POPULARITY
43 episodes with generative music
17 episodes with generative music
3 episodes with generative music
2 episodes with generative music
2 episodes with generative music
In this episode we start with a combination of analog wavefolding and binary waveshaping to create a bass sound to build a jam around using the Erfurt and Lipsk to generate interesting rhythms!Patreon: https://www.patreon.com/nullphiinfinity Bandcamp: https://nullphiinfinity.bandcamp.com/Instagram: https://www.instagram.com/nullphiinfinity/Youtube: https://www.youtube.com/@Nullphiinfinity ★ Support this podcast on Patreon ★
The Vault is a morning show hosted on Twitter Spaces and YouTube Live on Tuesdays, Wednesdays, and Thursdays at 11:30 am EST. The show focuses on multi-chain communities, emerging protocols, NFTFi, DeFi, Gaming, and, most importantly, collecting digital assets.Adam McBride: https://twitter.com/adamamcbrideJake Gallen: https://twitter.com/jakegallen_Chris Devitte: https://twitter.com/chris_devvEmblem Vault: https://twitter.com/EmblemVault
Recorded in July 2024, Aimi founder Edward Balassanian joins Fund/Build/Scale to share how his AI-powered platform creates generative, copyright-safe music for enterprise clients. He explains how customer discovery with DJs shaped Aimi's tech, why compliance is core to their strategy, and why the company downsized after hitting product-market fit — all while inventing a market where AI music solves problems humans can't. RUNTIME 30:47 EPISODE BREAKDOWN (4:17) “ I consider myself a platform person. I build operating systems.” (7:39) “ It's incumbent on a founder in a space like this to be well-versed in not only the art of the music, but the science of the music as well.” (9:14) “ We see a song as a medium between fans and artists. We're not in the song business.” (11:03) How Aimi is building a library of licensed content: “We've been pretty methodical.” (14:59) “ We see ourselves as kind of uniquely in the business of music AI for creation, not for imitation.” (16:46) “ We de-risk the use of music. That's one of the biggest selling points for enterprise customers.” (18:44) “ Like most tech people, I would say we're always going to be in beta.” (21:58) Why Aimi raised its $20M Series B in 2021. (24:01) Downsizing after reaching PMF “ was the best decision that we that we could have made.” (28:05) “ I think what's really interesting is building platforms, and any platform today is going to have to incorporate AI into it.” LINKS Edward Balassanian (Crunchbase) Aimi AI-Powered Music Platform Aimi has raised $20 million in a Series B round of funding SUBSCRIBE
In this episode we use the Leibniz Binary Subsystem to create evolving arpeggios before scrambling them by re-routing bits!Patreon: https://www.patreon.com/nullphiinfinity Bandcamp: https://nullphiinfinity.bandcamp.com/Instagram: https://www.instagram.com/nullphiinfinity/Youtube: https://www.youtube.com/@Nullphiinfinity ★ Support this podcast on Patreon ★
In this episode we explore Drezno, Lipsk and Erfurt, three pieces of the Leibniz Binary Subsystem to make some weird lofi noises!Patreon: https://www.patreon.com/nullphiinfinity Bandcamp: https://nullphiinfinity.bandcamp.com/Instagram: https://www.instagram.com/nullphiinfinity/Youtube: https://www.youtube.com/@Nullphiinfinity ★ Support this podcast on Patreon ★
Google's MusicFX DJ – a AI generative music platform – lets you create sound combinations that potentially have never existed before. Is this genius? Does it mean music will simply be a set of prompts instead of human performance? Yes to all of the above? Join us to see what we think. Check out MusicFX DJ – https://aitestkitchen.withgoogle.com/tools/music-fx-dj Jacob Collier doing, well, Jacob-like things with MusicFX DJ – https://www.youtube.com/watch?v=IUQW5LgBZvQ Got any questions you want answered in an upcoming episode? Email us at podcast@all-ambient.com. The all:ambient podcast is a part of the all-ambient.com family – the best site to license ambient/cinematic music for your next film, video, or creative project. Podcast exclusive – use code PODCAST25 to get 25% off any purchase at all-ambient.com. Premium music, curated bundles, and a streamlined experience just makes life better for anyone looking to license some of the best music out there. the all:ambient podcast is an inside look at the incredible artists in ambient music, digging into creative processes, hearing untold stories, and following the rabbit trail to wherever that conversation may lead. Don't forget to leave a review and text a friend or fellow musician about the podcast. We really appreciate it!
In this episode we start with the Patch Deck Junior Rungler patch and modify it using cards from Patch TCG!Patreon: https://www.patreon.com/nullphiinfinity Bandcamp: https://nullphiinfinity.bandcamp.com/Instagram: https://www.instagram.com/nullphiinfinity/Youtube: https://www.youtube.com/@Nullphiinfinity ★ Support this podcast on Patreon ★
This episode is sponsored by Vanta, The security and compliance platform trusted by more than 7,000 customers.With Vanta, you can unify your security program management with a built-in risk register and reporting, and proactively manage security reviews with AI-powered security questionnaires. Listeners get $1,000 off Vanta at vanta.com/eyeonai In this episode of the Eye on AI podcast, join us for an insightful conversation with Edward Balassanian, CEO and founder of Aimi, a trailblazer in the realm of generative AI music. Edward takes us through his fascinating journey from engineering and computer science to pioneering a platform that transforms music into a dynamic, interactive service. Aimi's innovative approach to AI-generated music is redefining the industry by enabling both amateurs and professionals to create high-quality, customized music. Discover the technical and legal challenges unique to the AI music space, and how Aimi's bottom-up approach to music creation sets it apart from other AI music initiatives. Edward delves into the complexities of training models with ethically sourced, high-quality data, and explains the importance of maintaining human elements in generative music. Explore the vast potential of music as a service and how Aimi is revolutionizing industries like gaming, social media, and content creation by integrating seamless, non-repetitive music into various applications. Edward also shares real-world examples and future plans for Aimi, emphasizing the role of AI in amplifying human creativity. Tune in to understand the transformative impact of AI on music and how Aimi is leading the charge in this exciting frontier. Don't forget to like, subscribe, and hit the notification bell for more insights into the cutting-edge technologies driving the AI revolution. This episode is sponsored by Oracle. AI is revolutionizing industries, but needs power without breaking the bank. Enter Oracle Cloud Infrastructure (OCI): the one-stop platform for all your AI needs, with 4-8x the bandwidth of other clouds. Train AI models faster and at half the cost. Be ahead like Uber and Cohere. If you want to do more and spend less like Uber, 8x8, and Databricks Mosaic - take a free test drive of OCI at https://oracle.com/eyeonai Stay Updated: Craig Smith Twitter: https://twitter.com/craigss Eye on A.I. Twitter: https://twitter.com/EyeOn_AI
AI Unraveled: Latest AI News & Trends, Master GPT, Gemini, Generative AI, LLMs, Prompting, GPT Store
1- Veo, a powerful AI video generator.The text-to-video generator lets filmmakers write prompts to build cinematic shots.2. Google will integrate AI natively in search.You can ask whatever's on your mind or whatever you need to get done — from researching to planning to brainstorming — and Google will take care of the legwork.3. Astra, the future of AI assistants.It can interact with the world around it by taking in information, remembering what it sees, processing that information and understanding contextual details. https://twitter.com/i/status/17904560552032750884. Imagen 3: the highest quality text-to-image generation model yet.It produces visuals with incredible detail, realistic lighting and fewer distracting artifacts. 5. Gemini 1.5 Pro is now available for all.They also increased the context window to 2 million tokens. This is the equivalent of 15 books, 1.5 million words.6. Trillium, a TPU (GPU competitor) that delivers a 4.7x improvement in compute performance per chip over the previous generation, TPU v5e. 7. Gemini 1.5 FlashA lighter-weight model, optimized for tasks where low latency and cost matter most.Developers can use it with up to 1 million tokens in Google AI Studio and Vertex AI. 8. Generative Music with MusicFXMusicFX lets you unleash your inner DJ and craft new beatsHelps you mix beats by combining genres, instruments, and more to bring musical stories to life. It's a playground for inspiring new music, and you can try it now. 9. Ask Gemini in Sheets for help analyzing your expenses with Data Q&A.The ability to organize attachments in Drive, generate a sheet, and analyze data will roll out to Labs later this year. 10. Gemini will be integrated in Gmail, Docs and Calendar already work well together. It will make working across apps even easier — for example recognizing a receipt in Gmail and organizing it in Drive and Sheets. Why it matters: Gemini's already industry-leading context window gets a 2x boost, enabling endless new opportunities to utilize AI with massive amounts of information. Additionally, Sora officially has competition with the impressive Veo demo — but which one will make it to public access first?Source: https://blog.google/technology/ai/google-gemini-update-flash-ai-assistant-io-2024Experience the transformative capabilities of AI with "Read Aloud For Me - AI Dashboard - AI Tools Recommender" – your ultimate AI Dashboard and Hub. Now available on the web at readaloudforme.com and across popular app platforms including Apple, Google, and Microsoft, "Read Aloud For Me - AI Dashboard" places the future of AI at your fingertips.
In this episode I break down my recent performance patch from the first Philly Modular on the Spot of the year!Patreon: https://www.patreon.com/nullphiinfinity Bandcamp: https://nullphiinfinity.bandcamp.com/Instagram: https://www.instagram.com/nullphiinfinity/Youtube: https://www.youtube.com/@Nullphiinfinity ★ Support this podcast on Patreon ★
In this episode we use the Phazerville Suite on the Ornament and Crime and the Melotus Versio to patch a beat!Patreon: https://www.patreon.com/nullphiinfinity Bandcamp: https://nullphiinfinity.bandcamp.com/Instagram: https://www.instagram.com/nullphiinfinity/Youtube: https://www.youtube.com/@Nullphiinfinity ★ Support this podcast on Patreon ★
Meet Edward Balassanian, an accomplished tech industry veteran with over 25 years of experience who has forged the path for numerous successful startups. Edward's current cutting-edge venture is 'Aimi', a platform revolutionizing the music industry by offering creators and businesses bespoke, royalty-cleared, copyright-free music facilitated by intelligent technology. Edward delves into the inner workings of his brainchild, Aimi, a generative music platform that enhances creativity by blending technology with human artistic instinct.Takeaways:Discover how Aimi, a trailblazing generative music platform, uses technology to augment creativity and streamline the music production process.Understand 'Aimi's Script', a programming language specifically designed for generative music that truly allows users to express their musical thoughts.Explore the legal complexities surrounding copyright issues of machine-generated music and how Aimi works with these intricacies.— Delve deeper into Edward's groundbreaking work by visiting: https://www.aimi.fm/Tune into the live podcast & join the Modern Musician community here: https://link.modernmusician.me/join-podcastApply for a free Artist Breakthrough Session with our team: https://masterclass.modernmusician.me/apply-success?utm_source=podcast
In this episode we separate out different frequencies from an audio source and send them to different effects in 3 different patches!Patreon: https://www.patreon.com/nullphiinfinity Bandcamp: https://nullphiinfinity.bandcamp.com/Instagram: https://www.instagram.com/nullphiinfinity/Youtube: https://www.youtube.com/@Nullphiinfinity ★ Support this podcast on Patreon ★
In this episode we start out with a chopped Korg EMX drum loop and create a patch around it!Patreon: https://www.patreon.com/nullphiinfinity Bandcamp: https://nullphiinfinity.bandcamp.com/Instagram: https://www.instagram.com/nullphiinfinity/Youtube: https://www.youtube.com/@Nullphiinfinity ★ Support this podcast on Patreon ★
In this episode we start out with a Gameboy recording in the Morphagene and create a beat around it!Patreon: https://www.patreon.com/nullphiinfinity Bandcamp: https://nullphiinfinity.bandcamp.com/Instagram: https://www.instagram.com/nullphiinfinity/Youtube: https://www.youtube.com/@Nullphiinfinity ★ Support this podcast on Patreon ★
In this episode we create patches using only 5 modules! Patreon: https://www.patreon.com/nullphiinfinity Bandcamp: https://nullphiinfinity.bandcamp.com/Instagram: https://www.instagram.com/nullphiinfinity/Youtube: https://www.youtube.com/@Nullphiinfinity ★ Support this podcast on Patreon ★
Ep 122: Alex Mubert, founder of the Mubert AI generative music platform talks to Editor Joe Sparrow about using AI to make music, the impact creative musical AI will have on rightsholders, and whether we will have to redefine what music itself is – in an era where infinitely-long pieces of music can be tailor-made for each listener. Most of us have come to terms with the fact that generating music with AI is now simply part of the music making landscape. Alex Mubert's eponymous company was one of the early AI music platforms, and he has plenty of experience to lean on when answering our questions about how AI music will change things. He believes for instance, that mass adoption of generative music as a creative tool will be through video content creators – who may be keen to "co-create" music for their videos with an AI trained on their favourite artist – and he talks about how the integration of AI music into streaming platfroms could change how much money is paid out to human creators. Mubert: https://mubert.com RATM: https://www.youtube.com/watch?v=bWXazVhlyxQ Mustard: https://www.guinnessworldrecords.com/world-records/503372-most-mustard-bottle-drunk-in-30-seconds ------
What if the key to relaxation and creative flow is just a piece of tailored music? Join us as we sit with composer and designer Jeff Miller to explore this intriguing intersection of music and technology. Jeff enlightens us about his groundbreaking work with the Sync Project and the leading-edge Unwind Music app. This app cleverly utilized the principles of generative music to encourage relaxation and better sleep. Our conversation examines how the app matches music to the listener's mood and gradually adjusts it to achieve a desired state, an approach grounded in the ISO Principles of music therapy.We'll also uncover how Jeff and his colleagues ingeniously used data and natural language processing to create a chatbot for Slack. This unique tool was designed to generate personalized playlists, helping to regulate mood and enhance creative flow. We also examine the meticulous process behind building the Unwind music app, spotlighting the significant roles of a diverse team, including music legends like Peter Gabriel.Tune in as we conclude our fascinating conversation with Jeff, delving into the power of music in liminal spaces - those fleeting moments between doing and being. Here, Jeff shares how the principles applied in his work can be used to create a relaxing sleep podcast, drawing from his own experiences with meditation to guide listeners into tranquillity. With Jeff's valuable insights and our stimulating talk, you're set to discover the science and artistry behind using music as a powerful tool for relaxation and well-being. So, are you ready to tune in to relaxation? Let's get started!Learn more about Jeff and his endeavors at www.jmcreative.com.Listen to us on all our platforms.www.audiblegenius.com/podcastOur coursesBuilding Blocks: www.audiblegenius.com/buildingblocksSyntorial: www.syntorial.comOur Social NetworksFacebook: www.facebook.com/AudibleGeniusInstagram: www.instagram.com/audiblegenius/TikTok: www.tiktok.com/@audiblegenius
In this episode we use the 90HP system with a new small 80HP skiff I built to make a beat!Patreon: https://www.patreon.com/nullphiinfinity Bandcamp: https://nullphiinfinity.bandcamp.com/Instagram: https://www.instagram.com/nullphiinfinity/Youtube: https://www.youtube.com/@Nullphiinfinity ★ Support this podcast on Patreon ★
In this episode we explore the Schlappi Engineering Interstellar Radio and make some crunchy glitchy textures!Patreon: https://www.patreon.com/nullphiinfinity Bandcamp: https://nullphiinfinity.bandcamp.com/Instagram: https://www.instagram.com/nullphiinfinity/Youtube: https://www.youtube.com/@Nullphiinfinity Sonocurrent: https://www.sonocurrent.com/ ★ Support this podcast on Patreon ★
Generative Deep Learning, 2nd Edition [David Foster] https://www.oreilly.com/library/view/generative-deep-learning/9781098134174/ Support us! https://www.patreon.com/mlst MLST Discord: https://discord.gg/aNPkGUQtc5 Twitter: https://twitter.com/MLStreetTalk In this conversation, Tim Scarfe and David Foster, the author of 'Generative Deep Learning,' dive deep into the world of generative AI, discussing topics ranging from model families and auto regressive models to the democratization of AI technology and its potential impact on various industries. They explore the connection between language and true intelligence, as well as the limitations of GPT and other large language models. The discussion also covers the importance of task-independent world models, the concept of active inference, and the potential of combining these ideas with transformer and GPT-style models. Ethics and regulation in AI development are also discussed, including the need for transparency in data used to train AI models and the responsibility of developers to ensure their creations are not destructive. The conversation touches on the challenges posed by AI-generated content on copyright laws and the diminishing role of effort and skill in copyright due to generative models. The impact of AI on education and creativity is another key area of discussion, with Tim and David exploring the potential benefits and drawbacks of using AI in the classroom, the need for a balance between traditional learning methods and AI-assisted learning, and the importance of teaching students to use AI tools critically and responsibly. Generative AI in music is also explored, with David and Tim discussing the potential for AI-generated music to change the way we create and consume art, as well as the challenges in training AI models to generate music that captures human emotions and experiences. Throughout the conversation, Tim and David touch on the potential risks and consequences of AI becoming too powerful, the importance of maintaining control over the technology, and the possibility of government intervention and regulation. The discussion concludes with a thought experiment about AI predicting human actions and creating transient capabilities that could lead to doom. TOC: Introducing Generative Deep Learning [00:00:00] Model Families in Generative Modeling [00:02:25] Auto Regressive Models and Recurrence [00:06:26] Language and True Intelligence [00:15:07] Language, Reality, and World Models [00:19:10] AI, Human Experience, and Understanding [00:23:09] GPTs Limitations and World Modeling [00:27:52] Task-Independent Modeling and Cybernetic Loop [00:33:55] Collective Intelligence and Emergence [00:36:01] Active Inference vs. Reinforcement Learning [00:38:02] Combining Active Inference with Transformers [00:41:55] Decentralized AI and Collective Intelligence [00:47:46] Regulation and Ethics in AI Development [00:53:59] AI-Generated Content and Copyright Laws [00:57:06] Effort, Skill, and AI Models in Copyright [00:57:59] AI Alignment and Scale of AI Models [00:59:51] Democratization of AI: GPT-3 and GPT-4 [01:03:20] Context Window Size and Vector Databases [01:10:31] Attention Mechanisms and Hierarchies [01:15:04] Benefits and Limitations of Language Models [01:16:04] AI in Education: Risks and Benefits [01:19:41] AI Tools and Critical Thinking in the Classroom [01:29:26] Impact of Language Models on Assessment and Creativity [01:35:09] Generative AI in Music and Creative Arts [01:47:55] Challenges and Opportunities in Generative Music [01:52:11] AI-Generated Music and Human Emotions [01:54:31] Language Modeling vs. Music Modeling [02:01:58] Democratization of AI and Industry Impact [02:07:38] Recursive Self-Improving Superintelligence [02:12:48] AI Technologies: Positive and Negative Impacts [02:14:44] Runaway AGI and Control Over AI [02:20:35] AI Dangers, Cybercrime, and Ethics [02:23:42]
In this episode we take a look at three very different 3 module challenge patches to see what we can create with just 3 modules!Patreon: https://www.patreon.com/nullphiinfinity Bandcamp: https://nullphiinfinity.bandcamp.com/Instagram: https://www.instagram.com/nullphiinfinity/Youtube: https://www.youtube.com/@Nullphiinfinity ★ Support this podcast on Patreon ★
In this episode we create interesting rhythms by varying the length of each of our sequences to create polymeters!Patreon: https://www.patreon.com/nullphiinfinity Bandcamp: https://nullphiinfinity.bandcamp.com/Instagram: https://www.instagram.com/nullphiinfinity/Youtube: https://www.youtube.com/@Nullphiinfinity ★ Support this podcast on Patreon ★
In this episode we create a beat in the harmonic minor key! We also throw in some bitcrush and a burst generator as well as some generative elements and FX!Patreon: https://www.patreon.com/nullphiinfinity Bandcamp: https://nullphiinfinity.bandcamp.com/Instagram: https://www.instagram.com/nullphiinfinity/Youtube: https://www.youtube.com/@Nullphiinfinity ★ Support this podcast on Patreon ★
Patreon: https://www.patreon.com/nullphiinfinity Bandcamp: https://nullphiinfinity.bandcamp.com/Instagram: https://www.instagram.com/nullphiinfinity/Youtube: https://www.youtube.com/@Nullphiinfinity Zlob VC F3DB: https://zlobmodular.com/product/vc-f3db/ Sonocurrent: https://www.sonocurrent.com/ ★ Support this podcast on Patreon ★
Patreon: https://www.patreon.com/nullphiinfinity Bandcamp: https://nullphiinfinity.bandcamp.com/Instagram: https://www.instagram.com/nullphiinfinity/Youtube: https://www.youtube.com/@Nullphiinfinity Zlob VC F3DB: https://zlobmodular.com/product/vc-f3db/ ★ Support this podcast on Patreon ★
Patreon: https://www.patreon.com/nullphiinfinity Bandcamp: https://nullphiinfinity.bandcamp.com/Instagram: https://www.instagram.com/nullphiinfinity/Youtube: https://www.youtube.com/user/MrSystemSuicide Zlob VC F3DB: https://zlobmodular.com/product/vc-f3db/ ★ Support this podcast on Patreon ★
Patreon: https://www.patreon.com/nullphiinfinity Bandcamp: https://nullphiinfinity.bandcamp.com/Instagram: https://www.instagram.com/nullphiinfinity/Youtube: https://www.youtube.com/user/MrSystemSuicide Zlob VC F3DB: https://zlobmodular.com/product/vc-f3db/ ★ Support this podcast on Patreon ★
Patreon: https://www.patreon.com/nullphiinfinity Bandcamp: https://nullphiinfinity.bandcamp.com/Instagram: https://www.instagram.com/nullphiinfinity/Youtube: https://www.youtube.com/user/MrSystemSuicide Zlob VC F3DB: https://zlobmodular.com/product/vc-f3db/ ★ Support this podcast on Patreon ★
Patreon: https://www.patreon.com/nullphiinfinity Bandcamp: https://nullphiinfinity.bandcamp.com/Instagram: https://www.instagram.com/nullphiinfinity/Youtube: https://www.youtube.com/user/MrSystemSuicide Zlob VC F3DB: https://zlobmodular.com/product/vc-f3db/ ★ Support this podcast on Patreon ★
Patreon: https://www.patreon.com/nullphiinfinity Bandcamp: https://nullphiinfinity.bandcamp.com/Instagram: https://www.instagram.com/nullphiinfinity/Youtube: https://www.youtube.com/user/MrSystemSuicide Zlob VC F3DB: https://zlobmodular.com/product/vc-f3db/ ★ Support this podcast on Patreon ★
Patreon: https://www.patreon.com/nullphiinfinity Bandcamp: https://nullphiinfinity.bandcamp.com/Instagram: https://www.instagram.com/nullphiinfinity/Youtube: https://www.youtube.com/user/MrSystemSuicide Zlob VC F3DB: https://zlobmodular.com/product/vc-f3db/ ★ Support this podcast on Patreon ★
Patreon: https://www.patreon.com/nullphiinfinity Bandcamp: https://nullphiinfinity.bandcamp.com/Instagram: https://www.instagram.com/nullphiinfinity/Youtube: https://www.youtube.com/user/MrSystemSuicide Zlob VC F3DB: https://zlobmodular.com/product/vc-f3db/ ★ Support this podcast on Patreon ★
Patreon: https://www.patreon.com/nullphiinfinity Bandcamp: https://nullphiinfinity.bandcamp.com/Instagram: https://www.instagram.com/nullphiinfinity/Youtube: https://www.youtube.com/user/MrSystemSuicide Zlob VC F3DB: https://zlobmodular.com/product/vc-f3db/ Sonocurrent: https://www.sonocurrent.com/ ★ Support this podcast on Patreon ★
Patreon: https://www.patreon.com/nullphiinfinity Bandcamp: https://nullphiinfinity.bandcamp.com/Instagram: https://www.instagram.com/nullphiinfinity/Youtube: https://www.youtube.com/user/MrSystemSuicide ★ Support this podcast on Patreon ★
Patreon: https://www.patreon.com/nullphiinfinity Bandcamp: https://nullphiinfinity.bandcamp.com/Instagram: https://www.instagram.com/nullphiinfinity/Youtube: https://www.youtube.com/user/MrSystemSuicide ★ Support this podcast on Patreon ★
#025 - What can plant music teach us about being human? Join us for an amazing conversation with Plant Music Composer & Sound Healer Shane Mendonsa on his experience of co-creating with the plants through generative music. In this episode, Shane offers deep insight into how connecting with plants through plant music can help us connect to a state of healing. We first recorded this for the Plant Spirit Herbalism Summit, and it was such a gem of a discussion that I wanted to share it with you here. Such wonderful medicine for these times! Shane Mendonsa is a music composer and sound healer who creates plant music, which allows him to explore his relationship with Nature. He also practices sound healing with tuning forks. This is an extension of his work that allows him to explore the healing effects of music on bodies and spaces.You can find Shane at www.shanemendonsa.com, on IG @shanemendonsa, and on YouTube at https://www.youtube.com/channel/UCpjl7axNrHYPh53gezouYxAFor more info please visit Sara's website at www.multidimensionalnature.com and on IG @multidimensional.nature
Patreon: https://www.patreon.com/nullphiinfinity Bandcamp: https://nullphiinfinity.bandcamp.com/ Instagram: https://www.instagram.com/nullphiinfinity/ Youtube: https://www.youtube.com/user/MrSystemSuicide Sonocurrent: https://www.sonocurrent.com/ ★ Support this podcast on Patreon ★
In this episode, Sean and I are talking about how some of the evolutions in technology will impact the way we make art and, in some cases, blur the line of creativity between humans and machines. We also trade links to some of the things each of us has found interesting over the past week or so.LINKSDjo - Official WebsiteJustin Hawkins Rides AgainGuess the Lighting (via FStoppers)Yousuf Karsh portrait of HemingwayGeorge HurrellAudrey Hepburn by Jack CardiffPlaton portrait of President ClintonBaumgartner RestorationRaul CantuJoshua Davis StudiosWelcome to Processing!CONNECT WITH SEANWebsite: http://seantucker.photography Twitter: @seantuck Instagram: @seantuck YouTube: Sean TuckerCONNECT WITH JEFFERYWebsite: https://jefferysaddoris.com Twitter: @jefferysaddoris Instagram: @jefferysaddorisYou can also connect with both of us by sending an email to deepnatter@gmail.com.SUBSCRIBESubscribe to Jeffery Saddoris: Everything in your favorite podcast app to get every show I release in one feed.SUPPORTLeave a review or a rating wherever you listen, or you can DONATE to support the shows more directly.MUSICHigh Line by DuffmusiqMusic featured in this episode is licensed from Artlist, which is a terrific music licensing platform for YouTubers and filmmakers. Use the following link to get two additional months of Artlist free when you sign up: https://bit.ly/JS_Artlist———This post may contain affiliate links. If you use these links to buy something, I may earn a commission. Thanks.Support the show
In this episode, Sean and I are talking about how some of the evolutions in technology will impact the way we make art and, in some cases, blur the line of creativity between humans and machines. We also trade links to some of the things each of us has found interesting over the past week or so.LINKSDjo - Official WebsiteJustin Hawkins Rides AgainGuess the Lighting (via FStoppers)Yousuf Karsh portrait of HemingwayGeorge HurrellAudrey Hepburn by Jack CardiffPlaton portrait of President ClintonBaumgartner RestorationRaul CantuJoshua Davis StudiosWelcome to Processing!CONNECT WITH SEANWebsite: http://seantucker.photography Twitter: @seantuck Instagram: @seantuck YouTube: Sean TuckerCONNECT WITH JEFFERYWebsite: https://jefferysaddoris.com Twitter: @jefferysaddoris Instagram: @jefferysaddorisYou can also connect with both of us by sending an email to deepnatter@gmail.com.SUBSCRIBESubscribe to Jeffery Saddoris: Everything in your favorite podcast app to get every show I release in one feed.SUPPORTLeave a review or a rating wherever you listen, or you can DONATE to support the shows more directly.MUSICHigh Line by DuffmusiqMusic featured in this episode is licensed from Artlist, which is a terrific music licensing platform for YouTubers and filmmakers. Use the following link to get two additional months of Artlist free when you sign up: https://bit.ly/JS_Artlist———This post may contain affiliate links. If you use these links to buy something, I may earn a commission. Thanks.Support the show
In this episode, Sean and I are talking about how some of the evolutions in technology will impact the way we make art and, in some cases, blur the line of creativity between humans and machines. We also trade links to some of the things each of us has found interesting over the past week or so.LINKSDjo - Official WebsiteJustin Hawkins Rides AgainGuess the Lighting (via FStoppers)Yousuf Karsh portrait of HemingwayGeorge HurrellAudrey Hepburn by Jack CardiffPlaton portrait of President ClintonBaumgartner RestorationRaul CantuJoshua Davis StudiosWelcome to Processing!CONNECT WITH SEANWebsite: http://seantucker.photography Twitter: @seantuck Instagram: @seantuck YouTube: Sean TuckerCONNECT WITH JEFFERYWebsite: https://jefferysaddoris.com Twitter: @jefferysaddoris Instagram: @jefferysaddorisYou can also connect with both of us by sending an email to deepnatter@gmail.com.SUBSCRIBESubscribe to Jeffery Saddoris: Everything in your favorite podcast app to get every show I release in one feed.SUPPORTLeave a review or a rating wherever you listen, or you can DONATE to support the shows more directly.MUSICHigh Line by DuffmusiqMusic featured in this episode is licensed from Artlist, which is a terrific music licensing platform for YouTubers and filmmakers. Use the following link to get two additional months of Artlist free when you sign up: https://bit.ly/JS_Artlist———This post may contain affiliate links. If you use these links to buy something, I may earn a commission. Thanks.Support the show
Patreon: https://www.patreon.com/nullphiinfinity Bandcamp: https://nullphiinfinity.bandcamp.com/ Instagram: https://www.instagram.com/nullphiinfinity/ Youtube: https://www.youtube.com/user/MrSystemSuicide Sonocurrent: https://www.sonocurrent.com/ ★ Support this podcast on Patreon ★
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Canton Becker is a musician, programmer, and web designer. Recently he has turned his focus to algorithmic and generative music. His site, Pi Songs, used the number pi to create a musical piece 114 years long. Canton has been pushing the limits of technology and creativity for decades. He was a fundamental part of the Res Rocket Surfer project, which enabled for real time musical collaboration in the early days of the internet. Canton spoke to me about algorithmic music and how he created Pi Songs. His thoughts on the future of music and technology was both inspiring and a bit frightening! Canton gave a fascinating demonstration of his how his algorithmic music making works in real time. Listen on iTunes or Stitcher or Google Play or Spotify; watch on YouTube This episode is sponsored by Phenyx Pro. We love our PTM-10 Wireless In-Ear Monitors! Save 5% with code - BRIANFUNK Phenyx Pro - https://phenyxpro.com/DKOSOgYsjkzg Show Notes: Pi Songs - https://pisongs.com Earth Music "Brian's Song" - https://pisongs.com/earth/?position=30389804 Res Rocket Surfer - https://www.youtube.com/watch?v=KpzHQR-skEQ SampleSwap - https://sampleswap.org Canton's Web Site - https://cantonbecker.com This Person Doesn't Exist - https://thispersondoesnotexist.com Next Chord App - https://nextchord.app Bill Wurtz - https://billwurtz.com The Musician's Dice - https://musiciansdice.com Brian Funk Links: Website - https://brianfunk.com Intro Music Made with 16-Bit Ableton Live Pack - https://brianfunk.com/blog/16-bit 5-Minute Music Producer - https://brianfunk.com/blog/5minute Music Production Club - https://brianfunk.com/mpc Music Production Podcast - https://brianfunk.com/podcast Save 25% on Ableton Live Packs at my store with the code: PODCAST - https://brianfunk.com/store Thank you for listening. Please review the Music Production Podcast on your favorite podcast provider! And don't forget to visit my site https://BrianFunk.com for music production tutorials, videos, and sound packs. Brian Funk
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A special online event with musician and visual artist Brian Eno and writer and artist James Bridle on AI, non-human intelligence, ecology, biological computing, more-than-human relations, and much more. James Bridle's new ground-breaking book is Ways of Being, which considers the fascinating, uncanny and multiple ways of existing on earth. What can we learn from these other forms of intelligence and personhood, and how can we change our societies to live more equitably with one another and the non-human world? Recent years have seen rapid advances in 'artificial' intelligence, which increasingly appears to be something stranger than we ever imagined. At the same time, we are becoming more aware of the other intelligences which have been with us all along, unrecognised. These other beings are the animals, plants, and natural systems that surround us, and are slowly revealing their complexity and knowledge - just as the new technologies we've built are threatening to cause their extinction, and ours. From Greek oracles to octopuses, forests to satellites, Bridle tells a radical new story about ecology, technology and intelligence. How can we expand our definition of these terms to build a meaningful and free relationship with the non-human, one based on solidarity and cognitive diversity? We have so much to learn, and many worlds to gain. Praise for Ways of Being 'Iridescently original, deeply disorientating and yet somehow radically hopeful ... worth reading and rereading' Brian Eno 'Be prepared to re-evaluate your relationship with the amazing life forms with whom we share the planet. Fascinating, innovative and thought provoking: I thoroughly recommend Ways of Being' Dr Jane Goodall, DBE, Founder of the Jane Goodall Institute and UN Messenger of Peace 'Wonderful ... will make you feel and think the power of knowing how like all other lifeforms we are. There is nothing more important' Timothy Morton 'Brilliant ... Bridle shows the importance of listening to one another and our surroundings, and of creating new forms of community' Hans Ulrich Obrist James Bridle is author of the acclaimed New Dark Age, about technology, knowledge and the end of the future. They wrote and presented the BBC Radio 4 series New Ways of Seeing, about how technology is changing visual culture; their writing on art, politics, culture and technology has appeared in magazines and newspapers including the Guardian, Wired, New Statesman, Frieze and ICON. Their artworks have been commissioned by galleries and institutions, including the V&A, Whitechapel, Barbican, Hayward and Serpentine, and exhibited worldwide and on the internet. Brian Eno is a composer, producer and visual artist. He is widely identified with the appearance of 'Ambient Music' in the 1970s and of ‘Generative Music' in the 1990s. He has worked extensively with David Bowie, U2, Coldplay, Laurie Anderson, Talking Heads and others. His visual and installation work has been presented in nearly 200 venues over the last 5 decades. Eno is a trustee of Client Earth, director of Earth Percent and co-founder of The Long Now Foundation- a society dedicated to the promotion of long-term thinking. With thanks for your support for 5x15 online! 5x15 brings together outstanding individuals to tell of their lives, passions and inspirations. Learn more about 5x15 events: 5x15stories.com Twitter: www.twitter.com/5x15stories Facebook: www.facebook.com/5x15stories Instagram: www.instagram.com/5x15stories
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Mint Season 5 episode 1 welcomes Andre Benz, founder of the widely successfully EDM YouTube channel The Nations and CEO of Soundmint.xyz, a go-to platform for curated audiovisual NFTs. I wanted to have him on to share his unique perspective on growth hacking one of the largest curated music EDM brands on YouTube, and how that translates into his newest curated venture.In this episode, we discuss: 01:30 - Intro 01:38 - How Runescape influenced his understanding of crypto and web301:58 - Growth hacking one of the most popular EDM YouTube channel17:49 - Biggest lessons learned about the music industry while building The Nations23:15 - The inspiration behind starting Soundmint.xyz27:43 - NFT skepticism around drop culture31:47 - The process of creating a collection41:30 - What does the average collector look like on Soundmint.xyz?44:45 - How do you scale curation?47:24 - OutroI hope you enjoy our conversation. Twitter: https://twitter.com/benzspeaksLearn more by visiting: https://adamlevy.io/mint---------------------------------------------------------------------------Claim your Free Participation Pin NFT proving your involvement in Season 5https://adamlevy.io/nft---------------------------------------------------------------------------Support Season 5's NFT Sponsors1. CyberConnect - https://cyberconnect.me/2. Coinvise - https://coinvise.co/---------------------------------------------------------------------------Sign up for Adam Levy's newsletterhttps://levychain.substack.com---------------------------------------------------------------------------Follow Adam Levy on social media:Twitter:https://twitter.com/levychainInstagram:https://www.instagram.com/levychainLinkedIn:https://www.linkedin.com/in/levy-adamWebsite:https://adamlevy.io
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Mint Season 4 episode 33 welcomes Benny Conn, who's a developer at Gallery.so and co-founder of Beat Foundry, an NFT platform for entirely on-chain generative and curated music. Benny is back for a second episode on season four of Mint mainly because I love what the team is building at Beat Foundry, his energy and passion for music beams every time he talks about what he does. It's genuinely contagious.In this episode, we discuss:00:19 - Intro09:56 - What Rights do You Get When You Buy a Beat Foundry NFT?17:19 - Benny's Thesis Around the Consumption Layer as it Pertains to NFT Editions?19:25 - What Traits go into Valuing Music NFTs?20:44 - Should Artists Prioritize Social Media Virality or Web3 Collectors?22:44 - Benny's Favorite Music Artist in the Space23:21 - From a Collector's Point of View, What Makes One Music Artist More Valuable Than the Other and Web3?26:50 - How Did the Collaboration With Oshi Come Together?31:33 - Why Does the Music File Itself Need to Be On-Chain?37:27 - Benny's Biggest Challenges With Bringing This Project to Life41:08 - Outro…and so much moreI hope you enjoy our conversation.Benny Conn: https://twitter.com/bennyconnnBeat Foundry: https://twitter.com/BeatFoundryNFTsLearn more by visiting: https://adamlevy.io/mint---------------------------------------------------------------------------Claim your FREE Listener Badge NFT proving you listened to this episodehttps://adamlevy.io/poap-season-4---------------------------------------------------------------------------Support Season 4's NFT sponsors1. Coinvise - https://coinvise.co/2. Polygon Studios - https://polygonstudios.com/---------------------------------------------------------------------------Sign up for Adam Levy's newsletterhttps://levychain.substack.com---------------------------------------------------------------------------Follow Adam Levy on social media:Twitter:https://twitter.com/levychainInstagram:https://www.instagram.com/levychainLinkedIn:https://www.linkedin.com/in/levy-adamWebsite:https://adamlevy.io
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Episode 67 Music for Plants Playlist In this episode, we feature electronic music created for, inspired by, or generated by plants. The following music was created as a stimulation for plant growth, sometimes based on the “latest” scientific data and in keeping with the artist's interpretation of that data. Or simply, inspired by plants but not actually based on any science whatsoever. Mort Garson, “Rhapsody in Green” from Mother Earth's Plantasia (1976 Homewood Records). Moog Modular Synthesizer, all compositions, and performances by Mort Garson. Produced at Garson's Patchcord Production in Hollywood. One of the last great Moog Modular Albums before the onset of polyphonic and computer-controlled synthesizers. The album had a very limited distribution upon release, only being available to people who bought a houseplant from a store called Mother Earth in Los Angeles or those who purchased a Simmons mattress from a Sears outlet, both of which came with the record. From the liner notes: “Full, warm, beautiful mood music especially composed to aid in the growing of your plants.” “It has been proven beyond any doubt that harmonic sound waves affect the growth, flowering and seed yield of plants.” (Dr. T. C. Singh, Dept. of Botany, Annamalai University, India)” Jerry Cammarata, “Opus 1000” from Plant Serenade (1975 Jerem). "A Collection Of Tonal Experience For Your Lawn, Vegetable Garden And Exotic Plants.” Electronic frequency tones to stimulate plant growth. Yes, this record was actually released. It shows a violin player and some house plants on the cover. But the sounds are purely electronic. Each of the seven tracks features a tone of a different frequency. That's it. It is apparently based on theories in the book The Secret Life of Plants (1973, Avon), for which a film was also made a couple of years later and inspired Stevie Wonder to create his more musical soundtrack of the same name (1979 Tamla). From the line notes: “You are encouraged to provide a program of good nutrition to your plants during your stimulation program with this album.” “Pure tones, particularly those in the higher range, have been more aggressively used in recent years to stimulate plant growth because they apparently change the physiological state of the plant and permit it to function in a accelerated manner.” Baroque Bouquet, “Moses on a Raft” from Plant Music (1976 Amherst Records). Music by Baroque Bouquet; produced by Tom Shannon, Tony Di Maria. This album refers to various academic studies linking music to plant growth, coming to the conclusion that music which departed from loud, percussive sounds and toward harmonic, uniformly structured forms, such as baroque music, was ideal for plants. From the liner notes: “Within the limitations we have described, it appears that growing plants respond both toward and away from contrasting sound energies introduced into their environments.” We know our music will stimulate a favorable response within your growing plants.” Vale of Pnath, “Heart of the Deep Forest” from Hymn of the Plants (1998 Self released). A self-released, single-sided cassette by American independent artist Dale Tomel. Burkard Schmidl, “Part 04,” “Part 05,” and “Part 06” from KlangGarten Vol. II (Music For Plants And Humans) (1993 Innovative Communication). Music for a special project commissioned by the IGA Expo 93 in Stuttgard, the international gardening exhibition. This was one of the tracks of music composed for the SoundGarden portion of the exhibit, presented using a 12-speaker system in a garden setting. This track is one of 16 released on an exhibition CD. Marco Madia, “Photosynthesis” from Music For Plants (2013 Dewtone Recordings). This Canadian release is by Italian electronic music producer Madia, based in Berlin since 2006. Modern Biology, “Swordfern in the Morning ((Raag Bhairavi)” from Plant Music Vol 1 (2021 Self-release). Modern Biology is a Vancouver based artist who bioelectricity, Indian raga, and analog synthesis. He says, “This is not science, this is art. I think of these pieces as sketches of some of the plants in my environment. All tracks were recorded live, in nature, in the northern Gulf Islands of British Columbia.” Joshua Bonnetta, “Cactus (Cactaceae Sp.)” from The Folklore of Plants Vol. 1 (2017 Folklore Tapes). A UK compilation of short compositions around local plants of the southwest region of the England. Researched and executed by 31x artists. This is one of them. Zoe Naylor, “Nettle (Urtica Dioica)” from The Folklore of Plants Vol. 1 (2017 Folklore Tapes). A UK compilation of short compositions around local plants of the southwest region of the England. Forty-page pamphlet included plant-lore and illustrations from artists and herbal medicine section by herbalist Zoe Naylor. Mary & David, “Rowan (Sorbus Aucuparia)” from The Folklore of Plants Vol. 1 (2017 Folklore Tapes). A UK compilation of short compositions around local plants of the southwest region of the England. Devon Folklore Tapes is an ongoing research, storytelling and musical project covering and soundtracking the folklore of the southwest county of Devon in volumes of tapes housed in bespoke books. Exploring mysteries, myths, legends, and strange phenomena of the old county. Mice Parade, “Guitars for Plants” from Obrigado Saudade (2004 FatCat Records). Performed and recorded by Adam Pierce. Paul Chihara, “Logs XVI” from Tree Music (1970 CRI). Bass, Bertram Turetzky; Moog Modular Synthesizer and Buchla Modular Synthesizer, composed by, Paul Chihara. Realized at the electronic music studios of UCLA. “Logs XVI was so named because it was the sixteenth “take” in the recording studio. Meaning that this is a real-time performance by Chihara using two famous modular synthesizers, the Moog and Buchla. Douglas Leedy was also recording in this studio around that time. The end of the previous work, “Driftwood,” is heard first before it blends into the electronics of “Logs XVI.” The piece uses bass previously recorded, remixed, and modulated using the synthesizers. Chihara was inspired by trees and made this homage to their lifecycle. The following music was generated by plants, using electronics, amplification, and audio processing. Plasma Palace, “Music of the Plants” (2013 Self Release). Created with a device called Bamboowhich is connects directly to a plant, perceiving its electromagnetic signals and translating it into musical harmonies. This recording was made with two Bamboo devices connected to house plants. I guess you'd call it a duet. Shane Mendonsa, “Lavender (Generative)” from Plant Music (2021 Digital release). “Lavender” is a Generative Music performance featuring a Lavandula angustifolia. The Plant is connected to the Eurorack modules and the Moog synthesizers through a biofeedback sensor which distributes the data from the plant to the instruments allowing the plant to the instruments. The pulsating Bass is a result of the Raw data output from the sensor that is modulating the Pulse width on the Moog Oscillators. More about Shane's plant music can be found on his website. Background music: Jerry Baker, “House Plants” from Plants are Like People (1973 Lion Records). With the appearance of popular books around the subject of house plants, came the inevitable audio recordings to accompany them. This is a spoken word album by “America's Master Gardener.” Maria Sabína, Excerpt from the “Mushroom Ceremony Of The Mazatec Indians Of Mexico” (1957 Folkways). Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations.
Mint Season 4 episode 13 welcomes Benny Conn, who's a developer at Gallery.so and co-founder of Beat Foundry, an NFT platform for entirely on-chain generative and curated music. Benny dropped out of college to pursue his love for where crypto meets music and Beat Foundry was his first stab at this passion. Congrats to him and his team for a widely successful drop and I'm glad I was able to lead the post-mortem deep dive. We recorded this episode on Twitter Spaces so excuse the Air pods level quality. In this episode, we discuss:IntroWho are your Biggest Jazz Music Influences?Beat Foundry - Why is Generative Music ImportantThe First Drop: OcarinasBeat Foundry and OwnershipDoes Music Need to Be On Chain?Current State of NFTsWhat's the Next Drop in the Pipeline?What's Next? The Oshi DropOutro…and so much more.I hope you enjoy our conversation. Benny Conn: https://twitter.com/bennyconnnLearn more by visiting: https://adamlevy.io/mint ---------------------------------------------------------------------------Claim your FREE Listener Badge NFT proving you listened to this episodehttps://adamlevy.io/poap-season-4---------------------------------------------------------------------------Support Season 4's NFT sponsors1. Coinvise - https://coinvise.co/2. Polygon Studios - https://polygonstudios.com/---------------------------------------------------------------------------Sign up for Adam Levy's newsletterhttps://levychain.substack.com---------------------------------------------------------------------------Follow Adam Levy on social media:Twitter:https://twitter.com/levychainInstagram:https://www.instagram.com/levychainLinkedIn:https://www.linkedin.com/in/levy-adamWebsite:https://adamlevy.io
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Patreon:https://www.patreon.com/nullphiinfinityBandcamp:https://nullphiinfinity.bandcamp.com/Instagram:https://www.instagram.com/nullphiinfinity/Youtube:https://www.youtube.com/user/MrSystemSuicideKnas page on the Polygamist:http://www.knasmusic.com/products/polygamist/polygamist.phpModules used in this episode (besides the Polygamist): Ornament and Crime, Noise Engineering Cursus Iteritas, Basimilus Iteritas Alter, Erica Synths Pico RND, Pico DSP, Zlob SVF, Entropy, Befaco Rampage, Sampling Modulator, Make Noise Maths, Mimeophon, AI Synthesis Quad VCA/Mixer, Bastl Little Nerd, ABC Mixer ★ Support this podcast on Patreon ★
What can artists offer in response to climate change? The experience of the pandemic has shown us that a profound reimagining of many aspects of society are entirely possible. In what ways can we rethink our relationship to the environment? How can we effect change with our every action? Join us to hear from artists and thinkers delivering an urgent and innovative response to the climate emergency. Back to Earth, the Serpentine's major environmental programme is a multi-year initiative which invites leading artists, architects, poets, filmmakers, scientists, thinkers and designers to devise campaigns, protocols and initiatives to respond to the environmental crisis. The first Back to Earth publication, 140 Artists' Ideas for Planet Earth, edited by Serpentine Artistic Director Hans Ulrich Obrist together with Kostas Stasinopoulos, represents the exhibition of these ideas in book form, a unique compendium of recipes, sketches, photographs, texts, actions and instructions from some of the most creative minds of our generation to Remember Nature and help us all build a fairer and more sustainable future. This unmissable event brings together artists and thinkers to share their ideas around ecological challenges and to talk about collaboration and interconnectedness across disciplines as we look ahead and imagine the future in the next 50 or 500 years. Brian Eno is a composer, producer and visual artist. He is widely identified with the appearance of 'Ambient Music' in the 1970s and of ‘Generative Music' in the 1990s. He has worked extensively with David Bowie, U2, Coldplay, Laurie Anderson, Talking Heads and others. His visual and installation work has been presented in nearly 200 venues over the last 5 decades. Eno is a trustee of Client Earth, director of Earth Percent and co-founder of The Long Now Foundation- a society dedicated to the promotion of long-term thinking. Carolina Caycedo is a Colombian-American artist who is researching community-led alternative energy production across the Americas. The basis of her campaign for Back to Earth is her long-running investigation into human interaction with rivers, from access to clean water supplies to toxicity levels and the impact of dams. Kostas Stasinopoulos is a curator and art historian. He is Assistant Curator, Live Programmes at Serpentine Galleries, London, working across the institution's interdisciplinary programme, Back to Earth and the General Ecology project. Rob Hopkins is the co-founder of transition Town Totnes and the Transition Network; and is the author of the Transition Handbook and most recently From What Is to What If: unleashing the power of imagination to create the future we want. Rob presents the podcast called from What If To What Next in which he considers how to re-imagine our relationships with every day things such as flying. In 2012 he was voted one of the independent's top 100 environmentalists and one of the observers top British radicals. He has spoken at TED global, and he is a keen gardener and the founder of the New Lion brewery. His spare time he creates extraordinarily beautiful lino prints. Rosie Boycott is a cross bench peer, food campaigner, co-founder of 5x15 and author of Our Farm: A year in the life of a small holding. 5x15 brings together outstanding individuals to tell of their lives, passions and inspirations. Learn more about 5x15 events: 5x15stories.com Twitter: www.twitter.com/5x15stories Facebook: www.facebook.com/5x15stories Instagram: www.instagram.com/5x15stories
Links to topics we talked about in Episode 20:The Invisible Rainbow by Arthur FirstenbergMay 2021 New Moon ReportPower Up: Solar Plexus HealingDK's Personalized Astrology Report528 Hz and DNA RepairThe Schumann ResonanceKairos adds: “My statement on the pod about the Israeli military developing 5G technology and using it as a crowd control weapon was imprecise. The incident I was referring to with the Israeli military involved the use of psychotronic weapons transmitted via mobile phone towers. Since the U.S., Chinese, and Russian militaries have all used 5G millimeter-wave technologies as crowd control weapons, I am assuming that a similar tech was used in Barcelona at the event recounted on Irene Cesar’s blog.““If you’re interested in learning about some of the recognized health dangers posed by 5G, check out 5G Radiation Dangers – 11 Reasons to Be Concerned on Lloyd Burrell’s ElectricSense website.”
NEWS MLC collects almost $500 million in unclaimed funds Random, probable and generative music GUEST Composer-mixer Lars Deutsch Two time Emmy winner Lars Deutsch was born into a non-musical family and was astounded when he discovered that a guitar needs tuning. From those humble beginnings he went from heavy metal guitarist, to singer, to songwriter, to a Masters in classical composition, to international performances of his classical works, to lecturing in composition and audio production. He’s also become an in-demand mixer as well. Lars has scored over two hundred thirty films that have collected over one hundred awards, and his songs are also in high demand. As an audio branding expert, he has created audio logos for a range of companies including Adidas, Mercedes Formula One, Contac, Epson and many more. During the interview we spoke about the process of creating an audio brand logo, the reasons why he began mixing, his method for organizing samples, mixing on headphones, and much more. On the intro I’ll take a look at the MLC collecting unclaimed funds, and randomization, probability, and generative music. var podscribeEmbedVars = { epGuid: 'https://bobbyoinnercircle.com/?p=2767', rssUrl: 'https://bobbyoinnercircle.com/feed/podcast/', backgroundColor: 'white', font: undefined, fontColor: undefined, speakerFontColor: undefined, height: '600px', showEditButton: false, showSpeakers: true, showTimestamps: true };
oe Patitucci is a multimedia healing artist who curates bio-responsive systems to help people broaden their experience of mental, physical, and digital space as well as the community. He is one of the Founders of Data Garden, home of PlantWave as well as Plants FM, an online streaming service delivering live music generated by plants. While much of the profit-driven world is focused on power plants, today we’re tapping into the power of plants and all you have to do is listen. Join us as we dig into plant intelligence, algorithmic and generative music, his experience running a zero-waste record label, holographic theory because why not, and more. Follow and support Joe Patitucci & PlantFM: https://www.plantwave.com/ https://www.datagarden.org/ https://www.plants.fm/ http://www.joepatitucci.net/ https://www.instagram.com/natureofnow/ Learn more about your ad choices. Visit megaphone.fm/adchoices
Musicians are tapping into technology like never before, transforming the way music is made, experienced, and consumed—and along the way, they’re changing the relationship between artist and listener. From Brian Eno’s technologist Peter Chilvers to composer Julianna Barwick to electronic musician Matthew Dear, we’ll hear from the forward-thinking artists who are pushing the limits of their craft.For more information about Microsoft's In Culture podcast, please visit: microsoft.com/inculture/podcast
Alexey Kochetkov is the CEO and founder of Mubert, an AI generative music app. Mubert's algorithm creates unique audio streams from samples and loops uploaded by various electronic music producers. Each such stream is an infinite 'live' track that is constantly changing in real time. Listeners of the mobile app can choose from channels based on genres (e.g. Chill, Dub Techno, Hip Hop, House) and actions (e.g. Focus, Work, Sleep, Relax). On this Music Growth Talks episode, Alex talked about musicians' role in the future of music AI; the increasing interest in generative music from commercial brands, games, and social media platforms; the fair monetisation model where producers earn money from the sounds they've uploaded; and a lot more. Listen to the episode in full to also learn how to create a personal generative stream consisting only from your samples with Mubert. ⏯ Go to http://dottedmusic.com/2019/podcast/mgt129-mubert for the show notes and http://musicgrowthtalks.com to subscribe to the podcast. Become a patron to access a secret podcast feed with patron-only episodes at https://www.patreon.com/andrewapanov
Richard Adams speaks to Jon Pettigrew. Jon was the Commercial Director of SSEYO in the 1990s, developing the Koan Music Engine which was a way of creating "Generative Music", a term popularized by Brian Eno to describe music that is ever-different and changing and that is created by a system. Jon has gone on to create other Generative Art, including Generative Cinema and Narratives. Currently, Jon is Producing Cosmos Art Data where he broadcasts art to the stars.
In this Medea Vox episode, Hugo Boothby and Erin Cory discuss the project “Music for Universities.” The project is based around generative music, which is music that is produced by a system in which degrees of randomization are defined by the composer. Central issues that are explored include audio imperfections and the narrative of technological sonic progress.
Imagine having a private band or orchestra talented enough to extemporaneously compose, orchestrate and perform the soundtrack to your life, adjusting to the environment or your emotions in real time? Better yet, what if YOU had the ability to create audio content that would adapt to any given situation in an immersive space? Ryan Groves is an award-winning music researcher and veteran developer of intelligent music systems. He also serves as the President and CPO of Melodrive, an adaptive music generation mechanism that uses artificial intelligence to create and integrate original music on any digital platform, be it a video game, virtual world or augmented reality system. Today, Ryan sits down with us at Boost VC to offer his insight on the future of music and explain how Melodrive is working to change the way we consume it. He also explains the concept of ‘uncanny valley' and shares his take on how long we have before AI takes over the world. Listen in to understand how Melodrive allows users to create audio content that adapts to its interactive environment in real time and learn how this technology might redefine the way we experience music. Connect with Ryan Melodrive http://melodrive.com/ Melodrive on Facebook https://www.facebook.com/Melodrive-1002985873155277/?view_public_for=1002985873155277 Melodrive on Twitter https://twitter.com/melodrivemusic Ryan on LinkedIn https://www.linkedin.com/in/ryan-groves-0540b08/ Resources Roblox https://www.roblox.com/ ToeJam & Earl https://www.giantbomb.com/toejam-and-earl/3030-13306/ The Battle of Polytopia https://itunes.apple.com/us/app/the-battle-of-polytopia/id1006393168?ls=1&mt=8 Ryan in WhiteSnake LA https://www.youtube.com/watch?v=6JD8SsNEHUI Connect with Boost VC Boost VC Website https://www.boost.vc/ Boost VC on Facebook https://www.facebook.com/boostvc/ Boost VC on Twitter https://twitter.com/BoostVC
In this Medea Vox episode, Hugo Boothby and Erin Cory discuss the project “Music for Universities.” The project is based around generative music, which is music that is produced by a system in which degrees of randomization are defined by the composer. Central issues that are explored include audio imperfections and the narrative of technological sonic progress.
Make Weird Music: Discover new artists, learn secret techniques, and share creative music.
Andy West (Dixie Dregs) and Markus Reuter (Stick Men, centrozoon) chat music in my living room.
Musician and developer Peter Chilvers discusses making apps with Brian Eno, including the new generative music composition Reflection. “Imagine lots and lots of theremins looping back at you…” Show notes: Peter Chilvers’ website Ten years working with Brian Eno Generative Music website with Peter’s apps Scape, Bloom, Trope, and Air Kirk’s review of the Reflection CD and app Kirk’s 2013 review of Four apps for making ambient music on your iOS device Note: Peter Chilvers’ explanation of the Reflection app’s pricing, which comes in around the 23-minute mark, is a brief recording he made after the show because he was unsatisfied with the way he replied to the question during the recording. Our next tracks: Kirk: Brad Mehldau: Blues and Ballads Doug: Homer & Jethro: Country Their Way – 36 All-Time Greatest Hits If you like the show, please subscribe in iTunes or your favorite podcast app, and please rate the podcast. Special Guest: Peter Chilvers.
Generative music mobile, accompanying an art projection by Jürgen Messensee, shown at the Essl Museum (Klosterneuburg/Vienna) in 2006. Info: http://www.essl.at/works/7x7x7.html In his so-called art projection "Portrait E.", the painter Jürgen Messensee conducts an unusual experiment: a photo of a painting is deprived of its resting static state. Its parts slowly begin to shift, turning and interlocking and forming a three-dimensional spatial structure that moves in time. Through this process the iconic object becomes liquid, gaining two further dimensions with the inclusion of spatial depth and the flow of time. This approach is closely connected with my own compositional thinking, since I often start with static sound material (so-called "samples") in my computer-generated realtime compositions but transfer them into fluid processes through specially developed compositional algorithms. Panta Rhei - a sound environment for Jürgen Messensee's installation "Piscina di Venere" - testifies to this. It is the opposite path that I take in (7x7)7. Where Messensee gradually dissolves an existing whole, transferring it into a spatial lapse of time, my sound environment consists of 49 pre-composed musical motifs (taken from 7x7 for 4 clarinets), which were played beforehand by a bass clarinet and recorded digitally. With the help of a random-controlled algorithm, these digitally stored basic elements are recomposed in respectively new combinations, from which composite sound figures emerge, which all recur - despite their differences - on the same harmonic source material: an eight-part all-interval series that is composed of constantly decreasing intervals and is thus reminiscent of the structure of an overtone series, but without being bound to tonality.
Patrick Hollen (@pdhollen) and Jonathan talk about Hologram Popstars, Generative Music, Robot Jazz Players, VR in an art museum, Old Tech with New Life, and IBM Watson Plays The Guitar while Deep Blue Wins Gold Medal On The Ski Jump
MIT OCW: 21M.380 Music and Technology: Algorithmic and Generative Music, Spring 2010
MIT OCW: 21M.380 Music and Technology: Algorithmic and Generative Music, Spring 2010
MIT OCW: 21M.380 Music and Technology: Algorithmic and Generative Music, Spring 2010
MIT OCW: 21M.380 Music and Technology: Algorithmic and Generative Music, Spring 2010
MIT OCW: 21M.380 Music and Technology: Algorithmic and Generative Music, Spring 2010
MIT OCW: 21M.380 Music and Technology: Algorithmic and Generative Music, Spring 2010
MIT OCW: 21M.380 Music and Technology: Algorithmic and Generative Music, Spring 2010
MIT OCW: 21M.380 Music and Technology: Algorithmic and Generative Music, Spring 2010
MIT OCW: 21M.380 Music and Technology: Algorithmic and Generative Music, Spring 2010
MIT OCW: 21M.380 Music and Technology: Algorithmic and Generative Music, Spring 2010
MIT OCW: 21M.380 Music and Technology: Algorithmic and Generative Music, Spring 2010
MIT OCW: 21M.380 Music and Technology: Algorithmic and Generative Music, Spring 2010
MIT OCW: 21M.380 Music and Technology: Algorithmic and Generative Music, Spring 2010
MIT OCW: 21M.380 Music and Technology: Algorithmic and Generative Music, Spring 2010
MIT OCW: 21M.380 Music and Technology: Algorithmic and Generative Music, Spring 2010
MIT OCW: 21M.380 Music and Technology: Algorithmic and Generative Music, Spring 2010
MIT OCW: 21M.380 Music and Technology: Algorithmic and Generative Music, Spring 2010
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