods. Yep. And then at least Emeric Time Lapse  23:09   two or three lenses? Exactly, we telemeters Bunch of that it's yeah, it's a love gear. Stanley Aryanto - The Wicked Hunt  23:16   You don't need a second, like a third and a fourth antiquary all that gear, right? Actually, I'm Emeric Time Lapse  23:22   pretty lucky because I have a roller bag. Okay, it's like the maximum carry on sides, you can have on a plane, so it's pretty big. And you can attach a tripod on the side so I can just, you know, pull the bag was the tripod, and then I carry another tripod on my left hand. So yeah, um it gets complicated when I have to bring sliders actually, or other stuff because I'm like, have the roller bag and everybody's tripod kit. Sometimes I also have a backpack who has more stuff. It's so it's a lot of gear. But yeah, I'd rather have the gear on vacation and not use it. You know? Stanley Aryanto - The Wicked Hunt  24:00   Yeah, it goes back to that notion, right? Rather than to regret it. Emeric Time Lapse  24:07   Yep. Yep. Stanley Aryanto - The Wicked Hunt  24:08   So I actually saw your, your post the other day on YouTube about that progression from when your story that's a time lapse video. You only just like, share with the listeners out there. And I'll probably put the put that link on the on the description anyway, but share us a little bit about you know, how do you progress and, you know, what, what was it like to start? How much photography because I think for many people especially like, I mean, I know it was for myself as well, it was it was a little bit out of reach when I start thinking about it, you know, it's like, Man, I cannot do that as like I had to wait there for like three hours and like, you know, it's like picking what it's like, how do you do this? Like you know, so Uh, so take us through a little bit of that, like, you know, how you how you begin all this in terms of, yeah, just making a start and then to where you are right now. Emeric Time Lapse  25:10   It's an exam question, actually, yeah, when I was actually doing this video and looking at my old timelapses, I was trying to figure out how I started where I started, you know, and you get a laugh, but I started shooting time lapse, video, like photography. But even back in 2013, I wasn't even sure what my picture was doing. You know how, like, I didn't know it was really changing the depth of field. It's just, I wasn't really good at photography, but I was still shooting, I was going out there in 2013, sorry. And I didn't know how to control my camera settings. So most sometimes I was shooting either in the AV or even auto mode was my first time lapse in LA. So it's horrible. But I didn't know how to set the perfect interval, I didn't have any. I wasn't really aware of my environments. So I was just shooting a time lapse. For example, in the video, you can see a time lapse of the Hollywood sign. And that said, there's a couple of trees moving in the foreground, but there is nothing moving. So I was shooting time lapse to shoot time lapse. But I learned a lot from the shitty clips, sorry for my language. But I did learn a lot from those clips. Because I knew what I was doing wrong. Like, okay, I'm looking at the clip when I go back to my apartment or house. And yes, that's a boring time lapse. So I need to find a better subject. And then sometimes, okay, maybe my purchase to open here was too close. So next time I go, I'm going to use a slightly different temperature. Okay, the interval right now it's too long. So next time I go outside, I'm going to maybe say to faster interval. So I need to select a better shutter speed. It's like, it's an entire process. Like every time you go out, you experience something, you fail. But the next time you go outside, should I get what you learned from the previous session so you can create better content. And it's really what you see in the video I just posted like seven years of time lapse evolution, you can really see, every single year was pretty much focusing on a new problem. Almost like 2013 2014 is cam this same, but you can see the white balance is off a little bit 2015 the white balance is getting a little better. And starting to enrol files. Yes, I was shooting JPEG. It's terrible. It's terrible. Once you discover, you know the power of row files, it's amazing. But then yeah, white balance 2016 I was maybe shooting more interval that or position or subjects 2017 I was challenging myself shooting Hyperlapse videos. And now 2018. Until now, it's mostly about challenging myself funny new location chasing awesome sunrise and sunset. Because once you know how to do something, and you keep doing the same thing, can I get get bored at some point, like, you need to challenge yourself, you need to try new things, you know, and that's what I'm trying to do with my YouTube channel. I have like, a series of challenge videos that's gonna come up soon, when I'm trying to challenge myself do new things that I'm not so comfortable with, but learn from those things. And during those YouTube videos, I can share my experience with my followers as well. Stanley Aryanto - The Wicked Hunt  28:32   That's really cool. I was blogging because I remember one of the PDF, you're, you're looking at it and it's like, it's like, I don't know what it was thinking that Emeric Time Lapse  28:44   there's some like white balance at night, it looks super yellow. I'm like, What the hell is going on here? Stanley Aryanto - The Wicked Hunt  28:51   It's really funny because I had that moment all the time. It's like, like, I know, I wasn't, you know, like, I was just starting photography. But like, surely like, you know, I wouldn't have been this is great. So like, that's just, it's good, I guess, you know, for especially your listeners who kind of just get started or want to get started that, you know, we all been there. We're not the superhero that sort of social media make us look like you know, like, we didn't wake up yesterday and start picking up a camera and of Emeric Time Lapse  29:20   course not. Yeah. Stanley Aryanto - The Wicked Hunt  29:23   That's yeah, it's really it's really cool to actually see that transformation and it's really it's really good to see the passion, the patient, patient and the passion you have to focus on one problem at a time. I think there is a lot of thing a lot of us have problem with I know like for me, I I'm really impatient. So I want to get there really quickly. And for that reason, I usually rush into all these different things. And I become a jack of all trades and an expert at none. You know what I mean? I Emeric Time Lapse  30:01   think I think the focusing on one problem at a time wasn't really something I decided to do is just it happened. Like, I was showing my time lapse and I, oh, I realise there's a problem here. So I'm going to work to fix it. When I know how to manage this problem what I discover new odd until, until you know, 2018 where now I'm like cleaning my time lapses like crazy. And, yeah, when I look back to 2013 2015 time lapses, I see all those problems that I didn't see at the time. But yeah, focusing on one thing at a time. It's not something that you know, it was doing on purpose, it was really just, it just happened one thing at a time, but as you can see, it took like, several years, Stanley Aryanto - The Wicked Hunt  30:45   I guess you're much wiser person than most of us. You know, it right, the right way us but so, like I said, this is one thing I really want to hear from you. Because, again, as a photographer, right, I could go out into one place, and I could, within the hour or half an hour or whatever time I'm there, I could look at it have a beat back, and I could correct it right away. As a timeless photographer, you don't have that. So how does this How does this learning progression works for you? And you know, what, what kind of works that you find in this, in this experience? What kind of works and what can I do some work to, you know, get better? Quickly at how much photography? Emeric Time Lapse  31:33   That's a good question. I think I think analysing your environments to see to see the city or landscape you're shooting as a time lapse photographer is gonna make the difference. So you need to Yeah, like to sit and analyse your environment. So see what's moving, you shouldn't have timeouts, you know, choosing one picture. So you need to find stuff that are moving in your environment. So most of the time, it's clouds. If you're in the city, it's cars, people like change, like Yeah, analyse your environment, I think that's going to make that you can see it in my video. Like the turn point is I already said sorry. The point where my time lapse is starting to get better is when I really started focusing on what I was capturing. So beautiful sunrise before sunset, constant motion. And I actually found that my favourite time lapses of them all they have like three different components. Because I always said sorry, my English is not 100% Perfect company. But when you have the city skyline makes we have some clouds. And the fast moving elements in the foreground is usually like the best recipe for a good time lapse. Because you have this city skyline is your subject, you have the clouds floating in the sky, and you have really fast moving elements like cars or boats moving in the foreground. And when I realised that you can mix different subjects together, like the city skyline with a sunset, or sunrise with cars or something like this, it's usually what's going to make a good time lapse. So I think if people like who are listening right now, just want to start doing time lapse yet start thinking time lapse. Like it's, it's you're not shooting one frame, you know, it's not, you're not shooting the time frozen. You're not frozen in time. That's what I want to say. So you shooting a period of time, five minutes to two hours, maybe more. So you need to sorry, you need to think about this. I don't know if it makes sense. Stanley Aryanto - The Wicked Hunt  33:45   Yeah, no, totally. I think what you're trying to say there basically think about things that will be right because the timeline information there. Yeah, yeah. So you say about like the foreground having moving foreground changing lights in the meet to meet ground and having clouds that move on the on the background makes Yeah, that cool. That cool. Timeless, is it I remember, when I was first started, I take a photo of this. It was actually a really nice sunset, but it was like you say there was like it was the mountain and then you got like, the sun, the sky kind of changing colour, but there was no cloud. And sure it was kind of nice to see the change in colour, but it takes a while and it's like Emeric Time Lapse  34:30   something missing right? You could do better. Yeah, totally. Stanley Aryanto - The Wicked Hunt  34:35   So that was like when you say that was like yeah, I remember that that when I take that video and that really, really explain why you know that that I feel like there's something missing like you say. Yeah, so that's awesome. Thanks for sharing that. And I think you're exactly right. When you say if there's nothing moving in, in in the in your scene, then There's no point in making a tablet because at the moment is just a multiple same thing. Right? Emeric Time Lapse  35:05   Exactly. That's actually what I'm actually writing a free class right now. And I was talking about this issue where I told people it's not because you can show a time lapse that you should don't show a time lapse, because you can show a time lapse because you should. And I think it's it makes a difference. Like, yeah, I can't go through a time lapse every day here in LA, but I'm not going because first of all, I'm lazy kind of sometimes, but I'm saying it's not worth it to go every day. There is no reason for me to go out every day. I need to pick up when there's no smog when I say some clubs, because it's makes always the difference. So yeah, don't your time lapse because you can yes, you have the gear or the time but go on is worth it. It's what makes the difference. It's what makes a difference between the time lapse in a good beautiful time lapse. Yeah, for sure. message behind behind time lapse, you know, Stanley Aryanto - The Wicked Hunt  35:57   yeah, I think as as photographers, you know, whatever photographers we are we have this tendency of like, looking at one like a scenery and and just like, oh, yeah, that's beautiful. And we didn't think about it and just try to snap it. And then obviously, it doesn't work, because our eyes and our camera are two different looking at two different things. Right. Yeah, that's, that's, I think that's great, too, that you mentioned that, for the viewer out there. To think about what you're shooting and analyse that with. So how is that? How do you learn? Like, you actually, I guess what I'm trying to say is, you should have time lapse, right? You invest like, two, three hours, whatever. And then after that, you've got your, your, your video, so your photo in the video, and then you cannot realise where it's missing. And then the next time you have to try to fix that, right? So is there like, how do you do that is is it just pretty much just a long, long winded process that you have to do? Like, just have to shoot? You know, like hope for the best and then review it and then kind of just try to fix it the next time? Or is there a better way of kind of analysing what you what might have gone wrong during the shoot itself? Emeric Time Lapse  37:18   I'm trying to understand your question. Stanley Aryanto - The Wicked Hunt  37:21   So I guess what, I guess what I'm trying to say is that when we should still photography, we know if we shoot the wrong way, if it's the wrong settings, or what? Well as in a time lapse photography, you don't know your final product that you go home and put it all together. So is there a way? Is there any, like a way that you can recognise that you're like, oh, no, like, you know, I