Podcasts about Polaroid

ⓦ weekly52 Blog Podcast Video & Artworkhttps://weekly52.de/weekly/452ⓦ

In this episode of F-Stop Collaborate and Listen, host Matt Payne talks with Justin Tedford, a combat veteran and photographer, about his unique approach to using photography as a healing tool to combat PTSD, depression, and anxiety. Justin shares his journey from small-town Iowa to working for the Department of Corrections, and describes how creative expression, specifically Polaroid emulsion lifts, became a therapeutic outlet during difficult times. The conversation delves into the tactile, imperfect process of transforming digital images into analog art, and how embracing imperfection mirrored Justin's personal healing journey. They discuss creative ruts, the value of personal projects, and reconnecting with the “why” behind making images, along with Justin's experience mentoring other veterans and photographers through mental health struggles and creative challenges. Watch on YouTube Resources and Links Justin Tedford Brenda Petrella's Podcast Professional Photographers of America (PPA) Professional Photographers of Iowa (PPI) Fstoppers Polaroid Print Lab Lensbaby Lenses Bryan Minear Support the show on Patreon 988 Suicide & Crisis Lifeline

MERCH: https://youshouldknowmerch.com/password PATREON: https://www.patreon.com/YouShouldKnowPodcast FACEBOOK: https://www.facebook.com/people/You-Should-Know-Podcast/61552092953106/ NEW TWITCH CHANNEL: https://m.twitch.tv/peytonhardin/home Peyton's Polaroids: https://instagram.com/peytonpolaroids?igshid=MzRlODBiNWFlZA== TRUE VAULT ESCAPADES: https://youtube.com/@AtomicWolf54 00:00 MERCH SURPRISE 2:19 CAM JOINS 3:55 MERCH IS HERE! 5:05 ED GEIN THANKSGIVING 11:12 ROCKET MONEY 12:34 DID I ROB THE BANK? 16:23 WHERE'S THE FUNNIER GUY? 20:29 HIMS 21:46 FAILING GEOGRAPHY 26:59 NEW WORK WEEK DEBATE 30:44 THE LISP RETURNS 33:05 DRAFT KINGS 34:23 CAM'S HOT MALE YOGA 38:17 BANG VS BANK DEBATE 44:57 PEYTONS DIDDY PLAYLIST 46:51 BETTER HELP 48:15 SLAPPED IN THE GYM 54:42 SHOPIFY 56:20 RAW DOGGING BOREDOM 1:01:01 GIVE ME THE RUDE ONE 1:07:00 BOOKING.COM 1:08:20 READING TEST HUNGER GAMES 1:15:45 POP CULTURE: JOHN CENA'S LAST MATCH 1:20:16 ANNOUNCEMENTS Todays Sponsors: Rocket Money - Cancel your unwanted subscriptions and reach your financial goals faster with Rocket Money. Go to http://RocketMoney.com/YSK today. Hims - To get simple, online access to personalized, affordable care for ED, Hair Loss, Weight Loss, and more, visit http://Hims.com/YSK Draft Kings - New players get 500 SPINS over 10 DAYS on your choice of Cash Eruption slots. Download the app and sign up with code KNOW. Then choose from ten different Cash Eruption slots and let it spin! In partnership with DraftKings Casino. The Crown is Yours. Better Help - Our listeners get 10% off at http://BetterHelp.com/YSK Shopify - Sign up for $1 per month trial and start selling today at http://shopify.com/ysk Booking.com - Head over to Booking.com and start your listing today. Get Seen. Get Booked on http://Booking.com YouShouldKnow P.O. BOX 191564 2825 Oak Lawn Ave Dallas, Texas 75219 FOLLOW PEYTON: https://instagram.com/psh8?igshid=ZDg1NjBiNjg= JOIN THE DISCORD: https://discord.gg/V5WYhSte2R Learn more about your ad choices. Visit podcastchoices.com/adchoices

HT2457 - One of One In 1989, I commissioned a metal shop expert to create an adapter for my Arca Swiss monorail view camera that would allow me to use Polaroid 3¼ by 4¼ film packs. This led to a summer-long project that today exists as a box of matted Polaroid originals that are all unique prints. I recently found this box of prints and reviewed that 37-year-old work, completed half a life ago when I was 34. A lot of those prints are wonderful, but what do I do with them? Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

Back on this day in 1948, the first instant Polaroid camera went on sale. The first Polaroid went on sale in Boston and cost $89.75 - and was invented by Edwin H. Land.

MERCH: https://youshouldknowmerch.com/password PATREON: https://www.patreon.com/YouShouldKnowPodcast FACEBOOK: https://www.facebook.com/people/You-Should-Know-Podcast/61552092953106/ NEW TWITCH CHANNEL: https://m.twitch.tv/peytonhardin/home Peyton's Polaroids: https://instagram.com/peytonpolaroids?igshid=MzRlODBiNWFlZA== TRUE VAULT ESCAPADES: https://youtube.com/@AtomicWolf54 00:00 Intro 2:44 CAM JOINS 4:39 WHAT ARE WE THANKFUL FOR 9:48 READING MEAN COMMENTS 12:03 BOOKING.COM 13:21 THE THANKSGIVING DEBATE 21:25 HIMS 22:25 FOOD DOESN'T HIT THE SAME 24:27 SPENDING $2,000 ON BALLOONS 30:36 HOW TO START A JOG 37:37 TRUE CLASSIC 39:01 TREADMILL DISASTER 42:37 WHERE TO CROP DUST? 48:34 MANSCAPED 50:00 WORST DATE EVER! 54:10 DATE GONE WRONG 1:00:12 FUM 1:01:23 WALMART HORROR STORY 1:09:03 CUSTOM GAS STATION OUTFIT 1:13:22 DRAFTKINGS 1:15:00 THANKSGIVING QUIZ 1:30:58 ANNOUNCEMENTS Todays Sponsors: Booking.com - Head over to Booking.com and start your listing today. Get Seen. Get Booked on http://Booking.com Hims - To get simple, online access to personalized, affordable care for ED, Hair Loss, Weight Loss, and more, visit https://Hims.com/YSK. That's Hims dot com slash YSK for your free online visit. True Classic - Upgrade your wardrobe and save on @trueclassic at https://trueclassic.com/YSK! #trueclassicpod Manscaped - Give the gift of smooth this holiday season with the Performance Package 5.0 Ultra. Get 15% off with code PSH at http://Manscaped.com Fum - Please display a clickable link in show notes ABOVE THE FOLD: “Head to https://www.tryfum.com/YSK and use promo code YSK to get your free gift with purchase, and start The Good Habit today! DraftKings - When touchdowns happen — we feast. Download the DraftKings Sportsbook app and use code YSK. That's code YSK, bet five bucks and get $200 in bonus bets if your bet wins. YouShouldKnow P.O. BOX 191564 2825 Oak Lawn Ave Dallas, Texas 75219 FOLLOW PEYTON: https://instagram.com/psh8?igshid=ZDg1NjBiNjg= JOIN THE DISCORD: https://discord.gg/V5WYhSte2R Learn more about your ad choices. Visit podcastchoices.com/adchoices

La quinta puntata è stata una di quelle che ti restano dentro.Una serata che ci ha riempiti di orgoglio, grazie a ospiti capaci di portare verità, emozioni e musica che parla davvero.In studio abbiamo accolto @ehizag , che con Polaroid, Cera e Scarpe Slacciate ci ha fatto entrare nel suo universo fatto di immagini, ricordi e sensazioni sincere.E poi il ritorno di @nothermusic e @radiomoonleap , che hanno creato un'atmosfera unica con Save Me (dalla fiction Rai Hype), Mercy, A Cage e What's Left on Me.Un viaggio sonoro intenso, profondo, capace di toccare corde che solo la musica suonata con l'anima può raggiungere.Una puntata di cui andare fieri, perché quando gli artisti raccontano se stessi senza filtri… la differenza si sente.E noi siamo felici di essere il posto dove tutto questo prende voce.

Deck Nine's Life Is Strange: Double Exposure takes the centre stage of ‘Side A' of Episode 121 of Player 1 vs The World's StrangeCast podcast, with The Lost Records Journal co-hosts Adnan Riaz and Adam Evalt taking a deep dive into a wide range of content that Square Enix artist Jan-Wah Li has now shared.

In Jeffery Dahmer's Case, Anne Schwartz was the FIRST reporter inside his apartment in July 1991 - before crime scene tape, before the world knew his name, with only 2 police cars outside. In this exclusive interview, she reveals what she really saw, what Netflix got wrong, and the shocking truth about how Milwaukee police had multiple chances to stop one of America's most notorious serial killers.

Jeff Bridges, her boyfriend, Jeff Beck, a fan boy, Roger Daltrey, the boy next door, and OJ & Nicole, her party guests. She can prove it. She's got Polaroids of all of them, and so many more. They're all in her new book, Tight Heads, available here at allnight-menu.com just in time for the holidays. It was great to sit down and catch up with my pal, Candy Clark. We used to run around BC (before COVID) and shared a bunch of Hollywood adventures, and bumped into each other at a concert or two. It's been way too long and more Zoom than not since the whole pandemic thing. Candy never stopped making the scene; I've barely dipped a toe. Time to change that. And with whom better than this exuberant, energetic, indefatigable beauty? We talked Candy's life change from Texas receptionist to New York model with $10 and a business card in her pocket. How she parlayed that to hooking up with American film royalty, an Academy Award nomination, co-starring with a rockstar, and partying with everybody, everywhere, all at once. Love this amazing woman who refuses to age or grow up. Thank God! Great stories, and she's so damn easy on the eyes. Candy Clark on Game Changers With Vicki Abelson- SWEET! Wednesday, 11/19/25, 5 PM PT/ 8 PM ET Streamed Live on my FB, YouTube & LinkedIn

Bentrovate e bentrovati a una nuova puntata del podcast di “Memoria polaroid – un blog alla radio”, la trasmissione in onda ogni settimana da Bologna, sulle frequenze di NEU Radio. Tutta una volata dalla Svizzera al Canada, dall'Indonesia alla Svezia, facendo tappa anche a casa nostra, e con il prezioso supporto di Benty e della […]

Michael Wolff joins Joanna Coles to dig into the unresolved contradictions around Jeffrey Epstein's death and the evidence that may have vanished with him. Wolff presses on the implausibility of both the official story and the idea of a flawless cover-up, forcing Joanna to confront how a Trump-remade DOJ and FBI might handle “inconvenient” files. Together they explore whether possibly destroyed Polaroids, buried reports, or silenced insiders could really stay hidden—and what it means if they have. Hosted on Acast. See acast.com/privacy for more information.

