Podcast appearances and mentions of Linda Woolverton

Mesmo com o mixed feelings que causou, a verdade, é que em Hollywood "money wins" e 5 anos depois do live action de "O Rei Leão", o spinoff "Mufasa" chega ao mundo para contar a história da origem do pai (e do tio) de Simba.::E atenção para as substituições:No roteiro, Linda Woolverton, de "Malévola" e "A Bela e a Fera" e Irene Mecchi, de "Hércules" e "Valente" se juntam a Jeff Nathanson, do 1o filme;Na trilha sonora, Lin Manuel Miranda, de "Hamilton" e "Encanto", assume as composições originais ao lado de Dave Metzger, que entra no lugar do veterano Hans Zimmer;E o grande Barry Jenkins, de "Moonlight", assume a direção no lugar de Jon Favreau.::Coloque seu fone, aumente o volume e Senta que lá vem Spoiler!

The King has returned! Barry Jenkins' Lion King prequel - Mufasa: The Lion King - has released in theaters and I had the chance to check it out just recently. The Lion King is my favorite animated film of all-time but beyond further reflection and pondering, the remake was quite a big letdown that lacked much of the soul and creativity of that original animated film. That's why I was very skeptical about Barry Jenkins' prequel and I wanted nothing more than to be excited about more movies set in the continuity of The Lion King. Barry Jenkins' involvement certainly had my curiosity piqued though. Did the movie win me over, or is this yet another soulless live-action Disney film? Find out in this review! Mufasa: The Lion King: Directed by: Barry Jenkins Screenplay by: Jeff Nathanson Based off the characters created by: Linda Woolverton and Irene Mecchi and Jonathan Roberts Produced by: Mark Ceryak, Adele Romanski, Genevieve Hofmeyr Executive Producer: Peter Tobyansen Music by: Dave Metzger Cinematography by: James Laxton Editing by: Joi McMillon Casting by: Francine Maisler, Molly Rose Production Design by: Mark Friedberg Cast: Aaron Pierre, Kelvin Harrison Jr., Tiffany Boone, Kagiso Lediga, Preston Nyman, Mads Mikkelsen, Thandiwe Newton, Lennie James, Anika Noni Rose, Keith David, John Kani, Seth Rogen, Billy Eichner, Donald Glover, Blue Ivy Carter, Beyoncé Synopsis: Told in flashbacks, Mufasa is an orphaned cub, lost and alone until he meets a sympathetic lion named Taka—the heir to a royal bloodline. The chance meeting sets in motion a journey of misfits searching for their destiny and working together to evade a threatening and deadly foe.

Kyle, Joe, and Rick review the animated musical, The Lion King, which is currently on Disney+. Directed by Roger Allers and Rob Minkoff, and written by Irene Mecchi, Jonathan Roberts, and Linda Woolverton, with music from Hans Zimmer, Tim Rice, and Elton John. The film stars Jonathan Taylor Thomas, Jason Weaver, Matthew Broderick, Jeremy Irons, Nathan Lane, Whoopi Goldberg, and James Earl Jones. We ranked 5 of the songs from the soundtrack, as well as picked our favorite lines, characters, performers, and scenes. Enjoy!

Continuamos la segunda temporada valorando como se merece esta película histórica y maravillosa que tanto avanzó el mundo de la animación y de nuestros corazones. Dani se niega a leer una sinopsis porque si no sabes de qué va El Rey León no te mereces El Rey León. Virginia cuenta cómo fue arrollada emocionalmente con 6 años por la muerte de Mufasa, COMO TODOS. Oscar habla de “negritos”. Año: 1994. Duración: 1h 28min. Dirección: Roger Allers, Rob Minkoff. Guión: Irene Mecchi, Jonathan Roberts, Linda Woolverton. Reparto: Rowan Atkinson, Matthew Broderick, Niketa Calame-Harris, Jim Cummings, Whoopi Goldberg, Robert Guillaume, Jeremy Irons, James Earl Jones, Moira Kelly, Nathan Lane. Sinopsis Para Gente Normal: El pequeño león Simba, príncipe heredero, es engañado por su malvado tío, quien desea el trono para sí mismo. Web ➔ ⁠https://www.pelisypanolis.com⁠ Instagram ➔ ⁠https://www.instagram.com/pelisypanolis⁠ Twitter ➔ ⁠https://twitter.com/pelisypanolis⁠ El Episodio Perdido ➔ ⁠https://www.pelisypanolis.com/regalo⁠ Arte ➔ ⁠https://www.instagram.com/CarabiasDibuja⁠ Revista Ilustrada Gratuita de Cine Español ➔ https://carabiasdibuja.com/pelis-y-panolis/ Música ➔ ⁠https://pixabay.com/es/users/grand_project-19033897⁠ Los derechos de propiedad intelectual sobre nombres comerciales, marcas registradas, logotipos, fragmentos de música, audio e imágenes de las películas comentadas en este podcast pertenecen a sus respectivos propietarios.

Welcome to "Say What's Reel," the podcast where we dive deep into the world of movies! This week, your hosts Dom Cruze, Q, and ILL take a nostalgic journey back to 1994 to review the animated classic, The Lion King.Join us as we discuss:The impact of "The Lion King" on our childhoodsMemorable characters like Simba, Mufasa, Scar, and more The timeless soundtrack by Elton John and Hans ZimmerIconic moments and quotes that have stood the test of timeBehind-the-scenes trivia and fun factsDon't forget to like, comment, and subscribe for more in-depth movie reviews and discussions. Let us know your favorite "The Lion King" moments in the comments belowThe Lion King is a 1994 American animated musical coming-of-age drama film[4][5] produced by Walt Disney Feature Animation and released by Buena Vista Pictures Distribution under the Walt Disney Pictures banner. The film was directed by Roger Allers and Rob Minkoff (in their feature directorial debuts) and produced by Don Hahn, from a screenplay written by Irene Mecchi, Jonathan Roberts, and Linda Woolverton. The film features an ensemble voice cast that includes Matthew Broderick, Moira Kelly, James Earl Jones, Jeremy Irons, Jonathan Taylor Thomas, Nathan Lane, Ernie Sabella, Whoopi Goldberg, Cheech Marin, Rowan Atkinson, Niketa Calame, and Robert Guillaume. Its original songs were written by composer Elton John and lyricist Tim Rice, with a score by Hans Zimmer. Inspired by African wildlife, the story is modelled primarily on William Shakespeare's stage play Hamlet with some influence from the Biblical stories of Joseph and Moses, and follows a young heir apparent who is forced to flee after his uncle kills his father and usurps the throne. After growing up in exile, the rightful king returns to challenge the usurper and end his tyrannical rule over the kingdom.Find the Say Whats Reel CrewSay Whats Reel Socials - https://linktr.ee/rmhproductionsDOM CRUZE Instagram: https://www.instagram.com/itzdomw/Q Twitter: https://twitter.com/King_QuisemoeInstagram: https://www.instagram.com/king_quisemoe/iLL - https://twitter.com/illest_thriller

The Lion King is a 1994 American animated musical drama film produced by Walt Disney Feature Animation and released by Walt Disney Pictures. The 32nd Disney animated feature film and the fifth produced during the Disney Renaissance, it is inspired by William Shakespeare's Hamlet with elements from the Biblical stories of Joseph and Moses and Disney's 1942 film Bambi. The film was directed by Roger Allers and Rob Minkoff (in their feature directorial debuts) and produced by Don Hahn, from a screenplay written by Irene Mecchi, Jonathan Roberts, and Linda Woolverton. The film features an ensemble voice cast that includes Matthew Broderick, James Earl Jones, Jeremy Irons, Jonathan Taylor Thomas, Nathan Lane, Ernie Sabella, Rowan Atkinson, and Robert Guillaume. Its original songs were written by composer Elton John and lyricist Tim Rice, with a score by Hans Zimmer.   The film has led to many derived works, such as a Broadway adaptation in 1997; two direct-to-video follow-ups—the sequel, The Lion King II: Simba's Pride (1998), and the prequel/parallel, The Lion King 1½ (2004); two television series, Timon and Pumbaa and The Lion Guard; and a photorealistic remake in 2019, which also became the highest-grossing animated film at the time of its release. In 2016, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".  The Lion King is the first Disney film to have been dubbed in Zulu, the only African language aside from Arabic to have been used for a feature-length Disney dub.     The Lion King is a 2019 American musical drama film directed and co-produced by Jon Favreau, written by Jeff Nathanson, and produced by Walt Disney Pictures and Fairview Entertainment. It is a photorealistic computer-animated remake of Disney's traditionally animated 1994 film of the same name. The film stars the voices of Donald Glover, Seth Rogen, Chiwetel Ejiofor, Alfre Woodard, Billy Eichner, John Kani, John Oliver, Florence Kasumba, Eric André, Keegan-Michael Key, JD McCrary, Shahadi Wright Joseph, with Beyoncé Knowles-Carter, and James Earl Jones reprising his role from the original film.   Plans for a remake of 1994's The Lion King were confirmed in September 2016 with Favreau attached to directed following box office successes for Disney remakes such as The Jungle Book (2016), which was also directed by Favreau. Disney hired Nathanson to write the screenplay in October 2016. Favreau was inspired by certain roles of characters in the Broadway adaptation and developed upon elements of the original film's story. Much of the main cast signed in early 2017, and principal photography began in mid-2017 on a blue screen stage in Los Angeles. The "virtual-reality tools" utilized in The Jungle Book's cinematography were used to a greater degree during filming of The Lion King. Composers Hans Zimmer, Elton John, and lyricist Tim Rice, all of whom worked on the original's soundtrack, returned to compose the score alongside Knowles-Carter, who assisted John in the reworking of the soundtrack and wrote a new song for the film, titled "Spirit", which she also performed. The film serves as the final credit for editor Mark Livolsi, and it is dedicated to his memory. With an estimated budget of around $260 million, The Lion King is one of the most expensive films ever made.   Opening Credits; Introduction (.37); Background History (1:02.08); The Lion King (19940 Trailer (1;05.30); The Original (1:06.41); Let's Rate (1:51.58); INTERMISSON:  (1:56.58) Introducing a Film (2:07.01); The Lion King (2019) Film Trailer (2:04.06); Lights, Camera, Action (2:05.51); How Many Stars (2:43.21); End Credits (2:58.34); Closing Credits (2:59.34)   Opening Credits– Epidemic Sound – Copyright . All rights reserved.   Intermission Music:  He Lives In You (Reprise) – Ensemble – The Lion King, Jason Raize and Tsidii Le Loka.  Taken from the album The Lion King, The Original Broadway Cast Album.  Copyright 1997 Walt Disney Records.  .   Closing Credits:  Shadowlands by Shadowland · Heather Headley · Tsidii Le Loka · Ensemble - The Lion King.  Taken from The Lion King, The Original Broadway Cast Album.  Copyright 1997 Walt Disney Records.  ​ Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.    Interval Music:  The Lion King Original Broadway Cast.  Copyright 1997 Walt Disney Records.   All rights reserved.  Used by Kind Permission.   All songs available through Amazon Music.

Journey to Babel (Star Trek: TOS) vs. Gone With The Mimphs / The First Apprentice (Star Wars: Ewoks)The word "iconic" gets thrown liberally. We talk about Linda Woolverton and D.C. Fontana. Kenny talks about Spock as a reflection of post-WWII masculinity. Aspen talks about how amazing the Mimphs are. And we get silly.__________________________Get early, extended episodes on our Patreon at https://www.patreon.com/trekwarspodTheme by Tosin AwofesoSocial Media:https://www.instagram.com/trekwarspodhttps://bsky.app/profile/trekwarspod.bsky.socialWant to ask us questions? Email us at trekwarspod@gmail.com .And leave us a review! https://bit.ly/leave-a-review-trek-wars

Beauty and the Beast is a 1991 American animated musical romantic fantasy film produced by Walt Disney Feature Animation and released by Walt Disney Pictures. The 30th Disney animated feature film and the third released during the Disney Renaissance period, it is based on the 1756 fairy tale of the same name by Jeanne-Marie Leprince de Beaumont (who was only credited in the French dub),[6] while also containing ideas from the 1946 French film of the same name directed by Jean Cocteau.[7] The film was directed by Gary Trousdale and Kirk Wise (in their feature directorial debuts) and produced by Don Hahn, from a screenplay by Linda Woolverton.   Beauty and the Beast is a 2017 American musical romantic fantasy film directed by Bill Condon from a screenplay by Stephen Chbosky and Evan Spiliotopoulos. Produced by Walt Disney Pictures and Mandeville Films, the film is a live-action adaptation of Disney's 1991 animated film of the same name, itself an adaptation of Jeanne-Marie Leprince de Beaumont's 1756 version of the fairy tale. Starring Emma Watson and Dan Stevens as the eponymous Belle and the Beast, the film features an ensemble and choir cast including Luke Evans, Kevin Kline, Josh Gad, Ewan McGregor, Stanley Tucci, Audra McDonald, Gugu Mbatha-Raw, Ian McKellen, and Emma Thompson.   Opening Credits; Introduction (2.27); Background History (15.24); Beauty and the Beast (1991) Trailer (19.47); Original Thoughts (21.27); Let's Rate (49.53); Introducing a Remake (53.54); Beauty and the Beast (2017) Trailer (56.29); Lights, Camera, Action (58.48); How Many Stars (1:48.23); End Credits (1:55.29); Closing Credits (1:56.54)   Opening Credits– Beauty and the Beast Prologue by Alan Menken.  Copyright 1991 Disney Records. All rights reserved   Closing Credits:  Beauty and the Beast by Marilyn Martin.  Taken from the self titled album Marilyn Martin.  Copyright 1986 Atlantic Records.  ​ Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.    All rights reserved.  Used by Kind Permission.   All songs available through Amazon Music.

THE LION KING  Music & Lyrics by Elton John & Tim Rice | Additional Music & Lyrics by Lebo M., Mark Mancina, Jay Rifkin, Julie Taymor, & Hans Zimmer | Book by Roger Allers & Irene Mecchi  |  Adapted from the Screenplay by Irene Mecchi, Jonathan Roberts, & Linda WoolvertonWorks Consulted & Reference :The Lion King (Original Production Directed by Julie Taymor)The Lion King (Original Film Directed by Roger Allers & Rob Minkoff)The Lion King: Pride Rock on Broadway by Julie TaymorThe Lion King - The Full Film Script by Bill Scollon & Marbara MontiniDisney Theatrical Productions: Producing Broadway Musicals the Disney Way by Amy S. OsatinskiThe Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen' Edited by George RodosthenousThe Lion King: A 'Blockbuster Feline' on Broadway and Beyond by Barbara Wallace GrossmanMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie  (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording  (Original Cast Recording  / Deluxe)  | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr.  | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording)  | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording)  | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording)  | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"They Live in You" from The Lion King (Original Broadway Cast Recording)  | Music & Lyrics by Lebo M., Mark Mancina, & Jay Rifkin | Performed by  Samuel E. Wright & Ensemble - The Lion King"Maria" from The Sound of Music (Original Soundtrack Recording)  | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff

"Den lille klassiske" er en lavterskelpodcast om litterære klassikere. Konseptet er at vi gir dere en smakebit på en klassiker, gammel eller ny, og snakker om og rundt denne. Episodene er på ca. 20 minutter og blir publisert med ujevne mellomrom. Verter: Ingrid Nygård og Vilde Kristoffersen Bakkevig, begge ansatt ved Haugesund folkebibliotek Bli med til Eventyrland! Vi har lest boken “Alice i Eventyrland” av Lewis Carroll. Boken kom i 1865 og har vært fortløpende i salg siden det. Den er en forløper til britisk fantasy-tradisjon, og popkulturen er stappfull av referanser til Alice. Den hvite kaninen forbinder du kanskje med helt andre ting enn en uskyldig barnebok? Kilder: Alice i Eventyrland/Lewis Carroll (2014) https://haugesund.bib.no/cgi-bin/m2-int?tnr=488162  Alices Adventures in Wonderland/adapted by Mary Sebag-Montefiore from the story by Lewis Carroll (2022) https://haugesund.bib.no/cgi-bin/m2-int?tnr=713820 Alice in wonderland : Alice's adventures in Wonderland & Through the Looking-glass/Lewis Carroll (2021) https://haugesund.bib.no/cgi-bin/m2-int?tnr=724289   Fra Shakespeare til Knausgård : 66 klassikere du naturligvis har lest/Janne Stigen Drangsholt og Therese G. Eide. (2020) https://haugesund.bib.no/cgi-bin/m2-int?mode=vt&pubsok_txt_0=Fra+Shakespeare+til+Knausg%C3%A5rd&foreslaatt=1&pubsok_kval_0=TI&frapop=t&sourceid=poptit Alice in Wonderland (DVD)/screenplay by Linda Woolverton ; directed by Tim Burton https://haugesund.bib.no/cgi-bin/m2-int?tnr=454854 Jefferson Airplane – White Rabbit (Live On Smothers Brothers 1967) https://youtu.be/WANNqr-vcx0 Music credit: Song "Converging lines" by David Hilowitz, licenced under a creative commons licence, downloaded from freemusicarchive.org and cropped to fit the recording. Find more music by David Hilowitz: https://freemusicarchive.org/music/David_Hilowitz#contact-artist --- Send in a voice message: https://podcasters.spotify.com/pod/show/haugesundbibliotek/message

Dr. Angela Lauria and her co-host, Matt Lowry LPP, examine how the 1991 Disney film Beauty and the Beast—with its enchanted objects and magical setting—provides a captivating allegory for the Autistic experience, showcasing the value of individuality, empathy, and embracing the beauty in our differences. “So…when you're not looking at autistic people through an Autistic Culture lens, and you're like, oh, she's strange, or oh, she maybe when she meets the right guy, she'll act normal.”—AngelaThe writer of the film, Linda Woolverton, is highlighted as someone who frequently writes stories and characters that Autistic people can relate to. Her other works like Mulan, Maleficent, and Alice in Wonderland are mentioned.The hosts trace the history of Beauty and the Beast tales over thousands of years in various cultures. The 1740 French novel and 1946 French film are discussed as precursors to the 1991 Disney version.Matt and Angela take a closer look at the Beast: a misunderstood creature with emotional intensity, longing for connection but trapped by society's judgments and expectations—something people on the autism spectrum are all too familiar with. Through analyzing the evolving relationship, the hosts highlight the themes of acceptance, understanding, and the transformative power of love that transcend societal barriers, reflecting the experiences of many in Autistic Culture.And of course, they explore the tale of Belle: an intelligent and compassionate young woman who, despite facing social isolation due to her unique interests and demeanor, finds solace in a world of books and enchantment—highly relatable for Autistic individuals. Belle's character can be seen as a powerful symbol of neurodiversity and the importance of embracing one's true self, even when it's not understood by others.“This is the way of our people because with our hyper-connected brains, we have the data hunger. We need experiences. We need reading. We need research. We need to go see places and do things. We need more than these dead-eyed villagers. ‘There must be more than this provincial life.'” —MattMusical elements of the film are also analyzed, including songs that depict Belle as an outsider who's misunderstood. The lyricist Howard Ashman is credited along with composer Alan Menken. Additionally, the character of Gaston is critiqued as representing neurotypical arrogance and ignorance, as he provokes the villagers' mob mentality. Don't miss this enchanting exploration of how Beauty and the Beast captivates the hearts of Autistic children and adults, and serves as a reminder that there's magic in all of us.Do you relate to Beauty and the Beast? What parts?* The Evolution of Beauty and the Beast* The Original 'Beauty & The Beast' Was Very Different* How Disney has transformed classic tale of ‘Beauty and the Beast' from the original* Beauty and the Beast (1991 film)* Linda Woolverton* Crunch the Rockdog COMPLETE* In Her Own Words: Linda Woolverton* Re-reading 'Little Women'Related episodes…Episode 18 - Ponies are Autistic, Episode 09: Fairy Tales are Autistic, and Episode 26 - Disney is AutisticReady for a paradigm shift that empowers Autistics? Help spread the news!* Check us out on Instagram* Find us on Apple podcasts and Spotify* Learn more about Matt at Matt Lowry, LPP* Matt's social media: Autistic Connections Facebook Group* Learn more about Angela at AngelaLauria.com and Difference Press* Angela's social media: Twitter and TikTok This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.autisticculturepodcast.com/subscribe

From the 1994 film produced by Disney Written by: Irene Mecchi, Jonathan Roberts, and Linda Woolverton

In this episode of The Autistic Culture Podcast:Join hosts Angela and Matt as they discuss the Autistic origins and culture surrounding My Little Pony, including the involvement of Autistic creator Bonnie Zacherle (who has a delightfully strong Autistic accent) and writer Linda Woolverton (a writer on the autism spectrum).Matt: And this is a big thing, especially when you see the Autistic accent at play, and how she was marginalized among her co-workers, especially because they said, ‘You are not a real girl. This is not what girls want—nothing like this. You are a freak of nature.' I mean, holy crap.Angela: Girls just like to cook and clean. Give us an iron. That's how we play.They talk about how the Autistic cartoon My Little Pony: Friendship is Magic, created by autistic Lauren Faust, sparked a huge fandom including many Autistic fans, especially those who are sensory-seeking. The show provided relatable Autistic characters and a fantasy world that fans wanted to be part of.They explore the therapeutic benefits of horses and horse therapy for Autistic individuals (great for children and adults), allowing for co-regulation of emotions. Angela shares a personal story about how horse therapy helped her identify physical signs of dysregulation in her body before sensory overload, which has improved her mental health.Matt and Angela highlight the emergence of the Bronies subculture: a fandom of primarily young adult men who share a passion for the show and its values. They discuss the ways in which the Bronies community has fostered a sense of belonging and identity through their fandom.Overall, the show's themes and characters resonate with the Autistic community, including its focus on friendship, acceptance, and individuality. Do you love My Little Pony? Tell us who your favorite pony is in the comments!Crunch Dog episode of My Little PonyEpisode 09: Fairy Tales are AutisticMore on Autistic writer Linda Woolverton in: Episode 26: Disney is Autistic and Episode 34: Beauty and the Beast is AutisticReady for a paradigm shift that empowers Autistics? Help spread the news!Check us out on InstagramFind us on Apple podcasts and SpotifyLearn more about Matt at Matt Lowry, LPPMatt's social media: Autistic Connections Facebook GroupLearn more about Angela at AngelaLauria.com and Difference PressAngela's social media: Twitter and TikTokTACP's Autism-affirming TeePublic merch shop This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.autisticculturepodcast.com/subscribe

Disney author Jim Fanning returns to Notably Disney to discuss with host Brett Nachman their selections for favorite live-action Disney film quotes. It's a varied list of inspired, hilarious, and compelling lines of dialogue that encompasses two parts! On this second part, Brett and Jim highlight quotes from the following films: The Princess Diaries (screenplay by Gina Wendkos) The Happiest Millionaire (screenplay by A. J. Carothers) Hocus Pocus (screenplay by Mick Harris and Neil Cuthbert) Newsies (screenplay by Bob Tzudiker and Noni White) Homeward Bound: The Incredible Journey (screenplay by Caroline Thompson, Linda Woolverton, and Jonathan Roberts) Mary Poppins (screenplay by Bill Walsh and Don DaGradi) Something Wicked This Way Comes (screenplay by Ray Bradbury) 20,000 Leagues Under the Sea (screenplay by Earl Felton) Bedkobs & Broomsticks (screenplay by Bill Walsh and Don DaGradi) Follow Jim on social media platforms, including Twitter (@EmeliusBrowne) and Instagram, as well as his YouTube channel: Jim Fanning's Tulgey Wood TV. You can also check out his website and blog. Feel free to reach out to Brett via Twitter @bnachmanreports, subscribe to the podcast, and send your feedback at notablydisney@gmail.com  New episodes of Notably Disney debut on the first and third Tuesday of each month.

0:00 - Intro & Summary2:00 - Movie Discussion58:44 - Cast & Crew/Awards1:05:55 - Pop Culture1:24:47 -  Rankings & Ratings To see a full list of movies we will be watching and shows notes, please follow our website: https://www.1991movierewind.com/Follow us!https://linktr.ee/1991movierewind Theme: "sunrise-cardio," Jeremy Dinegan (via Storyblocks)Don't forget to rate/review/subscribe/tell your friends to listen to us!

Maleficent is a 2014 American fantasy film directed by Robert Stromberg from a screenplay by Linda Woolverton. The film stars Angelina Jolie as the title character, with Sharlto Copley, Elle Fanning, Sam Riley, Imelda Staunton, Juno Temple and Lesley Manville in supporting roles. Loosely inspired by Charles Perrault's original fairy tale, the film is a live action retelling of Walt Disney's 1959 animated film Sleeping Beauty, and portrays the story from the perspective of the eponymous antagonist, depicting her conflicted relationship with the king and princess of a corrupt kingdom. --- Send in a voice message: https://podcasters.spotify.com/pod/show/tradepaperbacks/message --- Send in a voice message: https://podcasters.spotify.com/pod/show/rangerryan/message

Maleficent is a 2014 American fantasy film directed by Robert Stromberg from a screenplay by Linda Woolverton. The film stars Angelina Jolie as the title character, with Sharlto Copley, Elle Fanning, Sam Riley, Imelda Staunton, Juno Temple and Lesley Manville in supporting roles. Loosely inspired by Charles Perrault's original fairy tale, the film is a live action retelling of Walt Disney's 1959 animated film Sleeping Beauty, and portrays the story from the perspective of the eponymous antagonist, depicting her conflicted relationship with the king and princess of a corrupt kingdom.

Disney's animated classic takes on a new form, with a widened mythology and an all-star cast. A young Prince, imprisoned in the form of a Beast (Dan Stevens), can be freed only by true love. What may be his only opportunity arrives when he meets Belle (Emma Watson), the only human girl to ever visit the castle since it was enchanted.DirectorBill CondonWritersStephen Chbosky (screenplay by)Evan Spiliotopoulos (screenplay by)Linda Woolverton (based on the 1991 animated film "Beauty and the Beast" animation screenplay by)StarsEmma WatsonDan StevensLuke EvansWant to start a podcast? We recommend Buzzsprout! Use the following link and get a $20 Amazon Gift Card after a paid subscription!https://www.buzzsprout.com/?referrer_id=1050383If you liked this episode, please rate/review us on Apple Podcasts!Follow us on Instagram and Twitter: @ApexMountainPod.Send us an email: apexmountainpod@gmail.comSupport the show (https://www.patreon.com/apexmountain)

Tyler & I review Maleficent, it's a 2014 American dark fantasy adventure film directed by Robert Stromberg from a screenplay by Linda Woolverton. The film stars Angelina Jolie as the title character, with Sharlto Copley, Elle Fanning, Sam Riley, Imelda Staunton, Juno Temple and Lesley Manville in supporting roles. Loosely inspired by Charles Perrault's original fairy tale, the film is a live-action retelling of Walt Disney's 1959 animated film Sleeping Beauty, and portrays the story from the perspective of the eponymous antagonist, depicting her conflicted relationship with the king and princess of a corrupt kingdom. Directed by Robert Stromberg

Book Vs. Movie: Beauty & the Beast The French Fairy Tale from the 1700s Vs the 1991 Animated Classic The Margos continue our month of Disney films with the 1991 classic Beauty and the Beast which is based on a fairy tale written in 1740 by Gabrielle-Suzanne Barbot de Villenenueva and then later abridged by Jeanne-Marie Leprince de Beaumont in 1756 for a collection of children's stories.   The simplest version is by de Beaumont. A French merchant has six children with “Beauty” being the youngest daughter. She is considered the most beautiful and has the nicest in temperament so she is her father's favorite. When he loses his fortunes and then has the opportunity to get it back, she only asks for a rose from him as they have not grown in over a year.  Her father tries to take a rose from a garden but is stopped by “The Beast” who runs the manor. The Beast asks the merchant to send his daughter to live with him as his fiance. He treats her well (though she is basically a captive) and she is kept company with a fairy (who wishes she would treat the Beast as more than just a  friend) and animated furniture who act as servants for the Beast.  Eventually, Beauty goes home and then comes back to find the Beast dying from her absence. She kisses him and he becomes a handsome Prince. They get married and live happily ever after.  Disney attempted to make this as an animated picture in the mid 20th Century but no one could figure how to adapt it. With the success of The Little Mermaid in 1989, a new team with Gary Trousdale, Kirk Wise, Linda Woolverton, Howard Ashman, and Alan Menken created a masterpiece that lives on to this day. (30 years after its release!)  So, between the fairy tale and the animated movie--which did we prefer?  In this ep the Margos discuss: The basics of the plot and the two women credited with the story The history of Disney musicals and how “Belle” changed the idea of a Disney “Princess” The main differences between the fairy tale & film.  Starring: Paige O'Hara (Belle,) Robby Benson (The Beast,) Richard White (Gaston,) Jerry Orbach (Lumiere,) David Ogden Stiers (Cogsworth,) Angela Landsbury (Mrs. Potts,) and Bradley Pierce as Chip.  Clips used: Belle meets “Mrs. Potts” and the crew Beauty and the Beast 1991 trailer Gaston proposes to Belle The Beast Presents the library Belle & Beast dance Belle comes back to rescue the beast Music & Lyrics by Alan Menken and Howard Ashman Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts .  Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie  Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/ Twitter @bookversusmovie www.bookversusmovie.com Email us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.com Margo P. @ShesNachoMama https://coloniabook.weebly.com/  Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Book Vs. Movie: Beauty & the Beast The French Fairy Tale from the 1700s Vs the 1991 Animated Classic The Margos continue our month of Disney films with the 1991 classic Beauty and the Beast which is based on a fairy tale written in 1740 by Gabrielle-Suzanne Barbot de Villenenueva and then later abridged by Jeanne-Marie Leprince de Beaumont in 1756 for a collection of children's stories.   The simplest version is by de Beaumont. A French merchant has six children with “Beauty” being the youngest daughter. She is considered the most beautiful and has the nicest in temperament so she is her father's favorite. When he loses his fortunes and then has the opportunity to get it back, she only asks for a rose from him as they have not grown in over a year.  Her father tries to take a rose from a garden but is stopped by “The Beast” who runs the manor. The Beast asks the merchant to send his daughter to live with him as his fiance. He treats her well (though she is basically a captive) and she is kept company with a fairy (who wishes she would treat the Beast as more than just a  friend) and animated furniture who act as servants for the Beast.  Eventually, Beauty goes home and then comes back to find the Beast dying from her absence. She kisses him and he becomes a handsome Prince. They get married and live happily ever after.  Disney attempted to make this as an animated picture in the mid 20th Century but no one could figure how to adapt it. With the success of The Little Mermaid in 1989, a new team with Gary Trousdale, Kirk Wise, Linda Woolverton, Howard Ashman, and Alan Menken created a masterpiece that lives on to this day. (30 years after its release!)  So, between the fairy tale and the animated movie--which did we prefer?  In this ep the Margos discuss: The basics of the plot and the two women credited with the story The history of Disney musicals and how “Belle” changed the idea of a Disney “Princess” The main differences between the fairy tale & film.  Starring: Paige O'Hara (Belle,) Robby Benson (The Beast,) Richard White (Gaston,) Jerry Orbach (Lumiere,) David Ogden Stiers (Cogsworth,) Angela Landsbury (Mrs. Potts,) and Bradley Pierce as Chip.  Clips used: Belle meets “Mrs. Potts” and the crew Beauty and the Beast 1991 trailer Gaston proposes to Belle The Beast Presents the library Belle & Beast dance Belle comes back to rescue the beast Music & Lyrics by Alan Menken and Howard Ashman Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts .  Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie  Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/ Twitter @bookversusmovie www.bookversusmovie.com Email us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.com Margo P. @ShesNachoMama https://coloniabook.weebly.com/  Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

En este episodio de Back to the Movies! Gabriel, Rafa y El Watcher comienzan el mes de noviembre, mes en el que conversaran sobre películas que marcaron sus infancias, conversando sobre "Beauty and the Beast" (1991), película protagonizada por Paige O'Hara, Angela Lansbury, Richard White y Robby Benson, escrita por Linda Woolverton, Brenda Chapman y Chris Sanders y dirigida por Kirk Wise y Gary Trousdale. ¡Apoya nuestro contenido uniéndote a nuestro Patreon! Visita: https://www.patreon.com/CulturaSecuencial ¡Síguenos y Suscríbete a nuestro canal de Twitch! Visita: https://www.twitch.tv/culturasecuencial ¡Síguenos en Twitter! Visita: https://twitter.com/CultSecuencial ¡Síguenos en Instagram! Visita: https://www.instagram.com/culturasecuencial ¡Síguenos en Facebook! Visita: https://www.facebook.com/CulturaSecuencial ¡Subscríbete a nuestro canal de YouTube! Visita: https://www.youtube.com/culturasecuencial --- Send in a voice message: https://anchor.fm/culturasecuencial/message Support this podcast: https://anchor.fm/culturasecuencial/support

"Embrace it", "there's always a tomorrow" as hosts Bobby and Kristina discuss 2004's Dracula, The Musical and 2006's Lestat on episode eighteen of My Favorite Flop.   ABOUT DRACULA, THE MUSICAL Based on the Victorian novel by Bram Stoker, Dracula, The Musical tells the story of the famed vampire as he lusts for new blood. Jonathan Harker and Mina Murray fall victim to Dracula's unnatural charm and, along with Doctor Van Helsing, must fight Dracula's supernatural powers. The musical features music by Frank Wildhorn and book and lyrics by Christopher Hampton and Don Black. Following a record-breaking run at the La Jolla Playhouse in 2001, the musical finally opened on Broadway to mostly negative reviews 3 years later in 2004. Though this production was intended as a serious, dramatic interpretation of the source material, critics complained of a complete lack of emotion in general, and of suspense and horror in particular. Also, while the plot of the musical hits all the major points of Stoker's novel, critics felt it did so in such an obtuse way that audience members unfamiliar with the story may find themselves unable to comprehend the action. Despite failing on Broadway, the musical has gone on to become extremely popular throughout Europe and Asia. The musical made its international debut at Theater St. Gallen, Switzerland in 2005, with notable productions following in the UK, Tokyo, and Seoul.   Original Broadway Cast Melissa Errico as Mina Murray Tom Hewitt as Dracula Stephen McKinley Henderson as Abraham Van Helsing Chris Hoch as Arthur Holmwood Kelli O'Hara as Lucy Westenra Darren Ritchie as Jonathan Harker Bart Shatto as Quincey Morris Don Stephenson as Renfield Shonn Wiley as Jack Seward Lena Hall as Second Vampire Melissa Fagan as Third Vampire Jenifer Foote as First Vampire Michael Herwitz as Child Pamela Jordan as Third Vampire (Alternate) Elizabeth Loyacano as Second Vampire (Alternate) Tracy Miller as First Vampire (Alternate) Matthew Nardozzi as Child (Alternate) Graham Rowat as Ensemble   ABOUT LESTAT Inspired by three of the novels in Anne Rice's The Vampire Chronicles, Lestat tells the story of a man who escapes the tyranny of his oppressive family only to have his life taken from him by the vampire, Magnus. The musical features music by Elton John, lyrics by Bernie Taupin, and a book by Linda Woolverton. Officially the highest-earning pre-Broadway play in San Francisco history (beating out Wicked AND Cats), Lestat finally opened on Broadway at the Palace Theater on March 25, 2006 after a series of drastic revisions. Reviews of the Broadway production were uniformly negative. Ben Brantley famously described the show as a "musical sleeping pill" and Peter Marks of the Washington Post remarked that apparently "a gay vampire with a two-octave range can be just as dull as a straight one." The musical closed on May 28, 2006, after 33 previews and 39 performances. An Original Broadway Cast Recording was recorded by Mercury Records a week earlier, however, after the show's closing, Elton John's management stated "there are no plans to release the recording..." Lestat has not been seen again (at least officially) since its original run.   Original Off-Broadway Cast Hugh Panaro as Lestat Carolee Carmello as Gabrielle Allison Fischer as Claudia Michael Genet as Marius Roderick Hill as Nicolas Drew Sarich as Armand Jim Stanek as Louis Rachel Coloff as Ensemble Nikki Renée Daniels as Eleni Joseph Dellger as Magnus Colleen Fitzpatrick as Ensemble Patrick Mellen as Ensemble Chris Peluso as Ensemble Dominique Plaisant as Ensemble Megan Reinking as Beautiful Woman Will Swenson as Marquis/Laurent Tommar Wilson as Ensemble

META PERFORMANCE SHOW | In our very first episode of the Meta Performance Show--in which Novus Global CEO Jason Jaggard interviews exceptionally successful, compelling, and impactful individuals in their fields--we hear from iconic screenwriter, playwright and novelist, Linda Woolverton. Linda discusses the early years of her career and her relentless pursuit of becoming a writer. She and Jason talk about life transitions, career pivots, avoiding burnout, where she finds inspiration, and what comes after massive (commercial) success. They unpack the popular requisite of “staying in your lane” in any industry, and she gives us all permission to jump lanes despite it. Jason and Linda pull back the curtain for some of her most famous work – like Beauty and the Beast, Alice in Wonderland, The Lion King, and Maleficent. With a palpable tenacity, she shares her relationship with art and the human experiences that connect us all.Novus Global is a tribe of elite executive coaches who work with Fortune 500 Companies, Professional Athletes, World Renowned Artists and Business Leaders to create lives, teams and companies that go beyond high-performance.Book a free consultation with a Novus Global coach here: http://novus.global/now/ This podcast is produced by Rainbow Creative with Matthew Jones as Senior Producer and Jeremy Davidson as Editor and Audio engineer. Find out more about how to create a podcast for you or your business at rainbowcreative.co

In this episode, actor Ryan Wright discusses the Disney musicals on Broadway, from Beauty and the Beast to Frozen. We also talk about the song "Home" from Alan Menken, Howard Ashman, Tim Rice, and Linda Woolverton's 1993 musical Beauty and the Beast. You can write to scenetosong@gmail.com with a comment or question about an episode or about musical theater, or if you’d like to be a podcast guest. Follow on Instagram at @ScenetoSong, on Twitter at @SceneSong, and on Facebook at “Scene to Song with Shoshana Greenberg Podcast.” The theme music is by Julia Meinwald.

This week on the Total Movie Recall Holiday Special, Steve and Ryan visit the mopey, gothy early 90s when Generation X looked to the high school Gloom King Tim Burton to express their so dark vision of Christmas. Stop motion animation is such a labor intensive craft that creates beautiful visions that aren't all that interesting, which is going to enrage a bunch of high school Wiccans that love this movie. It does look great, though. Tim Burton's The Nightmare Before Christmas (1993) d. Henry Selick Starring: Danny Elfman Chris Sarandon Catherine O'Hara William Hickey Paul Reubens The film follows the misadventures of Jack Skellington, Halloweentown's beloved pumpkin king, who has become bored with the same annual routine of frightening people in the "real world." When Jack accidentally stumbles on Christmastown, all bright colors and warm spirits, he gets a new lease on life -- he plots to bring Christmas under his control by kidnapping Santa Claus and taking over the role. But Jack soon discovers even the best-laid plans of mice and skeleton men can go seriously awry. Things discussed in the show: Babe Pig in the City Beetlejuice (Tim Burton, Alec Baldwin, Geena Davis, Michael Keaton) Dark Shadows (Johnny Depp, Michelle Pfeiffer, Eva Green) Dumbo 2019 (Colin Farrell, Michael Keaton, Danny DeVito) Beetlejuice 2 Yule logs, holiday presents and the Krampus Saturn and Jupiter aligning in 2020 Supernatural's final season (Eric Kripke, Jared Padalecki, Jensen Ackles, Misha Collins) Armageddon and kaijus X-Files (Chris Carter, David Duchovny, Gillian Anderson, Mitch Pileggi) power ranking Young Sheldon episodes Mom (Allison Janney, Anna Faris, Mimi Kennedy) The internet turning on Chris Pratt Johnny Depp & Amanda Heard drama The Straight Story (David Lynch, John Roach, Mary Sweeney, Richard Farnsworth, Sissy Spacek, Jane Galloway Heitz) Tom Cruise freaking out on staff not adhering to covid restrictions and Scientology Mission Impossible 7 (Christopher McQuarrie, Vanessa Kirby, Tom Cruise, Hayley Atwell) Mission Impossible Fallout (Christopher McQuarrie, Tom Cruise, Henry Cavill, Ving Rhames) The Master (Paul Thomas Anderson, Philip Seymour Hoffman, Joaquin Phoenix, Amy Adams) Mission Impossible 3 (J.J. Abrams, Tom Cruise, Michelle Monaghan, Ving Rhames) South Park - The Pandemic Special Cyberpunk 2077 Strange Days (Kathryn Bigelow, James Cameron, Ralph Fiennes, Angela Bassett, Juliette Lewis) The Mandolorian Season 2 (Jon Favreau, Pedro Pascal, Gina Carano, Giancarlo Esposito, Carl Weathers, Temuera Morrison, Amy Sedaris, Bill Burr) Kathleen Kennedy Star Wars - The Clone Wars (George Lucas, Tom Kane, Dee Bradley Baker, Matt Lanter) Star Wars - Rebels (Simon Kinberg, Carrie Beck, Dave Filoni, Taylor Gray, Vanessa Marshall) Ahsoka Tano Mandy (Panos Cosmatos, Nicolas Cage, Andrea Riseborough, Linus Roache) James Cameron's Avatar films The Town (Ben Affleck, Rebecca Hall, Jon Hamm) The Umbrellas of Cherbourg (Jacques Demy, Catherine Deneuve, Nino Castelnuovo, Anne Vernon) Jean-Pierre Melville No Country for Old Men (Ethan Coen, Joel Coen, Tommy Lee Jones, Javier Bardem, Josh Brolin) Paris, Texas (Wim Wenders, Harry Dean Stanton, Nastassja Kinski, Dean Stockwell) Cormac McCarthy - Blood Meridian Blood Simple (Joel Coen, Ethan Coen, John Getz, Frances McDormand, Dan Hedaya) The Evil Dead (Sam Raimi, Bruce Campbell, Ellen Sandweiss, Richard DeManincor) Fargo season 4 (Noah Hawley, Chris Rock, Jessie Buckley, Jason Schwartzman, Ben Whishaw, Jack Huston) MacBeth 2021 (Joel Coen, William Shakespeare, Denzel Washington, Frances McDormand, Brendan Gleeson) The Naked Man (J. Todd Anderson, Ethan Coen, Michael Rapaport, Michael Jeter, John Carroll Lynch) Black Mirror - Nosebleed Season 3, Episode 1 (Michael Schur, Rashida Jones, Bryce Dallas Howard, Alice Eve) Chinese social credit Community Meow-Meow Beans - App Development and Condiments - Season 5, Episode 8 (Rob Schrab, Yvette Nicole Brown, Joel McHale, Jim Rash, Gillian Jacobs, Alison Brie, Danny Pudi, Ken Jeong, Jonathan Banks, Steve Agee, Brian Posehn, Tim Heidecker, Eric Wareheim) Disneyland during Covid Oingo Boingo - "Little Girls" video Cab Calloway The Jungle Book (Disney, Wolfgang Reitherman, Phil Harris, Sebastian Cabot, Louis Prima) Stop Motion Animation Goth Girls and the mall Edward Scissorhands (Tim Burton, Caroline Thompson, Johnny Depp, Winona Ryder, Dianne Wiest) Frankenweenie (Tim Burton, Winona Ryder, Catherine O'Hara, Martin Short) Alice in Wonderland (Tim Burton, Linda Woolverton, Lewis Carroll, Mia Wasikowska, Johnny Depp, Helena Bonham Carter) German Expressionism The Cabinet of Dr. Caligari (Robert Wiene, Werner Krauss, Conrad Veidt, Friedrich Feher) Charlie and the Chocolate Factory (Tim Burton, Roald Dahl, John August, Johnny Depp, Freddie Highmore, David Kelly) Corpse Bride (Tim Burton, Mike Johnson, Johnny Depp, Helena Bonham Carter, Emily Watson) Big Fish (Tim Burton, Daniel Wallace, John August, Ewan McGregor, Albert Finney, Billy Crudup) Sweeny Todd The Demon Barber of Fleet Street (Tim Burton, John Logan, Hugh Wheeler, Johnny Depp, Helena Bonham Carter, Alan Rickman) Pee Wee's Big Adventure (Tim Burton, Phil Hartman, Paul Reubens, Elizabeth Daily, Mark Holton) Ed Wood (Johnny Depp, Martin Landau, Sarah Jessica Parker) Batman (Tim Burton, Bob Kane, Michael Keaton, Jack Nicholson, Kim Basinger) Miss Peregrine's Home for Peculiar Children (Tim Burton, Eva Green, Asa Butterfield, Samuel L. Jackson) The Holiday Movies the Made Us Ray Harrihausen Frosty the Snowman (Jackie Vernon, Billy De Wolfe, Jimmy Durante) Forbidden Zone (Richard Elfman, Gene Cunningham, Marie-Pascale Elfman, Virginia Rose, Oingo Boingo, Danny Elfman) Batman Returns (Tim Burton, Michael Keaton, Danny DeVito, Michelle Pfeiffer) Necromancy reindeer Slenderman & Creepy Pasta Beware the Slenderman documentary - the story of two 12-year old girls, who attempted to sacrifice one of their friends to Slenderman in a rutal attack American Gods (Neil Gaiman) The Satanic Panic The Slender Man Movie (Sylvain White, Joey King, Julia Goldani Telles, Jaz Sinclair) Bad Luck Brian Next week: Cabin Boy

Une histoire éternelle peut-elle être un FLAN ? Pas sûr, mais on se penche donc sur La Belle et La Bête avec Maxime, le gagnant de notre blindtest en live qu'on avait organisé pour Rien que d'y penser sur twitch.tv/elabete. Vous pouvez retrouver Maxime sur Twitter. Howard Ashman, Glen Keane, Valter Elias Disney, Jean Cocteau, Alan Menken, Linda Woolverton, Kirk Wise, Richard Williams, Richard Purdum, Trousdale... Plein de noms qui ne vous parlent peut-être pas tous, mais tous ont eu leur part dans la création du che-... du film d'animation La Belle et La Bête. Mais est-ce un brouillon pour le film live ? Est-ce une petite merveille qui a innové sur plein d'aspects et un peu lancé les années 90 chez Disney ? Est-ce que nagla va être un rageux en sortant des détails inutiles pour faire genre ? Ben faut écouter pour savoir, les cocos ! Dites-le-nous dans les coms (avec 5 étoiles c'est toujours cool). Au fait, on a sorti un FLAN sur Spirit, L'Étalon des plaines sur Patreon > patreon.fautlanimer.com, 5$, pas plus pour y accéder (entre autres). On remercie le camarade Alex de Secrets Disney qui nous accompagne une fois de plus après Nausicaä et Spirit (ouais, Spirit, ben ouais les gars.) et apporte plein de choses à ce bô podcast. Si vous aimez nos contenus et que vous voulez participer à leur création tout en vous faisant chouchouter en accédant à des récompenses diverses, direction notre Patreon : https://www.patreon.com/rienquedypenser Sinon, vous pouvez toujours suivre sur Twitter @FautLANimer, @Rienquedypenser, @naglaglasson, @eparcurien. Ou notre Instagram aussi  @Rienquedypenser. FLAN est un podcast du label Élabète, le réseau qui vous fait rêver, notamment de flans.

This month Senior Writer Aaron Sarnecky and his brother, Senior Columnist Josh Sarnecky, sit down to talk about Disney's live-action Alice in Wonderland. The film, directed by Tim Burton and adapted from Lewis Carroll's stories by screenwriter Linda Woolverton, stars Mia Wasikowska, Johnny Depp, Helena Bonham Carter, Anne Hathaway, Crispin Glover, Stephen Fry, Alan Rickman, Christopher Lee, Matt Lucas, and Michael Sheen. It came out on March 5, 2010. Podcast topics include how the film compares to the 1951 animated film, Burton's interpretation of Lewis Carroll's world, the cast's performances, and the attempts to flesh out Alice as a character. Aaron and Josh also discuss how Alice in Wonderland paved the way for future live-action adaptations by Disney.

Hi everyone! Welcome back for the second review this month from Jon-David, aka the Mafia Hairdresser, who is picking up today’s review for Oscar nominee MALEFICENT: MISTRESS OF EVIL as part of our cleanup week. Check social media to see if they took home the gold, as this episode was pre-produced before the ceremony. And regardless of whether it wins, Jon-David will be up in a minute with thoughts, along with a promo for his serial podcast The Mafia Hairdresser Chronicles. Don’t miss his previous two reviews for One Movie Punch, including RICHARD JEWELL (Episode #692) and last week’s review for THE CAVE (Episode #706). Speaking of Takeover Tuesday, do you think you have what it takes to guest on One Movie Punch? Head over to onemoviepunch.com/takeover-tuesday and learn more about how you can guest here at One Movie Punch. We still have three (3) slots available this quarter for aspiring and established film critics to take the reins for an episode. We’ll run your promo before the review and will place it in regular rotation for the quarter. If it sounds like something interesting to you, reach out to us over social media. Subscribe to stay current with the latest releases. Contribute at Patreon for exclusive content. Connect with us over social media to continue the conversation. Here we go! ///// > ///// JOSEPH: “And now, in Recording Room 26 at One Movie Punch Tower...” JON-DAVID: “Hello, this Jon-David aka Mafia Hairdresser, the writer and performer of the podcast “The Mafia Hairdresser Chronicles”, a campy crime comedy based on my time as a celebrity hairdresser in Hollywood in the 1980s. But, enough about my fairy tale, let’s talk about the Disney Film, MALEFICENT: MISTRESS OF EVIL.” JOSEPH: “Sorry, Jon-David. It’s MALEFICENT. Let’s take it from the top.” AMY: “He seems agitated today.” JOSEPH: “Yeah, I know. Keeps looking at his phone, too.” JON-DAVID: “Today’s movie review is the more sensationally titled sequel MALEFICENT: MISTRESS OF EVIL. Released in 2019, this fantasy family action film was directed by Joachim Rønning, and written for the screen by Linda Woolverton, who also wrote MALEFICENT.” JOSEPH: “Jon-David. MALEFICENT.” AMY: “Should I go talk to him, or...?” JOSEPH: “No, he seems fine...” JOSEPH: “Wait, where did he go?” AMY: “He was just there a minute ago!” JOSEPH: “Wait a minute...” AMY: “Is it a new sponsor?!” JOSEPH: “No. A text from Jon-David.” JOSEPH: “Dear Joseph. Sorry for bailing like that. I was hoping to finish recording, but some guy who paints houses needed me to cut some hair. Will be back as soon as I can. Jon-David.” JOSEPH: “He put paint houses and cut some hair in quotes. Not sure what that’s all about.” AMY: “Umm, don’t you remember in THE IRISHMAN...” JOSEPH: “Why should I remember THE IRISHMAN? The Academy sure didn’t.” JOSEPH: “Thank you, I’ll be here all night! Recording Jon-David’s review for him. Should have never agreed to the hair-cutting clause in our extensive contract. Can you get things set up to record?” AMY: “Sure thing.” AMY: “And, go!” JOSEPH: “But, enough about his fairy tale, let’s talk about the Disney Film, MALEFICENT: MISTRESS OF EVIL.” AMY: “Joseph. MALEFICENT.” JOSEPH: “Now he’s got me doing it... FROM THE TOP!” ///// Quick Note: I’m Joseph Dobzynski, Jr., reading for Jon-David, who was actually pulled away at the last moment and couldn’t finish recording the review. He did send me the written review, though, for MALEFICENT: MISTRESS OF EVIL and his dulcet tones will be back later in the month with a review for the Oscar-nominated PAIN AND GLORY. Without further ado... Today’s movie review is for MALEFICENT: MISTRESS OF EVIL, the more sensationally titled sequel to 2014’s MALEFICENT. Released in 2019, this fantasy family action film was directed by Joachim Rønning, and written for the screen by Linda Woolverton, Micah Fitzerman-Blue, and Noah Harpster. All characters are based on Charles Perrault’s short story, “La Belle Au Bois Dormant”. That’s right, Sleeping Beauty, in 1903. No spoilers. Hopefully you’ve heard the tale of Sleeping Beauty, the story of Princess Aurora who pricked her finger on an enchanted spindle which put her entire kingdom to sleep - until a prince rescued her. Maybe you’ve seen the Walt Disney Pictures classic animated film? Agh, no matter. Disney made a semi-reboot of this family friendly story starring Angelina Jolie as a powerful horned fairy, with spikey CGI wings and extreme cheekbones, and she’s the creature who actually created the sleeping curse and then bonded with the princess, which ultimately begot love and peace between humans and fairies, for a while. That film was 2014’s MALEFICENT. It had a decent box office of $758.5 million against its roughly $200 million budget. Disney’s MALEFICENT: MISTRESS OF EVIL did not do nearly as well, box office-wise, as its predecessor, probably because it came out nearly five years after the original hit. When a studio waits that long to stoke the fire, the flames may have died down a bit. MALEFICENT: MISTRESS OF EVIL was a nice tale and a pretty film, and yet, I thought, it could have been a little bit darker. In this film, there were battles between fairies and humans, but they wrapped up very quickly, with no epic battles with the big visual wow we are used to seeing in other films. At least Disney’s latest STAR WARS release, THE RISE OF SKYWALKER (Episode #672), had that visual ocean battle to draw people in, but this film had no such scenes. There was nothing particularly eerie, creepy, or spine-tingling about this film, unlike BEAUTY AND THE BEAST (Episode #030). It stayed too light. In fact, I wish that they geeked out a little bit more on the fantasy stuff. Maleficent finds “her people”, so to speak, and where she might have originated from. That would have been an interesting storyline to pursue, if not base the entire film on. Instead, this plotline was relegated only to illuminate the man-versus-nature theme that ran throughout the film. This film glossed over Maleficent’s special powers, how she got them, and her special relationship with her own kind. And the film, in my opinion, threw away a great new charismatic fairy character, introduced as Conall, played by Academy Award winner Chiwetel Ejiofor. I do love the casting of Elle Fanning as Aurora and Angelina Jolie as Maleficent. Opposites in every way and the scenes with these two have great tension in them due to Fanning’s unwavering hope and confidence that her mother, Jolie, will do the right thing when called to do so. Both actors fight each other hard and yet the love for each other is palpable and redeeming. Michelle Pfeiffer as Queen Ingrith is evilicious! I just wish this film could have been about the big battle between Queen Ingrith and Maleficent. That would have made me happier. Perhaps, having too many writers on this film and utilizing three or four good storylines watered down this film’s greatness potential for me I do recommend this film because it’s a feel-good movie. And the special effects and CGI... they’re fine, just fine. Especially when applied to the scenes Jolie are in. It's an enjoyable film to watch. There’s the CGI kingdom and the CGI forest. I remember that MALEFICENT came out in 3D. And personally, I know the man who did that film’s 3D for Sony. (So, I know, “stuff.”) But I didn’t see MISTRESS OF EVIL in 3D, and I think it might have been a better film in 3D, because this film was brighter than the darker-colored 2014 predecessor, meaning, not gray tones, which seems to be better for 3D movie watching. MALEFICENT: MISTRESS OF EVIL is the story of Sleeping Beauty’s much maligned adoptive mother, a powerful fairy bent on seeking revenge on the humans who continually threaten the life and beauty of her forest realm. This is a fun family film. I enjoyed it. And so did many others, with a Rotten Tomatoes Audience Score of 95%. Just not so great with the critics. Rotten Tomatoes: 40% Metacritic: 43 One Movie Punch: 6.5/10 MALEFICENT: MISTRESS OF EVIL (2019) is rated PG and is currently is available in limited theaters and on VOD.

Every Saturday morning, movie critic Francesca Rudkin joins Jack Tame to take a look at what is playing at the movies this weekend.Maleficient“Maleficent: Mistress of Evil” is a fantasy adventure that picks up several years after “Maleficent,” in which audiences learned of the events that hardened the heart of Disney’s most notorious villain and drove her to curse a baby Princess Aurora. The film continues to explore the complex relationship between the horned fairy and the soon to be Queen as they form new alliances and face new adversaries in their struggle to protect the moors and the magical creatures that reside within. The film is directed by Joachim Rønning from a story by Linda Woolverton and a screenplay by Linda Woolverton and Micah Fitzerman-Blue & Noah Harpster, the film is produced by Joe Roth, Angelina Jolie and Duncan Henderson with Matt Smith, Jeff Kirschenbaum and Michael Vieira serving as executive producers.Photograph Pressured by his grandmother to get married, a struggling street photographer convinces a shy stranger to pose as his fiancee. They soon develop an unexpected bond that transforms both of them in ways they could not have imagined.LISTEN TO AUDIO ABOVE 

A movie review of "The Lion King" written by Jeff Nathanson, story by Brenda Chapman, characters by Irene Mecchi, Jonathan Roberts, and Linda Woolverton, and directed by Jon Favreau. Starring Donald Glover, Beyonce, Seth Rogen, James Earl Jones, John Oliver, Chiwetel Ejiofor, Keegan Michael Key, Eric Andre, and Billy Eichner Official Website: CoryBakerFilmmaker.com iMdb: Imdb.me/CoryBaker Facebook: Facebook.com/CoryBakerFilm Twitter: Twitter.com/LegendCB5 Instagram: Instagram.com/LegendCB5

 Ahhhhhh…. el ciclo de la vida. Qué pensamos sobre eso? Creen en el equilibrio? Cómo son las cosas y cómo deberían ser? 1994 el año en el que luego de una reunión “casual” mientras Disney promocionaba en Europa la película “Oliver y su Pandilla”, sale a la luz la idea de hacer un proyecto basado en África, la Biblia, equilibrio, familia y el famoso ciclo de la vida. En este episodio de #Librario, leemos música y escuchamos el cuento de EL REY LEÓN escrito y producido en 1994 por Irene Mecchi, Jonathan Roberts y Linda Woolverton, dirigida la película animada por Rob Minkoff Rogers Allers y producida por Don Hahn.

This week on On Story we’ll hear from screenwriting duo Scott Beck and Bryan Woods on how the classic silent films of Charlie Chaplin and Jacques Tati and the board game Monopoly inspired 2018’s biggest horror hit A Quiet Place. Later we’ll hear from Veteran screenwriter Linda Woolverton who is responsible for writing some of Disney’s most beloved films; Beauty and the Beast, The Lion King, and Maleficent. Filmmakers Scott Beck and Bryan Woods first met as sixth-graders in their hometown of Bettendorf, Iowa. The two quickly began a creative collaboration that continues today.  Most recently the pair wrote the screenplay for A Quiet Place. The film stars Emily Blunt and John Krasinski as a husband and wife who are forced to raise a family in a post apocalyptic world surrounded by monsters who hunt anything that makes a noise.  The horror film was one of 2018’s biggest hits – it received critical acclaim and grossed over $300 million. Filmmaker Christopher Boone spoke with Beck and Woods about writing the genre script at the 25th Annual Austin Film Festival in 2018. Clips of A Quiet Place courtesy of Paramount Pictures Corporation. Writer Linda Woolverton has built a career on telling family friendly stories. In 1991 she wrote her first animated feature, Disney’s Beauty and the Beast. The film won a Golden Globe and became the first animated film to be nominated for Best Picture at the Academy Awards®. She continued her success with Disney by contributing to the scripts for The Lion King, Homeward Bound: The Incredible Journey and Mulan. More recently, Woolverton wrote the screenplays for Tim Burton’s live-action Alice in Wonderland and 2014’s Maleficent which starred Angelina Jolie. Story Bar Founder Erin Hallagan spoke with Linda Woolverton at the 25th Annual Austin Film Festival in 2018. Clips of Beauty and the Beast (1991) courtesy of the Walt Disney Company. Clips of Alice in Wonderland (2010) & Maleficent courtesy of Disney Enterprises, Inc.

Be our guest as Disney screenwriter Linda Woolverton joins Seth and Chip to reveal all about the making of two modern Disney Animation classics. On this podcast, Seth Abramovitch, senior writer at The Hollywood Reporter, and Chip Pope, an Emmy-winning TV writer and comic, take you behind the scenes of the indelible pop culture moments that shaped Hollywood history — with special guests who were actually there. In a town where everything old is eventually new again, Seth and Chip give listeners a front-row seat to the way things were. Welcome to IT HAPPENED IN HOLLYWOOD! Hosted by: Seth Abramovitch and Chip Pope Produced by: Matthew Whitehurst Theme music composed by: Paul Masvidal and Sean Malone

It's Thursday, and that means our theater critic, J. Wynn Rousuck, joins us for her weekly review of one of the region's thespian offerings.Today, she spotlights a show about love and loyalty: ArtsCentric's new production of Aida, on stage at the Motor House on North Avenue in Baltimore.This Aida is not the famed Verdi opera, but rather the Disney-produced version (with book by Linda Woolverton, Robert Falls, and David Henry Hwang and tunes by Elton John and Tim Rice), a multiple Tony Award-winning pop musical that premiered on Broadway in 2000 and ran for four years. Like the opera, it tells the tale of forbidden love between a Nubian princess named Aida (played by Awa Sal Secka) and an Egyptian soldier, Radames (played by Jo'Nathan Michael). Radames' engagement to the Pharaoh's daughter, Amneris (played by Kanysha Williams), and Aida's loyalty to her people threaten to tear apart their star-crossed romance.Directed at The Motor House by Kevin S. McAllister, Aida presents a bevy of Elton John/Tim Rice compositions, including ----Elaborate Lives---- and ----The Past Is Another Land,---- and showcases the work of musical director Cedric D. Lyles and choreographer Shalyce N. Hemby.ArtsCentric's production of Aida continues at The Motor House through August 26th.

Linda Woolverton is a screenwriter and is the first woman to have written an animated feature for Disney, Beauty and the Beast, which was also the first animated film ever to be nominated for Best Picture at the Academy Awards. She also helped write the screenplay for The Lion King, Tim Burton's Alice in Wonderland, and Maleficent.  It's needless to say, she has a lot to say about storytelling and awakening wonder. To learn more about STORY, visit www.STORYgatherings.com. 

Hosts Briana Phipps, Jacque Borowski, Marisa Serafini and Dakota T. Jones welcome guest Marc Kudisch to discuss the theatre musical of Beauty And The Beast. Beauty and the Beast is a musical with music by Alan Menken, lyrics by Howard Ashman and Tim Rice, and book by Linda Woolverton. Adapted from Walt Disney Pictures' Academy Award-winning 1991 animated musical film of the same name – which in turn had been based on the classic French fairy tale by Jeanne-Marie Leprince de Beaumont –[1] Beauty and the Beast tells the story of a cold-hearted prince who has been magically transformed into an unsightly creature as punishment for his selfish ways. To revert back into his true human form, the Beast must first earn the love of a bright, beautiful young woman whom he has imprisoned in his enchanted castle before it is too late. Critics immediately noted the film's Broadway musical potential when it was first released in 1991, who hailed it as one of the year's fines

Nessa quinta-feira que o remake chega aos cinemas de todo o Brasil – e você pode ler a nossa crítica clicando aqui – voltamos a 1991 para revisitar o clássico da Disney A Bela e a Fera (Beauty and the Beast), animação da Disney dirigida por Gary Trousdale e Kirk Wise, roteirizada por Linda Woolverton e que conta no elenco de vozes com Paige O’Hara, Robby Benson, Jerry Orbach, David Ogden Stiers e Angela Lansbury. Tiago Lira (@tiagoplira), Marcelo Paradella (@bolapucc) e Matheus Des (@matheusdes) discutem a filmografia dos envolvidos, o transtorno de personalidade da dublagem brasileira, a questão da síndrome de Estocolmo, a qualidade da animação, signos simples e eficazes da história e por quê a Bela pode ser comparada com uma personagem de Chico Buarque.

Nessa quinta-feira que o remake chega aos cinemas de todo o Brasil – e você pode ler a nossa crítica clicando aqui – voltamos a 1991 para revisitar o clássico da Disney A Bela e a Fera (Beauty and the Beast), animação da Disney dirigida por Gary Trousdale e Kirk Wise, roteirizada por Linda Woolverton e que conta no elenco de vozes com Paige O’Hara, Robby Benson, Jerry Orbach, David Ogden Stiers e Angela Lansbury. Tiago Lira (@tiagoplira), Marcelo Paradella (@bolapucc) e Matheus Des (@matheusdes) discutem a filmografia dos envolvidos, o transtorno de personalidade da dublagem brasileira, a questão da síndrome de Estocolmo, a qualidade da animação, signos simples e eficazes da história e por quê a Bela pode ser comparada com uma personagem de Chico Buarque.

Bob Wilcox and Gerry Kowarsky review: (1) DISNEY’S BEAUTY AND THE BEAST, by Alan Menken, Howard Ashman, Tim Rice, & Linda Woolverton, at The Muny, (2) RIGOLETTO, by Giuseppe Verdi, at Union Avenue Opera, (3) MOON OVER BUFFALO, by Ken Ludwig, at Insight Theatre Company, (4) ANYTHING GOES, by Cole Porter et al., at Stages St. Louis, (5) THE FURTHER ADVENTURES OF HEDDA GABLER, by Jeff Whitty, at St. Louis Shakespeare, (6) THIS IS N0T FUNNY, by the Cast, at Theatre Nuevo, (7) CAROUSEL, by Richard Rodgers and Oscar Hammerstein II, at Hawthorne Payers, (8) LEGALLY BLONDE THE MUSICAL, by Laurence O’Keefe, Nell Benjamin, & Heather Hach, at Take Two Productions, and (9) LABUTE NEW THEATRE FESTIVAL, PART TWO, by several, at St. Louis Actors’ Studio.

After weeks of wild speculation, Marvel and Sony finally announced Tom Holland will be the new Spider-Man in the Marvel Cinematic Universe and Jon Watts will direct the next standalone film for the web slinger. We expect that Holland will also appear as Spidey in next year's Captain America: Civil War.   In other movie news, Inside Out couldn't beat Jurassic World at the box office over the weekend, but that didn't stop it from scoring the second biggest opening in Pixar history. Tim gives his review of the Pete Docter-directed film while he and Anthony get in touch with their emotions in this week's episode of Inside The Mouse Castle. Maleficent made over $750 million worldwide last year. So, umm, yeah, there's going to be a sequel. Linda Woolverton is currently penning the script. No confirmation yet whether Angelina Jolie is on board, but come on, why wouldn't she be? Zuri's Sweet Shop has opened at Disney's Animal Kingdom and it's serving poop candy. That's really all you need to know. Also at Animal Kingdom, Starbucks has opened up shop. Meanwhile, down the road at the soon-to-be demolished Walt Disney World Speedway, we've learned that the space is destined to become a parking lot. Our condolences to the family and friends of JoAnn Dean Killingsworth, who passed away Saturday at the age of 91. The long-time actress and ice skater was an original Disneyland employee in 1955 and the park's first Snow White. Historian Didier Ghez is a good friend of The Mouse Castle and we're very excited about his upcoming book, They Drew as They Pleased: The Hidden Art of Disney's Golden Age. It's the first in a series of books Didier is writing about the great concept artists of the Walt Disney Studios. It will be out on September 8th. Disney and musical artist Deadmau5 have settled their legal differences over Deadmau5's performance headgear, which bears a striking resemblance to a certain cartoon mouse. The terms of the settlement have not been released (and probably won't be), but the two sides are now playing nice. Enjoy! www.TheMouseCastle.com

A Motivational moment about the journey of Linda Woolverton, writer of Beauty & the Beast, Lion King and Tim Burton's Alice in Wonderland. The writing prompt is to write a letter.

Bob Wilcox and Gerry Kowarsky review (1) THE SOUND OF MUSIC, by Rodgers & Hammerstein and Lindsay & Crouse, at Stages St. Louis, (2) THE KING AND I, by Richard Rodgers & Oscar Hammerstein II, at The Muny, (3) THE GREAT AMERICAN TRAILER PARK MUSICAL, by David Nehls & Betsy Kelso, at Stray Dog Theatre, (4) AIDA, by Elton John & Tim Rice, Linda Woolverton & Robert Falls & David Henry Hwang, at Take Two Productions, (5) PIRATES! (OR, GILBERT & SULLIVAN PLUNDER'D), by W.S. Gilbert, Arthur Sullivan, & Nell Benjamin, at The Muny, (6) THE SOUND OF MUSIC, by Rodgers & Hammerstein and Lindsay & Crouse, at The Over Due Theatre Co., and (7) COMPANY, by Stephen Sondheim & George Furth, at Hawthorne Players.