Podcasts about Tule Lake

Join Jon, host of the Filthy Spoon Podcast, as he dives into an engaging episode  with Scott Vix packed with expert insights and entertaining anecdotes from the world of duck hunting and sporting clay shooting.  Scott shares stories of camaraderie and adventure, from nostalgic duck hunting trips at Tule Lake to the modern challenges of competitive clay shooting. Learn the essentials of gun mounting and the subtleties of different shooting styles from seasoned sporting clays coach, Scott Vix. Discover the artistry behind duck calling and how mastering this technique, alongside perfect practice, can elevate your shooting    “Scott would like to cite and credit Lanny Basham, Ben Hustwaite, and Anthony Matarese for some of the comments made through his study of their teachings.” Whether you're a seasoned shooter or a novice eager to learn, this episode offers valuable tips and humorous reflections on the passion for hunting and the joys of the outdoors. Tune in for a conversation that blends technical knowledge with heartfelt storytelling.

Tamiko Nimura's book, “A Place for What We Lose: A Daughter's Return to Tule Lake” centers on her father's unpublished memoir about his family's incarceration during WWII. The book contains a history she revisited during a difficult period in her life. Growing up in California, Nimura moved to Tacoma in 2004 and later learned about... The post History & Intergenerational Resilience with Tacoma Author Tamiko Nimura appeared first on Move to Tacoma.

Soon after the bombing of Pearl Harbor, the U.S. government began to worry that Japanese Americans living in this country might be foes rather than...

In episode 135, we visit Tule Lake War Relocation Center in California. Tule Lake War Relocation Center stands as a physical reminder of a dark time in American history. It was here, during World War II, that over 18,000 Japanese Americans were forcibly relocated and detained by the US government. Walking through the grounds today, we felt both a sense of awe at the sheer scale of this site and a heaviness knowing the injustices that took place here. Join us as we delve deeper into the complex history of Tule Lake. The Places Where We Go Resources PODCAST: Released every other week in your favorite podcast app WEBSITE & BLOG www.theplaceswherewego.com SUBSCRIBE TO OUR NEWSLETTER YOUTUBE: The Places Where We Go YouTube Channel INSTAGRAM: https://www.instagram.com/theplaceswherewego TWITTER / X: https://twitter.com/theplaceswhere1 FACEBOOK: https://www.facebook.com/ThePlacesWhereWeGo EMAIL: Write to us at comments@theplaceswherewego.com GEAR WE USE: The Places Where We Go Amazon Storefront We'll see you at the places where we go. Julie & Art AFFILIATE LINK DISCLOSURE The Places Where We Go contains affiliate links and is a member of the Amazon Services LLC Associates Program. If you make a purchase using one of these Amazon links, we may receive compensation at no extra cost to you. Read our disclaimer and privacy policy for more information.

On February 19, 1942, President Franklin D. Roosevelt issued Executive Order No. 9066, which sent people of Japanese descent – many of them U.S. citizens – from their homes to “relocation centers,” resulting in the incarceration of Japanese Americans during World War II.  Every two years, people come from all over the country to Klamath Falls to remember the Tule Lake internment camp, just south of the Oregon border. Today, we listen back to a conversation we recorded at the Tule Lake Pilgrimage in 2016. We talked to Satsuki Ina, one of the organizers of the pilgrimage and a former resident of Tule Lake. We also spoke to former resident Jimi Yamaichi, and Akemi Yamane, whose parents were incarcerated there. Also today we listen back to a conversation with Oregon author Mitzi Asai Loftus, who was born in Hood River on a fruit orchard and spent years of her childhood in several different internment camps. After leaving the camps, her family returned to Hood River. Asai Loftus spent much of her adult life in Eugene and Coos Bay and now lives in Ashland. She wrote a book about her experiences called “From Thorns to Blossoms: A Japanese American Family in War and Peace.”

February 19 is the Day of Remembrance, the anniversary of when President Roosevelt signed Executive Order 9066, which led to the incarceration of Japanese Americans during World War II. Some survivors of those prison camps are feeling like the rhetoric about immigrants and mass deportations today is hitting too close to home. In response, some survivors are mobilizing to protect vulnerable immigrants. Reporter Cecilia Lei spoke to a group of them in the Bay Area about how they're fighting to keep history from repeating itself.  One of the members of that Japanese American survivors group is author and Satsuki Ina. Nine months into her parents' marriage, Pearl Harbor was bombed. Their life was totally upended when, along with 125,000 other Japanese Americans, they were sent to incarceration camps. After unsuccessfully fighting for their civil rights to be restored, they renounced their American citizenship. That meant the US government branded them as “enemy aliens.” Ina was born in a prison camp at Tule Lake, but didn't know much about that difficult chapter in her parents' life. Then she discovered a trove of letters that they sent to each other while they were separated in different camps. Now, at close to 80 years old, Ina – who spent most of her career as a trauma therapist — has published a memoir about how her parents' relationship survived prison camps, resistance and separation. The Poet and the Silk Girl is a rare first-person account of a generation-altering period in Japanese American history. Sasha Khokha sat down with Satsuki Ina to learn more about her parents' story and how it shaped the course of Ina's own life.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Over the past several years, fear and anger have become the dominant forces in American politics. For Japanese elders, who were unjustly imprisoned during World War II because of their race, this political climate feels all too familiar. To satisfy their mission, the Heart Mountain Wyoming Foundation is committed to not only educate about the past, but also help shape the kind of leaders we need for the future.The Mineta-Simpson Institute is a dedicated retreat space at the center, a home for workshops and programming specifically designed to foster empathy, courage, and cooperation in the next generation of leaders. The Institute has expanded the Foundation's capacity for digital outreach, allowing us to carry the message of the Heart Mountain Wyoming Foundation's message all over the world. Aura Sunada Newlin is a fourth-generation Wyomingite, fourth-generation Japanese American, and Executive Director for the Heart Mountain Wyoming Foundation (HMWF). Her heritage involves intertwined stories of imprisonment at Heart Mountain and Tule Lake; segregated military service; and hardships suffered by railroaders who were fired because of their Japanese ancestry. Aura was elected to the HMWF board of directors in 2013 and served as board secretary for eight years. She is also on the board of directors for the National Consortium on Racial and Ethnic Fairness in the Courts and was a founding member of the National Steering Committee for Tsuru for Solidarity. She previously taught Asian American Studies courses at the University of Wyoming and was a tenured faculty member in sociology and anthropology at Wyoming's Northwest College.Aura earned a BA in ethnomusicology from the University of Wyoming and an MA in medical anthropology from Case Western Reserve University. Now focusing on the anthropology of law, she is a PhD candidate at Case Western Reserve University. Aura's work has been profiled by the Women in Wyoming podcast and gallery exhibit; the University of Wyoming's Featured Alumni series; and Wyoming PBS. She was named statewide Faculty Member of the Year by the Wyoming Association of Community College Trustees in 2018 and received the Community Member Award of the Shepard Symposium on Social Justice in 2021.

So critical to Pacific Flyway waterfowl was this region that the Lower Klamath NWR was established by President Theodore Roosevelt in 1908 as the first waterfowl refuge in the United States. In the 1950s, more pintails were counted in nearby Tule Lake than exists on earth today, and a surprising amount of Pacific Flyway waterfowl are produced or overwinter here! As reported in EP 154. Understanding the Klamath Water War (link below), times have changed--natural droughts have been exacerbated by "policy drought" and conflicting "single species management" as interests compete over scarce water resources, and waterfowl historically rank last priority.  Thanks to win-win collaborative efforts, there may be light at end of the tunnel.  Jeff McCreary, Ducks Unlimited's Director of Operations for Western Region, and Jake Messerli, CEO for California Waterfowl Association, provide vital updates, spelling out changes affecting waterfowl, Pacific Flyway hunters, local communities and conservation throughout the United States.    Related Link: EP 154. Understanding the Klamath Water War https://podcasts.apple.com/us/podcast/duck-season-somewhere/id1503110007?i=1000531905035     Visit MOJO's Duck Season Somewhere Podcast Sponsors:   MOJO Outdoors  Benelli Shotguns BOSS Shotshells Ducks Unlimited  Flash Back Decoys  HuntProof Premium Waterfowl App Inukshuk Professional Dog Food  Tetra Hearing Tom Beckbe Voormi GetDucks.com USHuntList.com     Please subscribe, rate and review Mojo's Duck Season Somewhere podcast. Share your favorite episodes with friends! Business inquiries and comments contact Ramsey Russell ramsey@getducks.com

In the latter half of 1985, a series of brutal killings rocked the quiet woods of Mineral, Washington. On August 10, 1985, 27-year-old Steven Harkins and his 42-year-old girlfriend, Ruth Cooper, departed from their home in Tacoma, Washington, for a weekend camping trip at Tule Lake in Pierce County. Four days later, on August 14, hikers in Pierce County found Harkins shot dead in his sleeping bag at a remote campsite, with the couple's dog also killed nearby. On October 26, Cooper's skull was found near Harts Lake, 1.5 miles from Harkins' body. Two days later, her body and purse were discovered 50 feet away. A tube sock was tied around her neck, and she had died from a gunshot wound to the abdomen.In December 1985, Mike Riemer, 36, his girlfriend Diana Robertson, 21, and their 2-year-old daughter Crystal traveled from Tacoma to Pierce County to find a Christmas tree. Later that evening, Crystal was found alone outside a Kmart in Spanaway, saying her "Mommy was in the trees." Two months later, Diana's body was discovered near Riemer's truck, with a tube sock around her neck and 17 stab wounds. Investigators suspected Riemer, who had disappeared, might be responsible, though some believed he was also a victim. He had previously been charged with domestic assault against Diana.Ossuary 6 - Air Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/Contact us at: weeknightmysteries@gmail.comInstagram - https://www.instagram.com/weeknightmysteriesTikTok - https://www.tiktok.com/@weeknightmysteries

Nine months into Satsuki Ina's parents' marriage, Pearl Harbor was bombed. Their life was totally upended when, along with 125,000 other Japanese Americans, they were sent to incarceration camps. After unsuccessfully fighting for their civil rights to be restored, they renounced their American citizenship. That meant the US government branded them as “enemy aliens.” Ina was born in a prison camp at Tule Lake, but didn't know much about that difficult chapter in her parents' life. Then she discovered a trove of letters that they sent to each other while they were separated in different camps. Now, at close to 80 years old, Ina – who spent most of her career as a trauma therapist — is publishing a memoir about how her parents' relationship survived prison camps, resistance and separation. Using letters, diary entries, haikus written by her father, and photographs, The Poet and the Silk Girl is a rare first-person account of a generation-altering period in Japanese American history. Sasha Khokha sat down with Satsuki Ina to learn more about her parents' story and how it shaped the course of Ina's own life. This episode first aired in March 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices

En P360 Radio, Manuel Ortiz platicó con Marcos Gutiérrez sobre los migrantes en Estados Unidos que se han sentido atacados y discriminados por comentarios del ex presidente Donald Trump. Este programa corresponde al 23 de julio de 2024, sintonízanos en vivo en la 1010 AM en San Francisco y 990AM para Sacramento.

In this episode of Seen & Herd, we delve into the latest developments regarding water management in Kings County. Amanda Russell, Communications Consultant for Western United Dairies, hosts WUD CEO Anja Raudabaugh. The two discuss the latest probationary hearing for the Tule Lake sub-basin and the implications of the State Water Resources Control Board's decision. If you have questions about this episode, please contact Anja at anja@wudairies.com.

In the latest episode of Save it for the Blind, hosts Jeff and Carson delve into the remarkable turnaround of the Klamath Basin's water situation. After enduring an emotional four-year drought, the landscape has been rejuvenated, boasting 13,000 acres of newly formed wetlands, thanks to a combination of a wet winter and strategic interventions.US Fish & Wildlife Biologist John Vradenburg sits down with Klamath task force members Greg Dyer and Rob Plath along with Jeff and Carson to talk about the current climate in the Klamath Basin and many other hot topics. We discuss the water situation in many parts of the basin, the wildlife and habitat status as well as what the future may hold for that entire region as well as the hunting. Rob Plath and Greg Dyer discuss the permanent water rights deal that is nearing completion and how it is setting the tone for additional water purchases in the basin and in other areas as well as what is happening to cause the recent water to increase all over the LKNWR. John Vradenburg answers on behalf of the US Fish & Wildlife Service these specific questions for our viewers and listeners: What is t Barnes/Agency project and prospects for getting more water to the refuge? What is the current hydrologic status for southern OR and water outlook for 2024? What's the Service's position and role in removing the ADY headgates/allowing water more freely flow into the refuge? What's going on at Tule Lake refuge with water this year and will it last?

Part 2 Jon and Robert discuss the recent re-flooding of the lower Klamath. Jon took a trip up north to check out the Klamath and all the birds enjoying the new water!

Nine months into Satsuki Ina's parents' marriage, Pearl Harbor was bombed. Their life was totally upended when, along with 125,000 other Japanese-Americans, they were sent to incarceration camps. After unsuccessfully fighting for their civil rights to be restored, they renounced their American citizenship. That meant the US government branded them as “enemy aliens.” Ina was born in a prison camp at Tule Lake, but didn't know much about that difficult chapter in her parents' life. Then she discovered a trove of letters that they sent to each other while they were separated in different camps. Now, at close to 80 years old, Ina – who spent most of her career as a trauma therapist — is publishing a memoir about how her parents' relationship survived prison camps, resistance and separation. Using letters, diary entries, haikus written by her father, and photographs, The Poet and the Silk Girl is a rare first-person account of a generation-altering period in Japanese-American history. Sasha Khokha sat down with Satsuki Ina to learn more about her parents' story and how it shaped the course of Ina's own life.

Meet Riki Mafune, a third-generation Seattleite with a family history deeply intertwined with Japanese American experiences. The conversation delves into Japanese American history, the challenges of the internment camps, the Seattle music scene, and Riki's personal journey as a musician. Family Legacy and Internment Camps Riki shares her family's poignant story of generational trauma stemming from internment camps during World War II. Her great-grandfather passed away en route to the camps, and her family faced immense challenges upon their return home. Split up and relocated to camps like Camp Harmony (Puyallup Fairgrounds), Tule Lake, and Minidoka. Riki's family experienced the government's work release programs created for interned individuals to bolster the war effort. This section sheds light on the impact of Executive Order 9066, signed by President Roosevelt in 1942, leading to the unjust internment of Japanese Americans. Japanese Cultural Heritage and Resources Diving into Japanese cultural heritage and resources, Riki shares insightful recommendations. She points to organizations like Densho.org highlighting their invaluable documentation of historical aspects of the camps. Riki also recommends the Japanese Cultural and Community Center of Washington and emphasizes the importance of educational resources to preserve and promote Japanese American history and culture. To further engage with this heritage, walking tours offered by institutions like the Seattle Public Library and the Wing Luke Museum provide immersive experiences for learning about vestiges of Japanese culture in the area. Cultural Identity and Heritage Furthermore, the discussion unravels Riki's experiences of embracing her mixed heritage and her mother's active role in educating her about both sides of her ethnicity. Riki shares her memories of growing up in the Roosevelt View District area, and the conversation touches on her family's ties to Japan through a greenhouse and a flower shop. This segment highlights the importance of understanding and celebrating one's cultural heritage. Seattle Music Scene and Racial Marginalization Transitioning to the Seattle music scene, Riki reminisces about her music career, which kick-started with the band Dynette Set. Amid anecdotes about the band's formation and hard work, the conversation uncovers the challenges Riki and her bandmates faced in a male-dominated rock and roll world. They pushed back against being marginalized and commercialized, refusing to conform to an inauthentic image. This segment delves into the lack of diversity in the Seattle music scene at the time, shedding light on the racial stereotypes and marginalization that women musicians, including Riki, encountered. Personal Journey and Reflection Learn more about Riki's personal journey and gain insight into her early ventures in music and the challenges she encountered. Riki candidly shares her struggles with feeling like an outsider and her experiences of working non-music-related jobs after the Dynette Set era. The segment also touches on her decision to go to college, attending Seattle University and majoring in philosophy. It reflects on her family's quietness about their internment experiences and her journey of researching and confirming their stories, shedding light on the resilience and perseverance reflected in her career choices. Photo credit: Ernie Sapiro Connect With Us

Joining me again is Dr. Stephanie Hinnershitz to talk about the Japanese-American camp at Tule Lake, the use of Martial Law on the American Homefront, and civ-mil relations during this time 80 years ago in 1943, going into 1944. Links Dr. Stephanie Hinnershitz (https://www.stephaniehinnershitz.com/) Books by Dr. Hinnershitz (https://www.amazon.com/s?k=stephanie+hinnershitz&crid=3POWWLJMX48KF&sprefix=stephanie+hinn%2Caps%2C271&ref=nb_sb_ss_ts-doa-p_1_14) --- Send in a voice message: https://podcasters.spotify.com/pod/show/mother-of-tanks/message

What a delightful time I had speaking with Aura Sunada Newlin of the Heart Mountain Wyoming Foundation. And my visit to The Heart Mountain Interpretive Center was deeply moving and inspiring. My time at the Center and spent in conversation with Aura left me feeling quite certain that we are living at a time when lessons that were unlearned in the 1940's remain some of the most pressing lessons needed in our time.Aura Sunada Newlin is a fourth-generation Wyomingite, fourth-generation Japanese American, and Executive Director for the Heart Mountain Wyoming Foundation (HMWF). Her heritage involves intertwined stories of imprisonment at Heart Mountain and Tule Lake; segregated military service; and hardships suffered by railroaders who were fired because of their Japanese ancestry. Aura was elected to the HMWF board of directors in 2013 and served as board secretary for eight years. She is also on the board of directors for the National Consortium on Racial and Ethnic Fairness in the Courts and was a founding member of the National Steering Committee for Tsuru for Solidarity. She previously taught Asian American Studies courses at the University of Wyoming and was a tenured faculty member in sociology and anthropology at Wyoming's Northwest College.Aura earned a BA in ethnomusicology from the University of Wyoming and an MA in medical anthropology from Case Western Reserve University. Now focusing on the anthropology of law, she is a PhD candidate at Case Western Reserve University. Aura's work has been profiled by the Women in Wyoming podcast and gallery exhibit; the University of Wyoming's Featured Alumni series; and Wyoming PBS. She was named statewide Faculty Member of the Year by the Wyoming Association of Community College Trustees in 2018 and received the Community Member Award of the Shepard Symposium on Social Justice in 2021.Website: www.HeartMountain.orgFacebook: facebook.com/HeartMountainWYTwitter: twitter.com/HeartMountainWYYouTube: youtube.com/HeartMountainWyomingFoundationListeners can contact HMWF at info@heartmountain.org You can support HMWF by becoming a member: https://www.heartmountain.org/join-and-give/become-a-member/

Mark Hennely joins us again and we dive into the critical water issues affecting the Klamath and Tule Lake regions. We'll explore the complexities surrounding water rights acquisition, the impact on local communities, consequences for the surrounding wildlife, including the struggles faced by indigenous communities and the ongoing efforts to find sustainable solutions.Than we shift our focus to youth and veteran hunt dates in the region. We address the recurring botulism outbreaks in the area and their impact on the local wildlife. Discover the causes behind these outbreaks, their consequences for waterfowl and other species, and the efforts undertaken to mitigate their effects. Lastly, we tackle bag limits and their role in sustainable wildlife management.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Get the latest agriculture news in today's AgNet News Hour, hosted by Danielle Leal. Today's show covers the progress made on developing an optimized trap for leaffooted bugs, the strong California grape demand in export markets, the large snowpack causing concerns for flooding in the Tule-Lake region all year long, California's first 2023 crop progress and condition report, and part three of a conversation on WOTUS.  Tune in to the show for these news stories, interviews, features and more.

This was recorded at low tide during the new moon on a rocky beach in Redwood National Park, Del Norte County, California. The tide was extremely low and the microphone was placed in the intertidal zone between boulders at the base of a massive, towering rock. The roar of strong wind, rough seas, and huge surf is heard in the background as the waves, which weaved their way through the many rocks and reefs farther out, crash and splash against the boulder strewn shore. I made this recording while on an unplanned and impromptu day trip to the coast with my daughter. I had originally planned to record the sound of wintering waterfowl at Lower Klamath National Wildlife Refuge and Tule Lake National Wildlife Refuge, but at Lower Klamath NWR the only area with water and birds was right beside the highway, and Tule Lake was completely dry and devoid of any waterfowl. The years long drought we have been experiencing here in Northern California has been devastating, and despite a decent amount of snow and rain at the start of winter, the precipitation didn't keep up. And even if it did, it will take several very wet years to replenish these areas which are crucial to wintering and migratory waterfowl and the predatory birds and wildlife which depend on them. All that said, my daughter and I decided to make the long drive from there to the coast, and we were lucky to arrive during one of the lowest tides of the year. It was a rare sunny day and we took a little hike down the Coastal Trail from the Lagoon Creek to a rocky cove(where I made this recording) and watched the sunset. I could really use your support. Please consider helping this podcast get made by making a donation, becoming a Patreon supporter, or becoming a monthly supporter through Anchor. You can do so by visiting the following links- https://soundbynaturepodcast.com/donations/ https://www.patreon.com/soundbynaturepodcast You can become a monthly supporter at Anchor by clicking the link at the end of this podcast description. Thank you to my current and past monthly supporters, those of you that have made one time donations, and my supporters on Patreon. I truly appreciate your help! You can see pictures of the area this was recorded, as well as pictures from other locations I have gathered recordings, by visiting the Instagram and Facebook pages for the podcast. You can find them by searching @soundbynaturepodcast. Questions or comments? Send me a message on Facebook or Instagram, or email me at soundbynaturepodcast@gmail.com I really hope you enjoy this recording. Thank you very much for listening. Stay healthy, stay safe, stay sound. --- Support this podcast: https://anchor.fm/soundbynature/support

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists Tonight on APEX Express it is A Time for Remembering. We are remembering what it is like to grow up in San Francisco and be connected to this land that is not ours. We are remembering the incarceration of 120,000 Japanese Americans and Japanese Latin Americans. We Are talking with artists and lawyers and policy makers. People who help us shape our vision of what it means to be American. Host Miko Lee talks with artists Celi Tamayo-Lee and Na Omi Judy Shintani and Lawyer Don Tamaki. Join us.   Muni Raised Me February 24–April 9, 2023 Opening Reception, SOMArts Cultural Center Artist NaOmi Shintani's website The Art of Resilience: Tanforan Exhibit Tours, Panel Discussion & Memorial Walk through February 25, 2023 1-4PM PST San Bruno BART Station & AZ Gallery, San Bruno, CA & Online ongoing exhibit on the exterior plaza and inside the San Bruno BART Station.   Day of Remembrance San Francisco, February 19, 2023, 2:00 PM – 4:00 PM PST Tickets here. StopRepeatingHistory.Org   Additional information about the Cal Reparations Task Force It convened in June of 2021, and on June 1, 2022, fulfilled its first charge of publishing a sweeping, nearly 500 page report drawing a through line from the harm of 246 years of slavery, 90 years of Jim Crow and racial terror, and decades more of continuing discrimination. Here is link to  the 29 page Executive Summary, https://oag.ca.gov/system/files/media/ab3121-interim-report-executive-summary-2022.pdf   Show Transcripts: A Time for Remembering [00:00:35] Miko Lee: Tonight on apex express. It is a time for remembering. We are remembering what it is like to grow up in San Francisco and be connected to this land that is not ours. We are remembering the incarceration of 120,000 Japanese Americans and Japanese Latin Americans. We are talking with artists and lawyers, policymakers, people who help us shape our vision of what it means to be American. Hi, I'm your host, Miko Lee. And tonight on apex express I speak with artists Celi Tamayo-Lee and Na Omi Judy Shintani and lawyer Don Tamaki join us aboard apex express Welcome to Apex Express, Celi Tamayo-Lee . [00:01:19] Celi Tamayo-Lee: Thank you for having me, Miko. [00:01:21] Miko Lee: We're so happy to have you as an artist, as a community organizer. So my first question for you is, who are your people and what legacy do you carry with you? [00:01:32] Celi Tamayo-Lee: My people are creatives. people who like to eat a lot. My lineage comes from ELOs Norte in the Philippines, in the province of La Wag and also from Toisan in village, Sega, which is, in the Guandong province in China. My people love to dance. My people are nature lovers, ocean lovers, and those who wanna figure out what it fights to get to liberation. I carry with me legacies. Of deep hope and deep faith and legacies of adventuring. I think a lot about both my grandmothers, my Popo June and my Lola Anisha, who were just both very. Revolutionary in my mind, for their times. My grandmother from the Philippines coming here, from her small village, having I think just a high school degree and making a life for herself and her family in San Francisco. My other grandmother, June, who was a housewife in Palo Alto, who I think otherwise would have become a doctor, had higher education been m ore accessible for, women in her time. I think both of them were just really loving women , who hosted a lot of open space for their communities through their food, through gatherings and parties and also being a safe place for many of our relatives in the United. [00:03:09] Miko Lee: Thank you for that. I often think about my Popo who had all this power and imagination and what it would be like if she was living today. Do you feel like you carry an additional, , responsibility to fulfill some of their dreams since they could not during their time. [00:03:28] Celi Tamayo-Lee: Yeah. I think about that a lot. I think in the moments where I'm like, wow, I have just sat at a table all day on my computer. Is this what my ancestors dreamt for me? But I think especially as I have been exploring more of my gender identity. I think I identify as a non-binary person and I think that might be something that they couldn't quite, imagine in, in the language and the terms that they knew. But I think that like real freedom to express one's within their body and how they express themselves outwardly is definitely something I think they dreamt for me and. I also feel a responsibility to be a part of movement work and be a part of continuing to build community because that is something that I've benefited so much from them. [00:04:22] Miko Lee: Talk a little bit more about your community organizing and how you combine that with your artistry and your imagination. [00:04:28] Celi Tamayo-Lee: It's definitely been a journey for myself to identify as an artist and I think, mostly cuz there's so many messages about the ways in which art will never be a career path because of how dicey it is in terms of making money, in many ways, ironically, shout out my parents, who were both very creative people and also, people who have fought for social justice for most of their lives. my dad is a civil rights attorney and was a community organizer as a young person, but also, A musician and has always played in bands as a fun side gig. when he was my age, he was in a band called Stand that would perform all over the Bay Area. And my mom herself is also a cook and just a very creative person made all my Halloween costumes growing up and as an avid gardener. Having parents like that gave me just permission to continue to grow myself in a creative way. And I do think throughout so much of history movements have really succeeded because of their artistic aspects. Even within our Asian American history, there are so many important graphic designers and artists who made protest posters. Made movement graphics that really called into being like the spirit , of what people were fighting for. , I think about all of the songs that were sung throughout the Civil Rights movement and, I think culture just has a really powerful way of opening people's minds up to things that may feel out. reach when they're thinking in a more rational way. I just think that any movement that we need, is gonna depend on the way in which culture has been influenced through art. [00:06:25] Miko Lee: And speaking of that, you've been in the studio at Soma all day today, setting up a new exhibit called Muni Raised Me. Can you tell us about your latest project? [00:06:35] Celi Tamayo-Lee: This project called Muni Raised Me is a exhibit that will be in Soma Arts for six weeks, and it is a part of their curatorial residency programs. So myself and two of my really good friends, Sasha Vu and Mei Mei Lee, we saw the flyer on Instagram that they were calling for proposals and, , applied with this idea of a show called Muni Raised Me. really what It is, is, a love letter, a gathering, a dance party of so many of our friends, our talented friends who are. Visual artists, painters, collage artists, fashion designers, photographers it's really a space that we actually wanted to create for a long time, but never really found the platform to do it. And so much of it is trying to. ,I think juxtapose like the beauty and the roots that we come from having grown up in San Francisco while also naming just the struggle it has been to persist and live here. ,most of us artists were born in the early nineties and have just come of age in this tech era within San Francisco. 2011 was when Mayor Ed Lee invited tech companies like Twitter and Google and LinkedIn in with these major tax breaks. From 2009 to 2013, every time that I visited home, There were just more and more beloved businesses that had been replaced by condos and replaced by fancy coffee shops selling $6 lattes. For myself and for many of my friends it's been a painful and lonely experience to try and maintain a life here and to, make rent, to feel creative, to still work in public service. So many of the artists in our show are organizers themselves, or are teachers and educators in public schools or in afterschool programs. And so to try and live all those different multiple dreams and identities is really a struggle in San Francisco. [00:08:53] Miko Lee: So when somebody walks into Soma Arts, what will they see with Muni raised me. [00:08:58] Celi Tamayo-Lee: Ooh. I will say one of the first things they will see is a Muni bus that we were actually gifted from SFMTA. It just so happened that they were retiring a number of their buses and we got connected to the right person. , shout out Nicole Christian who knew somebody and. We have transformed that bus into an altar. You can walk through the bus, and throughout the bus there will be altars, but there will be definitely a focal point at the very back of the bus for people to view, but also for people to interact with. I think that so much of living in the city and having grown up in the city is an experience of grief and we really wanted to make space in the show for people to bring in ancestors and bring in family members who have been lost, , or, even family members who have been pushed out of the Bay Area. we also wanna commemorate lives lost to police violence. yeah, We hope that altar can be, a realm in which the spirit is felt beyond just , the material setting of a gallery. There's also gonna be a lot of amazing collage work from Erin Kimora. We have a beautiful installation from Arena Alejo, along with, Alyssa Avilas, who is a painter and multidisciplinary artist. People will just see a lot of kind of iconography from the nineties. We have a couple of painted Muni passes and a lot of, yeah, just different gestures and shout outs to this public transportation system that I know for myself, I spent hours and hours of my life on. It was a little bit of a pocket of freedom, like with my parents not necessarily knowing where I was. It wasn't home, it wasn't school. It was a place where I got to just enjoy and see my city. [00:11:02] Miko Lee: And What would you like folks to feel after they leave the show? [00:11:06] Celi Tamayo-Lee: I hope that they leave feeling reminded that San Francisco is them and that any kind of beauty or spark or funkiness or weirdness that they feel themselves missing from San Francisco actually can come back through their own creativity, through their own hello to a neighbor through their own small act of kindness. You know, I think there are deeper relationships also made through this show. I hope that there's a feeling of oh, my people are still here. I am connected to a sense of justice and community that maybe doesn't always feel present in the everyday, but is actually there. I hope that it. Reignites some sense of connectedness to other people who call this place home. [00:11:59] Miko Lee: I wonder if you could just speak a little bit about how art helps us remember the past so that we can learn and move forward in the future. [00:12:08] Celi Tamayo-Lee: Yeah, I think art is really critical to remembering our history. It's definitely one thing to read something in a book and another thing to experience it through imagery and sound and color. it was important to us in this exhibit to in our alter space, include really important historical figures of San Francisco. So we're including people like Victoria Manalo Draves who was a Filipina American olympic swimmer, she was one of the first women swimmers to win in her divisions of diving. We also have people like Mary Ellen Pleasant, who was an African-American woman, one of the first African-American millionaires in the country, who is also dubbed as the Harriet Tubman of the West. She helped hundreds of African-American people, basically find and make lives here in San Francisco. And, She challenged the government when they told her that she couldn't ride actually on a certain part of the public transportation, and it went to the California Supreme Court and she won and that is what stopped discrimination on the trolley routes in San Francisco. Art reaches people who would not normally seek out that history. I think it just gives people a much deeper sense of their own legacies or legacies that they may not even know that they're connected to. [00:13:51] Miko Lee: Celi Tamayo-Lee, thank you so much for joining us on Apex Express. [00:13:56] Celi Tamayo-Lee: Thank you for having me. Miko. For anyone who's looking for more information, you can follow us on Instagram@MuniRaisedMe and also find us online@somaarts.com/Muniraisedme. [00:14:10] Miko Lee: That was Sealy to Mio Lee talking about muni raised me. Now take a listen to pistol jazz by Hi no Tori. A taiko solo. [00:17:41] Miko Lee: Welcome back. You are tuned into apex express, a 94.1 KPFA and 89.3 KPF. Be in Berkeley and online@kpfa.org. That was a Taiko solo. Hi no Tori by pistol jazz. Welcome artist and narrator of culture, NaOmi Judy Shintani to Apex Express. [00:18:03] NaOmi Judy Shintani: Thank you for having me. I'm excited to talk with you. [00:18:06] Miko Lee: We're excited to talk with you too, and I wanna kick it off by first asking you, who are your people and what legacy do you carry with you? [00:18:16] NaOmi Judy Shintani: Well, I do quite a bit of my artwork about, the Japanese American history and so those are some of my people, I would say. But I also want my work to be visible to all kinds of people. So I'd say everyone's my people. The legacy I carry, part of that has to do with the incarceration, that is part of the history of my family. That is something that I carry with me. I think that there is intergenerational trauma. There's lessons you learn in legacy from your family and your culture. [00:18:54] Miko Lee: So we are coming along to the Day of Remembrance, which is a day that recognizes the Japanese-American incarceration. Can you tell about your family's personal connection with the incarceration. [00:19:07] NaOmi Judy Shintani: My father's family was up in Washington State in the Puget Sound area, and they lived on a houseboat and were oyster farmers. When Pearl Harbor was bombed, they immediately came and got my grandfather, who was a leader in the community. They were a concerned or worried that he might be a spy or might have information. And so He was taken away and my grandmother and my father's and his sibling didn't really know what had happened to him. A few days later they came for my grandmother and my father and his siblings. They eventually ended up at Tule Lake incarceration camp. Then my grandfather was allowed to be with the family there. On my mother's side, she was actually in Hawaii and the family was not incarcerated per se, though there's a lot of limitations and curfews that they had to live with. Her father was also a leader in the community and he was taken away for a year. And I think At that time my mother didn't really, probably up until the time of her death did not believe that they were incarcerated in Hawaii. But of course, we've learned later that there were incarceration camps in Hawaii and that my grandfather actually was incarcerated. [00:20:36] Miko Lee: Yeah, so many of these stories are hidden. Finally the one incarceration camp in Oahu is just getting turned into a, a national park soon. So More people will know about that history. That's one of the many hidden histories about the internment camps in Hawaii. [00:20:52] NaOmi Judy Shintani: Exactly. One of my goals is to explore the incarceration history in Hawaii. I've mostly been focused on my father's family cuz there's been more information. So I'm very interested in learning more about the legacy of trauma in Hawaii. [00:21:10] Miko Lee: You're an amazing artist, have created so many important pieces, and can you talk more about how you combine your sense of family history, your activism with your artistry? [00:21:22] NaOmi Judy Shintani: I think originally I started wanting to learn more about what happened to my family and also to come to grips with it for my own self. That's when I really started exploring trying to learn more, trying to Get my father to talk more about his experience and that is what really spurred me to start making art. At one point when we went to the Tule Lake pilgrimage together, he was asked how often do you think about the incarceration? It was a general question out to the elders that were at Tule Lake and they had to raise their hand and so they said every 10 years, every five years, every. Three years and they kept going and my father still had his hand raised for every day. And at that point I thought, this is something that is deep in our family, a deep trauma that's not been talked about a whole lot, and it has affected me and many families. That's when I really decided, Spend more time exploring that and exploring also meant doing research. It meant talking to other people. It meant gathering information. I did a lot of outreach to hear other people's stories written or oral. I also did surveys for descendants of people that were incarcerated cuz I hadn't heard that much from them. All of these thoughts and stories became part of my art and I think of my art as a way of educating people as well as honoring them honoring the people that were incarcerated and as a healing. [00:23:16] Miko Lee: In the byline next to your name, it says that you are a “narrator of culture, the unspoken compels me to create.” Can you share a little bit more about what that means to you? [00:23:27] NaOmi Judy Shintani: Well, I was thinking about what is it that I'm actually doing in my work and I was working with someone to come up with some sort of naming of myself, and I finally came up with the idea that I tell other people's stories, I tell stories of culture so that's why I became a narrator of culture. The unspoken compels me to create, that's because I am very Adamant about bringing these stories out to the public. I think that is through the personal stories about what people experienced. That is how we really know the history. A lot of this kind of history, these personal stories are not in history books in high school or middle school. It's about, Individuals and families. It's not just about, 120,000 people. I mean, that's a big number, but to hear the actual stories of parents and children and grandparents I think that puts a whole different light on it. [00:24:36] Miko Lee: Can you talk a little bit about your piece that's at the San Bruno BART station. [00:24:41] NaOmi Judy Shintani: I was hired by bay Area Rapid Transit Bart to create a art exhibit or historical exhibit about the Tanforan detention center that was on the land of where the BART station and the mall is now and was originally a racetrack. I came in as a curator, so I thought about what is important for people to know about Tanforan and how am I going to express that through writing and through art and through historical photographs. I actually thought that there's a lot of discrimination and hardships that Japanese immigrants, the Issei experience before. Pearl Harbor was bombed that I think had an influence on how the Japanese people were treated during that war time. So I really started talking about the history way earlier. About coming over, not being able to become citizens, not being able to own land and yet persevering and becoming successful. So that all rolled into the incarceration. There was a lot of discrimination because, the successfulness of the Japanese even though they had so many hardships. That was just an example of what things I thought were important for people to know about the incarceration, the history of Tanforan. I also spent a lot of time Expressing and telling the history of the artists that were at Tanforan art was a very important part of the incarceration. So I talked about people that were incarcerated, artists that were incarcerated, the art school they had there, and showed some of the art that was created there. and then I also included Art of Descendants. To express, you know, what's happened? How are people expressing the incarceration in art now. [00:26:48] Miko Lee: I love that you curated this kind of trauma informed practice that has been lasted for generations. Can you talk more about the art school that was at the Tanforan concentration camp? I hadn't heard that story before. [00:27:02] NaOmi Judy Shintani: Obata, who was a professor at uc, Berkeley was incarcerated. And so When he got there, he thought we have to have something that will give people some hope or some something to do while they're in prison. He had an art school that was for children as well as for adults. to Teach and encourage people to use their creativity to survive this difficult time. They had hundreds of students and a lot of different subjects as well as drawing and painting. [00:27:36] Miko Lee: So anybody can go and see this public exhibit that opened in September, right? [00:27:42] NaOmi Judy Shintani: Yes. If you want to go see it, you can of course you can ride on Bart and get off at the San Bruno BART station is, it's right on the main street level floor. If you're going by car, if you come to the Bart parking lot or the Tanforan Shopping Center, you can let the station agent know that you're there to see the exhibit. Then you'll be able to come in without having to buy a ticket. They're also encouraging classrooms and groups to come in. So you have a large group. You can call or email Bart and they will arrange that. There's also a memorial which is outside of the BART station, and that was put together by a group of Japanese Americans, some of which had connections with the incarceration there at Tanforan. They just opened a beautiful outdoor memorial, which has a statue of two of the young mochita girls that were in incarcerated photographed by Dorthea Lang. And also they have the names of the people that were . Incarcerated engraved, and they have a horse stable structure that can give you the size and the space that you would've been in if you were incarcerated there. BART and AAWAA, which is the Asian American Women's Arts Association are putting on a curatorial tour, as well as a memorial walkthrough and a multicultural artist panel on February 25th. People that wanna get more information can come have a special experience on that day. [00:29:26] Miko Lee: You're tuned into APEX express., a 94.1 K PFA and 89.3 KPFB in Berkeley and online@kpfa.org. Can you talk to me about your project that you're working on right now? [00:29:40] NaOmi Judy Shintani: Dream Refuge for Children imprisoned was originally introduced at the Triton Art Museum in Santa Clara. And it has since been traveling. It not only is about the Japanese incarceration, but I've also included children that were incarcerated in the United States, including native American children in boarding school situations that were removed from their communities and also the Central American refugee children which are the most recent group that has been incarcerated and a t the beginning were removed from their parents, and I just thought that was traumatic and horrible. It's reminded me so much of what our families went through in the incarceration of the Japanese Americans. [00:30:34] Miko Lee: Can you describe for listeners what this work looks like? [00:30:39] NaOmi Judy Shintani: I did life size drawings of children on mattresses are put onto cots. I also sewed talismans on each of the children. That represents a form of protection, a symbol of protection for the different children. So the Japanese Americans had little embroidery symbols as in Japan they would sew them on the back of children's kimonos to watch their back. I carried on that tradition of adding those kinds of symbols in red thread. For the native American children, I made little belt pouches of cedar and sage herbs that were given to me by a elder who knew I was working on this project. And so I sewed those into little red pouches that had the symbol of the four directions. For the Central American children I sewed purple crosses cuz they would often be carrying these crosses, with them when they came across the border. So those are all arranged in a circle. I just felt that the circle was such a healing shape and I wanted people to come into the space and see these sleeping children in this safe space and to relate to their experiences. And I had recordings of stories that were told by elders now about their experience when they were children. I had a woman that was in Native American boarding schools that told her stories and then also collected the stories. Belinda Arianga, a woman in Half Moon Bay that went to the border, and she told me the stories of those children. These voices were all recorded so that you can hear their stories in the room. [00:32:33] Miko Lee: So why for you as an artist, did you want to have both something that you could look at and then also listen to what was the impact of having those dual experiences for audience? What's your intention behind that? [00:32:46] NaOmi Judy Shintani: I really wanted people to experience the incarceration with different modalities. So I felt that by them seeing the children sleeping, they had one experience also walking in a circle. That was another experience. So they, there was a movement involved. To hear the stories I think gave another level and also to hear elders telling the stories that they remembered when they were children, along with hearing children speaking in Spanish and in English. And to have different ages and different genders. Telling the stories that they experienced. I think that just gave a whole nother. Way of the history entering the viewers. [00:33:32] Miko Lee: To me, there's also something quite powerful about the fact that they're sleeping children , because there's this whole innocence and kind of beauty that comes within that sleeping space, and yet they're held in detention. So it's this very intense juxtaposition. [00:33:51] NaOmi Judy Shintani: Yes. That was something that I really thought about and wanted to express that sort of vulnerability, but yet when they're sleeping, they have this time to dream of being in a different place or being in their own space. That was one of the things I really wanted people to come away with. The other thing I didn't talk about is that the Central American children I placed on the floor and they're sleeping among the Mylar blankets as well as textiles from Central America. And that really came to me when I spoke to a woman who was from Honduras who been released from those detention centers and she said whatever you do, don't put our children on beds, because they had to sleep on the cement floor. So I really took that to heart and wanted to show them in their correct plight of being imprisoned in such horrible conditions and the circle of the children around them. From the earlier generations of incarceration, I felt they were almost like guardians for the Central American children. [00:35:06] Miko Lee: And you went down to Crystal City to be part of the pilgrimage and protest, is that right? [00:35:12] NaOmi Judy Shintani: Yes. I was invited by Satsuki. Ina I wanted to talk to her about her story and about her experience. She said why don't you come along? We are going to go to Crystal City. It was the first time they were going. We're also gonna do a protest at the detention center. You can talk to a lot of people there. You can see what's happening I did talk to some families and children at the bus station that had been released when we were giving them some food and backpacks and things like that, and that was really moving and I think that actually that experience of going on that trip that sort of cemented the dream refuge for me. [00:35:56] Miko Lee: You mentioned your dad and how he kept his hand raised the whole time that he thought about the incarceration every day. Has he had the opportunity to see your work?. [00:36:05] NaOmi Judy Shintani: Yes, he has seen my work. He was very proud of it. He would often go to my art exhibits and be photographed with my work and Attend shows and I was always very happy to have him there and I think it was emotional for him. He didn't necessarily speak a lot, but he was present and I think it meant a lot to him that I was making work about his experience. [00:36:33] Miko Lee: Since we're coming up upon the day of Remembrance, how does art impact remembering and specifically about remembering about the Japanese incarceration? [00:36:44] NaOmi Judy Shintani: Well, I think it impacts it in a lot of ways. One way is that there were not a lot of cameras allowed into camp. A lot of the art that was created in camps are the only documentation, true documentation by the prisoners of what it was. To be there and how they were feeling and how they were experiencing camp. Mine Okubo's work, who I use in the Tanforan exhibition is really important because her drawings were almost the only thing I could find that showed just the. Experience of being in a horse stable, the experience of having to go to public bathrooms where people had no privacy. I mean, Those kinds of things weren't photographed by Dorothea Lang or any of the other photographers that were sent by the W R A because they were not trying to show the traumatic side of the incarceration. The fact that these artists were able to document and express themselves, that, that is, historically important and also important as a way of people understanding the emotional impact of what was going on in the camps. There's just something about a painting or a sculpture or drawing that shows such a deeper level of history it doesn't even have to be history, just the colors or the brush strokes. These are all things that you can't read about in a history book. You can't experience it in the same way. I also feel that with the descendants creating art for example, the Sansei Granddaughters is a collective I'm part of. We've all expressed our family's experience. in different ways some people are sewing, Rako Fuji, she uses glass to create kimonos with photographs. There's just different ways, that people use whatever media they think is right to express their history. [00:38:53] Miko Lee: Na Omi Shintani thank you so much for speaking with me. We're looking forward to seeing more of your artwork and your voice in the world. [00:39:01] NaOmi Judy Shintani: I really appreciate the opportunity to talk about the art and how important it is for our history in our education of this traumatic experience. I wanted to also make sure that people come to the carrying the light for Justice Bay area Day of Remembrance. Sunday, February 19th from two to four Pacific Standard Time, it's going to be at the Christ United Presbyterian Church on Sutter Street in San Francisco. In person or online. The keynote speakers can be Don Tamaki. There's gonna be spoken word performance by Lauren Ito the MCs Ryan Yamamoto, the anchor for C B s News Bay Area. And there'll be a candle candle lighting ceremony. It's always a very moving experience. It's a time for remembering and honoring those who've been incarcerated. It's a time of community and I hope people will attend. [00:40:05] Miko Lee: Welcome Don Tamaki, amazing esteemed lawyer and activist. Welcome to Apex Express. [00:40:11] Don Tamaki: Thank you. [00:40:11] Miko Lee: So first I wanna just start with the big question. Who are your people and what legacy do you carry with? [00:40:18] Don Tamaki: I'm part of the Japanese American community, I'm most known for serving on the legal team, which reopened Korematsu versus the United States. The 1944 US Supreme Court decision, widely regarded as one of the worst decisions in US Supreme Court history, our legal team reopened it some 37 years later. Newly discovered secret, intelligence reports and Justice Department memos admitting. There was no reason to lock up Japanese Americans. They were not a dangerous population. They were not engaging in espionage or sabotage , and arguments and memos between Justice Department lawyers about their legal duty and the fact that they were about to tell lies to the US Supreme Court in order to manipulate the outcome of that decision. That decision ended up in 1944 upholding the constitutionality of uprooting some 120,000 Americans of Japanese ancestry, including my parents and their extended families into 10 concentration camps, stretching from California to Arkansas. [00:41:26] Miko Lee: Wow. You've just given us a whole history lesson. Thank you so much. And you have been a part of so many critical moments in the Asian American Pacific Islander movement. You described part of that in the overturning of the Fred Korematsu 40 year conviction, but you're also the founder of Asian Law Alliance. And were the ED at Asian Law Caucus and you're the co-founder of Stop Repeating History all of your work is just so powerful and important. I wonder with the rise and attention on anti-Asian hate right now, where do you see the Asian-American movement going forward? [00:42:02] Don Tamaki: Well, I'm glad that all light is being shined on they hate incidents against Asian Americans. It has been happening for some time, but it's never really has gotten national attention let alone regional and local attention as it is now. So I think it's on balance. It's a good thing. On the other hand, I think we as Asian Americans knowing our history need to understand where the hate comes from in the first place. And by that I mean what is the cultural strain, the historical tradition, the norm of policies and laws that led to prejudice being so systemic in the first place. If you connect the dots, I think it does go back to 1619 in the very beginnings of enslavement in America, which laid the foundations propped up the institution of slavery for 246 years. 90 years of Jim Crow to follow, and decades more of exclusion and discrimination targeted first at black people. But while those policies and laws put a target on the backs of African-Americans it also Ended up targeting on occasion Asian Americans, Latinos other disfavored groups. And so this bias has really recycled over and over through our entire history. And from time to time resurfaces to impact us as Asian Americans. The Trump administration's a pretty good example where even though we have our model minority status Asian Americans became the spreaders of the Chinese virus. Mexicans were labeled as drug dealers and rapists. White supremacists declared that Jews and immigrants were poised to replace them. And the continuation of black people being killed at the hands of law enforcement, and it barely would ev evoke any reaction at all because it was deemed so normal until the May 25th, 2020 murder of George Floyd, which was captured on videotape. So this kind of thing where, you know, of course the Japanese Americans ended up in concentration camps. The Chinese Exclusion Act of 1882 was the first ban against a country. But it gets recycled in different forms, whether it's the 2017 Muslim ban that Trump put out or other things that ultimately in fact, the thinking I think, of the entire country including our own communities. While I'm very hardened that we're focusing on the hate incidents against Asian Americans, I think that's been a ignored area. I'm concerned about each group sticking up for its own tribe only and not connecting the dots I did to identify where this pathology comes from in the first. So speaking of cross solidarity work, I know your work led to the groundwork reparations for incarcerated Japanese Americans during World War ii, and last year you were appointed by Governor Newsom to a reparations task force for African Americans. Can you tell where that reparations committee is at right now? Following the murder of George Floyd triggering the largest protests in American. By September of the same year, 2020 the legislature had passed secretary Shirley will Webber's bill creating a task force to study reparations proposals for African Americans and make recommendations to the legislature. I'm one of nine members appointed by the governor in the legislature, and we have three charges. One is to document the harm of the legacy of slavery, covering two and a half centuries and another century of Jim Crow in decades, more of exclusion and discrimination, and connect those dots. To the current outcomes today, and we've done that in a very sweeping, scholarly, comprehensive report. It's been called the Interim report because it's not the final ones coming out this June. The second goal is to study reparations proposals and make recommendations to the legislature. The final report, which is due 2023 in just a few months. The third requirement is to educate the public about what's happened. Because as this is really, the subject is so buried and erased. The product of a willful amnesia call it. The fact that we're. The American public, the New York Times, Washington Post is just now publishing articles on Tulsa and Greenwood in which 300 African Americans were murdered in what was called a race riot, even though that happened over 100 years ago. People are just learning about that now. And what the I interim report that we issued last June reveals is that this is not an isolated incident. That the history is littered with Greenwood. Part about educating the public, creating curriculum to provide information to students and so on. That's really our charge going forward. And in June of 2023, we'll be issuing our final report. I know that both Tsuru for solidarity and the Japanese American Citizen League worked last year to get reparations for African Americans in the Chicago area utilizing marijuana tax. I'm wondering if there's other reparations models that have been happening in the US. There's discussion for the first time. The reparation idea is as old as the Civil War when 40 acres in a mule was promised with a period of 12 years of reconstruction that happened only to have all of that rescinded. Thereafter, and again, I think because of at least it was triggered, I think by the Floyd murder local municipalities and counties, about maybe two dozen or TA have taken this up in California so far as the only state and each of those areas are coming up with different kinds of proposals. I have to say that this is largely because of the unwillingness of Congress even to study reparations, let alone do anything about it. And so local jurisdictions have taken up the lead on this. As far as the state task force on reparations is concerned, I think all of the forms are on the table. None have been decided on yet or voted on. That will come in the run up to June of 2023. [00:48:54] Miko Lee: I believe you're the only non-African-American member of that commission. Is that right? [00:48:58] Don Tamaki: That is right. [00:49:00] Miko Lee: So how can the Japanese-American reparations and apology be utilized as a model for reparations for African-American and indigenous folks? [00:49:09] Don Tamaki: They're big differences, of course between the Japanese American experience and. The experience of black people in America. First off, as the listeners know, there's simply no equivalence between four to five years in the concentration camp, losing all of your property and your businesses. Some folks even lost their lives as compared to 400 years of two and a half centuries of enslavement followed by Jim Crow and. Legalized and customarily enforced segregation, the results of which we're seeing e every day in our communities. But there are some things that are useful. The Japanese American redress and reparations movement is maybe one of the very few examples where the government acknowledged a great, wrong, apologized for. and put meaningful compensation behind that to create a meaningful atonement and how we got there. Some of the, there are some lessons that are maybe of some use. I think the other thing in my role as the only non-black person on the task force is to demonstrate. We can and should, and we're obligated to be allies in this effort. And although Japanese Americans don't have the history of black Americans in America we do know something about racial profiling. We know something about being removed and vilified and organizing to get back our dignity and some measure of atonement and. that lesson is really an American story of the meaning of the Constitution and what it means to be an American. When democracy and institutions are being challenged and in our case failed. I think with respect to other groups, whether they're. Native people or Latinos or L G B T Q, populations, disabled and so on. We all ought to be taking a look at reparations because it shines a light on so much of where the sense of separation and inequality comes from in the first place. [00:51:17] Miko Lee: Can you talk to us about the Day of Remembrance? I know you're gonna be the keynote speaker this year. Can you talk about the importance of the day? of remembrance? [00:51:25] Don Tamaki: Well, It's certainly important from a personal standpoint for our own community. It's time to reflect on our families who were taken away and incarcerated for no good reason but for the country, it's important to memorialize, and we do this annually about the perils to democracy. When racism shouts louder than the Constitution and our community endured a time where, The facts didn't matter. The law didn't matter and the constitution didn't matter. And why is that important? Because we're seeing that play out in real time today. The January 6th Capitol insurrection the Capitol was defied, five people died. 25,000 troops were deployed to protect the peaceful transfer of power. and millions today believe the election was stolen despite the utter lack of any evidence of fraud that would've made any difference in the outcome. This kind of collapse is something our own community experienced. literally the three branches of government failed. The presidency, legislative branch, Congress, and in our case, the courts they all bowed to the will of a racist notion knowing, and the government knew it at the time that that was. A, a completely false premise and yet no one had the courage to stand up, at least within the Department of Justice and within the courts. It was so normal that it was allowed to happen. We're seeing this playbook play out. It's not peculiar to the United States. This demagoguery is something that's happening worldwide and the elements are the same, which is, number one, appeal to prejudice. Number two, engage in fear mount mongering and scapegoating and three traffic in conspiracy theories and fake news. There's certainly a parallel there And that also led to the formation of stop repeating history. To be an alert, to be a point of reflection that we've seen this before and unless we become active and intervene, it's gonna happen over and over again. So that's certainly. A big reason why the day of remember it is such an important annual event. [00:53:41] Miko Lee: How does it feel to be the keynote speaker this year? [00:53:44] Don Tamaki: Well, I've gotten more than my share of recognition. There are many other people that have done really important work, but it gives me a platform at least to talk about the importance of reparations for African Americans and why it is not just a black issue, but an issue of long overdue justice. And that by shining a light on the origins of systems of exclusion, discrimination, that it helps all of us. It gives me an opportunity to connect some of the dots between our community struggle and that which been a constant for black people in America. [00:54:20] Miko Lee: We're gonna put a link to stop repeating history onto the show notes so people can take a deeper dive into some of your work. Don, you make change happen through policy and laws, and we're also talking with artists in this episode. How do you think art can help shape and change social issues? [00:54:38] Don Tamaki: As a lawyer, I used to think that laws and cases and legal action are the most important thing. And don't get me wrong it's, important. We reopened this ancient case of Korematsu versus United States, and we made a legal point as well as a public policy point. But I think the driving force For both good and bad in America, which is an amalgamation of both is culture and what I mean to say that is to say, if the culture says you will be locked up, the laws don't matter. The constitution doesn't matter. Nothing matters. You will be locked up because the culture is saying that is the norm. and I think we're again seeing this over and over again. And so how is culture created these belief systems? A lot of it has to do with artists authors those who create. that reflect and help shape the public's values. I think Artists and writers and others play a huge role in determining or helping to determine the values of a society. In the reparations movement, as well as to happen in the Japanese American redressing, reparations. the Art was really important when we went to announce our reopening of the filing of the petition in behalf of Fred Korematsu, Gordon Hirabayshi and Minori Yasui, I called up news desks and these are educated journalists who had no idea that this had even happened in America. When I talked about American style concentration camps, they said you're talking about Japanese prisoners of war, aren't you? And they said, no, these are the removal and incarceration of an entire American population. They had not heard about that. Since that time, there've been so many books and movies and creative works and art. After how many years later Now it's in the public consciousness. People generally on both sides of the aisle, now regard this roundup is really bad idea of real travesty and an injustice. I'm glad that we played a legal role in all that. But how did the script get flipped? That was because of education. So the impact of documentary films, of books, of magazine articles, played a huge role in moving the needle of public opinion. and I think that's been true of every movement especially in the modern era. I think the artists are crucial. [00:57:07] Miko Lee: Don Tamaki, thank you so much for speaking with us. We look forward to hearing your keynote speech at the San Francisco Day of Remembrance. [00:57:15] Don Tamaki: Thank you, Miko. [00:57:16] Miko Lee: Thank you so much for joining us. Please check out our website, kpfa.org backslash program, backslash apex express to find out more about the show tonight and to find out how you can take direct action. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world. Your voices are important. Apex express is produced by Miko Lee Jalena Keane-Lee and Paige Chung and special editing by Swati Rayasam. Thank you so much to the KPFA staff for their support have a great night. The post APEX Express – 2.16.23 – A Time for Remembering appeared first on KPFA.

As we remember Pearl Harbor, the attack sparked a fear that Japanese Americans were spies for the Japan government. Born and raised in Bainbridge Island, Washington, Lilly Kitamoto Kodama was just 7 years old when her family was forcibly removed from their home. They were the first group from among 120,000 Japanese Americans to be removed from the West Coast for the duration of WWII.Ellen Sato Faust's father and his family were incarcerated at the Tule Lake, California Relocation Center during WWII.Both women join us to share a personal connection to a dark period in United States history ... the internment of Japanese Americans. See omnystudio.com/listener for privacy information.

Sharp Park in Pacifica was the site of a prison camp during World War II, where residents deemed "highly dangerous" were sent. It's lesser-known than the larger Northern California camps, like Tanforan or Tule Lake. In this episode, we learn what is known about this camp, and get to know some of the people who passed through its gates. Additional Reading: Pacifica's WWII Prison Camp Has Been Largely Erased, But It Was There The Little-Known History of Japanese Internment on Angel Island Reported by Adhiti Bandlamudi. Bay Curious is made by Olivia Allen-Price, Katrina Schwartz, Sebastian Miño-Bucheli and Brendan Willard. Additional support from Kyana Moghadam, Jen Chien, Jasmine Garnett, Carly Severn, Joe Fitzgerald Rodriguez, Jenny Pritchett, Vinnee Tong, Ethan Lindsey and Holly Kernan.

February 19th marks the Day of Remembrance commemorating the tragic internment of 110,000 Japanese Americans during World War II. Join Third World Newsreel and the Documentary Forum at CCNY for a screening of the documentary, Resistance at Tule Lake, on those who resisted the illegal imprisonment, and afterwards hear from the director, Japanese American Konrad Aderer. Also, see a short, Youa Vang Lee Mourns George Floyd, and hear from activist filmmaker Joua Lee Grande who is part of the effort to address anti-Asian violence and promote solidarity.

Welcome to Season 2, Episode 8! February 19, 2022 marked 80 years since the signing of Executive Order 9066 that wrongly imprisoned over 120,000 Japanese Americans during WWII. Of the ten concentration camps that the U.S. government created (and referred to as relocation centers), Tule Lake was the most brutal. For our main segment, we talk about the history of the Tule Lake Segregation Center. We also take time to remember Christina Yuna Lee, another Asian American woman who was murdered in New York. We close out the episode with a segment of What Are You Reading? We talk about Journey of Heroes by Stacey Hayashi and illustrated by Damon Wong as well as They Called Us Enemy written by George Takei, Justin Eisinger, and Steven Scott and illustrated by Harmony Becker. Both are comic books that we highly recommend. For previous episodes and information, please visit our site at https://asianamericanhistory101.libsyn.com or https://linktr.ee/AAHistory101 for social media. If you have any questions, comments or suggestions, email us at info@1882media.com. Segments 00:25 Christina Yuna Lee 02:58 Tule Lake Concentration Camp 20:01 What Are We Reading? Journey of Heroes and They Called Us Enemy

Welcome to Episode 42 of the Asian American History 101 podcast! It's time to re-visit Japanese Internment again to talk a little more about how the “camps” were set-up and what life was like in them. Did you know the camps published newspapers that have been archived by the Library of Congress? We also explore some of the ways that Japanese Americans were de-humanized in the incarceration experience during WWII. We also take time to talk about John Okada's book No-No Boy and its history. We close with an Olympics wrap-up to celebrate a few more Asian and Asian American athletes. In this episode, we reference the book Eating Asian America which is full of great papers on food and its impact in Asian American communities and culture, Baseball Saved Us by Ken Mochizuki, as well as the documentary Resistance at Tule Lake. Continue to learn more and visit our site at https://asianamericanhistory101.libsyn.com or https://linktr.ee/AAHistory101 for social media. If you have any questions, comments or suggestions, email us at info@1882media.com. Segments 0:26 Meaning of Life 02:23 Life in Internment 16:02 No-No Boys and John Okada  21:15 More Celebrations of Asian American and Pacific Islander Olympic Athletes

Having grown up duck hunting California's Bay Area and, later while in college, the Sacramento Valley, it was like a dream come true when Mike McVey graduated college, moved nearer to the Oregon border, and started hunting fabled Tule Lake. McVey has since been California Department Fish and Wildlife's Wildlife Habitat Supervisor for Shasta Valley Wildlife Area. He describes the worse drought observed in decades, its effect on both waterfowl and habitat management. How exactly is the drought impacting Klamath Basin? Why's this region especially important to Pacific Flyway waterfowl--and to American waterfowl hunters?   What's "reverse moist-soil management"? What is avian botulism, why is this region prone to outbreaks, how many ducks might it kill, what species are most susceptible? How's duck hunting changed since McVey's been there? How important are hunters - and hunting revenues? And why does McVey say, "to give up is unacceptable?" Fast-paced as a sleek, well-used semi-auto shotgun, today's episode is as interesting as informative.   Please subscribe, rate and review Duck Season Somewhere podcast. Share your favorite episodes with friends! Business inquiries and comments contact Ramsey Russell ramsey@getducks.com   Podcast Sponsors: BOSS Shotshells Benelli Shotguns Kanati Waterfowl Taxidermy GunDog Outdoors Mojo Outdoors Tom Beckbe Flash Back Decoys GetDucks USHuntList   It's really duck season somewhere for 365 days per year. Follow Ramsey Russell's worldwide duck hunting adventures as he chases real duck hunting experiences all year long: Instagram @ramseyrussellgetducks YouTube @GetDucks Facebook @GetDucks.com

The Japanese American incarceration during World War II is a policy decision that will live in infamy. Alex analyzes why did FDR and the American government forcible remove 120,000 Japanese Americans to 10 camps across the American West? We speak with three experts about this complicated and fateful decision that remains a stain on US history. We sit down with Shirley Ann Higuchi, the Chair of the Heart Mountain Wyoming Foundation. Heart Mountain was one of the 10 camps and where we spend the majority of our time in this episode. You can visit them online at www.heartmountain.org. Shirley's family was confined to the Heart Mountain Relocation Center during the War and she tells the story in her excellent new book, Setsuko's Secret: Heart Mountain and the Legacy of Japanese American Incarceration (2020). You can buy the book here. https://uwpress.wisc.edu/books/5799.htm Author and journalist Bradford Pearson joins the show to discuss why this decision was made, what were the consequences for the incarcerees and the legacy of Japanese American incarceration. Brad's hit new book from Simon & Schuster, The Eagles of Heart Mountain: A True Story of Football, Incarceration and Resistance in World War II America (2021). We discuss the war time hysteria that gripped the nation following the Pearl Harbor attack, Executive Order 9066 and the resistance to this treatment by Japanese Americans. And how does football play such a big role in the Heart Mountain story? Buy Brad's great book here: https://www.simonandschuster.com/books/The-Eagles-of-Heart-Mountain/Bradford-Pearson/9781982107031 We check in with Karen Robertson of the Ohio History Connection about the connection to the Buckeye State in this episode. She tells us the tragic story of Mae and Kingo Takasugi, a young married couple in Alliance, Ohio that is wrongly incarcerated at the Tule Lake camp in California. Karen is the author of the fun book, Little Ohio, about 100 small towns in Ohio. Check it out here. https://www.amazon.com/Little-Ohio-Nostalgic-Buckeye-Smallest/dp/159193849X Don't forget to visit Ohio v. the World at evergreenpodcasts.com. For all of our past episodes and other great history podcasts from our friends at the Evergreen Podcast Network. Please rate/review the show and you can reach out to us at ohiovtheworld@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

From episode 17, Miki Dezaki told me about an artist who used art to subvert and question the construct of Geisha and Samurai. On this four part series, Scott Tsuchitani takes us on a journey, starting with the memories of his grandparents, going from Japan to the United States. 

They stand across the West in ruins, ghostly apparitions of one of the darkest moments in American history. Concentration camps, 10 in total, built during World War II to incarcerate 120,000 Japanese Americans for the crime of not being white. But only two are designated as national sites. Manzanar in California and Minidoka in Idaho. Now, a bill in Congress seeks to designate a third concentration camp as a historic site, the Granada War Relocation Center in southeast Colorado, better known as Camp Amache. At a time when hate crimes against Asian Americans continue to rise, activists say it couldn't come at a more important time. Today, we'll talk with Caitlyn Kim, a Colorado Public Radio reporter who's covering the push to turn Camp Amache into a national historical site. And we'll speak with Bruce Embry, who has been making an annual pilgrimage to Manzanar for over 50 years. Embry's mother was incarcerated there.More reading:Advocates For Historic Designation Of Colorado Japanese Internment Camp Say It Would ‘Help Tell A More Complete Story of America' Sue Kunitomi Embrey, 83; Former Internee Pushed for Historic Status of ManzanarThe ‘No-Nos' of Tule Lake

Brad Niva is the executive director of Travel Southern Oregon, the contracted tourism management organization representing Douglas, Josephine, Jackson, Klamath, and Lake counties.   Under Niva's management, this 34-year-old tourism office is in the process of reshaping its future to highlight the best of Southern Oregon. This includes strategic partnerships with the Umpqua Valley and Rogue Valley wine regions and making the wine industry a key tourism asset for visitors coming to the area.   Brad has owned and managed three tourism businesses in the Rogue Valley and has a passion to use tourism as an economic development tool to promote our region and support our Oregon communities.       Brad Niva talks about Southern Oregon as a travel destination. https://www.southernoregon.org/      Destination pics of the week:   Gary – Lava Beds National Monument, Tule Lake https://www.nps.gov/labe/index.htm  Jen – Rivers Edge Restaurant  https://www.riversedgerestaurant.net  Brad – Galice Resort  http://www.galice.com    Travel tips of the week:   Gary – New locations. UK, Germany, Southern states in the United States and Australia  https://www.starlink.com/ Jen – Guy Kawasaki Remarkable People Podcast https://guykawasaki.com/remarkable-people Brad – Thank you to SATW travel writers for their inspiration   Find our guest and hosts online: Gary: Everything-everywhere.com  Jen: @jenleo, @bitcuriousmom, Bitcuriousmom.com  Brad: https://www.southernoregon.org/ 

We publish this episode on February 19 to mark the 2021 Day of Remembrance.  On this day in 1942, President Franklin Roosevelt signed Executive Order 9066, leading to the forced incarceration of some 120,000 Americans of Japanese ancestry living on the West Coast into concentration camps scattered in remote regions of the country.  On this episode, the Chino and Chicano talk with writer Mayumi Tsutakawa whose mother was incarcerated at Tule Lake in California while her father, noted Seattle artist George Tsutakawa served in the Military Intelligence Service, an all-Japanese American unit of the U.S. Army. Mayumi shares stories about her family history, their artistic legacy, and her latest project about the Kibei who like her parents were born in America, raised in Japan, and then returned to live in the U.S. 

This is the unedited version of this episode to preserve this account in its entirety. The edited, condensed version can be found on our profile. Yuka Yasui Fujikura was separated from her father and sent to Tule Lake Japanese Internment Camp when she was just 14. In this episode, Paul speaks with Yuka about life in the camps and the resilience required to build a life after leaving them in search of an education. Yuka also tells the story of her brother Minoru "Min" Yasui, who was posthumously awarded the Presidential Medal of Freedom for challenging the constitutionality of imposing curfews on minority groups. An unedited version of the conversation can be found in our list of episodes, and you can learn more about Tsuru for Solidarity here: tsuruforsolidarity.org/ For updates, follow us on Instagram at @DividedFamiliesPodcast, and contact us at dividedfamiliespodcast@gmail.com

Yuka Yasui Fujikura was separated from her father and sent to Tule Lake Japanese Internment Camp when she was just 14. In this episode, Paul speaks with Yuka about life in the camps and the resilience required to build a life after leaving them in search of an education. Yuka also tells the story of her brother Minoru "Min" Yasui, who was posthumously awarded the Presidential Medal of Freedom for challenging the constitutionality of imposing curfews on minority groups. An unedited version of the conversation can be found in our list of episodes, and you can learn more about Tsuru for Solidarity here: tsuruforsolidarity.org/ For updates, follow us on Instagram at @DividedFamiliesPodcast, and contact us at dividedfamiliespodcast@gmail.com

William O. Stephens was born in June 1962 in Lafayette, Indiana. He was raised in West Lafayette, Indiana, the second son of Purdue University professors. He attended West Lafayette Senior High School where he earned varsity letters in tennis and began his study of ancient civilizations and Latin with an inspiring teacher named Oliver S. Oesch. After two years at the College of Wooster in Ohio studying philosophy with James Coke Haden and Latin with Joe and Leslie P. Day, Stephens transferred to Earlham, a Quaker college in Richmond, Indiana. At Earlham he studied philosophy with Robert L. Horne and Peter Suber, Greek and Latin with Steve Heiny and Liffey Thorpe, and played varsity tennis (doubles). After graduating from Earlham in 1984, Stephens moved to Philadelphia to do his graduate work at the University of Pennsylvania. At Penn he studied with Charles H. Kahn, Alexander Nehamas, and Martin Ostwald, and received his doctorate in philosophy in 1990. In autumn of that year he joined the Arts & Sciences faculty at Creighton University.   He has published articles on topics in Stoicism, Epicureanism and friendship, ecology and food ethics, ethics and animals, sex and love, sportsmanship, and the concept of a person. His books include an English translation of Adolf Bonhöffer's work The Ethics of the Stoic Epictetus (Peter Lang, 1996), an edited collection The Person: Readings in Human Nature (Prentice Hall, 2006), Stoic Ethics: Epictetus and Happiness as Freedom (Continuum, 2007), and Marcus Aurelius: A Guide for the Perplexed (Continuum, 2012). A manuscript entitled Lessons in Liberation: Epictetus as Educator is his current research project. He teaches a variety of courses in philosophy.   Stephens has traveled widely. In May 2016 he toured much of Poland, from Wiżajny (near the Lithuania border) and Suwałki in the northeast to the lakes of Mikołajki. After presenting two papers at the University of Warsaw he visited Kraków, the Wieliczka salt mine, and the Auschwitz-Birkenau concentration camps. In June 2017 he returned to Poland, presented two papers at the University of Warsaw, and visited Poznań, Jastrowie, and the village of Chwalimie before traveling to Marseille and Aix, France.   He has presented papers abroad at conferences in London, England (Stoicon 2018), in Toronto, Canada (Stoicon 2017), at Aix-en-Provence, on the island of Rhodes, at Vilia, Greece, and at Palmerston North, New Zealand. He has toured the island of Crete, the northern and southern islands of New Zealand, Iceland, and several of the Galapagos Islands. Stephens has taken cruises to Ensenada, Mexico, the Bahamas, and the Isle of Symi in the Dodecanese island chain. His expedition aboard the National Geographic Endeavor to the Antarctic peninsula was by way of Santiago, Chile and Ushuaia, Argentina. In England he has toured Cornwall, East Sussex, Bournemouth County, the Salisbury Plain (and Stonehenge), the Lake District, the Scottish Highlands, and the Isle of Skye. He has visited Montreal, Vancouver Island, and Victoria, British Columbia. In the Hawaiian islands he has visited Maui (and Haleakalā), Kauai (and Waimea Canyon), and much of Oahu.   Stephens enjoys tennis, chess, hiking, spelunking, kayaking, and nature photography. His domestic treks include the Wonderland Trail around Mount Rainier, the Cascades, and the Olympic peninsula in Washington. He has kayaked in the San Juan Islands of Washington and in the Point Reyes National Seashore area of California. He has visited Crater Lake in Oregon and Boundary County, the Kootenai River, and Coeur d' Alene in the Idaho panhandle. In California Stephens has hiked in Redwood, Yosemite, and Joshua Tree National Parks, spelunked in Lava Beds National Monument, and visited Crescent City, Tule Lake, Bodega Bay, Monterey, and Big Sur. He has explored Arches National Park, the Moab area, the Valley of the Gods, and Monument Valley in Utah. His travels in Arizona include the Grand Canyon, Canyon de Chelly, Petrified Forest National Park, Buenos Aires National Wildlife Refuge, and Sedona. He has visited Shiprock, Petroglyph National Monument, and Santa Fe in New Mexico. In Colorado he has visited Rocky Mountain National Park, Crested Butte, Mesa Verde, Durango, Royal Gorge, Silverthorne, Breckenridge, Vail, and has traveled over Loveland Pass. In August 2016 Stephens drove Mount Herman Road from Monument to Woodland Park, Colorado. As a boy he visited Yellowstone and Grand Teton National Parks. His travels include the Badlands, Wind Cave, and the Black Hills of South Dakota, Madeline Island off the northern coast of Wisconsin, Mammoth-Flint Ridge Cave of Kentucky (the longest known cave system in the world), Acadia National Park in Maine, the Outer Banks of North Carolina, and many parts of Florida. He has yet to visit Alaska, Louisiana, Arkansas, or Mississippi.   From an early age Stephens has closely followed the misadventures of the Chicago Cubs, which helps explain his interest in Stoicism. Stephens watched his Cubs win game seven of the World Series Nov. 2, 2016 at Progressive Field in Cleveland, Ohio. He lives in the Bemis Park neighborhood of Omaha in an arts & crafts style house built in 1912 he shares with four cats and a talented chef blessed with a beautiful singing voice. Website: https://williamostephens.wordpress.com/ LinkedIn: https://www.linkedin.com/in/william-stephens-b76369b/   Simon Drew Links   Patreon: patreon.com/simonjedrew Coaching: simonjedrew.com/coaching/ Practical Stoic Mastermind: facebook.com/groups/practicalstoicmastermind Facebook: facebook.com/simonjedrew Instagram: instagram.com/simonjedrew LinkedIn: linkedin.com/in/simonjedrew Website: simonjedrew.com

Nancy Yamamoto was a teenager when war broke out between the U.S. and Japan. Her plans to become a fashion designer were abruptly put on hold as her family was uprooted from a farming town near Sacramento to the harsh landscape of Tule Lake. In our chat, she reflects on her anger towards Japan for bombing Pearl Harbor and the fraught relationship she had with her mother. ⭐️Please rate and review the podcast - thank you!

During this Midweek episode, we share our thoughts on the tragic and horrific mass shooting in Las Vegas and saving Tule Lake from a fence building proposal that would desecrate the site from proper memorializing...

Photo by J.K. Yamamoto/Rafu Shimpo Tonight, we reflect on the 75th anniversary of Executive Order 9066. Issued by President Franklin Delano Roosevelt, this order forcibly removed 110,000 people of Japanese descent from the west coast to inland detention centers. We talk with the organizers of San Francisco's Day of Remembrance. This annual event commemorates the fragility of the Bill of Rights and the U.S. Constitution. Japanese Americans unite with today's targeted communities to fight against all forms of hate-based scapegoating.  We speak with Stan Yogi, the co-author of a new children's book about civil rights leader and internment resistor Fred Korematsu called Fred Korematsu Speaks Up. And Actor Greg Watanabe joins us. He's an actor in the Broadway musical Allegiance based on George Takei's experience in the camps. You can see the musical in movie theaters across North American this Sunday! We dedicate tonight's show to Manong Al Robles. Uncle Al grew up in San Francisco's Japantown. He regularly made the Tule Lake pilgrimage to the former incarceration camp for Japanese Americans. Manong Al dedicated his life to social justice and bringing voice to silenced communities through poetry. Although he passed away in 2009, his words live on as Manong Al was Manilatown's unofficial poet laureate. Throughout tonight's show, we'll hear clips about Uncle Al's life because today is his birthday! The Manilatown Heritage Foundation commemorate Uncle Al's birthday tomorrow at their weekly Friday evening family-friendly gathering. The night features poetry readings by Tony Robles, Kim Shuck, Leon Sun, Pete Yamamoto, and Luke Caipe and visual art by Leon Sun and Chris Fujimoto.  The post APEX Express – Executive Order 9066 appeared first on KPFA.

During World War II, In desolate inland internment camps in the US,  like Manzanar, Topaz, and Tule Lake, some 120,000 Japanese and Japanese Americans were incarcerated for the duration of the war— their traditional food replaced by US government commodities and war surplus — hotdogs, ketchup, spam, potatoes — erasing the traditional Japanese diet and family table. Akemi Tamaribuchi, a third generation Japanese American, artist Howard Ikemoto, Berkeley graduate Tami Takahashi,  Jeanne Wakatsuki Houston, author of “Farewell to Manzanar,”  Jimi Yamaichi of the Japanese American Museum of San Jose, and George “Sulu” Takei of Star Trek, talk about how the internment forever impacted their lives, their food and their family table.

Tule Lake, as shown in the images, is both part of the surrounding landscape in northern California and the site of an original prison camp, says Cathlin Goulding. Cathlin, a cultural researcher currently pursuing her doctorate at Teachers College, shares about this incarceration site that used to be the size of a small city with about 20,000 Japanese Americans and is now disappeared from the landscape and has become a national historic site. She talks with AC4's Meredith Smith about her current efforts there and the background to her research. Cathlin looks at Tule Lake and also other sites, such as Guantanamo Bay, as places of exception and she studies how to design such places as places for public learning. She received an AC4 Fellowship for her work on this project in 2013. For more info on Cathlin Goulding's AC4-sponsored project: http://ac4.ei.columbia.edu/opportunities/ac4-graduate-student-fellowship-program/2013-fellows/ Photo taken and provided by Cathlin Goulding.

Kermit Roosevelt, constitutional scholar, author and scion of one of America's most important political dynasties, has written a new novel that combines his interest in constitutional history and good storytelling. If you're a regular listener, the subject is already familiar to you: the incarceration of over 100,000 innocent Americans of Japanese descent in concentration camps during World War II. The book, called "Allegiance," is set mostly at the Supreme Court, where Kermit served as a clerk, and at the Tule Lake camp, where "troublemakers" were confined. It's serious fiction, but it's also fun; there's even a murder mystery. But don't worry -- we won't give away the ending. Join us!

Never heard of Tule Lake? Consider yourself lucky. It's where the United States concentrated those Japanese-Americans who dared to protest their unlawful incarceration during World War II. We speak with Barbara Takei, some of whose relatives were imprisoned at Tule Lake, and who has spent years researching it. A sobering but fascinating episode.

There are six great opportunities for explorers at the refuge.

Captain Evan Thomas, four officers and 59 enlisted men were soundly defeated by a band of 22 Modoc Indians led by Scarfaced Charlie during the Modoc War of 1873.

There are six National Wildlife Refuges in the Upper Klamath Basin. This U.S. Fish and Wildlife Service video provides an overview. Learn more at ExploreEmag.com