Healing Through Laughter: Dave Ebert on Comedy, Faith, and Overcoming Trauma In this episode, Diana rebroadcasts the interview of the late Dave Ebert, who passed away unexpectedly July 2, 2024. He discusses his journey from struggling with depression and contemplating suicide to becoming a renowned improv coach, pastor, and comedian. Dave, who founded Gifts for Glory Ministries, shares his early love for entertaining, the personal struggles he faced, and how faith and comedy became his tools for healing and helping others. He also explores his work with the Salt and Light Coalition, helping survivors of sex trafficking through improv, which aids in their communication skills and self-esteem. The episode delves into the importance of connection, trust, and the transformative power of laughter in overcoming trauma and finding hope. We hope you enjoy hearing Dave's legacy and timeless advice.  You will hear the second interview of Dave and his wife's missionary work next episode. 00:00 Introduction and Sponsor Message 00:47 Meet Your Host, Diana 01:34 Introducing Dave Ebert 02:51 Dave's Childhood and Early Love for Comedy 03:45 Struggles with Family and Faith 07:30 Turning Point: Finding Faith and Purpose 10:57 Battling Depression and Suicidal Thoughts 21:04 The Power of Presence and Support 24:25 A New Beginning in Chicago 26:32 Starting a Faith-Based Improv Team 27:32 Creating Clean Comedy for All Ages 29:10 Using Comedy as a Ministry Tool 31:50 Connecting with Salt and Light Coalition 33:12 Teaching Improv to Trafficking Survivors 36:20 Stories of Transformation Through Improv 44:18 Current Projects and Online Improv Shows 47:16 Offering Support and Contact Information 50:47 Final Thoughts and Podcast Information   Website: https://dswministries.org Subscribe to the podcast: https://dswministries.org/subscribe-to-podcast/ Social media links: Join our Private Wounds of the Faithful FB Group: https://www.facebook.com/groups/1603903730020136 Twitter: https://twitter.com/DswMinistries YouTube: https://www.youtube.com/channel/UCxgIpWVQCmjqog0PMK4khDw/playlists Instagram: https://www.instagram.com/dswministries/ Facebook: https://www.facebook.com/DSW-Ministries-230135337033879 Keep in touch with me! Email subscribe to get my handpicked list of the best resources for abuse survivors! https://thoughtful-composer-4268.ck.page #abuse #trauma Affiliate links: Our Sponsor: 753 Academy: https://www.753academy.com/ Can't travel to The Holy Land right now? The next best thing is Walking The Bible Lands! Get a free video sample of the Bible lands here! https://www.walkingthebiblelands.com/a/18410/hN8u6LQP An easy way to help my ministry: https://dswministries.org/product/buy-me-a-cup-of-tea/ A donation link: https://dswministries.org/donate/   Dave Ebert  [00:00:00] Special thanks to 7 5 3 Academy for sponsoring this episode. No matter where you are in your fitness and health journey, they've got you covered. They specialize in helping you exceed your health and fitness goals, whether that is losing body fat, gaining muscle, or nutritional coaching to match your fitness levels. They do it all with a written guarantee for results so you don't waste time and money on a program that doesn't exceed your goals. There are martial arts programs. Specialize in anti-bullying programs for kids to combat proven Filipino martial arts. They take a holistic, fun, and innovative approach that simply works. Sign up for your free class now. It's 7 5 3 academy.com. Find the link in the show notes. Welcome to the Wounds of the Faithful Podcast, brought to you by DSW Ministries. Your host is singer songwriter, speaker and domestic violence advocate, [00:01:00] Diana . She is passionate about helping survivors in the church heal from domestic violence and abuse and trauma. This podcast is not a substitute for professional counseling or qualified medical help. Now here is Diana. Hello everyone. Thanks for joining us today. You know, I've been telling you there are many paths and tools for healing and comedy is one of them. I think you'll enjoy our podcast today, friends. Our guest, Dave Ebert is the founder of Gifts for Glory Ministries. Dave is an improv coach, speaker, pastor, actor, and improv performer with his wife Bobby, residing in Chicago, Illinois. Gifts for Glory is ready to provide high quality, clean family friendly entertainment and professional [00:02:00] improv coaching to survivors of sex trafficking. Hey, welcome to the show Dave. Hey, thanks so much for having me. I'm, uh, really looking forward to having our conversation. Your bio is so impressive. I had trouble. Uh, shortening it for the intro. I'm sorry, I, I try to provide enough information, but, uh, I, I could have probably shortened it, but maybe it's because I'm a pastor. I just like to embellish and go on for a long, long period of time. So we're gonna fill in the blanks here and throughout our time together, and I can't wait to hear some good jokes. We will. We'll see what comes up. I'm an improviser, so nothing's ever planned. So if there's a moment of funny, yeah, I just give God the credit and if there's not, it's just, I don't know. We'll see. So tell us about your childhood. Were you always funny or into comedy? I really [00:03:00] was, uh, one of the earliest pictures of me other than, you know, baby pictures, uh, was a old Polaroid of, uh, me flexing, like I was in a bodybuilding contest because we we're at the city pool. There was an actual, like a swimsuit or bodybuilding competition going on on the other side. And my parents and their friends were just there at the pool and I was like, no, they're not gonna get the attention. I'm gonna get the attention. So there's this picture of me flexing my little chubby 2-year-old arms and it was like, I, I love to entertain and I love the attention and trying to, uh, get people an opportunity to laugh. So yeah, pretty much my entire life, um. Uh, I, I just liked it. I enjoyed, and I lived off of people's laughter. Now, did you experience any trauma in your life? There were, um, there wasn't any like one singular event, like a, a massive. You know, tragedy. But my dad was in Vietnam. He was in the [00:04:00] Vietnam War, and he got in contact with that chemical agent Orange that, uh, I've heard about. And, uh, that just ravaged his body. You know, when he hit 30, he was, you know, a healthy, strong 30-year-old guy working in the trades, and he was disabled by the time he was. 37, 38, um, from heart attacks, from just loss of, uh, dexterity in his hands and uh, and losing his ability to even walk. And it was all, uh, just complications and, and complications from the agent Orange. And so we were living in Chicago at that. You know, when I was first born and then when he'd had his third heart attack, we had to move out of the city and get away from the fast pace of Chicago and went down to Virginia where it's a lot slower lifestyle, a little bit easier for him to handle that kind of stress. But over the next 20 or so years as his health failed, there were a lot of conflicts in the home [00:05:00] between he and mom, between he and myself, and, um, so it was. It wasn't a tragic event, it was just this long period of watching my dad lose his ability to do the things that men do, like work with their hands, play with their son, hang out with their son, things like that. And, uh, you're not able to handle that because we really didn't have a strong faith. Base. So there was nothing kind of anchoring us in that storm. Mm-hmm. And so it was over, you know, two decades that, you know, there's just a lot of little traumas. Little fights, uh, big fights and, and things like that. We said we were Christian and we went to church. Um. Uh, fairly regularly, uh, mostly for holidays and potlucks. Uh, but um, we, uh, we said we were Christian, but it kind of [00:06:00] only existed from 11 to 12 on, on Sundays. Uh, we lived decently. We weren't out killing people. We weren't doing drugs and like that, but, um, but we weren't really like practicing. We didn't say, you know, grace at meals. We didn't pray together. We, I don't think I ever saw an either of my parents actually open a Bible. So we were kind of Christians in name only. Um, we had the, the membership card went to the meetings, but we didn't actually do a lot of practicing outside of church. So kinda like Chris and dumb. Yeah, yeah, yeah. Kind of, kind of creases with a little bit more regular attendance because the church I grew up in, uh, or at least as a kid, they had a lot of potlucks. It, it was almost like the one way to guarantee people would come. It was like, yeah, we're gonna have a potluck to celebrate this this weekend. And I love the potlucks because there's always at least five to sometimes six, uh, different varieties of mac and cheese, and that's my favorite. Favorite. Yes. [00:07:00] Yes. Mac and cheese. Yes. Mashed potatoes. Mm-hmm. Mashed potatoes, uh, all sorts of desserts. And, uh, for your, your listeners, they won't know this, but if they see, you know, my headshot or whatnot, I, I'm not a small individual and I will put the blame firmly on that church. Where all the potlucks, oh, they fed me, but not spiritually. Oh. That's funny. So when did you meet the Lord for real? Well, my story's kind of unique or maybe it's not. Um, but for me it depends on what your personal theology is to interpret it. I. Going into my sixth grade year, uh, that, that summer before my sixth grade year, I went to a summer camp and I, uh, went, you know, we had devotions each night at a campfire. And I remember on Thursday night, the day before, the night before we're leaving. [00:08:00] Something at the devotion spoke to me and I said, on my way by myself, said That little sinners prayer of Jesus coming to my heart. I want to make you Lord. Um, and you know, I remember the prayer, I remember walking up that gravel driveway up towards the cabin. And, but like I said, it kind of hinted at there wasn't a lot of discipleship for young believers at my church. So. It was like, oh, I accepted Christ. What does that mean? What do I do with it? And so from that year. For many years after, I never really got truly discipled to understand what it meant to be a Christ follower. And through my depression and the, you know, just some of the choices I made, I kind of walked away from that. So if you believe that you can walk away from salvation, then you could say that I walked away from it. Uh, some believe once saved, always saved. So you can either choose that summer or you can look to, uh, January, 2013 when. Uh, [00:09:00] still wrestling, depression, still looking for purpose in life. I was walking to work, uh, on a Saturday morning and. There were these two kids from a local Bible college out there looking for people to witness to, uh, they had the, uh, tract, which, uh, for anybody that doesn't know tract is a small graphic novel that, uh, kind of tells the gospel story. And, um, so they were out there and there's really no reason for them to be there 'cause it wasn't a very populated area. Um, so there really wouldn't be a lot of people out there on a Saturday morning. So it was obviously a divine appointment. They gave me the track and they offered to pray for me, but I didn't, you know, I kind of blew them off. Said, yeah, I'm a Christian, I'm saved. Yeah, I'm good, but I gotta get to work. But because they were there, they passed out the track and because of a lot of stuff that was leading up to that moment, it was like, okay, God, I'm ready to submit. I'm, I'm ready. So that night I, uh, opened up my, uh, Rick Warren, purpose Driven Life. I started reading [00:10:00] my, uh, dollar General, uh, king James version Bible got all the way through Deuteronomy before. I was like, I need something simpler. Uh, yeah. But, uh, yeah. Um, those two kids, I don't know if I'll ever see them again, at least not in this life, but they were kind of the straw that broke the camel's back to where I made the decision because I was still wrestling with depression and I was literally at this place where I was on top of, I, I described it as I was on a peak of a mountaintop where. I was still considering, you know, taking my life so I could either go left and just take my life and, and end it once and for all, or I could go right and give my life and fully submit to God. And that was kind of the moment that kind of clenched it for me to take that step towards God and really for the first time, pursue a relationship with him. So that was in, uh, January of, uh, 2013. So let's unpack the. Part where you talked about you wanted to end [00:11:00] your life. What happened there? It was a, a culmination of a lot of things. I, I had a lot of dreams and ideals of what life should look like, and this started in, uh, junior high and high school. Um, and then, uh, you know, combine that with, uh, this struggle with my relationship with my dad. Um, you know, not ever quite being good enough because he always had, sometimes these. Surreal expectations and, and when I didn't meet them, I felt like a failure and, you know, just all these different things. Um, it just added up to one night. I remember, um, I was pursuing this, this young lady to date her in high school and you know, for the first time I was like, this might be the one that I actually get her to date me. And then, um. Afternoon, after I talked to her in the morning, I saw her walking, holding hands with somebody else, and that was. [00:12:00] Kind of the straw that broke the camel's back the other way, uh, to where I entered into that depression. And, uh, it just kept getting deeper. The more my dad and I fought, the more my mom and dad fought. You know, it just got deeper and through, um, my junior year, senior year high school, all through college, after college for many years, uh, through my first marriage, you know, just. That voice was always in the back of my head, you're not worthy. Um, no one's gonna truly love you. Um, might as well end the pain now. And so I just, I really wrestled with the idea of suicide. There were times that I was ready to do it, but I cursed myself for being too weak or too afraid to commit. But looking back, it was that, as the Bible calls it, the still small voice. That was, you know, just kind of coaxing me to don't give in just yet. Don't give in just yet. So looking back, obviously God was [00:13:00] there with me the entire time. It's just I didn't realize who that voice was or why I was not able to fully take that next step. It was because God was there trying to yank and pull me back from the edge. Wow. I'm sure a lot of our listeners can relate to, um, the things that you're saying right now about wanting to end it all. Now, did you cover up your depression, your feelings? Did anybody else know about that? I covered it. Um, as I mentioned, I love to entertain people, make people laugh. So it started off very, when I was very young. It was just this pure thing of enjoying the laughter and enjoying giving that gift to people. But when I entered the Depression, it became a defense mechanism where I would keep people from seeing what I was feeling and also try to prevent them from feeling the darkness I felt. If I could do that, if I could make somebody laugh, if I could [00:14:00] entertain somebody, if I could make somebody feel better, then I was able to justify living for the next week or the next day or what have you. And so comedy or making people laugh was where I found my worth and my value. And if I went too far and I offended somebody, if I hurt somebody's feelings, uh, or if I said something that just kind of embarrassed me. It went into the spiral where it was like, see, even the one thing you count on for value you fail at. And so it would spiral me and it was like, man, I just, I need to drive my truck off this cliff, or I need to, um, do this or that other thing to myself just, and I always wanted to leave it as an ac, you know, make it look like it was an accident. Um, whenever I really contemplated, uh, suicide because I didn't want the embarrassment. I didn't want people to judge me and say things about me, and I also didn't want the judgment to follow my [00:15:00] parents or anybody else because I didn't want them to be punished for what I was going through. So I always tried to make it or plan out to look like an accident. Um, one night I in particular, I remember driving home late at night through the mountain roads. It was maybe three or four in the morning, and I just was at this breaking point and I prayed. I said, God, if you don't want me to do this, gimme a sign. Do something. And if you think about Pure Flix movies or a Hallmark movie, you know, you think in that moment, all of a sudden the sky opens and the lights shines, and the angels come down. And, but in that moment, it felt like it got darker. It almost, it felt like, like God actually got quieter. Than, than I felt he had been. And so I got mad and I got angry at God. And I, I think I probably said a few curse words at him and, and said, you know, whatever. And I got mad and I drove [00:16:00] home. But here's the, the thing about it, I drove home. I didn't drive to the left off that cliff and. I, I say that that was a moment where God knew what I needed. It's not conventional, it's not what you would expect, but it's what I needed. 'cause he knew I'd go mad or I would get mad, and he knew that he would have to take some barbs from me in that anger. But it was God laying himself down for me in that moment so that I would go home instead of, you know, take my life. And that's just another thing that I look back on and say, wow, God was there this whole time. Wow. I've never contemplated suicide myself. I've had some really dark times with my, abuse history. Mm-hmm. Now I've had depression before. Mm-hmm. But it wasn't so much that I needed to take medication. Um, it was just this cloud of darkness and like [00:17:00] sitting in a pit. Yeah. That you can't get out of and it's no amount of positive thinking is going to do it. Right. It just took a long time to crawl out of that. These brilliant people, you know, we're talking about comedy and the most brilliant comedian was Robin Williams. Sure. And he was so funny. And, yeah. When he took his own life after battling depression, um, I really mourned his death. 'cause Yeah. Yeah. It, and that's one of the things where it shows that fame, fortune, having everything at, at your fingertips, it's not a substitute for. Anything because you look at Rob Williams, you think about even, you know, they don't classify necessarily as a suicide. You look, but you look at somebody like Chris Farley, uh, John Belushi, um, the lifestyle that those two guys [00:18:00] chose and the way that they treated their bodies was kind of a long term suicide because they did not take care of their bodies. And I'm not talking about being heavy. I'm talking about the drugs, the drinking, the things like the partying. For hours upon hours on end, it was they were trying to fill something in their soul that they couldn't fill. Um, so for, and I don't say these things as judgment. Mm-hmm. I say these things as warnings. Um, heads up. If you see somebody that is trying to fill their life with partying, find the time when they're sober and talk to them. See if there's something going on. Uh, and like you look at somebody like Robin Williams. It's a very hard thing to know how to handle that because you don't know what his family life was like. Did he have somebody in his, in his corner that knew what he is wrestling with and they were just happened to be gone in an, in the instant that he was the weakest? Um, [00:19:00] for me, I think one of the, the biggest things is if you see somebody or know somebody that could potentially be similar to where Robin Williams was at. Pray and ask for God to show you how to reach them, um, and be willing to pursue it. Um, it's, no, no two depressions are the same because no two people are the same. There's no blanket there, a, b, c methodology that's going to, like, if I do these three or four things, I'm gonna pull my friend out of what they're at. Because there's different triggers, there's different experiences, there's different chemical imbalances in the mind. So don't ever feel like a failure if you try to help somebody and you can't see results. Because some people, it takes time, some people it takes the miracle of God flipping a switch and healing whatever chemical imbalance is in the mind. Um, so my advice is always just keep [00:20:00] pursuing, um, because. Eventually there's gonna be a breakthrough it because somebody that's in that mode is going to see that they're not gonna give up and that's going to fly directly in the face of so many of the inner voices or, or the self-talk of, I'm not worth it, nobody's gonna really care. Or I, I'm a burden. But when you're continually pursuing, you are speaking against all that and you're giving evidence against that case. And we all know, especially, uh, as Christians, that those voices are of the enemy. So they're all mm-hmm. Of the king of lies. Yes. And when you can step in and bring the truth and bring the light, the enemy has no footing left. So that's always my advice, is just to keep pursuing him. It's worth it. It's worth being able to pursue somebody and give them [00:21:00] a chance to hope and a chance to fight against the lies of the enemy. Um, I never know what to say to somebody that's struggling with depression. I'm always afraid that I'm gonna say the wrong thing. Right. Um, so those, those suggestions are really, valuable because. I don't wanna push them too far, but I want them to know that I care. So, yeah. And, and here's the thing, and this is something that I, whenever I talk to people, I, I try to take this burden off your shoulders. It's not your job to save them. It's not your job to rescue them. It's your job to be there and let God do the saving. It is not, it's not your job. So whatever words you say, whatever things you say, it's not gonna matter because it's not gonna be really remembered. The mistakes or, or the, the bad choice words or whatever you say that doesn't [00:22:00] work, quote unquote work, it's not gonna matter. What's gonna matter is that person that you're pursuing, that you're fighting for is gonna remember that you were there. They're gonna remember your presence, not so much your words. Now, there'll be some times where God will give you wisdom and they'll remember those words of wisdom, but for the most part, part, they're gonna remember that you were there. Just like when you go to a funeral and you talk to the people that are grieving, uh, whether it's the widow or the widower, or maybe it's, uh, the child that lost their parent, whatever the case may be. They don't remember the words that you said as you go in the line. They remember your face, they remember the, the calming touch on the shoulder, on the hands. They remember that you were there and it was, it is very much the same for somebody that's in the dark pit of, of depression. If you're there constantly showing them love, willing to let them have [00:23:00] what I call verbal diarrhea and just get whatever they're wrestling without. They're gonna remember that you were there and they're gonna remember that, and it's going be that evidence to say, Satan, shut up. Amen. You're not telling the truth. This person is here. They see me as valuable enough to fight through this. So you're lies of I'm not worthy. Nobody loves me, nobody will miss me. Those are lies straight from the pit of hell, and that's where you belong. That's right. Wow. No, that's, that's really helpful comparing it to, um, a funeral. 'cause, uh, I just lost my brother December 5th and, yeah, and some people, they don't know the right things to say and, but you're right. I remember that. They cared about me. But yes. The fact that they took time to say, I'm praying for you, or let us know if there's anything we can do to help you meant a lot. So I appreciate that [00:24:00] advice for sure. Let's switch over something a little funnier. Sure. Okay. Than a funeral. Um, so speaking of Robin Williams, he was a guest on. Whose line is it anyway, and it was my favorite episode ever. And you started a Christian version of that show. Tell me more about that. Absolutely. So when I, uh, rededicated my life to the Lord in January of 2013, I knew that performing and being on stage was my calling. God was going to. Keep me in front of people, keep me entertaining people, but he's changing and he changed the reason why, instead of trying to hide how I felt and hide myself, I was now gonna use comedy as a way to reveal who he is. And I had no real opportunities, uh, in Beckley, West Virginia. Nothing against West Virginia. Uh, [00:25:00] I have a lot of friends back there. I had a lot of great experiences, but it wasn't where God wanted me. And so I was like, so God, where do I go? Do I go to Roanoke, Virginia, which is about three hours west in, uh, west in, in west in Virginia. Excuse me. And, uh, that's where my mom lived. Do I just move in with her and start over? And it was kind of like. You could, but that's not really where you belong. So I kept, like reading Rick Warren's book, I kept reading the Bible and finally in a, in a conversation, my sister, who doesn't really have a relationship with the Lord, but he used her. She said, well, if you want to, you can move up here to Chicago in, in, uh, start over here. And I said, are you sure? 'cause she was going to college at the time and I would be moving in on staying on her couch in her studio apartment. And I was like, are you sure? She's like, yeah, if, if you need. A new, you know, new start. And so six weeks later I left, uh, [00:26:00] West Virginia, everything I could pack in my truck I brought up. And I started completely over in, um, in March of 2013. And it was shortly thereafter, I started pursuing acting opportunities and opportunities to be in front of people. A couple of mo short films I got into, I realized after accepting the part, I shouldn't have done this role. Uh, this will be something that if I ever become famous, will be one of those things that they play to, to tease you when you get like a lifetime achievement award. Oh, yeah. Um, and then through Craigslist I connected with a, a, a guy, um, named Ryan McChesney. And he and I, uh, discussed, you know, doing, uh, movies together or something like that, uh, faith-based, and we said, well, we both like improv. He had gone through the second 30. Second City, Chicago Conservatory. I had, um, done a few classes at Second City, but uh, most of my acting and performing training [00:27:00] came from eight years of, uh, pro wrestling in, uh, West Virginia and Virginia. Um, so we thought, well, what if we started a faith-based improv team? There's nothing like that in Chicago. And we thought that there was almost nothing like that in the rest of the world. So, uh, we decided to start trying to cast and we, uh, brought two more people on. And my church at that time was, uh, very, uh, gracious in allow, allowing us free reign to use a building for rehearsals or anything else we wanted to do. And so we just started, uh. Creating an improv team and for anybody that's not really familiar with improv, uh, uh, Diana, as you mentioned, uh, whose line is it anyway, is kind of the same kind of improv that we do where it's, uh, game base where they'll give us a game with a scenario and certain rules within that game to follow, and the rest we make up. We make up the characters. The dialogue is completely made up. And the idea is not to try to be funny, but just to [00:28:00] try to respond in the moment because that's where the funny's gonna come from, is that just that creative mind that we have. It's going to find things that are funny in our natural reactions. And so what we do is we just create scenarios. It's basically like. A more organized way to play, pretend. Uh, we create characters, voices, points of view. And so we, and we don't do it based on the Bible because we don't want to ever. Get careless and misrepresent the Bible or say something. Oh, okay. That's fair. Uh, we don't wanna ever come across as a Christian improv team that is, uh, disrespecting the Bible. So we just do clean comedy that's accessible for all ages, whether you're five or 105. Um, we want you to be able to come and enjoy and laugh. And, um, we kind of filter it through [00:29:00] Philippians four, eight, whatever's pure and lovely and praiseworthy. If it kind of fits along that, then, uh, then we're good. Um, and we just, um. We go out and use it as a ministry tool. Uh, either we open for a speaker and use laughter as a way to tear down some walls and, and make people comfortable enough that they can hear it. Mm-hmm. Or we just do pure comedy with the love and the joy of Christ and allow our presence and the fact that Christ is coming in with us to somehow reach them on a spiritual level to where they'll either ask us, why are you guys clean? Why don't you curse? Or Why don't you do innuendo or blue? Right. Or they track us down on social media and they're like, oh, they're Christian, and they're funny and they're creative. Maybe God is more than I thought he was. I'm not naturally funny. Um, my husband is, and that's the, the thing [00:30:00] is. You don't have to be funny to be good at improv, you just have to be willing to listen and respond naturally. 'cause most of what's funny in our improv at least, is that people recognize either weird quirks, uh, about themselves or about people that they know or they recognize weird characters that they're like, that's Samantha from work. Oh my gosh. Um, and, and it's that recognition of, of the human experience because. We are so much alike. There we're, we are all more alike than we are different. Mm-hmm. And when we share those experiences, we realize that we're not alone. That we're not this weird thing in the middle of the world that has no connection. When we get a room with people laughing together, even if none of them know each other. They connect, uh, on this really interesting level. When they laugh together, they don't feel alone in that room. And that's why comedy is so important and effective in [00:31:00] speaking and in ministry. If you can get, get them to laugh, there's a wall that comes down to where now they're able to receive, uh, some information or receive the word or receive the message. And, uh, you know, that's what we love to do is to either. Set the ground for, uh, the speaker to bring the word, or to just simply be a light in that room to where there's a question, why, why are they different? And, um, that's what we do now. Uh, we've been, uh, this team has been running since, uh, July of 2013. Um, we've had a lot of changes, a lot of turnover, but the, the mission has always been the same is to just use comedy to bring people closer to God. So you can, definitely use comedy to heal people in their pain. And you got connected with, salt and Light Coalition. So tell us more about that. Sure. Uh, Salton Lake Coalition [00:32:00] is an organization that works with, uh, women who have survived sex trafficking. Um, many of the women that they serve, uh, were sold into trafficking by their parents at a young age. So many of them either have a very short, if. Or maybe a non-existent childhood to, uh, draw from. So they're very stunted in ma many areas as far as emotions, uh, uh, especially the ability now to trust people. And so, and most of them obviously have been hurt. Used and abused by men. Mm-hmm. So the fact that me as a guy was asked to come in and serve the weight of that is not lost on me. But I also see absolutely see benefit because here is a man in a healthy relationship with his wife, who is in a healthy relationship with the Lord, who can come in and bring that. As a model for these women to show that it is possible that [00:33:00] not every single man is a creep that's going to hurt you. Right? So, and I, I value that ability to, and that opportunity to bring that example, uh, to them. And I teach improv as a way to improve their communication because, uh, many of them, like I said, had, are stunted either, um. Educationally, either they were, they had to drop outta school because they were doing what their handlers or pimp or whatever you wanna call 'em, were making them do. And so I go and help them improve communication. Uh. Find and develop their self-esteem. Because when you're learning improv and you're creating stuff together, you're starting to realize, wait, I have a voice. I have something to say, and the things that I say can be valuable, and that only helps to improve the self-esteem. So they start realizing that all the stuff that I've been through in the past is my past and all the work that I'm doing [00:34:00] now to get back on my feet and rebuild my life. I'm worth it because I have something to say. I have something to contribute. So we do that through improv and, and at the end of the day, they get an hour where they can laugh like kids either for the first time or laugh like kids again because. And, and it, I don't say these things to brag on me. Mm-hmm. God put me in this position. There was, there's been several times where the women have, or a couple of the women have come in and you could see that they are literally carrying their world on their back. The burdens are there, the brow was furrowed. The, you could see in their eyes that they're waiting for somebody to say that one word so that they can explode on them. Mm-hmm. And part of what they have to do is they have to participate even if they're not feeling it. So they, they still get in the circle, they still participate in the games, and you can see literally. The, [00:35:00] that facade, crack and fall, you literally see them crack up and within five minutes of participating, the burden is gone. The, the fierceness in their eyes, the the anger or the frustration, or the hurt. It fades away. And they get to forget that and realize that there's hope, that there's something bigger than what they're wrestling with in that moment. And that has been such a huge blessing for me to be a part of that for the last couple of years. And, um, and like I said, it's, it's such a blessing to, to be a man in that position, to kind of be an ambassador, literally an ambassador for Christ, to show that it's okay to. To trust again. And I, and I love doing that. That is incredible. You know, I've had some training in sex trafficking, with Mending the Soul We have a program called Princess Lost. [00:36:00] Princess Found. Oh, okay. And I didn't know anything about sex trafficking before that, or at least I thought I did know. Mm-hmm. I, I thought of what the rest of the world thinks about, you know, prostitutes or sex workers, but it really, that training had opened my eyes. Do you have a story of one of those tough nuts that crack open with your comedy improv class? Yeah. Um. Specific, I can't mention names, obviously. No. Yeah. But, uh, the one lady I think of in particular, she's a single mom. She was, uh, sold by her mom into trafficking, for sex because her mom needed a. She needed a, a fix. And so she gets involved and then she gets traded, bought, and sold. Um, and the thing wa the thing that a lot of people don't realize is [00:37:00] people who are in that life, who are stuck, who are, who are trapped, they're not always stuck in some shady building off in the corner of, of the city, right? They're, they're still out walking around, they're going to the store, but. They're in such a way that they don't think they can escape and they don't know who they can trust. Mm-hmm. They don't know if the person that they're gonna talk to to say, Hey, I need help, is connected to this person that they're, that they're, uh, enslaved by. So they feel like they can't trust anybody. Even though that they're out walking around, they're, they're stuck. And they're also, many times they're forced to take drugs. Yes. So people will dismiss them when they see 'em. Like, oh, she's just a junkie. There are a lot of junkies, but there's also a lot of women and, and some men that are on drugs, either because they're trying to cope with what they're being forced to do, or it's part of what they're required to do in [00:38:00] order to survive. Um, and, and the, the, the pimps know that when they're on drugs and they're high people will dismiss them and won't really give them two looks. So all that to say is this, this young lady, she's, I think she's in her mid twenties now. Mm-hmm. Uh, single mom struggling to get her kids back because in, in the eyes of the court system, she's just a junkie. She, it, it doesn't matter why she was on drugs, it doesn't matter what caused her to be arrested for these different things. All that matters to them is that she, you know, you were high, you were on drugs, you have this in your system, you're not fit to be a mom. So she's trying to rebuild her life, trying to get her kids back and one day, I don't know, I don't know the details 'cause I don't really talk to get to know them much, just because they're trying. You don't wanna protect them. 'cause the fewer people that know the stories, know where they are, where they're [00:39:00] from, the better for them so that they can avoid getting. Found by the people that are looking for them. Mm-hmm. Because when a woman, escapes sex trafficking, that's property in the minds of the people that quote unquote own them. Yes. And they don't like to lose property because they're losing profit. So. You know, I know very little about them. I know their, I know their first name. I know a little bit about their story. Some of their stories come out as, you know, part of the improv, but she's trying to get her life back together. She comes in and she's the one that I always envision when I talk about the cracking up. She came in and I swear, I I, there was a moment where I was worried, it was like, is she gonna fly off on me if I say the wrong thing? 'cause she just looked angry at the world. Mm-hmm. And, uh, fortunately, and obviously they're not gonna leave me in the room alone, so there's a couple of the Salton light [00:40:00] volunteers there just to supervise and to coach and say, Hey, you need to go ahead and get in a circle and, and participate. You know, this is part of the program. And so. She came in, arms are crossed and she's just looking down at the ground. And so I just changed my plan and I opened up with, uh, a warmup that I knew everyone enjoyed. Um, and it's a silly game. It's called Bippity bippity bop. And, and so this game, uh, somebody's in the middle of the circle, they go around the circle and it's, it's a quick response game. I'll look at you and, and if I say Bippity bty bop, you just have to say the word bop before I get to bop. And then there's other layers to that game. So I start the game and say, all right, so we're gonna warm up with bip bippity bop. So I go around the circle and there are a couple times where like, as I'm going around the circle, I look at her like, I'm gonna give her the, you know, [00:41:00] the, the, uh, interaction. But then I go past and then I come back, and then I get her the first time it's like pip bop. She, you know, obviously wasn't ready 'cause she's not. Fully into it. So she goes, all right, un crosses her arms, walks in the circle, starts doing it, and as soon as she starts participating you, that's when it starts cracking up. And she starts laughing and, and having fun. And she became, she was two people. The first five minutes, she was one person. And then once she started to laugh, she was a completely different person. And it's like. God, this is why, this is why I'm here. And again, it's not, Hey, Dave Ebert's wonderful. You know, toot the horns. It's like, God put me in this position to use my testimony, my story to, and my experiences to try to help in the healing process of, of some women that desperately need healing and desperately need to know the love of [00:42:00] Jesus. I love that story. You know, the biggest thing I learned in, in my training that I went through was a lot of these women are in this predicament. At no fault of their own, they were mm-hmm. They were groomed or they were kidnapped, or they were, you know, trafficked by somebody that they trusted. Mm-hmm. Or they should have been able to trust and that these, these ladies and some gentlemen, by the way, are people. Valuable people, loved by God. They're not trash and not somebody that we throw away or toss aside, they are, they are children of God and they need Jesus too. Yeah. And, and these are all people that, and I, I don't like think, or in my heart, I don't believe that Jesus means this. In his language, but he's talking to us in our language when he talks about the least of these. Mm-hmm. Because he loves us and [00:43:00] God loves us equally. And there is no true least in God's kingdom. But I think it's, it's Jesus dumbing down the language so that we would understand. And that's why he is like what you do to the least of these you do to me. So yeah, there are people who. Are out there who are high on their own accord, doing their own thing, that are just throwing their lives away because they think it's fun. But you don't know until you know. So don't, I would just ask, never dismiss somebody because they look like a junkie. Mm-hmm. Or they look like they've made some bad choices. 'cause maybe they have, or maybe they're stuck in a situation. And I would always encourage, if nothing else, pray for them. Mm-hmm. And maybe in that prayer time, God's like, Hey, that that's somebody that needs you. But if you're willing to just dismiss everybody 'cause they look like they're scarred from injections or they, their face is broken out from different [00:44:00] things, if you just dismiss 'em automatically, then you're blocking God from reaching you to tell you, hey, they need your help, and God's just gonna have to find somebody else. And you're gonna miss the blessed opportunity to reach somebody that needs the love of Christ. Amen. What are you up to now? You have any new projects in the works coming down the pike? When you said, what are you up to now? I was gonna say six foot two. Um, yeah. Right now, uh, because of, uh, the global thing that's going on and I'm in Illinois, so. Theaters aren't open. We're not doing much as far as the comedy. Um, you know, so everybody's kind of focusing on their family. One of the things I have been doing is connecting with other Christian improvisers and, uh, we're, uh, doing. Semi, uh, maybe once a month. Uh, comedy shows where we just get together and we've never practiced before. We've never rehearsed, but we're gonna [00:45:00] put out, uh, some shows where people can just watch online, watch us improvise and participate. Uh, those, uh, will broadcast live on my Facebook page, and I'll advertise those that you know about a week in advance once we get people able to commit to a date. Um. And the, our first one that we did, we had somebody from West Virginia, somebody from Arkansas, two people from Texas, and Oh, had one person, uh, from Ohio, I believe. So we had like a conglomerate of people from all over the, the nation coming in. Uh, we've never practiced before, but we did improv and. Improv and Christianity are so much alike because to do good improv and to be a good Christian, quote unquote good Christian, you need humility. You need to be willing to support the other person, and you need to be willing to love the other person so that they're successful. Um, so when you come into an improv stage as a Christian [00:46:00] improviser. I mean, you've got all the tools just built in. And so we go, we perform online, we're willing to support each other and it makes it really fun. Now, the way we do it, we don't have crowd, you know, reaction, but because we're together, we kind of know what's funny and we're like, okay, this is, you know, we can laugh at each other. And, uh, just really a lot of fun. It's nothing like the real improv of being on stage and no. Intimate experience, but it's a good substitute. It, it's a good gap filler until we can get past all of what's going on. Yeah. Saw your, your post on, Christian Creatives are on the same group. Yeah. And I'm gonna see if I can try and watch that. That'll be fun. This has been great. I, I so appreciate you coming on the show today and putting up with the, uh, the Zoom demons earlier, and I know you don't do this for, [00:47:00] reward or pat's on the back, but. From me to you, thank you so much for what you do for the Lord and what you do for these ladies, because you are changing people's lives and making a difference. So thank you very much. Thank you. So tell the folks how they can connect with you if they wanna know more information about your ministry. Sure. Well, I actually have three primary things that I'm involved with. GIF for Glory is the kind of the umbrella over everything. Uh, you can find us on Instagram, Twitter, Facebook at gifts, the number four, glory. And uh, that's where my podcast is. That's, uh, kind of the over um. Corp corporate umbrella over, um, my personal, uh, speaking in improv coaching where you can find me at, real Dave Ebert. Um, there's actually another comedian who's also from the Midwest, uh, not a Christian, [00:48:00] uh, who's, his name is, uh, Dave or David Ebert. So, uh, so I beat him to the punch and I took the real Dave Ebert. Oh, glad you mentioned that. Um, which is hilarious. 'cause on Twitter I'll often get tagged in things that. I have nothing to do with Christianity or ministry, and it's like kind of embarrassing. Totally. And so I'll respond and I'll be like, Hey, I think you meant this guy. Um, but uh, thanks so much for the shout out. You don't want the credit for some dirty joke. Right, right. Yeah. I mean, I, I. Unfortunately, before Christ really took over my life there, I did say quite a few dirty jokes, especially in wrestling locking rooms. Um, but uh, that's washed by the blood and forgiven and mm-hmm. Um, but yeah. Uh, so at real, Dave Ebert is how you can find me. And there is one thing I do like to, uh, share on any every interview. Is, um, if there's somebody out there that hears this podcast and you're [00:49:00] somebody that's wrestling with depression or considering suicide, uh, my email box is open to you, uh, 24 hours a day. Uh, it goes directly to my phone, and this is an email address. I'll always keep active. So if in 2035 somebody picks up this podcast, that email will be available barring rapture. Um. Yeah, and I say that tongue in cheek, but, uh, if you're somebody that's wrestling, I really want to hear from you and wanna walk you through it. Uh, my email address is Dave at gifts, the number four glory.com. dave@giftsforglory.com. And, uh, I'm not gonna preach at you. I'm not gonna just copy and paste a bunch of scripture. I just want to hear what your story is and I wanna walk with you through it. I know that. In my depression. For me, I feel like had somebody had that option where I could talk to somebody that didn't know me, that didn't have preconceived ideas, that I'm, I would've been willing to just open up. And I'm [00:50:00] hoping that, uh, even one person, if you need that and you just, and I refer to it earlier, that verbal diarrhea, just like, let let it pour out. Uh, my dad was a military man. I was in wrestling for eight years. There's not a curse word I haven't heard. So if you need to curse in your email, don't feel like, oh, he's a pastor. I gotta edit. No, don't worry about that. Just tell me what you're want. A safe person, uh, yeah, and I wanna be there and I want to help in any way I can. If it's just listening and reading your email and just sending a few words back, that's what I wanna do. So that's open for you for, and if you're somebody that knows somebody that's not able to ask for help, uh, you know, contact me and I'll be happy to, uh, to do what I can. That is so awesome. Thank you so much for, for being a resource for, for the listeners, and I hope those that are listening will take advantage of that opportunity. And I love your podcast. [00:51:00] I listen to your podcast every week and you have some great guests on there. And we seem to agree on a lot of, um, things that I won't mention. I don't talk about politics on the show, but yeah. We seem to be on the same page on a lot of things. So thanks again for, for coming on the show tonight. Thank you so much. You as well. And, uh, I hope that, uh, uh, DSW Ministries takes off in the new year and that, uh, you meet every goal that, you've, that you've set forth. God bless you, Dave. Now I'll put all of his information in the show notes for everybody. You are never a victim when you choose to take action. Remember that friends, so we will see you all next week. God bless. Thank you for listening to the Wounds of the Faithful Podcast. If this episode has been helpful to you, please [00:52:00] hit the subscribe button and tell a friend. You could connect with us at DSW Ministries dot org where you'll find our blog, along with our Facebook, Twitter, and our YouTube channel links. Hope to see you next week.

Ted Serios was not a man one would expect to find at the centre of a scientific mystery. He was small, restless, and fond of whiskey, a working-class drifter who stumbled into a discovery that seemed to defy every known law of physics. He called his process thoughtography, the art of imprinting one's imagination upon the camera's lens. And for nearly ten years, under the watchful eye of psychiatrist Dr. Jule Eisenbud, Serios produced hundreds of photographs that would puzzle scientists, fascinate believers, and provoke decades of debate.The photographs themselves were unlike anything seen before. Some were blank, others clouded or streaked with light. But then, every so often, an image would appear,  a building, a monument, an object that had no connection to the place or time in which it was taken. A temple façade. A distant city skyline. A hotel still under construction. And all of it, Ted insisted, had come not from the camera but from his mind.Dr. Eisenbud, a thoughtful and cautious man, approached Serios's claims with scientific discipline. He invited witnesses from universities, engineers from Kodak, photographers, and magicians, and he documented every session with meticulous care. Cameras were inspected, film sealed and numbered, the settings controlled. Yet under these conditions, images continued to appear. Eisenbud's book, The World of Ted Serios, remains one of the most detailed studies of its kind,  a record of a phenomenon that sits uneasily between art, science, and the supernatural.Our host revisits this extraordinary chapter of twentieth-century curiosity with a calm, open mind. He guides us through the strange partnership between Serios and Eisenbud, the atmosphere of those Denver hotel rooms thick with cigarette smoke and tension, and the peculiar ritual of concentration that preceded each photograph. He does not tell us what to believe. Instead, he asks us to listen — to the voices of those who were there, to the texture of an age when the limits of the human mind still seemed uncertain, and to the lingering question of what those photographs truly represent.Whether Ted Serios was a visionary or a trickster may never be known. But the mystery he left behind, those small, square Polaroids haunted by shadows and light, continues to whisper across the years. In this quiet, reflective episode, we look once more through the lens of the impossible, and ask: what if the camera really could capture a thought? https://www.pastliveshypnosis.co.uk/https://www.patreon.com/ourparanormalafterlifeMy book 'Verified Near Death Experiences' https://www.amazon.com/dp/B0DXKRGDFP Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

It's the hour of...haunted Polaroids! This week, Brandon and Courtland watch the thirty-second episode of The Haunting Hour and discuss how not to write teenagers, infinite camcorder batteries, and the sweetest driveway you've ever seen. Linktree - https://linktr.ee/PrivateIslandBecome a Patron - Patron.com/privateislandLaugh with us on Instagram - https://www.instagram.com/upallnightpodcast/Connect with fans on Discord - https://discord.gg/2RAp2afFind us on Bluesky - @upallnightpodcast.bsky.social

MERCH: https://youshouldknowmerch.com/password PATREON: https://www.patreon.com/YouShouldKnowPodcast FACEBOOK: https://www.facebook.com/people/You-Should-Know-Podcast/61552092953106/ NEW TWITCH CHANNEL: https://m.twitch.tv/peytonhardin/home Peyton's Polaroids: https://instagram.com/peytonpolaroids?igshid=MzRlODBiNWFlZA== TRUE VAULT ESCAPADES: https://youtube.com/@AtomicWolf54 00:00 Intro 2:18 CAM JOINS 4:55 SNAPCHAT ARCHIVES 13:21 BROOKLYN BEDDING 14:47 SLEEPING WITH SOCKS DEBATE 19:59 TUFT TAIL 22:09 FACTOR 23:48 USING WOMEN'S RESTROOMS 30:44 FABLETICS 32:36 MINI POT DESIGN 35:27 CLUB BATHROOM EMPANADA 41:15 SHOPIFY 43:02 MALACHI ATE WHAT??? 48:11 DOG POO DISASTER 55:16 BIG ANNOUNCEMENT INTRO 56:06 CAYMAN JACK 57:28 CAM & LIV SURPRISE ANNOUNCEMENT 1:12:54 BOOKING.COM 1:13:58 LIFE WITH BABY #2 1:19:02 BABY NAME DEBATE 1:27:08 ANNOUNCEMENTS Todays Sponsors: Brooklyn Bedding - Go to http://brooklynbedding.com and use my promo code YSK at checkout to get 30% off sitewide. This offer is not available anywhere else. Factor - Eat smart at http://FactorMeals.com/ysk50off and use code ysk50off to get 50% off your first box, plus Free Breakfast for 1 Year. Fabletics - Go to http://Fabletics.com/YSK and sign up as a VIP and get eighty percent off everything. Shopify - Sign up for your $1 per month trial and start selling today at http://shopify.com/ysk Cayman Jack - Crack into your Margarita State of Mind. Pick up Cayman Jack at your local store or visit http://caymanjack.com to find it near you. Please drink responsibly. Booking.com - Don't miss out on consistent bookings and global reach. Head over to Booking.com and start your listing today. Get Seen. Get Booked on http://Booking.com YouShouldKnow P.O. BOX 191564 2825 Oak Lawn Ave Dallas, Texas 75219 FOLLOW PEYTON: https://instagram.com/psh8?igshid=ZDg1NjBiNjg= JOIN THE DISCORD: https://discord.gg/V5WYhSte2R Learn more about your ad choices. Visit podcastchoices.com/adchoices

Planning a wedding and don't know where to start? In this episode, Tess sits down with Brittney from Nuptial Collective; the creative team behind Tess and Shaun's four-day Beverly Hills celebration, to share practical, actionable tips for planning the perfect wedding, no matter your budget or location.Together they unpack the real steps of wedding planning: when to book suppliers, what a wedding planner actually does, how to choose your venue, how to build a guest experience people remember, and the small styling choices that make the biggest impact. They also break down destination wedding logistics, timelines, budgeting mistakes to avoid, and how to design a wedding aesthetic that feels timeless and true to you.Whether you're newly engaged, drowning in Pinterest boards, or trying to plan without a planner, this episode is filled with expert insights, emotional guidance, and behind-the-scenes detail from Tess' own multi-day LA wedding.Show notes:Tess chats with Brittney from Nuptial Collective about wedding planning, guest experience and how to bring a vision to life.What a wedding planner really handles — logistics, timelines, sourcing, styling, and full on-the-day execution.Why hiring a planner frees couples to enjoy the emotional moments instead of the admin.The importance of connection and trust between planner and couple.How Tess moved from a Byron wedding to Beverly Hills Hotel and why destination weddings can be magic.Planning an overseas wedding with a nine-month timeline and mixing Australian + LA suppliers effectively.Breakdown of Tess and Shaun's multi-day events: family dinner, rooftop welcome party, wedding day, and recovery pool party.Using touchpoints, stationery, gifting, and music to create a cohesive experience for guests.Designing an aesthetic based on lifestyle over trends and weaving storytelling through each event.Music as a design tool — from Sinatra-style live sets to disco & late-night high-energy moments.Practical planning order: book planner, venue, photographer/videographer, then celebrant.Ideal planning timeline, budgeting challenges, and using spreadsheets to stay organised.Why intentional elements matter more than trends or unnecessary décor.Small high-impact touchpoints: personalised notes, welcome gift bags, Polaroid guest book moments.Tess' advice on staying grounded and present on the day, including meditation and going phone-free.How pre-planning logistics like touch-ups, handbags and run sheets prevent stress and help you stay in the moment.Episode Sponsor:This episode is brought to you by Vorfreude Stationary, timeless keepsakes and personalised gifts. Every piece made with love, care, and a deep passion for celebrating life's most meaningful moments. Discount code for listeners: 15% off storewide, use TESSTALKS15 Follow @thenuptialcollectiveFollow me on Instagram: @tess.shanahan & @tesstalksofficial Follow me on TikTok: @tessshanahanFollow me on YouTube: TessShanahan Hosted on Acast. See acast.com/privacy for more information.

Drew and Rory start with eyeball horror, Stranger Things hype, and the idea of AI-powered contact lenses before stumbling straight into the real mind-melt: Midjourney, Grok Imagine, Mystic 3, and Flux all colliding in one episode. They roast their own prompts, trigger an accidental NSF-DoubleU moment live inside Grok, argue about “flux face,” and still somehow manage to pull out real, practical tips for people trying to make better AI images without losing their minds.Across an hour of chaos, they unpack Midjourney v8's subtle shifts, hidden personalization signals, Style Explorer tricks, Smart Search shortcuts, Grok's Sora-style infinite feed, Mystic 3's scary-good skin detail, and why Midjourney still owns lo-fi, lived-in, “shot-on-a-phone” energy. If you care about composition, cinematic ratios, editorial portraits, food realism, or just want to hear two people dunk on Flux and node editors while actually teaching you something, this one hits.Listeners will come away knowing how to use stills archive for composition, when to skip upscales for more analog realism, how Grok Imagine's image + video workflow really behaves, and where Mystic 3 can replace Midjourney in a serious portrait or product stack.--⏱️ Midjourney Fast Hour0:00 Intro, eyeballs, and a Friday brain check2:05 Contact lens horror stories, Mission Impossible, Black Mirror eyes3:07 Stranger Things Season 5 hype and binge vs weekly TV4:51 Movies, biopics, sports docs, and couch season setting in6:23 Cowboys documentary, sports pipelines, and TV as passive story feed7:00 AI overload, nobody keeping up, and why this pod exists8:30 Midjourney profiles, Style Creator, and new personalization talk9:29 Like/dislike buttons as hidden training data and 7:3 aspect ratio love10:35 Stills Archive, cinematic framing, and cleaner compositions12:00 Style Explorer vs old-school SREF and what quietly vanished13:16 Three under-the-radar Midjourney Smart Search + right-click + Option-upscale tweaks15:35 V8, fewer wall-of-text prompts, and a move toward visual controls18:12 First look at Grok Imagine's interface and infinite scroll feel19:35 Sora-style endless bottom feed, variants, and “make video” in Grok22:51 Cinematic looks, color grading, and Grok as “idea and curate” engine24:19 Live NSFW surprise inside Grok Imagine and instant rating change25:23 Finding Grok history, stills, and video exports with sound26:31 Who actually gets Grok video and Drew's first real reaction to using it27:38 Mystic 3 enters the chat and upscaling less for analog vibes29:02 Why “too sharp” screams AI and how grain + smart detail saves realism30:18 Outpainting, editing, and why Midjourney still wins surgical compositing35:01 Mystic 3 V3 screen-share and first impressions35:45 Editorial portraits, skin detail, eyelashes, and hands that finally look human37:26 Mystic 3 model comparisons: Zen, State-of-the-Art, and weird description blur39:16 Zooming all the way into pores, fingerprints, and micro skin texture43:44 Cocktail and food prompts where Mystic falls behind Midjourney50:05 Nano Banana 2 rumors, native 4K wishes, and how Midjourney might respond50:58 Why Midjourney still rules lo-fi, disposable camera, and Polaroid-style shots52:16 Grok Imagine vs Flux vs Midjourney for lived-in Y2K flash photos53:39 Flux face, direct flash tests, and “go flux yourself” is born55:30 Nodes, Grok workflows, and why scrolling is faster than wiring graphs56:01 Why Midjourney is avoiding node-based interfaces on purpose57:05 Final sendoff: go flux yourself and get out of here

The inevitable decline of civilization takes center stage as the show kicks off with the miserable results of the FACEBOOK SETTLEMENT, confirming Brian's $4.01 payout, followed by a discussion of the SPORTS BETTING SCANDAL, where MLB players are rigging games over prop bets, confirming that gambling is now actively killing sports; moving to the news, the guys celebrate the DENMARK SOCIAL MEDIA BAN and SCHOOL PHONE BANS, which are already proving that teenagers need mandatory digital detoxes, prompting comparisons to Footloose and the revelation that teens are now passing handwritten notes and taking Polaroids. Naturally, things aren't going well for the hyper-rich, as evidenced by the TESLA EXECUTIVE EXODUS and the launch of WAYMO FREEWAYS, which will surely bring chaos to LA, and the ongoing saga of massive capital destruction via OPENAI LOSSES and META AI FAILURES, prompting Mark Zuckerberg to announce his desperate bid to CURE ALL DISEASES with AI, a feat less audacious than the fraud of AI startup FIREFLY AI TRANSCRIPT, which admitted its original "AI" was just human transcriptionists.They then hit a laundry list of digital woes, including the dubious convenience of APPLE PASSPORTS, the creeping dread of Sam Altman's failing WORLDCOIN EYEBALL SCANS, the ridiculous crypto fraud DEFI OFFICE SPACE that literally copied a movie plot, and Coinbase's inexplicable decision to bring back high-risk ICOs; the absurdity continued with the OPENAI LAWSUIT over a suicidal chatbot that suggested the user "Rest easy, King," and the political maneuvering of the REPUBLICAN BROADBAND REDIRECT, which will gut internet access for the underserved to fund the Treasury, but the real threat to humanity remains the clandestine PREVENTATIVE GENE HACKING startup funded by tech billionaires aiming to create modified babies offshore.In Media Candy, they share reviews of the excellent DIPLOMAT, ZOOTOPIA, and the just-released LUSH DOCUMENTARY, confirming our combined Gen-X fragility, before celebrating two definitive wins for reality: the fact that physicists have finally CRUSHED THE SIMULATION THEORY, and the literary brilliance of Joyce Carol Oates' tweet, which expertly called out Elon Musk as uneducated and uncultured.All this and more on this episode of Grumpy Old GeeksSponsors:CleanMyMac - clnmy.com/OLDGEEKS - Use code OLDGEEKS for 20% off.Private Internet Access - Go to GOG.Show/vpn and sign up today. For a limited time only, you can get OUR favorite VPN for as little as $2.03 a month.SetApp - With a single monthly subscription you get 240+ apps for your Mac. Go to SetApp and get started today!!!1Password - Get a great deal on the only password manager recommended by Grumpy Old Geeks! gog.show/1passwordShow notes at https://gog.show/722FOLLOW UPBaseball Is CompromisedIN THE NEWSDenmark set to ban social media for users under 15 years of ageBanning Phones in Schools Is Drastically Changing the Behavior of KidsThe Head of the Cybertruck Program Quit Tesla. The Model Y Leader Left Hours LaterWaymo's driverless cars will start driving on freeways in three US citiesApple introduces a new Digital ID feature to make boarding flights easierOpenAI Will Lose $74 Billion the Same Year That Anthropic Breaks Even: ReportMeta's AI Ambitions Appear to Be in a TailspinZuckerberg, Chan bet AI can cure all diseaseStartup Secretly Working to Gene-Hack Human BabySam Altman's Creepy Orb Startup Has Only Scanned 2 Percent of Its Ideal Number of Eyeballs$120 Million Crypto Hack Blamed on Office Space-Style ExploitCoinbase Wants to Bring Back an Old Crypto Trend That Ended in DisasterSeven more families are now suing OpenAI over ChatGPT's role in suicides, delusionsUS states could lose $21 billion of broadband grants after Trump overhaulPhysicists Say They've Proven Whether We're Living in a SimulationElon Musk Got One-Shotted by an Extremely Mean TweetMEDIA CANDYZootopiaThe DiplomatPluribusVictoria BeckhamLush: A Far from Home MovieWelcome to Derry'V for Vendetta' Is Becoming a TV ShowDune: Prophecy' Kicks off Season 2 Production‘Alien: Earth' Has Been Renewed for Season 2‘Poker Face' Canceled at Peacock; Rian Johnson Will Seek New Home for Series — With Peter Dinklage StarringThe Running Man | Final Trailer (2025 Movie) - Edgar Wright, Glen PowellToy Story 5 | Teaser Trailer | In Theaters June 19Paramount+ announces price increases for every streaming planAPPS & DOODADSHow to adjust the Liquid Glass effect in iOS 26.1How to stretch the clock on your lock screen in iOS 26Tesla Reportedly Adding Apple CarPlay, Bucking Industry TrendFounder Admits His “AI Transcription” Startup Was Just Him Joining People's Meetings and Taking Notes by HandFTC Announces Crackdown on Deceptive AI Claims and SchemesTHE DARK SIDE WITH DAVEDave BittnerThe CyberWireHacking HumansCaveatControl LoopOnly Malware in the BuildingThe Official ‘Star Wars' Magazine Is Coming to an End After Over 30 YearsFuzzball Bandolier ShawlTalk about your crotch-rocket...AI-Powered Toys Caught Telling 5-Year-Olds How to Find Knives and Start Fires With MatchesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week! Liv, Candace, and Jeremy take a little detour into sharing some of their scariest and spookiest tales. From petrifying Polaroids to demonic dreams, the Halflings dive into it all. Why are we drawn to nostalgia? What exactly makes us feel nostalgic. Within this conversation, they tackle the big elephant in the room: Harry Potter and J.K. Rowling's disappointing outlook. From plagiarism claims to damaging public statements, they unpack why separating the artist from the art doesn't hold up in this case. This episode is about the grief of losing something that once meant everything, and coming to terms with the fact that the magic didn't simply fade — it was taken. But this isn't the full story! If you want to listen to the Halfling's full discussion, head over to the Patreon where you can listen to Parts 1 and 2 right now, along with bonus solo podcasts and extra interactive elements, all completely ad free! Also - did you miss out on our first

We're back (finally!) after a little break — in the middle of a branding glow-up and, oh yeah, Julie had a baby. So naturally, we're kicking things off with our favorite annual episode: the Holiday Gift Guide. We're talking cozy pajamas, nostalgic photo albums, the viral gadget saving us from our phone addictions, and the small luxuries that make everyday life a little softer. It's part gift inspo, part sister catch-up, and full of the banter you didn't know you missed. Grab your peppermint mocha, throw on your comfiest sweats, and let's make this year's gifting both intentional and a little delusional.

Hi everyone! Today I'm talking with Bay Area photographer Ryan Shaver, who shoots exclusively on Polaroid. We get into how he built a business around instant film, what makes the medium so different to work with, and how he's carved out a unique spot in the industry.Meet Ryan: Ryan Shaver is a Polaroid photographer based in the San Francisco Bay Area who stands out in the professional photography world for shooting exclusively on Polaroid. After completing his graduate research paper, Predictive Processing for Artificial Intelligence & Cognition, Ryan leaned fully into instant film as a way to preserve memories with honesty and imperfection.In 2022, he bet that people would eventually grow tired of the overly polished look of AI-generated imagery and crave something real. He went all in on a niche few pursue due to its high costs and challenges, landing his first client within a year. Since 2023, Ryan has photographed weddings, portraits, and major corporate events — including a recent donors event at the Exploratorium — and now also serves as the Creative Director for Siempre Golden clothing brand.Connect with Ryan:Corporate Holiday Party Season is coming up, and Ryan is still taking bookings!The first ten people to book a wedding package next year, if they drop the code "SUMMER", will get 10% the total negotiated package price.Website: ⁠shaver.filmInstagram: ⁠@shaver.filmConnect with Me:Subscribe to our emails for updates on all things Summer School!⁠SUBSCRIBE HERE⁠Show Notes: ⁠the-summerschool.com⁠Instagram: ⁠@summergrace.photo⁠  ⁠@the_summerschool⁠ Shop My Products:⁠Become a Member of Summer School⁠⁠My Summer Grace x G-Presets⁠ ⁠ (⁠discount code: SUMMERSCHOOL)⁠My Pricing Guide

A fotografia entrou em uma nova era. Entre a corrida alucinante das IAs e a volta da valorização do toque humano, estamos vivendo um dos momentos mais transformadores da história da imagem. No episódio de hoje do C.A.O.S. Fotográfico, fiz um panorama profundo e prático sobre o que realmente importa para quem vive da fotografia agora.Este é o briefing completo do que discutimos na live, em linguagem direta, acessível e com contexto real de mercado.1. A Corrida da IA: Nano Banana 2, Microsoft e o impacto no mercadoA evolução dos geradores de imagem está acelerando como nunca. Falamos sobre a expectativa em torno do Nano Banana 2, que promete realismo impressionante, mais controle, precisão e avanços em texto embutido nas imagens. Também abordei como Microsoft está avançando com ferramentas próprias e gratuitas, indicando uma mudança no equilíbrio de poder entre as big techs.Discutimos como esse movimento pressiona Adobe e abre espaço para modelos freemium como Affinity e a forte adesão do Luminar Neo, que segue como alternativa real para muitos fotógrafos.2. O Movimento do “Feito por Humanos”: a força da autoriaEnquanto a IA avança, cresce um movimento igualmente forte de valorização do artesanal, do analógico e da visão autoral. Analisei:o novo logo de Apple TV, construído 100 por cento em vidro reala série Plurbos com o crédito “feito por humanos”Guillermo del Toro defendendo processos analógicos em Frankensteino resgate do valor do impresso e da visão autoral como estratégiaEsse movimento reforça algo central: Branding Fotográfico não é um detalhe. É a nova defesa e o novo diferencial do fotógrafo profissional.3. Mercado, equipamentos e inovação: as notícias que importamComentei as tendências mais relevantes do momento:Freepik e o posicionamento sobre IA e bancos de imagemO kit híbrido da Insta360 que promete unir ação e fotografia instantâneaO cenário competitivo de Polaroid, Instax e outras marcasDJI e seu papel no mercadoComo alternativas ao modelo Adobe estão ganhando tração4. Iniciativas estratégicas para navegar esse novo cicloTambém compartilhei os movimentos que podem ajudar os fotógrafos a ganhar clareza e visão:Vision Friday Fotograf.IA, de 10 a 24 de novembro, com acesso especial para mentoria individual, comunidade e o novo Mapa Estratégico 2026. Saiba mais aqui: VISION FRIDAY As inovações da Fotto e como elas estão profissionalizando fotógrafos empreendedoresA pesquisa nacional do mercado de fotografia de família (FDF)O workshop online de autoridade e marca com Ana CampberA mentoria coletiva quinzenal e como ela está ajudando fotógrafos a reorganizar seus negócios5. Conteúdos mais relevantes da semanaDurante o episódio, também comentei:listas de fotógrafos que têm movimentado a audiênciao Radar Fotografia e análises semanaisentrevistas e cases reais sobre inovação no mercadoPor que isso tudo importaA fotografia está vivendo duas forças simultâneas. Uma máquina poderosa de automação. E um movimento vigoroso de volta ao humano, ao artesanal, ao autoral. Quem entender as duas forças, vence. Quem se apoiar apenas em uma, tende a perder espaço.O objetivo dessa live foi entregar visão, contexto e direção para você tomar melhores decisões agora.Participe do movimentoDe 10 a 24 de novembro, a Vision Friday Fotograf.IA está aberta. É o melhor momento para entrar na comunidade, ter mentoria, acesso aos Radares, aulas exclusivas e o novo Mapa Estratégico 2026.Link na descrição.Patrocínio das melhores plataformas do mercado: https://alboompro.com.br/ e https://www.fotto.com.br/vender-fotos

PATREON: https://www.patreon.com/YouShouldKnowPodcast FACEBOOK: https://www.facebook.com/people/You-Should-Know-Podcast/61552092953106/ NEW TWITCH CHANNEL: https://m.twitch.tv/peytonhardin/home Peyton's Polaroids: https://instagram.com/peytonpolaroids?igshid=MzRlODBiNWFlZA== TRUE VAULT ESCAPADES: https://youtube.com/@AtomicWolf54 00:00 Intro 2:00 CAM JOINS 4:23 PLAYING WITH PEYTONS BACK HAIR 9:32 "IT'S THE PERFECT SIZE" 12:10 HELLO FRESH 13:51 LIES ABOUT CAM 17:20 MASSAGE GONE WRONG 26:46 ROCKET MONEY 27:57 GIANT IN WALMART 31:26 MALL SHOPPING CARTS DEBATE 38:37 QUO 39:51 CAM'S SWOLLEN EYE 43:49 SCRATCH & SNIFF 46:52 THE BREAK IN UPDATE 50:54 BOOKING.COM 52:15 PEYTON'S HORROR STORY 57:50 DIFFERENT COUNTRIES EXIST? 1:06:05 DRAFTKINGS 1:07:53 NEW GIRL THANKSGIVING DEBATE 1:20:35 ANNOUNCEMENTS Todays Sponsors: Hello Fresh - The best way to cook just got better. Go to https://HelloFresh.com/YSK10FM now to Get 10 Free Meals + a Free breakfast for Life! Rocket Money - Cancel your unwanted subscriptions and reach your financial goals faster with Rocket Money. Go to http://rocketmoney.com/ysk today. Quo - Quo is offering my listeners 20% off your first 6 months at http://quo.com/ysk Booking.com - Don't miss out on consistent bookings and global reach. Head over to https://Booking.com and start your listing today. DraftKings - New players get FIVE HUNDRED SPINS over TEN DAYS on your choice of Cash Eruption slots when you wager five dollars. Play classic Cash Eruption today, then Red Hot Joker or Coins and Clovers tomorrow—it's all up to you! Get the app, sign up with code KNOW, then start spinning on THE Home of Cash Eruption. In partnership with DraftKings Casino. The Crown is Yours. YouShouldKnow P.O. BOX 191564 2825 Oak Lawn Ave Dallas, Texas 75219 FOLLOW PEYTON: https://instagram.com/psh8?igshid=ZDg1NjBiNjg= JOIN THE DISCORD: https://discord.gg/V5WYhSte2R Learn more about your ad choices. Visit podcastchoices.com/adchoices

"The Camera of Darkness" tells the chilling tale of Ravi, a late-night photographer from a small Indian town who discovers an abandoned photo studio—Raj Photo Lab. Drawn by curiosity, he begins taking pictures inside, only to find ghostly figures appearing behind him in every shot. He laughs it off until he uses an old Polaroid camera left behind, unaware of a cursed note warning that anyone who takes a photo with it will be trapped inside. When he develops the photo, he sees himself being strangled. The next morning, villagers find his picture hanging on the studio wall—forever frozen among the other victims.  Learn more about your ad choices. Visit megaphone.fm/adchoices

D2E interview with Alan Govenar's story is a rare combination of true artistic grit and social impact. Spanning forty-five years, Alan has shaped our understanding of American culture as an award-winning filmmaker, extensively published author in both fiction and non-fiction, and a Guggenheim Fellow. His archival photography and numberless exhibitions have shined a spotlight on corners of the country and communities most people never see. From his books now restored in the Criterion Collection to his pioneering work collecting African American photography archives, Alan offers the kind of lived expertise you rarely encounter. His museum and nonprofit work helps drive change and activate communities, making him highly relevant for your audience—including the 12000 documentary filmmakers and history book authors he reaches.As we enter a pivotal year for Alan, his latest documentary film “Quiet Voices in a Noisy World: the Struggle for Change in Jasper Texas” brings to light the realities of racial violence and community response in Texas. Combined with major photo exhibitions opening this fall, it's a conversation that carries urgenc latest works

Send us a textHi, this week I'm chatting with Amy Joyce and Gayle Weiswasser, co-owners of Wonderland Books in Bethesda, Maryland.What turns a bookstore into a place where people feel part of a community? We asked Wonderland Books co-owners Amy Joyce and Gail Weiswasser, whose Bethesda shop blends sharp curation, joyful whimsy, and real community care—right down to a wall of Polaroids featuring every visiting dog.We trace their unlikely routes into bookselling—Amy from nearly three decades at the Washington Post and Gail from law and corporate communications—and how those skills power everything from lease negotiations to handselling, newsletters, and event strategy. They open up about curating beyond their own tastes by leaning on staff with different genre passions, why a quarter of the store is devoted to children's books, and how representation in kids' publishing shapes what young readers reach for on the shelf.Community is the through line. Hear how a creative Indiegogo campaign funded shelves and inventory while transforming donors into co-creators who curated displays, joined after-hours previews, and saw their book clubs' names on the wall. We dig into school partnerships that put author-visit titles in students' hands, hospital library donations made from damaged returns, and dog adoption events that turn the kids' section into a gentle reading nook—even for a blind pup named Rex.We also get practical about social media that works without a budget: staff-forward videos, playful trends, and a voice that feels human. Amy and Gail share what's selling now—from dystopian classics to big-hearted novels—and offer thoughtful recommendations that build empathy, including Demon Copperhead, Nickel and Dimed, Nomadland, and The Secret Lives of Church Ladies. The philosophy is simple: welcome warmly, never hover, and let curiosity lead. If you love bookstores that feel like a sanctuary and a spark, this conversation will make you want to visit, linger, and read.If this resonated, follow the show, leave a quick review, and share it with a friend who loves indie bookstores.www.thebookshoppodcast.comWonderland BooksDemon Copperhead, Barbara KingsolverNomadland, Jessica BruderBuckeye, Patrick RyanSome Great Nowhere, Ann PackerThe Loneliness of Sonia and Sunny, Kiren DesaiThe Road to Tender Hearts, Annie HartnettNickel and Dimed, Barbara EhrenreichThe Secret Lives of Church Ladies, Deesha PhilyawMandy Jackson-Beverly - Lunch With An Author Literary SeriesSupport the showThe Bookshop PodcastMandy Jackson-BeverlySocial Media Links

Welcome to Nol-vember, where we dedicate the entire month to the mind-bending masterpieces of director Christopher Nolan! We're kicking things off with the early, groundbreaking film that put him on the map: "Memento (2000)."This isn't just a movie; it's a psychological experiment that places the audience directly into the disoriented mind of its protagonist, Leonard Shelby. We dive deep into the film's revolutionary non-linear structure told in two interwoven timelines. This structure forces us to question everything Leonard writes on his Polaroids, tattoos onto his body, and tells himself.Join us as we discuss his tattoos, the Sammy Jankis parallel, and what is his identity without memory. The film's core philosophical question is: If our memory is what makes us who we are, who is Leonard Shelby when his memory resets every few minutes?Prepare for a disorienting, exhilarating analysis of the film that cemented Christopher Nolan's reputation as a master of cinematic structure.This episode VIDEO is live on YouTube AND Spotify!Follow us on Instagram and TikTok to get ep sneak peaks and find out what's coming next. DM us what you want to hear about next or email us at wedrinkandwewatchthingspod@gmail.com.

PATREON: https://www.patreon.com/YouShouldKnowPodcast FACEBOOK: https://www.facebook.com/people/You-Should-Know-Podcast/61552092953106/ NEW TWITCH CHANNEL: https://m.twitch.tv/peytonhardin/home Peyton's Polaroids: https://instagram.com/peytonpolaroids?igshid=MzRlODBiNWFlZA== TRUE VAULT ESCAPADES: https://youtube.com/@AtomicWolf54 00:00 Intro 1:50 CAM JOINS 7:08 ACROSS THE COUNTRY DEBATE 11:01 SHOPIFY 12:37 SHE TOUCHED WHAT? 17:32 STAIRWAY TO HEAVEN 23:21 DRAFT KINGS 24:48 WHERE'S THE SOURDOUGH? 31:29 AVOCADO TASTE LIKE WHAT? 33:17 BETTERHELP 34:53 FLIRTING COMPETITION 37:31 10 OR LESS ITEMS DEBATE 43:44 RIDGE 45:09 BREAK IN CAUGHT ON CAMERA 49:58 SKIMS 51:37 ROBBERY RECAP 55:05 PEYTON STREET INTERVIEW 1:05:25 BOOKING.COM 1:06:44 GYM SHOWER INCIDENT 1:13:49 ANNOUNCEMENTS Todays Sponsors: Shopify - Sign up for $1 per month trial and start selling today at http://shopify.com/ysk Draft Kings - Download the DraftKings Sports book app and use code YSK. That's code YSK, bet five bucks and get 3 months of League Pass plus get $300 in bonus bets if your bet wins. Better Help - Our listeners get 10% off their first month at http://betterhelp.com/ysk #ad Ridge - Upgrade your wallet today! Get 10% Off @Ridge with code YSK at https://www.Ridge.com/ysk #Ridgepod Skims - https://www.skims.com/ysk Booking.com - Don't miss out on consistent bookings and global reach. Head over to https://Booking.com and start your listing today. YouShouldKnow P.O. BOX 191564 2825 Oak Lawn Ave Dallas, Texas 75219 FOLLOW PEYTON: https://instagram.com/psh8?igshid=ZDg1NjBiNjg= JOIN THE DISCORD: https://discord.gg/V5WYhSte2R Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this exclusive interview with Eric Yaverbaum, CEO of Ericho Communications and author of the definitive bestseller Public Relations for Dummies. Yaverbaum dissected the central paradox in marketing today: why are major brands rejecting AI in their advertising, even as the tech industry pours billions into automation? Yaverbaum explained that this “anti-AI” trend is not a technological rejection, but a highly strategic public relationsmove. It's a response to a deep-seated crisis of consumer trust and a sophisticated way to achieve competitive advantage in a hyper-digital world. The Core Paradox: Consumer Trust and the Anti-AI Trend Yaverbaum asserts that while AI promises efficiency, public sentiment reveals a massive gap between corporate adoption and consumer comfort. Consumer trust in AI is low, with many expressing anxiety over deepfakes, job displacement, and data misuse. * Public Sentiment: Brands like Polaroid and Heineken are actively responding to this skepticism. For example, Polaroid's viral slogan, “AI can't generate sand between your toes,” taps into a public yearning for tangible, human-produced experiences and authenticity. * Strategic Rejection: Rejecting AI is the smartest new counter-cultural marketing strategy. It positions a brand as authentic, human, and a champion against digital fatigue, creating an immediate, clear competitive distinction in a crowded market. The PR Crisis Connection: Labor and Trust A significant driver of the AI marketing backlash is the negative news cycle connecting rapid automation with mass layoffs (e.g., Amazon's cuts). * Distancing the Brand: Brands using "human-made" campaigns are intentionally distancing themselves from the negative labor narrative associated with rapid automation. This is a crucial PR move to maintain a positive ethical image and soften the perception of C-suite-driven cost reduction. * Credibility & Misinformation: The proliferation of deepfakes makes the promise of human creativity a non-negotiable asset. For consumers struggling to discern real content from AI-generated content, a brand that explicitly champions human effort becomes a trustworthy, credible harbor. Crisis Management: The 'Public Relations for Dummies' Tactic Drawing from his expertise, Eric Yaverbaum offered essential crisis communications advice for companies facing a PR nightmare (e.g., an AI mistake or layoff fallout): 1. Lead with Human Value: Pivot the narrative back to human contribution and transparency. 2. Take Meaningful Action: Sincere apologies are insufficient. Companies must demonstrate concrete steps to invest in their human workforce and stakeholders. 3. No Empty Promises: Every public decision must align with stated core values to prevent hypocrisy accusations that can destroy long-term reputation. Future Outlook: Will Public Sentiment Slow the AI Boom? Yaverbaum concluded that the backlash has the power to reshape the conversation, forcing companies to be more cautious and transparent about their use of automation. While the momentum of the technology itself may be too great to stop entirely, this shift in consumer behavior and preference will force a necessary industry-wide correction, making authenticity the most valuable asset in the modern digital economy. Ash Brown: Your Ultimate Guide to Inspiration, Empowerment & Action Looking for a motivational speaker, authentic podcaster, or influential media personality who can spark your journey toward personal growth? Meet Ash Brown — a dynamic American powerhouse known for her uplifting energy, relatable wisdom, and unwavering commitment to helping others unlock their full potential. Ash is a:

PATREON: https://www.patreon.com/YouShouldKnowPodcast FACEBOOK: https://www.facebook.com/people/You-Should-Know-Podcast/61552092953106/ NEW TWITCH CHANNEL: https://m.twitch.tv/peytonhardin/home Peyton's Polaroids: https://instagram.com/peytonpolaroids?igshid=MzRlODBiNWFlZA== TRUE VAULT ESCAPADES: https://youtube.com/@AtomicWolf54 00:00 Intro 2:10 CAM JOINS 7:25 COSTUME REVEALS 10:19 FABLETICS 12:03 CAM'S EMBARRASSING FIELD TRIP 21:10 STAY IN CHARACTER 24:57 PEYTON'S LOOSE UNDIES 27:21 BROOKLYN BEDDING 28:45 MAMA LIV'S MOOSE 32:47 17TH DOOR HAUNTED HOUSE 40:51 FUM 42:13 CRAZY MORNING ROUTINE CHALLENGE 53:52 SHOPIFY 55:41 MOAB 240 1:06:36 CAM'S INFECTED TOES 1:09:22 BOOKING.COM 1:10:44 THE LOUVRE HEIST 1:17:20 TRUE CLASSIC 1:18:54 CORNIEST JOKE 1:21:36 HALLOWEEN WOULD YOU RATHER 1:26:10 ANNOUNCEMENTS Todays Sponsors: Fabletics - Go to http://fabletics.com/YSK and sign up as a VIP and get eighty percent off everything. Brooklyn Bedding - Go to http://brooklynbedding.com and use my promo code YSK at checkout to get 30% off sitewide. This offer is not available anywhere else. Fum - Head to https://www.tryfum.com to Start with Zero. Shopify - Sign up for $1 per month trial and start selling today at http://shopify.com/ysk Booking.com - Don't miss out on consistent bookings and global reach. Head over to https://Booking.com and start your listing today. True Classic - Upgrade your wardrobe and save on @trueclassic at http://trueclassic.com/ysk ! #trueclassicpod YouShouldKnow P.O. BOX 191564 2825 Oak Lawn Ave Dallas, Texas 75219 FOLLOW PEYTON: https://instagram.com/psh8?igshid=ZDg1NjBiNjg= JOIN THE DISCORD: https://discord.gg/V5WYhSte2R Learn more about your ad choices. Visit podcastchoices.com/adchoices

Tara Calico was a 19-year-old college student from Belen, New Mexico, who went missing on September 20, 1988. That day, she set out on her daily bike ride along New Mexico State Road 47 but never returned. Tara's case became nationally known due to a mysterious photograph that surfaced a year later, showing a young woman resembling Tara bound and gagged in the back of a van alongside a young boy. The Polaroid was found in a parking lot in Florida, nearly 1,500 miles from where she disappeared.Despite extensive investigations and a few potential leads over the years, Tara's case remains unsolved. Her disappearance has led to numerous theories, ranging from abduction to murder, and the photograph sparked intense public speculation. In 2008, local sheriff's officials suggested they had evidence linking two men to Tara's case, but no arrests were ever made, and no conclusive evidence was found. Tara's mother believed for years that the woman in the Polaroid was indeed her daughter, but forensic analysis has yielded conflicting results.(commercial at 9:17)to contact me:bobbycapucci@protonmail.comsource:https://allthatsinteresting.com/tara-calicoBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-moscow-murders-and-more--5852883/support.

These sightings, centered on a Florida contractor named Ed Walters. His story began quietly on the evening of November 11, 1987, when he claimed to see a glowing disc-shaped object hovering above his neighborhood in Gulf Breeze, Florida. Armed with a Polaroid camera, Walters captured a series of photographs that quickly became some of the most widely circulated UFO images of their time.Listeners will hear how Walters' initial encounter sparked a wave of reports throughout the Gulf Coast community. Over the following months, he said the mysterious craft returned again and again, sometimes following him in his car, sometimes appearing over his house. He described beams of blue light, encounters with small glowing beings, and even telepathic communication from what he called “the visitors.”The episode traces the chain of events that followed: how local newspapers published his photos under the alias “Mr. X,” how national media descended on the small coastal town, and how organizations like MUFON (the Mutual UFO Network) sent investigators to examine the evidence. Optical physicist Dr. Bruce Maccabee would later analyze Walters' Polaroids and conclude they showed no signs of manipulation. For many UFO researchers, the Gulf Breeze photos were the clearest visual record of a possible alien craft ever captured.But the story did not end there. Two years later, a model of a flying saucer, eerily similar to the craft in Walters' pictures, was discovered in the attic of his former home. Reporters replicated his photos using the model, sparking fierce debate over whether the Gulf Breeze images were genuine or fabricated. Walters denied any connection, insisting the model had been planted to discredit him.Through archival recordings, eyewitness accounts, and interviews with investigators, this episode examines how the Gulf Breeze case evolved from a local mystery into a national phenomenon. We'll also look at the cultural moment it created — a time when ordinary people with cameras were suddenly thrust into the center of the UFO conversation.Was Ed Walters documenting a genuine visitation, or did the story become larger than the truth?  https://www.pastliveshypnosis.co.uk/https://www.patreon.com/alienufopodcastMy book 'Verified Near Death Exeriences' https://www.amazon.com/dp/B0DXKRGDFP Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

There's a ubiquitous prop in just about every police procedural and conspiracy thriller: a cork board pinned with documents, newspaper clippings, and Polaroid photos, all connected by a web of red string. They go by many names, including pin boards, string boards, evidence boards, investigation walls, conspiracy walls, and walls of crazy. These boards can be vehicles of insight or manifestations of madness—and in many cases, both. But where did they come from? And can they really solve a crime? In this episode, we try to unwind the red string board all the way to its center. To aide in our investigation, we enlist the help of Aki Peritz, a former CIA analyst and the author of Disruption: Inside the Largest Counterterrorism Investigation in History. You'll also hear from Shawn Gilmore, editor of The Vault of Culture and creator of the Narrative String Theory project; and Dr. Anne Ganzert, author of Serial Pinboarding in Contemporary Television. And we learn about the intricacies of building a string board from production designers Michael Scott Cobb (It's Always Sunny in Philadelphia) and John D. Kretschmer (Homeland). This episode was written and produced by Evan Chung, Decoder Ring's supervising producer. It was edited by Willa Paskin. Decoder Ring is also produced by Katie Shepherd and Max Freedman. Merritt Jacob is Senior Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Sources for This Episode Benson, Richard. “Decoding the Detective's 'Crazy Wall',” Esquire, Jan. 22, 2015. Coley, Rob. “The case of the speculative detective: Aesthetic truths and the television ‘crime board',” NECSUS, May 28, 2017. Ganzert, Anne. Serial Pinboarding in Contemporary Television, Palgrave Macmillan, 2020. Gilmore, Shawn. “Narrative String Theory,” The Vault of Culture. McGarry, Andrew. “Did Orwell's nightmare Nineteen Eighty-Four inspire the Snowtown murders?” Australian Broadcasting Corporation News, May 21, 2019. Peritz, Aki. Disruption: Inside the Largest Counterterrorism Investigation in History, Potomac Books, 2021. Peritz, Aki. “The FBI Is Going Crazy-Stringboard Crazy,” Slate, Feb. 1, 2022. Stiehm, Jamie. “My So-Called Bipolar Life,” New York Times, Jan. 17, 2012. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

There's a ubiquitous prop in just about every police procedural and conspiracy thriller: a cork board pinned with documents, newspaper clippings, and Polaroid photos, all connected by a web of red string. They go by many names, including pin boards, string boards, evidence boards, investigation walls, conspiracy walls, and walls of crazy. These boards can be vehicles of insight or manifestations of madness—and in many cases, both. But where did they come from? And can they really solve a crime? In this episode, we try to unwind the red string board all the way to its center. To aide in our investigation, we enlist the help of Aki Peritz, a former CIA analyst and the author of Disruption: Inside the Largest Counterterrorism Investigation in History. You'll also hear from Shawn Gilmore, editor of The Vault of Culture and creator of the Narrative String Theory project; and Dr. Anne Ganzert, author of Serial Pinboarding in Contemporary Television. And we learn about the intricacies of building a string board from production designers Michael Scott Cobb (It's Always Sunny in Philadelphia) and John D. Kretschmer (Homeland). This episode was written and produced by Evan Chung, Decoder Ring's supervising producer. It was edited by Willa Paskin. Decoder Ring is also produced by Katie Shepherd and Max Freedman. Merritt Jacob is Senior Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Sources for This Episode Benson, Richard. “Decoding the Detective's 'Crazy Wall',” Esquire, Jan. 22, 2015. Coley, Rob. “The case of the speculative detective: Aesthetic truths and the television ‘crime board',” NECSUS, May 28, 2017. Ganzert, Anne. Serial Pinboarding in Contemporary Television, Palgrave Macmillan, 2020. Gilmore, Shawn. “Narrative String Theory,” The Vault of Culture. McGarry, Andrew. “Did Orwell's nightmare Nineteen Eighty-Four inspire the Snowtown murders?” Australian Broadcasting Corporation News, May 21, 2019. Peritz, Aki. Disruption: Inside the Largest Counterterrorism Investigation in History, Potomac Books, 2021. Peritz, Aki. “The FBI Is Going Crazy-Stringboard Crazy,” Slate, Feb. 1, 2022. Stiehm, Jamie. “My So-Called Bipolar Life,” New York Times, Jan. 17, 2012. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

There's a ubiquitous prop in just about every police procedural and conspiracy thriller: a cork board pinned with documents, newspaper clippings, and Polaroid photos, all connected by a web of red string. They go by many names, including pin boards, string boards, evidence boards, investigation walls, conspiracy walls, and walls of crazy. These boards can be vehicles of insight or manifestations of madness—and in many cases, both. But where did they come from? And can they really solve a crime? In this episode, we try to unwind the red string board all the way to its center. To aide in our investigation, we enlist the help of Aki Peritz, a former CIA analyst and the author of Disruption: Inside the Largest Counterterrorism Investigation in History. You'll also hear from Shawn Gilmore, editor of The Vault of Culture and creator of the Narrative String Theory project; and Dr. Anne Ganzert, author of Serial Pinboarding in Contemporary Television. And we learn about the intricacies of building a string board from production designers Michael Scott Cobb (It's Always Sunny in Philadelphia) and John D. Kretschmer (Homeland). This episode was written and produced by Evan Chung, Decoder Ring's supervising producer. It was edited by Willa Paskin. Decoder Ring is also produced by Katie Shepherd and Max Freedman. Merritt Jacob is Senior Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Sources for This Episode Benson, Richard. “Decoding the Detective's 'Crazy Wall',” Esquire, Jan. 22, 2015. Coley, Rob. “The case of the speculative detective: Aesthetic truths and the television ‘crime board',” NECSUS, May 28, 2017. Ganzert, Anne. Serial Pinboarding in Contemporary Television, Palgrave Macmillan, 2020. Gilmore, Shawn. “Narrative String Theory,” The Vault of Culture. McGarry, Andrew. “Did Orwell's nightmare Nineteen Eighty-Four inspire the Snowtown murders?” Australian Broadcasting Corporation News, May 21, 2019. Peritz, Aki. Disruption: Inside the Largest Counterterrorism Investigation in History, Potomac Books, 2021. Peritz, Aki. “The FBI Is Going Crazy-Stringboard Crazy,” Slate, Feb. 1, 2022. Stiehm, Jamie. “My So-Called Bipolar Life,” New York Times, Jan. 17, 2012. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

There's a ubiquitous prop in just about every police procedural and conspiracy thriller: a cork board pinned with documents, newspaper clippings, and Polaroid photos, all connected by a web of red string. They go by many names, including pin boards, string boards, evidence boards, investigation walls, conspiracy walls, and walls of crazy. These boards can be vehicles of insight or manifestations of madness—and in many cases, both. But where did they come from? And can they really solve a crime? In this episode, we try to unwind the red string board all the way to its center. To aide in our investigation, we enlist the help of Aki Peritz, a former CIA analyst and the author of Disruption: Inside the Largest Counterterrorism Investigation in History. You'll also hear from Shawn Gilmore, editor of The Vault of Culture and creator of the Narrative String Theory project; and Dr. Anne Ganzert, author of Serial Pinboarding in Contemporary Television. And we learn about the intricacies of building a string board from production designers Michael Scott Cobb (It's Always Sunny in Philadelphia) and John D. Kretschmer (Homeland). This episode was written and produced by Evan Chung, Decoder Ring's supervising producer. It was edited by Willa Paskin. Decoder Ring is also produced by Katie Shepherd and Max Freedman. Merritt Jacob is Senior Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Sources for This Episode Benson, Richard. “Decoding the Detective's 'Crazy Wall',” Esquire, Jan. 22, 2015. Coley, Rob. “The case of the speculative detective: Aesthetic truths and the television ‘crime board',” NECSUS, May 28, 2017. Ganzert, Anne. Serial Pinboarding in Contemporary Television, Palgrave Macmillan, 2020. Gilmore, Shawn. “Narrative String Theory,” The Vault of Culture. McGarry, Andrew. “Did Orwell's nightmare Nineteen Eighty-Four inspire the Snowtown murders?” Australian Broadcasting Corporation News, May 21, 2019. Peritz, Aki. Disruption: Inside the Largest Counterterrorism Investigation in History, Potomac Books, 2021. Peritz, Aki. “The FBI Is Going Crazy-Stringboard Crazy,” Slate, Feb. 1, 2022. Stiehm, Jamie. “My So-Called Bipolar Life,” New York Times, Jan. 17, 2012. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

“Polaroids, You Can't Rush ‘Em” Ever try to shake a Polaroid picture to make it develop faster? (Yeah, we all did.) Spoiler alert: it doesn't work — and neither does rushing God's timing. Listen in and rediscover how to trust the One who's still developing your story, one frame at a time. Links in comments.