shouldn't I shouldn't have done that. Or, you know, I should have done this, where you don't have to kind of wait until you go home and put it all together, you know that you did wrong? Yeah, I Emeric Time Lapse  37:55   think that's something you develop was time. Like, I think it makes a big difference to really think, like, imagine how the future is going to be like the future is like, what 10 minutes? Like, you really need to think about how it's gonna look like I think a time lapse photographer has to obviously, sometimes you can't control the weather. So you don't know. You don't know how it's gonna end. You know, you don't know what to expect. But there is like different apps and different. And I think knowledge and experience is making you better and better at, you know, thinking what's going to happen. So you is that? Is that your question? Am I answering your question? Yeah, it's a very interesting question. But I'm trying to make sure it's clear for people listening. But yeah, I think that's the experience like, I think 80% of the time, an hour before sunset, I can predict what's going to happen what's going to happen, because I've seen so many different clouds so many different sunset. Yeah, I know what's going to happen. So I know if it's worth going out shooting the next time, you know, obviously I'm not 100% right all the time, but Stanley Aryanto - The Wicked Hunt  39:05   you don't go out there you don't get it right. Emeric Time Lapse  39:08   Exactly. That's That's my moto. I haven't moto that say in French. Can you talk to iron out? Yeah. Which means if you don't try anything, you won't get anything? Stanley Aryanto - The Wicked Hunt  39:15   Yeah. So like, you have to Emeric Time Lapse  39:19   try and yes, sometimes it fails. So many times. I'm like I came back was like very bad footage. It's like you can control the weather. So the best you can do is just show up expect for the best. Sometimes it works sometimes you expected something bad and something amazing happened. It can go both ways. You know? Stanley Aryanto - The Wicked Hunt  39:39   Yeah. That is very clear. Like is a lot of times where that kind of happens. I actually like some of them. My favourite shots are like that. I was like I'm expecting it's like, Oh, it's nothing. It's like, oh, whoa, what's that? Emeric Time Lapse  39:53   Way in time and photography. You need to learn to wait. That's what's gonna make the difference. especially if you're shooting sunset likes. Sometimes you shouldn't use sunset and like Okay, since it was like 1015 minutes ago and yeah, the clouds of the sky looks boring. And then one it later it's like Sky fires super red and pink and like, oh, Mike. Good thing I learned I stayed a little bit longer, you know? Stanley Aryanto - The Wicked Hunt  40:22   Yeah, that's, I actually learned that the hard way. There's so many times that you're like, oh, yeah, it's gone. It's like everything on dry palms like. Emeric Time Lapse  40:33   And you feel so bad. Like you're super angry. But yeah, learn to weights, even in photography, like regular photography. Stanley Aryanto - The Wicked Hunt  40:41   Yeah, totally. That's, yeah, that's cool. So yeah, that's, I mean, thanks a lot for sharing that. I think that's a it's really important for, for many of us to kind of have that passion of patient. It's really hard to Emeric Time Lapse  40:56   lose patience. Yeah. And passion. Yeah. Yeah, that patience Stanley Aryanto - The Wicked Hunt  40:59   to just wait a little bit longer. And, you know, don't don't go for that final product all the time. But yeah, that's, that's amazing. What, what are, share with us some of your favourite time lapse moment, or maybe your time lapse? You know, it can be experienced or photo combat altogether? Emeric Time Lapse  41:21   Excellent question. I'm trying to remember like, which one comes to my mind first. The most recent one was, I was in New York, it was July 2018. So before, all the cosmic thing. But I was meeting a few friends. In New Jersey, you know, we have a skyline view on New York. And then there was, there were a few clouds in the sky, but nothing really, like super exciting. But you know, it was my last day in New York. So we met up there, we started showing time lapses. And at some point, the sun shining through the clouds and, you know, lit up the entire skyline. But since you know we're facing east, you can see the sunset in the buildings. So it's a pretty interesting concept. And then, few minutes later, the the clouds starting to turn pink. I was like, oh my god, it's like perfect time lapse. And then you had like a lot of boat traffic from the Hudson River. And then maybe 20 minutes later, almost full moon rising in my shot was like all. Like, everything came together in one single time lapse. And he got me super excited. And I was like, oh my god, I had to share with my Instagram followers, because every time everything comes together, it gets me super pumped up. And I'm excited. And like, this is why I'm showing time lapse. This is why I have some bad days. This is why sometimes I fail. It's because I want this type of shoot to happen. And there's this one. I think there was another one. Obviously, yeah, I don't know if you've seen this case space. Not not just a space SpaceX sorry. The SpaceX time lapse of the Falcon nine rocket launch above downtown LA. Like this one was super exciting. I didn't know what to expect. I just knew two rockets. So it's gonna go fast. It's going up, so I need to get some room in the sky. So this is what I did. I started with a one second interval, and super wide. And then he came out and like super awesome. And when you see a rocket launch in front of you, it's like super freaking exciting. Stanley Aryanto - The Wicked Hunt  43:36   Is that was that the one that looked like there was an explosion in the sky? Yep. I saw that. I was like, whoa. And yeah, that was that was insane. Actually, I haven't seen the moon one yet. I really need to get a link on that one. Because Emeric Time Lapse  43:54   I don't know if it's it's definitely on Instagram. I don't. I might have a version on YouTube. I still I've been wanting to do a YouTube kind of time lapse mix of New York. But yeah, I think there was, I think there was I feel like I'm missing one. Yeah, I mean, there was a private property in LA, I got a special access to shoot from there. And the view was amazing. The sunset was crazy. It's like you feel excited when you are the right place at the right time. Okay, maybe it happens 5% of the time, but when it happens, it's just super exciting. And it gives you so much energy to further 95% of the time or you won't be at the right place. So yeah, that's why I keep doing this so can chase amazing moment like this in time. Stanley Aryanto - The Wicked Hunt  44:47   Yeah, that's very inspiring, actually. It's very, very true the way you say that. You know, sometimes like I hope all that 95% Only five of them come true, but you know that 5% is like, not go for more. Right? Emeric Time Lapse  45:03   It's so good. It's like, I don't know, gives you so much energy for you know, 95% that it's not so good. I mean, it's still good, but it's anyway, you know what I mean? It's, it's crazy. Yeah. Stanley Aryanto - The Wicked Hunt  45:19   Really hard to explain it isn't it is Emeric Time Lapse  45:21   hard because it's something to live yourself and you need to experience it to understand. Yeah, Stanley Aryanto - The Wicked Hunt  45:27   yeah, that's totally totally. You have like, so like, this year, someone's like, you're really, you know, found moments, I suppose. You know, one, you're, you're most proud of that. 5%. But share us a little bit more about that. 95% like, you know, what is your struggle as a time of photography? And, you know, to get to where you are right now, especially. Emeric Time Lapse  45:54   So there's the most, I think it's like, learning how to read the weather, like sometimes. The 95 It's, How do you say this? It's a good question. Again, you're really good at this. You really did. But it gets me like thinking about how I do things, which sometimes I don't actually, I just do things, but I don't know the psychology behind it. Stanley Aryanto - The Wicked Hunt  46:20   I realised that as well, when I started to, like, teach his that out. It's like, I don't know how to explain that. Like, you cannot have that. Emeric Time Lapse  46:28   It's like putting words on stuff you do physically like actions. But yeah, sometimes what I fail, it's just yeah, it's it's an expected sunset, for example, like a weather that like a sunset that didn't end the way you want it. So you can't have disappointing or you're not at the right place at the right time. Are you facing the wrong way? Like, for example, I was, it was the following maybe a month ago or so. So I went to a spot in LA facing camera east will downtown LA. But it was so smoky, that we can actually live in a cloud as well. Like, I couldn't see the moon at all. I saw the moon for like two minutes, and it was gone. But if at sunset, if I just you know, turn 180 degrees behind me facing west, the sunset was crazy. So I was like, like, I should have gone to a different place facing west. But yeah, it's like you can't get mad at yourself in a way because you didn't go to the right location on time. It's like it's hard to expect what's going to happen I talk a lot about sunset because that's what I shoot the most but that's why I'm you know, more experienced with Yeah, it's just kind of getting mad at yourself for not being in the right place. I feel like that's why I'm struggling struggling and lots and also trying to find new locations, new angles of the cities can be tough in you know, safe areas, especially in LA. So I often goes go back to like the same spots and but I'm trying to get different weather conditions. Stuff like this. Yeah, trying to be original. It's kind of tough after like, seven years in the same area. Stanley Aryanto - The Wicked Hunt  48:13   It's, it's, it's, it's actually one of the reason why I got a second camera. Because there was so many times where I was like, I want to shoot time lapse and then 15 minutes to that and I was like, No, I want to shoot the steel frame as well. But I don't want to break the child's like I hate myself more than I was like, you know, getting taken care of. That's yeah, that's a that's that's great. Thanks for sharing that. I think there's a lot of our struggle as photographers especially when we get when we expect one thing facing another and then the other the good things happened on the other side. Emeric Time Lapse  48:58   Yeah, One day One day I was shooting with one camera I think oh, are you here? Yeah, good. One camera and I didn't expect this sensor to be crazy so I can have zoomed in on my time lapse 100 Me also downtown LA is like you know kind of close up shot of downtown LA and obviously the sunset got super crazy and the clouds were super pink and red and and I got super mad at myself because what was happening in front of me but I couldn't really change anything you want to stop the data in a time lapse I'm going to show you the full transition so yeah, you got kind of mad at yourself again for taking a bad decision. The right the wrong fucking lens that time instead of the location location was good but the wrong focal length. Stanley Aryanto - The Wicked Hunt  49:48   It's it's it's always a struggle, isn't it? So like as, as a timeless photographer who's been doing this for seven years, he said Emeric Time Lapse  50:00   So I have seven years professionally, but I started like, for fun back in 2011. So nine years, Stanley Aryanto - The Wicked Hunt  50:06   nine years in Yeah. So how, you know, like, like you say is, it's really hard to come up with something new, right? It's something that's interesting or fresh. How do you? How do you basically fight this uphill battle? To come up with something new for yourself? I guess not only for yourself, but also for your audience, right? Because if it's always the same thing, they become less interesting. So how do you create that view? Engaging, unique content? You know, after 10 years? Emeric Time Lapse  50:42   Good question. Yeah. I try to inspire myself from other people a little bit, try and see what they do. Not so much. Because I don't like copying other people's work. I like to find my own stuff up, you see, but it's great to see what other time lapse photography due to can inspire yourself. And, you know, I'm someone who really overthink a lot, I think a lot, my brains always like to do too. So sometimes I can be, I don't know, brushing my teeth, and bam, I have an idea. So I always have a document open on my computer, it's like, oh, that's gonna be a great idea. Like, it's very new original. So I write it down. And then later on, I go there to shoot it and do it. But yeah, I'm trying to challenge myself a little more. Trying to even if I don't know how to do that thing, I'm gonna try go out and do it. It doesn't mean I'm going to succeed. You know, I think that's, that's why I don't like it. Because I don't like failures. I don't like doing that work. I don't like to waste my time. So every time I go up, it has to be perfect. I have to come back with a great time lapse or I'm going to be angry. I'm very mad at myself. But I realised that it can get boring at some point, because you always go for the safe. The safe game in a way, like always, it's not fun, you know? So if you challenge yourself, okay, you might fail at the beginning. But then you're going to learn from this. It's exactly what I've been doing for the past seven years. I'm just for some reason. I don't want to get out of my comfort zone lately. I'm pretty lazy. Here's something but I've been out of my comfort zone since 2013 in LA and that's why I'm here today. So I need to find again, what's going to take me out of my comfort zone to you know, keep growing, you know it because I don't want to stay where I am. I don't wanna be stagnant. I want to stay. Yeah, I'm a good level. I'm good at what I'm doing. But I need change myself more. To be more clear to be more happy, I guess was the content I create to be more fulfilled? I guess. That would be the the word for it. The world the word sorry, word. Stanley Aryanto - The Wicked Hunt  52:53   Yeah. That's, that's good. Thanks. Thanks for that. I think that's really inspiring to hear. Especially you know, how you say that you're, you're, you know, you're you're a perfectionist, and we don't like failures, but by by doing that, you stay in that safe zone. So you know, what the saying stays, you know, there's nothing's gonna happen. There's nothing exciting in your inside your comfort zone. And you know, all Emeric Time Lapse  53:19   this what I've been trying to do, like, okay, when I'm shooting a YouTube video, for example, and oh, I did something wrong. It's fine. I'm gonna I'm still going to share it with my YouTube now. Okay, I did. I did this wrong. I learned from it, I fixed it. Now I'm moving on. And I used to maybe the past couple years to be really okay has to be perfect. Was my YouTube videos was my time lapse videos. And obviously, my time lapse scenes, you know, it's the final products, I really want it to be perfect, but it's still like, if I fail one day, it's fine. I can still you know, share the experience. And I'm a teacher. So I need I think it's the teaching part that makes me Okay, now to teach, I have to be perfect. And it's kind of like the bad side of being a teacher because you put yourself some limits, not limits. You put yourself into a mood where you have to constantly be perfect, better than your students who stuff like this. But no, it's fine. If it's not always perfect. You know, you have to you learn, you see, I was still holding human beings. And it's so cliche, but you know, that's true at the end of the day, Stanley Aryanto - The Wicked Hunt  54:33   that is very curious that it's funny because it's a cliche, but we often forget it so Exactly, yeah. Today, you mentioned that and I think especially as an educator like yourself, you know, I, I follow your, your, your journey, and I appreciate those those failures. Personally, you know, it makes me like, it's like, okay, so I'm kind of right here on you know, like Emmerich's kind of gear In the end, I know how to get to where to go like an inspiration and a goal to aim for I suppose. As someone who started I think that's one thing that could be difficult, just relating back to myself, is that, okay? Like, where? What's next? You know, like, because we don't know any better, right? We only know what we know. So seeing that, like, I think that that that that episode that you share between the eight years it was like really cool. Like, it's like, I got to see us like, okay, it's like, so I kind of know where I am now. And then I kind of know where to fix that. So that's, that's great. Yeah. Cool. Like, yeah, like, that's awesome. Very inspiring. We're coming out to the end of it, so don't want to keep you any longer. A couple more questions for you. Sure. Mine The first one is I'm I'm very I love your your time lapse of that New York and the Milky Way I want you to talk about the lovers. I want to hear that a little bit. Emeric Time Lapse  56:08   It's this time lapse is kind of like the kind of like I just said earlier, where I was doing something super random and approved, I got this idea. So I had to go on my computer and do it and it turned out super well. So it's a time lapse of the Milky Way with the Flatiron Building in New York. It's obviously two different time lapses, you cannot see the Milky Way like this scene in New York, in the centre of Manhattan, you cannot see the Milky Way. But uh, when I do I can composite like this, like a fake blending was two different time lapse, I want to be as as real as possible. Like, sometimes I need the moon but you know, people, they're going to add like a super giant moon on their photo, and it looks fake. I'm going to be the one who's gonna like, maybe make it a little bigger, but I'm going to make it blurrier. I'm going to try to make the same colour. Maybe I'm going to remove a little bit I don't know, I'm always trying to imagine how it really could be. So when I imagined how to see the Milky Way, in New York, I didn't want to have the same exact same milky way that the middle of the desert, you know, because in the middle of a desert, you can, there's not a lot of light pollution. So you can see a lot of contrast in the sky. So I put my Milky Way. But I also put some, you know, light pollution back on top of it to kind of make it a little more real in a way. It's not real, obviously. But I'm trying to fight to be as close as possible from the reality if it was possible to see it. Stanley Aryanto - The Wicked Hunt  57:41   I think that's that's why he was I think that's why it's so cool. Because like, you're right, like when I when I saw it, I was like, wow, like, that looks so real. That's insane. Like, what what actually inspired you to do that? Emeric Time Lapse  57:54   No idea, I think it was. The only reason is like I was trying to find like a time lapse to share on Instagram. And I saw this one of the Flatiron Building that I've never shot. But this guy was completely dark. It was okay, it's super. It's black, it's peach black in New York. There's no clouds. It's like super easy. So I was like, Maybe I should I add something in it. It's nighttime, so I could be away. And so I put it on After Effects. I say like doing the masking around the building. And I don't know, if you look on the left, you can see a building was like balconies. And I had to, you know, mask all around every single balcony to make it even nicer. And it took me like two hours just to do this, you know, tiny part of the time lapse. But yeah, like I say, I'm a perfectionist. So even if I'm going to fake something, I really want it to be as close as possible from the reality. Stanley Aryanto - The Wicked Hunt  58:56   It was really nicely planned. I must say like, I don't do much composite as well. Like, like you do. But like, you know, sometimes I like to do it. And yeah, it's fun to like, the things Emeric Time Lapse  59:08   very fun. Yeah. Because like, you get to challenge yourself, you know, Stanley Aryanto - The Wicked Hunt  59:13   you get the you get to get out of your reality for a little bit. Right, just like imagine what actually possible and I think that's, that's one thing that I really liked about composite is that hey, like, you know, yeah, it's sure it's not real, but like, just imagine this, you know, it could just turn off the light please for three hours New York. Emeric Time Lapse  59:35   If you look at my latest personal Instagram, it's a it's a sensation of Downtown LA. And same it's actually I added the clouds. So it was I wanted to share these time lapse but you know, it's le sky so there's no clouds. And I was like okay, I'm going to try and find a time lapse or shot in the past and I'm going to add the sky and that. So I found a sunrise So I had to flip the time lapse. So the the sun will be on the right side. And so so it certain ways, so it's going from night to day. So I find the size, the speed of the sunrise to make it look like a sunset. And then I, again did like the New York one where I, you know, mask the skyline out in the clouds on top of it. So again, it's fake, but no one saw anything. Unknown Speaker  1:00:27   Very cool. It's very cool. Emeric Time Lapse  1:00:29   Myself, like, you know, like I said earlier trying new things. And yeah, it doesn't work. It doesn't work. Stanley Aryanto - The Wicked Hunt  1:00:35   Yeah. Now that I think that turns out really well. So, you know, like, thanks a lot for being here. And I think we're one question that I always asked to. My, my guess is that, if there is one advice that you can give to the listener who might want to try, you know, time lapse or whatnot, what would be that one thing that they should they can use to focus on and either start a time lapse or get better at time lapse? Emeric Time Lapse  1:01:08   There's just so many. That's why it's interesting. It's just time lapse photography. It's so many little details and things to put together. But I would say, I don't know if it's cliche, but just go out and experience. You know, I have a failure that's, I've been talking about in this podcast a few minutes before. But yeah, just try go out. And yeah, you might fail at the beginning, you might come back with some bad time lapses. But yeah, you can learn from this. And I feel like that's how I learned to create good content is by failing before that the good content, you know, Stanley Aryanto - The Wicked Hunt  1:01:45   yeah. I would say, awesome. Yeah. That's, that's good. Have fun. Yeah, that's it. Right. How fun. That's the one. Emeric Time Lapse  1:01:55   But it makes a big difference. Stanley Aryanto - The Wicked Hunt  1:01:57   Yeah. All right. Well, thanks a lot for being here in America. And yeah, that was a lot of fun. Happy to chat with us. Yeah, Emeric Time Lapse  1:02:05   thank you for having me. It was a lot of fun. Yeah, Stanley Aryanto - The Wicked Hunt  1:02:07   yeah, for sure. So like, you know, for, I know, you got a few projects gonna come in up, you know, like, maybe share with us some of the projects that you have coming up, or some of the ideas that you want to shoot, and let the listener know where they can see more of your, of your real work as well as how to get in touch with you. Especially, you know, like, I know that you're, you're you have a core so for those of you kind of want to learn that I did buy a course I haven't opened it. I haven't edited yet, but I did. So, yeah, let us know how to find you. Sure. First, the Emeric Time Lapse  1:02:45   projects I have right now coming up. I'm working on a big time lapse masterclass. 2021, it's gonna make it's gonna be different than what I have right now. Because I'm travelling all around the country. I'm going to different cities, I'm actually sharing how I approach the different cities. All the problems I'm coming across how I fix the problem, how I adapt my myself and my work to where I am. And so I'm going to have it's a masterclass in a mix of UC education like learning time lapses, but also travelling, and I'm gonna have motion control. Astro time lapse hyperlapse video is going to be big, big masterclass, coming hopefully before the summer 2021 I'm also working on a film festival, a time lapse Film Festival I've been trying to it's an idea I've been having for a hide for almost two years now. To like, create like an awesome good time lapse Film Festival in North America because there's nothing right here. So I got some I got the jury already got the guidelines. I'm working on a website anyway, it's gonna come very soon. By the end, by the by next year, probably. And yeah, obviously in tonnes of YouTube videos coming soon, so people can find me on on YouTube and Rick's timelapse on Instagram as well and make time lapse. And on my website in real time labs.com where I have my classes, all my online classes if people want to purchase, you know, it helps me create more content for free and paid as well. But yeah, I'm really glad I have those classes. Yeah, can learn anything time lapse, Hyperlapse day to like cleaning ever time lapse. Everything you want is 24 hours of lessons. So you got the full day. You can watch my classes for full desk traits. Anyway, yeah, it's all online on Google as well. You can just type my name, you'll find me. Stanley Aryanto - The Wicked Hunt  1:04:53   All right. Well, cool. Well, thanks a lot for that. I was hoping that you mentioned about that one festival because that looks really amazing. Yeah, Emeric Time Lapse  1:05:00   yeah, it's it's gonna come next year I have, I don't know if you know, again to Veganuary is like the creator of our time lapse is gonna be one of the jury and a few other people too. It's gonna be I think it's gonna be a great festival. Stanley Aryanto - The Wicked Hunt  1:05:15   Yeah, that's it. Yeah, that's awesome. I saw that on your, on your feed and like, and this looks like pretty. It's just Emeric Time Lapse  1:05:22   teasing for now because I don't have much ready but I'm just teasing people. It's like a couple of screenshots. Stanley Aryanto - The Wicked Hunt  1:05:30   All right, well, thanks a lot. They're coming in again. Emeric Time Lapse  1:05:33   Well, thanks for having me. Stanley Aryanto - The Wicked Hunt  1:05:35   Appreciate your time, and thanks for sharing your wisdom and also your knowledge. And that was that was a it was great. You know, especially on a really niche type of photography. I suppose. I was really hoping that you jumped on board because I don't know maybe 10 of us photographers. So glad that you did. Emeric Time Lapse  1:05:54   Yeah. My pleasure. That was nice. Yeah. Like I said at the beginning, I'm always trying, you know, if I don't have an excuse for going for it, I was saying yes, it can change a lot of stuff. Stanley Aryanto - The Wicked Hunt  1:06:08   All right, well, we get hundreds Thank you very much for listening in and focus, we get a lot from that. And, you know, even though maybe you want to try time lapse, maybe you know, it's not kind of your your forte, but you should really give it a go because it is a lot of fun. And I started with my cell phone and my GoPro so you don't need to actually use this crazy camera to start it. But as soon as I started, I was hooked like I just there is no looking back. So thanks a lot for being here and tune up for next week. And if you haven't subscribed yet, make sure you follow our channel and you get to hear more about this passionate photographers sharing their how photography give them more hope, purpose and happiness. So if you're watching this on YouTube, you can hit the subscribe button down here and then hit that notification bell, the bell, notification bell and you'll get notified when there's a new episode coming. Alright, well s

Programa Aqui tem Ciência apresenta pesquisa que recebeu menção honrosa no Prêmio Capes de Tese: A popularização do uso das body cams, câmeras acopladas ao corpo, do tipo GoPro, levou ao boom dos chamados vídeos em primeira pessoa, nos quais as gravações são feitas enquanto os usuários realizam atividades como correr, surfar, andar de bicicleta e até mesmo trabalhar. O problema é que os vídeos gravados costumam ficar muito longos. Também é comum que sejam marcados pelas trepidações características do movimento natural no corpo de quem usa a câmera. Uma das técnicas que permitem reduzir e estabilizar os vídeos em primeira pessoa e, assim, assisti-los de uma forma mais agradável, é o Hyperlapse, que passou a ser oferecido por empresas de tecnologia como a Microsoft e o Instagram a partir de 2014. Doutor em Ciência da Computação pela UFMG, o pesquisador Michel Melo da Silva propôs o aprimoramento do método, denominado Hyperlapse semântico. A pesquisa, que recebeu menção honrosa no Prêmio Capes de Tese, promovido pela Coordenação de Aperfeiçoamento de Pessoal de Ensino Superior, é apresentada no episódio 46 do programa Aqui tem ciência.

  Découvrez des artistes de la région dont la discographie est disponible à la Médiathèque de Sélestat - https://www.mediatheque-selestat.net/ (chronique NOTE D'ICI) ? Découvrez OZMA - Hyperlapse.   

Molti fotografi e videomaker si stanno mobilitando per boicottare Shutterstock, dopo la recente rimodulazione delle royalty che ha stabilito.In realtà, boicottaggi, proteste e scioperi, nell'epoca del business digitale, non servono a nulla, se non a far credere importanti i promotori di questi. Togliendo il proprio portfolio da Shutterstock si ottiene semplicemente non solo la perdita delle royalty derivanti dal taglio delle percentuali di commissione, ma anche di tutte le altre.Nel 90esimo episodio di vendere foto e video online, Daniele Carrer parla anche di perché:- qualcuno dice da 10 anni che il microstock è morto- i forum non sono frequentati dai produttori migliori- con il microstock si guadagna, ma non solo soldi- il mondo del business oggi è molto migliore di quello di 20 anni fa- la tecnologia influenza il linguaggio dei media molto più della cultura- Shutterstock spesso dà motivazioni assurde di rifiuto delle foto- per un principiante è meglio iniziare dallo stock footage anziché dalle stock imagesTrovi il testo del podcast e tutti i link e contenuti extra citati in questa pagina:https://stockfootage.it/shutterstock-boicottaggio/

Molti fotografi e videomaker si stanno mobilitando per boicottare Shutterstock, dopo la recente rimodulazione delle royalty che ha stabilito.In realtà, boicottaggi, proteste e scioperi, nell'epoca del business digitale, non servono a nulla, se non a far credere importanti i promotori di questi. Togliendo il proprio portfolio da Shutterstock si ottiene semplicemente non solo la perdita delle royalty derivanti dal taglio delle percentuali di commissione, ma anche di tutte le altre.Nel 90esimo episodio di vendere foto e video online, Daniele Carrer parla anche di perché:- qualcuno dice da 10 anni che il microstock è morto- i forum non sono frequentati dai produttori migliori- con il microstock si guadagna, ma non solo soldi- il mondo del business oggi è molto migliore di quello di 20 anni fa- la tecnologia influenza il linguaggio dei media molto più della cultura- Shutterstock spesso dà motivazioni assurde di rifiuto delle foto- per un principiante è meglio iniziare dallo stock footage anziché dalle stock imagesTrovi il testo del podcast e tutti i link e contenuti extra citati in questa pagina:https://stockfootage.it/shutterstock-boicottaggio/

Siempre tenemos todos los recaudos al hacer una filmación y/o tomar capturas para hacer nuestro hyperlapse, pero algunas veces se nos puede escapar la tortuga y que no nos quede estabilizado, siempre la tecnología nos da una mano y nos ayuda a no perder el trabajo realizado, incluso a que nos quede profesional.Recursos fotográficoshttps://www.retratosnocturnos.comPDF para suscriptores de retratosnocturnoshttps://retratosnocturnos.com/#!/-articulos-tutoriales/?ancla=30Aplicación de Sony de Timelapse que podemos utilizar en Hyperlapse.https://www.playmemoriescameraapps.com/portal/usbdetail.php?eid=IS9104-NPIA09014_00-000003Framelapse: Time Lapse Camera & Fast Motion VideosAndroid:https://play.google.com/store/apps/details?id=com.Nishant.Singh.DroidTimelapse&hl=es_ARApple:https://apps.apple.com/us/app/hyperlapse-from-instagram/id740146917https://apps.apple.com/us/app/lapse-it/id539108382VirtualDub (ver versión 32 o 64 bits)http://virtualdub.sourceforge.net/Deshaker (ver versión 32 o 64 bits) estabilizador VirtualDub. https://www.guthspot.se/video/deshaker.htmProblemas con codec o compatibilidad en VirtualDub les dejo la versión 2https://sourceforge.net/projects/vdfiltermod/files/latest/downloadRaffy Timelapsehttps://sourceforge.net/projects/simpletimelapse/Codec FFMPEGhttp://ffmpeg.org/En mi web los suscriptores siempre tendrán un pdf, video o documento ampliando y graficando el capítulo del podcast. ¡Te espero! ¿Te espero?+++Quieres estar en contacto, acá toda mi información: https://retratosnocturnos.com/#!/contacto/¡Tus comentarios siempre serán bienvenidos!Canal de youtube “del cielo a las estrellas” https://www.youtube.com/channel/UCMvkEI-DN6x6cWeGuvjsxYw/videos?view_as=subscriber (Videos del DIY, hágalo usted mismo)

Siempre tenemos todos los recaudos al hacer una filmación y/o tomar capturas para hacer nuestro hyperlapse, pero algunas veces se nos puede escapar la tortuga y que no nos quede estabilizado, siempre la tecnología nos da una mano y nos ayuda a no perder el trabajo realizado, incluso a que nos quede profesional.Recursos fotográficoshttps://www.retratosnocturnos.comPDF para suscriptores de retratosnocturnoshttps://retratosnocturnos.com/#!/-articulos-tutoriales/?ancla=30Aplicación de Sony de Timelapse que podemos utilizar en Hyperlapse.https://www.playmemoriescameraapps.com/portal/usbdetail.php?eid=IS9104-NPIA09014_00-000003Framelapse: Time Lapse Camera & Fast Motion VideosAndroid:https://play.google.com/store/apps/details?id=com.Nishant.Singh.DroidTimelapse&hl=es_ARApple:https://apps.apple.com/us/app/hyperlapse-from-instagram/id740146917https://apps.apple.com/us/app/lapse-it/id539108382VirtualDub (ver versión 32 o 64 bits)http://virtualdub.sourceforge.net/Deshaker (ver versión 32 o 64 bits) estabilizador VirtualDub. https://www.guthspot.se/video/deshaker.htmProblemas con codec o compatibilidad en VirtualDub les dejo la versión 2https://sourceforge.net/projects/vdfiltermod/files/latest/downloadRaffy Timelapsehttps://sourceforge.net/projects/simpletimelapse/Codec FFMPEGhttp://ffmpeg.org/En mi web los suscriptores siempre tendrán un pdf, video o documento ampliando y graficando el capítulo del podcast. ¡Te espero! ¿Te espero?+++Quieres estar en contacto, acá toda mi información: https://retratosnocturnos.com/#!/contacto/¡Tus comentarios siempre serán bienvenidos!Canal de youtube “del cielo a las estrellas” https://www.youtube.com/channel/UCMvkEI-DN6x6cWeGuvjsxYw/videos?view_as=subscriber (Videos del DIY, hágalo usted mismo)

Los #EncuentrosVirtuales son un espacio donde los niños y adolescentes de #CineastasDelFuturo realizan entrevistas a invitados del arte, la ciencia, la política y el mundo emprendedor

