Podcasts about beyonc knowles carter

Today we have a diva among us: Quinnifer Aniston joins her mom at work! We detail our experience with another diva, Ms. Beyoncé Knowles-Carter, then share a product 150 of our listeners have been testing through Gloss Angeles Confidential: SickScience's jawline defining serum. We were skeptical, but the before and afters at the four week mark are incredible. There's more tariff news, including a retailer who has stopped shipping to the US for the time being. Then we share why we think the outrage over the Boy Smells rebrand is counterproductive when the ethos of the brand truly hasn't changed. Shop this episode Watch our episodes!CALL or TEXT US: 424-341-0426Instagram: @glossangelspod, @kirbiejohnson, @saratanTwitter: @glossangelespod, @kirbiejohnson, @saratanEmail: glossangelespodcast@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Tina Knowles intended to write a behind-the-scenes look at her career in the music business. But she says that when she began writing, her own story flowed onto the page instead. In her new memoir Matriarch, the entrepreneur and mother of Beyoncé Knowles-Carter and Solange Knowles shares the story of how she helped her daughters become cultural icons. In today's episode, Tina Knowles speaks with NPR's Michel Martin about fighting to allow her girls to express their style, a memorable moment on set with the singer Maxwell, and Knowles' relationship with her ex-husband.To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedayLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Jonas Tåhlin leads Moët Hennessy's global spirits business, overseeing prestigious Maisons such as Belvedere Vodka, Glenmorangie and Ardbeg single malt whiskies, and Volcan de mi Tierra Tequila. He also spearheaded the joint venture with Beyoncé Knowles-Carter to launch SirDavis American whisky. Jonas joins Scott Kerr to discuss how Moët Hennessy is attacking the challenging spirits market, teaming up with Harrison Ford for Glenmorangie's new global campaign, Ardbeg veering off the whisky marketing playbook with a sci-fi graphic novel for whisky fans, working with Beyoncé to bring her SirDavis whisky project to life, and keeping its ultra-premium vodka and tequila brands vibrant in a polarized market. Plus: How Moët Hennessy is integrating into the LVMH x F1 racing partnership. Featuring: Jonas Tåhlin, President of Spirits Brands at Moët Hennessy (lvmh.com/en/our-maisons/wines-spirits)Host: Scott Kerr, Founder & President of Silvertone ConsultingAbout The Luxury Item podcast: The Luxury Item is a podcast on the business of luxury and the people and companies that are shaping the future of the luxury industry.Stay Connected: scott@silvertoneconsulting.comListen and subscribe to The Luxury Item wherever you get your podcasts. Tell a friend or a colleague!

Standing By or Standing Apart; Beyoncé's Public Reaction to Jay-Z's Legal Battle The first lady of global pop royalty, Beyoncé Knowles-Carter, has long been celebrated for her commanding presence, meticulous control over her public image, and an uncanny ability to dominate the cultural spotlight without a single word uttered. Yet, amidst the storm surrounding her husband, Jay-Z, and the explosive allegations of sexual assault that have rocked the entertainment world, it is Beyoncé's quiet but resolute demeanor that has now captured the public's imagination and scrutiny. At the center of this unfolding drama is a civil lawsuit that names Jay-Z as an alleged perpetrator of sexual assault against a 13-year-old girl at an after-party following the 2000 MTV Video Music Awards. The allegations, shocking in their detail, include claims of underage victimization and an environment of exploitation. Jay-Z, alongside his longtime collaborator and fellow music mogul Sean "Diddy" Combs, has vehemently denied the accusations, with both men's legal teams describing the claims as baseless fabrications and attempts at extortion. While the courts and legal teams prepare for what promises to be a lengthy and highly publicized battle, the attention has shifted to Beyoncé, whose actions and inactions are being scrutinized for clues to her stance. Over the years, Beyoncé has crafted an image of unwavering strength and poise. She is not just an entertainer but a cultural symbol of empowerment and resilience. However, the allegations against her husband present a unique challenge to this carefully curated image. How does a woman whose career has been built on themes of independence, justice, and activism respond when the man she has built a family and empire with faces allegations of this magnitude? This question looms large as the world watches her every move. In the weeks following the public revelation of the lawsuit, Beyoncé has offered a masterclass in stoic solidarity. She has attended high-profile events alongside Jay-Z, presenting a united front that speaks volumes without the need for verbal commentary. One such appearance was at the premiere of Mufasa: The Lion King, where the couple arrived hand-in-hand, their smiles seemingly unshaken by the controversy swirling around them. The event marked a significant moment, as it placed them squarely in the public eye during a period when retreating from the limelight might have been the more predictable choice. Beyoncé's actions, however, have not stopped at public appearances. Days after the premiere, she took center stage during the Christmas Day NFL halftime show, delivering a performance that reminded the world of her unparalleled artistry and stage presence. The timing was poignant—a deliberate assertion of control over her narrative. Her fans, often referred to as the BeyHive, rallied around her, interpreting the performance as a declaration of resilience and focus amidst the noise. Yet, as is often the case with figures of her stature, every move is dissected and analyzed for hidden meanings. Social media has been rife with speculation about what Beyoncé's silence on the allegations against Jay-Z signifies. Is it an act of unwavering loyalty, a refusal to lend credence to what she and her husband may see as baseless claims? Or does it reflect a more personal struggle, one not meant for public consumption? These questions have fueled countless debates, turning Beyoncé's silence into its own form of communication—a blank canvas onto which people project their hopes, doubts, and expectations. Adding complexity to the situation was an incident involving Beyoncé's mother, Tina Knowles. After her Instagram account appeared to "like" a post referencing the allegations against Jay-Z, Tina quickly issued a statement claiming her account had been hacked. While the explanation was straightforward, it did little to quell the storm of speculation. Fans and commentators alike pored over the incident, interpreting it as a potential crack in the family's unified front. For Beyoncé, this moment is as much about optics as it is about substance. She has built a career on transcending controversy, often using it as a springboard for artistic expression. Her 2016 album Lemonade, widely regarded as a masterpiece, was born out of personal turmoil and marital strife, offering fans a raw and unflinching look at her life. This time, however, the stakes feel different. The allegations against Jay-Z are not about infidelity or personal failings; they are criminal in nature, and their implications extend far beyond the realm of celebrity gossip. Public reaction to Beyoncé's response has been as polarized as it has been intense. Supporters argue that her actions—standing by Jay-Z in public, continuing with her professional commitments—are a demonstration of loyalty and strength. Critics, however, see her silence as a missed opportunity to address an issue that resonates deeply in the era of #MeToo. The debate underscores the unique position Beyoncé occupies in the cultural landscape: a figure who is simultaneously revered as a symbol of empowerment and scrutinized as a public figure with extraordinary influence. From a broader perspective, Beyoncé's response, or lack thereof, raises important questions about the role of celebrity in shaping societal conversations. Should she be held accountable for addressing allegations against her husband simply because of her platform? Or does her silence reflect a rightful boundary between public and private life? These questions are not easily answered, but they highlight the double-edged sword of celebrity—the expectation to lead while navigating deeply personal challenges. Beyoncé's silence also invites reflection on the dynamics of power and association. As one half of a global power couple, her image is inextricably linked to Jay-Z's. Their brand, built on a shared narrative of success, artistry, and philanthropy, faces its most significant test yet. How this moment shapes their legacy will depend not only on the outcome of the legal proceedings but also on how they navigate the public's perception in the interim. As the lawsuit against Jay-Z progresses, the world will continue to watch Beyoncé with rapt attention. Every gesture, every public appearance, every silence will be scrutinized for meaning. It is a burden unique to her level of fame, one that demands a careful balancing act between personal loyalty and public expectation. Whether she chooses to speak out or maintain her silence, her response will undoubtedly shape not only her legacy but also the broader conversation about power, accountability, and the complexities of partnership under the unforgiving glare of the spotlight. In the end, Beyoncé's reaction to this crisis may serve as a case study in the art of navigating scandal in the modern age. Her choices—measured, deliberate, and imbued with a sense of control—reflect a woman who understands the weight of her influence and the stakes of her decisions. For now, her silence remains a powerful statement in itself, leaving the world to interpret its meaning and wonder what comes next. Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on The Downfall of Diddy, The Trial of Karen Read, The Murder Of Maddie Soto, Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, The Menendez Brothers: Quest For Justice, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, The Murder Of Sandra Birchmore, and much more! Listen at https://www.truecrimetodaypod.com

The first lady of global pop royalty, Beyoncé Knowles-Carter, has long been celebrated for her commanding presence, meticulous control over her public image, and an uncanny ability to dominate the cultural spotlight without a single word uttered. Yet, amidst the storm surrounding her husband, Jay-Z, and the explosive allegations of sexual assault that have rocked the entertainment world, it is Beyoncé's quiet but resolute demeanor that has now captured the public's imagination and scrutiny. At the center of this unfolding drama is a civil lawsuit that names Jay-Z as an alleged perpetrator of sexual assault against a 13-year-old girl at an after-party following the 2000 MTV Video Music Awards. The allegations, shocking in their detail, include claims of underage victimization and an environment of exploitation. Jay-Z, alongside his longtime collaborator and fellow music mogul Sean "Diddy" Combs, has vehemently denied the accusations, with both men's legal teams describing the claims as baseless fabrications and attempts at extortion. While the courts and legal teams prepare for what promises to be a lengthy and highly publicized battle, the attention has shifted to Beyoncé, whose actions and inactions are being scrutinized for clues to her stance. Over the years, Beyoncé has crafted an image of unwavering strength and poise. She is not just an entertainer but a cultural symbol of empowerment and resilience. However, the allegations against her husband present a unique challenge to this carefully curated image. How does a woman whose career has been built on themes of independence, justice, and activism respond when the man she has built a family and empire with faces allegations of this magnitude? This question looms large as the world watches her every move. In the weeks following the public revelation of the lawsuit, Beyoncé has offered a masterclass in stoic solidarity. She has attended high-profile events alongside Jay-Z, presenting a united front that speaks volumes without the need for verbal commentary. One such appearance was at the premiere of Mufasa: The Lion King, where the couple arrived hand-in-hand, their smiles seemingly unshaken by the controversy swirling around them. The event marked a significant moment, as it placed them squarely in the public eye during a period when retreating from the limelight might have been the more predictable choice. Beyoncé's actions, however, have not stopped at public appearances. Days after the premiere, she took center stage during the Christmas Day NFL halftime show, delivering a performance that reminded the world of her unparalleled artistry and stage presence. The timing was poignant—a deliberate assertion of control over her narrative. Her fans, often referred to as the BeyHive, rallied around her, interpreting the performance as a declaration of resilience and focus amidst the noise. Yet, as is often the case with figures of her stature, every move is dissected and analyzed for hidden meanings. Social media has been rife with speculation about what Beyoncé's silence on the allegations against Jay-Z signifies. Is it an act of unwavering loyalty, a refusal to lend credence to what she and her husband may see as baseless claims? Or does it reflect a more personal struggle, one not meant for public consumption? These questions have fueled countless debates, turning Beyoncé's silence into its own form of communication—a blank canvas onto which people project their hopes, doubts, and expectations. Adding complexity to the situation was an incident involving Beyoncé's mother, Tina Knowles. After her Instagram account appeared to "like" a post referencing the allegations against Jay-Z, Tina quickly issued a statement claiming her account had been hacked. While the explanation was straightforward, it did little to quell the storm of speculation. Fans and commentators alike pored over the incident, interpreting it as a potential crack in the family's unified front. For Beyoncé, this moment is as much about optics as it is about substance. She has built a career on transcending controversy, often using it as a springboard for artistic expression. Her 2016 album Lemonade, widely regarded as a masterpiece, was born out of personal turmoil and marital strife, offering fans a raw and unflinching look at her life. This time, however, the stakes feel different. The allegations against Jay-Z are not about infidelity or personal failings; they are criminal in nature, and their implications extend far beyond the realm of celebrity gossip. Public reaction to Beyoncé's response has been as polarized as it has been intense. Supporters argue that her actions—standing by Jay-Z in public, continuing with her professional commitments—are a demonstration of loyalty and strength. Critics, however, see her silence as a missed opportunity to address an issue that resonates deeply in the era of #MeToo. The debate underscores the unique position Beyoncé occupies in the cultural landscape: a figure who is simultaneously revered as a symbol of empowerment and scrutinized as a public figure with extraordinary influence. From a broader perspective, Beyoncé's response, or lack thereof, raises important questions about the role of celebrity in shaping societal conversations. Should she be held accountable for addressing allegations against her husband simply because of her platform? Or does her silence reflect a rightful boundary between public and private life? These questions are not easily answered, but they highlight the double-edged sword of celebrity—the expectation to lead while navigating deeply personal challenges. Beyoncé's silence also invites reflection on the dynamics of power and association. As one half of a global power couple, her image is inextricably linked to Jay-Z's. Their brand, built on a shared narrative of success, artistry, and philanthropy, faces its most significant test yet. How this moment shapes their legacy will depend not only on the outcome of the legal proceedings but also on how they navigate the public's perception in the interim. As the lawsuit against Jay-Z progresses, the world will continue to watch Beyoncé with rapt attention. Every gesture, every public appearance, every silence will be scrutinized for meaning. It is a burden unique to her level of fame, one that demands a careful balancing act between personal loyalty and public expectation. Whether she chooses to speak out or maintain her silence, her response will undoubtedly shape not only her legacy but also the broader conversation about power, accountability, and the complexities of partnership under the unforgiving glare of the spotlight. In the end, Beyoncé's reaction to this crisis may serve as a case study in the art of navigating scandal in the modern age. Her choices—measured, deliberate, and imbued with a sense of control—reflect a woman who understands the weight of her influence and the stakes of her decisions. For now, her silence remains a powerful statement in itself, leaving the world to interpret its meaning and wonder what comes next. Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on The Downfall of Diddy, The Trial of Karen Read, The Murder Of Maddie Soto, Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, The Menendez Brothers: Quest For Justice, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, The Murder Of Sandra Birchmore, and much more! Listen at https://www.truecrimetodaypod.com

The first lady of global pop royalty, Beyoncé Knowles-Carter, has long been celebrated for her commanding presence, meticulous control over her public image, and an uncanny ability to dominate the cultural spotlight without a single word uttered. Yet, amidst the storm surrounding her husband, Jay-Z, and the explosive allegations of sexual assault that have rocked the entertainment world, it is Beyoncé's quiet but resolute demeanor that has now captured the public's imagination and scrutiny. At the center of this unfolding drama is a civil lawsuit that names Jay-Z as an alleged perpetrator of sexual assault against a 13-year-old girl at an after-party following the 2000 MTV Video Music Awards. The allegations, shocking in their detail, include claims of underage victimization and an environment of exploitation. Jay-Z, alongside his longtime collaborator and fellow music mogul Sean "Diddy" Combs, has vehemently denied the accusations, with both men's legal teams describing the claims as baseless fabrications and attempts at extortion. While the courts and legal teams prepare for what promises to be a lengthy and highly publicized battle, the attention has shifted to Beyoncé, whose actions and inactions are being scrutinized for clues to her stance. Over the years, Beyoncé has crafted an image of unwavering strength and poise. She is not just an entertainer but a cultural symbol of empowerment and resilience. However, the allegations against her husband present a unique challenge to this carefully curated image. How does a woman whose career has been built on themes of independence, justice, and activism respond when the man she has built a family and empire with faces allegations of this magnitude? This question looms large as the world watches her every move. In the weeks following the public revelation of the lawsuit, Beyoncé has offered a masterclass in stoic solidarity. She has attended high-profile events alongside Jay-Z, presenting a united front that speaks volumes without the need for verbal commentary. One such appearance was at the premiere of Mufasa: The Lion King, where the couple arrived hand-in-hand, their smiles seemingly unshaken by the controversy swirling around them. The event marked a significant moment, as it placed them squarely in the public eye during a period when retreating from the limelight might have been the more predictable choice. Beyoncé's actions, however, have not stopped at public appearances. Days after the premiere, she took center stage during the Christmas Day NFL halftime show, delivering a performance that reminded the world of her unparalleled artistry and stage presence. The timing was poignant—a deliberate assertion of control over her narrative. Her fans, often referred to as the BeyHive, rallied around her, interpreting the performance as a declaration of resilience and focus amidst the noise. Yet, as is often the case with figures of her stature, every move is dissected and analyzed for hidden meanings. Social media has been rife with speculation about what Beyoncé's silence on the allegations against Jay-Z signifies. Is it an act of unwavering loyalty, a refusal to lend credence to what she and her husband may see as baseless claims? Or does it reflect a more personal struggle, one not meant for public consumption? These questions have fueled countless debates, turning Beyoncé's silence into its own form of communication—a blank canvas onto which people project their hopes, doubts, and expectations. Adding complexity to the situation was an incident involving Beyoncé's mother, Tina Knowles. After her Instagram account appeared to "like" a post referencing the allegations against Jay-Z, Tina quickly issued a statement claiming her account had been hacked. While the explanation was straightforward, it did little to quell the storm of speculation. Fans and commentators alike pored over the incident, interpreting it as a potential crack in the family's unified front. For Beyoncé, this moment is as much about optics as it is about substance. She has built a career on transcending controversy, often using it as a springboard for artistic expression. Her 2016 album Lemonade, widely regarded as a masterpiece, was born out of personal turmoil and marital strife, offering fans a raw and unflinching look at her life. This time, however, the stakes feel different. The allegations against Jay-Z are not about infidelity or personal failings; they are criminal in nature, and their implications extend far beyond the realm of celebrity gossip. Public reaction to Beyoncé's response has been as polarized as it has been intense. Supporters argue that her actions—standing by Jay-Z in public, continuing with her professional commitments—are a demonstration of loyalty and strength. Critics, however, see her silence as a missed opportunity to address an issue that resonates deeply in the era of #MeToo. The debate underscores the unique position Beyoncé occupies in the cultural landscape: a figure who is simultaneously revered as a symbol of empowerment and scrutinized as a public figure with extraordinary influence. From a broader perspective, Beyoncé's response, or lack thereof, raises important questions about the role of celebrity in shaping societal conversations. Should she be held accountable for addressing allegations against her husband simply because of her platform? Or does her silence reflect a rightful boundary between public and private life? These questions are not easily answered, but they highlight the double-edged sword of celebrity—the expectation to lead while navigating deeply personal challenges. Beyoncé's silence also invites reflection on the dynamics of power and association. As one half of a global power couple, her image is inextricably linked to Jay-Z's. Their brand, built on a shared narrative of success, artistry, and philanthropy, faces its most significant test yet. How this moment shapes their legacy will depend not only on the outcome of the legal proceedings but also on how they navigate the public's perception in the interim. As the lawsuit against Jay-Z progresses, the world will continue to watch Beyoncé with rapt attention. Every gesture, every public appearance, every silence will be scrutinized for meaning. It is a burden unique to her level of fame, one that demands a careful balancing act between personal loyalty and public expectation. Whether she chooses to speak out or maintain her silence, her response will undoubtedly shape not only her legacy but also the broader conversation about power, accountability, and the complexities of partnership under the unforgiving glare of the spotlight. In the end, Beyoncé's reaction to this crisis may serve as a case study in the art of navigating scandal in the modern age. Her choices—measured, deliberate, and imbued with a sense of control—reflect a woman who understands the weight of her influence and the stakes of her decisions. For now, her silence remains a powerful statement in itself, leaving the world to interpret its meaning and wonder what comes next. Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on The Downfall of Diddy, The Trial of Karen Read, The Murder Of Maddie Soto, Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, The Menendez Brothers: Quest For Justice, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, The Murder Of Sandra Birchmore, and much more! Listen at https://www.truecrimetodaypod.com

Robert Winfree and Mark Radulich present their Mufasa The Lion King 2024 Movie Review!Mufasa: The Lion King is a 2024 American musical drama film directed by Barry Jenkins from a screenplay written by Jeff Nathanson. Produced by Walt Disney Pictures, the film is photorealistically animated and serves as both a prequel and sequel to The Lion King (2019), the remake of the 1994 animated film of the same name. Seth Rogen, Billy Eichner, Donald Glover, Beyoncé Knowles-Carter, and John Kani reprise their roles from the remake; new cast members include Aaron Pierre, Kelvin Harrison Jr., Tiffany Boone, Mads Mikkelsen, Thandiwe Newton, Lennie James, Anika Noni Rose, and Blue Ivy Carter in her feature film debut.Development on a prequel to The Lion King was confirmed in September 2020, with Jenkins attached to direct and Nathanson finishing a draft of the script. Pierre and Harrison were announced as the voice cast in August 2021, followed by further casting between September 2022 and April 2024. The film was officially announced when its official title was revealed in September 2022 at the 2022 D23 Expo announcement. Production on the film slowed down in July 2023 due to the 2023 SAG-AFTRA strike. The film is dedicated to James Earl Jones, who voiced Mufasa in the 1994 film and the remake, died before the film's release, and whose voice is heard briefly during the opening titles.Mufasa: The Lion King premiered on December 9, 2024, at the Dolby Theatre in Los Angeles, and was released in the United States by Walt Disney Studios Motion Pictures on December 20, 2024. The film received mixed reviews from critics and has grossed $328 million.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Happy holidays, Weekly Pop listeners! We're giving you a new episode a few days early so you can spend your holidays with us! In this episode, hosts Ema Sasic and Kevin Schwaller discuss Academy Award winner Barry Jenkins' new film, "Mufasa: The Lion King," starring Seth Rogen, Billy Eichner, Donald Glover, Beyoncé Knowles-Carter, Aaron Pierre, Kelvin Harrison Jr. and Blue Ivy Carter. Later on, they yap about their favorite Christmas movies, like "Love Actually," "The Holiday," "How the Grinch Stole Christmas" and "National Lampoon's Christmas Vacation." Disclaimer: Copyright notice: (Intro/outro) She's The Greatest Dancer by Ryan Andersen is licensed under a Attribution-NonCommercial License. https://freemusicarchive.org/music/Ryan_Andersen/MORE/Shes_The_Greatest_Dancer?fbclid=IwAR1TDCO9eT6TxmDrTaJr9HRQVk2gUu00cNXeG8oik3avXVEhbSGqsqUfLko Copyright notice: (Break) Extremely Tik-tok compatible for slow videos by Lundstroem is licensed under a Attribution 4.0 International License. https://freemusicarchive.org/music/lundstroem/the-happiest-songs/extremely-tik-tok-compatible-for-slow-videos/ --- Support this podcast: https://podcasters.spotify.com/pod/show/kevin-schwaller9/support

On this episode, Matt & Eric review Barry Jenkins' Mufasa: The Lion King starring Aaron Pierre, Kelvin Harrison Jr., Seth Rogen, Billy Eichner, Tiffany Boone, Donald Glover, Mads Mikkelsen, Thandiwe Newton, Lennie James, Anika Noni Rose, Blue Ivy Carter, and Beyoncé Knowles-Carter.

For this week's main podcast review, I am joined by Nadia Dalimonte, Josh Parham & Tom O'Brien to review and discuss the latest film from director Barry Jenkins, "Mufasa: The Lion King," starring Aaron Pierre, Kelvin Harrison Jr., Seth Rogen, Billy Eichner, Tiffany Boone, Donald Glover, Mads Mikkelsen, Thandiwe Newton, Lennie James, Anika Noni Rose, Blue Ivy Carter & Beyoncé Knowles-Carter. We say it's the latest film from Barry Jenkins, but it doesn't look or feel like any of his previous works, as he decided to undertake the sequel to the poorly received but financially successful 2019 remake of "The Lion King." What did we think of Jenkins's direction? Was he able to elevate this material? How did we feel about the visuals, music, and voice performances? Tune in as we discuss these topics, its awards season chances, and more in our SPOILER-FILLED review. Thank you for listening, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Mufasa: The Lion King is a 2024 American musical drama film directed by Barry Jenkins from a screenplay written by Jeff Nathanson. Produced by Walt Disney Pictures, the film is photorealistically animated and serves as both a prequel and sequel to The Lion King (2019), the remake of the 1994 animated film of the same name.Seth Rogen, Billy Eichner, Donald Glover, Beyoncé Knowles-Carter, and John Kani reprise their roles from the remake; new cast members include Aaron Pierre, Kelvin Harrison Jr., Tiffany Boone, Mads Mikkelsen, Thandiwe Newton, Lennie James, Anika Noni Rose, and Blue Ivy Carter in her feature film debut.Lost and alone, orphaned cub Mufasa meets a sympathetic lion named Taka, the heir to a royal bloodline. The chance meeting sets in motion an expansive journey of an extraordinary group of misfits searching for their destinies.

Daniel, Shahbaz, & Anthony review Barry Jenkins' MUFASA: THE LION KING, a prequel and sequel to the 2019 remake of the 1994 film The Lion King. Exploring the unlikely rise of the beloved king of the Pride Lands, Mufasa: The Lion King enlists Rafiki to relay the legend of Mufasa to young lion cub Kiara, daughter of Simba and Nala, with Timon and Pumbaa lending their signature schtick. Told in flashbacks, the story introduces Mufasa as an orphaned cub, lost and alone until he meets a sympathetic lion named Taka—the heir to a royal bloodline. The chance meeting sets in motion an expansive journey of an extraordinary group of misfits searching for their destiny—their bonds will be tested as they work together to evade a threatening and deadly foe. It stars the voices of Aaron Pierre, Kelvin Harrison Jr., John Kani, Tiffany Boone, Kagiso Lediga, Preston Nyman, Mads Mikkelsen, Thandiwe Newton, Lennie James, Anika Noni Rose, Keith David, Seth Rogen, Billy Eichner, Donald Glover, Blue Ivy Carter, Braelyn Rankins, Theo Somolu, Folake Olowofoyeku, Joanna Jones, Thuso Mbedu, Sheila Atim, Abdul Salis, Dominique Jennings and Beyoncé Knowles-Carter. Mufasa: The Lion King releases December 20, 2024 exclusively in theatres. Watch and listen to The Movie Podcast now on all podcast platforms, YouTube, and TheMoviePodcast.ca Contact: hello@themoviepodcast.ca FOLLOW US Daniel on X, Instagram, Letterboxd Shahbaz on X, Instagram, and Letterboxd Anthony on X, Instagram, and Letterboxd The Movie Podcast on X, Instagram, TikTok, Discord, and Rotten Tomatoes Learn more about your ad choices. Visit megaphone.fm/adchoices

Mufasa: The Lion King is an upcoming American musical drama film directed by Barry Jenkins from a screenplay by Jeff Nathanson. Produced by Walt Disney Pictures, the film is photorealistically animated, and both a prequel and sequel to the 2019 remake of the 1994 film The Lion King. Donald Glover, Seth Rogen, Billy Eichner, John Kani, and Beyoncé Knowles-Carter reprise their roles from the remake; new cast members include Aaron Pierre, Kelvin Harrison Jr., Tiffany Boone, Mads Mikkelsen, Thandiwe Newton, Lennie James, Anika Noni Rose, and Blue Ivy Carter in her feature film debut. Development on a prequel to The Lion King was confirmed in September 2020, with Jenkins attached to direct and Nathanson finishing a draft of the script. Pierre and Harrison Jr. were announced as the voice cast in August 2021, followed by further casting between September 2022 and April 2024. The film was officially announced when its official title was revealed in September 2022 at the 2022 D23 Expo announcement. Production on the film slowed down in July 2023 due to the 2023 SAG-AFTRA strike.See omnystudio.com/listener for privacy information.

Award-winning American whisky founded by Beyoncé Knowles-Carter and crafted in partnership with Moët Hennessy and five time International Whisky Competition Master Distiller of the Year, Dr. Bill Lumsden. Here the complexity of rye is married with the elegance of malted barley. Finished to perfection in Pedro Ximénez sherry casks, a harmony of spice with sublime hints of fruit. Cheers!

Happy Birthday to Beyoncé Knowles Carter!  Who is her Husband?

It feels like every celebrity is coming out with a beauty brand these days but how do you know what is quality and what is purely on the shelves to make a quick buck? We list off a few dodgy brands you should steer clear from and also put two of the industries best against each other. Who will come out on top?  PRODUCTS Cécred | by Beyoncé Knowles-Carter florence | by Millie Bobby Brown Iconic Hair, Every Day | Blake Brown JVN Hair | Sustainable Haircare by Jonathan Van Ness TYPEBEA - Hair Care by Rita Ora Haircare by Jennifer Aniston｜LolaVie Rare Beauty Lip Liner | Sephora Trace'd Out Pencil Lip Liner | Fenty Beauty Gloss Bomb Universal Lip Luminizer | Fenty Beauty Shop All Hair Care Products | Fenty Hair LINKS Follow the sister's on: Instagram:@jaymejo@jessie.massoud TikTok:@jaymejomassoud@jessiemassoud CREDITSHosts: Jayme Jo & Jessie Massoud Senior Producer: Xander CrossManaging Producer: Ricardo Bardon Find more great podcasts like this at novapodcasts.com.au and follow Nova Podcast's Instagram @novapodcastsofficial Nova Entertainment acknowledges the traditional custodians of the land on which we recorded this podcast, the Gadigal People of the Eora Nation. We pay our respect to Elders past and present.See omnystudio.com/listener for privacy information.

‘De leeuwenkoning' is de tekenfilm die Radio 1-presentatrice Annelies Moons met stip het vaakst heeft gezien. Zelfs als student was er een periode dat ze die elke week bekeek, als een soort compagnon de route. In die mate zelf, dat ze haar zoontje Hugo bijna als tweede naam Mufasa had gegeven. Dat het niet is gebeurd, daar heeft ze nu een beetje spijt van. Over de remake dan: die is erg trouw gebleven aan het origineel, al hebben de vrouwelijke rollen wel meer diepgang gekregen. Allicht ook omdat een zekere Beyoncé Knowles-Carter de stem van Nala heeft ingesproken. Het extra nummer dat zij aan de film heeft toegevoegd, is dan weer weinig memorabel. En de tierlantijntjes die ze toevoegt aan ‘Can you feel the love tonight' waren niet nodig. Bovendien is deze versie logischerwijs minder cartoonesk, wat afbreuk doet aan de grappen. Ook de hyena's verliezen alle humor op het rare, weerkerende aanschurken na. En Scar is een sof geworden. Kortom: voor haar is het “een dramatische leeuwenfilm” geworden, voor zover dat een ding is. Of “half z'n gat”, zoals we in Leuven zeggen. Wel een pluspunt: Annelies is meter van Steven het steppeslurfhondje, en dat dier zit nu ook in ‘The Lion King'. Had ze zelf een stemmetje mogen inspreken, kiest ze voor Zazu. Omdat ze zelf ook wel eens te veel babbelt. Oordeel vooral zelf.

Learn more at TheCityLife.org --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

(Season 8 is in partnership with ADCOLOR. ADCOLOR champions diversity and inclusion in creative industries.) An award-winning creative, Courtney Richardson is currently Creative Director at Droga5 where she leads creative direction for iconic brands and icons including Sean Combs, Combs Enterprises, The Africa Center, Hennessy, Chase Sapphire and more. She credits her early beginnings watching her uncle direct music videos for the Wu-Tang Clan, Snoop Dogg, & Master P with igniting her passions and creative intuitions. Formerly Creative Director at PAPER Magazine, it was there she led original ideas and disruptive thinking for brands like Nike, Samsung, Hulu, HBO, VH1 and others; while working with celebrities including Zendaya, Issa Rae, Megan Thee Stallion, Lena Waithe, Taraji P. Henson, Tiffany Haddish, Laverne Cox, Michaela Coel, Colin Kaepernick and more. Recognized and inducted into the 2022 Creative Class of Black thought leaders by The Creative Collective as a ‘Culture Shifter,' Courtney was named 2021's ‘Creative of the Year' by ADCOLOR & The One Club and was recently honored as a ‘Trailblazer' by the Black Women in Media Awards, alongside esteemed social justice activist Dr. Bernice King and Grammy-award winning singer Deborah Cox. She has been featured by outlets including CBS Morning News, EBONY Magazine, AdWeek, Refinery29, Bustle, PopSugar and more. Her creative thinking has also been praised and sought after by none other than the one and only, Beyoncé Knowles-Carter. Courtney's life goal is to uplift humanity, particularly marginalized communities. She truly believes in radiating self-love and spreading positivity. The world needs more, so she aims to put forth that philosophy first in everything she does.

The Lion King is a 1994 American animated musical drama film produced by Walt Disney Feature Animation and released by Walt Disney Pictures. The 32nd Disney animated feature film and the fifth produced during the Disney Renaissance, it is inspired by William Shakespeare's Hamlet with elements from the Biblical stories of Joseph and Moses and Disney's 1942 film Bambi. The film was directed by Roger Allers and Rob Minkoff (in their feature directorial debuts) and produced by Don Hahn, from a screenplay written by Irene Mecchi, Jonathan Roberts, and Linda Woolverton. The film features an ensemble voice cast that includes Matthew Broderick, James Earl Jones, Jeremy Irons, Jonathan Taylor Thomas, Nathan Lane, Ernie Sabella, Rowan Atkinson, and Robert Guillaume. Its original songs were written by composer Elton John and lyricist Tim Rice, with a score by Hans Zimmer.   The film has led to many derived works, such as a Broadway adaptation in 1997; two direct-to-video follow-ups—the sequel, The Lion King II: Simba's Pride (1998), and the prequel/parallel, The Lion King 1½ (2004); two television series, Timon and Pumbaa and The Lion Guard; and a photorealistic remake in 2019, which also became the highest-grossing animated film at the time of its release. In 2016, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".  The Lion King is the first Disney film to have been dubbed in Zulu, the only African language aside from Arabic to have been used for a feature-length Disney dub.     The Lion King is a 2019 American musical drama film directed and co-produced by Jon Favreau, written by Jeff Nathanson, and produced by Walt Disney Pictures and Fairview Entertainment. It is a photorealistic computer-animated remake of Disney's traditionally animated 1994 film of the same name. The film stars the voices of Donald Glover, Seth Rogen, Chiwetel Ejiofor, Alfre Woodard, Billy Eichner, John Kani, John Oliver, Florence Kasumba, Eric André, Keegan-Michael Key, JD McCrary, Shahadi Wright Joseph, with Beyoncé Knowles-Carter, and James Earl Jones reprising his role from the original film.   Plans for a remake of 1994's The Lion King were confirmed in September 2016 with Favreau attached to directed following box office successes for Disney remakes such as The Jungle Book (2016), which was also directed by Favreau. Disney hired Nathanson to write the screenplay in October 2016. Favreau was inspired by certain roles of characters in the Broadway adaptation and developed upon elements of the original film's story. Much of the main cast signed in early 2017, and principal photography began in mid-2017 on a blue screen stage in Los Angeles. The "virtual-reality tools" utilized in The Jungle Book's cinematography were used to a greater degree during filming of The Lion King. Composers Hans Zimmer, Elton John, and lyricist Tim Rice, all of whom worked on the original's soundtrack, returned to compose the score alongside Knowles-Carter, who assisted John in the reworking of the soundtrack and wrote a new song for the film, titled "Spirit", which she also performed. The film serves as the final credit for editor Mark Livolsi, and it is dedicated to his memory. With an estimated budget of around $260 million, The Lion King is one of the most expensive films ever made.   Opening Credits; Introduction (.37); Background History (1:02.08); The Lion King (19940 Trailer (1;05.30); The Original (1:06.41); Let's Rate (1:51.58); INTERMISSON:  (1:56.58) Introducing a Film (2:07.01); The Lion King (2019) Film Trailer (2:04.06); Lights, Camera, Action (2:05.51); How Many Stars (2:43.21); End Credits (2:58.34); Closing Credits (2:59.34)   Opening Credits– Epidemic Sound – Copyright . All rights reserved.   Intermission Music:  He Lives In You (Reprise) – Ensemble – The Lion King, Jason Raize and Tsidii Le Loka.  Taken from the album The Lion King, The Original Broadway Cast Album.  Copyright 1997 Walt Disney Records.  .   Closing Credits:  Shadowlands by Shadowland · Heather Headley · Tsidii Le Loka · Ensemble - The Lion King.  Taken from The Lion King, The Original Broadway Cast Album.  Copyright 1997 Walt Disney Records.  ​ Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.    Interval Music:  The Lion King Original Broadway Cast.  Copyright 1997 Walt Disney Records.   All rights reserved.  Used by Kind Permission.   All songs available through Amazon Music.

The highly anticipated film “Renaissance” by Beyoncé is finally here!!! Talented mother, wife, business woman, creative and ICON, Beyoncé Knowles Carter lets us behind the scenes to witness how this mega tour became the first film in two decades to gross over $20 million. Let's chat!!!

In the headlines on #TheUpdate this Thursday, one New Yorker upset that the city has been housing homeless migrants in his neighborhood on Staten Island has set up a loudspeaker to deliver an unwelcoming message to his new neighbors. Prosecutors say New York City's former top building-safety official took cash, Mets tickets, a discount on a luxury apartment and other bribes from a real estate developer, a restaurateur and others. And Gannett, the United States' biggest newspaper chain, posted two unusual job listings to its site: hiring a reporter focused on Taylor Swift, and a posting for a dedicated Beyoncé Knowles-Carter reporter.

Step into the world of one of the most iconic figures in entertainment as we explore Beyoncé's extraordinary journey to greatness. In "The Beyoncé Effect" podcast, we delve deep into the life and career of the incomparable Beyoncé Knowles-Carter, using her experiences as a mirror to reflect upon our own quests for excellence. Hosted by Nibirah Bomani, this podcast series uncovers the lessons, insights, and inspiration we can draw from Beyoncé's unparalleled tenacity, work ethic, and determination. Each episode will dissect pivotal moments in Beyoncé's life and career, showcasing how she overcame challenges, pursued her passions, and continually pushed herself to be the best she can be. Join us as we explore the Beyoncé Effect and discover how her extraordinary journey can empower and motivate us in our own pursuit of excellence. Whether you're a fan of her music, her activism, or her business acumen, there's something for everyone in this podcast. Tune in and be inspired to unlock your inner Beyoncé and reach for the stars.

The author of "The Ones We've Been Waiting For: How A New Generation of Leaders Will Transform America," Charlotte Alter, joins Stephen Colbert to discuss why "Harry Potter" is so ingrained in millennial minds and how that inspires them to fight against authoritarianism (Originally aired February 26th, 2020). And can anyone name a greater performer than Beyoncé Knowles-Carter? Acclaimed author Michael Eric Dyson challenges Stephen, Jon Batiste and the members of Stay Human to name an entertainer who is more talented and influential than Queen Bey. Dyson's new book, "Entertaining Race: Performing Blackness in America", is available everywhere now (Originally aired November 2nd, 2021). Learn more about your ad choices. Visit megaphone.fm/adchoices

Hey fam! Welcome to The Manny and Shawn Experience! Hi everyone, and welcome to episode 46 of the podcast! We start off by discussing our evening with Beyoncé at her Renaissance World Tour stop in Tampa, Florida. We give you the full rundown of our concert experience and highlight some of our favorite moments. The evening was full of inclusion, black and queer love!We then talk about our recent trip to Busch Gardens for their kick off to spooky season with a Howl-O-Scream Scavenger Hunt. We had a blast exploring the park and trying to solve the clues.We wrap up the show with What's Your Issue?, and our last words for the week. Thanks for listening! We hope you enjoy the show.Instagram & Threads: masxp23Email: mannyandshawn@gmail.comWebsite: https://qrco.de/bdc2U4 or https://rss.com/podcasts/maspod/ YouTube: https://www.youtube.com/@masxp23Timecodes:5:06 - The Mixtape30:46 - hallelujah49:44 - What's your issue57:58 - Last Words

Ever wondered where Beyoncé Knowles Carter donates her money?  Did you know that her philanthropic foundation BeyGood is on tour right alongside the historic Rennaissance tour? Tune in to this episode to find out more!Links from today's episode:"Beyoncé's BeyGOOD Foundation to help entrepreneurs, small businesses in Charlotte"https://www.wcnc.com/article/news/local/Beyonce-beygood-foundation-entrepreneurs-small-business-charlotte/275-f418f117-955d-42f6-b306-bc1cfcae45b5"Beyoncé to donate $2 million to students and small business owners during Renaissance tour"https://www.today.com/popculture/music/Beyonce-2-million-renaissance-tour-donation-students-entrepreneurs-rcna80706"The 10 Not-So-Publicized Times Jay Z and Beyoncé Gave Back"https://www.essence.com/lifestyle/do-good-brothers/10-not-so-publicized-times-jay-z-and-Beyonce-gave-back/#144743 "Celebrity Giving Profile: Beyoncé"https://www.looktothestars.org/celebrity/beyonce Support the show

Episode 28:  In this episode, Timalyn discusses the IRC 662 Accuracy-Related Penalty.  She'll explain what it is, how it can be issued against you and how to avoid it.  She'll use the example of a live case involving Beyoncé Knowles-Carter.  Timalyn begins by explaining how a case is in the US Tax Court, part of the Taxpayer Privacy Act no longer applies.  This is why she's able to find public information about the case involving Beyoncé. What is the Accuracy-Related Penalty? This penalty applies if you underpay the tax required to be shown on your return.   Individuals have 2 common accuracy-related penalties. The first is negligence or disregard of the rules or regulations.  The second is a substantial understatement of income tax.  Timalyn explains that negligence is when someone doesn't make a reasonable attempt to follow the tax laws, when preparing a tax return.  Disregard means someone carelessly, recklessly or intentionally ignore the tax rules or regulations. Examples of Negligence Not keeping records to prove you qualify for specific credits and/or deductions is a simple example.  For instance, if you are claiming a child on your return, you need to be able to prove the child exists and that you have the right to claim him/her. Another example would be not claiming income shown in an information return, such as on a W-2 or 1099.  Finally, not checking the accuracy of a deduction or credit; especially when it seems too good to be true. Examples of a Substantial Understatement of Income Tax An individual can be hit with this penalty if he/she understates the tax liability by 10% of the tax required to be shown on the tax return or $5,000 (whichever is greater).  A business owner might claim a deduction based on Section 199a Qualified Business Income Deduction.  The penalty would apply if income is understated by 5% of the tax required to be shown or $5,000 (whichever is greater).  How to Avoid the Accuracy-Related Penalty ·      Don't claim a credit or deduction for which you don't actually qualify. ·      Claim all required income when completing your tax return. Timalyn reminds you that the IRS may be slow, but they're not stupid.  They will eventually find out and assess various penalties.  In previous episodes, Timalyn has discussed the Failure to File Penalty (which can be up to 25%).  If you are facing an Accuracy-Related Penalty, it can be up to 20% of the portion of the underpayment due to negligence or disregard.  It's also 20%, when a substantial understatement is made.  This means a penalty of 20% of the amount you understated.  You'll also be assessed the interest related to these issues.  Can I Get the Accuracy-Related Penalty Removed or Reduced? Timalyn explains that it might be possible, but listen to her episode on First-Time Penalty Abatement.  You have the burden of proof as to why the penalty should be removed or reduced.  You'll have to show that you acted in good faith and can show a reasonable cause as to why it happened.  Timalyn explained Removing Penalties for Reasonable Cause, in Episode 12. If you want to book a consultation to discuss your specific situation, you can schedule an appointment at https://bookingbowens.as.me/schedule.php.  This is on the website for Bowens Tax Solutions.  Avoiding the Penalty by Substantiating As Timalyn stated earlier, it may be possible to avoid the Accuracy-Related Penalty, but you have to be able to prove why it shouldn't apply.  You need to report everything required, and to be able to explain why something as omitted from the return, or isn't actually required.  Beyoncé Knowles-Carter vs. US Tax Court According to public information, for the tax year 2018, her tax return showed a deficiency of $805,850.  Per the Internal Revenue Code Section 662a, she was accessed an accuracy-related penalty of $161,170.  In 2019, another deficiency of almost $1.5 million.  Per the Internal Revenue Code Section 662a, she was accessed an accuracy-related penalty of $288,549.  Now, as Timalyn explained in Episode 26, there is a IRS Collection Due Process.  You also have the right to appeal an IRS decision, which she covered in Episode 27.  Beyoncé deducted $761,455 on her Schedule C7.  The IRS disallowed that deduction.  She and her advisors will have to prove the deduction was ordinary and necessary.  They will also have to substantiate the deduction by showing the expense was actually paid.  Timalyn advises you should always keep receipts, because your bank statements may not give the full picture.    Please consider sharing this episode with your friends and family.  There are many people dealing with tax issues, and you may not know about it.  This information might be helpful to someone who really needs it.  After all, back taxes shouldn't ruin your life. As we conclude Episode 28, we encourage you to connect with Timalyn on social media. You'll be able to subscribe to this podcast on Spotify, Apple Podcasts, Google Podcasts, and many other podcast platforms.    Remember, Timalyn Bowens is America's Favorite EA and she's here to fill the tax literacy gap, one taxpayer at a time.  Thanks for listening to today's episode. For more information about tax relief options, visit https://www.Bowenstaxsolutions.com/ . If you have any feedback, or suggestions for an upcoming episode topic, please submit them here:  https://www.americasfavoriteea.com/contact.   Disclaimer:  This podcast is for informational and educational purposes only.  It provides a framework and possible solutions for solving your tax problems, but it is not legally binding.  Please consult your tax professional regarding your specific tax situation.

Let us build an sustain confidence and all that we do. Be Encouraged.

In today's episode, we discuss the achievements of Beyoncé Knowles-Carter and Lebron James and what their achievements mean to us and the culture. --- Support this podcast: https://anchor.fm/destiney-johnson/support

Beyoncé's latest album, “Renaissance,” showcases a pop star letting go of all expectations. Wesley and J go deep into the album and this new era of Beyoncé. It's an era of play, freedom, comedy and queerness — unlike anything we've ever heard from Beyoncé Knowles-Carter before.

Nobody knows how to critique anymore and it makes my ass itch. Beyoncé can be both in the oppressor class and one of the best artists alive; I promise I have the capacity to entertain both these thoughts. I am here to give libations to an artist that inspires me and to grieve when she is so utterly disappointing. How do you dawn Black radical tradition and be an open capitalist? What does that say about the love an artist has to offer their audience (if any at all)? Read the whole essay with sources cited at ismatu.substack.com.Listen or read the last episode: I kinda wanna f*ck Excellence. This was actually (fully inspired by Beyoncé's line, They hate me because they want me). You can subscribe to the newsletter to get in on that good good, or you can stream it on Apple Podcasts or Spotify.Her Music Academia is a podcast where a dope ass Black girl talks music theory. Lydia Bangura (already so well known in her field for her exemplar viola and vocal performance, speaking ability, and Black women-centric research focus) is a second-year student and teaching fellow at The University of Michigan. She manages to be so cute and interesting that she makes me love music theory?? How. Amazing. What a star. She already has one episode on Beyoncé up! Available on Apple Podcasts, Spotify, or wherever you listen!Even if you hate this, I am actually giving you something decent to discuss, with sources! AND I'm saying it on record. Nobody wants to deal with the portion of the Bey fanbase that compulsively licks boots and I opened myself up to that nonsense for you people. Pay me for it! Especially if you are white okay have a good one!!

You won't rank my soul! A quick turnaround as the Black Band T-Shirt boys return to Beyoncé Knowles-Carter, as we cover her new record Renaissance. We cover the controversies first of all, but ultimately celebrate this excellent and (importantly for Chris) not grotty record. We'll be back with a full episode next time as we begin our Iron Maiden journey alongside our pal Jack Kirby-Lowe - come at us on @BBTS_pod on Twitter with your early Maiden takes (going as far as Fear of the Dark), or your thoughts on new Coheed/Beyoncé. To get those episodes in your ears on release, subscribe on your favourite podcatcher and while you're at it, a 5* review and a recommendation to a pal would be wonderful

This episode is ALLLL about the queen herself...Mrs. Beyoncé Knowles Carter. In honor of her recent album, Renaissance, that we all can't stop playing on repeat, I thought it was only right to dedicate an entire episode to our QUEEN. With my guest, her #1 fan, Daniel Asare, we talk about our love for Beyoncé, her impact in the world, our favs on her recent album and announce the WINNER of the Pose Box Giveaway! Rather you are a super fan of Beyoncé or not, this episode is fun and a good time. Hope you all enjoy. XOXO Imani Each week will be a different topic! Make sure to follow all of the social handles to know the topic of the week. You can send in your questions/stories via the website, email or social media! CHECK OUT THE WEBSITE: www.dearimani.com NEED ADVICE? Website: www.dearimani.com Instagram: https://www.instagram.com/dearimanipodcast/ Email: hello@dearimani.com

In this episode of The Antidote, Amy and Grace connect with actor Tian Richards (Tom Swift) about staying present, finding the best donuts in his favorite cities, and loving Black women. Amy and Grace share their bummer news of the week - The Supreme Court Overturning Roe v. Wade - and also provide resources for how to fight back. They also share a joint antidote this week: listening to,  “Break My Soul,” by the queen, Beyoncé Knowles-Carter.   This week's Creative Tap-In:  “Make an empty space in any corner of your mind, and creativity will instantly fill it.” - Dee Hock If you're looking for resources following the U.S. Supreme Court's decision on Roe v. Wade, check out the following: Plan C Pills: https://www.plancpills.org/ Repro Legal Helpline: https://www.reprolegalhelpline.org/ Call or text the Miscarriage and Abortion Hotline: 1-833-246-2632 OUR SPONSORS: BetterHelp Online Therapy -  betterhelp.com/ANTIDOTE Do you have a favorite antidote or need an antidote suggestion? A question for Grace and Amy, or something you loved that Amy, Grace or one of their guests has said on the podcast? Share a message with The Antidote team: https://mpr.tfaforms.net/111

It's rare for an entrepreneurial food or beverage brand to generate a billion dollars in annual revenue. Yet that hasn't kept ambitious founders from envisioning a 10-figure future for their companies. Yanni Hufnagel, the founder and CEO of Lemon Perfect, is one of those aspiring leaders, and based on the trajectory for his brand this far, he has a realistic shot. Launched in 2018, Lemon Perfect markets a line of low-calorie, lemon-flavored water. Positioned as hydration beverages, the USDA certified organic drinks come in seven varieties each sweetened with a blend of erythritol and stevia and containing five calories per 12 oz. bottle.    Available nationwide at Publix, Kroger, Whole Foods and Ralph's, Lemon Perfect anticipates over $60 million in sales and a retail footprint of over 40,000 doors by the end of 2022 as it expands into Costco, CVS, Walmart and Target. Earlier this year, the company closed on a $31 million Series A funding round that included a high-profile roster of celebrity investors headlined by music icon Beyoncé Knowles-Carter. The recent financing brought Lemon Perfect's total funding to $42.2 million and a valuation of over $100 million. In an interview featured in this episode, Hufnagel spoke about his overarching vision for Lemon Perfect, the parallels between coaching college basketball and running a beverage company, why nailing “the big decisions” has been critical to the brand's development and how his perspective on gross margin has evolved. He also explained why Lemon Perfect has invested heavily in field sales, how he cultivated a culture of hustle and commitment and why he says that he's never sold the brand to an investor.   Show notes: 0:42: Interview: Yanni Hufnagel, Founder & CEO, Lemon Perfect – Before diving into Lemon Perfect's backstory, Hufnagel and Taste Radio editor Ray Latif chatted about the entrepreneur's Instagram handle, his brief flirtation with investment banking and the origin of the brand's name. Hufnagel also discussed the simplicity of Lemon Perfect's ingredients, how he got up to speed in the beverage industry (hint: a certain podcast was key), his counterintuitive advice about gross margin for early-stage brands, why moving to a shelf-stable formulation was instrumental in the brand's growth and why not hiring a CEO was one of the best decisions he's made. Later, he explained why Lemon Perfect's unit economics make it highly attractive to investors, his praise (and acronyms) for hard work and why “being great fiduciary of a capital” is a point of pride.  Brands in this episode: Lemon Perfect, Vitaminwater, Bai, Vita Coco

Founder and CEO Yanni Hufnagel created a product that met a consumer need, and has a super compelling mission to make the world a healthier place. It's true that his brand, Lemon Perfect, is “literally on fire.” So much so that they just announced $31 million Series A with investments from Beyoncé Knowles-Carter and leading consumer products funds. Yanni's story and his passion are just the kind of magic that gets investors and consumers excited. So, what does it mean for a brand to be “literally on fire”? On The Irresistible Factor, you'll find out, with a little help from the always-energetic Yanni. Together, host Kristi Bridges and Yanni explore the story of how the founder first saw a need for this better-for-you product — super-refreshing, full-flavored, hydrating lemon water with zero sugar — and the life-changing advice that really made him go for it. With a background in coaching college basketball, Yanni made quite the pivot. He'd been dabbling in keto dieting and drinking lemon water every morning — driving to Whole Foods for organic lemons, getting juice on his counters, and stomaching the bland taste. At the end of a basketball season, he had what he describes as a “lightbulb moment” in the locker room. *What if there was a lemon water that tasted great, just like the drinks his players wanted after a game?* In this episode, you'll find out why Yanni decided to flip from produce to grocery, and how the business has grown significantly as a result. Kristi and Yanni also cover his views on entrepreneurship, why he believes a lot of building a business requires putting on blinkers and just following your heart, and why he is grateful for the rare opportunity to create a great business that also does good. “Scaling a beverage brand is beyond hard,” Yanni said. “Not impossible, but very challenging. And what I would tell you is that we are more focused on growth versus our bottom line.”

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER It's almost Oscar time and that means we need to talk about the nominees for Best Score and Best Original Song! We give snap judgments on a stacked crew of incredible composers and a fairly predictable Best Original Song category. But who will surprise us, and who will our picks be? Find out on this bonus episode of Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt from “La Cumbia De Mirabel” taken from the original motion picture score for Encanto, written and composed by Germaine Franco. ℗ 2021 Walt Disney Records. Excerpt from “Don't Look Up - Main Title Theme” taken from the original motion picture soundtrack for Don't Look Up, written and composed by Nicholas Britell. ℗ 2021 Maisie Music Publishing, LLC, under exclusive license to Republic Records, a division of UMG Recordings, Inc. Excerpt from “Ripples in the Sand” taken from the original motion picture soundtrack for Dune, written and composed by Hans Zimmer. ℗ 2021 WMG on behalf of WaterTower Music. Excerpt from “25 Years” taken from the original motion picture soundtrack for The Power of the Dog, written and composed by Jonny Greenwood. ℗ 2021 Lakeshore Records. Excerpt from “Sesión de fotos” taken from the original motion picture soundtrack for Madres paralelas (Parellel Mothers), written and composed by Alberto Iglesias. ℗ 2021 Quartet Records under license from El Deseo. Excerpt from “Be Alive” taken from the original motion picture soundtrack for King Richard. Music and lyrics by DIXSON and Beyoncé Knowles-Carter, and performed by Beyoncé. ℗ 2021 Parkwood Entertainment LLC, under exclusive license to Columbia Records, a Division of Sony Music Entertainment. Excerpt from “Dos Oruguitas” taken from the original motion picture soundtrack for Encanto. Music and lyrics by Lin-Manuel Miranda and performed by Sebastián Yatra. ℗ 2021 Walt Disney Records. Excerpt from “Down to Joy” taken from the original motion picture soundtrack for Belfast. Written and performed by Van Morrison. © Exile Productions, Ltd. Excerpt from “No Time To Die” taken from the original motion picture soundtrack for No Time To Die. Music and lyrics by Billie Eilish and Finneas O'Connell, and performed by Billie Eilish. © 2020 Darkroom/Interscope Records. Excerpt from “Somehow You Do” taken from the original motion picture soundtrack for Four Good Days. Music and Lyrics by Diane Warren, and performed by Reba McEntire. An MCA Nashville Release; ℗ 2021 Rockin' R Records, LLC, under exclusive license to UMG Recordings, Inc.

Join Kosta and his guest Caroline Moore: radio host, actor, writer, content creator and Beyoncé Knowles-Carter enthusiast as they discuss  comedy, improv, being your own Mom-ager and who you'll meet on the D Train. Better Together with Kosta Yepifantsev is recorded in Cookeville, TN. Find out more about Kosta and all the ways we're better together:http://kostayepifantsev.com/Find out more about Caroline Moore:https://linktr.ee/carolinemoore

This episode we discuss non-fiction books about Music! We talk about sea shanties, whether musical scores count as non-fiction, reading about music we're unfamiliar with, how we interpret lyrics, and more! Plus: We made a playlist of music for you to listen to based on the books we read! You can download the podcast directly, find it on Libsyn, or get it through Apple Podcasts, Stitcher, Google Podcasts, Spotify, or your favourite podcast delivery system. In this episode Anna Ferri | Meghan Whyte | Matthew Murray | RJ Edwards Things We Read (or tried to…) 808s & Otherworlds by Sean Avery Medlin 808s & Heartbreak (Wikipedia) Sailor Song: The Shanties and Ballads of the High Seas by Gerry Smyth Wellerman (Wikipedia) Uproot: Travels in 21st-Century Music and Digital Culture by Jace Clayton Girls to the Front: The True Story of the Riot Grrrl Revolution by Sara Marcus Disasterama!: Adventures in the Queer Underground 1977 to 1997 by Alvin Orloff  They Can't Kill Us Until They Kill Us by Hanif Abdurraqib You're History: The Twelve Strangest Women in Music by Lesley Chow Go Ahead in the Rain: Notes to A Tribe Called Quest by Hanif Abdurraqib Everybody's Doin' It: Sex, Music, and Dance in New York, 1840-1917 by Dale Cockrell Companion Playlist for this Episode Spotify YouTube Other Media We Mentioned Musicophilia: Tales of Music and the Brain by Oliver Sacks 33 ⅓ Series Master of Reality by John Darnielle Let's Talk About Love: A Journey to the End of Taste by Carl Wilson We Oughta Know (How Four Women Ruled the '90s and Changed Canadian Music) by Andrea Warner Hip Hop Family Tree, Vol. 1: 1970s-1981 by Ed Piskor Burning Down The Haus: Punk Rock, Revolution and the Fall of the Berlin Wall by Tim Mohr Fargo Rock City: A Heavy Metal Odyssey in Rural North Dakota by Chuck Klosterman Killing Yourself to Live: 85% of a True Story by Chuck Klosterman This Is Your Brain on Music: The Science of a Human Obsession by Daniel J. Levitin Todd in the Shadows One Hit Wonderland: "Scatman (Ski-Ba-Bop-Ba-Dop-Dop)" Billbuds I Only Listen to the Mountain Goats Punch Up the Jam Song Exploder All Songs Considered Brave New Faves BBC Radio 6 Pump Up the Volume (Wikipedia) The Boat That Rocked (Wikipedia) Iron and the Soul by Henry Rollins Vintage Sadness by Hanif Abdurraqib Hospice by The Antlers (Wikipedia) “Hospice tells the story of a relationship between a hospice worker and a female patient suffering from terminal bone cancer” Links, Articles, and Things Episode 008 - Christmas/Holiday Reads 22 Winter Holiday Books by BIPOC (Black, Indigenous, and People of Colour) Authors Manga in Libraries: Spooky & Scary Manga Anime Planet booklist Google Doc Episode 125 - Literary Theory & Literary Criticism Hark! Podcast Harvey Pekar (Wikipedia) Canadian Content - How the MAPL system works (Wikipedia) Riot grrrl (Wikipedia) Vote for which romance genre we'll discuss in our February episode! Amish Contemporary Fantasy/Fairy Tale Western 20 Non-Fiction Music books by BIPOC (Black, Indigenous, & People of Colour) Authors Every month Book Club for Masochists: A Readers' Advisory Podcasts chooses a genre at random and we read and discuss books from that genre. We also put together book lists for each episode/genre that feature works by BIPOC (Black, Indigenous, & People of Colour) authors. All of the lists can be found here. A Little Devil in America: Notes in Praise of Black Performance by Hanif Abdurraqib Rock Roll Jihad: A Muslim Rock Star's Revolution by Salman Ahmad Rebel Music: Race, Empire and the New Muslim Youth Culture by Hisham D. Aidi Boyz N the Void: A Mixtape to My Brother by G'Ra Asim Violence Girl: East LA Rage to Hollywood Stage, a Chicana Punk Story by Alice Bag Black Music by Amiri Baraka (published as Leroi Jones) Queen Bey: A Celebration of the Power and Creativity of Beyoncé Knowles-Carter edited by Veronica Chambers Can't Stop Won't Stop: A History of the Hip-Hop Generation by Jeff Chang Decoding Despacito: An Oral History of Latin Music by Leila Cobo Spitboy Rule: Tales of a Xicana in a Female Punk Band by Michelle Gonzales House of Music: Raising the Kanneh-Masons by Kadiatu Kanneh-Mason Gone: A Girl, A Violin, A Life Unstrung by Min Kym My Name Is Love: the Darlene Love Story by Darlene Love Black Lives Matter and Music: Protest, Intervention, Reflection by Portia K. Maultsby Soul Serenade: Rhythm, Blues & Coming of Age Through Vinyl by Rashod Ollison Approaching Fire by Michelle Porter Run As One: My Story by Errol Ranville Hungry Listening: Resonant Theory for Indigenous Sound Studies by Dylan Robinson Buffy Sainte-Marie: It's My Way by Blair Stonechild Musicians from a Different Shore: Asians and Asian Americans in Classical Music by Mari Yoshihara Give us feedback! Fill out the form to ask for a recommendation or suggest a genre or title for us to read! Check out our Tumblr, follow us on Twitter or Instagram, join our Facebook Group, or send us an email! Join us again on Tuesday, November 16th we'll be talking about Adaptations of Books into other media! Then on Tuesday, December 7th we'll be discussing the genre of Thrillers!

In Episode 2 of Transforming Luxury, BoF's new podcast presented by Klarna, we investigate what will inform the luxury product mix of the future. Indeed, the definition of a luxury good has expanded dramatically in recent years to now include a host of disruptive new categories, from the luxury sneakerhead culture that dominated the past decade, to collectibles, curios, NFTs and even some mass produced products capturing attention in the luxury market. Evolving consumer sentiment is also increasingly influencing luxury's manufacturing process. Today, customers demand brands and businesses authentically represent global cultures in a way that serves the communities themselves and not the industry's shareholders. They also hold brands accountable for the impact of their supply chains and production processes. Yet, workers' rights was among the worst-performing categories in BoF's Sustainability Index. To discover what this means for the future of the luxury goods industry, BoF assembled four global authorities to share their insight. Aaron Levant is an entrepreneur working at the intersection of fashion, culture, events and media. Levant co-founded streetwear and music festival ComplexCon, and streetwear trade show Agenda Today, Levant is CEO of NTWRK, a mobile-first video shopping platform — backed by Drake and LeBron James — that hosts events and exclusive, limited-edition product drops available to purchase immediately within its app. “For the last hundred years, luxury was easily defined as European couture — fashion houses who own the luxury space — and now, seemingly newer brands not only create luxury in their own right, but then collaborate with true luxury brands. I think the definition around luxury is ever evolving as for who fits in that category.” Zerina Akers is an American fashion stylist and costume designer. She is the founder of the self-funded e-commerce site Black Owned Everything and has worked as Beyoncé Knowles Carter‘s stylist, as well as costume designing the 2020 visual album, Black Is King, for which she won an Emmy in 2021. “Generally, many of these companies have benefitted from rap culture and imagery that we've created for them. We've created so much marketing for these companies and I'm just hoping that there continues to be real, sustainable change for them in the way that they shine light on our community.” Bethany Williams is a UK-based menswear designer with a focus on affecting social change. She founded her namesake label in 2017, won the Queen Elizabeth II Award in 2019 and the British Fashion Council and British Vogue Designer Fashion Fund in 2021. “For me, luxury is about having a product that you don't feel guilty owning. Luxury is about beautiful craftsmanship and the slowing down of the manufacturing process, working with artisans and supporting local community projects.” Fewocious is the youngest artist ever to be featured by Christie's — and the first to crash its site. He is one of the most successful and visible members of a growing community of crypto artists finding success in the NFT market, launching a shoe collaboration with design studio RTFKT earlier this year, with more than 600 pairs selling out in seven minutes and netting around $3.1 million. “With the NFT space, art can move. You can interact with art. There's programmable art, you can programme layers so that someone can change how your art looks [...]. There's so much I probably don't even know about yet, just because you can kind of do anything and figure out a way to attach an NFT to it, which I think is so rad and the future.” Follow the series to ensure you never miss an episode and discover actionable insights into the opportunities and challenges a redefined industry will bring and how luxury's transformation will impact your business. Sign up for BoF's Daily Digest newsletter. For comments, questions, or speaker ideas, please e-mail: podcast@businessoffashion.com. For all sponsorship enquiries, it's: advertising@businessoffashion.com.

In Episode 2 of Transforming Luxury, BoF's new podcast presented by Klarna, we investigate what will inform the luxury product mix of the future. Indeed, the definition of a luxury good has expanded dramatically in recent years to now include a host of disruptive new categories, from the luxury sneakerhead culture that dominated the past decade, to collectibles, curios, NFTs and even some mass produced products capturing attention in the luxury market. Evolving consumer sentiment is also increasingly influencing luxury's manufacturing process. Today, customers demand brands and businesses authentically represent global cultures in a way that serves the communities themselves and not the industry's shareholders. They also hold brands accountable for the impact of their supply chains and production processes. Yet, workers' rights was among the worst-performing categories in BoF's Sustainability Index. To discover what this means for the future of the luxury goods industry, BoF assembled four global authorities to share their insight. Aaron Levant is an entrepreneur working at the intersection of fashion, culture, events and media. Levant co-founded streetwear and music festival ComplexCon, and streetwear trade show Agenda Today, Levant is CEO of NTWRK, a mobile-first video shopping platform — backed by Drake and LeBron James — that hosts events and exclusive, limited-edition product drops available to purchase immediately within its app. “For the last hundred years, luxury was easily defined as European couture — fashion houses who own the luxury space — and now, seemingly newer brands not only create luxury in their own right, but then collaborate with true luxury brands. I think the definition around luxury is ever evolving as for who fits in that category.” Zerina Akers is an American fashion stylist and costume designer. She is the founder of the self-funded e-commerce site Black Owned Everything and has worked as Beyoncé Knowles Carter‘s stylist, as well as costume designing the 2020 visual album, Black Is King, for which she won an Emmy in 2021. “Generally, many of these companies have benefitted from rap culture and imagery that we've created for them. We've created so much marketing for these companies and I'm just hoping that there continues to be real, sustainable change for them in the way that they shine light on our community.” Bethany Williams is a UK-based menswear designer with a focus on affecting social change. She founded her namesake label in 2017, won the Queen Elizabeth II Award in 2019 and the British Fashion Council and British Vogue Designer Fashion Fund in 2021. “For me, luxury is about having a product that you don't feel guilty owning. Luxury is about beautiful craftsmanship and the slowing down of the manufacturing process, working with artisans and supporting local community projects.” Fewocious is the youngest artist ever to be featured by Christie's — and the first to crash its site. He is one of the most successful and visible members of a growing community of crypto artists finding success in the NFT market, launching a shoe collaboration with design studio RTFKT earlier this year, with more than 600 pairs selling out in seven minutes and netting around $3.1 million. “With the NFT space, art can move. You can interact with art. There's programmable art, you can programme layers so that someone can change how your art looks [...]. There's so much I probably don't even know about yet, just because you can kind of do anything and figure out a way to attach an NFT to it, which I think is so rad and the future.” Follow the series to ensure you never miss an episode and discover actionable insights into the opportunities and challenges a redefined industry will bring and how luxury's transformation will impact your business. Sign up for BoF's Daily Digest newsletter. For comments, questions, or speaker ideas, please e-mail: podcast@businessoffashion.com. For all sponsorship enquiries, it's: advertising@businessoffashion.com.

Happy 40th Beyoncé Knowles-Carter! As a former member of R&B group Destiny's Child, and her solo career, she's been in the music industry half her half life! I countdown 20 of my favorite songs from her.Theme Song: "Dance Track", composed by Jessica Ann CatenaSongs Mentioned: https://open.spotify.com/playlist/3SCewjn9p70fHFRMpr7kDg?si=7cc600cb224c421f20. “XO” (2013-2014)19. “Sandcastles” (2016)18 “Beautiful Liar” feat. Shakira (2007)17. “FIND YOUR WAY BACK” (2019)16. “1+1” (2011)15. “Wishing On A Star” (2004-2005)14. “Love On Top” (2011)13. “Me, Myself, and I” (2003-2004)12. “Get Me Bodied” (2007, 2013)11. “Flaws and All” (2007)10. “Naughty Girl” (2003)9. “Run the World (Girls)” (2011)8. “Black Parade” (2020)7. “End of Time (2011-2012)6. "Halo" (2008-2009)5. “Emotion” - Destiny's Child (2000, 2001-2002) 4. “Listen” (2006) - Dreamgirls3. “Crazy In Love” feat. Jay-Z (2003)2. “Irreplaceable” (2006-2007)1. “Single Ladies (Put a Ring On It)” (2008-2009)Video Links:"1+1" (Live on American Idol's 10th season finale) - https://www.youtube.com/watch?v=Wdg70tbvItc"Wishing On A Star" (audio) - https://www.youtube.com/results?search_query=wishing+on+a+star+roll+bounce+beyonce+lyrics"Love On Top" (VMA Performance): https://www.youtube.com/watch?v=RyQe4Yn9V08"Run the World (Girls)" (Billboard Music Awards) - https://www.youtube.com/watch?v=5EwZ_AzDDM4"End of Time" (Live at Glastonbury) - https://www.youtube.com/watch?v=wN9clLQDpUE"Single Ladies" (Saturday Night Live parody sketch) - https://www.youtube.com/watch?v=aR4TVE7RL6c

In the ninth month of the year 1981, the world was gifted one of its greatest artists. Queen Bey, Beyoncé Knowles Carter, was born in Texas. Over the next 5 decades, she would take the world by storm. The ex-president of Def jam LA has described Beyonce as the greatest entertainer alive. She is the epitome of girl power. In this excerpt, I examine the artistry and clever concepts behind Beyonce's thriving career as a top talent in the world of entertainment. /// Thanks again for your time. I hope it was engaging, entertaining and enlightening! If you want to be reminded about when new episodes are coming out on your favorite streaming service, you have a couple options, you can either subscribe directly wherever you get your podcasts, iTunes: https://trev.link/Virtuoso-Apple Spotify: https://trev.link/Virtuoso-Spotify Or if you like, you can come over to my website add drop your email - when new episodes come out, I'll let you know first. If you want to link up with me online - you can check out my site here: http://trevorsthoughts.com/ You can also look my linkedin up by going here. https://www.linkedin.com/in/trevorjoren/ If you want to connect on more social channels, you can see my facebook here. https://www.facebook.com/trevorjoren My Instagram is here. https://instagram.com/trevorjoren or email me - muse@trevorsthoughts.com Aloha!

On this week’s episode of Black Girl Film Club Ashley and Britney discuss Carmen: A Hip-Hopera (2001)directed by Aquarian Legend Robert Townsend and starring Beyoncé Knowles-Carter, Mehki Phifer, Yasiin Bey and Reagan Gomez-Preston. Your favorite podcast hosts are back with the remix and revisiting Carmen low rise jeans, and Lil' Bow Wow in the 2020s. This week’s recommendations are Romeo Must Die (2000) and Rodgers and Hammerstein’s Cinderella (1997). Follow us on Twitter @ blkgirlfilmclub. Check us out on Instagram @ blackgirlfilmclub. Visit us at http://www.blackgirlfilmclub.com.

In this week's episode of Awkwardly Queer we are joined by one of Devyn's good friends Marc Sebastian to discuss all things fashion, white privilege, and the white gays. Marc will be going into when he knew he was queer to how the queen herself Beyoncé Knowles-Carter unintentionally started his modeling careerSocials: tiktok: devynjaideInstagram: devynjaidetiktok: marcsebastianfdepop: RATDOG @marcsebastianf go check out his new depop shop for great chockers and bracelets made with awesome second-hand beads. they are completely amazing.music: @jonnycoolbig

We're back!!! Again. In this episode we are discussing the obvious and covert visual symbols in the film Black is King by Beyoncé Knowles Carter.   Visit our website  2busymillennials.com Check us out on Facebook and leave a comment @2BusyMillennials Listen and Subscribe on Itunes and Google Play 

On this day in 1981 Beyoncé Knowles Carter was born in Houston, Texas. Learn about her attraction to feminism philosophy and its influence on her work in the 2010s. Today is September 4, 2020. This is the Librarian's Almanac. Feel free to check out more from the Librarian's Almanac on their website: http://www.librariansalmanac.com/ I'd also love to hear from you directly. Feel free to send me an email at librarians.almanac@gmail.com

Nessa edição dos Filhos da Alice, Lucy e Iuri comentam todo o significado e repercussão envolvendo a parte visual do álbum The Gift. Com curadoria da cantora Beyoncé Knowles-Carter. Black Is King é um trabalho icônico que evidencia e celebra a cultura o povo africano utilizando a história do filme The Lion King (O rei leão) como metáfora para um processo de amadurecimento do homem negro e encontro com sua autoestima, cultura e ancestralidade. --- Send in a voice message: https://anchor.fm/filhosdaalice/message

[Put a Crown on it] A artista e mega estrela Beyoncé Knowles-Carter está de volta com possivelmente seu trabalho cinematográfico mais ambicioso. O longa-metragem Black is King lançado pela Disney+ nos EUA está dando o que falar na internet por dar continuidade à tendência da cantora de abordar temáticas raciais nos seus trabalhos. Nossos convidados Carissa Vieira e Victor Martins nos ajudaram a debater tudo isso. Indicações da semana (1:01:00): As Virgens Suicidas [The Virgin Suicides] (Sofia Coppola, 1999) Esperanza Spalding, "Emily's D+Evolution" (2016) Janelle Monáe, "Dirty Computer" (2018) Little Fires Everywhere (Liz Tigelaar, 2020) Quarto de Despejo (Carolina Maria de Jesus, 1960) {Livro} A Hora da Estrela (Suzana Amaral, 1985) Projeto Sankofa - Instituto Fiocruz Produção e Edição: Élis Estúdios Para contato, dúvidas e sugestões, estamos disponíveis nos endereços: supercuts.pod@gmail.com twitter.com/supercutspod instagram.com/supercutspod facebook.com/supercutspod

Abstract: In this Special episode, Karin and Elizabeth, discuss Michael Jackson and civil Rights and how he addressed institutional racism in his Art. NB: Unfortunately there is a disturbing noise in the last 5 minutes of the recording. I was unable to delete it from the recording and decided the topic is too important to cut it all out. My excuses to the listeners. REFERENCE AS: Merx, Karin, and Elizabeth Amisu. “Episode 39 – MJ & Civil Rights” Michael Jackson's Dream Lives On: An Academic Conversation 6, no. 4 (2020). Published electronically 20/06/20. http://sya.rqu.mybluehost.me/website_94cbf058/episode-39/ The Journal of Michael Jackson Academic Studies asks that you acknowledge The Journal of Michael Jackson Academic Studies as the source of our Content; if you use material from The Journal of Michael Jackson Academic Studies online, we request that you link directly to the stable URL provided. If you use our content offline, we ask that you credit the source as follows: “Courtesy of The Journal of Michael Jackson Academic Studies.” Episode 39: MJ & Civil Right by Elizabeth Amisu & Karin Merx I have decided to stick with love. Hate is too great a burden to bear-Dr Martin Luther King Karin Merx BMus, MA, is editor of The Journal of Michael Jackson Academic Studies, and author of  ‘A festive parade of highlights. La Grande Parade as evaluation of the museum policy of Edy De Wilde at the Stedelijk Museum Amsterdam'. Find out more about Karin here. Elizabeth Amisu, PGCE, MA, is editor of The Journal of Michael Jackson Academic Studies and author of The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife. All Our References and Where to Easily Find Them 1. Institutional Racism Explained https://youtu.be/MdOCyqPcp2o2. Black Historyhttps://history.com/topic/black-history3. Research guides British Transatlantic Slave-Trade Recordshttps://www.nationalarchives.gov.uk/help-with-your-research/research-guides/british-transatlantic-slave-trade-records/4. History in Focushttps://archives.history.ac.uk/history-in-focus/Slavery/websites.html5. Number of people shot to death by the police in the United States from 2017 to 2020, by race https://www.statista.com/statistics/585152/people-shot-to-death-by-us-police-by-race/6. Joseph Vogel, "Am I the Beast You Visualized?"The Cultural Abuse of Michael Jackson, Huffington Post, Jan 02, 2012.https://www.huffpost.com/entry/michael-jackson-trial-_b_10687507. Michael Jackson, They Don't Care About Us -Brasil Version-, Director, Spike Lee.https://youtu.be/QNJL6nfu__Q8. Esther Schreuder, European nobility Dressing Up as Moor Etheopian, African or African Continent, Black is Beautiful: from Rubens to Dumas, Cat. exh. De Nieuwe Kerk Amsterdam, July 26 – October 26, 2008, (Waanders, 2008).https://estherschreuder.wordpress.com/2020/03/13/from-the-black-is-beautiful-rubens-to-dumas-catalogue-european-nobility-dressing-up-as-moor-ethiopian-african-or-african-continent/ TED Talks9. Clint Smith, How To Raise a Black Son in America,https://www.ted.com/talks/clint_smith_how_to_raise_a_black_son_in_america/up-next?language=en#t-1890510. Dr. Kimberlé Crenshaw, The Urgency of Intersectionallity https://www.ted.com/talks/kimberle_crenshaw_the_urgency_of_intersectionality?language=en NETFLIX 11. Dream Girls, director: Bill Gordon, Cast: Jamie Foxx, Beyoncé Knowles-Carter, Eddy Murphy12. Selma, Selma is a 2014 historical drama film directed by Ava DuVernay and written by Paul Webb. It is based on the 1965 Selma to Montgomery voting rights marches initiated and directed by James Bevel and led by Martin Luther King Jr., Hosea Williams, and John Lewis.https://youtu.be/x6t7vVTxaic13. 13th, Documentary, director: Ava DuVernay.14. When They See Us, Documentary, director: Ava DuVernay.15. Who Killed Malcolm X?, Documentary, directors: Rachel Dretzin, Phil Bertelsen.16. LA92, Documentary, directors: Daniel Lindsay, T.J.

This week, Tre’vell and Jarrett take us into the room where it happens: the newsroom. The past few weeks have seen the world galvanized around the Black Lives Matter movement following the death of George Floyd by the Minneapolis Police Department as well as the deaths of Breonna Taylor and Ahmaud Arbery. The protests around the world have sparked debate about reform, defunding and restorative justice.  Black people online and in protest have been sharing their experiences with Anti-Blackness and racism in all of our American institutions. While the nation attempts to decipher what defunding the police actually looks like, we are also seeing a push for an honest look at how welcoming (or not) newsrooms are to Black journalists. From the media's issues with inclusion to the way Black journalists like Yamiche Alcindor and Omar Jiminez have been treated for just trying to do their job to the shared stories we've been reading through the week on and offline, newsrooms and other forms of media have a long way to go toward parity.Jarrett and Tre'vell unpack what they love about the newsroom and some of what they don't love about the burden of being a Black journalist.But before we dive deep into this topic we've got…A Tough QuestionBlack military and law-enforcement officers are under the microscope this week. Are you an African American law enforcement officer? Let us know how you're feeling at this time?DIS/Honorable MentionsThis week, Tre'vell has an honorable mention for the newsroom of the LA Times for catching up and putting a capital "B" in Black people. Say it with your chest, next time!An honorable mention to the honorable Mrs. Beyoncé Knowles Carter for her stirring digital commencement speech.An honorable mention to young Black activists actors doing what needs to be done including Keke Palmer, Amber Riley and John Boyega.A Dishonorable mention from Jarrett to Congressional Democrats for their Kente cloth stunts.A dishonorable mention goes out to Georgia's voter suppression efforts happening right now.  Finally, an honorable mention for everyone sharing their stories with the #Everyday tag. Click here to read more about it.  #BlackLivesMatter#JusticeforBreonnaTaylor#BlackTransLivesMatter Go ahead and @ us Email: FANTI@maximumfun.org @FANTIpodcast@Jarrett Hill@rayzon (Tre’Vell) @FANTIpodcast@TreVellAnderson@JarrettHill@Swish (Producer Laura Swisher) FANTI is produced and distributed by MaximumFun.orgLaura Swisher is the senior producer.

Duretti Hirpa is a writer and senior software engineer based in San Francisco, California. She's a ten-year veteran of the technology industry. Duretti has a humanities background and often thinks about the intersection between people and technology. She is a self taught software developer and continually excels at prestigious companies including Fastly, Slack, and most recently MailChimp.Over the years, Duretti has held various roles including web developer UI designer, front end engineer, and back end engineer. She likes treats, the feeling of finding the perfect animated gif, and the vocal stylings of Beyoncé Knowles-Carter.

All rise…it’s an episode about the Queen Bey herself, Beyoncé Knowles-Carter! Take a trip down memory lane with great pop-culture info about Destiny’s Child, the career of Beyoncé, and some piping hot celebrity gossip. Later, test your knowledge with a quiz about bees! . . . [Music: 1) Beyoncé, “Countdown,” 2011; 2) Frau Holle, “Ascending Souls,” 2017. Courtesy of Frau Holle, CC BY-NC 3.0 license.]

A few years ago, a young seminary professor in San Francisco felt inspired by musical icon Beyoncé Knowles Carter to produce a worship service around her songs. The result was the Beyoncé Mass which highlighted Beyoncé music along with Biblical scriptures and positive messages. The latest incarnation was recently held in New York City. Should womanist theology reflect the success of contemporary women on par with those in the Christian and Hebrew Scriptures or is this simply modern idolatry. Join Dr. Neal in the discussion of this and other topics of the da

Hoe rustig zou jij eronder blijven, als mensen in hun huiskamers jouw portret naast dat van Jezus ophingen? Erik en Lauren praten met speciale gast Noor Spanjer (van Oranje Leeuwinnen - De Podcast) over Diego Maradona, de nieuwe docu van Asif Kapadia (Amy). Aansluitend gaat Lauren in gesprek met Kapadia zelf.Voor zijn fans was Diego Maradona meer dan een voetballer, hij was een God. Het wonderkind uit de sloppenwijken van Buenos Aires maakte Argentinië wereldkampioen en bezorgde Napoli de eerste landstitel uit de clubgeschiedenis. En toen ging het helemaal mis. We praten over roem en over hoe we afrekenen met onze zelfgemaakte goden. En Lauren vraagt Kapadia of hij Big Brother Ruud kent.Deze titels kwamen langs:Diego Maradona (2019) - Asif KapadiaAmy (2015) - Asif Kapadia Senna (2010) - Asif KapadiaThe Clinton Affair (2018) - Blair FosterThelma & Louise (1991) - Ridley ScottCitizen Four (2014) - Laura PoitrasBlack Mirror - White Christmas (2014) - Carl Tibbetts Homecoming: A Film by Beyoncé (2019) - Beyoncé Knowles-Carter & Ed BurkeBig Brother Seizoen 1, NL (1999) - EndemolOnce Upon a Time ... in Hollywood (2019) - Quentin TarantinoRomeo + Juliet (1996) - Baz LuhrmannPulp Fiction (1994) - Quentin TarantinoKapsalon Romy (2019) - Mischa KampMijn Bijzonder Rare Week met Tess (2019) - Steven WouterloodDeining (de film van Noors moeder) (2003) - Nicole van KilsdonkTigers Are Not Afraid (2018) - Issa LópezThe Matrix (20th Anniversary) (1999 / 2019) - Lana & Lilly WachowskiEn dit is het stuk over Keanu Reeves waar Erik het over heeft. Vertel al je filmvrienden over onze podcast, abonneer je op ons kanaal en laat een review achter, en/of mail ons op podcast@cineville.nl (gezellig!) See acast.com/privacy for privacy and opt-out information.

#EchoChamber this week took me to the Crystal Palace Everyman Cinema, where I checked out the new Lion King movie. To see if Jon Favreau, Beyonce, Donald Glover, Seth Rogen, et al, could make me 'Feel the Love Tonight'. This week we have: The Lion King Release Date: 19 July 2019 Director: Jon Favreau Cast: Donald Glover, Seth Rogen, Chiwetel Ejiofor, Alfre Woodard, Billy Eichner, John Kani, John Oliver, Beyoncé Knowles-Carter & James Earl Jones Credit: Fairview Entertainment, Walt Disney Pictures Genre: Animation, Adventure, Drama Running Time: 118 min Cert: PG ------------ *(Music) 'Five Years Time' by Noah And The Whale – 2008

Hello Friends! In today's episode of Family Movie Night we discuss the brand new 2019 remake of the Lion King. Directed by Jon Favreau and starring Donald Glover, Seth Rogen, Chiwetel Ejiofor, Alfre Woodard, Billy Eichner, John Kani, John Oliver, Beyoncé Knowles-Carter & James Earl Jones, this movie is a technical marvel. The question is though, does all the fancy filmmaking make this remake necessary? DON'T FORGET TO RATE AND REVIEW :) Follow us on Instagram: @austin_macwhirter @quinngreysen @autumn._.woods Produced by: Autumn Woods Cover art: Emily Tarves (@tarvesphoto) and Jill Mundy (@squid.tiddy)

The Lion KingSimba idolizes his father, King Mufasa, and takes to heart his own royal destiny on the plains of Africa. But not everyone in the kingdom celebrates the new cub's arrival. Scar, Mufasa's brother -- and former heir to the throne -- has plans of his own. The battle for Pride Rock is soon ravaged with betrayal, tragedy and drama, ultimately resulting in Simba's exile. Now, with help from a curious pair of newfound friends, Simba must figure out how to grow up and take back what is rightfully his.Director: Jon FavreauProduced by: Jon Favreau, Karen Gilchrist, Jeffrey SilverCast: Donald Glover, Seth Rogen, Chiwetel Ejiofor, Alfre Woodard, Billy Eichner, John Kani, John Oliver, Beyoncé Knowles-Carter, James Earl JonesDistributor: Walt Disney Studios Motion PicturesRelease Date: July 19, 2019Runtime: 1 hour 58 minutesGenre: Animation, Adventure, Drama See acast.com/privacy for privacy and opt-out information.

The Lion King is a 2019 American musical film directed and produced by Jon Favreau, written by Jeff Nathanson, and produced by Walt Disney Pictures. It is a photorealistic computer-animated remake of Disney's traditionally animated 1994 film The Lion King. The film stars the voices of Donald Glover, Seth Rogen, Chiwetel Ejiofor, Alfre Woodard, Billy Eichner, John Kani, John Oliver and Beyoncé Knowles-Carter, as well as James Earl Jones reprising his role from the original film. The plot follows Simba, a young lion who must embrace his role as the rightful king of his native land following the murder of his father, Mufasa, at the hands of his uncle, Scar. Plans for a remake of The Lion King were confirmed in September 2016 following the success of Disney's The Jungle Book, also directed by Favreau. Much of the main cast signed in early 2017 and principal production began in mid-2017 on a blue screen stage in Los Angeles. The film was theatrically released in the United States on July 19, 2019. It received mixed reviews, with praise for its visual effects, musical score and vocal performances, but criticism for the lack of originality and facial expressiveness in the characters. -------------------- FOLLOW US -------------------- NADIA SAWALHA & FAMILY https://www.instagram.com/nadiasawalhaandfamily.com http://www.twitter.com/nadiasawalha For more movie news follow: POPCORN JUNKIES: https://www.instagram.com/popcornjunkiesmovieclub/ ------------------------------------ BUSINESS ENQUIRIES ------------------------------------ For business enquiries contact: michelle@doghouse-media.co.uk --- Send in a voice message: https://anchor.fm/popcorn-junkies/message

   Nouvelles idées, nouveau format ! On approche des un an et pour ça, on a décidé de changer la formule. Fini les deux épisodes par semaine parlant chacun d'un film actuellement en salle, place à l'épisode unique, en fin de semaine, qui traitera de plusieurs œuvres actuellement à l'affiche ! Les formats habituels sur deux-trois films avec l'équipe, des transitions courtes sur des films qu'un membre peut avoir vu seul. Cette semaine, l'idée était surtout de vous proposer autre chose que le Roi Lion, qui envahit beaucoup trop les pensées, les publicités intrusives et les encarts de bus. Alors on a fouillé, pour vous proposer un panel des sorties tout en allant voir le mastodonte de Disney pour vous donner nos ressentis. On espère que la formule vous plaira, n'hésitez pas à nous en parler en commentaires !  Au programme :  -01:40 Her Smell d'Alex Ross Perry, avec Elisabeth Moss, Cara Delevigne... -14:30 Le Coup Du Siècle (The Hustle) de Chris Addison, avec Anne Hathaway, Rebel Wilson… -16:35 Le Roi Lion (The Lion King) (2019), de Jon Favrau, avec Donald Glover, Beyoncé Knowles Carter, James Earl Jones, Seth Rogen, Chiwetel Ejiofor, John Oliver, Rayane Bensetti, Anne Sila, Jean Reno, Alban Ivanov, Michel Lerousseau, Jamel Debbouze… -38:30 Persona Non Grata, de Roschdy Zem, avec Raphaël Personaz, Nicolas Duvauchelle, Roschdy Zem…  -42:05 Anna, de Luc Besson, avec Sacha Luss, Helen Mirren, Luke Evans, Cillian Murphy… -54:20 Wonderland, Le Royaume Sans Pluie, de Keiichi Hara. -56:10 Sun, de Jonathan Desoindre et Ella Kowalska avec Tewfik Jallab, Aadar Malik… Émission animée par Thomas Bondon, Thierry de Pinsun et Héra Laskri, Yassa et Carl Vincent. Générique original : Kostia R. Yordanoff (tous droits réservés)  Facebook : @claacpodcast Instagram : @claacpodcast Twitter: @CLAACpodcast Ausha : https://podcast.ausha.co/certains-l-aiment-a-chaud Itunes / Apple Podcast : https://itunes.apple.com/fr/podcast/certains-laiment-%C3%A0-chaud/id1439017876?mt=2 Spotify : https://open.spotify.com/show/2Jfbakzm1cuNPzqXQ9Q1Cu?si=s6QP59TDQ9eFrquPyPB-qg Deezer : https://www.deezer.com/en/show/69211?utm_source=deezer&utm_content=show-69211&utm_term=10994565_1545995168&utm_medium=web Stitcher : https://www.stitcher.com/podcast/certains-laiment-a-chaud?refid=stpr Podmust : https://podmust.com/podcast/certains-aiment-a-chaud/

On this episode, Matt and Eric review John Favreau’s The Lion King starring Donald Glover, Seth Rogen, Chiwetel Ejiofor, Alfre Woodard, Billy Eichner, John Kani, John Oliver, Beyoncé Knowles-Carter and James Earl Jones.Matt’s Rating: 3/5Eric’s Rating: 2/5The Lion King is now playing in cinemas.

This week, Liberty and Tirzah discuss The Manic Pixie Dream Boy Improvement Project, Survival Math, The Lady from the Black Lagoon, and more great books. This episode was sponsored by Libro.fm, Blinkist, and FabFitFun. Subscribe to All the Books! using RSS or iTunes and never miss a beat book. Sign up for the weekly New Books! newsletter for even more new book news. Books discussed on the show: Daisy Jones & The Six by Taylor Jenkins Reid  Dealing in Dreams by Lilliam Rivera A Woman Is No Man by Etaf Rum   Real Queer America: LGBT Stories from Red States by Samantha Allen   The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick by Mallory O'Meara   The Manic Pixie Dream Boy Improvement Project by Lenore Appelhans   Survival Math: Notes on an All-American Family by Mitchell Jackson  Lovely War by Julie Berry  What we're reading: King of Scars (King of Scars Duology) by Leigh Bardugo The Reign of the Kingfisher by T.J. Martinson  More books out this week: Long Live the Tribe of Fatherless Girls by T. Kira Madden   Flashback Hotel by Ivan Vladislavic Goya: The Terrible Sublime: A Graphic Novel by El Torres and Fran Galán A Stranger Here Below: A Gideon Stoltz Mystery by Charles Fergus The Island of Sea Women by Lisa See Between the Lies by Michelle Adams Sissy: A Coming-of-Gender Story by Jacob Tobia   Ivy Aberdeen's Letter to the World by Ashley Herring Blake Topgun: An American Story by Dan Pedersen Villanelle: No Tomorrow: The basis for Killing Eve by Luke Jennings The Wall by John Lanchester The Shadowglass (The Bone Witch) by Rin Chupeco When All Is Said by Anne Griffin When I Hit You: Or a Portrait of the Writer as a Young Wife by Meena Kandasamy The Wolf and the Watchman: A Novel by Niklas Natt och Dag   She/He/They/Me: For the Sisters, Misters, and Binary Resisters by Robyn Ryle The Pioneer by Bridget Tyler Today I Am Carey by Martin L. Shoemaker The Wrong End of the Table: A Mostly Comic Memoir of a Muslim Arab American Woman Just Trying to Fit in by Ayser Salman Star Wars Queen's Shadow by E. K. Johnston Sal and Gabi Break the Universe by Carlos Hernandez Famous Men Who Never Lived by K. Chess   So Here's the Thing . . .: Notes on Growing Up, Getting Older, and Trusting Your Gut by Alyssa Mastromonaco, Lauren Oyler (Contributor) Queen Bey: A Celebration of the Power and Creativity of Beyoncé Knowles-Carter by Veronica Chambers Mr. President, How Long Must We Wait?: Alice Paul, Woodrow Wilson, and the Fight for the Right to Vote by Tina Cassidy If You’re Out There by Katy Loutzenhiser The New Me by Halle Butler The Mastermind: Drugs. Empire. Murder. Betrayal. by Evan Ratliff The Last 8 by Laura Pohl Gingerbread by Helen Oyeyemi   The Parting Glass by Gina Marie Guadagnino The Salt Path: A Memoir by Raynor Winn  Alice Payne Rides by Kate Heartfield Black Souls by Gioacchino Criaco, Hillary Gulley (Translator) The Age of Disenchantments: The Epic Story of Spain's Most Notorious Literary Family and the Long Shadow of the Spanish Civil War by Aaron Shulman That Good Night: Life and Medicine in the Eleventh Hour by Sunita Puri A Friend is a Gift You Give Yourself by William Boyle   Call Me Evie by JP Pomare The River by Peter Heller   Baby of the Family by Maura Roosevelt The Silk Road by Kathryn Davis The Volunteer by Salvatore Scibona The Stranger Diaries by Elly Griffiths   An American Summer: Love and Death in Chicago by Alex Kotlowitz Instructions for a Funeral: Stories by David Means The Gardener of Eden by David Downie Little Faith by Nickolas Butler   The Devil Aspect by Craig Russell The Story Prize: 15 Years of Great Short Fiction by Larry Dark and Anthony Doerr   Deaf Republic: Poems by Ilya Kaminsky Labrador by Kathryn Davis We Were Rich and We Didn’t Know It: A Memoir of My Irish Boyhood by Tom Phelan The Revenge of Magic by James Riley The Last Woman in the Forest by Diane Les Becquets   The Altruists: A Novel by Andrew Ridker Ancestral Night (White Space) by Elizabeth Bear You Asked for Perfect by Laura Silverman A Question of Holmes by Brittany Cavallaro Minutes of Glory: And Other Stories by Ngũgĩ wa Thiong'o Bending Toward Justice: The Birmingham Church Bombing that Changed the Course of Civil Rights by Doug Jones Death in Ten Minutes: The Forgotten Life of Radical Suffragette Kitty Marion by Fern Riddell The Necessary Hunger by Nina Revoyr A Student of History by Nina Revoyr King of Joy by Richard Chiem   The Lost Flowers of Alice Hart by Holly Ringland Woman 99 by Greer Macallister   Blood Feud by Anna Smith Allmen and the Pink Diamond by Martin Suter When Brooklyn Was Queer: A History by Hugh Ryan   The Women's War by Jenna Glass Mahimata by Rati Mehrotra the mermaid's voice returns in this one by Amanda Lovelace Spies of No Country: Secret Lives at the Birth of Israel by Matti Friedman Skeleton Keys: The Secret Life of Bone by Brian Switek   Smoke and Ashes: A Novel by Abir Mukherjee Out of Salem by Hal Schrieve Mitochondrial Night by Ed Bok Lee Brilliant, Brilliant, Brilliant Brilliant Brilliant by Joel Golby The Secret Wisdom of Nature: Trees, Animals, and the Extraordinary Balance of All Living Things -― Stories from Science and Observation (The Mysteries of Nature Trilogy) by Peter Wohlleben and Jane Billinghurst The Everlasting Rose (The Belles) by Dhonielle Clayton L.E.L.: The Lost Life and Scandalous Death of Letitia Elizabeth Landon, the Celebrated "Female Byron" by Lucasta Miller The Twice-Born: Life and Death on the Ganges by Aatish Taseer Infinite Detail: A Novel by Tim Maughan Ronan Boyle and the Bridge of Riddles (Ronan Boyle 1) by Thomas Lennon, John Hendrix (Illustrator) She the People: A Graphic History of Uprisings, Breakdowns, Setbacks, Revolts, and Enduring Hope on the Unfinished Road to Women's Equality by Jen Deaderick and Rita Sapunor Homeland by Fernando Aramburu, Alfred Macadam (translator) Barely Missing Everything by Matt Mendez Staff Picks: Stories (Yellow Shoe Fiction) by George Singleton and Michael Griffith City of Jasmine by Olga Grjasnowa, Katy Derbyshire (translator)  

On this episode, Kirk dives into one of the greatest pop songs of all time. STRONG SONGS ON PATREON Strong Songs has a Patreon! If you liked this episode (or, you know, any of them), we hope you'll consider supporting the show. Learn more here: https://www.patreon.com/strongsongs UP IN THE CLUB Beyoncé's "Single Ladies (Put A Ring On It)" is arguably the defining song of the last decade, but it's far from your average pop tune. With its unusual tensions and unstoppable groove, it defies safe harmony and resolution, and its composers were more than happy to flip the beat and leave their audience searching for the downbeat. Band/Artist: Beyoncé Album: I Am... Sasha Fierce, 2008 Composed by: Beyoncé Knowles-Carter, Christopher Stewart, Terius Nash, Thaddis Harrell  Listen/Buy: Apple Music | Amazon | Spotify  

Today's quote comes from Beyoncé Knowles-Carter, who we know better simply as Beyoncé - "When I'm not feeling my best, I ask myself, 'What are you gonna do about it?' I use the negativity to fuel the transformation into a better me." Be proactive in your approach to self-improvement and find a way to turn that negative into a positive and transform your life. Now, let's get out there and #bebettertoday!

We want to know, if someone is hot but bad at sex, do you hookup again? UPFRONT: Missionary killed by North Sentinel Island tribe. CELEBRITY SHADE: She-Ra is queer? Fans are not here for Back To The Future reboot. Rita Ora failed at Thanksgiving lip-synch. Beyoncé Knowles-Carter. Dwight Howard dating trans woman. Keanu Reeves in Toy Story 4. Jameela Jamil wants Kardashians to shit themselves in public. Lion King trailer. NERD NEWS: Zelda turns 20. Julie Andrews in Aquaman, sorta. * Connect with us on social: @RichyAndWes https://twitter.com/RichyAndWes | https://www.instagram.com/RichyAndWes | Follow us on Facebook https://www.facebook.com/RichyRichAndWestopher/ * Sponsor: boiPKG - Use code RICHWEST35 for 35 percent off https://www.boiPKG.com  

Beyoncé Knowles-Carter has built an epic career that shows no signs of slowing down; but, even the Queen Bey has had to overcome obstacles in the workplace and in her personal life. Hosts Eula Scott Bynoe and Jeannie Yandel talk with writer Ginger McKnight Chavers about how one aspect of Beyonce’s life, her feminism, can serve as an example to others struggling to find empowerment in the workplace.

Ring the Alarm!!! Its #Beychella Me, myself ….and the rest of the world tuned in to see Mrs Beyoncé Knowles Carter, disturb our quiet Sunday morning, by shutting down Coachella 2018. Mo is joined by returning guests May and Tops as we “deep-dive” into how the Queen B literally shook the world. We discuss everything from costume design, the HBCU homecoming theme, the set-list and our best cameo performances. The Destiny Child reunion took us back in time to the early 90s/00s, especially considering Kelly Rowland refuses to age. Special mention to: Jay Z, Solange, Kelly, Michelle and even Miss Tina ANNOUNCEMENT: @WENetworking on Instagram: The empowerment of women of the African diaspora by utilising and accessing shared resources and skills. Follow on Instagram for events coming soon and DM to be featured if you have a project or business you want to highlight to the growing network.Join the discussion “#ColourOutTheBox” Twitter: @colouroutthebox Instagram: @colourouttheboxEmail us your thoughts, feedback and questions: ColourOutTheBox@gmail.comVisit the website for all things, colourful ColourOutTheBox.comRATE, REVIEW and SUBSCRIBE, your review will be featured on the show. Music by: Nangdo “1st 2 Know “

. CLICK HERE TO DOWNLOAD: Roundtable on Sonic Beyoncé SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST . This September, Sounding Out! challenged a #flawless group of scholars and critics to give Beyoncé Knowles-Carter a close listen, re-examining the complex relationship between her audio and visuals and amplifying what goes unheard, even as her every move–whether […]

This week, James, Jerah, and Jon are covering Mufasa: The Lion King, directed by Barry Jenkins, screenplay by Jeff Nathanson, starring Aaron Pierre, Kelvin Harrison Jr., Seth Rogen, Billy Eichner, Tiffany Boone, Donald Glover, Mads Mikkelsen, Thandiwe Newton, Lennie James, Anika Noni Rose, Blue Ivy Carter, and Beyoncé Knowles-Carter. Together, they discuss what the film's actual title is, Berry Jenkins' history with The Oscars, whether or not Timon and Pumbaa were well-used, characters ending up in ditches, prequels they're into, prequels they're not into, James' current feelings on improv, and much, much more!SUBSCRIBE TO EXCLUSIVE CONTENT AND OUR BACK CATALOG OF 400+ EPISODES: https://app.redcircle.com/shows/7655b7ec-dc57-47c9-ab96-1a8fa02f6573/exclusive-content JOIN OUR PATREON:https://www.patreon.com/BMCJFOLLOW BLACK MEN CAN'T JUMP [IN HOLLYWOOD]:https://twitter.com/blackmenpodcasthttps://www.instagram.com/blackmenpodcastBUY BLACK MEN CAN'T JUMP [IN HOLLYWOOD] MERCH:https://www.teepublic.com/stores/black-men-can-t-jump-in-hollywoodProduced by Skyler HanrathOur Sponsors:* Check out PrizePicks: https://prizepicks.onelink.me/LME0/HOLLYWOODSupport this podcast at — https://redcircle.com/black-men-cant-jump-in-hollywood/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy