Podcasts about ringstrasse

durée : 00:04:39 - Le Reportage de la Rédaction - La capitale autrichienne est réputée pour être un nid d'espions. La plupart se retrouvent sur la Ringstrasse, le mythique boulevard qui encercle le centre historique de la ville. Une nouvelle étape dans notre découverte de lieux cachés du pouvoir, en France comme en Europe.

durée : 00:04:39 - Le Reportage de la Rédaction - La capitale autrichienne est réputée pour être un nid d'espions. La plupart se retrouvent sur la Ringstrasse, le mythique boulevard qui encercle le centre historique de la ville. Une nouvelle étape dans notre découverte de lieux cachés du pouvoir, en France comme en Europe.

durée : 00:07:46 - Le Reportage de la Rédaction - Si Vienne est célèbre pour ses bals, son architecture et ses cafés, la capitale autrichienne a aussi la réputation d'être un nid d'espions. Derrière la légende, il existe des lieux bien réels de rencontres, loin des regards indiscrets. La plupart sur le boulevard qui encercle le centre historique.

Einmal im Kreis herum und das war's? Im Gegenteil. Rundreisen sind so viel mehr – und in unterschiedlichsten Formen erlebbar. Welche das sind, verraten Alexandra Mucheik (Private Safaris) und Jonas Gobeli (Kontiki) in dieser Folge von «The Journey». Gemeinsam streifen sie durch eisige Landschaften, begegnen wilden Nilpferden im Kanu und erkunden die isländische Ringstrasse. Wie immer gespickt mit vielen persönlichen Geschichten und wertvollen Tipps. In dieser Folge: Alexandra Mucheik (Product Manager, Private Safaris), Jonas Gobeli (Head of Sales & Operations, Kontiki) und Nico Leuenberger (Host, Podcastschmiede) Weitere Infos zu allen Kuoni Specialists unter www.kuoni.ch/specialists

“Die Weisse Stadt”, “Rosenstadt” - das sind die beiden Beinamen, die Putbus auf Rügen auf den Punkt bringen. Der Circus, die Ringstrasse, die umgeben wird von weiss gestrichenen Häusern, vor denen stets und die Rosenstöcke, die vor den Häusern gepflanzt wurden und im Sommer in Blüte stehen, haben das kleine Städtchen, das übrigens auch die jüngste Stadt der Insel ist, bekannt gemacht. Katja und Axel Metz machen sich in der aktuellen Folge auf, um weitere Sehenswürdigkeiten von Putbus zu erkunden. Die beiden erfahren am kleinen Bahnhof der Stadt mehr über die Faszination des “Rasenden Roland”, der berühmten dampfbetriebenen Schmalspurbahn auf Rügen, lernen zwischen Circus und Schlosspark einen weiteren Hotspot für Kuchen - und Tortenliebhaber kennen und hören bei Kaffee und Kuchen mehr über Ecken in Putbus, die den Besuch in der Stadt noch lohnenswerter und interessanter machen. Und - ganz wichtig für viele Rügenurlauber - das Urlaubsmitbringsel - dafür schauen Katja und Axel Metz auch noch in einem ganz speziellen Laden für so etwas rein. --- Send in a voice message: https://podcasters.spotify.com/pod/show/axel-metz0/message

Episode: 2531 Reading Vienna - A history through architecture.  Today, we read Vienna.

Heute mit diesen Themen: Die von der Politik lancierte Solar-Offensive: Der Kanton Graubünden fördert finanziell seit bald zwei Jahren Photovoltaikanlagen auf Neubauten und auch bei Haussanierungen. Sportliche und musikalische Höhenflüge am Big Air Chur Spektakel: 27'000 Leute feierten am Big Air Chur die internationale Musik- sowie Freeski- und Snowboard-Prominenz. Graubünden hat an der Olma begeistert: 320'000 Menschen haben die diesjährige Olma in St.Gallen besucht. Besonders gefallen hat den Leuten der Gastauftritt des Kantons Graubünden. Begeistert hat auch die Landquarter Mäss: Beinahe 9'000 Menschen haben am Wochenende die Regionalmesse besucht. 2025 wird dann die Jubiläumsauflage der Landquarter Mäss stattfinden. Eine «Ringstrasse» haben viele Städte: Wie in vielen anderen Städten verfügt sie auch in Chur nicht über einen besonderen lokalhistorischen Bezug. Nicht zuletzt auch darum hat sich die Stadt für die neue Schul- und Sportanlage an der Ringstrasse für den Namen «Fortuna» entschieden. HCD Captain Andres Ambühl ist die Identifikationsfigur beim Schweizer Rekordmeister: Der Klub hat seine wichtigste Personalie geklärt. Der 39-jährige Ambühl hat seinen Vertrag um zwei Jahre bis 2025 verlängert.

Sunila recently had only 48 hours in the beautiful Austrian city of Vienna. So today on Travel. Explore. Celebrate Life. we dissect the best things to do in Vienna, the best things to see in Vienna and why only 48 hours may not be enough for this city.

Sunila recently had only 48 hours in the beautiful Austrian city of Vienna. So today on Travel. Explore. Celebrate Life. we dissect the best things to do in Vienna, the best things to see in Vienna and why only 48 hours may not be enough for this city.

Fri, 26 Aug 2022 03:45:00 +0000 https://jungeanleger.podigee.io/333-borsepeople-im-podcast-s120 306e597ddf5bd171b5799bb31e23efaf Paul Putz ist Vermögensberater sowie Unternehmensberater mit Spezialisierung im Corporate Finance-Bereich für Unternehmen aus Russland, der DACH- und CEE-Region. Und er ist ein Urgestein an der Wiener Börse, hat in den späten 80ern als Sensalenhilfe im Börsegebäude auf der Ringstrasse fungiert. Weitere Stationen waren die GiroCredit, Eastbrokers, die Wiener Börse selbst,uvm.. Pauls aktueller Haupffokus liegt auf der Bereitstellung von Eigenkapital durch Crowdinvesting über seine Firma Danube Angels. Gerade in Funding ist hier das Projekt Felloz, eine White Label Spenden-App für Wohltätigkeitsorganisationen. http://www.danubeangels.com Felloz-Vorstellung auf YouTube: https://www.youtube.com/watch?v=EgLpD0WMdTw About: Die Serie Börsepeople findet m Rahmen von http://www.christian-drastil.com/podcast statt. Es handelt sich dabei um typische Personality- und Werdega ng -Gespräche. Die Season 1 umfasst unter dem Motto „22 Börsepeople in Summer 22“ eben 22 Po dcast-Talks, divers zusammengesetzt. Presenter ist die Management Factory (https://www.mf.ag ). Bewertungen bei Apple (oder auch Spotify) machen mir Freude: https://podcasts.apple.com/at/podcast/christian-drastil-wiener-börse-sport-musik-und-mehr-my-life/id1484919130 . 333 full no Christian Drastil Comm.

UNIVERSITY OF EXCELLENCE Prince HandleyPresident / Regent PRINCE HANDLEY PORTAL 1,000's of FREE ResourcesWWW.REALMIRACLES.ORG INTERNATIONAL Geopolitics | Intelligence | ProphecyWWW.UOFE.ORG SMART CITIES … OR ARE THEY LISTEN TO THIS MESSAGE HERE >>> LISTEN NOW 24/7 release of Prince Handley teachings, BLOGS and podcasts > STREAM Twitter: princehandley Subscribe FREE to Prince Handley Teaching & Newsletter ___________________________ DESCRIPTION In this teaching we will discuss Smart Cities: What they are; Advantages and Disadvantages of Smart Cities; Examples of Smart Cities; and, My Choice (where I have a Reservation). Also, a warning about control of Smart Cities by governments: Local and Global. What to avoid! _________________________ SMART CITIES … OR ARE THEY? Smart cities are being planned―and developed―due to demand, and in some cases due to foresight. There are too many dumb cities! Cities are growing; two in three people will live in cities by 2050. Cities are also responsible for three fourths of total energy consumption and 80 percent of greenhouse gas emissions … and therefore have special responsibility for the future. But WHO is seeing this need … and WHO is taking advantage of this need for “other” purposes? Let's start by discussing the different factions (corporations, governments, and organizations) who are actively involved in the current‒and future‒development of Smart Cities, Smart Neighborhoods and Smart Industrial-Residential Complexes. Let's define them by their goals: Sustainable Environment (Planning for Society as a Whole) Energy Conservation (Must Act Now Critical Environments) Parasites (Entities Like ESG, WEF, and Global Reset) An article in Business Chief titled “Technology and AI” by Sajana Samarasinghe says: “Smart cities use ICT technologies to fuel smarter and more sustainable development practices, such as transportation networks, water supply, and heating, as well as promoting safer urban spaces.” The writer then chooses Chicago as #10 of the Smartest Cities in the USA. Evidently the writer did NOT check out the MURDER rate in Chicago while doing research. I wonder: Which kills MORE and FASTER: bad climate OR murders?! In the past I owned an architectural company. Of importance in design―including municipal, manufacturing and residential―is SAFETY: not only of the building(s) … BUT of the community. The safety accommodations of a city are variegated. Let me give you an example of a Smart City that is SMART as regards to: energy resource sustainability, business-manufacturing and residential mix, and neighborhood social makeup. Innovative solutions for the challenges of the modern world, successful pilot projects in areas like mobility, environment, and, of course, digitalization clearly show that progress is at home in Vienna. https://www.wien.info/en/all-of-vienna/smart-city-vienna What made Vienna a Smart City? Resource efficiency and the climate crisis are big challenges for cities around the world. Vienna is taking up these global issues with flying colors, thanks to an innovative Smart City strategy. The Smart City Vienna framework strategy through 2050 is accompanied by many other concepts and strategies of the city, like the city development plan, a dedicated energy program, or the "Digital Agenda", which is working on Vienna as a capital of digitalization. The topics "Smart solutions for the urban habitat of the 21st century" and "Smart production in the city" are also essential elements of the city strategy "Vienna 2030 - Economy & Innovation." Vienna operates one of the biggest district heating networks in Europe. More than 400,000 homes―around one third of all households in Vienna―and more than 6,800 large customers are supplied with environmentally friendly heat. And … compared to conventional air conditioning systems, the generation of central cooling needs four to ten times LESS primary energy, saves space, is quiet and visually inconspicuous: that makes it a smart cooling solution. Particularly great is the demand for district cooling in Vienna city center. A district cooling network that supplies big customers like hospitals, public buildings, or hotels, is being constructed along the Ringstrasse boulevard. In the near future, district cooling should also be available for private households. BUT ARE SMART CITIES ALL THAT GOOD … FOR EVERYONE Steven Poole writes in The Guardian: The truth about smart cities: “In the end, they will destroy democracy.” One take-home message at a Smart City conference seemed to be that whatever the smart city might be, it will be acceptable as long as it emerges from the ground up: “the bottom-up or citizen-led approach.” But of course, the things that enable that approach―a vast network of sensors amounting to millions of electronic ears, eyes, and noses―also potentially enable the future city to be a vast arena of perfect and permanent surveillance by whomever has access to the data feeds. DISADVANTAGES OF SMART CITIES Demand 24/7 connectivity and power supply. Security issues related to public data and surveillance. Almost 70% of the world's largest cities have already invested in “Smart City” technology and many others are considering its implementation. The increase in federal funding and strong partnerships between city governments and private sector technology companies will further consolidate the reality of smart cities in the upcoming years. This is where a BIG DANGER lies. Consolidation of local, state, and regional governments―and in the future, possibly national governments―with ESG, WEF and/or Global Reset platforms will “cross the line” of sacrificing freedom for control. When this happens, there will be NO individuality: NO personalization: only accepted control. ESG, WEF AND GLOBAL RESET ARE DANGEROUS The best place to find information about the Global Reset is on the website of the World Economic Forum (WEF). Rather than focus on profits, private property rights, supply, and demand from consumers—the cornerstones of free market economies—WEF / Reset wants to develop a system based largely on “environmental, social, and governance (ESG) metrics. Beware of ESG! The Global Reset is “purposely” about shifting wealth and power into the hands of elites and surveillance of the common citizen (and small business owners) for control. WATCH OUT FOR:      > The Big Reset     > ESG (the Big Banks are NOT your friends anymore)     > Digital Currency The World Economic Forum (WEF) wants to control EVERYTHING in your life: a digital ID system that would collect personal data about your online behavior, purchase history, network usage, medical history, travel history, energy uses, health status. A “Social Credit Score” like China uses! Then they can use this data to determine who should open bank accounts, conduct financial transactions, access insurance & treatment, book trips, cross borders. AND MORE! ESG stands for Environmental Social and Governance, and refers to the three key factors when measuring the sustainability and ethical impact of an investment in a business or company. ESG criteria aids some investors to avoid companies that might pose a greater (purported) financial risk due to their environmental or other practices. What's truly outrageous about ESG is the way it studiously ignores the massive, widespread damage inflicted by pseudo-renewable energy. S&P [Standard and Poor's ~ creator of financial market indices—widely used as investment benchmarks—a data source, and an issuer of credit ratings] Global says it “incorporates ESG risks and opportunities into the credit rating analysis” of public issuers. This includes ambiguous and open-ended categories such as how a state scores on “managing carbon,” “political unrest stemming from community and social issues” and “adverse publicity that results in reputation risk.” Unlike quantifiable financial metrics, this qualitative view depends entirely on the beliefs of whoever constructs it. It is very easy to discern that those beliefs are left-wing. S&P assigns a lower ESG score to states that have both “physical risks” like earthquakes and natural disasters and a larger percentage of their economy tied to natural resource extraction. So IF you're looking to move to a Smart City now or in the future, make sure it is controlled from the “ground up” … by that I mean, controlled by the citizens: the tenants … and NOT just an HOA, and especially NOT by ESG, WEF, or a government or enterprise. THE SMART CITY WHERE I HAVE A RESERVATION But here is the SUPER SMART CITY. It will be in Messiah's Millennial rule, where Messiah Yeshua rules on Planet Earth from Jerusalem for 1,000 years. Ever wonder WHAT it will be like and WHAT environmental changes will take place? I can tell you exactly from the Hebrew Scriptures in Tanakh! Go here >>> Millennial Kingdom – Part B by Prince Handley. However, there is ONE condition: you need a TICKET. But don't worry, YOU can WIN the ticket! Here's where >>> WIN YOUR TICKET TO SUPER SMART CITY. Baruch haba b'Shem ADONAI. Your friend, Prince Handley President / Regent University of Excellence Subscribe FREE to Prince Handley Teachings & Newsletter Prince Handley BLOG _________________________ Rabbinical & Biblical StudiesThe Believers' IntelligentsiaPrince Handley Portal(1,000's of FREE resources)Prince Handley Books OPPORTUNITY If you would like to partner with Prince Handley and help him do the Spirit exploits the LORD has assigned him, Click thIs secure DONATE or the one below. God will reward you abundantly on earth … and in Heaven! A TAX DEDUCTIBLE RECEIPT WILL BE SENT TO YOU__________________________

Cross the multi-laned Ringstrasse (being careful of tram, bike, and car traffic) and head toward the imposing monument seated between the two museums. Here, you'll meet Empress Maria Theresa and her extensive family, hear about the extensive holdings of the Natural History Museum (including the world's oldest-known human-carved statuettes), get the run-down on the collection at the Art History Museum (the crime scene of one of history's biggest art heists), and grab the opportunity to see the city skyline from above with an optional free trip to a rooftop patio in the MQ. A map of the entire route can be found at the following link: https://tinyurl.com/zxjv65n6

Vienna's historic center is encircled by a road called the Ringstrasse. In the 1860s, Emperor Franz Joseph I of Austria had Vienna's medieval walls torn down and replaced with this grand boulevard. Today, the three-mile loop is lined with many of Vienna's top sights; hop aboard one of the trams that traverse the Ringstrasse for a DIY, budget tour of the city. More info about travel to Austria: https://www.ricksteves.com/europe/austria

Vienna's historic center is encircled by a road called the Ringstrasse. In the 1860s, Emperor Franz Joseph I of Austria had Vienna's medieval walls torn down and replaced with this grand boulevard. Today, the three-mile loop is lined with many of Vienna's top sights; hop aboard one of the trams that traverse the Ringstrasse for a DIY, budget tour of the city. More info about travel to Austria: https://www.ricksteves.com/europe/austria

ATELIER SPECIAL: IN LUDWIG'S ROOM -- Atelier Specials feature original creative content including essays, fiction, and excerpts. Today: In honor of the 250th birth-year of Ludwig Van Beethoven, M. Allen Cunningham's account of a visit to Beethoven's rooms in Vienna, a mere two centuries after the composer steps out. Mentioned in this episode: Vienna; University of Vienna; the Ringstrasse; Vienna ramparts; the Votivkirche; Beethoven's 4th, 5th, 7th, and 8th symphonies; Beethoven's Rasumowsky Quartets; Beethoven's opera "Fidelio"; office workers; dreamers; ghosts; work and time; what we give our attention to. Music: Beethoven! (and "Hands of Time" by Narrow Skies, used courtesy of the artist through a licensing agreement with Artlist). --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/in-the-atelier/support

PERSIGUE TUS SUEÑOS Devoción Matutina para Jóvenes 2020 Narrado por: Daniel Ramos Desde: Connecticut, Estados Unidos Una cortesía de DR'Ministries y Canaan Seventh-Day Adventist Church   05 DE OCTUBRE KARL LANDSTEINER Podemos hacer nuestros planes, pero el Señor determina nuestros pasos. Proverbios 16:9. A los doce años de edad, Karl Landsteiner planeaba ser músico cuando terminara la escuela. -Lo hiciste muy bien hoy -le había dicho su maestro-. Pronto estarás listo para dar tu primer recital en público. Mientras caminaba por una de las avenidas de Viena, Karl se imaginaba a sí mismo sentado en un gran piano tocando “El Danubio azul" para el emperador Franz Joseph. Casi podía oír los aplausos de la gente que llenaba el teatro de su fantasía. Mientras caminaba, mecía su portafolio con música al son del vals que acababa de tocar en su imaginación. Karl recorría las calles atestadas de gente, sin fijarse bien por dónde ¡ba. De pronto, una violenta sacudida y un alboroto lo dejó frente a frente a un anciano vestido de levita. -Oh, pe-perdóneme, señor -tartamudeó Karl-, Cre-creo que estaba soñando. Se agachó para recogerle el bastón al anciano. -Yo también venía soñando -le dijo el venerable hombre con una amable sonrisa-. ¿Me podrías indicar cómo llegar a Ringstrasse? -Siga derecho por esta calle -respondió Karl-, Se topará con ella. Esa tarde, mientras cenaba con su mamá, leía el periódico. Repentinamente le llamó la atención el dibujo de un anciano con anteojos. Leyó: "Luis Pasteur predice que se podrá conquistar el cólera en un laboratorio de química". -¡Mira, mamá! Yo vi a este hombre hoy. Me preguntó cómo llegar a Ringstrasse. Emocionado, leyó el reportaje del discurso del famoso Pasteur acerca de los microbios y los parásitos. Al día siguiente, Karl trajo una enorme pila de libros de la biblioteca. Leyó acerca de Lister, Koch, Jenner y Pasteur. Por primera vez en su vida penetró en el fascinante mundo de la ciencia. Ahora sabía que debía llegar a ser médico. Ese encuentro accidental con Pasteur lo condujo al descubrimiento de los tipos sanguíneos 0, A, B y AB. Al igual que Karl, bien podrías tener ciertos planes para tu vida; pero, ¿a quién mandará Dios para hacer ciertos cambios en ellos? Las personas que conocemos o aquellos de quienes leemos, a menudo son usados por Dios para dirigir nuestros pasos.

Episode: 2531 Reading Vienna: A history through architecture.  Today, we read Vienna.

Ventana o Pasillo, el podcast de viajes de Valencia Plaza, hace un recorrido por Viena para conocer las huellas de la antigua monarquía de los Habsburgo, visitar los impresionantes palacios barrocos de Schönbrunn y Belvedere, echar un vistazo al Palacio Imperial, antiguo centro de control del gigantesco reino, y pasear por la señorial avenida Ringstrasse. Después, dejará a un lado esa Viena imperial para adentrarse en el modernismo de la mano de arquitectos como Otto Wagner, Josef Hofmann o Adolf Loos. Sin olvidar, por supuesto, de sus museos, a través de los cuales se pueden admirar las obras de arte de Schiele o Gustav Klimt. Un recorrido por Viena en el que no faltarán sus parques, la gigantesca noria del Prater y sus coquetos cafés, ideales para hacer un alto en el viaje y probar su famosa tarta sacher.Olga Briasco (@obriasco) y Clara Estrems, (@lassandaliasde), del blog las Sandalias de Ulises, te invitan a conocer una de las ciudades más bonitas de Europa. En cada nuevo episodio de Ventana o Pasillo ambas viajeras proponen visitar un destino diferente, donde también analizará temas relacionados con el mundo del turismo y los viajes o entrevistará a protagonistas de este sector.El podcast Viena, mucho más que una ciudad imperial ha sido publicado en Plaza Radio

Heute mit folgenden Themen: Das sagt ein Bündner Experte zu SpaceX Die aktuellen Corona-Zahlen Töffunfall auf der Ringstrasse in Chur Auch in Masans kam es zu einem Töffunfall

In unserem Gespräch erklärt Karl Vocelka, ehemaliger Vorstand des Insituts für Geschichte an der Universität Wien, die militärische, gesellschaftliche, wirtschaftliche und politische Bedeutung der Ringstraße und erläutert den Kontext, in dem dieser Prachtboulevard geplant und erbaut wurde. Er zeigt auf, dass die Ringstraße auch nach der sogenannten Gründerzeit und dem Ende der Monarchie eine wichtige symbolische Bedeutung für Wien und Österreich hatte.

Über 3.000 unterschiedliche Rosensorten erfreuen die Besucher*innen des Volksgarten, der - ebenso wie der Heldenplatz - durch die Vorverlegung der alten Stadtmauern entstand. Das Palais Epstein war einst das einzige Privatgebäude in diesem öffentlich bebauten Bereich der Ringstrasse. Die Baugeschichte des Burgtheaters ist lang und mühselig - und ebenso wie die Oper gefiel dieses Gebäude den Wienerinnen und Wienern anfangs nicht.

Live from a sports bar on the Ringstrasse in Vienna - Tom, Lee and Simon preview FC Salzburg's UEFA Champions League group as part of a three-episode series focusing on the Austrian clubs in European competition. --- Send in a voice message: https://anchor.fm/theotherbundesliga/message

Am scheinbar unspektakulären Abschnitt zwischen Oper und Hofburg unterhalten sich Fritzi und Edith über die verschiedenen Architektenbüros, die die Palais und Wohnhäuser an Ringstrasse entworfen haben und über eine Fernsehserie "Ringstraßenpalais", über die Ringstrassenära. Sie erkunden Politisches bei der Akademie der Bildenden Künste und entdecken im Burggarten ein einzigartiges Denkmal.

Wir beginnen unseren Spaziergang mit dem Gebäude, das schon vor der Konzeption der Ringstraße geplant wurde und die einzige Kirche an der Ringstraße ist: der Votivkirche. Wir reden über eine schreckliche Tragödie, den Brand im Ringtheater und einen Ort, an dem viel "Geld den Bach rann", die Börse. Außerdem stellen wir fest, wo Geld und Luxus am Schottenring damals wie heute sonst noch eine Rolle spielen.

Mitte des 19. Jahrhunderts wuchs die Stadt Wien. Die Vororte wurden eingemeindet und die ehemalige Befestigungsanlage rund um die "Inneren Stadt" wurde nicht nur obsolet, sondern sogar als gefährlich wahrgenommen. Also ordnete Kaiser Franz Josef I. 1857 mittels "Handbillet" die Schleifung der ehemaligen Festungsanlage mit ihren Bastionen und Glacis an. An ihrer Stelle sollte ein von repräsentativen Gebäuden gesäumter "Prachtboulevard" enstehen, auf dem ein rasches Vorgehen gegen potenzielle revolutionäre Bewegungen möglich wäre. Um die Errichtung der Prachtbauten zu finanzieren, wurde der "Stadterweiterungsfonds" eingerichtet, der die 'Wiener Stadtpolitik auch im 21.Jahrhundert noch beschäftigt.

Ciclos de conferencias: Cuatro ciudades. Episodios de la historia cultural del siglo XX en Occidente (I). Viena 1900-1918: Wagner, Freud, Klimt. Luis Fernández-Galiano. La Viena de comienzos del siglo XX fue escenario de un extraordinario florecimiento cultural. Si en las grandes metrópolis europeas –Londres, París o Berlín– las élites intelectuales, artísticas o científicas vivían enclaustradas en sus campos específicos, en Viena existió una fluida comunicación entre disciplinas que promovió la innovación y la apertura de nuevos territorios: en la psicología con Freud, en la literatura con Hofmannsthal o Kraus, en la historia del arte con Riegl, en la música con Mahler, en el urbanismo con Wagner o Sitte, en la pintura con Klimt, Schiele o Kokoschka, en la economía con Menger y en la política con Adler o Bauer. La ciudad que estaba transformando su realidad urbana con el gran proyecto de Ringstrasse alumbró una nueva arquitectura racional con las obras de Otto Wagner y los escritos de Adolf Loos, exploró los abismos del inconsciente con Sigmund Freud e hizo visible la importancia de la sexualidad con las imágenes convocadas por Gustav Klimt y Egon Schiele, pero toda esta construcción cultural se vio arrastrada por el vendaval de la Gran Guerra a la que llevaron unos líderes sonámbulos. Nuestro relato comienza en 1900, fecha en la que se publicó La interpretación de los sueños de Sigmund Freud, y llega hasta 1918, que marca el fin del Imperio austrohúngaro y la muerte de Wagner, Klimt o Schiele, todos ellos víctimas de la llamada "gripe española", una pandemia que causó más fallecimientos que la propia Guerra Mundial. Explore en www.march.es/conferencias/anteriores el archivo completo de Conferencias en la Fundación Juan March: casi 3.000 conferencias, disponibles en audio, impartidas desde 1975.

Die 22-jährige Studentin Marie Pforte erhielt im Jahr 2016 eine Diagnose, die ihr Leben auf den Kopf stellte: Krebs! Nach Überstehen der Chemotherapie verließ ihr Freund sie – Marie war traurig, verübelte es ihm aber nicht. „Schließlich drehte sich monatelang alles nur um mich und mein Leben im Krankenhaus.“ Kurz darauf machte sie einen langehegten Traum wahr und reiste mit einer sehr guten Freundin nach Island. Zehn Tage lang sind die beiden Frauen per Mietwagen die Ringstraße abgefahren. Wie sie es geschafft haben das Land recht preiswert kennenzulernen, welche Tipps Marie für dich hat und wie es zwischenmenschlich bei 24 Stunden Beisammensein geklappt hast, erfährst du in dieser Folge. Außerdem gib es eine Antwort auf die Frage: Was wurde aus der beendeten Beziehung?  Hol dir Lebensmut auf die Ohren und lad dir diese Episode gleich herunter! ******************************************************* Weitere Anregungen für deinen Ausstieg sowie amüsante Reiseerlebnisse bekommst du in meinen Büchern: http://www.mady-host.de/meine-buecher.html

This lecture begins with a study of Vienna and its wall system, the middle-class. economy, Ringstrasse, and Red Vienna. The latter part of the lecture focuses on Barcelona, and its extension constructed around the city's center.

Vienna around 1900 witnessed a vital and anxious surge in art, design, literature and music. This creativity also inspired psychological investigations into the inner self and dreams, most famously by Sigmund Freud. The old Imperial city was transformed into a modern metropolis encircled by the cafes and cultural institutions of the new tree-lined Ringstrasse and beyond new elegant suburbs. As the acclaim surrounding Edmund de Waal's The Hare with Amber Eyes and the forthcoming National Gallery exhibition attests, the paintings of Gustav Klimt and the exquisite interiors of the Wiener Werkstätte designers resonate with the delights and dilemmas of our own age. Dr Claire I R O'Mahony is University Lecturer in the History of Art and Course Director for the MSt in the History of Design and the Undergraduate Diploma in the History of Art.

Vienna around 1900 witnessed a vital and anxious surge in art, design, literature and music. This creativity also inspired psychological investigations into the inner self and dreams, most famously by Sigmund Freud. The old Imperial city was transformed into a modern metropolis encircled by the cafes and cultural institutions of the new tree-lined Ringstrasse and beyond new elegant suburbs. As the acclaim surrounding Edmund de Waal's The Hare with Amber Eyes and the forthcoming National Gallery exhibition attests, the paintings of Gustav Klimt and the exquisite interiors of the Wiener Werkstätte designers resonate with the delights and dilemmas of our own age. Dr Claire I R O'Mahony is University Lecturer in the History of Art and Course Director for the MSt in the History of Design and the Undergraduate Diploma in the History of Art.

Reporter Anne-Marie O’Connor uses the iconic gold portrait of Adele Bloch-Bauer to engage us in the exciting cultural life of fin-de-siecle Vienna, where wealthy Jewish patrons supported the work of ground-breaking artists, lived in grand homes on the famous Ringstrasse, and thought life was good and they were valued as Austrians. With O’Connor’s background in art and her skills of investigative reporting, we come to know the people who turn the art world upside down during the last years of the Empire. Klimt, rock star artist of his era, is in great demand. Her family treasured his portrait of Adele Bloch-Bauer, and the Austrians came to regard it as their Mona Lisa. Adele Bloch-Bauer, as O’Connor explains, was different. This wealthy Jewish woman hosted “Red Saturdays” at home, salons in which she voiced her opinions on the issues of the day, eager to implement reforms to improve workers’ lives. O’Connor characterizes her as “an unfinished woman,” for she died at 43. Wishing to immortalize Klimt, she directed that the portraits and landscapes that she and her husband had in their home be given to the Austrian Gallery. But after Adele died, life changed for Jews in Vienna: in 1938, the Anschluss made Austria part of Nazi Germany. Hitler’s henchmen commandeered Adele’s home and helped themselves to paintings and other works of art. Her family survived, barely. When the war ended, Austria kept the Klimts. When the battle to recover the Klimt portrait resumed in Los Angles in the 1990s, O’Connor interviewed Maria Altmann, niece of Adele Bloch-Bauer, who spearheaded the family’s legal case. Working with Altmann was attorney Randol Schoenberg, grandson of the famed composer and passionate advocate in the battle to recover the painting. Listen to this interview for further details of The Lady in Gold and read the book to learn more. (See the Artsy page on Klimt; it’s terrific.) Learn more about your ad choices. Visit megaphone.fm/adchoices

Reporter Anne-Marie O'Connor uses the iconic gold portrait of Adele Bloch-Bauer to engage us in the exciting cultural life of fin-de-siecle Vienna, where wealthy Jewish patrons supported the work of ground-breaking artists, lived in grand homes on the famous Ringstrasse, and thought life was good and they were valued as Austrians. With O'Connor's background in art and her skills of investigative reporting, we come to know the people who turn the art world upside down during the last years of the Empire. Klimt, rock star artist of his era, is in great demand. Her family treasured his portrait of Adele Bloch-Bauer, and the Austrians came to regard it as their Mona Lisa. Adele Bloch-Bauer, as O'Connor explains, was different. This wealthy Jewish woman hosted “Red Saturdays” at home, salons in which she voiced her opinions on the issues of the day, eager to implement reforms to improve workers' lives. O'Connor characterizes her as “an unfinished woman,” for she died at 43. Wishing to immortalize Klimt, she directed that the portraits and landscapes that she and her husband had in their home be given to the Austrian Gallery. But after Adele died, life changed for Jews in Vienna: in 1938, the Anschluss made Austria part of Nazi Germany. Hitler's henchmen commandeered Adele's home and helped themselves to paintings and other works of art. Her family survived, barely. When the war ended, Austria kept the Klimts. When the battle to recover the Klimt portrait resumed in Los Angles in the 1990s, O'Connor interviewed Maria Altmann, niece of Adele Bloch-Bauer, who spearheaded the family's legal case. Working with Altmann was attorney Randol Schoenberg, grandson of the famed composer and passionate advocate in the battle to recover the painting. Listen to this interview for further details of The Lady in Gold and read the book to learn more. (See the Artsy page on Klimt; it's terrific.) Learn more about your ad choices. Visit megaphone.fm/adchoices

Reporter Anne-Marie O’Connor uses the iconic gold portrait of Adele Bloch-Bauer to engage us in the exciting cultural life of fin-de-siecle Vienna, where wealthy Jewish patrons supported the work of ground-breaking artists, lived in grand homes on the famous Ringstrasse, and thought life was good and they were valued as Austrians. With O’Connor’s background in art and her skills of investigative reporting, we come to know the people who turn the art world upside down during the last years of the Empire. Klimt, rock star artist of his era, is in great demand. Her family treasured his portrait of Adele Bloch-Bauer, and the Austrians came to regard it as their Mona Lisa. Adele Bloch-Bauer, as O’Connor explains, was different. This wealthy Jewish woman hosted “Red Saturdays” at home, salons in which she voiced her opinions on the issues of the day, eager to implement reforms to improve workers’ lives. O’Connor characterizes her as “an unfinished woman,” for she died at 43. Wishing to immortalize Klimt, she directed that the portraits and landscapes that she and her husband had in their home be given to the Austrian Gallery. But after Adele died, life changed for Jews in Vienna: in 1938, the Anschluss made Austria part of Nazi Germany. Hitler’s henchmen commandeered Adele’s home and helped themselves to paintings and other works of art. Her family survived, barely. When the war ended, Austria kept the Klimts. When the battle to recover the Klimt portrait resumed in Los Angles in the 1990s, O’Connor interviewed Maria Altmann, niece of Adele Bloch-Bauer, who spearheaded the family’s legal case. Working with Altmann was attorney Randol Schoenberg, grandson of the famed composer and passionate advocate in the battle to recover the painting. Listen to this interview for further details of The Lady in Gold and read the book to learn more. (See the Artsy page on Klimt; it’s terrific.) Learn more about your ad choices. Visit megaphone.fm/adchoices

Reporter Anne-Marie O’Connor uses the iconic gold portrait of Adele Bloch-Bauer to engage us in the exciting cultural life of fin-de-siecle Vienna, where wealthy Jewish patrons supported the work of ground-breaking artists, lived in grand homes on the famous Ringstrasse, and thought life was good and they were valued as Austrians. With O’Connor’s background in art and her skills of investigative reporting, we come to know the people who turn the art world upside down during the last years of the Empire. Klimt, rock star artist of his era, is in great demand. Her family treasured his portrait of Adele Bloch-Bauer, and the Austrians came to regard it as their Mona Lisa. Adele Bloch-Bauer, as O’Connor explains, was different. This wealthy Jewish woman hosted “Red Saturdays” at home, salons in which she voiced her opinions on the issues of the day, eager to implement reforms to improve workers’ lives. O’Connor characterizes her as “an unfinished woman,” for she died at 43. Wishing to immortalize Klimt, she directed that the portraits and landscapes that she and her husband had in their home be given to the Austrian Gallery. But after Adele died, life changed for Jews in Vienna: in 1938, the Anschluss made Austria part of Nazi Germany. Hitler’s henchmen commandeered Adele’s home and helped themselves to paintings and other works of art. Her family survived, barely. When the war ended, Austria kept the Klimts. When the battle to recover the Klimt portrait resumed in Los Angles in the 1990s, O’Connor interviewed Maria Altmann, niece of Adele Bloch-Bauer, who spearheaded the family’s legal case. Working with Altmann was attorney Randol Schoenberg, grandson of the famed composer and passionate advocate in the battle to recover the painting. Listen to this interview for further details of The Lady in Gold and read the book to learn more. (See the Artsy page on Klimt; it’s terrific.) Learn more about your ad choices. Visit megaphone.fm/adchoices

Reporter Anne-Marie O’Connor uses the iconic gold portrait of Adele Bloch-Bauer to engage us in the exciting cultural life of fin-de-siecle Vienna, where wealthy Jewish patrons supported the work of ground-breaking artists, lived in grand homes on the famous Ringstrasse, and thought life was good and they were valued as Austrians. With O’Connor’s background in art and her skills of investigative reporting, we come to know the people who turn the art world upside down during the last years of the Empire. Klimt, rock star artist of his era, is in great demand. Her family treasured his portrait of Adele Bloch-Bauer, and the Austrians came to regard it as their Mona Lisa. Adele Bloch-Bauer, as O’Connor explains, was different. This wealthy Jewish woman hosted “Red Saturdays” at home, salons in which she voiced her opinions on the issues of the day, eager to implement reforms to improve workers’ lives. O’Connor characterizes her as “an unfinished woman,” for she died at 43. Wishing to immortalize Klimt, she directed that the portraits and landscapes that she and her husband had in their home be given to the Austrian Gallery. But after Adele died, life changed for Jews in Vienna: in 1938, the Anschluss made Austria part of Nazi Germany. Hitler’s henchmen commandeered Adele’s home and helped themselves to paintings and other works of art. Her family survived, barely. When the war ended, Austria kept the Klimts. When the battle to recover the Klimt portrait resumed in Los Angles in the 1990s, O’Connor interviewed Maria Altmann, niece of Adele Bloch-Bauer, who spearheaded the family’s legal case. Working with Altmann was attorney Randol Schoenberg, grandson of the famed composer and passionate advocate in the battle to recover the painting. Listen to this interview for further details of The Lady in Gold and read the book to learn more. (See the Artsy page on Klimt; it’s terrific.) Learn more about your ad choices. Visit megaphone.fm/adchoices

Reporter Anne-Marie O’Connor uses the iconic gold portrait of Adele Bloch-Bauer to engage us in the exciting cultural life of fin-de-siecle Vienna, where wealthy Jewish patrons supported the work of ground-breaking artists, lived in grand homes on the famous Ringstrasse, and thought life was good and they were valued as Austrians. With O’Connor’s background in art and her skills of investigative reporting, we come to know the people who turn the art world upside down during the last years of the Empire. Klimt, rock star artist of his era, is in great demand. Her family treasured his portrait of Adele Bloch-Bauer, and the Austrians came to regard it as their Mona Lisa. Adele Bloch-Bauer, as O’Connor explains, was different. This wealthy Jewish woman hosted “Red Saturdays” at home, salons in which she voiced her opinions on the issues of the day, eager to implement reforms to improve workers’ lives. O’Connor characterizes her as “an unfinished woman,” for she died at 43. Wishing to immortalize Klimt, she directed that the portraits and landscapes that she and her husband had in their home be given to the Austrian Gallery. But after Adele died, life changed for Jews in Vienna: in 1938, the Anschluss made Austria part of Nazi Germany. Hitler’s henchmen commandeered Adele’s home and helped themselves to paintings and other works of art. Her family survived, barely. When the war ended, Austria kept the Klimts. When the battle to recover the Klimt portrait resumed in Los Angles in the 1990s, O’Connor interviewed Maria Altmann, niece of Adele Bloch-Bauer, who spearheaded the family’s legal case. Working with Altmann was attorney Randol Schoenberg, grandson of the famed composer and passionate advocate in the battle to recover the painting. Listen to this interview for further details of The Lady in Gold and read the book to learn more. (See the Artsy page on Klimt; it’s terrific.) Learn more about your ad choices. Visit megaphone.fm/adchoices

Reporter Anne-Marie O’Connor uses the iconic gold portrait of Adele Bloch-Bauer to engage us in the exciting cultural life of fin-de-siecle Vienna, where wealthy Jewish patrons supported the work of ground-breaking artists, lived in grand homes on the famous Ringstrasse, and thought life was good and they were valued as Austrians. With O’Connor’s background in art and her skills of investigative reporting, we come to know the people who turn the art world upside down during the last years of the Empire. Klimt, rock star artist of his era, is in great demand. Her family treasured his portrait of Adele Bloch-Bauer, and the Austrians came to regard it as their Mona Lisa. Adele Bloch-Bauer, as O’Connor explains, was different. This wealthy Jewish woman hosted “Red Saturdays” at home, salons in which she voiced her opinions on the issues of the day, eager to implement reforms to improve workers’ lives. O’Connor characterizes her as “an unfinished woman,” for she died at 43. Wishing to immortalize Klimt, she directed that the portraits and landscapes that she and her husband had in their home be given to the Austrian Gallery. But after Adele died, life changed for Jews in Vienna: in 1938, the Anschluss made Austria part of Nazi Germany. Hitler’s henchmen commandeered Adele’s home and helped themselves to paintings and other works of art. Her family survived, barely. When the war ended, Austria kept the Klimts. When the battle to recover the Klimt portrait resumed in Los Angles in the 1990s, O’Connor interviewed Maria Altmann, niece of Adele Bloch-Bauer, who spearheaded the family’s legal case. Working with Altmann was attorney Randol Schoenberg, grandson of the famed composer and passionate advocate in the battle to recover the painting. Listen to this interview for further details of The Lady in Gold and read the book to learn more. (See the Artsy page on Klimt; it’s terrific.) Learn more about your ad choices. Visit megaphone.fm/adchoices

Vienna's ring road around the city center is lined with classy buildings and leafy parks. A tram ride here is a pleasant introduction to Vienna's sights and history, while you rub elbows with the Viennese of today. Allow an hour for this tour. Don't forget to download the PDF companion map at https://www.ricksteves.com/audiotours.

Vienna's ring road around the city center is lined with classy buildings and leafy parks. A tram ride here is a pleasant introduction to Vienna's sights and history, while you rub elbows with the Viennese of today. Allow an hour for this tour. Don't forget to download the PDF companion map at http://www.ricksteves.com/audiotours.