Podcasts about rickels

Hey Listener, Jeff Rickels and Justin Tyler return for round 4 of talking about the biggest selling system of all time, The PlayStation 2. Topics this week include: We want new SSX and EA Street games now. The world is a safer place without New Jack in it (RIP to a real one). Reliving Tony Hawk Soundtracks beyond 1 and 2. Will Alex the Terrible get to meet Putin? Which Game of Thrones guy was in that Silent Hill? No more demo discs. A potpourri of games that don't fit into other categories. The PubertyStation.   

Hey Listener, Jeff Rickels from Newport Secret Six and Justin Tyler from Cupful Podcast return for round 3 of talking about the biggest selling system of all time, The PlayStation 2. Topics this week include: shredding on plastic guitars. Please EA give us more Street games. Trying to understand the lore of Kingdom Hearts. We're talking confusing? Hold my Metal Gear Solid. Combos, puzzle solving, and a sex mini game. The swag of Dante. Why didn't we play platform games back in the day? The Tony Hawk studio makes a Spider-Man game. I, I sand alone. Shadow of the Colossus and Ico, looked good then, but I don't know how to play them now.  Stop me if you've heard this one, it's an open world sandbox. The show abruptly ends and I forgot to record an outro for it. Joins soon for the final installment of this 4 part series on the PlayStation4.

Hey Listener, grab your dual shock controllers because this week on What Ya Into? Jeff Rickels from Newport Secret 6 and Justin Tyler from Cupful Podcast are on the show to talk about the Playstation 2. This is the second in a multi-part series about the Playstation 2. Topics this week include: Pulling back the curtain. The House that Rockstar built. Sony, give us Walking Dead of Anarchy 2. Innovative edge lords and getting X-Pac heat. 3 guys who aren't really into RPGs talk RPGs. The realism of Gran Turismo and the absurd amount of Super Cars that you can drive. Playstation 2 racing games soundtracks welcome to early 2000s nu metal, hiphop, and punk rock. 51:34 minutes in and the host decides not to pause the show after a drink spill, but the boys go deep into the world of butt rock.  The weirdness of Japanese fighting game characters. The show turns into it's own Dragonball podcast. Making lore for your gory murder fighting game. Hip Hop + Pro Wrestling/MMA + Video Games. The importance of WWE Smackdown: Here Comes the Pain. Pressing pause for now, but we'll be back in a few weeks with Part 3. The Memory Card shortage. Escaping into the past.

Hey Listener, grab your memory cards because this week on What Ya Into? Jeff Rickels from Newport Secret 6 and Justin Tyler from Cupful Podcast are on the show to talk about the Playstation 2. This is the first in a multi-part series about the Playstation 2. Topics this week include: How old were you in life when you played a PS2. Sony continues to bet on the right format while creating an entertainment system. Launching a system in new markets year after year. A 13 year system. Better controllers, online gaming, and the importance of the Grand Theft Auto trilogy. The ability to do whatever you want as a guy named Claude. GTA's AM Radio stations and music. The evolution of the series vehicles. Hot Coffee.

This week, we are heading straight to the source! We will be diving head first into the conversation of the straight white man, with a straight white man. Cole joins us. Enjoy!Enjoy early access and bonus content on our Patreon. LINK HEREWe want to hear from you!Instagram: @qi_podFacebook: qinsightpodEmail us: qinsightpod@gmail.com

Hey Listener, get ready to take a trip back in time as we talk about a system that altered the future of the video game industry, The Playstation 1. Jeff Rickels from Thunder Brothers and Newport Secret Six is making his first appearance on the show as well as the return of Ian Schiefer from Secret Base Cinema. Topics this week include: I don't have an intro noise. Where when you in life when you first played the Playstation? Launch titles. Before Mortal Kombat parents just thought all video games were Mario. Changing the way games sound and look. $299. One of 7 systems to sell more than 100 million units. The international impact of Gran Turismo. Learning about music history from video game soundtracks. Evolving from a video game system to a home entertainment system. The B Movie goodness that is Resident Evil. The sounds and gameplay of Metal Gear Solid. Twisted Metal: a vehicular homicide tournament. Driver. Ninja games of yore. The weirdness of Tekken. Great, we saved Aerosmith. Giving yourself PTSD of a screaming dead baby by playing Max Payne. Trying to find a cutesy mascot for Playstation. A controller that isn't for children. The Warehouse level of Tony Hawk's Pro Skater is permanently burned into all of our brains. Having parents that don't care about violence. Nudity in video games? What's your favorite Resident Evil? Ranking the Playstations in order of worst to best.

Wilfried Rickels' paper proposes a central bank to subsidise CDR and control carbon permit prices. What could possibly go wrong? Paper: Removal Certificate Reserves to Manage Carbon Prices on the Path to Net-Zero Author links open overlay https://doi.org/10.1016/j.erss.2022.102858

From backyard brawls to national television, it seems there's no fight David Rickels will ever back down from. How he learned to not get his ass kicked, transformed into the "Caveman," and why he says your kids need to take up mixed martial arts all on this week's episode of JerseyGirls.  Check out David's Gym 31Six Martial Arts on IG (@31six_martial_arts), Facebook (31Six Martial Arts and Fitness) or online at www.316gym.com You can find Evolution Fighting Championships and follow their upcoming events on Facebook and online at www.EFCfight.com You can find Rick's Car Wash at four locations: 2337 W. 31st St S, 2010 E Pawnee, 5170 S Hydraulic & 1959 S Woodlawn. 

