Podcasts about inagaki

The last time we spoke, Ishiwara had been spending considerable amounts of time with the Kwantung Army staff trying to figure out a way to push the envelope on seizing Manchuria. Ishiwara and his like minded colleagues had tried everything to persuade the Imperial Japanese army high command to initiate a course of action, but everytime the message was the same “wait, wait until next year, we can't do this at this time”. In 1931 Ishiwara and Itagaki organized the last major expedition into Northern Manchuria to get the newest recruited Kwantung officers up to speed and ready for plans they had been cooking up. Captain Nakamura Shintaro disappeared on the way back to Port Arthur. The Kwantung officers took the initiative, one could call it “Gekokujo / ruling from below” because without approval, in fact basically against the orders of high command they mobilized their forces outside their designated railway zone and headed for Mukden to quote “get the Chinese military to help investigate the Nakamura disappearance”. When Tokyo HQ got a whiff of this they dispatched a telegram immediately demanding the Kwantung officers get their men back and not use the Nakamura incident as a way of “solving the Manchurian problem”   For Ishiwara this was the last straw. He doubled down and pushed for a plot to provoke military conflict outside of Mukden. As he wrote in almost a messianic Nichiren conviction ‘I will be the pillar of Japan; I will be the eyes of Japan; I will be the great vessel of Japan” . During the last hectic weeks, General Honjo Shigeru arrived to take command of the Kwantung Army and there is no solid evidence Ishiwara and his radical group had disclosed their plans to him. However when everything began to move into motion, Honjo agreed to Ishiwara's military solution for the Manchurian problem.   On september 18th of 1931, a bomb was planted by the Kwantung army upon the south manchurian railway tracks at Liutiaokou. There was an explosion and the Kwantung army immediately claimed it to be a Chinese plot and moved with skill and precision to overrun the Peitaying Barracks. General Honjo's first reaction was hesitation, but then he committed additional units to aid the radicals and upon seeing the chaos unfold, ordered the seizure of all of Mukden in the process. Investigators would find the actions of Honjo over the course of the next few days to be quite indecisive. At first he seemed to be attempting to localize the incident, but then, likely as a result of Ishiwara and Itagaki pressuring him, relented to ordering a general assault on all Chinese positions in the area. Thus what was a isolated incident, transformed into a major offensive, and that major offensive was largely directed by two of Honjo's subordinates, as you may guess Ishiwara and Itagaki.   Now after the bomb explosion, the next 10 days saw southern and central Manchuria suddenly under the control of the Kwantung army. Itagaki as a senior staff officer and full colonel, was technically Ishiwara's superior, but for the next 4 months it appears Ishiwara was the main driver behind the military actions. Itagaki was quote to say to a friend during the offensive “Never mind Honjo, it's Ishiwara's War”. And indeed, being so far from Tokyo HQ's control, it really was Ishiwara's war. Tokyo dispatched official orders on September the 19th opposing the offensive, despite a lot of sympathy for the cause amongst the high commanders. Ishiwara and Inagaki had been planning this for months, they were willing to risk it all, so they disobeyed and carried on. Ishiwara began by first coercing Honjo for reinforcements and freedom to take initiative, as he was quoted asking ‘to pursue actively the security and order of all of Manchuria”.   Now obviously Ishiwara and Itagaki wanted to expand the offensive through the officials means firstmost, but they definitely went around the officials channels as well. One devious method they employed was to create chaos for civilians in Manchurian cities, thus increasing the need for better security for Japanese residents. This would allow the Kwantung army troops to deploy past their set perimeters. Immediately after what is now called “the Mukden incident”, military agents were dispatched to Kirin to create some chaos within the city. Reports of incidents from Kirin began to poor into the Kwantung Army HQ alongside Ishiwara demanding Honjo dispatch forces to Kirin to protect Japanese residents there. He also advocated for demanding reinforcements from the Korea Army, but Honjo was unwilling to go that far. It seems Ishiwara feared missing a golden opportunity and chose another course of action. On the night of the 20th, he gathered together a bunch of younger Kwantung officers such as Itagaki's assistant, Captain Katakura Tadashi and told them “I can't do anything more to budge the commander and so i'm giving up my responsibilities for the direction of operations. Katakura, you take over”. Well it seems this little ploy had the intended effect as all the young officers immediately began pressuring Honjo to support Ishiwara's demands to advance to Kirin, many of them threatening to resign. After several hours of the officers nagging, Honjo related and authorized the despatch of troops.    The operation against Kirin was carried out in lightning fast speed. Ishiwara directed the bulk of the 2nd division led by General Tamon Jiro to rush over to Kirin by rail. They entered the city without firing a single shot and forced the local Chinese commander to proclaim the independence of the province from Zhang Xueliang's regime. Within hours after this, the Korea army responded to a aid request sent out by the Kwantung Army staff on september 21st and began moving into Manchuria. Within only 48 hours the Japanese military had seized Kirin which lay outside the Kwantung operational zone and the Korea army was invading Manchuria without any approval from Tokyo, military discipline thus had been shattered.    Chief of staff Kanaya Hanzo had issued specific orders to limit the scope of the Kwantung army's operations and entrusted discretionary authority to the field commanders for certain emergency situations, usually of a local nature. The Kirin expedition did not exactly fall within any of these boundaries. Bolstered by their success, Ishiwara and Itagaki followed up the Kirin operation by pressing for an advance upon Harbin. As you might recall from the previous episode, the entire idea of taking Manchuria was built upon speed and precision. The Kwantung army had tiny forces compared to the immediate Chinese forces in Manchuria. However here they were blocked by directives sent from Tokyo HQ which forbade the movement of Kwantung troops beyond the south manchuria railway, up to this point they had limited their actions along those margins. Ishiwara attempted arguing something on more political lines. He argued Japan should aid Manchurian independence and sent the idea straight to Tokyo central HQ. In a sharp rebuff on October 3rd, Tokyo HQ affirmed its opposition to expanding the hostilities and rejected the political idea.   With the hard no from Tokyo HQ, the Kwantung radicals thought the only course of action was to cause even more chaos to force the issue. Ishiwara took the lead again, trying to toss Tokyo HQ off balance. Ishiwara personally went out on October the 8th, dressed in military pilot gear and slipped into one of five Chinese aircraft that had been seized at Mukdens airfield. He then personally led a raid, though later in life, such as at the Tokyo War crimes trials he would argue the flight was supposed to be just a reconnaissance of enemy activities at Chinchou. As he asserted, it was only at the last minute, some intelligence sprang up that anti-aircraft guns had been installed at Chinchou and thus the Kwantung army Commander had given permission to neutralize them if fired upon. Ishiwara stated that he and the 4 other aircraft accompanying him were fired upon and thus they dropped around 75 bombs on Chinchou, yes quite the course of events. As you might guess, more contemporary accounts would indicate this was a premeditated effort designed to freak out Tokyo.    The raid against Chinchou did indeed freak out Tokyo, the staff there began to fear the west would begin tossing condemnation upon them. Tokyo high command was in a bad spot. They felt obliged to back up the Kwantung army publically, by issuing post-facto approval of the many chaotic attacks, but internally they were livid. Major Endo Saburo of the intelligence division was sent to Manchuria to investigate the Chinchou situation. Saburo said upon asking Ishiwara what occurred, he responded that he had acted under the principle of field initiative and that was the reason why he never informed Tokyo in advance. Saburo also noted the manner in which he spoke to him indicated that Saburo alongside the intelligence division should mind their own business. Saburo also found out there were murmurs in Manchuria that if Tokyo high command did not get onboard, the Kwantung army was prepared to go it alone. It seemed the radical Kwantung officers would even go against the imperial japanese army command to get what they wanted. Ishiwara went as far as to send this telegram to Tokyo “For the sake of the nation we are doing our very best in Manchuria, but if the Japanese government constantly interferes we cannot complete our great work. Then the Kwantung army will have to come to the point where we will have to break the glorious history of the imperial army and separate ourselves from the empire”.If you thought this was pretty nuts, a rumor also emerged that Ishiwara and Itagaki were going to use an independent Manchuria as a base to perform a coup d'etat against the Japanese government, to overthrow the capitalists strangling the people and to establish a national socialist regime built around the emperor. For those of you who know your 1930's Japanese government by assassination history, you know exactly what this rumor is about, a little something that will occur in 1936. Whether Ishiwara and Itagaki actually intended to do this is unknown, but they certainly put out the word.   On october 18th, war minister Minami Jiro sent a telegram over to the Kwantung army ordering them to cease any and all talk of making Manchuria independent or trying to take control of it. Alongside that, they sent operations section, Colonel Imamura Hitoshi to Manchuria to talk some sense into Ishiwara and Itagaki. They all met at a restaurant in Mukden where Imamura began by explaining the purpose of his mission, but before he could even really begin, Ishiwara blurted out “whats the matter? Doesn't central headquarters have any backbone?” A great way to start a meeting to be sure. Imamura tried to explain the situation, but Ishiwara said “if we follow the spineless Tokyo approach we'll never settle the Manchurian problem”. Imamura replied “we can't accomplish anything by following the arbitrary decision of field elements, which may create a crisis that will shake the whole army. In such a problem it is essential for the whole nation to be unified”. To this Ishiwara apparently said really loudly in the restaurant that he was sleepy, rolled over on the tatami and closed his eyes. Imamura furious haha, get up quickly after denouncing his so called hosts for conducting official IJA business at a restaurant and left. The next day they all met again, where Ishiwara and Itagaki kept speaking about the necessity to create an independent state, since there was no hope of the Chinese reforming Manchuria. After Imamura left that meeting, Ishiwara said to Itagaki “Imamura is a fine fellow, but he doesn't understand China”.   And so despite the chaos and mania, the Kwantung Army had been restrained from pursuing any sustained military action through october. Ishiwara as you would imagine kept arguing they had to advance into northern manchuria. In early november Ishiwara got lucky again, finding a pretext in more destroyed railways. The rail bridges over the Nonni river south of Tsitsihar had allegedly been blown up by hostile Chinese forces. When Japanese engineer units showed up to repair the damaged tracks they were fired upon by Chinese forces. To the high officials in Tokyo it looked like a justifiable reason to take defensive measures. This was also being meet with Kwantung intelligence information being sent to Tokyo that Chinese forces in northern Manchuria were planning a southward offensive. Ishiwara had provided some rather exaggerated reports to the Japanese public to manipulate their opinion through the press which in turn put pressure on Tokyo into supporting an advance into northern manchuria.   Tokyo authorized a defensive operation, limited to time and distance aimed at defending the Japanese positions at the Nonni River bridges. Kwantung army forces began moving north and soon were engaged in heavy fighting around the railway area of Tahsing. Ishiwara personally led men during this, it would actually be the only time in his military career to do so. General Honjo, rightfully feared the Kwantung forces were getting out of hand sent a cabled on November 5th announcing under the “rinsan inmei / provisional mandate”, the general staff was assuming direct command authority in Manchuria. As you can imagine Ishiwara and his like minded Kwantung officer colleagues were livid. Honjo followed this up by stating he would resign if they did not comply, but Ishiwara brushed off the provisional mandate stating “that the directive from the chief of staff is just a personal, not an imperial order. No matter how many we get of those we shouldn't' care. We'll just go ahead with our plans”. On november 17, the Kwantung army began advancing upon the city of Tsitsihar seizing it 2 days later.    Facing yet another terrible situation publicly, the IJA high command allowed the Kwantung to advance upon Tsitsihar, but then uproar started abroad, forcing them to order the city evacuated. Ishiwara then began a huge argument amongst the staff stating the evacuation was unacceptable because of the sacrifices the forces had already made. But Honjo was standing firm. Then a few days later, Chinese forces began to assemble at Chinchou  and there had been some conflicts emerging between Japanese and chinese forces at Tientsin. Well Ishiwara immediately went to work demanding Honjo launch an offensive on Chinchou as a first step of linking their forces closer to Tientsin incase they were overwhelmed. To secure the advance, they also asked the Korea army to help out. Yet again Tokyo was tossed the hot potato. Tokyo high command ordered an immediate cease to the offensive and a withdrawal east of the Liao river. The Kwantung army paused, not so much before of the order, but because the Korea army refused to participate in the offensive against Chinchou, and they were most definitely needed.    Ishiwara faced a dilemma, without the reinforcements the entire offensive might be doomed. And then fatefully, Premier Wakatsuki was outed on December 11th.War Minister Minami and Chief of staff Kanaya, both who tried to moderate the Kwantung army's offensives were replaced by Araki Sadao an aggressive leader of the Kodoha Faction, known in english as “the imperial way faction”. To explain a bit, within the Japanese military there were cliques, kind of like the warlords cliques in many ways. They fought to direct the future operations of the IJA and even IJN to an extent. There were two main ones that influenced the 1930's heavily, the Kodoha and Toseiha (control faction). The Kodoha were not an organized political party, nor did they have an official standing within the IJA, but they were certainly influential. Kodoha members tended to be younger officers in the IJA, particularly those in the Kwantung army. General Sadao Araki was a founder of the faction and they were heavily influenced by Bushido, Fascism and the Kokutai. They sought a return to “the good old days” as one says. They say liberal democracy as a poison hurting Japan. They viewed the capitalists, industrialists and elites of Japan, ie the politicians, bureaucrats and Zaibatsu leaders to be responsible for ruining the once great nation. They wanted to see the Emperor take back full power, in what they would call a “showa restoration”. Their number one enemy, as was viewed by most of the Japanese military at this time, was the USSR and communism as a whole. Thus they were also by proxy in favor of the Hokushin-ron “northern strike policy” which was the Japanese theoretical war plan to invade the USSR. Now I don't want to go to far down the rabbit whole, but due note they were counter balanced by another faction known as the Toseiha faction, who were I guess to put it lightly, more moderate. The Toseiha were headed by Hideki Tojo famously and they opposed the Kodoha faction on a few grounds, one important one being, they did not want to cause a violent revolution to usher in the Emperor dominance. The Toseiha shared a lot of principles with the Kodoha, but they did not favor the Hokushin-ron strategy and instead adopted the Nanshin-ron strategy “southern strike” into southeast asia and the resource rich dutch east indies. It goes without saying the Toseiha faction enjoyed better relations with the IJN. So just to place this story within the political realm we are speaking, these two factions began to compete heavily for dominance 1931 onwards.   With Araki Sadao and some help from Prince Kan'in who was a Kodoha sympathizer things dramatically changed in Tokyo command. All of a sudden, offensive operations against Chinese forces in Manchuria became “bandit suppression” campaigns. The Kwantung army with Tokyo's full backing soon pursued all their military objectives, set out by Ishiwara and Itagaki since September. Chinchou and Shanhaikwan were seized in early January of 1932; Tsitsihar by February and by spring of 1932 Ishiwara argued to the staff they should complete the full seizure of Manchuria both north and south. In April that year he laid out “Manshu haiti heiryaku / the program for pacification of manchuria”. This new plan called for the seizure of Hailar in the north because “it was pivotal to the defense against the USSR”. It also called for seizing Jehol province because “it was an important condition to the independence of Manchuria”. By the end of the year Hailar was taken and in 1933 the Kwantung army was marching upon Jehol.   It goes without saying Ishiwara was central to the conquest of Manchuria. The Kwantung Army and IJA overall had numerous options laid bare to them to solve the Manchurian problem, but Ishiwara's primary concern was total control over Manchuria for its resources, strategic position and to obtain a continental base for a war against America. To Ishiwara, taking all of Manchuria was necessary to prepare for the Final War. Without Ishiwara it is certain there would have been conflict in Manchuria between Japan and China, but would Japan have outright seized the province? Ishiwara spent years planning and pushing the envelope. When the plan was unleashed, it would turn out Ishiwara and his colleagues did not have a concrete timetable for conquest and lacked quite a few contingency plans. Despite the chaotic nature of it all, the conquest of Manchuria was a stunning success. So much so, Ishiwara said to a friend of his, Satomi Kishio in 1932 “Even if Japan has to face the entire world, she can't be beaten”.   Ironically as many of you know, Japan's actions in Manchuria cost her greatly. Japan was now hated by the Chinese, well much more so. The west condemned Japan's actions, alongside the USSR. As my professor first taught me in a class about the Pacific War when I was a wee lad in his early 20's “It all was about Manchuria, everything started with Manchuria, and it ended with Manchuria in 1945”. The Manchuria affair started Japan on an inevitable course to fight the China War, which inturn led her to fight the west. It was a self-fulfilling prophecy. The entire affair also brings into question the subject of military discipline. Many look at the Gekokujo variable as an explanation as to how people like Ishiwara and Itagaki got away with all they did. You know, these militarist hardtype junior officers just ran amok, performed some rebellious acts defying their superiors, forcing their hands to become accomplices. Now don't get me wrong Gekokujo definitely played a hand, particularly when you look at Ishiwara. But it does not take away from the fact there simply was a high level of indiscipline within the Japanese army.   Ishiwara would have been 100% fully aware what his actions might result in, hell the guy before him, Colonel Komoto Daisaku is a great example. Ishiwara spent a long time with Komoto and saw the man's career broken as he was exiled for the Huanggutun incident. But Ishiwara was not only focus on Manchuria, he had a close eye on the political situation in Tokyo. Ishiwara knew the 1931 cabinet was crumbling, he knew certain high officials like Araki Sadao were in fast track position for promotions and their sympathies were with his cause. Ishiwara was betting, certain sympathizers such as Kodoha faction aligned ones would take seats of power necessary to help push his cause. His gamble more than paid off. All the main actors in the Manchurian affair were rewarded for their accomplishments. Ishiwara received the Order of the Golden Kite 3rd class. More importantly he returned to Japan as a rockstar hero, the younger IJA officers were enthralled by him. Ironically Ishiwara had fostered indiscipline within the army more so, that when he went up the ladder becoming a member of the Tokyo staff it would bite him in the ass.   Manchukuo and racial harmony   Now Ishiwara's dream of taking control over Manchuria was almost purely a means to end end: ie to obtain resources and a strategic position to face America. Once Manchuria was under their control, Ishiwara directed his attention towards another goal aside from this, that of racial cooperation among the asian peoples. Manchukuo or rather Ishiwara's view of what it could be was a springboard of his vision for a East-Asian league, something that had a firm basis in his Final War theory. During Ishiwara's tour of duty in Manchuria in 1932, this Pan-Asian idea of what Manchukuo could be is what set him apart from many of his Kwantung Army colleagues, it also marked him to be very unorthodox within the IJA.    Manchukuo as many of you probably know, was a sham puppet state created to legitimize Japan's seizure of Manchuria. The Japanese high command simply sought to use the guise of an indigenous movement for independence to hide the fact the simply invaded a part of China and stole it. To do this they went as far as grabbing the last Qing emperor, Puyi and tossing him upon the throne of the new state of Manchukuo while they tossed up principles of racial harmony. For obvious reasons this was all done. You can't control a region full of a population that rightfully hates you without trying to win them over. Now what the Japanese did have going for them, was there did exist elements in Manchuria who sought independence. This was Manchuria, the heart of Nurhaci's Manchu people, don't get me started on what a Manchu exactly is by the way, listen to the fall and rise of China podcast for that. The Japanese had a lot to work with, it could be seen as a righteous Qing revival, or simply giving power back to the Manchu. There was also a large presence of Mongolians, and yes Inner Mongolia would come into all of this. Manchuria came into the nationalist fold late and not exactly willingly. Also the fear of the USSR was not something Japan had alone, Manchuria had struggled against the USSR for a very long time. There was also of course a large Japanese settler population in Manchuria who obviously welcomed the seizure. The Zhang Xueliang regime was not exactly too too friendly to the Japanese within the borders and a lot of discriminatory measure had been exacted upon them. When Zhang Xueliang had joined the Nationalists this had basically spelt doom upon them, at some point they knew they would be kicked out.   While the offensives were in full swing, Ishiwara and Itagaki met with other influential Kwantung Officers to figure out how they could exert control over Manchuria. Officer Katakura, chief of staff Miyake, Dohihara Kenji of the Mukden special service organ all met, looking over a previous plan created by Colonel Dohihara, for a multi racial autonomous nation of Manchuria. It was to be headed by the last Qing emperor, Puyi and needed to possess complete autonomy in internal matters, but its defense and foreign relations would be entrusted to Japan. Ishiwara drafted the plans by September 22nd and they were telegrammed to Tokyo on October 2nd. Tokyo high command disproved of the objectives, but nonetheless worked with the Kwantung army for 5 months on the creation of a new state based on two major principles: the so-called indigenous movement for Manchurian independence and the administrative planning for the Kwantung army to control it.    The Kwantung army went to work using the traditional structure of Manchuria, local self governing bodies. They bribed, persuaded and threatened as many as they could throughout 1931 carefully cultivating a local autonomy movement against the Kuomintang hardliners. One of the first things they created was “Jichi Shidobu self-government guidance board”, whose organ was responsible for coordinating various regional movements for independence to work with the Kwantung army to, in the words of Miyake “guide Manchuria to self-government”. The head of this board was appointed to the Mukden elder statesmen Yu Ch'ung-han, a man educated in Japan and previous advisor to Zhang Zuolin. His board would consist of 20 Japanese and 10 Manchurian members. Such organs were opened Japanese civilians in Manchuria and they flocked to them to support the so called multiracial political structure, because they could bend it to their own benefit.   The Kwantung army began tossing the slogans “racial harmony, racial equality and the righteous way” around heavily. The Kwantung army control over Manchuria was hashed out easily by establishing Japanese advisors over all organs who held ultimate veto authority, they would be appointed at all levels of government, thus everything was in reality Japanese controlled. Everything was going according to Ishiwara's vision….or was it? You would think so, and Ishiwara was definitely pushing all of this forward, but by 1933 he suddenly became a ferocious critic of the very beast he had helped create. 

