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Kentaro Miura's Berserk can be upsetting, fascinating, offputting, incredible, and even sometimes a bit comedic, as Tim and Kumar have found over the past several months. All those qualities appear again in volumes 11 and 12, as the story of the extended flashback reaches its climax with Griffith's horrific accession to the God Hand. Join … Continue reading #804 “Berserk” v. 11 & 12: Cartoonish violence, epic horror
In this episode, Gavin and Jamie discuss 1979's The Villain (aka Cactus Jack). Highlights include: Cartoonish absurdity, post-mole Arnold, Turns out it's a real stammer (sorry), Chekhov's Seven Shooter, and So racist.
Pro-capitalist ideologues in politics, media and academia have been hard at work slandering the left in an effort to subvert any true understanding of socialist history. They do this by constructing narratives around socialism, communism and leaders of socialist states to lead people to dismiss the idea that there can ever be an alternative to capitalism. To discuss this and more, Rania Khalek was joined by Henry Hakamaki and Salvatore Engel-Di Mauro, co-translators and editors of Domenico Losurdo's “Stalin: History and Critique of a Black Legend.” Henry Hakamaki is an educator, activist and co-host of the Guerrilla History Podcast. Salvatore Engel-Di Mauro, is a professor in the Geography Department and Environmental Studies at SUNY-New Paltz.This is just part of this episode. The full interview is available for Breakthrough News Members only. Become a member at https://www.Patreon.com/BreakthroughNews to access the full episode and other exclusive content.
How can two characters be created on the exact same day, with the exact same name, in two different countries? This is one of the few coincidences that Matt and Dan look into on this new episode that takes us through pages of comic books, into space and right into your ears! Grab your sling shot, bully your senile neighbour Mr Wilson, and get ready to Gnash this totally blam episode of TELL ME MORE!
Paddy Defino and Alex Tomaselli join the show for today's episode. They talk about Michael's artistic peak as a child, the world's largest penis, and saying the C-word in public.Big thanks to Alex for joining the show for the first time. Check him out at the links down below for more funny stuff. Shoutout to Paddy for coming on again and check him out of course on previous episodesAlex is on Instagram @sillyselli and hosts the Yes Offense podcast. Paddy is on Instagram @paddy_is_funky and hosts News From Bed on YouTube.As always, find Michael Good on Instagram @michaelgoodcomedy and on Twitter @agoodmichael. Check out the show on YouTube and follow the official Instagram page @morninggoodpodcast.This podcast was produced by Paxton Fleming, you can find him on Instagram @yaboypax
Abby and Robbie pick up the discussion directly from the previous episode. The private invite only IDF screenings of alleged 'Hamas atrocities' are examined, as well as the theory that Israel may actually benefit from deliberately stoking a cloud of confusion about everything we've seen since October 7th. Please make sure to listen to Part 1 of this episode titled 'Israel Tries to Convince World that Hospitals are Military Targets' If you liked this episode please consider subscribing to the Media Roots Radio patreon. www.patreon.com/mediarootsradio
Nicolle Wallace discusses the delay in the Dominion Voting Systems defamation trial against Fox News, Rep. Jim Jordan's failed political stunt in New York City as he continues to level attacks against Manhattan District Attorney Alvin Bragg, the signs suggesting obstruction charges could be coming for the ex-president in Special Counsel Jack Smith's investigation into his handling of classified documents, more reporting on Clarence Thomas's financial disclosures, country star Brad Paisley's visit to Ukraine, and more. Joined by: Jeremy Peters, Lee Levine, RonNell Andersen Jones , Luke Broadwater, Tim Miller, Harry Litman, Brian Fallon, Cecile Richards, Michael Steele, Fatima Goss Graves, Brad Paisley, and Igor Novikov.
Trump may excel at firing up resentment in the base, but the party is squandering support from an entire generation of young people. Plus, Alvin Bragg sues Jim Jordan, Tennessee's governor calls for a red flag law, and Missouri Republicans try to defund libraries. John Harwood joins Charlie Sykes today. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Trump may excel at firing up resentment in the base, but the party is squandering support from an entire generation of young people. Plus, Alvin Bragg sues Jim Jordan, Tennessee's governor calls for a red flag law, and Missouri Republicans try to defund libraries. John Harwood joins Charlie Sykes today. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Chick Tracts, what are they? You'll find out in our upcoming three-part series that covers a fundamentalist comic artist who was a hidden architect of the satanic panic, illuminati, and gay agenda hysterias. Jack Chick printed hundreds of millions of his bible tracts, small stapled together cartoon booklets full of blood sacrificing witches, evil secret societies, and sensationalized sin, based on the stories of "experts" like a druid high priest, a Catholic secret agent, and two women battling demons in a witch infested hospital. Chick Tracts are ridiculously brutal, deeply offensive, unintentionally hilarious morality plays meant to be left in random places by random Christians, in order to scare straight whatever lucky sinner happens to find them. Join our Patreon for ad-free early episodes and bonus content! This episode was co-produced by Riley Smith and Miranda Zickler Produced and hosted by Chelsey Weber-Smith Learn more about your ad choices. Visit megaphone.fm/adchoices
HOUR 1 USA, USA! Curtis has had it with Jack Edwards' cartoonish antics Yesterday's US soccer game has converted everyone, except of course Wiggy Curtis says people complaining about the LIV tour are frauds
Before Representative Liz Cheney took on Trumpism, even before her dad was playing President Bush's Darth Vader, her novelist mom dreamed of pioneering queer “Sisters” (read by Cindy Friedman). Before Scooby-Doo's Velma Dinkley came out of the closet, televangelistic gaydar zeroed in on the Teletubbies' Tinky Winky (featuring Cindy Friedman and Leo Garcia). Before the Springfield, Missouri City Council was to vote on anti-discrimination protections for LGBTQ people in October 2012, the Brentwood Christian Church's Reverend Phil Snider gave a shocking testimony. Plus lesbian-feminist poet-activist Pat Parker performs “For the Straight Folks Who Don't Mind Gays (But Wish They Wouldn't Be So Blatant).” And in NewsWrap: Slovenia's Parliament passes marriage equality legislation that includes the right to adopt children, Brazil's federal elections deliver wins to two trans candidates and a run-off between leftist former President Luiz Inácio Lula da Silva and the homophobic President Jair Bolsonaro, scandal-plagued Georgia Republican senatorial candidate Herschel Walker's gay conservative son is done with his dad's hypocrisy, a Texas federal judge rules for the state against federal guidelines for LGBTQ anti-bias job protections, Jon Stewart has a problem with trans-phobes, and more international LGBTQ news reported this week by David Hunt and Elena Botkin-Levy (produced by Brian DeShazor). All this on the October 10, 2022 edition of This Way Out! Join our family of listener-donors today at http://thiswayout.org/donate/
None of this would be happening if this proxy war was as just and righteous as its proponents are pretending. If your proxy war demands nonstop perception management at maximum aggression to manufacture public consent for it, your proxy war is probably immoral and bad. If maintaining public support for a proxy war requires nonstop PR spin, aggressive propaganda from the mainstream news media, banning of Russian media, and giant troll information ops amplified by think tanks and government agencies, it probably shouldn't have public support. If you need to aggressively psychologically manipulate a population to get them to support your agenda, censor their speech, and disrupt their online discourse with astroturf trolling ops, it's because you know your agenda is not something they'd choose to support on their own. If you need to manipulate people into supporting something, it's because it's not worthy of their support, and you know it. Reading by Tim Foley.
Episode 434: Adam Banks and Amber Turner discuss the following in this episode:1. The Biggest Pre-Internet Rumors to ever exist 2. The Best Cartoon Theme Songs Throughout Time3. Rapper, Coolio suddenly dies at age 59 4. Twins 5. Kentucky Football is now 4-06. Taylor Swift Turns Down The Super Bowl and Rhianna Replaces Her AND MORE!!Follow OFF THE CUFF WITH ADAM BANKS:FB: @offthecuffwithadambanksIG:@offthecuffwithadambanksTwitter:@theadambanksIG:@theadambanksSubscribe on Apple Podcasts, Spotify, YouTube!**and all other major podcasting platforms**http://linktr.ee/offthecuffwithadambanks
This week we discuss the evolution of air warfare from World War I into World War II through the work of Malcolm Gladwell in his book The Bomber Mafia. One daring group of Air Force personnel attempted to change the strategy of bombing to be more precise and effective while keeping casualties down, but what ended up happening was quite the opposite. The result was one of the most deadly bombing runs in history as well as the two nuclear bombs dropped in Japan. Follow us on Twitter (@gems_history), Instagram (@gems_of_history_podcast), and YouTube! Also join us in our Facebook group "The Agora"!
Tony Diaz talks with Rodrigo Bravo Jr. on singer/artist Tyga's recent new music video (now taken down) "Ay Caramba" and its poor cartoonish stereotypes displayed. The Grammy nominated Los Angeles-based rapper has delved into Latino themes before and to his credit given the videos due process. “Mamacita” in 2017 featured Carlos Santana and the OG himself Danny Trejo. “Ayy Macarena” in 2019 highlighted Los Del Rio, the group behind the 1990s billboard hit. Yet, his now deleted video for "Aye Caramba" pushes negative cultural stereotypes. Tony and Rodrigo talk about why this is dangerous, why stereotypes must be challenged, and the complicity of media, specifically hip hop media, in not challenging the video's content. Thanks to Roxana Guzman, Multiplatform Producer Rodrigo Bravo, Jr., Audio Producer Radame Ortiez, SEO Director Marc-Antony Piñón, Graphics Designer Leti Lopez, Music Director Bryan Parras, co-host and producer emeritus Liana Lopez, co-host and producer emeritus Lupe Mendez, Texas Poet Laureate, co-host, and producer emeritus Writer and activist Tony Diaz, El Librotraficante, hosts Latino Politics and News and the Nuestra Palabra Radio Show on 90.1 FM, KPFT, Houston's Community Station. He is also a political analyst on “What's Your Point?” on Fox 26 Houston. He is the author of the forthcoming book: The Tip of the Pyramid: Cultivating Community Cultural Capital. www.Librotraficante.com www.NuestraPalabra.org www.TonyDiaz.net Nuestra Palabra is funded in part by the BIPOC Arts Network Fund.
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Very Effect!Search our data bass herehttps://www.tale-teller.club/100-free-sound-effectsHow to get this free loop/sampleyou can download it from www.tale-teller.club and the Spreaker app.Check out our own story www.tale-teller.club#loops #reels #shorts #youtube #tiktok #sound #soundeffects #specialeffects #free #logicpro #taleteller #taletellerclub #soundrecordings #ASMR #recordings #studio #creators #creatortools #soundtracks #postedit #freedownloads #audio #audiotools #audiorecording #podcaster #podcasttools #gamedesigners #musicians #filmmakers
Once in a while, things that embody chaos, disappointment, and confusion end up sinking their greasy claws into our hearts and hold on throughout our lives with the tenacity of a rabid bulldog. For Jay, it's the overwhelming adoration for wearing animal onesies while sipping homemade Shirley Temples. For Benny, it's the demon spawn his DNA belched into this world. Yet both of us share a mutual example of this - a timeless tale of random delinquents who go on an outrageously dangerous and difficult journey to find a long-dead pirate's treasure, and save their homes from purchase and destruction. No, this isn't the latest NBC Survivor clone; it's The Goonies, more popularly known as Thanos, Samwise, and a bunch of randos. By all accounts, The Goonies just shouldn't work. A ridiculous overarching plot? Check. Cartoonish villains? You betcha. An incredibly unrealistic series of tests and traps, the menace of which doesn't fit the feel of the movie? Of course. A loveable and heartwarming special needs character with a horrific backstory? Bonus points. And yet, everything comes together in a classic that has staying power. Sure, a lot of the story is ridiculous, and boy did we poke holes in it, but it plays its heart out and reminds us all that movies used to be zany fun. Because goodness knows we need to be reminded of that these days. Grab your kids, snuggle up with some popcorn, and have an absolute blast - watching Goonies with family makes it infinitely more enjoyable, and you'll have a fantastic time. If you don't end yourself from the incessant rambling chatter that permeates the entire run time.
What do we learn in this one? Kleen's nipples are small, we know some bitches who get tossed out of bars, there is nothing for just you and your significant other if you have social networks and we call out some gold diggers. Go Deep. DETAILED TIMELINE 1:00 Encouragements 2:00 Cartoonish 3:00 Have you heard of these things? 4:00 Without social media 5:00 There's nothing special any more 6:00 Baseball mom 7:00 Kleen's Cooch Social networks 8:00 Being a serious individual 9:00 Plastic surgery 10:00 She's so hooked on her X 11:00 Piercings 12:00 Kleen's chest 13:00 Kleen's friends dick pierced 14:00 Kleen's nips too small 15:00 No attachment 16:00 Gold Diggers running around 17:00 She's way hotter than Madonna 18:00 Fuck Buddies 19:00 Final Words - Do everything Go Deep.
Queer representation in children's cartoons has never been better, but the road to get here has been fraught. I talk with podcaster Dawn H and journalist Sara Century about how the first type of queer representation they saw in cartoons came from Sailor Moon – or at least a highly edited and strangely dubbed English-language version that tried to scrub away all the queer content, somewhat unsuccessfully. And I talk with podcaster Thomas J. West and YouTube essayist Rowan Ellis about the history of queer-coded villains in Disney cartoons, and how the biggest entertainment company in the world still has a lot of catching up to do. This episode is sponsored by BetterHelp. Our ad partner is Multitude. If you're interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit megaphone.fm/adchoices
Farloria's Royal Physician has her work cut out for her. As head witch and the only regular staff member at the new House of Healing, Alba's got an endless lineup of patients and a bickering King and Queen to please.Fortunately, help is on the way. Unfortunately, that help is from Magnus, a troublesome young ex-monk and aspiring surgeon, and Holly, an accident-prone fairy herbalist.In Season 1, Episode 1: Well Met - Alba is summoned to remove some unexpected snakes from King Gunther's head, and saddled with a bothersome young patient — not to mention some unwanted help from a fairy.Content warning: Cartoonish violence, blood, panic, surgery, drug references and snakes.Credits and transcript at: https://albasalix.com/episodes/alba-s1-e1-well-met/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
We are excited about this one, folks! We are talking about the first installment film of our favorite archaeologist/adventurer Indiana Jones! It turns 40 this year and we are going in length about it with returning guests, Erik Rodriguez and Juver Ramirez. This week we have Lead Dog Brewing's Secret Stash NE IPA and Arrow Lodge Brewing's Sass Machine IPA on deck. Hope you all enjoy this fun episode on one of the most thrilling films of all time and talk about the ridiculous yet awesome elements of this great modern classic! Cheers! Our Anchor page: https://anchor.fm/golden-craft-cast Instagram: @goldencraftcast - check out tree links on our bio. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
In a more light-hearted and humorous episode, this week has the boys tackling one type of article in particular: The clickbait article. From cross-franchise fan fictions to fights beyond brand borders, join Wes, Demetrius, and Syed as they share some of their favorites and make a game out of a few too! SIDENOTE: All of our jokes and criticisms here are in good fun. We do not endorse harassing authors that write this kind of stuff so DON'T DO IT!
It's A Wonderful Podcast is the home of MACHINE MONDAYS hosted by the Movie Trivia Schmoedown's Jeannine "The Machine"; the best place for Schmoedown fans to start their week!! The Machine picks her winners for the first round of the upcoming Teams and Star Wars Schmoedown tournaments and breaks down all the craziness of this week's matches in this week's episode, including asking the big question: Why is Ben Bateman's whiteboard so cartoonishly huge!? #SmashCancer GoFundMe: https://www.gofundme.com/f/smash-cancer-help-kevin-smets?utm_source=customer&utm_medium=copy_link&utm_campaign=p_cf+share-flow-1 The Machine Theme by David B. Music: https://open.spotify.com/artist/3qH2S05rz1fSP7geaYTxSl?si=rKN_y5a6T5KtbgrjQD8Kow Produced & Edited by Morgan Robinson for It's A Wonderful Podcast Join our Patreon: https://www.patreon.com/ItsAWonderful1 The Schmoedown Entertainment Network: https://www.youtube.com/channel/UCMVCs1F_XGueuaD9AfgTWmg IT'S A WONDERFUL PODCAST STORE: https://www.teepublic.com/user/g9design Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: https://twitter.com/ItsAWonderful1 Jeannine: https://twitter.com/JeannineDaBean Schmoedown: https://twitter.com/TheSchmoedown XOXO Machine --- Send in a voice message: https://anchor.fm/itsawonderfulpodcast/message Support this podcast: https://anchor.fm/itsawonderfulpodcast/support
We've been trying to figure out what the heck this commercial is supposed to accomplish so maybe today's the day! But probably not. Either way, we have Scott Carelli to help us as we discuss bad makeup, microphone placement and more! Guest - Scott Carelli Email: RockyMinute@gmail.com Follow us on Facebook, Instagram, and Twitter Visit our teepublic store for merchandise Join our Listener Group: Mighty Mick's: Rocky Minute Listener's Group
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Recorded on Saturday January 16th 2021 We talk about "The Filntstones" The Christina Ricca film's "Pecker" and “Casper" Plus more stuff
On today's episode, I'm gonna rant for nearly 2 hours about ridiculous divisive news articles, have a good laugh at the absurdity that is 2020, and attempt to break down some of the nonsense to figure out what's really going on. On the Docket: *Clifton Eutsey's self-hatred conspiracy blunder *Cancer Awareness *Joe Biden's fascinating Cancer Research *Joe Biden pretends to be President Elect and the media falls for it. *After thoughts on the Trapt interview *Cartoonish election results *Shane Hazel *Death Stranding *and much more Call in and leave a vm. 309-716-3818 For the extended bonus episode and all of our weekly bonus content, please check out http://tsidpod.com/support and join The Downers Club. Question Everything. Stay Uncomfortable. Let’s get weird! TSID Forum: http://tsidpod.com/forum The System is Down: http://tsidpod.com The Downers Club: http://patreon.com/thesystemisdown AntiNews: http://antinewslive.com QAnon Chronicles: http://qanonchronicles.com Buy Some SWAG: http://tsidpod.com/shop Facebook: http://facebook.com/thesystemisdown Twitter: http://twitter.com/tsidpod
This week TV addicts Schmee and Riker review the pilot of New Girl, "Pilot" (FOX/Netflix) and discuss how well it did in defining the genre/conventions of the show, introducing its characters, how well it informed the series plot, and how well it hooked us to watch more! Quick warning, there are some Game of Thrones spoilers (oops, tangent) for anyone who didn't already watch the series as a whole. Who's that girl? It's Jess! Follow us and let us know what you think! Twitter: @PilotsThePod Facebook: www.facebook.com/PilotsThePodcast Check out our website at www.PilotsThePodcast.com.
Charlie Hebdo is making the headlines again, have we time traveled back to 2015? What is this "Cartoonish behavior" from Erdogan! Our guest Arush joins us from Paris to tell us in why France has born the brunt of horrific terror attacks in the last month, why Emanual Macron is really the second coming of Kejriwal, and why are his effigies being burnt in Kolkata of all places! --- Send in a voice message: https://anchor.fm/dwijendra-parashar/message Support this podcast: https://anchor.fm/dwijendra-parashar/support
Welcome to Overdrive, a program that proudly gives you the alternative facts to all aspects of motoring and transport. I’m David Brown News 1. Toyota motor corporation Australia to deliver connected vehicles with KDDI Australia AND Telstra 2. Brand-new Mazda bt-50 achieves five-star ancap rating 3. Jaguar XE: updated with new connected technologies 4. Fred Racing at Bathurst 5. Nissan Duke – Dean comment – 50 anniversary Road test • When the Nissan Duke was first launched ten years ago, I struggled to like its outward design. It was a bit cartoonish. the latest model is more may stream. But our resident artist Dean Oliver has a different take – Viva la Difference – in our interview he explains why.he really liked the first one. Feedback • A few quick comments on the three dual cab utes we took for a drive this week • Mazda BT-50 was solid, bland in gun metal grey and lacked a few ute type refinements – good for ongoing reliability • The Volkswagen Amarok was powerful and had Germanic efficiency but not quite the as much family comfort – good for towing • The Ford Ranger – had a bright burnt orange paint job, good features, easy to use infotainment – small but quiet engine – best for the family • For all the motoring talk about power and capability – we were taking some photos in the Hawksbury Show ground. A tough truck driver drove past, leant out the window and shouted - I will take the orange one • And talking about trucks, for the last few weeks we have ranted against car infotainment systems that are not easy to understand and use. A colleague who has driven trucks for over 20 years said that he spent all his time in Kenworths, if he were to hop into another brand he would struggle, because of the different way the instruments are set out. Interview We mentioned in the news how our Fred Brian was racing at Bathurst in a 1969 Holden Monaro. We debrief with Fred on all the nuances of man handling a big, old car around the famous circuit. You can find more information at Driven Media or previous programs are available as podcasts on Spotify: https://open.spotify.com/show/0ah6JZN8LTYURIfNs1IIBs iTunes: https://podcasts.apple.com/us/podcast/overdrive-cars-transport-and-culture/id1001084679 Go to Our Facebook page OverdriveCity https://www.facebook.com/OverdriveCityDrivenMedia/?modal=admin_todo_tour or Our YouTube site https://www.youtube.com/channel/UCKyx5sv6cgF4URRmNq2JiXg/videos So, let’s start with the news Originally broadcast 24 October 2020
In the inaugural episode of the Payday Pursuit Podcast, we went in the only logical direction we could, starting a podcast! Your host, Kevin Jackson takes on the daunting task of starting a podcast and does so with the guidance of professional comedian and podcaster Jesse Warren, who is the host of his own podcast "Cartoonish." We talk about why and how to start a podcast for as little money as possible and how you can use podcasts to make money. I then describe my own personal experience with getting a podcast up and running. All important links, as well as the income and expenses of this side hustle, can be found at paydaypursuit.com! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/paydaypursuit/support
China's Xi is more trusted in the world than Trump. Shitler claimed he had a protective glow shielding him from coronavirus. Biden continued to lead in Wisconsin and in betting houses worldwide. Joltin' Joe opted for a town hall rather than a second debate and the third debate with President Super-Spreader is still in flux. Cali GOP loads were busted putting out illegal ballot collection boxes. Senator Lindsey said some weird crap about race. Cartoonish whack-job, aka Senator Joe Kennedy, crawled upon a figurative cross proclaiming the hardships of being called a racist. Spreader Mike Lee, who recently tested positive for the virus, waddled contagious ACB hearings maskless. Manbaby uttered praise for Christopher Columbus that was epic fiction and minimized the genocide perpetrated by the celebrated evil colonizer. The WHO said seeking herd immunity for the coronavirus was unethical and cruel. While covering the ACB hearing, Lunatic Limbaugh reminded his idiot, racist listeners Senator Dianne Feinstein was indeed Jewish.
Episode 27 – The Indian in the Cupboard by Lynne Reid Banks On Omri’s ninth birthday he gets a medicine cupboard from his older brother as well as a small plastic Indian toy from his best friend. That night he puts the toy in the cupboard and finds that it comes to life. Omri then finds out how much trouble such a small toy can cause and how someone can love a toy they didnt’ even like to begin with. The Indian in the Cupboard is a children’s novel by the British writer Lynne Reid Banks. It was published in 1980. Jason read this book in elementary school and remembered it fondly it was also recommended by our Facebook group. If you want to help suggest what books we read join us there an vote. Recommended Age: 9 and up. There is mild violence and stressful situations. Cartoonish racially charged language. Our Scores: Your Scores: Get Indian in the Cupboard on Amazon if you haven’t read it already. Our book for November will be The Secret Garden Get it and read it before the show releases. Looking for more books like The Indian in the Cupboard check out our other Shows:... The post The Indian in the Cupboard – Episode 27 appeared first on Reading-Radio.
Initially, the plan was for the game to be much more about building than being the third person shooter game it is today. Due to this decision, they would abandon the idea of having the world of Fortnite exist in reality concluding that it would take too much work to make their ideas seem realistic. If a dude from Gears was gonna build a wall he's legit gonna sit there all day putting it together with framing, drywall, plaster, putting in the work to make it seem legit. Instead, the team at Epic opted for the Cartoonish aesthetic you know and love the game for today. Find out more about Fortnite live, Fortnite vs, PUBG and more. Fortnite PS4, Twitch...
En el episodio 44 los casi, casi expertos Danny, Will, Joesue y El Masticable hablan sobre; Halo Infinite, Xbox, Sony, EA, Epic Games y mucho mas.
A taxidermist in Arizona was arrested for illegally stuffing the body of his deceased wife and keeping her on a couch in his living room. Meanwhile, there's going to be a big change to Elmer Fudd. Plus, a birthday threesome gone wrong. Garrforce t-shirts and coffee mugs are now available by going to "Can't Live Without" on the website. Your purchase of these items is what keeps the podcast going. Plus, you can always email me garrymeiershow@garrymeier.com or leave a text or voicemail at 773-888-2157 Thank you in advance!
* RSR Answers Ham's, "Is God in Control?" Bob Enyart and Fred Williams open the Real Science Radio mailbag and reply to 1) a personally addressed question from a listener, Andrew, about the giants in the Bible and any possible evidence for them today; and 2) a newsletter from Answers in Genesis presenting Ken Ham asking, "Is God in Control?" The guys answer, "No", not in the way that Ken implies. AiG and other large creation groups occasionally weigh into territory that by policy they typically avoid when now and then they obliquely promote a particular denominational or otherwise specific theological perspective. So Bob and Fred ask listeners for patience and grace as the guys directly respond to the theological implications brought up, whether intentionally or not, by the beloved founder of AiG. Stuff's easy to fake* RSR on Ancient Giants: As with the claim that a Photoshopped image actually depicts a civil-war era pterosaur photograph, Photoshoppers, intentionally or not, have deceived many who hope to find archaeological evidence of ancient giants, also known as the nephilim, etc. Ironically, well-intentioned Christians who offer erroneous evidence for the Bible end up hurting the cause of the Gospel. The giants described in the Bible are real, and therefore they are physiologically possible. Those who promote as real the Photoshopped images of oversized giants can learn a lesson from the paleontologists. First, they realized they had overcounted the number of dinosaur species by double (so 500 dino species went poof) and then the paleontologists realized that the ones that remained lost weight, big time! For example, instead of Brachiosaurus weighing 80 tons, it is now carefully calculated to have weighed about 23 tons. (Not only did this make allomotrists happier, but reducing the numbers and weight of dinosaur kinds also reduces the demand on Noah's family and ark, even though of course they brought juvenile creatures onto the ark!) As to overweight dinosaurs and oversized giants, God's design of actual creatures is not only brilliant but omnicompetent. It's not, however, science fiction. It's not cartoonish. There's also strong evidence for quantum biology, that God designed organisms to utilize the currently incomprehensible features of quantum mechanics. What God's designs do not do however, is violate the laws of physics. He designed reptiles, which grew no where near the size the larger dinosaurs, with their legs extending outward from their bodies, before they descend downward to the ground. That design, perfect for reptiles, would greatly limit the size and mass of dinosaurs, since horizontally-inclined legs would quickly fail as the animal's weight exceeded the carrying load. So God designed dinosaur legs to extend directly downward from beneath their bodies. This enables the larger kinds, such as the biblical behemoth, discovered only in 2014 and named dreadnoughtus, to gain weight till it's 65 tons, much heavier than a Boeing 737 airliner. The giants in man's ancient past described in the Bible were living, breathing, biological organisms. Therefore, they did not defy the laws of physics. Because they stood on two feet they could not be arbitrarily large. For example, cedar trees will grow to 200 feet tall (five telephone poles) and even to 230 feet! So that's quite the wild range for the imagination to run with to propose super-tall giants who could even lift average pyramid stones weighing 5,000 pounds. Hearing a Bible verse like Amos 2:9 read about "the Amorite... whose height was like the height of the cedars", one notices an abrupt cut off before reaching the end of the verse which makes clear that this is an analogy and not a literal comparison. For God says of the Amorites, "I destroyed... his roots beneath." Tolkein derived his word Ents, for the tall and strong Middle-earth tree beings, from the Anglo-Saxon word for giant. But for all that could be said about mankind's actual ancient giants, Ents notwithstanding, they did not have roots. So we can see that passages such as Amos 2:9 are not giving a literal but a metaphorical description. Other Bible passages that some of those obsessed with giants insist are literal are those that describe the Israelites as "grasshoppers" before the giants of Canaan. "There we saw the giants (the descendants of Anak came from the giants); and we were like grasshoppers in our own sight, and so we were in their sight" (Ex. 13:33). However God uses the same metaphor in Isaiah 40:22 saying of the earth that "its inhabitants are like grasshoppers." A simile is a comparison using like or as and these verses, as overtly obvious except to those with an extreme bias, are figures of speech. Regardless though, modern "giants" who have amazed and sometimes entertained the masses top out at nearly nine feet tall and compared to these tallest modern humans, people have often described the comparison in terms not unlike the biblical figures of speech. Moses in Scripture provides an actual length measurement which can be used to estimate the height of one especially notable giant. "For only Og king of Bashan remained of the remnant of the giants. Indeed his bedstead was an iron bedstead. (Is it not [still] in Rabbah of the people of Ammon?) Nine cubits is its length and four cubits its width, according to the standard cubit" (Deut. 3:11). So this 13.5-foot bed would make Og, leaving six inches headroom and perhaps two feet at the foot of the bed, a stunning 11 feet tall! Og would make Robert Wadlow of Alton, Illinois, the tallest measured human being, at 8.11 inches, look incredibly short in comparison! The square-cube law, first described by Galileo, compares an increase in the size of an object with its much faster increase in volume (and typically, in weight and mass). Wadlow, for example, had to walk with a cane and leg braces (which sadly caused the infection that killed him at age 22) because as his height increased, there was far too much weight for his size-proportional growing bones to support. This law gives an exact relationship of size and volume for something as straightforward as a cube. But even for things as complex as biological organisms or machines that increase in size, the law still gives a good first approximation of certain expected physical attributes and a heads up for design requirements for engineers scaling up inventions, and for God when He went from designing mice to elephants, deer to giraffes, and giraffes to Brachiosaurs. Scaling upward in size introduces unavoidable physical consequences, including as you actually or theoretically increase the proposed size of a human, or any object, including any biological organism, and that would include the physical bodies of the giants know as the nephilim. If you doubled Wadlow's height from nine feet (times 2) to 18 feet, to get his new weight you would multiply his 440 pounds by 8 (2 cubed). At 3,500 pounds his bones would be crushed with every step. So even taking into account that organisms from 6,000 to 3,000 years ago were stronger and fitter than today, and taking into account also the supernatural aspects of the origin of the nephilm, still, they possessed physical bodies. Ancient giants, unlike giraffes and Diplodocus, still walked, as people do, on two feet and two legs. To be much taller than the Bashan's Og, they couldn't have been simply much larger human-looking beings. Physically, to be as enormous as some irresponsibly claim, these giants would have had to be different kinds of beings, not people-looking kinds, for people-looking 20-foot tall giants would be physically impossible, and besides, such creatures are biblically uncalled for. So what about those believers who have invested hundreds of hours or even years studying and believing the Photoshopped giant skeletons are actually real? We urge them to ask God for the courage to study real science, and real evidence for the Scriptures. This shift in their focus could bring them enormous satisfaction and help them to have a greater influence on others, especially on those who so desperately need to hear about our creator and savior Jesus Christ.
* RSR Answers Ham's, "Is God in Control?" Bob Enyart and Fred Williams open the Real Science Radio mailbag and reply to 1) a personally addressed question from a listener, Andrew, about the giants in the Bible and any possible evidence for them today; and 2) a newsletter from Answers in Genesis presenting Ken Ham asking, "Is God in Control?" The guys answer, "No", not in the way that Ken implies. AiG and other large creation groups occasionally weigh into territory that by policy they typically avoid when now and then they obliquely promote a particular denominational or otherwise specific theological perspective. So Bob and Fred ask listeners for patience and grace as the guys directly respond to the theological implications brought up, whether intentionally or not, by the beloved founder of AiG. Stuff's easy to fake* RSR on Ancient Giants: As with the claim that a Photoshopped image actually depicts a civil-war era pterosaur photograph, Photoshoppers, intentionally or not, have deceived many who hope to find archaeological evidence of ancient giants, also known as the nephilim, etc. Ironically, well-intentioned Christians who offer erroneous evidence for the Bible end up hurting the cause of the Gospel. The giants described in the Bible are real, and therefore they are physiologically possible. Those who promote as real the Photoshopped images of oversized giants can learn a lesson from the paleontologists. First, they realized they had overcounted the number of dinosaur species by double (so 500 dino species went poof) and then the paleontologists realized that the ones that remained lost weight, big time! For example, instead of Brachiosaurus weighing 80 tons, it is now carefully calculated to have weighed about 23 tons. (Not only did this make allomotrists happier, but reducing the numbers and weight of dinosaur kinds also reduces the demand on Noah's family and ark, even though of course they brought juvenile creatures onto the ark!) As to overweight dinosaurs and oversized giants, God's design of actual creatures is not only brilliant but omnicompetent. It's not, however, science fiction. It's not cartoonish. There's also strong evidence for quantum biology, that God designed organisms to utilize the currently incomprehensible features of quantum mechanics. What God's designs do not do however, is violate the laws of physics. He designed reptiles, which grew no where near the size the larger dinosaurs, with their legs extending outward from their bodies, before they descend downward to the ground. That design, perfect for reptiles, would greatly limit the size and mass of dinosaurs, since horizontally-inclined legs would quickly fail as the animal's weight exceeded the carrying load. So God designed dinosaur legs to extend directly downward from beneath their bodies. This enables the larger kinds, such as the biblical behemoth, discovered only in 2014 and named dreadnoughtus, to gain weight till it's 65 tons, much heavier than a Boeing 737 airliner. The giants in man's ancient past described in the Bible were living, breathing, biological organisms. Therefore, they did not defy the laws of physics. Because they stood on two feet they could not be arbitrarily large. For example, cedar trees will grow to 200 feet tall (five telephone poles) and even to 230 feet! So that's quite the wild range for the imagination to run with to propose super-tall giants who could even lift average pyramid stones weighing 5,000 pounds. Hearing a Bible verse like Amos 2:9 read about "the Amorite... whose height was like the height of the cedars", one notices an abrupt cut off before reaching the end of the verse which makes clear that this is an analogy and not a literal comparison. For God says of the Amorites, "I destroyed... his roots beneath." Tolkein derived his word Ents, for the tall and strong Middle-earth tree beings, from the Anglo-Saxon word for giant. But for all that could be said about mankind's actual ancient giants, Ents notwithstanding, they did not have roots. So we can see that passages such as Amos 2:9 are not giving a literal but a metaphorical description. Other Bible passages that some of those obsessed with giants insist are literal are those that describe the Israelites as "grasshoppers" before the giants of Canaan. "There we saw the giants (the descendants of Anak came from the giants); and we were like grasshoppers in our own sight, and so we were in their sight" (Ex. 13:33). However God uses the same metaphor in Isaiah 40:22 saying of the earth that "its inhabitants are like grasshoppers." A simile is a comparison using like or as and these verses, as overtly obvious except to those with an extreme bias, are figures of speech. Regardless though, modern "giants" who have amazed and sometimes entertained the masses top out at nearly nine feet tall and compared to these tallest modern humans, people have often described the comparison in terms not unlike the biblical figures of speech. Moses in Scripture provides an actual length measurement which can be used to estimate the height of one especially notable giant. "For only Og king of Bashan remained of the remnant of the giants. Indeed his bedstead was an iron bedstead. (Is it not [still] in Rabbah of the people of Ammon?) Nine cubits is its length and four cubits its width, according to the standard cubit" (Deut. 3:11). So this 13.5-foot bed would make Og, leaving six inches headroom and perhaps two feet at the foot of the bed, a stunning 11 feet tall! Og would make Robert Wadlow of Alton, Illinois, the tallest measured human being, at 8.11 inches, look incredibly short in comparison! The square-cube law, first described by Galileo, compares an increase in the size of an object with its much faster increase in volume (and typically, in weight and mass). Wadlow, for example, had to walk with a cane and leg braces (which sadly caused the infection that killed him at age 22) because as his height increased, there was far too much weight for his size-proportional growing bones to support. This law gives an exact relationship of size and volume for something as straightforward as a cube. But even for things as complex as biological organisms or machines that increase in size, the law still gives a good first approximation of certain expected physical attributes and a heads up for design requirements for engineers scaling up inventions, and for God when He went from designing mice to elephants, deer to giraffes, and giraffes to Brachiosaurs. Scaling upward in size introduces unavoidable physical consequences, including as you actually or theoretically increase the proposed size of a human, or any object, including any biological organism, and that would include the physical bodies of the giants know as the nephilim. If you doubled Wadlow's height from nine feet (times 2) to 18 feet, to get his new weight you would multiply his 440 pounds by 8 (2 cubed). At 3,500 pounds his bones would be crushed with every step. So even taking into account that organisms from 6,000 to 3,000 years ago were stronger and fitter than today, and taking into account also the supernatural aspects of the origin of the nephilm, still, they possessed physical bodies. Ancient giants, unlike giraffes and Diplodocus, still walked, as people do, on two feet and two legs. To be much taller than the Bashan's Og, they couldn't have been simply much larger human-looking beings. Physically, to be as enormous as some irresponsibly claim, these giants would have had to be different kinds of beings, not people-looking kinds, for people-looking 20-foot tall giants would be physically impossible, and besides, such creatures are biblically uncalled for. So what about those believers who have invested hundreds of hours or even years studying and believing the Photoshopped giant skeletons are actually real? We urge them to ask God for the courage to study real science, and real evidence for the Scriptures. This shift in their focus could bring them enormous satisfaction and help them to have a greater influence on others, especially on those who so desperately need to hear about our creator and savior Jesus Christ.
00:01:45 Biloela cruelty00:39:40 Weird Pell-ignments00:47:50 Terrifying religious power bill01:19:45 McCormack and Wong vs Pacific
PHOTOR earlier than expected! Luke and Kelsey continue pushing through the KOTOR comics and find it filled with a lot of pointed social commentary and over-the-top, mustache-twirling evildoers? Kinda par for the course for these comics, so we're going with it. Galactic boundaries: vignette.wikia.nocookie.net/starwars/im…10128191929 Map of the Galaxy: vignette.wikia.nocookie.net/starwars/im…30325041255 Mandalorian Wars: vignette.wikia.nocookie.net/starwars/im…50224204102 Episode Breakdown: *0:55 -- Corrections to Ep. 14 *2:19 -- KOTOR (comic): Nights of Anger (3963BBY) *18:14 -- Jedi Financial Advisors *23:02 -- Lord Adasca becomes a super-villain *27:21 -- KOTOR (comic): Days of Hate (3963) podcast cover and header art by @ RooKay3 on twitter mediocre memes by Luke
Our new Shallow Sisters Saga debuts this week! Self centred sisters are sooooo extra and we are here for every moment! A wedding “against god”, a Bridezilla who was obsessed with booking a very specific caricature artist, a groom who has a weird obsession with little people & really loves salsa, flakey groomsmen, a horny soccer mom, broken china in the face & the Reddit Rip! Want more Secret Life of Weddings? Get some extra juicy stories exclusively available monthly on Patreon (the first few are free) plus early release ad-free main episodes every Monday over on Patreon! Become a Patron for as low as $3 a month & support the show at http://www.patreon.com/secretlifeofweddings To share your story, please email secretlifeofweddings@gmail.com or visit http://secretlifeofweddings.com *Join our private Facebook listener group at https://www.facebook.com/groups/1294161840712617/ Instagram: https://www.instagram.com/secretlifeofweddings/ Twitter: https://twitter.com/secretlifeofwed Facebook Page: https://www.facebook.com/thesecretlifeofweddings Tumblr: https://secretlifeofweddings.tumblr.com YouTube: https://www.youtube.com/c/secretlifeofweddings Reddit: http://reddit.com/r/secretlifeofweddings --- Support this podcast: https://anchor.fm/secretlifeofweddings/support
We’ve been trying to figure out what the heck this commercial is supposed to accomplish so maybe today’s the day! But probably not. Either way, we have Scott Carelli to help us as we discuss bad makeup, microphone placement and … Continue reading →
This week we head to Nickelodeon Studio's for a fireside chat with SpongeBob SquarePants storyboard artist, director and writer Brian Morante. It's one big kumbaya of nerd friendships, predictive programming, and sht show stories from his career. Closing out, we take a listener question about surviving the zombie apocalypse and you'll be surprised who's gonna make it and who's gonna be food for the undead.
"Stop getting Bond wrong." It's time for the Club to tackle the King of Cool: James Bond. Join Alan Cumming superfan Lee and not-quite-Bond Girl Lizzy as they dissect the 90s 007 classic GoldenEye. Be prepared for forgotten sitcoms themes, debate on the best disfigurement of a fictional character and a reminder of how good (?) the movie Wimbledon was...Leave us a review on Apple Podcasts, and find us on the socials @asccpodcast See acast.com/privacy for privacy and opt-out information.
This week Paul & Joe do their very first home show. Listen to hear Things you might not know about Joe, including Biker Grove auditions & her distaste for a certain type of men's underwear. Meanwhile, Paul enlightens Joe on the world of ASMR & remembers school talents shows.
Waterfall related deaths! Cartoonish electrocutions! James Dean flattops?! We return to Fear Street with Oscar Montoya (Inside the Disney Vault podcast) and stumble through the looniness of R.L. Stine's The Dead Girlfriend, tackling the important questions like... Was the cover art inspired by JonBent Ramsey? And... Is R.L. Stine inhabited by the spirit of a dead white girl? Plus a really incredible tangent on mid-90s John Travolta movies. Specifically 1996 John Travolta movies. Specifically Michael and Phenomenon.THIS EPISODE SPONSORED BY MODCLOTH! VISIT MODCLOTH.COM AND ENTER CODE "TEENCREEPS" FOR 15% OFF ORDERS OF $100 OR MORE. OFFER EXPIRES APRIL 21ST 2018!SUBSCRIBE TO THE TEEN CREEPS PATREON to get bonus episodes, merch, and more:https://www.patreon.com/teencreepsCONNECT W/ TEEN CREEPS: https://twitter.com/teencreepspodhttps://www.instagram.com/teencreepspodhttps://www.facebook.com/teencreepspodBUY TEEN CREEPS MERCH:https://www.teepublic.com/stores/teen-creepsTEEN CREEPS IS A FOREVER DOG PODCASThttps://foreverdogpodcasts.com/podcasts/teen-creeps*All creepy opinions expressed are those of the hosts and guests.
The webonauts flew by Earth. Stopping in to see how Justin Jones was doing. They all went through a time warp, which proved that you can never assume what order events actually took place in. During their trip, they encounter Marvel and DC super heroes, all the while battling back Idiocracy. Being challenged on all fronts with what reality actually is?!? Cartoonish absurdity ensues.
Free speech absolutists are ignoring history
How focusing on the nuances of "joy" helps keep your expression honest and natural. The post Cartoonish Expression appeared first on Belly Dance Geek.
Cooking with Closed Mouths by Kerry Truong A gumiho could run faster than shadows spread, but since Ha Neul doubted that Americans would take kindly to a nine-tailed fox streaking down Los Angeles’ busy streets, they opted to walk to the bus stop in the falling darkness after work. The cool night air was a relief after the hot confines of Mrs. Chang’s restaurant, where Ha Neul had spent the day carrying heavy dishes and enduring customers’ complaints. Mrs. Chang’s mediocre food attracted few customers, and her refusal to use air conditioning made those who did come disinclined to be generous. Ha Neul never told her this, of course, because what was the point of trying to change people’s ways? For this silence they were rewarded with meager wages and leftovers that turned to ashes in their mouth. Full transcript after the cut. ----more---- [Intro music plays] Hello! Welcome to GlitterShip, episode 35 for March 22, 2017. This is your host, Keffy, and I’m super excited to be sharing this story with you. Our story this week is a GlitterShip original: “Cooking with Closed Mouths" by Kerry Truong. Kerry Truong writes about many things, including folktale and horror. Their hobbies are futilely trying to train their dogs; tearing their hair out while reading comics; and eating good food. They like their meat rare, and if a story doesn’t mention food at least once, it wasn’t written by them. You can follow their queer firebreathing on Twitter @springbamboos. We also have a guest reader! R Chang hails from a small valley on the West coast, where they moonlight as an artist. Their dearest wish in life is to quit their day job and establish a farm for dogs. Cooking with Closed Mouths by Kerry Truong A gumiho could run faster than shadows spread, but since Ha Neul doubted that Americans would take kindly to a nine-tailed fox streaking down Los Angeles’ busy streets, they opted to walk to the bus stop in the falling darkness after work. The cool night air was a relief after the hot confines of Mrs. Chang’s restaurant, where Ha Neul had spent the day carrying heavy dishes and enduring customers’ complaints. Mrs. Chang’s mediocre food attracted few customers, and her refusal to use air conditioning made those who did come disinclined to be generous. Ha Neul never told her this, of course, because what was the point of trying to change people’s ways? For this silence they were rewarded with meager wages and leftovers that turned to ashes in their mouth. Today was no different. After mediating between Mrs. Chang and angry customers, Ha Neul was finally left in peace, a bag of banchan the only payment for their troubles. They stood at the bus stop in a crowd of other commuters, careful to remain at the edges where they could go unnoticed but still hear the conversations around them. There was chatter about everything from peace in Viet Nam to some boxing championship or another. Ha Neul didn’t understand the voracious interest humans showed in things that would only fade from memory or repeat themselves in a matter of years. Still, they liked listening. There was something comforting about the way humans kept going, as full of energy as if they were the first to experience these things. When the bus arrived, Ha Neul boarded in a stream of other passengers, shouldering their way through until they could find a place to stand. Proximity filled their nose with the tang of everyone around them and made their stomach clench. They ignored it, used to the hunger. Instead of thinking about it, they studied the people closest to them. An older woman stood next to them in the aisle, her eyes drifting closed as if the lurch and stop of the bus were a lullaby. A pair of students on their other side consulted each other in urgent voices about what songs to put on a mixtape for a crush. Ha Neul listened with amusement. It must be nice, they thought, to be caught up in the rhythm of falling in and out of love; to hope over and over that warmth could be found in the clasp of another person’s hand. At home, Hana was waiting for them, her homework fanned out on the kitchen table. Their one-bedroom apartment was too small for a proper desk, and neither of them had much use for the kitchen’s traditional function, so Hana had claimed it as her study room. The table was often strewn with books and papers and half-chewed pens. Ha Neul had given up on putting the mess into any kind of order. No matter how hard they tried, the table would be cluttered again within the day. Hana waved when they came in. “Took you long enough to get home! Did Mrs. Chang give you food again?” Ha Neul nodded, searching for an empty spot to set the bag down. After a moment they gave up and simply handed it to Hana. “All mine, and none for oppa,” she sang. Ha Neul sat down next to her as she searched through the bag, their body heavy from exhaustion. They relaxed in the warmth of the kitchen, watching as Hana tasted each banchan in turn. She was eager to try them all, which was why Ha Neul always accepted Mrs. Chang’s leftovers. It didn’t matter if the food couldn’t make her full. It reminded her of home, of a life where she’d had family and people to belong to. Ha Neul’s stomach clenched again. They went to the refrigerator and opened it. It was nearly empty, except for the large plastic bag dominating the center shelf and several plastic cartons arranged in neat rows beside it. Ha Neul brought the bag to the table. “Oppa, don’t you dare get blood on my homework,” Hana said as they stacked books and papers to clear a space on the table. “I would never sully the homework of a top student.” Ha Neul took a package wrapped in butcher paper out of the bag and set it on the table. The paper was damp in spots, its white color stained pink by the blood that seeped through it. The tang that Ha Neul had smelled on the bus filled their nose again, this time richer and deeper. Hana stopped eating to watch, her eyes intent. She could smell the blood, too. They unwrapped the paper to reveal hearts, kidneys, slices of liver, and other organ meats, raw and glistening. Ha Neul ate a heart, ripping the muscle with their sharp teeth. It was savory, satisfying them in a way Mrs. Chang’s food never could, making them crave for more. They reached for a piece of liver as soon as they’d finished the heart. It was good to be home. Hana was still watching them. They thought they could see the hint of a fang beginning to protrude in the corner of her mouth, but when they offered her a kidney she waved it away. “I’m not into solid food.” Ha Neul raised an eyebrow, looking at the banchan. “That’s different. I eat that for fun, not to get full.” “Can you really taste it?” “A little. It’s really faint though, like when you have a cold and can only get an aftertaste.” Ha Neul didn’t understand, having never had a cold. They nodded anyway. “Do you remember what human food tastes like?” Hana looked wistful. “I think I’m forgetting. I know that hotteok are sweet and kimchi jjigae is spicy, but even though I know the words I don’t remember the taste.” She must be nearing forty, but time hadn’t changed the smoothness of her skin or the roundness of her face. If there was one thing that aged her, it was her eyes. They were too knowing. It was only now, with her longing so apparent, that she seemed exactly the high school student that she pretended to be. Ha Neul had known that longing. It had been food that first drew them to humans, after all. So many colors and textures: thick, greasy noodles coated in black bean sauce, kimbap dotted with yellow, green, and orange vegetables, cream-colored crab meat marinated in soy sauce. They supposed it was harder for Hana, though, having actually known what human food tasted like. Reaching over, they squeezed her hand. Hana squeezed their hand back and smiled at them. “How’s your food, oppa?” “Delicious.” “It’s still weird to me how you eat cows and not humans. Isn’t it unsatisfying?” “It’s a good enough substitute.” When reduced to their innards, humans and cows weren’t very different, Ha Neul thought, and offal was easy to get from the butcher for no more than a few cents. Hana trailed a finger through the blood that had congealed on the paper, then licked it off. “You know you’re welcome to come find dinner with me any night.” The food soured in Ha Neul’s mouth. Being hungry around humans was one thing, eating them was another. Thinking about it made them feel ill. “I don’t eat humans anymore,” they said, allowing their voice to get sharp. Hana bit her lip, looking chastised. Ha Neul felt guilty, but they’d told her often enough that they didn’t want to be goaded about their eating habits. They’d tried living as a human long ago, hoping to discover the taste of other food. But a gumiho is a fox at heart, its human appearance a mere illusion, and Ha Neul’s hunger had only grown with each dish they’d eaten. It was all ash. In the end, they’d given into their hunger, only to be horrified by the uniform redness. They’d stopped eating humans by the time they met Hana. She should have known better than to tease them about it. Ha Neul worried that she would sulk, but instead she rummaged through her backpack and brought out a flyer. “Here,” she said, sliding it across to Ha Neul. Her voice was light, the previous subject waved away. “Talking about food reminded me of this. I don’t think I can wiggle my way out of it.” Ha Neul chewed on a piece of liver and read the flyer. It was printed on daffodil yellow paper, the words on it thick, black, and followed by multiple exclamation points. Cartoonish pictures of rice bowls and tacos surrounded the text. “A cultural diversity lunch? What exactly are the students supposed to learn from that?” “How to appreciate other people’s cultures, I guess. Mr. Hanson says we should start learning about diversity in high school.” “I understand that, but why food?” “Because people like food, obviously. We’re all supposed to bring in one dish from our culture.” “What do you want to bring in?” They stared at the pictures of rice bowls. Did her teacher expect her to bring in rice? Even Ha Neul knew that plain rice didn’t make a meal. Hana answered without hesitation. “Kimchi fried rice.” They couldn’t help laughing at her confidence. “And where in the world are we going to get that?” Hana smiled. She was prettiest like that, which was exactly why she smiled widest if she needed a favor. “I was going to ask if Mrs. Chang could make it.” Ha Neul’s answer was as ready as hers had been. “Mrs. Chang is busy and has no money to make kimchi fried rice for free.” “She doesn’t even have to make that much. There are only twenty students in my class.” “Isn’t that still a lot?” Hana pouted. “Please, oppa? I don’t want to be embarrassed. What if everyone else brings something fancy and I don’t have anything?” There was that longing again, not as obscured by the pout as she thought it was. Ha Neul didn’t understand. Food was food, so what did it matter if she brought banchan or kimchi fried rice? But they could see how happy this simple thing would make her, and that mattered. She was their sister by choice, the only person who wanted to share the partial life they led. “All right, I’ll ask Mrs. Chang. Even if she says no, we’ll figure something out. Does that sound good?” “Oh, oppa, I knew I could count on you!” She threw her arms around Ha Neul, startling them. After a beat, they remembered to lift their own arms and hug her back. They held her close, taking comfort in the gesture that was at once strange and warm. Many years ago, on a warm spring night in Korea, Ha Neul had heard a cry of despair. If they had ignored that cry, they might still be living in Korea, trying to find a way to fit into the jumbled new pattern that the war had created. But they had listened, and that was how they’d found Hana, blood on her shirt and two bite marks on her neck. They couldn’t abandon her to that despair. Instead, they had held their hand out and said come, there is still a way to live. So the two of them had lived, as best as they could, side by side for more than twenty years. When they had decided to go to America, it made the most sense to claim that they were siblings. They’d argued about who should be the elder. Ha Neul had won her over by pointing out that if they were her older brother, they could support her while she went to school. The papers had been made, and the two of them had moved to Los Angeles to join the number of Korean immigrants building a new life along Olympic Boulevard. While Hana finished her last year in high school and dreamed about college admissions, Ha Neul waited tables and lifted boxes, letting Mrs. Chang speak to them as if they were a child. It didn’t matter to them whether Mrs. Chang’s food was good or not. They couldn’t taste any of it, after all. They were content seeing the variety of colors in her kitchen. She, in turn, was grateful for someone who stayed in spite of her temper and the customers’ insults. Ha Neul hoped that her gratefulness would soften her to their request. They made sure to be of extra help in the restaurant the day after Hana showed them the flyer, lifting heavy pots off the stove and chatting with customers until the bad food was forgotten. The restaurant was never busy, and once the lunch hour had passed it was empty. Mrs. Chang used the time to eat her own late lunch. Ha Neul joined her, choking down the rice and drinking cup after cup of tea. They waited until most of the food was gone before saying, “Mrs. Chang, can I ask you a favor?” Her eyes narrowed. Perhaps she thought they would ask for money. Still, her voice was not unkind when she answered. “What is it?” “My sister’s teacher asked her to bring in a dish from her culture for a class project. I was wondering if you could make the food.” “What kind of food?” “Kimchi fried rice.” Mrs. Chang sighed and shook her head. “I don’t think I have the time for that, Ha Neul.” It was the answer they’d expected, but they were still disappointed. “It’s not too difficult to make, is it? I’ll even work extra hours in the restaurant in exchange for it.” “After a whole day of cooking, do you think I’d have the energy to make more food for a bunch of children? I have my own family to take care of once I’m done here.” She stood up and stacked the empty dishes to take back into the kitchen. “Mrs. Chang, please.” “I already said no!” Ha Neul stood up as she started walking back to the kitchen. “Then at least teach me how to make it.” She turned around. “What was that?” Food is food, Ha Neul thought, and food was only ash in their mouth. But they’d promised Hana that they would help her. “Teach me how to cook, Mrs. Chang. If I learn, then I can help you in the kitchen, too.” She studied them for a moment. They wondered if they looked desperate, if it was that or the promise of help that made her say, “All right then. But I don’t want to hear any complaints because it’s too hard, understand?” “Oh, perfectly,” Ha Neul said, and followed her into the kitchen, already questioning the wisdom of learning how to cook without taste. Hana’s luncheon was in a week, and in that week Ha Neul dedicated themself to learning how to cook. The radio in the kitchen played Marvin Gaye and Stevie Wonder songs as Mrs. Chang showed Ha Neul how to make galbi and gamjatang, kimbap and gyeranjjim. Although she wasn’t an unkind teacher, she was also not gentle. Ha Neul disliked the way she grabbed their hand to show them how to chop vegetables, or how she would take the ladle from them to taste soup. They learned quickly, however, and their dishes soon looked the same as Mrs. Chang’s. They began to take their own pleasure with food, relishing in the clean crack that split an egg and the feel of rice grains slipping through their fingers. Taste was lost to them, but they could still see, and hear, and feel. The first dish they brought out to customers, however, fared no better than any of Mrs. Chang’s. “Do you call this samgyetang?” asked a middle-aged woman with tightly permed hair. Ha Neul had known she would be trouble the moment she’d walked in. Something about her pinched mouth had foreshadowed grief. Putting on a practiced smile, they said, “I’m sorry if the soup isn’t good. Should I bring you something else?” “Nothing you brought is any good. The banchan isn’t even seasoned well!” Ha Neul bit their tongue, even though their hands ached from chopping meat and mixing seasoning. Before they could regain the patience to smile, however, the woman sighed. “Forget it. I’m sorry. It’s just been a long time since I had a good meal, and I thought I’d find it here.” Ha Neul studied how deep the wrinkles on her face ran, how calloused her hands were. They wondered how long she had been in America, and what kind of dishes she had the energy to make after a long day of work. Did she have family to care for? When was the last time she’d eaten something someone else made for her? The woman got her wallet and began counting out bills. Before she could set them on the table, Ha Neul said, “I’m sorry, but could you tell me how you’d like the food to be seasoned?” Later, Mrs. Chang told them that they had too little pride. “You listen too much to other people’s complaining.” Ha Neul just laughed, and she looked at them as she often did, like something strange and half unwanted. Still, they kept listening to the complaints. They memorized how much sesame oil to add and how long meat should stay in the pan. They noted the exact shade of orange that carrots turned when they were tender but not limp, and the translucence of onions that would be just sweet enough. The complaints lessened and more customers began to come to the restaurant, brought in by word of mouth. Mrs. Chang talked of giving Ha Neul a raise. They heard the hesitance in her voice and declined. It was enough to spend time in the kitchen while Mrs. Chang served the customers, her temper improved by their praises. Soon, Ha Neul became the kitchen’s only occupant. They preferred it that way, with only the radio to keep them company. This much of human food they had mastered, and they were content to stay in the confines of the kitchen for a long time, basking in its vivid colors. The day before Hana’s potluck, Ha Neul stopped by a supermarket on the way home. They returned to the apartment laden with plastic bags. The kitchen table was as messy as ever, but there was no sign of Hana. No doubt she was out getting food. They cleared the kitchen table, making room for the ingredients they’d bought from the supermarket. The stove, which had been untouched since they moved in, flared to life without protest. They made rice, and while the water bubbled and spit, they sliced kimchi and diced Spam. They didn’t like Spam. Its sickly pink color reminded them of red watered down, and it slid out of the can with a slither that made them shudder. But it was cheap and Hana liked it, so they tipped the diced ham into the pan without looking at it. Steam filled the air. Ha Neul made more than enough kimchi fried rice for Hana’s classmates, then set aside a little extra for her when she came back. It was dark when Hana returned home. She was wearing a green polka dot dress, her hair in a ponytail. There was blood on her. Ha Neul could smell it as soon as she walked through the door, and their stomach clenched. “I’m in the kitchen,” they called out to her. She walked in, the scent of blood following her. It pervaded the kitchen, making Ha Neul forget, for a moment, the food on the stove. Their stomach growled and their mouth ran dry. They hadn’t eaten all day. “Oppa, you’re cooking!” Hana said, coming up next to them. They focused on the rice in the pan, stirring it to mix the kimchi and Spam evenly. The Spam had darkened to a deep pink. “Of course I am. Unless I’m mistaken, your potluck is tomorrow.” “You look like a professional chef.” They smiled in spite of the smell of blood in their nose. “Your compliment is appreciated. Now go wash your hands. I made some for you to eat tonight.” Hana clapped her hands and ran to do as they said. By the time she came back, the scent of blood had eased, and Ha Neul could hand her the bowl of kimchi fried rice without their hand trembling. “How is it?” they asked as she began to eat. She closed her eyes and chewed. Ha Neul knew she could barely taste it, but there was happiness on her face. “It’s delicious, oppa. I know it is.” They couldn’t smell the blood anymore. Ha Neul felt the warmth of the kitchen again, the steam in the air. They watched Hana eat, a little longing mixed with their pleasure in her enjoyment. The two of them would have made a proper family if only Ha Neul could sit down and eat with her. But if Hana was content with only the hint of flavor, then they were content with only this, its reflection. They turned back to the stove, and shut it off. On the morning of Hana’s potluck, Ha Neul carried a tin foil tray of kimchi fried rice to her bus stop, handing it to her carefully before running to catch their own bus. A disheveled man with a hoarse voice harangued passengers about sinning as the bus crawled its way down Wilshire, and the couple in front of Ha Neul argued in whispers, almost hissing as each accused the other of infidelity. Ha Neul listened with half an ear, looking out the window at the Ford Pintos inching past and the dusty haze that made everything outside glow. The restaurant was dark and cool, not yet overheated by the stoves. Ha Neul put the chairs in place and wiped the tabletops while Mrs. Chang chatted with her sister, who had joined them for the day. The sister had arrived in America only the week before, and Mrs. Chang was eager to have someone who knew the same people she did and shared the same hopes for this new life. Ha Neul didn’t interrupt their conversation, dreaming instead about the food they would make that day: the chill of the soy sauce on their skin, the true red of gochujang dark against the silver of the spoon, the steam beading their face in sweat whenever they lifted the lid off a pot. No customers complained that day, and Mrs. Chang sent Ha Neul home with more galbi and banchan than usual. Ha Neul had made the food, but they chose to feel kindly towards Mrs. Chang for her generosity. At home, Hana was waiting for them. The tin foil tray sat next to her on the table, still burdened with its food. It was bent slightly out of shape. Bits of rice flecked the tabletop around it. Hana’s mouth was pursed tightly, but it quivered when Ha Neul asked her, “What’s wrong?” “They said it smelled bad and made fun of me for eating Spam. What do they know? I could eat them instead!” Ha Neul knew she would have cried, if she could. They sat down next to her, some vice grip squeezing their chest. For Hana’s sake, they smiled. “I’d advise against it. They probably don’t taste good.” “They’re ungrateful punks. You worked so hard to make this and they wouldn’t even eat it.” “I am hardly insulted by the bad taste of children a fraction my age.” Hana wiped her eyes with the back of her hand, a habit she still hadn’t unlearned. Whenever she was angry or upset, her hand went to her eyes as if there were still tears to stem. Ha Neul took her hand and squeezed it. Her skin was dry and smooth, eroded by neither time nor care. In that respect, she was different from her classmates and everyone else around her. It was hard to remember that difference, however, when she was squeezing Ha Neul’s hand so tightly, looking for comfort after a hurt that should have been slight. After a moment she said, “I wanted to eat this fried rice.” Ha Neul squeezed her hand again. “You can eat all of it now, if you want.” “No, I wanted to really eat it. I wanted it to taste like kimchi fried rice should, to make me full.” Hana stomped to the drawers and came back with a plastic spoon. “Even though those little ingrates can eat, they won’t make use of it.” She dug into the rice hard enough to bend the flimsy plastic and began eating. Another layer of sadness settled over Ha Neul, heavy and thick as the smog that pervaded Los Angeles. They should have listened to their own advice from the beginning: food was food. How could it teach people anything? Perhaps for Hana’s classmates, the kimchi fried rice was not a sign of comfort and family, but of something else entirely. Perhaps some of their fox’s nature made its way into the dish, marking it as something fearful. “I’m sorry.” They felt useless with only those words for comfort. “It’s not your fault, oppa.” The two of them sat in silence as Hana ate. Ha Neul knew she could finish the whole tray. It wouldn’t make her full, after all. They sat and watched her, trying to imagine what it tasted like and only remembering the crunch of the kimchi under their knife, the splash of red over white rice, the Spam glistening pinkly before they’d thrown it in the pan. Things which were only parts of the whole, not enough to fill the quiet of this kitchen. Ha Neul wanted, as they hadn’t in years, to take a spoonful of food and taste it. But they knew, even before they finished the thought, that it would be nothing but ash. All they could do was say, “I’ll make you as much food as you want.” Hana smiled, and though the corners of her mouth lifted, her expression didn’t brighten. She looked her age. “Even if I’ll never be able to tell how good it is?” “Of course.” They thought about the colors of different ingredients, the textures under their hands. No matter what other people thought, they didn’t want to forget any of that. As long as Hana wanted food they would cook, and the two of them would keep trying, again and again, to discover taste in the warmth of this kitchen. END “Cooking with Closed Mouths” is copyright Kerry Truong, 2017. This recording is a Creative Commons Attribution-NonCommercial-NoDerivatives license which means you can share it with anyone you’d like, but please don’t change or sell it. Our theme is “Aurora Borealis” by Bird Creek, available through the Google Audio Library. You can support GlitterShip by checking out our Patreon at patreon.com/keffy, subscribing to our feed, or by leaving reviews on iTunes. Thanks for listening, and I’ll be back soon with a reprint of "How to Remember to Forget to Remember the Old War” by Rose Lemberg.
Villains, antagonists, and anti-heroes are the topic of the day. Austin and Amanda critically run through a roster of their favorite queer or queer-coded villains in media. Cartoonish homophobia and transphobia, coded Disney villains, the lack of female villains, how queer villains are seen as especially evil for their sexuality, redemption stories, how a main character can be the antagonist of their own story, and bisexual murder pits are all discussed. Amanda has a revelation about how straight people consume media while discussing Lex from *Smallville,* Austin recounts the suffering he endured while watching *Downton Abbey* for Thomas Barrow, and the two roll around in their general love of villainy.
Alba's old flame Withrow Lee comes to town selling suspicious potions, inspiring Magnus to get in on the game.Episode TranscriptCreditsBarbara Clifford as Alba SalixJulian Sark as Magnusand Olivia Jon as Holly and BerthaAbbas Hussain as Withrow LeeJohn Palmieri as Jerome and Mister BenvenitoElaine O’Neal as Countess Carnelia and Serdikos the ImpCarter Siddall as McWhinneyGeorge Bertwell as AbeMarisa King as Angie and the Apple Sellerand special guest Tim Ciaschini as Professor Schpringeler and the MuggerWritten and directed by Eli McIlveenSound design and music by Eli McIlveenProduced by Sean HowardAssociate producers: Carter Siddall, Eric Portelance, Mark Fenwick, Josh Clavir and Dave AddisonSupport the show and get access to bonus content: https://albasalix.com/supportContent warning: Cartoonish violence and torture, threats, heights, mind control? and fraud up the wazoo.
As Alba and Holly race to cure a deadly outbreak of cranial swelling, Magnus receives a visit from the kingdom's most feared outlaw.Episode TranscriptCreditsBarbara Clifford as Alba SalixJulian Sark as Magnusand Olivia Jon as HollyMarisa King as Queen ParabelGeorge Bertwell as King GuntherCarter Siddall as Helbard KrankelAbbas Hussain as Guy van FleetElaine O’Neal as Mrs StrudebakerRobert Frances as Carlton Gerrardand Jasmin Cheng as the PageWritten and directed by Eli McIlveenSound design and music by Eli McIlveenProduced by Sean HowardAssociate producers: Carter Siddall, Eric Portelance, Mark Fenwick, Josh Clavir and Dave AddisonSupport the show and get access to bonus content: https://albasalix.com/supportContent warning: Cartoonish gore and death, bereavement, outbreak of illness and mansplaining.
After the House of Healing's herb garden is torn out by workmen bearing royal orders, Alba tries to get to the root of the matter while Holly and Magnus venture into the woods to gather more rare plants.Episode TranscriptCreditsBarbara Clifford as Alba SalixJulian Sark as MagnusOlivia Jon as HollyCarter Siddall as Helbard Krankel and DouglasGeorge Bertwell as King Gunther and Papa BearMarisa King as Queen Parabel and Mama BearRobert Frances as Bailiff Henry and BadgerAbbas Hussain as Jan and Badger GuardJasmin Cheng as Baby BearClive E Milne as the Spider and the MapWritten and directed by Eli McIlveenSound design and music by Eli McIlveenProduced by Sean HowardAssociate producers: Carter Siddall, Eric Portelance, Mark Fenwick, Josh Clavir and Dave AddisonSupport the show and get access to bonus content: https://albasalix.com/supportContent warning: Cartoonish violence, fantasy racism, imprisonment, animal attacks, drug references and crimes.
While Alba tends to her two least favourite patients, Magnus receives some advice from the local wildlife.Episode TranscriptCreditsBarbara Clifford as Alba SalixJulian Sark as MagnusOlivia Jon as HollyElaine O’Neal as Countess CarneliaRobert Frances as Jerome and the SquirrelJasmin Cheng as the BirdClive E Milne as the RabbitWritten and directed by Eli McIlveenSound design and music by Eli McIlveenProduced by Sean HowardAssociate producers: Carter Siddall, Eric Portelance, Mark Fenwick, Josh Clavir and Dave AddisonSupport the show and get access to bonus content: https://albasalix.com/supportContent warning: Cartoonish violence, animal endangerment, animal attacks, hypochondria, surgery, innuendo and leeches.
Alba is summoned to remove some unexpected snakes from King Gunther's head, and saddled with a bothersome young patient – not to mention some unwanted help from a fairy.Episode TranscriptCreditsBarbara Clifford as Alba SalixJulian Sark as Magnus and Valtar the CentaurOlivia Jon as HollyGeorge Bertwell as King GuntherMarisa King as Queen ParabelCarter Siddall as Helbard Krankel and Balthig the OgreRobert Frances as Jerome and Father LaingJasmin Cheng as Millie and Hiccups Kidand Sean Howard, Jason Mahon and Stephen SmithWritten and directed by Eli McIlveenSound design and music by Eli McIlveenProduced by Sean HowardAssociate producers: Carter Siddall, Eric Portelance, Mark Fenwick, Josh Clavir and Dave AddisonSupport the show and get access to bonus content: https://albasalix.com/supportContent warning: Cartoonish violence, bodily harm, blood, panic, surgery, drug references and many snakes.
Another movie? Well, you folks asked (unintentionally), and who are we to refuse you? We’re looking at the little parody trailer that grew up to be a real live exploitation flick, and celebrating the best and worst of 1980s film tropes. Cartoonish villains, cartoonish punks, and a disturbingly real protagonist (speaking cartoonish dialogue) come together […]
Part 2 of my conversation with guest Ric Dube as we climb aboard and dissect an episode of The Love Boat. I've also got the Bonehead of the Week and music from Pile and They Might Be Giants. Show notes: - Recorded at More Lost Time world HQ - Inspired by MST3K and Rifftrax, we're commenting while watching video - Watch the episode along with us at the CompCon YouTube channel - Jay: Used to watch Love Boat and Fantasy Island back to back - Both shows featured cameos from so-called stars - Episode 23 from season 1, 1978 - Featured Paul Williams, Michele Lee, Marcia Wallace - Gopher went on to be a Congressman - Romantic hijinks ensue each week - Cartoonish male chauvinism - Let the wacky subplots begin - Love American Style was the predecessor to The Love Boat - Booked to the gunnels - The mysterious sexual allure of Bernie Kopell - Julie just wants to get some - The show's like bad improv - Marcia Wallace is comic relief - Dick Van Patten played Doc in the Love Boat pilot - Capt. Stubing is the cruise ship Pepe Le Pew - The third act results in partner switching - Paul Williams gets the hot chick - Gopher nailed Mrs. Krabappel - Bonehead of the Week Music:Pile - Prom Song They Might Be Giants - Call You Mom Completely Conspicuous is available through the iTunes podcast directory. Subscribe and write a review! The Pile song is on the album Dripping. Download it for free on Bandcamp. The They Might Be Giants song is on the album Nanobots on Idlewild Recordings. Download it for free at Soundcloud. The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Find out more about Senor Breitling at his fine music blog Clicky Clicky. Voiceover work is courtesy of James Gralian.
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