Podcasts about Queer Palm

durée : 00:58:39 - Certains l'aiment Fip - Président du jury de la Queer Palm au festival de Cannes, le cinéaste français évoque son rapport avec les films queer et à la musique, sa découverte de Visconti et du rock dans sa jeunesse, Nirvana, Björk, son travail avec Alex Beaupain, Béatrice Dalle...

"Misericordia" had its world premiere at the 2024 Cannes Film Festival in the Premiere section, where it competed for the Queer Palm. It received positive reviews and later went to screen at the Telluride and New York Film Festivals (where this interview took place). Director/Writer Alain Guiraudie was kind enough to spend some time speaking with us about his work on the film, which you can listen to below. Please be sure to check out the film, which will open in theaters on March 14th, from Janus Sideshow Films. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Arieh Worthalter, César du Meilleur acteur 2024 pour son interprétation dans "Le procès Goldman" réalisé par Cédric Khan, est l'un des invités d'honneur du Love International Film Festival à Mons. Arieh Worthalter est un acteur belge né à Paris en 1985. Il a étudié l'art dramatique à l'INSAS à Bruxelles et parle 5 langues (anglais, espagnol, français, hébreu et néerlandais). Il apparaît pour la première fois à l'écran en 2009 dans « Somewhere Between Here and Now » d'Olivier Boonjing et participe ensuite à plusieurs courts-métrages. On le retrouve en 2015 dans le drame historique « Les Anarchistes » de Elie Wajeman aux côtés de Tahar Rahim et Adèle Exarchopoulos. Après avoir tourné pour Tran Ang Hung (« Éternité »), James Watkins (« Bastille Day ») et Nabil Ayouch (« Razzia »), il est à l'affiche de « Girl » de Lukas Dhont en 2018 dans lequel il incarne le père d'une adolescente en quête d'identité. Le film obtient la Caméra d'or, le Prix d'interprétation Un Certain Regard et la Queer Palm au Festival de Cannes tandis que la prestation d'Arieh Worthalter est saluée par le Magritte du meilleur second rôle masculin. L'année suivante, il recevra à nouveau cette récompense pour son rôle dans le plébiscité « Duelles » d'Olivier Masset-Depasse. En 2021, on le retrouve dans « Serre Moi Fort » de Mathieu Amalric aux côtés de Vicky Krieps. Après « Hunted », « Bowling Saturne » et « Le Parfum vert », il joue le rôle-titre dans « Le Procès Goldman » de Cédric Kahn qui ouvrira la Quinzaine des Réalisateurs du Festival de Cannes et pour lequel Arieh Worthalter recevra le César et le Magritte du meilleur acteur en 2024. Egalement à l'affiche ces dernières années de « Rien à Perdre » de Delphine Deloget, « Chienne de vie » de Xavier Seron, « Comme le feu » de Philippe Lesage » et de la série « Une amie dévouée », Il sera prochainement à l'affiche de plusieurs nouveaux films dont la nouvelle réalisation de Thomas Kruithof avec Virginie Efira. Merci pour votre écoute Entrez sans Frapper c'est également en direct tous les jours de la semaine de 16h à 17h30 sur www.rtbf.be/lapremiere Retrouvez l'ensemble des épisodes et les émission en version intégrale (avec la musique donc) de Entrez sans Frapper sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8521 Abonnez-vous également à la partie "Bagarre dans la discothèque" en suivant ce lien: https://audmns.com/HSfAmLDEt si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Vous pourriez également apprécier ces autres podcasts issus de notre large catalogue: Le voyage du Stradivarius Feuermann : https://audmns.com/rxPHqEENoir Jaune Rouge - Belgian Crime Story : https://feeds.audiomeans.fr/feed/6e3f3e0e-6d9e-4da7-99d5-f8c0833912c5.xmlLes Petits Papiers : https://audmns.com/tHQpfAm Des rencontres inspirantes avec des artistes de tous horizons. Galaxie BD: https://audmns.com/nyJXESu Notre podcast hebdomadaire autour du 9ème art.Nom: Van Hamme, Profession: Scénariste : https://audmns.com/ZAoAJZF Notre série à propos du créateur de XII et Thorgal. Franquin par Franquin : https://audmns.com/NjMxxMg Ecoutez la voix du créateur de Gaston (et de tant d'autres...)

durée : 00:26:51 - Les Midis de Culture - par : Marie Labory - Au programme du débat critique, du cinéma d'auteur : "Trois kilomètres jusqu'à la fin du monde" d'Emmanuel Pârvu et "Carla et moi" de Nathan Silver. - réalisation : Laurence Malonda - invités : Antoine Guillot Journaliste, critique de cinéma et de bandes dessinées, producteur de l'émission "Plan large" sur France Culture; Charlotte Garson Rédactrice en chef adjointe des Cahiers du cinéma

In this special episode, our co-hosts delve into the aftermath of the recent wave of elections in Europe and the UK, speculating about their effects on the LGBT+ community. They also look back at this year's Pride Month in light of criticisms of rainbow capitalism, performative allyship, and the silencing of pro-Palestine activism. They turn once more to the highlights of the GAY45 magazine, before interviewing actor Ciprian Chiujdea, the protagonist behind this year's Queer-Palm-awarded film Three Kilometres to the End of the World. As ever, our hosts recommend some of the best film and TV to watch these days. Please write to us and leave a review. The most interesting ideas will be mentioned in the podcast.

Oscar-winning actress Helen Mirren talks to Eve Jackson about her Cannes memories, being the face of L'Oréal Paris at age 78 and why she prefers swagger to beauty. We also learn more about the films up for the Queer Palm and meet the best onscreen dogs at this year's festival.

Monster (Japanese: 怪物, romanized: Kaibutsu) is a 2023 Japanese psychological dramatic mystery thriller film directed and edited by Hirokazu Kore-eda from a screenplay written by Yuji Sakamoto. It stars Sakura Andō as a mother who confronts a teacher after noticing disturbing changes in her son's behavior. The film marks the first time Kore-eda has directed a film he did not write himself since Maborosi (1995). The film was the last scoring project by Ryuichi Sakamoto, who died two months before its release; the film is dedicated to his memory. Monster had its world premiere at the 76th Cannes Film Festival on 17 May 2023, where it competed for the Palme d'Or and was honored with the Queer Palm as well as the Best Screenplay award. The film was released in Japan on 2 June 2023. It received widespread critical acclaim with singled out praise towards its screenplay, direction, acting, editing and musical score and vastly appeared in numerous lists of top ten year's best. --- Send in a voice message: https://podcasters.spotify.com/pod/show/popcorn-junkies/message

The critically acclaimed drama "TOLL”  from rising star filmmaker Carolina Markowicz (“Charcoal,” “The Orphan”) premiers in the US this week! As a filmmaker, Carolina focuses on work that is in tune with the current political climate. The things that have happened in Brazil recently have been unimaginable to the filmmaker in many ways.  Brazil is a very conservative and homophobic society, where a minister of human rights, now a senator, stated that kids shouldn't play with Frozen dolls because the character of Elsa was a lesbian. In the film TOLL, the main character, a toll booth attendant, realizes she can use her job to raise some extra money illegally. But this is only for a so-called noble cause: to send her son to an expensive gay conversion workshop led by a renowned foreign priest. The film is is a drama permeated with dark, irreverent humor.  We talk to Carolina today, along with film star Maeve Jinkings, about the film. She has written and directed 6 short films, which were selected for more than 300 festivals and the recipients of many awards.  The Orphan , her most recognized film, premiered in Cannes Director's Fortnight in 2018 and won the Queer Palm. Her debut feature, Charcoal, premiered in competition at Toronto International Film Festival and made its European Premiere at San Sebastian International Film Festival in 2022. Maeve is an award winning actress born in Brasilia. With Co-host Brody Levesque      

We go back to our Deep Cut roots with Kore-eda's latest, but don't call us Monster(s) for skipping out on the previously released Broker! Awarded the Queer Palm at Cannes in 2023, Monster is a return to form (and Japan) for Kore-eda, igniting a sprawling conversation about the film and its connections to his larger ouevre. We debate the film's visual treatment, the limits of its Rashomon-esque structure, and share our thoughts on what kind of story the ending is really trying to tell. Jessica Yeung's Review Kore-eda Interview with Filmmaker Magazine (2009) Ben's Video Essay on Still Walking (Spoilers!) Find refuge from the storm in our ⁠Discord⁠⁠⁠⁠ server! Keep up with Deep Cut on ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠.

Anatomy of a Fall (French: Anatomie d'une chute) is a 2023 French courtroom drama thriller[5][8] film directed by Justine Triet from a screenplay co-written by Triet and Arthur Harari. It stars Sandra Hüller as a writer trying to prove her innocence in her husband's death. Anatomy of a Fall had its world premiere at the 76th Cannes Film Festival on 21 May 2023, where it won the Palme d'Or and the Palm Dog Award and competed for the Queer Palm. It was released theatrically in France by Le Pacte on 23 August 2023. The film received acclaim from critics, who praised Triet and Hüller, and it has sold over one million admissions in France. --- Send in a voice message: https://podcasters.spotify.com/pod/show/popcorn-junkies/message

Turn on the AC and pour yourself a cold drink because things are about to get hot and muggy on the podcast. This week we're talking about Joyland (2022), a Pakistani film about a family living in Lahore. In the movie, Haider (Ali Junejo) escapes the demands of his family through an affair with Biba (Alina Khan), a transgender woman/his boss at an erotic dance revue. Haider stumbles into his job as a dancer, just as he stumbles through the rest of his life. But has he found his calling as a background dancer? No. Can he at least get the choreo down? No. Directed by Siam Sadiq, the movie won the Jury Prize and Queer Palm at the Cannes Film Festival before being shortlisted for Best International Feature Film at 95th Academy Awards. Does it live up to the hype? Join us to find out. And we're continuing our miniseries on the Criterion Channel's LGBTQ+ shorts collection. After a quick glance at the painfully earnest Blood Below the Skin (dir. Jennifer Reeder, 2016), we take a deep dive into Marin Håskjold's What Is A Woman? (2020), a thought experiment about a transgender woman who becomes a lightening rod for a couple of Norwegian Kårens when she enters a women's locker room. Høres morsomt ut!

Today we are joined by Saim Sadiq, director of Pakistan's official Oscar® selection and winner of the Cannes 2022 Queer Palm, JOYLAND. Layered with forbidden love, despair, and a painfully dysfunctional family dynamic, this drama brings to light the crushing weight of gender norms when living underneath an oppressively patriarchal structure. CIFF Speaks® is sponsored by Wayside Furniture.   Facebook / Twitter / IG / YouTube / Donate

Maha Dakhil, the powerhouse behind Hollywood's beloved talents like Tom Cruise, Reese Witherspoon, and Natalie Portman, knows the secret to striking game-changing deals. Her journey began when she courageously chose the entertainment industry over law school, despite her immigrant parents' concerns. Maha's determination to succeed in Hollywood proved fruitful, paving her way to triumph. Raised with sisters, Maha learned early on the power of female leadership. She carved her unique path in the entertainment world, undeterred by the lack of diversity she encountered. Embracing every opportunity, Maha's passion for empowering storytellers and productions has driven her to excel as an agent. In this insightful podcast, Maha reveals how her fearless nature and unwavering resilience allow her to thrive. She candidly discusses embracing confrontation, standing up for clients, and balancing victories with setbacks. Maha shares the importance of remaining composed amid challenges, and imparts invaluable wisdom from her transformative journey. Visit www.gobeyondbarriers.com where you will find show notes and links to all the resources referenced in this episode, including the best way to get in touch with Maha. Highlights: [02:49] Maha's story and her pursuit of the entertainment business [07:27] Finding mentors and finding her role in the industry [18:42] Standing up for what she believes in [23:07] Receiving feedback [26:25] Promoting tolerance of diverse cultures and background in Hollywood [30:18] Celebrating her accomplishments [33:56] Having courageous conversations and negotiating for her clients [40:59] Bouncing back from a setback [43:21] Maha's proudest achievement [46:13] Lightning Round Questions Quotes: “It's important to keep our eyes open and our minds flexible to see what we can offer and what is resonating.” – Maha Dakhil “It's really important to be aware of how you're being perceived in a team culture.” – Maha Dakhil “You can't live too long in victory, and you also don't have to live too long in any defeat.” – Maha Dakhil Lightning Round Questions: What book has greatly influenced you? - “The Alchemist” by Paulo Coelho What is your favorite inspiring quote or saying? - (Paraphrased) You don't have to be aggressive to be strong What is one word or moniker you would use to describe yourself? - Empathetic troublemaker What is one change you've implemented that made your life better? - Being on time What power song would you want playing as you walk out onto a stage? - Anything by Beyoncé About Maha Dakhil: Co-Head of the Motion Picture Group and Co-Head of the agency's International Film Group, Maha Dakhil also serves on the CAA board that is responsible for the day-to-day management of the agency. Additionally, she represents some of the world's most successful actors and actresses, moving seamlessly between such talent and literary clients as Tom Cruise, Ava DuVernay, Reese Witherspoon, Gina Prince-Bythewood, Mindy Kaling, Madonna, Sam Mendes, Natalie Portman, Lena Dunham, Melina Matsoukas, Juan Antonio Bayona, Yorgos Lanthimos, Olivia Wilde, Aaron Sorkin, Denis Villeneuve, Steve McQueen, Lenny Abrahamson, Danny Strong, Johan Renck, H.E.R., Anne Hathaway, Jeymes Samuel, Hwang Dong-hyu, and Higher Ground, among others. An 18-year veteran of the agency, Dakhil has long been at the forefront of cultivating opportunities for diverse talent and championing underserved voices and their stories. Gina Prince-Bythewood's action epic THE WOMAN KING, made its world premiere earlier this month at the Toronto Film Festival and went on to open #1 at the box office. Lena Dunham's CATHERINE CALLED BIRDY, which also had its world premiere at Toronto, opens in theaters September 23. She most recently signed Higher Ground, Obama's media company. In addition, Dakhil brokered a bevy of deals for client Olivia Wilde of late (BOOKSMART), including a female-led comedy for Universal, which Wilde will produce and direct; DON'T WORRY DARLING, in which Wilde stars in and directed; and a new Marvel movie. Dakhil has also guided client Reese Witherspoon on building out her production company, Hello Sunshine, which focuses on female-driven content across multiple platforms. Hello Sunshine, which was sold to a venture backed by private- equity giant Blackstone Group in August 2021, has produced such films as WHERE THE CRAWDADS SING, GONE GIRL, and WILD, as well as the Emmy-winning television series THE MORNING SHOW with Jennifer Aniston for Apple TV+, which has been renewed for a third season, BIG LITTLE LIES for HBO, and the original thriller SURFACE for Apple TV+. It also has the popular Reese's Book Club. In addition to co-leading the successful integration of CAA and ICM's motion picture departments, Dakhil has positioned her clients at the forefront of the biggest moments in pop culture this past year. Client highlights include the record breaking success of Tom Cruise's TOP GUN: MAVERICK, which has earned more than $1.4 billion at the worldwide box office; Natalie Portman's starring role in THOR: LOVE AND THUNDER; a deal for Mindy Kaling to co-write LEGALLY BLONDE 3, with Witherspoon set to reprise her iconic role as “Elle Woods” and Hello Sunshine producing; Denis Villeneuve directing a sequel to the six-time Oscar-winning DUNE; and Danny Strong serving as the creator, showrunner, and director of the seven-time Emmy nominated DOPESICK, which marks his first limited series. Dakhil also orchestrated a deal for Madonna to co-write an original screenplay based on her life, which the iconic artist will direct. As Co-Head of CAA's International Film Group, Dakhil plays an integral role in building the Motion Picture department's global footprint, opening doors for talent regardless of geographic location. Her roster of global filmmakers continues to grow, signing SQUID GAME creator Hwang Dong-Hyuk; Jasmila Žbanić, whose film QUO VADIS, AIDA? was nominated for the Best International Feature at the 93rd Academy Awards; Kornél Mundruczó, director of the acclaimed film PIECES OF A WOMAN, which premiered at the 77th Venice International Film Festival; Mohamad Diab,whose film AMIRA received strong critical praise at the 2021 Venice International Film Festival;Ali Abbasi, winner of the Un Certain Regard prize for BORDER at the 2019 Cannes Film Festival; Justin Kurzel, director of NITRAM, which premiered at the 2021 Cannes Film Festival; Lukas Dhont, director of GIRL, which won the Caméra d'Or at Cannes for best first feature film, along with the Queer Palm, awarded for best LGBT-themed film; and Rungano Nyoni, whose film I AM NOT A WITCH won a 2018 BAFTA Award for Outstanding Debut by a British Writer, Director or Producer. In her role on the CAA Board, Dakhil focuses on the agency's diversity and inclusion initiatives.She also plays a leadership role in CAA Amplify, an annual invitation-only summit convening diverse leading artists and executives from the most impactful organizations in entertainment, sports, media, brands, technology, and social justice. In addition, Dakhil is a founding member of Time's Up, an initiative that addresses systemic inequality and injustice in the workplace. She is a champion for underrepresented storytellers, creating opportunities for them to transition into the global marketplace. Dakhil also serves on the boards of Baby2Baby and the UCLA Lab School. Dakhil began her career at Genesis, a literary agency. She joined CAA in 2004. Dakhil graduated from the University of California, Los Angeles with a degree in sociology. Links: Instagram: https://www.instagram.com/secretagentm/

The Writer and Director of Joyland Saim Saadiq joins Mooroo and Daniyal Raheal for a conversation on Film-making and screenplay writing. Saim Sadiq is a Pakistani screenwriter and director who won the Jury Prize of the Un Certain Regard section at the 2022 Cannes Film Festival for directing the drama film Joyland, the first Pakistani film to be selected in Cannes. Joyland also won the Queer Palm award during its world premiere at Cannes. Sadiq grew up in what he describes as a "middle-class, conservative family" in Rawalpindi. He attended St Mary's Academy in Lalazar, Rawalpindi. He graduated with a BSc with honors in anthropology from the Lahore University of Management Sciences in 2014. He obtained his MFA in Screenwriting and Directing from the Columbia University School of the Arts in 2019.

Cannes'da belirli bir bakış kısmında açılış yapan Kurak Günler, Queer Palm'a aday olmasından sonra yaşadığı medyatik olaylar sebebiyle de büyük ses getirdi. Bu durumun filmin başarısının önüne geçtiğini de söylememiz gerekir. Kültür Bakanlığı'nın yapım desteğini saçma bir nedenden dolayı geri çekmesi hiçbir şekilde mantıklı bir olay değilken hiçbir filminde çekildikten sonra senaryodaki gibi tıpatıp çıkmayacağını da söylememiz gerekir. Filme geçecek olursak Kurak Günler, kuraklık sorunu ve partizanlıkla çalkalanan bir kasabaya atanan genç dürüst ve mert bir savcı olan Emre'nin yaşadığı olayları ele alıyor. Ziyafet, soruşturma yeni gözaltılar ve seçim adında dört bölümden oluşan filmde görüntü yönetmenliği ve alışık olmadığımız şekilde tıpkı bir ana akım film temposunun oluşu göze çarpıyor. Bunun haricinde Selahattin Paşalı'nın ve Emin Alper'in en iyi performanslarını çıkarmış olduklarını söylemeden geçemeyeceğim. Yaklaşan seçim atmosferinde savcıyı yanına çekmek isteyen iktidar yanlısı grubun savcıya tuzak kurarak ve tehditle bunu yapması, gazeteci dostunun onu kurtarmaya çalışmasına karşın ikiliye yapılan homofobik ithamlar gerçekten yaşadığımız günümüz toplumunun küçük bir kasabadaki portresini çiziyor.

The film Joyland is set in Lahore and tells the story of Haider, a married man who falls in love with the transgender dancer Biba. It's the first Pakistani film to premiere at the Cannes Film Festival and it won the Jury Prize as well as the Queer Palm prize. It has also been selected as the Pakistani entry for Best International Feature Film at the Academy Awards. Despite having a standing ovation at Cannes, the film has had a more controversial reaction in Pakistan itself. Originally cleared for release, that decision was then overturned. However the film is now out in cinemas in Pakistan, although remains banned in the Punjab. Tina Daheley speaks to Joyland's writer and director Saim Sadiq and film critic Kamran Jawaid. Brazilian director and screenwriter Gabriel Martins took inspiration from his own childhood experience when he made his new film Mars One. It tells the story of a working-class Black Brazilian family adjusting to life after the election of President Jair Bolsanaro. Like Joyland, it has also been selected as its country's submission for Best International Feature Film at the next Academy Awards. Lone Scherfig is a Danish film-maker best known for her romantic comedies including An Education and One Day. She talks about the film that changed her - Austrian director Michael Haneke's 2009 German-language film The White Ribbon. It is a movie with a troubling message about the history of Europe and one that inspires her to ask big, important questions in her own work. (Photo: A still from Joyland. Credit: Studio Soho)

Ilona Cathelin est allée lancer le micro Vivre FM sur le tapis rouge du Festival de Cannes, à la pêche à l'information différente. Elle nous parle aujourd'hui de la Queer Palm. C'est le prix LGBT+ du Festival de Cannes.Il a été créé en 2010 par le journaliste Franck Finance-Madureira. Cette palme est depuis, soit très critiquée soit très valorisée. Alors la Queer Palm bonne ou mauvaise idée Ilona ?

Two straight-ish men pop on their Asics for a stroll by the lake and, in the process, furiously masturdebate over whether or not an ejaculating penis is a barrier to entry? Topics rimmed into this episode include:Is Skype music good clubbing material?   Ben gives his 2 cents on Disney +'s Pam and Tommy.Tom's erotic film knowledge is put to the test. Shuddering Cocks and all.Tom thanks Joe Eszterhas for all the trashy junk.De Palma, Robocop, Wild Things, Kevin Bacon, it's all here. Ben thinks Blue is The Warmest Colour is long. So, now you know.How much rimming is too much rimming? Ben enjoys saying the name, Franck.  Are the guys (straight guys) getting American psycho vibes? How many times can Ben say he's not a Gay man?How well did William Freidkin and the leather sporting Al Pacino portray the Cruising scene? Have you ever had an unexpected explosion from the spout hit you in the chin? Are Tom's parent's massive prudes? Loosen up abit. Tom needs to go back to watch all the rimming he missed.Does this film have Michael Haneke's hands all over it? Ben never leaves the house without his toothbrush.  Is Inspector Damroder on a wind-up? Did we do LGBT history month proud? Fiona pops in to prove yet again we are just ordinary people. What do Wentworth Miller, Jesse Tyler Ferguson, Neil Patrick Harris, Ricky Martin, Phillip Schofield, Stephen Fry, Ru Paul & Jack Nash all have in common? No idea. FilmFloggers Episodes - https://t.co/uHw3yuylDr?amp=1Come talk to Ben on Social Media...https://linktr.ee/FilmFloggershttps://www.instagram.com/filmfloggers/https://twitter.com/FilmFloggersGameFloggers Twitch - https://tinyurl.com/sabrbumtDo you want The Sopranos redefined for you? I thought so...https://twitter.com/SopranosRehttps://anchor.fm/sopranos-redefinedHelp Flog the Podcast by Rate and Reviewing! 1 Star content, 5-star effort! Apple iTunes - https://tinyurl.com/268ccs6cPodchaser - https://www.podchaser.com/users/filmfloggersGoodpods - https://goodpods.app.link/gEvDLhAJYibWebsitehttps://filmfloggers.buzzsprout.comEmail us your FilmFlog suggestions hosts@filmfloggers.comStranger by the Lake (French: L'Inconnu du lac) is a 2013 French erotic thriller drama film written and directed by Alain Guiraudie. The film won the Queer Palm award [5] and was mentioned on multiple top-ten lists of the best films of 2014.[6]Support the show (https://www.buymeacoffee.com/FilmFloggers)

Pop Corn en force cette semaine, avec un épisode marquant le retour de deux réalisateurs stars et la sortie de la Queer Palm 2021. - On commence par THE FRENCH DISPATCH, par le réalisateur acclamé Wes Anderson, et qui cristallise la critique. - On continue avec LA FRACTURE, le film social choc de Catherine Corsini, qui a fait beaucoup de bruit au Festival de Cannes - On termine par LAST NIGHT IN SOHO, qui marque le retour d'Edgard Wright au manette d'un film d'angoisse attendu ! Enfin, nous laissons la parole à nos chroniqueurs pour leurs coups de cœur et coup de gueule. Présentation : Claire Chroniqueurs : Thais, Jeannot, Imène et Arthur

NOTE: THIS IS A PREVIEW, NOT THE FULL EPISODE. In this bonus episode of THE ONE-INCH BARRIER, we talk about the film that won Queer Palm and Best Screenplay at the 72nd Cannes Film Festival: Celine Sciamma's PORTRAIT OF A LADY ON FIRE. This week's guest is Chelsea Eichholz, co-host of UntitledCinemaGals and The Community Rewatch Podcast. Find us on the internet! Chelsea Eichholz: @Chels725 UntitledCinemaGals: @CinemaGals The Community Rewatch Podcast: @CommRewatchPod Juan Carlos Ojano: @carlosojano The One-Inch Barrier: @OneInchBarrier Bonus episodes are accessible in full via Patreon for only $4/month. Click here: https://www.patreon.com/TheOneInchBarrier Music Credits Opening: "La Jeune Fille en Feu" - Para One & Arthur Simonini Ending: "Concerto No. 2 for violin in G minor, Op. 8, RV 315, L'Estate" - La Serenissima & Adrian Chandler

Nicolas Maury, Aloïse Sauvage et Josza Anjembe reviennent sur leur quinzaine à Cannes dans le jury de la Queer Palm 2021. She Cannes est un podcast qui porte la voix de celles et de ceux qui, par leur filmographie, leurs engagements, accélèrent le changement devant et derrière la caméra. Pour plus de parité, et d'inclusion. Présenté par Marie Labory. Avec le soutien de Google et d'Audiens. En partenariat avec le collectif 5050, CNC Talents et la Queerpalm. Pardi Productions. Tous droits réservés. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Lukas Dhont a déboulé comme une comète en mai 2018 sur la planète cinéma avec un premier film fulgurant, "Girl", retenu à Cannes en sélection officielle, dans la section Un certain regard. Le film remporte le Prix Fripresci et un Prix d'interprétation non genrée pour l'extraordinaire Victor Polster, avant de décrocher quelques heures plus tard la Queer Palm, et la Caméra d'Or. Porté par le talent de son réalisateur, son sujet brûlant, l'histoire d'une jeune femme trans qui rêve de devenir ballerine, et une interprétation hors pair, le film voyage dans le monde entier, entraînant avec lui son jeune auteur. sur lequel pleuvent les sollicitations. Il parvient néanmoins à s'extraire de l'oeil du cyclone pour s'atteler à l'écriture de son deuxième long métrage, toujours avec Angelo Tijssens, dont le tournage débutera le mois prochain.

France, 1770. Marianne, a painter, is commissioned to do the wedding portrait of Héloïse, a young woman who has just left the convent. Héloïse is a reluctant bride to be and Marianne must paint her without her knowing. She observes her by day, to paint her secretly. Portrait of a Lady on Fire (French: Portrait de la jeune fille en feu) is a 2019 French historical drama film written and directed by Céline Sciamma, starring Noémie Merlant and Adèle Haenel. Set in France in the late 18th century, the film tells the story of a forbidden affair between an aristocrat and a painter commissioned to paint her portrait. Portrait of a Lady on Fire was selected to compete for the Palme d'Or at the 2019 Cannes Film Festival The film won the Queer Palm at Cannes, becoming the first film directed by a woman to win the award. Sciamma also won the award for Best Screenplay at Cannes. The film was theatrically released in France on 18 September 2019. It was nominated for Independent Spirit Awards, Critics' Choice Awards and Golden Globe Awards for Best Foreign Language Film and was chosen by the National Board of Review as Top Five Foreign Language Films of 2019. --- Send in a voice message: https://anchor.fm/popcorn-junkies/message

Hi everyone! Today we’re welcoming back Keith Lyons for another review. We’re batting cleanup this month with a few Oscar and Golden Globe nominations. PORTRAIT OF A LADY ON FIRE was recently re-released in US theaters, and we’re lucky to have Keith on the case. Of course, we’ll just have to forget about that whole finding Keith an English-language film thing from last time. For a few other recent reviews from Keith, check out HONEYLAND (Episode #715), LES MISERABLES (Episode #680), and ATLANTICS (Episode #669). Before the review, we’ll have a promo from our good friends Aicila and Erik at Bicurean. Every episode, they explore a different topic, looking for the underlying issues, and finding common ground whenever possible. You can find them on Twitter, Facebook, and Instagram @bicurean, or check them out at bicurean.com. Be sure to like, follow, rate, and subscribe! And don’t forget to check out their recent guest review for FROZEN II (Episode #685). They’ve been huge supporters of One Movie Punch over the past year, and we cannot recommend them enough! A promo will run before the review. Subscribe to stay current with the latest releases. Contribute at Patreon for exclusive content. Connect with us over social media to continue the conversation. Here we go! ///// > ///// Hi, Philly Film Fan here with another review for One Movie Punch. You can follow me on Twitter @PhillyFilmFan. Today’s movie is PORTRAIT OF A LADY ON FIRE(2019), the 18th century French drama written and directed by Céline Sciamma. I wasn’t able to catch PORTRAIT OF A LADY ON FIRE when it played the Philadelphia Film Festival but I’m delighted to be catching up with it now. No spoilers. Since its debut at Cannes, where it won Best Screenplay and a Queer Palm, PORTRAIT OF A LADY ON FIRE has continued to rack up awards, nominations, and accolades, including Best Foreign Language nominations at the Golden Globes and BAFTAS. It was also nominated for 10 Césars (France’s equivalent to an Oscar) but only managed one win for cinematography. The top prize went to LES MISÉRABLES (Episode #680) and if you’d like to hear my review of that film, check out episode 680 of One Movie Punch. But the big headline from this year’s César Awards was definitely the announcement of Roman Polanski’s win for best director, immediately followed by Adèle Haenel leading the entire PORTRAIT OF A LADY ON FIRE team as they walked out of the theater in protest. Haenel has been an outspoken critic of the French film industry’s tepid response to the #MeToo movement and Roman Polanski drugged and raped a 13-year-old child. You might be wondering: What is wrong with the people in charge of the César Awards? And while we don’t have time to get into that now, I can tell you that the entire board of directors resigned a month ago. PORTRAIT OF A LADY ON FIRE begins on a rowboat, with Marianne (Noémie Merlant) making a journey to a small island off the coast of Brittany in France. Marianne is an artist and she has been commissioned to paint a portrait of Héloïse, played by the aforementioned Adèle Haenel. But when Marianne arrives she discovers that Héloïse refuses to sit for a portrait, and that Marianne must pretend to be Héloïse’s companion, in order to observe her, then retire to her room to paint Héloïse’s face by memory. This is all necessary to marry Héloïse off to a Milanese nobleman, a scheme concocted by Héloïse’s mother, La Comtesse (Valeria Golino)... you know, from HOT SHOTS! ...and BIG TOP PEE-WEE! ...and HOT SHOTS PART DEUX! The relationship between Marianne and Héloïse is central to PORTRAIT OF A LADY ON FIRE. Héloïse is a member of the nobility, but her privilege comes at a price. She is treated by her mother like a helpless child, and is not even permitted to go for a walk unsupervised. Héloïse’s entire life has been mapped out for her, and she must marry a man she has never even met because it is her duty to strengthen her family’s position. Marianne, on the other hand, is a woman of modest means, but she has the freedom to pursue her career as an artist. This job requires her to closely observe Héloïse, so that she can capture her essence on canvas. Héloïse is accustomed to being watched by the help, but before Marianne arrived she had never really been seen. As the two get to know each other, an intimacy develops between them and here, on this sparsely inhabited island, practically at the ends of the earth, they create a space where they feel like the only two souls in the world. PORTRAIT OF A LADY ON FIRE is a gorgeously photographed film about two women forming an intense bond. And, like all the best romances, it is tinged with the sadness of knowing that our time here is limited, and that all things must come to an end. But melancholy is a much deeper emotion than happiness could ever be. Rotten Tomatoes: 98% (CERTIFIED FRESH) Metacritic: 95 (MUST SEE) One Movie Punch: 9.0/10 PORTRAIT OF A LADY ON FIRE (2019) is rated Rand is currently playing in theaters. This jawn was brought to you by Philly Film Fan. For more movie reviews, follow me on Twitter @PhillyFilmFan where I’m participating in the #366Movies challenge. That’s P-H-I-L-L-Y-F-I-L-M-F-A-N. Thanks for listening.

Her performance in Little Joe won Emily Beecham best actress award at the Cannes Film Festival last year. Also starring Ben Whishaw it is a scifi take on the dangers of genetic engineering in flowers. It's the first film in English for Austrian director Jessica Hausner and she reveals what inspired it and the themes that recur in her films. Continuing our series on how to get a movie made, Pitch to Production, Matthew Sweet explores the tricky business of assigning rights with Clare Israel of film and literary agents David Higham Associates and development consultant Rowan Woods. Another winner at Cannes in 2019 was the French film Portrait of a Lady on Fire which took Queer Palm and Best Screenplay prizes for its writer and director Céline Sciamma. Set in eighteenth century France it is the story of the developing attraction between a female portrait painter and the young woman sitting for her. Its stars Noémie Merlant and Adèle Haenel who talk about the difference between being the observed and the observer in art and the fun they had shooting sex scenes. Presented by: Antonia Quirke Producer: Harry Parker

With PORTRAIT OF A LADY ON FIRE, Céline Sciamma became the first woman director to win the Queer Palm at Cannes, an embarrassingly belated milestone reminiscent of Jane Campion becoming the first woman director to win the Palme d’Or in 1993 with THE PIANO. And while these two films have much more in common than their directors’ gender, as we discover when we put them in conversation this week, both Sciamma and Campion bring a distinct point of view to their respective stories of repressed desire in repressed times that feels inextricably tied to ideas about womanhood and an oppressive patriarchy. We get into how that point of view colors the two films in their expression of desire and consent, the artistic gaze, and the function of myth and legend. Plus, Your Next Picture Show, where we share recent filmgoing experiences in hopes of putting something new on your cinematic radar. Please share your comments, thoughts, and questions about THE PIANO, PORTRAIT OF A LADY ON FIRE, or anything else in the world of film, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730.  Show Notes: Works Cited • “French filmmaker Céline Sciamma on looking, longing and falling in love in Portrait of a Lady on Fire,” CBC Radio • “Portrait of a Director on a Hot Streak,” by Scott Tobias (theringer.com) Your Next Picture Show • Genevieve: Céline Sciamma’s GIRLHOOD • Scott: Jane Campion’s IN THE CUT • Keith: David Lynch’s WHAT DID JACK DO? • Tasha: Christopher Landon’s HAPPY DEATH DAY and HAPPY DEATH DAY 2U Outro music: Vivaldi’s Concerto No. 2 in G Minor (The Four Seasons, “Summer”) Learn more about your ad choices. Visit megaphone.fm/adchoices

Celine Sciamma joins hosts Eric Newman and Medaya Ocher to discuss her film Portrait of a Woman on Fire, which was nominated for Best Foreign Film at the Golden Globes and won this year's Queer Palm at Cannes. Set in the 18th Century, the film is about the growing desire between a woman painter and her subject, a young woman about to marry a nobleman. The central action takes place on an island in which the men all-but-disappear. Claire discusses how she rejects the established ways that women, women's bodies, their desire, and their sexuality are traditionally represented in cinema; and how she seeks to develop a new feminist approach to such representation, one which lends itself to new forms of dramatic tension and groundbreaking cinematography. Celine also addresses the struggles of women directors in France and their even greater marginalization in America; and what can be done to remedy this injustice. Also, Amanda Yates Garcia, author of Initiated: Memior of a Witch, returns to recommend Ariana Reines' transcendent poetry in A Sand Book.

Celine Sciamma joins hosts Eric Newman and Medaya Ocher to discuss her film Portrait of a Woman on Fire, which was nominated for Best Foreign Film at the Golden Globes and won this year's Queer Palm at Cannes. Set in the 18th Century, the film is about the growing desire between a woman painter and her subject, a young woman about to marry a nobleman. The central action takes place on an island in which the men all-but-disappear. Claire discusses how she rejects the established ways that women, women's bodies, their desire, and their sexuality are traditionally represented in cinema; and how she seeks to develop a new feminist approach to such representation, one which lends itself to new forms of dramatic tension and groundbreaking cinematography. Celine also addresses the struggles of women directors in France and their even greater marginalization in America; and what can be done to remedy this injustice. Also, Amanda Yates Garcia, author of Initiated: Memior of a Witch, returns to recommend Ariana Reines' transcendent poetry in A Sand Book.

durée : 00:04:53 - The Queer Palm par Virginie Ledoyen - Décerné depuis 2010, ce prix récompense un film pour son traitement des thématiques altersexuelles (homosexuelles, bisexuelles, transgenres etc) parmi ceux présentés toutes sélections confondues. Le jury est présidé cette année par Virginie Ledoyen

Pour cette #22, nous recevons une personne aux talents multiples ; actrice, monteuse, productrice et réalisatrice, Dounia Sichov s'est essayée avec brio à bien des métiers. En notre compagnie, découvrez son exceptionnel parcours qui témoigne d'une véritable curiosité artistique et d'un insatiable besoin de création. Au niveau des chroniques, Luc est cette fois-ci présent avec son traditionnel Blind Test dont la thématique concerne les films primés par la Queer Palm (notre invitée en était membre du jury en 2018). Josselin est aussi de la partie avec une chronique qui nous fait découvrir le parcours atypique de notre invitée, Dounia Sichov.  Musique Penelope Tree, Felt (Ce sentiment de l'été, Michael Hers) Baby I lost my way, Nathaniel Rateliff et The Night Sweats (Green Book, Peter Farrelly) Présentation : Théo Lopez Chroniqueur : Josselin Esteve, Luc Tailleur Rédaction : Théo Lopez Réalisation : Benjamin Arnaud

PODCAST CINEMA | Critique du film belge Girl réalisé par Lukas Dhont. Ce film raconte l'histoire de Laura qui a 15 ans et qui est en train de changer de genre, de garçon à fille. " Même si j'y allais à reculons le film m'a beaucoup plu! " " Un film qui s'émancipe de tout le cinéma belge en général. " Le film a été critiqué par pas mal de monde sur la manière qu'il a d'aborder la question de la trans identité.  Bobo te conseille un article tres intéressant qui a été fait dans Paris Match au sujet du film et du transgenre. " C'est quand même inquiétant qu'il y ait des articles de ciné plus intéressants dans Paris Match que dans Télérama et Les Inrocks " - Bobo Léon. Va jeter un oeil sur le site "genres pluriels" qui a répertorié toutes les manières dont la communauté trans a reçu ce film : https://www.genrespluriels.be/Girl-n-echappe-pas-aux-critiques-des-associations-de-defense-des-droits-des  Girl est un film sélectionné en section Un certain regard au Festival de Cannes 2018 et qui a remporté la Caméra d'or, le Prix FIPRESCI et la Queer Palm, alors que Victor Polster a remporté le Prix d'interprétation de la section Un certain regard.   

PODCAST CINEMA | Critique du film belge Girl réalisé par Lukas Dhont. Ce film raconte l'histoire de Laura qui a 15 ans et qui est en train de changer de genre, de garçon à fille. " Même si j'y allais à reculons le film m'a beaucoup plu! Un film qui s'émancipe de tout le cinéma belge en général. " - Bobo Léon Le film a été critiqué par pas mal de monde sur la manière qu'il a d'aborder la question de la trans identité. Bobo te conseille un article tres intéressant qui a été fait dans Paris Match au sujet du film et du transgenre. " C'est quand même inquiétant qu'il y ait des articles de ciné plus intéressants dans Paris Match que dans Télérama et Les Inrocks " - Bobo Léon. Va jeter un oeil sur le site "genres pluriels" qui a répertorié toutes les manières dont la communauté trans a reçu ce film : https://www.genrespluriels.be/Girl-n-echappe-pas-aux-critiques-des-associations-de-defense-des-droits-des Girl est un film sélectionné en section Un certain regard au Festival de Cannes 2018 et qui a remporté la Caméra d'or, le Prix FIPRESCI et la Queer Palm, alors que Victor Polster a remporté le Prix d'interprétation de la section Un certain regard.

PODCAST CINEMA : ça est du belge ! #15 / Film Belge "Girl" au Festival de Cannes, François Damiens et un festival de courts métrages belge. La Belgique fait son cinéma avec Michel Decioux-Derycke. La 71ème édition du Festival de Cannes aura souri à un film belge: Girl. Ce premier long métrage de Lukas Dhondt a fait l’unanimité auprès de la presse internationale et également auprès de plusieurs jurys. Girl remporte la Caméra d’or attribué à un premier film quel que soit la compétition, 27 ans après Toto le héros de Jaco Van Dormael. Dans sa besace, Girl a aussi la Queer Palm récompensant un film pour son traitement des thématiques altersexuelles, le Prix FIPRESCI, prix de la Critique internationale ainsi que le Prix d’interprétation pour le jeune Victor Polster, l’acteur principal. Le film sortira dans les salles belges et françaises l’automne prochain. François Damiens est connu pour son personnage de François l’Embrouille à la télévision puis pour nombre de rôles au cinéma. Il vient de réaliser son premier long métrage : Mon Ket, ket étant un mot bruxellois pour désigner un jeune, un gosse. Ecoutons la bande-annonce... François l’Embrouille, je le voyais de temps en temps à la télé n’étant pas fan de RTL-TVI, la chaîne privée belge où passait ce personnage. J’avoue que je riais, que je passais du bon temps. Après, François Damiens m’a bien plu comme acteur, je retiens Tango libre de Frédéric Fonteyne, Suzanne de Katell Quillévéré, Je fais le mort de Jean-Paul Salomé, Les Cowboys de Thomas Bidegain, Des nouvelles de la planète Mars de Dominik Moll ou Otez-moi d’un doute de Carine Tardieu. Je m’attendais donc à un film correspondant à la sensibilité qu’affichait François Damiens dans ses rôles. Eh bien non, il a repris son personnage de François l’Embrouille en le transformant en Danny Versavel mais c’est le même moule et en faisant tout un film en caméra cachée. François Damiens, qui a coécrit Mon ket avec Benoit Mariage, fait le choix de mélanger fiction comique et caméra cachée, c’est loupé, ce n’est pas drôle. Rien ne prend en dépit des efforts du François Damiens pour arracher un sourire. Le principe de la caméra cachée ne tient pas la route sur le temps que dure le film : 89 minutes et montre les limites d’un tel procédé de manière encore plus significative que «Connasse, princesse des cœurs». On est dans une comédie à sketches, cela manque totalement de liant et n’a ni queue ni tête, le pire étant la partie finale. Par moments, j’ai même été gêné notamment dans la scène du footballeur. Pour finir, Mon Ket n’est pas du cinéma, c’est de la télévision. Le Court en dit long, c’est un Festival de courts métrages francophones produits et coproduits en Wallonie et à Bruxelles, se déroulant entre le 4 et 9 juin au Centre Wallonie Bruxelles à Paris. Trente-deux films seront en compétition, répartis en six programmes thématiques : des corps, films d’écoles et d’ateliers, adolescents, questions de société, de l’amour, questions de genres.  Cette 26ème édition est aussi placée sous le signe de deux réalisateurs de cinéma d’animation ayant marqué l’histoire du festival avec leurs courts métrages: Vincent Patar et Stéphane Aubier, les auteurs de "Pic Pic le cochon magique" et de "André le mauvais cheval", mais aussi de la série télévisée et du long métrage Panique au village ! Sans oublier leur co-réalisation avec Benjamin Renner du long métrage "Ernest et Célestine", qui leur valut notamment le César du film d’animation 2013 et le Magritte du meilleur film belge 2014. Plus d’infos sur http://www.cwb.fr/programme/26e-festival-le-court-en-dit-long_1

"Lo Sconosciuto del Lago" è l'ultimo film di Alain Guiraudie, film scandalo presentato alla scorsa edizione di Cannes, dove ha vinto la Queer Palm e a breve nelle sale italiane, distribuito da Teodora Film. E poi Hollywood Party torna a squola poichè hoggi sta la giornata dela gramattica, e Hollywood Party si uniscie Ha questa inizziativa di tutta Radio Rai 3. In conduzione Alberto Crespi e Roberto Silvestri Scarica la puntata.