Podcasts about David Ogden Stiers

What happens when walking into a room means absorbing every ounce of tension, distress, and unsaid emotion inside it?Many of us are taught that great leadership requires carrying the emotional weight of our teams. We step in to smooth things over, fix conflicts that aren't ours to solve, and mistake constant rescue missions for true connection. The result isn't better leadership, it is exhaustion.In this episode, Amy sits down with global emotional intelligence and empathy expert Dr. Melissa Robinson-Winemiller to map out a clear blueprint for protecting your energy without shutting out your humanity. Drawing from her raw pivot point out of a toxic workplace environment and later experiencing those same broken patterns in other work spaces, Dr. Melissa shares the definitive distinction between reading a room and taking responsibility for it.This conversation is a radical reframe on human connection. You will discover how to stand in your own power, deploy data-backed perspective-taking, and implement the boundaries necessary to stop treating everyone else's distress as your circus to fix.Moments That Create Momentum:The "Not My Circus" Rule: Why walking into a room and feeling everyone else's tension isn't a gift, it's a boundary failure that is secretly draining you.The Revenue Shield: The deeply unsettling reason why elite organizations intentionally protect toxic high-performers and narcissists.The Empathy Illusion: Dr. Melissa shares why empathy is passive, and how jumping straight into "fixing" things actually triggers misplaced, destructive compassion.The Danger of Being "Nice": Why standard corporate manners are often just a mask for insincerity, and the reason true kindness requires telling the ugly truth.The Self-Rescue Mandate: Why launching into service for others before mastering self-empathy is a fast track to destroying your own career.About the Guest:As professional musician, Dr. Melissa Robinson-Winemiller worked with major talent such as Ray Charles, David Ogden Stiers, and Mannheim Steamroller. But cold and toxic leadership eventually robbed her of a career that was 30+ years in the making. However, that incident inspired Dr. Melissa to transform leadership as we know it by redefining the one element that most leaders miss: empathy. Today, she's an international bestselling author, Editor's Pick TEDx speaker, EQ and empathy coach, and leading voice on emotional intelligence and empathy. She's known for blending lived experience, academic depth, and a sharp, data-driven approach that not only makes sense but demystifies how empathy translates to better productivity, innovation, and profit. Her mission is to invite everyone to approach empathy as a strategic skill for every human-centric action, not only for others but also for ourselves, and to step up in the way the future of leadership demands.https://eqviaempathy.comhttps://www.linkedin.com/in/dr-melissa-a-robinson-winemiller-author-speaker-trainerhttps://www.instagram.com/empathyqueen.eqhttps://www.youtube.com/@TheEmpathicLeaderhttps://www.youtube.com/watch?v=IaoXSEWeILo&t=63shttps://geni.us/TheEmpathicLeaderAbout Amy:Amy Lynn Durham, known by her clients as the Corporate Mystic, is the founder of the Executive Coaching Firm, Create Magic At Work®, where they help leaders build workplaces rooted in creativity, collaboration, and fulfillment. A former corporate executive turned Executive Coach, Amy blends practical leadership strategies with spiritual intelligence to unlock human potential at work.She's a certified Executive Coach through UC Berkeley & the International Coaching Federation (ICF) In addition, Amy holds coaching certifications in Spiritual Intelligence (SQ21), the Edgewalker Profile, and the Archetypes of Change . In addition to being the host of the Create Magic At Work® podcast, Amy is the author of Create Magic At Work®, Creating Career Magic: A Daily Prompt Journal and the founder of Magic Thread Media™. Through her work, she inspires intentional leadership for thriving workplaces and lives where “magic” becomes reality.Connect with Amy:https://createmagicatwork.net/https://www.linkedin.com/company/create-magic-at-workhttps://www.facebook.com/112951637095427https://www.instagram.com/createmagicatworkhttps://www.youtube.com/channel/UCnEm4h3fUgaq8qgvZpz6dGgThanks for listening!Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page.Do you have some feedback or questions about this episode? Leave a comment in the section below!Subscribe to the podcastIf you would like to get automatic updates of new podcast episodes, you can follow the podcast on Apple Podcasts or your favorite podcast app.Leave us an Apple Podcasts reviewRatings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you are enjoying the show, please leave us a review on Apple Podcasts.Mentioned in this episode:This show was brought to you in part by the Magic Thread Media Network. To learn more visit: https://magicthreadmedia.com/

I want my two dollars! In a world where one man has only seen 30 or so movies comes a desire to learn from a master. A master of film. A master of cinema. A master who has led such a sad life.  Logan seeks the knowledge and he turns to his own personal “Yoda”; Keithie. Join Logan & Keithie on a wild adventure to discover as we watch along with a new movie each episode in THE MOVIE EDUCATION OF LOGAN CROSLAND. This episode, Logan, Keithie & Tim fall into a real fever dream of a teen comedy. Love, breakups, suicide and skiing all rolled into one, with a little claymation on the side.  Better Off Dead staring John Cusack, Curtis Armstrong, David Ogden Stiers, Diane Franklin and that friggin weirdo Dan Schneider is everything that Say Anything is not.  Language lessons. Inspired words, from a man, who KNOWS how to ski.  

https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 Atlantis: The Lost Empire is a 2001 American animated science fiction adventure film directed by Gary Trousdale and Kirk Wise, produced by Don Hahn, and written by Tab Murphy. Produced by Walt Disney Feature Animation, it stars Michael J. Fox, James Garner, Cree Summer, Don Novello, Phil Morris, Claudia Christian, Jacqueline Obradors, Florence Stanley, David Ogden Stiers, John Mahoney, Jim Varney, Corey Burton and Leonard Nimoy. Set in 1914, the film follows young linguist Milo Thatch, who gains possession of a sacred book, which he believes will guide him and a crew of mercenaries to the lost city of Atlantis. Development of the film began after production had finished on The Hunchback of Notre Dame (1996). Instead of another musical, directors Trousdale and Wise, producer Hahn, and screenwriter Murphy decided to do an adventure film inspired by the works of Jules Verne. Atlantis: The Lost Empire was notable for adopting the distinctive visual style of comic book artist Mike Mignola, one of the film's production designers. The film made greater use of computer-generated imagery (CGI) than any of Disney's previous traditionally animated features and remains one of the few to have been shot in anamorphic format. Linguist Marc Okrand constructed an Atlantean language specifically for use in the film. James Newton Howard provided the film's musical score. The film was released at a time when audience interest in animated films was shifting away from traditional animation toward films with full CGI. Atlantis: The Lost Empire premiered at the El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001, and went into its general release on June 15. The film received mixed reviews from critics. Budgeted at around $90–120 million, Atlantis grossed over $186 million worldwide, $84 million of which was earned in North America; its lackluster box office response was identified as a result of being released in competition with Shrek, Lara Croft: Tomb Raider, The Fast and the Furious and Dr. Dolittle 2. As a result of the film's box office failure, Disney cancelled a planned spin-off animated television series, Team Atlantis; an underwater Disneyland attraction; and a volcanic Magic Kingdom attraction based on it. Atlantis was nominated for several awards, including seven Annie Awards, and won Best Sound Editing at the 2002 Golden Reel Awards. The film was released on VHS and DVD on January 29, 2002, and on Blu-ray on June 11, 2013. Despite its initial reception, reception in later years became favorable and has given Atlantis a cult following[5] and reappraisal from critics as a mistreated classic, due in part to Mignola's unique artistic influence.[6][7] A direct-to-video sequel, Atlantis: Milo's Return, was released in 2003. Plot In 1914 Washington, D.C., archaeo-linguist Milo Thatch obsesses over finding the legendary lost city of Atlantis, believed to have sunk thousands of years ago. His employers ridicule his theories, but he gains an unexpected ally in eccentric millionaire Preston B. Whitmore, a friend of Milo's deceased adventurer grandfather who also sought the city. Determined to honor his old friend's quest, Whitmore recruits Milo for an expedition to Atlantis, having recently uncovered the Shepherd's Journal, an ancient Atlantean manuscript that contains directions to the lost city. Aboard the submarine Ulysses, Milo meets his teammates: Commander Lyle Tiberius Rourke, Lieutenant Helga Sinclair, demolitions expert Vincenzo Santorini, geologist Gaetan "Mole" Molière, medical officer Joshua Sweet, mechanic Audrey Ramirez, radio operator Wilhelmina Packard, mess cook Jebidiah "Cookie" Farnsworth, and a platoon of mercenaries. Upon reaching a cave entrance leading to the lost city, the submarine is destroyed by a massive mechanical leviathan, killing most of the crew. Milo and the survivors escape in smaller craft, navigating through the cave to emerge among ancient ruins. Milo translates the journal, guiding the team through caves beneath a dormant volcano until they reach the worn remains of Atlantis. There, they are greeted by Princess Kidagakash "Kida" Nedakh, who, despite being around 8,500 years old, has the appearance of a young woman. She leads them to her father, King Kashekim, who orders them to leave. Learning that Milo can read their language—a skill lost to the Atlanteans over millennia—Kida asks for his help in uncovering their forgotten history and highly-advanced technology, without which the city has declined and resources have dwindled. Milo learns that Atlantis is powered by the Heart of Atlantis, a massive crystal that grants longevity and health to its citizens through the smaller crystals they carry. Rourke betrays Milo and the Atlanteans, revealing his true intention to steal the Heart for profit, despite knowing the Atlanteans will perish without it. He mortally wounds the King while seizing control and uncovers the crystal's hidden location beneath the city. Sensing the danger, the crystal merges with Kida, who is then captured by Rourke. He departs with the crystallized Kida and his mercenaries, except for Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie, who refuse to take part in the Atlanteans' destruction. Before dying, the King reveals that Atlantis was devastated by a megatsunami after he attempted to weaponize the crystal's vast power. To protect the city, the crystal merged with a royal family member, Kida's mother. This created a protective dome over the city's inner district, shielding it from total destruction as Atlantis sank beneath the waves, but Kida's mother never returned. To prevent the crystal from ever merging with Kida, the King hid it, inadvertently accelerating Atlantis' decline. He warns Milo that Kida will be lost forever if she is not soon separated from the crystal and pleads with him to save her. Alongside his allies, Milo rallies the Atlanteans to reactivate their long-dormant flying machines. Together, they eliminate Rourke and his mercenaries in the volcano. Milo and the others fly the crystallized Kida back to Atlantis as the volcano erupts. Kida ascends into the air and awakens Stone Guardians, who erect a barrier that shields the city from the lava flow. With Atlantis saved, the crystal separates from Kida and remains suspended in the sky. Milo chooses to stay in Atlantis with Kida, having fallen in love with her. Before returning to the surface, Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie each receive a small crystal and a share of treasure. The six reunite with Preston on the surface and agree to keep their adventure a secret to protect Atlantis. Preston opens a package from Milo containing his own crystal and a note thanking him. The newly crowned Queen Kida and Milo carve a stone effigy of her father to join those of past rulers floating beside the Heart of Atlantis, as the city stands restored to its former glory. Voice cast Production layout sketch of Milo and Kida. Milo's character design was based in part on sketches of the film's language consultant, Marc Okrand. Michael J. Fox as Milo James Thatch, a linguist and cartographer at the Smithsonian who was recruited to decipher The Shepherd's Journal while directing an expedition to Atlantis. James Garner as Commander Lyle Tiberius Rourke, the leader of the band of mercenaries for the Atlantean expedition. Cree Summer as Kidagakash "Kida" Nedakh, the Princess of Atlantis and Milo's love interest. Natalie Strom provided dialogue for Kida as a young child. Summer also voiced the unnamed Queen of Atlantis, Kida's mother and Kashekim's wife who was "chosen" by the Crystal during the sinking of the city. John Mahoney as Preston B. Whitmore, an eccentric millionaire who funds the expedition to Atlantis. Lloyd Bridges was originally cast and recorded as Whitmore, but he died before completing the film. Mahoney's zest and vigor led to Whitmore's personality being reworked for the film.[8] Claudia Christian as Lieutenant Helga Katrina Sinclair, Rourke's German-born second-in-command. Don Novello as Vincenzo "Vinny" Santorini, an Italian demolitions expert. Phil Morris as Dr. Joshua Strongbear Sweet, a medic of African-American and Arapaho descent. Jacqueline Obradors as Audrey Rocio Ramirez, a Puerto Rican mechanic and the youngest member of the expedition. Corey Burton as Gaetan "Mole" Molière, a French geologist who acts like a mole. Jim Varney as Jebidiah Allardyce "Cookie" Farnsworth, a Western-style chuckwagon chef. Varney died in February 2000, before the production ended, and the film was dedicated to his memory. Steven Barr recorded supplemental dialogue for Cookie. Florence Stanley as Wilhelmina Bertha Packard: an elderly, sarcastic, chain-smoking radio operator who is also the expedition's photographer. Leonard Nimoy as Kashekim Nedakh, the King of Atlantis and Kida's father. David Ogden Stiers as Fenton Q. Harcourt, a board member of the Smithsonian Institution who dismisses Milo's belief in the existence of Atlantis. Production Development The production team visited New Mexico's Carlsbad Caverns to get a sense of the underground spaces depicted in the film. The idea for Atlantis: The Lost Empire was conceived in October 1996 when Don Hahn, Gary Trousdale, Kirk Wise, and Tab Murphy lunched at a Mexican restaurant in Burbank, California. Having recently completed The Hunchback of Notre Dame,[9] the producer, directors and screenwriter wanted to keep the Hunchback crew together for another film with an "Adventureland" setting rather than a "Fantasyland" setting.[10] Drawing inspiration from Jules Verne's Journey to the Center of the Earth (1864) and Twenty Thousand Leagues Under the Seas (1870), they set out to make a film which would fully explore Atlantis (compared to the brief visit depicted in Verne's novel).[11] While primarily utilizing the Internet to research the mythology of Atlantis,[12] the filmmakers became interested in the clairvoyant readings of Edgar Cayce and decided to incorporate some of his ideas—notably that of a mother-crystal which provides power, healing, and longevity to the Atlanteans—into the story.[13] They also visited museums and old army installations to study the technology of the early 20th century (the film's time period), and traveled underground in New Mexico's Carlsbad Caverns to view the subterranean trails which would serve as a model for the approach to Atlantis in the film.[14] The filmmakers wanted to avoid the common depiction of Atlantis as "crumbled Greek columns underwater", said Wise.[15] "From the get-go, we were committed to designing it top to bottom. Let's get the architectural style, clothing, heritage, customs, how they would sleep, and how they would speak. So we brought people on board who would help us develop those ideas."[16] Art director David Goetz stated, "We looked at Mayan architecture, styles of ancient, unusual architecture from around the world, and the directors really liked the look of Southeast Asian architecture."[17] The team later took ideas from other architectural forms, including Cambodian, Indian, and Tibetan works.[18] Hahn added, "If you take and deconstruct architecture from around the world into one architectural vocabulary, that's what our Atlantis looks like."[19] The overall design and circular layout of Atlantis were also based on the writings of Plato,[18] and his quote "in a single day and night of misfortune, the island of Atlantis disappeared into the depths of the sea"[20] was influential from the beginning of production.[9] The crew wore T-shirts which read "ATLANTIS—Fewer songs, more explosions" due to the film's plan as an action-adventure (unlike previous Disney animated features, which were musicals).[21] Language The Atlantean letter A, created by artist John Emerson. Kirk Wise noted that its design was a treasure map showing the path to the crystal, "The Heart of Atlantis". Main article: Atlantean language Marc Okrand, who developed the Klingon language for the Star Trek television and theatrical productions, was hired to devise the Atlantean language for Atlantis: The Lost Empire. Guided by the directors' initial concept for it to be a "mother-language", Okrand employed an Indo-European word stock with its own grammatical structure. He would change the words if they began to sound too much like an actual, spoken language.[16] John Emerson designed the written component, making hundreds of random sketches of individual letters from among which the directors chose the best to represent the Atlantean alphabet.[22][23] The written language was boustrophedon: designed to be read left-to-right on the first line, then right-to-left on the second, continuing in a zigzag pattern to simulate the flow of water.[24] The Atlantean [A] is a shape developed by John Emerson. It is a miniature map of the city of Atlantis (i.e., the outside of the swirl is the cave, the inside shape is the silhouette of the city, and the dot is the location of the crystal). It's a treasure map. — Kirk Wise, director[25] Writing Joss Whedon was the first writer to be involved with the film but soon left to work on other Disney projects. According to him, he "had not a shred" in the movie.[26] Tab Murphy completed the screenplay, stating that the time from initially discussing the story to producing a script that satisfied the film crew was "about three to four months".[27] The initial draft was 155 pages, much longer than a typical Disney film script (which usually runs 90 pages). When the first two acts were timed at 120 minutes, the directors cut characters and sequences and focused more on Milo. Murphy said that he created the centuries-old Shepherd's Journal because he needed a map for the characters to follow throughout their journey.[28] A revised version of the script eliminated the trials encountered by the explorers as they navigated the caves to Atlantis. This gave the film a faster pace because Atlantis is discovered earlier in the story.[29] The directors often described the Atlanteans using Egypt as an example. When Napoleon wandered into Egypt, the people had lost track of their once-great civilization. They were surrounded by artifacts of their former greatness but somehow unaware of what they meant. — Don Hahn, producer[30] The character of Milo J. Thatch was originally supposed to be a descendant of Edward Teach, otherwise known as Blackbeard the pirate. The directors later related him to an explorer so he would discover his inner talent for exploration.[31] The character of Molière was originally intended to be "professorial" but Chris Ure, a story artist, changed the concept to that of a "horrible little burrowing creature with a wacky coat and strange headgear with extending eyeballs", said Wise.[32][33] Don Hahn pointed out that the absence of songs presented a challenge for a team accustomed to animating musicals, as action scenes alone would have to carry the film. Kirk Wise said it gave the team an opportunity for more on-screen character development: "We had more screen time available to do a scene like where Milo and the explorers are camping out and learning about one another's histories. An entire sequence is devoted to having dinner and going to bed. That is not typically something we would have the luxury of doing."[16] Hahn stated that the first animated sequence completed during production was the film's prologue. The original version featured a Viking war party using The Shepherd's Journal to find Atlantis and being swiftly dispatched by the Leviathan. Near the end of production, story supervisor John Sanford told the directors that he felt this prologue did not give viewers enough emotional involvement with the Atlanteans. Despite knowing that the Viking prologue was finished and it would cost additional time and money to alter the scene, the directors agreed with Sanford. Trousdale went home and completed the storyboards later that evening after visiting a strip club where he boarded the new sequence on a napkin.[34] The opening was replaced by a sequence depicting the destruction of Atlantis, which introduced the film from the perspective of the Atlanteans and Princess Kida.[35] The Viking prologue is included as an extra feature on the DVD release.[36] Casting Kirk Wise, one of the directors, said that they chose Michael J. Fox for the role of Milo because they felt he gave his characters his own personality and made them more believable on screen. Fox said that voice acting was much easier than his past experience with live action because he did not have to worry about what he looked like in front of a camera while delivering his lines.[37] The directors mentioned that Fox was also offered a role for Titan A.E.; he allowed his son to choose which film he would work on, and he chose Atlantis.[38] Viewers have noted similarities between Milo and the film's language consultant, Marc Okrand, who developed the Atlantean language used in the film. Okrand stated that Milo's supervising animator, John Pomeroy, sketched him, claiming not to know how a linguist looked or acted.[24] Kida's supervising animator, Randy Haycock, stated that her actress, Cree Summer, was very "intimidating" when he first met her; this influenced how he wanted Kida to look and act on screen when she meets Milo.[39] Wise chose James Garner for the role of Commander Lyle Tiberius Rourke because of his previous experience with action films, especially war and Western films, and said the role "fits him like a glove". When asked if he would be interested in the role, Garner replied: "I'd do it in a heartbeat."[40] Producer Don Hahn was saddened that Jim Varney, the voice of Jebidiah Allardyce "Cookie" Farnsworth, never saw the finished film before he died of lung cancer in February 2000, but mentioned that he was shown clips of his character's performance during his site sessions and said, "He loved it." Shawn Keller, supervising animator for Cookie, stated, "It was kind of a sad fact that [Varney] knew that he was not going to be able to see this film before he passed away. He did a bang-up job doing the voice work, knowing the fact that he was never gonna see his last performance." Steven Barr recorded supplemental dialogue for Cookie.[41] John Mahoney, who voiced Preston Whitmore, stated that doing voice work was "freeing" and allowed him to be "big" and "outrageous" with his character.[42] Dr. Joshua Sweet's supervising animator, Ron Husband, indicated that one of the challenges was animating Sweet in sync with Phil Morris' rapid line delivery while keeping him believable. Morris stated that this character was extreme, with "no middle ground"; he mentioned, "When he was happy, he was really happy, and when he's solemn, he's real solemn."[43] Claudia Christian described her character, Lieutenant Helga Katrina Sinclair, as "sensual" and "striking", and was relieved when she finally saw what her character looked like, joking, "I'd hate to, you know, go through all this and find out my character is a toad."[44] Jacqueline Obradors said her character, Audrey Rocio Ramirez, made her "feel like a little kid again" and she always hoped her sessions would last longer.[45] Florence Stanley felt that her character, Wilhelmina Bertha Packard, was very "cynical" and "secure": "She does her job, and when she is not busy, she does anything she wants."[46] Corey Burton mentioned that finding his performance as Gaetan "Mole" Molière was by allowing the character to "leap out" of him while making funny voices. To get into character during his recording sessions, he stated that he would "throw myself into the scene and feel like I'm in this make-believe world".[47] Kirk Wise and Russ Edmonds, supervising animator for Vincenzo "Vinny" Santorini, noted Vinny's actor Don Novello's unique ability to improvise dialogue while voicing the role. Edmonds recalled, "[Novello] would look at the sheet, and he would read the line that was written once, and he would never read it again! And we never used a written line, it was improvs, the whole movie."[48] Michael Cedeno, supervising animator for King Kashekim Nedakh, was astounded at Leonard Nimoy's voice talent in the role, stating that he had "so much rich character" in his performance. As he spoke his lines, Cedeno said the crew would sit there and watch Nimoy in astonishment.[49] Animation For comparison, the top image (panoramic view of Atlantis) is cropped to Disney's standard aspect ratio (1.66:1); the bottom image was seen in the film (2.35:1). At the peak of its production, 350 animators, artists and technicians were working on Atlantis[50] at all three Disney animation studios: Walt Disney Feature Animation (Burbank, California), Walt Disney Feature Animation Florida (Orlando), and Disney Animation France (Paris).[51] The film was one of the few Disney animated features produced and shot in 35mm anamorphic format. The directors felt that a widescreen image was crucial, as a nostalgic reference to old action-adventure films presented in the CinemaScope format (2.35:1), noting Raiders of the Lost Ark as an inspiration.[52] Because switching to the format would require animation desks and equipment designed for widescreen to be purchased, Disney executives were at first reluctant about the idea.[16] The production team found a simple solution by drawing within a smaller frame on the same paper and equipment used for standard aspect ratio (1.66:1) Disney-animated films.[52] Layout supervisor Ed Ghertner wrote a guide to the widescreen format for use by the layout artists and mentioned that one advantage of widescreen was that he could keep characters in scenes longer because of additional space to walk within the frame.[53] Wise drew further inspiration for the format from filmmakers David Lean and Akira Kurosawa.[16] The film's visual style was strongly based upon that of Mike Mignola, the comic book artist behind Hellboy. Mignola was one of four production designers (along with Matt Codd, Jim Martin, and Ricardo Delgado) hired by the Disney studio for the film. Accordingly, he provided style guides, preliminary character, and background designs, and story ideas.[54] "Mignola's graphic, the angular style was a key influence on the 'look' of the characters," stated Wise.[55] Mignola was surprised when first contacted by the studio to work on Atlantis.[56] His artistic influence on the film would later contribute to a cult following.[57] I remember watching a rough cut of the film and these characters have these big, square, weird hands. I said to the guy next to me, "Those are cool hands." And he says to me, "Yeah, they're your hands. We had a whole meeting about how to do your hands." It was so weird I couldn't wrap my brain around it. — Mike Mignola[56] The final pull-out shot of the movie, immediately before the end-title card, was described by the directors as the most difficult shot in the history of Disney animation. They said that the pull-out attempt on their prior film, The Hunchback of Notre Dame, "struggled" and "lacked depth"; however, after making advances in the process of multiplaning, they tried the technique again in Atlantis. The shot begins with one 16-inch (40.6 cm) piece of paper showing a close-up of Milo and Kida. As the camera pulls away from them to reveal the newly restored Atlantis, it reaches the equivalent of an 18,000-inch (46,000 cm) piece of paper composed of many individual pieces of paper (24 inches [61 cm] or smaller). Each piece was carefully drawn and combined with animated vehicles simultaneously flying across the scene to make the viewer see a complete, integrated image.[58] Scale model of Ulysses submarine by Greg Aronowitz, used by digital animators as reference during production.[59] At the time of its release, Atlantis: The Lost Empire was notable for using more computer-generated imagery (CGI) than any other Disney traditionally animated feature. To increase productivity, the directors had the digital artists work with the traditional animators throughout the production. Several important scenes required heavy use of digital animation: the Leviathan, the Ulysses submarine and sub-pods, the Heart of Atlantis, and the Stone Giants.[60] During production, after Matt Codd and Jim Martin designed the Ulysses on paper, Greg Aronowitz was hired to build a scale model of the submarine, to be used as a reference for drawing the 3D Ulysses.[59] The final film included 362 digital-effects shots, and computer programs were used to seamlessly join the 2D and 3D artwork.[61] One scene that took advantage of this was the "sub-drop" scene, where the 3D Ulysses was dropped from its docking bay into the water. As the camera floated toward it, a 2D Milo was drawn to appear inside, tracking the camera. The crew noted that it was challenging to keep the audience from noticing the difference between the 2D and 3D drawings when they were merged.[62] The digital production also gave the directors a unique "virtual camera" for complicated shots within the film. With the ability to operate in the z-plane, this camera moved through a digital wire-frame set; the background and details were later hand-drawn over the wireframes. This was used in the opening flight scene through Atlantis and the submarine chase through the undersea cavern with the Leviathan in pursuit.[63] Music and sound Since the film would not feature any songs, the directors hired James Newton Howard to compose the score after they heard his music on Dinosaur. Approaching it as a live-action film, Howard decided to have different musical themes for the cultures of the surface world and Atlantis. In the case of Atlantis, Howard chose an Indonesian orchestral sound incorporating chimes, bells, and gongs. The directors told Howard that the film would have a number of key scenes without dialogue; the score would need to convey emotionally what the viewer was seeing on screen.[64] Gary Rydstrom and his team at Skywalker Sound were hired for the film's sound production.[65] Like Howard, Rydstrom employed different sounds for the two cultures. Focusing on the machine and mechanical sounds of the early industrial era for the explorers, he felt that the Atlanteans should have a "more organic" sound utilizing ceramics and pottery. The sound made by the Atlantean flying-fish vehicles posed a particular challenge. Rydstrom revealed that he was sitting at the side of a highway recording one day when a semi-truck drove by at high speed. When the recording was sped up on his computer, he felt it sounded very organic, and decided to use it in the film. Rydstrom created the harmonic chiming of the Heart of Atlantis by rubbing his finger along the edge of a champagne flute, the sound of sub-pods moving through the water with a water pick, while a ceramic pot from a garden store was used for the sounds of the movement of the Giant stone guardians.[66] Release Atlantis: The Lost Empire had its world premiere at Disney's El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001[67] and a limited release in New York City and Los Angeles on June 8; a wider release followed on June 15.[4][61] At the premiere, Destination: Atlantis was on display, featuring behind-the-scenes props from the film and information on the legend of Atlantis with video games, displays, laser tag, and other attractions. The Aquarium of the Pacific also loaned a variety of fish for display within the attraction.[68] Promotion Atlantis was among Disney's first major attempts to utilize internet marketing. The film was promoted through Kellogg's, which created a website with mini-games and a movie-based video game give-away for UPC labels from specially marked packages of Atlantis breakfast cereal.[50] The film was one of Disney's first marketing attempts through mobile network operators, and allowed users to download games based on the film.[69] McDonald's (which had an exclusive licensing agreement on all Disney releases) promoted the film with Happy Meal toys, food packaging and in-store decor. The McDonald's advertising campaign involved television, radio, and print advertisements beginning on the film's release date.[70] Frito-Lay offered free admission tickets for the film on specially marked snack packages.[71] Home media Atlantis: The Lost Empire was released on VHS and DVD on January 29, 2002.[72] During the first month of its home release, the film led in VHS sales and was third in VHS and DVD sales combined.[73] Sales and rentals of the VHS and DVD combined would eventually accumulate $157 million in revenue by mid-2003.[74] Both a single-disc DVD edition and a two-disc collector's edition (with bonus features) were released. The single-disc DVD gave the viewer the option of viewing the film either in its original theatrical 2.39:1 aspect ratio or a modified 1.33:1 ratio (utilizing pan and scan). Bonus features available on the DVD version included audio and visual commentary from the film team, a virtual tour of the CGI models, an Atlantean-language tutorial, an encyclopedia on the myth of Atlantis, and the deleted Viking prologue scene.[72] The two-disc collector's edition DVD contained all the single-disc features and a disc with supplemental material detailing all aspects of the film's production. The collector's-edition film could only be viewed in its original theatrical ratio, and also featured an optional DTS 5.1 track. Both DVD versions, however, contained a Dolby Digital 5.1 track and were THX certified.[72][75] Disney digitally remastered and released Atlantis on Blu-ray on June 11, 2013, bundled with its sequel Atlantis: Milo's Return.[76] Reception Box office Before the film's release, reporters speculated that it would have a difficult run due to competition from Shrek and Lara Croft: Tomb Raider. Regarding the market's shift from traditional animation and competition with CG-animated films, Kirk Wise said, "Any traditional animator, including myself, can't help but feel a twinge. I think it always comes down to story and character, and one form won't replace the other. Just like photography didn't replace painting. But maybe I'm blind to it."[61] Jeff Jensen of Entertainment Weekly noted that CGI films (such as Shrek) were more likely to attract the teenage demographic typically not interested in animation, and called Atlantis a "marketing and creative gamble".[77] With a budget of $100 million,[3] the film opened at #2 on its debut weekend, behind Lara Croft: Tomb Raider, earning $20.3 million in 3,011 theaters.[78] During its second weekend, it would drop into fourth place behind the latter film, Dr. Dolittle 2 and The Fast and the Furious, making $13.2 million.[79] The film's international release began September 20 in Australia and other markets followed suit.[80] During its 25-week theatrical run, Atlantis: The Lost Empire grossed over $186 million worldwide ($84 million from the United States and Canada).[4] Responding to its disappointing box-office performance, Thomas Schumacher, then-president of Walt Disney Feature Animation, said, "It seemed like a good idea at the time to not do a sweet fairy tale, but we missed."[81] Critical response Atlantis: The Lost Empire received mixed reviews from critics,[82][83][84] many of whom criticized its story.[85] The review aggregator website Rotten Tomatoes reports that 48% of 144 professional critics have given Atlantis: The Lost Empire a positive review; the average rating is 5.5/10. The site's consensus is: "Atlantis provides a fast-paced spectacle, but stints on such things as character development and a coherent plot".[86] Metacritic assigned the film a weighted average score of 52 out of 100 based on 29 reviews from critics, indicating "mixed or average" reviews.[87] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[88] While critics had mixed reactions to the film in general, some praised it for its visuals, action-adventure elements, and attempt to appeal to an older audience. Roger Ebert gave Atlantis three-and-a-half stars out of four. He praised the animation's "clean bright visual look" and the "classic energy of the comic book style", crediting this to the work of Mike Mignola. Ebert gave particular praise to the story and the final battle scene and wrote, "The story of Atlantis is rousing in an old pulp science fiction sort of way, but the climactic scene transcends the rest, and stands by itself as one of the great animated action sequences."[89] In The New York Times, Elvis Mitchell gave high praise to the film, calling it "a monumental treat", and stated, "Atlantis is also one of the most eye-catching Disney cartoons since Uncle Walt institutionalized the four-fingered glove."[90] Internet film critic James Berardinelli wrote a positive review of the film, giving it three out of four stars. He wrote, "On the whole, Atlantis offers 90 minutes of solid entertainment, once again proving that while Disney may be clueless when it comes to producing good live-action movies, they are exactly the opposite when it comes to their animated division."[91] Wesley Morris of the San Francisco Chronicle wrote positively of the film's approach for an older audience: "But just beneath the surface, Atlantis brims with adult possibility."[92] Other critics felt that the film was mediocre in regards to its story and characters, and that it failed to deliver as a non-musical to Disney's traditional audience. Owen Gleiberman of Entertainment Weekly gave the film a C+ rating, writing that the film had "gee-whiz formulaic character" and was "the essence of craft without dream".[93] Kenneth Turan of the Los Angeles Times said the storyline and characterizations were "old-fashioned" and the film had the retrograde look of a Saturday-morning cartoon, but these deficiencies were offset by its "brisk action" and frantic pace.[94] Todd McCarthy of Variety wrote, "Disney pushes into all-talking, no-singing, no-dancing and, in the end, no-fun animated territory."[95] Stephanie Zacharek of Salon wrote of Disney's attempt to make the film for an adult audience, "The big problem with Disney's latest animated feature, Atlantis: The Lost Empire, is that it doesn't seem geared to kids at all: It's so adult that it's massively boring."[96] Rita Kempley of The Washington Post panned the film, calling it a "new-fashioned but old-fangled hash" and wrote, "Ironically Disney had hoped to update its image with this mildly diverting adventure, yet the picture hasn't really broken away from the tried-and-true format spoofed in the far superior Shrek."[97] In 2015, Katharine Trendacosta at io9 reviewed the film and called it a "Beautiful Gem of a Movie That Deserved Better Than It Got" and said that the film deserves more love than it ended up getting.[6] Lindsay Teal considers "Atlantis" to be "a lost Disney classic". Describing the film as highly entertaining, she praises the writing and characterisation – in particular, Sweet, Helga and Kida.[7] In particular, much praise has been given to the character of Kida.[98] Summer has regarded the character of Kida as one of her favourite roles and even considers the character among the official Disney Princess line-up. Themes and interpretations Several critics and scholars have noted that Atlantis plays strongly on themes of anti-capitalism and anti-imperialism. M. Keith Booker, academic and author of studies about the implicit messages conveyed by media, views the character of Rourke as being motivated by "capitalist greed" when he pursues "his own financial gain" in spite of the knowledge that "his theft [of the crystal] will lead to the destruction of [Atlantis]".[99] Religion journalist Mark Pinsky, in his exploration of moral and spiritual themes in popular Disney films, says that "it is impossible to read the movie ... any other way" than as "a devastating, unrelenting attack on capitalism and American imperialism".[100] Max Messier of FilmCritic.com observes, "Disney even manages to lambast the capitalist lifestyle of the adventurers intent on uncovering the lost city. Damn the imperialists!"[101] According to Booker, the film also "delivers a rather segregationist moral" by concluding with the discovery of the Atlanteans kept secret from other surface-dwellers in order to maintain a separation between the two highly divergent cultures.[102] Others saw Atlantis as an interesting look at utopian philosophy of the sort found in classic works of science fiction by H. G. Wells and Jules Verne.[103] Nadia: The Secret of Blue Water controversy When the film was released, some viewers noticed that Atlantis: The Lost Empire was similar to the 1990-91 anime Nadia: The Secret of Blue Water, particularly in its character design, setting, and story.[104] The similarities, as noted by viewers in both Japan and America, were strong enough for its production company Gainax to be called to sue for plagiarism. According to Gainax member Yasuhiro Takeda, they only refrained from doing so because the decision belonged to parent companies NHK and Toho.[105] Another Gainax worker, Hiroyuki Yamaga, was quoted in an interview in 2000 as saying: "We actually tried to get NHK to pick a fight with Disney, but even the National Television Network of Japan didn't dare to mess with Disney and their lawyers. [...] We actually did say that but we wouldn't actually take them to court. We would be so terrified about what they would do to them in return that we wouldn't dare."[105] Although Disney never responded formally to those claims, co-director Kirk Wise posted on a Disney animation newsgroup in May 2001, "Never heard of Nadia till it was mentioned in this [newsgroup]. Long after we'd finished production, I might add." He claimed both Atlantis and Nadia were inspired, in part, by the 1870 Jules Verne novel Twenty Thousand Leagues Under the Seas.[106] However, speaking about the clarification, Lee Zion from Anime News Network wrote, "There are too many similarities not connected with 20,000 Leagues for the whole thing to be coincidence."[107] As such, the whole affair ultimately entered popular culture as a convincing case of plagiarism.[108][109][110] In 2018, Reuben Baron from Comic Book Resources added to Zion's comment stating, "Verne didn't specifically imagine magic crystal-based technology, something featured in both the Disney movie and the too similar anime. The Verne inspiration also doesn't explain the designs being suspiciously similar to Nadia's."[110] Critics also saw parallels with the 1986 film Laputa: Castle in the Sky from Hayao Miyazaki and Studio Ghibli (which also featured magic crystals, and Atlantis directors Trousdale and Wise both acknowledged Miyazaki's works as a major influence on their own work)[104] and with the 1994 film Stargate as Milo's characteristics were said to resemble those of Daniel Jackson, the protagonist of Stargate and its spinoff television series Stargate SG-1 — which coincidentally launched its own spinoff, titled Stargate Atlantis; the plot of the 1994 film is also paralleled involving a group visiting an unknown world, a fictional language made for the other world's people, the main protagonist having apparent knowledge of the people's culture, falling in love with one of the female locals and electing to stay behind when the others return home.[111] Accolades Award Category Name Result 29th Annie Awards[112] Individual Achievement in Directing Gary Trousdale and Kirk Wise Nominated Individual Achievement in Storyboarding Chris Ure Nominated Individual Achievement in Production Design David Goetz Nominated Individual Achievement in Effects Animation Marlon West Nominated Individual Achievement in Voice Acting – Female Florence Stanley Nominated Individual Achievement in Voice Acting – Male Leonard Nimoy Nominated Individual Achievement for Music Score James Newton Howard Nominated 2002 DVD Exclusive Awards[113] Original Retrospective Documentary Michael Pellerin Nominated 2002 Golden Reel Award[114] Best Sound Editing – Animated Feature Film Gary Rydstrom, Michael Silvers, Mary Helen Leasman, John K. Carr, Shannon Mills, Ken Fischer, David C. Hughes, and Susan Sanford Won Online Film Critics Society Awards 2001[115] Best Animated Feature Nominated 2002 Political Film Society[116] Democracy Nominated Human Rights Nominated Peace Nominated World Soundtrack Awards[117] Best Original Song for Film Diane Warren and James Newton Howard Nominated Young Artist Awards[118] Best Feature Family Film – Drama Walt Disney Feature Animation Nominated Related works Main article: Atlantis (franchise) Atlantis: The Lost Empire was meant to inspire an animated television series entitled Team Atlantis, which would have presented the further adventures of its characters. The series would have been akin to an animated steampunk version of The X-Files and feature a crossover with Gargoyles. However, because of the film's underperformance at the box office, the series was not produced.[119] On May 20, 2003, Disney released a direct-to-video sequel titled Atlantis: Milo's Return, consisting of three episodes planned for the aborted series.[120] Disneyland planned to revive its Submarine Voyage ride with an Atlantis: The Lost Empire theme with elements from the movie. These plans were canceled and the attraction was re-opened in 2007 as the Finding Nemo Submarine Voyage, its theme based on the 2003 Pixar film Finding Nemo, which was far more successful commercially and critically.[121] In addition, after the Submarine Voyage's Magic Kingdom counterpart, 20,000 Leagues Under the Sea: Submarine Voyage, closed down in 1994, four years before Disneyland's, there were proposals of a new attraction that would take its place, with one of them a volcano attraction inspired by that film's Vulcania location, being approved for the Magic Kingdom's Adventureland area. Around 1999, during development of Atlantis: The Lost Empire, it was decided that it would be themed to the movie, with it taking place in 1916, two years after the film's events. The ride would have focused on Preston Whitmore, a character from the film, seeking to make Atlantis existence public and offer expeditions to visitors in newly developed vehicles. However, due to mishaps, the vehicles would be forced to make a detour through the lava-filled caverns of the volcano. The attraction would have used a unique hybrid ride system, in which it would start as a standard coaster before the trains hook up to a suspended track midway through to fly through the caverns. The attraction would have been accessed by a new canyon path in between Pirates of the Caribbean and a re-routed Jungle Cruise that would have led to a Whitmore Enterprises base camp at the edge of the Walt Disney World Railroad path, with the mountain itself being built outside the berm. However, like the previous Submarine Voyage retheme, the ride was cancelled due to the film's disappointment in the box office.[122]

To commemorate the 40-year anniversary of the beloved cult classic, we chat about the many awesome actors, their zany characters, and all the silly quotes!Today's root beer is Bum EnergyIntro and Outro music by Stockmusic331 on Pond5Send us a text

Send us a textWe continue our journey through decades of Disney animated films. This one gave us experiment 626! Twitter @dockingbay77podFacebook @dockingbay77podcastdockingbay77podcast@gmail.compatreon.com/dockingbay77podcasthttps://discord.gg/T8Nt3YB7 https://www.youtube.com/@DockingBay77podcast

Send us a Question!MOVIE DISCUSSION: SolSilver: Instagram // YouTube // Discord SolSilver joins Melvin to discuss a much loved early 2000's Disney animated feature, Lilo & Stitch! With the live-action adaptation bringing new life to the franchise, the two dive headfirst into the story that started it all, discussing their love for its mix of comedy and drama and the importance of "Ohana"! Topics:Editor's Note: No Patreon Exclusive discussion! But, I do intend to trim this episode down from its original 1:26:55 length, so if you want to hear the UNCUT version, tune in on Patreon here!SolSilver shares about his faith, how he became interested in fursuiting, and what he's trying to do with his online fursona, Whistler.Celebrating the impressive art direction and animation of the film.Talking Ohana.Melvin, "Kids deserve good movies, too!"The relationship between Lilo and Nani.There isn't really a villain in Lilo & Stitch other than circumstance.Enduring love; voluntarily maintaining an other-oriented hope.Recommendations:Sonic the Hedgehog (2020) (Movie)Sonic the Hedgehog 2 (2022) (Movie)Sonic the Hedgehog 3 (2024) (Movie)The Iron Giant (1999) (Movie) Support the showSupport on Patreon for Unique Perks! Early access to uncut episodes Vote on a movie/show we review One-time reward of two Cinematic Doctrine Stickers & Pins Social Links: Threads Website Substack Instagram Facebook Group

Gillian is back for a second-straight week to talk about the 30th anniversary of her favorite Disney Princess movie, Pocahontas.  Rick is also going to share two unique travel stories that he has had in the past few weeks.

For this "ReScreen" episode, Michael does a rewatch of the 2002 animated film "Lilo & Stitch" featuring the voices of Daveigh Chase, Chris Sanders, Tia Carrere, David Ogden Stiers, Kevin McDonald, Ving Rhames, Jason Scott Lee, Zoe Caldwell, and Kevin Michael Richardson. What are some of his memories of seeing this film previously and thoughts after seeing the film again? Check it out and see!Be a part of the conversation!E-mail the show at screennerdspodcast@gmail.comFollow the show on Twitter @screennerdspodLike the show on Facebook (Search for Screen Nerds Podcast and find the page there)Follow the show on Instagram and Threads just search screennerdspodcastCheck out the show on Bluesky just search screennerdspodcastBe sure to check out the podcast on Apple Podcasts, Spotify, Goodpods, Overcast, Amazon Music or your podcast catcher of choice! (and please share rate and review!)Want to be share your thoughts on the podcast? Send me an e-mail!Thanks to Frankie Creel for the artwork

TALE AS OLD AS TIME, SONG AS OLD AS RHYME!! Beauty and the Beast Full Reaction Watch Along: https://www.patreon.com/thereelrejects With Disney's Live Action Remake of Snow White in theatres now & with the Lilo & Stitch remake around the corner, Aaron & John give their Beauty and the Beast Reaction, Recap, Commentary, Analysis, & Spoiler Review!! Download PrizePicks today at https://prizepicks.onelink.me/LME0/RE... & use code REJECTS to get $50 instantly when you play $5! Join Aaron Alexander and John Humphrey as they whisk you away to the enchanted world of Disney's 1991 animated masterpiece, Beauty and the Beast. This timeless tale follows bookish Belle (Paige O'Hara, voice of Belle and Broadway star of the Beauty and the Beast stage musical) as she takes her father's place as the Beast's prisoner—only to discover the kind heart beneath his fearsome exterior. Starring Robby Benson as the Beast (celebrated for his lead role in Ice Castles and voice work in classic animated films), and featuring standout performances from Richard White as the arrogant Gaston (voice roles in various Disney projects), Jerry Orbach as the suave Lumière (beloved for Law & Order and Broadway's Chicago), David Ogden Stiers as the prim Cogsworth (renowned for MASH* and Reading Rainbow), and Angela Lansbury as the warm Mrs. Potts (Oscar‑nominated for The Manchurian Candidate and star of Murder, She Wrote). John & Aaron break down every unforgettable moment—from Belle's spirited “Belle (Reprise)” opening and the lavish “Be Our Guest” musical number to the iconic ballroom scene set to “Beauty and the Beast” and the thrilling castle siege that leads to the Beast's redemptive transformation. Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

คอลัมน์ “สดแต่เช้า”ปีที่5 (ตอนที่14) คุณทราบไหมว่า วันนี้เป็นวันครอบครัว? “ท่านและครอบครัวของท่าน จงรับประทานสัตว์หัวปีนั้น เฉพาะพระพักตร์พระยาห์เวห์พระเจ้าของท่านทุกๆ ปี ในสถานที่ซึ่งพระยาห์เวห์จะทรงเลือกไว้นั้น”‭‭ ~เฉลยธรรมบัญญัติ‬ ‭15‬:‭20‬ ‭THSV11‬‬ “Each year you and your family are to eat them in the presence of the Lord your God at the place he will choose.”‭‭. ~Deuteronomy‬ ‭15‬:‭20‬ ‭NIV‬‬ มีคำกล่าวไว้ว่า “ ครอบครัว หมายความว่า ไม่มีใครถูกทิ้งไว้เบื้องหลังหรือถูกลืม” (Family means nobody gets left behind or forgotten) — David Ogden Stiers ใช่ครับ 1.พระเจ้าไม่ทรงประสงค์ให้ใครในครอบครัวถูก 1).ละทิ้ง หรือ 2).ลืมเลือนไปอย่างไร้ตัวตน! 2.พระเจ้าทรงให้ความสำคัญต่อทุกคนในครอบครัวของประชากรของพระองค์ ดังนั้น สิ่งที่เราควรทำ ก็คือ 1.เราควรให้ความสำคัญต่อครอบครัวของเราให้มากด้วยเช่นกัน 2.เราควรรักคนในครอบครัวของเราอย่างไม่มีเงื่อนไข 3.เราควรเอาใจใส่ดูแลพวกเขาอย่างดี ทั้งในยามที่เขายังเด็ก แก่ชรา และป่วยไข้ เราควรสังวรไว้เสมอว่า 1.คนที่ไม่รับผิดชอบปกครองหรือดูแลคนในครอบครัวของตนให้อยู่ในทางของพระเจ้า เขาย่อมไร้บารมีและอิทธิพลในการปกครองดูแลคนของพระเจ้าในคริสตจักรและในสังคม ด้วยเช่นกัน 2.คนที่ไม่รักคนในครอบครัวของตัวเองหรือรักไม่เป็น เขาย่อมจะไปรักคนอื่นหรือคนนอกครอบครัวไม่ได้เช่นกัน "ครอบครัว" เป็นสถาบันพื้นฐานทางสังคมสถาบันแรกที่มีบทบาทสำคัญยิ่งในการ 1.อบรมเลี้ยงดูสมาชิกในบ้าน ด้วยความรัก 2.ส่งต่อค่านิยม & ความเชื่อ 3.ถ่ายทอดวัฒนธรรม ให้กับคนรุ่นปัจจุบันและคนรุ่นต่อๆไป เราและครอบครัวของเรา จึงสมควรรับผิดชอบทำตามนั้นวัตถุประสงค์นั้นเช่นกัน ประเทศไทยก็ได้ตระหนักถึงความสำคัญของครอบครัว รัฐบาลในสมัยนายกรัฐมนตรี พลเอกชาติชาย ชุณหะวัณ จึงประกาศให้ มี“วันครอบครัวไทย”ขึ้นมาโดยกำหนดให้ ทุกวันที่ 14 เมษายน ของทุกปี เป็นวันครอบครัวไทยซึ่งเริ่มเป็นครั้งแรกใน พ.ศ. 2533 และสืบเนื่องต่อมาจนถึงปัจจุบันนี้ เราต้องจำไว้เสมอว่า “ การเป็นครอบครัว หมายความว่า คุณเป็นส่วนหนึ่งของบางสิ่งซึ่งน่าอัศจรรย์มาก หมายความว่าคุณจะได้รักและได้รับความรักสำหรับช่วงเวลาที่เหลือในชีวิตของคุณ!” (Being a family means you are a part of something very wonderful. It means you will love and be loved for the rest of your life.) – Lisa Weed หากวันนี้ คุณยังมีครอบครัวอยู่ก็จงหมั่นดูแลรักษาไว้ให้ดีก่อนที่จะไม่มีครอบครัวเหลือไว้ให้คุณรักษาอีกต่อไป ขอให้เราระลึกไว้เสมอว่า “การมีที่ที่เราจะไปได้ นั่นคือ บ้าน การมีบางคนที่เราจะรักได้ นั่นคือครอบครัว และ การมีทั้งสองอย่าง นั่นคือ พระพร!” (Having a place to go is a home. Having someone to love is a family. Having both is a blessing.) – Donna Hedges พี่น้องที่รัก จงทำให้วันนี้ เป็นวันครอบครัวที่มีความหมายมากยิ่งสำหรับ 1.ตัวคุณ 2.คนในครอบครัวของคุณ จนกลายเป็นพรต่อไปยัง 3.คนทั้งหลายที่คุณพบปะ หรือที่อยู่รอบๆครอบครัวของคุณ ต่อไปทุกๆวัน …จะดีไหมครับ? ~~~~~~~~~~~~~~~ธงชัย ประดับชนานุรัตน์14เมษายน2025 (ตอน14ของปีที่5)#YoutubeCJCONNECT #thongchaibsc#คริสตจักรแห่งความรัก #churchoflove #ShareTheLoveForward #ChurchOfJoy #คริสตจักรแห่งความสุข #NimitmaiChristianChurch #คริสตจักรนิมิตใหม่ #ฮักกัยประเทศไทย #อัลฟ่า #หนึ่งล้านความดี#Spotifyสดแต่เช้า#วันสงกรานต์ #วันครอบครัวไทย

A pig-headed pilot takes on air pirates and fascists while regaining his humanity in this adventure from Hayao Miyazaki. Set in 1929, it's a story of love, honor, pacifism, and resistance. For this, we watched the English dub from 2005; I know, I know, subs over dubs, but so it goes. Starring (in the dub) Michael Keaton, Cary Elwes, Kimberly Williams-Paisley, Susan Egan, David Ogden Stiers, and Brad Garrett. Written and directed by Hayao Miyazaki.

It's our 150th episode! Thanks for listening! Paul acknowledges the unfortunate title and dedicates this episode to the life and birthday of his friend McKenzie. At the end of the episode, there is a song of theirs from many years ago. We hope you give it a listen. Lane Meyer (John Cusack) has been recently dumped by Beth (Amanda Wyss), his dad (David Ogden Stiers) demands he remedies the ‘tasty' car that lays dominant in an “auto cocoon” in the front yard, his mom (Kim Darby) is boiling bacon until it turns blue, and he can't make the ski team because Roy Stalin (Aaron Dozier) is giving him the high school bully treatment. Although Lane might feel hopeless and that life is meaningless at the moment, with a bit of encouragement and confidence he finds from Monique (Diane Franklin), Lane will realize “language lessons” are worth fighting for. RTS makes sure to pay their two dollars and eat some “fraunch bread.” Jeremy and La-Mar try "pure snow" with Charles De Mar (Curtis Armstrong). Then they try some “monster eggnog” that's made with lighter fluid. Emily gets a coat made from real aardvark fur and a stack of TV dinners. Collin hits the K-12 to show us all how it's done! “He's skiing on one ski!” Music by: Sigh, Growl. Happy Birthday, Kenz! XO

Tune in as Guy Bradford (Jesters of Ravenloft: A D&D Podcast) jumps back into his guest chair to discuss Magic, the 1978 psychological horror drama movie starring Anthony Hopkins as Corky Withers, a magician and ventriloquist who becomes a little too obsessed with his dummy Fats. The flop sweat that this film is full of, alternative stars who were in the running for the role of Corky, and the depiction of psychosis in Hellblade: Senua's Sacrifice comprise some of the topics for this episode.Directed by Richard Attenborough, Magic stars Anthony Hopkins, Ann-Margret, Burgess Meredith, Ed Lauter, E.J. André, Jerry Houser, and David Ogden Stiers.Spoilers start at 25:15Create your podcast today! #madeonzencastrHere's how you can learn more about Palestine and IsraelHere's how you can keep up-to-date on this genocideHere's how you can send eSIM cards to Palestinians in order to help them stay connected onlineGood Word:• Guy: Breath of Fire III• Arthur: Serial Killer Support Group by Saratoga SchaeferReach out at email2centscritic@yahoo.com if you want to recommend things to watch and read, share anecdotes, or just say hello!Be sure to subscribe, rate, and review on iTunes or any of your preferred podcasting platforms!Follow Arthur on Twitter, Goodpods, StoryGraph, Letterboxd, and TikTok: @arthur_ant18Follow Arthur on Bluesky: @arthur-ant18Follow the podcast on Twitter: @two_centscriticFollow the podcast on Instagram: @twocentscriticpodFollow Arthur on GoodreadsCheck out 2 Cents Critic Linktree

Send us a textKatie and Bridget hang out at an enchanted castle as they re-watch the original: Beauty and the Beast! It's the tale as old as time song as old as rhyme #Katie'sSloganForDating! Come along we meet Belle, the beauty who likes to read and just wants to stop getting harassed by her poor provincial town already! When her bumbly dad gets taken prisoner by the Beast, she volunteers as tribute and hangs out at the castle with all the sentient objects. Overtime, Belle and the Beast fall in love and he turns back into a human with entirely different features, voice, and (kind of) personality... Seriously guys wtf? This movie elicits lots of philosophical questions such as: Why the hell didn't anyone know there was a castle literally down the street? Will the townsfolk rally against Gaston for driving up the price of eggs? Where are all of the food in the castle being delivered from!? WE'LL WRITE A REDDIT THREAD ABOUT IT ALL BECAUSE THE CONSPIRACY THEORIES ARE TOO REAL! Released in 1991, this animated Disney movie features voice acting from Paige O'Hara, Robby Benson, Jesse Corti, Angela Lansbury, Jerry Orbach, David Ogden Stiers, and Richard White.

This week on Myopia Movies, we fall in love again...with Gaston. We watched Beauty and the Beast, a podcast old as time, set in Disney-cember, and wish that the beast turned back (I think this is what Shrek's ending is about.) How will Beauty and the Beast hold up? Host: Nic Panel: Candace, Keiko, Matthew, Alex.   Directed by Gary Trousdale and Kirk Wise Starring Paige O'Hara, Robby Benson, Jesse Corti, Rex Everhart, Angela Lansbury, Jerry Orbach, Bradley Pierce, David Ogden Stiers, Richard White, Jo Anne Worley, Mary Kay Bergman

This week on Myopia Movies, we fall in love again...with Gaston. We watched Beauty and the Beast, a podcast old as time, set in Disney-cember, and wish that the beast turned back (I think this is what Shrek's ending is about.) How will Beauty and the Beast hold up? Host: Nic Panel: Candace, Keiko, Matthew, Alex.   Directed by Gary Trousdale and Kirk Wise Starring Paige O'Hara, Robby Benson, Jesse Corti, Rex Everhart, Angela Lansbury, Jerry Orbach, Bradley Pierce, David Ogden Stiers, Richard White, Jo Anne Worley, Mary Kay Bergman

To celebrate Tread Perilously's 477th podcast, Erik and Justin finally watch an episode of M*A*S*H -- "That's Show Biz." When a performer on a USO tour comes down with appendicitis, she is airlifted to the 4077th and immediately falls for Hawkeye. Once the rest of her colleagues make it to the M*A*S*H unit, they decided to put on an impromptu show. But they soon learn the road to their next stop was bombed and they must spend a few extra days at the camp. Will personalities clash? Will Hawkeye wave off the advances of the young singer? And will Klinger have a future in comedy? Erik explains why he chose the second lowest rated episode of M*A*S*H on IMDb for its introduction into the rotation. Justin appreciates the presence of guest star Gwen Verdon while Erik finally admits he always had a thing for Gail Edwards. Alan Alda also proves to be swoon-worthy. David Ogden Stiers' proto-Fraser is examined. Harry Morgan might turn out to be the series regular MVP. The obsession with Columbo continues. The Raygun situation makes its way into the discussion. Erik has a spooky moment with cable television. Justin reveals a preference for the accordion and Erik pitches a show for Patrick McGoohan and Peter Falk.

The Enterprise D is just trying to help revive a dead star for the residents of Kaelon II when the visiting Lwaxana Troi gets all twitter pated over Timicin, a scientist from Kaelon II who happens to be played by David Ogden Stiers from M.A.S.H. Things all go pear shaped when the dying star keeps dying, and Timicin is scheduled to join them. Seems the residents of Kaelon II have this wacky deal where they commit ritual suicide at 60 years of age, but Lwaxana isn't having it. Will Picard go to war with Kaelon II to save Lwaxana's boyfriend? Will Deanna Tori get any significant screen time? Will David Ogden Stiers find a bra that works for him? Even more available at: https://tngeez.com

RMR 0272: Join your hosts Chad Robinson, Dustin Melbardis, and Russell Guest for the Retro Movie Roundtable as they revisit Spirited Away (2001) [PG] Genre: Animation, Adventure, Family, Fantasy Starring: Daveigh Chasxe, Jason Marsden, Suzanne Pleshette, David Ogden Stiers, Susan Egan, Paul Eiding, John Ratzenberger, Bob Bergen, Tatsuya Gashūin, Rodger Bumpass, Tara Strong, Michael Chiklis, Lauren Holly, Jim Ward, Jack Angel   Director: Hayao Miyazaki Recorded on 2024-06-14

Was hat Wer aus dem M*A*S*H-Cast sonst noch so gemacht? Diese Frage haben wir uns vor langer Zeit mal gestellt, und heute wollen wir endlich mal eine der vielen möglichen Antworten darauf geben. In diesem Fall schauen wir auf einen vergleichsweise kurzen Auftritt, den David Ogden Stiers in der beliebten Sitcom “ALF” hatte: als Obdachloser Flakey Pete Finnegan – eine Rolle, die auf den ersten Blick wohl so nichts gemein hat mit dem versnobten Bostoner Aristokraten Major Charles Emerson Winchester III… oder etwa doch?

We've got a big one here, folks! Today on FilmBabble, Charlie and Antonio watch the universally beloved masterpiece SPIRITED AWAY, one of many masterpieces hailing from the acclaimed Japanese animation studio- Studio Ghibli. A 10 year old girl moves away from home and finds that her parents have been transformed into pigs! Forced into a new world, bizarre yet not too dissimilar from our own, Chihiro goes on the quest to end all quests: the quest of growing up. Pass it on! Intro/outro music: "That Darn Cat" by Bobby Darin SPIRITED AWAY (2001), written and directed by Hayao Miyazaki, cinematography by Atsushi Okui, featuring the voices of Rumi Hiiragi and Daveigh Chase, Miyu Irino and Jason Marsden, Mari Natsuki and Suzanne Pleshette, Bunta Sugawara and David Ogden Stiers, and Yoomi Tamai and Susan Egan. 

“Fathers and Sons” (May 3, 2003) And we're back! Our first regular episode of the new year returns to the first-ever show we discussed: Frasier. It's the episode where David Ogden Stiers plays an old colleague of Frasier's late mother who acts more like Frasier and Niles than Martin does. This is the final time the series put a spotlight on the series innate queerness, and in selecting Stiers, it also tacitly endorses the notion that his M*A*S*H character helped inspire Frasier Crane. Listen to Unsafe Spaces, Josh Hallmark's new true crime podcast about serial murders in Tampa's gay community — and while you're at it, also give a listen to his other podcast, True Crime Bullshit, about serial killer Israel Keyes. Want to hear your words on an upcoming GEE? We're covering the Simpsons episode “Lisa the Drama Queen” and therefore we're offering patrons a chance to watch the movie that inspired it: 1994's Heavenly Creatures, which is not easy to watch online nowadays. Details at the GEE Patreon. Listen to our previous Frasier episodes. Go shop at our TeePublic store! Follow: GEE on Facebook • GEE's Facebook Group • GEE on Twitter • GEE on Instagram • Drew on Twitter • Glen on Twitter Listen: Apple Podcasts • Spotify • Google Podcasts • Himalaya • TuneIn And yes, we do have an official website! We even have episode transcripts courtesy of Sarah Neal. Our logo was designed by Rob Wilson. This episode's art was designed by Ian O'Phelan.  

Anthony Hopkins plays a mentally disturbed ventriloquist with a killer dummy in this 1978 psychological thriller. Ashley, Matt and Grant review Magic in our latest 13 Days of Halloween episode.

For this "Quick Screen" episode, Michael does a rewatch of the 1991 animated film "Beauty and the Beast" featuring the voices of Paige O'Hara, Robby Benson, Richard White, Jerry Orbach, David Ogden Stiers, Angela Lansbury, Rex Everhart, and Jesse Corti based on the classic fairy tale. What are some of his thoughts and memories of seeing the film the first time and his thoughts after seeing the film again? Check it out and see! Be a part of the conversation! E-mail the show at screennerdspodcast@gmail.com Follow the show on Twitter @screennerdspod Like the show on Facebook (Search for Screen Nerds Podcast and find the page there) Follow the show on Instagram and Threads just search screennerdspodcast Be sure to check out the podcast on Apple Podcasts, Spotify, Google Play, Goodpods, Overcast, Amazon Music or your podcast catcher of choice! (and please share rate and review!) Want to be a guest or share your thoughts on the podcast? Send me an e-mail! Thanks to Frankie Creel for the artwork --- Send in a voice message: https://podcasters.spotify.com/pod/show/screennerdspodcast/message

This week we talk about Spirited Away from 2001! Join us with as we talk about this fun family movie!  Dont forget to like share and sub to us where ever you watch or listen to us. tell your friends, kids, parents... hell even your pets all about us. Leave us some feed back and comment. Also if you could rate us that would be super! Thank you so much for the support and love!

This podcast discusses the career of David Ogden Stiers. This episode is also available as a blog post: http://thewritelife61.com/2021/03/08/celebrating-national-oregon-day-with-david-ogden-stiers/

This podcast discusses the career of David Ogden Stiers. This episode is also available as a blog post: http://thewritelife61.com/2021/03/08/celebrating-national-oregon-day-with-david-ogden-stiers/

Guest stars galore. It must have been sweeps week. David Ogden Stiers from M*A*S*H and Better Off Dead fame is a scientist who's really good at blowing up stars. Err, I mean, shooting torpedoes to make stars not blow up. I think. Lwaxana Troi is hot to trot with Scientist Stimson until he says he's a few days away from turning 60 and on Kaelon 2 that means death. Then she gets super heated. Supernova mad, in fact. Erik hosts this one that goes from comic relief to dramatic tragedy with two fantastic actors. Jimmie just wishes the writers picked a side. Get in touch with us on Twitter @ReEngageTNG!    Host: Erik Gratton (@erikfallsdown on Twitter & IG)  Panel: Kate Jaeger (@jaegerlicious on Twitter and IG), Greg Tito (@gregtito on Twitter, @greg_tito on IG), and Jimmie G (@thejimmieg on IG & Twitter) Audio Editor: Greg Tito (@gregtito on Twitter, @greg_tito on IG) Logo artwork: @mojojojo_97 on Twitter, mojo97.com Theme music: Ryan Marth   Next up is s4e23 "The Host" hosted by Jimmie!

Dr. Ginger Campbell is a Palliative Medicine Physician. Prior to Palliative Care, Dr. Campbell was an Emergency Physician. She earned a BSE in Electrical Engineering and an MSE in Biomedical Engineering prior to her MD. Dr. Campbell launched her podcast Brain Science in 2006 and was inducted into the Podcast Hall of Fame in 2022.What do we talk about in this episode?Dr. Campbell shares her experiences in palliative and emergency room medicine. She is in the process of moving from doing palliative care in the US to doing palliative care in New Zealand. She also talks about her podcast and the difference between podcasting in the early years of podcasting and podcasting now.What is palliative care and a palliative care doctor?A day in the life of a palliative care doctor and a day in the life of an emergency room doctor (it is not so much like the TV series ER).The importance of being able to communicate with people in a way they can understand especially at critical times such as end of life.Dying is part of living. The importance and honor of escorting people out of this world and preparing their family for the transition.What working with people at end of life has taught her for her own life.Her favorite podcast topic and guest.Music used in the podcast: Higher Up, Silverman Sound StudioYou can support my podcast on Patreon here: https://patreon.com/user?u=72701887ResourcesBrain Science Podcast has been exploring how recent discoveries in neuroscience are unraveling the mystery of how our brain makes us human. (https://brainsciencepodcast.com)Dr. Campbell's background is an important element in her success as a science communicator. Prior to medical school she studied electrical and biomedical engineering. In 2011 she was chosen one of 40 Engineers Making a Difference as a part of 40th Anniversary celebration of the School of Engineering at the University of Alabama at Birmingham (UAB), where she was an assistant professor from 1985-1989.(https://www.virginiacampbellmd.com)Māori originated with settlers from East Polynesia, who arrived in New Zealand in several waves of canoe voyages between roughly 1320 and 1350. (Wikipedia)Jacinda Kate Laurell Ardern (born 26 July 1980) is a New Zealand politician who served as the 40th prime minister of New Zealand and leader of the Labour Party from 2017 to 2023. A member of the Labour Party, she was a member of Parliament (MP) as a list MP from 2008 to 2017, and for Mount Albert from 2017 to 2023 (Wikipedia)Elizabeth Kubler-Ross - Her bestselling first book, On Death and Dying, 1969, made her an internationally-renowned author. Even today, her trail-blazing book is required reading in most major medical, nursing, and psychology programs. A 1969 Life Magazine article outlining her work gave further mainstream credibility and awareness to this new way of dealing with dying patients, although her conclusions were quite revolutionary at the time. (https://www.ekrfoundation.org/elisabeth-kubler-ross/biography/)Doc Hollywood is a 1991 American romantic comedy film directed by Michael Caton-Jones and written by Daniel Pyne along with Jeffrey Price and Peter S. Seaman, based on Neil B. Shulman's book What? Dead...Again? The film stars Michael J. Fox, Julie Warner, Barnard Hughes, Woody Harrelson, David Ogden Stiers, Frances Sternhagen, and Bridget Fonda. (Wikipedia)

In this episode, the Retro Movie Geek crew is joined by Maggie Kruger, and they're geeking out over Doc Hollywood (1991) and Michael J. Fox naked cars the cast romance with plotholes and much, much more! Synopsis: ”Beverly Hills… The most beautiful women in the world... Plastic surgery… What do these three things have in common?” asks Dr. Ben Stone (Michael J. Fox). “Me… in less than a week!” It turns out to be an eye-opening week… and Doc Hollywood turns out to be a charmingly funny film. Part Alex Keaton of Family Ties, and part Marty McFly of Back To The Future, Fox's Stone is a brash, newly-minted MD whose cruise toward the medical fast lane takes a small-town detour! The town is Grady, South Carolina, Squash Capitol of the South, and home of salt-of-the-earth folks who give the West Coast bound hotshot the seasoning he lacks. Newcomer Julie Warner is Lou, the ambulance driver who sends Stone's heart racing. Woody Harrelson is affable insurance agent Hank. Bridget Fonda is Nancy Lee, who hopes Stone is her ticket out of town. David Ogden Stiers, Barnard Hughes, and Frances Sternhagen are Gradyites who know it's better to follow your heart than your wallet. The wisdom is warm… The laughs are abundant… Doc Hollywood is a surefire prescription for comedy cheer! ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: LISTENER FEEDBACK: Leave us your voicemail feedback at (484) 577-3876. Check out Darrell's other cool podcasts here. Check out Peter's Retro Reviews over at ForgottenFlix.com here. Check out The Forgotten Flix Podcast here. Special thanks to Kevin Spencer for the fantastic show logo! Special thanks to Hayden for the use of his fantastic music for our opening theme this episode! You can check out more from this amazing artist here! Special thanks to Retro Promenade for the use of music from the album Carpenter. Music use permitted under a Creative Commons license. CLICK HERE and get a copy of the album and support these fantastic artists!

Brent, Nate, and Kate hop on a dragon's back and fly into May's new theme (AniMAYtion) with the 2001 animated classic Spirited Away starring: Daveigh Chase as Chihiro/Sen, Suzanne Pleshette as Yubaba/Zeniba, Jason Marsden as Haku, Susan Egan as Lin, David Ogden Stiers as Kamaji, Lauren Holly as Chihiro's Mother, Michael Chiklis as Chihiro's Father, John Ratzenberger as Assistant Manager, Tara Strong as Boh, and Bob Bergen as No-Face.Spirited Away is a 2001 Japanese animated fantasy film written and directed by Hayao Miyazaki, produced by Studio Ghibli, and distributed by Toho. It tells the story of a young girl named Chihiro Ogino who, while moving to a new town with her parents, stumbles upon a mysterious world of spirits and demons.The film begins with Chihiro and her family getting lost on their way to their new home. They eventually come across what appears to be an abandoned amusement park and decide to explore it. As they begin to eat the food left out at one of the stalls, Chihiro's parents are transformed into pigs, and she finds herself trapped in a world of spirits.She is taken in by a young boy named Haku, who advises her to ask for work from Yubaba, the witch who rules over the spirits. Yubaba agrees to employ her but takes away her name, renaming her Sen. She is put to work at a bathhouse for spirits and is given a difficult task by Yubaba: to identify and serve a stink spirit that has entered the bathhouse.As Chihiro works at the bathhouse, she learns about the many spirits and creatures that inhabit the spirit world, as well as the rules and customs that govern them. She also discovers that Haku is a dragon who is under Yubaba's control, and that she must help him break free from her spell.Throughout the film, Chihiro faces many challenges and obstacles as she tries to find a way back to the human world. She is helped by a variety of characters, including a friendly spirit named No-Face and a river spirit that she rescues from pollution.As she navigates the spirit world and learns more about herself and the people around her, Chihiro ultimately finds the courage to confront Yubaba and demand her name back. With the help of her friends and the knowledge she has gained, she is able to break the spell on Haku and return to the human world, where she is reunited with her parents.Spirited Away was directed by Hayao Miyazaki, who also wrote the screenplay and designed the characters. It was produced by Studio Ghibli, a renowned animation studio in Japan. The film features music by Joe Hisaishi and animation by a team of talented animators, including Masashi Ando, Katsuya Kondō, and Yoshifumi Kondō.The film was released in Japan in 2001 and became a critical and commercial success, grossing over $347 million worldwide. It won numerous awards, including the Academy Award for Best Animated Feature in 2003, and has since become a beloved classic of Japanese animation. Hosted on Acast. See acast.com/privacy for more information.

Welcome back to another magical episode of Not A Bomb. This is the podcast where we go back and reexamine some of the biggest bombs in cinematic history and see if they deserve a second chance. On this week's episode, the guys, once again, find themselves tackling an early 2000's Walt Disney animated film. This time, it's the 2001 adventure film- Atlantis: The Lost Empire. Both a financial and critical flop, Atlantis: The Lost Empire is noted for an amazing voice cast and its mixture of traditional animation and CGI. Does Atlantis: The Lost Empire. stand the test of time? Were the critics correct with their initial assessment? Listen and find out!Timestamps: Intro - (1:10), Box Office Results, Critical Response, and Movie Guide - (16:38), Behind the Camera - (27:24), Voice Cast - (30:31), Production and Development - (42:16), Commercial Break - (49:34), Atlantis Discussion - (51:34), Is it a Bomb? - 84:27, and Outro - (93:11)Atlantis: The Lost Empire is directed by Gary Trousdale and Kirk Wise and stars Michael J. Fox, James Garner, Cree Summer, Don Novello, Phil Morris, Claudia Christian, Jacqueline Obradors, Florence Stanley, David Ogden Stiers, John Mahoney, Jim Varney, Corey Burton, and Leonard Nimoy.If you want to leave feedback or suggest a movie bomb, please drop us a line at NotABombPod@gmail.com or Contact Us - here. Also, if you like what you hear, leave a review on Apple Podcast.Cast: Brad, Troy

The Sibling's look at Disney's early 2000s experimental period continues as we look at the only bonafide hit they had during this time, Lilo & Stitch. Does this movie live up to its own hype, or is overrated space garbage?Discussed:The Lilo & Stitch Cinematic Universe!Dryers and 9/11!Everybody hates dismay (including Disney)!The Thing!Agent Bubbles ruins the movie!Ohana means family (according to the tour guide)!David Ogden Stiers all day, everyday!Unintentionally timely Splash Mountain reference!Contact us at adultsiblingsversus@gmail.comTwitter: @AdultVersusTheme Song: “Sellout” by Zombie Apocalypse NOW!https://antizombierock.bandcamp.com/

Finish the canon with us with our take on Lilo and Stitch, a supersized episode with eight - yes, EIGHT - guests that make up part of our podcast ‘Ohana contributing their own unique perspectives to this fan favorite film.  ‘Ohana means family, and family means no one gets left behind or forgotten. We promise our long run time is worth not being left behind!  Don't miss: The way this movie breaks our hearts and puts them back together again a million and one times How many elements of Hawaiian culture and specific Kauai references Chris Sanders and Dean DeBlois make central to this film's story, characters, and landscape A discussion of the various things that worked in this film that Disney was able to take forward into the Revival and beyond Our final score, which may or may not surprise you based on our love for this film PLUS, we talk through all the thoughts our audience had when they watched the movie, including even more members of our podcast community!   Links for you: Our website has our ranking spreadsheet for the full Walt Disney Animation Studios canon Join our ‘Ohana to be among the first to know about new content we're developing Follow us on Twitter @definingdisney and let us know your thoughts on Lilo and Stitch When our transcription is available, we'll link it here Meet our guests: Stephen | Katy | Bray | Lauren | Kaitlyn | Tim of OSW | Darin of NostalgiaCast | Kevin Don't forget to SUBSCRIBE so you don't miss our return, and if you enjoyed this one, please leave us a rating and review. Thanks for listening and we'll see ya real soon!

Two Dudes take to the skies to review Studio Ghibli's high-flying fantasy adventure, Porco Rosso, with long-time friend of the pod, Gary Gordon (@gareeaye). In 1930's Italy, solitary war vet (and anthropomorphized pig) Porco Rosso protects the skies above the Adriatic Sea from unruly sky pirates. This lesser-known Miyazaki masterpiece draws you in with its seaside vignettes and aerial acrobatics to subtly deliver a profound contemplation on the emotional remnants of war. Its English dub features the voices of Michael Keaton, Kimberly Williams-Paisley, Susan Egan, Brad Garrett, and David Ogden-Stiers. Stream it on HBO Max. Follow and Subscribe so you don't miss an episode! Apple Podcasts Spotify Youtube Instagram TikTok Twitter --- Send in a voice message: https://anchor.fm/2dudeswatchcartoons/message Support this podcast: https://anchor.fm/2dudeswatchcartoons/support

Agents Scott and Cam take a sexy Toolshed tour with the 1995 erotic neo-noir spy thriller Bad Company starring Ellen Barkin and Laurence Fishburne.   Directed by Damian Harris. Starring Ellen Barkin, Laurence Fishburne, Frank Langella, Michael Beach, Gia Carides, David Ogden Stiers, Daniel Hugh Kelly and Spalding Gray. Become a SpyHards Patron and gain access to top secret "Agents in the Field" bonus episodes, movie commentaries and more! Pick up exclusive SpyHards merch, including the "What Does Vargas Do?" t-shirt by @shaylayy, available only at Redbubble Social media: @spyhards View the NOC List and the Disavowed List at Letterboxd.com/spyhards Podcast artwork by Hannah Hughes. Theme music by Doug Astley.

Rizzo and Igor, together again! Jeff & Ryan welcome the one and only G.W. Bailey to MASH Matters. We discuss his early years in Port Arthur, Texas, high school with Bubba Smith, replacing another popular character on M*A*S*H, moving Rizzo from Brooklyn to the bayou, annoying David Ogden Stiers, a surprise phone call with Larry Gelbart, and the set piece that's hanging in his bathroom.   For show notes, episodes, recipes, bios, and more visit our website.

On a spirited, contentious new episode, Scott and Ben discuss Richard Attenborough's 1978 spook show, MAGIC. Listen and weigh in with your opinions about: - Fats: sentient or wood - Corky: psychic or trickster - Peggy: boobs or eyebrows - Burgess Meredith: can this guy tell time, or what? - David Ogden Stiers: hairpiece or herpes? - William Goldman: old-fashioned or just old school - Ventriloquism: to throw or not to throw, that is the question and much much more, including Dead of Night, Alfred Hitchcock Presents, The Twilight Zone, and Soap!

There were dozens of TV shows trying to replicate the success of Friends in the late '90s, but only one of them was trying to do so with superheroes. If you're wondering how they could have made a Justice League movie on a television budget at the end of last century, the answer is "very inexpensively" and "with M*A*S*H's David Ogden Stiers in green makeup." Justin discusses the failed pilot of for a Justice League of America pseudo-sitcom and why it was doomed to be what celebrated comics writer Mark Waid may or may not have called "80 minutes of my life I'll never get back." Also discussed in this episode: An overview of the '90s superhero adaptation landscape, the sinister charm of Special Guest Star Miguel Ferrer, and the viability of the voice of the Cryptkeeper as a romantic lead.  

Diane and Sean podcast with all the colors of the wind as they discuss Disney's Pocahontas. Episode music is "Colors of the Wind", by Alan Menken, Stephen Schwartz, performed by Judy Kuhn, from the OST.-  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:-  IG: @whydoweownthisdvd-  Twitter: @whydoweownthis1-  Follow Sean's Plants on IG: @lookitmahplantsSupport the show (https://www.buymeacoffee.com/dvdpod)

Rodney Dangerfield stars as the most outrageous TV talk show host.  Throw in Dangerfield's patented comic one-liners and you have an over-the-top box office bust.  What other podcast would cover this film?  What other podcast host would even have this film in their DVD collection?  Co-starring Debi Mazar, David Ogden Stiers, Cindy Williams, and Burt Reynolds.

It's Horatio Sanz week on Saturday Night Jive and we watched Tomcats from 2001 starring SNL's favorite loverboy Horatio, Jerry O'Connell, Jake Busey, Shannon Elizabeth, and the Academy Award winning performance from Bill Maher as Carlos, the Las Vegas casino boss.  It's a raunchy comedy from before we cared about other people's feelings.  You want misogyny, homophobia, and David Ogden Stiers chowing down on a human testicle?  Then this is the film for you.  We learn that things we liked when we were younger don't hold up at all.  Enjoy!Full archive of all podcast episodes available at saturdaynightjive.blogspot.comEmail us anything at saturdaynightjivepodcast@gmail.comDownload Here

Zo relives his high school days as we watch one Lane Meyer deal with the break-up of his girlfriend Beth and his efforts to win her back.  This event takes Lane to a dark place and, in this dark comedy we watch as Lane Meyer tries to decide if he is . . . Better Off Dead.TRIGGER WARNING: This episode discusses themes of depression and suicide if you need help please call the National Suicide Prevention Lifeline at 800-273-8255www.backlookcinema.comEmail: fanmail@backlookcinema.comTwitter: @backlookcinemaFacebook: The Back Look Cinema Podcast Instagram: backlookcinemapodcastBack Look Cinema Merch at Teespring.comBack Look Cinema Merch at Teepublic.com

Daniel and Ben discuss the 1985 cult hit, "Better Off Dead" starring John Cusack, Diane Franklin, David Ogden Stiers, Curtis Armstrong, Amanda Wyss, Kim Darby, Dan Schneider, and Directed by Savage Steve Holland. They recount the ups and downs of a film that flopped at the box-office but became a Video sensation and is remembered to this day for it's absurdist, farcical-humor, classic comedic moments, and eminently quotable script.Joining our Co-Hosts for the very first Popped-celebrity-interview is the wonderfully talented and charming actress, Diane Franklin. She shares some laughs while recounting her Better Off Dead memories, experiences, and reveals some of her latest projects and upcoming appearances. So, sit back, turn up the volume, grab some 'corn and listen ... Written, performed and produced by Daniel Hendrix and Ben Wilson. Voice over introductions by Glenn Thayer. Support the show (https://www.patreon.com/user?u=54334782)

On Episode 016 of the RETROZEST podcast, your host Curtis Lanclos conducts an exclusive interview with DIANE FRANKLIN (aka "Monique Junot") in celebration of the 35th Anniversary of Savage Steve Holland's cult classic film, BETTER OFF DEAD (released on August 23, 1985)! Starring in the film with Diane are John Cusack, David Ogden Stiers, Kim Darby, Dan Schneider, Amanda Wyss, Curtis Armstrong, Laura Waterbury, Taylor Negron, Chuck Mitchell, Vincent Schiavelli and Demian Slade. Diane is a true "Lady of the '80s," and she shares many fun stories about the making of the movie, as well as some other roles from her career (commercials, The Last American Virgin, Summer Girl, Amityville II: The Possession, TerrorVision, etc.). Diane's daughter, Olivia DeLaurentis (seriously, she could be Diane's clone!), is a filmmaker as well! Check out her NEW SNAPSHOT SHOW! Also, her son Nick DeLaurentis is a musician! Check out his NEW ALBUM!! Diane Franklin - TV Movies Summer Girl (Watch for FREE on YouTube!) Deadly Lessons (Watch for FREE on YouTube!) Diane Franklin – Videos at 80s in the Sand! 2017 2019 Diane Franklin – Media Purchase Diane's Book on Amazon: Click HERE Purchase the BETTER OFF DEAD Blu-Ray Steelbook: Click HERE Send your photo of you wearing Diane's Better Off Dead coat to BODCoatBook@gmail.com Twitter: DianeFranklin80 Facebook: Diane Franklin Official Fan Page Instagram: ActressDianeFranklin Diane Franklin - Media Purchase Diane's Book on Amazon: Click HERE Twitter: DianeFranklin80 Facebook: Diane Franklin Official Fan Page Instagram: ActressDianeFranklin Contact Curtis at podcast@retrozest.com, on the RETROZEST Facebook page (facebook.com/zestretro/) or on Twitter (twitter.com/RetroZest).

Hot on the heels of the massive failure of the 2019 Charlie's Angels movie from Elizabeth Banks, Stefan Halley joins us to break down the pilot of the 1976 TV show.Contact Us!Email: pilotprojectshow@gmail.comInstagram: @pilotprojectpodFacebook: https://fb.me/pilotprojectpodTwitter: @pilotprojectpodVoicemail: (469) 573-2337Subscribe for Free!Apple Podcasts: http://apple.pilotprojectpod.comGoogle Play: http://googleplay.pilotprojectpod.comRSS: http://feeds.feedburner.com/pilotprojectpodSpotify: http://spotify.pilotprojectpod.comStitcher: http://stitcher.pilotprojectpod.com ★ Support this podcast on Patreon ★

We're taking a look back at our best and worst of what we covered in 2018 and we do our very own special In Memoriam segment by bringing back the Double Dead Hall of Fame from another podcast. Contact Us!Email: pilotprojectshow@gmail.comInstagram: @pilotprojectpodFacebook: https://fb.me/pilotprojectpodTwitter: @pilotprojectpodVoicemail: (469) 573-2337Subscribe for Free!Apple Podcasts: http://apple.pilotprojectpod.comGoogle Play: http://googleplay.pilotprojectpod.comRSS: http://feeds.feedburner.com/pilotprojectpodSpotify: http://spotify.pilotprojectpod.comStitcher: http://stitcher.pilotprojectpod.com ★ Support this podcast on Patreon ★

​ It's back - it's science time! But first... we hit the feedback back, talk about some elections and other beer news - including Sierra Nevada's throwback beer move and the new beer style that's got people up in arms. In the library we discuss whether or not Prohibition was a good thing for beer and why American versions of British beers seem to fall short - according to the Brits. In the brewery, Drew discusses a very cool charity he just worked with and YCHops sets the record straight on the hop glut. In the lab, we look at the hot hop topic of BioTransform from the results of our IGORs. In the lounge, we sit down with Brad Ring from BYO to discuss their boot camp format before we close out with the Q's & the A's, quick tip and say goodbye to one of the best actors Denny ever got to work with. Episode Links: BrewSwag.com - Use Code "Experimental" and save 7.5% and give 7.5% to our charity fund! AHA Governing Committee Elections: https://www.homebrewersassociation.org/membership/aha-governing-committe... HomeBrewCon: https://www.homebrewcon.org/ Sierra Nevada's Refocus: https://www.brewbound.com/news/eyeing-return-growth-sierra-nevada-refocu... NAGBW Diversity Grant: http://nagbw.org/page-1178893/5888883 Glitter Beer: https://munchies.vice.com/en_us/article/437pnq/glitter-beer-lisa-frank Zymurgy Live with Theresa McCulla - https://www.homebrewersassociation.org/category/archived-zymurgy-live/ British Water Tables: https://www.murphyandson.co.uk/water-water-everywhere/ Food Forward: https://foodforward.org/ YCHHops response to the hop glut: https://ychhops.com/connect/news/blog/false-ych-has-a-critical-oversuppl... BioTransform Experiment: https://www.experimentalbrew.com/experiments/biotransformation-dry-hop-k... BYO Subscribe! https://subscribe.pcspublink.com/sub/subscribe.aspx?guid=cc79fade-90d7-4... David Ogden Stiers: http://www.imdb.com/name/nm0001773/ Habitat for Humanity - https://www.habitat.org/ Patreon Remember even a buck is good for charity: http://www.patreon.com/experimentalbrewing Experimental Brew Store - https://www.experimentalbrew.com/store Episode Contents: 00:00:00 Opening & Our Sponsors 00:05:06 Announcements & Feedback 00:11:16 The Pub 00:25:55 The Library - Zymurgy Live & British Water Tables 00:34:19 The Brewery - Food Forward & YCHHops 00:41:11 The Lab - BioTransform Results 00:50:26 The Lounge - BYO's Brad Ring 01:17:36 Q&A 01:29:17 Quick Tip & Something Other Than Beer This episode is brought to you by: American Homebrewers Association BrewCraft USA Craftmeister Jaded Brewing Mecca Grade Estate Malt PicoBrew Wyeast Labs YCH Hops Interested in helping Denny and Drew with the IGOR program (aka help us run experiments!) - contact them at igor@experimentalbrew.com. We want more Citizen Science! In the meanwhile, subscribe via your favorite podcasting service (iTunes, etc). Like our podcast, review it - talk it up! If you have comments, feedbacks, harassments, etc, feel free to drop us a line at podcast@experimentalbrew.com. Follow us on Facebook (ExperimentalHomebrewing) or Twitter (@ExpBrewing). If you have questions you'd like answered in our Q&A segment, send an email to questions@experimentalbrew.com! Don't forget you can support the podcast on Patreon by going to http://patreon.com/experimentalbrewing This episode can be downloaded directly at https://www.experimentalbrew.com/sites/d... Podcast RSS Url: http://www.experimentalbrew.com/podcast.rss

Dakin Matthews is an actor, playwright, dramaturg, director, teacher, and scholar. He has 150+ credits on IMDb, has taught Shakespeare around the world, worked on Broadway and won awards, and was artistic director of several theatres—and he started out to be a priest! We talk about feeling confident and intimidated, why the classics are important, what being a professional means, and more. This episode is sponsored by Audible: get a free audiobook and a 30-day trial at workingactorsjourney.com/audible   Dakin Matthews around the web IMDb | Wikipedia | IBDb | Actors Access | His former Andak theatre company   Highlights Dakin's father as an indentured servant How acting in a Shakespeare play gave him a more intimate knowledge of it The situations when he feels in awe of people How he approaches working with or teaching younger actors The production of Shakespeare he saw that really changed his view of what theatre could be How he ended up teaching at Juilliard and eventually performing in The Acting Company Why he feels acting is his primary skill, above being a teacher or scholar Why there aren't great Shakespeare acting classes online How he approaches playing real people, and the roles that he couldn't quite figure out The out-of-left-field offer to get involved with Rocky the Musical How Dakin has had time to be involved in so much Working on the "Come vial" speech from Romeo and Juliet Why many actors either shy away from or miss the mark with emotional moments Why it's so important to find a group of like-minded creative people Quotes that matter to him   Selected People and Items Mentioned Antaeus Theatre Portuguese immigration to Hawaii ACT, San Francisco The Juilliard School USD San Diego MFA (Old Globe Program) Cal State East Bay, Hayward, CA David Ogden Stiers, actor Kurtwood Smith, actor Liz Huddle, actress PCPA Theatre John Houseman, actor, director, and teacher Stephen McKinley Henderson, actor Group 1 at Julliard: Patti Lupone, Kevin Kline, David Ogden Stiers, Mary Jo Negro, Mary Lou Risotti, Sam Tsoutsouvas, David Schramm, Tony Azito, Jim Moody, Gerald Gutierrez, Norman Snow, Benjamin Hendrickson US bombing of Cambodia Jack O'Brien, director Sherlock's Last Case (play) Remington Steele, TV show Henderson Hogan Agency The History Boys (play) Frank Langella as Nixon Rocky the Musical Waitress musical   For complete bio and other links, check out the full show notes!