Podcasts about Alamy

This week, the editor, Sarah Meyrick, is joined by senior writer Madeleine Davies and news reporter Francis Martin to discuss a momentous and turbulent week for the Church of England: the publication of the Makin review into the abuse carried out by John Smyth, which resulted, five days later, in the Archbishop of Canterbury announcing his resignation. They talk about the findings of the Makin review, the significance of the Archbishop's announcement and what it will mean for safeguarding in the Church, how people are responding in parishes and wider society, and what happens next. The discussion also touches on what the legacy of Archbishop Welby's archiepiscopate might be. Try 10 issues of the Church Times for £10 or get two months access to our website and apps, also for £10. Go to www.churchtimes.co.uk/new-reader Photo credit: Alamy

Ever wondered why Googlebot loves your blog's cat photos but totally dismisses your high-value product pages? Wix's Mordy Oberstein and Crystal Carter are joined by Roxana Stingu, Head of Search and SEO at Alamy, to dig into crawl patterns, bot behaviors, and crawl budgets. Learn how to make your pages better for bots, update old content to be relevant again, and minimize server costs by managing bot activity.  Discover how specialized bot logs can offer insights into everything from quality issues to market trends and detect patterns of malicious bots you may want to block. (Best Shatner Impression) “The robots are interacting with our site, but how?” Don't miss out as we navigate the world of search engine bots on the SERP's Up Podcast! Key Segments [00:01:27] What's On This Episode of SERP's Up? [00:02:18] Focus Topic of the Week: Bot Logs [00:04:06] Focus Topic Guest: Roxana Stingu [00:24:27] Tool Time: Built-in Bot Lot Reports [00:30:19] Snappy News [00:34:06] Follow of the Week: Anne Berlin Hosts, Guests, & Featured People: Mordy Oberstein Crystal Carter Roxana Stingu  Anne Berlin  Rich Sanger  Resources: Wix SEO Learning Hub  Searchlight SEO Newsletter  SEO Resource Center  It's New: Daily SEO News Series  Wix Bot Log Reports  Alamy  News: Google Search Ranking Volatility Still Heated A Week After Core Update  Report: Half Google AI Overviews Links Overlap With Top Search Results

Lunchtime Live's Reasons to be Happy looks at some of the news stories that you might have missed that will leave you feeling more optimistic.Today FM's Cathal O'Sullivan joined guest host Clare McKenna in the studio to put a smile on your faces…Harry Potter and the Order of the Phoenix. Picture by: Alamy.com

Head of SEO at Alamy, Roxana Stingu, discusses leveraging image optimization in your holistic SEO strategy. In this episode, Roxana shares her perspective on: what kind of information should a product person or engineering person know about SEO in order for them to be an effective partner in this effort to scale SEO traffic, how to create momentum around SEO work, and strategies to educate partners about SEO. Show NotesConnect With: Roxana Stingu: Website // LinkedInThe Voices of Search Podcast: Email // LinkedIn // TwitterBenjamin Shapiro: Website // LinkedIn // TwitterSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Head of SEO at Alamy, Roxana Stingu, discusses leveraging image optimization in your holistic SEO strategy. In this episode, Roxana shares her perspective on: strategies outside the pragmatic strategy to help grow and scale SEO, whether images are a hindrance or benefit to SEO efforts, what criteria marketers should use in thinking of images from an user perspective, and how to navigate measurement and performance. Show NotesConnect With: Roxana Stingu: Website // LinkedInThe Voices of Search Podcast: Email // LinkedIn // TwitterBenjamin Shapiro: Website // LinkedIn // TwitterSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

LinkedIn de Bilal

Attorney Steve® Photo Infringement Essentials - The Editorial License from Stock Photo Agencies like Alamy, iStockPhoto, and Shutterstock Using an editorial license is indeed important when expressing opinions and reporting news, as it allows freedom of expression and protects First Amendment rights. However, it is crucial to understand that editorial license does not grant the right to commit defamation, publish false information, or infringe on someone's copyright. When it comes to using photographs or other copyrighted materials, it is necessary to obtain proper permissions or licenses from the copyright holder. Failing to do so may potentially lead to a copyright infringement claim, as you mentioned. To avoid such claims, it is advisable to either create your own original content or properly attribute and obtain permission for copyrighted material you wish to use. Additionally, understanding fair use guidelines and seeking advice from a legal professional can help you navigate potential copyright issues. For more help with photo infringement issues or image licensing and clearance email us through this page or call (877) 276-5084.  We have helped nearly a thousand businesses with copyright infringement matters.

Qu'est ce qui se cache derrière le mot blockchain ? C'est le sujet de cet extrait : tant sur le plan socio-économique, avec un historique de la naissance de cette technologie portée par une vision politique forte, et sur le plan technologique dans le but de mieux comprendre ce que représente cette technologie. Merci d'avoir écouté cet épisode jusqu'au bout. Pour suivre les actualités de la Gallery et tenter de rejoindre la communauté :⁠⁠⁠https://thethinkinggallery.substack.com/⁠⁠⁠Cet épisode a été tourné au Shack Opéra, un espace de vie au cœur de Paris, très apprécié de nos deux animateurs. ⁠⁠⁠https://leshack.fr/⁠⁠⁠-----------------------------Découvrir l'intégralité de l'épisode

Avec la blockchain vient un éventail de termes souvent inconnus, des smart contracts en passant par les célèbres crypto monnaies et les controversés NFTs... Que représentent ces applications très concrètement et comment sont elles présentes dans notre quotidien ?Merci d'avoir écouté cet épisode jusqu'au bout. Pour suivre les actualités de la Gallery et tenter de rejoindre la communauté :⁠⁠⁠https://thethinkinggallery.substack.com/⁠⁠⁠Cet épisode a été tourné au Shack Opéra, un espace de vie au cœur de Paris, très apprécié de nos deux animateurs. ⁠⁠⁠https://leshack.fr/⁠⁠⁠-----------------------------Découvrir l'intégralité de l'épisode

Imaginez un registre, tel un grand livre des comptes, accessible par toute une communauté, dans lequel chaque transaction est gravée dans le marbre, sans possibilité d'être modifiée, manipulée ou effacée... Ce registre existe au format numérique, et ses applications sont bien réelles, c'est ce qu'on appelle la blockchain !Pour éclaircir ce sujet souvent tenté de jugements, Arthur et Paul reçoivent à leur micro Bilal El Alamy, une des références du Web3 en France ! Serial-entrepreneur, chercheur, enseignant... Bilal nous a tout expliqué : du fonctionnement de la blockchain (layer, cryptographie, PoC, PoS, Smart Contract ; tout y passe), à ses applications dans l'économie et la vie quotidienne, jusqu'à entamer une discussion profonde sur les enjeux qui entourent cette technologie et comment les adresser. Un épisode incroyable, riche en culture technologique et teinté d'une réflexion philosophique et sociale sur les implications de technologies dans nos vies. De quoi réfléchir à cette technologie avec toutes les clés en main pour comprendre son impact sur le monde !Cet épisode est structuré en plusieurs moments clés :Le contexte et l'histoire autour de la création de la blockchainLes fondements technologiques derrière cette innovationUn état de l'art de toutes les applications de la blockchainLes enjeux et limites (règlementation, risques...) à prendre en compteUne ouverture sur les perspectives offertes par la blockchainMerci à Alix Guérin pour sa participation.Cet épisode est tourné au Shack, un espace de vie au cœur de Paris, très apprécié de nos deux animateurs.https://leshack.fr/Merci d'avoir écouté cet épisode jusqu'au bout. Pour suivre les actualités de la Gallery et tenter de rejoindre la communauté :https://thethinkinggallery.substack.com/ Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Mick is joined by legendary club DJ Brandon Block on episode 291 of Mental Health Monday. Brandon shares his story of addiction, and how he used SMART recovery to find the tools to move on with his life in a safe way. Brandon struggled with cocaine use, alongside anxiety and imposter syndrome at the height of his fame. Combined with Hepatitis C and Tuberculosis, he lost half a lung and doctors gave him two weeks to live unless he changed his lifestyle. Three decades on, he's fronting up the www.uniteforrecovery.org.uk round-the-world challenge to tackle the stigma around addiction. Sign up and pledge your support on their website. Follow Brandon on Twitter. Follow host Mick Coyle on Twitter, Instagram and join the Mental Health Monday Facebook Group Photo credit © Alamy

Après une aventure chez Accenture et Edmond de Rothschild, il a créé Equisafe, un logiciel SaaS pour faciliter et digitaliser l'investissement à plusieurs, notamment pour des projets immobiliers et des clubs de business angels. Avant de créer PyratzLabs, un startup studio dédié aux projets web3. Ils ont pris part dans 27 boites (création ou participation), généré 15M€ de revenus, levé 40M€ pour les boites du portefeuille et créé plus de 150 emplois. Il a été CTO de Dogami pendant 1 an, la 2ème boite et projet star de PyratzLabs, qui a la base était un jeu au format tamagochi version chien et qui est aujourd'hui une plateforme de divertissement et de media, toujours autour de l'univers des canins. Il a récemment lancé la Blockchain Business School à destination des profils tech et business, En partant d'un constat : les 27 boites du portefeuille de PyratzLabs cherchent à recruter mais les profils avec une spécialisation blockchain sont une denrée rare. Pour ce 20ème épisode Dans les coulisses du Web3, j'ai eu le plaisir d'échange avec Bilal El Alamy, CEO de Pyratz Labs, co-fondateur d'Equisafe et ex-CTO de Dogami qu'il a co-fondé. Découvrez comment on crée un startup studio web3, quels sont les business models et sa stratégies possibles. Qui se cache derrière les Coulisses du Web3 ?

Rien ne semble pouvoir l'arrêter! Un métaverse / jeu avec des chiens NFT, un studio qui accompagne des start-ups Web3, un fonds d'investissement, à présent une école pour initier aux métiers de la blockchain… Vous l'aurez reconnu, notre invité du jour n'est autre que Bilal El Alamy, cofondateur de Dogami et PyratzLab qui est venu aujourd'hui pour nous faire un petit update de toutes ses activités depuis notre dernière rencontre en “tête à tête” (Redécouvrez la Room #144) et pour nous présenter son nouveau bébé la Blockchain Business School BBS) qu'il vient de cofonder avec Fabien Ansaldi et qui ouvrira ses portes en mars prochain.Pour aller plus loin:* Site web officiel de la BBS* Compte Twitter de la BBS* Profil LinkedIn de Bilal* Site web officiel de Pyratzlabs* Site web officiel de Dogami This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

Hey Wicked Hunters, This week I'm excited to chat with Kristin Piljay, Kristin Piljay has been an internationally-published photographer for over two decades and has travelled to many places in search of knowledge, beauty, and adventure. She tends to wander off into the wilderness of the mountains, desert and forest, but she can also be found occasionally in cities. Starting as a portrait photographer in the 1990s, she eventually became a travel photographer for Lonely Planet Images stock agency and some of her images have been published by Lonely Planet, Mountain Sobek Travel, Pearson Education, Microsoft, Condé Nast, Cengage Learning, Oprah Winfrey Network, Hearst Corporation, Aerial Dance Festival, Redbull and BBC Travel. For those who want to get to know Kristin better you can go to: https://linktr.ee/KristinPiljay  https://www.wanderlustphotos.com/ Other ways to listen and subscribe to the podcast: Spotify - http://bit.ly/twhspotify  Apple Podcast - https://bit.ly/Theartofphotography  Google Podcast: https://bit.ly/TheArtOfPhotographyWithStanleyAr  Website: podcast.thewickedhunt.com   Tune In (Alexa) - https://bit.ly/TuneInTheArtOfPhotographyPodcastWithStanleyAr    For those of you who want to see connect with Stanley Aryanto, you can go to the following: Instagram: https://www.instagram.com/thewickedhunt/    Facebook: https://www.facebook.com/thewickedhunt/ https://www.TheWickedHunt.com/    Don't forget to let us know your favourite part of the Podcast in the comment below and subscribe --------- Transcription: 0:00   All these tweets about artists saying they can finally make a living at art and artists actually making money because like the kind of the whole thing with the stock photography, where you people are paid like one centre for centre, whatever for their art or their photo or video, it was just so insulting 0:25   Hey wiki hunters Welcome back to The Art of Photography podcast, where we share artists journey and share how photography given us all purpose and happiness. And today we have somebody who I've met through Twitter, and it's pretty cool. Actually, I haven't chatted with her too much, but just going to some of her photograph coming in trade. And I want to have her here in the podcast and talk about her journey. Good morning, Kristen. Welcome to the Art of Photography podcast, or actually, it's even in your place, isn't it? 1:00   Well, yeah, I can say good morning, because it's good morning. There's always good morning in the NFT. World. That is true. 1:06   It is always good morning. That is so funny. I remember. I asked this question while back it's like, is it GM or GM? Like how do you you know, which one do you say is like, it's always a GM. By the way, listeners, you know, in the NFT world or in web three world, GM means Good morning, I, it took me I think about four months trying to figure that out. That was so funny. Very excited to have you here. So before we get started, just tell us a little bit about who you are and what got you into photography. 1:41   Well, um, I am mostly like a travel and nature photographer. But I've actually done a lot of different types of photography. But it all kind of started when I was a child. And I just I had, I'm 57. So I, you know, I remember what a pocket camera was some people in who are older will know what that is. But it was like kind of like this, like oblong kind of rectangular like little thing. And I and I had one of those. And I was an exchange student in Germany, when I was in high school. And I had an aunt that gave me he's like, Oh, you seem to take good photos. He's like, you can borrow my SLR camera. And so she lent me this camera. And the funny thing is that it was a it was totally manual, but the light metre was broken. And so if you can believe it, I just guessed to what to set. To set it, I actually looked at the film that I bought, and it said, you know, like, if it's sunny than the US like 125, and then F 11. And so that's what I would do. And I kind of just guessed, and the thing is, is like, I don't know, I was shooting negative film. So there's some leeway, but like, it seems like that my photos like when I would get them developed, they were like, you know, they were exposed properly. So but that, so I travel, I was in school in Germany, and I travelled around. And then when I came back and showed people my photos, they were like, Oh, you have a good eye for photography. And so when I graduated from high school, I asked my parents to, I said, I would like to have like my own camera, because I had given that one back to my aunt. So then they got me a canon. And that's when I started, you know, I don't know, just kind of experimenting. And when I would travel, I kind of mostly would shoot whenever I would travel. And then eventually, I couple years after that, like in my early 20s, I started taking photography classes. So I learned how to develop film, like black and white photography, and then developing it in the dark room and everything. And that was like a lot of fun. And just doing the assignments that I was given. But early on, I actually started photographing when I was doing black and white, I photographed food. And I did all these kinds of interesting, like kind of still lifes with food. And my parents don't have some of those, like on their walls. Some of them were like milk and cookies, that kind of an or like milk and eggs and that sort of thing. And and I guess I started when I moved to San Francisco in the early 90s, I started shooting more portraits and I still was taking photography classes and I was working in an office and somebody asked me if they if I could take photos of them and their boyfriend and so I started doing portraits and then like kind of word spreads. And so then I started photographing people's kids and then like even somebody's wedding, a wedding or two and that sort of thing. So I and after headshots and I kind of started that's how I started doing, like more professional photography. And so I did kind of start out more with portraiture, but then when I would travel then I would just photograph and I would travel. And I guess I started doing travelling Like more travel, travel photography, like, around the year 2000 2001. And I started shooting slides, and I actually was accepted by a stock agency. And that started, like my experience with stock agencies, which I'm sure is most people know, are really like, it's really kind of horrible right now. But like back then, it was a little bit different. And it was all like slides, and even the agency, I went in person in San Francisco, and would like to deliver my slides. And, and I had some sales. I mean, it wasn't anything huge. But then I swear it was super quick. Even just like a few years after that, like the sales decreased and the prices decreased. I don't know, it seemed like when it started with digital photography, because like I was excited about digital photography, and I switched to digital in 2004. But once it became, it seemed like it became easier and more accessible. And people started shooting more photos. Because like when I used to shoot slides, I used to like, look through my slides like on it, I would look through my slide with a loop, and also look at the exposures because you had a bracket your exposures, and I would sit at a table and I have a light box. And then I would just toss the ones on the floor that were bad like that I was gonna throw away, which seems like such a horrible waste. So I'm kind of glad that I'm not doing that sort of thing anymore. That threw away like all this film all that like chemicals and developing and just throwing like all these slides away. So that's kind of how I got into that sort of photography. And then later on, I actually worked as a photo researcher in textbook publishing. And that actually was supposed to be a part time job. And then I wanted to basically be a full time photographer. But I was never very good at marketing myself. And so I kind of stuck with the stock photography thing. But through my work in working for a publisher, as a photo researcher, sometimes they needed photos to be photographed specifically for some of the science textbooks I was working on. And so they started hiring me as a photographer, so I started shooting for the textbook publisher. But like professional photography was always like a part time job for me. So I always had like another main job. And unfortunately, like I kind of wanted like that just to be a part time job, the photo research and, and to be mainly be a photographer, but I ended up it ended up being reversed. And I got more and more work as a photo researcher, and, and not as much work as a photographer. And then just because of the way the business changed with textbook publishing, and also stock photography, I started doing less and less photography, and I didn't shoot for the publisher anymore. And even the photo research was going to overseas. So I, I kind of, I'm at the point now where I work as a project manager and textbook publishing, and, and then I work for slike doing social media marketing on mostly on Twitter. And then there's still the photography, which started I started making more money finally, again, on photography because of NF T's. Because I mean, like the stock photography, you can actually if you look at my sales, and the stock agencies that I'm in, the price is just getting lower and lower and lower. And recently, I actually had some sales. And they gave me one cent like the agency, two cents, and they gave me one cent. And I'm like, Are you kidding me? 8:48   No, 100% You know, like seeing the market kind of move that way? I mean, you know, I think I, it took me a while to understand that, you know, that's not how you make money to stock photography. And it I only know this when I was talking to Paul, this guy, actually the one on the first person that I interviewed in, in this podcast, and I asked him about, you know, stock photography, is it worth it? And you know, the way he approached it is the way you approach it back then it's not it's not going to the stock size sites, but actually going direct to the consumer, the people that are looking for it, you know, whether it's an agency or the actual company, and that's how it's being valued a lot more compared to stock photos. But you're right, you know, and nowadays it's so hard because iPhone, take a great photo, right? Yeah. So then it's not necessarily I mean, we all know that in order to be a good photographer. It's not just the camera but you know, from that the mindset kind of shift, you know the value kinetic Freeze. So from someone who been shooting all the way back from the film era, you know, to the digital era, and now I could say to the mobile phone era, how do you see the value shifted along this years? And what do you think about that? 10:19   Well, it's really actually disappointing that the value shifted. And I mean, it depends on the type of photography to so like travel photography, I mean, I mean, just kind of, if you do photography, where you're using models, and you're doing setups, that's actually a totally different thing. But if you're actually shooting things like, lens, you know, kind of landscapes of travel, not kind of really complicated landscape, but the kind of there's also just the really, like, Oh, this is a nice landscape to show a place you might want to travel to, or, I mean, that was the kind of photography that I did. I mean, I did other things on my own. That was kind of separate, like, kind of more artistic and stuff, but like, the main thing, I mean, like when I first started doing travel photography, sorry, photography, that wasn't also travel. I mean, anatomy, I, some of my most popular images were like a bowl of potato chips, you know, so I actually kind of was like, sort of a little bit upset about that, and like, like my beautiful landscapes and sell, but like this bowl of potato chips keeps like being sold. Although recently my most common on Alamy, that is, has been sold in the past, like two years is this photo of a tree growing in a rock what's called root root wedging. So I've worked on I was working on science textbooks and finding political science textbooks. And I needed to find a photo of root wedging, it was so difficult to find it. And then I went on a hike and I saw the perfect root wedge in photo. And so I took a photo of that. And then now people are using my photo probably in geology textbooks or other things to deal with that to illustrate it. So I mean, there's lots of photography that's like that, where you're illustrating something for like a textbook, or they just need a photo on an apple or something like that. But I mean, like, I mean, I just can't imagine if I could take like a better Apple than, like a lot of other people have already photographed in apple. But, you know, at some point, like, it was kind of new, and there wasn't as many, but there's more and more people in that. And as for equipment, I mean, I can take actually really nice photos on my iPhone. And so, and people can actually have the same phone and take like crappy photos too. So I mean, like, there it is, has, to me, it's more, I mean, there is like a certain quality, if you want to enlarge something. Yeah. Or if you want to make a lot of the do a lot of editing to it, and that sort of thing. I mean, there is like that quality that is not quite the same, but I mean, like they're getting better and better. I mean, like, when I was doing a shoot of some light themes in the Redwood Forest recently, I would actually test the scene with my phone. And then I would shoot with my camera, and my camera had looked really awful like in the viewfinder, because like the phone was like processing it. And then also when I would get the raw photos they was I'm like, oh my god, I have to make this look like my phone. 13:15   That is funny. And you're right, like, you know, the phone are incredible nowadays, right. And it's with the AI and the processing, you know, it helps a lot, even though it has a small camera. And I feel like that's what and the other thing that you said was also 100% Right? You know, just because you have a good camera doesn't make you a better photographer. Just because you have a an iPhone camera doesn't make you a bad photographer, it's a lot to do with who you are as a photographer and the way you interpret the scene. But I think people kind of mindset with that, that with people with everyone being able to take a photo nowadays instead of you know, doing all the settings that kind of take away a lot of the value, the precede value, I suppose. So that was really interesting. You know, I love hearing your story that you know, you started all the way from the film trying to figure it out and we'll do it your digital digital. So you can share you know how you got started in photography and you know, some of the things that you have photography of photograph over the this years. But what I want to hear about your excitement, why what type of photography make you really excited or what, what makes you got into photography in the first place that you know make you stay there on to a point that you want to go to school in photography and learn more about it. 14:51   You know, it's kind of this odd thing, but it's almost like a compulsion. Like some people say it's a passion for them, but for me like I feel like I really want to, like if I see something, I want to capture it, like, I can't just be like, Oh, that's cool. Like I have, I feel like this, this urge to like to preserve it. And I don't even know if it's like to show other people or just like to have it for myself, maybe it's both. But like, for instance, I also another thing that I did in the past was I, I did, I used to be an aerial dancer. So I did like kind of trapeze and circus stuff, and like, aerial silks. And I have some friends in Seattle that have an aerial dance company, and I used to photograph their shows. And and the thing is, is like, when I photographed the show, I felt like I can't, couldn't really watch it, because I was so focused on the photography. So then when I started on doing started doing was I would go and visit them, and then I would shoot, I would, I would just watch once a watch a show. And then I would do a second watch a second show where I would do the photography. And I thought, Well, that's good, because I'll prepare for it. But then the show that I was watching and not shooting, I just felt like oh my god, I'm missing all these like shots. Like all these moments, even though I knew that, like I was gonna like watch it like the second day, like I just like, if I if I actually just watched the show and wasn't shooting it for some reason. I would just be like, I like missing out somehow, you know, like that. Anything. And just recently I was in Portland, I took a it was like an aerial tram there. And there was like, it was beautiful, clear day. And you could see Mount Hood. And I took a photo with my phone, because that's my phone. This was a camera that I have with me all the time because I don't carry like my equipment around all the time. So I was there for another reason. And so I was like, Oh, that looks great. And I took a photo of it in the background, but with like the foreground of a tree with like autumn leaves on it. So then whenever I was going back, it was sunset. And I was like in the tram, and I'm looking at the sunset and the lighting on Mount Hood. And like, oh my god, I was just like, I couldn't like wait, I was like Fran was gonna miss it, you know. But I mean, the thing is, is like I could have just enjoyed it and looked at it, I couldn't really photograph it from the tram. Because there, there were things in the way. And also the windows were dirty. So I was just like, chomping at the bit to like, get up to the top so that I could run out and like go and take a photo, which I did get it. But it was just on the verge of almost being too late, you know, a little bit too dark, it would have been better if I was there just a few minutes early, but it's just like, I don't know, I just I guess I always feel it's just like a compulsion of wanting to capture a visual moment, I guess. 17:43   Yeah, that's, that's interesting. I also felt like that at times, and the, you know, what you just mentioned about, you know, take having the phone with you. And taking a phone with taking a photo with a phone is a good example how, you know, the best camera that you could own is the one that was the one yourself, yeah, that you have. And that is such a good example of that saying, and going back to what you say about the compulsion about experience, and it's really cool to hear how you approach that photography with the aerial dance and you know, performances where you want to experience it, but you also want to take a little bit and you combine the two by doing different things. And it's, I find that it's interesting. I want to ask you, how do you balance between, uh, trying to just enjoy the moment right to just being there and let your eyes and your your body enjoy the experience, whatever it is that you have, versus taking your camera out and actually enjoying it to your camera, because at the end of the day, they're two different experience but what you said earlier was 100% True. It's it's, it's not easy to be able to have a connection with nature, for example, or the Milky Way for my case, and you know, continuously taking photo there has to be a balance so how do you do that when you go out there for example, for your travel photography or from some of your other photography 19:28   Yeah, that's it's kind of Yeah, I agree with you and sometimes I think to myself, maybe I should just like take photos less and not do that. I just can't I just can't just do it without like I you know, I'll just be carrying a bunch of like equipment because especially like in landscape photography, you know, like I end up like climbing like a mountain or something because I like to do that sort of thing. And it would be easier to like not bring like photo equipment with and admittedly when I go backpacking, I don't bring a tripod like I'm kind of focused I'm just like the trip. But I do bring my camera I try to bring something as live as possible. It's one of the reasons I switched to mirrorless because I was tired of lugging my Canon gear around. And I actually didn't go for full frame. I have a Fuji fuji film, I went for the crop sensor because it had smaller lenses. So I was like, I don't want to have a tiny camera with a giant lens, just like my old lenses. I have my Canon, you know? So. But I mean, yeah, I mean, I torture myself for photography, like dragging tripods around. I even went into this, like tiny this, like the slot canyon that you can barely walk through with a tripod monopod would have been better, honestly. But like, so yeah, but I just wanted, I wanted the shots. And so I wanted to it's I guess it's not it's the compulsion to capture a moment, but to create something out of the moment. You know, what, like, it is I don't know, if it's a compulsion for others. Have you heard other people say that, that it feels like that, like, you just have to do it. 21:06   I mean, I felt the same, you know, ie, I used to do that. And when I first probably the first two years of my photography, I was I was like that, you know, every single moment, I want to capture it. I literally have my camera, which I have a five d mark for so it's really heavy, right? Massive camera, and I would take it everywhere, even just for for a dinner or for lunch. But I decided that I want to, you know, it separate myself from the people and the actual experience. So I started to step back a little bit. And yeah, it's interesting that you mentioned that, because I haven't heard people mentioning that. But I know that, you know, it is in us, you know, we love photography. And photography is about moment, right? So when there is good moment for power, it's only natural that we want to capture it. It's in our blood. 22:08   What if there's people in that moment, actually taking photos actually changes the moment to I feel like that it does. And although I kind of I used to take the photos, more people, and then I kind of It wasn't intentional that I kind of veered away from that. And then until I was hardly photographing people anymore, like when I was doing travel photography, I always had a lot of people photos in there. And then I kind of shifted and then it became like more of nature and animals and and I kind of actually kind of missed that. And I kind of feel like maybe I shouldn't like, and I forget to do snapshots. Like like when I was travelling in Iceland, I travelled a bit with two friends that live in Europe. And and both of them if it wasn't for them, it I probably would never I wouldn't have any pictures of us or them. I mean, maybe I might take a picture of them. Like if they were kind of like a person in the landscape. Like my one friend had a red jacket. It was awesome. And so she was like my red jacket person and all these like landscapes. But like I wouldn't think of like doing like a selfie or asking someone, hey, take a picture of us together. Like, it's not that I don't want that I actually nice to have it like when it's over. But like, I don't even think about it. Like I'm always like thinking about like creating like a scene rather than just like taking a picture of us. 23:29   You know, I know exactly how that feel. I think about a couple years back, you know, someone asked me it's like, Hey, can you send me your your portrait or a photo of you and I was like trying to think I don't have one. Like literally, I went through all of my photo, I don't have a good photo of me looking at the camera. Every one of them is from my back. So I know exactly how you feel. And yeah, it's interesting to be you know, a landscape, or you know, a travel photographer, because most of the time you're in the back of the camera. So it's really cool hearing your story, really hearing how you transition across, you know, from the film to digital, you actually learn everything, you know, the settings, you actually get thrown into the settings because the Otomo Diem work on your favourite first camera or your camera at that time. And I find that really cool. Now, when it comes to doing photography as a way to make a living, is that something you always wanted to do? Or do you always try? You always you only want to do that part time to preserve the experience of being a photographer itself? 24:49   Well, that's interesting question because yes, I my dream job was as many people have the same dream job of like being like a National Geographic photographer, like Travelling the world and having like assignments and like doing something really super interesting. And that was kind of always in my mind and like, I know that I could create kind of, even just for myself have like an idea and do a shoot like that. But it's, I just kind of, I don't know, I just kind of never have done it, I guess I kind of was afraid. I know, that was one thing that I didn't take a lot of risks, and always had like a backup job, and never tried just to be a photographer. And I did work in photography, because I was like, as a photo researcher, and then I was doing a lot of photography within that job also. But to just be a freelance photographer and try to make money and I actually never I tried to be a commercial photographer. I never had the guts to see like, say, like, I want to be a fine art photographer. I just felt like that was just like, so unattainable. I mean, but I know there are people that do that, but I just didn't have it in me to try for that. So and I have gone through periods of time where I was shooting, I was trying to shoot for stock, or I was just shooting for like the textbook, you know, I shot food. One thing that I really one of the best jobs that I've ever had. The super interesting was I was for the textbook publisher, I photographed the dissection of two cadavers for an anatomy textbook. And that was really interesting. And I often will say that that was one of the best jobs I ever had, because it was just so fascinating. And it was very lucrative too. And I, I even thought to myself, maybe I should be a Cadabra photographer. But I don't know if I always want to do that. And be around all the familiar formaldehyde. And I don't think there's that many calls. I mean, only for like, kind of like textbooks and that sort of thing, like medical books or something. But, but it was a super cool experience. And so I did have some interesting things. But if you only start to it, and somebody that I met recently, actually is a photographer in that, and I said, What kind of photography do you do? And he says, I do photography that people will pay me if somebody pays him and he photographs and he doesn't photograph in any other way. And I'm like, I mean, that's fine. Like, if you have a technical skill, you can do that. And like and I actually had gotten to a certain point, probably about like, maybe nine years ago, where I just felt burned out because I was just I would photograph and people pay me like the textbook publisher, or sometimes I did. I actually photographed marijuana for like a dispensary like America where that was interesting too. Or like products I did like products and stuff like that. But I kind of got burned out a little bit because I just was shooting just to make just because someone was paying me or I would think that I might make money like just doing the stock photography. And so then I started doing some long exposure photography. Just like for myself, I did some self portraits with long exposure where I was a ghost accom is that my ghost photos. And I really love my ghost photos are some of my favourite photos I've ever taken. Although I feel like other people don't like them as much as me. I mean, like some people, my friends seem to really like them. Like people that know me. But other people are seemed kind of lukewarm about, like ghost photos, but so, but those kind of were photos for me and I kind of like sparked like, kind of some creativity. Like I was just shooting photography. I was just shooting just to create something to be creative. Not like because I someone was paying me. 29:00   Yeah, that's incredible. So is that how you got out of your burnout? That's how I got off my burger. Oh, that's fantastic. And that's, that's really interesting, right? Um, we I haven't heard anyone who got into photography because they want to make a lot of money. Right? Even the people who decide to do photography as a profession, they started it because they enjoy photography, you know, they and they just want to do more of it. But over time, the money aspect cannot hit you and you know, you become burnout because you you stop creating for yourself and so forth. So when you had this burnout, and then you find a way to get out of it. What did you learn? Like how did you stop? Stop it from happening again so that you don't get the same burnout you know, in a year two years or five years and so forth. 29:56   Well actually, that kind of stopped because I stopped I stopped getting paying jobs like doing photography for the textbook publisher, and I kind of just didn't, I just didn't do that anymore. And then I just basically then just was, that's when I kind of veered more into landscape photography, because that's what I just felt I just did what I felt like doing. And then I put those in stock agencies and if they sold and that was fine. So I kind of stopped pursuing kind of more of a commercial photography, and just shot what I felt like shooting. And yeah, I also didn't make that much money from it either. So and then, of course, the stock was just putting in the stock agency. So 30:38   yeah, that's fantastic. Yeah. So you basically just, you know, do photography more for yourself. And stop, start, you know, doing it for everyone else. And 30:48   I mean, it goes through phases, it's like, if something like for instance, I'm going to Florida next week to visit my parents, but I love to photograph the birds when I go to Florida. So I feel I'll feel excited. Like, I haven't been shooting since I got back from Iceland. Well, I have like 1700 photos, I need to like, you know, go through and process. So like, that's time consuming. But I'm kind of like in a resting phase right now. And I'm not, I haven't been with only been like, a little over a month since I was back. But I think that like, you know, when I go to Florida, I'll I'll do some photography of birds, because I always like, like to photograph the birds there. Oh, that's fantastic. 31:27   Yeah, it's really interesting. You know, it's, it's funny how it kind of worked that way with photography and careers. And sometimes you can hit the wall because you stop creating and being genuine about what you want from your photography. So thanks a lot for sharing that. So one thing that I'm curious, he told us that you are part of the soyka team, you know, doing their marketing. But in the beginning, you told us that you weren't very good at marketing. And now you gotta jump into marketing, right. And I know that as an artist, like I was, I was struggling with marketing law, I think I am still struggling, but I am much better, you know, at least I kind of know what I'm doing. But it's just like, you know, the struggle with myself, doing marketing is just very difficult, because I'm more a creative person, you know, a sailing sort of person. Now, how do you transition across, because we know that if you do want to make if you don't want to sell your photography, if you do want to make money from your photography, you need to be able to market your photography, your art out there. And we have seen this over and over again, where people who have incredible images, but not a good marketing skills, aren't able to sell their photograph versus people who have, you know, a decent photograph. They're like, nothing crazy, but it's, it's, it's good. It's not superb or excellent or, you know, crazy beautiful, but they are able to sell. So what have you learned from this experience, so that the listeners can take, you know, pieces away from that and apply it to their own journey? 33:19   Well, I think for one thing, it's easier to market somebody else's art than your own. And that's like kind of known. And so that's why the NFT space on Twitter is so nice, because people are always like, are helping each other. And when I first entered the NFT space, I only had like 68 followers on Twitter. And if I would tweet something like nobody would see it or comment or anything. And, and I was able to, like early November, to basically like January 1 To go from 68 to 800 followers. I basically build up my followers and kind of just jumped right into the NFT space. And I kind of I don't know, I became good at Twitter, basically. But all I did was I just interact, I was really excited. And I was excited by like, everyone's photos that I was seeing on there. And so I was kind of very hyper tweeting. I tweeted like crazy. I like retweeted everybody's work and was excited and like said all that I just kind of interacted with so many people that it's just and then I started doing those like art threads where I remember the first one I did was on New Year's Eve and I thought oh, probably because I saw other people do them. And I thought well, maybe I'll get more followers and more like, you know, interaction by by doing that, and I did it. I put a photo of a lone tree that was my own and I said share your loan trees with me. And I thought oh, it's New Year's Eve. There's no one's no one's didn't even respond. It was huge. I mean, there was like, I mean, I think that there was like, I don't know how many retweets but like eight 100 likes and like, it just exploded. And I was like, whoa. And so then I kept doing that. But the thing is, is like, whenever I was doing those, I was kind of trying to save something and retweet on almost every photo that somebody put there. And there was a lot of there was like hundreds and hundreds of them. And it was very time consuming. So basically, I got to that point from, by being on Twitter, almost like 16 hours a day or something. I was basic on Twitter, like almost an entire day, because my work is slow in the winter with my textbook publishing. And so it was kind of like, you know, like, November, December, and I was just kind of on Twitter, like a lot, and interacting with a lot of people. And I was kind of successful at building my own Twitter following. And so with sloka, I took silica from 2500 I, whenever they were hiring somebody, I applied for the job. And then they decided to give me a chance. And then I think at the end of January, I think there's like 2500 followers. And then by maturity, we hit 17,000. But we hit 17,000 In September, but I think it was in the first few months that it got to like 10,000 pretty fast, probably within like two or three months. So I kind of just did the same thing for Flickr that I did. So my job for them, the marketing is kind of just like operates mostly just operating the Twitter. And yeah, 36:24   so yeah, that's cool. That's really cool. And I 36:27   think the key is to interact, it's just said, it's very time consuming. I mean, for me in the NFT space, it was being in being, it was very helpful to be in a collective, because I was involved in being a collective in like May. And I got to know like a lot of photographers in that collective like really like more so than just kind of in the space. And also in like chat groups. And it being in spaces is important too. But like that's like, so time consuming. And I often will try to do that and then work at the same time. And it kind of doesn't really work because I don't pay attention to the space. And I don't pay attention to my work. But I have done that I tried to be doing that like many times, but so it was kind of a little bit frustrating. But it was basically just another thing. That was important. When I first started entering the space, like when I was a beginner, I felt like lost. And I kind of like dug around and found information even just what like Good morning means and friends. And like all this kind of like lingo that people used. I kind of had to figure out on my own and I could ask people but nobody offered, no one came up and say, Oh, you're new here, like, let me help you. And the thing is, like once I was kind of got used to it and learned it myself, I actually when new people would come in the space, I would actually help them. And I discovered I really liked doing that. And, and I kept doing it. And that's how it was like kind of I mean, I don't know when you entered the NFT world on Twitter, but like, it was kind of so many people and just kind of wild in like November, December, January, February. Yeah. Last year, beginning of this year, so, but yeah, 100 So that wasn't necessarily I learned that I learned that I really I enjoyed helping people, it made me feel like I had a purpose because I'm kind of some sometimes I'm struggling with that, like feeling like kind of having a strong purpose in life. 38:37   Cool, thanks a lot for sharing that. Yeah. I mean, you know, it's, that's, that's really cool, you know, just trying to figure it out. And I know, NFT is really difficult space to get into a lot of people, it's a difficult concept to learn and to understand as well. So, you know, you figuring it out and to helping the people who can jump in there and onboarding, I think that's a really cool thing to do. Yeah, you know, thanks a lot for doing that because that's really helps open up the world. NFT now, we starting to get into the NFT world here and you know, the listeners out there might have heard of it might not have heard of it. But there are a lot of scepticism behind the NFT right. Is it real? Is it a scam? Like what is this? So I'm quite interesting interested to hear what who you are into the NFT world and what do you think about NFT? 39:39   Well, I'm glad you asked me that question because what pulled me into it like when I entered this went on I found this little community I found the community on Twitter what pulled me in was in like to hear these like success stories. That is what pulled me in. And I was like I want to be part of this because I want to be part of some One thing that is going to change this because I really felt like I wanted it to change, it just seemed unfair. And, and so just, it was basically people's stories that and I was just excited, like I, I saw a lot of, there's a lot of astrophotography that I saw in the very beginning, like the Milky Way photography, and I was just like, so wild by that. And I was like, ah, you know, and I kind of was just seeing everyone's beautiful work, it's just kind of was exciting. And there was like this kind of, I mean, I as since we're in a bear market, as you know, like, it's not the same anymore, but, but there's people still excited about it. And, and still excited about photography, because I mean, you can't just put photography only in NF T's I mean, I actually made some some money, like a hell of a lot more than I did whatever I was, you know, from stock photography. So I mean, that's like, kind of, and it also inspired me to try new things like I got a drone this summer, and I flew my drone in Iceland, and I actually really love love that. And I really want to explore that. And I also, I photographed the Milky Way for the first time, this like summer also. And I still haven't processed it. I mean, I kind of started but I kind of felt like a little bit lost. So I, but I'll see, you know how it goes and then figure out how to do it properly. But it was a crater lake. 41:33   Beautiful. Alright, to lations on your first meal QA will go on. I mean, I'm an astro photographer, and I teach Astro photography as well. So when whenever people say I just take my first Astro photography, I got really excited. But how is that experience? I know he kind of I'll bring it back to NFT. But I just don't know, how is that experience being able to capture the Milky Way for the very first time? 42:00   Well, what was interesting is like when I we, I've seen, of course, I've seen the Milky Way, but not actually not I've not been in situations where I've seen it that often. And so I have this memory of it, but I didn't photograph it. And it looks. It was a beautiful night, very clear at Crater Lake. But it's not as distinct as it is in the photos. It's kind of like the roar Borealis, it's the same like you can see it with your eye, but it's not. And I did see that in Iceland on two different trips and photographed that. And it looks it's more dramatic whenever you actually photograph it than it is when you actually just look at it. And so that's how I feel like it is with like the Milky Way photos. And I actually met somebody that I met off Twitter. And we actually photographed together because she was travelling to Crater Lake. And she mentioned it and she's actually experienced with it's r1 I don't know if you know r1 But like, yeah, so she, I kind of learned like a bit from her kind of watching what what she did also, so but I do want to try it again. But it is feel like that it's it's it's rather complicated. Just I think the postprocessing even more than the shooting part. But if it wasn't for her like so it was kind of amazing. But it was also like really uncomfortable, because it was a wind picked up. And it was like really freezing. There was still snow. It was June but there was still snow, where we were and it wasn't cold actually like temperature wise where we were at the parking lot. But when we went to the area where we needed to shoot it from, it was just the wind picked up and it was just like freezing. So it was kind of my first experience was like kind of uncomfortable physically, because then you have to keep waiting and like doing these really long exposures. So and she did really super long, she did some that were like five minutes disabused, like these ones that were super long. And then, you know, shooting like, several photos to later piece together as a panorama. 44:21   Panorama. Yeah, that's really cool. It's actually not complicated at all. And I could you know, once you know, the ins and outs, it's not complicated at all. And, you know, that's, that's why I teach the astrophotography because a lot of people are thinking it's complicated, but it's actually pretty simple once you know the step by step process. So yeah, we can, you know, if you have time, I'm happy or you know, we can do it some other time. I'm happy to help you with the post processing or whatever question you have. Sorry, I just got excited. That 44:58   is exciting. I wanted to I didn't, I was interested in that and wanted to, like, try to do it myself. So I guess that kind of like makes me feel like, okay, I should make go back and try to process those photos that I that I took, I can't 45:12   wait to see it, I can't wait to see, it will be great. So when you get into the coming back to the NFT, right? You got there because you felt like there are more value to your photography, instead of people paying three cents for your photograph, you actually get something that worthwhile, right, something of value. And we know that money is important. But as an artist, I think there's something more important behind that the fact that our art is being valued for what it is, it doesn't matter what genre it is. And that was, you know, how I felt. Now, when you when you come into the NFT world, and you know, what we have right now? Do you have? How does your expectation, you know, or you know, what you imagine it to be versus the reality, what was some of the goods and Bad's within the space that we need to improve upon, you know, because we want to bring more people in this space, but there's so many, I suppose, scepticism negative talk around it. So, I'd like to hear a little bit from your perspective, especially working from one of the platform, right, you will get a lot of exposure to this, in terms of, you know, people saying this or that and, you know, different people opinion, what are some of the things that you see are a good point, and they are some of the things that we could improve upon in this space? 46:43   Well, I mean, What initially attracted me to it was also that like, there's a problem with a caste Samar addressed this in one of her early NF T's where she liked the Hawaii photo where she released that because people kept stealing it, you know, because, as a photo researcher, a lot of times authors of textbooks think, and I think just people in general, they think that because something on the internet, like you can just use it like, oh, yeah, it's like everywhere, like, you know, but I mean, that's not true. I mean, there's like, you know, you have to get permission to use it, unless the person specifically says that anybody can use it. And, and so people will just steal things off the internet, and just use them as they wish. And so, I mean, she sold that NFT for like, I don't know, like 100 Aetherium. I don't know what that would have been at the time, like a huge amount of money. Like, I don't know, like $300,000 or something like that. But she released it to the world that anybody could use it, although she wanted to be credited. And I kind of was really, like, inspired by that. I was actually very inspired by her because I heard her story, I watched a video of how she came into the NFT world, and, and how she had no work because of COVID because of like, she wasn't able to do like the photography workshops. So I think just kind of like solidifying ownership, like saying, okay, like it's kind of like this mark like this is I am the creator of this piece of digital art, like, you know, I think that is good about NF Ts. And also, I think in the future too, like, if you purchase when I first started in selling NF Ts, I was selling photos, my first things I sold photos of were went redwood forest, and if someone bought an NF t then I would donate money to save the redwoods organisation. And that is I see someone recently that has, like there's other and other other people that have fundraisers where if you purchase an NF t like 100% of it will go to like as a donation. I mean, you can just ask for donations but I mean it's actually common if you do donation sometimes if you do some donations to something you can times get like a physical product or some kind of product in return for that like as a thank you and NF Ts can be also used for something like that. And I think that there in the future there can be a lot of various uses for it not just for art and I am not very involved in the kind of like the profile picture you know, like the apes and punks and all that like I I'm not really involved in that so I don't really have much knowledge about about that aspect of it. And I think that's what most people who aren't involved in it that's what they think about because that's what's like in the in the media because those are the ones that are have gotten, you know, for so much money and people hear about so that's what they think NF T's are that they're only that. Yeah, that's a really good 49:59   point. You know, I saw, I know what you're talking about with Cassie Mart, early campaign, and it was I think it was one of her. I think one of the biggest one that she had I know she, you know, she had a crazy sales even before that. I mean, she said she's phenomenal photographer, and just so inspiring. But yeah, for the listener who kind of don't know, the context, basically, that Hawaii photo has been stolen over and over again, where it's been reposted, and been used as a licence item without her getting paid. And she would show this crazy list of, you know, disputes against them. And, you know, at the end of the day, she say, put that as an NFT. And she got, probably, you know, all her all the worth of that whole photo over the lifetime of it and even more, right, and I think that's, that's so empowering, that is just so empowering to the artists, you know, the fact that we need to share our photograph out there, but most of the time, when we share our photographs in the internet, it would get stolen. And nothing is solved some of that problem. I know, it's not 100% there yet, but we're still early. And like you say, you know, with the donations and charities, you know, I see going forward where we, you know, it all just happens seamlessly through the smart contract without people being there. And that kind of cow cut a lot of corruption. And, you know, basically people stealing away from it, because it goes directly to the people. Of course, at the end of the day, you know, people aren't one behind it. So there's always a chance, but it cut a lot of that down. So that's, that's what's really cool about it. And I love that you brought that up. Well, thank you very much for being here in person. And it's, it's great to have the conversation with you, you know, hearing your photography journey, also, how you got into the NFT. And a little bit about the NF t as well. Now, one thing that I always ask my guests on every single podcast is that if there is an advice, one advice, whether it's a life advice, photography, advice, whatever advice, it could be, that you could tell either your younger self or someone else in the space in the social media in your community, what would that advice be? 52:30   Well, I would say to myself and others also is, well, I wish I would have taken more risk in trying to pursue photography. Now not just as like, say, like an artist, but as kind of like my dream, kind of National Geographic photographer. I mean, not specifically just for National Geographic, but that style of story, like kind of a photo story, but just just doing basically not settling for just any job. And just because it was more secure. You know, I mean, I guess I was actually lucky that I had a job that was related to photography. And and now with silica that's still my textbook job is not really is related to photography anymore. It's project management. But it used to be more photography and photography was involved in it. So, but I feel like I wish I and it's not like I'm still around. So I mean, I can still change. And I have been inspired recently by all of the, you know, like the Twitter photography community, I feel inspired to try new things. I'm actually interested in trying like more like I always have done very realistic photography, and I actually want to try kind of changing things. I mean, it's just art then I mean, I mean, it's art, it's photography and art, like digital art combined, or even even learning even learning like 3d. If I can, I don't know, just to kind of experiment with things. Because I always was like shooting something as it was real, very real. That's how I've always like, done it. But yeah, I think like, at least try try more. I mean, try. Take, I mean, not unreasonable risks, but I feel like I wish I would have taken more risks in trying to pursue like my dream career. 54:24   Fantastic. That's such a great advice. I know how that feel. And you know, I've been there I used to be an engineer and you know, literally drop everything to become a photographer. So I know exactly how that feel and seems like you're in that journey. And I know a lot of other people who are in the journey as well, to get there. And like you say, right, it's it's important to, to get out of to get out of your comfort zone and to change to do something that makes you happy. Whatever it is. I think that is our big purpose in life so thank you very much for sharing that advice. That is so beautiful. Now for the listeners out there who I know that you have an NFT project on Slaker as well like a collection there and you know you have beautiful photograph as well. So for the people who and listeners who want to see more of your work who want to get in touch with you and connect with you, what would be the best way to connect with you? 55:30   Um, I would say probably like on Twitter or like my website like I have a website, wander wander less photos.com And so I can be contacted through my website or on Twitter or Instagram like any of those or Facebook even, like all the usual places 55:51   fantastic. Yeah, we'll include that in in the description below. So if you want to check out more of her work, you know, she what, what she's doing in any of these spaces as well as in a photography space, and all this beautiful photograph or from her travel, you know, I encourage you to give her a visit and say hi in social media. But thank you very much for being here. It's been such a pleasure talking to you. I enjoyed you know, having that conversation and listening to your to your journey. I really do appreciate having you in the podcast.  

Dans ce nouvel épisode, nous sommes ravis de recevoir Bilal El Alamy, Co-Fondateur et CTO de Dogami, le jeu mobile-first qui offre une expérience immersive en possédant un chien en 3D en tant que NFT !Fondée en 2021, Dogami est un projet ambitieux qui utilise les capacités de la réalité augmentée pour offrir une expérience immersive. Les joueurs peuvent s'adonner à quatre activités principales : collectionner, jouer et gagner, le tout, en socialisant.De type play-to-earn, ce jeu a été fondé sur la blockchain Tezos. Plus un joueur prendra soin de son Dogami et nouera une relation avec lui, plus il gagnera des Doga qui pourront être échangés contre des dollars ou des euros (après conversion en Tezos).Cette année, Dogami a réalisé une levée de fond de 6 millions de dollars grâce à Ubisoft et d'autres investisseurs : une levée de fonds qui va permettre aux développeurs de bâtir le Petaverse, autrement dit, le Metaverse des animaux de compagnie 3.0.Musique & réalisation : yoann.saunier.me Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

In 1980, the newly independent nation of Zimbabwe was invited to enter a women's hockey team at the Olympic Games in Moscow. Despite their unfamiliarity with the pitches - and each other - the players won an unexpected gold medal and were nicknamed the Golden Girls. In 2016, Claire Bowes talked to Liz Chase, one of the victorious Zimbabweans. (Photo: Zimbabwe's women's hockey team display their gold medals. Credit: Patricia McKillop via Alamy)

Mick takes a look at the findings of a new survey from youth charity The Mix. The survey charts a big rise in the number of 16-25 year olds taking drugs in the last year, and looks at the reasons for this substance use. Zoe Bailie is our guest, and offers an insight into what young people are saying about drugs, and how we can support young people who are using them. Follow Mick Coyle on Twitter and Instagram Join the Mental Health Monday Facebook Group Podcast art © Alamy

The author and illustrator of the classic children's book The Snowman, Raymond Briggs, has died at the age of 88. The wordless children's picture book published in 1978 has gone on to sell more than 5.5m copies in various formats around the world. The Snowman was turned into a Bafta TV Award-winning animated TV film in 1982. Today's Martha Kearney spoke to author and former Children's Laureate Michael Rosen and Raymond Briggs' publisher at Penguin Random House Francesca Dow. (Image, Raymond Briggs, Credit, Alamy)

TORV STÖRRE ÄN ALLT. David är på torv-offensiv och här ska ni få höra. Jeroen har blivit gubbe, negativ särbehandling av unga i whiskyvärlden och svarta pannor är coolt, Eden mill är små. Sådeså. Ett stort grattis till Jeroen som just fyllt 50! Vad var det i glaset? Mathias hade Ledaig 10: https://www.systembolaget.se/produkt/sprit/ledaig-8539001/ David sög på en Cutty Sark från tidigt 1970-tal, och Jeroen hade Limousin från Mackmyra: https://www.systembolaget.se/produkt/sprit/mackmyra-5536001/ Leo Hallengren är återuppstånden! Mycket mycket bra poänger kring faran av negativ särbehandling av unga i whiskyvärlden! En miljon länkar om torv… Och en ursäkt från David för hans absolut ostoppbara mundiarré i detta avsnitt…! Broom, Dave, ”Peat terroir and its impact on whisky”, 17/5 2016: https://scotchwhisky.com/magazine/features/9292/peat-terroir-and-its-impact-on-whisky/ Broom, Dave, ”Phenol fables: peat's secrets uncovered”, 16/5 2016: https://scotchwhisky.com/magazine/features/9293/phenol-fables-peat-s-secrets-uncovered/ Derbidge, Dave, ”The complete guide to peat and peated whisky”, 28/12 2020: https://www.whiskyandwisdom.com/the-complete-guide-to-peat-and-peated-whisky/ Harrison, Barry & Fergus G. Priest, ”Composition of peats used in the preparation of malt for Scotch whisky production: Influence of geographical source and extraction depth”, Journal of Agricultural and Food Chemistry 57 (2009), s. 2385–2391: https://pubs.acs.org/doi/10.1021/jf803556y Harrison, Barry, Joanne Ellis, David Broadhurst, Ken Reid, Royston Goodacre & Fergus G. Priest, ”Differentiation of peats used in the preparation of malt for Scotch whisky production using Fourier transform infrared spectroscopy”, Journal of the Institute of Brewing 112 (2006), nr. 4, s. 333–339: https://onlinelibrary.wiley.com/doi/pdf/10.1002/j.2050-0416.2006.tb00739.x Hayes, Annie, ”Everything you wanted to know about peat”, 28/2 2020: https://www.masterofmalt.com/blog/post/everything-you-wanted-to-know-about-peat-but-were-afraid-to-ask.aspx Strengell, Teemu, ”Peat”, 13/2 2011: http://whiskyscience.blogspot.se/2011/02/peat.html Strengell, Teemu, ”Peat Terroir”, 29/5 2011: http://whiskyscience.blogspot.se/2011/05/peat-terroir.html Ian Wisniewskis texter kan alltid starkt rekommenderas och i detta sammanhang särskilt: ”Peat performance”, Whisky Magazine 24 (2002): https://whiskymag.com/story/peat-performance Torvkorvar: https://airanlot.wordpress.com/2012/05/18/peat-cutting-in-the-21st-century/ Video på maskin som bajsar torvkorvar: https://www.youtube.com/watch?v=11SGolwiIzw Bilden från Alamy som David skickade i chatt till Jeroen och Mathias: https://www.alamy.com/stock-photo-peat-cutting-barvas-isle-of-lewis-outer-hebrides-highlands-islands-31507604.html?imageid=D1E144E6-6CDF-410A-A896-6486E232ACBC&p=6893&pn=2&searchId=0960210e6bb3b4eeab489dc75509a5ea&searchtype=0 George N. Bathgates suveränt intressanta och galet nördiga artikel som David tog upp: ”The influence of malt and wort processing on spirit character: the lost styles of Scotch malt whisky”, Journal of the Institute of Brewing 125, nr. 2 (2019), s. 200–213: https://onlinelibrary.wiley.com/doi/full/10.1002/jib.556 Vikingmalt som David nämnde: https://www.vikingmalt.com/ David gillar Mackmyras Svensk rök: https://tjederswhisky.se/mackmyra-svensk-rok/ Veckans ord: emissivitet https://en.wikipedia.org/wiki/Emissivity Burn Stewart Distillers äger Bunnahabhain, Deanston, och Tobermory som gör den Ledaig som Mathias sippade på. Veckans destilleri: Eden Mill Hemsida: https://www.edenmill.com/ Här lite om deras whiskies: https://www.edenmill.com/whisky-cat-4 Man ska alltid kolla på scotchwhisky.com: https://scotchwhisky.com/whiskypedia/2985/eden-mill/ En trea whisky på insta får man ju inte missa asså: https://www.instagram.com/entreawhisky/ Här når du oss: En trea whisky på Facebook (https://www.facebook.com/entreawhisky) Maila till oss på hej@entreawhisky.se Davids blogg tjederswhisky.se (https://www.tjederswhisky.se) Följ oss på Instagram: https://www.instagram.com/entreawhisky Bli medlem! https://entreawhisky.memberful.com/checkout?plan=74960

Claudia Lomma Podcast NFT Business

Bilal El Alamy, co-fondateur de PyratzLabs, était l'invité de François Sorel dans Tech & Co, ce mardi 24 mai. Il est revenu sur la dernière levée de fonds de sa start-up pour devenir la référence dans l'accélération des projets Web3 en Europe, sur BFM Business. Retrouvez l'émission du lundi au jeudi et réécoutez la en podcast.

After a 2 year hiatus, TezCast is back! We're talking with Bilal El Alamy, CTO/Co-Founder of Dogami — currently the most successful project in Tezos history (and it's just getting started!). Bilal and Kevin discuss NFTs, DeFi, and the future of Tezos. #Tezos Dogami Website: dogami.com Dogami Twitter: twitter.com/dogami Bilal El Alamy Twitter: twitter.com/bilalelalamy ----- TezCast Website: tezospodcast.com TezCast Twitter: twitter.com/tezcast Kevin's Twitter: twitter.com/kmehrabi

This week Tazmin Suleman speaks to Roxana Stingu about Self Belief. They cover where self beliefs come from, how they shape our own lives and how to change your internal belief system to get the most from life.About Roxana:Roxana heads the SEO & Search efforts at Alamy, a stock photography agency with a collection of over 270M images to date. She loves getting into the nitty-gritty of technical SEO and, besides theorising about the future of Image Search, her favourite past-time is automating anything repetitive. She's been previously working in the web hosting industry for almost 10 years, leading the technical SEO efforts for brands such as 123 Reg, Host Europe and GoDaddy EMEA. Roxana is also a proud member of the Women in Tech SEO community and a frequent speaker at BrightonSEO and WTSFestival. Where to find Roxana@roxanastingu on Twitter Roxana's Website About 'The SEO Mindset' PodcastBuild your inner confidence and thrive.The SEO Mindset is a weekly podcast that will give you actionable tips, guidance and advice to help you not only build your inner confidence but to also thrive in your career.Each week we will cover topics specific to careers in the SEO industry but also broader topics too including professional and personal development.Your hosts are Life Coach Tazmin Suleman and SEO Manager Sarah McDowell, who between them have over 20 years of experience working in the industry.Get in touchWe'd love to hear from you. We have many ways that you can reach out to us to say hello, ask a question, or suggest a topic for us to discuss on a future episode.Twitter - @sarahmcduk, @sulemantazmin & @seomindsetpodWebsite - https://www.tazminsuleman.com/Instagram - @tazminsuleman, @sarahmcduk & @seomindsetpodEmail - theseomindsetpodcast@gmail.comDon't forget to subscribe to our Podcast to never miss an episode: Listen to The SEO Mindset Podcast Sign up to be a guest on the podcast here.Copyright 2024 Sarah & Tazmin

In this episode of the Budget Overland Podcast, Benji has a great conversation with our overlanding friend Erick Huertas, who is passing through on a cross country trip.    Erick Huertas spent most of his childhood in Lancaster County Pennsylvania. Growing up in a low-income household, he developed a passion for the arts as a form of expression early on. Upon graduating High School, Erick enlisted in the United States Navy as a member of the esteemed Hospital Corps. As he began to travel the world as a young adult, he turned to photography to document his memories and the places he had traveled.   While working as a healthcare worker in the fight against COVID, he purchased a Land Rover LR3 as a ‘fixer-upper.' In the summer of 2021. He embarked on the famous Trans-American Trail, a 5,000-mile dirt road trail from Cape Hatteras, NC to the Oregon Dunes. Erick spent 86 Days on the road and traveled across 33 states and 13,000 miles during his westward journey. Documenting his journey in a handwritten journal and taking photos on his iPhone, he will be featured in “Land Rover Owner International” in February 2022.   Erick's moderate success through his trail encouraged him to take photography more seriously. Erick soon purchased a camera and enrolled in The University of Washington's Professional Photography Certificate. Through the Guru Shots Photo Competitions, he has been featured in 11 exhibitions and three magazines. Currently, he writes for LRO and “Rover Depot” documenting his expeditions. Erick also shoots stock photography for Alamy and iStock, a subsidiary of Getty Images. Erick hopes to blend his passions of Photography and writing with his passion for medicine as he aspires to work for Médecins Sans Frontières (Doctors Without Borders).   In addition to being a student of Photography and Nursing, he studies French, German and Arabic. Erick has a strong belief that language and art are some of the best ways in connecting across different cultures. Connect with Erick: Social: @wandering_lottie Email: erickhuertas0@gmail.com www.flickr.com/people/erickhuertas Benji Ward is the founder of FB Budget Overland and co-host of the Budget Overland podcast. Benji is an off-road enthusiast, entrepreneur, and has been involved in the automotive industry for the past ten years.  He enjoys spending quality time with his wife and son, exploring God's creations, and sharing tips and tricks along the way for overlanding.   Jay Tiegs is co-host of the Budget Overland podcast, a 26 year veteran of the U.S. Army, outdoor enthusiast, and endurance athlete. He is passionate about outdoor adventure travel in his Toyota 4Runner and loves sharing his experiences to encourage others to get outside.   If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/ITunes? Your feedback is important to me and it would also take less than 60 seconds and make a difference in getting those hard to get guests as we expand our reach.   Vist the Budget Overland Store: https://budget-overland-swag.myshopify.com/   Join the Budget Overland Newsletter: https://www.jaytiegs.com/pl/2147549465   Join the Budget Overland Facebook Community:  https://www.facebook.com/groups/312054236893725   Watch the Budget Overland Youtube Channel: https://www.youtube.com/channel/UCcro_9fySgsgZiwO1E1lj1g Contact/Follow Benji:  Instagram: @slow.yota Email: Budgetoverlandofficial@gmail.com    Contact/Follow Jay:  Link Tree: https://linktr.ee/dohardthings Email: jay@jaytiegs.com Website: www.jaytiegs.com

In this episode of the Budget Overland Podcast, Benji has a great conversation with our overlanding friend Erick Huertas, who is passing through on a cross country trip.  Erick Huertas spent most of his childhood in Lancaster County Pennsylvania. Growingup in a low-income household, he developed a passion for the arts as a form ofexpression early on. Upon graduating High School, Erick enlisted in the United StatesNavy as a member of the esteemed Hospital Corps. As he began to travel the world as a young adult, he turned to photography to document his memories and the places he had traveled. While working as a healthcare worker in the fight against COVID, he purchased a LandRover LR3 as a ‘fixer-upper.' In the summer of 2021. He embarked on the famousTrans-American Trail, a 5,000-mile dirt road trail from Cape Hatteras, NC to the OregonDunes. Erick spent 86 Days on the road and traveled across 33 states and 13,000 milesduring his westward journey. Documenting his journey in a handwritten journal andtaking photos on his iPhone, he will be featured in “Land Rover Owner International” inFebruary 2022. Erick's moderate success through his trail encouraged him to take photography moreseriously. Erick soon purchased a camera and enrolled in The University ofWashington's Professional Photography Certificate. Through the Guru Shots PhotoCompetitions, he has been featured in 11 exhibitions and three magazines. Currently, he writes for LRO and “Rover Depot” documenting his expeditions. Erick also shoots stock photography for Alamy and iStock, a subsidiary of Getty Images.Erick hopes to blend his passions of Photography and writing with his passion formedicine as he aspires to work for Médecins Sans Frontières (Doctors Without Borders). In addition to being a student of Photography and Nursing, he studies French, Germanand Arabic. Erick has a strong belief that language and art are some of the best ways inconnecting across different cultures.Connect with Erick:Social: @wandering_lottieEmail: erickhuertas0@gmail.comwww.flickr.com/people/erickhuertas//////////////////ATTENTION////////////UPDATE BELOW///////////////////Hello, and welcome to the Budget Overland Podcast. Created by Jay and Benji in November 2021. Fast forward to April 2023, Jay and Benji parted ways. Not to worry Benji did a re-boot and skipped to season 3. BOP now has////////////|||\\\Voicemail Hotline+01-314-266-9536LISTENER DISCOUNT CODES:MOORE Expo "BUDGETOVER10" 10% offDevos "BOGOODS" 10% offMORRFlate "BUDGET" 15% offOverland Spices "BOSPICE" 10% offWhiskey & Wilderness "BO10" 10% offBigfoot Blankets "BO10" 10% offLonesome Adv "BO10" 10% offLinks to BO YouTube, Facebook, Instagram and Store go tohttps://www.budgetoverlandportal.com/ Become a BO Supporter! https://www.patreon.com/budgetoverland**Go to Apple Podcast and leave BOP a review! You will automatically be entered for our "Super Swag Pack Giveaway" We announce a winner every 50 Reviews! **Join the monthly "Insider Deals" email, where we partner with companies once a month with discounts on gear! https://www.budgetoverlandportal.com/***A special thanks to my BO PATRONS: Thank You!Joe GWandering PossumBrandon DillowChad LansingShane DeibertJay-Are SmithJimmy Jet -ST4x4ORP

Um projeto ousado quer mexer no calendário do futebol brasileiro e ainda criar uma série E com 450 clubes. Estas são duas propostas elaboradas por Adriano Ávila Alamy, fundador do Futbox e que já foram levadas até a CBF. Neste episódio do GoalCast vamos conhecer melhor estas ideias e como funcionam na prática. Participam o presidente da GoalManage, Luiz Henrique Nuñez e o jornalista Norton Kappel. GoalCast é um conteúdo da GoalManage (www.goalmanage.com)GoalCast é um conteúdo da GoalManage (www.goalmanage.com) Direção e edição: José Pedro Villalobos Realização: Ponte - Estratégias em Comunicação (www.pontecom.com.br) Apresentação: Eduarda Streb (www.eduardastreb.com.br)

This episode sees former SAS soldier, bestselling author, and diagnosed “good” psychopath Andy McNab join @TheRealDrKev and Bruce as they dissect the unique mindset of Special Forces operatives, discuss what it takes to work undercover in highly volatile and suicidally dangerous war zones...and how being a psychopath can definitely help! Kev and Bruce also delve deeper into Andy's psychopathic tendencies and hear how a trip to the pub one afternoon almost resulted in “a level of physical violence you never knew existed”; how Andy once met himself chatting up a couple of girls at a literary festival (and was delighted to observe himself doing rather well!); and how, in recent years, his ability to empathise with others has received a boost from a rather unusual source...emojis! This and much, much more on Episode 6 of #PsychoSchizoEspresso.You can listen to and watch longer episodes of Psycho Schizo Espresso AD FREE if you become a Patreon at www.patreon.com/psychoschizoespressoTo access the YouTube version of this episode ofPsycho Schizo Espresso, please visit https://youtu.be/wA_guPNYGKkPlease make sure you like, subscribe, rate, review and comment wherever you get your Podcasts from. To get in touch, please email PSE@PodProd.co.uk and follow the hashtag #PsychoSchizoEspresso and @TheRealDrKevPsycho Schizo Espresso is a Pod Prod Production. For more information, please go to www.podprod.co.ukAndy McNab photograph is copyright Alamy.

In this episode of the Budget Overland Podcast, Benji and I have a great conversation with Erick Huertas  Erick Huertas spent most of his childhood in Lancaster County Pennsylvania. Growingup in a low-income household, he developed a passion for the arts as a form ofexpression early on. Upon graduating High School, Erick enlisted in the United StatesNavy as a member of the esteemed Hospital Corps. As he began to travel the world as a young adult, he turned to photography to document his memories and the places he had traveled. While working as a healthcare worker in the fight against COVID, he purchased a LandRover LR3 as a ‘fixer-upper.' In the summer of 2021. He embarked on the famousTrans-American Trail, a 5,000-mile dirt road trail from Cape Hatteras, NC to the OregonDunes. Erick spent 86 Days on the road and traveled across 33 states and 13,000 milesduring his westward journey. Documenting his journey in a handwritten journal andtaking photos on his iPhone, he will be featured in “Land Rover Owner International” inFebruary 2022. Erick's moderate success through his trail encouraged him to take photography moreseriously. Erick soon purchased a camera and enrolled in The University ofWashington's Professional Photography Certificate. Through the Guru Shots PhotoCompetitions, he has been featured in 11 exhibitions and three magazines. Currently, he writes for LRO and “Rover Depot” documenting his expeditions. Erick also shoots stock photography for Alamy and iStock, a subsidiary of Getty Images.Erick hopes to blend his passions of Photography and writing with his passion formedicine as he aspires to work for Médecins Sans Frontières (Doctors Without Borders). In addition to being a student of Photography and Nursing, he studies French, Germanand Arabic. Erick has a strong belief that language and art are some of the best ways inconnecting across different cultures.Connect with Erick:Social: @wandering_lottieEmail: erickhuertas0@gmail.comwww.flickr.com/people/erickhuertas //////////////////ATTENTION////////////UPDATE BELOW///////////////////Hello, and welcome to the Budget Overland Podcast. Created by Jay and Benji in November 2021. Fast forward to April 2023, Jay and Benji parted ways. Not to worry Benji did a re-boot and skipped to season 3. BOP now has two show a week, Monday & Thursday! Out of respect fo////////////|||\\\Voicemail Hotline+01-314-266-9536LISTENER DISCOUNT CODES:MOORE Expo "BUDGETOVER10" 10% offDevos "BOGOODS" 10% offMORRFlate "BUDGET" 15% offOverland Spices "BOSPICE" 10% offWhiskey & Wilderness "BO10" 10% offBigfoot Blankets "BO10" 10% offLonesome Adv "BO10" 10% offLinks to BO YouTube, Facebook, Instagram and Store go tohttps://www.budgetoverlandportal.com/ Become a BO Supporter! https://www.patreon.com/budgetoverland**Go to Apple Podcast and leave BOP a review! You will automatically be entered for our "Super Swag Pack Giveaway" We announce a winner every 50 Reviews! **Join the monthly "Insider Deals" email, where we partner with companies once a month with discounts on gear! https://www.budgetoverlandportal.com/***A special thanks to my BO PATRONS: Thank You!Joe GWandering PossumBrandon DillowChad LansingShane DeibertJay-Are SmithJimmy Jet -ST4x4ORP

In this episode of the Budget Overland Podcast, Benji and I have a great conversation with Erick Huertas    Erick Huertas spent most of his childhood in Lancaster County Pennsylvania. Growing up in a low-income household, he developed a passion for the arts as a form of expression early on. Upon graduating High School, Erick enlisted in the United States Navy as a member of the esteemed Hospital Corps. As he began to travel the world as a young adult, he turned to photography to document his memories and the places he had traveled.   While working as a healthcare worker in the fight against COVID, he purchased a Land Rover LR3 as a ‘fixer-upper.' In the summer of 2021. He embarked on the famous Trans-American Trail, a 5,000-mile dirt road trail from Cape Hatteras, NC to the Oregon Dunes. Erick spent 86 Days on the road and traveled across 33 states and 13,000 miles during his westward journey. Documenting his journey in a handwritten journal and taking photos on his iPhone, he will be featured in “Land Rover Owner International” in February 2022.   Erick's moderate success through his trail encouraged him to take photography more seriously. Erick soon purchased a camera and enrolled in The University of Washington's Professional Photography Certificate. Through the Guru Shots Photo Competitions, he has been featured in 11 exhibitions and three magazines. Currently, he writes for LRO and “Rover Depot” documenting his expeditions. Erick also shoots stock photography for Alamy and iStock, a subsidiary of Getty Images. Erick hopes to blend his passions of Photography and writing with his passion for medicine as he aspires to work for Médecins Sans Frontières (Doctors Without Borders).   In addition to being a student of Photography and Nursing, he studies French, German and Arabic. Erick has a strong belief that language and art are some of the best ways in connecting across different cultures. Connect with Erick: Social: @wandering_lottie Email: erickhuertas0@gmail.com www.flickr.com/people/erickhuertas Benji Ward is the founder of FB Budget Overland and co-host of the Budget Overland podcast. Benji is an off-road enthusiast, entrepreneur, and has been involved in the automotive industry for the past ten years.  He enjoys spending quality time with his wife and son, exploring God's creations, and sharing tips and tricks along the way for overlanding.   Jay Tiegs is co-host of the Budget Overland podcast, a 26 year veteran of the U.S. Army, outdoor enthusiast, and endurance athlete. He is passionate about outdoor adventure travel in his Toyota 4Runner and loves sharing his experiences to encourage others to get outside.   If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/ITunes? Your feedback is important to me and it would also take less than 60 seconds and make a difference in getting those hard to get guests as we expand our reach.   Join the Budget Overland Facebook Community:  https://www.facebook.com/groups/312054236893725   Watch the Budget Overland Youtube Channel: https://www.youtube.com/channel/UCcro_9fySgsgZiwO1E1lj1g Contact/Follow Benji:  Instagram: @slow.yota Email: Budgetoverlandofficial@gmail.com    Connect with Jay:  Website: www.jaytiegs.com  Facebook: www.facebook.com/sjtiegs  LinkedIn: www.linkedin.com/in/jay-tiegs  YouTube: www.youtube.com/user/jaytiegs  Instagram: www.instagram.com/jaytiegs

Dans cette room, nous recevons Bilal El Alamy le fondateur de Dogami, un jeu avec des chiens NFT en 3D qui pourraient bien devenir les tamagoshis 3.0...(Désolé pour les petits problèmes techniques mais Bilal n’entendait pas Rémy, ce qui a créé quelques moments de flottement surtout au début…)Dogami c’est à la fois une collection de chiens 3D, un jeu dans lequel il faut prendre soin de son petit animal de compagnie préféré, de la DEFI, et plein d’autres choses intéressante à venir…Pour en savoir plus, (ré)écoutez le replay !Pour aller plus loin:Profil LinkedIn de BilalSite Officiel de DogamiCompte Twitter Dogami Get on the email list at www.nftmorning.com

Image search can bring a lot of traffic. Most webmasters ignore image optimization. Don't do it. Roxana Stingu shares her valuable insights and simple ways of the right optimization. She is the Head of Search & SEO at Alamy. She has spoken at many events including conferences such as BrightonSEO, WTSFest and DMLA about some…

Kitty Carlisle Hart (1910-2007), in conversation with Richard Wolinsky, recorded by phone. This interview has never been heard via radio or podcast. Created for an unfinished radio documentary on the life of George Gershwin, this interview was the final of seven interviews recorded for the program before it was abandoned, recorded in 2001 or 2002. Best known for a long stint as panelist on a popular television quiz show, To Tell the Truth, from 1956 to 1978, with cameos in a handful of films late in life, Kitty Carlisle was born in 1910 and died in 2007.  She came of age as an opera singer and Broadway performer, moving to Hollywood for a handful of  films, including the Marx Brothers A Night at the Opera. She dated George Gershwin from 1933 until he moved to Hollywood six months before his death. After that, she married playwright Moss Hart, a marriage that lasted until his early death in 1961. She was a leading advocate for the arts and arts funding, serving on the New York State Arts Council for twenty years. In the interview, she mentions going out with George, accompanied by a friend, a “piano player.” Most likely, that person was composer Burton Lane (Finian's Rainbow, On A Clear Day You Can See Forever). George Gershwin was born in 1898 and his brother Ira two years earlier. At the age of 15 he took a job as a song-plugger, playing other people's songs on a piano for Remick Music Publisher for the sale of their sheet music. His first composed song was published when he was 17, and at 21 he scored his first big hit, Swanee. But it wasn't until 1924 when he teamed up with his brother Ira as lyricist that George Gershwin became, what we might call a superstar, which he remained until his untimely death from a brain tumor in 1937. Ira Gershwin, who went on to work with other composers until he retired in the early 1960s, died in 1983. Previous Gershwin Project podcasts: Interview I: English Strunsky, Ira Gershwin's brother-in-law and George's wingman in the 1920s. Interview II: Musicologist Deena Rosenberg and Michael Strunsky, Ira Gershwin's nephew. Image from “A Night At The Opera,” Alamy stock photo available for non-profit use.     The post The Gershwin Project III: Kitty Carlisle appeared first on KPFA.

The discovery of the diaries of 19th-century Englishwoman Anne Lister, who wrote in secret code about her love affairs with women and has been called the first modern lesbian. A landowner and a businesswoman, she defied the conventions of the time and was nicknamed 'Gentleman Jack' in the Yorkshire town of Halifax where she lived, because of the way she dressed and acted. Louise Hidalgo spoke to Helena Whitbread, who discovered Anne Lister's diaries in 1983 and spent five years decoding them. This programme is a rebroadcast. Picture: portrait of Anne Lister, of Shibden Hall, Halifax (credit: Alamy)

I sat down and spoke to David about some of his travel experiences. David took his first trip with his parents to Ibiza when he was 18 months old (not that he can remember that). But from an early age, he was fascinated about travelling the world one day as he never went away with his family after that trip. I discussed with David his current situation as he was meant to be in China with his partner teaching English. I spoke to him about where he sees himself once we go back to some normality. I also spoke to David about what Covid-19 has done for the tourism industry, and the repercussion it has had on the lives of people in countries around the world that are reliant on tourists visiting. David did talk to me about his love for Africa. A few years back he spent a good few months exploring the continent. Because he loved it so much, he drove back down a few months later after he returned home. We spoke about what his future travel plans are going to look like with South America being high up on his list as he hasn't quite made it to that part of the world yet. The Middle East is a place he loves and he would like to go back there as well. David has a passion for photography. He sells a lot of his work on the Shutterstock and Alamy websites. We went into detail about the style of work he does and post-production as well. I had a magnificent time talking to David. He was a real no-nonsense type of guy and spoke to me on a very high intellectual and rational level. I look forward to more of David's journey and seeing if he does make it to South America. You can also watch the episode on my YouTube channel (https://youtu.be/-OFZJvFsLxI). For people with hearing impairment, subtitles are available on YouTube. ... Stay connected with me Website https://shebsthewanderer.com/ Instagram https://www.instagram.com/shebsthewanderer/ Twitter https://twitter.com/ShebsAlom Facebook https://www.facebook.com/shebsthewanderer/

Photographers often wonder if their images are good enough for stock libraries and if they can earn money from their photography. On this week's episode which starts with a little rant from Kam (again), we speak to Clemency Wright who has worked with Getty Images, V&A Museum, Adobe Stock, World Vision, Save the Children, Hero Images, iStock, Alamy and The University of Nottingham amongst others. Clemency helps your images get found!  She guides us through stock libraries and how important the application of relevant, accurate and consistent keywords are to our images. We also discuss the importance of naming your images for your website to help it get found and you discovered. You may an incredible photographer but your images need to be found, once they've been found then you have a chance of selling them and start earning money. Mark completes the show with the fascinating topic of turning your images in to sound! Yes, it's true, your images contain sound!! If you want to find out more about Stock Libraries and naming your images correctly our guest Clemency can be contacted at; http://www.clemency.co.uk/ Check back every Thursday to be sure that you don't miss a single episode. Hit that subscribe/follow button so you don't miss out. Make sure you follow us on Twitter and like us on Facebook. To get in touch please email chat@thephotographybar.co.uk.

On this week's podcast, the Rt Revd Graham James, a former Bishop of Norwich, reflects on the faith of Prince Philip. Bishop James preached numerous times at Sandringham and was quizzed by the Duke of Edinburgh about the content of his sermons, as well as wider theological matters. “It was a questioning, searching faith,” Bishop James says. “There's a sense in which his own restlessness, which was obvious throughout the whole of his life, was also applied to his religion. But that, I think, was why it meant a lot to him. He didn't want a routine religion: he wanted one which challenged his mind as well as his spirit.” Bishop James writes about Prince Philip in this week's Church Times, which also contains coverage of church leaders' tributes, an obituary, and more. Try 10 issues of the Church Times for £10 or get two months access to our website and apps, also for £10. Go to churchtimes.co.uk/new-reader. Picture credit: Alamy

This episode contains attempts at both corporal and capital punishment, including the use of boiling oil. Caoimhe and MJ also get sidetracks discussing institutional abuse by the Catholic Church.As you can tell from the content warning Wukong, Bajie and Wujing's attempts to deny that they stole the ginseng fruit are clearly going to go very well. I'm sure the Lord Equal to Earth won't mind that they destroyed the one of a kind mystical tree that's older than the Earth itself.Links:Mother and Baby Homes Commission of Investigation on Wikipedia.Episode artwork is an iron pot unearthed in Hulunbuir, via Alamy.Follow Caoimhe, MJ and this podcast on Twitter, follow MJ on Instagram and follow Caoimhe on the Fediverse.

In today's NOPE Episode, Kristyn dives into the life of her favorite female icon, Dorothy Parker. "Dorothy Parker will be remembered as the tipsy distiller of sentiments that defined the Roaring ‘20s but her independent spirit defines her as an icon" according to Alamy from a BBC piece on her life. She was a wit, a feminist, a hopeless romantic, an activist, a writer, and truly a standout human. We recommend enjoying this episode with a bright, effervescent gin drink in hand and wearing your fanciest pearls. Our NOPE episodes highlight womxn who decided enough was enough, some of whom chose to use their positions of privilege to give voice to those who were being silenced. Please take the time to follow us on Instagram and Twitter, or email us at thunderthighspodcast@gmail.com. TTL! TAG: Nope // Algonquin Round Table // Dorothy Parker // Martin Luther King Jr --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/podcastttl/message Support this podcast: https://anchor.fm/podcastttl/support

There isn’t much info on image search, especially when it comes to that image tab. Here’s a discussion with Roxana Stingu, SEO at Alamy, a mammoth photo website, encouraging you to experiment and making use of the potential that’s out there for extra traffic.  Show notes & SUBSCRIBE to newsletter. Email me: seowithmrsghost@gmail.com Tweet me: @MrsAlinaGhost If you like the show please rate, write a review and tell your friends and colleagues!

Eläimistä ihmisiin siirtynyt tuorein koronavirus on hommattu kiinalaisen lihatorin kautta lepakoista. Tätä ennenkin koronavirukset ovat siirtyneet lepakosta, varsinaisesta isännästään, väli-isäntien kautta ihmiseen. SARS levisi aikoinaan kiinalaisesta lepakosta sivettikissan kautta maailmalle Aasiasta ja MERS kamelien kautta Lähi-Idästä. Lajirajan vast'ikään ylittänyt zoonoosi eli eläimistä ihmisiin ja takaisin tarttuva tauti on tuoreeltaan ärhäkkä ja voi tappaa uuden isännän, jolta puuttuu vastustuskyky eläintautia vastaan. Ajan myötä virus ja ihminen sopeutuvat ja mukautuvat toisiinsa ja viruksen aiheuttama tauti lievenee. Miten Suomessa ja pärjätään uuden Wuhanista tulevan koronaviruksen kanssa, siitä kertoo infektiotautien erikoislääkäri Eeva Ruotsalainen Helsingin ja Uudenmaan sairaanhoitopiiristä. Zoonoosivirologian professori Olli Vapalahden mukaan uusi koronavirus ei ollut yllätys, sillä eläinten taudit siirtyvät ihmisiin, kun lajirajan ylitykselle tehdään suotuisat olot. Ihmisille vanhat tutut koronavirukset aiheuttavat tavallisia räkätauteja, mutta Wuhanin koronavirusversio on uusi ja siksi kovempaa sorttia. Mikä tekee uudesta koronaviruksesta ikivanhoja tuttavuuksia pahemman ja miten se suhtautuu aikaisempiin vakaviin koronavirustauteihin SARS:iin ja MERS:iin. Tiedeykkösessä puhutaan vakavista koronaviruksista infektiotautien erikoislääkäri Eeva Ruotsalaisen ja zoonoosivirologian professori Olli Vapalahden kanssa. Ohjelman toimittaa Leena Mattila. Kuva: All Over Press aleksej sarifulin / Alamy

Entenda o triste e tenebroso Caso dos Irmãos Naves, o maior erro judiciário da história do Brasil. O Caso dos Irmãos Naves, considerado o maior erro da história da justiça brasileira, escancarou as graves consequências que a aplicação errada das leis e dos processos judiciais podem acarretar na vida de pessoas comuns. Joaquim e Sebastião, os irmãos Naves, moravam na cidade de Araguari, em Minas Gerais. Os Naves eram agricultores e trabalhavam com cultivo e venda de cereais, em sociedade com o primo Benedito Pereira Caetano. Os três personagens citados acima foram protagonistas do maior erro judiciário da história do país. A história dos irmãos Naves é comumente citado nos cursos das faculdades de direito do país, sua história é evocada, geralmente, para ilustrar as terríveis consequências da condenação sem provas e sem o devido processo legal garantido em constituição. Referências: ALAMY, João Filho. O Caso dos Irmãos Naves – Um erro judiciário. 3ª Edição. Belo Horizonte. Editora Del Rey : 1993. SILVA, Camila Garcia da. O caso dos irmãos naves: “tudo o que disse foi de medo e pancada...”. Disponível na internet. Acesso em 06 de maio de 2016. CALDAS, José. Caso Dos Irmãos Naves, O Maior Erro Judiciário Do Brasil… Por Enquanto. 2009. Disponível na internet. Acesso em 05 de maior de 2016. Correções: Dona Ana faleceu após João Alamy Filho O delegado da cidade não foi ao encontro de Benedito. Mas sim apenas policiais, Sebastião e o jornalista. --- Support this podcast: https://anchor.fm/iconocast/support

This week, Ed Thornton talks to the Revd Alexander Faludy about George Orwell's relationship with Christianity. Orwell died 70 years ago, on 21 January 1950, an avowed atheist. Faludy writes in this week's Church Times, however, that Orwell had a complex relationship with faith intellectually and with Anglicanism institutionally. “Even as Orwell fought against Christianity, denying its metaphysical claims and finding it wanting in moral integrity, he had to acknowledge that the standards by which he judged it — and, indeed, the world — were Christianity's own.” If you don't yet subscribe to the Church Times, check out our new reader offer: 10 issues for £10: www.churchtimes.co.uk/new-reader Picture credit: Alamy

Au-delà des idées reçues, nous allons parler de ce que la technologie blockchain apporte à l'immobilier. Je tenais particulièrement à ce sujet car j'entends monts et merveille depuis des années sur ce qu'elle pourrait prétendument révolutionner. Certains ont même dit qu'elle allait rendre obsolète la profession de notaire ! Au final, ce qu'on peut retenir c'est qu'elle est un formidable levier de démocratisation de l'investissement. Pour en parler, je reçois dans cet épisode Bilal El Alamy, le cofondateur de la start-up Equisafe, dont le fait de gloire est d'avoir réalisé la première vente immobilière sur blockchain en France.Bilal El Alamy sur Twitter : https://twitter.com/bilalelalamyBilal El Alamy sur LinkedIn : https://www.linkedin.com/in/bilal-el-alamy/Grégory Raymond sur Twitter : https://twitter.com/gregory_raymond21 Millions sur Twitter : https://twitter.com/21Millions_

The discovery of the diaries of 19th-century Englishwoman Anne Lister, who wrote in secret code about her love affairs with women and has been called the first modern lesbian. A landowner and a businesswoman, she defied the conventions of the time and was nicknamed by local people in the Yorkshire town of Halifax where she lived 'Gentleman Jack' because of the way she dressed and acted. Louise Hidalgo has been talking to Helena Whitbread, who discovered Anne Lister's diaries in 1983 and spent five years decoding them. Picture: portrait of Anne Lister, of Shibden Hall, Halifax (credit: Alamy)

“I am large, I contain multitudes”. So wrote Walt Whitman in his 1855 masterpice Song of Myself. The American poet's 200th birthday is on Friday (31 May). In this week's Church Times, Dr Michael Robertson, author of Worshipping Whalt: The Whitman disciples (Princeton Press), argues that while Whitman has been celebrated as a poet of democracy and of nature, among other things, his religious purpose is under-appreciated. On this week's podcast, Dr Robertson speaks to Madeleine Davies about Whitman's life, his literary and religious influences, and reads for us some of his remarkable poetry. Picture credit: Alamy

Bienvenue dans On Hair, le podcast qui fait parler vos cheveux. Pour ce 9e épisode j’ai reçu Yassine Alamy, co-fondateur de “Hrach is Beautiful”, un mouvement né il y a un an et qui prône la beauté du cheveux hrach, c’est à dire frisés et crépus au sein des populations du Maghreb. Suivez “Hrach is Beautiful” sur Facebook, Instagram et Twitter @hrachisbeautiful Decoupage de l’épisode: (00:00 à 00:01:47) Intro Hrach is Beautiful (00:01:47 à 00:05:02) La creation de Hrach is Beautiful (00:06:54 à 00:07:20:) Que veut dire “Hrach” ? (00:07:20: à 00:11:58) Un mouvement propre à l’Afrique du nord (00:11:58 à 00:13:42) Des témoignages via les réseaux sociaux (00:13:42 à 00:17:42) “L’injonction du choix” (00:17:42 à 00:20:31) La négrophobie en Afrique du Nord Ses cheveux (00:20:31 à 00:25:28) Les années difficiles du collège et du lycée (00:25:28 à 00:28:12) Manque de représentation (00:28:12 à 00:30:48) Ses influences vers l’acceptation (00:30:48 à 00:32:57) “Nos parents voyaient une question d'intégration” (00:32:57 à 00:38:03) Les réactions et les échanges avec ses élèves (00:38:03 à 00:41:21) Influence du rap français et défrisage (00:41:21 à 00:44:38) L’importance des compositions (00:44:38) à (00:48:00) Sa routine cheveux (00:48:06 à 00:51:06) Son anecdote capillaire A propos : Je suis Linda. Chibani et après plusieurs années à lutter contre mes cheveux, j'ai développé au fil des années un intérêt particulier autour de la question capillaire. Je souhaite donner la parole à mes invité.es afin de comprendre le lien qu'ils ont avec leurs cheveux, connaitre leurs histoires capillaires, leurs routines de soin, analyser le regard de la société et bien plus encore ... Vos commentaires, étoiles, partages sur les réseaux sociaux me sont extrêmement précieux. Ils permettent au podcast de gagner en visibilité et donc de le faire connaître.Merci pour votre soutien. Bonne écoute! Linda. • On Hair : Facebook : bit.ly/onhairfacebook Twitter : bit.ly/onhairtwitter Instagram : bit.ly/onhairinstagram ------- Music provided by Free Vibes: https://www.youtube.com/channel/UCDS7... Wednesday par Mt. Drei: https://soundcloud.com/mtdrei/wednesday Creative Commons — Attribution 3.0 Unported— CC BY 3.0 https://creativecommons.org/licenses/...

In this episode of my Podcast I talk about a recent shoot at Lime Meadow Folk & Blues Club, my good experiences with Shutterstock & Alamy (cher-ching!) and preparing for a forthcoming trip to Budapest!

New research found that confidence and beauty go hand in hand for Generation X women. We spoke with Confidence Coach Jo Emerson and Scientific Skincare Advisor Claire O’Connor to hear some tips for feeling confident and how we can achieve that when we’re blind or visually impaired. Jo and Claire are chatting with RNIB Connect Radio’s Simon Pauley. For more information on making an appointment visit: [www.boots.com/no7-book-an-appointment](https://www.boots.com/no7-book-an-appointment) (Photo shows a middle-aged woman investigating her face in a small mirror. Photo credit: ALAMY)

Podcast: Alamy Bildtrends In diesem Podcast spreche ich über Fotografie Trends der Agentur ALAMY. Es gibt dort die Seite Picture needs, wo sie Bildthemen auflisten, die gesucht werden. Ich übersetze und lese vor, mit welchen Bildern man gute Verkaufs Aussichten hat. Hier geht es zu der Alamy Seite mit den Photography Trends

Allo ? T'es une fille et t'as pas de shampoing ??? Cette phrase de Nabila pourrait résumer à elle seule notre 11ème épisode de Où est le respect sur... le cheveu justement ! Sauf que... non. De cheveu il est question, mais de son sens, son essence et son histoire. Le cheveu maghrébin, africain, ce poil qui hérisse les racistes en tous genres. Pour le défendre et le magnifier, un mouvement a été créé : Hrach is beautiful, porté par Samia Saadani et Yassine Alamy. C'est ce dernier qui a été invité pour nous en parler ! Bonne écoute

If stock photography is your thing, and you have an account with Alamy, you can now upload this type of photo to their site. But be quick. I say why in this episode. BE CREATIVE. BE INSPIRED. BE YOU.

Miksi jotkut kielet uhanalaistuvat ja jopa kuolevat, ja kuinka kieliä voidaan elvyttää ja pelastaa katoamiselta? Maailmassa lasketaan olevan n. 7000 eri kieltä, mutta niitä katoaa enenevää vauhtia, monesta eri syystä. Joitakin uhanalaisia kieliä on kuitenkin onnistuttu elvyttämään, mikä lupaa hyvää myös vähemmistökulttuurien säilymiselle. Monet suomensukuiset kielet ovat uhanalaisia, jotkut jopa jo kuolleet, viimeisimpänä liivi, mutta esimerkiksi inarinsaame on saatu elvytettyä parin perheen äidinkielestä usean sadan saamelaisen äidinkieleksi. Siinä tärkeänä tekijänä on ollut kielipesätoiminta, joka on pelastanut muitakin vähemmistökieliä maailmalla. Toisaalta myös merkittäviä kulttuurikieliä on vuosisatojen myötä joutunut vähemmistökielen asemaan, esimerkkeinä Irlannissa puhuttu iiri ja eteläisessä Ranskassa puhuttu oksitaani, keskiajan trubaduurien kieli. Uhanalaisista kielistä - erityisesti suomen lähikielistä, mutta myös joidenkin eurooppalaisten vähemmistökielten tilanteesta - kertovat suomalais-ugrilaisten kielten professori Riho Grünthal Helsingin yliopistosta, kielten katoamista ja saamelaiskieliä tutkinut kielitieteilijä Annika Pasanen sekä oksitaanin kielen tuntija, kielentutkija Jari Nummi. Toimittajana on Jaana Sormunen. Kuvassa Foix'n keskiaikainen linna Oksitanian alueella Pyreneillä. Kuva: AOP/ Wilfrid Davoine, Alamy

Diana MacDonald is Introducing Herself I have been a professional photographer since 1993, and have been shooting stock photography since 1996 when I moved to Florida and landed a job as an in-house stock photographer for SuperStock, a stock agency in Jacksonville. In 1998 I left the agency and branched out on my own, shooting what is known as macro stock for a company called Eyewire, which had previously been owned by Adobe, and was bought out by Getty Images. I shot exclusively for Getty for many years, but with the advent of microstock agencies, the business changed drastically, so I now shoot for 5 micro agencies as well as for Getty and for Alamy (a UK based macro stock agency.)   Social Media and the Use of Images Many Social Media platforms are full of images used without permission. In our conversation, we do mention Steemit a lot since that is the platform we met. In Diane's opinion, Steemit allows the illegal use of images because the community is expected to be self-policing. They do not tolerate plagiarism, which means claiming the image is your own. You can attribute her work to Mickey Mouse and it is OK with Steemit. Plagiarism is not illegal, but copyright infringement is. Incorrect sourcing is also considered copyright infringement. Google is not a source. It is a search engine. The SOURCE is the photographer.  Web MD etc.   is not a source. It is a website which most likely paid a licensing fee for an image. Of course, this kind of behavior is rampant on all social media websites. The countless meme being shared over and over again on Facebook or Twitter use often - or maybe most of the time- a photo grabbed from the web. Diane says that anything published online can be found on the web. Contributors are taking a lot of chances by infringing on copyright. Agencies and photographers DO go after infringers. It is very easy to do a reverse search and find their work. Not knowing is not accepted as being an excuse in the courts! The user is expected to track down the real source of every image used. Diane was recently paid a sum which Getty collected from the illegal use of one of her images on the web. In the world of advertising and graphic design, it is NOT OK to simply take an image and cite the source!  Professionals just don't work that way. You cannot copy a copyright image and simply give a SOURCE. Only the copyright holder has the right to use the images. All Rights Reserved means just that. The copyright holder owns ALL rights, so permission must be given to the user, regardless of whether a source is cited or not. The problem with sites like Pixabay etc. is that that they take the word of the persons uploading an image. If they say that they own the copyright and that they are waiving copyright ownership, Pixabay and similar companies will accept that.  However, this is not always the case. Now, this is important to know: Pixabay is not liable, but the person uploading AND THE END USER are liable for any infringements. Another problem with using images from Pixabay etc. is that many do not understand the world of model and property releases. The images may have been uploaded by the person who has taken the photos, some properties may not be used without a property release. Certain buildings may not be used at all in stock images, but the photographers on Pixabay probably don't know those restrictions. It is illegal, for example, to license images of the Eiffel Tower at night. The same holds true for many city skylines and for anything related to Disney. Using images of people is particularly troublesome because the end user has no idea whether legitimate model releases were obtained from the models. Also if people are taking images off the web and not getting them from the proper stock source, they have no idea what restrictions there are on the use of those images. This could lead to some nasty legal entanglements. Images are licensed for specific usage when they are Rights Managed Images. Royalty Free Images may be re-used by the licensee WITH CERTAIN RESTRICIONS. If you are simply taking an image off the web, you have no idea what those restrictions are! Links to all of photographer Diane Macdonalds agencies can be found at her website: dianemacphoto.com She is a member of the Copyright Alliance: http://copyrightalliance.org/ Most of this article was written by Diane and is used with permission.   Claire and Mark Claire is back, this time with her husband Mark, for the second segment of her Homesteading section of the Sustainable Living Podcast.  In this segment, we not only meet Mark but find out a bit more about their history and how they are planning to move forward. Right now, the top priority is their house - but listen in to hear about badgers showing up, calfs being always born when Mark is at work and so much more.   Find Us on Steemit Diane @dmcamera Claire @fishyculture Mark @longsilver Marianne @mariannewest The Podcast @sustainablelivin

Dreamstime è sempre stata un'agenzia di medio livello per i produttori di stock images e stock footage, ma con i recenti miglioramenti dell'interfaccia utente ha trovato nuovi compratori che la utlizzano, ed è di conseguenza migliorata a livello di guadagni per chi i contenuti li vende.In questo episodio Daniele Carrer parlerà anche di:- un produttore che ha venduto le sue prime 10 mila stock images.- un blogger che riceve il 90% delle sue vendite da 4 agenzie.- Shutterstock che paga solo 6 dollari per la vendita di stock footage.- un time-lapse imperfetto che conviene vendere lo stesso.- dove vale la pena caricare stock footage.- come compilare il titolo di un contenuto editoriale su Shutterstock.- come Shuttestock chieda di caricare il proprio permesso per fotografare se una foto è stata scattata ad un evento sportivo.- Bigstockphoto che adesso paga molto più lentamente.- come la blockchain stia per entrare nel mondo del microstock.- un plug in per diminuire il rumore video.Trovi il testo dell'episodio, insieme a tutti i link citati qui:https://stockfootage.it/dreamstime-video-foto-conviene/

Dreamstime è sempre stata un'agenzia di medio livello per i produttori di stock images e stock footage, ma con i recenti miglioramenti dell'interfaccia utente ha trovato nuovi compratori che la utlizzano, ed è di conseguenza migliorata a livello di guadagni per chi i contenuti li vende.In questo episodio Daniele Carrer parlerà anche di:- un produttore che ha venduto le sue prime 10 mila stock images.- un blogger che riceve il 90% delle sue vendite da 4 agenzie.- Shutterstock che paga solo 6 dollari per la vendita di stock footage.- un time-lapse imperfetto che conviene vendere lo stesso.- dove vale la pena caricare stock footage.- come compilare il titolo di un contenuto editoriale su Shutterstock.- come Shuttestock chieda di caricare il proprio permesso per fotografare se una foto è stata scattata ad un evento sportivo.- Bigstockphoto che adesso paga molto più lentamente.- come la blockchain stia per entrare nel mondo del microstock.- un plug in per diminuire il rumore video.Trovi il testo dell'episodio, insieme a tutti i link citati qui:https://stockfootage.it/dreamstime-video-foto-conviene/

In February 1988 Jimmy Swaggart, one of America's most successful televangelists, was forced to make a humiliating public confession from the pulpit. He had been caught in the company of a New Orleans prostitute. Swaggart's tough no-nonsense style of preaching had won him a huge global following. He had also been fiercely critical of other evangelical preachers who had become mired in sexual scandals. Mike Lanchin hears from the Baton Rouge news reporter Edward Pratt, who followed Swaggart's rapid rise to fame and sudden fall.Photo: Jimmy Swaggart breaks down in tears on televised sermon as he confesses his relationship with a prostitute, Feb 1988 (Alamy)

In February 1982 the European Court of Human Rights ruled that Britain should end corporal punishment in state schools. The landmark decision came after a lawsuit launched by two mothers in Scotland. Mike Lanchin has been hearing from Andrew Campbell, the son of one of the women behind the campaign. Photo: A school teacher holds a belt or Tawse, used for punishing pupils (Alamy)

In July 1947 a US rancher found some debris in the New Mexico desert - did it come from an alien spacecraft? Witness hears from the son of one of the US servicemen who investigated the incident, and from Dr David Clarke, expert on UFO history at Sheffield Hallam University. Plus the first Tamil suicide bombing; a hoard of Anglo-Saxon treasure discovered in an English field; a sex scandal in the USSR during perestroika; and the first non-stop journey around the world in a hot air balloon. PHOTO: Major Jesse Marcel at Fort Worth, Texas with balloon debris from the Roswell incident - copyright Alamy

In the 1970s and 80s a deadly cocktail of toxic factory fumes and car pollution turned Mexico City into the world's most polluted city. In response, the authorities came up with an ambitious solution: curb the use of each of the city's two million cars for one day a week, the first time any country had tried such a bold plan. Ramon Ojeda Mestre is an environmentalist who was behind the initiative, introduced in November 1989. He tells Mike Lanchin about overcoming fierce opposition to the plan, and how some critics even predicted riots from irate motorists.(Photo credit: Alamy)

In the 1970s and 80s a deadly cocktail of toxic factory fumes and car pollution turned Mexico City into the world’s most polluted city. In response, the authorities came up with an ambitious solution: curb the use of each of the city’s two million cars for one day a week, the first time any country had tried such a bold plan. Ramon Ojeda Mestre is an environmentalist who was behind the initiative, introduced in November 1989. He tells Mike Lanchin about overcoming fierce opposition to the plan, and how some critics even predicted riots from irate motorists. (Photo credit: Alamy)

During our visit to Aberystwyth for the the opening of the Philip Jones Griffiths exhibition at the national Library of Wales, Ffoton arranged to meet the very busy and prolific commercial photographer Keith Morris. With an interest in several genres, Keith is very direct and focussed in his approach to photography: for him it's the way he makes his living and is constantly trying out areas of photography or related activities to pay himself and keep his family. Well known as a contributor to various Stock agencies - including Alamy here in the UK, Keith specialises in images that capture the latest News and happenings in his home town of Aberystwyth in Ceredigion, West Wales where he also works for a range of commercial and non-commercial clients. You can view a range of Keith's work on his website http://www.artswebwales.com and follow him on Twitter @KeithMorrisAber

Quite possiby the Livest we’ve ever been… This week we welcome André Nantel, renowned FiB Montreal Systems Biologist, Photographer, Traveller, Gamer, and experienced Dad of two to the Mesa 14 Restaurant on Bishop for a very special live edition of