Podcasts about Allgaier

NASCAR went to Las Vegas and Josh Berry cashed out Sunday afternoon in what was a popular finish to a race with tons of strategy. The Xfinity Series race saw Allgaier outduel a hungry Aric Almirola, and the Truck Series saw rain stoppages but ended in Heim Time. NASCAR heads to Homestead-Miami next weekend!NASCAR is going to Canada and we're excited but scared for Iowa! Where does the track's return fit into the schedule? All of this and more on the Fake Racers Podcast!

Die Mitglieder des VfB Stuttgart wählen am 22. März 2025 einen neuen Präsidenten – und wir haben mit allen Kandidaten gesprochen. In dieser Folge erzählt uns Amtsinhaber Dietmar Allgaier wie ihn der Anruf des Vereinsbeirats auf einem PUR-Konzert überraschte, warum die ersten sieben Monate als Präsident ihn zu einem Umdenken bewegt haben und natürlich auch, wie er die wichtigen Ämter des Präsidenten des größten Vereins Baden-Württembergs und das des Landrats des Landkreises Ludwigsburg unter einen Hut bekommen will. Wie bei allen anderen Kandidaten auch gibt es von Dietmar Allgaier eine Bestandsaufnahme zum aktuellen Zustand des Vereins, seine Antworten auf unsere zehn steilen Thesen und seine Pläne und Visionen zum VfB Stuttgart. Viel Spaß! Die Gespräche mit Jochen Haas und Pierre-Enric Steiger findet ihr in diesem Podcastfeed. Vielen Dank an alle Kandidaten für ihre Zeit, an den Wahlausschuss für das Vertrauen und an das VfB Fanprojekt fürs Möglichmachen! ···················································································· Schon abonniert? VfB-Newsletter: http://www.vfb.de/newsletter YouTube: http://go.vfb.de/youtubeabo Facebook: https://www.vfb.de/facebook Twitter: https://www.vfb.de/twitter Instagram: https://www.vfb.de/instagram TikTok: https://www.tiktok.com/@vfb VfB STR auf X: https://twitter.com/VfBSTR VfB STR auf Instagram: https://www.instagram.com/vfbxstr Photo by Pressefoto Baumann

Dirty Mo Media took over the Daytona Fan Zone for a LIVE Dale Jr. Download featuring Dale Jr., The Teardown's Jeff Gluck and Jordan Bianchi, plus a stacked lineup of guests. Hélio Castroneves, Justin Allgaier, Martin Truex Jr., Cole Pearn, and Denny Hamlin all stopped by to drop some stories, talk Daytona, and maybe stir the pot a little.  0:30 - Justin Allgaier15:00 - Hélio Castroneves37:02 - Fan Questions50:00 - Martin Truex Jr. & Cole Pearn

Allgaier talks plans for the series in 2025, JRM's prospective Cup debut and more.

They don't call it "The Madhouse" for nothin' Topics covered: Ford's new LMDh program Penske takes over Nashville promotion JimJam takes control over LMC Corey LaJoie's life update Red Bull returns to NASCAR CW reveals broadcast team Truex, Allgaier reveal Daytona 500 teams Kasey Kahne is back!!! New NASCAR rules Featured paint scheme Upshift/Downshift Roller's Featured Driver Final Word

Seven-time champ Jimmie Johnson racing this year to reach a major milestone on the Cup Series. Plus Xfinity Series top dog Justin Allgaier along with Chris Stapleton, and Dale Jr. with more on JR Motorsports making their first ever Cup start.

Nach einem fast schon routinierten Heimsieg gegen Bochum geht der VfB in Belgrad unter und zeigt damit zwei unterschiedliche Gesichter - wir reden über beide. In Folge 233 (und nicht wie irrtümlich angekündigt und am Anfang genannt 234) reden über eine der gegentorreichsten Niederlagen in der Europapokal-Geschichte des VfB. 1:5 hieß es am Mittwochabend in Belgrad und nicht nur auf dem Platz, sondern auch daneben gibt es viel zu besprechen. Nicht zu kurz kommen soll natürlich auch das 2:0 gegen Bochum, mit dem der VfB in die letzte Hinrundenphase vor der Winterpause startet. Zu Gast haben wir diesmal VfL-Fan Tobias vom Podcast Immer wieder VfL und Roter Stern-Fan Denis. Außerdem reden wir über die Präsidenschaftskandidatur von Dietmar Allgaier, blicken voraus auf die nächste englische Woche mit Bremen und Bre...Regenburg und widmen uns den anderen VfB-Mannschaften und den Leihspielern. Ruhe in Frieden, Seba! Registriert Euch bei der DKMS! Die Themen im Überblick 00:00:57   Begrüßung 00:01:23   Vorstellung 00:05:47   Aktuelle Themen 00:07:05   UEFA-Strafe für Pyroshow 00:10:05   Allgaier kandidiert 00:13:44   Das 2:0 gegen Bochum 00:18:00   Die erste Halbzeit 00:28:06   Die zweite Halbzeit und Demirovics Chance 00:31:07   1:0 durch Führich 00:41:30   2:0 durch Rieder und Diehl 00:47:00   Einordnung 00:51:12   Das 1:5 in Belgrad in der Champions League 00:57:03   Frühe Führung durch Demirovic 01:00:29   Ausgerechnet Silas 01:10:36   2:1 durch Krunic 01:21:20   Die zweite Halbzeit 01:24:10   3:1 durch Ivanic 01:27:04   4:1 und 5:1 durch Radonjic 01:33:23   Woran lag's? 01:38:22   Polizeikontrollen und Ausschreitungen 01:56:36   Die Lage nach dem elften Spieltag 01:57:22   Bremen und Regensburg 02:01:45   Rund um die anderen VfB-Mannschaften & VfB Stuttgart loan army Werdet Teil des Podcasts! Wir suchen auch in der nächsten Saison wieder VfB-Fans, die mit uns über den Brustring reden wollen. Meldet Euch über die bekannten Kanäle! Rund um den Brustring unterstützen Wenn Ihr uns finanziell unterstützen wollt, könnt Ihr das entweder über Patreon oder PayPal tun. Das Geld nutzen wir, um die laufenden Kosten zu decken und Rund um den Brustring weiter zu entwickeln. Schon kleine Spenden helfen uns. Alle Infos findet Ihr hier. Wenn Euch unser Podcast gefällt, gebt uns gerne Feedback dazu, sei es auf Facebook, Twitter, Instagram oder eben in Form einer positiven Bewertung und ein paar netten Worten auf Apple Podcasts oder Spotify. Wir freuen uns natürlich auch, wenn Ihr uns ganz altmodisch offline weiterempfehlt! Abonniert auch unseren WhatsApp-Kanal, um immer über neue Folgen und Blogartikel auf dem Laufenden zu sein! Danke an: Ron für das Intro und Outro.

Ever wondered if a plant could be both a herbal remedy and a controversial subject in addiction medicine? Join us as we uncover the multifaceted nature of Kratom with Dr. Sonia Del Tredici and Dr. John Keenan from the Addiction Medicine Journal Club podcast for a journal club style episode on Kratom. Together, we explore Kratom's historical uses for pain relief and fatigue management and its growing popularity as an aid in opioid withdrawal. This episode promises to give you a thorough understanding of its pharmacological effects, including interactions with opioid receptors and anti-inflammatory benefits.Our conversation shifts to the intriguing trends in Kratom usage across the United States. We dissect three recent studies on Kratom, highlighting Kratom's allure as a perceived safer option for managing anxiety, depression, and pain. Despite its benefits, we don't shy away from discussing its potential for addiction and the demographic reach of its users. This episode challenges listeners to consider whether the overlap between Kratom users and those with other substance use disorders is surprising or expected, urging healthcare providers to adopt open-ended dialogues to address patient needs effectively.In a deep dive into Kratom Use Disorder, our discussion includes a fascinating case series study examining the use of buprenorphine for treatment. We highlight the study's findings on withdrawal management and Kratom metabolite reduction, exploring the effectiveness of buprenorphine in stabilizing patients. With a significant portion of patients remaining in follow-up care, we ponder the subjective effects of using Kratom alongside buprenorphine. Tune in to grasp the complexities of Kratom use and the importance of education and ongoing research, as we prepare for an upcoming interview with an industry professional to continue this enlightening series.Our episode reviews three studies on Kratom to facilitate our discussion. Here are those studies:Smith KE, Dunn KE, Rogers JM, Grundmann O, McCurdy CR, Garcia-Romeu A, Schriefer D, Swogger MT, Epstein DH. Kratom use as more than a "self-treatment". Am J Drug Alcohol Abuse. 2022 Nov 2;48(6):684-694.  Hill K, Grundmann O, Smith KE, Stanciu CN. Prevalence of Kratom Use Disorder Among Kratom Consumers. J Addict Med. 2024 May-Jun 01;18(3):306-312. Broyan, V. R., Brar, J. K., Allgaier, Student, T., & Allgaier, J. T. (2022). Long-term buprenorphine treatment for kratom use disorder: A case series. Substance Abuse, 43(1), 763–766. To contact Dr. Grover: ammadeeasy@fastmail.com

Corey and Skip talk all things Phoenix finale, including Skip and the No. 12's close finish with teammate Logano. The duo additionally discusses Allgaier's championship comeback and Majeski's title triumph.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In anticipation for the NASCAR Championship weekend in Phoenix, Dale Earnhardt Jr. sits down with the NASCAR Xfinity Series Championship Four. AJ Allmendinger, Justin Allgaier, Cole Custer and Austin Hill enter the studio to air it all out ahead of the series finale race at Phoenix. They discuss:How will they race around each other at Phoenix?How will these four veterans handle the pressure?With a one-race-wins-all format, are they put in a box with how aggressive they have to be?What obstacles did each driver have to overcome this season to get to the Championship 4?What's it like for new Champ 4 contender Austin Hill vs. the three drivers who have been here before?Who is the favorite this weekend?

In episode 50 we discuss 3 articles about kratom. We are again joined by our friend Dr. Casey Grover from the Addiction Medicine Made Easy Podcast.    Smith KE, Dunn KE, Rogers JM, Grundmann O, McCurdy CR, Garcia-Romeu A, Schriefer D, Swogger MT, Epstein DH. Kratom use as more than a "self-treatment". Am J Drug Alcohol Abuse. 2022 Nov 2;48(6):684-694.     Hill K, Grundmann O, Smith KE, Stanciu CN. Prevalence of Kratom Use Disorder Among Kratom Consumers. J Addict Med. 2024 May-Jun 01;18(3):306-312.    Broyan, V. R., Brar, J. K., Allgaier, Student, T., & Allgaier, J. T. (2022). Long-term buprenorphine treatment for kratom use disorder: A case series. Substance Abuse, 43(1), 763–766.   ---  This podcast offers category 1 and MATE-ACT CME credits through MI CARES and Michigan State University. To get credit for this episode and others, go to this link to make your account, take a brief quiz, and claim your credit. To learn more about opportunities in addiction medicine, visit MI CARES.  CME: https://micaresed.org/courses/podcast-addiction-medicine-journal-club/  ---  Original theme music: composed and performed by Benjamin Kennedy  Audio editing: Michael Bonanno  Executive producer: Dr. Patrick Beeman  A podcast from Ars Longa Media  ---  This is Addiction Medicine Journal Club with Dr. Sonya Del Tredici and Dr. John Keenan. We practice addiction medicine and primary care, and we believe that addiction is a disease that can be treated. This podcast reviews current articles to help you stay up to date with research that you can use in your addiction medicine practice.     The best part of any journal club is the conversation. Send us your comments on social media or join our Facebook group.  Email: addictionmedicinejournalclub@gmail.com   Facebook: @AddictionMedJC  Facebook Group: Addiction Medicine Journal Club  Instagram: @AddictionMedJC   Threads: @AddictionMedJC  YouTube: addictionmedicinejournalclub   Twitter/X: @AddictionMedJC    Addiction Medicine Journal Club is intended for educational purposes only and should not be considered medical advice. The views expressed here are our own and do not necessarily reflect those of our employers or the authors of the articles we review. All patient information has been modified to protect their identities.   

NASCAR Tripleheader at Talladega   Richard had an impressive victory in the Cup race, especially after a dramatic 28-car incident with just four laps to go that affected many top contenders, including Gumby Cindric.   We saw a lot of excitement around the DVP policy, along with some challenges in the pack and fuel mileage racing in a tight four-wide situation for a couple of hours.   As we look ahead to the Roval Cutoff, the points situation is definitely heating up.   Sammy Smith pulled off an amazing from-last-to-first performance with a timely win in Xfinity! Unfortunately, Sam Mayer faced some difficulties and was disqualified, while Allgaier is still working through his issues.   The points are really important as we approach the Roval.   In a heartfelt moment for Oldsmobile, Grant Enfinger secured their first win in Trucks and their first win in NASCAR since 1992! It's great to see most of the playoff drivers, except Nick Sanchez, making their way into the Top 14.   The points race is getting exciting as we head to Homestead.   IndyCar News   Michael Andretti has shared a thoughtful letter with fans as he transitions from his role as CEO of his team to Towriss.   Exciting news: the series plans to race in Arlington, TX, in 2026, around the iconic Cowgirls stadium and the Globe Life Field for the Rangers!   NFL Week Five is upon us, both in real life and fantasy, and we can't wait to recap our first matchup in the FallBrawl!   GSP Roundup   MotoGP has wrapped up its event in Japan, while NHRA had an exciting race in Dallas.   Supercars are gearing up for the Bathurst 1000, and there's a new format coming for 2025 that fans will love!   IMSA's Petit Le Mans is right around the corner, along with updates on teams and cars for 2025.   As we preview NASCAR Cup & XFinity at The Roval, it will be interesting to see who makes it to the round of eight!   Josh's Sim Segment   Show Close

NASCAR had a big race weekend at Bristol, and Yung Money really took charge, moving on to the next round of the playoffs. Unfortunately, MTJ, Keebler Gibbs, Brad K, and Harrison Burton were knocked out of the competition. There were issues with the tires, and the car didn't perform well on the short tracks and road courses. As we look ahead to the Kansas races, Cold Custard won the XFinity race and secured the Regular Season Championship. Allgaier had a rough time and lost the RST. The lineup stays the same as we head to Kansas. Layne Riggs continues his winning streak with a victory at Bristol, and most of the playoff drivers did well. The points are tight as we head to Kansas. In F1, the Singapore Grand Prix was exciting with Lando winning pole position and the race. Fish Lips finished second and Piastri came in third. Ferrari had a tough time in qualifying, and Mercedes struggled throughout the weekend. Danny Ric made a splash in his final F1 race by snagging the fastest lap. As we enter a three-week break before the U.S. Grand Prix, the NFL's third week has left both of us feeling a bit unhappy. In GSP updates, last week featured NHRA racing in Charlotte and this week at Gateway. MotoGP and Moto2 raced in Italy last week and are moving to Indonesia this week. WSBK was in Italy last week and is heading to Aragon next. IMSA was at Indianapolis, Supercars had the Sandown 500, F1 Academy raced in Singapore, and the WRC is in Rally Chile.  Looking ahead to NASCAR's events at Kansas, we'll preview the races in Trucks, XFinity, and Cup to see who might get eliminated and who could start strong. Finally, Josh will share his sim segment before we wrap up the show.

Nick Allgaier is the Product Manager for Digital Assistants and Conversational AI at Lufthansa Group, and has taken the Lufthansa AI program from zero to 10 million interactions per year over chat, with more than 1 million interactions per year on voice. Nick joins me to share his learnings on scaling an AI practice to extraordinary heights. We cover Lufthansa's journey and where it all began, right through to how it's operating at scale today. You'll learn how Lufthansa is utilising generative AI and the specific use cases it's working well for, with some of the numbers to back it up. You hear about Nick's Golden Triangle for conversational AI use case selection and how missing any one of those crucial ingredients leaves you destined to fail. You'll also learn Nick's 5-step process that ensures customer experience excellence and the crucial role AI plays in that (and it's not what you think). Finally, you'll learn how to operate an AI service that spans multiple brands and languages.Lufthansa is Europe's biggest airline from a revenue generation perspective, second biggest in terms of numbers of passengers carried, and 4th in the world in terms of revenue. It houses Lufthansa, SWISS, Discover, Eurowings, Austrian, Brussels airlines and has over 60,000 staff. Getting an AI programme off the ground in an organisation of this size requires a skill and a solid approach. We'll cover all of that and more in this episode of VUX World.This episode is sponsored by Intel® Core Ultra processors and the Intel vPro® platform. Elevate your business with AI-powered PCs from Intel full of enhanced features like improved productivity, enhanced battery life, and integrated Arc graphics.​Supercharge your company today. Discover more: https://intel.ly/3A3Ziwq ​ Hosted on Acast. See acast.com/privacy for more information.

Allgaier talks his 2024 season, his up-and-coming young teammates and more. Source

'Lil Gator is in the house! Justin Allgaier kicks off the Olympic break by joining Davey Segal (7:00) for an extended conversation about the various chapters in his illustrious motorsports career. They discuss what life is currently like as a softball dad, getting started racing quarter midgets at 5-years-old, the Allgaier family racing legacy and how it all came fill circle when he won the ARCA championship on a memorable day in 2008. Allgaier also discusses his move to Penske and the now Xfinity Series in the late 2000s, gets candid about his his time in the Cup Series with HScott Motorsports and why things didn't work out, whether or not he's open to a Cup Series return, how a well-timed sequence of events led to a conversation with Dale Earnhardt Jr. and eventually his ride at JR Motorsports in the Xfinity Series and how much pride he takes in being the longest tenured and winningest driver in JRM history. He also dives into his mindset having never won a Xfinity Series championship despite coming so close so many times, why he's slowly migrated off social media, tries to pick the favorite paint scheme he's run in his career and explains how his nickname of 'Lil Gator came to be. Davey also recaps the 30th anniversary of the Brickyard 400 won by Kyle Larson, dissects NASCAR's calls at the end of the event and Papa Segal pays homage to anther NASCAR Hall of Famer and (thankfully) shares a final Tour de France update.

In this episode, Mikhail Alfon reconnects with Tyler Allgaier, the President and CEO of Pitted Companies. Tyler shares the journey of growing Pitted from a college project to a suite of companies including Pitted Labs, Pitted Logistics, and Pitted Ventures. The discussion delves into the challenges of business leadership, the impact of rapid growth on mental health, and strategies for managing personal well-being while scaling a company. Key Topics Discussed: Introduction and Pitted Companies Overview Tyler's journey from college to leading Pitted Companies Expansion from Pitted Labs to Pitted Logistics and Pitted Ventures Growth and Leadership Evolution Transition from hands-on work to managing leaders Challenges of shifting to a leadership role and managing a larger team Building and Maintaining Company Culture Importance of in-office work for camaraderie and culture Focus on creating a supportive and engaging work environment Handling Rapid Growth and Employee Well-being Managing the expansion from less than 10 to 45 employees in three years Strategies for ensuring employee satisfaction and retention Mental Health and Personal Challenges Tyler's personal experiences with mental health as a founder The importance of empathy and support within the company Balancing personal life and professional responsibilities Decision-Making and Delegation Delegating technical tasks and focusing on strategic decisions Importance of making quick, independent decisions as a bootstrapped company Future Plans for Pitted Companies Vision for continued growth and maintaining a people-focused culture Tyler's goals for Pitted and the ongoing commitment to employee well-being Notable Quotes: "Leadership is about guiding your team through growth while ensuring everyone feels valued and supported." "Mental health should be a priority, not an afterthought, especially in a fast-growing company." "Stress doesn't come from hard work. Stress comes from avoiding what we know we need to face." - Jeff Bezos Connect with Tyler: Tyler@pittedlabs.com / https://www.linkedin.com/in/tylerallgaier Connect with Mikhail: instagram.com/miqk

One of the traditions that take place yearly is The Greatest Day In Motorsports, which is a national holiday for us at the GSP! Phil and Josh recap Josef Newgarden making a last lap pass on Pato O'Ward to win his second consecutive Indianapolis 500.  Newgarden becomes the first repeat winner since Helio Castro-Neves in 2001-02 while Chevy dominated the oval portion of the month at Indy with Penske, McLaren and others like Conor Daly, SRR, RBFH, etc. Kyle Larson stayed to race Indy even with a rain delay and finished 18th, but he ran way better than that for the majority of the race.  Scott Dixon, Alex Palou and Kyle Kirkwood picked up the pieces for Honda after a brutal couple of weeks as the IndyCar teams head off to the streets of Detroit. While Larson was racing at Indy, the Coca-Cola 600 started at Charlotte and raced through halfway and nearly three stages before Yung Money flew back and arrived at the track.  In the end, NASCAR waited a few hours to call the race and declare Christopher Bell the winner in what ended up as the Coca-Cola 373.5.  Social media and fans were angry after numerous clips and pictures showed a drying or dry track, the delay in calling the race and the disappointment in not seeing Larson get into a fast car that Justin Allgaier had driven to 13th.  On the XFinity side, William Clyde Elliott II took the win for Hendrick and the 17 car in what was a Cup benefit like the old days.  Allgaier won both stages for a second consecutive race, but got wrecked on a restart in the third stage.  JRM still faired pretty well in spite of Allgaier's misfortune. Nick Sanchez used track position and good timing to hold off a hard charging Corey Heim for his second win of the 2024 Truck Series season.  Heim would later be disqualified for three loose lugnuts, after dominating the majority of the race.   Formula 1 held their annual procession at Monaco, with Charl Eclair becoming the first driver from Monaco to win in the 93-year history of the event.  Josh watched the regular broadcast while Phil enjoyed the kids broadcast.  Fish Lips actually struggled and finished sixth.  All of the top-10 in the starting order finished exactly where they started. The only major issue was a crash involving Sergio Perez and the two Haas cars. The GSP Roundup looks at F2/F3 at Monaco, MotoGP/Moto2, Formula E, NHRA, IMSA and Indy NXT before Josh and Phil come back to preview and make picks for Cup/Trucks at Gateway along with XFinity at Portland.  They also preview and make picks for the IndyCar Detroit Grand Prix.  Josh provides plenty of insight into his trevails during the iRacing Coke 600 along with Indy 500 prep in his Sim Segment prior to Show Close.

Mother Nature completed messed with Kyle Larson's plan to run "The Double" with Justin Allagaier ably filling in at Charlotte and Christopher Bell winning the rain-shortened Coca-Cola 600 beating Brad Keselowski a happy but frustrated runner-up.

Sie haben gemeinsam die Welt bereist und dabei komplett auf das Fliegen verzichtet: Patrick Allgaier und Gwen Weisser erzählen auf der Blauen Couch von schrägen Transportmitteln, Skorpionstichen und wie sie gerade dabei sind ein demokratisches und soziales Wohnprojekt auf die Beine zu stellen.

The champions are crowned and DBC is back for one final episode to recap the season finale, in a record long recording! Xfinity Series Champion Cole Custer and Spotter Joel Edmonds join the group to break down the weekend, swap stories, and get the show off the damn rails!Freddie Kraft, TJ Majors, Brett Griffin and Andrew Kurland sit down with Custer to recap a chaotic Truck Series race, racing with respect in the Xfinity Series, and Ryan Blaney's championship run on Sunday. The group discusses Blaney's run in with Ross Chastain, and recaps Steve Phelps' remarks from the annual State Of The Sport press conference. As one guest leaves, another jumps in. Joel Edmonds arrives at the studio with an 18-pack of beer and no damns to give. The stories start to flow in a spotter round table tell-all. Edmonds and the group discuss Carson Hocevar and Corey Heim's run ins on Friday night, Allgaier's even even keeled racing style, and their several candidates for ‘What an idiot.' Plus, Blaney fans are rejoicing in the hot tubs after a roller coaster year on Reaction Theatre. It's an episode that is damn sure worth the wait. Buckle up. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

The champions are crowned and DBC is back for one final episode to recap the season finale, in a record long recording! Xfinity Series Champion Cole Custer and Spotter Joel Edmonds join the group to break down the weekend, swap stories, and get the show off the damn rails! Freddie Kraft, TJ Majors, Brett Griffin and Andrew Kurland sit down with Custer to recap a chaotic Truck Series race, racing with respect in the Xfinity Series, and Ryan Blaney's championship run on Sunday. The group discusses Blaney's run in with Ross Chastain, and recaps Steve Phelps' remarks from the annual State Of The Sport press conference.  As one guest leaves, another jumps in. Joel Edmonds arrives at the studio with an 18-pack of beer and no damns to give. The stories start to flow in a spotter round table tell-all. Edmonds and the group discuss Carson Hocevar and Corey Heim's run ins on Friday night, Allgaier's even even keeled racing style, and their several candidates for ‘What an idiot.' Plus, Blaney fans are rejoicing in the hot tubs after a roller coaster year on Reaction Theatre.  It's an episode that is damn sure worth the wait. Buckle up. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

What you'll learn in this episode:   How Arnoldsche collaborates with authors to create an effective design for each book What young artists should know before trying to publish a book How Dirk keeps tabs on trends and new developments in jewelry and decorative arts How Arnoldsche selects the right markets and languages for its books Why the art book market has changed dramatically over the last 10 years, and how Arnoldsche has adapted   About Dirk Allgaier: Since April 2015, Dirk Allgaier has headed Arnoldsche Art Publishers, an internationally active publisher of art books that offers a unique list of titles in the fields of fine art, applied art and design. With great expertise, sheer hard work and a passion for his profession, he and his team ensure that books from Arnoldsche become what they are: high-quality, individually designed publications and book objects that transport the broad range of creative endeavor in all its diversity across the globe.   Additional Resources: Arnoldsche Art Publishing's Website Arnoldsche Art Publisher's Instgram Arnoldsche Art Publisher's X/Twitter   Photos Available on TheJewelryJourney.com   Transcript:    No other publishing house in the world has published as many books on jewelry, ceramics and other applied arts as Arnoldsche Art Publishing. Led by Dirk Allgaier, Arnoldsche is the go-to source for anyone who wants to learn more about the decorative and applied arts, the people who create them, and the museums that exhibit them. Dirk joined the Jewelry Journey Podcast to talk about how he selects the 10 to 15 books Arnoldsche publishes each year; how he works with artists to create a beautiful and informative book; and why a language barrier doesn't always prevent someone from reading an art book. Read the episode transcript here.  Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the second part of a two-part episode. If you haven't heard part one, please head to TheJewelryJourney.com.    My guest is Dirk Allgaier of Arnoldsche Publishing. They're art publishers, and if you have any kind of design library—and that includes jewelry, ceramics, monographs on artists, furniture and more—you no doubt have books that have been published by Arnoldsche. Welcome back.    Do you have people come that you haven't heard of, but they have great expertise? Maybe they're a professor or somebody else that has a lot of expertise in their area?   Dirk: I know our field quite well; it's a small field, but it happens that people approach me and send me a suggestion for a new book project and I don't know the artist. There's always something new to discover. I say every book we are doing, not only in jewelry but also in ceramics or in wooden art, in metalware, in furniture, in textile, in glass, it opens a new window. It gives me a new prospectus to see new things which I did not know before. This is a reason why I like my job. I love my job very much.    It happened last year at the Art Jewelry Forum. Susan Cummins suggested to me to publish a book about Keith Lewis, the American jewelry artist. I really did not know his work. I read the manuscript in the evening when I was home. I was reading; I looked at the images. I was thinking, “That's fantastic, what he did. It was the 1980s. He was so progressive. He was so political in that time, so important. Today what is he doing?” That was totally new, and now we are publishing his book. It's designed. We are now doing the images. In about four weeks, we go to press for that book. So, it happens on the jewelry scene that artists are suggested to me, are recommended, which I do not know. But most artists, of course, I know more or less their work.   Sharon: Susan Cummins had brought you several books before this Keith Lewis one. Does that reflect? Did you take that into account when you were deciding?   Dirk: We met each other and decided to cooperate, to collaborate, because she has fantastic topics in jewelry. It's very political, the book about Laurie Hall. It's about Northwest American jewelry. We say in Germany it's narrative jewelry. This kind of jewelry was not so well-known in Europe.    We have a very strong distribution. We sell our books worldwide, so we bring this topic through the book to an international audience, to the international market. It's important for this American artist to be represented through the book internationally, so it's a win/win situation. Susan has wonderful topics for publications. We produce the books and distribute them internationally. It's a very good joint venture.   Sharon: You distribute them. I haven't seen them in the States, I don't think, except the Art Jewelry Forum books. I'm seeing those, but that's it.   Dirk: We have a distributor in the United States. It's ACC Art Books. Every book is stored in the United States in a warehouse, and we have representatives in the United States. You can go to a bookshop and order our books, but the books are such special books that they are only in special bookstores, mainly in museum bookstores, like the Metropolitan Museum or the Museum of Modern Art in New York.    The bigger bookstores and art bookstores have our books, but everything changed in the last 10, 15, 20 years. There are not so many bookshops left, so mainly art books are available online. This is an online trade. If you did a book about Sam Kramer, if you Google Kramer, you find immediately that you have to buy our book either on Amazon or on Book DE or on Instagram. You can order the book online. It's really a change to selling books. 60% to 70% of books we are selling now online, not through bookstores.   Sharon: Does somebody come to the website and see a book they want?   Dirk: We have a web shop. You can order the book from our web shop. That's also possible. Wherever you are living, you can order it. For example, when you are living in the United States, you can order it from the web shop, and our American partner or American distributor will send you the book within a short timeframe. Within three or four days, you will have the book.   Sharon: Now, some of your books are only in German.   Dirk: Yes.   Sharon: Since I don't speak a word of German, what do you do? Do you have some in English and some in German and some half and half?    Dirk: It depends on the topic. We publish in many languages, but the main language is English. That's definitive. English is very important, but there's also German if it doesn't have a major audience. Then it's also a question of money or financing. There are translation codes, which are very extensive. You have to make an extra typesetting. You need more pages. You need more printing. Then we say, “O.K., we leave it only in German. We know we would not sell many copies in the English-speaking market, so we leave it in German.” But mainly the books are in English.  A few are only in German, but if the artist comes from another country, we also publish books, for example, in the French language, in Italian, in the Norwegian language, also in Estonian, in Catalan. We have two books in the Hebrew language, in Arabic and even in the Japanese language. It depends where the artist is living and in which country the topic is, and then we publish in different languages.   Sharon: Wow! The jewelry you mentioned, and in looking at your books, it's so contemporary. Is that what you look for? It's really unusual.   Dirk: Yeah, because for us, jewelry is art. There is no difference. It's studio jewelry. It's art jewelry. It's like an art book. We have to publish jewelry books like an art book, and that's very important. The style of the jewelry, its artistic value, is represented in the book, so the quality must be very high. You must see the high value of jewelry. You must see it in the book. That's why it's important for us.    Sharon: That's interesting. So, you wouldn't publish a book on “normal” jewelry.   Dirk: We do books about higher-range costume jewelry because they're fantastic topics. In the 1920s in Germany, in the Art Deco period, there were companies who did articles of fantastic jewelry. Next year, we are planning a book about the New York jewelry designer Marcus & Co. So, we have books about art and costume jewelry, but not about the regular jewelry you can buy in a regular shop. This is not our interest.   Sharon: Have you ever started a book and then said, “Forget it. This is too complicated,” or “There's not a market”?   Dirk: No, normally we don't. If I start something, I bring it to an end. That's very important for me, even if it's very, very difficult. Usually, once we start on a book, we finish it. That's very important. I remember a book we did 20 years ago. It was about an Italian topic, and everybody told me at the time, “You would never publish that book. You would never finalize it,” but we did it. That made me very proud; that we did this book finally. Every book we've started, we finished the book.    For me, it's important to publish a book together with an artist or with a partner—the person is a partner for me—with a lot of mutual respect and to achieve a result which satisfies everybody: the publishing house, the artist, the museum. If we work together for three, four, five months, it's like a partnership. You work very intensively together with an artist, and the results just have to be right. That's very important. You put the book together; you celebrate; you're happy. That's how it should be, and that's how it is, usually.   Sharon: Do you go to book trade shows where they have new books? I don't know if they still have them. They used to have book trade shows.   Dirk: They had it some years ago, but there's no big importance anymore. There are book fairs in Frankfurt, so we go to Frankfurt. 20 years ago, we went to the Chicago Book Fair, to the American Book Fair, to London, but we don't do that so much. We have our books at the Schmuck in Munich, of course. You can buy them at the Schmuck Fair, or if there are special ceramic fairs, special jewelry events. We also have bookshops that go there. They have their stands there, and there are books at these events.   Sharon: I was looking online at your books. I noticed there were books about Babetto and I was surprised. None of it looked at the jewelry; they looked at the furniture and the drawings and things like that. What made you decide to do a second book on Babetto?   Dirk: The first book—I think it was the year 2009, 2010. Pinakothek der Moderne is a big museum, and every year during Schmuck, they have a big exhibition on the roof of the rotunda. Every year they show a different artist. They showed Thomas Gentille, for example, Anton Frühauf, Hermann Jünger, Peter Skubic. 15 years ago, they showed Giampaolo Babetto. We did a small but very special book on Giampaolo Babetto on the occasion of the exhibition. That was 2008, 2009.    Last year, Giampaolo asked, “Can you come to Italy? Can we meet? I'm planning a new book.” He planned a complete oeuvre catalogue of all his work in jewelry, in metalware, in architectural design, in religious pieces. So, we did an oeuvre catalogue. All his work from the beginning until 2022 is published in the book. Those are two different approaches. One was very personal for the exhibition, and this last was the catalogue about his work. It's a total Babetto.    Sharon: That's interesting. There didn't seem to be that much jewelry in the Babetto books. It was more his other designs, his other things.   Dirk: One half of the book is jewelry. The other half is his metalworks, his furniture designs and the other things.   Sharon: For those who don't know what Schmuck is, do you want to describe it?   Dirk: It's an annual event in Munich on the occasion of the International Art and Crafts Fair. It's an international trade fair for crafts and design. In 1959, it was founded by Herbert Hoffmann. It was a competition where contemporary jewelry was presented in a small part of the fair. That was the beginning over 60 years ago. It was a very small event, but every year it became bigger.    Now it's still the Herbert Hoffmann Award, the Herbert Hoffmann Exhibition, but throughout the whole city, there are about 50, 60 galleries showing jewelry in contemporary galleries. They rent a space, they show jewelry, and they come from all over the world. It's a huge event which lasts five days. You can see a lot of jewelry. You have gallery exhibitions. You have some museums that show jewelry. The Mesa is a big exhibition. The whole world of contemporary art jewelry, of studio jewelry, is in Munich.   Sharon: I've only been a couple of times, but I didn't know Herbert Hoffmann was so integral in it. I know they have a prize.   Dirk: Yeah, the award. You can go online. You can look up the Herbert Hoffmann Award and see the prize winners from 1959. You read these names, and it's really the top of the top of international jewelry artists. It's very interesting to read the award winners of the Herbert Hoffmann Prize.    Sharon: Wow! I didn't know it was so old, either. These people, the authors who want to write a book or a museum, do they have the person in mind who's going to put the book together? Do they have the illustrator? Do they have the photographer in mind, or do they let you decide?   Dirk: It's important if you write a book to have photographs available. Every artist has an archive of photographs, and every artist's archive is different. Some have a very accurate archive with good photographs, and they know exactly what goes into the books. Some other artists have only images or older slides. Here we can be of help. We can make sense of old photographs. Usually, an artist has photographs for the book and they know which pieces should go into the book, but often I sit together with artists and we go through the materials, through the pieces. For an artist, it's often difficult to make a decision, to take this piece or that piece. Then we sit together and say, “It's that piece and not that.”    Photography is very important. An artist can have a designer, or we have the designer and we do image editing for the images. We do printing, and then we include the book in our book program, into our publishing list. Then we send the book worldwide on our list. This is the way.    Sharon: What country are most of your sales in? I don't know if it's Germany or Switzerland or Austria.    Dirk: We are selling one-third of our books in German-speaking countries, in Germany, Switzerland and Austria. They still have a strong market for art books and for jewelry books. Two-thirds we sell outside the German-speaking countries. England is a very important market. Scandinavia buys our books, and, of course, the American market is important for us. We sell books in China. We have one representative and he's Chinese. There are big distributors in China, so we are sending books to the distributors, and they are selling the books to the individual bookstores and individual customers in the country. Japan is very difficult to sell books. South Korea is an important market for us. We sell some books in Australia as well, but I can say Germany, England, America and China. These are very important markets for us.   Sharon: If somebody doesn't speak the language—I'm thinking of myself—do you just look at the pictures? What do you do?   Dirk: There's a society of booksellers here in Germany. They made a test with people. They asked a thousand people, “What are you doing when you buy a book with images such as an art book? What are you doing with the book? Do you read it? Do you look at images?” They found out that only 10% of the book buyers are reading a book. 90% are looking at the images and reading here and there a little bit, but almost nobody is reading a book from the beginning to the end.   Sharon: I don't feel so bad because I look at the pictures. What languages have you thought about? Have you thought about French? Are there other languages you've thought about putting your books in?   Dirk: I think English and German are the most important. In France, it's difficult to sell books because the market is very small. When we have a French artist, of course we publish the book in French, but if the artist is not French, we don't publish a book in the French language. It's a small market. The book trade market is quite difficult, so the artist should be French-speaking, and then you publish it in French.    I would like to publish a book in the Chinese language, in Mandarin, because we didn't do this yet. We have a book about New Zealand artists coming in two years, and it would be wonderful to have at least one essay in Māori, in the native language of New Zealand. That would really be a task for me to do, but it would appreciate the First Nations people of the country.    Sharon: Any other plans besides other languages? What are your plans besides the books in production? What else would you like to do?   Dirk: Generally, for me it's important that every half-year we have a catalogue. All our new books are featured in a catalogue which we send out every half-year. So, for me, the most important challenge is to have a good program to find newer catalogues which I present to people every half-year. This is the most important.    And to find a place for our special books, because it's not easy to find places. It's a niche program to find readers, to find people who buy the books and to find new people who did not know anything about artistic jewelry or studio jewelry. So, to find new people to bring a fascination for art into the world and to find new friends, new people who really love our work. That's the most important thing for me.   Sharon: I hope that you do. Thank you so much for being with us today. I really appreciate it.   Dirk: Thank you very much, Sharon. Thank you.   Sharon: We will have photos posted on the website. Please head to TheJewelryJourney.com to check them out.   Thank you again for listening. Please leave us a rating and review so we can help others start their own jewelry journey.

Sainz ends Red Bull's perfect season. Everyone expected that, right? Topics covered: Alfa Romeo unchanged driver lineup Lance Stroll hurt Helmut Marko's comments IndyCar rookies pass oval test IndyCar's new media rights Kyffin Simpson joins Ganassi Noah Gragson reinstated Hemric back to Cup Bristol dirt is finally dead NASCAR Mexico joins the card for the Clash JR Motorsports resigns Jones, Mayer, Allgaier, No. 8 car still TBD Road America NOT on next year's Xfinity schedule?? Charlotte Roval will have stage breaks LiveFast sells charter to Spire Zane Smith to Trackhouse via Spire SVG to NASCAR Favorite Trackhouse paint scheme Why take Road America off the schedule? Fox Sports bad coverage continues Will Ford wake up after losing Zane Smith? When will SVG be full-time in Cup? Will Trackhouse ever expand to four cars? Helmut Marko's racist comments Are stage cautions at the Roval meant to manufacture drama? Sandown 500 chat Singapore Grand Prix good or bad? IMSA returns to IMS NASCAR at Bristol recap Outstanding performance Roller's Featured Season

What you'll learn in this episode:   How Arnoldsche collaborates with authors to create an effective design for each book What young artists should know before trying to publish a book How Dirk keeps tabs on trends and new developments in jewelry and decorative arts How Arnoldsche selects the right markets and languages for its books Why the art book market has changed dramatically over the last 10 years, and how Arnoldsche has adapted   About Dirk Allgaier: Since April 2015, Dirk Allgaier has headed Arnoldsche Art Publishers, an internationally active publisher of art books that offers a unique list of titles in the fields of fine art, applied art and design. With great expertise, sheer hard work and a passion for his profession, he and his team ensure that books from Arnoldsche become what they are: high-quality, individually designed publications and book objects that transport the broad range of creative endeavor in all its diversity across the globe.   Additional Resources: Arnoldsche Art Publishing's Website Arnoldsche Art Publisher's Instgram Arnoldsche Art Publisher's X/Twitter   Photos Available on TheJewelryJourney.com   Transcript:    No other publishing house in the world has published as many books on jewelry, ceramics and other applied arts as Arnoldsche Art Publishing. Led by Dirk Allgaier, Arnoldsche is the go-to source for anyone who wants to learn more about the decorative and applied arts, the people who create them, and the museums that exhibit them. Dirk joined the Jewelry Journey Podcast to talk about how he selects the 10 to 15 books Arnoldsche publishes each year; how he works with artists to create a beautiful and informative book; and why a language barrier doesn't always prevent someone from reading an art book. Read the episode transcript here.  Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the first part of a two-part episode. Please make sure you subscribe so you can hear part two as soon as it's released later this week.    My guest is Dirk Allgaier of Arnoldsche Publishing. They're art publishers, and if you have any kind of design library—and that includes jewelry, ceramics, monographs on artists, furniture and more—you no doubt have books that have been published by Arnoldsche. As I was browsing the books online, I kept seeing so many books I have that I didn't know were published by Arnoldsche. For the most part, they are in English and German, and the books are beautifully printed. Dirk will tell us how his path took him to where he is today. Dirk, welcome to the program.   Dirk: Thank you very much, Sharon. Very glad to be here.   Sharon: I'm so glad to have you here. Dirk was just telling me that he has lived in Stuttgart for 30 years, 25 years, a long time. Can you tell us what a publisher does?   Dirk: That's a very good question, Sharon. There's really a lot to it. I tried to explain to you some things, to tell you about some things. Mainly it is my job to see that we put together an attractive book program every six months, every half-year. This is in the field of applied arts, which is our main series of books. It's jewelry, ceramics, textiles, wood and glass, but also the areas of visual design, of the visual arts and design.    I receive many book proposals. I have to check them. I have to calculate them, but I've also got to be active by myself from my side, and I have to talk to artists. I have to meet museum curators. For example, I go to museums, to exhibition openings. I go to Schmuck in Munich, so I'm really traveling a lot. I visit all these places. You also have to be in the field where our publishing areas are, in the field of jewelry, of ceramics. I have to be there; I have to be active.    In parallel, we have to put out used books. We have 10, 15 books always in parallel production, and we have to approach miniatures. The production is supervised by the project managers, but I'm integrated into the processes of each book because I have to know the exact starters of every book project. I must be approachable by the artist, by the museum curator, by the director if any problem arises or if important decisions have to be made.    So, one part is traveling; the other part is production. I'm also responsible for sales and marketing. We have a colleague who does this, but I also have to look at how things can be optimized, how we can sell the books in the best way internationally. Unfortunately, a lot of administrative tasks have to be done. They are also very extensive. Finally, I write some articles for newspapers, for magazines. I give talks. I hold speeches for exhibition openings. I attend meetings, or I'm speaking for podcasts like now. This is also a very interesting and exciting part of my role as a publisher. All in all, there's a lot of work, enough work to work for at least seven days a week.   Sharon: Are you saying that right this minute, there are 10 to 15 books that are being worked on?   Dirk: Yes, that's it. About 10 to 15 books are always in production parallel, in the different steps of production. Either we are actually starting the editing, or we are preparing the design, or we are doing translations, or we are doing the color separations. Today, the Schmuckmuseum of Pforzheim curator was here. We're doing a new book about jewelry and metalwork, and we checked the colors. We checked the color proofs today. We discussed the cover. There are always a lot of book productions in parallel here at Arnoldsche.    Sharon: This is something that is just occurring to me. Do they have input? If they don't like the color, can they say to you they don't like the color?   Dirk: That's very important. I try to show everything to my partner, to the museum or to the artist. I show them the design concept of the book so we are not only designing the book. Before we start with the real design, we make some tests on pages, and we send the pages to the artist or to the museum. We say, “Oh, look, the book could look like these pages. Here is a type that's the kind of like the images. The captions are like that. We have some special colors.” Then the museum can say, “Oh, I like it. Please continue,” or “Oh no, I want to have a different kind.” This is very important for me in the production, to work as closely as possible together with the museum or the author.   Sharon: Can the museum come and say, “I had something totally different in mind”? Can whoever is working on the book say they had something else in mind?   Dirk: Yes, they can say it. Usually, we get a briefing and the museum tells me, “Oh, I want a very modern book,” or “Very conservative,” or “I have some crazy ideas.” But it must fit to the topics; that's very important. We publish books about 18th century arts and crafts, about porcelain from the 18th and 19th centuries. Here's a design that has to be quite conventional, or conservative is a better word. But if we work with a very unusual, contemporary designer, we can be much more provocative and contemporary in the design.   Sharon: How did you come to publishing art and applied design books? Do you have a background in it?   Dirk: Yes, I'll tell you shortly the story of the company. Arnoldsche, our publishing house, was founded in 1985. This is now almost 40 years ago. The founder of the publishing house—he passed away five years ago—his name was Dieter Zühlsdorff. He had previously, back in the 1970s, lived here in Stuttgart. He had a gallery for fine arts, for paintings, but his real passion was not the fine arts; it was ceramics. In the late 70s, early 80s, he closed the gallery and wrote an encyclopedia of ceramic marks. He traveled throughout Europe. There was no email, no websites. Maybe a fax machine was the most modern technical thing. He traveled for five years and wrote the “Ceramic Marks Encyclopedia” on the Art Nouveau and Art Deco period from 1880 to 1930.   When the manuscript was finished, he went in search of a publisher. He didn't plan to found a publishing house, but no publisher wanted to publish his “Ceramic Marks Encyclopedia,” so he was not sure what to do. He sold a painting from his collection to a large bank in Germany. He used this money to print his “Ceramic Marks Encyclopedia,” and that was the beginning of Arnoldsche Art Publishers. That encyclopedia became a best seller in a total of four editions.   The name Arnoldsche comes from his wife at the time. She's living. Her name is Gabriela Arnold; Arnold is her last name. Arnoldsche is still a little bit complicated for English speakers. Here, Arnoldsche sounds much better in German than Zühlsdorff, which was the last name of the founder. That's a Pomeranian name, very complicated. I think the English people would not be able to pronounce that name. So, we decided on Arnoldsche, and in German, we say Verlaganstadt. Verlaganstadt means publishing house. That sounds a little bit old-fashioned, but I like that old-fashioned name. In English we say Arnoldsche Art Publishers.   Dieter Zühlsdorff, he acted very wisely when he founded the company because he realized there were many publishers in the area of fine arts or architecture, but there was no publishing house that explicitly dealt with the applied arts, with jewelry, ceramics, glass and furniture. So, we can say internationally, Arnoldsche is the only publishing house in the world that focuses on jewelry, ceramics, glass and textile, and we realized a lot of publications in that field.    Sharon: Did you have a background in it?   Dirk: I'm a trained archaeologist. I'm not an art historian. I studied archaeology. I made my degree. I like it very much, but artistry has fascinated me from a very young age. When I was a child, I went with my parents to see museums, to meet artists. My parents had a collection of paintings.    When I completed my studies, I did a separate training course to become a publishing house clerk. This training course lasted one year. It included a three-month internship in a publishing house, and you had to take care of this internship by yourself. I had no idea where to apply. I was in Stuttgart, and I had a friend who was a bookseller. She gave me a recommendation. She told me, “Apply to a small art publishing house here in Stuttgart. They make the most beautiful books, and they are just around the corner from the place where you have the training.” She was speaking about Arnoldsche.   So, I went there about 30 years ago, in 1993, and I got the job for a three-month internship at Arnoldsche. It started for three months, and now I'm working for 30 years at Arnoldsche. I'm very grateful to my friend for her recommendation. We still meet regularly even though she now lives in northern Germany. I'm very thankful to her for recommending me. “Go to Arnoldsche, ring the bell and apply for a job.” I did that 30 years ago.   Sharon: Wow! Like you said, you must be approached all the time by people who have ideas and say, “Why don't you do a book on this?” or “I have all this material on that.” How do you decide which books to do?   Dirk: That's always a difficult decision because we receive a lot of proposals for book productions. For one thing—and I think that's very important—the book has to fit in our program. For example, a book about the photography of the Alps or about Renaissance art would not fit well in our program. For us, it's very important to find new topics; in other words, topics that have not been published before. It makes no sense for us to publish a 50s book about Picasso or about Matisse; that's not our interest.   There has to be a market for a book. It has to be saleable. We have to publish books about artists who have worked for many decades in their fields. Also, younger artists come to me. They're in their late 30s or their 40s, and they ask for a book. I often say, “Wait another 10 years. You need a bigger work of art, a mature work, and then you can come back to me and we can think about a book.”    Very important art books on the theme of jewelry are the books about the great masters of jewelry. These are really important publications. Just to name a few, for example, Otto Künzli, the Swiss artist, Bernhard Schobinger, Manfred Bischoff. Last year, we published a book about Joyce Scott, the American artist, and the Israeli artist Deganit Stern Schocken, Therese Hilbert. Here, a large body of work over many decades can be wonderfully presented in a beautiful book form. That's really exciting.    There are publications on collections of contemporary jewelry. This is also very important. These are mainly museum collections. For example, we have published about the jewelry collection of Eva and Peter Herion in Munich, which you can see when you go down to the basement. It's a major publication about the collection of the jewelry museum in Pforzheim, the Schmuckmuseum. We did it in 1998 with the legendary former director, Fritz Falk. There's the GRASSI Museum in Leipzig, a very important museum in East Germany. There's a very traditional collection and there's a collection of jewelry. They started to collect in the 1920s. We did a book about the jewelry collection of Sylvia Seal and of Art and Design in New York also. These collections are very exciting for us. I do not want to forget to mention the legendary publication by Helen Drutt, “Ornament as Art.” It's about her collection, which is now in the Museum of Fine Arts in Houston. People call that book the “orange book” or the “Bible of jewelry books.” I think you know that book.    What's also very important for us are theory books about jewelry. We have a book on the jewelry of Marjan Unger from the Netherlands. She did the book “Jewelry in Context.” These books are very important for students, for example. They are quite affordable in price. They're 15 Euros, so students buy these theory books.   If you come to Arnoldsche, there's finally one topic that is very important because it's the most elementary, because every book can't be one: special books. We are publishing in a niche; it's a real niche, and the quantity of books, the editions, are not so high. Every book needs special financial support, so we ask for financial support from foundations. The potential sales is low compared to the very high cost of distribution. You do not usually recoup the high production cost. So, museums, collectors, foundations themselves make books financially possible in the first place through a corresponding purchased quantity. That is how a book can be realized through financial support; by purchasing books in advance. A special part will be paid by Arnoldsche and for the other part, we look for sponsors or our foundations to financially support it. These are the different things to consider for Arnoldsche book publishing.    Sharon: When you are out and about—let's say you're traveling—do you find exhibits that you didn't know about or things you can approach people about?   Dirk: Yes, I go to exhibition openings. Of course, I go to Schmuck in Munich, a big Schmuck event. I go to Munich, to exhibition openings. I go to Norway, to Switzerland, and I always meet the artists. I also meet authors and they tell me, “Oh, I'm working on a project. I'm working with this artist or with that museum. They are looking for a publisher. Would you mind if I make a contact?”    For me, it's very important to visit these places, to go to openings, to meet curators because we are like a big family. Everybody knows something and people speak with each other. They say, “Here's a project. There is a book. It's planned to be an exhibition. They are looking for a publisher. They are planning a book for next year,” and I say, “O.K., please, if you can make a connection and the person can contact me.” Then we are discussing the possibility of collaboration for the book project.    Sharon: Do they come with photographs or do you say, “I want to photograph this”?   Dirk: For me, it's important to have an exposé, a short summary of the book. What is in the book, what is the sense of the book, whom do I want to reach with the book, who is the audience? And to send me some photographs, some preliminary information to get an idea of how the book will be, what the topic of the book is. That's enough for me, and then we continue our discussion.   Sharon: Do you or your production assistants decide the cover of the book and what it will look like? Who decides?   Dirk: We have freelance designers. We work together, but often artists or jewelers or ceramic artists who are planning a monograph about their work, they bring their own graphic designers with them. That's often fine with me because the collaboration between artist and designer is very intensive, and artists and designers should work together personally as often as possible. Often at Arnoldsche, we are responsible for the design, but always in collaboration with the artist.   We have a graphic designer. We've worked together with her for almost 13 years. She designs many of our books and many artists know her. They come to us. They say, “We're planning a book, but we want to have this designer. We trust this designer.” There are artists who give us the whole material. They give us the photographs and the text, then they make a book and she makes a design. We show it before printing and they say, “Oh, make this little change. Oh, make that little change. Go to the press.” There are other artists who look very carefully, who ask for changes, but every one is absolutely fine for us.    We love to work together with her. She designed the book on Helen Drutt for “Ornament as Art,” the orange book, but she also designed important jewelry monographs; for example, the book on Sam Kramer, a jewelry designer. She did the book about Giampaolo Babetto, about Fritz Maierhofer from Austria, about Georg Dobler or Claus Bury, two famous German designers.    Usually, we say if a graphic designer designs the inside pages of a book, they also have to design the cover. The inside pages and cover have to be in accordance with each other. It should fit to each other. That's very important, to have one designer for the whole book. A designer is also like an artist in a way. You cannot ask an artist to make this part and another artist makes this part. The whole book has to be in the hands of one designer.    Sharon: We will have photos posted on the website. Please head to TheJewelryJourney.com to check them out.

In this podcast episode, Jillian Flodstrom and Kevin Allgaier delve into the topic of technology and productivity consulting for small businesses. Allgaier, an expert in the field and the owner of a consulting company that helps clients optimize their technology investments, shares his insights on the challenges of choosing the right tech solutions and finding the right balance in investing in technology. He offers practical advice, such as staying informed through technology podcasts and considering employee needs and opinions, to help small business owners navigate the ever-evolving world of technology. Allgaier also emphasizes the importance of aligning technology with a business's growth and needs. To access the full video, show notes and resources from this episode, please visit https://scaleyoursmallbusiness.org/blog/.  If you have any comments or questions about the podcast, please connect with us using one of the options below: Website Link - https://www.jillianflodstrom.com Facebook Link -https://www.facebook.com/jillianflodstrom/ Instagram Link -https://www.instagram.com/jillianflodstrom/

Welche Chancen und Herausforderungen stellen Videoplattformen wie YouTube für die wissenschaftliche Kommunikation und Praxis? Darüber sprechen wir in dieser Episode mit Joachim Allgaier, Professor für Kommunikation und Digitalisierung am Fachbereich Oecotrophologie der Hochschule Fulda.Joachim Allgaiers Fachgebiet ist die Schnittstelle von Wissenschaft, Technik und Gesellschaft und die Kommunikation über digitale Medien. Er beschäftigt sich beispielsweise intensiv mit der öffentlichen Wissenschafts-, Technik- und Gesundheitskommunikation auf YouTube, in journalistischen Medien und in der Populärkultur sowie mit der Untersuchung und Verbreitung von Desinformation und wissenschaftsfeindlichen Bewegungen. Unter anderem hat er maßgeblich an einer Studie mitgewirkt, die untersuchte, ob der Empfehlungsalgorithmus der Video-Sharing-Plattform YouTube in Krisenzeiten verlässliche Informationen oder Desinformation sichtbar macht.Von diesem und anderen Forschungsprojekten rund um digitale Kommunikation erzählt er in dieser Episode von Hessen schafft Wissen.

Kliniken in Kiel: keine Ärzte und Pfleger mehr - Lage besorgniserregend ++ Ärzte und Pfleger coronakrank - fast alle geimpft ++ Allgaier: einer der ältesten Autozulieferer wird an Chinesen verkauft ++ deutsche Handelsbilanz im Minus ++ Brauwirtschaft: Ohne Erdgas kein Bier ++ Erdgas für Düngemittel wird knapp ++ europäischer Rechnungshof übt massive Kritik an Verschwendung durch Kommission ++ Niederlande: Bauern protestieren weiter gegen Enteignung ++ Sri Lanka hat nur noch Treibstoff für einen Tag ++ Japan protestiert gegen chinesisches Marineschiff ++ https://www.tichyseinblick.de

JR Motorsports continues it's impressive performance in '22 in the Xfinity Series with Justin Allgaier winning his 2nd race of the season. Plus a look to the Cup race on the 300 episode of The 3-Wide NASCAR Podcast w/EG3!

In this episode we're joined by late model driver and future camping world truck series driver Allen Huffman to talk his racing journey and his story of losing his way and finding racing back through his faith and his journey that's led him all the way to verge of his Truck Series debut at Mid Ohio along with some interesting discussion about the NASCAR licensing process. We then discuss the weekend at Charlotte Motor Speedway, our adventures around town and 3 exciting national series races including wins from Ross Chastain, Josh Berry and Denny Hamlin, a great battle between Berry and Allgaier and a thrilling Coca Cola 600. We talk Indianapolis 500 and Monaco F1 as well. We then shift to dirt and do a quick recap of the Outlaws at Atomic and Lawrenceburg, All Stars DH Port Royal and then move on to the NASCAR weekend coming up at Gateway along with Outlaws in Dakota's and All Stars at Atomic and Attica

Jeff Burton, Kyle Petty, and Parker Kligerman dissect Joey Logano's Darlington win and judge whether his move on William Byron was acceptable or unacceptable. Justin Allgaier drops by to review his Xfinity win at Darlington and to wade into the Logano-Byron discussion on proper driver etiquette when it potentially comes to on-track retaliation. Supercross 450 champion Eli Tomac also spends some time with us recapping his 450 title as well as Justin Barcia's Salt Lake City move on Malcolm Stewart.

Brett Griffin, T.J. Majors and Freddie Kraft return from a rain-delayed Dover Motor Speedway weekend and recap all the action. Justin Allgaier's highly anticipated No. 7 DBC car finally hit the track with a strong performance and runner-up finish. The guys share their thoughts on DBC car content and their positions as sponsors and competitors of the JR Motorsports machine. They also discuss the struggle between race start times and TV ratings after the Dover Cup race rained out. To start Spot on, Spot Off, the gang discusses Allgaier's performance during Saturday's Xfinity Series race. Hear what was going through their heads and why Freddie might have caused them to lose the race at the end. Next, NASCAR decided to not give teams an extra set of tires during the Cup Series race after cars were experiencing an excessive amount of wear. Was that the right or wrong call? Who was responsible for the excessive wear? Is added tire strategy good for the sport? The guys debate. AJ Allmendinger's loose tire caused a caution during green-flag pit stops late in the race. The spotters discuss why this was the most harrowing Next Gen tire situation yet and why it took long for NASCAR to display the yellow flag. Then, they talk about the severity of the loose tire penalty and how it should be changed. Ross Chastain's late block on Martin Truex Jr. on the final lap of the race sparked more conversation about Chastain's aggressive moves. Hear what the guys believe Chastain was thinking when he made the block and what it says about Truex for lifting. After 11 races, the guys talk about the current playoff and points standings. They decide which drivers are in must-win situations and whether or not there will be 16 winners before the playoffs. Finally, they talk about this upcoming weekend's throwback race at Darlington Raceway and NASCAR's decision to keep the car numbers slid forward. Thank you to our presenting sponsor Offerpad and partners Xfinity and RacingUSA.com for making this show possible.

DELIVERED BY DOORDASH Guest: Hailie Deegan - We recap the Zzzzz Martinsville Weekend, discuss the Gibbs/Mayer smackdown, preview Martinsville on the dirt for Trucks and Cup, News of the Week from tobychristie.com Allgaier going Cup, Elliott going Trucks, plus Fantasy NASCAR from Rowdy Dragon. Hosted by Kerry Murphey and Toby Christie.

He's only 23-years old, but Austin Cindric is already a Daytona 500 Champion and an accomplished racecar driver. Today, he sits at the big table with Dale Earnhardt Jr. and Mike Davis so the world can learn more about the young-man beyond the flashbulbs and trophies.At first glance, his life seems like an arranged marriage. The son of Tim Cindric, the president of Team Penske, driving in NASCAR"s top series in the famed Penske No. 2 car. There are some that feel Cindric had a path forged in gold before his feet. What most don't realize is that his parents didn't even want him to race a car. Most also don't realize how hard the Mooresville, N.C., driver has worked to make the most out of every opportunity he has gotten. Oh, and about those opportunities... he's made the most of them.From sportscar racing, Global Rallycross to NASCAR and in between, Cindric hasn't been average. In his rookie of the year attempt in NASCAR's Truck Series he put the bumper to a competitor at Canadian Tire Motorsports Park to get into the series' playoffs. Austin admits to Dale and Mike that it was a move that drew a lot of criticism and he shares how he learned from the experienceNext was his big shot in the NASCAR Xfinity Series. The opportunity was something he admits he wasn't exactly ready for. The first year came with its challenges, hopping between three different rides. One of which, through their struggles, taught him another valuable lesson in his young racing career. Getting the nod to fill the seat of the Team Penske No. 22 ride was no surprise, based off of his pathway into NASCAR and his family dynamic. He took the opportunity and ran with it. Soon, Cindric developed himself from a road course threat to a winning racecar. In 2020 he won the finale at Phoenix and stuck his flag into the ground as a Champion in NASCAR's Xfinity Series.The next season, the winning ways continued, but a championship did not. With the knowledge he was already moving up to the Cup Series in 2022, Austin wanted to go out on top. A last lap move by Daniel Hemric stole that from him. In post race interviews, he handled it with the poise of a racer well-beyond his years. Dale and Mike discuss the approach with Austin.There's much more to Cindric than meets the eye. First off, his size. He's a tall racecar driver which is uncommon. He also plays the tuba. Yes, the tuba. Everyone talks about his racing lineage on his father's side, but did you know his mother's side has roots in Sprint Car racing and are winners of the Indianapolis 500?Open SegmentBefore Cindric entered the studio, Dale and Mike decided to grab JR Motorsports Xfinity driver Justin Allgaier and pull him into the Bojangles Studio for a quick chat. The driver of the Brandt #7 Chevrolet in the Xfinity Series recently tested his car and a Chevy wheel-force car at the newly reconfigured Atlanta Motor Speedway. As we go into this race with so many unknowns, Allgaier shares details on his first hand experience at speed and going backwards at the tricky Georgia speedplant.Dale Jr. also shares an unusual story about how he once had a beer with George Strait in Key West.AskJrHannah Newhouse brings a bunch of great questions from the fans on social media and DIrty Mo Media's live Youtube Stream. Topics covered: DJD's new TV home on Peacock. DEI's number choices. Dale Jr's Super Late Model regret Carson Kvapil's 30k pay-day Time for a racecar speedometer? and a conversation that somehow includes Bryan Adams, Aerosmith and Trevor Bayne. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

He's only 23-years old, but Austin Cindric is already a Daytona 500 Champion and an accomplished racecar driver. Today, he sits at the big table with Dale Earnhardt Jr. and Mike Davis so the world can learn more about the young-man beyond the flashbulbs and trophies. At first glance, his life seems like an arranged marriage. The son of Tim Cindric, the president of Team Penske, driving in NASCAR"s top series in the famed Penske No. 2 car. There are some that feel Cindric had a path forged in gold before his feet. What most don't realize is that his parents didn't even want him to race a car. Most also don't realize how hard the Mooresville, N.C., driver has worked to make the most out of every opportunity he has gotten. Oh, and about those opportunities... he's made the most of them. From sportscar racing, Global Rallycross to NASCAR and in between, Cindric hasn't been average. In his rookie of the year attempt in NASCAR's Truck Series he put the bumper to a competitor at Canadian Tire Motorsports Park to get into the series' playoffs. Austin admits to Dale and Mike that it was a move that drew a lot of criticism and he shares how he learned from the experience Next was his big shot in the NASCAR Xfinity Series. The opportunity was something he admits he wasn't exactly ready for. The first year came with its challenges, hopping between three different rides. One of which, through their struggles, taught him another valuable lesson in his young racing career. Getting the nod to fill the seat of the Team Penske No. 22 ride was no surprise, based off of his pathway into NASCAR and his family dynamic. He took the opportunity and ran with it. Soon, Cindric developed himself from a road course threat to a winning racecar. In 2020 he won the finale at Phoenix and stuck his flag into the ground as a Champion in NASCAR's Xfinity Series. The next season, the winning ways continued, but a championship did not. With the knowledge he was already moving up to the Cup Series in 2022, Austin wanted to go out on top. A last lap move by Daniel Hemric stole that from him. In post race interviews, he handled it with the poise of a racer well-beyond his years. Dale and Mike discuss the approach with Austin. There's much more to Cindric than meets the eye. First off, his size. He's a tall racecar driver which is uncommon. He also plays the tuba. Yes, the tuba. Everyone talks about his racing lineage on his father's side, but did you know his mother's side has roots in Sprint Car racing and are winners of the Indianapolis 500? Open Segment Before Cindric entered the studio, Dale and Mike decided to grab JR Motorsports Xfinity driver Justin Allgaier and pull him into the Bojangles Studio for a quick chat. The driver of the Brandt #7 Chevrolet in the Xfinity Series recently tested his car and a Chevy wheel-force car at the newly reconfigured Atlanta Motor Speedway. As we go into this race with so many unknowns, Allgaier shares details on his first hand experience at speed and going backwards at the tricky Georgia speedplant. Dale Jr. also shares an unusual story about how he once had a beer with George Strait in Key West. AskJr Hannah Newhouse brings a bunch of great questions from the fans on social media and DIrty Mo Media's live Youtube Stream. Topics covered: DJD's new TV home on Peacock. DEI's number choices. Dale Jr's Super Late Model regret Carson Kvapil's 30k pay-day Time for a racecar speedometer? and a conversation that somehow includes Bryan Adams, Aerosmith and Trevor Bayne. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome to The Nonlinear Library, where we use Text-to-Speech software to convert the best writing from the Rationalist and EA communities into audio. This is: Are there effective ways to help Ukrainians right now?, published by Manuel Allgaier on February 24, 2022 on The Effective Altruism Forum. It happened, Russia has now launched a full-scale attack on Ukraine. This might be the beginning of a major war in Europe, possibly also beyond Ukraine. I feel like a lot of people want to help, but how? This cause is certainly not neglected, but I wonder if there might still be any effective interventions to help Ukrainians. Curious to hear your thoughts, please add ideas and upvote those you find worth investigating more. (Let me know if this is already being discussed elsewhere, I'd be happy to join the discussion there) Thanks for listening. To help us out with The Nonlinear Library or to learn more, please visit nonlinear.org.

On April 1, 2021 we welcomed Karen Benjey to CJH's Young Lions Jazz Master "Virtual" Sessions for a special conversation Frank Williams remembering saxophonist, George Allgaier. To watch this Full Session visit www.clearwaterjazz.com/education and click on THE STUDIO. You can learn more at www.clearwaterjazz.com about CJH events, the annual Clearwater Jazz Holiday music festival tradition and Clearwater Jazz Holiday Foundation's year-round Education & Outreach.

Joachim Allgaier, Professor of Communication and Digital Society at Fulda University of Applied Sciences in Germany, discusses his research on communication and cooperation in the digital society to include disinformation and conspiracy theories in online media. Beginning with his 2019 study, “Science and Environmental Communication on YouTube,” Allgaier explains his research project wherein he analysed 200 YouTube videos related to climate change concluding that videos peddling conspiracy theories received the highest number of views. Discussing conspiracy videos from migration to COVID, Allgaier discusses how the various algorithms from YouTube to search engines navigate the user through its system giving the illusion that the user alone controls her own journey through online sites. Discussing the spread of misinformation within social media, Allgaier chimes in on how the pandemic has affected the proliferation of conspiracy theories and videos on platforms whose existence depends upon peddling addictive visual input such as TikTok where younger generations find life offline as “exotic” and where binge-watching is now a social norm, something he categorises as both interesting and worrying. Get full access to Savage Minds at savageminds.substack.com/subscribe

Today we chat with Tyler Allgaier, Founder and CEO of Pitted Labs, about the viability of video advertising on Amazon and what your strategy should be involving Amazon advertising in your digital strategy.  Check out Pitted Labs at: https://pittedlabs.com/

Teil zwei unseres Themenblocks "Frau im Fußball" ist online - bei uns zu Gast ist Journalistin Rebekka Allgeier, die unter anderem schon für RTL, Sky Sport News, die TSG Hoffenheim und auch Radio Regenbogen tätig war. Mit ihr sprechen wir über die aktuelle Rolle der Frau im Sportjournalismus. Benötigt es aktuell eine Sexismusdebatte? Rebekka teilt viele ihrer persönlichen Erlebnisse und erzählt uns zudem, warum sie mal bisschen Knatsch mit Roman Weidenfeller und Béla Réthy hatte. Hosts: Francesco Romano Markus Schulze Folgt uns auf Instagram: Radio Regenbogen Sportplatz

Kerry breaks down the Darlington Throwback Weekend for NASCAR in the Xfinity Series Support the show: http://patreon.com/thefinallap See omnystudio.com/listener for privacy information.

http://www.mofpodcast.com/ https://mewe.com/join/mofpodcast https://www.facebook.com/matteroffactspodcast/ https://www.facebook.com/groups/mofpodcastgroup/ www.youtube.com/user/philrab https://www.instagram.com/mofpodcast   Sponsored by SecureIt Gun Storage www.secureitgunstorage.com Promo code MOF10 for $10 off your order   Support the show Shop at Amazon: http://amzn.to/2ora9ri Patreon: https://www.patreon.com/mofpodcast Purchase American Insurgent by Phil Rabalais: https://amzn.to/2FvSLML Shop at MantisX: http://www.mantisx.com/ref?id=173   Phil and Andrew have thoroughly tested both the Mantis Tech X10 Elites, and the Blackbeards. Now they sit down with Austin Allgaier from Mantis Tech to talk about the products, Laser Academy, and what's next from this company. If ammo prices and closed ranges have kept you from training, consider looking into Mantis Tech's product line to keep pressing that trigger and spare your wallet the beating.   http://www.mantisx.com/ref?id=173 https://www.facebook.com/MantisFTS/ https://www.instagram.com/mantis_tech/ https://www.youtube.com/channel/UCFe1uQqh6d577ARxZ8oLgHA   Intro and Outro Music by Phil Rabalais All rights reserved, no commercial or non-commercial use without permission of creator

Phil and Josh return for Episode 53 of the GSP to preview the 2021 Formula 1 World Championship analyzing each team based on recent form and winter testing.  Will Lewis Hamilton become an 8-time World Driver's Champion while getting to the 100/100 mark?  Can Max Verstappen finally give LH44 a battle he hasn't had since Rosberg and the nonsense of 2016?  Can McLaren get back to their winning ways with The Honey Badger and Lando?  Every team gets their time...even PutinHaas.  Afterwards, the guys go into the Atlanta weekend which saw YRB, Allgaier and KyBu win in Cup/XFinity/Trucks.  The biggest story was NOWAH (Maria Menounos voice) and his usual nonsense against Daniel Hemric which saw elbows up do a Matrix move and nail NOWAH in the face.  Phil and Josh go into detail that won't be heard on other pods.  After cooling down, they discuss the 12 Hours of Sebring with The French Connection winning overall along with an upset in GTLM but plenty of Porsche power at one of their great stomping grounds.  The Roundup went over one of those overall winners and his new major sponsor in IndyCar along with Indy 500 entry list talk plus MotoGP preview after Marc Marquez was ruled out for Qatar. 

Kerry recaps the XFinity Series race from Atlanta Motor Speedway where Justin Allgaier wins Support the show: http://patreon.com/thefinallap See omnystudio.com/listener for privacy information.

Autorin Uta Allgaier über ihr neues Buch und die Erziehungstipps, die sich für die zweifache Mutter in der Praxis bewährt haben.

Tyler Allgaier is the founder and CEO of the Amazon Management company Pitted Labs. Connect with Tyler: https://www.linkedin.com/in/tylerallgaier/ https://pittedlabs.com/ https://www.instagram.com/tylerallgaier/ Connect with Mikhail: https://www.instagram.com/miqk https://www.mikhailalfon.com https://www.twitter.com/miqk

Guest: Anthony Alfredo  - We break down Hailie Deegan news, practice and qualifying is back at some tracks, a new Allgaier is coming, and tons more. Hosted by Kerry Murphey and Toby Christie. Support the show: http://patreon.com/thefinallap See omnystudio.com/listener for privacy information.

What NASCAR drivers are in the Rolex 24, Wood Brothers control charter now, new baby Allgaier coming. Support the show: http://patreon.com/thefinallap See omnystudio.com/listener for privacy information.

Back at the table, Dale Earnhardt Jr. brings in one of his drivers, Justin Allgaier, who brings truth and transparency like we've never heard from the driver hungry for his first NASCAR Xfinity Series title. Allgaier opens up about his run-ins with JR Motorsports teammate Noah Gragson and discloses what had him most upset about the situation. What had him ready to fight in Daytona? We uncover the source to his recent chippiness in 2020 and how it has been received.Dale and Justin talk about the new style of racing from young drivers and how back in the day it would result in being sent "oil tank deep" into the wall.The Illinois driver has seen his ups and down this year. His kind approach and generous way of life has resulted in both good and bad, but he remains steadfast and as determined as ever. Allgaier is fresh off a two-race sweep of action at Richmond Raceway and has his #7 JR Motorsports team trending in the right direction at the right time. The win also gave Dale Jr. his first victory as a car-sponsor. With Phoenix as the 2020 season finale, Allgaier knows he must battle through the anxieties and unknowns to make it to the Final Four just to have a shot at the title that has eluded him..Allgaier details his early days in the sport and how his full-time opportunity in the Cup Series took a mental toll. Dale and co-host Mike Davis get the truth about his close-knit relationship with his sponsor Brandt and how other drivers could take note. Justin gives us insight into the other aspects of life., from family to his secret love of graphic design, He also gives us a peek into his life as a test driver and what doing simulation for the upcoming Gen-7 car is like, including the new wheel and tire combination.In Open Segment, Dale talks about his first weekend hosting in the NASCAR on NBC booth and what has him appreciating his colleagues more. Leah brings some great questions in AskJr presented by Xfinity. Dale lets us in on his Ancestry and introduces us to how he learned about his World War II veteran Uncle John. The DJD gang also learns about Adirondack Dinosaurs. Well, not really... but you'll understand what the heck we are talking about as soon as you hear it.That and more as we welcome a driver in-studio for the first time in months for a special Dale Jr. Download. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Dale Jr. spends quality time with the last great independent, Dave Marcis, to tell the tale of doing it his own way.  The NASCAR Legend talks about Goodyears & Wingtips, dumping Dale Earnhardt, working with Harry Hyde, his Pocono crash & towing his mobile home behind his racecar.  DJD turns up the volume on the NBC broadcast, talks Chastain vs. Allgaier, discusses Dale Jr.'s Western Town and tells a story about Tim Richmond and Huey Lewis that didn't make the news. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices