Podcasts about classical acting

Born into Mumbai’s illustrious Malik family on October 13, 1987, Aadar Malik—son of composer Abu Malik and nephew of Bollywood legend Anu Malik—forged a unique path as a comedian, actor, and musical virtuoso. Trained at London’s Trinity College and holding a Master’s in Classical Acting from the Royal Central School of Speech and Drama, Aadar’s early theatre stardom (beginning at age 4) evolved into pioneering India’s musical comedy scene. From viral YouTube parodies like "Bhnchd Sutta Cancer Ho Gaya" (millions of views) to co-founding comedy collectives Schitzengiggles and SnG Comedy, his blend of original music and wit in Standup The Musical (2016) on Amazon Prime cemented his legacy. Transitioning seamlessly into films (Katti Batti, Comedy Couple) and web series (Modern Love Mumbai, XXX: Uncensored), Aadar’s versatility shines, while his mentorship on Comicstaan highlights his industry influence. Married to actress Aparna Bajpai, he balances blockbuster roles (Kanneda 2025) with overcoming stage fright through acting—a journey from Mumbai’s theatres to global acclaim. Dive into his YouTube channel "The Aadar Guy" for laughs, music, and a masterclass in innovation!See omnystudio.com/listener for privacy information.

Why dive into four years of Shakespeare? In our latest episode, our brilliant Classical Acting trainer Jenny Forston passionately shares how Shakespeare's works can transform students' lives. Shakespeare's plays are the bedrock of English language and culture, packed with rich linguistic and emotional experiences. Students don't just learn language; they also develop emotional intelligence by exploring the complex relationships in his works. A four-year journey with Shakespeare is more than just an academic endeavor. It's a transformative experience that fosters self-awareness, empathy, and personal growth. Students gain essential life skills, boost their confidence through public speaking, and build strong community bonds by performing and analyzing these timeless works together. In this episode, Jenny also unveils our updated Classical Acting manual, designed to deepen students' engagement with Shakespeare. With fresh insights into performance, textual analysis, and community involvement, this manual helps students develop leadership, academic skills, and personal growth. Committing to Shakespeare isn't just about studying a playwright. It's about enriching students' lives in every way—academically, emotionally, and socially. For homeschool parents and educators, investing in Shakespeare education brings transformative, lasting benefits for students, preparing them with essential skills for the future. 00:22 The Stress and Reward of Tech Week in Theater 01:54 The Lifelong Journey of Studying Shakespeare 02:32 Why Shakespeare? Exploring Its Unique Value 02:53 Shakespeare's Impact on Language and Emotional Intelligence 07:25 Personal Growth Through Shakespearean Roles 10:33 Shakespeare Conquest: A Multi-Year Educational Journey 19:28 The Transformative Power of Shakespeare in Personal and Academic Growth 29:31 Building Community and Confidence Through Shakespeare 32:33 The Transformative Power of Shakespeare in Education 33:16 Building Community Through Shakespeare 37:13 The Lasting Impact of Classical Acting on Students 39:43 Deepening Understanding Through Repetition and Depth 41:53 The Universal Influence of Shakespeare 46:04 Personal Reflections on Shakespeare's Impact 56:33 Classical Acting: A Comprehensive Approach to Learning

Esther Williamson graduated from SPU in 1998 with a double major in Theatre and English, then earned her Masters of Fine Arts from The Academy for Classical Acting at The Shakespeare Theatre Company in Washington, DC. Now, she's an actor and teaching artist based in Brooklyn, New York. A proud member of Taffety Punk Theatre Company, Esther has been praised by The Washington Post and numerous local critics for her deft handling of heightened text and her grounded, soulful onstage presence. With Taffety Punk, she has performed over half of Shakespeare's canon as well as several new and classic works. She has also acted and taught with the Oregon Shakespeare Festival; Seattle Shakespeare Company; Book-It Repertory Theatre; Opera House Arts in Stonington, ME; and many others.  Find her at estherwilliamson.com

Amy Bowler is an amazing woman who has homeschooled her kids for decades. She was introduced to Thomas Jefferson Education before Oliver DeMille had even published his book! A true pioneer who helped lay the foundation for what we all now enjoy. Amy has mentored all the LEMI projects (except Classical Acting) and even put together a couple of them. Family Foundations is one. She worked with Tiffany Earl and Kathy Mellor to create the membership and the adult project that inspires so many families! Amy and her husband Kent (also a long time LEMI trainer!) have an amazing business where they support families. Be sure to check out their social media (Instagram & Facebook) and their website!

Despite appearances, what we are undergoing on Earth now is a shift in perception from fear to Love. This is the definition of a Miracle. Join me and actor Anthony Michael Martinez for a deep, beautiful conversation about miracles, and how to live your life from the miraculous. Anthony is a NYC-based actor and teacher with an MFA in Classical Acting from The Shakespeare Theatre Company's Academy for Classical Acting. In addition to his teaching artist work with acclaimed theatre companies such as Red Bull Theater, Classic Stage, and New York Theatre Workshop, Anthony has also developed his own masterclass called Acting In Spiritual Principle where he teaches the art of applying universal spiritual principles to the craft of acting. So I think you can guess why I wanted to invite him into The Grace Space! Anthony and I actually worked together at Red Bull Theatre in New York, but at the time I had no idea we had so much in common. I'm delighted to share our conversation with you today, which will interest actors and non-actors alike. You'll learn... what it means to be 'the Light of the World' and how you can share and expand this Light, no matter what your role is in life the root cause of all struggle and suffering, and how to begin to release it how a heartbreak in Anthony's life led to his study of A Course in Miracles, and how he paid it forward with love instead of grief how Anthony helps others make a decision to be happy, take their power back and regain dominion over their intention -- and how all of this is your birthright and human inheritance Anthony's advice to the artist (or the artist in you), and the one key question you must reflect on to access the deeper core of your Being I also hearken back to a time in my own journey when my life was dominated by ego and very small indeed, and how the pain of that propelled me onto a new and higher timeline. To find out more about Anthony and his work, including private coaching, you can visit his website at anthonymichaelmartinez.net. You can watch the video version of our interview (and see Anthony's handsome face) HERE :-) ____________________________________________________________________________ Bonus Links!As a Spiritual Coach and Certified Life Mastery Consultant, I provide impactful, transformational coaching through a variety of powerful programs.Work with me. Learn The 3 Biggest Mistakes Most Artists Make That Sabotage Success, Impact and Livelihood (and how to avoid them)!For updates on courses and upcoming events be sure to stay in touch and follow me:FacebookInstagram

Host MK Smith speaks with Syrian actress Raghad Al Makhlouf about her experiences both professionally and personally after the revolution and events of 2011 in Syria. Raghad Al Makhlouf is a theater and TV actress who has participated in over 18 plays and appeared in over 300 hours of television drama series in Syria. She acted in three short films, and one feature film. She received bachelor's degree in acting from the Higher Institute of Dramatic Arts in Damascus, Syria. Between 2005 and 2011, Raghad was a teaching assistant at the Acting Department at the Higher Institute of Dramatic Arts. She believes in the power of theater as a healing and therapy medium for oppressed populations. She was a member of an interactive theater group in Syria that toured towns and villages and engaged local residents trying to address local problems and challenges through theater.  She also led and designed acting workshops that provided psychosocial support for young Syrian refugees in Lebanon to help them overcome trauma. In 2021, Raghad earned Master of Fine Arts in classical acting from the Shakespeare Theatre Company's Academy of Classical Acting at The George Washington University. When she is not performing, Raghad enjoys to eat, sing, dance, and explore the unknown.