On this Halloween special episode of Slip The Jab, we recap UFC Vegas 41; Vettori vs Costa, discuss how one of the biggest weight miss debacles turned into one the greatest fights of the year and give our Ianalysis & Slip Picks for UFC 267; Jan Blachowicz vs Glover Teixeira. We also recap Rickels vs Lane, breakdown the Ferguson vs McGregor war, a potential fight between Ferguson vs Nate Diaz, the fans trolling Michael Bisbing on his live video stream and end with a special Halloween Post Fight Song of the Week. VISIT OUR WEBSITE: https://slipthejabpodcast.comSLIP THE JAB MERCH: https://slipthejabpodcast.com/shop- 20% OFF Code: SLIPORTREATALSO AVAILABLE ON:Spotify: https://tinyurl.com/STJSpotifyApple Podcasts: https://tinyurl.com/STJApplePodcastsFOLLOW US ON SOCIAL MEDIA:Twitter: https://twitter.com/slipthejabpodFacebook: https://www.facebook.com/slipthejabpodcastInstagram: https://www.instagram.com/slipthejabpodcastABOUT US: Unfiltered and unscripted, hosts Lino P and Ian Ebbitt pull no punches as they offer up entertaining insight into the world of combat sports and current events. Two guys from a huge fight town called Pittsburgh, bringing you a weekly podcast smothered in realness, sprinkled with humor and served with a side of whiskey neat. Light your cigars and bring your opinions… we certainly brought ours.Amazon Smile Link: https://smile.amazon.com- Adenoid Cystic Carcinoma FoundationHow to use AmazonSmile on a web browser:Visit smile.amazon.comSign in with the same account you use for Amazon.comSelect Adenoid Cystic Carcinoma Foundation as your charityStart shopping! Remember to checkout at smile.amazon.com to generate donations for your chosen charity.Tip: Add a bookmark to make it easier to shop at smile.amazon.com.How to use AmazonSmile using the Amazon app on your mobile phone:Open the Amazon Shopping appNavigate to the main menu (=)Tap on Settings and then select “AmazonSmile”Select Adenoid Cystic Carcinoma Foundation as your charity and then follow the on-screen instructions to turn ON AmazonSmile in the mobile appOnce AmazonSmile has been activated in your app, future eligible app purchases will generate a donation for the charity you have selected.MANSCAPED.COM - 20% Off Code: SLIPSTER20https://www.manscaped.comExtendedFamilyApparel.com - 10% Off Code: SLIPSTER10https://www.extendedfamilyapparel.com/

On this weeks episode we do shout outs, local news and welcome in special guest Dave "Caveman" Rickels. We discuss his career with Bellator and now with Bare Knuckle Boxing and talk about his PPV fight on October 23rd in Wichita Ks. We also put him in the hot seat. We also discuss our favorite MMA fights of all time and much more....... Starring: Ricky Hays and Scott McHargue starring Dave "Caveman" Rickels Produced by: Jose "Zipper Lip" Retana

Instagram: https://instagram.com/_thor.ge_?utm_medium=copy_link

On this week's episode, David "The Caveman" Rickels is back to promote his fight on June 26th at Hartman Arena in Wichita, KS. Happy Pride Month to all of you out there, but you are going get some jokes. Are yoga pants overrated or underrated, and the office is always in the background when having sex. Whats something you should never say to defuse a hostage situation, and Viagra or too much laxative before a fight? Enjoy another episode, and keep on laughing, assholes!

Omars Stich an einem Abend in Berlin kostet einen anderen Menschen das Leben. Christoph wird nach einem harmlosen Flirt in Aurich durch einen Schlag brutal niedergestreckt. Bis heute lebt er mit einer 80-prozentigen Schwerbehinderung. In Folge 3 des Podcast "Mehr als ein Spiel" begegnen sich ein Gewalttäter und ein Gewaltopfer, die beide mit inspirierender Entschlossenheit darum kämpfen, diesen einen Moment nicht den Rest ihres Lebens bestimmen zu lassen. Und die sich dafür einsetzen, dass anderen Menschen dieses Schicksal erspart bleibt. Nach Champions-League-Sieger Leon Goretzka und Bundespolitiker Lars Klingbeil, die in der Doppelfolge zum Auftakt talkten, sind nun Omar Oumari und Christoph Rickels Gäste des DFB-Stiftungs-Podcast "Mehr als ein Spiel". Beiden geht es mit ihrem Engagement um Gewaltprävention. Oumari und Rickels engagieren sich im Dienste von "Anstoß für ein neues Leben", der Resozialisierungsinitiative der DFB-Stiftung Sepp Herberger, die im Herbst 2019 von UEFA-Präsident Aleksander Čeferin als Europas bestes Breitensportprojekt ausgezeichnet wurde. Der Fußball soll helfen, den Weg zurück ins Leben zu finden. Der 33-jährige Omar Oumari ist heute ein talentierter Schiedsrichter im Berliner Fußball-Verband – und er trainiert die Inhaftierten-Mannschaft der Jugendstrafanstalt in Plötzensee. Er sagt: "Ich hab‘s geschafft. Ich komme jetzt von draußen freiwillig in den Knast zurück und zeige, wie es anders geht." Der 34-jährige Christoph Rickels wurde für sein Engagement in der Gewaltprävention mit dem Bundesverdienstkreuz ausgezeichnet. Sein Motto: "Wir müssen das Miteinander wieder cool machen." Und auch Bundesliga-Schiedsrichter Patrick Ittrich kommt in einem Gastauftritt zu Wort. Reinhören lohnt sich! "Mehr als ein Spiel" – der Podcast der DFB-Stiftungen ist eine Produktion von Maniac Studios.

Für sein Gewalt-Präventionsprojekt „First Togetherness“ erhielt Christoph Rickels das Bundesverdienstkreuz. Vor 14 Jahren katapultierte ihn ein Faustschlag aus seinem Leben. Seitdem kämpft er um die Anerkennung seiner Rechte als Opfer. Moderation: Marco Schreyl www.deutschlandfunkkultur.de, Im Gespräch Hören bis: 19.01.2038 04:14 Direkter Link zur Audiodatei

An Alabama fire chief was arrested in Georgia after pulling a gun on a real estate agent and photographer who had booked a viewing at his for-sale home. The realty team claims the incident occurred because of their skin color while the fire chief's attorney called the legal charges “baseless.” Jason Edward Rickels’ home in Roswell, Georgia, is up for sale. The four-bedroom luxury farmhouse is listed at $925,000 on Zillow. But when Regina Lee, a 33-year-old real estate agent, scheduled a showing at his home, Rickels showed up with a gun and damaged the camera of one of the photographers she hired. Rickels, 43, is the fire chief in Tarrant, Alabama. He was arrested and charged with aggravated assault, possession of a deadly weapon during the commission of a felony and second-degree criminal damage to property. He spent a night in jail before being released on bail. --- Support this podcast: https://anchor.fm/Teddy-G/support

Rickels returns to the Melanesian Cargo Cult, a mainstay of Aberrations of Mourning, to interpret the other term for what is at stake in Cargo: Savvy. While Cargo is carried by their ancestors, the Melanesians ascribe Savvy to the living. In the course of the Second World War, America replaces Europe and Australia on the Melanesian horizon. The Melanesians would have noted that Black Americans were in the US military. The Savvy ascribed to Americans (notably in the Johnson Movement) reflects the copresence of Blacks and amounts to a reading of American hipness as dependent on Black Savvy. The Trump Movement is the latest last hurrah of white Savvy, last seen in full array in Nazi Germany. That whiteness is by now a contact low is the estabishing shot of the denial that the Trump Movement symptomatizes.2020 Author Laurence Rickels Sound engineer Jochen Jezzusek In VOICEOVER, film material is recommended for watching while listening to the lecture. Blade (1998) should be muted while viewing. Hosted on Acast. See acast.com/privacy for more information.

In reading the seat of the father in Freud's science as a construction of analysis, Rickels provides a summary of his theory of unmourning and the psychotic break. The lecture closes on the transportable therapy setting that stabilized the break for performance artist Yakoi Kusama and performer Brian Wilson.2021 Author Laurence Rickels Sound engineer Jochen Jezzusek In VOICEOVER, film material is recommended for watching while listening to the lecture. Don't Look Now (1973) should be muted while viewing. Hosted on Acast. See acast.com/privacy for more information.

Rickels follows the Golem as legend to the mapping of cybernetics and science fiction between the Devil and the Death Drive. Can there be thought without a body? Yes, but without the unconscious fantasy we tend to dismiss as sexual difference we are a foregone conclusion – forgone! forgone!2004Author Laurence Rickels Sound engineer Jochen Jezzusek In VOICEOVER, film material is recommended for watching while listening to the lecture. Der Golem, wie er in die Welt kam (1920) should be muted while viewing. Hosted on Acast. See acast.com/privacy for more information.

Christoph Rickels ist Gewaltopfer. Er erzählt seine Geschichte: in Schulen, Gefängnissen und seinem eigenen Buch.

#MenschenbeiAnnette #AnnetteRadüg #ChristophRickels #SCHICKSALSSCHLAG #EdelBooks #EdelGermany #FirstTogetherness #Präventionsprojekt #AlexRaack #Täter #Opfer #Aktivist #WarumichderGewaltdenKampfansage #Fausthieb #Koma #vierMonateKoma #schwerbehindert #KampfzurückinsLeben #Schlägereien #demTodentronnen #Gerechtigkeit #Radio21 #RocklandRadio #AntenneSylt

Bei Klimaschutz denken die meisten zunächst an Emissionsvermeidung. Doch damit alleine wird Klimaneutralität nicht erreicht werden können. Es braucht also Negativemissionstechnologien (NET). Doch was ist das überhaupt? Warum hört man dazu so wenig? Und lassen sich NET in den bestehenden EU-weiten Zertifikatehandel integrieren? Darüber spricht Christoph Giesa mit Wilfried Rickels vom Institut für Weltwirtschaft in Kiel. Er ist einer der Autoren der neuen Studie der Friedrich-Naumann-Stiftung zu negativen Emissionen.

Through Gotthard Günther's probing of American science fiction for the beginnings of a new metaphysics, Rickels folds out the Enlightenment vision of life after death as enrollment in continuing education programs on the outer planets. A new secular afterlife that arrives from outer space in the 2016 SF movie Arrival orbits this Enlightenment introject. But the looping of time cannot elide wishing upon the stars -- and our second nature as daydreamers keeps our No's to the grind of unmourning.In VOICEOVER, film material is recommended for watching while listening to the lecture. ...Arrival, Denis Villeneuve (2016)A free version of the film is not yet available online. Watching the film beginning with the first visit to the spaceship is recommended.The film should be muted while viewing. Hosted on Acast. See acast.com/privacy for more information.

Rickels excavates a sister's crypt in the Picasso corpus, finding a way there illuminated by Henri-George Clouzot's 1956 film The Mystery of Picasso. But it was Clouzot's earlier film, Les Diaboliques, that convinced the artist that this director commanded the science fiction and the fantasy of a wish to watch out for.In VOICEOVER, film material is recommended for watching while listening to the lecture. ...Les Diaboliques, Henri-Georges Clouzot (1955)Begin with the scene of the schoolmaster's drowning.The film should be muted while viewing. Hosted on Acast. See acast.com/privacy for more information.

Rickels narrates the vampire's arrival in the new world inside science fiction. The science fictionalization of the vampire massified undeath through the epidemic of living death. Swarms of zombies crowding out the old-world aristo-vampire offer shooting practice for putting to rest what is already at rest. Science fiction counts down through two deaths, moving resolutely past the deferral position of a first life after death in vampirism to the zombie's second death, which secures the innovations of survival. But while relying on the compass of travel across space and time the decision for survival is easier made than reached.In VOICEOVER, film material is recommended for watching while listening to the lecture. ...Night of the Living Dead, George Romero (1968)The film should be muted while viewing. Hosted on Acast. See acast.com/privacy for more information.

Rickels tracks the career of Walter Benjamin's review-swap friend, psychoanalyst Alexander Mette, who remained in Berlin during the Third Reich. But when Mette tried continuing to pitch work on Dionysus and Apollo it was tossed in 1934. He reworked his language in the Romantic gobbledyspook mode of the Nazi talking heads, publishing studies of contemporary dream books and the Dionysian clown, which between the lines, however, give a record of decisive changes altering psychic reality in record time.In VOICEOVER, film material is recommended for watching while listening to the lecture. ....Beach Blanket Bingo, William Asher (1965) TrailerA free version of the film is not yet available online. Watching the film beginning with the first visit to the spaceship is recommended.The film should be muted while viewing. Hosted on Acast. See acast.com/privacy for more information.

Rickels follows out the postwar career of Wernher von Braun and his V2 rocket as caught on Disney TV. Because Nazi Germany can be seen as the first realization of science fiction, which reached a highpoint in films by Fritz Lang, the genre had to start over again as a postwar American exclusive. But repressed German science fiction was lurking in the margins before returning in Ridley Scott's Blade Runner and the redesign of Tomorrowland. P.K. Dick's The Simulacra augured the return of repressed German science fiction and the prospect it carried forward of collective mourning.In VOICEOVER, film material is recommended for watching while listening to the lecture. ...Excerpt from the 1955 Disney TV show starring Wernher von Braun. The film should be muted while viewing. Hosted on Acast. See acast.com/privacy for more information.

Hosts Sprout and Dusty welcome veteran fighters David "The Caveman" Rickels and Joe "The Nose" Wilk to the podcast.

Hosts Sprout and Dusty welcome veteran fighters David "The Caveman" Rickels and Joe "The Nose" Wilk to the podcast.

The Quiggin' Out MMA Podcast returns with not one but two stars of BKFC in Ike Vallie-Flagg and Dave "Caveman" Rickels. Flagg joined the show just about week prior to his lightweight title bout with Luis Palamino at BKFC 11 and Rickels will be making his debut on BKFC 12. Flagg talks about turning points in his life while Rickels talks about "Dad life" and what it means to him. Don't forget to head over to EpicJitsTees.com and pick up a Quiggin' Out MMA Podcast shirt or any of the amazing designs available. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Tonight's the night!!!! Special guests and fight game veterans David "The Caveman" Rickels and Joe "The Nose" Wilk join us. Tune in for a wild ride!!!

Allison Rickels is the Executive Director and CEO of the FarmHouse Foundation. In this episode of Concord Leaders, she shares why she's stayed as the CEO for over 12 years. And she shares the multiple impacts of a mentor saying, "You're not taking enough risks, Allison."

The Quiggin Out MMA Podcast returns with former Bellator standout Dave "Caveman" Rickels. In this special two-part episode, Rickels discusses his life leading up to becoming a mixed martial artist , what he does when he isn't fighting, and why he left Bellator for new horizons with BKFC. Enjoy and remember to head over to EpicJitsTees.com and pick up a Quiggin Out MMA Podcast shirt or any of the amazing designs available. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

From Comedy Central and SiriusXM's Celebrate, it's Sean Donnelly! He's one of New York's funniest comics and the proud papa of his bulldog look-a-like, Rickels! Dr. Lisa ruins his childhood snake memories and Richie couldn't be any happier about it. This episode was brought to you by: Playology, which are dog toys that embed the sense dogs love into each toy. Head to playologypets.com/WDDD and enter code WDDD at checkout for $5 off your order of $39 or more. Zymox is a leading provider of pet health products like shampoo, allergy medication, and oral care products. Head to go.zymox.com/wedontdeservedog today to find a provider near you. We Don't Deserve Dogs is produced by The Podglomerate. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this BANGER of an episode, Adam is joined by an all-star crew featuring Don Frye, Grant Dawson, Dave Rickels, and Sara McMann. You do NOT want to miss this episode of The MMA Roasted Podcast!

David "The Caveman" Rickels is back! This episode, the Unfiltered Crew get back with David Rickels and talk about his upcoming bare-knuckles fight March 14, 2020. The best MMA fighter out of Kansas finally gets to fight in Wichita, and he is ready to put on a hell of a show. Enjoy the unfiltered conversation with one of the best MMA fighters in Bellator history.

One in a series of talks from the 2019 Models of Consciousness conference. Diana Stanciu University of Bucharest; Berlin-Brandenburg Academy of Sciences and Humanities (BBAW) I will argue that epistemic structural realism (ESR) can offer a feasible theoretical framework for the study of consciousness and its associated neurophysiological phenomena. While structural realism has already been employed in physics or biology (cf. Tegmark 2007, Leng 2010, Ainsworth 2010, 2011, McArthur 2011, Pincock 2011, Woodin 2011, Landry and Rickels 2012, Bain 2013, Andreas and Zenker 2014, Schurz 2014), its application to the study of consciousness is new indeed. Out of its two variants: ontic structural realism (OSR) and ESR, I consider the latter more suitable when studying the neurophysiological bases of consciousness since the OSR drastically claims that ‘there are’ actually no ‘objects’ and that ‘structure’ is all ‘there is’, while the ESR more moderately states that all we can ‘know’ is the ‘structure of the relations between objects’ and not the objects themselves (cf. Van Fraassen 2006). Thus, while not denying the existence of ‘objects’ (even if they are hard to pinpoint when discussing the neurophysiological bases of consciousness), the ESR still emphasises ‘relations’ vs. ‘objects’ and the retention of structure across theory change. In other words, it emphasies the continuity across theory change through the structural or mathematical aspects of our theories (cf. Stanford 2006). Filmed at the Models of Consciousness conference, University of Oxford, September 2019.

The theme of this episode of the Ocean Governance Podcast is blue growth. We discuss two articles that approach this topical concept with different intentions. One aims to aid the achievement of blue growth, understood as ‘an ambitious framework for ocean management’ by proposing a pragmatic, goal-oriented approach to ocean management and science. The article elaborates five rules of thumb to build such an approach. The second article instead deals with assessment of blue growth strategies. Having noted that the focus of reports and initiatives on blue growth tend to be predominantly on economic growth, the authors elaborate a methodology for assessing if blue growth is achieved, and if so to what extent it covers the range of objectives encompassed by SDG 14 on conservation and sustainable use the oceans, seas and marine resources. Both articles give rise to questions of how blue growth can be understood and what, if anything, it adds to pre-existing management concepts like sustainable development, and how to deal with the complexities of natural as well as social systems. Data also takes centre stage in the discussion. Both the potential of getting more out of already available data, and the need for being cautious about what specific data can actually tell us, irrespective of how we aggregate it. The two articles discussed in this episode are: M. G. Burgess, M. Clemence, G. R. McDermott, C. Costello, S. D. Gaines, Five rules for pragmatic blue growth, 87 Marine Policy (2018) 331–339, dx.doi.org/10.1016/j.marpol.2016.12.005 W. Rickels, C. Weiganda, P. Grasse, J. Schmidt, R. Voss, Does the European Union achieve comprehensive blue growth? Progress of EU coastal states in the Baltic and North Sea, and the Atlantic Ocean against sustainable development goal 14, 106 Marine Policy (2019), doi.org/10.1016/j.marpol.2019.103515. Other articles mentioned: G.G. Singh, A.M. Cisneros-Montemayor, W. Swartz, W. Cheung, J.A. Guy, T.-A. Kenny, et al., A rapid assessment of co-benefits and trade-offs among Sustainable Development Goals, 93 Marine Policy (2018) 223–231. W. Rickels, J. Dovern, J. Hoffmann, M.F. Quaas, J.O. Schmidt, M. Visbeck, Indicators for monitoring sustainable development goals: an application to oceanic development in the European Union, 4 (5) Earth's Future (2016) 252–267. If you want to comment on the content or otherwise communicate with us, please do so by sending an email to: aron.westholm@law.gu.se. We hope that you will enjoy listening!

Brian and Daniel have the pleasure to sit down with Kayla Ritter Rickels to discuss her journey through the of academia and her current position with Cincinnati Public Schools. Kayla is an unabashed optimist who fights for her students every day and we hope you enjoy her perspective on the state of education both locally and nationally!Keep in touch with everything Easy Mojo right here

Bullseye! This week Gracie & Abbey discuss the most underrated American vampire film! Near Dark, even over 30 years later, is still eerily relevant to this day. Hatred against the "other," father's of the night and day, toxic masculinity, and women trying to survive in a patriarchal society (vampire or otherwise) are among some of the talking points. Thanks to Lily LeBlanc for our theme song: www.lilythecomposer.com Thanks to Recess Coffee for being a sponsor: www.recesscoffee.com Check out our friends over at FriGay the 13th: https://www.stitcher.com/podcast/frigay-the-13th Resources: Near Dark (1987). dir. Kathryn Bigelow Auerbach, Nina. Our Vampires, Ourselves. The University of Chicago Press, 2006. Holte, James Craig. Dracula in the Dark: The Dracula Film Adaptations. Greenwood Press, 1997. Palmer, Louis H. Vampires in the New World. Praeger, 2013. Rickels, Laurence A. The Vampire Lectures. Univ. of Minnesota Press, 2008. Simpson, Philip. “Blood Read: The Vampire as Metaphor in Contemporary Culture.” Journal of American & Comparative Cultures, vol. 23, no. 2, 2002. Questia.com. https://www.youtube.com/watch?v=Xf1Fmn5zBzQ https://en.wikipedia.org/wiki/Near_Dark http://www.oxfordbibliographies.com/view/document/obo-9780199791286/obo-9780199791286-0083.xml http://www.gothic.stir.ac.uk/guestblog/american-independent-gothic-near-dark-kathryn-bigelow-1987/ http://www.slate.com/articles/arts/culturebox/2017/10/looking_at_kathryn_bigelow_s_vampire_western_near_dark_30_years_later.html http://brightlightsfilm.com/young-vampires-love-kathryn-bigelows-near-dark/#.W0uJYthKjq0 http://www.shaviro.com/Blog/?p=862 https://film.avclub.com/the-new-cult-canon-near-dark-1798215134 https://en.wikipedia.org/wiki/Xeroderma_pigmentosum http://www.tcm.com/this-month/article/491987%7C0/Near-Dark.html https://www.youtube.com/watch?v=qLtFxykg1ew https://en.wikipedia.org/wiki/The_Hurt_Locker

Hoe zou het toch met documentairemaakster Jiska Rickels gaan? Die vraag hield filmjournalist Kevin Toma al enige tijd bezig. Na een aantal ijzersterke documentaires als 4 Elements (2006) en El Sonido del Bandoneón (2011) leek het even stiller te worden rondom deze filmmaker met haar uitgesproken en voelbare filmstijl. In deze 14e KAST gaan we op huisbezoek bij Jiska, vlak voordat ze naar Mongolië vertrekt voor het filmproject waar ze op dit moment mee bezig is. Een dieptegesprek over het opgroeien in Best en Eindhoven, over de 'Rickels-stijl' en over het onderzoeken van alternatieve carrière-paden. En hoe ziet het huis van een filmmaker er eigenlijk uit?

This week on High Hopes: Phillies Minor League Rundown, Jeff and Jason talked about their recent trip out to Lehigh Valley to see the Iron Pigs and speak with members of the organization. The show featured interviews with Ironpigs players Roman Quinn and Nick Rickels.

Reading Laurence Rickels‘ The Psycho Records (Wallflower Press, 2016) gave me the urge to ask random strangers questions like: Are you haunted by Alfred Hitchcock’s famous shower scene? How do you feel about Norman Bates and other cinematic killers pathologically attached to their mothers? Does the thought of Anthony Perkins impersonating his dead mother and stabbing Janet Leigh make you uncomfortable and scared? Induce an uncanny sensation? Or does it seem dated, campy, even comical? Rickels is interested precisely in these vicissitudes of the primal shower scene–what he calls the “Psycho Effect”–as it is taken up and therapeutically transformed by subsequent slasher and splatter films. It is not an accident that Hitchcock chose the shower stall as the site for his most famous moment of Schauer, the German cognate meaning “horror.” Traumatized American soldiers returning from World War II, dubbed “psychos,” were transposed into filmic psycho murderers straddling psychosis and psychopathy. Norman was perhaps the first such hero of variegated diagnosis. In the 1970s and 1980s we encountered less exalted figures, like the cannibal Leatherface from Texas Chainsaw Massacre and Freddy Krueger of Nightmare on Elm Street fame. Still less sophisticated mass murderers followed: the zombies revived post-9/11 and, eventually, motive-less serial killers captured with the aid of “objective” forensics. All these characters address the difficulty of separation and mourning, the pull toward fusion with Mother, the trauma of the cut, survival, and industrial killing–the intimate violence of Nazi doctors and the impersonal push-button battles of the Gulf War. Many slasher and splatter films also tell the story of a newly emergent social category, subgenre, and audience member–the teen. Rickels devotes parts of the book to the postwar invention of adolescence, reading closely D. W. Winnicott’s papers on antisocial teenagers and juvenile delinquency. We all experience adolescence as a brush with psychopathy, Rickels tells us; for many it is the path not taken. Perhaps this explains the appeal of the psycho, our “near-miss double.” In psychoanalytic terms, “there but for the grace of the good object go I.” [5] Other topics covered in our interview and in The Psycho Records include vampirism, the couple and the crowd, scream memories, laughter, and substitution. As those familiar with Rickels’ books might expect, we often touch on one of the great themes of his oeuvre: mourning. Listen in! Laurence A. Rickels, PhD is a psychotherapist and scholar of literature, film, and psychoanalysis. He is Sigmund Freud Professor of Philosophy and Media at the European Graduate School (EGS) and most recently was professor of art and theory at the Staatliche Akademie der Bildenden Kunste in Karlsruhe, Germany. Anna Fishzon, PhD is Senior Research Associate at the University of Bristol, UK. She is a candidate at the Institute for Psychoanalytic Training and Research (IPTAR) and author of Fandom, Authenticity, and Opera: Mad Acts and Letter Scenes in Fin-de-Sicle Russia (Palgrave Macmillan, 2013). Learn more about your ad choices. Visit megaphone.fm/adchoices

Reading Laurence Rickels‘ The Psycho Records (Wallflower Press, 2016) gave me the urge to ask random strangers questions like: Are you haunted by Alfred Hitchcock’s famous shower scene? How do you feel about Norman Bates and other cinematic killers pathologically attached to their mothers? Does the thought of Anthony Perkins... Learn more about your ad choices. Visit megaphone.fm/adchoices

Reading Laurence Rickels‘ The Psycho Records (Wallflower Press, 2016) gave me the urge to ask random strangers questions like: Are you haunted by Alfred Hitchcock’s famous shower scene? How do you feel about Norman Bates and other cinematic killers pathologically attached to their mothers? Does the thought of Anthony Perkins impersonating his dead mother and stabbing Janet Leigh make you uncomfortable and scared? Induce an uncanny sensation? Or does it seem dated, campy, even comical? Rickels is interested precisely in these vicissitudes of the primal shower scene–what he calls the “Psycho Effect”–as it is taken up and therapeutically transformed by subsequent slasher and splatter films. It is not an accident that Hitchcock chose the shower stall as the site for his most famous moment of Schauer, the German cognate meaning “horror.” Traumatized American soldiers returning from World War II, dubbed “psychos,” were transposed into filmic psycho murderers straddling psychosis and psychopathy. Norman was perhaps the first such hero of variegated diagnosis. In the 1970s and 1980s we encountered less exalted figures, like the cannibal Leatherface from Texas Chainsaw Massacre and Freddy Krueger of Nightmare on Elm Street fame. Still less sophisticated mass murderers followed: the zombies revived post-9/11 and, eventually, motive-less serial killers captured with the aid of “objective” forensics. All these characters address the difficulty of separation and mourning, the pull toward fusion with Mother, the trauma of the cut, survival, and industrial killing–the intimate violence of Nazi doctors and the impersonal push-button battles of the Gulf War. Many slasher and splatter films also tell the story of a newly emergent social category, subgenre, and audience member–the teen. Rickels devotes parts of the book to the postwar invention of adolescence, reading closely D. W. Winnicott’s papers on antisocial teenagers and juvenile delinquency. We all experience adolescence as a brush with psychopathy, Rickels tells us; for many it is the path not taken. Perhaps this explains the appeal of the psycho, our “near-miss double.” In psychoanalytic terms, “there but for the grace of the good object go I.” [5] Other topics covered in our interview and in The Psycho Records include vampirism, the couple and the crowd, scream memories, laughter, and substitution. As those familiar with Rickels’ books might expect, we often touch on one of the great themes of his oeuvre: mourning. Listen in! Laurence A. Rickels, PhD is a psychotherapist and scholar of literature, film, and psychoanalysis. He is Sigmund Freud Professor of Philosophy and Media at the European Graduate School (EGS) and most recently was professor of art and theory at the Staatliche Akademie der Bildenden Kunste in Karlsruhe, Germany. Anna Fishzon, PhD is Senior Research Associate at the University of Bristol, UK. She is a candidate at the Institute for Psychoanalytic Training and Research (IPTAR) and author of Fandom, Authenticity, and Opera: Mad Acts and Letter Scenes in Fin-de-Sicle Russia (Palgrave Macmillan, 2013). Learn more about your ad choices. Visit megaphone.fm/adchoices

Reading Laurence Rickels‘ The Psycho Records (Wallflower Press, 2016) gave me the urge to ask random strangers questions like: Are you haunted by Alfred Hitchcock’s famous shower scene? How do you feel about Norman Bates and other cinematic killers pathologically attached to their mothers? Does the thought of Anthony Perkins impersonating his dead mother and stabbing Janet Leigh make you uncomfortable and scared? Induce an uncanny sensation? Or does it seem dated, campy, even comical? Rickels is interested precisely in these vicissitudes of the primal shower scene–what he calls the “Psycho Effect”–as it is taken up and therapeutically transformed by subsequent slasher and splatter films. It is not an accident that Hitchcock chose the shower stall as the site for his most famous moment of Schauer, the German cognate meaning “horror.” Traumatized American soldiers returning from World War II, dubbed “psychos,” were transposed into filmic psycho murderers straddling psychosis and psychopathy. Norman was perhaps the first such hero of variegated diagnosis. In the 1970s and 1980s we encountered less exalted figures, like the cannibal Leatherface from Texas Chainsaw Massacre and Freddy Krueger of Nightmare on Elm Street fame. Still less sophisticated mass murderers followed: the zombies revived post-9/11 and, eventually, motive-less serial killers captured with the aid of “objective” forensics. All these characters address the difficulty of separation and mourning, the pull toward fusion with Mother, the trauma of the cut, survival, and industrial killing–the intimate violence of Nazi doctors and the impersonal push-button battles of the Gulf War. Many slasher and splatter films also tell the story of a newly emergent social category, subgenre, and audience member–the teen. Rickels devotes parts of the book to the postwar invention of adolescence, reading closely D. W. Winnicott’s papers on antisocial teenagers and juvenile delinquency. We all experience adolescence as a brush with psychopathy, Rickels tells us; for many it is the path not taken. Perhaps this explains the appeal of the psycho, our “near-miss double.” In psychoanalytic terms, “there but for the grace of the good object go I.” [5] Other topics covered in our interview and in The Psycho Records include vampirism, the couple and the crowd, scream memories, laughter, and substitution. As those familiar with Rickels’ books might expect, we often touch on one of the great themes of his oeuvre: mourning. Listen in! Laurence A. Rickels, PhD is a psychotherapist and scholar of literature, film, and psychoanalysis. He is Sigmund Freud Professor of Philosophy and Media at the European Graduate School (EGS) and most recently was professor of art and theory at the Staatliche Akademie der Bildenden Kunste in Karlsruhe, Germany. Anna Fishzon, PhD is Senior Research Associate at the University of Bristol, UK. She is a candidate at the Institute for Psychoanalytic Training and Research (IPTAR) and author of Fandom, Authenticity, and Opera: Mad Acts and Letter Scenes in Fin-de-Sicle Russia (Palgrave Macmillan, 2013). Learn more about your ad choices. Visit megaphone.fm/adchoices

Reading Laurence Rickels‘ The Psycho Records (Wallflower Press, 2016) gave me the urge to ask random strangers questions like: Are you haunted by Alfred Hitchcock’s famous shower scene? How do you feel about Norman Bates and other cinematic killers pathologically attached to their mothers? Does the thought of Anthony Perkins impersonating his dead mother and stabbing Janet Leigh make you uncomfortable and scared? Induce an uncanny sensation? Or does it seem dated, campy, even comical? Rickels is interested precisely in these vicissitudes of the primal shower scene–what he calls the “Psycho Effect”–as it is taken up and therapeutically transformed by subsequent slasher and splatter films. It is not an accident that Hitchcock chose the shower stall as the site for his most famous moment of Schauer, the German cognate meaning “horror.” Traumatized American soldiers returning from World War II, dubbed “psychos,” were transposed into filmic psycho murderers straddling psychosis and psychopathy. Norman was perhaps the first such hero of variegated diagnosis. In the 1970s and 1980s we encountered less exalted figures, like the cannibal Leatherface from Texas Chainsaw Massacre and Freddy Krueger of Nightmare on Elm Street fame. Still less sophisticated mass murderers followed: the zombies revived post-9/11 and, eventually, motive-less serial killers captured with the aid of “objective” forensics. All these characters address the difficulty of separation and mourning, the pull toward fusion with Mother, the trauma of the cut, survival, and industrial killing–the intimate violence of Nazi doctors and the impersonal push-button battles of the Gulf War. Many slasher and splatter films also tell the story of a newly emergent social category, subgenre, and audience member–the teen. Rickels devotes parts of the book to the postwar invention of adolescence, reading closely D. W. Winnicott’s papers on antisocial teenagers and juvenile delinquency. We all experience adolescence as a brush with psychopathy, Rickels tells us; for many it is the path not taken. Perhaps this explains the appeal of the psycho, our “near-miss double.” In psychoanalytic terms, “there but for the grace of the good object go I.” [5] Other topics covered in our interview and in The Psycho Records include vampirism, the couple and the crowd, scream memories, laughter, and substitution. As those familiar with Rickels’ books might expect, we often touch on one of the great themes of his oeuvre: mourning. Listen in! Laurence A. Rickels, PhD is a psychotherapist and scholar of literature, film, and psychoanalysis. He is Sigmund Freud Professor of Philosophy and Media at the European Graduate School (EGS) and most recently was professor of art and theory at the Staatliche Akademie der Bildenden Kunste in Karlsruhe, Germany. Anna Fishzon, PhD is Senior Research Associate at the University of Bristol, UK. She is a candidate at the Institute for Psychoanalytic Training and Research (IPTAR) and author of Fandom, Authenticity, and Opera: Mad Acts and Letter Scenes in Fin-de-Sicle Russia (Palgrave Macmillan, 2013). Learn more about your ad choices. Visit megaphone.fm/adchoices

Reading Laurence Rickels‘ The Psycho Records (Wallflower Press, 2016) gave me the urge to ask random strangers questions like: Are you haunted by Alfred Hitchcock's famous shower scene? How do you feel about Norman Bates and other cinematic killers pathologically attached to their mothers? Does the thought of Anthony Perkins impersonating his dead mother and stabbing Janet Leigh make you uncomfortable and scared? Induce an uncanny sensation? Or does it seem dated, campy, even comical? Rickels is interested precisely in these vicissitudes of the primal shower scene–what he calls the “Psycho Effect”–as it is taken up and therapeutically transformed by subsequent slasher and splatter films. It is not an accident that Hitchcock chose the shower stall as the site for his most famous moment of Schauer, the German cognate meaning “horror.” Traumatized American soldiers returning from World War II, dubbed “psychos,” were transposed into filmic psycho murderers straddling psychosis and psychopathy. Norman was perhaps the first such hero of variegated diagnosis. In the 1970s and 1980s we encountered less exalted figures, like the cannibal Leatherface from Texas Chainsaw Massacre and Freddy Krueger of Nightmare on Elm Street fame. Still less sophisticated mass murderers followed: the zombies revived post-9/11 and, eventually, motive-less serial killers captured with the aid of “objective” forensics. All these characters address the difficulty of separation and mourning, the pull toward fusion with Mother, the trauma of the cut, survival, and industrial killing–the intimate violence of Nazi doctors and the impersonal push-button battles of the Gulf War. Many slasher and splatter films also tell the story of a newly emergent social category, subgenre, and audience member–the teen. Rickels devotes parts of the book to the postwar invention of adolescence, reading closely D. W. Winnicott's papers on antisocial teenagers and juvenile delinquency. We all experience adolescence as a brush with psychopathy, Rickels tells us; for many it is the path not taken. Perhaps this explains the appeal of the psycho, our “near-miss double.” In psychoanalytic terms, “there but for the grace of the good object go I.” [5] Other topics covered in our interview and in The Psycho Records include vampirism, the couple and the crowd, scream memories, laughter, and substitution. As those familiar with Rickels' books might expect, we often touch on one of the great themes of his oeuvre: mourning. Listen in! Laurence A. Rickels, PhD is a psychotherapist and scholar of literature, film, and psychoanalysis. He is Sigmund Freud Professor of Philosophy and Media at the European Graduate School (EGS) and most recently was professor of art and theory at the Staatliche Akademie der Bildenden Kunste in Karlsruhe, Germany. Anna Fishzon, PhD is Senior Research Associate at the University of Bristol, UK. She is a candidate at the Institute for Psychoanalytic Training and Research (IPTAR) and author of Fandom, Authenticity, and Opera: Mad Acts and Letter Scenes in Fin-de-Sicle Russia (Palgrave Macmillan, 2013). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis

The Psycho Records (Wallflower Press) Skylight Books and Villa Aurora are proud to present Laurence A. Rickels, reading from his newest book The Psycho Records. The Psycho Records follows the influence of the primal shower scene within subsequent slasher and splatter films. American soldiers returning from World War II were called “psychos” if they exhibited mental illness. Robert Bloch and Alfred Hitchcock turned the term into a catch-all phrase for a range of psychotic and psychopathic symptoms or dispositions. They transferred a war disorder to the American heartland. Drawing on his experience with German film, Hitchcock packed inside his shower stall the essence of schauer, the German cognate meaning “horror.” Later serial horror film production has post-traumatically flashed back to Hitchcock’s shower scene. In the end, though, this book argues the effect is therapeutically finite. This extensive case study summons the genealogical readings of philosopher and psychoanalyst Laurence Rickels. The book opens not with another reading of Hitchcock’s 1960 film but with an evaluation of various updates to vampirism over the years. It concludes with a close look at the rise of demonic and infernal tendencies in horror movies since the 1990s and the problem of the psycho as our most uncanny double in close quarters. Laurence A. Rickels is professor in art and theory at the Academy of Fine Arts Karlsruhe. He is the author of Aberrations of Mourning (1988), The Case of California (2001), Nazi Psychoanalysis (2002), The Vampire Lectures (1999), The Devil Notebooks (2008), Ulrike Ottinger: The Autobiography of Art Cinema (2008), I Think I Am: Philip K. Dick (2010), and Germany: A Science Fiction (2015).

Islet Transplantation for Type 1 Diabetes Michael R. Rickels, MD, MS University of Pennsylvania

Welcome back to another episode of Cage Side Submissions,Brought to you by Future Legend Apperal We plan to  provide you with unique and fun-filled SHOWS. News, highlights, and interviews Please feel free to call in with your questions and comments at anytime. 657-383-0267 For our Host Steve Rychel (@CSSRadio) Our Firest Guest is Welterweight Drew "Spider Monkey" Lipton (@SpiderMonkeyMMA) Drew is Slated to return to action July 23rd for Fire And Ice Championship against J.D. Domengueax from American Top Team Our Second Guest is UFC Lightweight 12-2  Paul Felder (@FelderPaul) Paul is cominjg off a hard fought Decision victory over Veter Josh Burkman and is currently Rumored to be fighting Francisco Trinaldo at UFC Fight Night 95 at the end of September Our Third Guest is CFFC  Flyweight Champion 15-5-1-1 Sean"Shorty Rock" Santella (@Srock125) Sean is coming off an Unimaious decision victory at CFFC 56 over Andrew Cseh and recapturing the CFFC Flyweight chapionship Our Final Guest is Bellator Lightweight 17-4  David "The Caveman"Rickels (@TheCaveman316)Davis is coming off a TKO Victory over Bobby Cooper at Bellator 150 and is slated to return to action against  Melvin Guillard

Dave rickels has us over to his Wichita home to talk about fighting MMA, and being a professional at beating people up!

In February, Laurence Rickels stopped by Austin, Texas. Dr. Rickels, who is the Sigmund Freud Professor of Psychoanalysis at the European Graduate School as well as Professor of Art and Theory at the Academy of Fine Arts in Karlsruhe, Germany, was in town as part of the tour for his latest book: Germany: A Science Fiction. During his visit, he also swung by UT-Austin's Digital Writing and Research Lab and was generous enough to sit down for the following interview.In his new book, Rickels focuses on psychopathy as, quote, "the undeclared diagnosis implied in flunking the empathy test." He does so via an exploration of Germany's role in Cold War-era science fiction: from the Thomas Pynchon novel Gravity's Rainbow to B movies like 1962's The Day of the Triffids to the science fiction of Philip K. Dick. In addition to Germany, Dr. Rickels has written numerous works tracing connections between psychoanalysis, popular culture, critical theory, science fiction, and mourning. His books include The Case of California, The Vampire Lectures, a three-volume series entitled Nazi Psychoanalysis, and Spectre, in which Rickels turns his attention to Ian Fleming's James Bond. He's also the author of a recent article entitled "The Race to Fill in the Blanks: On (Animal) Testing in Science Fiction," which appeared in the 2014 issue of Philosophy & Rhetoric touched on in this podcast's premiere episode.In our conversation, I ask Dr. Rickels about his use of the term "psy-fi," the impetus behind his new book, the relationship between his work and that of the late media theorist Friedrich Kittler, as well as the puns and juxtapositions that punctuate his pages. This and all other Rhetoricity episodes are also available on iTunes and Stitcher.

Dave "The Caveman" Rickels stops by and joins the guys on a wild chase of topics including strip clubs, Bellator Championship Fights, and Kansas Craziness! Raf and Kevin watch the IBJJF World Championship Black Belt Finals Absolute Match, and basically just mumble at the amazing'ness of the matchl Listen in if you like MMA, Comedy, or even LIFE!