Podcasts about Ingmar Bergman

Bergman och kvinnorna är ett bekant begrepp. Men några det kanske talats för lite om är den kvinnliga publiken. Ulrika Knutson har grävt i arkiven och sett hur regissören aktivt sökte upp den. Lyssna på alla avsnitt i Sveriges Radios app. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna. Först sänd 2019-02-04.Damernas Bergman, när blev han det? Tidigt. Redan i slutet av fyrtiotalet framstår Ingmar Bergman som demonisk kvinnotjusare. Den bilden gillade han själv, och den tyckte publiken om. Som till stor del bestod av kvinnor. Men vad man inte riktigt vetat är hur målmedvetet Bergman närmade sig den kvinnliga publiken; vårdade den och gjorde sig tillgänglig för den, famförallt i veckotidningarna.Mellan 1959 och -61 tryckte Allers hans manus till Kvinnors väntan, En lektion i kärlek, Kvinnodröm, Det sjunde inseglet, Ansiktet, Djävulens öga, och För att inte tala om alla dessa kvinnor.1956 svarar han villigt på en enkät i Bildjournalen: Vad anser Ni om kvinnor?SVAR: "Alla kvinnor gör intryck på mig: Gamla, unga, stora, små, långa, korta, feta, magra, tunga, lätta, fula, vackra, söta, ruskiga, levande, döda. [...] Jag uppskattar kvinnor: apor kattor, kossor, hyndor – rovdjur. Ödlor och giftiga reptiler, jag tycker också illa om kvinnor, skulle gärna slå ihjäl en och annan – eller bli ihjälslagen själv! Men – Damernas värld är min värld, jag klarar mig dåligt i den men jag vet ingen annan, i varje fall ingen bättre."Han gör inte våld på sig i den enkäten. Tänk på gossen Sebastian i Fanny och Alexander, som spanar på pigorna när de badar, eller när de fina kusinerna klär om i Smultronstället; fraset av sidentyger, knäppningar av hyskor och hakar, fnisset från kvinnovärldens tusen och en hemligheter.Strindberg i all ära, i det här fallet brås Bergman på Henrik Ibsen: "En man är lätt att studera, men med en kvinna blir man aldrig färdig. Hon är havet, vars djup ingen kunnat pejla."Han första musor var mormor Anna och mamma Karin, som suckar i sin dagbok: "Vad blir det av Ingmar till sist, som ständigt går fram över de människors hjärtan, som älska honom?"Han sög blod och märg ur sin familj. Konstnären som vampyr, som Strindberg talade om. Man kan också säga att han gnagde på sitt eget ben, som en gammal hund. Han insåg tidigt att jaget innehöll konstnärlig näring, men inte nödvändigt biografisk sanning.I självbiografin Laterna Magica ljuger han som en häst travar. Han föds sjuk och ämlig och nöddöps på BB? Inte alls, det var hans mamma som hade influensa. Han skapade en dramatisk barndom åt sig. Att det var storebror Dag som fick stryk lämnade lillebror därhän.Han hängde ändå ut sig själv, och alla andra, vänner och fruar. De lät honom hållas, och han samlade sina ex-kvinnor i en tät krets, en konstnärlig storfamilj. Han hade den sällsynta talangen att bli god vän med sina gamla flammor.Alex Schulmans morfar, den passionerade kritikern Sven Stolpe, borde som from katolik ha ogillat Ingmar Bergmans erotiska framfart, men så här skrev han 1959, när Bergman blivit chef för Dramaten:"Förmodligen beror Ingmar Bergmans förmåga att skapa stora skådespelerskor helt enkelt på att han förälskar sig i dem. -– Bergmans entré i detta sköna stall av ädla ungdjur kommer att bli något av en sensation. Där kommer att flyta blod. Men stor konst kommer att födas!"Jojo.Bergman öppnade generöst dörren för hemma hos-reportrar och fotografer. Och hans åsikter är inte kontroversiella för den breda publiken, snarast inställsamma: "Skådespelarna ska vara tacksamma mot publiken som kommer över huvud taget, de står och faller med publiken. Att vara tråkig på teatern är en dödssynd! Och han vet precis vilka ord som ger rubriker:"Källarteater är självbefläckelse" är en av de roligare.Och han delar med sig av sina manuskript. Inte i små smala kulturtidskrifter, utan i Allers! Mellan 1959 och -61 tryckte Allers hans manus till Kvinnors väntan, En lektion i kärlek, Kvinnodröm, Det sjunde inseglet, Ansiktet, Djävulens öga, och För att inte tala om alla dessa kvinnor.På något sätt är det som om det vore bättre material i tjejer" säger han 1971 till en förtjust Kerstin Thorvall, i Damernas värld.Som ung hade Ingmar Bergman knappast tänkt sig en framtid som folklig. Han skrev poesi, och led av samma fyrtiotalsångest som alla de andra grabbarna. Han beundrade Lars Ahlin, Erik Lindegren och Stig Dagerman för deras tungsinne. Men som ung författare blev han refuserad, och ilsknade till. Då häcklade han finpoeterna, "som livnär sig på förskott, har upplagor om 300, aldrig behöver se publiken i vitögat, än mindre lida av deras hostningar och prassel" Lättad gick han till teaterns och filmens värld, "horeri- och slakteri-branschen" – och vek ut sig, inte minst för den kvinnliga publiken.Han var kanske ingen Åsa-Nisse men likafullt en svensk profil. Kärleksfullt parodierad redan på sextiotalet, i Mosebacke monarki. Där hette han Nisse Pärlemo, hade basker, stammade svårt och sprängde ideligen sexvallen.I efterhand blir det tydligt att Ingmar Bergman var känslig för rörelserna i folkhemsdjupet. Efter Scener ur ett äktenskap, där Liv Ullman och Erland Josephson grälade och grät sig in i våra liv, steg skilsmässofrekvensen och köerna till äktenskapsrådgivningarna tredubblades.Bergmanvärlden är alltså inte immun mot kvinnofrigörelsens våldsamma sparkar. Och vad betydde det att han samarbetar tätt med en spränglärd särartsfeminist som Ulla Isaksson, inläst på Ellen Key och Elin Wägner? Deras kvinnosak skymtar också i Bergmanvärlden.Som i förlossningsfilmen Nära livet från 1958. Bergman vittnar:– Jag hade fem egna barn, men hade aldrig sett en förlossning. Men nu: En sal med sex nyförlösta mödrar och nyfödda barn. Svällande bröst, sura mjölkskvättar, det muntert och djuriska i hanteringen. Jag mådde illa och tvangs relatera till egna erfarenheter som evigt handfallen, evigt flyende pappa."I filmen sparar han inte på effekterna. Nära livet marknadsfördes nästan som en skräckfilm. Folk svimmade i bänkarna. Rekordet slogs i Bergen i Norge, där åtta människor tuppade av under en och samma föreställning. Men under skräckeffekterna finns en stark film om kvinnor och patriarkal dubbelmoral.Och så något annat Bergman återkom till gång på gång:"Jag tycker bättre om att jobba med tjejer. På något sätt är det som om det vore bättre material i tjejer" säger han 1971 till en förtjust Kerstin Thorvall, i Damernas värld. För att ställa sig in försäkrar Bergman att han läser allt vad Kerstin skriver. Än är det några år kvar till Det mest förbjudna. Kerstin Thorvall är samhällsmedveten och prövar en underskruv:–Vänsterungdomarna tycker att du är för privat?–Det är klart att jag är privat. Om jag inte vore privat skulle jag inte kunna nå någon annan människa. Men jag vill inte säga något ont om den unga vänstern. Tvärtom. Jag är djupt gripen av deras patetiska renhjärtenhet!Arme man.På något sätt är det som om det vore bättre material i tjejer" säger han 1971 till en förtjust Kerstin Thorvall, i Damernas värld.Själv har jag intervjuat Ingmar Bergman några gånger. Jag har hört honom tala med värme om Ulla Isaksson och hennes intresse för Elin Wägner. Till min förtjusning berättade han att han och Ulla Isaksson hade planer på att göra film om Fogelstadgruppen och Kvinnliga Medborgarskolan, dessa rösträttskämpar och feministiska pionjärer! Antagligen ställde han sig in, precis som i samtalet med Kerstin Thorvall. Men road var han. Men jag har också stött på hans berömda intuition – som motståndare. Han skulle då sätta upp Lång dags färd mot natt på Dramaten. Att döma av repetitionerna tänkte han tona ner alla möjligheter till irländsk buskis – skämten skulle hållas kort. Detta sa jag inte högt, men jag tänkte det – inom mig. Då högg Bergman som en kobra: – Sitter du där och tolkar före premiär, det ska du ge fan i!Jag hann känna det som en ilning: Det är sant, han kan se vad man tänker – se in i huvudet på folk – På något sätt är det som om det vore bättre material i tjejer" säger han 1971 till en förtjust Kerstin Thorvall, i Damernas värld. med stora bokstäver!Då log han, och såg så snäll och farbroderlig ut igen, som om ingenting hade hänt.Ulrika Knutson, journalist och författare

On this episode Matt and Jon discuss The Odyssey, then busts out the Wheel of Topics to discuss (Both) Evil Dead Burn, House of the Dragon, King of the Hill, The Vampire Lestat finale and X-Men '97, (Matt) Blue Heron, Citizen Kane, Exit 8 (both game and movie), Gail Daughtry and the Celebrity Sex Pass, Legends, The Hawk, The Invite and Concludes his Ingmar Bergman watch including After the Rehearsal, Saraband and Fanny and Alexander, (Jon) Spider-Noir and WWE Unreal! Threads: https://www.threads.net/@jonwahizzle Facebook: https://www.facebook.com/groups/damnthattelevision/ Instagram: https://www.instagram.com/damntvpod Bluesky: https://bsky.app/profile/mattlovestv.bsky.social https://bsky.app/profile/jonwahizzle.bsky.social Letterboxd: https://letterboxd.com/mattlovestv/ https://letterboxd.com/jonwahizzle/ Jon on AIPT: https://aiptcomics.com/author/jonathanw/ Matt's show The Drop: A Pop Culture Mix Tape: wscafm.org Sundays 6-8 PM: https://www.facebook.com/groups/thedropwsca/

Running on Empty is an interesting film by Sidney Lumet that, in our opinion, doesn't get enough love. Judd Hirsch and Christine Lahti play a married couple forced to go underground when their activist ways take an unfortunate turn and someone is accidentally killed. Now, that event took place nearly twenty years earlier, so it's mostly relevant as the setup to the film. In the present day, they have two boys: one is a tween and the other (Phoenix) is nearing the end of his high school career. Because of the parents' situation, they're forced to move frequently, take odd jobs and depend on old friends to cover for them. It's a cool take on the "sins of the fathers" argument, as their lives are having an effect on their oldest son, who is a talented musician and could conceivably miss out on getting a Juilliard education. Further complicating matters is his rapidly developing relationship with a girl at his school, played by Martha Plimpton. How does the entire family navigate these complications? COMING ATTRACTIONS: We're going to spend the next five episodes dealing with limited series, what the kids used to call miniseries. Our next episode will be the series version of Fanny and Alexander by Ingmar Bergman, which was eventually cut down into a feature-length film. We're going though all 312 minutes, though! Join us, won't you?:

From Putin's rise to Swedish cinema's great rebel: Olivier Assayas and Mattias Nohrborg on two towering figures who shaped politics and culture...Olivier Assayas, one of France's most acclaimed filmmakers, joins us to discuss The Wizard of the Kremlin, a political thriller charting Vladimir Putin's rise to power, with stand-out performances from Jude Law and Paul Dano. Plus, Mattias Nohrborg, co-director of Being Bo Widerberg (screening at this year's Nordic FF), reflects on the celebrated and eccentric Swedish director who emerged from Ingmar Bergman's shadow to become one of his country's most influential filmmakers.Presenter, Jason Di RossoProducer, Sarah CorbettSound engineer, Allyse SymonsArts editor, Rhiannon Brown

From Putin's rise to Swedish cinema's great rebel: Olivier Assayas and Mattias Nohrborg on two towering figures who shaped politics and culture...Olivier Assayas, one of France's most acclaimed filmmakers, joins us to discuss The Wizard of the Kremlin, a political thriller charting Vladimir Putin's rise to power, with stand-out performances from Jude Law and Paul Dano. Plus, Mattias Nohrborg, co-director of Being Bo Widerberg (screening at this year's Nordic FF), reflects on the celebrated and eccentric Swedish director who emerged from Ingmar Bergman's shadow to become one of his country's most influential filmmakers.Presenter, Jason Di RossoProducer, Sarah CorbettSound engineer, Allyse SymonsArts editor, Rhiannon Brown

John Stewart Muller directs films that explore themes of commitment, abandonment, unrequited love, obsession, and emotional emptiness through psychologically complex characters. The son of the noted creative and graphic designer of the same name, John moved to Los Angeles following his upbringing in Kansas City to pursue writing, directing, and producing after studying at Loyola Marymount University. He co-wrote his debut feature, Fling, with his partner, Laura Boersma. Starring Brandon Routh, Courtney Ford, and Steve Sandvoss, the film explores the expectations and fragility of commitment when a couple's experiment with polyamory is disrupted by the return of an ex-partner. Fling marked Routh's first feature following Superman Returns and premiered at the 2008 Newport Beach Film Festival before receiving a theatrical release. Nick Urata of DeVotchKa contributed original music to the film, which complemented its ethereal themes of longing, uncertainty, and unrequited love. He followed with Indiscretion, a noir thriller set against the backdrop of Louisiana state politics, starring Mira Sorvino, Cary Elwes, and Christopher Backus. Continuing Muller's and Boersma's exploration of infidelity and desire, the film examines mental and emotional conflict, greed, and the intersection of art and ambition. Shot on location in New Orleans, the film features Sorvino as a psychiatrist whose life becomes increasingly entangled with politics and personal obsession. Throughout their careers, John and Laura have collaborated on numerous additional projects, including commercial work for clients such as Buick, MasterCard, and Mattel, as well as several acclaimed short films. In our conversation, we discussed why John loves living in Los Angeles; his tendency to collaborate with real-life couples; recent A24 films that have resonated with him; the influence of Ingmar Bergman on his work; and his next feature.Opening Credits: Loyalty Freak Music - Harsh Lovel I CC0; Tommaso Croce - Shapeshift I CC BY-NC. Closing Credits: Pierce Murphy - Caldera Blue I CC BY.

What makes Terminator 2: Judgment Day one of the greatest films ever made?We're excited to have Becky D'Anna join us! Becky is a podcaster, a movie historian, and a lifelong cinephile with a 26-year career in movie marketing. We'll dive into an engaging chat about The Terminator, Comic-Con, the works of Ingmar Bergman, and much more!Becky shares how watching Terminator 2 on opening day in 1991 inspired her Hollywood career and ultimately led to a 26-year career in movie marketing, working on blockbuster franchises including X-Men, Spider-Man, and Terminator Salvation.The conversation also explores Quentin Tarantino's revival of historic movie theaters.In This EpisodeWhy Terminator 2 remains one of the greatest action and science fiction films ever made.How James Cameron blended spectacular action with an emotional story about hope and humanity.The evolution of the Terminator franchise and Becky's ranking of every film.The magic of seeing classic movies with an audience on the big screen.Quentin Tarantino's preservation of the New Beverly Cinema and the Vista Theatre.Becky's lifelong love of Comic-Con and what first-time attendees should expect.What it's like to work in movie marketing and how studios promote blockbuster films.How movie tie-ins with brands and restaurants help launch major releases.Why Ingmar Bergman's films continue to inspire generations of filmmakers.Connect with Becky D'AnnaHanging with Beckyhttps://podcasts.apple.com/us/podcast/hanging-with-becky/id1896866617Director's Take: A Sony Pictures Podcasthttps://directorstakepodcast.comT2 episode just dropped from Film 89 https://podcasts.apple.com/us/podcast/episode-154-terminator-2-judgment-day-1991/id1332493155?i=1000777367810

We review The Virgin Spring (1960) on movie podcast Collector's Cut: The Collection. The Virgin Spring is directed by Ingmar Bergman and stars Max von Sydow, Birgitta Valberg, Gunnel Lindblom, Birgitta Pettersson patreon: https://www.patreon.com/mildfuzztv twitter: https://twitter.com/ScreamsMidnight email: mftvquestions@gmail.com Audio version: https://the-collectors-cut.pinecast.co/

Some films carry a weight: it's a classic; it's a masterpiece, it's a classic masterpiece. Ingmar Bergman's The Seventh Seal is one such film, and Joe loves it. Till now, it's never felt like the right time for Adam to dally with Bergman. Now Joe has made him watch a Knight play chess with Death. This episode comes with no weight, it's a tale of a man, a film and a rusty nail.Got a film you forgot you forgot? Join our growing Discord community and tell us all about it: https://discord.gg/b3CUUdPRf7Or send us an email at moviesyouforgotyouforgot@gmail.com with your thoughts, episode suggestions, or just some light praise.You can also follow Adam @errorofways on Letterboxd; he rates and reviews the films he watches. Also, be a pal: tell your chums, rate us, review us, shout our name into the void - whatever helps spread the word.

As we begin the second half of Folk Horror Summer, we dip our toes into The Virgin Spring, Ingmar Bergman's Academy Award winning movie from 1960. Parallels and themes are emerging and we are beginning to see what makes Folk Horror, Folk Horror.

Matt and Jordan review Netflix’s new comedy Little Brother, which stars Eric Andre as a chaos agent who disrupts the life of a tightly wound real estate agent played by John Cena. Hijinx, nudity, and parabolas of urine ensue. Then, in Rec Seg, they offer some related streaming titles, including a musical dramedy about brothers and a classic '70s comedy. Plus, in reply to a listener streaming request, a pair of international films from the early '60s, and Producer Sam hosts a John Cena-inspired round of trivia. Intro, Little Brother (00:00:00–00:24:16) Rec Seg: Little Brother-Inspired Streaming Recs (00:24:17–00:39:27) Listener Request Recs for an Artsy Down Under Movie Club (00:39:28–01:00:06) Trivia: So You’ve Cen-a Lotta Movies, Have You? (01:00:07–01:24:51) New to Streaming / Credits (01:24:52–01:32:35) Show Notes Now Streaming on Bazooga - A Filmspotting: SVU Archive⁠ https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/⁠ Pre-Order Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" (Coming October 6th):⁠ https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/⁠ Feedback: Email us at feedback@filmspottingSVU.com Follow Matt on Blue Sky: @mattsinger.bsky.social Follow Jordan on Blue Sky: @jhoffman.bsky.social Follow the Show:⁠ https://www.instagram.com/superpulse/⁠⁠ https://www.facebook.com/FilmspottingSvu⁠ Follow the Show:⁠ https://www.instagram.com/superpulse/⁠⁠ https://www.facebook.com/FilmspottingSvu⁠See omnystudio.com/listener for privacy information.

The time has come, dear listeners. The end of June Gloom 2: Down to Frown. We hope you enjoyed this annual, well, bi-annual -okay, occasional - trip into the dark abyss of the "saddies" released by New World Pictures. And for our closing film, do we have a sad film for you: 1978's AUTUMN SONATA aka HÖSTSONATEN, written and directed by Ingmar Bergman, and starring Ingrid Bergman, Liv Ullmann and Lena Nyman. It's a real Bergman-off, with double your Bergmans for all your crying (and whispering) pleasure!How did New World get their hands on this? We explain! How well did the Bergmans (not related) get along during filming? We'll tell you! What's the best elixir for get deep into conversation with you mom? You may know already, but we discuss, and imbibe! Was Bergman a "bro," we explore! And do you want stories about piano lessons from our actual life? You just lucked out! Trust us, 'ol Berg put together a wild movie, and so our episode follows suit, as we discuss the business Bergie should have dived into, delve into Berg Berg's personal life, and hey, are those pizza bites ready yet? Did the timer go off? Are we wrapped for the day or do we have to film more close-ups? Trust us, this is the episode of Bergman you don't want to miss! For more about the New World Pictures Podcast, including previous episodes, t-shirts, mugs, sweatshirts, other merch and more, we DARE YOU to head here: https://newworldpicturespodcast.com/For all the shows in Someone's Favorite Productions Podcast Network, head here:  https://www.someonesfavoriteproductions.com/ 

The second episode of our season on the awesome movie year of 1946 features our pick for a notable debut feature, Ingmar Bergman's Crisis. Written and directed by Ingmar Bergman and starring Inga Landgré, Stig Olin, Marianne Löfgren and Dagny Lind, Crisis is adapted from a Danish radio play by Leck Fischer.The contemporary reviews quoted in this episode (https://www.ingmarbergman.se/en/production/crisis) come from Filmson in Aftonbladet, Barbro Alving in Dagens Nyheter, and Georg Svensson in Bonniers Litterära Magasin.Check out more info and the entire archive of past episodes at https://www.awesomemovieyear.com and visit us on Facebook at http://www.facebook.com/awesomemovieyearYou can find Jason on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Letterboxd at https://letterboxd.com/goforjason/You can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/, on Bluesky at signalbleed.bsky.social and on Letterboxd at https://letterboxd.com/signalbleed/If you're a Letterboxd user and you watch any of the movies we talk about on the show, tag your review “Awesome Movie Year” to share your thoughts.You can find our producer David Rosen and his Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod, on Bluesky at piecingpod.bsky.social and on Letterboxd at https://letterboxd.com/bydavidrosen/ Join the Popcorn & Puzzle Pieces Facebook group at https://www.facebook.com/groups/piecingpod for more movie discussion and our Awesome Movie Year audience choice polls.All of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comSubscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year and Piecing It Together, plus music by David Rosen: https://www.patreon.com/bydavidrosenPlease like, share, rate and comment on the show and this episode, and tune in for the next 1946 episode, featuring the year's biggest flop, Buster Keaton comedy Boom in the Moon.

ANJA'S LONGING, 33min., Taiwan Directed by Elen Ji “If I could live my whole life on my own will, what would it be like?” Anja, a 22-year-old biracial film school undergraduate, imagines her ideal life from birth to death. The perfection of her fantasy starkly contrasts with the incompleteness of her reality, highlighting Anja's deep longing and the story of her life. Get to know the filmmaker: 1. What motivated you to make this film? When I worked as a teaching assistant during my postgraduate studies in the Department of Motion Picture, I encountered a 5-minute doc by college student Anja about her original family. The film was short, but I was deeply touched by the unspoken emotions inside. I wanted to do a film about her, but didn't yet know in what form. Later, I attended a course called "Documentary Production", which required finishing a short doc in one semester. I thought to myself, instead of recording something ongoing, what about recording someone's inner world? Anja came to my mind. I wanted to record Anja's longing. So I developed an idea to shoot Anja's fantasy about her ideal life and invited Anja to play herself in this world. 2. From the idea to the finished product, how long did it take for you to make this film? It takes about nine months. In the first three months, the crew developed the idea, shot the film, and made the rough cut. Then I put the materials aside and turn to prepare my graduation project. It was two years after my graduation that I came back to the materials and re-edited the film. It took another half year to finish the whole work. 3. How would you describe your film in two words!? Authentic & creative. 4. What was the biggest obstacle you faced in completing this film? Since it was the first time I told a story about another person in a non-fiction way, I needed to tackle the subject more carefully. I tried my best to present Anja's inner world and real life. Meanwhile, I bore in mind that I needed to avoid any possibility of exploiting someone's pain. So, regarding what to tell, how to tell, and where to draw the line are challenges for me. 5. What were your initial reactions when watching the audience talking about your film in the feedback video? The audience feedback is very sincere and insightful, extremely precious to me and the crew members. I was both impressed by their high levels of appreciation and deeply touched by their capacity for empathy. I appreciate that a lot! 6. When did you realize that you wanted to make films? When I was a child, like 5 or 6 years old, my favorite game with my pals was making up stories and acting them out. Now looking back, that "childhood pretend play" is the seed, and it naturally turns into making films. 7. What film have you seen the most in your life? The classic films by world master directors, such as Ingmar Bergman, Andrei Tarkovsky, Krzysztof Kieslowski, David Lean, Ozu Yasujiro, and Abbas Kiarostami. Recently, I've become a fanatic about Martin Scorsese's "Taxi Driver". 8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career? More physical screenings and more audience interaction. 9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site? As always, it is handy and efficient. However, as the platform expands and thus includes more festivals, you need to make a more careful selection. 10. What is your favorite meal? A daily meal cooked by my mum. She emphasizes the original flavor of the ingredients and knows how to make a nutrition-balanced one. Oh, I missed her cooking since we live in different cities right now. 11. What is next for you? A new film? At the moment, I'm working on my first feature-length script, a story about four women's friendship and their entangled destiny. Hope everything goes well, and it will be made into a film in the near future. —— Subsc

