Podcast appearances and mentions of Irving Azoff

Sammy Hagar Opens Up on 21-Year Rift with Alex Van Halen: "I'm Still Out Here Doing It—and That Bothers Him" In a candid new interview with Rolling Stone, Sammy Hagar has broken his silence on the long-standing rift between him and Alex Van Halen—revealing they haven't spoken in over two decades. Alex, who notably refused to mention Sammy by name in his recent memoir Brothers, has apparently shut the door on any form of communication, and Hagar is finally offering his side of the story. “I've asked people like Irving Azoff, ‘What's the problem?'” Hagar says. “Some say it's about Cabo Wabo—that the band gave it to me when it was losing money, and after I turned it into a massive success, Alex got mad. But they gave it to me! I signed off on everything and took the risk. Now they're angry I made it work?” But the Cabo story is only part of the tension. Hagar also points to his brutally honest 2011 memoir Red: My Uncensored Life In Rock, where he chronicled Eddie Van Halen's struggles during their final tour together. While Sammy says he's not looking to drag Eddie's name through the mud again, the damage may have already been done. Still, Hagar believes something deeper is fueling Alex's resentment. “I think Al's mad because I'm still out there doing it—with Mike [Anthony]—and he can't. He's not a frontman, not a songwriter. And I don't think he wants to—or can—play drums anymore. I'd feel terrible if I couldn't do it either. But I'm happy, man. And being happy really pisses people off.” Hagar adds with a smirk, “Al, I'm making you money out here—selling Van Halen records, keeping the legacy alive. Just leave me alone, and I'll do the same.” Alex, for his part, has offered a different vision of Van Halen's legacy. In interviews promoting Brothers, he explained why the book ends in 1984, skipping over the entire "Van Hagar" era and beyond. “The original band—that was the magic,” Alex told Rolling Stone and USA Today. “After that, it wasn't the same. We did good work, but the spirit, the fabric, the bond—it changed.” Asked about the Best Of All Worlds tour featuring Hagar, Anthony, Joe Satriani, and Jason Bonham, Alex didn't mince words: “I'm not interested. They're not doing the band justice. That's not my business.” In fact, Alex never once mentioned Hagar by name during the Rolling Stone interview. Instead, he referred to post-1984 Van Halen simply as: “We had a lot of other singers over the years.” Despite the cold shoulder, Hagar insists he and Eddie reconciled before the guitarist's death in 2020. “I'm at peace with Eddie,” Sammy says. “That was important to me.” Hagar fronted Van Halen from 1985 to 1996, delivering four No. 1 albums—5150, OU812, For Unlawful Carnal Knowledge, and Balance—before the band's brief 2004 reunion. That tour ended on a sour note, with Anthony forced to take a pay cut and sign away rights to the band name and logo just to participate. As for Alex? Hagar isn't holding his breath for a reunion call. “Al's changed. And that's fine,” he says. “I'm just out here keeping the music alive.” "Exclusively Van Halen" is the ultimate destination for all things Van Halen. Step into the world of rock and roll legends as we delve deep into the history, music, and trivia surrounding one of the most iconic bands of all time. Join us as we explore Van Halen's storied career, from their electrifying performances to the making of their timeless hits. Get to know the band members, their inspirations, and the stories behind the songs that have rocked generations. But that's not all – tune in for exciting giveaways where you can win exclusive Van Halen merchandise and more. Whether you're a die-hard fan or just discovering the magic of Van Halen, this show promises to keep you entertained, informed, and rocking out from start to finish. Get ready to jump into the world of "Exclusively Van Halen" and experience the music like never before.

This week we continue our journey to the Great White North! This is the triumphant finale of our celebration of an amazing power trio from Toronto that has been largely forgotten in the pantheon of rock n' roll: TRIUMPH! From classic hard rock & metal to proggy AOR, this is a band that rarely gets the praise they deserve! This episode is rooted in our Should Have Been category. This is a band that Captain Content has mentioned before as a band he would love to dive into deeper. While not the most obscure band we've ever covered (they have multiple platinum and gold albums in the US and Canada), they have been largely forgotten as the rock giants they once were. We think they should be remembered as titans or rock and thus: Huge-er-er!!! Eh?Songs this week include:Triumph - “Time Goes By” from Thunder Seven (1984)Triumph - “When The Lights Go Down” from Stages (1985)Triumph - “Mind Games” from Stages (1985)Triumph - “Play With Fire” from The Sport Of Kings (1986)Triumph - “Carry On The Flame” from Surveillance (1987)Triumph - “Edge Of Excess” from Edge Of Excess (1992)Triumph - “I Live For The Weekend” from Live At Sweden Rock Festival (2008)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

This week we took it to the people, and the people agreed! Not just the people; we got the ok from The Chairman, Mighty K, and the entire 51st state of Canada! Therefore, we give you “Grave Mistake: TRIUMPH Shoulda Been Huge-er!!!”. This is part one of our celebration of an amazing power trio from Toronto that has been largely forgotten in the rock n' roll pantheon. They also happen to have Bonafide Guitar God in the band that rarely gets the praise he deserves! This episode is rooted in our Should Have Been category. This is a band that Captain Content has mentioned before as a band he would love to dive into deeper. While not the most obscure band we've ever covered (they have multiple platinum and gold albums in the US and Canada), they have been largely forgotten as the rock giants they once were. We think they should be remembered as Titans or Rock and thus: Huge-er!!! Eh?Songs this week include:Triumph - “Street Fighter / Street Fighter Reprise” from Triumph (1976)Triumph - “Little Texas Shaker” from Rock & Roll Machine (1977)Triumph - “American Girls” from Just A Game (1979)Triumph - “Tear The Roof Off” from Progressions Of Power (1980)Triumph - “Allied Forces” from Allied Forces (1981)Triumph - “All The Way” from Never Surrender (1982)Triumph - “Fight The Good Fight” from Live At The US Festival (1983)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

Matt is joined by legendary music industry executive Irving Azoff to discuss FireAid, the massive benefit concert on January 30 to help L.A. fire victims. As the Los Angeles area continues its recovery from devastating wildfires, the benefit concert will raise millions for relief efforts. Irving explains how this concert came together so quickly, including the unprecedented streaming effort that will allow millions to watch for free, as well as how many of the major acts got involved like Billie Eilish, Rod Stewart, Stevie Nicks, the Red Hot Chili Peppers, Anderson .Paak, and more. They also discuss the state of the music business, why many prominent voices in the music business are English, how streaming is affecting the business, and more (02:25). Matt finishes the show with a prediction about the benefit concert proceeds (31:52). Click HERE to help those affected by the ongoing wildfires in Los Angeles. For a 20 percent discount on Matt's Hollywood insider newsletter, ‘What I'm Hearing ...,' click here. Email us your thoughts! thetown@spotify.com Host: Matt Belloni Guest: Irving Azoff Producers: Craig Horlbeck and Jessie Lopez Theme Song: Devon Renaldo Learn more about your ad choices. Visit podcastchoices.com/adchoices

Des concerts de bienfaisance, nommés FireAid, seront organisés par les poids lourds de l'industrie que sont Live Nation, AEG et Irving Azoff (manager des Eagles) pour soutenir toutes les victimes des incendies de Los Angeles, avec : Earth, Wind and Fire, Green Day, Gwen Stefani, Joni Mitchell, Red Hot Chili Peppers, Rod Stewart, Sting, Stevie Nicks… Mumford and Sons annoncent un nouvel album, ‘'Rushmere'', leur premier depuis ‘'Delta'' en 2018. Une université néerlandaise, le Summa College d'Eindhoven, propose des diplômes en heavy metal. Une nouvelle réédition en vinyle du neuvième album de David Bowie, ‘'Young Americans'', a été annoncée pour son 50e anniversaire. Mots-Clés : premier single, vidéo, impatience, fans, étudiant, étudier, chant, guitare, basse, batterie, claviers, méthode, production, metal, faculté, professeurs, nommé, ancien, bassiste, Cynic, Robin Zielhorst, membre, Textures, Bart Hennephof, Stef Broks, guitariste, Delain, Merel Bexhtold, ingénieur du son, Jacques De Haard, industrie, scène, coulisses, enseignement, philosophie, expérience, connaissance, réaliste, étudiants, Californie, initiative, récolter, fonds, forêt, bénéfices, programme, reconstruction, famille, déplacé, artistes, édition spéciale, disque, Parlophone, sortie, originel, 1975, LP, demi-vitesse, picture disc, poster, pressé, master. --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, en direct chaque jour à 7h30 et 18h30 sur votre radio rock'n'pop. Merci pour votre écoute Plus de contenus de Classic 21 sur www.rtbf.be/classic21 Ecoutez-nous en live ici: https://www.rtbf.be/radio/liveradio/classic21 ou sur l'app Radioplayer BelgiqueRetrouvez l'ensemble des contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Découvrez nos autres podcasts : Le journal du Rock : https://audmns.com/VCRYfsPComic Street (BD) https://audmns.com/oIcpwibLa chronique économique : https://audmns.com/NXWNCrAHey Teacher : https://audmns.com/CIeSInQHistoires sombres du rock : https://audmns.com/ebcGgvkCollection 21 : https://audmns.com/AUdgDqHMystères et Rock'n Roll : https://audmns.com/pCrZihuLa mauvaise oreille de Freddy Tougaux : https://audmns.com/PlXQOEJRock&Sciences : https://audmns.com/lQLdKWRCook as You Are: https://audmns.com/MrmqALPNobody Knows : https://audmns.com/pnuJUlDPlein Ecran : https://audmns.com/gEmXiKzRadio Caroline : https://audmns.com/WccemSkAinsi que nos séries :Rock Icons : https://audmns.com/pcmKXZHRock'n Roll Heroes: https://audmns.com/bXtHJucFever (Erotique) : https://audmns.com/MEWEOLpEt découvrez nos animateurs dans cette série Close to You : https://audmns.com/QfFankx

Happy New Year and Darren and Steve return, talking about new activity around David Lee Roth: the just-announced, forthcoming 5 CD/5 LP box set featuring the first five DLR solo releases (Crazy from the Heat, Eat 'Em and Smile, Skyscraper, A Little Ain't Enough and Your Filthy Little Mouth), new Dave's assorted "pot label" videos, and the recent Van Halen Argentina 1983 show on You Tube. Plus, the awesome DavidLeeRothNewsDesk.com and ruminating on full songs in the VH vaults - when were these recorded? And Darren has a perfectly logical theory on DLR making an appearance at the upcoming, Irving Azoff-produced Fire Aid concert, that will benefit communities devastated by wildfires in Southern California.

No matter where you are in your career, you'll benefit from listening to 3Q. 3Q provides a window into the careers of some of the best in the music business. Every episode is an insider's view of the realities of life as a music executive. Topics include issues of empowerment, uncertainty, trust, finances, etc; issues that will impact you both personally and professionally. The executives we interview represent every aspect of the industry including but not limited to A&R, Marketing, Music Supervision, Artist Management, Promotion, and more. About Jeff: Jeff started his career at Rick Rubin's American Recordings in 1996.  Later that year, he moved to Revolution Records, a rebrand of Giant Records, Irving Azoff's since-shuttered Warner-distributed label. In 1997, he began a seven-year A&R stint at Dreamworks Records. After the company was sold by Geffen to Interscope he worked as part of the IGA team. Over the next eight years, he worked with Wolfmother, TV On The Radio, Major Lazer, and The All-American Rejects. In his current role, he's signed and worked with critically acclaimed artists such as Mac Miller, Rufus Du Sol, Brandy Clark, Billy Strings, Nessa Barrett, Benson Boone and plenty of others.

In many ways, the mid-to-late 1990s were the golden age of so-called ‘bubblegum pop'.  As technology began to evolve, so did the world's pop stars, with what seemed like an endless supply of perfectly groomed, perfectly styled, young, boy and girl-next-door type pop stars that smoothed off all of the edges found in contemporary Rock, Hip Hop, and R&B, leaving fans with a slew of safe pop idols to worship. There would always be innuendo in pop music - with a sparkle in the eye of a singer belting out suggestive lyrics; or a bit more skin being shown in a music video than you'd normally see at your local community center - but there was a bubble that was not to be popped when promoting pop music, and most stars played it safe. Christina Aguilera - one of the famed students of the Mickey Mouse club of ‘93 - which, of course also introduced the world to Britney Spears, Justin Timberlake and JC Chasez of NSYNC, as well as Canadian Hero Ryan Gosling; debuted her self titled album in August 1999 at Number One on the Billboard 200 with the smash hit ‘Genie in a Bottle' also topping the Charts mere months after contemporary Britney Spears did the same with ‘Baby One More Time'. Christina wasn't shy about her uneasiness around Genie - the song was not her first choice for a debut single, but with the success that followed, she felt like she had to follow the label's direction. Aguilera's debut would go a nearly unfathomable 8x platinum before the end of the year 2000.  Now clearly sitting at the head of the pop-star table, and with the sounds of pop music shapeshifting around her. Christina Aguilera was ready to break free from the bubblegum-pop package she had originally been presented in. By the end of the year 2000, Christina fired her manager Steve Kurtz, hired supermanager Irving Azoff, and was ready to give her image a major shakeup, and show people who she *really* was. It was time to enter the era… of Xtina. This is the story of Christina Aguilera's 'Dirrty' with newly uncovered audio from Christina Aguilera herself! Also includes audio from this video: https://www.youtube.com/watch?v=doXqDkzFEkQ 

Joe Escalante's weekly journey into the dark side of the business end of showbiz... This week: Joe welcomes new associate producer Nikki Strubinsky to the show. Also, Netflix is fighting a major lawsuit stemming from the show, Baby Reindeer. The latest numbers from the box office (Joe recommends The Dead Don't Hurt), Irving Azoff is in some legal trouble after booking his own band at his own venue... The problem is that Azoff's band (The Black Keys) weren't good enough to sell out Azoff's venue. 

On this episode of Sound Up!, Mark Goodman is back on land after spending a week at sea hosting the 80's Cruise. Mark and Alan are joined by another 80's Cruise co-host, former Volume host Lori Majewski to discuss the event and why the 80s still rule! Mark and Alan also have a big review and commentary on the 94th Annual Academy Awards, including the big win by Billie Eillish and Finneas and the surprisingly amazing performance by Ryan Gosling with special guests Wolfgang Van Halen and Slash on "I'm Just Ken." In music news we discuss the current issues with the Billy Preston documentary, Liam Gallagher and John Squire dominate the UK Charts, the recently announced Jimmy Buffett tribute, Irving Azoff purchasing 50 percent of Bryan Ferry's music catalogue, and our new music picks including new tracks from St. Vincent, Kings of Leon, Iron and Wine, Marcus King and More.   We want to make you part of the conversation. Leave us your comments via text or audio message at connect@sounduppod.com https://www.instagram.com/sounduppod/https://twitter.com/sounduppod

MBW's Talking Trends is back! On this episode, Music Business Worldwide founder, Tim Ingham, is joined by US-based industry expert, Charlie D'Atri, to discuss two specific topics that have made headlines in recent weeks: (1) A recent wave of lay-off announcements at major music companies, and (2) Universal Music Group's new $240 million investment into Chord Music.People and companies mentioned on this Talking Trends podcast include: Universal Music Group, Warner Music Group, Robert Kyncl, Julie Greenwald, Chance The Rapper, Peter Mensch, Cliff Burnstein, Roc Nation, John Janick, Monte Lipman, Irving Azoff, Jeffrey Azoff,  Stephen Hendel, Sam Hendel, AWAL, In2une, Sir Lucian Grainge, Boyd Muir, Mubadala, Sony Corp, EMI Music Publishing, Golnar Khosrowshahi, Reservoir, Blackstone, KKR, and Hipgnosis.Music Business Worldwide's Podcasts are supported by Voly Entertainment (previously known as Voly Music).