I speak to dynamic power couple Natalie and Hamza about their journeys from Acting to Writing/Directing, dismantling South Asian stereotypes and embracing the mess of who we are as people. Natalie Perera is British actor and writer. She trained in Classical Acting at The Royal Central School of Speech and Drama. Natalie has written four short films, two of which have been award-winning, Arts Council-funded and selected for a BAFTA-qualifying festival. She has also written a feature film and is currently co-writing a sitcom. As an actor, Natalie played a major supporting role in Swiss-German feature, Der Koch and featured as the lead in hit Caribbean musical, Bazodee. Natalie has gone on to study Clowning and has featured in online comedies from Jack & Dean and Hot Pepper. Natalie co-created Sketchy Ones with an aim to play a range of bold, messy South Asian female characters - something rarely seen on British TV. Hamza Jeetooa is British actor, writer and filmmaker who trained in Screen Acting at The Royal Central School of Speech & Drama. He has played leading and supporting roles in TV shows including Zomboat!, Luther and Doctor Who. Hamza was nominated for an EE ACTA award for Best Actor for his leading role in BBC iPlayer romcom, My Jihad. As a filmmaker, he has been a part of producing and directing award-winning, Arts Council-funded and BAFTA-longlisted short films. Hamza's love of performing began in secondary school where he would watch Goodness Gracious Me and then tirelessly reenact characters for his friends the next day.

Welcome to Musicians Tip Jar where we talk about musicians and money. Where we identify the three types of tax savvy musicians, those who can count and those who can't. I'm your host Chris Webb joined by my co-host and the man trying to raise his 27 dependents in an ethical world, Dave Tamkin. Quote:“In this world nothing is certain except for death and taxes” - Ben Franklin We are excited to deliver on our promise of providing some insight into the mysteries of taxes and we are uber excited to have our Guest Farrell Parker with us to demystify some of the most common questions we musicians have. Today we discuss everything from the biggest mistakes to how best to protect yourself Women in Film & Video (WIFV) provides educational and networking opportunities for screen-based media makers, celebrates women's creative and technical achievements in media, and advocates for parity both in front of and behind the camera to ensure that all voices can be heard. A 501(c)(3) non-profit community benefit organization founded in 1979, WIFV is the premier professional resource for people who want successful media careers in the DC-metro region. Our resources, connections and advocacy support a vibrant, creative media community. Learn more at: https://www.wifv.org/ **make sure you rate, subscribe to this podcast, leave us a comment and go to our website to check out all the resources and discounts we have collected to help you. While you are there, sign up for our free weekly newsletter where we connect you to other related articles and keep you up on the finance side of your music business.** Farrell Parker is a tax preparer, performing artist, and recovering bartender based in the nation's capital. An overtly proud New Jersey native, Farrell studied Hospitality Management at Boston University, Digital Media Skills at American University, and Classical Acting at George Washington University. Currently running Artist Tax Prep, Farrell can also be found making her way in the voiceover and standup comedy scenes, and has been seen on stages all across the DC area (including Arena Stage, the Kennedy Center, and with the Second City) with a particular focus on new musical theater work. Actors' Equity member. VITA volunteer preparer. Lets get into this helpful deep dive of tax insights for musicians… Action:Review your approach to keeping track of your expenses and income and ask one respected colleague about their system for these critical business management skills. Check out: www.artisttaxprep.com www.farrellparker.com instagram.com/localasfarrellIntro & Outro Music Donated by: The Magi https://www.themagimusic.com Intro Read by: David “DJ” Lee of The Magi https://soundcloud.com/rockababyrock Pictures by: Kit Chalberg https://kitchalberg.com/https://www.musicianstipjar.com/

In the episode, "A Heart-to-Heart with Actress Susie K. Taylor:  Creating a Kinder Story Out of the Madness (S3, E13)," Miami-based actor, creator, teacher, performance artist, and mentor, Susie K. Taylor joins the show and shares stories of her career in acting, producing and teaching. She also talks about her SURF method, a compassionate program to help actors get out of character. Susie sheds light on how traditional techniques of getting into character for the actor, can often lead to “psychological concussions” and compound traumas, as actors often access pain from their pasts to create their roles. But in using Susie's techniques, other versions of truth stories that are kinder and less ego-based can help creatives detach from their pain and come through the other end of this process.By retelling the past repeatedly with the same ending, Susie explains how the body stores past pains and injuries even when they are over, until we reset the story and release the charge. Susie puts forth the idea that in healing these personal areas of super-charged emotion, we can then more effectively heal the world through new art and stories. These techniques can also be used for anyone who wants to experience a release of past super-charged emotion, and bring healing into one's life from past traumas. Bio:Susie holds a Post Graduate degree in Classical Acting and a BA in Theater. She attended New World High School for the Performing Arts and has been performing for over 30 years.  Her passion is to find kinder and more efficient ways of doing things. This led her to inventing The Ultimate baby bib, Bibbitec, which appeared on Shark Tank and her  De-Roling  method called SURF, which stands for Story Understand Recast and Flow. Her one-woman show Jewbana was just accepted in the NYC United Solo Festival.  Website: www.Susiektaylor.com Insta:   Susie_k_Taylor Twitter:  Jewbana305#mentalhealth #goals #honored #UCME #creatives #surfacting #femalegaze #jewbana #bibbitec #surfacting #process #method #mentalhealth #alternative #sharktank #nedragallegos #markburnett #meta  #art #healer #visionary #grace #ptsd #traumainformedtherapy #movementtherapyDon't forget to subscribe to the Not As Crazy As You Think YouTube channel @SicilianoJenAnd please visit my website at: www.jengaitasiciliano.comConnect: Instagram: @ jengaitaLinkedIn: @ jensicilianoTwitter: @ jsiciliano

Thank you to our sponsors:Sabio Coding Bootcamp is a top-ranked coding Bootcamp that is 100% dedicated to helping smart and highly motivated individuals become exceptional software engineers.  Visit their website www.Sabio.la to learn how you may be able to use your GI Bill benefits to train at Sabio.  Your tuition and a monthly BAH stipend may be paid during your training period. Check out the full show notes at https://www.airmantomom.com/2022/02/why-are-womens-stories-important/Connect with the panelist:Melissa Washington:Melissa is an Award-winning advocate, speaker, author, entrepreneur, CEO, publisher, and proud Navy veteran. In 2015, Melissa founded Women Veterans Alliance—a national organization that seeks to empower and positively impact the lives of women veterans. Three years later, she established the nonprofit wing of WVA, Women Veterans Giving. Both entities offer women veterans opportunities to gain valuable career experience and successfully integrate back into civilian life. WVG also helps fund women veteran-owned businesses, which are often overlooked by other organizations. In 2021, Melissa expanded her role in the community by co-founding Women Veterans Magazine—the first publication of its kind to serve California's more than 165,000 women veterans. Launching in January 2022, the annual magazine speaks to the issues that affect women veterans, while providing them with local and national resources.Rahaleh NassriRahaleh is an actor, writer, and director based in New York. She was born in Iran and raised in South Carolina, with brief stints in France and Switzerland. She speaks four languages. Her predilection for political and classical works led her to work on productions such as In Darfur, A Bright Room Called Day, Benedictus, The Disputation, Hannah and Martin, Rock N Roll, Caligula, Julius Caesar, Much Ado About Nothing, Titus Andronicus, and Romeo & Juliet. Rahaleh has a BA in International Affairs and an MFA in Classical Acting.Today she is the host of Violent Femme. Violent Femme is a podcast about women in history. Women who were brave, bold, and ingenious. Yet, these women, are mostly remembered for their brutality or villainy, sometime not at all. Each episode will resurrect one of history's brutally brave women whose image has been tarnished or even erased by those who fear such women but have long been entrusted with our history. Violent Femme will retell and sometimes reimagine history from the heroine's perspective.Lila HolleyPost contains affiliate linksLila is the visionary behind the Camouflaged Sisters. This award-winning, Amazon #1 bestselling author is also a combat Veteran. Lila is a retired U.S. Army Chief Warrant Officer Four, you can hear her story in episode 92. She uses her books and real-life lessons learned from her own struggles to help other Service Members maneuver through the emotional battlefield of transitioning from the military.In her first #1 bestselling book, Battle Buddy: Maneuvering the Battlefield of Transitioning from the Military, Lila chronicles the emotional struggles she encountered during her transition from the Army following her 22-year career. She knows firsthand the challenges Veterans experience during transition. She fought through bouts of depression herself while trying to settle into civilian life. Lila now encourages Transitioning Service Members through her books. She also offers coaching services to help others manage the strong emotions encountered during the transition.Thank you to my Patreon Sponsor Col Level and above:Kevin Barba, Lorraine DiazGet your Women of the Military Podcast gear here.Thank you Patreon members for your support. Become a Patreon member today! Click here.   

In this episode, Budi speaks with Master Clown Christopher BayesChristopher Bayes began his theater career with the internationally acclaimed Theatre de la Jeune Lune where he worked for five years as an actor, director, composer, designer, and artistic associate. In 1989 he joined the acting company of the Guthrie Theater where he appeared in over twenty productions.  In 1993, commissioned by the Guthrie Theater, he produced his one-man show This Ridiculous Dreaming based on Heinrich Boll's novel The Clown.In New York, he has directed at the Juilliard School;  for New York University's Graduate Acting Program; NYU's Experimental Theater Wing, and Fordham University. He was part of the creative team for the Broadway and touring productions of THE 39 STEPS, for which he created additional movement and served as Movement Director. He has received numerous awards and grants including a Jerome Foundation Travel/Study Grant, a General Mills Foundation Artist Assistance Grant, and both a Minnesota State Arts Board Fellowship Grant and a Career Opportunity Grant. He is a 1999/2000 Fox Fellow.He has taught classes and workshops internationally at Cirque Du Soleil, Williamstown Theatre Festival, the Big Apple Circus, Vassar College, Stella Adler Conservatory, Bard College, Fordham University, University of Texas Graduate Acting and Directing Programs, National Shakespeare Conservatory, University of Minnesota Graduate Acting Program, the Guthrie Theater, Iowa State University and Theatre de la Jeune Lune.He has served on the faculty of the Juilliard Drama School, the Actor's Center (founding faculty and master teacher of physical comedy/clown), David Geffen School of Drama, the Public Theater's Shakespeare Lab, the Academy of Classical Acting at the Shakespeare Theatre Company in Washington, DC, and New York University's Graduate Acting Program and Tisch School of the Arts. His most recent position was that of Clinical Professor of Theater, Speech, and Dance at Brown University and Director of Movement and Physical Theater at the Brown/Trinity Consortium in Providence, RI. He is currently a Professor Adjunct and Head of Physical Acting at David Geffen School of Drama at Yale UniversityMentioned in this episode:Phillippe GaulierTo submit a question, please visit http://www.speakpipe.com/theatreofothers for voice recording or submit an email to podcast@theatreofothers.com Messages may be quoted by name unless the writer stipulates otherwiseIf you enjoyed this week´s podcast, we´d love for you to leave a review on Apple Podcasts. It helps with our visibility, and the more people listen to the podcast, the more we can invest in it and make it even better

For Video Edition, Please Click and Subscribe Here: https://youtu.be/Ri8XL4xqLSo ,www.jamesbeaman.com  James Beaman has been working professionally as an actor for 34 years. His work has spanned the worlds of cabaret, female impersonation, classical theatre, Broadway musicals, independent film and episodic television. He has starred opposite such stars as Richard Chamberlain, Gary Beach, Sally Struthers, and John O'Hurley. As a teacher and coach, he has brought his vast knowledge and diverse skills to master classes and intensives for Goodspeed Musicals, Maltz Jupiter Theatre, Orlando Shakespeare Theatre and to students of the Punahou School in Hawaii. His private coaching clients include Emmy nominees, Metropolitan Opera stars, Broadway veterans, rappers, nightclub singers and 13 year-old powerthouses. This fall, he formalized his coaching business, The Work with James Beaman, bringing his unique and winning approach to performers in the US and abroad. He's the writer of the feature screenplay, "The Girl in Green" (WeScreenplay Competition Quarterfinalist), the short screenplay "T," (Winner, HollywoodJust4Shorts and Big Apple Film Festival) and his latest, the dark comedy series "Wisenheimer." James is the recipient of the MAC Award, the Bistro Award, and the IRNE Award. He trained at Boston University and the Academy for Classical Acting at The George Washington University. THANK YOU, Richard, for reaching out to invite me to join you in conversation in celebration of my birthday. Bravo to you for all you do. James Beaman,  

Have you ever wondered how to help dancers with scoliosis? In this episode we have special guest Suzanne Koucheravy. Suzanne specializes in dance medicine as well as being a Scolio-Pilates® master teacher. Listen today and hear Suzanne's informative talk on the topic of scoliosis and how she uses a pilates-based rehabilitation method to help dancers with scoliosis. Suzanne Koucheravy is a Pilates Instructor certified by the Pilates Method Alliance. Her teacher-training program was completed with Polestar Education, a Pilates education system that focuses on the rehabilitation and post-rehabilita- tion needs of clients in the therapeutic and fitness settings. Suzanne has been on the staff of a physical therapy clinic since 2006 as a personal trainer specializing in chronic health issues and dance rehabilitation. Her interest in scoliosis lead her to pursue more in-depth understanding of spine disorders. She has been an Authorized Scolio-Pilates® Practitioner since 2015 and Master Scolio-Pilates® Instructor 2018 assisting at workshops, mentoring and seeing clients privately. She has attended numerous continuing education workshops to include Modifi- cations for Yoga using the Schroth Method, Pilates Modifications for Scoliosis us- ing the Schroth Method, and Scoliosis Intensive through Phi Pilates, and Pilates for MS. Suzanne has been invited to present a lecture, poster and movement ses- sion on “Understanding the Dancer with Scoliosis “ at the IADMS International conference in Montreal October 2019. Suzanne graduated Suma Cum Laude with a Bachelor of Science in Theater from Kansas State University. She has over 25 years performing and teaching dance (Academy for Classical Acting at George Washington University, Maryland Youth Ballet, The Washington Ballet, George Mason University). She has successfully helped many dancers and non-dancers overcome the complications of scoliosis and develop life long strategies to reach their goals. Website Benemotus.com Instagram benemotus_scolio_pilates Email skoucheravy56@gmail.com Scolio-PIlates® at www.osteopilates.com

If you aren't a method actor, what kind of actor are you? Laurence Olivier famously said to method actor Dustin Hoffmen “Why don't you try acting?”. He is referring to what is commonly known as Classical acting. Classical acting is an umbrella term describing the philosophy of acting that integrations many techniques, including some that stem from method acting. We talk about these techniques, demonstrate some of them, and have a few laughs along the way. No Kevins Quiz Corner this episode because for the last couple we feel we have cheated you out of what our core foundational believe is about theatre. our PROCESS. we HAD to include it this time. We've tried as best we can to demonstrate some process work using just our voices. Hey...maybe we need to start putting these on YouTube??? Any VOTES? Leave us a voice message with your question and we will play it on air! https://anchor.fm/11minutestheatre As always, say hello and/or suggest a podcast topic via email, our website, Facebook or Instagram: https://www.11minutestheatre.com/ Instagram: @11minstheatre Facebook: https://www.facebook.com/11MinutesTheatre/ Email: info@11minutestheatre.com — EPISODE TIMELINE— 00:00 - 02:33 — INTRODUCTION 02:34 - 08:46 — GETTING 2 KNOW U “BEING PHYSICAL” (Pieces of Classical Acting) 08:46 - 16:16 - GETTING 2 KNOW U PT 2 - HOW DO YOU APPROACH YOUR CHARACTER PHYSICALLY 16:17 - 22:22 — ALESHA'S LUXURIOUS LIBATIONS “COSMOPOLITAN” 21:56 - 13:40 — THE READING: “THE SEGAL” by ANTON CHEKHOV 31:45 - 39:56 — JANINE'S NERDY GIBBERISH (Suzuki - Viewpoints) 39:57 - 44:54 — DIVE IN TO THE TOPIC (If you're not “Method”, what are you?) 44:55 - 51:10 — THE PROCESS: “THE SEGAL” by ANTON CHEKHOV 51:11 - 58:04 — DISCUSS WHAT WE DID AND WHY 58:05 - 1:02:10 — CLOSING QUOTES/WRAP UP - (ANNE BOGART, DECLAN DONNELLAN, SUZUKI) — ALESHA'S LUXURIOUS LIBATIONS RECIPE — Cosmopolitan (1 serving) 2.5 oz Citrus Vodka 1 oz Cointreau Splash Cranberry Juice Squeeze of Fresh Lime Pour ingredients in to a shaker with ice. Shake well until icy cold. Pour in to a martini glass. Squeeze lime slice in to glass and twist the rind along the rim to get the oil from the fruit. Enjoy! For a fresh new flavor, use a lemon instead of a lime. Deliciously different! — SEGMENT MUSIC — KEVIN'S QUIZ CORNER “House of Style” JANINE'S NERDY GIBBERISH “City Jaunt” ALESHA'S LUXURIOUS LIBATIONS “Spin” Vocals : Kevin Music : Jay Man www.our-music-box.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/11minutestheatre/message

Adam Fristoe is an American actor, voice actor, writer and theater artist, best known for his portrayal of Adrian Harris on MTV's Teen Wolf. He is classically trained, holding an MFA in Classical Acting from the Shakespeare Theatre Company. Adam works as a voice and dialect coach and on set acting coach.

Rebel-Actor, are you ready to dive into the sexy dirt of Shakespeare, soccer and life !?! Join me and today's very special guest, Rodrigo Beilfuss! Grab a pen + paper and get ready to jot down an abundance of aha's!   Rodrigo Beilfuss spent four years in Ontario with the Stratford Festival, and then relocated back to Winnipeg to be the new Artistic Director of Shakespeare in the Ruins (SIR) in the Fall of 2019. Born and raised in Brazil, Rodrigo moved to Winnipeg in 2001 as an exchange student, discovering Hamlet in high-school. Mr Gord McLeod is to be blamed for everything, for Rodrigo hasn't stopped pursuing Shakespeare since. In Winnipeg, Rod was a founding member of Theatre by the River, and he has directed and acted in several productions at various local theatres. Rod also has a passion for teaching, and he is a theatre instructor at various organizations and universities. He holds a BA (Honours) from the University of Winnipeg, an MA in Classical Acting from England's LAMDA, and he's a graduate of Stratford's two flagship programs: the Birmingham Conservatory for Classical Theatre and the Michael Langham Workshop for Classical Direction. More info at rodrigobeilfuss.com   In theatre, we always talk about being in the moment. But do we really know what that means?   Today, you'll discover: How Rodrigo transitioned to AD of SIR after four years in Stratford in 2019 SIR's dedication to performing Shakespeare in nontraditional spaces, particularly in the ruins of an old monastery with promenade staging, expanding the sense of the classical canon The outreach work SIR does with youth, emerging artists and inmates at Stony Mountain Penitentiary  How inmates get Shakespeare in a way trained actor's do not The outreach work at Stony Mountain is an exercise in empathy, exchange of experiences and a search to find a path forward, together SIR is performing The Winter's Tale in French and English this summer What you can do that is inspired by the moment as opposed to in spite of the moment  How Shakespeare was a passport for Rodrigo from Brazil to Canada  Why it's a fallacy for us to go around thinking Shakepearan actors know what they're talking about The danger of fatal fluency (when an actor pretends that Shakespeare's language is normal) How Shakespeare and soccer are cultural unifiers How futebol (soccer) is considered an art in Brazil Why Rodrigo loves the chaos, imperfections and improvisations of soccer Why you don't have to follow the narrative of what you think your life as a theatre artist should be all the time What Rodrigo is excited about giving to actors right now   And SO much more!! Rodrigo and I are super eager to hear what resonates with you, rolling around in the dust, so be sure to take a screenshot of this episode and tag @rodrigo_beilfuss and @serabanda in your Instagram stories to share your thoughts and takeaways!    Rodrigo gives us a feast of #speechforthestage, from exercises to lyrics to games, so be sure to give them a go and tell us what you felt!   Reach out to Rodrigo: ad@sirmb.ca   Explore Rodrigo's website and dig into his "Futebol Thoughts!"   Learn more about Shakespeare in the Ruins and their magnificent sunsets!   Check out Shakespeare in the Ruins on IG: @sirwpg   Connect with Rodrigo on Twitter: @Rbeilfuss   Write me a wish letter and let me know what you want to discuss next! impulse@actortoartist.com   Join the International Ensemble on Instagram: @actortoartist   Grab my FREE energy exercise to co-create your dream #actorslife!    Disclaimer: Your use of the content on this podcast, content on actortoartist.com, content on our social media or content from our email list is at your own risk. Actor to Artist does not guarantee any results from using this content and is for educational purposes only. It is your responsibility to do your own research, consult, and obtain a professional for your medical, psychological, legal, financial, health or other help that you may need for your situation.

For generations, artists have been shaping and changing Shakespeare to fit their times. The best adaptations add specific textures of place and culture, or a fluidity of language that can take centuries-old work and make it brand new. Seattle Shakespeare Company is presenting one of those works: a Salvadoran-American adaptation of "Hamlet" called "house of sueños," by actor and playwright Meme García. In "house of sueños," sisters Rina and Amelia prepare to celebrate Mom’s marriage to their new Stepdad. But when Amelia tells her sister of the mysterious voice and shadowy figure she saw in the attic last night, it becomes clear that not all in this house is as it seems. García’s play is being released as a special five-episode series from the Seattle Shakespeare Company’s Rough Magic podcast. You can listen to it through March 17 wherever you get your podcasts or on the company’s website, https://www.seattleshakespeare.org/houseofsuenos/. We talked to García about adapting Shakespeare, mental illness in Hamlet and in their own experiences, and how they crafted the language of their play. García is interviewed by Barbara Bogaev. Meme García is a Fulbright Scholar with a Master’s degree in Classical Acting from the London Academy of Music and Dramatic Art. As an actor, they have performed with the Oregon Shakespeare Festival, upstart crow collective, and Seattle Shakespeare Company, among other theaters. From the Shakespeare Unlimited podcast. Published March 2, 2021. © Folger Shakespeare Library. All rights reserved. This podcast episode, “What Dreams May Come,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer, with help from Leonor Fernandez. We had technical help from Andrew Feliciano and Evan Marquart at Voice Trax West in Studio City, California.

— “Creative, authentic, loving, forgiving, kind, persistent, prudent, and brave, are character strengths which are elements of good character valued across time and around the world.” Valeria Teles interviews Shannon Polly — the author of “Character Strengths Matter: How to Live a Full Life.” Shannon Polly is one of the first 100 people in the world to get her degree in positive psychology and has trained over 1500 US Army sergeants in resiliency. Her mission in life is to increase the well- being of every person with whom she interacts. Shannon has built her coaching practice on three pillars. First, clients need to increase their awareness of how their thoughts and beliefs impact their behavior. Second, Shannon leverages her decade long professional acting career to help leaders find their most powerful performance. Somatic (physical) coaching helps leaders understand how their physical presence impacts others. Finally, aligning leaders' roles with their strengths makes them more motivated and effective. Shannon has extensive experience working with mid and senior level leaders in private sector, public sector, and non-profit organizations. Her experience ranges within a variety of industry sectors including high tech, consulting firms, professional services firms, financial services, and U.S. Olympic athletes. She coaches on several leadership development goals ranging from career advancement, management skills, executive presence, leading as a woman, leading a global team, and building strategic relationships. A number of her clients were promoted to senior levels in their organization at the conclusion of their coaching. Shannon received a Master of Applied Positive Psychology (MAAP) from the University of Pennsylvania and a Bachelor of Arts degree from Yale College. She also has a Graduate Certificate in Classical Acting from the London Academy of Music and Dramatic Art and a Certificate in Leadership Coaching from Georgetown University. Shannon's partial client list includes Google, US Aid, American Express, Deloitte, Georgetown University, The World Bank, US Army, BlackRock, PWC, Logitech, Sony, FDA, APCO Worldwide, and Treliant. To learn more about Shannon Polly and her work please visit: https://www.shannonpolly.com/   — This podcast is a quest for well-being, a quest for a meaningful life to the exploration of fundamental truths, enlightening ideas, insights on physical, mental, and spiritual health. The inspiration is Love. The aspiration is to awaken new ways of thinking that can lead us to a new way of being, being well.  

Michael first began acting at the age of six, when he got his first laugh while playing a prince in The King and I. Since then he has come a long way, receiving a BFA in Theatre Arts from Boston University and an MA in Classical Acting from the prestigious London Academy of Music and Dramatic Art. Michael has been seen in tours and regional productions around the country, and is the creator of the current TikTok and Instagram "streaming sensation" QuaranTeaTime, in which he does a parody of Catherine O'Hara's Moira Rose from Schitt's Creek.Along with acting, Michael has extensive experience working in casting for TV/Film/Broadway in both LA and New York. https://michaeljudsonberry.com/TikTok @MJudsonBerryInstagram @MJudsonBerryYouTube SFX by Zapsplat

In this episode, Maddi talks about theatre in the time of Covid-19 and what it's been like finishing a Masters in Classical Acting during it all! 

Michael first began acting at the age of six, when he got his first laugh while playing a Prince in The King and I. Since then he has come a long way, receiving a BFA in Theatre Arts from Boston University and an MA in Classical Acting from the prestigious London Academy of Music and Dramatic Art. --- Support this podcast: https://anchor.fm/bella-mag/support

Hannah Jane McMurray is a New York actress born and raised in Los Angeles. She holds degrees from both The Boston Conservatory in Musical Theater and from LAMDA in Shakespeare and Classical Acting. In addition to stage, TV and film, Hannah Jane is a sought-after voice over and commercial actress. She is an avid history buff and science enthusiast who loves bad jokes.https://hannahjanemcmurray.comIG: @hjmcmurraySFX by ZapSplat

Man and Superman, performed by the Academy for Classical Acting at Shakespeare Theatre Company and George Washington University in 2020. Created during the Covid-19 pandemic, this radio production was recorded with none of the actors in the same room - most were in separate states! Directed by Aaron Posner, Voice and Text Coaching by Lisa Beley, Sound Design and Engineering by Gordon Nimmo-Smith. We’re grateful to our supporters, without whom the ACA wouldn’t exist, and whose generous support helped to produce these plays. Lead sponsorship support for the Academy for Classical acting provided by Dr. Julie M. Feinsilver The ACA Repertory Season generously sponsored by Arthur and Shirley Fergenson Additional Support for Man and Superman provided by Jeffrey P. Cunard and Mariko Ikehara, Marcel C. LaFollette and Jeffrey K. Stine, and an Anonymous friend of the ACA. For more information about our Radio Reps, visit aca.shakespearetheatre.org/radioreps

Hamlet, performed by the Academy for Classical Acting at Shakespeare Theatre Company and George Washington University in 2020. Created during the Covid-19 pandemic, this radio production was recorded with none of the actors in the same room - most were in separate states! Directed by Alec Wild, Voice and Text Coaching by Lisa Beley, Sound Design and Engineering by Alec Wild. We’re grateful to our supporters, without whom the ACA wouldn’t exist, and whose generous support helped to produce these plays. Lead sponsorship support for the Academy for Classical acting provided by Dr. Julie M. Feinsilver The ACA Repertory Season generously sponsored by Arthur and Shirley Fergenson Additional Support for Hamlet provided by Ms. Catherine B. Elwell, Tim and Susan Gibson, and Sheldon Pratt. For more information about our Radio Reps, visit aca.shakespearetheatre.org/radioreps

Hamlet, performed by the Academy for Classical Acting at Shakespeare Theatre Company and George Washington University in 2020. Created during the Covid-19 pandemic, this radio production was recorded with none of the actors in the same room - most were in separate states! Directed by Alec Wild, Voice and Text Coaching by Lisa Beley, Sound Design and Engineering by Alec Wild. We’re grateful to our supporters, without whom the ACA wouldn’t exist, and whose generous support helped to produce these plays. Lead sponsorship support for the Academy for Classical acting provided by Dr. Julie M. Feinsilver The ACA Repertory Season generously sponsored by Arthur and Shirley Fergenson Additional Support for Hamlet provided by Ms. Catherine B. Elwell, Tim and Susan Gibson, and Sheldon Pratt. For more information about our Radio Reps, visit aca.shakespearetheatre.org/radioreps

Romeo and Juliet, performed by the Academy for Classical Acting at Shakespeare Theatre Company and George Washington University in 2020. Created during the Covid-19 pandemic, this radio production was recorded with none of the actors in the same room - most were in separate states! Directed by Holly Twyford, Voice and Text Coaching by Lisa Beley, Sound Design and Engineering by Gordon Nimmo-Smith. We’re grateful to our supporters, without whom the ACA wouldn’t exist, and whose generous support helped to produce these plays. Lead sponsorship support for the Academy for Classical acting provided by Dr. Julie M. Feinsilver The ACA Repertory Season generously sponsored by Arthur and Shirley Fergenson Additional Support for Romeo and Juliet provided by Howard M. Brown, Emma and George Christopher, and Patricia Gray. For more information about our Radio Reps, visit aca.shakespearetheatre.org/radioreps

Romeo and Juliet, performed by the Academy for Classical Acting at Shakespeare Theatre Company and George Washington University in 2020. Created during the Covid-19 pandemic, this radio production was recorded with none of the actors in the same room - most were in separate states! Directed by Holly Twyford, Voice and Text Coaching by Lisa Beley, Sound Design and Engineering by Gordon Nimmo-Smith. We’re grateful to our supporters, without whom the ACA wouldn’t exist, and whose generous support helped to produce these plays. Lead sponsorship support for the Academy for Classical acting provided by Dr. Julie M. Feinsilver The ACA Repertory Season generously sponsored by Arthur and Shirley Fergenson Additional Support for Romeo and Juliet provided by Howard M. Brown, Emma and George Christopher, and Patricia Gray. Additional Support for Hamlet provided by Ms. Catherine B. Elwell, Tim and Susan Gibson, and Sheldon Pratt. Additional Support for Man and Superman provided by Jeffrey P. Cunard and Mariko Ikehara, Marcel C. LaFollette and Jeffrey K. Stine, and an Anonymous friend of the ACA. For more information about our Radio Reps, visit aca.shakespearetheatre.org/radioreps

A teaser episode for our upcoming season! Enjoy Act I, Scene 1 of Shakespeare's Hamlet, and tune in on July 16, 2020, to hear the entire play! On July 17th, listen for our production of Romeo and Juliet, and don't miss our premiere of George Bernard Shaw's Man and Superman on July 18th! Performed by the Academy for Classical Acting at Shakespeare Theatre Company and George Washington University. For more information about our Radio Reps, visit aca.shakespearetheatre.org/radioreps

How are you dealing with the impact of COVID and everything going on around you? Do you think you're not doing enough?     It's ok! This week, Lisa Brescia will remind us to just do the next loving thing. Take it one day at a time and take care of yourself – physically and mentally. She reiterates that it's great to have a plan but also ok if you don't because life can be an experiment. It's a marathon, not a sprint.     In this episode: How to direct actors with humor and deep respect The importance of being physically and mentally healthy as a performer Role of teachers in helping students how to articulate their creativity Keeping a sense of curiosity and innocence to deepen your craft A little about Lisa: On Broadway, Lisa recently concluded an extended run as Heidi Hansen in Dear Evan Hansen.  Previously, she's starred as Donna Sheridan in Mamma Mia!, Elphaba in Wicked, Cleo in Twyla Tharp’s The Times They Are A-Changin’, Amneris in Aida, and Marion Halcolmbe in The Woman in White.  Additional New York credits include the role of Helena in All's Well That Ends Well at the Public Theater's Shakespeare Lab and Claire in Roundabout's Ordinary Days.  Regional credits include Tatiana Racon in the world premiere of Ken Ludwig’s A Comedy of Tenors (McCarter/Cleveland Play House), Hermione in The Winter’s Tale, Gertrude in Hamlet, Ivy in August: Osage County, Anna in Sister Play (The Magic Theatre), Betty Blake in The Will Rogers Follies (Pioneer Theatre), Victoria in Victor Victoria (Ogunquit Playhouse), Sally in Cabaret (PlayMakers), Kennedy Center's Broadway: Three Generations - Side Show (Violet), Chicago's Wicked (Elphaba), Into the Woods (Witch - PlayMakers), The Unauthorized Autobiography of Samantha Brown (Mom - Orange County PAC), Evita (Eva), The Last 5 Years (Cathy), A Little Night Music (Petra - Goodspeed), and Brigadoon (Meg - Goodspeed). Lisa is now on the Acting faculty at Missouri State University’s acclaimed Department of Theater and Dance.  Training:  MFA in Classical Acting from the Academy for Classical Acting. Follow Lisa! online: www.lisabrescia.com   Share This Episode >> www.thisischelseajohnson.com/172  

Rebecca Botter is an Atlanta-based actress that opens up on: studying abroad at The University of Oxford, depression, getting waitlisted for LAMDA, auditioning for LAMDA a second time, moving to Chicago, self-sabotage, dyspraxia and loads more. https://rebeccabotter.com/ In the past few years, Rebecca has been splitting her time between acting in the US in various major cities (Nashville TN, Chicago IL, and now Atlanta GA) and studying at some of the top british academic institutions. She studied Shakespeare at The University of Oxford and then returned to London to study Classical Acting at LAMDA (London Academy of Music and Dramatic Arts). During these years she has done Shakespeare onstage and starred in a variety of short films. She hosts the podcast “The Search for Pink” which is named after her Instagram, @thesearchforpink . She talks to the camera a lot and lets you know her current favorites. You can follow Rebecca's journey here: http://instagram.com/thesearchforpink/ You can listen to the "The Search for Pink" podcast here: https://podcasts.apple.com/us/podcast/the-search-for-pink-podcast/id1476634931 Feel free to contact me via e-mail: kristin@kristinwitcher.media You can also follow me on Instagram here: https://www.instagram.com/kristinmwitcher/

This week Actor/Director/Theatre Educator is joining the conversation on Cue To Cue! Bruce reminds us that there are things we can't control and we need to focus on the things that we can. He will share the importance of Pleasure, Prestige and Pay in how he controls his life as an artist.   How do you deal with change?   Learn to let go and accept change! Life gets messy, and it's ok. Maybe this is just your path of becoming what you're supposed to be.    This is a must-listen episode!   Born in Seattle, raised in Vancouver, Bruce is best known as an actor who has appeared on stages from coast-to-coast across North America.  His stage career has spanned over 30 years and includes 5 featured roles on Broadway; 12 seasons in leading roles at the Stratford Festival; 2 Dora Mavor Moore Awards (Best Actor & Best Actor Musical) for his work with Buddies in Bad Times Theatre - the world’s oldest and largest LGBTQ+ theatre; a Toronto Theatre Critic’s Award; a Helen Hayes Award nomination (Washington, D.C.) and 2 Helen Hayes Award ensemble/production wins.     His career on the small screen includes voicing roles on hit animated series such as Total Drama Island, The Busy World of Richard Scary, Hotel Transylvania, and the up-coming Powerbirds for the new NBC/Universal Kids Network.  He has appeared (as a live person) on multiple episodes of The Rick Mercer Report”, The Strain, Anne with an E, and Murdoch Mysteries.   A graduate of the University of British Columbia with both a BFA in Acting, and an MFA in Directing, minor in Theatre History, Bruce has made a point of teaching at colleges and universities near every theatre at which he has performed, including UCSD, The Academy for Classical Acting at George Washington University, the University of Calgary, the University of Alaska at Anchorage, among others.  He has taught at The National Theatre School, The University of Western Ontario, Centennial College, and The Randolph College for the Performing Arts. He is the Director of the Academy for Young Actor Training with The Festival Players of Prince Edward County (Artistic Director, Graham Abbey.)   Bruce is a produced composer/lyricist/librettist of musicals:  B!TCH ISLAND, the musical! just swept the Hamilton Fringe Festival Awards, winning Best of Fringe, Critics Choice, Audience Choice, and Best of Venue.  Hard Hats, The Musical! was produced at Lunchboxtheatre, Calgary, and The Lighthouse Theatre Festival, while  Wilde Tales was workshopped the Shaw and Stratford Festivals and then given a full production in Pittsburgh at the Pittsburgh Irish and Classical Theatre Company.  Bruce, at present, has 3 new works in development with major theatres across North America.    A member of The Manhattan Association of Cabarets and Clubs,  he is a major proponent of cabaret performance in Canada. His work as a solo artist can be heard on his two recordings of cabaret music:  Keepin’ Out of Mischief,  Lucky to Be Me, and a newly released compilation album The Best of Bruce Dow - available on iTunes.    Follow Bruce!   www.brucedow.com T: @DowBruce  I: @dowBruce

On this week’s City Speaks podcast, Pittsburgh City Theatre’s Director of New Play Development, Clare Drobot, speaks with Dwayne Washington and Avery Glyph, two of the actors from One Night in Miami, which runs at City Theatre on Pittsburgh’s Southside through Dec. 1.   DWAYNE WASHINGTON, who plays Sam Cooke in One Night in Miami, has acted iff-broadway in such classics as Fiagro 90210, Tanya and Nancy: The Rock Opera, National Tour: In The Mood, Ragtime, and Man of La Mancha. Read more about him at TheDwayneWashington.com.   AVERY GLYMPH, who plays Malcolm X in One Night in Miami, is proud to make his Pittsburgh debut with City Theatre, and has most recently appeared in Hamlet at The Shakespeare Theatre Company in Washington, D.C. Off-Broadway credits include Roundabout Theatre Company, New York Shakespeare Festival, The Drama Dept., and Lincoln Center Lab. Avery's film and television appearances include the upcoming Out and About, She's Gotta Have it, Against the Current, Last Ball, He Got Game, 13 Conversations About One Thing, I’m with Lucy, Madam Secretary, Forever, Ugly Betty, Oz, all Law & Orders, The Electric Company, among more. Awards include St. Louis Critics Circle Awards for Best Ensemble and Best Production for All the Way, as well as nominations for the San Diego Critics Circle Award and the NAACP Theatre Award for The Whipping Man. Avery holds a BFA from The North Carolina School of the Arts and an MFA from the STC Academy for Classical Acting at the George Washington University. Visit AveryGlymph.com for more details.   A play about four of the most important figures in Black Civil Rights history, One Night in Miami depicts the night of February 25, 1964, when Muhammed Ali, Malcolm X, Sam Cooke, and NFL legend Jim Browne met to celebrate in a Miami hotel room.   Get tickets here: https://citytheatrecompany.org/play/one-night-in-miami/   Listen to more City Speaks here: https://postindustrial.com/

Listen or watch as Patricia and I chat about the Game Awards 2018, being an assassin, Zelda, the art of voice acting and much more(source: IMDB) Patricia is an American Canadian Actor/VA from rural Upper Michigan.Film/TV: Patricia appeared in the Darren Aronofsky film Mother!, in several new series: CBC's Bellevue starring Anna Paquin, CTV's The Disappearance with Peter Coyote, Go90's Lost Generation with Katie Findlay and scored by Tony-winning Duncan Sheik and NBC's The Bold Type on Free Form. She also plays a lead in the indie feature "Maz" by festival-winning filmmaker Federico Hidalgo. Notable past roles include recurring characters in Ron Moore's Helix s2 as well as 19-2 (Bravo/CTV). She was also the official "Onset Smurf" representing Smurfette, Vexy and Clumsy as a voice/puppeteer for the making of Sony's Smurfs 2.Video Games: Patricia was revealed as the first official English voice of Princess Zelda in Nintendo's thirty-year Legend of Zelda franchise. Nintendo's LoZ: Breath of the Wild is "...now one of the best reviewed games in history" Forbes. Patricia has voiced many games from indie to AAA and provided full performance capture for two assassins in Ubisoft's Assassin's Creed series. In Tom Clancy's Rainbow Six: Siege her character "Ash" (a celebrated FBI swat operator) is played by millions worldwide, continuing to grow in popularity in the world of Esports.Stage: Patricia has performed in theaters across Canada, the US and the UK. She has been nominated for three META/MECCA (Montreal English Theatre/Critics Circle Awards) for "Best Lead Actress" playing the roles Rosalind in As You Like it and Jacqueline in Trench Patterns (a captain with PTSD). She has also been featured in Equus, Pinter plays and as the title role in Ibsen's Hedda Gabler. She was last seen in the Toronto's 2016 Next Stage Festival, performing the Fringe hit Blood Wild by Paul Van Dyck.Education: She holds a Masters of Classical Acting from The Royal Central School (RCSSD) in London and a BFA in Theatre Performance from Concordia in Montreal. She has also studied acting at MXAT (Moscow, RU) and NTC (Denver, Co). Before attending drama school, she trained for years as a competitive ice dancer, and held the title of Quebec Sectional Champion.Personal: Patricia grew up in a small village in Upper Michigan, a place that remains a constant source of inspiration for her writing and music, due to it's distinct culture and proximity to lake Superior. In addition to her acting career, she is a songwriter and singer for her own band in Montreal. She also enjoys collaborating with her three sisters, all artists, who perform music together and are writing a series of comedic sketches inspired by their Midwestern "Yooper" upbringing. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

“You can’t shortcut feet on the stage. You can’t wish or pay your way to being a better speaker. Speak, speak, speak—that’s the way to get good at speaking.” - Tami Evans (click to tweet) Public speaking isn’t for everyone. But before we cross it off our list, we have to make sure we’ve given it a fair shot. That’s because the best public speakers—while they may appear naturally gifted on stage, it is most likely hours and hours of rehearsal driving the performance. In public speaking, there is no such thing as god-given talent or a ‘knack’ for performance. Rather, success on stage boils down to work ethic, rehearsal, and practice. On today’s episode of Steal the Show, we are joined by the humorous speaker Tami Evans to clear the mystery of performing on stage. With a Master’s in Classical Acting, Tami has been performing in some way, shape, or form for most of her life. She is the former president of the New York chapter of the National Speakers Association, and today works on the public speaking circuit. In this conversation, we unpack all topics related to public speaking—what makes a great public speaker, why introverts do well on stage, how the public speaking industry is evolving to be more inclusive of diversity, and much more. Learn more about Tami Evans and her humorous motivational speaking style here. “When someone looks so effortless, it’s because they have put in so much time and effort to get it that way.” - Tami Evans (click to tweet) Steal the Points Rehearse to the point of clarity where improvisation doesn’t feel intimidating. The best way to begin something is to start it. Try to have slogans that are easy to understand and remember. Join the National Speakers Association (NSA) to make public speaking a less isolating career. There is no clear path in the public speaker industry. Content creation is a messy process that involves diving into the unknown. Being authentic becomes easier through preparation. There is becoming more equalization of gender and culture in the public speaker landscape. Public speaking is shifting from a stylized, scripted talk into a more conversational delivery. Many of the best performers are actually shy and introverted. Adjusting on the fly becomes comfortable with more experience. Some people are energized by interacting with other people, and others are depleted by it.

节目组：The Screen Age 荧屏时代节目名称：Doctor Strange 奇异博士 Y: Hello everyone! I'm Yolanda.F: I'm flat .This is screen age again! Did you miss us?Y: Recently, marvel made a big new, Flat, do you know it?F: You mean the new movie for the new character?Y: Yeah, the doctor strange! We all set a high value on him because this was marvel's last character.F: And another reason! He was acted bye Benedict Cumberbatch. Y: I guess at least a quarter of the audiences went to see the film because him!F: So what's the story mainly about? What kind of magic was in this movie? Did Benedict done a good job?Y: Just listen to us and we will tell you!Y: Dr. Stephen Strange, an arrogant neurosurgeon as well as a surgical specialist, has made his mark in his profession. However, he couldn't hold his scalpels and continue his doctor career because of a car accident. He escaped death in this accident; however, he was caught in a bigger problem.H: To end this nightmare, to cure himself, he tried his utmost. After experiencing lots of bitterness and sorrow, he finally found The Ancient One in Nepal. He started to put ego aside and learn the secrets of a hidden world of mysticism and alternate dimensions.Y: Based in New York City's Greenwich Village, Doctor Strange must act as an intermediary between the real world and what lies beyond, utilizing a vast array of metaphysical abilities and artifacts to protect the Marvel Cinematic Universe.H: There are some amazing plots that being talked by audience for a time. First one is about epiphany. The Ancient One let Dr. Stephen to feel the measurement of everything, made him see the high-dimensional universe in a second. Y: When Dr. Stephen went through the time and space, he suddenly realized that it's time to give everything up. This plot makes many people recall their curiosity of the world beyond earth, beyond the galaxy. And it gave audience some inspirations as well.Y: For many girls, one of the big bright spots is the protagonist, Benedict Timothy Carlton Cumberbatch. The length of his name has always been a joke as well as his face. Actually, he's a quite charming and great man.H: I can't agree more. The first I was attracted to him for his performance in Sherlock Holmes. His intelligent and personable image walked my heart. Just unlike the most performers, Benedict is excellent as the characters he plays in real life.F: Now, let me bring you into the part of today's figure. Cumberbatch was born and raised in London, England. His parents, Wanda Ventham and Timothy Carlton are both actors. He is a grandson of submarine commander Henry Carlton Cumberbatch, and a great-grandson of diplomat Henry Arnold Cumberbatch CMG.M: Cumberbatch attended Brambletye School and Harrow School. Whilst at Harrow, he had an arts scholarship and painted large oil canvases. It's also where he began acting. A：After he finished school, he took a year off to volunteer as an English teacher in a Tibetan monastery in Darjeeling, India. On his return, he studied drama at Manchester University.F：He continued his training as an actor at the London Academy of Music and Dramatic Art graduating with an M.A. in Classical Acting. By the time he had completed his studies, he already had an agent.L: He has worked in theatre, television, film and radio. His breakthrough on the big screen came in 2004 when he portrayed Stephen Hawking in the television movie Hawking. In 2010, he became a household name as Sherlock Holmes on the British television series Sherlock.I: In 2011, he appeared in two Oscar-nominated films, War Horse and Tinker Tailor Soldier Spy. He followed this with acclaimed roles in the science fiction film Star Trek Into Darkness, the Oscar-winning drama 12 Years a Slave, The Fifth Estate and August: Osage County in 2013. Y: Well, in 2014, he portrayed Alan Turing in The Imitation Game which earned him a Golden Globe, Screen Actors Guild Award, British Academy of Film and Television Arts and an Academy Award nomination for Best Actor in a Leading Role. B: The next year, Cumberbatch was appointed CBE by Queen Elizabeth II in the 2015 Birthday Honours for his services to the performing arts and to charity.M: So, this is another film of Marvel Studios. Compared to the previous movies, doctor Strange is a very unique super hero, because he is not a product of some kind of technological armor, he is not a Nordic god and he doesn't get his power from super serum or gamma rays. He once was a neurosurgeon, but after the accident he found a mysterious eastern power and become stronger.F: As a Marvel fan, this movie did not let me down. The plot, action, humor and adventure throughout the film made a success. It is truly one of the best marvel movies.M: I must say, the visual effects of this movie blew my mind. In the beginning, where the ancient one fights with her talented student, Kaecilius, the scene is really amazing and fantastic. Those amazing visual effects remind me of the Inception.F: Indeed, it made me dazzled. What's more, when the ancient one shows Doctor Strange “the magic”, it shows audiences the colorful universe and it's so marvelous that I don't know how to describe it.M: If you let me rate for it, I'd give this movie an 8 for its fantastic visual effects.F: Me too. Besides, the cast is amazing. They embody their characters instead of trying to act like the character. Many people like this film for the excellent performing of Benedict Cumberbatch.M: Overall, I highly recommend all of you to see it in IMAX 3D. You will have a visual feast.F: Well my audiences, it's time to say goodbye. M: After all, we think doctor strange is a good film. Well at least we should know one thing from it, be modest. F: Yes, and don't forget believe in yourself too.最后感谢制作张安康。See you next time, bye~M: Bye!节目监制：刘逸超播音：杨旸 李梓彤 赛碧乐 张洁川 邹佳琳 毕鑫屹 赵艺薇 杨晨丹编辑：杨旸制作：张安康

In this episode of Stories Voiced, the Academy for Classical Acting’s Director, Gary Logan, explains how Dick Van Dyke saved him from a bear attack. Subscribe/Listen to STC’s podcasts on iTunes Subscribe/Listen to STC’s podcasts on SoundCloud