Anne Ganguzza sits down with Billy Collura, a powerhouse agent with over 30 years at CESD New York. Billy shares his unique perspective on the dramatic evolution of the voice acting industry, from the early days of union-only radio spots to the current market dominated by non-union and digital opportunities. This conversation provides essential insight into the biggest voice acting trends that have shaped the industry and reveals the simple, authentic quality that makes a voice actor successful today. 00:03 - Anne (Host) Hey guys, it's Anne from VO Boss here.  00:06 - Speaker 2 (Announcement) And it's George the Tech. We're excited to tell you about the VO Boss. Vip membership, now with even more benefits.  00:12 - Anne (Host) So not only do you get access to exclusive workshops and industry insights, but with our VIP plus tech tier, you'll enjoy specialized tech support from none other than George himself.  00:23 - Speaker 2 (Announcement) You got it. I'll help you tackle all those tricky tech issues so you can focus on what you do best Voice acting. It's tech support tailored for voiceover professionals like you.  00:34 - Anne (Host) Join us guys at VO Boss and let's make your voiceover career soar. Visit vobosscom slash VIP-membership to sign up today.  00:43 - Speaker 3 (Announcement) Slash VIP-membership to sign up today. It's time to take your business to the next level, the boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a boss, a VO boss. Now let's welcome your host, Anne Ganguzza.  01:08 - Anne (Host) Hey everyone, Welcome to the VO Boss Podcast. I'm your host, Anne Ganguzza, and today I am thrilled to welcome someone who truly defines what it means to be a powerhouse in the voiceover industry. With more than 30 years at CESD New York, Billy Collura has been at the forefront of commercials and beyond, representing talent with a direct and grounded approach that has earned him the trust of clients and voice actors alike. I think it's fair to say that he doesn't just follow the changes in the business. He really helps to shape them. So, Billy, I am so excited to have you here on the podcast.  01:44 - Billy (Host) Thank you for asking me. Yeah, this is so nice, yeah.  01:47 - Anne (Host) Yeah, I love it, and of course we're like on opposite coasts here, so you're on my home coast and so I do miss New York quite a bit and we did have a little.  01:58 - Speaker 2 (Announcement) How often do you get out here, pardon me, do you get out here often?  02:00 - Billy (Host) Do you ever get out. You know what?  02:01 - Anne (Host) Not as often as I should. I really have now started to say I'm only coming out during the warm season because I'm done with the snow. Yeah, I hear you. But I would imagine like do you travel like elsewhere in the wintertime in New York, Because I know I stay here.  02:22 - Billy (Host) I travel a lot in general um during the course of the year, but um you know, I right now I'm upstate in well. I'm up in the Hudson Valley and in the city of Hudson, which is two hours North of Manhattan, so I go back and forth Um in the winter time. No, I'm usually, I don't know, I'm usually in the Northeast sometimes.  02:43 - Anne (Host) Okay, Are you a skier? Are you a skier? No, absolutely not, Absolutely not. That was, that was what a lot. What kept a lot of people on the East coast? Um, in my area anyways, they're like oh no, I have to be able to ski in the winter.  02:56 - Billy (Host) No, I don't like the cold.  02:57 - Anne (Host) Well, I have a. I have a mountaineer in California, Uh huh.  03:00 - Billy (Host) Uh-huh.  03:02 - Anne (Host) Oh my gosh. Well, anyways, it's so nice to see you again. It's been a while. I saw you at VO Atlanta and I'm just really thrilled that I have the opportunity to talk to you. I know how busy you are, but I'm just so excited that the bosses are going to get this opportunity to really benefit from your wisdom. And so, benefiting from the wisdom speaking of that, you've been at CESD for over three decades. Um, that's, that's amazing. So how would you say that your role as an agent has evolved during that time?  03:37 - Billy (Host) Well, you know like it started when I started. Um, it'll be. Um, it'll be 32 years in May. Oh my gosh, when I started, voiceover was a smaller industry and I dabbled in a little bit of everything, okay.  03:55 - Speaker 2 (Announcement) I did commercials.  03:57 - Billy (Host) There really wasn't. There was no internet back then. So we did radio and TV commercials and industrials and I'm not even sure cable was around when.  04:08 - Anne (Host) I started. I hear you. You know we didn't have computers, any of that.  04:13 - Billy (Host) So we did a little bit of everything. And then, you know, and promos, promos were a thing, and narration and trailers, and so, you know, we did a little bit of all of that. And then, as the industry kept getting bigger and bigger, we started specializing. And all of a sudden, in animation, I dabbled in gaming, but I also, you know, but pretty much my focus was commercials, because that's where the money is, you know, and that was the day where it was just, you know, it was just TV and radio, and you made the actors made a lot of money. Yeah, it was only union, we only worked on union jobs. And now fast forward to now, where 60% to 70% of my desk is non-union. We started doing non-union in 2019. Okay, the union opportunities have pretty much dried up, and I say that, but it's ebb and flow.  05:22 I mean right now this year it was a slow summer for some reason. It was like the old days, it was really slow and I mean that union and non-union. And then I go away on vacation and it just like exploded while I was away and I've been and since then I've been playing catch up and it's been so busy with union, lots of union stuff with non union. Yeah, so it's been great there.  05:49 Yeah. So I mean that's changed and I guess for me what's changed for me is because now I specialize much more on commercials. I do have a few non-union accounts, but I have my large union study accounts, steady accounts. Um, so most of my work, uh is you know, is in the commercial world. I also happen to handle the audio books, but I always say I'm not an audio book agent. I'm the agent at CESD that handles the audio books.  06:18 - Speaker 2 (Announcement) So it's a little difference.  06:20 - Billy (Host) Um so, but the audio book, what I do love about it. You know an an an agent who left um cause she was having. She got married and had babies and she said, take the audio books. They're the nicest people in the world. And I got to say they really are, and so I've kept it.  06:36 I love it. The people are so nice. Um, I really, really enjoy it. So that you know, so I I've been doing that. I also do ADR and loop group stuff, again very specialized, and there really aren't a lot of industrials. Now I know some of the other. I'm one of five, six agents in the department and then there's another two agents that work with agencies that cater to medical industrials.  07:04 - Speaker 2 (Announcement) So they're doing I don't do personally.  07:05 - Billy (Host) I don't do a lot of industrials. I think a lot of the industrials have gone to the pay-to-play sites, so but the union stuff, the medical ones, they are still at the big agencies. I just personally don't happen to have those. I would say maybe the commercial aspect of right Healthcare like pharmaceuticals and that sort of thing is huge and more and more of those blue chip companies are going non-union and those rates are you know.  07:34 - Anne (Host) Sure. What do you attribute that? Why is that happening? What do?  07:39 - Billy (Host) you attribute it to is when it started, when digital work started happening, and these great companies, the Droga5s and there was so many, that's just the first one they were doing great work with the digital work. You know, they were just with stuff before even streaming, when they were just doing they were making commercials for digital work and they were doing fine work. They were doing really good work and these companies, these blue chip companies, were saying, hey, you did that for this much money, why don't you just take all of our network stuff? And that's how I remember, like 10, 12 years ago, a large fast food chain started going, you know, went totally non-union. And then the large fast food chain started going, went totally non-union.  08:25 Then there would be some that because they had a celebrity voice on certain spots, and then they would get a third party and more and more I feel like these agencies, these digital agencies, just kept getting better and better at it and the actors were getting better and better at it. And it's not like the cable stations that you see up here that you know these infomercial things that you know that you can tell it's non-union. You know I've fallen and I can't get up kind of stuff. These. They're doing great work.  08:56 - Anne (Host) I can't tell, are they doing great work because they have great actors or are they doing great work because the entire production value of it?  09:05 - Billy (Host) Yes.  09:06 - Anne (Host) Yes, yes, you know, people are getting better at it.  09:09 - Billy (Host) The voiceover people certainly, and it's not even I mean the voiceover so many people. Covid just changed the game and everybody you know voiceover was the one business in town that didn't shut down during.  09:23 - Speaker 2 (Announcement) COVID.  09:24 - Anne (Host) And every I always say every jaboni with a mic, you know, just set up a studio at home and said I'm going to do voiceover, and not only you know they were well-established Broadway and TV and film you know everybody was doing it and that's and that's so interesting because I would say the majority of people that you know cause I was I was super busy coaching during COVID and I just had so many people that just wanted to like make the demos and get into the industry. But I had a lot more of the talent that were more beginner right to intermediate. But I would imagine that with COVID, with celebrities right them wanting to get into voiceover because what else was there? Because they weren't able to go into a studio, and so I would say that a good portion of that, I would say a good portion of people that were getting those jobs, were probably the celebrities right.  10:27 - Billy (Host) Absolutely coaching. You know they just kept getting better and better at it. And you know, and, and we're willing to work for low wages, I mean that's the other thing. And you know we always say somebody takes a job for $100. You know it's just a race to the bottom. Yeah, you know, if you're gonna add, because you know we don't work on the non union stuff, we don't work on the non-union stuff, we don't work on certain things. I won't work on stuff just because it's not worth my time.  10:48 - Anne (Host) Sure.  10:49 - Billy (Host) And I don't mean to be like, oh, but $250 is a lot to some people. Oh yeah, for all the work that I have to go into it, for me to do it and have my assistant do it and doing the editing to maybe get it, it's just not worth it. But I do. I mean that's usually. My threshold is 250.  11:10 - Anne (Host) And I understand that because I always tell people, because I do a lot of non-broadcast narration, coaching and demos, and I'm always telling people they're like, well, I want an agent. I'm like, well, an agent doesn't get excited about non-broadcast stuff because it's a one and done thing. You don't make your money on that, and so typically you want to have a tip top commercial demo because that's where they're going to be making their money with the residuals and and that sort of a thing. So would you do? You think it has to do with the sheer volume of people that got into voiceover as well. If you've got enough, you know, if you throw spaghetti against the wall right there, some of them will stick. And so then I started to drive down. I'm going to say it started to drive down maybe the prices, uh, or people willing to do the work for less, because it just got to be competitive.  11:56 - Billy (Host) It did.  11:57 There's so many people doing it now, so many people, and especially in the non-union world, there's so many opportunities out there and you know, with the pay to plays and I've kind of changed my tune a little on the pay to plays and I kind of see they're there for a reason. They're a great, you know, tool for learning, for getting the experience, for the auditioning. And I and I learned recently when I was at a conference in Holland and met the CEO from Voices 123. And I learned that they love to put people together and to put the actor and the company together. Take it off the platform and do your thing.  12:41 They don't want to micromanage, like there are other pay-to-plays that micromanage everything.  12:45 But I really found that you know, oh, that's really nice, and then people can make money that way. They're not interested, they're just interested in making the match. So, but, that being said, there are so many people that are doing this now and, yeah, driving down the prices because you know, they may be this may not be their full-time gig, it just may be a side hustle for them. So, yeah, sure, an extra $200, an extra $100, an extra $350. That can accumulate. But unfortunately then they're like well, you did it last time for $100. Why can't you? So it's hard, it's hard.  13:21 - Anne (Host) It is, but would you say that the amount of jobs is diminishing or no, it's just as volume you know, I don't see volume as normal.  13:33 - Billy (Host) I'm busy, you know, but I don't know, like, like I said, this summer was slow with the opportunities, with the, with the auditions. I find that my casting directors, my union casting, just my casting directors in general, um, they, you know, I have some that are busier than others, some I will hear from, you know, once every other month, and then some I will hear from three or four times a week. You know, um, so it's and it's all you know. There's no logic to it.  14:03 - Anne (Host) And then on the um isn't that the truth. Yeah, and then um after all these years, wouldn't you think like you could? You could predict, you know.  14:14 - Billy (Host) I would say to actors you know, I'm not booking, it's just one phone call, it's one job, don't forget. They're only picking one person, but yeah, yeah, picking one person. You, yeah, you know, only picking one person you know and you don't know.  14:25 - Anne (Host) That's a way to put it in perspective. Actually, if you think about it, but in 400,.  14:30 - Billy (Host) You know how many people are auditioning.  14:31 That's why with select VO. You know that only allows you X amount of people to submit. So if they, if the agency says, if they invite you and they say you can only submit three people per role, they won't let you submit a fourth person. So you really have to be smart and we're not the type of agency that will send you know to ten people and then, sophie's Choice, the three that I want. You know, I don't believe in that. I don't. I feel it's a waste of time of the actor. It's certainly a waste of time for my assistant and for me to have to listen to, then you have to listen to them Exactly.  15:10 - Anne (Host) What's the point, you know, and so that translates to me to a good relationship with everybody that's on your roster, absolutely, that that knowledge of their capabilities and you can communicate, uh, back and forth to make sure that the two of you are are, you know, keeping up with one another, and you would be the one that say, okay, I'm going to handpick this audition and send this to this many people, because you're the one that has to do the work right To send it the top three, to the. So the client.  15:43 - Billy (Host) Yeah, absolutely so. It's my reputation and there are some casting directors that you know they will.  15:48 I will submit a list and they will pick who they want to hear you know, back up, if I lose, or if we lose somebody, who else would you like? Or, you know, sometimes they'll say these are the three I want to hear. Send me one of your choice that maybe I, somebody, I don't know, um, and then there are certain casting directors that will micromanage and they have to. They, you know they will only see these people and they're, you know, not flexible. But it just kind of makes me a better agent.  16:14 - Anne (Host) That's why we're.  16:15 - Billy (Host) Cesd is an exclusive agency. We don't oversign in the union or non-union world. We're still building up our non-union roster. You know we're still doing that, but that's where we have the most amount of opportunities. You know, in the non-union world, Sure, Plain and simple.  16:34 - Anne (Host) Absolutely, absolutely. So what would you say after all these years? What's kept you loving your job?  16:42 - Billy (Host) Because it's different every day. You know, that's the— that's the thing. I never know what's ahead of me. So I, you know, I just love. Every day there's some, there's a new challenge, there's something new. Also, recently I have a new assistant who I adore and I love teaching him. He's a little sponge and he wants to learn.  17:09 And so that kind of inspires me to want to teach him, and you know so that that is. I guess that's the difference, and also being able to, because the business has changed. Remotely, you know, I can start earlier, I'm not in the office, I I can work later, you know. It just kind of like the whole. It's such I don't want to say a relaxed, but I feel I feel more relaxed Now. It could be because I've been doing this for a hundred years, but I just feel relaxed, I enjoy what I do. I don't feel the pressure. I don't feel like there's no such thing as a voiceover emergency If somebody screws up or, you know, if I've given you know there's no such thing.  17:51 - Anne (Host) Bravo to that. I always say there's never a VO emergency.  17:54 - Billy (Host) No, there's never a first you know, if something went wrong, don't freak out. How?  17:59 - Anne (Host) do we fix it? How do we?  18:00 - Billy (Host) fix it, that's all you know.  18:02 - Anne (Host) Now, that's from your perspective. What about your client, your casting director? Your client's perspective? Are there VO emergencies? Yeah, there could be, that's on them, not on me. Yeah, okay, I love that.  18:13 - Billy (Host) I don't, you know, I wanna help fix the problem, you know, sure so. And I mean, yeah, you know, it's always something. Fortunately I haven't had any of those emergencies in a while. But you know, the other night I was it was nine o'clock my time and an LA. It was an LA agency booking a client. She happened to be on the West coast, so it worked out okay, but it was nine 30. And I was like you know, I'm old, I can't stay up. And then I thought, and I got a text from the casting director she goes we want to book so-and-so. I left all the information on the email. So I was like, oh well, I have to finish Gilded Age, this episode, and then, as soon as I'm done, I will get on my computer.  18:56 - Anne (Host) I love it, that's great?  18:59 - Billy (Host) I guess yeah. So that's what keeps me going. The relationship with my clients, I don't. It's different because back in the day, actors used to come into the office to audition. West Coast was different because you guys were MP3ing long before, because you all wouldn't get in a car and drive a half hour to the studio.  19:20 - Anne (Host) But in New York, well, because of the traffic.  19:24 - Billy (Host) Yeah, yeah, and that's why you couldn't get to three auditions back in the day, but it was our job in New York to get you, you know, to get you from the Upper West Side down to Wall.  19:34 - Anne (Host) Street over to Midtown yeah, I know so many voice actors who still um go into studios to audition in New York. I mean, I almost don't hear about it anymore, except for well, I'm sorry, excuse me to go into the go on for booking.  19:48 - Billy (Host) No for bookings, they will.  19:49 - Anne (Host) They encourage that now but I have heard people in the last couple of years. I mean it's not every day, but sometimes they are going in. I don't know if it's to audition or if it's to actually do the job it's usually you know there's one or two the studios.  20:03 - Billy (Host) You know a couple of the studios that do auditioning, because that's what changed? Oh, okay, that makes sense, like all the advertising agencies that were in-house casting directors and those casting directors ended up going to the studios in New York and they have in-house casting directors, so they will encourage the Sonic Unions. The. Headrooms the Sound Lounges they will encourage hey, if the client is local to New York, boom, have them come in. Oh, that makes sense. And it kind of opened up because not everybody got SourceConnect especially our older clients.  20:40 It wasn't cost effective for them for that one audition every other month. It wasn't so the foreign language people, they weren't getting it because there weren't enough opportunities. But especially I I want to say the older clients they really weren't getting so this kind of opened up. If you lived in New York you could still send an MP3 and you're able to go to Sound Lounge for the booking that was always that's always a nice caveat.  21:06 - Anne (Host) So I'm sure people ask you this all the time. Commercial voiceover has changed, evolved over the years. Advertisers have changed how they buy and consumers have changed, I think, how they listen. What would you say is what sort of things have changed in terms of trends for commercial VO? What are you looking for now that maybe is different than what was relevant maybe five, even five or 10 years ago, Because I know probably you're going to say like 30 years ago it was more of that announcer sort of style, it was promo. But you know, maybe five, 10 years ago, what has changed?  21:43 - Billy (Host) You know, it was the, you know, when I first started. It was the time, when, you know, Demi Moore started with Keds and there was that raspy, damaged sound that has kind of you know, demi Moore started with kids and she there was that raspy damage sound that has, kind of you know, was such a thing for so long and our and I know our women back then, you know, were the most successful.  22:04 - Anne (Host) I coveted that which is not a part of my genetic makeup at all. I'm like I can't, I can't get a raspy.  22:11 - Billy (Host) No, if you don't, you know you can't put oh, I woke up with a, you know, with a sore throat today. I sound great I should audition. No, you shouldn't. Exactly. So that was. You know, that was always the thing and yeah, it was the rough and tough announcers and you know all those, all those guys, and then that kind of went away and it was the John Corbett kind of sound and he was you.  22:31 he stuck around for a long time as a prototype and now it's Paul Rudd and Rashida Jones and then. So those trends kind of changed. But then about 10 years ago, everything you know really were, it was people of color. You know they wanted voices for actors and that really opened up a wide, you know a wider net. There was no general market anymore because they used to say, you know, they were very specific, we want a Caucasian voice. But now you only see that if you're doing a demo for the on-camera and the on-camera actor happens to be a certain color. But they want authenticity. I remember you know getting. Now, everybody, especially in the union world, they want authenticity. I remember you know getting. You know everybody, especially in the union world, they all want to check boxes. You know, yeah, yeah, they, yeah, so they, you know it's all ethnicities. You know we want non-binary people and I'm like what does a non-binary person sound?  23:27 - Speaker 2 (Announcement) like I don't, it took me you know.  23:29 - Billy (Host) Then I realized oh, they don't really, they're just checking off boxes, but for the, you know, for the African-American community, they were in vogue. They were, you know, I would get breakdowns, all ethnicities, and the prototypes would be Viola Davis, Tiffany Haddish and Angela.  23:49 Bassett, Do the math you know, so that was a thing. And Angela Bassett do the math. You know, so that was a thing. And I think you know, I still think that that is happening. But I'm finding a trend like that is kind of changing, where general market is truly general market. Now they want, you know, it's everybody, it's everything.  24:09 - Anne (Host) That's great. Yes, I love to hear that.  24:12 - Billy (Host) That's the way it should have been, but unfortunately it was so the other way for so long and then it shifted and now it's kind of evening out.  24:21 - Anne (Host) Sure.  24:21 - Billy (Host) Sure, I don't know.  24:23 - Anne (Host) Well, I mean, that's what I was thinking would happen at some point. Right, it would even out and it's kind of nice to hear that that's happening.  24:31 I mean, I wouldn't want it to go another extreme you know, at all, you know, and especially because the world's a little chaotic right now and I know that it's affecting companies and their advertising, and so that to me says gosh, I hope that there's still as much opportunity for everybody as there ever was. And so that's just one of those things where I think if there was a slow part of the season, maybe it's people, you know. I think there's companies trying to gauge like what's happening and what's going to be what's going to work for them in terms of advertising.  25:08 And it's not so much the voice, but the whole, the whole thing, yeah, the whole, all of it On camera, all of it, all of it. How are they going to advertise it to be effective?  25:18 - Billy (Host) And I think you know, and I think that and this is just me I feel like voice wise, I feel that the union world is more tries to check the boxes, much more than the non-union world.  25:32 - Speaker 3 (Announcement) I truly than the non-union world.  25:33 - Billy (Host) I truly believe the non-union world they're gonna pick the best voice for the job, no matter what ethnicity you are.  25:41 I find, and I just because of the actors that I speak with, not only because I speak with my non-union actors in general so much more, just simply because there's so much opportunity there. But I notice, with my union actors I just don't A I don't really have that many opportunities for them. But you know it is. I speak to certain ones more, a lot more than the others. But I don't find that, I find it much broader in the non-union world. I mean it's a different and I've learned so much about the non-union world. I mean it's a different and I've learned so much about the, the non-union community and how. You know how different it is. I feel that it is much more I don't know how to say it. It's much more of a community, I feel.  26:27 I feel that they, they really are supportive of each other, they help each other. It's not as competitive or as petty competitive as it can sometimes be in the union world, it's just, and I think it's fabulous that they really everybody's out to help each other much more in that community.  26:52 - Anne (Host) Well, that's refreshing to hear. I like that from you, Absolutely. So then for you, for talent on your roster. What sort of qualities are you looking for in any talent that might appear on your roster? You know what's funny.  27:06 - Billy (Host) When I first started, you know, when COVID happened first thing, when I and I did a lot of these classes, first thing I was like, obviously the first thing was do you have SourceConnect? You know if?  27:17 - Speaker 2 (Announcement) you have SourceConnect, because so few?  27:18 - Billy (Host) people did.  27:19 - Anne (Host) You went right to the top of my list.  27:22 - Billy (Host) Yeah, if you had SourceConnect, and then it's, you know, and then it's just about reading the copy, and that's the same basic thing is, how do you read copy? Some of my most successful people, my white actors over 40, I have a couple of them and they just read copy. So well, I don't know what it is, they just they're just, they're just great they were. And so, yeah, there's. You can't teach it, it's, you know, it's just natural. This one particular guy, yeah, does he have that Paul Rudd feel to him? Just that guy next door, just that real comfortable, relaxed, nothing pushed, that's how he is in life and that's how it comes across Right, right. Oh, there was something else.  28:06 Oh, I did this one class and there was this woman, you know, like late 20s white woman, and there was just something. I was on a panel, I was one of three people and, oh my God, she was. There was just something about her read that made me crazy and like the next day I was like I have, you know, I want to set you up. I love you, you know, I love you the best. And now, here we are. I love you, know, I love you the best, and now here we are, fast forward to probably a little more than a year. She is one of my most successful actresses on my roster. And what is it about her? I don't know. She's just fabulous. You know, she just, she just reads. It's just, it's honest.  28:50 - Anne (Host) So I'm always looking for that honest. I like that honest, yeah, authentic, yeah. And I like, with that honest, I like that honest, yeah, authentic, yeah. And I like how you know we've heard for for so long right, bring you to the party, bring you to the party, it's that. I think that's so important. And and we throw it around like, oh yeah, okay, I can bring me, but and yet so many people still try to perform, uh and and if they really can just stop in their own head and and just bring themselves to the party because, like you and I like talk like there's something about like I really like Billy, and it's, it's, it's like an intangible thing and it's your personality, right, it's, it's how we connect.  29:23 - Billy (Host) And I think that's what's so right away. The first time we met, we would just like exactly.  29:30 - Anne (Host) I think that's the same thing for voice actors. If you can, you know, if, if you've got a great personality and you're like one of those people that you can connect with right away, I mean that's what I think we're looking for, that authenticity it's you're not trying to, you know, push anything and and this is who you are and I love to hear that, because I keep telling people gosh, you are enough. I mean it really is. Please don't try to be anything other than yourself, because I really like you.  29:55 - Billy (Host) Yes, and so many voice actors. They forget that.  30:00 - Speaker 2 (Announcement) you know this is acting and I said you know you got to get out of your head into your gut.  30:05 - Billy (Host) Whether you're selling peas for 99 cents, it doesn't matter. You have to be, you know, honest and authentic with it, so important. Now I have to ask the question authentic with it, so important?  30:14 - Anne (Host) Now I have to ask the question because you know probably everybody does. And what do you think about the threat of AI in the industry, and especially now that there's? It's not even just voice, it's on camera too.  30:27 - Billy (Host) Yeah, yeah. So I mean, we keep our eye on it. We read every contract, we read every contract, we read every breakdown. You know SAG is doing their best. Bless their hearts.  30:42 You know, nava is you know, above and beyond, what they're doing with the rules and the legislation and what they're doing. You know it's coming, it's not going away and it's going to get better and better. So we just try to keep our eyes and ears on everything and try to follow the rules and say, nope, large deal right now. And there was a huge component with um. They wanted an AI replica and fortunately, the person um doing it was like no, I've heard replicas of my voice and they're not, and they never sound as good as the real thing.  31:27 - Anne (Host) Um, so that's a really interesting point because I know for a fact that that's true, because I, you know back in the day. Well, back a few years ago, I started really delving deep into that and researching companies and how they made voices, and I've heard a lot of voices and there are some people who are amazing actors but yet their voice doesn't translate. Well, either it's the AI technology that has not given, it's just it's not doing the right thing for them and, yeah, it doesn't translate.  31:56 - Billy (Host) Yeah, and he said no, I, I will not. It's my, it's my voice, it's my reputation, and I will be available whenever they need me. They were like well, what in case he's what? You know? What if he's away on vacation?  32:08 - Anne (Host) Yeah, he said there are no VO emergencies. No, there are no VO emergencies, Right, there's no VO emergencies.  32:15 - Billy (Host) So yeah, so are we concerned about it? Yeah, am I concerned, absolutely, but you know I can't lose sleep over it.  32:23 - Speaker 3 (Announcement) It's coming.  32:24 - Billy (Host) You know, it's coming, and so we just have to manage it and make it work to our advantage.  32:30 - Anne (Host) Yes, I agree, I agree, I and make it work to our advantage. Yes, I agree, I agree, I love that. So I'm very excited because you're going to be doing a class for us, a VO Boss workshop, in November. As a matter of fact, it's going to be November 12th. Can you tell us a little bit about what we're going to be doing in that class?  32:48 - Billy (Host) Well, what I usually do is I like to just kind of give my spiel about what I've been doing and I guess the do's and don'ts of the proper way to get in touch with an agent, what to expect, what not to expect from you know. Once you're submitting to an agent, I just try to, I try to just say the things you know, kind of give the tips that actors need to know. You know what's proper, what's not, what's gonna get you. You know what's gonna get you seen, what's gonna get you heard. You know what makes it easy for me, the agent.  33:24 And I've come to also realize that it works differently from agency to agency. So I can only speak to what works for me, um, at CESD, um, but we'll, you know, I'll talk about that and I'll just talk about my feelings on on what it takes, what tools you're going to need and I mean like literal tools, what kind of demos you're going to need, that sort of stuff. Do a little Q and a and then read some copy, you know and anybody that does come to the class.  33:54 um, it's gotta be commercial copy, because that's that's what I do, you know um. I, I'm, I'm not going to be able to judge you on your animation copy or you know that kind of stuff. That's not really what I do. So we'll, you know, we'll do that and we'll tear it apart and hopefully get to two pieces within the class.  34:14 - Anne (Host) Yeah, I love that. We'll see. Yay, well, I'm very excited for that and, bosses, I'll be putting a link so that you can sign up for it, because I'm quite sure it's going to go quickly. Now my last question is because you said you're in upstate New York and I, you know, I have my own, like my own, nostalgic memories of upstate New York, and so, for me, I'd be riding a horse, you know, in in the countryside. So if you weren't an agent, philly, what would you be doing right now? Oh God, would you have a different career? Would you be retired and riding horses, or?  34:49 - Billy (Host) Yeah, well, you know, I've only had three different jobs in my life, okay, well, you know, other than high school jobs. I was an actor slash waiter, and then I became an agent. You know Like I've been it's you know. So I moved to New York to be an actor and that didn't happen, but I always kind of I was. I had a friend who was a commercial casting director and so I used to go in and help him out at the casting calls.  35:20 That was back in the days of Polaroids and signing up and I really was fascinated by it. And he would you know. And he kept saying there's an opening at this agency. Do you want to go? And I would go and audition, you know, to be an assistant. Sure, and then boom, boom, boom.  35:35 And then, it just so happens, he said CED, because we weren't CESD at that point it was looking to expand the voiceover department and was I interested, and my partner at the time said go and audition. I mean go and audition, apply for the job, cause one of these days you will make more money than me. And so you know. And um and so um, and now, every year, every year. I'm still in touch with him and I call him and I say thank you, greggy, for allowing me to have this job.  36:08 - Anne (Host) Here's my annual income report allowing me to have this job.  36:11 - Billy (Host) Here's my annual income report yes, so anyway, yeah. So I've thought about this. What do I do? I'm too old to be a waiter.  36:23 - Anne (Host) I'm not going to go back, though I think I would be really good at it.  36:25 - Billy (Host) I have these- I agree, actually, you've got the social I think I could do. Yeah, so do I go. But when I retire, whenever that is, I want to social. I think I could do. Yeah, you know, so do I go. But you know, when I retire, you know, whenever that is, I'm on a travel. I just love to travel, that's, that's my thing. So you know. You know, I feel like when this is behind me, that I will, you know, I'll just travel. I'm not going to be on a horse up here, but I always had.  36:50 You know, sometimes I've had, you know, I don't know if I even want another. You know job and I'm at that point now where you know, I'm old and I don't want another career. It's not like I'm. You know, I'm going to be an artist, or you know, I once thought I thought well, maybe I'll just go do community theater somewhere.  37:07 - Speaker 2 (Announcement) I have a friend.  37:08 - Billy (Host) I have a friend, interestingly enough, a little older than I am, lives in Chicago and he started taking an acting class just for the hell of it.  37:16 - Anne (Host) For the hell of it.  37:17 - Billy (Host) And he said, the others they love it because they have somebody to play the old man in all those scenes. And I thought, oh my God, that's great, I could do that. Yeah, I love that. I thought yeah, why not community theater you? Know, if that was it. Now there's no community theater in New York City, so if that's where I retire, you know. But if I was to retire up here, you know that would interest me, and you know because I am a lover of theater, so I do.  37:46 - Anne (Host) Yeah, Well, I feel like you kept yourself in the acting world, you know by being an agent I mean in that you know, it's still like a. It's still you're very much immersed in it, and so I feel like, if that was your one love, you came to New York, by the way. Where did you come from?  38:02 - Billy (Host) I grew up in Waltham Massachusetts, oh okay. Okay yeah, just a little outside of. Boston.  38:07 - Anne (Host) Yeah, very familiar with it. I went.  38:09 - Billy (Host) Yeah, I grew up in Waltham and then I went to UMass, Amherst and then to New York.  38:14 - Anne (Host) That was my. Oh, fantastic, yeah, there you go. Well, my gosh, it has been such a pleasure chatting with you today. I mean, I could go on. I feel like we could go on, but at some point, I do have to quit at some point.  38:32 But yeah, thank you so so much for sharing your wisdom. It's been really a joy talking with you. I'm so excited for November. Guys, bosses, remember November 12th. Get yourself to vobosscom and sign up to work with this gentleman. He's amazing, and I'm going to give a great big shout out to our sponsor, ipdtl. You, too, can connect and network like bosses like Billy and myself, and find out more at IPDTLcom. Guys, have an amazing week and I'll see you next week. Bye, bye.  39:05 - Speaker 3 (Announcement) Join us next week for another edition of VO Boss with your host, Anne Ganguzza, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Redistribution with permission. Coast to coast connectivity via IPDTL.   

PATREON: https://www.patreon.com/YouShouldKnowPodcast FACEBOOK: https://www.facebook.com/people/You-Should-Know-Podcast/61552092953106/ NEW TWITCH CHANNEL: https://m.twitch.tv/peytonhardin/home Peyton's Polaroids: https://instagram.com/peytonpolaroids?igshid=MzRlODBiNWFlZA== TRUE VAULT ESCAPADES: https://youtube.com/@AtomicWolf54 00:00 Intro 2:11 CAM JOINS 4:37 IS CAMS KID NORMAL? 10:34 ROCKET MONEY 11:54 PEYTON VS CAM IN REAL LIFE! 14:13 ANATOMY WITH YSK 15:43 CAM LOSES HIS SHINS 18:14 DRAFT KINGS 20:01 DIRECTIONS TO YOUR HEART 34:38 FACTOR 36:27 GOING TO DEAF SOCIAL 41:18 PEYTON'S FUNERAL SHOW 48:05 CAM'S MID SHOW SNACK 54:20 CAYMAN JACK 55:48 MY $10K UNDERWEAR 1:01:09 DIVORCED AFTER 60 YEARS 1:12:26 GLD 1:14:11 HE EATS TURTLES? 1:20:21 SECRET YOUTUBE CHANNEL 1:25:23 ANNOUNCEMENTS Todays Sponsors: Rocket Money - Cancel your unwanted subscriptions and reach your financial goals faster with Rocket Money. Go to http://rocketmoney.com/ysk today. Draft Kings - Download the DraftKings Sports book app and use code YSK. That's code YSK, bet five bucks and get 3 months of League Pass plus get $300 in bonus bets if your bet wins. In partnership with Draft Kings — The Crown Is Yours. Gambling problem? Call one eight hundred Gambler. In New York, call eight seven seven eight HOPENY or text HOPENY (four six seven three six nine). In Connecticut, Help is available for problem gambling. Call eight eight eight seven eight nine seven seven seven seven or visit https://www.ccpg.org Please play responsibly. On behalf of Boot Hill Casino & Resort (Kansas). Pass-thru of per wager tax may apply in Illinois. Twenty-one plus age and eligibility varies by jurisdiction. Void in Ontario. Restrictions apply. Bet must win to receive Bonus Bets which expire in 7 days. Minimum odds required. NBA League Pass auto-renews until cancelled. Additional terms at https://www.DKNG.co/audio Limited time offer. Factor - Eat smart at FactorMeals dot com SLASH ysk50off and use code ysk50off to get 50% off your first box, plus Free Breakfast for 1 Year. That's code ysk50off at FactorMeals dot com for 50% off your first box, plus Free Breakfast for 1 Year. Get delicious, ready-to-eat meals delivered—with Factor. *Offer only valid for new Factor customers with code and qualifying auto-renewing subscription purchase. Cayman Jack - Crack into your Margarita State of Mind. Pick up Cayman Jack at your local store or visit http://caymanjack.com to find it near you. Please drink responsibly. GLD - New customers get 50% Off AND a FREE chain with code YSK at http://GLD.com YouShouldKnow P.O. BOX 191564 2825 Oak Lawn Ave Dallas, Texas 75219 FOLLOW PEYTON: https://instagram.com/psh8?igshid=ZDg1NjBiNjg= JOIN THE DISCORD: https://discord.gg/V5WYhSte2R Learn more about your ad choices. Visit podcastchoices.com/adchoices

Kevin and Erin discuss the horror "Classic": Polaroid. Spoilers aplenty! Like and share this episode, and check us out at https://linktr.ee/TPodcastTWDie. TJ from http://introoutrobed.com custom-made our music! Use my special link https://zen.ai/OPqxxQiaqgDLKVIziDbCE-bL9F-GRRqYLBJ5f6qmlwU to save 30% off your first month of any Zencastr paid plan.

Creepypasta Scary Story

This week on The Metallica Report… We wrap up our final 2025 visit to Iveniem, home to the real-life Metallica Black Box. Dan Nykolayko (Metallica's in-house curator) and Ally Bace (Inveniem archivist) join Steffan to sift through boxes, bags, and tapes to uncover more rich Metalli-gold. The excitement during this last mad rummage is palpable as the trio uncovers vintage Polaroids, ancient demos, and two hidden gems that left Dan's gloved hands scrambling to pick his jaw up off the floor. The Metallica Black Box: metallica.com/museum  Music from The Metallica Report: metallica.lnk.to/TMR-music   Upcoming Tour Dates: metallica.com/tour Learn more about your ad choices. Visit megaphone.fm/adchoices

PATREON: https://www.patreon.com/YouShouldKnowPodcast FACEBOOK: https://www.facebook.com/people/You-Should-Know-Podcast/61552092953106/ NEW TWITCH CHANNEL: https://m.twitch.tv/peytonhardin/home Peyton's Polaroids: https://instagram.com/peytonpolaroids?igshid=MzRlODBiNWFlZA== TRUE VAULT ESCAPADES: https://youtube.com/@AtomicWolf54 00:00 BIG THINGS COMING 2:10 CAM JOINS 3:41 PAID TO GET SLAPPED 7:33 SPORT vs COMPETITION DEBATE 9:15 HIMS 10:35 EMBARRASSED IN FRONT OF CELEBRITY 20:14 HELLO FRESH 21:45 SPITBALL SNEAK ATTACK 26:16 911 HOUSE CALL 28:46 CLASS BATHROOM TRAUMA 33:57 MANSCAPED 35:27 VIDEO GAME CHALLENGE 40:43 MEETING CELEBRITY CRUSH 46:28 PEYTON'S WWE STORE 49:47 OPENPHONE 51:06 EXIT ROW DISASTER 59:00 BROKEN BACK STORIES 1:04:55 SHOPIFY 1:06:40 ELECTRIC SHOCK QUIZ Todays Sponsors: Hims - To get simple, online access to personalized, affordable care for ED, Hair Loss, Weight Loss, and more, visit http://hims.com/ysk HelloFresh - Go to http://hellofresh.com/YSK10FM to get 10 free meals + free breakfast for life Manscaped - Get The Handyman Rocketman and 15% off your entire order with code “PSH” at http://manscaped.com! #ManscapedPartner OpenPhone - OpenPhone is offering our listeners 20% off of your first 6 months at http://openphone.com/ysk Shopify - Sign up for $1 per month trial and start selling today at http://shopify.com/ysk YouShouldKnow P.O. BOX 191564 2825 Oak Lawn Ave Dallas, Texas 75219 FOLLOW PEYTON: https://instagram.com/psh8?igshid=ZDg1NjBiNjg= JOIN THE DISCORD: https://discord.gg/V5WYhSte2R Learn more about your ad choices. Visit podcastchoices.com/adchoices

TVC 709.6: Emmy Award-winning actress Mariette Hartley talks to Ed about some of her other movie and TV roles, including the back story of the long-running, highly successful series of commercials that she did with James Garner for Polaroid cameras—and how the chemistry between her and Garner was so natural, many viewers believed that they were actually married. Mariette co-stars, co-wrote, and co-produced, along with her husband Jerry Sroka, in Our (Almost Completely True) Love Story, a romantic comedy that is available now for streaming on demand on Amazon Prime and other major platforms; it is also available on DVD and Blu-ray. Photo of James Garner and Mariette Hartley courtesy Polaroid.

Trump chronicler Michael Wolff joins the Beast's Joanna Coles to unpack Trump's latest delusions of grandeur. This time, namely, his fantasy of winning a Nobel Peace Prize for “ending seven wars” that never existed.Wolff recounts a disturbing encounter involving Jeffrey Epstein, the head of the Nobel Committee, and alleged Polaroids of Trump, while Pam Bondi, now heading the DOJ, pointedly refuses to discuss them.From showy Middle East tours to Chicago photo ops with the National Guard, Joanna and Michael explore how Trump's obsession with power, spectacle, and apparent paranoia, tinged with fear, continues to reshape his presidency. Is Trump intending to occupy cities like Chicago indefinitely or just seeking attention?  Hosted on Acast. See acast.com/privacy for more information.

We're checking out a new horror short in the form of Picture, a 7-minute-long short about a haunted Polaroid camera from director Sadé Sellers (guest on our previous episodes for Alien 3 and Orphan).Watch the short here.Questions? Comments? Snark? Connect with the boys on BlueSky, Instagram, Youtube, Letterboxd, Facebook, or join the Facebook Group or the Horror Queers Discord to get in touch with other listeners.> Trace: @tracedthurman (BlueSky)/ @tracedthurman (Instagram)> Joe: @joelipsett (BlueSky) / @bstolemyremote (Instagram) Be sure to support the boys on Patreon!  Theme Music: Alexander Nakarada   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Some ghost stories fade with time. This one only grows sharper. For one man, his earliest memory isn't of toys, school, or laughter—it's of a ghost. At just four years old, he woke in his parents' bedroom to see curtains stir on a still night… and then it appeared. A hooded figure, glowing bluish-green, towering nearly seven feet tall. Featureless. Silent. Watching. He screamed for his mother, but she saw nothing. For him, the memory burned deep, as vivid as trauma. Over the years, he would see ghosts seven times, but none etched into him like this. And years later, his sister admitted she saw the same thing: the tall, glowing hooded figure. Then came the Polaroid. An accident. A photo snapped by mistake—only to reveal the very same hooded apparition, standing beside a ghostly woman who faded from the waist down. The family kept the proof for years… until the day his mother died. Then the photo disappeared. Gone forever. So what was it? A ghost? A guardian? An angel? Or something older, something that only watches? This isn't just a true ghost story—it's a haunting mystery that bridges childhood fear, photographic proof, and decades of unanswered questions. Proof once existed. And then it vanished. But the memories never did. Because once you've been chosen to be watched… maybe you're never truly alone again. #TrueGhostStory #RealHaunting #GhostPhoto #HauntedMemories #ParanormalActivity #SupernaturalStories #CreepyEncounters #UnexplainedMysteries #GhostEncounters #HauntedLife #ScaryStory #Hauntings Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

Some ghost stories fade with time. This one only grows sharper. For one man, his earliest memory isn't of toys, school, or laughter—it's of a ghost. At just four years old, he woke in his parents' bedroom to see curtains stir on a still night… and then it appeared. A hooded figure, glowing bluish-green, towering nearly seven feet tall. Featureless. Silent. Watching. He screamed for his mother, but she saw nothing. For him, the memory burned deep, as vivid as trauma. Over the years, he would see ghosts seven times, but none etched into him like this. And years later, his sister admitted she saw the same thing: the tall, glowing hooded figure. Then came the Polaroid. An accident. A photo snapped by mistake—only to reveal the very same hooded apparition, standing beside a ghostly woman who faded from the waist down. The family kept the proof for years… until the day his mother died. Then the photo disappeared. Gone forever. So what was it? A ghost? A guardian? An angel? Or something older, something that only watches? This isn't just a true ghost story—it's a haunting mystery that bridges childhood fear, photographic proof, and decades of unanswered questions. Proof once existed. And then it vanished. But the memories never did. Because once you've been chosen to be watched… maybe you're never truly alone again. #TrueGhostStory #RealHaunting #GhostPhoto #HauntedMemories #ParanormalActivity #SupernaturalStories #CreepyEncounters #UnexplainedMysteries #GhostEncounters #HauntedLife #ScaryStory #Hauntings Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

Grief can make the world feel uncanny — and sometimes the uncanny feels like comfort. In this episode we hear from multiple listeners whose lives were changed by strange coincidences and possible messages from the other side. One woman flies across the country after her father dies and begins seeing small, specific signs: the Breakfast Club song playing at impossible moments, a yellow balloon that bursts on the exact anniversary, a mysterious phone ring that shouldn't have connected — and recurring dreams where Dad insists, “I'm not dead… I faked my death.” Are these comforting visitations, or our minds searching for connection? We also debate memorial choices: cremation keepsakes and urn jewelry that let families carry a piece of a loved one, and whether that matters to the departed. Then we shift to other eerie submissions — a college Christmas with a Polaroid that keeps ending up in the trash, an EVP capture that sounds like a chilling whisper, and a man who kept seeing the synchronicity number 11:11 during a terrifying medical scare. When a tiny cross gifted by a sister shows up at the exact moment of difficult biopsy news, coincidence becomes consolation. Are these supernatural signs, psychological comfort, or meaningful synchronicities? We don't have definitive answers — only the real, moving stories people send in when they want to know if they're still being watched over. Tune in for comfort, goosebumps, and the tender strangeness that shows up after loss. #SignsFromBeyond #GriefStories #Synchronicity #11_11 #EVP #TrueGhostStories #CremationJewelry #RealHauntings #ComfortFromBeyond #RealGhostStoriesOnline Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story: