Podcasts about Yoshihara

Overview Join Dr. Susan Yoshihara for a lecture, reception, and signing of "Women, Peace, & Security in U.S. Security Cooperation." About the Lecture: The authors of this groundbreaking book explore the origins, rationale, and evolution of Women, Peace, and Security (WPS) efforts in the context of US security cooperation. Focusing on real-world policy and practice, they draw on cases ranging from post–World War II Japan to contemporary Ghana to demonstrate how including women in security cooperation efforts, while not without challenges, has improved operational effectiveness across the US military, built better security relationships, and advanced civil-military relations and human rights. About the Speaker: A faculty member at IWP, Dr. Susan Yoshihara, is founder and president of American Council on Women Peace and Security, a non-partisan, nonprofit think tank in the nation's capital advancing peace and security for women, their families, and communities through education, on-the-ground engagement, policy analysis, and advocacy. Dr. Yoshihara was a senior advisor on Women, Peace, and Security (WPS) to NORAD and USNORTHCOM, and WPS Advisor to Defense Security Cooperation Agency and University, where she led the team that integrated the requirements of the WPS Act of 2017 into education and training for the U.S. security cooperation workforce. Dr. Yoshihara participated in UN negotiations on development, security, and human rights as part of civil society, served on the Holy See delegation and advised the UN Security Council. She served twenty years as a U.S. Naval Aviator, leading helicopter combat logistics missions in the Gulf War and humanitarian assistance and search and rescue missions in Africa, Asia, and the Pacific Islands. Dr. Yoshihara holds a Ph.D. from the Fletcher School of Law and Diplomacy, Tufts University, M.F.A. in creative writing from Antioch University, Los Angeles, M.A. in National Security Affairs from the Naval Postgraduate School, and B.S. from the U.S. Naval Academy. This is her third book. **Learn more about IWP graduate programs: https://www.iwp.edu/academics/graduate-degree-programs/ ***Make a gift to IWP: https://wl.donorperfect.net/weblink/WebLink.aspx?name=E231090&id=18

Asians and Asian Americans are numerous within the classical music industry, but their identities are often politicized and racialized in this Eurocentric musical genre. For the third episode of Obbligato on APEX Express, Isabel Li discusses this intersection with Mari Yoshihara, Professor of American Studies at the University of Hawaiʻi at Mānoa and Professor at the Center for Global Education at the University of Tokyo, Japan; author of many books, including Musicians from a Different Shore: Asians and Asian Americans in Classical Music (2007) and Dearest Lenny: Letters from Japan and the Making of the World Maestro (2019). Tonight's episode features music by Chinese American composer Zhou Tian. To learn more about Mari and her work, please visit her website: https://www.mariyoshihara.com/index.html  Musicians from a Different Shore: https://tupress.temple.edu/books/musicians-from-a-different-shore-2 Dearest Lenny: https://global.oup.com/academic/product/dearest-lenny-9780190465780?cc=jp&lang=en&  Transcript  Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.    00:00:53 Isabel Li  Good evening. You're listening to KPFA 94.1 FM. My name is Isabel Li and I'm delighted to be hosting a new edition of Obbligato on Apex Express, which is a semimonthly segment specifically about AAPI identities in classical music. Tonight's guest is someone I have been incredibly excited to speak to because her writings have actually very much informed my studies and research. In fact, her books are exactly about the subject matter of Obbligato. I am honored to be speaking to Mario Yoshihara, Professor of American Studies at the University of Hawaiʻi at Mānoa and Professor at the Center for Global Education at the University of Tokyo, Japan; author of many books, including Musicians from a Different Shore: Asians and Asian Americans in Classical Music, published in 2007, and Dearest Lenny: Letters from Japan and the Making of the World Maestro, which was published in 2019. Welcome to Obbligato on Apex Express. Mari, how are you doing?  00:01:55 Mari Yoshihara  I'm doing fine. Thank you for having me.  00:01:58 Isabel Li  Of course, my first question for you is how do you identify and what communities are you a part of?  00:02:06 Mari Yoshihara  Oh well, that's actually a little bit complicated I am. I am a Japanese woman who have spent a little bit over well, maybe not more than a little more than half of my life in the United States. Born in New York but raised in Tokyo, educated mostly in Japan, but also earned my graduate degrees in the United States and most of my academic career has been in Hawaii, so I've been in American academia for almost 30 years now, but I also have a dual appointment with the University of Tokyo in Japan. So I split my time between Japan and Hawaii now.  00:02:54 Isabel Li  Can you tell us a little bit about your work and your books? I had a chance to read Musicians from a Different Shore, but how would you summarize your research to someone who might not have read your book?  00:03:04 Mari Yoshihara  So I am a scholar of American studies, which is an interdisciplinary field that has anything to do with America broadly defined. And within that, my area of expertise is about, well, I would say I'm a scholar of US cultural history. US Asian relations, mostly US, East Asian relations, especially in the cultural dimension, cultural studies, gender studies, Asian American studies, etc. And so I have written a number of books, both in English and Japanese, but the one that you're referring to, Musicians from a Different Shore, is a book that I did research for more than 20 years ago and was published in 2007. It's a study of Asians and Asian Americans and classical music. So it was partly historical in that I examined the ways. which Western music, so-called western classical music, was introduced to East Asia and how also East Asians became have become so successful and prominent in this field that is generally considered a white European elite art form, so it was partly historical, but then the rest of the book was based on my ethnographic field work and interviews among Asians and Asian Americans in classical music looking at how well who these people are in the first place and then also how musicians, Asian and Asian musicians themselves, understand the relationship between their racial and cultural identity on the one hand, and their practice of Western classical music on the other, so that was my study.   And then I also wrote another book called Dearest Lenny. It's about—the subtitle is Letters from Japan and the Making of the World Maestro. It's about Leonard Bernstein's relationship with two very special individuals in Japan. And through that story, I interweave an account of various things. For one thing, how Leonard Bernstein became a world maestro and also the relationship between politics and arts, gender, sexuality, art and commerce, etcetera, etcetera. So that was my most recent book published in English and then, I'm sure we'll talk more about this, but I'm currently doing a follow up research on the on Musicians from a Different Shore, taking into account all the changes that have been taking place in the classical music industry in the United States in the past, I would say five years or so especially so that's my that's the abbreviated version of my research.  00:05:55 Isabel Li  That's really cool, and I also want to ask you about these changes, if you can talk a little bit about the classical music world. I feel like classical music is one of those genres that seems to be unchanging on the outside. But as a scholar of classical music, what types of changes have you observed that has influenced how AAPI identities play into this world?  00:06:18 Mari Yoshihara  Yeah, I think especially in the last, I would say, yeah, 5 to 10 years, especially in the last five years, classical music industry in the United, I mean I say specifically in the United States because I don't see the similar kind of changes taking place in Japan where I'm currently located. And I also don't really know the situation in Europe. But the field of classical music in the US is changing. I think most significantly because of movements like the Black Lives Matter movement and also with the onset of COVID and the rise of anti Asian hate, there's been a lot more heightened awareness about how issues of race and also class shapes classical music. So there's a lot more vibrant conversations and debates about these topics in the industry and also in terms of AAPI community, are the biggest changes, the biggest change I'm seeing is that Asian and Asian American musicians themselves are being a lot more vocal and active in issues of race and racism in the field and there I've encountered many Asian and Asian American musicians who have, for instance, you know organized events or organizations, or taken up various forms of advocacy and activism on these issues. So compared to, say, 20 years ago, 20, 25 years ago, when I was doing the original research, I see a lot more kind of, you know, explicit awareness and awareness and articulation of these issues by Asian and Asian American musicians themselves.  00:08:12 Isabel Li  That's really interesting. Just because classical music is also one of those genres, that doesn't seem like a genre that most people explicitly associate with politics or activism. What are some examples of these, like activist movements that you've observed within the Asian American community in classical music?  00:08:32 Mari Yoshihara  So for instance, some Asian and Asian American musicians are are becoming a lot more vocal about the actual like racism or sexism that they have themselves experienced, or that they witness in the industry, like in in schools, conservatories, orchestras, opera companies, etc. Either through the media or you know their own writing, and also like speaking up within the organizations that they work in. So that's one. There are other kinds of advocacy and activism in that they demand more diverse repertoire, and I think the repertoire is in terms of the industry industry changes. That's the area that's changing the most, the the kind of repertoire that many orchestras for instance perform have become a lot more– I mean overall it's still very white, European centered– but in terms of the actual numbers of pieces that are performed, works by living, composers and composers of color, women composers, etcetera. That is significantly increased in the last 10 years and that is, you know significantly to do with the advocacy and activism on the part of, you know, artists of color.  So yeah, so things like that and then, you know, many Asian, Asian American artists are doing their own programming, for instance, like event organizing programming. So yeah, those are the areas that I see changes. I see things happening that I didn't see 25 years ago.  00:10:20 Isabel Li  Definitely. I remember reading your book, and your book has been published since 2007, so a lot of changes have happened since then. But in general, when you did your research at first, what how would you summarize the dynamic of Asian identities, Asian American identities in this very Eurocentric field, it's a juxtaposition of two different cultures and identities that a lot of people also observe in orchestras. There's a large population of Asian and Asian American musicians, conductors just in general. It's a very large population, but yet this identity is still not quite represented in media. It's not quite seen, so talk to us a bit about this juxtaposition and how you observe these dynamics in your research.  00:11:10 Mari Yoshihara  Yeah. So. The thing is, Asians and Asian Americans are indeed numerically overrepresented in classical music, in the sense that compared to the general public, the the the proportion of Asians and Asian Americans in the overall US population, the number of Asian and Asian Americans in classical music indexed by things like the student body at major conservatories or membership roster of US orchestras, etcetera, Asians and Asian Americans percentage is higher than the general population, right. So in terms of the numbers, Asians and Asian Americans are, quote unquote overrepresented. But those numbers are not reflected in the actual like voice, power and influence that they have in the industry.   So that was my finding back 2025 years ago and I think that's still true today. Also, the thing about Asian, Asian American musicians is that it's a racialized category. They are seeing and treated as Asian. It's this racial category. But their identities and experiences as Asians is not at all uniform, right?   Some of these Asian musicians are Asian Americans, like multi generational Asian Americans whose parents or grandparents or great grandparents etcetera have come to the United States and they themselves are U.S. citizens. So that's one group.   Many Asian musicians working in the United States are people who were born and raised in Asia, places like China or South Korea, Japan, etcetera, and came to the United States as international students to study music, often at the college level, college conservatory level, so obviously these people have very different sense of identity and experience as Asians compared to say, you know 3rd, 4th generation Chinese Americans or 1.5 Korean Americans.   There are other people who live in the United States because they were very talented, very young musicians, and the whole whole family immigrated to the United States specifically for their music education. So Midori, the famous violinist, Midori is a case, example of this, but there are also a number of other, especially among Koreans and Chinese. There are families, the whole family immigrated to the United States when the child was a very promising musician at age 7 or something. So that's one group. They too have a different sense of identity and experience of Asians than the two former groups that I that I talked about.   There are other people who also came to the United States because not because of the music education, but because of their parents' profession, for instance. And they have transnational kind of family ties and you know, they move, they go back and forth between US and Asia, for instance. And then there are also mixed roots families where one parent is Asian and the other is non Asian.   And then there are also Asians who were born and raised in Europe for other parts of the globe and then came to the United States, for either personal or professional reasons.   So in other words, they're all Asians in terms of their racial identity. But what that means is really quite diverse and their experience as Asian and Asian American musicians is also quite diverse. So it's not as if you know, just because they're Asian, they share some kind of experience and identities around which they coalesce. So that's, you know, that was true 20, 25 years ago. And I think that's still true today.  More and more Asian musicians are coming to the United States to study, study or work in classical music, but especially because of this, like new influence, this Asian category is becoming even more diverse. However, because of the COVID, you know the rise of Anti Asian hate during the COVID pandemic, I think that heightened the awareness of, you know, these different kinds of Asians, the heightened awareness that they are Asians. First and foremost, you know, in, in that in the sense of being racialized in the United States. So I have talked with a number of musicians, Asians and Asian American musicians, who did not really, hadn't thought about their Asianness before. It wasn't at the forefront of their identity before, but during this rise of anti Asian hate it they became they basically became more politicized. You know, they had quite a politicized language and awareness to think about race and racism especially against Asians and Asian Americans.  00:16:31 Isabel Li  Yeah, that's a great point. It is a such a diverse group and there are so many different identities, even within just the Asian American framework AAPI, as a label is very, very diverse. And that applies to classical music as well. But I think there's also this social perception of Asian and Asian Americans as a group that also relates to the model minority stereotype that's historically been present and, for example, a lot of people might think of, like a young Asian or Asian American musician as being like a prodigy because they are technically skilled at their instrument, where like these social perceptions that exist both in media and in the culture around us, why do you think that is?  00:17:15 Mari Yoshihara  Well, that as you said, there is a model minority myth and there is a stereotype of Asians and Asian Americans as being very studious and diligent, but also quiet, right? I mean, they just quietly follow, like, obedient, obediently follow the instructions and that translates in the field of music as the stereotype that Asian musicians are technically very proficient but artistically non expressive. I mean, that's a very common stereotype that yeah, you know, practically any Asian, Asian Americans in classical music have been subjected to, you know, quite regularly and frequently. And I think that, yeah, that just comes with the overall kind of racial stereotype of Asians and Asians and Asian Americans in American society at large. And also the fact that, you know, classical music, especially in terms of instrumental performance, it is an area that is, it's something that is, indeed, technically very demanding, right? You need many, many years of disciplined training and a lot of practice. And there is a myth of merit– well, no, not entirely a myth– but there is this this very, you know, dearly held faith in meritocracy in classical music. The idea that if you have the chops you will be rewarded, you will be recognized and you know, no matter what kind of great artistic idea you might have, if you can't play the notes, you can't play the notes. That kind of ethos of meritocracy is particularly strong in classical music because of the technical demands of the genre, and that and that kind of, you know, goes hand in hand with the model minority methods for Asian Americans.  00:19:20 Isabel Li  Definitely. That's really interesting and another part of your book that was quite fascinating to me when I first read it was chapter 3. You talked about the intersection of gender as well as, you know, racial identity in classical music. The chapter is called Playing Gender and you talk about, I think at large don't necessarily associate classical music with a discipline that provides a stable job. It is an art form and there is kind of an uphill battle for artists in a sense like a starving artist myth there. We're not even a myth. Like if there's a starving artist image, whereas the image of a very successful classical musician there's this duality that you also mentioned in one of your other chapters about class. So what really interested me in for this chapter was that there was this intersection of power in classical music of who would go down the path that might not be traditionally as successful. How do you think gender dynamics play into this and how do you think they might have shifted within the last two decades or so?  00:20:20 Mari Yoshihara  Huh. I'm not sure if it has shifted all that much in the last two decades, but as you said, because music I mean, not just classical music, but music. Like, you know, arts in general is a field that is very like economically insecure in terms of career, right?   But at the same time. Classical music is associated with kind of, you know, bourgeois identity and just kind of overall cultivation and so, many Asian, Asian American parents are very eager to send their kids to, say, piano lessons, violin lessons, cello lessons, etcetera. To, you know, give them a well-rounded education and also because it is considered useful tool, you know, when you're going to college and stuff like, you know being, you know, being able to show that you're very talented violinist, for instance, is believed to help your college application.  So there's this, you know, both stereotype and reality that like, you know, places like Julliard Pre-College, very competitive, you know, school, like music education program for kids is filled with Asian, Asian American, you know, students and their parents who are waiting, waiting for them to come out of school.   So there's that. But how gender plays into this is that while both men and women are do study music at a young age. When it comes to, you know, choosing say, college, like what they would, what they would pursue at the college level, far fewer male students tend to choose music as their college major or go to conservatory and pursue it as a as a career. But I think it's both their own choice. And also especially for Asian and Asian Americans, like parental pressure to not pursue music professionally because of, you know, financial insecurity.   So there's that, and also how that plays into the actual experiences of Asian, Asian Americans musicians who do study music is that I have heard from a number of female Asian musicians that either their peers or especially their teachers are doubtful that they are actually serious about music. There is a stereotype that, you know, say for instance, Japanese or Korean female students at Juilliard School, Manhattan School or whatever, they are there because they, you know, they want to study music and then find a good husband and marry, you know, a lawyer or doctor or engineer or something. [laughs] And and not that that doesn't happen. But that's a stereotype of, you know, that's a racialized and gender stereotype that comes from these, you know, gender and class and racialized dynamics.  00:23:35 Isabel Li  And just for clarification, is the classical music world at large still a male dominated field?  00:23:41 Mari Yoshihara  Yes. Oh yes. Definitely. I mean, it depends on the segment of you know, I mean classical music is itself quite diverse. So if you look at, for instance, the string section, especially the violin section of the New York Philharmonic for instance, you will find that like, I think the majority of those violin players are Asian women, perhaps. But if you look at say for instance, the Faculty of Conservatories or music directors and major orchestras and said, I mean still very male dominated.  00:24:23 Isabel Li  Yeah. Yeah, definitely. I like how your book also has so many different layers for each chapter. So Chapter 3 was about the gender intersection with this, with this identity, and Chapter 4, was it Chapter 4, I believe it was about class, Class Notes, and you've already mentioned a little bit about how class plays into the perception of music, how class influences gender even. But there's a statement in there that you said that, “it's misleading to characterize Asian musicians as just coming from the upper middle class.” And it makes sense that people would think of musicians coming from this economic bracket, because classical music is an in and of itself a very kind of expensive undertaking. You need so many lessons, so many instruments. But tell us why this statement would be misleading.  00:25:15 Mari Yoshihara  Because I mean, first of all, most of the overwhelmed, I would say overwhelming majority of the Asian, Asian American musicians that I interviewed come from middle class backgrounds, many of them from so-called like professional executive class backgrounds in, meaning that their parents hold these professional executive positions, right. And that's why they were able to afford advanced musical studies from a fairly young age. They need, you know, sustained and disciplined and often costly, you know, lessons, you know, competitions, etcetera, auditions, travel, etcetera. So that's for sure, yeah.   At the same time, there are also Asian musicians who come from less privileged backgrounds, you know, immigrant families who have, because quite a few. I mean overall Asian American population, many immigrants experience downward social mobility upon immigrating to the United States because of, you know, oftentimes linguistic barriers or you know, or plain old racism. And so you're not Asian families that immigrate to the United States, like, for instance, if the parents have professional positions back in South Korea, oftentimes they become, you know, for instance, you know, small business owners and they experience downward social mobility. I mean, that's a very common scenario. Yeah, so now all Asian, Asian American musicians grow up in a privileged environment.  00:27:06 Isabel Li  Definitely a great point. Now before we move on to some discussions about Mari's research. First of all, thank you for tuning in to Obbligato on APEX Express, we'll be taking a short music break and as mentioned earlier, a great way to increase diversity within classical music is to uplift works by living composers. If you're listening to my first.  00:27:26 Isabel Li  Episode 2 months ago, you'll know that I featured music by Chinese American composer Zhou Tian. I'm happy to say that coming up next is one of Zhou's compositions inspired by a trip to Italy. This is a piece called Hidden Grace performed by the Formosa Trio.  27:45 – COMP MUSIC – Hidden Grace  00:35:34 Isabel Li  That was a piece called Hidden Grace, composed by Zhou Tian for a fascinating instrumentation of flute, Viola and heart coming up for our second piece. In this interview, break another movement by Zhou Tian, the third movement of his double concerto for violin and Viola, called Rendezvous.  35:58 – COMP MUSIC – Double Concerto for Violin and Viola, III. Rendezvous  00:41:09 Isabel Li  Noah Bendix-Balgley on violin, Shanshan Yao on viola, and the Hangzhou Philharmonic, playing the third and final movement of Zhou Tian's Double Concerto for violin and viola. So back to the conversation with Professor Mari Yoshihara.  00:41:25 Isabel Li  As you also mentioned before, you're working on an updated version of Musicians from a Different Shore. Can you talk–I don't know how much you can talk about your, like upcoming projects, but are you using similar research methods to what you've done before using ethnographic field work? You've mentioned the new changing dynamics of classical music in the United States with new waves of activism and awareness. What are some new topics of your chapters that you might focus on? So for your 2007 publication, you talked about your gender and class and how these intersect with identity. Are there any new things that you're drawing upon here?  00:42:02 Mari Yoshihara  Yeah. So I'm using basically the same research method. I'm interviewing actually some of the same people that appeared in Musicians from a Different Shore. Some people kept in touch with over the years, I've gone back to them and interviewed them to see the trajectories of their careers since the first time I interviewed them. But then I've also interviewed a bunch of other, you know, new musicians that I'm speaking with for the first time. So it's essentially an interview and ethnographic fieldwork-based research.  I told you earlier about I think one of the biggest changes is, as I said before, the activism and advocacy on the part of Asian, Asian American musicians themselves. So I have one chapter about that. Like, what? How? What kinds of advocacy and activism they're engaged in.   Another big change that I'm seeing is that compared to 20 years ago, there are a lot more Asian musicians in the field of opera.  00:43:01 Isabel Li  Ohh yeah.  00:43:02 Mari Yoshihara  Uh. Both as singers. Yeah, many of them singers, but also in other, you know, like for instance opera, you know, pianist for opera or be opera directors, et cetera. There are many more Asians in this particular field than what I saw 20 years ago. And I talked about this a little bit in my first book, but opera is a very particular kind of field within classical music.   How race plays into opera is very different from other areas of classical music because it's a theatrical art form. It's visually oriented, you know art form. And because singers have to be cast in order to, you know, sing on stage. So the racial politics in opera, you know, unfolds very differently from, say, for pianists or cellists or conductors or or composers.   So I now have a whole chapter about opera, especially Madame Butterfly, that this very fraught work, you know, opera that many Asian and Asian Americans have love hate relationships. A lot of pigeon-holing that happens in that through that opera. But also, production of new opera by Asian and Asian American artists, composers, directors, singers, etcetera. So I have a whole chapter about that.   And then I also will have another chapter about, you know, what it means to, you know, sit at the table, basically. Like stand on the podium and sit at the table, stand on the podium. Not only, I mean I will, I will have a whole discussion about Asian and Asian Americans conductors, but not only in that literal sense of, you know, standing at the podium, but like being at the table like in other words, not only, Asian and Asian American musicians playing music that are given to them and they are assigned to them that they're hired to play, but also having a real voice in the organizational and institutional dimensions of classical music industry. So the kinds of people, Asians, who are in these positions more executive positions with decision making power what their experiences are like. I'm going to have a chapter about that.   So those are some of my ideas. I'm still in the middle of the project, so I can't. I can't see the whole picture, but those are some of my current ideas.  00:45:48 Isabel Li  I see. And do you have an idea of when this book will be published or an updated version?  00:45:54 Mari Yoshihara  Well [laughs], my goal rather ambitious goal is to have it published in 2027, because that would be 20 years since Musicians from a Different Shore, so that would be ideal if I can make that.  00:46:08 Isabel Li  Well, yeah. Nice. That's really exciting, definitely. I will also kind of bridge, I guess my part of the research into this part of the interview, since I'd love to talk to you a little bit more about how classical music in general is portrayed in media.   So as I've introduced myself before, I had a back, I have a background in media studies as well as music history and theory. And what was really interesting to me in my senior thesis while I was doing research for that was I coined this term and it could just be loosely associated with the genre of film. But it's the “classical music film.” So think of any narrative fictional film you can think of with a classical musician in there. So it could be like Amadeus, where I think of like Tár. If you watch Tár like a lot of these depictions are quite understandably white and European, but they my senior thesis I've never really seen any depictions of Asian American or Asian classical musicians? I was wondering if you have ever watched a film like that, or could maybe talk a bit about maybe the lack of representation in media, how media plays into how people perceive classical music as a genre as a whole.  00:47:23 Mari Yoshihara  That is a very interesting question. I think you know, because of the stereotype of Asian and Asian American model minority and model minority stereotype often is associated with, you know, violin or piano-playing Asian American kids, I think. Asian, Asian American characters who are, you know, these kind of musical classical music geniuses appear here and there. But the ones that center on such a character as the main, you know, like the protagonist, come to think of it, I'm not sure if I've seen. I mean, I've seen several Korean dramas, you know, character, but those are Korean dramas, not Asian American, so more American works with Asian classical musicians…  00:48:21 Isabel Li  And I think also classical music as a genre is. It's interesting because classical music is also kind of underrepresented. It's not quite in the mainstream. And then one of my final questions for you is I do also want to take a second to acknowledge that your book was actually one of the only books that I could find about this topic. I think there are not that many other books about Asian and Asian Americans in classical music. I think there are a few other books and a few and definitely some papers that talk about this, but what got you interested in this field? And I don't know if you think there's a scarcity of information, but do you think there's relative scarcity of information about this topic?  00:49:01 Mari Yoshihara  Yeah. So how I got into it is. So I was a pretty serious student of piano when I was a child. That's like, yeah, that really kind of preoccupied my childhood and adolescence. But then I, for various reasons I ended up not going to a music Conservatory and became an academic.   And then once I entered academia and became a scholar of American studies, all I was studying was like race, gender, class. I mean, that's what  we do in American studies. And my first book, which was originally my doctoral dissertation, was a cultural history of orientalism and white women. So that was a study of the intersections of race and gender and to some extent class in American history.   So once I finished that book, I was thinking about what projects to work on next. And I happened to turn on the TV, and it just so happens that the Vienna Phil New Year's concert, conducted by Seiji Ozawa was playing on the TV and that was sort of my “aha” moment because I had always known or, you know, kind of generally aware that Asians and Asian Americans are, if not necessarily overrepresented, but, you know, they're quite numerous, you know. They're present. Their numerical presence is quite notable in classical music that is often associated with white, you know, European culture, elite culture.  So I was kind of curious about that phenomenon, but I hadn't really thought too much about it until I watched Seiji Ozawa were conducting the Vienna Phil. And that's when I thought, well, maybe I can kind of combine my classical music background and my academic training in studies of race, gender, class into this project. So that's when I decided to work on. You know, this topic of Asians and Asian Americans, classical music.  I think the reason that there hadn't been at least a book-length study on the topic until my book is that for one thing, classical music is considered to be kind of a very abstract absolute form of music. This ethos that it is kind of transcends– that it is a universal, transcendental kind of genre, that is sort of above things like politics or race or gender. Like it shouldn't matter that these, you know, individual identity, racialized gender identity shouldn't matter vis-à-vis the universalism of classical music. I mean that kind of ethos is very strong in this particular genre of music. I think that has a lot to do with it.   And also the study of classical music until rather recently, like musicological study of classical music, really tended to be focused on the study of composers and their works, right? It was the textual that, like it, was an analysis of Beethoven Symphony or, you know, Bach Fugues, etcetera. Yeah. It was really focused on the study of the score, the study of the composer's ideas, as reflected in the score, I mean that was the centerpiece of musicological approach to classical music.  And so sort of more sociological anthropological study of the musical practice is a relatively new approach in in the field of musicology. I'm not a musicologist. So that's not how I'm trained. But I think the academic approach to classical music was not very, kind of, open to the kinds of topics that I raised in Musicians from a Different Shore.  00:53:12 Isabel Li  Definitely. I see. And my very final fun question for you is can you name three of your favorite classical music pieces for any recommendations you have for the audience who might be listening, who might be wondering what they will listen to next?  00:53:27 Mari Yoshihara  Well, OK well. Pieces well, because I wrote a book about Leonard Bernstein. I mean, I ended up– I wrote a book about Leonard Bernstein. Not necessarily because I was an avid fan of Bernstein. It just kind of happened this this project. But nonetheless of while I was doing research and writing the book I did listen to a lot of Bernstein. I and I have come to really love Bernstein music and so. And you know, of course, everybody knows West Side Story, but he actually wrote many other pieces that may not be as well known.   Well among the pieces that I like, I like…which one should I choose? I will choose. Ohh well, I'll choose a piece that I learned myself as a pianist.  I learned the piece called “Touches” that he wrote. It was a commission piece for the Van Cliburn International Piano Competition, and it's kind of yeah, it's a chorale and variation. So that's very interesting and very interesting and very Bernstein-esque so well.   I'll OK, as an American study scholar. I'll, I'll stick with American pieces. I like someone Barber a lot. I like Barber “Excursions,” which I also learned to play.  00:55:04 Isabel Li  Yeah.  00:55:09 Isabel Li  Tough question.  00:55:11 Mari Yoshihara  Umm, Mason Bates piece that I also learned, “White Lies For Lomax.” This one was also, I believe…was it commissioned by the Cliburn? But no, maybe it wasn't. Yeah, I think it was commissioned. But anyway, I played it at the Van Cliburn International– the amateur competition of the Cliburn competition.  I did all these. So like Bernstein, Bates, Amy Beach piece I also played. Yeah, I'll stop there. I I wish you had prepped me for that then [laughs]–  00:55:42 Isabel Li  Oh my gosh. Great responses.  00:55:46 Mari Yoshihara  Hard to think on the spot.  00:55:47 Isabel Li  Yeah, I totally get that. Whenever people ask me for my favorite composer, I never have an answer. No, so I totally get it.   Well, thank you so much for your time, Mari. And thank you for your wonderful insights. I'll put the link to your books so that people can learn about your works on APEX Express on kpfa.org. So thank you so much for your time, Mari.  00:56:07 Mari Yoshihara  Thank you.  00:56:09 Isabel Li  As mentioned, please check our website kpfa.org to find out more about Mari Yoshihara, her scholarship, and links to two of her books. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world. Your voices are important.  00:56:31 Isabel Li  APEX Express is produced by Miko Lee, Jalena Keane-Lee, Preeti Mangala Shekar, Anuj Vaidya, Swati Rayasam, and Cheryl Truong. Tonight's show was produced by Isabel Li. Thanks to the team at KPFA  for their support. Have a great night.  [OUTRO MUSIC]  The post APEX Express – 09.04.2025 – Obbligato with Mari Yoshihara appeared first on KPFA.

Today we hear from a CMPI fellow and student at Midwest Conservatory in Schaumburg. Lily plays Brahms, Bach and Wieniawski; plus the Fantasy No. 1 of Japanese composer Ikuma Dan. The post Lily Yoshihara, 18, violin appeared first on WFMT.

This week, Jacob Gettins sits down with Formula Drift Champion Dai Yoshihara. They talk about the most stressful night of his life, what it would take to get him back into FD, and how Jacob once stole his hat. Discount Codes Save $5 on tickets   OZORL OZNJ OZSTL OZSEA OZSLC Save 20% off merch https://shopfd.com/ Code -  PODCAST25 Produced by        Jacob Gettins https://linktr.ee/jako13 Formula DRIFT - https://www.formulad.com/  Edited by Kyle Mayhew - https://www.instagram.com/kaywhy_85/  Audio Engineering by J-One Audio Services -https://www.facebook.com/profile.php?id=100090486859184 Intro Song by Legna - https://www.tiktok.com/@originallegna  Track Signs Provided by - https://www.instagram.com/style.driven/ Get Your Hat - https://shopfdgarage.com/products/the-teal-beanie Original Concept - Frank Maguire     Instagram: https://www.instagram.com/the_outerzone/ TikTok: https://www.tiktok.com/@the.outerzone Facebook: https://www.facebook.com/people/The-Outerzone/61572435346956/ Shop FD: https://bit.ly/Shop-FD Discord: https://discord.gg/QWJmgqWWUr

On this week's episode we have the pleasure of having Dai Yoshihara in the studio! Dai talks with us about growing up and street racing in Japan, moving to the US, and becoming a champion of Formula D, Time Attack, and Pikes Peak!  The Avants Podcast is brought to you by our friends at STEK USA and Carter Seattle! Not an Avants member? https://www.avants.com/member-plans Leave us a review on Apple Podcasts!  Leave us a voicemail! 425-298-7873 We're doing give aways! Leave us a review on Apple Podcasts and we'll pick a random name every 25th review! It'll be worth it!

Our beloved Irwindale Speedway had its last event and closed its gates for good in December of 2024.  It was a very important place for many people's careers and passions, and it was especially important for the sport of drifting in the USA.In this episode, we provide some history about the track, and we share some details about the sale that lead to its closing.  We also interview several notable people, each with different perspectives, about the closing of the infamous House of Drift.Interviews:Teddy Phu-Thanh-Danh - Founder of drift team Auto Factory Realize, was there for opening night of Irwindale Speedway in 1999, and champion of early 2000s Japanese style drift cars. https://www.youtube.com/@AutoFactoryREALIZEDaijiro Yoshihara - Formula D Champion from Japan, had many memorable battles at Irwindale Speedway, and considers Irwindale Speedway his home track https://www.youtube.com/@DaiYoshiharaKenshiro Gushi - Drifting OG from the San Gabriel Valley and Formula D veteran who had his first sanctioned drift event experience at Irwindale Speedway https://www.youtube.com/@KenGushiMotorsportsMoto Miwa - Founder of Club4AG and Co-Founder of Drift Association, who hosted the first sanctioned drift event at Irwindale Speedway in 2002 and provided track support for D1GP and Formula DriftSabine Hsu - Benson and Nadine's daughter, who saw drifting in person for the first time at Irwindale SpeedwayDoug Stokes - VP of Communications at Irwindale Speedway for 20 years, involved in the planning and construction of Irwindale SpeedwayManabu Orido - Drifting legend from Japan, former D1GP judge, former D1GP competitor, JGTC/Super GT/Super Taikyu ChampionVaughn Gittin Jr. - Multiple time Formula D champion, winner of the D1GP USA vs Japan competition in 2005 at Irwindale Speedway https://www.youtube.com/@VaughnGittinJrBe on the lookout in the following days, as we release longer longer length interviews for some of our guests!00:00:45 Episode Start00:07:10 History of Irwindale Speedway00:11:07 Details on Irwindale Speedway being sold00:17:06 Teddy Phu-Tanh-Danh interview00:23:26 Staff's favorite memories at Irwindale Speedway00:31:25 Daijiro Yoshihara Irwindale Speedway00:37:16 Staff's feeling about Irwindale Speedway closing00:41:14 Ken Gushi interview00:49:09 Moto Miwa interview00:58:00 Sabine Hsu shares her memories01:01:10 Doug Stokes interview01:14:19 Manabu Orido interview01:17:36 Vaughn Gittin Jr. interview01:20:35 Callista Hsu's essay01:22:40 Benson's closing thoughts01:25:00 We will be releasing full length interviews#driftinghistory #drifting #driftingpodcast #podcast #irwindale #irwindalespeedway #tribute #d1gp #d1grandprix #formulad #formuladrift #drift

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Durante la guerra en el Pacífico, los norteamericanos usaron sus bombarderos medios Douglas A20 Havoc y B25 MItchell en misiones de relativo éxito contra el tráfico mercante japones En marzo 1943, los japoneses trataron de trasladar unos 100.000 soldados de China al Pacífico entre ellos la 51ª división a Lae, en Nueva Guinea, las tropas serian trasladadas en un convoy de 8 transportes y 8 destructores y con una sombrilla aérea de unos 100 cazas. Frente a ellos se desplegarían los efectivos aliados del General Kenney, para ello se utilizarían nuevos aparatos dotados de proas artilladas y que había ensayado el bombardeo de rebote contra los buques. Un desafío para pilotos y maquinas Con Sergio Murata y colaboración de Hidalgo, suscríbete en el botón azul de APOYAR y disfruta de estos programas especiales Musica intro: Fallen Soldier,licencia gratuita, de Biz Baz Estudio Licencia Creative Commons Fuentes: Bismarck Sea and air battle and Operation No. 81, Yoshihara, Kane Audios y música: Música de la época y fragmentos de películas relacionadas Productora: Vega Gónzalez Director /Colaborador: Sergio Murata Nuestras listas China en guerra https://go.ivoox.com/bk/11072909 Guerra de Ucrania (Episodios) https://go.ivoox.com/bk/10954944 337 Días en Baler, los últimos de Filipinas (Serie) https://go.ivoox.com/bk/10896373 Checoslovaquia el arsenal de Hitler (Miniserie) https://go.ivoox.com/bk/10989586 Episodios de Guadalcanal ( Episodios) https://go.ivoox.com/bk/10996267 Sudan las guerras del Mahdi (Serie) https://go.ivoox.com/bk/10991351 Con Rommel en el Desierto (Serie) https://go.ivoox.com/bk/10991349 Chechenia las guerras del lobo (Serie) https://go.ivoox.com/bk/10989674 Cine e Historia (Episodios) https://go.ivoox.com/bk/10991110 Guerra Biológica ( Episodios) https://go.ivoox.com/bk/10989690 Guerra francoprusiana de 1870-1871 (Episodios) https://go.ivoox.com/bk/10987884 Guerra de Secesión norteamericana 1861-1865 (Episodios) https://go.ivoox.com/bk/10958205 David contra Goliat, Fusiles anticarro (Miniserie) https://go.ivoox.com/bk/10958221 Beutepanzer, blindados capturados y usados por Alemania (Episodios) https://go.ivoox.com/bk/10956491 Japón bajo las bombas (Serie) https://go.ivoox.com/bk/10914802 Erich Topp, el Diablo Rojo (Serie) https://go.ivoox.com/bk/10935056 Motos en la Segunda Guerra Mundial (Serie) https://go.ivoox.com/bk/10896149 Propaganda en la Segunda Guerra Mundial (Serie) https://go.ivoox.com/bk/10886167 Memorias de nuestros veteranos (Episodios) https://go.ivoox.com/bk/10723177 Vietnam, episodios de una guerra (Episodios) https://go.ivoox.com/bk/10753747 Hombres K, los comandos de la Kriegsmarine (Serie) https://go.ivoox.com/bk/10715879 Mercur 1941, la batalla de Creta (Serie) https://go.ivoox.com/bk/10497539 Guerra de Ifni Sahara (Episodios) https://go.ivoox.com/bk/9990031 Armas de Autarquía ( Episodios) https://go.ivoox.com/bk/9990017 La Guerra del 98 (Episodios) https://go.ivoox.com/bk/5029543 Italia en la Segunda Guerra Mundial (Episodios) https://go.ivoox.com/bk/6190737 Mujeres en Tiempo de Guerra (Episodios) https://go.ivoox.com/bk/7826153 Blindados españoles (Episodios) https://go.ivoox.com/bk/7824815 Ejércitos y Soldados (Episodios) https://go.ivoox.com/bk/7825841 Batallas y conflictos (Episodios) https://go.ivoox.com/bk/7825969 Armas de infantería (Episodios) https://go.ivoox.com/bk/7824907 Espero que os guste y os animo a suscribiros, dar likes, y compartir en redes sociales y a seguirnos por facebook y/o twitter. Recordad que esta disponible la opción de Suscriptor Fan , donde podréis acceder a programas en exclusiva. Podéis opinar a través de ivoox, en twitter @Niebladeguerra1 y ver el material adicional a través de facebook https://www.facebook.com/sergio.murata.77 o por mail a niebladeguerraprograma@hotmail.com Telegram Si quieres acceder a él sigue este enlace https://t.me/niebladeguerra Además tenemos un grupo de conversación, donde otros compañeros, podcaster ,colaboradores y yo, tratamos temas diversos de historia, algún pequeño juego y lo que sea, siempre que sea serio y sin ofensas ni bobadas. Si te interesa entrar , a través del canal de Niebla de Guerra en Telegram, podrás acceder al grupo. También podrás a través de este enlace (O eso creo ) https://t.me/joinchat/Jw1FyBNQPOZtEKjgkh8vXg NUEVO CANAL DE YOUTUBE https://www.youtube.com/channel/UCaUjlWkD8GPoq7HnuQGzxfw/featured?view_as=subscriber BLOGS AMIGOS https://www.davidlopezcabia.es/ con el escritor de novela bélica David López Cabia https://www.eurasia1945.com/ Del escritor e historiador, Rubén Villamor Algunos podcast amigos LA BIBLIOTECA DE LA HISTORIA https://www.ivoox.com/biblioteca-de-la-historia_sq_f1566125_1 https://blog.sandglasspatrol.com/ blog especializado en temas de aviación Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Episode 85: In this episode of The Last Looks Podcast, Wakana Yoshihara shares her inspiring journey from Japan to becoming an acclaimed hair and makeup artist in the film industry. She discusses her early memories, challenges, and the pivotal career shifts that led her to where she is today. Wakana provides insights into her training, work on feature films, balancing family life, and the importance of continuing education and adaptation in her profession. She also dives into her experiences with different directors, character creation, and her future aspirations. This episode is a must-listen for anyone interested in the behind-the-scenes world of hair and makeup in film and television. 5% OFF Training to Trainee Book:: https://trainingtotrainee.co.uk/LASTLOOKS YouTube Channel: https://www.youtube.com/@lastlookscrew BUY the podcast a COFFEE: https://www.buymeacoffee.com/lastlooks Join Last Looks Crew & Stay in the Loop: https://www.last-looks.com/join-last-looks-crew

For the last 23 years, the major powers outside the People's Republic of China (PRC) have been engaged in a series of imperial police actions like in Afghanistan, small wars turning into inextricable problems, like Iraq, and not-insignificant medium sized wars as we see in Ukraine.The PRC chose to stay out of these conflicts, but has been learning from them.After studying 20th-century Pacific war lessons deeply and, though untested in combat since 1979, the PRC is preparing for something.Dr. Toshi Yoshihara returned to Midrats to discuss what the PRC has studied most and how its study is manifesting in policy and action.You can listen from this link, or the Spotify widget below.Remember, is you don't already, subscribe to the podcast.Toshi is a Senior Fellow at the Center for Strategic and Budgetary Assessments. He was previously the inaugural John A. van Beuren Chair of Asia-Pacific Studies and a Professor of Strategy at the U.S. Naval War College.  Dr. Yoshihara's latest book is Mao's Army Goes to Sea: The Island Campaigns and the Founding of China's Navy (Georgetown University Press, 2022). A Japanese translation of Mao's Army Goes to Sea was published in 2023. He co-authored, with James R. Holmes, the second edition of Red Star over the Pacific: China's Rise and the Challenge to U.S. Maritime Strategy (Naval Institute Press, 2018). The book has been listed on the Chief of Naval Operations Professional Reading Program, the Indo-Pacific Command Professional Development Reading List, and the Commandant of the Marine Corps Professional Reading Program.Dr. Yoshihara is the recipient of the 8th annual Kokkiken Japan Study Award by the Japan Institute for National Fundamentals in July 2021 for his CSBA study, "Dragon Against the Sun." In 2016 he was awarded the Navy Meritorious Civilian Service Award in recognition of his scholarship on maritime and strategic affairs at the Naval War College.  Dr. Yoshihara served as a visiting professor at the Fletcher School of Law and Diplomacy, Tufts University; the School of Global Policy and Strategy, University of California, San Diego; and the Strategy Department of the U.S. Air War College. He currently teaches a graduate course on seapower in the Indo-Pacific at the School of Foreign Service, Georgetown University.ShowlinksChinese Lessons from the Great Pacific War: Implications for PRC Warfighting, CBSAChina is Learning About Western Decision Making from the Ukraine War, by Mick RyanElbridge Colby on XU.S. Navy's Top Officer Plans for Confrontation With China by 2027SummaryIn this conversation, Toshi Yoshihara, Sal, and Mark delve into the lessons that the People's Liberation Army (PLA) has learned from historical conflicts, particularly the Pacific War in World War II. They discuss the importance of logistics, intelligence, and joint operations in modern warfare, as well as how the PLA is analyzing past battles to inform its future strategies. The conversation also touches on the implications of the ongoing Russia-Ukraine conflict and the concept of comprehensive national power in the context of military readiness and capability.TakeawaysThe PLA has not fought a major war since 1979, relying on historical analysis.China studies past conflicts to inform its military strategies.Logistics played a crucial role in the success of the US in the Pacific War.Shore-based air power is essential for modern military operations.The PLA recognizes its weaknesses in joint operations and is working to improve.Intelligence gathering and analysis are vital for understanding adversaries.The study of history is integral to military education in China.The PLA draws lessons from both World War II and contemporary conflicts.China is observing the Russia-Ukraine war for strategic insights.Comprehensive national power is a key concept in assessing military capabilities.Chapters00:00: Introduction and Context of the Discussion02:56: China's Learning from Historical Conflicts09:12: Analyzing Key Battles of the Pacific War20:44: Logistics and Its Importance in Warfare27:53: The Concept of Joint Operations in Military Strategy30:06: The Role of Intelligence in Modern Warfare34:05: Intellectual Approaches to Military History43:17: Lessons from the Japanese and American Military Strategies48:56: Learning from the Russia-Ukraine Conflict58:01: Comprehensive National Power and Its Implications

Our guest from the beggining of 2022, Ai Yoshihara (she/her) is a standup comedian and actor. We discuss what it's like to be an asian immigrant in America and a female comedian in a white male dominated field.

Sung and Emelia sit down with drift champion and driving legend, Dai Yoshihara. Dai shares his journey, from a self-taught driver on local canyon roads in Japan, through his highly accomplished career in Formula D and to his recent passion of stunt driving for film and television. They also talk about personality traits for success, financial perspectives, and the impact of having kids.See omnystudio.com/listener for privacy information.

Jarod has on long-time friend, and esteemed professional driver,  Dai Yoshihara for this week's episode. They discuss Dai's career in racing, his experience with electric vehicles, and what's next for Dai in the racing world.----FOLLOW:InstagramTwitterFacebookWebsite-----PRODUCED BY:Lagos Creative

In great power strategic competition, states deploy wedge strategies to divide, weaken, and prevent opposing alliances. In part one of a two-part series on the topic, host David Wallsh moderates a discussion on Chinese wedge strategies in the Indo-Pacific and how the United States can address this challenge. Biographies  David Wallsh is a Senior Research Scientist in CNA's Strategy, Policy, Plans, and Programs Division. Dr. Wallsh is an expert in alliance politics, Middle East security, and US security cooperation programs. April Herlevi is a Senior Research Scientist in CNA's China and Indo-Pacific Security Affairs Division. Dr. Herlevi is an expert on the People's Republic of China's (PRC) foreign and security policy, economic statecraft for technology acquisition, and the increasing role of PRC commercial, economic, and military actors globally. Twitter: @herlevi1 Andrew Taffer is a Research Fellow with the Center for the Study of Chinese Military Affairs within the Institute for National Strategic Studies (INSS) at NDU. Prior to arriving at INSS, Dr. Taffer was a Research Scientist in the China and Indo-Pacific Security Affairs division at the Center for Naval Analyses.  Toshi Yoshihara is a Senior Fellow at the Center for Strategic and Budgetary Assessments. Dr. Yoshihara was previously the inaugural John A. van Beuren Chair of Asia-Pacific Studies and a Professor of Strategy at the U.S. Naval War College.  Further Reading CNA Report: Countering Chinese and Russian Alliance Wedge Strategies CNA InDepth: The US Advances Its Pacific Partnership Strategy in Micronesia  

Live from the streets of the Hillclimb Fanfest! Joining me on the show is friend of the show and hillclimb driver Jimmy Ford, Motorsports engineer and Motortrend TV host Amir Bentatou, and accomplished driver Dai Yoshihara! That and more on this very special Hillclimb edition of Automotive ADHD!Support Jimmy Ford: jimmyfordracing.comhttps://www.youtube.com/@JimmyFordRacing/Amir's Show and Instagram:https://www.motortrend.com/news/super-street-garage-announcement/https://www.instagram.com/rsfuture_amir/Dai Yoshihara:https://www.daiyoshihara.com/--Now On Video!Rumble.com/automotiveadhdhttps://www.youtube.com/channel/UCUkSzh2ny2Idb4S3lC0qeYAhttps://www.tiktok.com/@automotiveadhdpodcastSupport the Show!thespeedcouncil.orgSend in Your Car Sounds!facebook.com/automotiveadhd

Justin talks with comedians Page Kennedy, Memphis Will, and Ai Yoshihara about paying for verification checks on Twitter and its benefits, Jonathan Majors not being his authentic self, getting 'Me Tooed' when too famous, AI technology becoming the master race, Memphis gaining a million followers online from stand-up clips, comedy clubs not allowing comedians to hangout at the clubs, difficulties independent musicians have going viral on social media, and more. Executive Producer: @JustinHiresProducer: Lee Teharte @itsmeiglee@JustinHires@pagekennedy@thememphiswill@ai_comedianInstagram.com/JustinHiresFacebook.com/JustinHiresTwitter.com/JustinHiresYouTube.com/JustJustinTVTikTok: @JustinHiresSnapchat: @JustinHiresText: 727-472-3770Theme song: 'Wit It Dog' by J. Hires

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2023.04.06.535895v1?rss=1 Authors: Coschiera, A., Yoshihara, M., Lauter, G., Ezer, S., Kere, J., Swoboda, P. Abstract: Primary cilia emanate from most human cell types, including neurons. Cilia are important for communicating with the cell's immediate environment: signal reception and transduction to/from the ciliated cell. Deregulation of ciliary signaling can lead to ciliopathies and certain neurodevelopmental disorders. In the developing brain cilia play well-documented roles for the expansion of the neural progenitor cell pool, while information about the roles of cilia during post-mitotic neuron differentiation and maturation is scarce. We employed ciliated Lund Human Mesencephalic (LUHMES) cells in time course experiments to assess the impact of ciliary signaling on neuron differentiation. By comparing ciliated and non-ciliated neuronal precursor cells and neurons in wild type and a mutant with altered cilia (RFX2 -/-), we discovered an early-differentiation "ciliary time window" during which transient cilia promote axon outgrowth, branching and arborization. Cilia promote neuron differentiation by tipping WNT signaling toward the non-canonical pathway, in turn activating WNT pathway output genes implicated in cyto-architectural changes. We provide a mechanistic entry point into when and how ciliary signaling coordinates, promotes and translates into anatomical changes. We hypothesize that ciliary alterations causing neuron differentiation defects may result in "mild" impairments of brain development, possibly underpinning certain aspects of neurodevelopmental disorders. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2023.03.29.534505v1?rss=1 Authors: Hiraki-Kajiyama, T., Miyasaka, N., Ando, R., Wakisaka, N., Itoga, H., Onami, S., Yoshihara, Y. Abstract: Zebrafish is a useful model organism in neuroscience; however, its gene expression atlas in the adult brain is not well developed. In the present study, we examined the expression of 38 neuropeptides, and glutamatergic neuron marker gene mix (slc17a6a, slc17a6b, slc17a7a, and slc17a7b) in the adult zebrafish brain using in situ hybridization. The results are summarized as an expression atlas in 19 coronal planes of the forebrain. Furthermore, the scan data of all sections were made publicly available as a database. Based on these data, we performed detailed neuroanatomical analyses of the hypothalamus. By scrutinizing and comparing the expression patterns of neuropeptides, we found that several regions described as one nucleus in the reference zebrafish brain atlas contain two or more subregions with significantly different neuropeptide/neurotransmitter expression profiles, and we proposed them as novel subnuclei. Subsequently, the expression data obtained in this study were compared with those in mice, and a cluster analysis was performed to examine the similarities. As a result, several nuclei in zebrafish and mice were clustered in close vicinity: zebrafish ventral part of the anterior part of the parvocellular preoptic nucleus (PPav)/magnocellular preoptic nucleus (PM) and mouse paraventricular hypothalamic nucleus (Pa), zebrafish posterior part of the parvocellular preoptic nucleus (PPp) and mouse medial preoptic area (MPA), zebrafish dorsal part of the ventral zone of periventricular hypothalamus (Hvd)/anterior tuberal nucleus (ATN) and mouse ventromedial hypothalamic nucleus (VMN). The present expression atlas, database, and anatomical findings will contribute to future neuroscientific research using zebrafish. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2023.03.26.534053v1?rss=1 Authors: Itahashi, T., Yamashita, A., Takahara, Y., Yahata, N., Aoki, Y. Y., Fujino, J., Yoshihara, Y., Nakamura, M., Aoki, R., Ohta, H., Sakai, Y., Takamura, M., Ichikawa, N., Okada, G., Okada, N., Kasai, K., Tanaka, S. C., Imamizu, H., Kato, N., Okamoto, Y., Takahashi, H., Kawato, M., Yamashita, O., Hashimoto, R.-i. Abstract: Autism spectrum disorder (ASD) is a lifelong condition, and its underlying biological mechanisms remain elusive. The complexity of various factors, including inter-site and development-related differences, makes it challenging to develop generalizable neuroimaging-based biomarkers for ASD. This study used a large-scale, multi-site dataset of 730 Japanese adults to develop a generalizable neuromarker for ASD across independent sites (U.S., Belgium, and Japan) and different developmental stages (children and adolescents). Our adult ASD neuromarker achieved successful generalization for the US and Belgium adults (area under the curve [AUC] = 0.70) and Japanese adults (AUC = 0.81). The neuromarker demonstrated significant generalization for children (AUC = 0.66) and adolescents (AUC = 0.71; all P less than 0.05, family-wise-error corrected). We identified 141 functional connections (FCs) important for discriminating individuals with ASD from TDCs. These FCs largely centered on social brain regions such as the amygdala, hippocampus, dorsomedial and ventromedial prefrontal cortices, and temporal cortices. Finally, we mapped schizophrenia (SCZ) and major depressive disorder (MDD) onto the biological axis defined by the neuromarker and explored the biological continuity of ASD with SCZ and MDD. We observed that SCZ, but not MDD, was located proximate to ASD on the biological dimension defined by the ASD neuromarker. The successful generalization in multifarious datasets and the observed relations of ASD with SCZ on the biological dimensions provide new insights for a deeper understanding of ASD. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2023.03.03.530736v1?rss=1 Authors: Kobori, C., Takagi, R., Yokomizo, R., Yoshihara, S., Mori, M., Takahashi, H., Javaregowda, P. K., Akiyama, T., Ko, M. S. H., Kishi, K., UMEZAWA, A. Abstract: Background: Melanocytes are an essential part of the epidermis, and their regeneration has received much attention because propagation of human adult melanocytes in vitro is too slow for clinical use. Differentiation from human pluripotent stem cells to melanocytes has been reported, but the protocols to produce them require multiple and complex differentiation steps. Method: We differentiated human embryonic stem cells (hESCs) that transiently express JMJD3 to pigmented cells. We investigated whether the pigmented cells have melanocytic characteristics and functions by qRT-PCR, immunocytochemical analysis and flow cytometry. We also investigated their biocompatibility by injecting the cells into immunodeficient mice for clinical use. Result: We successfully differentiated and established a pure culture of melanocytes. The melanocytes maintained their growth rate for a long time, approximately 200 days, and were functional. They exhibited melanogenesis and transfer of melanin to peripheral keratinocytes. Moreover, melanocytes simulated the developmental processes from melanoblasts to melanocytes. The melanocytes had high engraftability and biocompatibility in the immunodeficient mice. Conclusion: The robust generation of functional and long-lived melanocytes are key to developing clinical applications for the treatment of pigmentary skin disorders. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC

During the interview, Dr. Yoshihara mentioned another piece he wrote recently about what the Chinese learned from the Pacific War during World War II. That report can be found here The Preble Hall naval history podcast is a production of the U.S. Naval Academy Museum , the oldest Navy museum in the country.Website: Museum Home :: Museum :: USNATwitter: @usnamuseumFacebook:  U.S. Naval Academy Museum | Annapolis MD | Facebook

Representation on the stage is a powerful tool to re-shape conventional perceptions surrounding works like Madama Butterfly. But real change is found when diversity is present across all elements of the world of the arts. From directors to critics, it is imperative to discover new voices that can present these works from a fresh perspective. Join Nina Yoshida Nelsen for Episode 2 of Metamorphosis as she interviews Mari Yoshihara, Editor of American Quarterly, and composer Huang Ruo to discover the significance of a new critical voice in the industry, and how The Atlanta Opera's production is stepping forward to challenge conventional narratives of a complex work of opera. Find out more about Mari Yoshihara's work: https://manoa.hawaii.edu/amst/archive/portfolio_page/mari-yoshihara/ Find out more about the music of composer Huang Ruo: https://huangruo.com/

Dai Yoshihara is a  professional driver who has competed in Formula D,  Time Attack, Road Racing, and Hill Climb. And it all started with a motorcycle. Sort of.  On this episode we find out how Dai got his start in driving, drifting, and the unlikely meeting that led to his first drift event and ultimately, his career. Dai walks us through his car history; the differences between road racing and drifting; why he loves the Pikes Peak Hill Climb; his AE86 builds; and the one race car he would own if he could. Some of his most notable  moments: he won the Formula D championship in 2011, 3rd place in the 25  Hours of Thunderhill, 1st overall in the 2019 Global Time Attack Super  Lap Battle,  and took 1st place in the Unlimited class  (and 9th  overall) at the  Pikes Peak International Hill Climb of 2020. He's also  been a drift judge, a precision driver,  co-hosted a show on Hagerty  along with our own Zack Klapman, and has been the face of many brands.    Recorded August 16, 2022   Head to Policygenius.com to get your free life insurance quotes and see how much you could save. Use Off The Record! and ALWAYS fight your tickets! Enter code TST10 for a 10% discount on your first case on the Off The Record app, or go to http://www.offtherecord.com/TSTGet your DILLON OPTICS sunglasses through The Smoking Tire and receive a free t-shirt! https://thesmokingtire.com/partners-1 Want your question answered? Want to watch the live stream, get ad-free podcasts, or exclusive podcasts? Join our Patreon: https://www.patreon.com/thesmokingtirepodcast Tweet at us!https://www.Twitter.com/thesmokingtirehttps://www.Twitter.com/zackklapman Instagram:https://www.Instagram.com/thesmokingtirehttps://www.Instagram.com/therealzackklapman   

It's been six months since Tracy's death, and Mitch is still having a tough time. Hobie reaches out to a radio station for help. Caroline has a chance encounter with an athlete that puts strain on she and Logan. CJ enters a dance competition. Logan becomes an inventor. Join Zach, Charlie, and special guest Ai Yoshihara for another of Baywatch's "social issues episodes", and hey: they don't do too bad!

In this episode, Dr. Susan Yoshihara, President of the American Council on Women, Peace, and Security, joins us to discuss war as it relates to women in the context of her own background as a former Naval officer, the conflict in Ukraine, as well as humanitarian efforts in war. Dr. Yoshihara here also discusses foreign intervention and the nature of just war theory. We invite you to listen to this podcast to consider these matters more deeply and to meditate on the role of women in warfare in the modern world.

In this episode we're chatting with Sara Yoshihara, an American expat living and farming with her husband and two teenage daughters in Yokohama, Japan. The Yoshiharas raise soybeans, rice, and vegetables for their bakery and cafe. We also share our first listener submission to our cussing and discussing segment.

Hanga Yoshihara-Horvath has a wonderful talent for bringing very different worlds together in beautiful ways by focusing on natural, traditional and creative techniques from both Hungary and Japan. https://youtu.be/z-O0xQwxixg (Watch the video of our talk here) | https://www.instagram.com/cicvarek1223/ (See Hanga's work on Instagram) ** JOIN the Seeking Sustainability Live Supporters ** ~HAPPS~ https://www.youtube.com/redirect?event=video_description&redir_token=QUFFLUhqbmoydEVVSWhIWWt2OWwwT29IazVlRmVPVEdHUXxBQ3Jtc0tudi0yRDJtVTNhZkdDWTZIdFFHUnVGRlI1VUJnVVhIb0ljVlBmMi15aWRRTjdxRkNxRzZFcm9nc3o1dUV4RHk0V3g0YlVfTkp3UFQwSmZ6V29mdXluT1FURVpHVFplUnE0WGNxb1ZROEdJSkY2eEUzTQ&q=https%3A%2F%2Fhapps.tv%2Finvite%2F%40JJWalsh%E2%80%8B%E2%80%8B (https://happs.tv/invite/@JJWalsh​​)​ ~BuyMeACoffee~ https://www.youtube.com/redirect?event=video_description&redir_token=QUFFLUhqbldMazlyZjZlN0M3OFh6cDJKeVBvZXZVLVk0UXxBQ3Jtc0tuZWRoUFFQdVJUdU9TZDZ6TUNEbHU3azJNak0yNTlfbWFURlExTk9zRENKOFpza3d2SDBJT21nSzliSlFYYXNQU0dRZVNlT2IwaHhSNGotSEVsbmFOb0pZb1NTbm02YkdKQkVfV1BqaUY1NDhvRk5HZw&q=https%3A%2F%2Fwww.buymeacoffee.com%2Fjjwalsh%E2%80%8B%E2%80%8B (https://www.buymeacoffee.com/jjwalsh​​)​ ~Patreon~ https://www.youtube.com/redirect?event=video_description&redir_token=QUFFLUhqa29WZ2pLTHBqd2x5djJCQUZvS1Z0WjJHTlBpZ3xBQ3Jtc0ttR2k3LVFRd0QtTU5ZSWVsNnJLYzlxT2hzbjc4Vm82bEpOUXlBSnRPNENYdndHWVB6Wkh0MXJCM3hON1d1a29aSkRoQW1kVzZmNncyOXFGMVdvSHRPNkNOWTg3dWZ4cDNUTWtQbGdtTkU1WWFaU2JwYw&q=https%3A%2F%2Fwww.patreon.com%2Fjjwalsh%E2%80%8B%E2%80%8B (https://www.patreon.com/jjwalsh​​) JOIN the support team on YouTube https://www.youtube.com/channel/UCbjRdeieOLGes008y_I9y5Q/join (YouTube Memberships ) SoundCloud sourced BGM thanks to Hikosaemon Support this podcast

Therapy of the Absurd Ep.40 Our special guest this week is Comedian/Actress Ai Yoshihara. Plus our weekly therapeutic shenanigans! Put the kids to bed. Make a drink. Eat your edibles. Make your popcorn. Throw your feet up! Let's podcast & chill! Special Guest: Comedian/Actress Ai Yoshihara @aiyoshihara3 Hosts: Stephen Bowman: @Comedian_Stephen Danna Kiel: @dannakiel Dan Ochoa: @danochoa79 Victoria Haynes: @victoriastandup Subscribe to our YouTube to keep up to date on our live broadcasts and so much more. Like, Follow, Share and remember to hit that notification bell. Thank you so much! We go live every other Thursday night at 8 PM PST. Watch it on YouTube, Twitch & Facebook! Also, follow us on Instagram.

In this episode, Eiji Yoshihara joins us to discuss the research taking place at Yoshihara Lab at the Lundquist Institute. The overarching goal of the Yoshihara Lab is to understand the origins of life and physiology through utilizing state-of-the-art biomedical technologies. Japanese Translation @ minute 25 Learn more about the Yoshihara Lab Here

[Spoiler Alert] In this episode of K-Drama School, Grace discusses the show Itaewon Class. Grace goes into representations of Black-Koreanness and transgender identity on this show, as well as issues of diversity that South Korea has trouble addressing in mainstream television such as that of migrant workers from Southeast Asia. Grace then has a chat with comedian Ai Yoshihara (@aiyoshihara3 on Instagram). They talk about how Grace got stood up by her initial guest, pandemic-anxiety, meditation, love, self-improvement, systems rigged against international students in higher education institutions, money-management, and many more. Follow @KDramaSchool on Instagram, Twitter and TikTok. Visit kdramachool.com to learn more. Next week, we discuss an old school show called Beautiful Days (2001). --- Support this podcast: https://anchor.fm/kdramaschool/support

[Spoiler Alert] In this episode of K-Drama School, Grace discusses the show Itaewon Class. Grace goes into representations of Black-Koreanness and transgender identity on this show, as well as issues of diversity that South Korea has trouble addressing in mainstream television such as that of migrant workers from Southeast Asia. Grace then has a chat with comedian Ai Yoshihara (@aiyoshihara3 on Instagram). They talk about how Grace got stood up by her initial guest, pandemic-anxiety, meditation, love, self-improvement, systems rigged against international students in higher education institutions, money-management, and many more. Follow @KDramaSchool on Instagram, Twitter and TikTok. Visit kdramachool.com to learn more. Next week, we discuss an old school show called Beautiful Days (2001).

Kay and Quincy quickly learn that Ai is on the Quincy side of the M&M spectrum when Ai lists off all the Marvel movies she's watched: Wonder Woman and Batman! Ai has real concerns for Agent Carter, and her Citizen's Take that Captain America didn't do anything devolves into our three heroines debating the practicality of Red Skull ripping off his very good villain face. And a word of advice? Hide better when you're sneaking into a nuclear plant. Ai shares her lofty goal of bridging Americans and immigrants, which leads Quincy to wonder if Americans are in a toxic relationship with the British. No one is impressed by Quincy's newfound discovery of sliced oranges, and two makeup thematic tie-ins grace this episode.Instagram: @MarvelandMakeupTwitter: @MarvelandMakeupYouTube: Marvel and Makeup PodcastInquiries: marvelandmakeuppod@gmail.comFollow Quincy and KayQuincy: Instagram | TwitterKay: Instagram | TwitterFollow Ai Yoshihara: Instagram | Tik TokMusic by Clarence Yapp. Artwork by Patty Lin Hosted on Acast. See acast.com/privacy for more information.

Episode XVIII takes a detour from Mahbubani's "Has China Won?" and looks closely at the military side of the burgeoning strategic conflict between the American hegemon and its rival to the East. Focusing on three texts by a group of naval experts, we discuss how Alfred T. Mahan has been central to China's grand strategy for the Pacific and how its military planners' view of the First Island chain, a simple but unfortunate geospatial reality, forms a critical aspect of their conception of China's place in the world. Finally, to Mahbubani's question, "Can the US make U-Turns?" we test the question against military expenditures on outdated platforms and weapons systems in the Pacific. We head into our final discussion on "Has China Won?" by sharing some thoughts on how these military-strategic works have reframed our earlier, perhaps overly optimistic view of China's successes. On the next episode, we'll continue exploring that question through the lens of economics, centrally focused on Pettis and Klein's "Trade Wars are Class Wars." Works under discussion: Michael J. Green: By More Than Providence T. Yoshihara and J. Holmes: Red Star Over the PacificJerry Hendrix: At What Cost a Carrier?  Thanks for listening. Jason King provides the music you hear in After the 'End of History.' 

Hey nerds. This episode, the one and only Ai Yoshihara graces me with her presence. She and I discuss her origin story as a comedian and her beliefs in a life after this one. Ai grew up in Japan and moved to the US for school. She has lived in Belton, TX; Reno, NV; Las Vegas, NV; and Los Angeles, CA. She studied hotel management, which was just a means to an end. She moved to LA to pursue her true passion: acting. Her acting career pushed her into improv comedy. She did improv for 10 years before transitioning into standup. She's been doing standup for about 4 years. She hosted a live open mic at Flappers on Fridays in the Before Times. As far as religion goes, she is truly LA. She describes herself as spiritual but not religious. She dabbles in crystals and believes in reincarnation. She clears up some of my fuzzy understanding of reincarnation. I return the favor by clearing up some of her concerns regarding polygamy. Follow her on Instagram at @aiyoshihara3. And catch her and me at our weekly Zoom mic hosted through Flappers. DM either one of us for the details or get on the Flappers email list by going to their website. The mic is every Saturday at 8:30 PM Pacific. It's the best mic they have. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/seth-lawrence/message Support this podcast: https://anchor.fm/seth-lawrence/support

Hey nerds. This episode, the one and only Ai Yoshihara graces me with her presence. She and I discuss her origin story as a comedian and her beliefs in a life after this one. Ai grew up in Japan and moved to the US for school. She has lived in Belton, TX; Reno, NV; Las Vegas, NV; and Los Angeles, CA. She studied hotel management, which was just a means to an end. She moved to LA to pursue her true passion: acting. Her acting career pushed her into improv comedy. She did improv for 10 years before transitioning into standup. She's been doing standup for about 4 years. She hosted a live open mic at Flappers on Fridays in the Before Times. As far as religion goes, she is truly LA. She describes herself as spiritual but not religious. She dabbles in crystals and believes in reincarnation. She clears up some of my fuzzy understanding of reincarnation. I return the favor by clearing up some of her concerns regarding polygamy. Follow her on Instagram at @aiyoshihara3. And catch her and me at our weekly Zoom mic hosted through Flappers. DM either one of us for the details or get on the Flappers email list by going to their website. The mic is every Saturday at 8:30 PM Pacific. It's the best mic they have. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/seth-lawrence/message Support this podcast: https://anchor.fm/seth-lawrence/support

This is a cut from the full-length recording of S:1 Ep:34. Ai Yoshihara is a Japanese stand-up comedian, TikToker, actress, and improviser based in LA. Follow her on TikTok @aiyoshihara and on Instagram @aiyoshihara3. Get the Not Your Average Asian Podcast wherever you listen. Follow the podcast on Instagram @nyaa_podcast and follow the host, Rodion Kirkland @rodionk1rkland. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/nyaa-podcast/support

Ai Yoshihara is a Japanese stand-up comedian, TikToker, actress, and improviser based in LA. Follow her on TikTok @aiyoshihara and on Instagram @aiyoshihara3. Get the Not Your Average Asian Podcast wherever you listen. Follow the podcast on Instagram @nyaa_podcast and follow the host, Rodion Kirkland @rodionk1rkland. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/nyaa-podcast/support

Episode 177: World Series of Comedy week continues! In this episode I'm joined by Los Angeles, CA based comedian Ai Yoshihara. Ai shares a story about bombing in dive bar. We talked about performing in another language, culture differences in comedy, dealing with prejudice, and learning English. Plus more! Please rate, review, and subscribe! 

Happy (almost) Halloween Bad Readers! This week we have Japanese comedian Ai Yoshihara as the guest to talk about Death Note, an anime about a teenager who finds a book that allows him to kill whoever he wants by writing their name in the titular death note dropped by a demon. We're gonna read a fic about one of the characters gettin' it on with that demon. Stay tuned!Follow Ai @aiyoshihara3 on Instagram, or check out her Youtube channel!Check out the story!Follow Atlas @atlasnovack on Twitter or Instagram!Follow us @badreadingpod on Twitter or Instagram!Check out our other episodes on our Youtube channel or anywhere you find your podcasts! And don’t forget to leave a rating as it helps the show out.

Агаарын бохирдол ба тамхинд агуулагдаж буй хорт бодисууд хүүхдийн багтраа өвчнийг ихэсгэж байна. Дэлгэрэнгүй: Yoshihara, S., Munkhbayarlakh, S., Makino, S., Ito, C., Logii, N., Dashdemberel, S., ... & Arisaka, O. (2016). Prevalence of childhood asthma in Ulaanbaatar, Mongolia in 2009. Allergology International, 65(1), 62-67.

Агаарын бохирдол ба тамхинд агуулагдаж буй хорт бодисууд хүүхдийн багтраа өвчнийг ихэсгэж байна. Дэлгэрэнгүй: Yoshihara, S., Munkhbayarlakh, S., Makino, S., Ito, C., Logii, N., Dashdemberel, S., ... & Arisaka, O. (2016). Prevalence of childhood asthma in Ulaanbaatar, Mongolia in 2009. Allergology International, 65(1), 62-67.

#Becauseracecar!  It's hillclimbing season (when isn't it?) and the PPIHC is running its chop fluey-addled rescheduled race.  It's a little weird being fan-free ('cause kung flu), but the racers are here to race - folks like Dallenbach, Vahsholtz, Zwart, Yoshihara, Donahue, Schranz and more are running everything like a carbon-fiber Z, JZ'd BR-Z, open-wheel this and 50-year old that, Camaros and Mustangs, factory Acuras, and Porsches by the pound.  Power is thick: V8s from the junkyard, blown everything, twin-turbo'd straight-six Buicks and VQs, with diesel power, ethanol power and even - heh - nine-volt power. Jump on board - Hostus Maximus Justin Fort is trackside and grabs as much as iPhonely possible, which turns out to be tons of surprsingly good audio.  Now you go do something fast and awesome.

I am very thankful to have my good friend Hide on to talk about his life journey from growing up in Japan to being part of a historic golf program at UCLA. We expand on topics from the mentality of going deep, preparing for tournaments, to his golf swing. 07/31/20

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2020.06.04.134478v1?rss=1 Authors: Lauter, G., Coschiera, A., Yoshihara, M., Sugiaman-Trapman, D., Ezer, S., Sethurathinam, S., Katayama, S., Kere, J., Swoboda, P. Abstract: Many human cell types are ciliated, including neural progenitors and differentiated neurons. Ciliopathies are characterized by defective cilia and comprise various disease states, including brain phenotypes, where the underlying biological pathways are largely unknown. Our understanding of neuronal cilia is rudimentary and an easy-to-maintain, ciliated human neuronal cell model is missing. LUHMES is a ciliated neuronal cell line derived from human fetal mesencephalon. LUHMES cells can easily be maintained and differentiated into mature, functional neurons within one week. They have a single primary cilium as proliferating progenitor cells and as post-mitotic, differentiating neurons. These developmental stages are completely separable within one day of culture condition change. The Sonic Hedgehog (SHH) signaling pathway is active in differentiating LUHMES neurons. RNA-seq time course analyses reveal molecular pathways and gene-regulatory networks critical for ciliogenesis and axon outgrowth at the interface between progenitor cell proliferation, polarization and neuronal differentiation. Gene expression dynamics of cultured LUHMES neurons faithfully mimic the corresponding in vivo dynamics of human fetal midbrain. In LUHMES, neuronal cilia biology can be investigated along a complete timeline: from proliferation through differentiation to mature neurons. Copy rights belong to original authors. Visit the link for more info

We welcome friend of GTChannel, Champion drifter, Dai Yoshihara to Podspeed. Cabin fever gets Sam and James heated up over the RUF Rodeo and Taro is caught in between. Don't miss this episode!

Last episode of 2019! This week Jason sits downs with comedian Ai Yoshihara. They talk about their culture, comedy and so much more! Be sure to LIKE and SUBSCRIBE! FOLLOW Ai Yoshihara on Instagram - @aiyoshihara3 FOLLOW Jason Cheny on Instagram/Facebook, @jasoncheny and jasoncheny.com Follow the Podcast - @babuwithcheny

Daijiro Yoshihara, more commonly known as Dai Yoshihara is a professional driver. He currently competes in drifting in the Formula Drift, endurance and time attack with Spoon Racing, hill climb with Evasive Motorsports and the Lamborghini Super Trofeo series. Make sure to follow us and subscribe!NoBraking can be found on Instagram and FacebookMake sure to follow us and subscribe!NoBraking can be found on Instagram and Facebook

ELT: Why Teach Feminism?   This week I talk to Reiko Yoshihara about feminism in the ELT classroom. Why should I? How can I deal with backlash? How can sexism affect female teachers? 

  BRIAN CURTIS, author of FIELDS OF BATTLE: PEARL HARBOR, THE ROSE BOWL, AND THE BOYS WHO WENT TO WAR, captures the true story of the one-and-only Rose Bowl Game played outside of Pasadena, California. The bombing of Pearl Harbor had ripple effects, including in the world of football. But this story goes beyond football. Curtis follows dozens of the players into more fields of battle. We see the WWII theaters turn young athletes into men as they fight with extraordinary valor. Following the war, they fight to live ordinary lives. 00:15   Honoring Pearl Harbor Remembrance Day in America 00:20   Intro to Brian Curtis, author of Fields of Battle: Pearl Harbor, The Rose Bowl, and the Boys Who Went to War 01:25   Book endorsed by the late Senator John McCain 01:45   Curtis discovers this little-known story through “Did You Know?” fact 02:45   Book begins as Sports Illustrated article; morphs into military war story; becomes a human-interest story 04:00   Curtis’s deep dive on WWII uncovers veterans' struggles in dealing with the harshness of war 06:00   What made these men great? 06:30   Some football players go to basic training within hours after finishing a game 07:30   Ordinary guys from all backgrounds end up in pivotal battles 08:00   Extraordinariness found in how they live ordinary lives after the war 08:30   William Few, President of Duke University, predicts they’ll develop true character in storms 09:15   Winds of WWII blowing before Pearl Harbor is attacked 10:00   America ramping up for what most believed would be eventual involvement in WWII 11:30   Pearl Harbor bombing, just weeks before the 1942 Rose Bowl, creates chaos 12:30   Governor cancels the Rose Bowl game in deference to military authorities 13:30   Transferring Rose Bowl game and Rose Parade is a logistical nightmare 13:45   Should a game be played at all when war is raging that boys will soon enter? 14:20   Wallace Wade, Duke Head Coach, lobbies to move the Rose Bowl game to North Carolina 15:00   Should the Japanese scare them away from traditional game and festivities? 15:20   Similarities to September 11 16:00   Setting a precedent for the American spirit to supersede the threats of war 16:15   Duke Coach Wallace Wade: discipline and excellence paramount 17:45   Shocks the world when he leaves the University of Alabama to go to Duke University 18:45   Wade ends up sacrificing to serve his country 19:05   Oregon State Coach Lon Stinar, a “player’s coach”: laidback style, witty 20:55   Tracks approximately 80 players who participate in 1942 Rose Bowl game 21:25   Curtis asks three key questions to pare down the characters in the book 22:10   Charles Hanes, Jr., a key character, both player and military hero 22:35   Curtis follows the men from football fields to battlefields and to life after the war 24:25   Jack Yoshihara, Japanese American on OSC team who didn’t get to play 24:35   Yoshihara a symbol of racist America (Japanese internment camps) 26:00   Federal agents disallow Yoshihara’s participation with OSC team 27:45   Janet, from South Pasadena, has strong connections to Rose Parade and Rose Bowl 28:25   West Coast team once allowed to choose its opponent 29:45   Selling tickets almost paramount to choosing the competition 30:15   How has the game of football changed since 1942? 32:00   How has the game has remained the same? 33:20   Most players-turned-troops had never seen death 33:45   OSC players have first exposure before being shipped off to battle 35:45   Frank Parker and Charles Hanes are opposites 36:50   Parker and Hanes meet in Italy; discover a mutual connection to 1942 Rose Bowl game 37:35   Parker rescues Charles Hanes but Parker tells no one of his heroics 38:45   Reunite 50 years later in Corvallis, Oregon; Hanes attends to thank Parker 39:30   After the war, Parker and Hanes’ lives take very opposite directions 40:30   War affects people differently 41:15   Jack Yoshihara’s contribution is a life well lived 45:15   Curtis comes to see the football metaphor for war as insulting 47:00   Recommendation: Little Free Library BUY Fields of Battle: Pearl Harbor, the Rose Bowl, and the Boys Who Went to War Find or build a Little Free Library! Connect with us on social media! Facebook Instagram Twitter YouTube Special thanks… Music Credit Sound Editing Credit

Tom Mahnken and Toshi Yoshihara of the Center for Strategic and Budgetary Assessments (CSBA) discuss China and Russia's "authoritarian political warfare." "Not only do they use these influence campaigns, they use economic coercion, occasionally they use a military force, they use non-military instruments of power," says Yoshihara. "And it's the combination of these tools that I think make Russian and Chinese strategy so potent."

Tom Mahnken and Toshi Yoshihara of the Center for Strategic and Budgetary Assessments (CSBA) discuss China and Russia's "authoritarian political warfare." "Not only do they use these influence campaigns, they use economic coercion, occasionally they use a military force, they use non-military instruments of power," says Yoshihara. "And it's the combination of these tools that I think make Russian and Chinese strategy so potent."

Toshi Yoshihara, Senior Fellow, Center for Strategic and Budgetary AssessmentsBefore joining CSBA, Toshi Yoshihara held the John A. van Beuren Chair of Asia-Pacific Studies at the U.S. Naval War College where he taught strategy for over a decade. Yoshihara has testified before the Defense Policy Board, the House Foreign Affairs Committee, and the U.S.-China Economic and Security Review Commission. He is co-author of Red Star over the Pacific: China’s Rise and the Challenge to U.S. Maritime Strategy (Naval Institute Press, 2010), which has been listed on the Chief of Naval Operation’s Professional Reading Program since 2012. Translations of Red Star over the Pacific have been published in China, Germany, Japan, South Korea, and Taiwan. He holds a Ph.D. from the Fletcher School of Law and Diplomacy, Tufts University.

Toshi Yoshihara, Senior Fellow, Center for Strategic and Budgetary AssessmentsBefore joining CSBA, Toshi Yoshihara held the John A. van Beuren Chair of Asia-Pacific Studies at the U.S. Naval War College where he taught strategy for over a decade. Yoshihara has testified before the Defense Policy Board, the House Foreign Affairs Committee, and the U.S.-China Economic and Security Review Commission. He is co-author of Red Star over the Pacific: China’s Rise and the Challenge to U.S. Maritime Strategy (Naval Institute Press, 2010), which has been listed on the Chief of Naval Operation’s Professional Reading Program since 2012. Translations of Red Star over the Pacific have been published in China, Germany, Japan, South Korea, and Taiwan. He holds a Ph.D. from the Fletcher School of Law and Diplomacy, Tufts University.

Welcome back to The TEFLology Podcast - a podcast all about teaching English as a foreign language and related matters!  Today we bring you a discussion between our three forum interviewees - Steve Mann, Reiko Yoshihara, and Hugh Starkey. This recording features our three participants reflecting on resonances, connections, and commonalities based on listening to each other being interviewed. The interviewees also asked each other questions, and responded to questions from the audience.  Please enjoy! Buy our new ebook - Podcasting and Professional Development: A Guide for English Language Teachers here. To find other great titles, visit The Round.  Email - Ask us questions, give us feedback, tell us what you think of the show. Website - Listen to previous episodes, find out more information about us and the podcast.  iTunes - Subscribe to the podcast, or rate and review us.  Facebook - Like our page, share it with your colleagues or friends. Twitter - Follow us and retweet us. 

Welcome back to The TEFLology Podcast – A podcast all about teaching English as a foreign language and related matters. Today we bring you the first of our three interviews conducted as part of our forum ‘Global Educators, Local Connections,’ at the JALT2017 conference in Tsukuba, Japan.  In this interview, Rob asks Prof. Reiko Yoshihara of Nihon University questions related to her 2017 book - The Socially Responsible Feminist EFL Classroom: A Japanese Perspective on Identities, Beliefs, and Practices. For more information about Reiko Yoshihara, click here. Enjoy! Buy our new ebook - Podcasting and Professional Development: A Guide for English Language Teachers here. To find other great titles, visit The Round.  Email - Ask us questions, give us feedback, tell us what you think of the show. Website - Listen to previous episodes, find out more information about us and the podcast.  iTunes - Subscribe to the podcast, or rate and review us.  Facebook - Like our page, share it with your colleagues or friends. Twitter - Follow us and retweet us. 

EPISODE 80 - MAXIMUM Driftcast: The Dai And The Swann with Dai Yoshihara and Nick Swann On today's episode we get an update from Dai Yoshihara (the oldest) OG drifter from Formula Drift (since Robbie is out of FD). And we also got in a long and somewhat heated and highly emotional conversation with Nick Swann, former operations director for the now gone Midwest Drift Union. Buckle up buckaroos!!! Enjoy!  

While a new American President, Russia, and ongoing operations against the Islamic State continue to absorb attention, the Western Pacific from Japan, Korea, China, to Australia continues forward.Our guest to discuss all the latest developments will be Toshi Yoshihara.A prior guest on Midrats, Dr. Yoshihara is a Senior Fellow at CSBA. Before joining CBSA he held the John A. van Beuren Chair of Asia-Pacific Studies at the U.S. Naval War College where he taught strategy for over a decade.He is co-author of Red Star over the Pacific: China's Rise and the Challenge to U.S. Maritime Strategy, which has been listed on the Chief of Naval Operation’s Professional Reading Program since 2012. Translations of Red Star over the Pacific have been published in China, Germany, Japan, South Korea, and Taiwan.He has also co-authored Indian Naval Strategy in the Twenty-first Century and Chinese Naval Strategy in the Twenty-first Century: The Turn to Mahan. He is co-editor of Strategy in the Second Nuclear Age: Power, Ambition, and the Ultimate Weapon and Asia Looks Seaward: Power and Maritime Strategy. His articles have appeared in Journal of Strategic Studies, Asian Security, Washington Quarterly, Orbis, World Affairs, Comparative Strategy, Strategic Analysis, Journal of the Indian Ocean Region, and Naval War College Review. The Naval War College Review awarded him the Hugh G. Nott Prize for best article of 2010.He holds a Ph.D. from the Fletcher School of Law and Diplomacy, Tufts University, an M.A. from the School of Advanced International Studies, Johns Hopkins University, and a B.S.F.S. from the School of Foreign Service, Georgetown University. 

Luke and Monika talk to perfect goofball Ai Yoshiara about the classic financial collapse documentary Queen of Versailles. Follow Ai on twitter @aiyoshihara Queen of Versailles is available on Netflix

Claims hundreds of year old in the South China Sea are being acted on today. Ethnic tensions that date back to recorded time are returning to the surface with renewed importance.Regardless of what may be happening in the Middle East or Europe, China and the nations that border the South China Sea have their own set of priorities they will pursue this year.To discuss the present state of play in the area and the events to look for as the year unfolds will be returning guest of the show, Dr. Toshi Yoshihara from the Naval War College.  Professor Toshi Yoshihara holds the John A. van Beuren Chair of Asia-Pacific Studies and is an affiliate member of the China Maritime Studies Institute at the Naval War College. Before joining the College faculty, he was a visiting professor in the Strategy Department at the Air War College. Dr. Yoshihara has also served as an analyst at the Institute for Foreign Policy Analysis, RAND, and the American Enterprise Institute. He holds a Ph.D. from the Fletcher School of Law and Diplomacy, Tufts University, an M.A. from the School of Advanced International Studies, Johns Hopkins University, and a B.S.F.S. from the School of Foreign Service, Georgetown University. He is co-author of Red Star over the Pacific: China’s Rise and the Challenge to U.S. Maritime Strategy and other books related to maritime concerns in national defense policy.  

Remember when "Afghanistan" became "AFPAC" in the second half of the last decade? Concepts morph the more you study them. Just as you started to get used to the 'Pacific Pivot" - in case you missed it this summer, it is morphing in to the Indo-Pacific Pivot. Extending our view from WESTPAC in to the Indian Ocean, how are things changing that will shape the geo-strategic environment from Goa, Darwin, Yokohama, Hainan, to Vladivostok? Our guest to discuss this and more will be Dr. Toshi Yoshihara, Professor of Strategy and John A. van Beuren Chair of Asia-Pacific Studies at the U.S. Naval War College in Newport, Rhode Island, and author of Red Star over the Pacific, that was just translated into Chinese. A returning guest to Midrats, Dr. Yoshihara some of the last few months in China and India, bringing an up to date perspective on this growing center of power and influence.

Adam Carolla and Matt D'Andria answer a few listener car questions in between Adam rants. Then we bring in drift champion Dai Yoshihara and his aluminum V8-powered Nissan 240. Dai talks about racing and tearing up tires, then we go out into the parking lot to check out his car. Dai fires up the 240 and throws a couple of window-rattling revs.

During Hour One, our guest will be Susan Yoshihara, Vice President for Research at the Catholic Family and Human Rights Institute (C-FAM), and Director of the International Organizations Research Group (IORG). Ms. Yoshihara argues that as abortionists believe they are in the home stretch, science has tripped them up. The frustration on the part of abortion activists within the United Nations and other independent organizations materialized in their Women Deliver conference flop in Washington D.C. a week ago. Under the guise of "maternal health," the abortion groups aimed to drum up $12 billion in additional funding, while also drafting a formal relations government document that would fuel their march toward a worldwide promotion of "family planning." The facts, and science, has contradicted the abortionists, and now their agenda of murder is on the ropes. And as the reports emerge, women are turning against the abortionist agenda in droves. Our second hour guest is New York Times bestselling author Brad Meltzer who commissioned a poll that found America's number one hero is. . .Dad! Says Meltzer of the results, "This shows the impact fathers still have in society. Heroes For My Son is his new inspirational book that highlights father-like heroes like George Washington, Mr. Rogers, and the Wright Brothers, all of whom have one common thread, fatherhood. And great news! The book is available now, just in the nick of time for Fathers Day! Join us tonight as we enjoy two great interviews on the Political Pistachio Radio Revolution. Conservative News and Commentary