Les Black Crowes ont sorti "Cross Your Hands", deuxième extrait du prochain album "Happiness Bastards ". Le groupe britannique IDLES a recréé le clip de "Yellow" de Coldplay en deepfake pour son propre morceau, "Grace". Bruce Dickinson (Iron Maiden) reçoit un hommage inhabituel : un lézard péruvien baptisé en son honneur, "Enyalioides dickinsoni". L'album Diamond Dogs de David Bowie, sorti en 1974, fêtera ses 50 ans cette année. Le britannique Rod Stewart a vendu les droits d'édition et de musique enregistrée de son catalogue pour près de 100 millions de dollars. Brian Wilson des Beach Boys a été placé sous curatelle : il souffre de démence et n'est plus en mesure de s'occuper de lui-même, selon des documents judiciaires récemment déposés. Mots-clés : guitare, swing, funk, concerts, tournée, Ancienne Belgique, Joe Talbot, Chris Martin, intelligence artificielle, vidéo, Pérou, réédition, LP, master, Wall Street Journal, Iconic Artists Group, Irving Azoff, Melinda Ledbetter, Gloria Ramos, LeeAnn Hard, Jean Sievers --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, chaque jour à 7h30 et 18h30. Merci pour votre écoute Pour écouter Classic 21 à tout moment : www.rtbf.be/classic21 Retrouvez tous les contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

On this week's show we discuss new developments on AI in the EU and UK that have given the music industry cause for both celebration and concern, and the commercial radio industry's anger as BBC Radio looks to give music fans more choice. SECTION TIMES 01: AI regulation (00:05:24) 02: News in brief (00:15:52) 03: BBC Radio (00:19:11) (Timings may be slightly different due to adverts) THIS WEEK'S MAIN STORIES • Music industry welcomes EU member states agreeing AI Act • Planned UK code of practice on copyright and AI shelved • Government needs to "urgently reconsider" approach to copyright and AI, says culture committee Chair • Commercial radio sector calls on OfCom to block BBC's plans for four new radio stations NEWS IN BRIEF • Spotify CEO slams Apple in earnings calls and hints at more job cuts • Warner Music's Kyncl goes big on importance of major labels and data, says he is confident UMG TikTok dispute will be resolved • Michelle Jubelirer stands down as Capitol CEO as Universal Music restructure goes into effect • Indie labels say Apple's new payment model will take money from their artists to benefit the majors • Megan Thee Stallion marks “beginning of a new chapter” with Warner deal ALSO MENTIONED • Music mogul Irving Azoff and Apple exec Eddy Cue build their ultimate golf course (Golf Digest) • And Finally! Irving Azoff and Eddy Cue's new golf course is open for business. And no, you can't join

BMI For Sale!?! with Michael Drexler, What a BMI Acquisition Could mean for Tomorrow's Artists Michael Drexler is Principal at Drexler Research. Previously lead teams at: - Sony Music Entertainment ·- Senior Director, Business Development, Corporate Development & Strategy - Broadcast Music, Inc. (BMI) - Executive Director, Business Development, Digital Licensing & Strategy - Warner Music Group - Vice President, Digital Strategy & Corporate Development (M&A) 1. Michael Drexler's Story 2. The Consent Decree that Created and Constrains ASCAP and BMI 3. Why BMI Exists? ASCAP'S Racist History!?! 1939 And The Curious Origin Story of BMI 4. Fight For Your Rights - How GMR works, Irving Azoff's Boutique PRO company explained. 5. BMI For Sale!?! - Who Would, Could and Should Acquire BMI? - What a BMI acquisition COULD mean for TODAY'S Artists 6. 20X Earnings Catalog Acquisitions! - Who REALLY benefits? Do Artists Benefit? The Lost Art of Artist Development 7. Verify Media - How it Creates A Credit Rating Company for Catalogs If Your New…. Hacking Music is a community tribe made up of artists who are “crossing the chasm” from “Developing” artist to “Deploying” and “DOMINATING” artist. A tested and vetted training system that aligns: Talent, Training, Tech and Team. P.S. Whenever you are ready, here are 3 ways that we can help you build a healthy profitable career in the music marketplace. Head here to claim your Student Guest Seat -  https://login.circle.so/sign_in?request_host=hacking-music.circle.so&post_login_redirect=https%3A%2F%2Fhacking-music.circle.so%2Fhome%20 Head here to learn about Our Community  https://www.hacking-music.com/community-membership-options Join 11,200+ artist entrepreneurs learning actionable advice in our newsletter. https://www.hacking-music.com/newsletter --- Send in a voice message: https://podcasters.spotify.com/pod/show/hackingmusic/message Support this podcast: https://podcasters.spotify.com/pod/show/hackingmusic/support

To say that Irving Azoff makes being in the music business look easy would be an understatement. After relocating from his hometown, Danville, Illinois to Los Angeles in the early 1970s, it was only a few years before he was managing the Eagles. He's since run companies including Ticketmaster and his own Full Stop Management, and has signed artists from Fleetwood Mac and U2 to Harry Styles and Lizzo. Despite the immediate success he achieved in the rock-and-roll era, though, Azoff thinks today—the age of streaming and social media—is the true musical gold rush. On this week's episode of Table for Two, Azoff reflects on exactly why the modern entertainment industry is so compelling, and delves into the lessons he learned in his early career that he still calls upon all these years later.See omnystudio.com/listener for privacy information.

Welcome to Season 3, Episode 2 of Song Chronicles. Our guest today is Michelle Lewis, an Emmy- and Peabody-winning songwriter and composer and an advocate of songwriters' rights as executive director of SONA. Michelle's parents were both musicians. Her dad was the tenor saxophone player in Frank Sinatra's band and her mom was a session singer who sang with the likes of Benny Goodman. Michelle talks about what it was like to tag along with her parents in the early seventies scene of working musicians in New York as "the little mascot of the cats." Michelle recording jingles as a kid After college, Michelle had a deal with Irving Azoff's Giant Records as a recording artist. Later her songs were recorded by other artists, including Cher, Amy Grant, Kelly Osbourne, and Lindsay Lohan. We talk about the invisibility of songwriters and the skill involved into distilling your life experience into words that can be sung by someone else, like a screenwriter writing for actors. More recently, Michelle has been a composer for children's television, including Doc McStuffins, for which she won a Peabody Award. She shares how writing for television lets her express a different range of creativity because it's not bound by genre. Michelle with her Peabody Award In 2015, Michelle had a cut on an album that sold millions of copies and yet she was paid a fraction of what her 2005 hit was worth. Learning how much streaming technology had devalued the work of songwriters, she got together with songwriters Shelly Peiken, Pam Sheyne, Kay Hanley, Adam Dorn, Jack Kugell, and attorney Dina LaPolt to form SONA, Songwriters of North America. SONA pushes for changes to legislation like the Music Modernization Act which updated how songwriters are paid mechanicals to reflect the streaming music landscape. Michelle breaks down the different sources of revenue for songwriters including mechanicals, performance royalties, publishing, and syncs. SONA meeting with Senator Edward Markey Michelle is a mentor with WriteGirl, an organization that provides free mentoring to girls interested in songwriting and other types of writing including poetry, fiction, journalism, and screenwriting. We talk about the experience of helping girls write their first songs and how their lives are changed after seeing their songs performed. Michelle shares a story about watching future National Youth Poet Laureate Amanda Gorman develop her voice in WriteGirl workshops. WriteGirl songwriting workshop   Enjoy this conversation about the importance of the jobs of songwriters, who provide the soundtrack to our lives.

In part two of my conversation with music industry insider Gerry Young of Current Management, we discuss his experiences with Dire Straits, 10cc & other world wide stars among other things. During our chat we also talked about how he managed to sell Marvin Gaye's last concert recordings to former Eagles manager, Irving Azoff & how to get heard on radio.All this & a lot more....check it out!If you enjoy this episode & would like to help me to continue producing "Tommy Solo's Famous Friends" why not click on the "buy me a coffee" link below. This allows you to make a small donation without a subscription. https://www.buymeacoffee.com/tsolobandq https://www.currentmgmt.com/index.htm

Our Current Events Show # 144 - Presented by SoundBroker.com and hosted by Jan Landy.  An entertaining robust discussion offering opinions on current events. Offer your opinion every Wednesday at 5 PM - Pacific (UTC-8)/ 8 PM EDT  It's more satisfying than seeing a therapist and it gives you a chance to laugh while learning about the latest of what is happening in our world and how it affects us.  Topics Covered:  Passengers Take 16-Hour Flight to Nowhere After Auckland to New York U-Turn Bruce Springsteen & The E Street Band Add 22 North American Arena And Stadium Dates To the 2023 Tour Eagles, Santana, Bruno Mars Thunder Valley Resort Garth Brooks, Irving Azoff, James Dolan, and Makan Delrahim Discuss Bots, Scalpers & Lobbyists At Pollstar Live! Crypto: Endless supply of greater fools - Crypto - Number go up.  Tesla Recalls More Than 362,000 Cars Due to Self-Driving Crash Risk Tina Fey, Amy Poehler to Embark on ‘Restless Leg' Comedy Tour SuperBowl - Two zactrack PRO servers took and translated positioning data for all of the moving platforms so that the lighting fixtures could correctly be programmed to hit them while they were in motion... A Hebrew Bible more than 1,000 years old will likely fetch up to $50 million after it concludes an exhibition tour to Israel and the US.  A first-generation iPhone fetches $63,000 at auction Tim McCarver, died of heart failure. He was 81. Richard Belzer died Does Money Buy You Happiness - Dr. Robert Waldinger, director of the Harvard Study of Adult Development and co-author of "The Good Life," discusses lessons learned from the world's longest scientific study on happiness.    

Joe Escalante's deep dive into the shallow end of Hollywood. This week: the latest from the box office, a salacious scandal involving a Irving Azoff and a Hollywood housekeeper, and the latest from the Tom Girardi and Erika Jayne legal drama. And Precilla Presley is looking to invalidate her recently deceased daughter's will.

New year, new you! It's the 1st episode of 2023 and it's time to get physical. Join Lyndsey Parker (Yahoo Music Entertainment Editor) and first "trainer to the stars," fitness icon and creator of Body by Jake, Jake Steinfeld, on a mental workout as they discuss how Steinfeld made physical fitness an occupation, his album Don't Quit! (first original soundtrack to an exercise video) and the fitness trends of the 1980's.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Bill Cole joins Nestor to discuss the possibilities of Baltimore as music hub with new CFG Bank Arena

Mike Rosenfeld and Nestor discuss why Baltimore deserves nice things

Colabora Con Biblioteca Del Metal: En Twitter - https://twitter.com/Anarkometal72 Y Donanos Unas Propinas En BAT. Para Seguir Con El Proyecto De la Biblioteca Mas Grande Del Metal. Muchisimas Gracias. La Tienda De Biblioteca Del Metal: Encontraras, Ropa, Accesorios,Decoracion, Ect... Todo Relacionado Al Podcats Biblioteca Del Metal Y Al Mundo Del Heavy Metal. Descubrela!!!!!! Ideal Para Llevarte O Regalar Productos Del Podcats De Ivoox. (Por Tiempo Limitado) https://teespring.com/es/stores/biblioteca-del-metal-1 Journey es una banda de rock creada en 1973 en San Francisco, Estados Unidos, por el teclista Gregg Rolie y el guitarrista Neal Schon, integrantes originales de Santana. De estilo rock progresivo en sus inicios, fue cambiando a un estilo más melódico con la incorporación del vocalista Steve Perry en 1978, quien con su voz convirtió a la banda en una de las más destacadas de los años 1980, con ventas de más de 75 millones de discos en todo el mundo convirtiéndolos en uno de los artistas más exitosos de todos los tiempos​ Journey alcanzó la cima del éxito en 1981 con el álbum Escape, que contenía canciones como «Open Arms», «Who's Crying Now» y «Don't Stop Believin'». Durante ese período, la banda lanzó una serie de canciones de éxito, incluyendo «Don't Stop Believin'» de 1981, el más vendido en la historia de iTunes​​​ Las raíces de Journey se encuentran en San Francisco, donde en 1971 el representante de Carlos Santana, Walter Herbie Herbert, decidió organizar una banda de músicos, originalmente llamada The Golden Gate Rhythm Section. Insatisfecho con la dirección musical que buscaba Santana, el teclista/vocalista Gregg Rolie y el guitarrista Neal Schon dejaron la banda en 1972. Prairie Prince de The Tubes, el bajista Ross Valory de Frumious Bandersnatch, y el guitarrista rítmico George Tickner fueron añadidos al nuevo proyecto. Tras un infructuoso concurso radial que buscaba un nombre para el grupo, Jack Villanueva​ sugirió el nombre "Journey.".​ La primera aparición pública del grupo fue en Winterland en la víspera de año nuevo en 1973. Al día siguiente volaron a Hawái a tocar en el Crater Festival. A comienzos de 1973, Prairie Prince se reunió con su antiguo grupo, The Tubes, así que Herbert trajo a Aynsley Dunbar, un baterista que había tocado con John Lennon, Frank Zappa, John Mayall, Jeff Beck, Bonzo Dog Band, Mothers of Invention, Lou Reed, y David Bowie. El 5 de febrero de 1974, la nueva conformación del grupo debutó en el Great American Music Hall, asegurando un contrato con Columbia Records. Journey lanzó su álbum homónimo en 1975. Ese mismo año Journey invitó a Albert King a uno de sus conciertos. El disco mostraba el considerable talento de la banda para la música jazz-fusión y el rock progresivo. El guitarrista rítmico Tickner dejó la banda poco antes de la grabación del segundo álbum del grupo, Look into the Future (1976), el cual le bajó el tono al sonido progresivo del primer disco, pero retuvo su base de jazz-fusión. El siguiente disco, Next, intentó reducir la duración de sus canciones para apelar a una mayor audiencia, e incluyó a Neal Schon cantando varias de las canciones, pero aun así, el éxito comercial seguía eludiéndoles. Con las ventas mediocres de Next el grupo fue presionado por el estudio para cambiar de dirección y buscar un nuevo cantante. Como resultado, Journey trajo a Robert Fleischman. Nativo del sur de California, Fleischman había estado tocando con un grupo de Chicago cuando su representante, Barry Fey, lo trajo a Denver en 1977 para una entrevista con ejecutivos de un estudio. "Estaba nevando mucho y no sabíamos si los ejecutivos iban a lograr llegar a la reunión, pero luego aparecieron muchas personas de la Costa Oeste y de la Costa Este" recuerda Fleischman.​​ Él fue "descubierto" por un ejecutivo de la CBS en dicha reunión, y un par de semanas después, fue enviado a San Francisco para una audición con Journey. A Fleischman le fue notificado que la banda buscaba un estilo más popular, similar al de Foreigner o Boston, por lo que Fleischman supo que su vocalización inspirada por Robert Plant de Led Zeppelin sería un extra. Sin embargo, la potencia de la banda a la que él se intentaba unir, lo impresionó. En su primera sesión de estudio juntos, Fleishman señala, "Era como... tener fuegos artificiales en la bolsa de atrás. Ellos llevaban tanto tiempo tocando juntos, y lo hacían tan bien, que era grandioso tocar con gente así".​ Dichas sesiones produjeron el tema "For You," que luego aparecería en Time, y "Wheel in the Sky," que luego fue re-editada sin Fleischman para el disco Infinity. Fleischman salió de gira con la banda a inicios del año siguiente, pero su lugar en el grupo tenía las horas contadas. Mantuvo a su propio representante, Barry Fey, lo cual demostró ser una constante confrontación con el representante de Journey, Herbie Herbert. Adicionalmente, Herbert parecía no estar dispuesto a dejar que la nueva dirección de la banda saliera a relucir de inmediato, lo cual terminó en situaciones como que Fleischman tenía que agitar una pandereta mientras el resto del grupo seguía tocando sus canciones antiguas para su grupo de seguidores jazz-fusión. Fleischman también chocó con otros miembros del grupo debido a que, aparentemente, no era un escritor de canciones muy productivo.​ El representante Herbie Herbert había oído mencionar al cantante Steve Perry, quien había pasado recientemente por la ruptura de su grupo Alien Project. Tras oír una demo de Perry (que Jack Villanueva le había hecho llegar), Herbie supo que había que hacer un cambio. Tras un interesante entretiempo durante el que Perry fue presentado a la banda (se le dijo a Fleischman que Perry era el primo portugués de Villanueva), Fleischman fue despedido. Perry hizo su debut público con Journey en el Old Waldorf en San Francisco, el 28 de octubre de 1977. Perry conoció a Schon, y la pareja rápidamente escribió su primera canción, "Patiently", que aparecería en el disco Infinity de 1978. Perry aportó su voz de contratenor, limpia y poderosa, a canciones como "Lights," "Wheel in the Sky," y "Anytime." Además, el productor de Queen, Roy Thomas Baker (originalmente traído por Fleischman) ayudó a darle más capas al sonido de la banda. Los cambios funcionaron, y Journey saltó al estrellato. Infinity llegó al puesto Nº 21 en ventas de discos y le dio a Journey su primer disco de platino. Sin embargo, no todos los miembros del grupo estaban felices con la nueva dirección musical. En septiembre de 1978, el baterista Aynsley Dunbar fue despedido y reemplazado por Steve Smith,​​ quien había estudiado jazz en la prestigiosa escuela Berklee en Boston, Massachusetts. El siguiente álbum de la banda, Evolution produjo el primer sencillo Top 20 de Journey, "Lovin', Touchin', Squeezin.'" El álbum Departure (1980) extendió el ascenso del grupo, llegando al n.º 8 en ventas de discos. «Any Way You Want It» fue un éxito Top 25 con amplia difusión en la radio. Luego, Journey fue a Japón a grabar la banda sonora de la película Dream After Dream, a petición del director de dicho filme. En este punto, los conciertos en vivo eran llenados por fanáticos que favorecían la nueva dirección musical del grupo, con algunos celebrando a Perry como alguna vez se hizo con Elvis Presley (sin embargo, el grupo tocaba sus viejas canciones durante los descansos de Perry tras bambalinas). Journey estaba destinado al éxito en gran escala, y a inicios de 1981 lanzó un disco en vivo llamado Captured, grabado durante los conciertos de la gira Departure en 1980. Las primeras 5 canciones del disco fueron del concierto del 8 de agosto en el Fórum de Montreal (Quebec). Otras 2 fueron de conciertos en Tokio y el resto del Cobo Hall en Detroit. Exhausto de tanto salir de gira, Rolie dejó el grupo, siendo esta la segunda vez que abandonaba una banda exitosa en su carrera.​ Recomendó a Jonathan Cain de The Babys para que lo reemplazara.​ Como si pudiera predecir el ambiente musical de los 1980s, Cain favoreció el uso del sintetizador por encima del órgano Hammond de Rolie. El grupo sabía que se les estaba uniendo un gran teclista, pero ignoraban lo poderoso de las habilidades de Cain para escribir canciones. En 1981, el séptimo disco de estudio de Journey, Escape llegó al n.º 1 de las listas, y finalmente se convirtió en su disco más vendido y popular, siendo 9 veces disco de platino. Los sencillos «Who's Crying Now», «Don't Stop Believin'» y «Open Arms» llegaron al Top 10. El trabajado sonido de la banda, encabezada por el distintivo sonido (y pronto, ampliamente imitado) de Steve Perry, se convirtió en una presencia popular en la radio. El canal MTV grabó uno de sus dos conciertos a sala llena en Houston, Texas, el 6 de noviembre de 1981 en frente de más de 20.000 aficionados.​ En particular, «Don't Stop Believin'» mostraba lo bien logrado del rango de contratenor de Perry en conjunto con el piano de Cain y la dinámica guitarra de Schon. «Open Arms», que estuvo 6 semanas en el n.º 2 en las listas de popularidad, ayudaron a establecer a Journey como el estándar del rock de los años ochenta. Tal éxito le valió poco a Journey con los críticos de música. La Rolling Stone Record Guide de 1983 le dio a cada uno de sus discos solo una estrella, y el crítico Dave Marsh escribió que «Journey era un callejón sin salida para el rock de San Francisco... excesiva trivialidad... banalidad... una explotación de un acto cínico». Marsh luego añadió Escape como uno de los peores discos en llegar al n.º 1 en la historia. Con justicia o no, los críticos a menudo categorizaban a Journey con otros actos de rock corporativo como Foreigner, Asia y Survivor. Journey también fue uno de los primeros grupos en ser patrocinado por una empresa grande, Budweiser, al cual mencionaban en las portadas de sus discos. Esto contribuyó a su imagen negativa de rock corporativo, o más precisamente, rock patrocinado por empresas. El representante Herbie Herbert, sin embargo, comentó al respecto que «se debe sembrar mientras dure la primavera»[11] La banda claramente había cortado con sus raíces hippies de Haight-Ashbury. En 1982, la banda aportó la canción «Only Solutions» a la película Tron de Disney. Casualmente, ese mismo año Journey se volvió el primer grupo en inspirar un videojuego: el arcade Journey por Bally/Midway, y Journey Escape de Data Age, para el Atari 2600. El próximo disco de Journey, Frontiers (1983), continuó su éxito comercial. Llegó al n.º 2 de ventas, y produjo 4 sencillos exitosos, de los cuales «Faithfully» y «Separate Ways» llegaron a n.º 12 y 8, respectivamente. La presencia de Cain continuó siendo fuerte en este disco, tanto por ser cantautor (él solo escribió «Faithfully») como por su uso de sintetizadores. Había llegado la era de MTV, y la popularidad de Journey se incrementó por un vídeo musical de corte documental acerca de «Faithfully», que mostraba a varios miembros del grupo con sus familias de gira, y que ayudó a que la canción se ganara un lugar, junto con «Turn the Page» de Bob Seger y «The Load's Out» de Jackson Browne, como una canción favorita para conciertos. Las escenas del documental fueron rodadas en Estadio JFK en Filadelfia, Pensilvania, con más de 80.000 aficionados presentes.​ Poco tiempo después, la banda recibió una petición de un joven moribundo de 16 años llamado Kenny Sykaluk, quien luchaba contra la fibrosis quística. Kenny quería conocer a la banda. Journey honró el deseo de Kenny, y no sólo lo visitaron en su cama, sino que le obsequiaron un walkman con su último sencillo, «Only the Young». Kenny murió en menos de un día después. En el episodio de Behind the Music de Journey, Jonathan Cain lloró al recordar la visita a Kenny, mientras que Neal Schon dijo que dicha visita «cambió mi forma de ver la vida». El cantante Steve Perry recibió mucho del crédito por el éxito de Journey. En 1984, lanzó un disco como solista, Street Talk, el cual tuvo éxito y lanzó un sencillo popular, cuyo vídeo fue emitido en MTV, llamado «Oh Sherrie». Perry también grabó Don't Fight It (1982), con Kenny Loggins. El guitarrista Neal Schon produjo dos discos con Jan Hammer en 1981 y 1983, y en 1985 fue parte del proyecto Hagar Schon Aaronson Shrieve (junto a Sammy Hagar, Kenny Aaronson y Michael Shrieve). Tras el lanzamiento de su disco en solitario, Perry tomó el control de la dirección musical en estudio de la banda. Para decepción del representante Herbie Herbert, el bajista Ross Valory y el baterista Steve Smith fueron despedidos de la banda por diferencias musicales y profesionales, y en 1986 Journey lanzó su álbum Raised on Radio como un trío Perry, Schon, y Cain. Varios músicos de estudio llenaron las dos vacantes, entre ellos el ahora jurado de American Idol, Randy Jackson y el establecido músico de estudio Larrie Londin. La producción se detuvo constantemente, debido a la decadente salud de la madre de Perry, Mary Pereira. Al final, el álbum vendió dos millones de copias. Una truncada gira le siguió, presentando a Jackson en el bajo y a Mike Baird en la batería. Luego, Perry, exhausto de tantas giras, sufriendo por la reciente muerte de su madre (con quien tuvo una relación muy cercana) y el colapso de su relación de 6 años con Sherrie Swafford, dejó Journey en 1987, terminando el recorrido de la banda en la cima. A pesar de trabajar en un proyecto en solitario en 1989 titulado Against The Wall, el cual finalmente fue desechado, Steve Perry abandonó la industria musical por varios años antes de grabar «For the Love of Strange Medicine» en 1994 y lanzar un compilado de grandes éxitos en 1998. Neal Schon y Jonathan Cain hicieron equipo con los ex-Babys (la antigua banda de Cain), John Waite y Ricky Phillips, formando Bad English con el baterista Deen Castronovo en 1988. Además, cada uno grabó discos en solitario. Luego, Schon y Castronovo se unieron al grupo del cuñado de Schon, Hardline. Steve Smith se metió de lleno en su proyecto de jazz, Vital Information, el cual eventualmente llegó a desarrollar un grupo de fanáticos de tamaño respetable. En 1991, Ross Valory, Steve Smith, y Greg Rolie se unieron a The Storm con el cantante Kevin Chalfant y el guitarrista Josh Ramos. De 1987 a 1995, Journey observó cómo crecía la venta de sus discos. Lanzaron tres recopilatorios, los cuales lograron excelentes ventas. En 1993, Kevin Chalfant (de The Storm) tocó con los miembros de Journey en algunos conciertos, y Schon, Cain, Valory, Smith y Rolie consideraron brevemente una reunión bajo el nombre de Journey con Chalfant como cantante, pero al final tal proyecto no fructificó. Ese año, Steve Perry propuso volver a la banda bajo la condición de que se cambiara de representante. Herbie Herbert fue despedido y se eligió a Irving Azoff, y en 1995 Perry volvió una vez más a Journey. En 1995, la formación que tenía Journey en 1981 volvió a juntarse. Perry, Schon, Smith, Cain, y Valory volvieron al estudio y produjeron el famoso disco Trial by Fire en 1996, que incluye los éxitos «When You Love a Woman» y «Message of Love», nominado a un Grammy. Tras el éxito de Trial by Fire, los miembros de Journey se prepararon para una gira prometedora. La sensación causada en los medios y la emoción alrededor de volver a ver a la banda de gira fueron intensas, pero todo esto llegó a un abrupto final cuando Perry se lastimó la cadera en una caminata en Háwai. Perry probablemente iba a necesitar un reemplazo de cadera. A pesar de esto, le fue difícil tomar una decisión respecto a su estado de salud (pues le era imposible presentarse en el escenario sin someterse a dicha cirugía), pero en 1998 la banda lo presionó para que tomara una decisión. Cuando Perry rehusó a operarse, Cain y Schon decidieron continuar la banda sin él. El baterista Steve Smith decidió dejar la banda en esa misma época, para volver a Vital Information. En febrero de 2001, la banda participó en un episodio de Behind the Music en VH1, pero algunos comentarios hechos durante la grabación del programa contribuyeron a calentar los ánimos entre Perry y el resto de la banda. Ese mismo año, Herbie Herbert ofreció una entrevista en la que él daba su propia opinión acerca de la historia del grupo.[12] Luego, en 2003, Robert Fleischman comentó su propia participación en el grupo.[13] En 1998 Journey se vio buscando baterista y cantante. La plaza de baterista fue llenada por Deen Castronovo, compañero de Schon y Cain en Bad English, y que entonces tocaba con Hardline. El nuevo cantante fue Steve Augeri, anteriormente de Tyketto y Tall Stories. Augeri había abandonado el negocio de la música y trabajaba como gerente en una tienda de The Gap en Nueva York. Augeri recibió una llamada telefónica de Schon, quien había escuchado su demo. Schon lo invitó a audicionar para la banda y, a pesar de no haber cantado mucho en tiempos recientes, impresionó a los miembros de Journey lo suficiente como para obtener el trabajo. El parecido de Augeri con Perry, tanto visual, vocal, y hasta en su nombre, causó cierto revuelo entre los fanáticos más antiguos, ayudado por la popularidad de internet y sus foros. Algunos fanes rechazaron a un Journey sin Steve Perry. Otros se volvieron verdaderos fanes de Steve Augeri, culpando a Perry por la decaída popularidad de la banda. Pero la mayoría de los fanáticos dudaron del cambio y (tras oírlo en vivo o en disco) aceptaron a Steve Augeri. Además de su talento, esto tenía mucho que ver con la personalidad del nuevo cantante: era extremadamente amable y simpático con cada nuevo fanático que conocía. La nueva formación de Journey rápidamente volvió a trabajar, grabando una canción para la película Armageddon llamada «Remember Me». En 2001, lanzaron su siguiente disco de estudio, Arrival. El disco originalmente fue publicado en Japón a finales de 2000, pero debido a que algunas de las canciones del disco se filtraron y terminaron en internet con comentarios mayormente negativos de los fanes por su sonido de balada, Journey decidió demorar un poco el lanzamiento de dicho disco en Estados Unidos y añadir dos canciones más pesadas para la versión estadounidense. «All the Way», de dicho disco, se convirtió en un éxito menor. En 2003, la banda lanzó un CD con cuatro canciones titulado Red 13, cuyo diseño de portada fue escogido en un concurso de fanes. En 2005, la banda se embarcó en su gira de 30 aniversario, regalando copias promocionales de su último lanzamiento de estudio, Generations para ganadores seleccionados en cada concierto. Tales conciertos, que duraban tres horas, eran divididos en dos partes: la primera con material de la época de su mayor fama (algunas de esas canciones, tocadas en vivo por primera vez en décadas), mientras que la segunda parte comprendía Escape y otros. La reputación de Journey ante la crítica no mejoró al cabo del tiempo: la edición de 2004 del Rolling Stone Album Guide llama a Journey el «acto de karaoke perfecto», y no le da más de dos estrellas y media (de cinco posibles) a ninguno de sus discos. Varias bandas tributo de Journey se han formado por todo Estados Unidos, con distintos grados de éxito (usualmente en escala local), y el cantante Kevin Chalfant de The Storm ocasionalmente se juntaba con The Gregg Rolie Band para tocar algunos éxitos de Journey de la época 1978-1980. Aunque ha sido criticado como un grupo de orden corporativo, Journey ha retenido una masa de fanes fiel a lo largo de su carrera; su música aparece en programas de TV y películas. La radio a menudo toca sus éxitos, exponiendo su música a nuevas generaciones de oyentes. Journey ganó nuevas atenciones en la década del 2000, debido a que Randy Jackson, tras su participación con Journey, se convirtió en un ejecutivo musical muy exitoso, y luego en juez de American Idol. Vídeos de Jackson con la banda se han mostrado en el programa, y varios de los participantes han intentado cantar canciones de Journey. Los más recordados han sido Clay Aiken cantando «Open Arms» en una semifinal (y luego a dúo con Kelly Clarkson en una gira de conciertos), y Elliott Yamin, también con dicha canción, en la semifinal de 2006. Judy Torres lanzó una versión del sencillo «Faithfully» en 2005. La canción «Don't Stop Believin'» se convirtió en un himno de batalla de la Serie Mundial de 2004, donde los campeones Medias Rojas de Boston ganaron la serie tras ir abajo 3 juegos a 0 contra los Yankees en la serie de división de la Liga Americana y también en 2005, donde en el desfile de la victoria de los Chicago White Sox, Steve Perry fue invitado para que cantara con miembros del equipo. El 6 de febrero de 2005 «Don't Stop Believin'» salió en un anuncio de FedEx, en el que salía Burt Reynolds y que fue programado durante el Super Bowl XXXIX. En diciembre de 2005, «Don't Stop Believin'» llegó al n.º 13 en la lista Hot Digital Songs, y fue nominada para dos categorías en unos premios de VH1. En julio de 2007, la canción apareció en la escena final de la serie de HBO The Sopranos. Petra Haden lanzó un cover de la canción en septiembre de 2007. En 2003, Journey fue admitido al Salón de la Fama de la Música de San Francisco. A la ceremonia asistieron Gregg Rolie, Jonathan Cain, Steve Smith, Ross Valory, Neal Schon, Aynsley Dunbar, Deen Castronovo, y Steve Augeri. Dos años más tarde, el 21 de enero de 2005, Journey recibió una estrella en el Paseo de la Fama de Hollywood, y Steve Perry apareció de sorpresa en la ceremonia. Las relaciones con el resto del grupo mejoraron, pero Perry dijo que no había posibilidad de una reunión con su antigua banda en el futuro cercano. Diez miembros de Journey se juntaron ese día: Perry, Augeri, Cain, Castronovo, Dunbar, Fleischman, Schon, Smith, George Tickner, y Valory. En 2009, la serie Glee, del canal Fox, hace varias referencias a Journey en diferentes capítulos de la primera temporada, siendo Don't Stop Believin' la canción principal del primer capítulo de la serie. En la temporada final, se realiza un «Journey Medley». En julio de 2006, Steve Augeri comenzó a experimentar problemas con su voz y fue obligado a renunciar. Anunció que dejaría la banda por un tiempo debido a una infección en la garganta que requería que dejara descansar a sus cuerdas vocales.  La banda trajo a Jeff Scott Soto para sustituirlo. Además, Deen Castronovo, quien llevaba tiempo cantando los coros e incluso sustituyendo a Augeri como cantante, cantó en power ballads como «Faithfully» y «Open Arms». El 19 de diciembre de 2006 la banda emitió un comunicado en su página oficial, donde nombraban a Soto como vocalista permanente.​ Sin embargo, el 12 de junio de 2007, Journey anunció la salida de Soto.​ El breve periodo de Jeff Scott Soto como vocalista se parece al igualmente breve periodo de Robert Fleischman en la misma posición en 1977, de la cual salió la decisión de contratar a Steve Perry. Los fanes especulan​ que la banda persigue la misma cadena de sucesos que hace 30 años les dio resultado. En septiembre de 2007, empezaron a circular fotos del poco conocido cantante Arnel Pineda con Journey. En el sitio oficial de Journey se da el comunicado oficial que Arnel Pineda será el nuevo vocalista oficial. Pineda tocaba con el grupo The Zoo​ el cual se dedicaba a tocar versiones de varias bandas. Neal Schon lo encontró por YouTube. Se contactó con él y luego de una soberbia audición fue incorporado a la banda. Su primera presentación oficial con Journey se realizó el 21 de febrero del 2008 en el Festival Internacional de la Canción de Viña del Mar en Chile con una transmisión televisiva en conjunto para 80 países y en vivo por señales locales, de cable y el afamado canal A&E. Pineda derrochó energía y logró cautivar a todo el público con su voz muy parecida a la de Steve Perry y su gran presencia escénica, rejuveneciendo a la banda y dejando en segundo plano su carácter de absoluto novato. Los periódicos y sitios de Internet de foros audiovisuales tipo YouTube se plagaron a los pocos minutos de sendos elogios para el nuevo vocalista y a su vez la prensa especializada nacional como extranjera alabó la presentación del grupo.​ Journey dio luego un concierto en el Estadio San Carlos de Apoquindo de Santiago, Chile, el 23 de febrero del 2008 junto a Peter Frampton y Earth, Wind & Fire, constituyéndose Chile en la única parada que se realizaría en Sudamérica con un gran éxito. Su siguiente álbum, Revelation, debutó en el n.º 5 en las listas de Billboard, vendiendo más de 196.000 unidades en sus dos primeras semanas y manteniéndose en el top 20 durante 6 semanas.​Journey también encontró el éxito en las listas contemporáneas, donde el sencillo «After All These Years» pasó más de 23 semanas alcanzando el número 9.​ Los ingresos procedentes de la gira del 2008 la convirtieron en una de las más taquilleras del año, recaudando más de 35 millones de dólares.​ El 18 de diciembre de 2008, el álbum Revelation fue certificado disco de platino por la RIAA.​​ El segundo álbum de la banda con Pineda, Eclipse, fue lanzado el 24 de mayo de 2011, y debutó en el n.º 13 en el Billboard 200.​ En noviembre de 2011, Journey lanzó su segunda recopilación de grandes éxitos, titulada Journey: Greatest Hits: Volume 2, que incluye canciones escogidas por el exvocalista Steve Perry. Durante la gira del año 2015, el baterista Deen Castronovo fue reemplazado por el músico de sesión Omar Hakim.​ Luego la banda anunció que Steve Smith retornaría nuevamente a ocupar el puesto de baterista en Journey. 25 de Junio 2021 nuevo single de Journey «The Way We Used To Be» es la primera canción que se estrena con la formación actual de Journey, compuesta por el guitarrista Neal Schon, el cantante Arnel Pineda y el teclista Jonathan Cain junto con las últimas incorporaciones: el batería Narada Michael Walden, el bajista Randy Jackson y teclista y cantante Jason Derlatka. A lo largo de diferentes entrevistas, el guitarrista Neal Schon ha dado a entender que esta nueva entrega discográfica está bastante avanzada, y que con suerte verá la luz antes de que termine el presente ejercicio. “Ya tenemos como seis temas rockeros», comentaba Schon en una entrevista con Rock & Review de FOX17 a finales del pasado año, y añadía que publicaran unos tres singles antes de estrenar el álbum completo e iniciar su gira de presentación. 29 de Julio de 2021 Deen Castronovo vuelve a Journey El guitarrista de Journey, Neal Schon, ha confirmado en las redes sociales que el ex baterista Deen Castronovo se ha reincorporado a la banda. Schon confirmó el regreso de Castronovo en una serie de comentarios en Facebook debajo de una historia del San Francisco Chronicle sobre Journey, que compartió el miércoles. Un fan comentó en la publicación, «Entonces, ¿Deen Castronovo está de vuelta en la banda ahora a tiempo completo?» a lo que Schon respondió simplemente, «Sí». Respondiendo a otro fan que imploró a la banda que «traigan de vuelta a Deen de nuevo», escribió Schon, «Deen ha vuelto. Ahora somos dobles (2) bateristas con Narada [Michael Walden, que se unió a la banda en 2020]». Schon no reveló hasta qué punto Castronovo participará en los espectáculos de Journey inmediatos y futuros. El guitarrista insinuó del regreso de Castronovo el martes cuando tuiteó una foto que parecía ser de los ensayos del concierto del viernes por la noche de la banda en el Aragon Ballroom en Chicago, que precede a la actuación del domingo de Journey en Lollapalooza. «Ok … Doble problema Chicago @NaradaMWalden @DeenTheDrummer Narada Michael Walden y el regreso de Deen Castronovo a la batería @AragonBallroom @lollapalooza», subtituló Schon en su publicación.​ Don't stop believin Monster «Any Way You Want It» - Caddyshack (1980)

Irwin Chusid is to outsider music as Irving Azoff was to Atlantic Records. Here in Part Two, Irwin gives us the low-down on music rights. He goes into his involvement in a Lizzo song, a Lady Gaga song, and how that led to his involvement with Sun Ra.  You don't NEED to listen to Part One to follow along here, but it is strongly encouraged. It provides better context. Once again, Irwin shares with us his tremendous knowledge and his unique storytelling skills. LINKS Jim Flora Sun Ra WFMU The Mischievous Art of Jim Flora by Irwin Chusid The Curiously Sinister art of Jim Flora by Irwin Chusid & Barbara Economon The High Fidelity Art of Jim Flora by Irwin Chusid & Barbara Economon The Sweetly Diabolic Art of Jim Flora by Irwin Chusid & Barbara Economon Always in Trouble by Jason Weiss Lucia Pamala Shooby Taylor Lizzo (feat. Missy Elliot) - “Tempo” Lady Gaga - “Venus” King Radio, The Lion, The Tiger; Gerald Clark and his Caribbean Serandaers - “Ask No Questions”

Irwin Chusid is to outsider music as Irving Azoff was to Atlantic Records. This is to say that Chusid is the outsider music mogul. He's the guy behind the guy behind the artist… that you've probably never heard of. However, you're familiar with Chusid and some of the artist's work he champions. You may not know who Raymond Scott is, but if you're above a certain age, you may recall the animated series The Ren & Stimpy Show. Well, it's Chusid's dogged championing of Scott's music and push for its re-release that found its way into the earholes of The Ren & Stimpy Show Creator John Kricfalusi and Creative Director Bob Camp. Links  Outsider Music Harry Smith  Songs in the Key of Z by Irwin Chusid Sun Ra: Art on Saturn: The Album Cover Art of Sun Ra's Saturn Label (October 2022) Sun Ra, Irwin Chusid, Chris Reisman The Carl Stalling Project That's All Folks by Steve Schneider Raymond Scott The Ren & Stimpy Show Juan Garcia Esquivel (Esquivel!) The Langly School Music Project WFMU Lucia Pamela The Shaggs Wesley Willis  Jandak  

www.iconsandoutlaws.com   The band Journey came together in San Francisco in 1973 under the auspices of former Santana manager Herbie Herbert who also managed The Steve Miller band, Roxette, and Europe. They were initially called the Golden Gate Rhythm Section and were backup players for established Bay Area bands. Originally, it included Santana alumni Neal Schon on lead guitar and Gregg Rolie on keyboards and lead vocals. Completing the band were bassist Ross Valory and rhythm guitarist George Tickner, both from the band Frumious Bandersnatch. Prairie Prince of The Tubes served as drummer. After one particular performance in Hawaii, the crew quickly abandoned the "backup band" idea and began developing their own distinctive jazz fusion style. After an unsuccessful radio contest to name the group, roadie John Villanueva suggested the name "Journey."   The band's first public gig was at the Winterland Ballroom on New Year's Eve 1973 to an audience of 10,000, and the following day, they flew to Hawaii to perform at the Diamond Head Crater to an even bigger audience. Prairie Prince returned to The Tubes shortly after. On February 1, 1974, the band hired British drummer Aynsley Dunbar, who had recently worked with the one and only David Bowie and was also a member of the second version of Frank Zappa's Mothers of Invention. On February 5, 1974, the new lineup debuted at the Great American Music Hall, showcasing in front of Columbia Records executives. They signed a recording contract with the label following the performance and later performed at venues around the Bay Area.   Journey went into CBS Studios in November 1974 with grammy award-winning producer Roy Halee to record their debut album "Journey." It was released in April 1975, entering the Billboard charts at number 138. This record was a jazzy progressive rock album focused mainly on the band's instrumental talents. It featured songs like "Of A Lifetime" and the instrumental, "Kahoutek,"; both songs pushing the 7-minute mark. Rhythm guitarist Tickner left the band shortly after due to the heavy touring the band was promoting the album, allowing Schon to take on the complete guitar duties.    Journey entered the studio again in late 1975 to record "Look into the Future," released in January 1976 and hit the Billboard Top 200 charts at number 100. The band promoted the album with a two-hour performance at the Paramount Theatre in Seattle, which later aired on the radio as touring continued to promote their second album. For this second album, the members of Journey toned down the overt progressiveness of their first release in favor of a more straightforward sound. The album also features a cover version of The Beatles' "It's All Too Much" from the 1968 Yellow Submarine film and 1969 soundtrack. The title track, "Look Into The Future," was the longest recorded Journey song at 8:10 until 1980, when "Destiny" from Dream, After Dream would claim that honor.   From May to October 1976, the band went to "His Master's Wheels" Studios to record their third studio album, "Next," which, just like the previous album, was produced by the band. However, they brought a much more commercial sound while keeping their jazz fusion and progressive rock roots. The album was released in February and charted on the Billboard Top 200 at 85. It would be the last album to feature Gregg Rolie as the lead singer. "Spaceman" with the instrumental "Nickel and Dime" was the single, and, unfortunately, sales did not improve, which led Columbia Records to almost dropping the band.   About these times in the band's career, lead guitarist Neal Schon has said: "I still think some of the stuff we did then was great. Some of it was self-indulgent, just jamming for ourselves, but I also think a lot of other things hurt us in the early days. It took a while for the politics to sort of shape up."   Journey's album sales did not improve, so Columbia Records requested they change their musical style and add a lead singer who would share lead vocals with Rolie. In comes Steve Perry, right? Nope! The band hired Robert Fleischman from the Los Angeles-based band "Staggerwing" and began transitioning toward a more popular style, similar to that of Foreigner and Boston. Journey went on tour with Fleischman in 1977, opening for bands like Black Sabbath, Judas Priest, and Emerson, Lake & Palmer. Fleischman and the rest of the band began writing and rehearsing new songs, including the hit "Wheel in the Sky." However, this new lineup would be short-lived because the band was introduced to that guy I mentioned earlier, Steve Perry, during a performance before approximately 100,000 at Soldier Field in Chicago. This chance encounter was significant because differences between Fleischman and manager Herbie Herbert resulted in Fleischman's departure from the band within the year.   Steve made his live debut with the band at the Old Waldorf in October 1977, stepping into His Master's Studios and Cherokee Studios from October to December. Herbie hired Roy Thomas Baker as the new record's producer to add a layered sound approach similar to a band Baker had previously worked with, a little English band called "Queen." With a new lead singer and new producer in tow, the band's fourth studio album, Infinity, was released in January 1978, and peaked at number 21 on Billboard. "Lights", "Anytime," and "Wheel In The Sky" were the album's singles, and it has sold over 3 million copies. Journey then set out on tour supporting the album and headlined a full tour for the first time.   According to Herbie, tensions were high between Aynsley Dunbar and the rest of the band due to the change in music direction from the jazz-fusion sound. Guitarist Neal Schon said: "We would talk about it, and he'd say he'd be willing to simplify things. But we'd get out there, and after five shows he wasn't doing that at all." Finally, Dunbar's resistance came to a head when he started playing erratically and talking crap about the other members, which later resulted in Herbie axing Dunbar after their headline tour. He was replaced by Berklee-trained drummer and Montrose member Steve Smith.   Perry, Schon, Rolie, Smith, and Valory returned to the studio at Cherokee Studios in late 1978 to record their fifth album, Evolution, which was later released in March 1979, peaking at number 20 on Billboard and selling another 3 million copies. This album, which would be a milestone for the band, gave the band their first Billboard Hot 100 Top 20 single, "Lovin', Touchin', Squeezin'," peaking at number 16, and was all over the radio. Following the tour in support of Evolution, the band expanded its operation to include a lighting and trucking operation for future gigs. The tour had grossed more than $5 million, making the band as popular as it had been in five years. Journey later entered Automatt Studios to record their sixth studio album, Departure, released in March 1980, peaking at number 8 on Billboard. The first single, "Any Way You Want It," peaked at number 23 on the Billboard Hot 100 in 1980. The album featured an edgier sound, thanks partly to the "live in studio" way the songs were recorded. They initially went into the studio with 19 tracks, eventually trimming down to 12. This record would also go on to sell over 3 million copies!   Founding member and keyboardist Gregg Rolie left the band following the Departure tour to start a family and undertake various solo projects. It was the second time he had departed from a successful act in his career. Yep, he left Journey and Santana. Keyboardist Stevie "Keys" Roseman was then brought in to record the lone studio track, "The Party's Over (Hopelessly in Love)," on the band's live album "Captured." Rolie suggested pianist Jonathan Cain of The Babys as his permanent replacement so, with Cain's synthesizers replacing Rolie's organ, Cain had become the band's newest member. With Cain joining as the new keyboard player, the band entered Fantasy Studios in Berkeley, California, in late 1980, releasing their seventh studio album, "Escape," in July 1981. Escape became their most successful album, charting at number one in the United States. In addition, the album had a ton of hit singles, including: "Who's Crying Now," "Still They Ride," "Open Arms," and the iconic "Don't Stop Believin'." In July of 2021, it was certified diamond, selling over 10 million copies!!   Oh, and "Escape" had its own video game! Journey Escape was a video game developed and manufactured by Data Age for the Atari 2600 console and released in 1982.    Want to hear the plot of the game?   You're on the road with Journey, one of the world's hottest rock groups. A spectacular performance has just ended. Now it's up to you to guide each Journey Band Member past hordes of Love-Crazed Groupies, Sneaky Photographers, and Shifty-Eyed Promoters to the safety of the Journey Escape Vehicle in time to make the next concert. Your mighty manager and loyal roadies are there to help, but the escape is up to you!   These other bands may have been successful, but not Atari 2600 successful.   Journey began another lengthy yet successful tour on June 12, 1981, supported by opening acts Billy Squier, (My Kind of Lover) Greg Kihn Band, Point Blank, and Loverboy. They then opened for one and only The Rolling Stones on September 25 of the same year. MTV videotaped one of their two sold-out shows in Houston on November 6, 1981, in front of over 20,000 fans, later released on DVD, which for 1981 was HUGE.   Following the success of the 1981 tour, the band's entire establishment as a corporation, and the formation of a fan club called "Journey Force," the band released "Only Solutions" and "1990s Theme" for the 1982 Disney film Tron.    At this point, Journey was absolutely killing it, so they entered Fantasy Studios again in the middle of their 1982 tour to record their eighth studio album, Frontiers. Released in February 1983, "Frontiers" was the band's second-biggest selling album, selling over six million copies. Peaking at number 2 on the Billboard charts, it spawned the hit singles "Separate Ways (Worlds Apart)," "Send Her My Love," "After the Fall," and of course, "Faithfully," and you can hear our version of Faithfully wherever you listen to new music and at the end of this episode.   Journey began the tour supporting "Frontiers" in Japan and continued in North America alongside the Canadian Crooner, Bryan Adams, as the opening act. During the tour, NFL Films recorded a video documentary of their life on the road called "Frontiers and Beyond," shooting scenes at JFK Stadium in Philadelphia, Pennsylvania with more than 80,000 fans in attendance.   After the success of the Frontiers tour, the band decided to take some well-deserved time off. Steve and Neal both tried their hands at solo projects, and in 1984 Steve Perry, with the help of band manager Herbie, recorded and released his first solo album, Street Talk. Street Talk released Perry's biggest hit as a solo artist, "Oh Sherrie," written for his then-girlfriend Sherrie Swafford. The song hit #3 on the billboard hot 100 and #1 on Billboard's Rock chart, and the accompanying music video (also featuring Swafford) was a hit on MTV.   Neal Schon toured briefly in 1984 with his supergroup HSAS, supporting their sole album, "Through the Fire, released that year on Geffen.    Sidenote, what does "HSAS" stands for? Any guesses?   Hagar Schon Aaronson Shrieve featured lead vocalist Sammy Hagar (Van Halen), lead guitarist Neal Schon, bassist Kenny Aaronson (The Yard birds), and drummer Michael Shrieve. (Santana). The group reportedly rehearsed for less than a month before playing in concert.   Who are the Yardbirds? (For Your Love) Well, they were an English rock band formed in 1963 and launched the careers of a few notable guitarists like Eric Clapton, Jimmy Page, and Jeff Beck   Also, At age 20, drummer Michael Shrieve was the second youngest musician to perform at Woodstock while playing for Santana. His drum solo during "Soul Sacrifice" in the Woodstock film has been described as "electrifying."   When asked by the press if Journey was finished after selling their properties at the end of 1984, guitarist Neal commented, "No way Journey's ending. We're all too committed to this band to ever let that happen. In fact, one of the reasons we decided to go off in separate directions for a while was to keep the band as strong as ever."   After a productive phone call between Cain and Perry, the band returned to Fantasy Studios in late 1985 to record their ninth studio album "Raised on Radio," but with Steve Perry acting as the album's producer. Unfortunately, things were pretty tense within the band leading Herbie and Steve to fire both bass player Ross Valory and drummer Steve Smith for musical and professional differences. This booting took place only a few months into the recording sessions for the album, though Valory later admitted he left the band on his terms.    Bassist and future American Idol judge Randy Jackson, bassist Bob Glaub, and established drummer Larrie Londin were brought in to continue the album's recordings. If you're not familiar with Larrie Londin, check out his credentials. He's done session work with everyone from the Supremes and Marvin Gaye to Elvis and Dolly Parton. He is an absolute legend in the business—an "icon" for sure.   "Raised on Radio" was released in May 1986, peaking at number four on Billboard's album chart but underperforming compared to the band's previous two albums. It featured five singles: The top ten hit "Be Good to Yourself" along with "Suzanne," "Girl Can't Help It," "I'll Be Alright Without You," and "Why Can't This Night Go On Forever?".   The Raised on Radio support tour began at Angels Camp, California, in August 1986. The band performed sold-out shows throughout the United States before concluding with two shows in Anchorage, Alaska, in early 1987, with selected dates supported by Honeymoon Suite (New Girl Now), The Outfield (Your Love), and Glass Tiger (Don't Forget Me When I'm Gone.) The tour featured Randy Jackson on bass and Mike Baird on drums, and was videotaped by MTV for a documentary that included interviews with the band members called Raised on Radio, just like the album. MTV apparently loved themselves some Journey!   With tensions between Perry, the band, and manager Herbie at an all-time high following the tour's conclusion, Perry was unable or unwilling to remain actively involved and was tired of touring as it affected his health and his vocals.   Steve said: "I called Jon and Neal together. We met in San Rafael, we sat on the edge of the marina, and I just told them, 'I can't do this anymore. I've got to get out for a while.' And they said: 'Well, what do you mean?' And I said: 'That's exactly what I mean, is what I'm saying. I just don't want to be in the band anymore. I want to get out; I want to stop.' And I think Jon said: 'Well, just take some time off, and we'll think,' and I said: 'OK, fine.' And I just sort of fell back into my life. I looked around and realized that my whole life had become everything I'd worked so hard to be, and when I came back to have a regular life, I had to go find one."   He also stated: "The truth is, that I thought music had run its course in my heart," Perry explains in a statement on his website. "I'd had an amazing time in an amazing band, and then the chance to express myself as a solo artist too. But I had to be honest with myself, and in my heart, I knew I just wasn't feeling it anymore." "For a long time, I could barely even listen to music. My last show with Journey was February of 1987. Then one day, it hit me that I couldn't do this anymore. I felt as if I had to jump off this merry-go-round — this big beautiful mothership that we had all worked so hard together to build."   Following the "Raised on Radio" tour, the band went into a hiatus. However, Columbia Records released the Greatest Hits compilation in November 1988, which became one of the biggest selling greatest hits albums, selling over 15 million copies and continuing to sell half a million to a million copies per year. The compilation spent 750 weeks on the Billboard album charts until 2008. To date, their greatest hits album has sold almost 21 million copies worldwide.   Here's something else I wasn't aware of. While Steve Perry had retreated from the public eye, Schon and Cain spent the rest of 1987 collaborating with other profound artists. They worked with artists like Jimmy Barnes and Michael Bolton before teaming up with Cain's ex-Babys bandmates John Waite and Ricky Phillips. They, in turn, formed the supergroup Bad English (When I See You Smile, Price of Love) with drummer Deen Castronovo in 1988, releasing two albums in 1989 and 1991.    Steve Smith, however, devoted his time to his jazz bands, Vital Information and Steps Ahead, and teamed up with former bassist Ross Valory and original Journey keyboardist Gregg Rolie. They formed the band "The Storm" with singer Kevin Chalfant and guitarist Josh Ramos, and guess who their manager was? Herbie, of course!!   On November 3, 1991, Neal Schon, Jonathan Cain, and Steve Perry reunited to perform "Faithfully" and "Lights" at the Bill Graham tribute concert 'Laughter, Love & Music' at Golden Gate Park in San Francisco, California, following the concert promoter's death in an unfortunate helicopter accident.    In October 1993, Schon, Rolie, Valory, Dunbar, Smith, and Cain reunited and performed at a private dinner for manager extraordinaire Herbie Herbert at Bimbo's in San Francisco, with Kevin Chalfant (Allen Parsons Project live singer) on lead vocals.   After the breakup of Bad English in 1991, Neal Schon and Deen Castronovo formed the glam metal band Hardline (Takin Me Down) with brothers Johnny and Joey Gioeli, releasing only one studio album before his departure. Neal later joined Paul Rodgers (Bad Company vocalist) in 1993 for live performances, alongside Castronovo. In 1994, Steve Perry had released his second solo album, "For the Love of Strange Medicine," and toured North America in support of the album, though his voice had changed since the last time he had performed. Those high notes weren't as easy to hit anymore. Steve Perry ultimately decided to reunite with Journey under one condition. He demanded that there be a bowl of peanut M&Ms backstage at all times and that they HAD to be all brown with one, just one, green NON-peanut M&M on top.    Yeah, that's not true. Steve's one condition was that Herbie Herbert would no longer be the band's manager. Instead, the band hired Irving Azoff, longtime Eagles manager, as the new manager for the band in October 1995. Steve Smith and Ross Valory reunited with the band and started writing material for their next album, with rehearsals beginning that same month.   The band began recording their tenth studio album, "Trial by Fire" in early 1996 at The Site and Wildhorse Studio in Marin County and Ocean Way Recorders where they recorded under producer "The Caveman" Kevin Shirley (Mr. Big, Iron Maiden, Dream Theater.) This album was released in late October that year, peaking at number three on the Billboard album charts. The album's hit single "When You Love a Woman" reached number 12 on the Billboard charts and was nominated in 1997 for a Grammy Award for Best Pop Performance by a Duo or Group with Vocal. The album also produced three top 40 mainstream rock tracks, "Message of Love," reaching number 18, "Can't Tame the Lion," hitting number 33, and "If He Should Break Your Heart," reaching number 38. It sold roughly 1.5 million units.   Plans for a support tour failed when Steve Perry, while hiking in Hawaii on a ten-day break in August 1996, discovered he had a degenerative bone condition and could not perform without hip replacement surgery. The accident resulted in the album's release date being delayed.   Upon its release, "Trial By Fire" was considered the band's worst-selling album and failed to match the originality and playability of the band's previous work. Neal Schon later admitted that the album had too many ballads and fans just wanted to hear that sweet, sweet rock and roll saying: "Even on our last record, the Trial By Fire record, a lot of the rock stuff just got shelved and ended up being like twenty ballads, I don't know how many ballads."  The band took another break following the album's dismal release to work on more solo projects, waiting for Perry to decide if he was able to or wanted to tour. Schon released his solo album Electric World in 1997, later creating Abraxas Pool with former Journey member Gregg Rolie, drummer Michael Shrieve and a few former Santana members. Jonathan Cain released his two solo albums, Body Language and For A Lifetime in 1997 and 1998 respectively. Following the reunion album's long-awaited release, Journey was becoming restless and tired of waiting for an answer from Steve Perry and touring. Following a phone call between Cain and Perry, Steve announced that he would again depart from Journey, releasing himself from the band's contracts and deciding to semi-retire from the music business. Steve Smith later quit the band, saying that Journey would not be the same without Perry and returning to his jazz career and his project "Vital Information."   The band hired the familiar drummer Deen Castronovo, Schon's and Cain's Bad English bandmate, to replace Steve Smith. After auditioning several high-profile candidates, including Geoff Tate (Queensryche), Kevin Chalfant, and John West (Royal Hunt), Journey replaced Perry with Steve Augeri, formerly of Tyketto and Tall Stories.  The band later recorded the song "Remember Me," featured on the soundtrack for the 1998 film Armageddon. Upon the song's release, the song showed fans that the band made the right decision in hiring Augeri. That soundtrack has sold over 5,392,500 copies.   Following a rehearsal with Augeri and Castronovo, the band went to Japan to perform four gigs, where they had still held an enormous fanbase. When asked how he felt about touring again in over a decade, Neal Schon commented: "It's a little like we are reborn again." Next, Journey embarked on a tour in the United States titled "Vacation's Over" which began in October and concluded at the end of December in Reno. They continued the tour with another leg in 1999, starting in Minnesota in June and finishing in Michigan in September.   From March to August 2000, the band entered Avatar Studios to record yet another studio album, "Arrival" with producer Kevin Shirley. The album was released in Japan later in the year, with a North American release in April 2001. The album had peaked at number 56 on the Billboard charts. However, the single "All the Way" failed to boost sales for the album. It was considered a disappointment with mixed opinions regarding the album, resulting in Sony dropping the band from the label. Upon the album's completion, the band set off on tour supporting the album in Latin America, the United States, and Europe.   In response to the attacks in New York City on September 11, 2001, Journey joined various bands at a major fundraising event on October 20 and 21 at the Smirnoff Music Centre in Dallas, Texas, to raise money for the victims and families of the tragedy. The event raised around one million dollars.   The Journey camp was quiet in 2002 as Neal Schon formed ANOTHER band, "Planet Us," with Castronovo, Sammy Hagar, and former Van Halen bassist Michael Anthony until 2004, when they disbanded. Schon also co-wrote songs alongside the band Bad Company, while keyboardist Jonathan Cain released another solo album.  Recording a few songs between 2001 and 2002, Journey released a four-track EP titled "Red 13" in November under their new label "Journey Music." The band chose the album cover design through a fan contest with the online cover designed by fan Kelly McDonald. However, the retail cover was only made available at the band's shows and was designed by Christopher Payne. Journey only performed one club gig in support of the EP but later began another tour of the United States from May to August 2003.  They continued touring the following year with another summer tour titled "Summer Detour" which began in June and concluded in September 2004. In November of that year, Journey joined REO Speedwagon and Styx for a tour around the Caribbean aboard the Triumph cruise ship. Sounds miserable. I'm not too fond of boats.   In 2005, the members of Journey were inducted into the Hollywood Walk of Fame alongside former members Steve Perry, Dunbar, George Tickner, Steve Smith, and Fleischmann. Rolie was the only member who did not appear at the ceremony. Surprised to see Perry joining them to accept the induction with the band, Valory commented that it was a pleasant surprise to see him.   Following their addition to the Hollywood Walk of Fame, the band began recording at the Record Plant in Sausalito, California, for their twelfth studio album, "Generations," which featured producer Kevin Elson who had collaborated with the band before. The album was released on August 29 in Europe, with a North American release following on October 4. The album peaked at number 170 on the Billboard charts. To promote the album and celebrate the band's 30th anniversary, the band embarked on a tour starting in Irvine, California, in June and concluding in Phoenix in October. Each concert on tour was three hours long with an intermission and featured many of their classic hits and included the new songs from the album. "Generations" sold less than 100,000 copies.   In 2006, the band toured Europe and joined Def Leppard on a North American tour. During the tours however, there was talk that Augeri was not singing but instead using backing tracks to cover up his deteriorating vocals. Those allegations resulted in him getting attacked by the fans. Augeri had suffered from vocal attrition problems before the band began the tour with Def Leppard. In addition, Journey had been accused of using pre-recorded lead vocals before, an accusation that former manager Herbie Herbert insists was true. SHOCKER. Valory denied the allegations, stating that it was a myth, a lie, an all-out fabrication, and that Augeri's vocals did not give out!    In a later press statement, the band announced that Augeri had to step down as Journey's lead singer and leave the tour to recover. Augeri performed his last show with Journey on July 4 in Raleigh.   With the tour still happening and successful, the band quickly hired Jeff Scott Soto from Talisman as their lead vocalist for the tour. He performed as Journey's vocalist on July 7 in Bristow for the first time. Because of its success and popularity, The band later extended the tour to November. Soto was officially announced as the band's new vocalist in December 2006. If you're keeping track, that's five lead singers.   Following tours of Europe and the United States in 2007, the band announced on June 12 that Scott Soto was no longer with them. In a statement, Neal Schon stated: "He did a tremendous job for us, and we wish him the best. We've just decided to go our separate ways, no pun intended. We're plotting our next move now." Cheeky. I love it.   Following Soto's exit from the group, the band was without a lead vocalist again. So Neal Schon began searching YouTube for a new lead vocalist, with Jeremey Hunsicker of the Journey tribute band "Frontiers" auditioning and spending a week with the band writing material. Hunsicker claims to have been formally offered the position, but it fell through shortly following tension with Schon. However, one of the tracks co-written with Hunsicker, "Never Walk Away," later appeared on the Revelation album. Neal Schon later found Filipino singer Arnel Pineda of the cover band The Zoo, covering the song "Faithfully." (Our version is arguably better, just saying.) Schon was so impressed that he contacted Pineda to set up two days of auditions with him. The auditions went well, and they later named him the official lead vocalist of Journey on December 5, 2007. In 2007, the hit song "Don't Stop Believin'" gained coverage and sharp growth in popularity when it was used in The Sopranos television series final episode, prompting digital downloads of the song to skyrocket. But, unfortunately, the Soprano's finale also pissed a lot of people off.   In November 2007, Journey entered the studio with Pineda to record the studio album "Revelation." The album was released on June 3, 2008. It debuted at number five on the Billboard charts, selling more than 196,000 units in its first two weeks and staying in the top 20 for six weeks. As a multi-disc set (2-CD), each unit within that set counts as one sale, which I didn't know. Journey also found success on Billboard's Adult Contemporary chart, where the single "After All These Years" spent over 23 weeks, peaking at number 9. "Revelation" has sold over 1 million copies.   On February 21, 2008, Pineda performed for the first time with Journey in front of 20,000 fans in Chile. The band began the "Revelation" tour in the United Kingdom in June, continuing the tour into North America, Asia, Europe, and South America, concluding in October. Receipts from the 2008 tour made Journey one of the top-grossing concert tours of the year, bringing in over $35,000,000. On December 18, 2008, Revelation was certified platinum by RIAA.   The band performed at the Super Bowl 43 pre-game show in Tampa, Florida, on February 1, 2009. The band continued their Revelation tour in May and concluded it in October 2009. They also performed in Manila in front of 30,000 fans, recorded for a live release, "Live in Manila."   In 2009, "Don't Stop Believin'" became the top-selling song on iTunes among those released before 2000, with over 500,000 downloads.   Journey then entered Fantasy Studios in Berkeley, California, in 2010 with Pineda to record their next studio album, "Eclipse." The album was released on May 24, 2011, and debuted at number 13 on the Billboard 200 charts with the singles "City of Hope" and "Human Feel." Unfortunately, "Eclipse" could not match the success of Revelation, barely selling 100,000 copies—an 1/8th of the previous album's sales. They later toured the United Kingdom in June 2011 with Foreigner and Styx. Journey was awarded the "Legend of Live Award" at the Billboard Touring Awards in October. The band later released Greatest Hits 2 in November of 2011.   In June 2015, drummer Deen Castronovo was arrested following a domestic altercation. Journey fired him in August and was replaced by Omar Hakim on the band's 2015 tour. He was sentenced to four years probation after pleading guilty to domestic violence charges.    In 2016, Steve Smith again returned as Journey's drummer, reuniting all of the Escape-Frontiers-Trial by Fire lineup members except lead singer Steve Perry. In 2018, during the North American tour with Def Leppard, Journey topped the Billboard Hot Tours List for grossing more than $30 million over 17 shows.   On March 3, 2020, Schon and Cain announced that they had fired Smith and Valory and were suing them for an alleged "attempted corporate coup d'état," seeking damages over $10 million. The lawsuit alleged Smith and Valory tried to "assume control of Nightmare Productions because they incorrectly believe that Nightmare Productions controls the Journey name and Mark" to "hold the Journey name hostage and set themselves up with a guaranteed income stream after they stop performing." Valory and Smith contested the firings with the support of former manager Herbie Herbert and former lead singer Steve Perry. Court filings revealed that Steve Perry had been paid as a band member for years despite not performing. In an open letter dated that same day, Schon and Cain stated Smith and Valory "are no longer members of Journey; and that Schon and Cain have lost confidence in both of them and are not willing to perform with them again." Valory counter-sued Schon and Cain for their partnership's claim of owning the Journey trademark and service mark.   In June 2020, Neal Schon announced via his social media page that a new album with Jackson and Walden was "starting to take shape." The following month, he confirmed the album's progress and that they would release new music in early 2021. In January 2021, he announced that the album's first single would be released later that year, with the possibility of a worldwide tour to follow. In April 2021, the band reached an "amicable settlement" with former members Valory and Smith, confirming they were no longer a part of Journey. The single "The Way We Used to Be" was released on June 24, 2021.   In July 2021, Neal Schon confirmed that Deen Castronovo, had rejoined as a second drummer.   On February 16, 2022, the band announced the title and track listing of their upcoming fifteenth studio album "Freedom," which is set to be released on July 8, 2022. On March 1, 2022, Cain confirmed that neither Walden nor Randy Jackson remained in the lineup, with Walden's dipping out following a minor heart attack following a live show in Pennsylvania. Nevertheless, they both still played on Freedom, as they had completed their parts on the album before departing. The second single, "You Got the Best of Me," was released on April 26, 2022. The third single, "Let It Rain," was released just recently, on May 17, 2022. So be on the lookout for Journey's new album!   According to the Recording Industry Association of America (RIAA) Journey has sold 48 million albums in the U.S., making them the 25th best-selling band. In addition, their worldwide sales have reached over 80 million records globally, making them one of the world's best-selling bands of all time.

