Podcasts about Singly

Après avoir regardé comment le jeu de rôle est un exemple parfais des concepts de de Singly, on utilise ici ces derniers pour se créer une méthode rapide, efficace et simple pour créer des sociétés, des royaumes ou des monde à partir de 6 questions tout aussi simples! Vous trouverez même, sur notre Patreon, un document récapitualif avec les questions et des sous-questions pour vous inspirer! Pour rejoindre notre Patreon :   / coupcritique   ------------------------------------------------------------------------------------------- Pour suivre Coup Critique : https://linktr.ee/coupcritique

Mes chers camarades, bien le bonjour !Franchement, je vous le demande : est-ce que l'amour, c'est si important que ça ? Alors si on en croit Abraham Maslow, oui, ça fait même parti des besoins fondamentaux de l'être humain, au même titre que la survie, la sécurité, ou l'estime de soi. Mais en même temps, chaque époque a eu une vision très différente de l'amour. Nous par exemple, la grande révolution du 21e siècle, c'est forcément les rencontres amoureuses grâce aux réseaux sociaux… Enfin, peut-être pas tant que ça : notre révolution, elle est surtout numérique ! Mais des applis et des réseaux sociaux non numériques, ça existait bien avant, et en fait on peut même trouver des plateformes de rencontres qui ont été inventées dès le 19e siècle ! Alors à votre avis, est-ce qu'à cette époque c'était plus facile ou plus difficile de trouver l'amour ?Bonne écoute !

Le jeu de rôle sur table, bien plus qu'un simple loisir, est un véritable laboratoire social où l'individu explore et façonne son identité. Mais que nous apprend-il sur nous-mêmes et sur notre rapport aux autres? Comment les interactions que nous avons autour de la table en jouant construisent notre identité? Dans cette vidéo, nous analysons le JDR sous l'angle des concepts sociologiques de François de Singly. Spécialiste de l'individualisation et des relations sociales, de Singly nous éclaire sur la manière dont nous nous construisons à travers nos multiples rôles, tant dans la société que dans nos parties de jeu. Pour rejoindre notre Patreon :   / coupcritique   ------------------------------------------------------------------------------------------- Pour suivre Coup Critique : https://linktr.ee/coupcritique  

Le jeu de rôle sur table, bien plus qu'un simple loisir, est un véritable laboratoire social où l'individu explore et façonne son identité. Mais que nous apprend-il sur nous-mêmes et sur notre rapport aux autres? Comment les interactions que nous avons autour de la table en jouant construisent notre identité? Dans cette vidéo, nous analysons le JDR sous l'angle des concepts sociologiques de François de Singly. Spécialiste de l'individualisation et des relations sociales, de Singly nous éclaire sur la manière dont nous nous construisons à travers nos multiples rôles, tant dans la société que dans nos parties de jeu. Pour rejoindre notre Patreon :   / coupcritique   ------------------------------------------------------------------------------------------- Pour suivre Coup Critique : https://linktr.ee/coupcritique  

Cette semaine, Laurent Neumann reçoit l'avocate Béatrice Weiss-Gout, fondatrice des États généraux du droit de la famille et du patrimoine, et le sociologue François de Singly, Professeur émérite de l'Université Paris Cité pour revenir sur la décision de la Cour européenne des droits de l'Homme de condamner la France sur la question du devoir conjugal.Refuser des rapports sexuels à son conjoint peut-il être considéré comme une faute en cas de divorce ? Cette décision marque-t-elle la fin du devoir conjugal ? Faut-il repenser le divorce pour faute ? Toutes les réponses dans Quid Juris.Bonne écoute ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Are you interested in how to manage multiple disasters at once? Summary of the article titled Misfortunes never come singly. A holistic approach to urban resilience and sustainability challenges from 2023 by Cristina Serbanica and Daniela Luminita Constantin, published in the Cities journal. This is a great preparation to our next interview with Keygan Huckleberry in episode 282 talking about disaster management and resilience. Since we are investigating the future of cities, I thought it would be interesting to see the connection between urban resilience and sustainability. This article highlights the interplay between acute shocks, long-term stresses, and their implications for urban safety and inclusiveness. As the most important things, I would like to highlight 3 aspects: Global urban agendas must be adaptable to regional challenges, as different cities face varied combinations of shocks and stresses. Urban resilience focuses on immediate responses to shocks, while sustainability prioritizes long-term well-being and equity. The concepts of resilience and sustainability overlap in areas like safety and inclusiveness, which are crucial for resilient, sustainable cities. You can find the article through this link. Abstract: The United Nations' World Cities Report 2020 predicts that the world will continue to urbanize over the next decades, despite the pandemic experience, whose impact on urbanization trends is not clear at this point in time. By 2070, almost 60 % of the world population is projected to live in urban areas and be exposed to both chronic and emerging urban challenges (UN Habitat, 2022). Within this framework, “Make cities and human settlements inclusive, safe, resilient and sustainable” appears as one of the most prominent Sustainable Development Goals (SDGs) in the 2030 Agenda for Sustainable Development (UNGA, 2015). The New Urban Agenda builds on the SDG 11 and affirms the global commitment to support the sustainable and resilient urban development (UNGA, 2017). At the same time, fostering resilient cities and investing in urban resilience remains high on the agenda of international organizations and global governance networks such as the UN Habitat (e.g. “City Resilience Profiling Programme”), the UN Office for Disaster Risk Reduction (e.g. “Making Cities Resilient” campaigns), the World Bank (e.g. “Cities Resilience Programme”), the OECD (e.g. “Resilient cities”), ICLEI-Local Governments for Sustainability (e.g. the “Resilient Cities” Programme), Cities Alliance (e.g. “Joint Work Programme on Resilient Cities”), ARUP and the Rockefeller Foundation (e.g. The 100 Resilient Cities (100 RC) Programme, City Resilience Index) etc. In the wake of Covid 19 pandemic, there is a growing consensus that cities offer unique opportunities to enhance resilience to the effects of pandemic, but also to achieving sustainable development (UN Habitat, 2021). Connecting episodes: No.091R - The political premises of contemporary urban concepts: the global city, the sustainable city, the resilient city, the creative city, and the smart city No.280 - Interview with Hudson Worsley about difference between resilience and sustainability professionals You can find the transcript through ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠th⁠i⁠s link⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. What wast the most interesting part for you? What questions did arise for you? Let me know on Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@WTF4Cities⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or on the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠wtf4cities.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ website where the⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠showno⁠t⁠es⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠are also available. I hope this was an interesting episode for you and thanks for tuning in. Music by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lesfm ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pixabay⁠

“Think of it! Multitudes of angels, indescribably mighty, performing the commands of Heaven as though an extension of the arm of God. Singly or corporately, angels are for real! They are better organized than were the armies of Alexander the Great, Napoleon, or any other mighty world power.” - Billy Graham

Avec Sibylle Gollac, sociologue. Quand on a de la chance, la famille est un cocon affectif, mais aussi un lieu de solidarité.  Il y a toujours les petits arrangements que l’on bricole  au quotidien, et parfois il y a le gros héritage que l’on officialise chez le notaire. Et tout le monde n’est pas logé à la même enseigne. Sibylle Gollac est sociologue au CNRS et dans le livre qu’elle a coécrit avec Céline Bessière, “Le genre du capital” (La Découverte, 2020), elle aborde la famille comme une institution économique à part entière. Elle décortique comment la richesse circule, engendrant des inégalités  aussi bien entre les familles qu’en leur sein, entre les hommes et les femmes. Quel est le poids de la richesse héritée dans le patrimoine des Français ? Quel rôle joue la famille dans l'économie aujourd'hui ? Peut-on compter sur la famille ? Références :- Sybille Gollac, Céline Bessière, Le genre du capital, Comment la famille reproduit les inégalités, La découverte, 2020- Nicolas Frémeaux et Marion Leturcq, 2020, "Inequalities and the individualization of wealth", Journal of Public Economics 184: 1-18.- Pierre Bourdieu et Jean-Claude Passeron, La Reproduction, Éléments pour une théorie du système d'enseignement, Les Editions de minuit, 1970- Émile Durkheim, « La famille conjugale » [1892] in Textes III. Fonctions sociales et institutions, Éditions de Minuit, Paris, 1975- François de Singly, Sociologie de la famille contemporaine, Nathan, Paris, 2014 [1993]- Thomas Piketty, Le Capital au xxie siècle, Le Seuil, 2013 Archives sonores : - Ron Howard - Mitchell Hurwitz - Arrested Development - 2003 - 2006 - Renn Productions - Didier Bourdon et Bernard Campan- Les trois frères - 1995- CP productions - Pierre Carles - La sociologie est un sport de combat- 2001- Intrepid Pictures - Mike Flanagan -  La chute de la maison Usher- 2023- HBO - Jesse Armstrong - Succession - 2019  Musique Générique :« TRAHISON » Musique de Pascal Arbez-Nicolas © Delabel Editions, Artiste : VITALIC,(P) 2005 Citizen Records under Different Recording licence ISRC : BEP010400190,Avec l’aimable autorisation de [PIAS] et Delabel Editions.  Episode vidéo publié le 11 octobre 2024 sur arte.tv Autrice Laura Raim Réalisateur Jean Baptiste Mihout Son Nicolas Régent Montage Elias Garfein Mixage et sound design Jean-Marc Thurier Une co-production UPIAN Margaux Missika, Alexandre Brachet, Auriane Meilhon, Emma Le Jeune, Karolina Mikos avec l'aide de Nancy-Wangue Moussissa ARTE France Unité société et culture

“Si tu continues, j'appelle ta mère !”, “Attends que ton père l'apprenne..." Est-ce que les mères sont programmées pour être le mauvais flic et le père le bon flic ? Le stéréotype inverse existe aussi, la mère douce qui ne lève jamais la voix, et le père dur, autoritaire, le fameux pater familias. Et pour les milliers de familles monoparentales ou homoparentales, ça ne tient pas. En 2024, qu'est-ce que le genre implique dans la manière dont les parents élèvent leurs enfants ?Dans cet épisode, Marine Revol s'entretient avec Marie-Joseph Bertini, professeure des universités en sciences de l'information et de la communication à l'Université Côte-d'Azur et directrice du laboratoire de recherche interdisciplinaire Récits, Cultures et Sociétés (LIRCES) et fait entendre les témoignages de Camillia, Mélina et Talita, trois mères qui racontent la manière dont s'exerce l'autorité dans leur famille. Ensemble, elles discutent du modèle construit par le patriarcat, de devoirs à faire et d'épanouissement de l'enfant, de la différence entre autorité et pouvoir, pour comprendre la transformation des incarnations genrées de l'autorité dans les familles et entrevoir des modèles possibles à inventer. Pour aller plus loin : - Le livre “Parentalité(s) et après ?” sous la direction de Vincent Meyer et Salvatore Stella, dans lequel Marie-Joseph Bertini a écrit "Le genre à l'épreuve des nouvelles parentalités" (éditions érès)- Le livre “Sociologie des familles contemporaines” de François de Singly (éditions Armand Colin)- Les épisodes de Faites des Gosses “Éducation positive 1/2 : Pourquoi vous n'y comprenez plus rien ?” et “Éducation positive (2/2) : À l'épreuve du lancer de coquillettes”- Le film “Madame Doubtfire” réalisé par Chris Columbus (1993)Un grand merci aux enfants Albane, Angela, Ascagne, Briac, Camille, Ernest, Léonie, Jeanne et à leurs parents pour leur participation !Faites des gosses est une production Louie Media, présentée par Marine Revol. Elle a écrit et tourné cet épisode. Il a été monté par Louise Tavera et réalisé par Anna Buy. La musique est de Jean Thévenin. La prise de son et le mix sont du studio La Fugitive. Charlotte Pudlowski est à la direction éditoriale, Elsa Berthault est en charge de la production.Envoyez-nous vos questions, vos remarques et vos notes vocales à hello@louiemedia.com ou racontez-nous votre histoire via ce formulaire.Suivez Louie Media sur Instagram, Facebook, Twitter. Et si vous souhaitez soutenir Louie, n'hésitez pas à vous abonner au Club. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Alexandre Le Mer et la rédaction d'Europe 1 vous accompagnent chaque jour de la semaine dès les premières lueurs du soleil avec de l'information et de la convivialité. L'émission parfaite pour commencer la journée du bon pied, et s'informer.

If you own a rental property in Newark, Delaware, TCS Property Management (215-383-1439) uses advanced technology to give you the highest standards of care, while also helping to reduce overheads. Go to https://www.tcsmgt.com for more information. TCS Property Management City: Philadelphia Address: 107 South Second Street Website https://www.tcsmgt.com/ Phone +1-215-383-1439 Email info@tcsmgt.com

Welcome to PsychEd, the psychiatry podcast for medical learners, by medical learners. This episode covers the Journey Through Stages of Sleep with Dr. Michael Mak, Assistant Professor in the Department of Psychiatry at the University of Toronto, and an Adjunct Research Professor at Western University.   The learning objectives for this episode are as follows:   Understand the basics of sleep physiology, including the stages of sleep Recognize the clinical features of insomnia disorder using the ICSD-3 and DSM-5-TR criteria  Develop an approach to the assessment of insomnia  Identify the pharmacological and non-pharmacological treatments for insomnia disorder    Guest: Dr. Michael Mak (Staff Psychiatrist)   Hosts: Dr. Vanessa Aversa (PGY4), Andreea Chiorean (CC4), Sena Gok (IMG)   Audio editing by: Sena Gok   Show notes by: Sena Gok   Contents: Introduction:  0:16 Learning Objectives:  01:49 Definition and  Clinical features of insomnia (ICSD-3 and DSM-5-TR criteria):  02:39 Insomnia prevalence, cost effects:  05:25 Sleep physiology:  10:05 Stages of Sleep:  11:37 Changes in Sleep stages during Insomnia:  14:35 Melatonin/Orexin systems:  15:45 Assessment and diagnosis of Insomnia:  21:00 Risk Factors of Insomnia:  30:12 CBT for Insomnia (CBT-I):  31:35 Relaxation-based techniques:  40:25 Contraindication for Insomnia:  42:15 Pharmacological treatments of insomnia:  45:15 Summary:  1:11:10 Resources: 1. Wainberg M, Jones SE, Beaupre LM, Hill SL, Felsky D, Rivas MA, et al. Association of accelerometer-derived sleep measures with lifetime psychiatric diagnoses: A cross-sectional study of 89,205 participants from the UK Biobank. PLOS Med. 2021 Oct 12;18(10):e1003782.  2. Morin CM, Vallières A, Guay B, Ivers H, Savard J, Mérette C, et al. Cognitive Behavioral Therapy, Singly and Combined With Medication, for Persistent Insomnia: A Randomized Controlled Trial. JAMA. 2009 May 20;301(19):2005–15. : 3. Crescenzo FD, D'Alò GL, Ostinelli EG, Ciabattini M, Franco VD, Watanabe N, et al. Comparative effects of pharmacological interventions for the acute and long-term management of insomnia disorder in adults: a systematic review and network meta-analysis. The Lancet. 2022 Jul 16;400(10347):170–84.  4. Watanabe Y, Kuroki T, Ichikawa D, Ozone M, Uchimura N, Ueno T. Effect of smartphone-based cognitive behavioral therapy app on insomnia: a randomized, double-blind study. Sleep. 2023 Mar 1;46(3):zsac270.  5. Erland LAE, Saxena PK. Melatonin Natural Health Products and Supplements: Presence of Serotonin and Significant Variability of Melatonin Content. J Clin Sleep Med. 13(02):275–81.  6. Sweetman A, McEvoy RD, Smith S, Catcheside PG, Antic NA, Chai-Coetzer CL, et al. The effect of cognitive and behavioral therapy for insomnia on week-to-week changes in sleepiness and sleep parameters in patients with comorbid insomnia and sleep apnea: a randomized controlled trial. Sleep. 2020 Jul 13;43(7):zsaa002.  7.  Origins of Sleep Medicine: Dr. Nathaniel Kleitman,, Dr. Mark Mahowald, Dr. Carlos Schenck https://aasm.org/mark-mahowald-md-and-carlos-schenck-md-to-receive-william-c-dement-award/ 8.  CBT-Insomnia lab at the Toronto Metropolitan University: https://drcolleencarney.com/lab/ 9.  CBT-Insomnia Applications:  https://www.sleepio.com/  https://www.ptsd.va.gov/appvid/mobile/cbticoach_app_public.asp  https://www.blackdoginstitute.org.au/research-projects/sleep-ninja/  https://www.somryst.com/ CPA Note: The views expressed in this podcast do not necessarily reflect those of the Canadian Psychiatric Association. For more PsychEd, follow us on Twitter (@psychedpodcast), Facebook (PsychEd Podcast), and Instagram (@psyched.podcast). You can provide feedback by email at psychedpodcast@gmail.com. For more information, visit our website at psychedpodcast.org.

Today we are finishing our singly focused series and taking about living in the spirit versus living in the flesh.

In this episode we will discuss the value of our relationship with God. We will discuss how important it is to protect it with the word of God.

In this episode we will hear bible stories that remind us of the power and faithfulness of our God.

In this episode we will discuss the importance of letting God be God and giving Him the reins of your life.

Au programme : Invités : Ophélie Meunier - Présentatrice de Zone Interdite et Laurent Garcia - Lanceur d'alerte, président de l'Observatoire du grand âge • Scandale des EHPAD : un an après • EHPAD : nouvelles révélations Jean-Michel Aphatie - Etonnant, non ? Invité : Jean-Dominique Merchet - Journaliste à L'Opinion, spécialiste de la défense • Ukraine : un tournant dans la guerre ? Invité : François de Singly - Sociologue • Pourquoi le mariage résiste • Qui se marie aujourd'hui ? • Mariage : quel sens aujourd'hui ?

Un vieux dicton dit que le féminisme mène à la sorcellerie, au lesbianisme, à l'infanticide… Et on pourrait ajouter, au divorce ! Cette semaine, Clémentine Gallot et Pauline Verduzier s'attaquent à ce sujet, qui peut être douloureux, banal, ou avoir l'effet d'une déflagration. Comment se sépare-t-on ? Comment même si, dans 75% des cas, ce sont les femmes qui demandent le divorce, ce sont le plus souvent elles qui sont lésées dans ces processus ? Enfin, comment aborder la séparation au prisme des questions de genre et de féminisme ? Ensemble, elles reviennent sur l'histoire du divorce, de sa place dans les féminismes, mais aussi dans l'économie et bien entendu, de sa représentation dans la pop culture ! Les références entendues dans l'épisode : Le divorce et l'amour pendant la révolution de Dominique Dessertine, dans Combats de femmes 1789-1799 de Évelyne Morin-RotureauIndiana - Une critique du mariage de Des femmes et des lettresBachelor Girl de Betsy Israël (2002)Dangerous de Bette Davis (1935)La femme mystifiée de Berry Friedan (1978)Gaël Octavia : "Le mythe de la femme Potomitan est un piège", #MaParole, Le Portail des Outre-Mer (2021)Séparation : quand la maladie tue le couple de Gaétane Poissonnier et Juliette Chaignon, Causette (2020)Réduire les asymétries de genre dues au divorce de Anne-Marie Leroyer (2016)Le genre du capital de Céline Bessière, Sibylle Gollac (2019)Le prix à payer. Ce que le couple hétéro coûte aux femmes de Lucile Quillet (2021)Séparée: Vivre l'expérience de la rupture de François de Singly (2011)Chez soi de Mona Chollet (2015)La séparation chez les couples corésidents de même sexe et de sexe différent de Benjamin Marteau (2019)You Need Help: How Do I Survive My First Breakup to Stay Friends on the Other Side?, de Kayla, Autostraddle (2021)Do Lesbian Breakups Really Hit Harder ? de Amelia Abraham (2021)Paye ta séparation ; Vivons heureux avant la fin du Monde, Delphine Saltel, Arte Radio (2021)Les sentiments du prince Charles de Liv Strömquist (2016)Je sors d'une rupture et je vais très bien, Les Histoires derrière les stories, Marion (2021)Le compte Instagram @ExRelou Comment ne pas devenir une marâtre de Fiona Schmidt (2021)Une séparation de Asghar Farhadi (2011)Le procès de Viviane Amsalem de Shlomi Elkabetz et Ronit Elkabetz (2014)Divorce, quand la religion s'en mêle, Les Pieds sur Terre (2022)Rupture(s) de Claire Marin (2019)Heartburn de Nora Ephron (2013)Wild de Jean-Marc Vallée (2014)Divorce de Sharon Horgan (2016)Scenes from a marriage de Hagai Levi (2021)L'amour flou de Romane Bohringer et Philippe Rebbot (2018)Marriage story de Noah Baumbach (2020)Les Berkman se séparent de Noah Baumbach (2006)We are never getting back together de Taylor Swift (2012)Thank U, next de Ariana Grande (2018)Good 4 u de Olivia Rodrigo (2021)Sages femmes de Marie Richeux (2021)La Vérité sur la lumière de Auður Ava Ólafsdóttir (2022) Quoi de Meuf est une émission de Nouvelles Écoutes. Rédaction en chef : Clémentine Gallot. Journaliste chroniqueuse : Pauline verduzier Mixage et montage : Laurie Galligani. Prise de son par Thibault Delage à l'Arrière Boutique. Générique réalisé par Aurore Meyer Mahieu. Réalisation et coordination : Cassandra de Carvalho et Mathilde Jonin.Vous pouvez consulter notre politique de confidentialité sur https://art19.com/privacy ainsi que la notice de confidentialité de la Californie sur https://art19.com/privacy#do-not-sell-my-info.

A l'occasion du summer camp cette semaine au Muséoparc d'Alésia de notre association Môm'art la famille au musée dont nous sommes toutes deux ambassadrices pour nos régions, je reçois pour une seconde fois Jennifer Février pour parler d'une nouvelle catégorie de public après les bébés (épisode 30)  : les ados ! ✨ Qui est Jennifer ? "Jane" sur les réseaux, est historienne de l'art et médiatrice culturelle indépendante. Elle est spécialisée dans la création de dispositifs de médiation vers les publics famille et jeunesse, et notamment les tout petits. Présidente de crèche parentale durant un an, membre de l'association Môm'art donc depuis 2014, elle intervient aussi bien auprès des professionnels de la culture pour améliorer l'accueil de ces publics, qu'auprès des familles afin de leurdonner envie et confiance d'aller au musée et de découvrir l'art. Que ce soit lors de conférences et formations au musée, en médiathèque, lors de matinées de parentalite ou sur les réseaux, les articles de blog ou sur les sites parentaux, elle cherche à allier art et parentalité et à partager ces deux mondes qui se sont retrouvés dans sa vie personnelle. Maman de 3 enfants, elle connait la réalité et les difficultés d'être parent. Médiatrice culturelle, elle partage les outils nécessaires à cette rencontre, jouissant d'une place de pivot entre la parentalité et la culture.     ☀️ Pour aller plus loin et les références de l'épisode François de Singly, "Les adonaissants", Editions Hachette Pluriel. Isabelle Filliozat, "On ne se comprend plus", Editions Lattes. Laure Martin-Le Mével, "Quand les ados vont au musée", Université de Montréal Noëlle Timbart, "Les adolescents et les musées", 2013 https://www.cairn.info/revue-cahiers-de-l-action-2013-1-page-21.htm  "Pourquoi les ados sont ils mous ?  Tu mourras moins bête" : https://www.youtube.com/watch?v=nvpm-iNRnG0&list=PLqmxFKoKtFvc4ax689Qk1CJk0RYZ36AvG&index=8  Implication des ados et jeunes adultes au musée, www.artizest.fr https://www.artizest.fr/public-jeune-adolescents-au-musee/  Caroline Darcq, "Les relations adolescents-musées : comparaison France/Etats-Unis", La Lettre de l'OCIM. Mon Cher Watson, "Musées et influenceurs", avec Amélie Benchallal https://www.moncherwatson.fr/post/musees-influenceurs-partenariat-fructueux-amelie-benchallal-2021  Sarah Favre, "Les partenariats musées bloggeurs vidéastes : une réconciliation fragile entre stratégie de marque, vulgarisation et participation 2018-2020", juillet 2020.  Le studio 13/16 du Centre Pompidou https://www.centrepompidou.fr/fr/visite/enfants-et-familles/le-studio-13/16  Le Mac ado : https://www.macval.fr/MAC-ADO-7051  Musée des beaux arts de Caen, "Ta punchline au musée", https://mba.caen.fr/evenement/18-ans-punchline   Programme "Circuit de la Tate" https://www.tate.org.uk/about-us/projects/circuit-programme  Application Faceapp 

#AskDrJohnWatts Should You Use Minoxidil and Finasteride Singly or in Combination? This is a common query among many hair loss patients or the general public struggling with hair loss conditions for various reasons when it comes to using the US FDA approved Minoxidil & Finasteride. Does using Minoxidil or Finasteride individually provide better results? Or should you use them in combination? Doesn't the oral drug Finasteride lead to side effects? Is there any alternative? The US-based Concert Pharmaceuticals is developing a drug called CTP-543 that is being touted as a miracle drug for hair growth. What is the truth? Can it control hair loss? Can it help people with genetic baldness? In this educational video, Dr John Watts – a noted dermatologist, trichologist and hair transplant surgeon in Hyderabad – enlightens viewers of his popular YouTube channel about the above issue. He has successfully performed over 1900+ hair transplant procedures so far.

Como andamos em termos de casamentos?Como evoluíram os divórcios?Terão as uniões de facto crescido de forma gritante?Como é que o individualismo interfere (ou não) nas relações?E a intimidade, como tem sido afectada? Num programa em dois actos ou em dois andamentos, Ana Markl e Miguel Chaves contam o que dizem os dados, bem como a análise de muitos especialistas que se dedicam a investigar o que, literalmente, acontece dentro da casa dos outros. REFERÊNCIAS E LINKS ÚTEIS:International Social Survey Programme - Módulo "Family and Changing Gender Roles" (mais recente 2012)PORDATA - INE/DGPJ/MJ, Tema: População – Casamentos e divórcios.  Giddens, Anthony (1996). Transformações da Intimidade. Celta Oeiras.Bauman, Zygmunt (2006). Amor Líquido: Sobre a Fragilidade dos Laços Humanos. Relógio D'Água: Lisboa.Kaufmann, Jean-Claude (2003). A Mulher Só e o Príncipe Encantado. Público Comunicação Social: Porto.Singly, François de (2016). Libres ensemble – 2.e éd. – L'índividualisme dans la vie commune. Paris: Armand Collin.Aboim, Sofia (2006). Conjugalidades em Mudança. Percursos e Dinâmicas da Vida a Dois. Lisboa: Imprensa de Ciências Sociais.Amato, Paul R. (2010), “Research on divorce: Continuing trends and new developments”, Journal of Marriage and Family, 72(3), pp 650-666.Kopp, Johannes e Richter, Nico (2016). “Social mechanisms and empirical research in the field of Sociology of the Family: the case of separation and divorce”. Analyse & Kritik. Journal of Philosophy and Social Theory, 38(1), pp.121-148. BIOSANA MARKL Ana Markl nasceu em Lisboa, em 1979, com uma total inaptidão para tomar decisões, pelo que se foi deixando levar pelas letras: licenciou-se em Línguas e Literaturas Modernas porque gostava de ler e escrever, mas acabou por se formar em Jornalismo pelo CENJOR. Começou por trabalhar no jornal Blitz para pôr a render a sua melomania, mas extravasou a música e acabou por escrever sobre cultura e sociedade para publicações tão díspares como a Time Out, o Expresso ou até mesmo a Playboy. Manteve o pé na imprensa, mas um dia atreveu-se a fazer televisão. Ajudou a fundar o canal Q em 2010, onde foi guionista e apresentadora. Finalmente, trocou a televisão pela rádio, um velho amor que ainda não consumara. Trabalha desde 2015 na Antena 3 como locutora e autora.MIGUEL CHAVESMiguel Chaves é Professor Associado do Departamento de Sociologia da NOVA FCSH e investigador do CICS.NOVA. Desenvolveu estudos acerca de marginalidades, desvio e exclusão social, que deram origem a diversos textos dos quais se destacam os livros Casal Ventoso: da Gandaia ao Narcotráfico (Imprensa de Ciências Sociais, 1999) e, em coautoria, Casal Ventoso Revisitado. Memórias para Imaginar um Futuro (Húmus 2019). Realizou também investigações acerca de estilos de vida juvenis e transição para o trabalho, como, por exemplo, “Percursos de inserção dos licenciados: relações objetivas e subjetivas com o trabalho”. Sobre estes assuntos escreveu vários artigos científicos e textos jornalísticos, bem como a obra Confrontos com o Trabalho entre Jovens Advogados (Imprensa de Ciências Sociais, 2010). Entre outras funções universitárias, coordena atualmente o Observatório de Inserção Profissional da Universidade Nova de Lisboa (OBIPNOVA) e o curso de Licenciatura em Sociologia da NOVA FCSH. 

Un vieux dicton dit que le féminisme mène à la sorcellerie, au lesbianisme, à l'infanticide… Et on pourrait ajouter, au divorce ! Cette semaine, Clémentine Gallot et Pauline Verduzier s'attaquent à ce sujet, qui peut être douloureux, banal, ou avoir l'effet d'une déflagration. Comment se sépare-t-on ? Comment même si, dans 75% des cas, ce sont les femmes qui demandent le divorce, ce sont le plus souvent elles qui sont lésées dans ces processus ? Enfin, comment aborder la séparation au prisme des questions de genre et de féminisme ? Ensemble, elles reviennent sur l'histoire du divorce, de sa place dans les féminismes, mais aussi dans l'économie et bien entendu, de sa représentation dans la pop culture ! Les références entendues dans l'épisode : Le divorce et l'amour pendant la révolution de Dominique Dessertine, dans Combats de femmes 1789-1799 de Évelyne Morin-RotureauIndiana - Une critique du mariage de Des femmes et des lettresBachelor Girl de Betsy Israël (2002)Dangerous de Bette Davis (1935)La femme mystifiée de Berry Friedan (1978)Gaël Octavia : "Le mythe de la femme Potomitan est un piège", #MaParole, Le Portail des Outre-Mer (2021)Séparation : quand la maladie tue le couple de Gaétane Poissonnier et Juliette Chaignon, Causette (2020)Réduire les asymétries de genre dues au divorce de Anne-Marie Leroyer (2016)Le genre du capital de Céline Bessière, Sibylle Gollac (2019)Le prix à payer. Ce que le couple hétéro coûte aux femmes de Lucile Quillet (2021)Séparée: Vivre l'expérience de la rupture de François de Singly (2011)Chez soi de Mona Chollet (2015)La séparation chez les couples corésidents de même sexe et de sexe différent de Benjamin Marteau (2019)You Need Help: How Do I Survive My First Breakup to Stay Friends on the Other Side?, de Kayla, Autostraddle (2021)Do Lesbian Breakups Really Hit Harder ? de Amelia Abraham (2021)Paye ta séparation ; Vivons heureux avant la fin du Monde, Delphine Saltel, Arte Radio (2021)Les sentiments du prince Charles de Liv Strömquist (2016)Je sors d'une rupture et je vais très bien, Les Histoires derrière les stories, Marion (2021)Le compte Instagram @ExRelou Comment ne pas devenir une marâtre de Fiona Schmidt (2021)Une séparation de Asghar Farhadi (2011)Le procès de Viviane Amsalem de Shlomi Elkabetz et Ronit Elkabetz (2014)Divorce, quand la religion s'en mêle, Les Pieds sur Terre (2022)Rupture(s) de Claire Marin (2019)Heartburn de Nora Ephron (2013)Wild de Jean-Marc Vallée (2014)Divorce de Sharon Horgan (2016)Scenes from a marriage de Hagai Levi (2021)L'amour flou de Romane Bohringer et Philippe Rebbot (2018)Marriage story de Noah Baumbach (2020)Les Berkman se séparent de Noah Baumbach (2006)We are never getting back together de Taylor Swift (2012)Thank U, next de Ariana Grande (2018)Good 4 u de Olivia Rodrigo (2021)Sages femmes de Marie Richeux (2021)La Vérité sur la lumière de Auður Ava Ólafsdóttir (2022) Quoi de Meuf est une émission de Nouvelles Écoutes. Rédaction en chef : Clémentine Gallot. Journaliste chroniqueuse : Kaoutar Harchi. Mixage et montage : Laurie Galligani. Prise de son par Thibault Delage à l'Arrière Boutique. Générique réalisé par Aurore Meyer Mahieu. Réalisation et coordination : Cassandra de Carvalho et Mathilde Jonin.Le podcast Quoi de Meuf devient un livre : 100 oeuvres cultes à connaitre quand on est féministe ! Est-il possible de chérir des œuvres imparfaites ? Comment représenter les violences sexuelles ? Faut-il séparer l'homme de l'artiste ? Que faire des œuvres problématiques ? Quelles sont les films, séries, livres, albums indispensables à son éducation féministe ? Clémentine Gallot, Kaoutar Harchi, Anne-Laure Pineau, Pauline Verduzier et Emeline Amétis apportent leurs réponses (subjectives !) à ces questions en vous présentant une sélection d'œuvres qui les ont nourries et marquées dans la construction de leur féminisme ! Le livre est disponible en librairie depuis le 24 novembre, et il est possible de le commander ici : https://tidd.ly/3E2admVSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Animateur:  Yves Grandmontagne, Rédacteur en chef de DCmag  Intervenant:  Bertrand de Singly, Directeur clients territoires Ils-de-France chez GRDF   https://www.grdf.fr/  https://datacenter-magazine.fr/ Lien vidéo https://youtu.be/AF-MkGX2ZwQ 

In 2012, Marjorie Aunos' life forever changed when she became paraplegic as the result of a car accident. Singly raising her 16-month old son, she found strength in her rehabilitation through practicing Wonder.  Working as a speaker, a Psychologist and an advocate for parents with intellectual disabilities, or “different-abilities”, Marjorie brings her work and experiences to IASSID (International Association for the Scientific Study of Mental Deficiency) to support these parents.  Hear her story and how we can harness what the school of Positive Psychology deems a powerful character strength called “Appreciation of Beauty & Excellence.”   Marjorie Aunos' YouTube Channel: https://bit.ly/3Ax4Sm5 Send in a wonder moment: awaketowonder@gmail.com Website: www.awaketowonder.com. 

Aujourd'hui nous découvrons de quelle manière, à partir de ce modèle bourgeois du 19e siècle, la cellule familiale évolue pour laisser progressivement plus de liberté aux femmes et aux hommes qui forment les familles en occident. Avec la participation de François de Singly, professeur émérite à la Sorbonne, spécialisé en sociologie de la famille et du couple, de l'éducation, de l'enfance et de l'adolescence ainsi que des rapports de genre. Photo: un autocollant sur un panneau lors de la Grève nationale des femmes du vendredi 14 juin 2019 à Lausanne. Selon les résultats d'une étude parue dans la revue Social Change in Switzerland (février 2021), la participation des femmes au marché du travail est désormais plébiscitée en Suisse, mais uniquement tant qu'elles n'ont pas d'enfant. (© KEYSTONE/Jean-Christophe Bott)

Singly negative is something Kyle and Chris release on patreon only. We figured a great way to introduce the content is to release one of the episodes for the non-subscribers. If you like what you hear you can get even more of this type of content on https://www.patreon.com/doublynegativepod

Hello Friends! Join Donna and Paula as they chat with Wild Fire! Be sure to check out the interview on YouTube The best singers draw from experience. And that's true for young as well as well-seasoned artists. Though still in their mid teens, sisters Kelli and Kayla Iutzwig, a.k.a. Wild Fire, prove this point at show after show, in song after song. Their self-titled, debut EP Wild Fire confirms that their future is bright. Their sophomore EP Been There., released in April, 2019, confirms that this future is now, with a soundtrack that's infectious, fun and impossible to resist. More than that, they are already conveying their stories through music in ways that inspire with audiences their age and beyond. Singly and in harmony, they channel the optimism of youth, sprinkle in the spice of early insight into life's lessons, super-charge it with jolt of pop and the sass of country. No wonder Linda Wilson, President of the Texas Country Music Association, describes them as “one of the best up-and-coming young artist duos out there.” And following their live appearance on “Great Day Houston” in March 2019, KHOU-TV proclaimed, “Wild Fire are setting the music world ablaze.” This fire was kindled in Houston, where their parents spotted Kelli's and Kayla's talent when they were barely old enough to sing along to Taylor Swift, Carrie Underwood, Sam Hunt, FGL and other radio favorites. When each girl was 6 years old she began studying with celebrated vocal coach Pamela Moore. Both also learned to play guitar, with Kelli doubling on drums. They took to songwriting quickly and naturally and learned how to transfer their energy and creativity to numerous live theater and dance productions. Website - https://wildfiresings.com/home --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/crazywomencountry/message

Join co host Emme as she chats with teen sensation sister duo, Wildfire! The best singers draw from experience. And that’s true for young as well as well-seasoned artists. Though still in their mid teens, sisters Kelli and Kayla Iutzwig, a.k.a. WildFire, prove this point at show after show, in song after song. Their self titled, debut EP Wild Fire confirms that their future is bright. Their sophomore EP Been There., confirms that this future is now, with a soundtrack that’s infectious, fun and impossible to resist. More than that, they are already conveying their stories through music in ways that inspire with audiences their age and beyond. Singly and in harmony, they channel the optimism of youth, sprinkle in the spice of early insight into life’s lessons, super-charge it with jolt of pop and the sass of country. No wonder Linda Wilson, President of the Texas Country Music Association, describes them as “one of the best up-and-coming young artist duos out there.” And following their live appearance on “Great Day Houston” in March 2019, KHOU-TV proclaimed, “Wild Fire are setting the music world ablaze.” In fact, KHOU-TV “Great Day Houston” invited Wild Fire back on the show in 2020. This fire was kindled in Houston, where their parents spotted Kelli’s and Kayla’s talent when they were barely old enough to sing along to Taylor Swift, Carrie Underwood, Sam Hunt, FGL and other radio favorites. When each girl was 6 years old she began studying with celebrated vocal coach Pamela Moore. Both also learned to play guitar, with Kelli doubling on drums. They took to songwriting quickly and naturally and learned how to transfer their energy and creativity to numerous live theater and dance productions. After launching Wild Fire in 2016, they’ve wowed audiences at the Houston Livestock Show and Rodeo, NRG Stadium, NRG Arena, Kemah Boardwalk, Firehouse Saloon, Dosey Doe, Liberty Opry, Sugarland Opry and the University of Houston Stadium, among many other venues. They reached the semifinals of Houston Rodeo’s Rodeo Rockstar competition in 2016 — and soared to the finals in ’17. That same year they made the final round of the Huntsville Superstar competition in Huntsville, Texas. Then, in 2018, they took first prize as Female Vocalist of the Year in the Young Adult category at the Josie Music Awards, held at the Celebrity Theater inside Dolly Parton’s Dollywood theme park. In 2019, Wild Fire had several of their originalsongs placed in NBC's "Very Cavallari" reality TV show. With over 130,000 followers on Facebook and Instagram, plus many more on other social media, Wild Fire will widen their impact beyond music in 2020 as official ambassadors for the Global Country Music Association (GCMA) and advocates for equality and fairness for the genre’s female artists.

En ces temps particuliers, tout est transformé : notre rapport au travail, à l'espace public, au corps puisqu'on ne le balade plus comme avant, notre rapport au temps aussi, à l'avenir. Mais qu'en est-il de notre rapport à la parole ? Est-ce qu'on se parle différemment dans ce monde de confinement et d'angoisse ? François de Singly est sociologue, spécialiste de la famille. Dans son dernier livre, Double je, Identité personnelle et identité statutaire, comme dans l'ensemble de ses travaux sur la famille et sur le couple, François de Singly analyse comment se construisent nos liens, de quoi se composent nos imaginaires communs et ce qui se joue au sein de nos foyers. Dans cet épisode de Fracas, François De Singly raconte à quel point la période que nous traversons transforme nos conversations, et ce que cela nous dit du fonctionnement de notre société. Il parle de la vie sociale suspendue sur les paquebots, des photos du confinement que l'on envoie à ses collègues, et explique pourquoi demander l'heure à un.e inconnu.e peut vous sauver la vie. See acast.com/privacy for privacy and opt-out information.

https://vimeo.com/467322271 Series: Underserved GraceScripture: Titus 1:5-9 (Main passage); 1 Peter 5:1-4; 1 Tim 3:1-7Title: Choosing Your EldersBottom line: Choose elders who are blameless under-shepherds where they live, work, learn, and play.From Danny Akin: “God believes leadership of the local church is so important that He addresses the issue in detail four times in the NT: Acts 20:28-38, 1 Timothy 3:1-7; Titus 1:5-9; and 1 Peter 5:1-4.Emphasis in each list falls on a leader's personal character and theological competency. God is primarily interested in who you are and then what you do. He well understands that the latter will flow from the former.Ultimately, pastors are to be examples to the church of how the gospel produces godliness.” P. 234Episodes:Context (5)Blameless (6a, 7a)The Elder as Husband (6b)The Elder as a Father (6c)The Elder as a Christian Man (Personal qualities) (7-8)Not...But...The Elder as a Theologian (Pastor/under-shepherd) (9)Our process at Grace CF.Pray.Pursue someone you feel led to ask. Ask. If they decline, you're done.If they agree, share their name with the elders. The elders meet with.Candidates put on ballot if no serious issues.Church votes; super majority of members who vote required.Next steps: Pray, Prepare, Partner, and/or PursuePray for our current and future elders.Paul and Barnabas appointed elders[a] for them in each church and, with prayer and fasting, committed them to the Lord, in whom they had put their trust. (Acts 14:23)Have confidence in your leaders and submit to their authority, because they keep watch over you as those who must give an account. Do this so that their work will be a joy, not a burden, for that would be of no benefit to you. (Heb 13:17)Prepare yourself or help him prepare.”To the elders among you, I appeal as a fellow elder and a witness of Christ's sufferings who also will share in the glory to be revealed: 2 Be shepherds of God's flock that is under your care, watching over them—not because you must, but because you are willing, as God wants you to be;not pursuing dishonest gain, but eager to serve; 3 not lording it over those entrusted to you, but being examples to the flock. 4 And when the Chief Shepherd appears, you will receive the crown of glory that will never fade away” (1 Peter 5:1-4)Partner with current elder/pastor (apprentice).Pursue becoming an elder. Here is a trustworthy saying: Whoever aspires to be an overseer desires a noble task. “Here is a trustworthy saying: Whoever aspires to be an overseer desires a noble task.” 1 Tim 3:1 NIVNotes from Bible Knowledge CommentaryTitus 1:5–16 (BKC):II. Qualifications of the Elders (1:5–9).1:5. As with Timothy in Ephesus (1 Tim. 1:3), Paul had left Titus behind to provide leadership to the fledgling church in Crete. Now the apostle reiterated his previous instructions, both for Titus' sake and for the congregation's. The organization of the Cretan church was unfinished due to the brevity of Paul's visit. Thus Titus was to straighten out (lit., “set in order”) the situation by appointing elders in every town. Titus was now acting as an apostolic agent (cf. Acts 14:23) in Paul's absence. His authority in the Cretan church was an extension of Paul's own. Such authority ended with the close of the Apostolic Age.1:6. As in 1 Timothy 3:2–7 Paul listed the qualifications for elders (cf. comments on 1 Tim. 3:1). There the list numbered 15; here 17. Yet both lists cover essentially the same qualities: (1) the elder must be blameless (anenklētos, “unreprovable”). In 1 Timothy 3:10 Paul used this same word of deacons, while in 1 Timothy 3:2 he used anepilēmpton to express the same thought of the elders. (2) Husband of but one wife probably means that the elder should have been married only once (see comments on 1 Tim. 3:2). (3) The elder must have his own household under control. This involves not only the matter of discipline (1 Tim. 3:4–5), but also positive spiritual influence as well. His children must be believers who are not open to the charge of being wild and disobedient. The apostle had explained why this requirement is important (1 Tim. 3:5).1:7. Here Paul switched from the term “elder” (presbyteros) to overseer (episkopos). The two words are plainly interchangeable in the apostle's thinking, referring to the same church office. The term “overseer” is singular here, but this certainly does not mean that there must be only one episkopos per congregation. Rather the word is used here in a generic sense. Paul was simply affirming that these qualifications are required of all overseers.The need for blamelessness is repeated from verse 6. The reason this quality is so important is that an overseer serves as a steward of God. Damage to a church leader's reputation is damage to God's reputation.Then Paul resumed his list with five vices which must not characterize an overseer: (4) not overbearing, not arrogant and self-willed; (5) not quick-tempered (cf. James 1:19–20); (6) not given to much wine; (7) not violent (cf. 1 Tim. 3:3 for this and the previous vice); (8) not pursuing dishonest gain (cf. comments on 1 Tim. 6:5).1:8. Whereas verse 7 lists negative characteristics to avoid, verse 8 lists positive qualities to be sought. The elder must be (9) hospitable (cf. 1 Tim. 3:2); (10) one who loves what is good (cf. Ps. 15); (11) self-controlled, or temperate and sensible (sōphrona; cf. Gal. 5:23; 1 Tim. 3:2; Titus 2:2, 4); (12) upright (dikaion, “just”); (13) holy (these last two are, with blamelessness, two of the characteristics Paul himself had modeled [cf. 1 Thes. 2:10], but neither is mentioned in 1 Tim. 3); and (14) disciplined (in contrast to the vices of Titus 1:7; cf. 1 Tim. 4:7–8).1:9. Not only must an overseer meet moral and spiritual standards in his personal life, but he must also be a reliable man of the Word. (15) He must hold firmly to the trustworthy message as it has been taught. This last clause, “as it has been taught,” actually comes first in the Greek, for emphasis. According to Paul, an elder is a conservator of the truth, one who must understand it, hold it fast; (16) encourage others by teaching it; and (17) refute those who oppose it. To be qualified as an elder a man must be a capable handler of the truth (cf. comments on 1 Tim. 3:2).Notes from Warren Wiersbe's BECTitus 1:5–9 (BEC): Ordain Qualified Leaders (Titus 1:5–9)One reason Paul had left Titus on the island of Crete was that he might organize the local assemblies and “set in order” the things that were lacking. Titus 1:5–9 (BEC): That phrase is a medical term; it was applied to the setting of a crooked limb. Titus was not the spiritual dictator of the island, but he was Paul's official apostolic representative with authority to work. It had been Paul's policy to ordain elders in the churches he had established (Acts 14:23), but he had not been able to stay in Crete long enough to accomplish this task......Titus 1:5–9 (BEC): The fact that these standards applied to Christians on the island of Crete as well as to those in the city of Ephesus proves that God's measure for leaders does not fluctuate. A big-city church and a small-town church both need godly people in places of leadership.“Titus 1:7a (BEC): The steward of God” (v. 7a). A steward does not own but manages all that his master puts into his hands. Perhaps the most famous steward in the Bible is Joseph, who had complete control over all of Potiphar's business (Gen. 39:1–9). The most important characteristic of a steward is faithfulness (Matt. 25:21; 1 Cor. 4:1–2). He must use what his master gives him for the good and glory of his master, and not for himself personally (see Luke 16:1–13).Titus 1:7a (BEC): The elder must never say, “This is mine!” All that he has comes from God (John 3:27) and must be used for God. His time, possessions, ambitions, and talents are all loaned to him by the Lord; and he must be faithful to use them to honor God and build the church. Of course, all Christians ought to be faithful stewards, and not the pastors only!Notes from “Opening Up Titus” commentary"The third title, steward, is hidden by the NIV translation of verse 7. A more literal rendering would be, ‘an overseer must be blameless as a steward of God'. The steward was the man whom a wealthy master would put in charge of his household or business. It was a position of considerable trust. It required someone who was wise and faithful and trustworthy. And here Paul says that an elder is a steward. He is to manage the affairs of God's house, ensuring that the work of his divine Master gets properly done and caring for his Master's servants.""Elder, overseer, steward—these are the words Paul uses for the leaders who are to be appointed in our churches. Singly and together they mark the position out as one of considerable responsibility. Evidently a Christian of high calibre is required""Clearly, Paul's description is of considerable use to those who already are elders. It calls us to self-examination and to seek by the grace of God to be far more the Christian leaders that God intends us to be. The primary concern of these verses, however, is not with being the right kind of elders, but with appointing them. What kind of men should your church be setting apart for eldership? What kind of men does God want in that office? Here in Titus 1 we have a very clear answer!“"Summing it all up at the startThe apostle begins with a summary word and later on, in verse 7, repeats it. It is the word blameless, and it gathers into one the various elements of the apostle's description.We do have to be careful here not to impose on this word a meaning that it is not intended to bear. ‘This does not of course mean,' writes John Stott, ‘that candidates must be flawless or faultless, or we would all be disqualified.' The idea is rather that of being ‘above reproach'. Morally and spiritually, the elder is to be exemplary. No one should be able to accuse him of either serious misconduct or a general pattern of inappropriate behaviour. He should have a good reputation among outsiders and within the church as well. And as far as doctrine is concerned, he should be sound."The commentator breaks these qualifications down into these categories:The Elder as HusbandThe Elder as a FatherThe Elder as a Christian Man (Personal qualities)The Elder as a TheologianThe Elder as a Father"Paul has more to say about the elder's home life. Not only must he be a faithful husband; he must be a good father, one ‘whose children believe and are not open to the charge of being wild and disobedient'. Something needs to be said here before we come to the details. It has to do with the previous point as well. Paul is not saying that a single man, or a widower, or a man who has been divorced on biblical grounds, or a man who has no children, or a man who has only one child cannot be an elder; that in order to be an elder a man must be married with children. What Paul is doing here is focussing on the norm. For the most part, the men in the church who would be eligible for eldership would be married men with children. It is this general situation that he has in mind.As far as the elder's children are concerned, Paul insists that they ‘believe' (NIV). In other translations these children are described, not as believing, but as faithful—faithful in the sense of submissive or obedient to their father's will. This is a preferable understanding. What is in Paul's mind is not belief but behaviour. He is not saying that an elder's children have to be Christians. But he is insisting that they be under their father's control and ‘not open to the charge of being wild and disobedient'. In his first letter to Timothy the apostle makes the same point: ‘The overseer … must manage his own family well and see that his children obey him with proper respect' (3:4). Then follows the reason: ‘If anyone does not know how to manage his own family, how can he take care of God's church?' (3:5). If a man cannot look after his own household it cannot be expected that he will be able to take care of God's church. Failure in the one area will lead to failure in the other."The Elder as a Christian Man..."Moving now to the positive, an elder ‘must be hospitable'. The word ‘hospitable' comes from one which means ‘love of strangers'. It is primarily about caring for and welcoming into our homes those who need hospitality or would greatly benefit from it. Examples in our day would be visitors to our congregation, believers who have recently joined us, the lonely, the needy, the singles who are away from their families, etc. Hospitality is a duty that devolves upon us all. Paul makes that clear in Romans 12. And in Titus 1 he tells us that it is one of the qualifications for eldership"

Brother Jerry and Scott couldn't get their schedules together this week so Scott recorded a single episode this week and discussed how coming back to BJJ from Corona is like coming back after an injury. If you want to contact us with feedback, suggestions, or just to say "Hi" you can e-mail us at rollingrocksradio@protonmail.com Rolling Rocks Radio is also live on the socials. You can find us on Instagram and Twitter Support Total Defense Martial Arts team member Andrew Undercoffer (AKA G. Campbell) and check out his book Dames and Demons, a Steampunk/gumshoe/occult thriller. Available on Amazon in paperback and digital Thanks to the team at Total Defense Martial Arts in Staunton Virginia This episode's music is "But I Am Shafts Of Light" by Maeth. Used under the creative commons licence - Sourced from Free Music Archives --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

"Singly, které jsem produkoval, psal nebo se na nich hudebně podílel, nasbíraly na Youtube přes 172 milionů zhlédnutí," píše Ondra na svých webovkách. Jak se z kluka, co chodil v Liberci na ZUŠku na příčnou flétnu, stal jeden z největších českých hitmakerů?

This episode we interview sisters country-pop duo WildfireAbout Wildfire:The best singers draw from experience. And that’s true for young as well aswell-seasoned artists.Though still in their mid teens, sisters Kelli and Kayla Iutzwig, a.k.a. WildFire, prove this point at show after show, in song after song. Their self-titled, debut EP Wild Fire confirms that their future is bright. Theirsophomore EP Been There., confirms that this future is now, with asoundtrack that’sinfectious, fun and impossible to resist.More than that, they are already conveying their stories through music inways that inspire with audiences their age and beyond. Singly and inharmony, they channel the optimism of youth, sprinkle in the spice of earlyinsight into life’s lessons, super-charge it with jolt of pop and the sass ofcountry.No wonder Linda Wilson, President of the Texas Country Music Association, describes them as “one of the best up-and-coming young artist duosout there.” And following their live appearance on “Great Day Houston” in March 2019, KHOU-TV proclaimed, “Wild Fire are setting the musicworld ablaze.” In fact, KHOU-TV “Great Day Houston” invited Wild Fire back on the show in 2020.This fire was kindled in Houston, where their parents spotted Kelli’s and Kayla’s talent when they were barely old enough to sing along to TaylorSwift, Carrie Underwood, Sam Hunt, FGL and other radio favorites. When each girl was 6 years old she began studying with celebrated vocalcoach Pamela Moore. Both also learned to play guitar, with Kelli doubling on drums. They took to songwriting quickly and naturally and learnedhow to transfertheir energy and creativity to numerous live theater and dance productions.After launching Wild Fire in 2016, they’ve wowed audiences at the Houston Livestock Show and Rodeo, NRG Stadium, NRG Arena, KemahBoardwalk, Firehouse Saloon, Dosey Doe, Liberty Opry, Sugarland Opry and the University of Houston Stadium, among many other venues. Theyreached the semifinals of Houston Rodeo’s Rodeo Rockstar competition in 2016 — and soared to the finals in ’17. That same year they made thefinal round of the Huntsville Superstar competition in Huntsville, Texas. Then, in 2018, they took first prize as Female Vocalist of the Year in theYoung Adult category at the Josie Music Awards, held at the Celebrity Theater inside Dolly Parton’s Dollywood theme park. In 2019, Wild Fire hadseveral of their originalsongs placed in NBC's "Very Cavallari" reality TV show.With over 119,000 followers on Facebook and Instagram, plus many more on other social media, Wild Fire will widen their impact beyond musicin 2020 as official ambassadors for the Global Country Music Association (GCMA) and advocates for equality and fairness for the genre’s femaleartists.#interviews #celebrityinterviews #countrymusic #popmusic #podcast #musicpodcast #behindthemusic #wildfire #houston #texas

François de Singly, sociologue français, professeur de sociologie à l’université Paris Descartes. Il est spécialisé en sociologie de la famille Dominique Picard, psychologue et psychosociologue française, professeure émérite de psychologie sociale à l’université Paris-XIII et auteurs des « conflits relationnels : Que sais-je ? » (Puf)

Season 1: Episode 13 (Linked Lists (Singly and Doubly Linked))

What do the Hebrew prophets have to say to us in these days of noisy and fascinatingly unpredictable politics? The 8th-century BCE religious geniuses whom we know as Amos, Hosea, Micah, and Isaiah had a brand in common, a phrase that would fit on a bumper sticker: mishpat u-tzedeqah, “justice and righteousness.” Singly, these are cardinal virtues: “justice,” doing what’s fair, and “righteousness,” doing what’s right. Occasionally they could clash, as the early-bird workers in Jesus’ parable about the vineyard would tell you (Matthew 20:1-16). Though each word has its own depths, what is most interesting is their conjunction: Let justice roll down like waters, and righteousness like a mighty stream (Amos 5:24). Zion shall be redeemed by justice, and those in her who repent, by righteousness (Isaiah 1:27). Hosea and Micah add a dose of love (hesed) to their phrases: Hold fast to love and justice (Hosea 12:6). Do justice, love kindness, and walk humbly before your God (Micah 6:8). The political platform of these Classical Hebrew prophets emphasized the conjunction – “justice and righteousness,” a phrase that means “care for the poor,” as Israeli biblical scholar Moshe Weinfeld argues. For the prophets, the truest measure of societal health was, as their inspired heir put it in Matthew 25:45, the way it treated “the least of these,” the widow, the stranger, the orphan, the prisoner, the disabled. In the words of Abraham Joshua Heschel, the prophet registered “the secret obscenity of sheer unfairness, the unnoticed malignancy of established patterns of indifference. … The prophet’s ear perceive[d] the silent sigh. --- Support this podcast: https://anchor.fm/empowered-radio/support

Climate impacts aren’t just potentially catastrophic: they could be simultaneous multiple disasters. US scientists have compiled a catalog of calamity and a map of mayhem. A report by Tim Radford, from London, via ClimateNewsNetwork.net. Nov. 20, 2019. An audio version of the video report posted on Climate Monitor TV platforms (Roku TV, Alexa Fire TV/Alexa and ClimateMonitor.tv) on November 22, 2018.

Daniel B. Singley, Ph.D., ABPP Today we are switching gears to talk about DAD and Mind with Dr. Singley. Dads have their own experience and transition into parenthood and we need to be talking about their mental health as well, so we WILL! But not just today, I’m excited that Dr. Singly will come back for a series of interviews to share with us this important information about men and the transition to fatherhood! -We talk about dads journey into fatherhood  -Things to keep in mind about his mental health -Paternal postpartum depression and other mood changes in fathers Dr. Singley is a San Diego-based board certified psychologist and Director of The Center for Men’s Excellence. His research and practice focus on men’s mental health with a particular emphasis on reproductive psychology and the transition to fatherhood. He is Past President of the American Psychological Association’s Section on Positive Psychology and currently serves on the Board of the APA’s Society for the Psychological Study of Men and Masculinity as well as Postpartum Support International. He conducts trainings and presentations around the country to assist individuals and organizations to enhance their level of father inclusiveness and founded the grant-funded Basic Training for New Dads, Inc nonprofit in order to give new fathers the tools they need to be highly engaged with their infants as well as their partners. In his free time, Dr. Singley likes to cook, surf, read, and take his two sons on hikes to get muddy and throw rocks at things. Follow him @MenExcel and www.facebook.com/MenExcel/

National Park Church

Fresh off his experience launching T8 Webware's new Grip product at at Finovate, the startup's CEO Wade Arnold joined us for this week's PrairieCast to talk about the growth of his company, their produt strategy, recruiting strategy (see that devs and data scientists - T8 is hiring now!) and, as always, the top current events around the Silicon Prairie.   Topics discussed: Thinc Iowa, T8 Webware, Grip, Locusic, Jeremie Miller, Singly, Startup Weekend Iowa City, Startup Weekend Columbia, Sojern, Sporting KC

Conférence de Michela Marzano, Université Paris Descartes, présentée par François de Singly, professeur de sociologie à l’Université Paris Descartes et Directeur du Cerlis. Organisé par la mission "Savoir et Culture" de l’Université Paris Descartes dans le cadre de l’exposition "Trois artistes à l’écoute du corps", qui a lieu du 6 au 28 avril 2010.Le corps est l’une des données constitutives et évidentes de l’existence humaine : c’est dans et avec son corps que chacun de nous est né, vit, meurt ; c’est dans et par son corps qu’on s’inscrit dans le monde et qu’on rencontre autrui. Chacun est à la fois un corps physique projeté dans le monde du « dehors » et un corps psychique qui renvoie au « dedans » de l’être. Pourtant, le seul corps aujourd’hui acceptable semble être un corps parfaitement maîtrisé. Depuis les images publicitaires jusqu’aux vidéo-clips, nous sommes d’ailleurs confrontés à un nombre croissant de représentations qui renvoient toutes, d’une façon ou d’une autre, à l’idée de « contrôle » : exhiber un corps bien maîtrisé semble la preuve la plus évidente de la capacité d’un individu à assurer un contrôle sur sa propre vie. C’est l’image corporelle qui séduit ou choque, allèche ou dégoûte. La rhétorique contemporaine est bien rodée. Chaque individu doit être libre de choisir la vie qui lui convient : il doit pouvoir « être lui-même ». Mais, pour cela, il ne lui suffit pas tout simplement « d’être ». Le corps doit être contrôlé. Au point qu’on peut affirmer, sans trop se tromper, que derrière la prétendue liberté de déterminer sa propre vie par la domestication du corps, se cache une dictature des préférences, des désirs et des émotions. Michela Marzano est philosophe, chargée de recherches au CNRS, Université Paris Descartes. Elle travaille dans le domaine de la philosophie morale, politique et s'intéresse en particulier à la place qu'occupe aujourd'hui l'être humain, en tant qu'être charnel. L'analyse de la fragilité de la condition humaine représente pour elle le point de départ de ses recherches et de ses réflexions philosophiques. Elle est notamment l'auteur du Dictionnaire du Corps et de Philosophie du Corps. PUF, 2007. Elle vient de publier L'éthique appliquée, dans la collection « Que sais-je ? » PUF, 2010.

Conférence de Georges Vigarello, Directeur de recherche à l'EHESS, présentée par François de Singly, professeur de sociologie à l’Université Paris Descartes et Directeur du Cerlis. Organisé par la mission "Savoir et Culture" de l’Université Paris Descartes dans le cadre de l’exposition "Trois artistes à l’écoute du corps", qui a lieu du 6 au 28 avril 2010.La notion de « silhouette » est une invention historique. Le mot apparaît dans la deuxième moitié du XVIIIe siècle. Il témoigne d’une volonté précise : celle de prendre en compte l’ensemble du corps lorsqu’est évoquée sa présence, celle de désigner cette même présence en l’enveloppant d’un seul regard. La nouveauté du mot est accompagnée d’une nouveauté de l’iconographie : dessiner autrement les allures et les tenues, accentuer le sens global des contours et des traits. L’enjeu, dans ce cas, est bien de souligner l’importance de la globalité corporelle comme celle de sa singularité. Cette invention du XVIIIe siècle, celle même qui permet de croiser le mot et le trait, porte sur ce qui ne cessera de hanter la société occidentale moderne jusqu’aux sensibilités les plus récentes : interroger le « mystère » de la présence physique (et non plus seulement celui de l’âme) interroger son individualité, son évidente personnalisation. Pourquoi la silhouette ? Pour conduire les études sur le corps vers des objets circonstanciés et précis : éviter coûte que coûte les approximations et généralités qui affaiblissent les investigations des sciences sociales à son sujet. Georges Vigarello est directeur de recherches à l'Ecole des Hautes Etudes en Sciences Sociales L'ensemble de son travail porte sur l'histoire des représentations et des pratiques du corps. Il obéit à un projet bien particulier : montrer combien ces représentations et ces pratiques révèlent, dans leurs trajets historiques, des changements majeurs de culture et de société. Les titres de ses ouvrages trahissent ses préoccupations : le corps avec ses normes et les pratiques destinées à l'embellir, à l'entretenir : Histoire de la beauté, corps et embellissement de la Renaissance à nos jours. Ed. du Seuil, 2004. Le sain et le malsain, santé et mieux être depuis le Moyen Age, Ed. du Seuil, 1993. Il vient de publier Les Métamorphoses du gras - Histoire de l'obésité, aux éditions du Seuil en Mars 2010.

La mission "Savoir et Culture" de l’Université Paris Descartes vous propose le Débat Descartes "Eloge de l'adolescence", par François MARTY, Directeur de l’Institut de Psychologie Paris Descartes et président du Collège International de L'Adolescence (CILA), animé par François de SINGLY, professeur de sociologie à l'Université Paris Descartes et Directeur du Cerlis.

Café Descartes autour du livre de François de Singly, professeur de sociologie à l'Université Paris Descartes, "Comment aider l'enfant à devenir lui-même", au Café des Editeurs, le 1er octobre 2009. Animé par Martine Fournier, rédactrice en chef du mensuel Sciences Humaines

François de SINGLY, professeur de sociologie, et directeur du Centre de recherches en sociologie sur la famille, puis du centre de recherches sur les liens sociaux à Paris 5, décrit le nouveau jeu de famille des sociétés modernes, et ce qui fait son originalité. Contrairement à ce que ce titre pourrait faire croire, il ne s'agira pas d'énoncer l'existence de plusieurs types de familles - monoparentale, recomposée, homoparentale - pour comprendre la spécificité de ce nouveau jeu. Il faut découvrir le titre de la variante du jeu universel : « Inventer sa famille ! » pour se demander comment il est possible de répondre à un tel impératif. Chacun d'entre nous est prié de s'inventer et d'inventer sa vie. Il doit par conséquent aussi inventer son couple et sa famille. Les psychanalystes d'une part et les sociologues de la reproduction sociale d'autre part ont beau jeu de démontrer que tout cela n'est qu'illusion puisque notre inconscient - personnel et social - agit à notre insu et nous pousse à produire, reproduire ce que nous avons reçu. Est-il donc impossible de jouer ? Faut-il changer de nouveau les règles de ce jeu ? Il est vrai qu'il y a une contradiction entre l'impératif de la création de soi et de son environnement et les contraintes de toutes sortes qui nous déterminent. Cela ne signifie pas pour autant que le choix de sa famille ne soit pas compatible avec le constat d'une permanente reproduction sociale même dans la société moderne. Tous les jeux avec des règles et des contraintes ne sont pas équivalents. Le jeu actuel comprend encore des règles et des contraintes - sinon nous serions sortis du « social » - mais il diffère des jeux antérieurs.