In this video we use the DJI Osmo Mobile 3 to create Hyperlapse videos With Pro Camera 4.0 By Moment! This feature packed app not only supports manual controls for photos and videos, color profiles, DJI Osmo Mobile 3 controls and an amazing timelapse and hyperlapse mode! NOTE: This video covers the iOS version. Check out Moment Lenses For Smartphones! https://www.shopmoment.com/shop?ref=eddiemelendez&program_id=moment-referral-program&utm_medium=referral&utm_source=ambassador&utm_campaign=ambassadors&utm_content=eddiemelendez Download Pro Camera By Moment! https://apps.apple.com/us/app/moment-pro-camera/id927098908 Don't forget to follow/subscribe for weekly videos, live streams and tips about smartphone filmmaking! https://www.youtube.com/emtfilms Join the Ninja Walkers Club! https://www.youtube.com/emtfilms 3 Cinematic Moves With DJI Osmo Mobile 3 https://youtu.be/IHBp0F5hdh4 5 Reasons Why I Like DJI Osmo Mobile 3 https://youtu.be/MZBJ69hjqqw Music by DJ GONZ - Soul To Rise - https://thmatc.co/?l=92039D9E EMT Films is an affiliate partner with some of these vendors. When you click a link and make a purchase, we may receive a small payment, which helps us keep the channel running. Gear! -------------------------------------------- Get the new DJI Osmo Mobile 3! https://click.dji.com/AD14OJ-rxfwlsoIBlBRkFw?pm=link Get the DJI Osmo Mobile 3! (Amazon) https://amzn.to/2Nj1OmA Visit My Amazon Shop! (For almost all the gear I use!) https://www.amazon.com/shop/emt Check out Moment Lenses For Smartphones! https://www.shopmoment.com/shop?ref=eddiemelendez&program_id=moment-referral-program&utm_medium=referral&utm_source=ambassador&utm_campaign=ambassadors&utm_content=eddiemelendez Techni Sport Chair (Used in Video!) Use Code EMT10 for 10% off! http://bit.ly/2XtBT2o Super 73 Bikes! (Use Code EMTS1 or EMT Z1 For Up To 20% Off!) https://super73.com/collections/all?ref=5c64bd8060f74 Fifine Microphones (Used in Video!) T669:https://amzn.to/2MmICos K670: https://amzn.to/2VRhTnh ollow me on Social Media! ----------------------------------- Listen To my Podcast Crop Factor by EMT Films! (Available on most services like Anchor, Apple Podcast, Spotify and more!) Anchor https://anchor.fm/emtfilms Apple Podcast https://itunes.apple.com/us/podcast/id1350535717 Google Podcasts https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8yMzRjM2IwL3BvZGNhc3QvcnNz Spotify https://open.spotify.com/show/1GeVUrJhjxZeufefTqdPMd Overcast https://overcast.fm/itunes1350535717/crop-factor-by-emt-films Follow me behind the scenes via Instagram and IGTV! https://www.instagram.com/emtfilms Follow me on Twitter! https://twitter.com/emtfilms Follow me on Facebook! https://m.facebook.com/emtfilm ----------------------------------------------------------- #dji #moment #djiosmomobile3 51320F EMT DJI Osmo Mobile 3 iPhone 11 Pro Max Moment Lens Moment App --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/emtfilms/message Support this podcast: https://anchor.fm/emtfilms/support

Si dentro de nuestros Timelapse o Hyperlapse utilizamos software de edición de video o simplemente complementamos nuestras fotografía haciendo videos o somos verdaderos film-makers o el video que nos ofrece nuestro drone lo procesamos con Adobe premiere, hoy lo exprimiremos y lo intervendremos para ver porque nos funciona lento o como acelerar el proceso y su performance para una edición creativa y fluida.Todos los enlaces del episodio en https://podcasts.fotografonocturno.com/49-optimizando-premiere-y-manipulando-proxys/

Si dentro de nuestros Timelapse o Hyperlapse utilizamos software de edición de video o simplemente complementamos nuestras fotografía haciendo videos o somos verdaderos film-makers o el video que nos ofrece nuestro drone lo procesamos con Adobe premiere, hoy lo exprimiremos y lo intervendremos para ver porque nos funciona lento o como acelerar el proceso y su performance para una edición creativa y fluida.Todos los enlaces del episodio en https://podcasts.fotografonocturno.com/49-optimizando-premiere-y-manipulando-proxys/

durée : 00:54:18 - Ozma - par : Alex Dutilh - Ozma de Stéphane Scharlé, publie son 7ème album “Hyperlapse” chez Cristal Records, un carnet de route dédié à dix villes traversées par le groupe lors d’une incroyable tournée en 2018 qui leur a valu de monter sur le podium du Bureau Export des groupes français les plus exportés. - réalisé par : Fabien Fleurat

durée : 00:54:18 - Ozma - par : Alex Dutilh - Ozma de Stéphane Scharlé, publie son 7ème album “Hyperlapse” chez Cristal Records, un carnet de route dédié à dix villes traversées par le groupe lors d’une incroyable tournée en 2018 qui leur a valu de monter sur le podium du Bureau Export des groupes français les plus exportés. - réalisé par : Fabien Fleurat

Quick and actionable tips you can start using TODAY to create good content, build your brand, give a peek inside your salon and your world, let potential clients get to know you and strengthen your connection with your existing clients. All you need is your phone and the willingness to do it! www.suitelittleempire.com Instagram @Independentstylistpodcast apps I mentioned were PicPlayPost, Hyperlapse , and Boomerang. Also, Inshot is the BOMB! Follow me @independentstylistpodcast Try kajabi for a month ON ME and download any of my free presets or guides at www.TheCurlGirl.com --- Send in a voice message: https://anchor.fm/independentstylist/message

Ready for a 108-megapixel smartphone camera? Xiaomi announces a new flagship smartphone. Ant Pruitt and Michael Woolsey discusses this phone's tech specs and real-world use of it. Hyperlapse footage is an intriguing way to present footage for viewers, but what about a crowdsourced hyperlapse? New York City is the highlight of a hyperlapse which consists of over 1200 photos found on Instagram. Ant shares his hyperlapse experience using a drone. How do you handle holidays as the family photographer? Woolz shares his thoughts and experiences on this matter as the holiday season is upon us. Thanks for listening to this week's episode of Focus on Photography. We'll be back after the Thanksgiving holiday in the US to record our next episode. Be sure to subscribe and share FOP. Hosts: Ant Pruitt and Michael Woolsey Be sure to subscribe to Focus On Photography in your favorite podcatcher or at https://twit.tv/shows/focus-on-photography. Join our online community at https://twit.community/ and be a part of the discussions. Follow Ant on Instagram: https://www.instagram.com/ant_pruitt/ Follow Wools on Instagram: https://www.instagram.com/heywools/

Marc Donahue broke into the creative industry over 7 years ago with his project Dream Music II which has gathered over 2.2 million views to date on YouTube. Since then, he has made strides in the stop motion and hyper-lapse niche.

Fotografie & Bildbearbeitung lernen: https://videokurs.eu/ Kostenlose Foto-Tutorials: https://fotografieren-lernen.eu/

Just sort of a miscellany post this morning. We have for cool air and fog over the mountain today. Also, looking for some Hyperlapse ideas in my local area. from Quantum Xen Moments https://ift.tt/2LqnYlT via IFTTT… The post Of Fall-like Mornings and Pocket Gimbals appeared first on Quantum Xen.

Apps to Success Das sind die Apps die ich momentan verwende und die mich in meinem Alltag begleiten. Video&Picture editing/Marketing: Lightroom CC free, Canva free, 8mm Cam, Hyperlapse, Unfold Workmanagement: Trello Events: Eventbrite, Eventbrite Veranstalter Learning: Audible, Podcast, Blink-ist, Udemy Network: Linkedin, Xing Outsourcing: Fiverr, Upwork Quick Links Wenn es dir gefallen hat, bitte schreibe mir eben eine kurze Bewertung auf iTunes und co. und abonniere die Show! Mein Startup Meisterkurs - Der Komplette Kurs zur Startup Gründung: https://bit.ly/2YmRmSD Blinkist - 7 Tage kostenlos testen: http://blinki.st/2a8d1a7ec824 Instagram: @Taylansentuerk All the best, dein Fan, Taylan --- Send in a voice message: https://anchor.fm/taylansentuerk/message

Talking about sharing your works-in-progress on the LIA Cast! Working out in public can take many forms. Much like pumping iron at the beaches people walk by - when you post work in progress drawings to your Tumblr or Twitter accounts people see you putting in effort. When is that an advantage? When does practicing illustration in public contribute to your training instead getting in the way? Does it ever slow your training down or is it always a power-up? On this episode of the Lean Into Art Cast Rob and Jerzy explore these questions with Krishna Sadasivam Art Instructor and comic creator of the 15+ year running comic PC Weenies. Links mentioned: New for 2019 -> Krishna Draws - YouTube PC Weenies Sivam Studios Krishna on Instagram Rob's Unblocking Project Boulder and Fleet: Adventurers for Hire Boulder and Fleet live streams The Search for General Tso Jerzy's Masters of the Universe redesign series The Art of Asking Papyrus Sketch 3 Mischief Hyperlapse Art & Story Connect with Jerzy and Rob Jerzy on Twitter Rob on Twitter Lean Into Art on Twitter Support the show via Patreon Lean Into Art Patreon

This week absolute legend and timelapse + hyperlapse guru Matthew Vandeputte (@matjoez) joins me for my first ever "international" interview! We chat about the importance and hard work it takes as a content producer to succeed across multiple platforms like Youtube and Instagram, who inspires him and what it has taken to go from posting pranks and random content to Youtube in 2007 to being Australia's most known timelapse and hyperlapse content producer today. We get technical about the differences between timelapse and hyperlapse and how to shoot and edit them. 500px claims copyright over the black hole, a fly in a Canon lens bugs us and so much more!   Thank you to our show sponsors NiSi Filters Australia and Sirui Australia for the ongoing support of this podcast. To claim 5% off the retail price of any NiSi or Sirui products use the coupon code "projectrawcast" during the checkout process at either nisifilters.com.au or sirui-photo.com.au.   Episode Links NiSi Filters Vivid Sydney 2019 Natural Night Workshops Project RAWcast Photography Workshops - Project RAWcast Matthew Vandeputte Website - Timelapse and hyperlapse photography and filmmaking Matthew Vandeputte (@matjoez) • Instagram photos and videos Matthew Vandeputte on Youtube Matjoez_bts (@matjoez_bts) • Instagram photos and videos Tutorials and ebooks by Matthew Vandeputte Motion Timelapse 2013 Showreel by Matthew Vandeputte - YouTube Rob Whitworth (@robwhitworthproductions) • Instagram photos and videos Reuben Wu (@itsreuben) • Instagram photos and videos Jarrad Seng (@jarradseng) • Instagram photos and videos Geoff Reid New Zealand (@geoffreidnz) • Instagram photos and videos 500px Owner Slammed for Claiming Copyright to Black Hole Image - Petapixel The Mystery of the Fly in the $2,100 'Weathersealed' Lens - Petapixel Project RAWcast Facebook Project RAWcast Instagram Project RAWcast Patreon

Today, you’re going to learn about the best free apps for creating and editing videos on your phone. You’ll learn about apps that can automatically transcribe the words you’re saying and add captions to your videos. You’ll learn about apps that will provide you with clean and modern video templates. And so much more.  ***VISIT THE FULL POST HERE: https://prochurchtools.com/the-best-free-apps-for-creating-editing-videos-on-your-phone/    What's In This Session? Apple Clips (1:00) Animoji (2:38) Hyperlapse (3:38) Splice (4:24) InShot (5:08) Unfold (5:26) VSCO (6:05) Hype Type (6:38) Clipomatic (6:53) I.G Stories (7:16)   Show Notes & Resources Mentioned: Apple Clips (1:00) Animoji (2:38) Hyperlapse (3:38) Splice (4:24) InShot (5:08) Unfold (5:26) VSCO (6:05) Hype Type (6:38) Clipomatic (6:53) I.G Stories (7:16)

Today I am joined by my friend Ace to discuss the most recent episode of the podcast. I asked Ace to join me because similar to Parviz he has networked his way and met big YouTubers so he offers some similar insight to Parviz. Please be sure to leave a rating and review and screenshot this, post it to your Instagram Story and tag @MySocialPod for a feature! FOLLOW PARVIZ YouTube - Parivz Dov Instagram - @Parviz_Dov FOLLOW JACOB Instagram - @TheJacobKelly Twitter - @TheJacobKelly YouTube - Jacob Kelly FOLLOW MY SOCIAL LIFE YouTube - My Social Life Instagram - @MySocialPod FOLLOW ACE Instagram - @Acef.Media Polaroids - @Acef.Polaroid YouTube - acef.media

Parviz Dov is a photographer and videographer in New York City known for his high quality hyperlapse work. He has over 4,000 YouTube subscribers but has worked his way to collaborating with some massive creators on the platform including Casey Neistat, Dan Mace, Sara Dietschy, Nas Daily, and more! Parviz and I chat about how he was able to get in a room with all of these people and impress them enough that they asked to collab. We’ll also dive into what it was like working with each of the many creators he has worked with. We’ll also discuss why you should reuse your content, why he began working focusing on hyperlapses, what it’s like vlogging in public and more! If you enjoy this episode be sure to leave a rating and review and screenshot this episode, post it to your story and tag @MySocialPod to be featured on our account. FOLLOW PARVIZ YouTube - Parivz Dov Instagram - @Parviz_Dov FOLLOW JACOB Instagram - @TheJacobKelly Twitter - @TheJacobKelly YouTube - Jacob Kelly Medium - Jacob Kelly Facebook - Jacob Kelly - My Social Life FOLLOW MY SOCIAL LIFE YouTube - My Social Life Instagram - @MySocialPod TIME CODES 0:00 - Intro 1:09 - How he got into photography and videography 10:38 - Working with influencers 13:23 - Collabing with Nas Daily 18:26 - Working for Piano Around the World 24:20 - Shooting hyperlapses with Sara Dietschy for a video 29:51 - Meeting Casey Neistat and Dan Clark and helping shoot part of the 368 intro 42:49 - Life after collabing with these creators and his plans for YouTube 58:18 - Q&A Intro Song: Tough Love - Joakim Karud https://soundcloud.com/joakimkarud https://www.facebook.com/joakimkarudmusic https://www.youtube.com/user/JoakimKarud Music from Soundcloud Music provided by RFM: https://youtu.be/jaoStyAQN4o

The L-mount alliance, Nikon Z7, Leica Q-P, Nikon P1000, GoPro Hero7, DJI Mavic 2, Sigma, and Samyang are some of the topics that Marco and Mat discuss on episode #20 of the “We Shoot Mirrorless” podcast for November 2018. This show is sponsored by:   HoneyBook - Win Clients. Book Faster. Get Paid. Stay Organized. https://bit.ly/2sAyZIv   and   COSYSPEED - PHONESLINGER The fastest camera bags in the world. https://bit.ly/2OEy6aS Marco invited mirrorless camera expert Mathieu Gasquet (Mat) co-founder of Mirrorlessons.com   Mat talks about his highlights from Photokina 2018. He was especially impressed by the Panasonic, Leica, and Sigma announcement of the L-Lens Alliance. And he shares his feelings about the performance of his Nikon Z7 camera after testing it for one month.   Nikon Z6 - 24.5MP FF camera B&H: https://bhpho.to/2NvFe97 Amazon Germany: https://amzn.to/2zUPFgN   Nikon Z7 - 45.7MP FF camera B&H: https://bhpho.to/2wnfIfQ Amazon Germany: https://amzn.to/2zdnDxx   Canon EOS R B&H: https://bhpho.to/2OCxHWv Amazon Germany: https://amzn.to/2DIHusv Mirrorless news that is covered on this show:   Leica announced an update to the full frame fixed lens mirrorless Q camera. Marco shares what improvements he would like to see in an upgraded Q and compares it to what was actually improved in the new Q-P that retails for $5000 and is $750 more expensive than the regular Q. B&H: https://bhpho.to/2FpzAWs Amazon Germany: https://amzn.to/2zaPrTj   Nikon is shipping a telescope camera, well - almost a telescope-camera. The 16MP 1 / 2.3” sensor Nikon Coolpix P1000 offers an optical zoom lens with an equivalent field of view of 24-3000mm. Yes, that is 3000 with three zeros! The lens has a starting aperture of f2.8 on the wide side and f8 on the tele-end. The included “bird” and “mood” mode gives you a pretty good idea, for what kind of photographers this camera is made for. B&H: https://bhpho.to/2FlN0CD   Amazon German: https://amzn.to/2zbSNVX   GoPro is shipping the new HERO7 in a Black, Silver, and White feature version. The “Black” top model has improved IQ and new Hypersmooth image stabilization. It can shoot at 4k 60fps, has internal WiFi and GPS and some cool features like a TimeWarp that’s a great looking Hyperlapse mode. It should allow you to get great video results even if you don’t have an expensive gimbal to smooth out movement. B&H: https://bhpho.to/2FpiGHz Amazon Germany: https://amzn.to/2zUPvWJ   The popular, pretty compact and foldable Mavic drone from DJI has just received an upgrade - well actually two upgrades. Now there is a Mavic 2 Pro and a Mavic 2 Zoom. The pro version features a small Hasselblad camera with a 1” sensor and the Zoom has a 2x optical zoom lens plus a 4x digital zoom. Except for the cameras, the two drones are identical with added sensors for all directions collision avoidance and a 3-axis gimbal. The Mavic 2 Zoom offers new features like a dolly zoom and super-resolution mode that expand the possibilities of capturing amazing images with that drone. DJI Mavic Zoom B&H: https://bhpho.to/2FybyJ4 Amazon Germany: https://amzn.to/2QLbvdM   DJI Mavic 2 Pro B&H: https://bhpho.to/2FBc1dx Amazon Germany: https://amzn.to/2zbX63x   Sigma is shipping 3 new Global Vision Lenses for Sony E-mount. The Sigma 40mm f1.4 DG HSM Art, the Sigma 56mm f1.4 DC DN Contemporary, and the Sigma 105 f1.4 DG HSM Art (a.k.a. the bokeh monster). Sigma 40mm f1.4 DG E-Mount - B&H: https://bhpho.to/2FnXTnv Sigma 56mm f1.4 DC E-Mount - B&H: https://bhpho.to/2FmFA2f Sigma 105 f1.4 DG E-Mount - B&H: https://bhpho.to/2FnY6qN   Samyang is shipping a manual focus 85mm f1.8 lens for APS-C mirrorless cameras. It will also be offered under the Rokinon brand name and it’s available for Sony E-, Fuji-X, Canon M-, and m4/3 mounts. It has a 9 blade aperture and Ultra Multi Coating to reduce ghosting and chromatic aberrations. B&H: https://bhpho.to/2Fm3dbb   Mirrorless question of the month: Hi Marco, I have been using the Fuji X-T2 for two years now and I am thinking about upgrading to the X-T3 now that it is shipping. I’m mainly a landscape, portrait, and travel photographer and have the XF 14mm, XF 16-55mm, XF 56mm, and XF 55-200mm lenses. Do you think it makes sense for me to upgrade? Question by: Guenther, Stuttgart, Germany   Fuji X-T3: B&H: https://bhpho.to/2pmdfOP    Amazon Germany: https://amzn.to/2xxGstM We have a PPN Photo Podcast Network group at Flickr (click link) that is open to our listeners and photos taken with all mirrorless camera brands. If you want to join just let us know through the "request invitation" button on the group and drop us a quick line there. We'll add you to the group then. And please ask for the invite via the web browser and not via the Flickr App. The invite process via the app has not been working reliably. You can also submit an image using the Instagram hashtag #WeShootMirrorless   We have picked our monthly featured photographer and image from the submitted photos. Our monthly We Shoot Mirrorless feature photo and photographer of the month is: Jim Sollows - Title: Cranberry Harvest Time (click here). Links to Mathieu Gasquet (Mat): Web: mirrorlessons.com Web: mirrorlesscomparison.com Instagram: https://www.instagram.com/mirrorlessons/ Facebook: https://www.facebook.com/mirrorlessons Twitter: https://twitter.com/MirrorLessons   Links to Marco Larousse: Web: www.MarcoLarousse.com Twitter: @HamburgCam Instagram: https://www.instagram.com/marco.larousse/ Facebook: https://www.facebook.com/MarcoLarousse1   Links to PPN: Web: www.PhotoPodcasts.com Twitter: @Photopodcasts Facebook: https://www.facebook.com/photopodcasts/ YouTube: https://www.youtube.com/channel/UCWaUn2M1BBoecISFEOJGRCg Please support our show by using our B&H affiliate link (click here) that will not cost you a penny more than when you are buying at B&H without our link. And the more this link will be used to buy at B&H, the more giveaways we’ll be able to give back to our listeners through B&H. It really is a “win-win” situation :)   Check out the Skylum LUMINAR 2018 software: Link: http://bit.ly/2CzlC2g (use the discount code “PHOTOPODCASTS” at checkout for extra savings)   And please share this podcast with your friends and subscribe via iTunes. We would also love to get your feedback. Is there anything that you want us to cover on the show in the future? And we would appreciate if you could take a short moment to rate or post a quick review for our shows on iTunes.   For more information on Marco Larousse follow him on Twitter: @HamburgCam   About this show: On the monthly #WeShootMirrorless episode of the “PPN - Photo Podcast Network” show, Marco and a guest will discuss news from the mirrorless camera world related to innovations, trends, gear, and accessories. And they will introduce mirrorless camera brands by interviewing the respective managers of those manufacturers. They will also invite pro photographers who make their living working with mirrorless cameras to share some tips and tricks about their workflow.

Homesnap chats with Italina Kirknis, an online presence expert who works with real estate agents, about common mistakes agents make in their social media marketing. You'll learn: 1. How to send people from your personal Facebook page to your business page. 2. How to list your services on your Facebook page and add a description to your Facebook photo. 3. How to create a content mix that provides value, is relevant and still promotes you and your personality. 4. How to get the most out of LinkedIn by not dismissing it only as a professional platform. (Also - think SEO.) 5. Why you need to post consistently on Instagram. 6. Why to stay away from real estate-focused hashtags on Instagram. 7. Why you have to have a Google Business page.     Links mentioned: Italina's Inman article Gmail app Legend app Hyperlapse app  

Las técnicas para crear productos vistosos y de calidad son imprescindibles en nuestro negocio/trabajo o hobbie. Hoy Caye nos va explicar que es un Hyperlapse y que pasos debemos seguir para conseguir los mejores resultados. Bienvenidos a  #droneando. ¿Qué es un hyperlapse? TimeLapse en movimiento. Lo que se mueve es el punto desde el que está tomada […] La entrada 44. Hyperlapse con dron se publicó primero en Droneando.

Scott Herder is a multimedia content creator who specializes in manipulating time through time-lapse, hyper-lapse and slowmotion in his unique flowmotion videos during his travels. His work for Czech Tourism was nominated for best time-lapse video of the year. When he and his wife aren’t traveling for work, they are traveling to experience and live in different cultures. You can learn more about hyperlapse photography at hyperlapsephotography.com or follow along on their travels on instagram @boboandchichi.Duration 47m 51s. See acast.com/privacy for privacy and opt-out information.

We all know how important social media is to the life of our churches, and its searchability online, as well as just engaging your congregation throughout the week. Brady shares 11 social media tools you can use at your church.   What's In This Session? 1: Instagram Business(0:48) 2: Buffer(2:59) 3: Evernote(3:33) 4: VSCO(4:21) 5: Priime(5:33) 6: Airdrop(6:06) 7: Boomerang(7:40) 8: Hyperlapse(7:47) 9: Layout(7:57) 10: Focus(8:14) 11: Stop motion (Instagram stories feature) (8:46)   Show Notes & Resources Mentioned Lightroom Prime  Alex.Kauai on Instagram Pro Church Tools Pro Church Tools on Facebook Pro Church Tools on YouTube Brady Shearer on Instagram Brady Shearer on Twitter Alex Mills on Instagram   Find the full transcript for this session of the Pro Church Podcast at http://prochurchtools.com/11-free-social-media-tools-churches-ep-124/.

This week, Ash and Michael talk about Twin Peaks, David Bowie, counterculture music, Aphex Twin, Boards of Canada, emotional milestones, The Strain, the zombie genre, The Walking Dead, Doctor Who, Key & Peele, Mike Myers, socially relevant media, international media, Hyperlapse, Russian dashcams, reptilian biology, American vs. British TV documentaries, the biology of reading, Wild Things with Dominic Monaghan, The Lord of the Rings, Occult themes in music, American fear culture, and Bloom County.

It is a long and winding road that leads to very interesting technology discussion on this week's Charlie Tonic. After a recap of Labor Day plans that involve Tecumseh, a pig roast, and firework Ginny and Charlie get into tech. In a conversations that ranges from Lyft to Drones and from Instagram to a friendly robot, the meandering goes all over. They end with a Presbyterian cocktail to celebrate Bourbon Heritage Month and then give you a sneak peek into Cincy Con's best events.

This week, Edward Snowden tells all, Uber & Lyft play dirty, Buzzfeed gets major VC love, Amazon launches a mobile card reader, Netflix passes HBO, more teens are familiar with PewDiePie than Johnny Depp, and what will you do when a robot has your job? What We're Playing With Andy, Tosin & Dwayne: Guardians of the Galaxy; Monument Valley Headlines Samsung launches the Galaxy Alpha smartphone Samsung Galaxy Alpha arrives in September Galaxy Alpha ready to fight iPhone 6 Amazon undercuts Square and PayPal with its own mobile card reader Accusations Fly Between Uber and Lyft Edward Snowden: The Untold Story Audible Book of the Week Pecos Bill narrated by Robin Williams Sign up at AudibleTrial.com/TheDrillDown Music Break: Friend Like Me from "Aladdin" Hot Topic: Media Watch Netflix passes HBO in subscriber revenue BuzzFeed raises $50M from Andreessen Horowitz, valuing company at $850M; most revenues come from creating ads for other brands Survey: YouTube Stars More Popular Than Mainstream Celebs Among U.S. Teens Music Break: Mr. Roboto by Styx The Drill Down Videos of the Week Humans Need Not Apply Hyperlapse: Technology that can dramatically smooth motion in first-person videos Subscribe! The Drill Down on iTunes (Subscribe now!) Add us on Stitcher! The Drill Down on Facebook The Drill Down on Twitter Geeks Of Doom's The Drill Down is a roundtable-style audio podcast where we discuss the most important issues of the week, in tech and on the web and how they affect us all. Hosts are Geeks of Doom contributor Andrew Sorcini (Mr. BabyMan), marketing research analyst Dwayne De Freitas, and Box tech consultant Tosin Onafowokan. Occasionally joining them is Startup Digest CTO Christopher Burnor.