From recording artist to cereal bar visionary… a tale of two passions. After being discovered by the legendary artist manager Irving Azoff in a Cheesecake Factory in LA (who encouraged her to pursue a career in music and made some phone calls to help her out), Kira Lynn made the courageous move from Canada to Nashville. A few years later, Kira is still writing and recording music, but she's also embarking on a whole new adventure: opening Nashville's newest Instagrammable, Bachelorette party go-to spot, the Wanna Spoon Cereal Bar! Yes, you read that right. We're getting a cereal bar here in Nashville, and it's going to live in the heart of my favorite part of town, 12 South. Tune in to hear all about Kira's journey from meeting one of the biggest players in the Music Industry at an unintentional fried food buffet in Cheesecake Factory to becoming Nashville's newest it-girl in the brick and mortar entrepreneurial space. LEARN MORE ABOUT KIRA:https://kiralynn.ca IG: https://www.instagram.com/kiralynnmusic Spotify: https://open.spotify.com/artist/7oC3aROFOlCwXmqj3baw6O?si=QplqCOV8SSOKIXoImQ41ag&dl_branch=1&nd=1 WANNA SPOON CEREAL BAR:https://www.wannaspoon.us IG: https://www.instagram.com/wannaspooncerealbar CONNECT FURTHER WITH ANGIE:Podcast: https://www.yougetwhatimsaying.com Listen Early and Dynamic Ad-Free on Apple Podcasts: https://apple.co/44Y6rbYSocial Media: https://beacons.ai/theactualangie/socialmedia Contact: yougetwhatimsaying.podcast@gmail.com Monetize Your Podcast: https://beacons.ai/theactualangie/monetizeSupport the Show: https://www.buymeacoffee.com/yougetit/membershipADVERTISE ON THE SHOW: To inquire about host-read ads or to become the show's next Presenting Sponsor, please send an email to yougetwhatimsaying.podcast@gmail.com.EPISODE CREDITS:Podcast Logo: Abby MurdockPodcast Cover Photography: April Bowers CreativeBE ADVISED:Formerly titled Podfluencer Society (for before that, 4 Things For Your Podcast), episodes 1-114 share insights and strategies specifically for podcasters. As the podcast has undergone a complete rebrand, some links and information referenced in earlier episodes have likely changed. Please contact us at yougetwhatimsaying.podcast@gmail.com if you cannot find what you are looking for. The views and opinions expressed in each episode are those of the individual contributors and do not necessarily reflect those of the podcast host and team or the owner of this Intellectual Property. This podcast is not an authority of legal advice, and listeners are encouraged to seek professional counsel with regard to their brand, business, and otherwise. Many of the product and service promotions in each episode are under the negotiated terms of affiliate or sponsorship agreements. If a link is clicked and a purchase is made, an affiliate commission may be received. However, we recommend products or services that we personally endorse and believe may be beneficial to others. This information is disclosed in accordance with the Federal Trade Commission's 16 CFR, Part 255: “Guides Concerning the Use of Endorsements and Testimonials in Advertising."

In the studio with us today is Barbara Barna Abel, who is a Multimedia Communications Coach, and advisor on talent and executive development. We talk about what it takes to transition from being a performer on stage, to working in front of the television camera. Barbara shares with us how to prepare in advance, what mistakes not to make, and how to come across as a seasoned professional, when talking or performing in front of a television studio audience. Ultimately we discuss as to what the definition of the acronym “GAP” that she created to help her clients means  - What's the Goal, Who's the audience, What's the platform? Barbara is the author of “How to Get Your Foot In the Door: Television Hosting & Presenting”, a step-by-step guide to breaking into television hosting and is currently working on her second book “The Camera-Ready Checklist, ” an easy 5-step process for success for anyone who communicates through a camera lens. She  started  her  career  in  television  and  continues  to  develop  and  cast shows across platforms. Her credits include: Queer Eye for the Straight Guy, What Not to Wear, The RuPaul Show, and Page Six TV while giving early  career  breaks  to  industry  stalwarts  such  as Adam  Richman,  Amy Schumer, Carson Kressley, and Jake Tapper to name a few. Her media coaching clients include musical artists and she has taken many pages from the indie artist playbook to coach clients on how to build a loyal fan base + She began her career in the music business working for Irving Azoff and Howard Kaufman at Frontline Management then learned the touring business in the personal appearance department at APA before transitioning to television and running the talent development department at VH1. Barbara can be reached at her email at: bba@abelintermedia.com, or on her website at: www.abelintermedia.com.  The Business Side of Music ™ © 2022 Lotta Dogs Productions LLC Showrunner and Executive Producer Emeritus: Tom Sabella Producer and Host (the guy who has a face for podcasting): Bob Bender Co-Producer - Audio/Video Editor (the man behind the curtain): Mark Sabella Director of Video and Continuity (the brains of the entire operation): Deborah Halle Marketing and Social Media (all knowing): Sarah Fleshner for 362 Entertainment All Around Problem Solver (and Mental Health Therapist for us): Connie Ribas Recorded inside an old beat up Airstream Trailer located somewhere on what's left of Music Row in Nashville TN (except during pandemics, then it's pretty much been accomplished VIA Zoom or over the phone, with the exception for those fearless enough to come to Bob Bender's dining room… and there have been a few that have survived). Mixed and Mastered at Music Dog Studios in Nashville, TN Editing and Post at Midnight Express Studio located in Olian, NY Production Sound Design: Keith Stark Voice Over and Promo: Lisa Fuson Special Thanks to the creator and founder of the podcast, Tom Sabella, along with Traci Snow for producing and hosting over 100 episodes of the original "Business Side of Music" podcast and trusting us to carry on their legacy. Website: If you would like to be a guest on the show, please submit a request to: musicpodcast@mail.com If you're interested in becoming a sponsor for the show, let us know and we'll send you a media / sponsorship kit to you. Contact us at musicpodcast@mail.com

The stars at night are big and bright

EP 528 featuring author Scott Alderman

EP 528 featuring author Scott Alderman

My special guest returning to the show is William Ramsey. He returns to discuss details about the concert Travis Scott held at Astroworld and if there was a sinister agenda behind it.         In Scott's previous performances, several legal issues were raised, including his incitement of incidents and praising fans for their participation. Leading a new micro-generation of trap artists in 2013, bringing punk-rock nihilism to live hip-hop, Scott was quoted in several outlets at the time as wanting to bring his childhood fantasy of becoming a professional wrestler to his concerts.[24][30][31][32] Building his reputation with an event that CNN said teetered on the brink of chaos,[33] a Complex review in 2015 entitled "I Tried Not to Die at Travi$ Scott and Young Thug's Show Last Night" called it "the most dangerous haven" and "a turn-up fight for survival."[34]  At Lollapalooza in 2015, Scott was charged with disorderly conduct after inciting concertgoers to ignore security and rush the stage.[2] 2017, he was arrested for similar conduct after performing at the Walmart Arkansas Music Pavilion in Arkansas.[35][36] He was again charged with disorderly conduct and received additional charges for inciting a riot and endangering the welfare of a minor. All charges were later dismissed, except disorderly conduct, to which Scott would plead guilty.[33] That same year, a fan sued Scott and the organizers of a concert at Terminal 5 in New York City after falling from the third-level balcony and being dragged on stage, leaving the fan paralyzed from injuries sustained in the fall, with the lawsuit blaming the fall on a crowd surge.[37] At the same concert, Scott was recorded encouraging other fans to jump off balconies, claiming that the crowd beneath them would catch them.[38] In 2019, three people were injured as a crowd rushed to enter the compound at Astroworld.[39] In late 2020, music executive Irving Azoff said that while he would remain an advisor to Live Nation for Scott's tours, he had dropped him as a client, describing Scott as unmanageable.[40]  On November 8, 2021, TMZ reported a promotional video for Astroworld, which played up the apparent danger of attending the festival, with spliced news clips hyping the prior years' chaos, had been removed from their social media accounts except for Instagram. Photos on Scott's personal Instagram with his comments glorifying and glamorizing fans who had broken their hands or passed out had still not been taken down. The outlet editorialized in both cases that Scott's "rager" persona and the Astroworld brand that supported it had caught up with them.[41][42]     Scott was scheduled to start his set at 8:45 p.m. but did not take the stage until approximately 9:02 p.m., starting at approximately 9:06 p.m. with the opening song "Escape Plan."[43][46][55][52] His appearance onstage made people push toward it, leading to a human crush.[39] According to HFD Chief Sam Peña, at about 9:00 p.m., members of the crowd pressed forward and also surged from the sides, causing a crush near the stage; he added that the crush was not caused by obstructed exits but by issues close to the stage, where the crowd was tightly packed. As people struggled to stay on their feet, several began to fall, and many were injured. Panic grew as Scott started the second song of his set, the remaining escape routes shrank, and several attempted to climb over barricades.  At 9:11 p.m., the concert's Unified Command—which consisted of Houston police, festival security, festival production staff, ParaDocs dispatchers, and Harris County Emergency Core dispatchers—reported the main stage had been compromised, instructing their helicopter to investigate, as the video showed fans unable to escape from the area closest to the stage. As the breach was limited to a single section, an official advised standing by and waiting for concert management. Follow us on Instagram Follow us on Facebook It's super easy to access our archives! Here's how: iPhone Users: Access Mysterious Radio from Apple Podcasts and become a subscriber there, or if you want access to even more exclusive content, join us on Patreon. Android Users: Enjoy over 800 exclusive member-only posts to include ad-free episodes, case files, and more when you join us on Patreon.  Please copy and Paste our link in a text message to all your family members and friends! We'll love you forever! (Check out Mysterious Radio!)

Show NotesElliot Easton's guide to The Cars' discographyThe Cars (streaming discography)The Cars: Power SteeringWhat did you do to get your SAG card?Maxanne Sartori13th Floor Elevators - "You're Gonna Miss Me"Terry DoranThe Dark Side Of Colonel ParkerJust how difficult is it to make a sustainable living from streaming?The Cars on Midnight SpecialWolfman Jack!!!! Howlin' On The Air part 12018 Rock & Roll Hall of Fame - The Cars - Induction SpeechMega music manager Irving Azoff, still feared, still fightingShep GordonTony Dimitriades Wiki: Everything to Know about Tom Petty's ManagerSync Up: Elliot Roberts Interviewed by Warren ZanesFrom Mailroom to Boardroom: 10 Modern-Day Execs Who Started At The BottomRoy Thomas Baker: Taking Chances and Making HitsFree - "All Right Now"Gus DudgeonQueen - The Story of Bohemian RhapsodyStephens Electronics, maker of the 40-track analog multitrack machineThe Cars - "Drive"The Rolling Stones - "Heart of Stone"The Cars - "Just What I Needed" (demo version)The Cars - "Just What I Needed" (Roy Thomas Baker version)20 Struggles Only Left Handed People Will UnderstandThe Cars Rock Goes to College 1979 (Full Concert)Andrew Loog Oldham's Sounds and Vision is a partner of the Double Elvis podcast network. For more of the best music storytelling follow @DoubleElvis on Instagram or search Double Elvis in your podcast app.

This week's episode is with Bill Pfordrescher who worked with many bands and record labels but for me and Bill we met because of Ambrosia when they were signed to Warner Bros Records. "Biggest part of me" "Thats How Much I feel" were to become huge hits for WB and I was instrumental in promoting those songs first and then the rest of my associates at WB helped take them all the way. Bill, has wonderful stories about TOOL, Kenny Wayne Shepard and how Bill helped Kenny get signed with Irving Azoff and Eagles manager and owner of a record label.  Another look behind the scenes of how these bands made it to the top and what happens along the way. Bill met the infamous George Martin of Beatles fame as well and many other iconic legends.   Recommended Music: Ambrosia: "Holding on to Yesterday" Ambrosia: "How much I Feel" Ambrosia: "Biggest Part of Me" Ambrosia: "Nice, Nice Very Nice" TOOL: "Sober" Metallica: "Nothing Else Matters" Cure: "Friday I'm in Love" Kenny Wayne Shepard: "Blue on Black"

Detroit Lions lost... but won, Britney Spears is engaged, Hot Jim Fouts, MSU & Michigan win, Jack Morris is back & extra sorry, Maz checks in, Scott Baio v. Richard Marx again, and Drew joins Kermit & Friends.The Detroit Lions are 0-1, but they made it interesting.Drew has made an appearance on the latest episode of Kermit and Friends. Drew admits he peaked in Little League when he threw a no-hitter.CFB Recap: The Oregon Ducks defeated OSU. Virginia Tech beat a nobody. Marc does a 180 on the undefeated Michigan Wolverines. The Big House had a great photo op (minus the student section). MSU is rolling, but faces Miami next. Bill Maher isn't too thrilled about two different "National Anthems".Kelly Stafford has decided to start her own podcast.Faith No More has badass cover songs.Maz had to sit at the children's table at Woodward Sports' first appearance on WRIF. We check in with Maz to recap everything we already talked about.Bruce Springsteen performed live to honor the 20-year anniversary of 9/11. Some people are saying that the attack on the Pentagon doesn't get enough attention.Jim Breuer will NOT perform at Royal Oak Music Theater if they require a vaccinated crowd.Jim Fouts had a huge weekend. Props to Deadline Detroit for noticing how hot 'Mayor Button' has gotten recently.Rep. Jewell Jones violated his bond THREE times."Drunk" Rudy Giuliani had a hell of a 9/11 remembrance speech.Evander Holyfield is too old to step in the boxing ring. Donald Trump was the biggest winner of the night.Jack Morris read an apology on his return from suspension.Nick Castellanos timing is amazing. This time he hit a homerun on 9/11."F**K Joe Biden" is the latest viral chant.Metallica and Miley Cyrus performed live on The Howard stern Show. Howard didn't get to see it live.Ben and Jen are red carpet official.Vice aired Too Soon: Comedy After 9/11.State Reps Laurie Pohutsky and Mari Manoogian don't like student athletes making any money.Weird Local News: This dude needs to re-take a driver assessment test. A Birmingham guy had a rough night. Twins Auto Sales got a great plug in their Public Freakout Reddit video.Britney Spears is officially getting married! She celebrates by showing her butt.Prince Harry and Meghan Markle virtue signal on 9/11.Nicki Minaj's sex offender husband in trouble for not registering as a sex offender and faces 10 years behind bars.Elizabeth Holmes and Sunny Balwani's hot and heavy text messages have been released.Little Steven has a new memoir.Drew really wants to beat Screech (RIP) on Twitter.Scott Baio laid a trap and Dick Marx fell right into it... again.Things aren't getting better for Trevor Bauer."Hate crimes" against republican people of color are not "hate crimes".Irving Azoff has joined the Lindsey Buckingham/Stevie Nicks feud.Madonna lies about her age and stumbles over her lines at the VMA's.Social media is dumb but we're on Facebook, Instagram and Twitter (Drew and Mike Show, Marc Fellhauer, Trudi Daniels and BranDon).

A man who needs no introduction... Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Today we are joined by two highly-influential music creators’ rights advocates. Kris Ahrend began his career in the music industry working in the Law Department at Sony Music, where he provided legal services to all of Sony’s US divisions, including its publishing company. He subsequently worked in the business and legal affairs department at Sony BMG Music Entertainment before accepting a senior executive role at Rhino Entertainment. Kris Ahrend now serves as Chief Executive Officer for The MLC, where he leads the organization’s mission to ensure songwriters, composers, lyricists, and music publishers receive their mechanical royalties from streaming and download services in the U.S. accurately and on time. Most recently, Ahrend led the development and launch of Warner Music Group’s Center of Excellence for Shared Services in Nashville, where he oversaw the operations of fifteen different functional teams providing a variety of administrative, financial, and legal services to Warner Music’s U.S.- based publishing teams, record labels, and corporate divisions. Michelle Lewis is an award-winning songwriter, composer, singer and music creators’ rights advocate. From her early career as a recording artist signed to Irving Azoff’s Giant Records, to her first radio hit, Cher’s “A Different Kind of Love Song” in 2002, to the 2014 worldwide #1 single “Wings” by the British girl group Little Mix, Ms. Lewis brings authenticity, musicality, and heart to a diverse range of pop music. In 2015, Michelle Lewis co-founded the non-profit advocacy organization, Songwriters Of North America (SONA) in response to the ever-increasing complexities and inequities in digital royalties paid to songwriters and composers. Through her roles as SONA’s Executive Director, on the ASCAP Board of Directors, as an LA Chapter board member of the Recording Academy and on the Executive Committee of the Music Peer Group for the Television Academy, Michelle is solidly situated on the leading edge of issues facing songwriters: the ongoing fight to make streaming royalty rates more fair to creators, education and empowerment of creators through metadata, the implementation and utilization of the new Mechanical Licensing Collective, and fighting for songwriters to get healthcare and workplace safety standards in place.And The Executive are… Kris Ahrend and Michelle Lewis! Artwork: Michael Richey White See acast.com/privacy for privacy and opt-out information.

 We dialed it back a smidge for Episode 5 + the 70's promoter + Chicago, not a death metal band + funk you and the horse you rode in on + too damn educated + Moz, professional asshole + are brands lazy AF? + reanimatedThe Scatterbrain Podcast reflects upon the worlds that we live in: tour life, music, film, literature, sports, pop culture, work, mental health, politics, skullduggery and the art of grievances. But don't hold us to that.....For the latest news, follow: @scatterbraintalk on Instagram!Hosted by:Justin Press - @Justincpress /@justinpress_photoJM Guarnieri - @johnsilverspear   

Brian William Koppelman (born April 27, 1966) is an American showrunner. Koppelman is the co-writer of Ocean's Thirteen and Rounders, the producer for films including The Illusionist and The Lucky Ones, the director for films including Solitary Man and the documentary This Is What They Want for ESPN as part of their 30 for 30 series, and the co-creator, showrunner, and executive producer of Showtime's Billions. Koppelman was born on April 27, 1966 in Roslyn Harbor, New York to a Jewish family, the son of Brenda "Bunny" Koppelman and Charles Koppelman. His father was a producer and media executive. Koppelman holds degrees from Tufts University and Fordham University School of Law. He first started managing local Long Island bands as a teenager. He would also book bands at a local nightclub. Through booking acts, he came into contact with Eddie Murphy and helped arrange Murphy's first record deal. As a student at Tufts University, he discovered singer/songwriter Tracy Chapman and executive-produced her first album. He was later brought to Giant Records by president Irving Azoff. During his career, Koppelman was an A&R representative for music labels Elektra Records, Giant Records, SBK Records and EMI Records

Our series on The Eagles concludes with a look at the business dealings and lawsuits that took place behind the scenes and the man who helped to shape their early career, David Geffen. A Brooklyn kid whose mother called him King David, Geffen moved to L.A. in the sixties and swiftly became a mover and shaker. By the time he met The Eagles, he was a kingmaker in the local rock scene. But as The Eagles themselves became kings, their relationship with Geffen soured, setting the stage for Geffen's protege, Irving Azoff, to swoop in and become their new manager. Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers

Although George was signed to MCA directly by Irving Azoff, and has played on 10 major album releases as a member of various bands… oddly enough, his greatest success came to him because he will willing to accept a position as Rick Springfield’s guitar tech, during a time in his life when things were at a slow down. If you like to root for the underdog, you’ll love this story about how the good guy won George pulls no punches here, and the stories he shares about the ins and outs of the music business, and how band members wind up connecting… is an amazing lesson in how long-shots line up and the value of serendipity in life. PLUS, the greatest unknown rock and roll band you never heard… personal development… shortcomings, and more, in this eye-opening conversation! Support this Show: http://www.everyonelovesguitar.com/support  Subscribe https://www.everyonelovesguitar.com/subscribe/  Facebook: https://www.facebook.com/EveryoneLovesGuitar/ Instagram: https://www.instagram.com/everyonelovesguitar/ 

Abonnez vous à la Newsletter : https://mailchi.mp/372ce005d7cc/explizik Cette semaine dans Explizik, j’avais envie de nouveauté. Du coup, lorsque j’ai lu que Irving Azoff était entré début novembre au Rock’n’Roll Hall of Fame, je me suis dit que ça vaudrait le coup de vous en dire un peu plus sur cette légende de l’industrie musicale.

Why Don Henley called Eagles manager Irving Azoff, "Satan", Sammy Hagar would sing at a Van Halen tribute show, but won't have any part of rumours that one might happen, and AC/DC releases another single as it finally releases its new album "PWR UP" today.

Mike Hulvey is the Chief Operating Officer for Neuhoff Communications, Inc which owns and operates 20 radio stations in Illinois and Indiana along with 18 revenue-generating websites. Mike serves nationally on the Executive Committee of the RAB and is Vice President of the International Broadcasters Idea Bank Board of Directors. He is active in many local, state, and national organizations. Mike is also the founder of a nationally recognized summer mentoring program for aspiring broadcasters.  Mike has been named a past finalist as America’s Best Broadcaster by Radio Ink Magazine. He has also served as Steering Committee Chairman of the National Radio Show in both 2015 and 2016. He was inducted into his high school “Wall of Fame” joining previous honorees such as Dick Van Dyke, Gene Hackman, and Irving Azoff.Mike and his wife Julie have 4 adult children and one grandchild.Connect with Mike Hulvey  via LinkedIn

Antes de ayer, jueves, 24 de septiembre, TOMA UNO cumplía exactamente 47 años desde su primer programa. Y esta vez lo celebramos ya comenzada la temporada número 48. Y lo queremos hacer rodeados de amigos. Nos encanta celebrar aniversarios. Estamos muy orgullosos de cumplir años haciendo lo de siempre: radio. Es un privilegio. Además, es una de las mejores maneras de manifestar públicamente el respeto y el agradecimiento hacia quienes estáis a nuestro lado. Tener memoria siempre es bueno. Y pensamos conservarla y compartirla. "Era mucho mayor entonces. Soy más joven ahora". Así podíamos escuchar en “My Back Pages”, una canción grabada en la primavera de 1964 por Bob Dylan para su álbum de aquel mismo año Another Side Of Bob Dylan. Lo hizo con el título provisional de “Ancient Memories” y acompañándose exclusivamente de su guitarra con una melodía original muy parecida a "The Lonesome Death of Hattie Carroll" de su disco anterior. Para abrir nuestro programa de hoy hemos querido recordarla en directo durante 1992 en la conmemoración de los primeros 30 años de la carrera del bardo. Una versión en la que intervenían por orden de aparición: Roger McGuinn, Tom Petty, Neil Young, Eric Clapton, el propio Dylan y George Harrison. Pura Americana. Lloyd Green y Jay Dee Maness, dos de los más grandes instrumentistas de steel guitar, intervinieron en distintas canciones de un álbum de los Byrds titulado Sweetheart of the Rodeo, convertido en la quinta esencia del country rock en 1968. Cuando se cumplió el medio siglo de su publicación, los dos resucitaron conjuntamente aquel disco seminal bajo el nombre de Journey to the Beginning: A Steel Guitar Tribute to the Byrds, una recreación instrumental canción a canción de las 11 que formaron Sweetheart of the Rodeo… pero con un añadido; y es que su tema de cierre fue esta versión del que fuera tema de apertura "You Ain’t Goin 'Nowhere", la legendaria composición de Bob Dylan. Para la ocasión contaron con las voces de Jim Lauderdale, Jeff Hanna de la Nitty Gritty Dirt Band, Richie Furay de Buffalo Springfield y Poco, y Herb Pedersen de la Desert Rose Band, además de la mandolina de Sam Bush. El día en que se cumplió el primer aniversario de la muerte de “el Beatle tranquilo” tenía lugar en el Royal Albert Hall de Londres un concierto homenaje a su figura y su música dirigido por uno de sus grandes amigos, Eric Clapton. Al año siguiente veía la luz Concert for George: A Celebration of the Life and Music of George Harrison donde Tom Petty, viejo compañero de George Harrison en los Travelling Wilburys, recordaba “I Need You”, un corte de Help!, el quinto álbum en la discografía de los Beatles. En la versión original de "I Need You" Harrison se desperezaba como compositor y aparecía incluso como cantante solista, además de demostrar sus habilidades como guitarrista. En 1994, dentro del proyecto Red Hot + Country para luchar contra el SIDA, Suzy Bogguss, Alison Krauss y Kathy Mattea unieron sus voces con las de Crosby, Stills & Nash para realizar esta versión antológica de un clásico tan significativo como “Teach Your Children”, que había sido grabado a finales de Octubre de 1969 por aquel supergrupo nacido en las colinas de Laurel Canyon, con la incorporación de Neil Young, para que formara parte del álbum Déjà Vu. Una canción pacifista creada por Graham Nash a la que Stephen Stills incorporó un medio tiempo de country con el añadido del steel guitar de Jerry Garcia, líder de Grateful Dead. Con la introducción original de voz y guitarra de su creador, Kris Kristofferson, y el impecable arrope instrumental de Byron House, Sam Bush, Jon Randall y Randy Scruggs, Emmylou Harris cantaba “The Pilgrim (Chapter 33)” del veterano e influyente cantante y compositor, además de actor. Formó parte de The Silver Tongued Devil And I, el segundo álbum del tejano publicado en 1971. Garth Brooks tuvo una especial significación en la década de los 90, rompiendo casi todas las barreras que la country music había tenido hasta entonces. Criticado hasta la extenuación por los defensores de la supuesta pureza, se retiró de la primera línea durante demasiados años, aunque nunca abandonó del todo. Su regreso oficial no le ha devuelto la popularidad de entonces, pero sigue dejando momentos muy brillantes. Hace siete años lanzó la caja de ocho discos Blame it All on My Roots: Five Decades of Influences. Además de dos CDS recopilando sus éxitos, un DVD con 33 de sus vídeos y otro con su show de Las Vegas que llamó The Ultimate Hits, incluía cuatro CDs con sus canciones favoritas entre las que encontramos “Amie”, un clásico imperdible de la Pure Prairie League, que formó parte de Bustin' Out, un año antes de que comenzara TOMA UNO, y se editó en single en 1975 a instancias de Lenny Kaye, guitarrista de Patti Smith. En 1970, la Nitty Gritty Dirt Band lanzó el álbum Uncle Charlie & His Dog Teddy, una mezcla serena y reposada de country con el folk de California, donde aparecía una luminosa versión del clásico de Jerry Jeff Walker "Mr. Bojangles". Cuando se cumplieron 38 años de aquella grabación, el grupo resucitó el tema con la incorporación de dos artistas compañeros de sello discográfico: Keith Urban y Dierks Bentley. Seguimos con canciones que son fundamentales en la historia de la música. Siempre, con la ayuda de los amigos… Por eso hemos recordado que han pasado 50 años desde que James Taylor publicara su segundo álbum en solitario Sweet Baby James, el que definitivamente impulsó su carrera y determinó un futuro como contador de historias que le ha convertido en un puntal de la Americana. La brillantez de James Taylor se pone de manifiesto en cada uno de sus trabajos, aunque casi todos vienen a coincidir en que Sweet Baby James es el que mejor describe sus formas estilísticas, una vez se hubo afincado en California. Pero no olvidemos que su debut en solitario llegó en 1969 con un álbum homónimo grabado para Apple Records con el apoyo de los propios Beatles. El, por ejemplo, los recordó en directo en este curiosa versión de “With A Little Help From My Friends”, que llevó a su propio terreno desde aquel Sgt. Pepper seminal de 1967. La pandemia ha provocado el aislamiento de muchos, pero han sido muchos artistas de Americana los que han procurado mantener el contacto con su gente gracias a las redes sociales. La familia Nelson ha sido de las más activas. Lukas, por ejemplo, ha instaurado sus Quarantunes Evening Session. La semana pasada, colgaba en su canal de YouTube una versión entrañable de “September Song” con The Promise Of The Real, donde milita su hermano Micah, y contando con su padre, Willie, tocando su inseparable Trigger. “September Song” es un estándar de los años 30 debido a la inspiración de Kurt Weill y Maxwell Anderson convertido en uno de los favoritos de Willie Nelson y que este incluyó en su álbum Stardust. En 1959 los Four Flickers dieron a conocer “Long Tall Texan”, una canción de Henry Strzelecki, uno de los miembros de este grupo de Birmingham, en Alabama, que se inició en el country y pasó al doo-woop de. Por eso no resulta extraño que los Beach Boys la incorporarán a su álbum Beach Boys Concert en el 64. Lo que resultó más sorprendente es que la eligieran 32 años más tarde para interpretarla en Stars and Stripes, Vol. 1, un disco que grabaron con artistas cercanos a Nashville. Así lo hicieron junto a Doug Supernaw, un tejano de Houston que se trasladó a la Music City a finales de los 80, debutando en 1993 con el álbum Red And Rio Grande, un disco equilibrado entre canciones propias y algunas otras de los compositores básicos de aquellos años. Arkie Shibley and His Mountain Dew Boys grabaron en 1950 “Hot Rod Race”, un tema que cinco años después se convertiría en “Hot Rod Lincoln”, cuando Charley Ryan & The Livingston Bros la editaron en Souvenir Records. Commander Cody & His Lost Planet Airmen, una formación favorita desde los comienzos de TOMA UNO, la grabó en el 71 para su álbum Lost In The Ozone y Asleep At The Wheel la enmarcaron en Western Standard Time, otro de esos discos imprescindibles para viajar por carretera. Pero hoy hemos recurrido a 1993 cuando el actor Jim Varney, un nativo de Lexington, en Kentucky, y Ricky Skaggs la actualizaron para la banda sonora de la película The Beverly Hillbilies, que llevó al cine la serie televisiva. Varney, que murió en 2000, hizo el papel de Jed Clampett. Tras la ruptura de los Eagles, se había comentado que Don Henley y Glenn Frey habían vuelto a trabajar juntos para rescatar algunas canciones inéditas de la formación de cara a un enésimo disco de éxitos y que, incluso, se podría hablar de un regreso del grupo. Esos rumores no pasaron de ahí. En pleno 1993, 20 años después de comenzar TOMA UNO, Don Henley e Irving Azoff, presidente de Giant Records, se pusieron a trabajar en un antiguo proyecto del batería. Consistía en que algunos de los artistas de country más populares por entonces se reunieran en un álbum interpretando versiones de los éxitos de los Eagles. El 40% de los royalties estarían destinados al proyecto Walden Woods, que Henley estableció en 1990 para proteger la tierra alrededor de Concord, en Massachusetts, donde Henry David Thoreau escribió el clásico Walden. El resultado fue Common Thread: The Songs Of The Eagles, un disco imprescindible que fue premiado por la CMA como álbum del año. En diciembre se estrenaba un video protagonizado por Travis Tritt en el que se reunía con la banda al completo para una nueva versión de "Take It Easy". Así se inició oficialmente su reunión. Así cerramos esta vez nuestra celebración de un aniversario más. Pensamos seguir contando. Escuchar audio

The 5:01 Happy Hour Party is back tomorrow... The power behing Irving Azoff and Pickling your beer!

In this episode, join Ray and Marc as they breakdown the 2020 Rock Hall class inductees. This year Depeche Mode, The Doobie Brothers, Whitney Houston, Nine Inch Nails, The Notorious B.I.G., T. Rex, Irving Azoff, and Jon Landau made it. However, Dave Matthews Band, Pat Benetar, Judas Preist, and countless others didn't make the cut. Listen to this week's podcast to discover the Rock & Roll Hall Of Fame voting process and what goes into making a great class.  

El 6 de junio de 1980, hace 40 años, se publicaba la banda sonora de la película Urban Cowboy, un día después del estreno de la cinta en Houston, Texas. Urban Cowboy fue dirigida por James Bridges y contaba una relación amor/odio entre "Bud" (John Travolta) y Sissy (Debra Winger) teniendo como punto de encuentro el Gilley's Club, sin ninguna duda, el honky tonk más grande del mundo, abierto en Pasadena, Texas, en 1971 por Mickey Gilley y Sherwood Cryer. El complejo tenía una capacidad de 7,000 personas, repartidas por distintos bares, pistas de baile, escenarios, toro mecánico e incluso rodeo. Aquella película dio origen al llamado Urban Cowboy Movement, que otros relacionaron con el neo-Country o el hill boogie. Su banda sonora fue pieza clave de su éxito, una buena parte de las 18 canciones de su doble LP se incluyeron en el Top 10 de singles de country y otros llegaron a la cima de las listas. Hoy vamos a recordar aquellos momentos. El guión de Urban Cowboy está basado en la historia de amor real de dos clientes habituales de Gilley, Dew Westbrook y Betty Helmer, de los que el periodista Aaron Latham había escrito en la revista Esquire un reportaje titulado "The Ballad of the Urban Cowboy: America's Search for True Grit". El director de cine James Bridges y Latham lo convirtieron en un guión y Paramount eligió a una estrella en ascenso como Debra Winger (a quien recordaréis no hace mucho en la serie de televisión The Ranch) en el papel de Sissy, y a John Travolta (que había tenido un enorme éxito en Saturday Night Fever y Grease) para interpretar a Bud Davis. Aquella banda sonora se abría con “Hello Texas”, un tema compuesto expresamente para la película, que Jimmy Buffett interpretó al margen de sus grabaciones habituales de entonces, que el músico de Mississippi ya denominaba "rock and roll caribeño", aunque también suele usar el término "Gulf & Western”. Musicalmente, Johnny Lee fue uno de los grandes protagonistas de la banda sonora de Urban Cowboy. Nativo de Texas City, creció en una granja de Alta Loma, también en el Estado de la Estrella Solitaria escuchando a Elvis, Jerry Lee Lewis y Chuck Berry, formando una banda de rock'n'roll durante sus años escolares en Santa Fe llamada Johnny Lee & The Roadrunners, con la que ganó distintos concursos locales. Johnny Lee se convirtió en toda una sorpresa. Apareció en la cinta, y dos de sus canciones se incluyeron en la banda sonora. "Lookin' For Love", el tema central que él interpretaba, llegó a la cima de las listas de pop y country en aquel mismo año y vendió más de un millón de copias. Es posible que el Gilley's fuera al country lo que Studio 54 en Nueva York fue a la disco music. Lo que nadie puede negar es que con aquel local se sentaron las bases para la aparición de otros clubes tejanos y más allá, incluidos el Billy Bob's Texas de Fort Worth (fundado al año siguiente del éxito de la película) y el Cowboys Dancehall de San Antonio (inaugurado en el 98). Los clientes habituales, conocidos como "Gilly Rats", hicieron de Gilley’s una especie de familia, aunque no era precisamente un lugar familiar. La producción de Urban Cowboy corrió a cargo de Irving Azoff, un manager de artistas como REO Speedwagon y Dan Fogelberg que adquirió solvencia en la industria musical por su estrecha relación con los Eagles. Fue fundador de Full Moon y Giant Records e influyó muy directamente en la selección de artistas para la banda sonora de la película, incluyendo a varios de sus representados. “Times Like These” la representación de Dan Fogelberg. Al año siguiente, la canción formaría parte del doble álbum The Innocent Age del músico de Illinois, posiblemente el trabajo más reconocido de su carrera. En el tema, Fogelberg tocaba todos los instrumentos excepto la batería, que estuvo en manos de Russ Kunkel. Bonnie Raitt, que hizo un cameo en la cinta, incluyó dos temas en la banda sonora, ninguno de ellos editado en sus álbumes oficiales. Así ocurrió con "Don't it Make Ya Wanna Dance", una canción del tejano de Austin Rusty Wier que fue versionada por artistas como Jerry Jeff Walker, Todd Snider, Chris LeDoux o John Hiatt. Ninguna película influyó en el country como lo hizo Urban Cowboy, ni siquiera Pure Country con George Strait a comienzos de los 90. Y ningún otro club lo hizo tanto como Gilley’s. En cierta manera, Urban Cowboy capturó el espíritu de la vida nocturna que una parte de los americanos anhelaba. Las botas vaqueras, los sombreros y las grandes hebillas se pusieron de moda… y es algo que todavía se mantiene, habiendo saltado fronteras. El presente nos cita con Margo Price que en la primavera de 2018 estuvo actuando durante tres noches en la llamada “Mother Church of Country Music”, el mítico Ryman Auditorium de Nashville y ahora ha publicado por sorpresa una selección de 11 cortes tomados de aquellos conciertos en el álbum Perfectly Imperfect at the Ryman, muy pocas fechas antes de lanzar su nuevo disco de estudio, That’s How Rumors Get Started. Durante aquellas fechas, la artista tuvo invitados como Jack White, Sturgill Simpson –que ha producido su nuevo álbum- y Emmylou Harris, con la que cantó a dúo en esta versión a “Wild Women”, que originalmente formó parte de All American Made, el segundo trabajo de Margo Price en 2017 con esta combinación de twang tejano, country de Nashville y soul de Memphis. Neon Cross ha fortalecido la carrera de Jaime Wyatt y ha afianzado la personalidad de la artista californiana. La producción tan afinada de Shooter Jennings ha reforzado sus propuestas sonoras para contar sus luchas reales contra el dolor, la adicción y la aceptación de su sexualidad. Esto último se refleja en "Rattlesnake Girl", arropado en ciertos elementos cercanos a la psicodelia. Cantar, como hace Jaime, sobre su orientación sexual no es algo que se aborde con frecuencia en la country music, por lo que escucharlo de una mujer que aún está despegando en ese género resulta audaz y emotivo. Kathryn Legendre nació en la tejana Helotes y se ha localizado en la escena de Austin con el mejor espíritu del honky tonk. Debutó en 2013 y por el momento suma álbum y un par de EPs hasta la aparición de su más reciente novedad, "One Long Sad Song", cambiando el enfoque para perfeccionar su forma de componer canciones mientras el mundo viaja por extrañas carreteras. Kathryn Legendre casi nunca ha seguido las tendencias que se suponen y sus influencias conectan con los modos de componer de Guy Clark o Merle Haggard, y filtra también las maneras de contar historias de Loretta Lynn, Bonnie Raitt o Linda Ronstadt. Un Ep y dos álbumes es el cargamento sonoro de The Golden Roses, una formación con sede en la tejana Austin, que en Smell The Roses al que da nombre genérico esta canción, cantan a sus experiencias basándose en sus propias influencias en las que hay espacio para el country, el bluegrass, Western swing y algo de rock 'n roll, todo ello filtrado por locales emblemáticos como el Broken Spoke y de forma muy especial el Ginny’s Little Longhorn Saloon, donde aprendieron casi todo lo que saben. “Smell The Roses” ha contado con Zachary Moulton de Mike and the Moonpies como invitado en la Steel guitar. Mike & The Moonpies se han refugiado en Touch of You- The Lost Songs of Gary Stewart, un álbum de canciones inéditas del músico de Jenkins, en el Condado de Letcher, en Kentucky, que habría cumplido 76 años el pasado jueves de no haberse suicidado en diciembre de 2003, unas semanas después de que su mujer muriera de neumonía. Jamie Lin Wilson, Courtney Patton y Zac Wilkerson son algunos de los invitados en esta aventura, además de un dúo con Mark Wystrach de Midland en “Smooth Shot of Whiskey”, una canción que el artista desaparecido compuso con Dean Dillon y Frank Dycus y que quedó fuera de un EP de Dillon y Gary Stewart que en principio era un proyecto más amplio. Midland tomó su nombre de una canción de Dwight Yoakam como "Fair to Midland", que apareció en 2003 en su álbum Population Me. Ahora también han jugado con el título de un Lp tan emblemático del músico de Kentucky como Guitars, Cadillacs, Etc. Etc. para dar nombre a un nuevo EP, con algunas versiones acústicas de sus canciones más conocidas, que han llamado Guitars, Couches, Etc., Etc. La grabación se hizo durante la cuarentena desde las casas de sus tres miembros. "Fourteen Gears" trata sobre un camionero que piensa amor especial mientras usa los "14 engranajes" de su Peterbilt (una marca de camiones de gran tonelaje) para "volver a tenerla” en sus brazos. Es una canción llena de nostalgia sobre conductores de esos trucks de 18 ruedas. Siempre hay que dar gracias por buenos amigos, el amor verdadero, los pueblos pequeños, la cerveza fría y un par de botas gastadas. Eso hace la Josh Abbott Band en su nueva canción, “The Luckiest”, donde tiene tiene un buen recuerdo hacia “King George”, es decir George Strait, por seguir haciendo discos de country. La banda de Lubbock afincada en Austin ha superado con creces la personalización en Josh Abbott y ha dirigido sus esfuerzos a profundizar en los sonidos del Lone Star State, sin perder la conexión con la tradición. Sus canciones suelen tener una carga de positividad, como en este caso, y detallan la cotidianeidad de las pequeñas ciudades de ese inmenso estado, con sus romances, sus problemas y sus inquietudes personales. Escuchar audio