Bright on Buddhism - Episode 116 - What are some characteristics of Shingon Buddhist sacred spaces? How do they differ from other Buddhist sacred spaces? How are Shingon sacred spaces influenced by texts and doctrines?Resources: Andreeva, Anna. “Buddhist Temple Networks in Medieval Japan.” Japanese Journal of Religious Studies 47, no. 1 (2020): 11–41.; Bushelle, Ethan. “The Mountain as Mandala: Kūkai's Founding of Mt. Kōya.” Japanese Journal of Religious Studies 47, no. 1 (2020): 43–83.; Collection of Benevolent Deeds (Sazenshū 作善集). By Chōgen 重源 (1121–1206).In Shunjōbō Chōgen shiryō shūsei 俊乗房重源資料集成, ed. Kobayashi Takeshi小林 剛.Tokyo: Yoshikawa Kōbunkan, 1965.; Dobbins, James C. Jōdo Shinshū: Shin Buddhism in Medieval Japan. Religion in Asia and Africa Series. Bloomington: Indiana University Press, 1989.; Goodwin, Janet R. “The Buddhist Monarch - Go-Shirakawa and the Rebuilding of Tōdai-Ji.” Japanese Journal of Religious Studies, The Emperor System and Religion in Japan, 17, no. 2/3 (1990): 219–42.; Horton, Sarah (2004). The Influence of the Ōjōyōshū in Late Tenth- and Early Eleventh-Century Japan, Japanese Journal of Religious Studies 31 (1), 29-54; Inagaki, Hisao. “Esoteric Meaning of Amida.” Pacific World Journal New Series, no. 10 (1994).; Ingram, Evan. “Chōgen's Vision of Tōdaiji's Great Buddha as Both Mahāvairocana and Amitābha.” Japanese Journal of Religious Studies 46, no. 2 (2019): 173–92.; Johnson, Peter Lunde. Land of Pure Bliss: Sukhavati, 2021.; Kainuma, Yoshiko. “Chōgen's Jōdoji Amida Triad and Its Environment: A Theatrical Effect of the ‘Raigō' Form.” Artibus Asiae 74, no. 1 (2014): 97–127.; Kuroda, Toshio. “The Development of the Kenmitsu System as Japan's Medieval Orthodoxy.” Translated by James C Dobbins. Japanese Journal of Religious Studies, The Legacy of Kuroda Toshio, 23, no. 3/4 (1996): 233–69. ; Rosenfield, John. “Introduction: Todaiji in Japanese History and Art.” In The Great Eastern Temple: Treasures of Japanese Art From, edited by Yutaka Mino, 17–31. Bloomington, IN: Indiana University Press, 1986.; Rosenfield, John M. Portraits of Chōgen: The Transformation of Buddhist Art in Early Medieval Japan. Japanese Visual Culture ; Volume 1. Leiden, the Netherlands ; Brill, 2011.; Stone, Jacqueline I. Right Thoughts at the Last Moment–Buddhism and Deathbed Practices in Early Medieval Japan. University of Hawai'i Press, 2016.; Tōdaiji zōryū kuyōki 東大寺造立供養記. Anonymous. In Dai Nihon Bukkyō zen-sho 121, Tōdaiji sōsho 1, ed. Bussho Kankōkai, 47–57. Tokyo: Bussho Kankōkai,1912–1922.; Yen-Yi, Chan, and 晏怡詹. “Revealing the Miraculous: Objects Placed inside the Statue of the Kōfukuji Nan'endō Fukūkenjaku Kannon.” Japanese Journal of Religious Studies 49, no. 1 (2022): 45–88.Do you have a question about Buddhism that you'd like us to discuss? Let us know by emailing us at Bright.On.Buddhism@gmail.com.Credits:Nick Bright: Script, Cover Art, Music, Voice of Hearer, Co-HostProven Paradox: Editing, mixing and mastering, social media, Voice of Hermit, Co-Host

The Rickshaw Man, Hiroshi Inagaki's 1958 film about a gruff rickshaw driver who becomes the surrogate father to a boy who loses his father unexpectedly, is a remake of his own 1943 black and white film of the same name.  The 1958 version won Inagaki the Golden Lion award at the Venice Film Festival and was one of 20 films the director made with his favored actor Toshiro Mifune.   Dan and Vicky discuss the film along with lots of recently seen items like A Complete Unknown, Oscar winner Flow, Mickey 17, Black Bag, 1997's Tower of Terror, and streaming shows like Daredevil: Born Again, Delhi Boys and The Americas. Our socials:  hotdatepod.com FB:  Hot Date Podcast Twitter: @HotDate726 Insta:  hotdatepod

Bright on Buddhism - Episode 105 - Who is Amitabha? What are some stories about him? How ought we understand him?Resources: Karashima, Seishi (2009), JSTOR 24049429 On Amitābha, Amitāyu(s), Sukhāvatī and the Amitābhavyūha], Bulletin of the Asia Institute, New Series, 23, 121–130Charles Muller, "Buddha of Immeasurable Life 無量壽佛" Digital Dictionary of Buddhism,http://www.buddhism-dict.net/cgi-bin/xpr-ddb.pl?71.xml+id(%27b7121-91cf-58fd-4f5b%27)Tanaka, Kenneth K. 1990. The Dawn of Chinese Pure Land Buddhist Doctrine: Ching-ying Hui-yüanʼs Commentary on the Visualization Sutra, p. 12. Albany: State University of New York Press.The Three Pure Land Sutras (PDF), translated by Inagaki, Hisao, Berkeley: Numata Center for Buddhist Translation and Research, 2003, ISBN 1-886439-18-4,Georgios T. Halkias, Luminous Bliss: A Religious History of Pure Land Literature in Tibet Pure LandJones, Charles B. (2019). Chinese Pure Land Buddhism, Understanding a Tradition of Practice. Honolulu: University of Hawai‘i Press.Jones, Charles B. (2021). Pure Land: History, Tradition, and Practice. Shambhala Publications. ISBN 978-1-61180-890-2.Amstutz, Galen (1998). The Politics of Pure Land Buddhism in India, Numen 45 (1), 69–96 JSTOR 3270334 (subscription required)Inagaki, Hisao, trans. (2003), The Three Pure Land Sutras (PDF), Berkeley: Numata Center for Buddhist Translation and Research, ISBN 1-886439-18-4, archived from the original (PDF) on May 12, 2014.Müller, F. Max (trans) Buddhist Mahâyâna texts Vol. 2: The larger Sukhâvatî-vyûha, the smaller Sukhâvatî-vyûha, the Vagrakkedikâ, the larger Pragñâ-pâramitâ-hridaya-sûtra, the smaller Pragñâ-pâramitâ-hridaya-sûtra. The Amitâyur dhyâna-sûtra, translated by J. Takakusu. Oxford, Clarendon Press 1894. Pure Land Sutras.Shi Wuling: In one Lifetime: Pure Land Buddhism, Amitabha Publications, Chicago 2006. ISBN 978-1-59975-357-7.Halkias, Georgios and Richard Payne. Pure Lands in Asian Texts and Contexts: An Anthology. University of Hawaii Press, 2019.Halkias, Georgios. Luminous Bliss: A Religious History of Pure Land Literature in Tibet, with an annotated English translation and critical edition of the Orgyan-gling Gold manuscript of the short Sukhāvatīvyūha-sūtra. Hawaii: University of Hawai‘i Press 2013. [1]Johnson, Peter, trans. (2020). The Land of Pure Bliss, On the Nature of Faith & Practice in Greater Vehicle (Mahāyāna) Buddhism, Including a Full Translation of Shàndǎo's Commentary in Four Parts Explaining The Scripture About Meditation on the Buddha 'Of Infinite Life' (Amitāyur Buddha Dhyāna Sūtra, 觀無量壽佛經), ISBN 978-1-7923-4208-0.Kenneth Tanaka (1989). Bibliography of English-language Works on Pure land Buddhism: Primarily 1983–1989, Pacific World Journal, New Series, Number 5, 85–99.Do you have a question about Buddhism that you'd like us to discuss? Let us know by tweeting to us @BrightBuddhism, emailing us at Bright.On.Buddhism@gmail.com, or joining us on our discord server, Hidden Sangha ⁠⁠⁠⁠⁠⁠⁠https://discord.gg/tEwcVpu⁠⁠⁠⁠⁠⁠⁠!Credits:Nick Bright: Script, Cover Art, Music, Voice of Hearer, Co-HostProven Paradox: Editing, mixing and mastering, social media, Voice of Hermit, Co-Host

When developing a business centered around Japanese prints, there are many factors to consider: the audience, the history, and how you want to be perceived by the public. The appeal of the Japanese aesthetic, along with your own personal aesthetic and brand identity, can also be just as important to your business. On this episode of The Unfinished Print, I speak with Malene Wagner, a gallerist, curator, writer, and art historian whose business operates under the name Tiger Tanuki. Malene shares her passion for collecting and selling Japanese prints, and we explore the European perspective on Japanese prints and printmaking. We also dive into Japanese aesthetics and how they are interpreted through a Western lens. Additionally, Malene discusses how these aesthetics influence her brand, Tiger Tanuki, the role history plays in shaping her business, and her upcoming book. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Malene Wagner & Tiger Tanuki - Instagram, website ukiyo-e - is a multi colour woodblock print generally associated with the Edo Period (1603-1867) of Japan. What began in the 17th Century as prints of only a few colours, evolved into an elaborate system of production and technique into the Meiji Period (1868-1912). With the advent of photography and other forms of printmaking, ukiyo-e as we know it today, ceased production by the late 19th Century.  Uniqlo -  a Japanese clothing brand known for its affordable, minimalist, and high-quality everyday wear. It focuses on functional designs, using innovative fabrics like Heattech for warmth and AIRism for breathability. Uniqlo is popular worldwide for offering essential wardrobe staples and often collaborates with well-known designers and artists to create unique collections. Clear Day With A Southern Breeze (1831) is a print usually known as "Red Fuji." From the series Thirty Six Views of Mt. Fuji this print was actually pink, red was used in later impressions by publisher Nishimuraya Yohachi.  The Great Wave off Kanagawa - is a woodblock print designed by Katsushika Hokusai in 1831. It is very famous.  Yayoi Kusama -  is a pioneering Japanese artist known for her immersive installations and polka dot motifs that explore themes of infinity, identity, and mental health. Born in 1929 in Matsumoto, Japan, Kusama began her artistic journey through painting and avant-garde practices, eventually moving to New York in the late 1950s, where she became a key figure in the pop art and feminist movements. Her works, range from large-scale installations like the "Infinity Mirror Rooms" to her vibrant sculptures and paintings. Kusama's art is a deeply personal expression of her own experiences with mental illness, transforming her obsessions into stunning visual experiences that resonate globally. Today, she is celebrated as one of the most influential contemporary artists, with exhibitions and installations that captivate audiences worldwide. From "Life Is The Heart of A Rainbow", Installation (2017) MANGA - was an exhibition from May 23 - August 26, 2019 held at the British Museum in London, England.  shin hanga - is a style of Japanese woodblock printmaking that emerged in the early 20th century, marking the end of the nishiki-e period. Originating around 1915 under the direction of Watanabe Shōzaburō (1885-1962), the art form responded to the foreign demand for "traditional" Japanese imagery. Shin hanga artists focused on motifs like castles, bridges, famous landscapes, and bamboo forests. The style was initiated when Watanabe discovered Austrian artist Fritz Capelari (1884-1950) and commissioned him to design prints for Watanabe's budding printing house. This collaboration led to the evolution of shin hanga into a distinctive new style of Japanese woodblock printing. The shin hanga movement thrived until its inevitable decline after the Second World War (1939-1945). sōsaku-hanga - or creative prints, is a style of printmaking which is predominantly, although not exclusively, prints made by one person. It started in the early twentieth century in Japan, in the same period as the shin-hanga movement. The artist designs, carves, and prints their own works. The designs, especially in the early days, may seem rudimentary but the creation of self-made prints was a breakthrough for printmakers moving away from where only a select group of carvers, printers and publishers created woodblock prints.  Tomoo Inagaki (1902-1980) - introduced to mokuhanga by Onchi Kōshirō and Un'cihi Hiratsuka in 1923. Beginning in 1924, Inagaki published his first prints in magazines such as Shi to hanga (issue 13), Hanga (issues 6, 9/10, 11, 14), and Kitsutsuki, and exhibited with the Nihon Sôsaku-Hanga Kyôkai (Japan Creative Print Association). He became a member of the Nihon Hanga Kyôkai (Japan Print Association) in 1932 and participated in various post-war international competitions, including the Paris, Tokyo, and Lugano biennales. His cat prints have been highly collectible. More info can be found at Viewing Japanese Prints, here. The Rival Cats - 18" x 24" (1960's - 1970's) Oliver Statler (1915-2002) -  was an American author and scholar and collector of mokuhanga. He had been a soldier in World War 2, having been stationed in Japan. After his time in the war Statler moved back to Japan where he wrote about Japanese prints. His interests were of many facets of Japanese culture such as accommodation, and the 88 Temple Pilgrimage of Shikoku. Oliver Statler, in my opinion, wrote one of the most important books on the sōsaku-hanga movement, “Modern Japanese Prints: An Art Reborn.” Frances Blakemore (1906-1997) - was an American-born artist, writer, philanthropist and curator of modern Japanese mokuhanga. She lived in Japan for over fifty years and helped to support the burgeoning sōsaku hanga print movement of the 1950s. Blakemore worked in mokuhanga (collaborating with Watanabe Shōzaburō) and making self-printed and carved prints. She also worked in oils.  Japanese Bath (1937) - 11 7/8" x 9 5/8 " Yoshitomo Nara - is a renowned Japanese contemporary artist and is celebrated for his distinctive paintings and sculptures featuring figures with large heads and expressive eyes, often exploring themes of innocence, rebellion, and solitude.  Change The History (2007) acrylic on wood 74-7/16" × 55-1/2" × 3-1/8" Mingei - is a Japanese term that translates to "folk craft" or "people's art." It refers to a movement that emerged in the early 20th century, emphasizing the value and beauty of traditional, handmade crafts created by anonymous artisans. Mingei focuses on everyday objects, such as pottery, textiles, furniture, and utensils, that reflect the culture and daily life of the people who made them. Lawrin Smith - is the author of the book "The Prints of Yoshitoshi: A Complete Illustrated Catalog" (2009). This comprehensive catalog focuses on the works of Tsukioka Yoshitoshi. The book provides detailed descriptions and illustrations of Yoshitoshi's prints, showcasing his significant contributions to the ukiyo-e genre and his influence on modern printmaking. Wabi-sabi is a Japanese aesthetic philosophy that celebrates the beauty of imperfection, transience, and the natural cycle of life. It combines two concepts: "wabi," which refers to rustic simplicity and tranquility found in nature, and "sabi,"which denotes the beauty that comes with age and wear. Wabi-sabi values simplicity, asymmetry, and the unique characteristics of objects and experiences, encouraging appreciation for the impermanent and humble aspects of life. This philosophy is reflected in various forms of art, architecture, and design, emphasizing natural materials and handcrafted items, and fostering mindfulness and acceptance of the imperfections that make life beautiful. A-yo - is a renowned Japanese artist associated with the Gutai Art Association, an avant-garde group that emerged in post-war Japan. Known for his vibrant colors and distinctive style, Ay-O's work often incorporates elements of nature, light, and movement, reflecting themes of playfulness and spontaneity. He engages with materials in innovative ways and has explored performance art as part of his creative expression. With extensive exhibitions both in Japan and internationally, Ay-O has made significant contributions to contemporary art, emphasizing the joy of creation and the aesthetic experience. Marcel Duchamp (1887–1968) was a French-American artist and a key figure in modern art, known for his significant influence on the Dada movement and conceptual art. He initially trained as a painter but became renowned for challenging traditional notions of art through his controversial works, such as "Fountain"(1917), a readymade sculpture of a urinal that questioned the definition of art and the role of the artist. Duchamp's other notable pieces, including "The Large Glass" (1915–1923) and "Bicycle Wheel" (1913), explored themes of chance and perception. His innovative ideas about art as a conceptual experience rather than a purely visual one continue to resonate, solidifying his status as one of the most influential artists of the 20th century.   Fountain (1917) replica (1964)   Naoko Matsubara - is a contemporary Japanese printmaker known for her expertise in mokuhanga. Born in Osaka, she studied at Kyoto Seika University, where she specialized in printmaking and mastered the techniques of this ancient art form. Matsubara's work often blends traditional methods with contemporary themes, exploring the relationship between nature, culture, and identity. Her prints are characterized by intricate details, vibrant colors, and a deep appreciation for the materials and techniques involved in woodblock printing. She teaches and promotes mokuhanga both in Japan and abroad, exhibiting her work in galleries and museums worldwide and receiving numerous awards for her contributions to the field. Naoko's interview with The Unfinished Print can be found, here.    Gihachiro Okuyama (1907-1981) - was a prominent Japanese printmaker and painter associated with the sōsaku hanga (creative prints) movement. Born in Tokyo, he studied traditional Japanese painting and was influenced by Western art styles, leading to innovative woodblock prints characterized by bold colors and dynamic compositions that blend traditional aesthetics with modern elements. Throughout his career, Okuyama exhibited extensively in Japan and internationally, contributing significantly to contemporary printmaking while also playing a vital role in art education by sharing his expertise with future generations. His work reflects a deep engagement with the cultural exchanges between East and West during the post-war period.     Moonscape - 10" x 21"   Utagawa Kuniyoshi (1798-1861) - is considered one of the last “masters” of the ukiyo-e genre of Japanese woodblock printmaking. His designs range from landscapes, samurai and Chinese military heroes, as well as using various formats for his designs such as diptychs and triptychs.   Prince Rokuson Tsunemoto from Suikoden of Japanese Heroes (1843) 10" x 7"    Utagawa Kunisada III (1848–1920) - was a ukiyo-e print designer from the Utagawa school of mokuhanga. Kunisada III's print designs were designed during the transformation of the Edo Period (1603-1868) into the Meiji Period (1868-1912) of Japanese history, where his prints showed the technological, architectural and historical changes in Japan's history.    Kabuki Plays - Narukami and Princess Toki (ca. 1890's) triptych   Saitō Kiyoshi (1907-1997) - was a Japanese woodblock printmaker and artist who worked in the sōsaku hanga style of mokuhanga. HIs fame outside of Japan was fairly comprehensive with his peak fame being in the 1950's and 1960's. For a comprehensive book on his life and times, Saitō Kiyoshi: Graphic Awakening published by The John & Mable Ringling Museum is an excellent source. Can be found, here. Lecture by Dr. Paget about Saitō can be found, here. My interview with Professor Paget can be found, here.    Dog, Daschund 2 10" x 15"   Edvard Munch (1863-1944) - was a Norweigan artist, who initially was a painter, but also ventured into printmaking making 850 images. His print medium was etching, lithography, and woodcut. More information can be found here, at Christie's.      Anxiety (1894)   Pieter Cornelius Mondrian (1872-1944) - a Dutch artist who's work helped found De Stijl in 1917, a group of Dutch painters who helped codify Mondrian's abstraction and industrial design. Mondrian has a wide spectrum of works and styles created throughout his career. More information can be found, here from the Guggenheim.   Mill in Sunlight (1908). Credit: Kunstmuseum Den Haag, The Hague, The Netherlands © 2021 Mondrian/Holtzman Trust   Shunga - meaning "spring pictures," is a genre of Japanese erotic art that flourished during the Edo period (1603–1868), characterized by woodblock prints, paintings, and illustrated books depicting explicit sexual scenes often combined with humor, romance, and social commentary. Notable for its vibrant colors and intricate details, shunga explores themes of intimacy and sexuality, serving both as entertainment and education in a culture where such topics were often taboo. The genre reflects societal attitudes toward love and relationships and has a rich history despite facing censorship at various times. Today, shunga is recognized as a significant part of Japanese art history, appreciated for its aesthetic qualities and cultural context. Paul Binnie - Candlelight (1994) kappazuri print 24" x 18"  Tosa Prefecture - historically known as Tosa Province, is located in the southern part of Shikoku, Japan, and corresponds to present-day Kochi Prefecture. Renowned for its natural beauty, including mountains, rivers, and coastal landscapes, Tosa has a rich cultural heritage that includes traditional crafts like Tosa washi (handmade paper) and Tosa pottery. The region is famous for its vibrant festivals, such as the Yosakoi Festival, which features lively dance performances, and is known for its agricultural products, particularly citrus fruits like yuzu and sudachi, along with seafood. Kochi City, the capital of Kochi Prefecture, serves as the cultural and economic center, showcasing local cuisine, historical sites, and museums. Tosa's unique blend of natural scenery, traditional crafts, and cultural events contributes to its significance within Japan. © Popular Wheat Productions opening and closing credit - I Am Pentagon by the band Make Up from their album Save Yourself (1999) released by K Records.  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***        

Bright on Buddhism - Longer Pure Land Sutra - Part 1 Join us as we read and discuss Part 1 of the Hisao Inagaki translation of the Longer Pure Land Sutra! Resources: Gomez, Luis, trans. (1996), The Land of Bliss: The Paradise of the Buddha of Measureless Light: Sanskrit and Chinese Versions of the Sukhavativyuha Sutras, Honolulu: University of Hawaii Press; Inagaki, Hisao, trans. (2003), The Three Pure Land Sutras (PDF), Berkeley: Numata Center for Buddhist Translation and Research, ISBN 1-886439-18-4, archived from the original (PDF) on May 12, 2014; Müller, Max, trans. (1894), The Larger Sukhāvatī-vyūha. In: The Sacred Books of the East, Volume XLIX: Buddhist Mahāyāna Texts, Part II. Oxford: Clarendon Press, ISBN 1-60206-381-8; Nattier, Jan (2003). The Indian Roots of Pure Land Buddhism: Insights from the Oldest Chinese Versions of the Larger Sukhavativyuha, Pacific World (3rd series) 5, 179–201 Do you have a question about Buddhism that you'd like us to discuss? Let us know by tweeting to us @BrightBuddhism, emailing us at Bright.On.Buddhism@gmail.com, or joining us on our discord server, Hidden Sangha ⁠https://discord.gg/tEwcVpu⁠! Credits: Nick Bright: Script, Cover Art, Music, Voice of Hearer, Co-Host Proven Paradox: Editing, mixing and mastering, social media, Voice of Hermit, Co-Host

Bright on Buddhism - Research Project Series - Chōgen's Tōdaiji Campaign: Reconstruction and Reimagination Hello and welcome to a new type of episode of Bright on Buddhism. In this series, I will be presenting and discussing some of my own original research, which covers a broad range of topics in Japanese Buddhism, and discussing it in the context of East Asian Buddhism and other disciplines broadly Resources: Andreeva, Anna. “Buddhist Temple Networks in Medieval Japan.” Japanese Journal of Religious Studies 47, no. 1 (2020): 11–41.; Bushelle, Ethan. “The Mountain as Mandala: Kūkai's Founding of Mt. Kōya.” Japanese Journal of Religious Studies 47, no. 1 (2020): 43–83.; Collection of Benevolent Deeds (Sazenshū 作善集). By Chōgen 重源 (1121–1206).In Shunjōbō Chōgen shiryō shūsei 俊乗房重源資料集成, ed. Kobayashi Takeshi小林 剛.Tokyo: Yoshikawa Kōbunkan, 1965.; Dobbins, James C. Jōdo Shinshū: Shin Buddhism in Medieval Japan. Religion in Asia and Africa Series. Bloomington: Indiana University Press, 1989.; Goodwin, Janet R. “The Buddhist Monarch - Go-Shirakawa and the Rebuilding of Tōdai-Ji.” Japanese Journal of Religious Studies, The Emperor System and Religion in Japan, 17, no. 2/3 (1990): 219–42.; Horton, Sarah (2004). The Influence of the Ōjōyōshū in Late Tenth- and Early Eleventh-Century Japan, Japanese Journal of Religious Studies 31 (1), 29-54; Inagaki, Hisao. “Esoteric Meaning of Amida.” Pacific World Journal New Series, no. 10 (1994).; Ingram, Evan. “Chōgen's Vision of Tōdaiji's Great Buddha as Both Mahāvairocana and Amitābha.” Japanese Journal of Religious Studies 46, no. 2 (2019): 173–92.; Johnson, Peter Lunde. Land of Pure Bliss: Sukhavati, 2021.; Kainuma, Yoshiko. “Chōgen's Jōdoji Amida Triad and Its Environment: A Theatrical Effect of the ‘Raigō' Form.” Artibus Asiae 74, no. 1 (2014): 97–127.; Kuroda, Toshio. “The Development of the Kenmitsu System as Japan's Medieval Orthodoxy.” Translated by James C Dobbins. Japanese Journal of Religious Studies, The Legacy of Kuroda Toshio, 23, no. 3/4 (1996): 233–69.; Rosenfield, John. “Introduction: Todaiji in Japanese History and Art.” In The Great Eastern Temple: Treasures of Japanese Art From, edited by Yutaka Mino, 17–31. Bloomington, IN: Indiana University Press, 1986.; Rosenfield, John M. Portraits of Chōgen: The Transformation of Buddhist Art in Early Medieval Japan. Japanese Visual Culture ; Volume 1. Leiden, the Netherlands ; Brill, 2011.; Stone, Jacqueline I. Right Thoughts at the Last Moment–Buddhism and Deathbed Practices in Early Medieval Japan. University of Hawai'i Press, 2016.; Tōdaiji zōryū kuyōki 東大寺造立供養記. Anonymous. In Dai Nihon Bukkyō zen-sho 121, Tōdaiji sōsho 1, ed. Bussho Kankōkai, 47–57. Tokyo: Bussho Kankōkai,1912–1922.; Yen-Yi, Chan, and 晏怡詹. “Revealing the Miraculous: Objects Placed inside the Statue of the Kōfukuji Nan'endō Fukūkenjaku Kannon.” Japanese Journal of Religious Studies 49, no. 1 (2022): 45–88. Do you have a question about Buddhism that you'd like us to discuss? Let us know by finding us on email or social media! https://linktr.ee/brightonbuddhism Credits: Nick Bright: Script, Cover Art, Music, Voice of Hearer, Co-Host Proven Paradox: Editing, mixing and mastering, social media, Voice of Hermit, Co-Host --- Send in a voice message: https://podcasters.spotify.com/pod/show/brightonbuddhism/message

Un des musiciens de jazz japonais parmi les plus emblématiques de ces 60 dernières années et le pionnier du jazz… The post S07E02 Jiro INAGAKI & His Soul Media first appeared on Radio Campus Angers.

Welcome to the Social-Engineer Podcast: The Doctor Is In Series - where we will discuss understandings and developments in the field of psychology.   In today's episode, Chris and Abbie are discussing: The Illusion of Rational Thought. We will discuss the positives and negatives of rational decision making, as well as the role our emotions play in our decision making processes. [March 6, 2023]   00:00 - Intro 00:22 - Dr. Abbie Maroño Intro 01:21 - Intro Links -          Tuxcare – tuxcare.com -          Social-Engineer.com - http://www.social-engineer.com/ -          Managed Voice Phishing - https://www.social-engineer.com/services/vishing-service/ -          Managed Email Phishing - https://www.social-engineer.com/services/se-phishing-service/ -          Adversarial Simulations - https://www.social-engineer.com/services/social-engineering-penetration-test/ -          Social-Engineer channel on SLACK - https://social-engineering-hq.slack.com/ssb -          CLUTCH - http://www.pro-rock.com/ -          innocentlivesfoundation.org - http://www.innocentlivesfoundation.org/                                                06:00 - The Topic of the Day: The Illusion of Rational Thinking 08:18 - The Difference "Framing" Makes 12:53 - Why "FREE" Isn't Free 17:49 - Western Influence 20:02 - Having More, Feeling Less 22:00 - Analysis Paralysis 28:33 - Embodied Cognition 30:21 - You're Getting Warmer 33:59 - Excitation Transfer Theory 35:13 - Let the Countdown Begin 39:02 - Emotional Responses 42:31 - Incidental Emotions 45:45 - Wrap Up -          www.social-engineer.com -          www.innocentlivesfoundation.org 48:01 - Outro   Find us online: -          Twitter: https://twitter.com/abbiejmarono -          LinkedIn: linkedin.com/in/dr-abbie-maroño-phd-35ab2611a -          Twitter: https://twitter.com/humanhacker -          LinkedIn: linkedin.com/in/christopherhadnagy   References: Mano, H. (1990). Emotional states and decision making. ACR North American Advances. DellaVigna, S. (2009). Psychology and economics: Evidence from the field. Journal of Economic literature, 47(2), 315-372. Nickerson, R. S. (1998). Confirmation bias: A ubiquitous phenomenon in many guises. Review of general psychology, 2(2), 175-220. Klein, N. H., & Oglethorpe, J. E. (1987). Cognitive reference points in consumer decision making. ACR North American Advances. Koop, G. J., & Johnson, J. G. (2012). The use of multiple reference points in risky decision making. Journal of Behavioral Decision Making, 25(1), 49-62. Seiler, M. J., Seiler, V. L., & Lane, M. A. (2012). Mental accounting and false reference points in real estate investment decision making. Journal of Behavioral finance, 13(1), 17-26. Bottom, W. P., & Studt, A. (1993). Framing effects and the distributive aspects of integrative bargaining. Organizational Behavior and Human Decision Processes, 56, 459–474 So, J., Achar, C., Han, D., Agrawal, N., Duhachek, A., & Maheswaran, D. (2015). The psychology of appraisal: Specific emotions and decision-making. Journal of Consumer Psychology, 25(3), 359-371. Kristensen, H., & Ga¨ rling, T. (1997). Anchor points, reference points, and counteroffers in negotiations. Manuscript submitted for publication. Neale, M. A., Huber, V. L., & Northcraft, G. B. (1987). The framing of negotiations: Contextual versus task frames. Organizational Behavior and Human Decision Processes, 39, 228–241 Broniarczyk, Susan M., Hoyer, Wayne D., & McAlister, Leigh (1998). Consumers' perceptions of the assortment offered in a grocery category: The impact of item reduction. Journal of Marketing Research, 35(May), 166–176. Carpenter, Gregory S., & Nakamoto, Kent (1989). Consumer preference formation and pioneering advantage. Journal of Marketing Research, 26(August), 285–298 Andrade, E. B., & Ariely, D. (2009). The enduring impact of transient emotions on decision making. Organizational behavior and human decision processes, 109(1), 1-8. Foglia, L., & Wilson, R. A. (2013). Embodied cognition. Wiley Interdisciplinary Reviews: Cognitive Science, 4(3), 319-325. Wilson, A. D., & Golonka, S. (2013). Embodied cognition is not what you think it is. Frontiers in psychology, 4, 58. Wilson, M. (2002). Six views of embodied cognition. Psychonomic bulletin & review, 9, 625-636. Inagaki, T. K., & Eisenberger, N. I. (2013). Shared neural mechanisms underlying social warmth and physical warmth. Psychological science, 24(11), 2272-2280.

Cette fois, la 5e de Couv’ se rhabille à l’occasion d’un grand événement : la rencontre avec une légende du manga, Riichirô Inagaki ! En effet, le célèbre scénariste de Eyeshield 21, Dr. Stone et... L'article Rencontre avec Riichirô Inagaki – #5DC – Saison 8 – épisode 19 est apparu en premier sur La 5e de Couv' - Le podcast de débat autour du manga !.

Today's episode is all about Junichi Inagaki, a popular city pop singer known for his hits from the 1980s and 1990s. Inagaki's emotional tunes include some of the most popular songs of the Christmas season. City pop emerged in Japan during the economic boom with the introduction of new electronic musical instruments and cars built with cassette decks. Enjoy a long car ride and the soulful tunes of Junichi Inagaki. It may bring back memories of a past lover or two!Scripted & Quality Assured by: NolaHosted by: Connor & ChristineAudio Edited & Uploaded by: Fred Support this podcast at — https://redcircle.com/japan-top-10-ri-ben-nototsupu10-jpop-hits/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2022.10.20.512984v1?rss=1 Authors: Leiwe, M. N., Fujimoto, S., Baba, T., Moriyasu, D., Sakaguchi, R., Saha, B., Inagaki, S., Imai, T. Abstract: Fluorescence imaging is widely used for the mesoscopic mapping of neuronal connectivity. However, neurite reconstruction is challenging, especially when neurons are densely labelled. Here we report a strategy for the fully automated reconstruction of densely labelled neuronal circuits. Firstly, we established stochastic super-multicolour labelling with up to seven different fluorescent proteins using the Tetbow method. With this method, each neuron was labelled with a unique combination of fluorescent proteins, which were then imaged and separated by linear unmixing. We also established an automated neurite reconstruction pipeline based on the quantitative analysis of multiple dyes (QDyeFinder). To classify colour combinations, we used a newly developed unsupervised clustering algorithm, dCrawler, in which data points in multi-dimensional space were clustered based on a given threshold distance. Our new strategy allows for the reconstruction of neurites for up to hundreds of neurons at a millimetre scale without manual tracing. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC

Wir starten in den #Japanuary mit dem ersten Teil von Hiroshi Inagakis Miyamoto Musashi-Trilogie. Der war Mitte der 1950er Jahre enorm wichtig für die Popularisierung des japanischen Films im Westen, aber heutzutage ist es seltsam still um diese Neudeutung des Nationalmythos Miyamoto Musashi geworden. Wir diagnostizieren, woran das liegen könnte - und sehen die Gründe eher als Stärken des Films. Inagaki will um jeden Preis herkömmliches Spektakel vermeiden, uns eher mit wunderschönen Naturbildern bewegen als mit den zahlreichen Monumentalszenen, die man oft gar nicht als solche wahrnimmt, trotz etlicher Hundertschaften an Komparsen. Genauso wie der junge Miyamoto Musashi zu Transzendenz und Introspektion finden muss, zwingt uns Inagaki in die kontemplative Distanz, selbst wenn es die Gelegenheit zu Chanbara-Action gibt. Wir reden auch darüber, wie der Film die Musashi-Saga mit einiger Konsequenz für die japanische Nachkriegsgesellschaft umdeutet. Und über die generell atemberaubende Farbfotografie.

Welcome back to episode 3. Numerous risk factors have been proposed to contribute to food allergy or sensitization, in this episode, I will address a few of the most researched genetic and environmental risk factors that increase the risk of developing IgE-mediated food allergy. If you would like to find out more please do visit my blog post which will detail everything that was discussed in the podcast. You can find the blog post based on this podcast on my website under blogs. Disclaimer:The information in this podcast is for information and entertainment purposes only.I am not a medical professional so I have never and will never give medical advice. You should always speak to a health care provider about your unique health needs. My opinions are entirely my own. I only discuss published literature in this podcast. I am not responsible for any claims related to the procedures, professionals, products or methods discussed in the podcast, and do does not approve or endorse any products, professionals, services or methods that may be referenced to in this podcast. Instagram: @AllergieswithAyah Website: https://allergieswithayah.wixsite.com/websiteImage description: The image is an infographic, with a light green background. There is a cartoon mustard tub, celery stick and different types of nuts at the bottom left corner. At the bottom right corner there is a cartoon image of a glass of wine, milk carton, tofu, shellfish, crustacean, purple fish and one egg. On the top left corner there are three wheat stalks and sesame and lupin seeds as cartoon images. On the top right there is a logo with a green antibody in a white box. The logo has the words Allergies at the top of the antibody, the word with to the centre left of the antibody and the word Ayah to the centre right of the antibody. At the centre top of the infographic there is the words Allergies with Ayah in written in grey. The word episode 2 is written to the centre left of Ayah's face. In the centre of the image there is a cartoon character depiction of Ayah. Ayah has brown long hair and is smiling. Ayah's hand is together in two fists and she is wearing a purple topReference list Allen, K.J., Koplin, J.J., Ponsonby, A.L., Gurrin, L.C., Wake, M., Vuillermin, P., Martin, P., Matheson, M., Lowe, A., Robinson, M. and Tey, D., (2013). Vitamin D insufficiency is associated with challenge-proven food allergy in infants. Journal of allergy and clinical immunology, 131(4), pp.1109-1116. Asai, Y., Eslami, A., van Ginkel, C.D., Akhabir, L., Wan, M., Ellis, G., Ben-Shoshan, M., Martino, D., Ferreira, M.A., Allen, K. and Mazer, B., (2018a). Genome-wide association study and meta-analysis in multiple populations identifies new loci for peanut allergy and establishes C11orf30/EMSY as a genetic risk factor for food allergy. Journal of Allergy and Clinical Immunology, 141(3), pp.991-1001. Asai, Y., Eslami, A., Van Ginkel, C.D., Akhabir, L., Wan, M., Yin, D., Ellis, G., Ben-Shoshan, M., Marenholz, I., Martino, D. and Ferreira, M.A., (2018b). A Canadian genome-wide association study and meta-analysis confirm HLA as a risk factor for peanut allergy independent of asthma. Journal of Allergy and Clinical Immunology, 141(4), pp.1513-1516. Chalmers JR, Haines RH, Mitchell EJ, Thomas KS, Brown SJ, Ridd M, et al. Effectiveness and cost-effectiveness of daily all-over-body application of emollient during the first year of life for preventing atopic eczema in high-risk children (The BEEP trial): protocol for a randomised controlled trial. Trials 2017;18:343. Crespo JF, James JM, Fernandez-Rodriguez C, Rodriguez J. Food Allergy: Nuts and Tree Nuts. Br J Nutr. 2006;96 2:S95–102. Feeney, M., Du Toit, G., Roberts, G., Sayre, P.H., Lawson, K., Bahnson, H.T., Sever, M.L., Radulovic, S., Plaut, M., Lack, G. and Chan, S., 2016. Impact of peanut consumption in the LEAP study: feasibility, growth, and nutrition. Journal of Allergy and Clinical Immunology, 138(4), pp.1108-1118.Grimshaw, K. E., Bryant, T., Oliver, E. M., Martin, J., Maskell, J., Kemp, T., Clare Mills, E. N., Foote, K. D., Margetts, B. M., Beyer, K., & Roberts, G. (2016). Incidence and risk factors for food hypersensitivity in UK infants: results from a birth cohort study. Clinical and translational allergy, 6, 1. https://doi.org/10.1186/s13601-016-0089-8Lack, G., 2008. Epidemiologic risks for food allergy. Journal of Allergy and Clinical Immunology, 121(6), pp.1331-1336.Marenholz, I., Grosche, S., Kalb, B., Rüschendorf, F., Blümchen, K., Schlags, R., Harandi, N., Price, M., Hansen, G. & Seidenberg, J. (2017). 'Genome-wide association study identifies the SERPINB gene cluster as a susceptibility locus for food allergy', Nature communications, 8(1), pp. 1-10. Matsui, T., Tanaka, K., Yamashita, H., Saneyasu, K.-i., Tanaka, H., Takasato, Y., Sugiura, S., Inagaki, N. & Ito, K. (2019). 'Food allergy is linked to season of birth, sun exposure, and vitamin D deficiency', Allergology International, 68(2), pp. 172-177.Perkin MR, Logan K, Marrs T, Radulovic S, Craven J, Flohr C, et al. Enquiring About Tolerance (EAT) study: feasibility of an early allergenic food introduction regimen. J Allergy Clin Immunol 2016a 137:1477-86. Perkin MR, Logan K, Tseng A, Raji B, Ayis S, Peacock J, et al. Randomized trial of introduction of allergenic foods in breast-fed infants. N Engl J Med 2016b ;374: 1733-43. Perkin, M.R., Logan, K., Marrs, T., Radulovic, S., Craven, J., Boyle, R.J., Chalmers, J.R., Williams, H.C., Versteeg, S.A., Van Ree, R. and Lack, G., 2021. Association of frequent moisturizer use in early infancy with the development of food allergy. Journal of Allergy and Clinical Immunology, 147(3), pp.967-976.Savilahti, E. M., Ilonen, J., Kiviniemi, M., Saarinen, K. M., Vaarala, O. & Savilahti, E. (2010). 'Human leukocyte antigen (DR1)-DQB1* 0501 and (DR15)-DQB1* 0602 haplotypes are associated with humoral responses to early food allergens in children',International archives of allergy and immunology,152(2), pp. 169-177.siSchoemaker, A. A., Sprikkelman, A. B., Grimshaw, K. E., Roberts, G., Grabenhenrich, L., Rosenfeld, L., Siegert, S., Dubakiene, R., Rudzeviciene, O. & Reche, M. (2015). 'Incidence and natural history of challenge‐proven cow's milk allergy in European children–EuroPrevall birth cohort',Allergy,70(8), pp. 963-972.Sicherer, S. H., Furlong, T. J., Maes, H. H., Desnick, R. J., Sampson, H. A. & Gelb, B. D. (2000). 'Genetics of peanut allergy: a twin study',Journal of Allergy and Clinical Immunology,106(1), pp. 53-56.Tordesillas, L.,Berin,M. C. & Sampson, H. A. (2017). 'Immunology of foodallergy', Immunity,47(1), pp. 32-50.Van Ginkel, C.D., Flokstra‐de Blok, B.M.J., Kollen, B.J., Kukler, J., Koppelman, G.H. and Dubois, A.E.J., (2015). Loss‐of‐function variants of the filaggrin gene are associated with clinical reactivity to foods. Allergy, 70(4), pp.461-464.Venkataraman, Devasmitha et al. “Filaggrin loss-of-function mutations are associated with food allergy in childhood and adolescence.” The Journal of allergy and clinical immunology vol. 134,4 (2014): 876-882.e4. doi:10.1016/j.jaci.2014.07.033Visscher, P.M., Wray, N.R., Zhang, Q., Sklar, P., McCarthy, M.I., Brown, M.A. and Yang, J., (2017). 10 years of GWAS discovery: biology, function, and translation.The American Journal of Human Genetics,101(1), pp.5-22.

U.S. National 24 Hour Running Team Friday morning at 9:00 am, USA Ultrarunner, Camille Herron will be running down a 48 hour record. Maybe more. Camille has the top two 24 Hour marks in the World. She set the World Record with 167.75 miles (270.116 km) in Albi, France, surpassing her own previous record of 162.919 (262.192) by almost five miles. She finished 4th overall. She will start the 48 hour race at 3 Days at the Fair with the opportunity to take down some long-standing, impressive records, but her eyes are on #4 and #5 below. 1.) Women's USA 48 Hour Record: Traci Falbo; 390.024km (242.349 miles/11:53 minutes per mile); June 2014; Anchorage, AK. This is also an indoor world record. 2.) Women's World 48 Hour Record: Sumie Inagaki (JPN); 397,103km (246.748 miles/11:40 minutes per mile ); May 2010; Surgeres, FRA 3.) First woman to break 400km: Patrycja Bereznowska; 401.00km (249.169 miles/11:33 minutes per mile); Athens International Ultramarathon Festival 1000 Mile race, Greece; **Berenowska broke Inagaki's record but it was not ratified 4.) Men's USA 48 Hour Record: Olivier Leblond; 421.939km (262.18 miles/10:59 minute per mile); Nov 2017, Icarus Florida UltraFest 5.) Men's World 48 Hour Record: The GOAT, Yiannis Kouros (GRE); road best of 269 miles [Yiannis Kouros ran 473,495km (294.2 miles) in a 48 hour event on the track/9:47 minutes per mile]; May 1996; Surgeres, FRA. Camille will dedicate her run to the late Ruth Bader Ginsburg. GOOD LUCK TO YOU AND Conor Holt! 6 Day (Hour 99) Amy Mower (51/F) 294 miles Philip Eberts (39/M) 329 miles 72 Hour (Hour 27) Jennifer McHale (41/F) 102 miles Ed Ettinghausen (58/M) 105 miles Endurance Noise & Random Musings Please Subscribe to my YouTube Channel! Stay Healthy. Be Boring. Not Epic. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/andy-noise/message Support this podcast: https://anchor.fm/andy-noise/support

⟩⟩ Wir alle haben Macht in unserem Leben. Je nach Kontext, Gruppe oder Situation ist es mal mehr oder mal weniger. Die Frage ist wie wir damit umgehen? Und welche Macht wir für uns selbst haben? Ist Macht etwas Gutes oder Schlechtes? Wie verändert sie uns? Wie gehen wir mit ihr um? Und wie können wir Macht neu definieren, um sie nutzbar zu machen? Diese und weitere Fragen wird Pam heute beantworten. Und Philipp hat auch mal wieder eine Studie zu Macht dabei. ⟩⟩ Quellen: „How can you tell if someone is kind? Ask how rich they are.“ Karen Weese. October 21, 2016. Washington Post. — https://www.washingtonpost.com/posteverything/wp/2016/10/21/how-can-you-tell-if-someone-is-kind-ask-how-rich-they-are/?noredirect=on&utm_term=.4d8c0e7be3e8 Muscatell, K. A., Morelli, S. A., Falk, E. B., Way, B. M., Pfeifer, J. H., Galinsky, A. D., Lieberman, M. D., Dapretto, M., & Eisenberger, N. I. (2012). Social status modulates neural activity in the mentalizing network. NeuroImage, 60, 1771-1777 — https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3909703/ Muscatell, K. A., Moeini, M., Inagaki, T. K., Dutcher, J. D., Jevtic, I., Breen, E. C., Irwin, M. R., & Eisenberger, N. I. (2016). Exposure to an inflammatory challenge enhances neural sensitivity to negative and positive social feedback. Brain, Behavior, and Immunity, 57, 21-29. — https://www.ncbi.nlm.nih.gov/pubmed/27032568 Muscatell, K.A., Dedovic, K., Slavich, G. M., Jarcho, M. R., Breen, E. C., Bower, J. E., Irwin, M. R., & Eisenberger, N. I. (2016). Neural mechanisms linking social status with inflammatory responses to social stress. Social Cognitive and Affective Neuroscience, 11, 915-922. — https://www.ncbi.nlm.nih.gov/pubmed/26979965 --- ⟩⟩ Fragen und Anregungen zum Podcast: podcast@enneagramgermany.de

Learn about how drugs like Ritalin and Adderall actually make you “focus,” how tech companies are using lava lamps to make computers more secure, and why new life discovered at the bottom of the ocean opens up new possibilities for finding life on Mars. Scientists figured out how Ritalin actually makes you focus by Grant Currin Ritalin and similar medications cause brain to focus on benefits of work, not costs. (2020). EurekAlert! https://www.eurekalert.org/pub_releases/2020-03/bu-ras031820.php  Westbrook, A., van den Bosch, R., Määttä, J. I., Hofmans, L., Papadopetraki, D., Cools, R., & Frank, M. J. (2020). Dopamine promotes cognitive effort by biasing the benefits versus costs of cognitive work. Science, 367(6484), 1362–1366. https://doi.org/10.1126/science.aaz5891  Additional resources from Matt Parker, stand-up mathematician: Pick up “Humble Pi: When Math Goes Wrong in the Real World” on Amazon https://amzn.to/3c3xwi9  Matt Parker’s official website http://standupmaths.com/ Subscribe to Matt Parker’s YouTube channel https://www.youtube.com/user/standupmaths Follow @standupmaths on Twitter https://twitter.com/standupmaths Liebow-Feeser, J. (2017, November 6). LavaRand in Production: The Nitty-Gritty Technical Details. The Cloudflare Blog; The Cloudflare Blog. https://blog.cloudflare.com/lavarand-in-production-the-nitty-gritty-technical-details/ Scott, T. (2020). The Lava Lamps That Help Keep The Internet Secure [YouTube Video]. In YouTube. https://www.youtube.com/watch?v=1cUUfMeOijg  US5732138A - Method for seeding a pseudo-random number generator with a cryptographic hash of a digitization of a chaotic system - Google Patents. (1996, January 29). Google.com. https://patents.google.com/patent/US5732138 Researchers discover bacteria living in rock beneath the sea floor (which is good news for life on Mars) by Cameron Duke Discovery of life in solid rock deep beneath sea may inspire new search for life on Mars. (2020). EurekAlert! https://www.eurekalert.org/pub_releases/2020-04/uot-dol033020.php  Suzuki, Y., Yamashita, S., Kouduka, M., Ao, Y., Mukai, H., Mitsunobu, S., Kagi, H., D’Hondt, S., Inagaki, F., Morono, Y., Hoshino, T., Tomioka, N., & Ito, M. (2020). Deep microbial proliferation at the basalt interface in 33.5–104 million-year-old oceanic crust. Communications Biology, 3(1). https://doi.org/10.1038/s42003-020-0860-1  Subscribe to Curiosity Daily to learn something new every day with Cody Gough and Ashley Hamer. You can also listen to our podcast as part of your Alexa Flash Briefing; Amazon smart speakers users, click/tap “enable” here: https://www.amazon.com/Curiosity-com-Curiosity-Daily-from/dp/B07CP17DJY 

In this episode, an Interview with the multi-talented and lovely person - Stephanie Inagaki! Listen as she offers insight into being a Gothic Jewelry Designer, her tabling adventures and collaborating with fellow artists. Also, the Crossing Point, highlights of upcoming events in the Convention world. Host: Dee Chavez Director of Editing/Design: Tom Kanchanapinyokul Music credit to: iampunchdeck Website: conventioncrossing.com Write me if you have any questions or comments: conventioncrossing@gmail.com Follow and subscribe! Twitter: @concrossing IG: @conventioncrossing FB: conventioncrossing

This week I interview artist Stephanie Inagaki. Stephanie is an amazing fine artist, sculptor and jeweler among other things. We discuss the days of her youth as a goth, her Japanese heritage, art school, bridging the gap between the high end fine art world and the Dark Art world, dealing with loss, being a woman in the Dark Art scene, Feminism and a ton more. This was a really interesting conversation and I was really excited to learn about her! I also talk about my art life and answer the 5 questions. Talon Gallery (Stephanie's next show): https://talongallery.com/pages/schedule Stephanie's Patreon: https://www.patreon.com/stephanieinagaki Stephanie's Instagram: https://www.instagram.com/stephanieinagaki/ Stephanie's Facebook: https://www.facebook.com/stephanie.inagaki/ Stephanie's website: http://www.stephanieinagaki.com/ Stephanie's Jewelry: https://www.miyudecay.com/ Stephanie's Everyday Original: http://www.everydayoriginal.com/artistprofile/?artist=stephanieinagaki Stephanie's Threadless Shop: https://stephanieinagaki.threadless.com/ Stephanie's Twitter: https://twitter.com/sinfarquhar The Dark Art Society Podcast is produced by Chet Zar, with mixing and mastering by Bryan Kilgore of Kilgore Sound; find him on Instagram and Twitter (at)kilgoresound, or his website www.kilgoresound.com Become an Official Member of the Dark Art Society: www.patreon.com/DarkArtSociety Chet’s Patreon: www.patreon.com/ChetZar The Dark Art Society Instagram: instagram.com/darkartsociety Official Dark Art Society Website: www.darkartsociety.com The Dark Art Society Podcast is now available in a variety of places, including the following platforms: SoundCloud: @darkartsociety iTunes: apple.co/2gMNUfM Stitcher: www.stitcher.com/s?fid=134626&refid=stpr Podbay: podbay.fm/show/1215146981 YouTube: bit.ly/2nNYPre DarkArtSociety.com Copyright Chet Zar LLC 2019

Neste episódio Danilo Fernandes traz Alexandre Inagaki (@inagaki) para discutirem sobre o stress causado pela internet. Sabia que a web 2.0 tem menos de vinte anos e mesmo assim já conseguimos estragar esse brinquedo? Você já se deparou com termos como burnout e FOMO? Então esse podcast foi feito pra você. Escute agora!   Twitter:   http://twitter.com/dofsmartins http://twitter.com/comequepod   Instagram:   http://instagram.com/dofsmartins http://instagram.com/comequepod   Links comentados:   Thread do Inagaki no twitter sobre sua volta (link) Rede social Vero (link) Google+ vai acabar em abril (link) Anderson Gaveta - Burnout no YouTube (link) PC Siqueira - Saia você também das redes sociais (link) Ilha de Barbados - Estamos fora das redes sociais (link) Extra: PC Siqueira - O Ciclo Vicioso da interwebs (link) Gráfico de tweets da esquerda e da direita política (link)

Today I meet a new ghost living in the house who apparently likes to smoke weed, travel through space and listen to Jazz. Jazz Johnny takes me (Geoffrey didn't want to go) on a cosmic adventure through Space Jazz, Spy Jazz, and some really chill tunes!

Toyota is back at the top of the global auto industry five years after safety lapses savaged its reputation, sales had plunged and losses soared. Kana Inagaki goes to the Japanese carmaker's HQ to assess the reality of the rebound See acast.com/privacy for privacy and opt-out information.

Donovan Hill joins us again as we continue our discussion on Inagaki's Samurai Trilogy, this time focusing on the second film in the series which came out in 1955 to quite a deal less acclaim internationally. But Mifune's still in it, so it can't be that bad, right? 

ATENÇÃO: ESTE MONACAST NÃO É RECOMENDÁVEL PARA MENORES DE 18 ANOS. Neste Podcast, Mafalda , Eubalena e Phoebe entram no espírito de férias e conversam sobre suas bebidas preferidas, bêbados e bebedeiras, @cardoso e Inagaki, cantadas de pedreiro, camelos, tigres, “agravo retido”, gambá, e outras coisas nonsenses que só poderiam ocorrer  neste terceiro episódio do […]

Lambda lambda lambda! Hoje Alottoni, Inagaki, JP, Sr.K e Azaghal, o anão finalmente fecham a semana de aniversário Jovem Nerd com um MEGABOGA PRESENTE e fazem um Nerdcast PERMITIDO sobre toda a sacanagem das PORNOCHANCHADAS! Neste podcast: Aprenda a escrever um roteiro de filme nacional, conheça outro significado para "escova", saiba como enrolar um cigarro pubiano, entenda a arte de falar um palavrão de respeito e participe da vaquinha para o busto do Pereio! Tempo de duração: 70 min ATENÇÃO: Linguagem e conteúdo impróprio para menores de 18 anos. ATENÇÃO 2: Este NÃO é o Nerdcast Proibido. :) Agradecimentos especiais a @guizaum do Nerdrops por ter nos recebido em sua casa com um arroz de forno durante nossa viagem a Brasília para subirmos o Nerdcast! :) DESAFIO INTEL GEEK GURU Confira os vencedores! Veja se você está no TOP 100! NERDOFFICE S02E12 (Vader, Obama, Yamato e Lanterna Verde) COMENTADO NA LEITURA DE E-MAILS Lombriga Sexy, por Thales Henrique Casais que falam como bebês são mais felizes Carlos Voltor Guerreiro, por Rapha Leite Caricatura de Alottoni, por Eder Galdino E-MAILS Mande suas críticas, elogios, sugestões e caneladas para nerdcast@jovemnerd.com.br iTUNES Você também pode assinar o Nerdcast em seu iTunes . Saiba como clicando aqui! BiCrossers

Lambda lambda lambda! Hoje Alottoni, Inagaki, JP, Sr.K e Azaghal, o anão finalmente fecham a semana de aniversário Jovem Nerd com um MEGABOGA PRESENTE e fazem um Nerdcast PERMITIDO sobre toda a sacanagem das PORNOCHANCHADAS! Neste podcast: Aprenda a escrever um roteiro de filme nacional, conheça outro significado para "escova", saiba como enrolar um cigarro pubiano, entenda a arte de falar um palavrão de respeito e participe da vaquinha para o busto do Pereio! Tempo de duração: 70 min ATENÇÃO: Linguagem e conteúdo impróprio para menores de 18 anos. ATENÇÃO 2: Este NÃO é o Nerdcast Proibido. :) Agradecimentos especiais a @guizaum do Nerdrops por ter nos recebido em sua casa com um arroz de forno durante nossa viagem a Brasília para subirmos o Nerdcast! :) DESAFIO INTEL GEEK GURU Confira os vencedores! Veja se você está no TOP 100! NERDOFFICE S02E12 (Vader, Obama, Yamato e Lanterna Verde) COMENTADO NA LEITURA DE E-MAILS Lombriga Sexy, por Thales Henrique Casais que falam como bebês são mais felizes Carlos Voltor Guerreiro, por Rapha Leite Caricatura de Alottoni, por Eder Galdino E-MAILS Mande suas críticas, elogios, sugestões e caneladas para nerdcast@jovemnerd.com.br iTUNES Você também pode assinar o Nerdcast em seu iTunes . Saiba como clicando aqui! BiCrossers

Lambda lambda lambda! Hoje Alottoni, Inagaki, JP, Sr.K e Azaghal, o anão finalmente fecham a semana de aniversário Jovem Nerd com um MEGABOGA PRESENTE e fazem um Nerdcast PERMITIDO sobre toda a sacanagem das PORNOCHANCHADAS! Neste podcast: Aprenda a escrever um roteiro de filme nacional, conheça outro significado para "escova", saiba como enrolar um cigarro pubiano, entenda a arte de falar um palavrão de respeito e participe da vaquinha para o busto do Pereio! Tempo de duração: 70 min ATENÇÃO: Linguagem e conteúdo impróprio para menores de 18 anos. ATENÇÃO 2: Este NÃO é o Nerdcast Proibido. :) Agradecimentos especiais a @guizaum do Nerdrops por ter nos recebido em sua casa com um arroz de forno durante nossa viagem a Brasília para subirmos o Nerdcast! :) DESAFIO INTEL GEEK GURU Confira os vencedores! Veja se você está no TOP 100! NERDOFFICE S02E12 (Vader, Obama, Yamato e Lanterna Verde) COMENTADO NA LEITURA DE E-MAILS Declaração de Alottoni ao Djavan, por Mateus Foca Lombriga Sexy, por Thales Henrique O "Homem" e o Poodle Casais que falam como bebês são mais felizes Azaghâl no Parkour, por Admilson Almeida O grupo de RPG na taverna, por Allan Jefferson Carlos Voltor Guerreiro, por Rapha Leite Caricatura de Alottoni, por Eder Galdino E-MAILS Mande suas críticas, elogios, sugestões e caneladas para nerdcast@jovemnerd.com.br iTUNES Você também pode assinar o Nerdcast em seu iTunes . Saiba como clicando aqui! BiCrossers

Lambda lambda lambda! Hoje Alottoni, Inagaki, JP, Sr.K e Azaghal, o anão finalmente fecham a semana de aniversário Jovem Nerd com um MEGABOGA PRESENTE e fazem um Nerdcast PERMITIDO sobre toda a sacanagem das PORNOCHANCHADAS! Neste podcast: Aprenda a escrever um roteiro de filme nacional, conheça outro significado para "escova", saiba como enrolar um cigarro pubiano, entenda a arte de falar um palavrão de respeito e participe da vaquinha para o busto do Pereio! Tempo de duração: 70 min ATENÇÃO: Linguagem e conteúdo impróprio para menores de 18 anos. ATENÇÃO 2: Este NÃO é o Nerdcast Proibido. :) Agradecimentos especiais a @guizaum do Nerdrops por ter nos recebido em sua casa com um arroz de forno durante nossa viagem a Brasília para subirmos o Nerdcast! :) DESAFIO INTEL GEEK GURU Confira os vencedores! Veja se você está no TOP 100! NERDOFFICE S02E12 (Vader, Obama, Yamato e Lanterna Verde) COMENTADO NA LEITURA DE E-MAILS Declaração de Alottoni ao Djavan, por Mateus Foca Lombriga Sexy, por Thales Henrique O "Homem" e o Poodle Casais que falam como bebês são mais felizes Azaghâl no Parkour, por Admilson Almeida O grupo de RPG na taverna, por Allan Jefferson Carlos Voltor Guerreiro, por Rapha Leite Caricatura de Alottoni, por Eder Galdino E-MAILS Mande suas críticas, elogios, sugestões e caneladas para nerdcast@jovemnerd.com.br iTUNES Você também pode assinar o Nerdcast em seu iTunes . Saiba como clicando aqui! BiCrossers

Lambda lambda lambda! Hoje Alottoni, Inagaki, JP, Sr.K e Azaghal, o anão finalmente fecham a semana de aniversário Jovem Nerd com um MEGABOGA PRESENTE e fazem um Nerdcast PERMITIDO sobre toda a sacanagem das PORNOCHANCHADAS! Neste podcast: Aprenda a escrever um roteiro de filme nacional, conheça outro significado para "escova", saiba como enrolar um cigarro pubiano, entenda a arte de falar um palavrão de respeito e participe da vaquinha para o busto do Pereio! Tempo de duração: 70 min ATENÇÃO: Linguagem e conteúdo impróprio para menores de 18 anos. ATENÇÃO 2: Este NÃO é o Nerdcast Proibido. :) Agradecimentos especiais a @guizaum do Nerdrops por ter nos recebido em sua casa com um arroz de forno durante nossa viagem a Brasília para subirmos o Nerdcast! :) DESAFIO INTEL GEEK GURU Confira os vencedores! Veja se você está no TOP 100! NERDOFFICE S02E12 (Vader, Obama, Yamato e Lanterna Verde) COMENTADO NA LEITURA DE E-MAILS Declaração de Alottoni ao Djavan, por Mateus Foca Lombriga Sexy, por Thales Henrique O "Homem" e o Poodle Casais que falam como bebês são mais felizes Azaghâl no Parkour, por Admilson Almeida O grupo de RPG na taverna, por Allan Jefferson Carlos Voltor Guerreiro, por Rapha Leite Caricatura de Alottoni, por Eder Galdino E-MAILS Mande suas críticas, elogios, sugestões e caneladas para nerdcast@jovemnerd.com.br iTUNES Você também pode assinar o Nerdcast em seu iTunes . Saiba como clicando aqui! BiCrossers

Lambda lambda lambda! Hoje Alottoni, Inagaki, JP, Sr.K e Azaghal, o anão finalmente fecham a semana de aniversário Jovem Nerd com um MEGABOGA PRESENTE e fazem um Nerdcast PERMITIDO sobre toda a sacanagem das PORNOCHANCHADAS! Neste podcast: Aprenda a escrever um roteiro de filme nacional, conheça outro significado para "escova", saiba como enrolar um cigarro pubiano, entenda a arte de falar um palavrão de respeito e participe da vaquinha para o busto do Pereio! Tempo de duração: 70 min ATENÇÃO: Linguagem e conteúdo impróprio para menores de 18 anos. ATENÇÃO 2: Este NÃO é o Nerdcast Proibido. :) Agradecimentos especiais a @guizaum do Nerdrops por ter nos recebido em sua casa com um arroz de forno durante nossa viagem a Brasília para subirmos o Nerdcast! :) DESAFIO INTEL GEEK GURU Confira os vencedores! Veja se você está no TOP 100! NERDOFFICE S02E12 (Vader, Obama, Yamato e Lanterna Verde) COMENTADO NA LEITURA DE E-MAILS Declaração de Alottoni ao Djavan, por Mateus Foca Lombriga Sexy, por Thales Henrique O "Homem" e o Poodle Casais que falam como bebês são mais felizes Azaghâl no Parkour, por Admilson Almeida O grupo de RPG na taverna, por Allan Jefferson Carlos Voltor Guerreiro, por Rapha Leite Caricatura de Alottoni, por Eder Galdino E-MAILS Mande suas críticas, elogios, sugestões e caneladas para nerdcast@jovemnerd.com.br iTUNES Você também pode assinar o Nerdcast em seu iTunes . Saiba como clicando aqui! BiCrossers