Podcasts about Rolfe Kent

Dana and Tom with returning 5x Club members Kieran B (Host and Creator of the Best Picture Cast) and Peterson W. Hill (Co-Host of the War Starts at Midnight podcast) discuss Up in the Air (2009) for its 15th anniversary: written and directed by Jason Reitman, with Sheldon Turner, music by Rolfe Kent, starring George Clooney, Vera Farmiga, Anna Kendrick, JK Simmons, and Zach Galifinakis.Plot Summary: Ryan Bingham (George Clooney) is a corporate downsizer who spends most of his life traveling for work, reveling in the freedom of a rootless existence. Obsessed with achieving a coveted ten-million-mile frequent flyer goal, Ryan avoids emotional entanglements and personal commitments. However, his carefully constructed life is disrupted when a young efficiency expert, Natalie Keener (Anna Kendrick), proposes a cost-cutting plan that could ground his lifestyle. Simultaneously, Ryan begins an unexpected relationship with fellow traveler Alex Goran (Vera Farmiga), forcing him to confront the emptiness of his transient life. Up in the Air is a poignant exploration of connection, loneliness, and the value of relationships in a disconnected world.Chapters:00:00 Introduction and Welcome to Our Guests07:58 Cast and Recognition for Up in the Air09:25 Relationship(s) with Up in the Air13:37 What is Up in the Air About?21:00 Why Isn't Up in the Air More Popular?28:42 Plot Summary for Up in the Air29:51 Did You Know?31:36 First Break35:39 What's Up with Kieran and Peterson42:27 Ask Dana Anything48:26 Best Performance(s)01:04:06 Best/Favorite/Most Indelible01:17:55 Second Break01:18:36 In Memoriam01:20:56 Best/Funniest Lines01:26:20 The Stanley Rubric - Legacy01:35:02 The Stanley Rubric - Impact/Significance01:42:47 The Stanley Rubric - Novelty01:51:50 The Stanley Rubric - Classicness01:57:05 The Stanley Rubric - Rewatchability02:04:30 The Stanley Rubric - Audience Score and Final Total02:06:08 Remaining Questions02:23:07 Thank Yous to Our Guests and Final Thoughts02:28:24 CreditsGuests:Kieran BHost and Creator of the Best Picture Cast; @bestpicturecast on X, IG, Letterboxd - BPC, Letterboxd - PersonalPrevious Episodes: Cat on a Hot Tin Roof (1957), Lost in Translation (2003), Gran Torino (2008), Stalag 17 (1953), Shane (1953),

Rule number one...never leave a fellow settler behind. We're going uncorked on this one as the bros bring on a special guest and Crashers extraordinaire to help settle their first ever R-rated comedy. Ev's score: 7.6 Al's score: 6.8 Ky's score: 8.0 Chuck's score: 7.6 Musical term: Pentatonic scale Instrumental Instrument: Irish bouzouki If you like what you hear, follow us on Spotify and opt-in to get notified when we drop future episodes. Better yet, get in touch and keep up with our score-settling antics on TikTok or Instagram

Min 4: La maleta de EDC en los Goya Cumpliendo la tradición, Estamos de Cine y Radio CLM volvieron a ser testigos de los mejores momentos de la gran fiesta del cine español. Los que se vieron y los que sólo grabó nuestro micrófono. Roberto Lancha (con un 8 de 10) en su quiniela, contrasta los pronósticos y rescata lo mejor de las entrevistas a los ganadores de la noche. Pablo Berger, Mabel Lozano, José Coronado, Malena Alterio o el mismísimo J.A. Bayona. Min 22: EL FILTRO LUCHINI Pero, más allá de los Goya, la vida y el cine siguen su camino y tenemos tres novedades que filtrar. “Madame Web”, “Priscilla” y “Buscando a Coque” polarizan una cartelera divergente en la que no todo es lo que parece ni oro todo lo que reluce. Alberto Luchini y Raquel Hernández tiran de bisturí para hacer la autopsia a las dos películas americanas y sacan sus medallas y sus estrellas para aplaudir la calidad y el humor de la única película española en la nueva oferta en salas. Min 38. ESPECIAL BSO ENTRE COPAS Fue una de las películas más aclamadas de los 90. Cosechó tantos premios como uvas hicieron falta para dar vida a los vinos que le dan sabor y color. “Entre copas”, la ya icónica película sobre el amor al vino y a la amistad que catapultó a Alenxander Payne, cumple 20 años y le hemos propuesto a Ángel Luque celebrarlo descorchando la deliciosa banda sonora de Rolfe Kent.

This episode features conversation with Rolfe Kent - Music Composer - 'Up in the Air'Ryan Bingham is a corporate downsizing expert whose cherished life on the road is threatened just as he is on the cusp of reaching ten million frequent flyer miles, and just after he's met the frequent-traveller woman of his dreams.Kingdom of Dreams is a podcast about cinema and art of storytelling.  The Podcast series will interview people involved behind the scenes, may it be screenwriters, directors, animators, producers etc.             

Sintonía: "Walking In Dub" - Burning Spear "Rated X" - Kool & The Gang; "Hicky Burr" - Quincy Jones featuring Bill Cosby; "I Don't Know" - Ruth Brown; "Brown Bag" - Ivan "Boogaloo Joe" Jones; "We Got More Soul" - Dyke & The Blazers; "Get The Money" - Mongo Santamaria; "Don´t Do It" - Syl Johnson y "To Sxoleio" de Olympians, extraídas de la BSO del film "Soul Kitchen", coescrita y dirigida por Fatih Akin en el 2009 "This Land Is Your Land" - Sharon Jones & The Dapkings; "Taken At All" - Crosby, Stills, Nash & Young; "The Snow Before Us" - Charles Atlas; "Lost In Detroit" - Rolfe Kent y "Genova" de Charles Atlas, extraídas de la BSO de la película "Up In The Air", coescrita y dirigida por Jason Reitman en el 2009. Escuchar audio

Cette semaine Vero nous parle de la série DEXTER. On retrouve dans la BO : Rolfe Kent - Daniel Licht - The Latin Brothers - David Poe - Iggy Pop Titres diffusés :  Rolfe Kent - Dexter Main Title : https://music.apple.com/fr/album/dexter-main-title/1534802064?i=1534802065 Daniel Licht - Wink : https://music.apple.com/fr/album/wink/1534802064?i=1534802394 The Latin Brothers - La Fabulosa : https://music.apple.com/fr/album/la-fabulosa/200659968?i=200666282 David Poe - Lucky : https://music.apple.com/fr/album/lucky/953186730?i=953186786 David Poe - Taffeta : https://music.apple.com/fr/album/taffeta/1434925362?i=1434925379 Iggy Pop  - The Passenger : https://music.apple.com/fr/album/the-passenger/713299504?i=713299610 Musique additionnelle :  Daniel Licht  - Blood Theme : https://music.apple.com/fr/album/blood-theme/1534802064?i=1534802398

Hamish Duff is a talent agent working for First Artists Management (FAM), managing its UK and European business representing composers and music supervisors for film, television, and video games. Its roster includes: Carter Burwell, Vangelis, Craig Armstrong, Rolfe Kent, Anne Chmelewsky, Clark, Hannah Peel, Blanck Mass, Dan Deacon, Emily Rice and many others. FAM recently launched its own record label to further serve the specific needs of its clients. The first release was BBC Back To Life Soundtrack the first release (Joe Wilson of Solomon Grey fame) and the artist debut from rising star Emily Rice. Key FAM roster activity from late 2021: Ivors Best Original Film Score win for Blanck Mass. Mercury nom for Hannah Peel. FAM record label launched Sept. Management signings include Eimear Noone (Ivor nominated 2021), Gazelle Twin and Orbital. Featured at film festivals with soundtrack premieres from FAM clients include Toronto and Venice / composers Alex Baranowski, CJ Mirra, Paul Saunderson. Several client soundtrack debuts at the BFI London Film Festival in October. Oct also saw noms at the World Soundtrack Awards with Benji Merrison winning people's choice. And so much more! Prior to joining FAM, Hamish had his own business, Blue Top Music, providing artist and composer management. He's also worked as a sync consultant, promoter and tour manager. https://www.firstartistsmanagement.com/ https://www.instagram.com/first_artists_management/?hl=en https://twitter.com/FAM_agency https://www.linkedin.com/company/first-artists/ https://twitter.com/bluetopmusic https://www.linkedin.com/in/hduff/ https://www.imdb.com/name/nm5229914/ Get in touch with me via: behindthebusinesspod@gmail.com https://www.dcmusicpublishing.co.uk https://www.instagram.com/dcmusicpublishing https://twitter.com/dannychampion

Redifusión de la emisión de Fabuloseando!! n.º 21 (08/05/2005). La semana pasada no hubo emisión porque estuve en Galicia, entre otras cosas, asistiendo a la blog-quedada, Blogs á Féira. Allí me encontré con alguno de los oyentes, y también con otr@s que ni siquiera sabían que existía Fabuloseando!!, todos ellos, tanto un@s como otr@s, personas agradables y simpáticas. Algunos dejaron reflejo de ello en sus bitácoras, (podéis verlo aquí, allí, allá y acolá) (e incluso en recontracolá). Espero que sea una imagen más o menos fiel de lo que allí sucedió; y… la semana que viene, quizás reflexione sobre las sensaciones que experimenté y las confusas clarividencias que en los postres percibí. Gracias a todos los asistentes por tan divertido suceso. Escúchalo “Jota” galega. (recogida por Alan Lomas). Everly Brothers. Wake Up Little Susie. David Byrne. Now i'm your mom.. Beck. E-pro. Marisa Monte. Cérebro Eletrônico. Joe Maneri. Paniots Nine. (American Splendor BSO) Damien Rice. Smile. The Housemartins. Happy Hour. Marisa Monte. Magamalabares. REM & Muppets (Sesame Street). Furry Happy Monsters. Rex Gildo. Fiesta Mexicana. Drònadár. Tinku. Pelle Carlberg. Riverbank. Chuck Berry. No particular place to go. Luis Aguilé. La Chatunga. The Proclaimers. The Doodle Song. The Sid Presley Experience. Public Enemy #1. Muiñeira de Carballo. (recogida por Alan Lomas). Se escuchó de fondo la BSO de Sideways compuesta por Rolfe Kent .

The current shifting season is the perfect backdrop for our first episode of the season:Greco-Roman Winemakers of the ancient world. Because - who doesn’t need a drink after the last decade *cough cough* We mean "year." That said, people have had lots of reasons to wine (and whine) since - well - ever. And today, we have Dr. Emlyn Dodd, a Greco-Roman Archaeologist who’s gonna take us through the ancient, fascinating, and ever-timely traditions and technologies around wine cultivation, as practiced in the ancient Greek and Roman worlds.(recorded over zoom) Music by Rolfe Kent

The original soundtrack for Tuscaloosa was created by the composers, Joshua Mosley and Matt Hutchinson. The soundtrack was released by Lakeshore Records. Joshua Mosley is an award-winning composer and producer for film, television, video games, and recording artists. His work can be heard on projects for studios such as 20th Century Fox, Sony Pictures, Lionsgate, Skydance, Marvel, Paramount Pictures, Tencent, Amazon, DreamWorks, Universal, Overbrook Entertainment, Electronic Arts, Mattel, Activision, FUNimation, National Geographic, and Microsoft. Recently, Mosley scored the sequel Bernie the Dolphin 2 for Lionsgate. Matt Hutchinson is an award-winning film and television composer based in Los Angeles. His TV and film credits include the documentary The Sagebrush Sea, NBC’s The Mysteries of Laura, and the Emmy-nominated main title sequence for The Grid. His music can be heard in the horror feature Ma starring Octavia Spencer, ABC’s The Fix, Best Worst Weekend, Shameless, and in trailers and promos for Ray Donovan. Matt writes and records music with his studio band, DORMARION, collaborating with vocalist Kevin Martin of Candlebox and Rock and Roll Hall of Fame drummer Dave Krusen of Pearl Jam. He also co-wrote and produced the single You’ll Be King with American Idol favorite Pia Toscano, featured in the Netflix docu-series, Westside. Lakeshore Records is a four-time Grammy-nominated independent record label, a division of the Cutting Edge Music Group. Lakeshore Records has released popular and classic soundtracks to such films and tv shows as Drive, Stranger Things, Moonlight, Lady Bird, The Walking Dead, Star Trek: Discovery, Little Miss Sunshine, The Hurt Locker, Napoleon Dynamite and many, many more. Lakeshore Records has released score albums from composers such as Jonny Greenwood, Trent Reznor and Atticus Ross, Nick Cave and Warren Ellis, Danny Elfman, Clint Mansell, Cliff Martinez, James Horner, Thomas Newman, John Powell, Mark Isham, Graeme Revell, Rolfe Kent, Gustavo Santaolalla, Philip Glass, Dario Marianelli, Mark Mothersbaugh, Christophe Beck, Christopher Young, Rachel Portman, and Marco Beltrami. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/americanfilmmaker/support

Segunda y última parte dedicada a compositores olvidados por la Academia de Hollywood, al no haber sido nunca nominados al Oscar a la mejor banda sonora original. En este caso hablo de Michael Small, John Scott, Lee Holdridge, Mario Nascimbene, Mark McKenzie, Michael Convertino, Michael Kamen, Arhur Bliss, Ralph Vaughan Williams, Randy Edelman, Rolfe Kent, Trevor Jones, William Ross, Wojciech Kilar y Zbigniew Preisner. ¿Las películas? Las montañas de la luna – Greystoke: La leyenda de Tarzán, el rey de los monos , Gringo viejo – Los vikingos, Blizzard,el reno mágico – Hijos de un dios menor, Profesor Holland – Cristóbal Colón, Los invasores – Dragón, la vida de Bruce Lee, A propósito de Schmidt – Cristal Oscuro, Tin Cup – Drácula de Bram Stoker, Tres colores:Rojo. Sintonía compuesta por Curro Martín. Voz de Pablo Silicato.

Segunda y última parte dedicada a compositores olvidados por la Academia de Hollywood, al no haber sido nunca nominados al Oscar a la mejor banda sonora original. En este caso hablo de Michael Small, John Scott, Lee Holdridge, Mario Nascimbene, Mark McKenzie, Michael Convertino, Michael Kamen, Arhur Bliss, Ralph Vaughan Williams, Randy Edelman, Rolfe Kent, Trevor Jones, William Ross, Wojciech Kilar y Zbigniew Preisner. ¿Las películas? Las montañas de la luna – Greystoke: La leyenda de Tarzán, el rey de los monos , Gringo viejo – Los vikingos, Blizzard,el reno mágico – Hijos de un dios menor, Profesor Holland – Cristóbal Colón, Los invasores – Dragón, la vida de Bruce Lee, A propósito de Schmidt – Cristal Oscuro, Tin Cup – Drácula de Bram Stoker, Tres colores:Rojo. Sintonía compuesta por Curro Martín. Voz de Pablo Silicato.

Today I interview Rolfe Kent about his work on Downsizing and some of his other work. I hope you enjoy this episode --- Support this podcast: https://anchor.fm/randy-andrews/support

Concluimos esta serie de 4 programas con algunas de las melodías favoritas de los seriéfilos contemporáneos Únete a nosotros en Telegram: t.me/marcianosenuntren Modera: Jose Ceballos Participan: Carlos Arbelo y Álvaro Blanco Edición: Jose Ceballos Temas de: Michael Kamen, John Paesano, Mark Snow, Jason Hill, Mike Post, Rolfe Kent, Pedro Bromfman, Ramin Djawadi, Anders Trentemoller, Jeff Beal, Regina Spektor, Bear Mccreary, John Carpenter, Mark Richter, Survive, Danny Yount y Mac Quayle

Director Lola Kelly joins us to talk about her new work with The Unmarked Door -- 'Crimson Cabaret' -- which invites guests into a den of spies at the height of the cold war. With original songs by The Unmarked Door founder Rolfe Kent, and puzzles woven into the show by MOON/SHINE Experiential, the cabaret is an unexpected holiday treat for Los Angeles. Join us for a talk about the show and the art of acting and directing for immersive.

Two episodes of Soundtracking in 2019 - two five-star films. Following Yorgos Lanthimos's appearance to discuss his subversive period drama The Favourite, Jon S Baird joins us for our latest show to talk us through the music in his much-vaunted Laurel & Hardy biopic, Stan & Ollie. Starring Steve Coogan and John C Reilly, Stan & Ollie tells the story of their theatre tour of the British Isles many years after the peak of their fame. By turns funny and moving, it brims with charm, innocence and wit. The central performances are utterly convincing, and beautifully complimented by Shirley Henderson and Nina Arianda as the comedy duo's wives. Having worked with Clint Mansell on Filth, Jon employed the services of composer Rolfe Kent for the score, whose previous work includes Sideways and Up In The Air - not to mention Dexter. And, as always you'll hear plenty of Rolfe's work sprinkled throughout the conversation, even though his cues from the film have yet to be commercially released. But where else could we begin that with his take on Dance Of The Cuckoos - the unmistakable Laurel & Hardy theme ...

Matthew Sweet takes his cue from the newly released 'Stan and Ollie', scored by Rolfe Kent, for a look at music for films featuring notable "double acts", not least from the new Laurel and Hardy inspired film itself. Featured films include 'The Odd Couple', 'Gunfight At OK Corral', 'Butch Cassidy and the Sundance Kid', 'Gentlemen Prefer Blondes', 'Mr and Mrs Smith', 'To Have And Have Not', 'Cleopatra', 'Guess Who's Coming To Dinner', '21 Jump Street', 'Men In Black', 'Silver Streak', 'Night At The Museum', 'Abbott and Costello Meet Frankenstein', 'The Intelligence Men', 'Coraline', 'Shaun Of The Dead' and the Classic Score of the week is Laurel and Hardy's 'Way Out West'. There's also a chance to hear part of the new score by Thomas Ades for the new bio-pic about French author, Collette.

Host Jeff Goldsmith interviews composer Rolfe Kent and director Jon S. Baird about Stan & Ollie. Download my podcast hereCopyright © Unlikely Films, Inc. 2018. All rights reserved.

British film composer Rolfe Kent, who has scored more than 50 films, including: Up in the Air, Sideways, About Schmidt, Election, Mean Girls, Legally Blonde and Legally Blonde II, Wedding Crashers, and Thank You for Smoking. Kent also composed the Emmy-nominated main title theme for the Showtime hit, Dexter. In 2012, he received the Richard Kirk award for career achievement.One of Kent's most recent projects is the original score for the feature film STAN & OLLIE. The film follows the story of the famous comedic dynamic duo, Laurel and Hardy; their success and the harsh struggles they faced in their careers.The 2018 biographical comedy-drama is directed by Jon S. Baird from a screenplay by Jeff Pope. The film stars Steve Coogan and John C. Reilly as Stan Laurel and Oliver Hardy. It premiered in October 2018 at the BFI London Film Festival and is scheduled to be released in the United States on December 28, 2018 and on January 11, 2019 in the United Kingdom. In this episode, Rolfe Kent reveals how he worked with director Jon Baird on finding the balance in the score between evoking the sound of the silent-movie-era but also a contemporary elements as well. Kent also talks about how he juxtaposed specific, orchestral instruments to vividly contrast the characters of Stanley Laurel and Oliver Hardy in his music.ANNOTATED TRACKS AND SEGMENTS02:34 - "Main Titles"03:45 - "Studio Safari"06:52 - "Desk Bell"08:10 - "The Split"10:24 - "The Hard Slog Around the UK"11:50 - "Train to London"13:05 - "From the Savoy to Miffin"14:27 - "Dejected Abbott and Costello"16:27 - "The Last Show/ Final DanceSOUNDTRACKNo soundtrack release information is currently available.MORE ABOUT THE COMPOSERYou can find out more about and hear more music by Rolfe kent at his official site https://www.rolfekent.com/ ABOUT THE ANNOTATORProduced by Christopher Coleman (@ccoleman) and you can Find more episodes at THEANNOTATOR.NET or you can subscribe via iTunes, Stitcher Radio or wherever you find quality podcasts.FOLLOW USTwitter @audioannotatorFacebook @TheAnnotatorEmail theannotatorpodcast@gmail.comSUBSCRIBEiTunesSpotifyStitcher RadioRadioPublicGoogle Play PodcastsRSS Feed

This week our Rolfe Kent interviews are capped off with a retrospective of his work. While we cannot possibly cover everything he has composed, we hope that shining a light on some of his varied scores will help show just how impressive his works are in film. Some know Mr. Kent by his romantic comedies, others know him by his darker comedies, and others still know him by his adventure scores. Scores like Downsizing, Rock Dog, Dom Hemingway, Bad Words, Labor Day, Young Adult, Charlie St. Cloud, Ghosts of Girlfriends Past, Reign Over Me, Thank You for Smoking, Wedding Crashers, The Matador, Kate and Leopold, Gun Shy, Election, The Slums of Beverly Hills, Citizen Ruth, and so many others. Without his deft touch, such dark comedies like About Schmidt, Sideways, Bad Words, and Election might be too dark or too light, but not balanced. Luckily, Mr. Kents talent is in diversity of the orchestra and the moods he creates. Brad, Kurt, and Alex take a look at some of the reasons he is so good at this, and try to highlight some of his best work. Sit back and relax, or drive to the calming, fun sounds of Mr. Rolfe Kent. A special thanks goes out to Mr. Kent and everyone that works for him for allowing us to provide these shows and excellent interviews. This is the reason we do this show, to preserve the history of such great artists. Enjoy.

Composer Rolfe Kent has continually demonstrated his versatility as a storyteller by bringing us such wonderful scores across every genre. He has built lasting relationships with directors like Alexander Payne and Jason Reitman. He has also given scores such as Up In The Air, Sideways, Legally Blonde, Wedding Crashers, About Schmidt and many more. Rolfe recently scored the Laurel and Hardy biopic titled Stan & Ollie. In this interview we talk a little about Rolfe's path to becoming a composer, and then dissect his work on Stan & Ollie. The film has a really deep emotional core, and Rolfe was able to build these iconic characters up musically and give the film the emotional resonance it needed. It was such a pleasure to welcome Rolfe back as a guest on Film.Music.Media! Interview Produced & Presented by Kaya Savas Special Thanks: Rolfe Kent, Sabrina Hutchinson, Defiant PR

In this special double-interview, Kristen Romanelli talks with composer Carter Burwell about his evocative, western, score for the recent Coen Brothers/ Netflix anthology project, THE BALLAD OF BUSTER SCRUGGS. Next, she speaks with composer Rolfe Kent about his heartfelt original score for the "dramedic" STAN & OLLIE from director Jon S. Baird, which focuses on the latter careers of the famed comedy team of Laurel and Hardy.Episode Highlights00:55 - Carter Burwell (The Ballad of Buster Scruggs)18:58 - Rolfe Kent (Stan & Ollie)Music Selections 00:00 - "The Book" (The Ballad of Buster Scruggs) by Carter Burwell04:14 - "The Unfortunate Lad" (The Ballad of Buster Scruggs) by Carter Burwell05:22 - "The Canyon Awake" (The Ballad of Buster Scruggs) by Carter Burwell08:14 - "Near Algodones" (The Ballad of Buster Scruggs) by Carter Burwell10:56 - "The Oregon Trail" (The Ballad of Buster Scruggs) by Carter Burwell13:05 - "The Mortal Remains" (The Ballad of Buster Scruggs) by Carter Burwell18:14 - "The End of Buster Scruggs" (The Ballad of Buster Scruggs) by Carter Burwell18:37 - "Opening Card" (Stan & Ollie) by Rolfe Kent22:29 - "The Hard Slog" (Stan & Ollie) by Rolfe Kent23:20 - "Dance of the Cuckoos by Marvin Hatley24:37 - "The Lyceum" (Stan & Ollie) by Rolfe Kent26:55 - "Epilogue" (Stan & Ollie) by Rolfe KentNotes:Read the full composer interviews on FSM Online (Subscription Required)Find and Follow:Follow Kristen Romanelli on Twitter - @kbfornowFollow The Soundcast on Twitter - @audiosoundcastSpotify: Find our Spotify Companion Playlist here! Support Tracksounds:Most of the soundtracks mentioned in this episode can be found at Amazon. Your purchases through these links help us to keep on keepin' on! Thank You!Buy Soundtracks at Amazon.com http://bit.ly/amazonsoundtracksSubscribe and More InfoaCASTGOOGLE PLAYiTUNESRSS FEEDSPOTIFYSTITCHER RADIOTUNEIN RADIO

Rolfe Kent has composed films for Alexander Payne ("Downsizing" & "Sideways") and Jason Reitman ("Thank You For Smoking" & "Up In The Air"). His latest work might be his best yet as he transports us to the the time of Stan Laurel and Oliver Hardy with "Stan & Ollie." Rolfe was kind enough to sit down with us and talk about his whimsical work on Jon S. Baird's wonderfully delightful film. Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

This week we give the listener a second view into the mind of Rolfe Kent, composer of films like Sideways, Wedding Crashers, Up In the Air, About Schmidt, Theory of Flight, Gun Shy, Thank You for Smoking, Reign Over Me, and Ghosts of Girlfriends Past. Mr. Kent has made himself and integral team member of directors like Alexander Payne, Jason Bateman, and Jason Reitman since 1989, making his resume one of the most robust in the film scoring world. His work shows a range of musical style that helps give the final step in dark comedies that are much more complex than they seem. At the same time, he is able to fluidly move between traditional rock, jazz, and American classical, orchestral arrangements to include all manner of instrumentation from all over the world. Even with all of these techniques, his film scores are always a fantastic listen. He is a chameleon that perfectly adapts to the films needs and gives depth to funny, yet complicated characters. If you have not taken the time to hear some of Rolfe Kents work outside of his films, you owe it to yourself to do so. Take some time to hear what drives him in his work, and why he loves what he does so much. It certainly shows in the end result. This is part two of Mr. Kents interview he was gracious enough to give Alex and OMPS. Be sure to check out part one from last week, and stay tuned for our own retrospective for part three. Sit back, relax, get some popcorn, and listen to Original Motion Picture Soundtrack.

This week and next week give the listener a view into the mind of Rolfe Kent, composer of films like Sideways, Wedding Crashers, Up In the Air, About Schmidt, Theory of Flight, Gun Shy, Thank You for Smoking, Reign Over Me, and Ghosts of Girlfriends Past. Mr. Kent has made himself an integral team member of directors like Alexander Payne, Jason Bateman, and Jason Reitman since 1989, making his resume one of the most robust in the film scoring world. His work shows a range of musical style that helps give the final step in dark comedies that are much more complex than they seem. At the same time, he is able to fluidly move between traditional rock, jazz, and American classical orchestral arrangements to include all manner of instrumentation from all over the world. Even with all of these techniques, his film scores are always a fantastic listen, moving between comedy, modern romance, classical drama, and inner turmoil. He is a chameleon that perfectly adapts to the films needs and gives depth to sometimes funny, sometimes tragic, sometimes frightening yet complicated characters. If you have not taken the time to hear Rolfe Kents work outside of his films, you owe it to yourself to do so. Take some time to hear what drives him in his work, and why he loves what he does so much. It certainly shows in the end result. This is part one of Mr. Kents interview he was gracious enough to give Alex and OMPS. Stay tuned for part two next week, and our own retrospective for part three. Sit back, relax, get some popcorn, and listen to Original Motion Picture Soundtrack.

Rolfe Kent has composed films for Alexander Payne ("Downsizing" & "Sideways") and Jason Reitman ("Thank You For Smoking" & "Up In The Air"). His latest work might be his best yet as he transports us to the the time of Stan Laurel and Oliver Hardy with "Stan & Ollie." Rolfe was kind enough to sit down with us and talk about his whimsical work on Jon S. Baird's wonderfully delightful film. Check out more on NextBestPicture.com Please subscribe on... SoundCloud - @nextbestpicturepodcast iTunes Podcasts - itunes.apple.com/us/podcast/negs-…d1087678387?mt=2 Spotify - open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at www.patreon.com/NextBestPicture

[Watch the video interview on our YouTube Channel] Composer Rolfe Kent joins us for the last All Access of 2017! Rolfe talks about his early years and how quickly he knew he wanted to be a composer when he was younger. After securing a job he packed up and moved to Los Angeles where he never looked back. Some of his first scores were for the tantalizing Playboy series called Inside Out where Rolfe Kent would cement his entire career by meeting directors like Alexander Payne and Richard Shephard who directed segments for the sexy series. We talk about how these relationships evolved and how the directors he works with are actually his close friends. Rolfe examines his work with directors like Mark Waters, Richard Shephard, actor Jason Bateman, Jason Reitman and of course Alexander Payne. We talk about the unique premise for Downsizing and how Rolfe approached the score for Alexander's newest film. Other topics include navigating licensed music used in a movie, how Rolfe doesn't look at movies in terms of genre and how boredom usually leads to innovation. Rolfe is such a versatile composer whose work always finds the emotional center of a film, and it was an honor to have him as a guest! Interview Produced & Presented By:Kaya Savas Special Thanks: Rolfe Kent, Beth Krakower, The Krakower Group

Rolfe Kent and Face2Face host David Peck talk about Alexander Payne’s new film Downsizing, creating chemistry though music, experimentation, writing by walking and relentless enthusiasm. Biography Unexpected texture, sounds and a signature musical personality are the hallmarks of British film composer Rolfe Kent, who has scored more than 50 films, including Academy Award nominated Up in the Air (for which he won a Golden Satellite award), Sideways (for which he was nominated for a Golden Globe and Critics Choice Award in 2007), Labor Day, Bad Words (Jason Bateman’s directorial debut), Dom Hemingway, About Schmidt, Election, Mean Girls, Legally Blonde and Legally Blonde II, Wedding Crashers, The Matador, Reign Over Me, The Hunting Party, and Thank You for Smoking. Kent also composed the Emmy-nominated main title theme for the Showtime hit, Dexter.  In 2012, he received the Richard Kirk award for career achievement. Born in England into a non-musical family, Kent intuitively felt at age 12 that he wanted to be a film composer, although his early musical training was brief and not so formal.  Citing Jarre’s Lawrence of Arabia and Morricone’s The Good, The Bad and the Ugly,  as inspirations, Kent took the advice of an early music teacher to avoid rigid  course work that would dampen his enthusiasm.  He followed an entirely different path and, taking counterpoint to what is often cited as culture mired in cynicism, profited from his early course work in theology to relate it to music.  After enrolling in psychology sutdies at Unviersity of Leeds in Yorkshire, Kent’s musical career was casually begun at a dance club when the director of a play offered him a chance to “do” the music.  His jump start was his composition for a stage musical Gross at the Edinburgh Fringe Festival, a springboard for Authors, composers and performers. In the confines of his musically busy studio, one can immediately see why his musical personality is as distinct and his own.  Constantly on the go, adventurous and curious, Kent has developed a style that is not only distinct, but indicative of his aversion to the-anticipated-score in tone, texture and rhythm.  The walls are lined with many familiar and many more unfamiliar instruments, gingerly handled and gleefully demonstrated for their sonic qualities.  Among his collection are the Indonesian percussion instrument the angklung, the shawm (first used in military maneuvers as a psychological weapon), the melodica, used for the light, soothing effect in Kent’s jazz-infused score for his Golden Globe-nominated Sideways, and an instrument he discovered and cannot name that sounds like the world’s beaches at their most romantic high tide... combined. Kent has the distinction of attracting and sustaining relationships with directors as popular and diverse as Alexander Payne, Mark Waters, Jason Reitman, Burr Steers, and Richard Shepard. Synopsis “Alexander [Payne, writer/director] asked for the score to be beautiful classical music,” Kent described.  The composer wanted to avoid movie-score clichés and took a different route.  “I figured a Kubrickian approach was best, where the music sounds like it existed outside of the film, and was discovered to match the scene perfectly.”   Known for using unexpected textures, sounds and his own signature musical personality this opened the floodgates for Rolfe.  “As ever, Alexander was open to hearing unexpected sounds, so when I threw him the curve of an opera aria sung in Norwegian, or some bagpipes.  He loved it.” In addition to writing the original score for the film, he also co-wrote the original song “A Little Change In The Weather,” performed by The Swingles. Trailer More Info Here about Rolfe and his work. ---------- For more information about David Peck's podcasting, writing and public speaking please visit his site here or check out the site of his podcast on film, social change and much more. With thanks to producer Josh Snethlage and Mixed Media Sound. Image Copyright: TVO and The Cutting Factory. Used with permission. See acast.com/privacy for privacy and opt-out information.

Emission proposée par Benoit Basirico Diffusée sur Aligre FM En Replay sur Cinezik.fr Au sommaire : - Retour sur 2 coups de coeur récents ("Drôles de petites bêtes" de Bruno Coulais, "Star Wars: le Dernier Jedi" de John Williams). - Les B.O des films à l'affiche les 20 et 27 décembre, les 3 et 10 janvier, dont "Ferdinand" de John Powell, "Jumanji : Bienvenue dans la jungle" de Henry Jackman, "A Ghost Story" de Daniel Hart, "Wonder" de Marcelo Zarvos, "Tout là-haut" de Laurent Perez Del Mar, "Tout l’argent du monde" de Daniel Pemberton, "Kedi" de Kira Fontana, "Le Grand jeu" de Daniel Pemberton, "Les Heures sombres" de Dario Marianelli, "El Presidente" de Alberto Iglesias, "Liebmann" de Zaal 33, "Burn Out" de Grégoire Auger, "Le Lion est mort ce soir" de Olivier Marguerit, "Downsizing" de Rolfe Kent, "Vers la lumière" de Ibrahim Maalouf, "La Monnaie de leur pièce" de Éric Neveux, "Si tu voyais son coeur" de Gabriel Yared - Avant-premières : "In the Fade" de Joshua Homme / "3 Billboards, Les Panneaux de la vengeance" de Carter Burwell - Vintage Vinyle, les raretés B.O de Manuel Bleton(Otalia de Bahia)

Optimizing creativity, discipline, and throwing out quality work

A Composer Tribute to James Horner Twenty-one film, television, video game composers deliver their heart-felt thoughts and reflections about the man, James Horner, and his music. Listen to their thoughts set to many of James Horner's most memorable scores. Episode Highlights 00:00 — Introduction 01:00 — Austin Wintory 02:34 — Debbie Wiseman 03:51 — Greg Edmonson 05:21 — Frederick Wiedmann 07:12 — Jeff Rona 08:51 — Introduction to special tribute 09:23 — Jo Blankenburg 10:41 — Grant Kirkhope 12:07 — Mark Griskey 15:36 — Jason Graves 17:03 — Neal Acree 07:57 — Garry Schymann 20:02 — Sam Hulick 20:45 — Introduction to special tribute II 21:12 — Chance Thomas 23:17 — Jessica Curry 24:10 — Scott Glasgow 27:10 — Rolfe Kent 28:20 — Penka Kouneva 30:30 — James Christopherson 31:36 — Elia Cmiral 32:13 — Olivier Deriviere 33:54 — Kathryn Bostic 36:08 — Close Music Selections 00:00 — "Teaching Mathematics Again" (A Beautiful Mind) by James Horner 00:54 — "Closing Credits" (A Beautiful Mind) by James Horner 02:38 — "Epilogue" (Searching for Bobby Fischer) by James Horner 04:51 — "An Epitaph to War" (Glory) by James Horner 23:44 — "Part 2" (Iris) by James Horner 07:25 — "The Lovemaking" (Cocoon) by James Horner 09:23 — ""Wunderkind" by Jo Blankenburg 10:30 — "Main Title" (Battle Beyond the Stars) by James Horner 12:26 — "Deciding to Build the Field" (Field of Dreams) by James Horner 13:33 — "All Systems Go" (Apollo 13) by James Horner 16:02 — "The Ludlows" (Legends of the Fall) by James Horner 18:48 — "Casper's Lullaby" (Casper) by James Horner 19:52 — "A Kaleidoscope of Mathematics" (A Beautiful Mind) by James Horner 20:48 — "Becoming One of the People…" (Avatar) by James Horner 21:45 — "Suite from Avatar: The Video Game by Chance Thomas 23:17 — "Main Title - Takeoff (The Rocketeer) by James Horner 30:23 — "Rose" (Titanic) by James Horner 29:05 — "My Heart Will Go On" (Titanic) by James Horner 30:23 — "Main Title" (Braveheart) by James Horner 33:08 — "The Passage of Time" (Bicentennial Man) by James Horner 35:02 — "All Love Can Be" (A Beautiful Mind) Notes: Special THANKS to all of the composers listed above who gave of their time to contribute to this project. Also thanks to The Krakower-Poling PR and Costa Communications for their assistance. Austin Wintory - http://austinwintory.com/ Debbie Wiseman - http://www.debbiewiseman.co.uk/ Greg Edmonson - http://gregedmonson.com/ Frederick Wiedmann - http://www.frederikwiedmann.com/ Jeff Rona - http://jeffrona.com/ Jo Blankenburg - http://joblankenburg.com/ Grant Kirkhope - http://www.grantkirkhope.com/ Mark Griskey - http://www.griskey.com/ Jason Graves - http://www.jasongraves.com/ Neal Acree - http://www.nealacree.com/ Garry Schymann - http://garryschyman.com/ Sam Hulick - http://samhulick.com/ Chance Thomas - http://www.chancethomas.com/ Jessica Curry - http://www.thechineseroom.co.uk/ Scott Glasgow - http://www.scottglasgowmusic.com/ Rolfe Kent - http://www.rolfekent.com/ Penka Kouneva - http://www.penkakouneva.com/ Jamie Christopherson - http://www.jamiechristopherson.com/ Elia Cmiral - http://www.eliacmiral.com/ Olivier Deriviere - http://olivierderiviere.com/ Kathryn Bostic - http://www.kathrynbostic.com/ Follow Christopher Coleman Twitter. Support Tracksounds: Most of the soundtracks mentioned in this episode can be found at Amazon. Your purchases through these links help us to keep on keepin' on! Thank You! Buy Soundtracks at Amazon.com Download the Episode Subscribe and More Info

Matthew Sweet comes live from London's Southbank Centre with guest Mica Levi, composer for the new Scarlett Johansson film "Under the Skin". This week's featured new release is Jason Reitman's "Labor Day", with a Golden Globe-winning performance from Kate Winslet and a score by British-born composer Rolfe Kent, plus we catch up with some of our Sound of Cinema Listener Suggestions, including this week's featured Classic Score, Erich Korngold's "The Sea Wolf". Radio 3 is broadcasting live from a pop-up studio at London's Southbank Centre all day every day for the last two weeks of March. If you're in the area, visit the Radio 3 studio and performance space in the Royal Festival Hall Riverside Café to listen to Radio 3, ask questions and enjoy the special events. #soundofcinema.