Although George was signed to MCA directly by Irving Azoff, and has played on 10 major album releases as a member of various bands… oddly enough, his greatest success came to him because he will willing to accept a position as Rick Springfield’s guitar tech, during a time in his life when things were at a slow down. If you like to root for the underdog, you’ll love this story about how the good guy won… George pulls no punches here, and the stories he shares about the ins and outs of the music business, and how band members wind up connecting… is an amazing lesson in how long-shots line up and the value of serendipity in life. PLUS, the greatest unknown rock and roll band you never heard… personal development… shortcomings, and more, in this eye-opening conversation! Support this Show: http://www.everyonelovesguitar.com/support  Subscribe https://www.everyonelovesguitar.com/subscribe/  Facebook: https://www.facebook.com/EveryoneLovesGuitar/ Instagram: https://www.instagram.com/everyonelovesguitar/ 

#PopcornTalk #TheFilmScene #BrianKoppelman Koppelman was born on April 27, 1966 in Roslyn Harbor,[6] New York to a Jewish family, the son of Brenda "Bunny" Koppelman and Charles Koppelman. His father was a producer and media executive. Koppelman holds degrees from Tufts University and Fordham University School of Law. Career He first started managing local Long Island bands as a teenager. He would also book bands at a local nightclub. Through booking acts, he came into contact with Eddie Murphy and helped arrange Murphy's first record deal. As a student at Tufts University, he discovered singer/songwriter Tracy Chapman and executive-produced her first album. He was later brought to Giant Records by president Irving Azoff. During his career, Koppelman was an A&R representative for music labels Elektra Records, Giant Records, SBK Records and EMI Records. Film In 1997, Koppelman wrote the original screenplay for Rounders with his writing partner, David Levien. Koppelman has described his approach to writing as a team as having only one rule: no video games in the office. In 2001, Koppelman wrote, produced, and directed his first film, Knockaround Guys, which film critic Roger Ebert gave 3 out of 4 stars. Since then, Koppelman has worked on a dozen films, including having written Ocean’s Thirteen and directed an ESPN 30 for 30 documentary, This Is What They Want. In 2009, Koppelman co-directed Solitary Man starring Michael Douglas. The film was included in both A. O. Scott's The New York Times "Year End Best" list, Roger Ebert's "Year End Best" list, and holds a "Fresh" rating of 81% at the review aggregator website Rotten Tomatoes. Koppelman was a contributor and essayist at Grantland.com, a website that was dedicated to sports and pop culture. Additionally, since March 2014, Koppelman has hosted a weekly podcast, "The Moment", on ESPN Radio. In October, 2013, Koppelman received significant media attention for releasing a series of videos on the platform Vine in which he gives screenwriting advice in six seconds or less called "Six Second Screenwriting Lessons". His "Screenwriting, in Six Seconds or Less" Vine from July 31, 2014, generated over 15 million loops in less than nine days. He has also written a short story, "Wednesday is Viktor's",for the anthology Dark City Lights: New York Stories (Have a NYC), published in 2015. Television Showtime's drama Billions, created by Koppelman with The New York Times columnist Andrew Ross Sorkin and writing partner David Levien, and starring Paul Giamatti and Damian Lewis, premiered to strong reviews in 2016.[21][22] Emmy Award for Outstanding Special Guest Performer in a Drama Series. @jeffreycgraham Make sure to subscribe to Popcorn Talk! - http://youtube.com/popcorntalknetwork

ROCK TALK WITH MITCH LAFON presents singer, David Glen Eisley with guest appearance from Bob Kulick (recorded December 2019).  During our conversation, David discusses Sweet Victory (The SpongeBob SquarePants song), his career (including his time with Giuffria), his new album Tattered Torn And Worn, the unreleased Giuffria III album, opening for Foreigner & Deep Purple, Irving Azoff, wanting to be a professional baseball player and more. Also, Bob Kulick discusses his new work with Graham Bonnet.   Get your MITCH MERCH here: https://loudtrax.com/Mitch  Support the show.

Want to make it in the music business and Hollywood? In the first of a special two part episode of Success With Style, Jill Skinner discusses the lessons she learned from working with Irving Azoff, encountering music legends and how to succeed with authenticity and heart...on your own terms.

Want to make it in the music business and Hollywood? In the second of a special two part episode of Success With Style, Jill Skinner discusses the lessons she learned from working with Irving Azoff, encountering music legends and how to succeed with authenticity and heart...on your own terms.

In honor of Valentine's day, Laura is joined by power couple Shelli and Irving Azoff who discuss their 40+ years of marriage, their success in the music industry, and the effort it takes to make it all work. On The Sunny Side Up Report Laura and Johnnie review some cringe worthy tales of people who were dumped on Valentine's day, find out about some of the celebrity couples celebrating 10 years, and finally a woman who married her best friend...her dog. Daily Harvest - Go to Daily-Harvest.com and enter code DIVORCE for 3 free cups in your first box Kopari Deodorant - Visit KopariBeauty.com/DIVORCE to save $5 off your first order when you subscribe

In honor of Valentine's day, Laura is joined by power couple Shelli and Irving Azoff who discuss their 40+ years of marriage, their success in the music industry, and the effort it takes to make it all work. On The Sunny Side Up Report Laura and Johnnie review some cringe worthy tales of people who were dumped on Valentine's day, find out about some of the celebrity couples celebrating 10 years, and finally a woman who married her best friend...her dog. Daily Harvest - Go to Daily-Harvest.com and enter code DIVORCE for 3 free cups in your first box Kopari Deodorant - Visit KopariBeauty.com/DIVORCE to save $5 off your first order when you subscribe Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers

Promoter 101 The Podcast returns with ICM Partners' Head of Marketing Melanie Davis, sharing a look back at her days working for Bill Graham Presents, Irving Azoff, and at the Greek Theatre, all leading up to running the Marketing Department at ICM Partners Luckyman Concerts' Tom LaPenna explain it's more than just a clever name, he really is one hell of a lucky man. Alive Enterprises' Famous Toby Mamis Turns The Tables on Dan Steinberg And News of the Week with WORKS Entertainments' W. Luke Pierce Direct Link: Spotify: https://is.gd/T5SPEC‬ Tweet the Guys: https://twitter.com/Promoters101 Tweet Dan: https://twitter.com/TheJew Tweet Luke: https://twitter.com/wlukepierce Follow us on iHeartRadio: https://www.iheart.com/podcast/promoter101-29260148/ Follow us on Instagram: https://www.instagram.com/steinypromoter101/ Facebook: https://www.facebook.com/promoter101 Soundcloud: https://soundcloud.com/promoter101 Website: http://www.promoter101.net/ itunes: https://itunes.apple.com/us/podcast/promoter101/id1163910658?mt=2 Google Music: https://is.gd/onEmSt Stitcher: http://www.stitcher.com/podcast/promoter101?refid=stpr Tumbler: http://promoter101.tumblr.com/ Spreaker: https://www.spreaker.com/user/promoter101 YouTube: https://www.youtube.com/promoter101 Edited by Connor Merritt - Connor@EmporiumPresents.com

Promoter 101 The Podcast returns with ICM Partners' Head of Marketing Melanie Davis, sharing a look back at her days working for Bill Graham Presents, Irving Azoff, and at the Greek Theatre, all leading up to running the Marketing Department at ICM PartnersLuckyman Concerts' Tom LaPenna explain it's more than just a clever name, he really is one hell of a lucky man.Alive Enterprises' Famous Toby Mamis Turns The Tables on Dan SteinbergAnd News of the Week with WORKS Entertainments' W. Luke PierceDirect Link:Spotify: https://is.gd/T5SPEC‬ Tweet the Guys: https://twitter.com/Promoters101Tweet Dan: https://twitter.com/TheJewTweet Luke: https://twitter.com/wlukepierceFollow us on iHeartRadio: https://www.iheart.com/podcast/promoter101-29260148/Follow us on Instagram: https://www.instagram.com/steinypromoter101/Facebook: https://www.facebook.com/promoter101Soundcloud: https://soundcloud.com/promoter101Website: http://www.promoter101.net/itunes: https://itunes.apple.com/us/podcast/promoter101/id1163910658?mt=2Google Music: https://is.gd/onEmStStitcher: http://www.stitcher.com/podcast/promoter101?refid=stprTumbler: http://promoter101.tumblr.com/Spreaker: https://www.spreaker.com/user/promoter101YouTube: https://www.youtube.com/promoter101Edited by Connor Merritt - Connor@EmporiumPresents.com

In this episode, Mary Lou tells Maryanne a somewhat rambling story about Russ Kunkel and Jimmy Buffett. The story starts out with Mary Lou having dinner with Irving Azoff at the Ivy in LA, and ends with her naked, in a GLASS elevator in a hotel in West Palm Beach, just after having dinner with Jimmy Buffett and his daughter Savannah. It's like a weird dream. "How the hell did that happen?" indeed! Stay tuned!!

Welcome to the Rogue Moments podcast presented by Callaway. Callaway used Rogue thinking to innovate and design the new #1 driver model in golf. In this special podcast mini-series, our host Bill Macatee talks to different industry leaders about how they did things differently and "went rogue" to find success, and how they're connected to the game of golf. Irving Azoff is the most powerful man in music and he manages some of the biggest bands in the world, including The Eagles for the past 50 years. Irving discusses how approaching things differently has helped him in his career, how his sons got him into golf, and how playing the game has helped connect him to so many great people. Subscribe to Callaway podcasts on iTunes: itunes.apple.com/us/podcast/calla…id686017329?mt=2 Subscribe on Stitcher: www.stitcher.com/s?fid=100953&refid=stpr Follow us on TuneIn: tunein.com/podcasts/Sports--Re…y-Podcasts-p915039/

Oak View Group co-founder Tim Leiweke discusses a host of issues related to the business of sports, including how his group is transforming the old Key Arena in Seattle as it prepares to land a hockey and basketball team. He also talks about the technological evolution in sports, and how it affects the distribution of content as well as the in-arena experience. Leiweke also talks about facilities management and what drives revenue for owners of sports teams, which nowadays are only centerpieces of much more elaborate business ventures focused on sectors like real estate or media. He also touches on President Trump's tariffs and what they mean for builders of a new arena.  Leiweke is a former chief executive officer of AEG, which operates Staples Center, and Maple Leaf Sports & Entertainment, which owns and operates, among others, the Toronto Maple Leafs. Leiweke founded Oak View Group with music industry veteran Irving Azoff. 

Although George was signed to MCA directly by Irving Azoff, and has played on 10 major album releases as a member of various bands… oddly enough, his greatest success came to him because he will willing to accept a position as Rick Springfield’s guitar tech, during a time in his life, when things were at a slow down. If you like to root for the underdog, you’ll love this story about how the good guy won… George pulls no punches here, and the stories he shares about the ins and outs of the music business, and how band members wind up connecting… is an amazing lesson in how long-shots line up and the value of serendipity in life. PLUS, the greatest unknown rock and roll band you never heard… personal development… shortcomings, and more, in this eye-opening conversation! Subscribe https://www.EveryoneLovesGuitar.com Facebook: https://www.facebook.com/EveryoneLovesGuitar/ Instagram: https://www.instagram.com/everyonelovesguitar/ Twitter: https://twitter.com/ELovesGuitar

MICHELLE LEWIS SINGER/SONGWRITER/ADVOCATE Michelle Lewis is a fierce New Yorker now based in LA, where she is a singer, songwriter, composer, and music creators’ rights advocate. From her early career as a recording artist signed to Irving Azoff’s Giant Records, to her first radio hit, Cher’s “A Different Kind of Love Song” in 2002, to the 2014 worldwide #1 single “Wings” by the British girl group, Little Mix, Ms. Lewis brings authenticity, grit, and heart to a diverse array of music projects. For the last decade, Ms. Lewis has branched out into the world of songwriting for TV and film projects, most notably as a Peabody Award-winning composer of all original music for Disney Jr’s hit show, “Doc McStuffins,“ now beginning production of its 5th season. She also received her first Emmy nomination in 2016 for her work as a composer on the Nickelodeon show, “Bubble Guppies,” and has composed the theme songs to many other beloved animated series. In 2014, Ms. Lewis co-founded the non-profit advocacy organization, Songwriters Of North America (SONA). As Executive Director of SONA, she is deeply connected to the music creator community and is committed to growing the number of informed songwriters and composers able to advocate on their own behalves. She regularly communicates with leaders from Silicon Valley to Washington DC, fighting for the protection of songwriters and the value of musical works in the digital age. She is not afraid of taking action - SONA is the songwriter organization that sued the Department of Justice over its 100% licensing ruling last fall: billboard.com/articles/business/7510259/songwriters-group-sona-dept-justice-op-ed-consent-decrees. Ms. Lewis lives in Los Angeles with her husband, music producer Dan Petty and their 9 year-old son, Jackson.

MICHELLE LEWIS SINGER/SONGWRITER/ADVOCATE Michelle Lewis is a fierce New Yorker now based in LA, where she is a singer, songwriter, composer, and music creators’ rights advocate. From her early career as a recording artist signed to Irving Azoff’s Giant Records, to her first radio hit, Cher’s “A Different Kind of Love Song” in 2002, to the 2014 worldwide #1 single “Wings” by the British girl group, Little Mix, Ms. Lewis brings authenticity, grit, and heart to a diverse array of music projects. For the last decade, Ms. Lewis has branched out into the world of songwriting for TV and film projects, most notably as a Peabody Award-winning composer of all original music for Disney Jr’s hit show, “Doc McStuffins,“ now beginning production of its 5th season. She also received her first Emmy nomination in 2016 for her work as a composer on the Nickelodeon show, “Bubble Guppies,” and has composed the theme songs to many other beloved animated series. In 2014, Ms. Lewis co-founded the non-profit advocacy organization, Songwriters Of North America (SONA). As Executive Director of SONA, she is deeply connected to the music creator community and is committed to growing the number of informed songwriters and composers able to advocate on their own behalves. She regularly communicates with leaders from Silicon Valley to Washington DC, fighting for the protection of songwriters and the value of musical works in the digital age. She is not afraid of taking action - SONA is the songwriter organization that sued the Department of Justice over its 100% licensing ruling last fall: billboard.com/articles/business/7510259/songwriters-group-sona-dept-justice-op-ed-consent-decrees. Ms. Lewis lives in Los Angeles with her husband, music producer Dan Petty and their 9 year-old son, Jackson.

Tim Leiweke is probably best known as the long-time CEO of AEG, where he spent 18 years and was hailed as a visionary leader, before leaving the sports and entertainment giant suddenly in 2013, pitching up not long afterwards in Toronto as CEO of Maple Leaf Sports & Entertainment. Almost three years later, he was back in his adopted home of LA, this time starting his own venue specialist operation, Oak View Group – or OVG – which he launched alongside his partners music biz legend Irving Azoff and the Madison Square Garden company. James visited Tim in his well-appointed office in Westwood, Los Angeles, on a cloudless February or March day this year. On the conversational agenda: - OVG: What is it? Why did he leave Toronto so quickly to launch it? And is it competing with AEG? - The arena business in general: how to fill them, how to commercialise them, how to programme them, how to secure them, how to service them, and how to pick opportunities in the space; - David Beckham in Miami – and why that Major League Soccer project will happen; - a new Kevin Plank-driven arena project in Baltimore; - why Tim would never have given the go-ahead to AEG’s O2 project in London had he had real skin in the game; - secondary ticketing; and the next frontier for content in major global arenas.

CMU’s Andy Malt and Chris Cooke review key events in music and the music business from the last week, including YouTube and the IFPI’s disagreement over whether $1 billion is ‘a lot’ or ‘not nearly enough’, SFX Entertainment’s big post-bankruptcy rebrand as LiveStyle, and Irving Azoff’s Global Music Rights accusing the US radio industry of being anti-competitive. The CMU Podcast is sponsored by 7digital.

Melany Berger is a “no-holds-barred” blogger and social media influencer. She is the creator of MelanysGuydlines, which is a lifestyle blog with a snarky twist. She will tell you that snarky is witty but younger and better looking and says what most are thinking but do not say themselves. Think Chelsea Handler with a splash of Perez Hilton. MelanysGuydlines won many awards including the Shorty Awards Vox Populi 2015 for the most fan nominations in the blogger category. In addition to writing about relationships, Melany has proven herself as a trusted brand ambassador and social media influencer. She loves to give back to her readers through partnering with brands and offering exclusive opportunities. She works with top tier brands ranging from Microsoft, Lenovo, Murad, Zazzle, Cox Communication, Bud Light Lime, American Express, Disney, Overstock, USA Networks and more. A professional in the music industry, Melany has worked for major entertainment giants such as MTV, Irving Azoff and William Morris. Knowing the business inside and out, Melany has no shortage of hysterically epic and true tales of what it’s like to be a rock-star or at least party like one! She is an Advisory Board member at the University of Arizona for the College of Social and Behavioral Sciences and enjoys lecturing and teaching students about the future of social media and how they can turn social media influence into a profession.   Website: www.melanysguydlines.com Twitter: @melanyb12

Los abogados de Irving Azoff, uno de los principales mánager musicales del mundo, han amenazado a Youtube con una demanda por valor de 1.000 millones... See omnystudio.com/listener for privacy information.

Emmy-winning filmmaker Susan Lacy, and series creator and executive producer of "American Masters," joins us to chat about tonight's show/film documentary INVENTING DAVID GEFFEN, airs tonight at 8pm (eastern) on PBS. American Masters explores the highs and the lows in Geffen's professional and personal life through more than 50 new interviews with his friends, colleagues and clients, as well as other media luminaries. Irving Azoff,Jackson Browne, Cher, David Crosby, Clive Davis, Barry Diller, Maureen Dowd, Rahm Emanuel, Nora Ephron, Tom Hanks, Don Henley, Arianna Huffington, Jimmy Iovine, Elton John, Jeffrey Katzenberg, Calvin Klein, Steve Martin, Lorne Michaels, Mike Nichols, Yoko Ono, Frank Rich, Steven Spielberg, Jann Wenner, Neil Young, and many others illustrate Geffen's riveting story filled with extraordinary achievements.