We're playing chess! With Death! And Daniel Epler from The Cobwebs YouTube Channel! It's Ingmar Bergman's The Seventh Seal (1957) and we're talking about it on this week's episode.CMP on Bluesky, and InstagramCobwebs on YouTube, Instagram, and LetterboxdMatt on Bluesky, Instagram, and LetterboxdAnthony on Bluesky, Instagram, and Letterboxd

The first episode of our season on the awesome movie year of 1946 features the box-office champion, King Vidor's Duel in the Sun. Directed by King Vidor and starring Jennifer Jones, Gregory Peck, Joseph Cotten, Lillian Gish and Lionel Barrymore, Duel in the Sun was producer David O. Selznick's effort to match his success and acclaim with Gone With the Wind.The contemporary reviews quoted in this episode come from Bosley Crowther in The New York Times (https://www.nytimes.com/1947/05/08/archives/duel-in-the-sun-selznicks-lavish-western-that-stars-jennifer-jones.html), William Brogdon in Variety (https://variety.com/1945/film/reviews/duel-in-the-sun-1117790601/), and Edwin Schallert in the Los Angeles Times.Check out more info and the entire archive of past episodes at https://www.awesomemovieyear.com and visit us on Facebook at http://www.facebook.com/awesomemovieyearYou can find Jason on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Letterboxd at https://letterboxd.com/goforjason/You can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/, on Bluesky at signalbleed.bsky.social and on Letterboxd at https://letterboxd.com/signalbleed/If you're a Letterboxd user and you watch any of the movies we talk about on the show, tag your review “Awesome Movie Year” to share your thoughts.You can find our producer David Rosen and his Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod, on Bluesky at piecingpod.bsky.social and on Letterboxd at https://letterboxd.com/bydavidrosen/ Join the Popcorn & Puzzle Pieces Facebook group at https://www.facebook.com/groups/piecingpod for more movie discussion and our Awesome Movie Year audience choice polls.All of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comSubscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year and Piecing It Together, plus music by David Rosen: https://www.patreon.com/bydavidrosenPlease like, share, rate and comment on the show and this episode, and tune in for the next 1946 episode, with our pick for a notable debut feature, Ingmar Bergman's Crisis.

To cineastes of the 20th century, Ingmar Bergman was a fixture on the Mount Rushmore of World Cinema. His cultural presence receded in the decades following his death but Gen Z interest in his films, driven by streaming and Letterboxd, is suddenly on the rise. We couldn't wait to pick one of his most challenging movies to see how it plays to a younger audience. Persona (1966), made smack-dab in the middle of Bergman's career, has delighted and perplexed audiences from the day it was released. Some of the issues it tackles — identity, motherhood, sexuality — are perennial. Others -- Jungian duality and the artificiality of filmmaking — seem ripe for a comeback. Hearing different generations of film lovers grapple with this masterpiece illuminates how our culture has changed and what continues to endure. Listen in for the surprising results.   Hosts: Mark Netter & David Tausik  Panelists:  Guy Lewis, Kylee LaRue, Olive Goldberg & Brennan Guntang An ElectraCast Production  Trailer: https://www.youtube.com/watch?v=YEfJopPIbQg&t=163s Wikipedia: https://en.wikipedia.org/wiki/Persona_(1966_film) IMDB: https://www.imdb.com/title/tt0060827/ Rotten Tomatoes: https://www.rottentomatoes.com/m/persona Learn more about your ad choices. Visit megaphone.fm/adchoices

Watch the full episode here: https://renderingunconscious.substack.com/p/ru402-mani-king-sharpe-on-psychoanalytic RU402: DR. MANI KING SHARPE ON PSYCHOANALYTIC FILM THEORY Join Rendering Unconscious Podcast at Substack for all new and archival episodes: https://renderingunconscious.substack.com Rendering Unconscious welcomes Dr. Mani King Sharpe to the podcast! Rendering Unconscious episode 402. On this episode, Mani discusses his research in film studies, highlighting the importance of psychoanalytic concepts like castration anxiety and the mirror stage in understanding cinema. He reviews his work on psychological trauma as portrayed in films, such as Alain Resnais' Muriel, or The Time of Return (1963) and Ingmar Bergman's Hour of the Wolf (1968). He also looks at the work of Laura Mulvey and her concept of the male gaze, and explores the use of psychoanalysis in non-Western cinema, including Algerian national cinema. Mani emphasizes the relevance of psychoanalytic theories in film studies despite criticisms, and the potential of psychoanalysis to engage students and promote public understanding. Mani King Sharpe, PhD is Lecturer in Film Studies / Director of Film Studies at the University of Leeds. https://ahc.leeds.ac.uk/languages/staff/2142/dr-mani-sharpe Facing the Mind: https://facingthemind.leeds.ac.uk New edited collection: War Faces on Screen: https://www.bloomsburycollections.com/monograph?docid=b-9798765129227 RU News & Events: Sunday, June 7th, Emmalea Russo will continue her wildly popular series on poetry and psychoanalysis with REPETITION, RETURN, REBIRTH: On the psychoanalytic poetry of Cynthia Cruz and the Summer Solstice. https://www.tickettailor.com/events/renderingunconsciouscenterforpsychoanalysis/2152623 Saturday, June 13th, my Introduction to Psychoanalysis course continues! n the previous class, we reviewed Freud's later works, including Group Psychology and Civilization and its Discontents. In this next class, we'll be looking at Anna Freud, Melanie Klein, and the Controversial Discussions, as well as revolutionary psychoanalysts Wilhelm Reich and Otto Fenichel. On Wednesday, June 24th, join Freudian cinephile Mary Wild for The Man Who Fell Into Himself: David Bowie's 1970s Transformations. https://www.eventbrite.co.uk/e/the-man-who-fell-into-himself-david-bowies-1970s-transformations-tickets-1986912621136 All paid subscribers to RU Center for Psychoanalysis will receive the zoom links to attend these events live and the recordings will be archived at Substack. https://rucenterforpsychoanalysis.substack.com Full archive of RU Center events and CLASSES HERE: https://rucenterforpsychoanalysis.substack.com/t/classes See RU Center SCHEDULE OF EVENTS HERE: https://rucenterforpsychoanalysis.substack.com/p/schedule Rendering Unconscious is also a book: Rendering Unconscious: Psychoanalytic Perspectives, Politics & Poetry vols 1:1 & 1:2 (Trapart Books, 2024): https://amzn.to/4sOqSEu Thank you for being a paid subscriber to Rendering Unconscious Podcast. It makes my work possible. If you are so far a free subscriber, thanks to you too. Please consider becoming a paid subscriber to gain access to all the material on the site, including new, future, and archival podcast episodes. It's so important to maintain independent spaces free from censorship and corporate influence. If you are interested in pursuing psychoanalytic treatment with me, please feel free to contact me directly: www.drvanessasinclair.net/contact/ Thank You.

Dmitri Mugianis is a psychedelic practitioner, musician, and space creator. In this episode, we explore addiction, psychedelics, music, culture, modernity, space, healing, community, and religion, topped off with some coffee, cigars, and Harlem fried chicken. Connect and Learn MoreWebsites: dimitrimugianis.com  ·  cardea.netInstagram: @dimitrimugianisResourcesBooks: How to Change Your Mind, Virtue HoardersPeople: Allen Ginsberg, Alexandre Tannous, Andrew Huberman, Catherine Liu, Deacon Seraphim, Federico Fellini, Glenn Johnson, Herbert Hunkie, Joe Rogan, Ingmar Bergman, John Sinclair, Lou Reed, Martin Buber, Martin Luther King Jr., Michael Pollan, Michel Foucault, Michel Negroponte, Peter Attia, Pier Pablo Pasolini, Ralph Waldo Emerson, Randy Polumbo, Richie Ogulnick, Robert F. Kennedy, Ross Ellenhorn, Sara Glatt, Walter CronkiteFilms: Frostbiter, I'm Dangerous with LoveMusicians: Fela Kuti, Leisure Class, MC5, Sun Ra, The Stooges , The Velvet UndergroundPodcasts: Huberman Lab, This American Life, The Peter Attia Drive, The Joe Rogan Experience, The Symbolic World

Personas reales convertidas en personajes por su obra, por su cine, sus interpretaciones o sus escritos. Hoy les proponemos otra forma de mirar vida y personajes que tal vez ya conociéramos. Luis Carlos Marco Bruna, presenta “Pasión”, una novela epistolar basada en el rodaje de la película del mismo título de Ingmar Bergman que publica con Prames Editorial. A través de textos breves, cartas y las ilustraciones de Emilio Amella Luis Carlos completa la historia que la película no cuenta en un paisaje de blancos y emociones subterráneas.Mar Mata revive y reconstruye la complicada relación de Ted Hughes y Sylvia Plath en “El búho grande y poderoso” que publica Olifante ediciones de poesía. No es una biografía, es la investigación sobre las causas y motivos de una relación mítica que terminó trágicamente.

On this episode Matt and Jon discuss The Mandalorian and Grogu, I Love Boosters, Obsession, The Boys, Spider-Noir, Rick and Morty & Hacks while Jon checked out Marty, Life is Short, The Last Kings of Hollywood by Paul Fischer, Beef, Night Patrol and Milk and Serial while Matt saw a few movies and continued his Ingmar Bergman retrospective and Six Feet Under rewatch. Threads: https://www.threads.net/@jonwahizzle Facebook: https://www.facebook.com/groups/damnthattelevision/ Instagram: https://www.instagram.com/damntvpod Bluesky: https://bsky.app/profile/mattlovestv.bsky.social https://bsky.app/profile/jonwahizzle.bsky.social Letterboxd: https://letterboxd.com/mattlovestv/ https://letterboxd.com/jonwahizzle/ Jon on AIPT: https://aiptcomics.com/author/jonathanw/ Matt's show The Drop: A Pop Culture Mix Tape: wscafm.org Sundays 6-8 PM: https://www.facebook.com/groups/thedropwsca/

In the eleventh episode of Season 12: On the Road, Kyle is joined for a one-on-one conversation with editor Kristi Shimek to discuss the abstract and personal depiction of the road movie traversing the subconscious in Ingmar Bergman's meditative and probing deconstruction of legacy, love, and meaning in Wild Strawberries (1957).

durée : 00:18:04 - Les émissions culturelles de France Culture - par : Marie Labory - Le metteur en scène Markus Öhrn s'attaque à l'œuvre de son compatriote suédois Ingmar Bergman en adaptant pour le théâtre "Scenes of a marriage" portée par deux comédiens masqués. - réalisation : Laurence Malonda, Boris Pineau, Aïssatou N'Doye, Jules Barbier, Zohra Vignais, Lise Ripoche, Mathi Adjinsoff - invités : Marie Sorbier Productrice du "Point Culture" sur France Culture, et rédactrice en chef de I/O, Victor Inisan docteur en études théâtrales, dramaturge et critique Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:27:25 - Les émissions culturelles de France Culture - par : Marie Labory - Au menu de la critique, du théâtre avec : "Scenes from a marriage" de Markus Ohrn, adapté de la série crée en 1973 par Ingmar Bergman ; et "Edith Beale au Reno Sweeney" de Pierre Maillet. - réalisation : Laurence Malonda, Boris Pineau, Aïssatou N'Doye, Jules Barbier, Zohra Vignais, Lise Ripoche, Mathi Adjinsoff - invités : Marie Sorbier Productrice du "Point Culture" sur France Culture, et rédactrice en chef de I/O, Victor Inisan docteur en études théâtrales, dramaturge et critique Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

En el antiguo teatro griego, los actores utilizaban unas pesadas máscaras de madera llamadas prosopon —la raíz de la palabra "persona" o "personalidad"—. Su único propósito era que la voz del actor resonara y que el público identificara rápidamente su función: la madre abnegada, la heroína, la esposa incondicional.Hoy, un par de milenios después, el escenario ha cambiado, pero el guion se siente inquietantemente familiar. Nos levantamos y nos colocamos la máscara de la profesional resolutiva; a media tarde la cambiamos por la de la cuidadora perfecta, y en la noche... cuando el ruido por fin cesa, a veces nos damos cuenta de que hemos olvidado cómo desatar los nudos que sostienen esas máscaras.En su obra maestra cinematográfica, Persona, el director Ingmar Bergman nos muestra cómo el silencio y la presión pueden hacer que nuestras identidades colapsen y se fracturen. Y no es solo poesía visual; la neurociencia respalda esta ruptura. Sostener identidades fragmentadas o fabricadas para complacer al entorno consume una cantidad masiva de energía cognitiva. Lo que tú llamas "estar agotada" al final del día, tu cerebro lo procesa como una fatiga identitaria crónica. Es el agotamiento de sostener un edificio entero sobre tus hombros.Hoy vamos a hacer una autopsia a esa estructura. Vamos a explorar La Arquitectura de Nuestros Roles.No vamos a hablar de cómo "gestionar mejor tu tiempo" para seguir cumpliendo con todos. Vamos a ir más profundo, a las grietas de esa fachada, para intentar responder a la pregunta que el mundo nos ha enseñado a evadir: Cuando nadie te exige nada, cuando nadie te mira... ¿Quién eres debajo de la máscara?

Episode 162: We dive into the ghostly CARNIVAL OF SOULS (1962), a cult classic that fused low-budget horror with the existential art-house sensibilities of Ingmar Bergman and Jean Cocteau. Beneath its eerie imagery and abandoned carnival landscapes lies a deeply personal meditation on death, alienation, and the terrifying feeling of no longer belonging to the world around you. If you are able to support Tom Fitzgerald, please sign up for the OFH Patreon: http://patreon.com/onefuckinghour VOTE HERE – WHAT MOVIE FROM 1963 SHOULD WE COVER FOR NEXT EPISODE?: https://www.youtube.com/post/UgkxB-hww_Q3zL8NF-6WarM61OoclcX2hYO-

Peter Birro och Gustaf Skarsgård ska göra film tillsammans. Filmen ska heta Kannibalen på Fårö och innehålla mycket - hjärta, skräck och skratt. Lyssna på alla avsnitt i Sveriges Radios app. ”Gustaf Skarsgård regidebuterar med Kannibalen på Fårö, en totalt gränsöverskridande historia om filmskapandets möjligheter och irrvägar med manus av Peter Birro.” Så beskriver filmbolaget filmplanerna som presenterades på Film i Västs pressträff i Cannes.Björn Jansson har träffat de två för att höra mer om planerna, där Ingmar Bergman figurerar både som geni och demon. Och vi får också reda på vad som skrämde livet ur de två när de var åtta-åringar.

Barbra Streisand kommer till Cannes Filmfestival i år för att ta emot en Hedersguldpalm. Hon inledde sin karriär i filmens värld som en superstjärna. Lyssna på alla avsnitt i Sveriges Radios app. I motiveringen till hederspriset beskrivs hon som en internationell ikon. "Hon är den legendariska sammansmältningen mellan Broadway och Hollywood, mellan varieté- scen och storfilmsduken" står det bland annat i motiveringen.P1 Kulturs Björn Jansson tecknar hennes porträtt med intervjuer från genombrottet, musik och filmklipp. Och så en intervju med Ingmar Bergman från 80-talet.

Den 87-åriga skådespelaren och regissören Liv Ullmann har i vår tilldelats European Lifetime Achievement Award. P1 Kulturs Lisa Bergström träffade Ullmann i samband med en blixtvisit i Stockholm. Lyssna på alla avsnitt i Sveriges Radios app. Ullmann filmdebuterade redan 1957 och har gått till filmhistorien inte minst för sina samarbeten med Ingmar Bergman (”Persona”, ”Viskningar och rop” och ”Scener ur ett äktenskap”) och Jan Troell (”Utvandrarna”).Som regissör har Liv Ullmann fortsatt att tolka sin gode vän Ingmar Bergmans berättelser för filmduken.Följ med på en resa in i ett helt liv på den vita duken...

Zašto je Viktor platio neverovatnih 300 evra za rani pristup seriji "Senke nad Balkanom 3" i šta se desi kada čovek sa najlepšim glasom Jugoslavije, Igor Brakus i polovina @ObneobRadio ,donese preporuke za najdepresivnije serije na Balkanu? U 79. epizodi Njuz POPkasta donosimo vam ultimativne filmske (muzičke i književne) preporuke! Od maestralne i mračne Pejakovićeve trilogije "Meso, Kosti, Koža", preko novog SF hita "Hail Mary" sa Rajanom Goslingom i brutalnog filma Park Čan Vuka, pa sve do skandala zvanog "Beogradsko poselo na Zappa barci"! Igor Brakus objašnjava zašto nije pročitao knjigu od 12. godine, dok vas mi učimo kako da postanete milioneri preko Indeks fondova. Obavezno ostavite lajk i napišite u komentarima - koja domaća serija je po vama najmračnija?

Religious Month continues with one of the most iconic and philosophical films ever made — The Seventh Seal by Ingmar Bergman.Set during the Black Death, the film follows a knight who returns home only to encounter Death himself — and challenges him to a game of chess in a desperate search for meaning. Through striking imagery and quiet conversations, Bergman explores faith, doubt, mortality, and the silence of God.We dive into the film's unforgettable symbolism, its lasting impact on cinema, and why its questions about life and belief still resonate today. From its haunting visuals to its existential core, The Seventh Seal is as thought-provoking as it is timeless.Bleak, beautiful, and deeply human — this is cinema wrestling with the biggest questions of all.#WatchTowerFilmPodcast #ReligiousMonth #SeventhSeal #IngmarBergman #ClassicCinema #ExistentialFilm #FaithAndFilm #FilmPodcast #CinephileTalk

Levi from the Well-Adjusted Horror Podcast joins us for an episode of Short Ends that is a bit silly and odd. We're talking De Düva from 1968, an Oscar nominated black & white short film that parodies the work of Ingmar Bergman. Will it turn out to be a hit with the fellas or will it just a pundent avian turd of a film? Tune in to find out!

Il lavoro creativo può aiutarci a restare in equilibrio e ricaricarci.Una volta a settimana ascoltiamo la pratica creativa di un grande artista: oggi è la volta de leggendario regista Ingmar Bergman, in un brano tratto da “Rituali quotidiani” di Mason Currey, edizioni Vallardi.“RESPIRO” è la rubrica giornaliera del podcast “Il Mondo Invisibile”, dedicata ad artisti, creativi e non solo.Se trovi questo podcast interessante, parlane e condividilo con qualcuno a cui tieni. Ti auguro una buona giornata.A presto!Alessandro#ilmondoinvisibilepodcast #respiropodcast #arte #creatività #ispirazione #podcastitaliani #respiro 

We're kicking off a month of "cream of the crop" films with an arthouse flick that continues to be studied and criticized. Levi from the Well-Adjusted Horror Podcast joins us as our Ingmar Bergman expert as we chat about Persona from 1966. Will the enigmatic dive into the self click for the fellas or will they be left unable or unwilling to put the pieces together? Does any of it matter when things look so beautiful? Tune in to find out!

On this episode, host Dr Pasquale Iannone marks the centenary of one of the towering figures of world cinema, the Polish filmmaker Andrzej Wajda. Born in 1926, Wajda was a clear-eyed and sensitive chronicler of Polish history, literature and culture in a film career spanning more than 65 years. He is probably best known for his war trilogy of the mid to late 1950s - A Generation (1955), Kanał (1957) and Ashes and Diamonds (1958) - politically-committed, formally daring films which chronicled Polish experience of WWII and its aftermath. Joining Pasquale to discuss Wajda is film scholar, critic and programmer Michał Oleszczyk. Based in Warsaw, Michał has written extensively on Wajda and earlier this year he programmed a special strand for the Kinoteka Polish Festival focusing on the artistic kinship between Wajda and one of his former assistants Andrzej Żuławski. Michał also contributed to a major Wajda season at BFI Southbank.Michał and Pasquale position Wajda in the context of post-war Polish cinema, they look at the three films in his war trilogy and they also explore some of his later features, including one lesser-known title starring Sir John Gielgud that was in Ingmar Bergman's Top 10 Films of All Time.

Ryan, John, and Dixon grapple with mortality, divinity, and the meaning of life as they piece together Ingmar Bergman's inconic masterpiece The Seventh Seal (1957).  Join us in our futile search for purpose as we await our inevitable dance with Death.

On this episode Matt and Jon send well wishes to Bruce Campbell, then discuss DTF St. Louis, The Pitt and Shrinking, while Jon checked out Monarch: Legacy of Monsters, The Bluff and Matt Fraction's Batman, and Matt saw Modern Times, The General and continues his Ingmar Bergman watch! Threads: https://www.threads.net/@jonwahizzle Facebook: https://www.facebook.com/groups/damnthattelevision/ Instagram: https://www.instagram.com/damntvpod Bluesky: https://bsky.app/profile/mattlovestv.bsky.social https://bsky.app/profile/jonwahizzle.bsky.social Letterboxd: https://letterboxd.com/mattlovestv/ https://letterboxd.com/jonwahizzle/ Jon on AIPT: https://aiptcomics.com/author/jonathanw/ Matt's show The Drop: A Pop Culture Mix Tape: wscafm.org Sundays 6-8 PM: https://www.facebook.com/groups/thedropwsca/

Author and broadcaster Samira Ahmed used to watch A Hard Day's Night once a week and she's just written an enthralling account of the shoot and its impact for the BFI's Classic Films series. A movie, she points out, that celebrates Britishness and suburbia made largely by immigrants that broke every Hollywood rule, a film made to capture the essence of the Beatles before the bubble burst “which turned out to be the start of something not the end”. She talks to us here about … … the film's connections with the Goons, the Young Ones, Dr Strangelove, Star Wars, Billy Liar, It's Trad Dad and the Nouvelle Vague … and its influence - from the Dave Clark Five's Catch Us If You Can and Paul Jones' Privilege to Charlie XCX and the Moment … how the train sequence for I Should Have Known Better invented pop video … the play John and Paul wrote (Pilchard!) that was a homage to its scriptwriter Alun Owen … Paul's two-day solo shoot with Isla Blair and other (mercifully) deleted scenes ... Profumo, pirate radio, the changing Britain of 1964 … Pattie Boyd, Anna Quayle, Alison Seebohm and other stand-out female stars … Wilfred Brambell's gigantic fee and how badly his part has aged … why George and Ringo emerged as the stars … surely the greatest scene? – “She's a drag, a well-known drag. We turn the sound down on her and say rude things” … “hair that moved!”: the film's impact in the USA … “beat-up and depraved in the nicest possible way” … and how the dubbed-on dialogue about Ingmar Bergman made the German version “a film for cineastes”. Order Samira's book here: https://www.bloomsbury.com/uk/hard-days-night-9781839029394/Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Author and broadcaster Samira Ahmed used to watch A Hard Day's Night once a week and she's just written an enthralling account of the shoot and its impact for the BFI's Classic Films series. A movie, she points out, that celebrates Britishness and suburbia made largely by immigrants that broke every Hollywood rule, a film made to capture the essence of the Beatles before the bubble burst “which turned out to be the start of something not the end”. She talks to us here about … … the film's connections with the Goons, the Young Ones, Dr Strangelove, Star Wars, Billy Liar, It's Trad Dad and the Nouvelle Vague … and its influence - from the Dave Clark Five's Catch Us If You Can and Paul Jones' Privilege to Charlie XCX and the Moment … how the train sequence for I Should Have Known Better invented pop video … the play John and Paul wrote (Pilchard!) that was a homage to its scriptwriter Alun Owen … Paul's two-day solo shoot with Isla Blair and other (mercifully) deleted scenes ... Profumo, pirate radio, the changing Britain of 1964 … Pattie Boyd, Anna Quayle, Alison Seebohm and other stand-out female stars … Wilfred Brambell's gigantic fee and how badly his part has aged … why George and Ringo emerged as the stars … surely the greatest scene? – “She's a drag, a well-known drag. We turn the sound down on her and say rude things” … “hair that moved!”: the film's impact in the USA … “beat-up and depraved in the nicest possible way” … and how the dubbed-on dialogue about Ingmar Bergman made the German version “a film for cineastes”. Order Samira's book here: https://www.bloomsbury.com/uk/hard-days-night-9781839029394/Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Author and broadcaster Samira Ahmed used to watch A Hard Day's Night once a week and she's just written an enthralling account of the shoot and its impact for the BFI's Classic Films series. A movie, she points out, that celebrates Britishness and suburbia made largely by immigrants that broke every Hollywood rule, a film made to capture the essence of the Beatles before the bubble burst “which turned out to be the start of something not the end”. She talks to us here about … … the film's connections with the Goons, the Young Ones, Dr Strangelove, Star Wars, Billy Liar, It's Trad Dad and the Nouvelle Vague … and its influence - from the Dave Clark Five's Catch Us If You Can and Paul Jones' Privilege to Charlie XCX and the Moment … how the train sequence for I Should Have Known Better invented pop video … the play John and Paul wrote (Pilchard!) that was a homage to its scriptwriter Alun Owen … Paul's two-day solo shoot with Isla Blair and other (mercifully) deleted scenes ... Profumo, pirate radio, the changing Britain of 1964 … Pattie Boyd, Anna Quayle, Alison Seebohm and other stand-out female stars … Wilfred Brambell's gigantic fee and how badly his part has aged … why George and Ringo emerged as the stars … surely the greatest scene? – “She's a drag, a well-known drag. We turn the sound down on her and say rude things” … “hair that moved!”: the film's impact in the USA … “beat-up and depraved in the nicest possible way” … and how the dubbed-on dialogue about Ingmar Bergman made the German version “a film for cineastes”. Order Samira's book here: https://www.bloomsbury.com/uk/hard-days-night-9781839029394/Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Editors - Arthur Tarnowski ACE, CCE and Véronique Barbe CCE After years of working in different cutting rooms across Montreal, Heated Rivalry editors Arthur Tarnowski and Véronique Barbe are finally skating on the same line for showrunner Jacob Tierney. But bringing the "spicy" subject matter of Rachel Reid's book series to tv audiences would be no small feat. It required the editors to find the right balance of tension, chemistry and character within and around the steamy sexual encounters of the shows main characters. Heated Rivalry follows the lives of two budding hockey superstars, Canadian Shane Hollander and Russian Ilya Rozanov.  Before becoming pro hockey players, the two meet as competitors at an international hockey competition.  Six months later they would be drafted by two rival teams, the Montreal Metros and the Boston Raiders.  Although their on-ice rivalry is amplified by media coverage and public perception, the two develop a private, initially casual sexual relationship that continues intermittently over several years as they pursue their hockey careers.  Keeping this relationship hidden from the world is a challenge greater than either would ever have on the ice. ARTHUR TARNOWSKI ACE, CCE Arthur Tarnowski is an award-winning editor who grew up loving James Bond and Ingmar Bergman films (thank you PBS). Editor of over 40 features, in both English and French, his eclectic filmography encompasses everything from broad comedies like the Canadian box-office hits Father and Guns 2 and Compulsive Liar to auteur cinema like Drunken Birds (Canada's Academy Awards submission, 2022), Kidnapping Inc.(Sundance 2024; Haiti's Academy Awards submission, 2026), Irena's Vow (TIFF 2023) and The Hummingbird Project(TIFF 2018). He also enjoys cutting action pictures such as Deadfall (Tribeca 2013), Brick Mansions and The Decline. His television work includes The Sticky, DMV, 19-2, Bad Blood, Being Human, The Art of More, and The Moody's. He has also created trailers for over 150 films. His most recent project, Heated Rivalry—a Crave/HBO series created with frequent collaborator writer-director Jacob Tierney—has become a global television phenomenon. VÉRONIQUE BARBE CCE Aside from her work on Heated Rivalry, Vero's credits include HBO's Big Little Lies and Sharp Objects, both directed by Jean‑Marc Vallée — a cherished creative partner and mentor whose impact continues to guide her work. She has edited TV series and films across Canada, the U.S., Europe, and Japan, and has earned nominations from the Emmys, ACE, CCE, and CSA.   Visit Extreme Music for all your production audio needs Check out what's new with Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

On this episode Matt and Jon disucss Sentimental Value, Shrinking, The Pitt, Wonder Man and A Knight of the Seven Kingdoms, while Jon saw Mel Brooks: The 99-Year-Old Man! and Matt saw Bone Lake, Fargo, Hard Boiled, began an Ingmar Bergman watch and nears the end of Ghost of Yotei! Threads: https://www.threads.net/@jonwahizzle Facebook: https://www.facebook.com/groups/damnthattelevision/ Instagram: https://www.instagram.com/damntvpod Bluesky: https://bsky.app/profile/mattlovestv.bsky.social https://bsky.app/profile/jonwahizzle.bsky.social Letterboxd: https://letterboxd.com/mattlovestv/ https://letterboxd.com/jonwahizzle/ Jon on AIPT: https://aiptcomics.com/author/jonathanw/ Matt's show The Drop: A Pop Culture Mix Tape: wscafm.org Sundays 6-8 PM: https://www.facebook.com/groups/thedropwsca/

Finbesök i Inaktuelltstudion när komikern och manusförfattaren Svea Sigmond gästar Jonas Nilsson och Hasse Brontén. Innehållet i Katja Nybergs berömda påse, Dermot Clemengers löpsteg och Ingmar Bergmans förflutna får sig en omgång.Följ oss på Instagram: @inaktuelltpoddMejla in dina frågor till: inaktuellt@podplay.seLyssna på Inaktuellt VARJE måndag och torsdag i Podplay-appen med Jonas Nilsson, Hasse Brontén och Dawwas vikarie Jeff Keff.

VEM: Stefan SaukYRKE: SkådespelareAVSNITT: 713OM: Fysiken och åldrandet, skolan i Nairobi, filmklimatet i Sverige, Ingmar Bergman som höll sig på avstånd, karate, vari Sauks aktörsmässiga begåvning ligger, Ernst-Hugos plantskola, föräldrarnas skilsmässa, ensamma barndomen, det egna partiprogrammet, ilskan i Stockholmstrafiken, känslorna gentemot Alex & Sigge efter Mardrömsgästen, osvensk uppriktighet, konfliktryktet, känslan av att vara missförstådd och givetvis en hel del om idoga rättelser (fem, närmare bestämt) av K Triumfs eventuellt osanna, långlivade och märkligt konsekventa uppfattning om att Stefan Sauk skulle vara tio år äldre än vad han är.SAMTALSLEDARE: Kristoffer TriumfPRODUCENT: Mattias ÅsénKONTAKT: varvet@triumf.se och Instagram Hosted on Acast. See acast.com/privacy for more information.

VEM: Stefan SaukYRKE: SkådespelareAVSNITT: 713OM: Fysiken och åldrandet, skolan i Nairobi, filmklimatet i Sverige, Ingmar Bergman som höll sig på avstånd, karate, vari Sauks aktörsmässiga begåvning ligger, Ernst-Hugos plantskola, föräldrarnas skilsmässa, ensamma barndomen, det egna partiprogrammet, ilskan i Stockholmstrafiken, känslorna gentemot Alex & Sigge efter Mardrömsgästen, osvensk uppriktighet, konfliktryktet, känslan av att vara missförstådd och givetvis en hel del om idoga rättelser (fem, närmare bestämt) av K Triumfs eventuellt osanna, långlivade och märkligt konsekventa uppfattning om att Stefan Sauk skulle vara tio år äldre än vad han är.SAMTALSLEDARE: Kristoffer TriumfPRODUCENT: Mattias ÅsénKONTAKT: varvet@triumf.se och Instagram Hosted on Acast. See acast.com/privacy for more information.

Episode 115 - Happy 2026! The first episode of the new year is our last Bergman discussion. This week we watch and discussed The Seventh Seal (1957) Arguably Bergman's most well-known film, the Seventh Seal follows a knight, his squire, a rag tag group of performers and others during the time of the black plague in Sweden. Those of you familiar with the film Bill and Ted's Bogus Journey might recognize the plot device of death playing a game for the life of the main character. Who borrowed from who? Tune in to find out. And tune in soon as we release our end of the year MRAC film club awards, where we reflect on the year past and all the films we watched.email us at mracfilmclub@gmail.com

Episode 114 - It is week 3 of Ignmar Bergman month here on MRAC, and for this week we watched and discussed To Joy (1950), a film that follows an orchestral musician couple through their turbulent relationship. It's a bit of a gut punch, so grab some tums and strap yourself in. QQ could not join us for this one but we got to meet Caifu, the newest member of the family. Tune in this week, and stay tuned for our final Bergman episode when we will be watching and discussing The Seventh Seal (1957). Pete will also be revealing next month's theme.And stay tuned soon after that for our end of the year MRAC awards ceremony.Email us at mracfilmclub@gmail.com

Paul and Erin review more new releases, including Kathryn Bigelow's A HOUSE OF DYNAMITE, Yorgos Lanthimos' BUGONIA, Kelly Reichardt's THE MASTERMIND, Richard Linklater's BLUE MOON and Nia DaCosta's HEDDA, and look back at Ingmar Bergman's "Faith Trilogy," Dario Argento's DEEP RED and Ethan Hawke's new TV series THE LOWDOWN.

We are so excited to celebrate spooky season with our friends, Becky D'Anna & Jon Laubinger, as they launch their new show - DIRECTOR'S TAKE: A SONY PICTURES PODCAST! We got to chat with them about one of their favorite films of this last year, Steven Soderbergh's, PRESENCE (2024). Be sure to check out their New Podcast! Director's Take brings today's most acclaimed filmmakers into conversation with the films that shaped them. Each episode spotlights a director exploring a work they didn't make—but deeply admire—revealing how these stories continue to inspire new generations of artists and audiences. With fresh perspectives and cultural context, Director's Take reintroduces landmark titles as works worth rediscovering.Becky D'Anna has worked in the film industry for over two decades. She contributed to event marketing campaigns ranging from the X-Men franchise at Twentieth Century Fox to the Spider-Man franchise at Sony Pictures. Becky most recently worked on the third-party partnership campaigns for the Oscar-winning animated film, Spider-Man: Into the Spider-Verse, and Sony Picture's highest grossing film in its history, Spider-Man: No Way Home. When not at Sony, Becky loves sharing her film knowledge by writing and podcasting about her favorite movies, TV shows, and filmmakers. In addition, Becky is a guest instructor on film history and appreciation. She most recently taught a 6-hour lecture on the films of Ingmar Bergman at UC Riverside as part of their two week "Contemporary Approaches to Filmmaking" program, and was a guest panelist on the “Horror and the Inevitable Remake" panel at San Diego Comic Con 2022.Website: https://beckydanna.com/ Jonathan Laubinger is an avid movie lover and podcaster. He created, hosted, edited, and produced the Film Baby Film podcast, which primarily focused on deep-dive episodes of beloved art house film classics. Jonathan has also appeared on several other podcasts including WrongReel, Criterion Reflections, and others. He has appeared on multiple game shows, winning almost $90,000. For his day job, he is an executive at a start-up in the specialty insurance industry. Jonathan is a Fellow of the Casualty Actuarial Society and has his JD/MBA from Boston College. Spotify: https://open.spotify.com/episode/6H16LiwpgrEPQ8uhHE3FRU?si=5hilMRDWQHioGht6V29gVQ&nd=1&dlsi=7dd3dcf875154dd4Apple Podcasts:https://podcasts.apple.com/us/podcast/zach-cregger-adaptation/id1840753945?i=1000729183843Amazon Music / Audible: https://music.amazon.com/podcasts/08c227b8-ce1f-4817-9241-b11defb40a4c/directors-takePandora - https://pandora.app.link/Qs77bumo4WbTuneIn - http://tun.in/pxVVWSupport the show

Live from the historic Djurgårdscirkus theater in Stockholm, join us as we dive headfirst into the frosty fjords of Sweden! From government-funded moose warning signs to the national obsession with fermented fish that smells like Satan's humidifier, it's a smörgåsbord of Scandinavian magic! The dolls dissect Sweden's bizarre love affair with coffee breaks (yes, “fika” is mandatory), their legally protected right to sunbathe naked on someone else's lawn, and the insanely scary haunted house at Gröna Lund where Trixie's screams may have summoned the ghost of Ingmar Bergman. Buckle up, as this is a Volvodyssey of Viking realness you won't soon forget. Start your free online visit today and find ED treatment that's up to 95% less than brand names at ⁠https://HIMS.com/BALD Work on your financial goals through Chime today! Open an account in 2 minutes at https://Chime.com/BALD Chime. Feels like progress. Get your gut going and support a balanced gut microbiome with Ritual's Synbiotic+. Get 25% off your first month at https://Ritual.com/BALD Need a website? Head to Squarespace.com for a free trial, and when you're ready to launch, go to https://Squarespace.com/BALD to save 10% off your first purchase of a website or domain! Start listening and discover what's beyond the edge of your seat with Audible! New members can try Audible now free for 30 days and dive into a world of new thrills. Visit https://Audible.com/BALD or text BALD to 500-500 Give your summer closet an upgrade with Quince! Go to https://Quince.com/BALD for free shipping on your order and three hundred and sixty-five -day returns! Follow Trixie: @TrixieMattel Follow Katya: @Katya_Zamo To watch the podcast on YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bit.ly/TrixieKatyaYT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ To check out our official YouTube Clips Channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/TrixieAndKatyaClipsYT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Don't forget to follow the podcast for free wherever you're listening or by using this link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/thebaldandthebeautifulpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you want to support the show, and get all the episodes ad-free go to: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://thebaldandthebeautiful.supercast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you like the show, telling a friend about it would be amazing! You can text, email, Tweet, or send this link to a friend: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/thebaldandthebeautifulpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ To check out future Live Podcast Shows, go to: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://trixieandkatyalive.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ To order your copy of our book, "Working Girls", go to: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://workinggirlsbook.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ To check out the Trixie Motel in Palm Springs, CA: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.trixiemotel.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Listen Anywhere! ⁠⁠⁠⁠⁠⁠⁠http://bit.ly/thebaldandthebeautifulpodcast⁠⁠⁠⁠⁠⁠⁠   Follow Trixie: Official Website: ⁠⁠⁠⁠⁠⁠⁠https://www.trixiemattel.com/⁠⁠⁠⁠⁠⁠⁠  TikTok: ⁠⁠⁠⁠⁠https://www.tiktok.com/@trixie⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/trixiemattel⁠⁠⁠⁠⁠⁠⁠  Instagram: ⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/trixiemattel⁠⁠⁠⁠⁠⁠⁠ Twitter (X): ⁠⁠⁠⁠⁠⁠⁠https://twitter.com/trixiemattel⁠⁠⁠⁠⁠⁠⁠   Follow Katya: Official Website: ⁠⁠⁠⁠⁠⁠⁠https://www.welovekatya.com/⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠https://www.tiktok.com/@katya_zamo⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/welovekatya/⁠⁠⁠⁠⁠⁠⁠  Instagram: ⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/katya_zamo⁠⁠⁠⁠⁠⁠⁠  Twitter (X): ⁠⁠⁠⁠⁠⁠⁠https://twitter.com/katya_zamo⁠⁠⁠⁠⁠⁠⁠    #TrixieMattel #KatyaZamo #BaldBeautiful Learn more about your ad choices. Visit podcastchoices.com/adchoices