Podcasts about Rotten Tomatoes

https://www.amazon.co.uk/Villain-Venice-Steampunk-Adventure-Expanded/dp/B0GYVW1ZM3?source=ps-sl-shoppingads-lpcontext&ref_=fplfs&psc=1&smid=A3P5ROKL5A1OLE Project Hail Mary is a 2026 science fiction film produced and directed by Phil Lord and Christopher Miller and written by Drew Goddard, based on the 2021 novel of the same name by Andy Weir. It stars Ryan Gosling, who also produced the film, as Ryland Grace, and Sandra Hüller, James Ortiz, and Lionel Boyce play supporting roles. The story follows Ryland Grace, a middle school teacher who awakens aboard an interstellar spacecraft with no memory of how he got there. Pre-production began in 2020, before Weir's novel was published. Filming took place throughout 2024 in the United Kingdom, both on location and on sets. All scenes aboard the spacecraft Hail Mary were filmed on a practical set that was constructed for the film. Project Hail Mary premiered in London on March 9, 2026, and was released in the United States by Amazon MGM Studios on March 20, with Sony Pictures Releasing International releasing in other territories. It received positive reviews, with praise for Lord and Miller's direction, Gosling's performance, the character of Rocky, as well as the humor, themes and visuals. It was a commercial success, grossing over $685 million worldwide and becoming the seventh-highest-grossing film of 2026. Plot In the near future, middle school teacher and former molecular biologist Ryland Grace wakes up from an induced coma on the interstellar spacecraft Hail Mary, suffering from amnesia. Grace learns that he is the sole survivor of a three-person crew that was traveling towards the Tau Ceti system, 11.9 light-years from Earth. In a series of flashbacks, Grace recalls that scientists discovered a "Petrova line" of infrared light stretching from the Sun to Venus; an alien microbe in the line, dubbed "astrophage", was proliferating on the Sun's surface, dimming the Sun at a rate that would cause catastrophic global cooling within thirty years. The head of the Petrova Taskforce, Eva Stratt, recruited Grace to study it due to his background in speculative astrobiology. Grace experimented on a sample and discovered that astrophage was composed of unicellular organisms that absorb electromagnetic radiation from the Sun and expel it for propulsion. Grace joined Stratt's Project Hail Mary, an international "long-shot" mission to send a crewed spacecraft to Tau Ceti, the only star in Earth's solar neighborhood not occluded by astrophage. The flight to Tau Ceti would be a suicide mission, as the ship could only carry enough fuel for a one-way trip; any findings would have to return to Earth in smaller space probes. In the present, Grace encounters an alien spacecraft that docks with the Hail Mary. It is made of a solid form of xenon, which Grace dubs "xenonite". The ship's occupant is a rock-like, five-legged alien from Erid, a planet in the 40 Eridani A system. Grace names the alien "Rocky", deduces that Eridians "see" via echolocation, and creates a machine translation system to interpret Rocky's musical language into English. Rocky is a mechanical engineer and the sole survivor of the Eridians' mission to save their own star from astrophage infection. Grace and Rocky agree to work together, and become close friends. As neither can survive in the other's atmosphere, Rocky works aboard the Hail Mary inside a pressurized ball of xenonite. Grace and Rocky study the Petrova line of the planet Tau Ceti e, which Grace names "Adrian",{{cite web |url=https://www.techradar.com/streaming/entertainment/project-hail-mary-ending-explained |title=''Project Hail Mary'' Ending Explained: What happens to Ryland Grace and Rocky, will there be a sequel, and more on Ryan Gosling's new sci-fi movie |last=Power |first=Tom |website=[[TechRadar]] |date=March 20, 2026 |access-date=May 26, 2026 |archive-date=March 21, 2026 |archive-url=https://web.archive.org/web/20260321104440/https://www.techradar.com/streaming/entertainment/project-hail-mary-ending-explained |url-status=live}}"}},"i":0}}]}">[a] and discovers that the line hosts an entire microbial biosphere. Rocky theorizes that microbial organisms in Adrian's atmosphere are consuming the astrophage, keeping the population in check. Learning that Grace cannot return home, Rocky offers to share some of his own ship's astrophage fuel with the Hail Mary. Grace remembers that an astrophage explosion killed the original crew's science officers. With no time to train replacements, Stratt asked Grace to join the mission. During a risky maneuver to gather the astrophage predator from Adrian's atmosphere, a fuel leak causes the Hail Mary to spin uncontrollably, rendering Grace unconscious. Rocky breaks out of his ball to save Grace but is severely injured. While Rocky recovers, Grace studies the captured astrophage predator, dubbing it "taumoeba"[b] and selectively breeding it to survive the nitrogen in Venus's atmosphere. Rocky revives, and the two celebrate their success; Grace recalls that he fearfully refused to join the Hail Mary crew, but Stratt had him drugged and put aboard the ship anyway, believing he was the only one capable of completing the mission. Rocky and Grace say their goodbyes and begin their journeys back home. Shortly thereafter, Grace discovers that the taumoeba has evolved to escape its xenonite breeding tanks and is starting to consume Hail Mary's astrophage fuel. Grace stops the taumoeba leak, but realizes that Rocky's ship, being entirely made of xenonite, will have no way to contain the taumoeba; it will eat all of Rocky's fuel, stranding him and dooming Erid. Grace decides to use his remaining fuel to rescue Rocky and the Eridians rather than return home, and sends his video logs and taumoeba samples to Earth via the probes. Stratt and her team receive the probes and use the taumoeba to cure the Sun's astrophage infection. Meanwhile, on Erid, Grace lives in an Earth-like biodome the Eridians have constructed for him. Rocky informs him that Eridian scientists can prepare the Hail Mary for the return voyage to Earth. Grace ponders the news before beginning another day of teaching science to eager Eridian children. Cast Ryan Gosling, who portrays Dr. Ryland Grace, also served as a producer on the film Ryan Gosling as Ryland Grace, a middle school science teacher and former molecular biologist on a mission to save humanity[7] Sandra Hüller as Eva Stratt, the head of the international task force behind Project Hail Mary[8] James Ortiz as Rocky, an alien Grace encounters on his journey.[9] The character was effected through a puppet controlled by a team of five puppeteers led by Ortiz, dubbed the "Rockyteers", with Ortiz also providing the artificial voice assigned to him[10] Ortiz also has an uncredited role as a television presenter[11] Lionel Boyce as Carl, a member of security personnel Ken Leung as Yao Li-Jie, the Chinese commander of the Hail Mary spacecraft Milana Vayntrub as Olesya Ilyukhina, a Russian engineer on board the Hail Mary Priya Kansara as the voice of Mary, the Hail Mary's onboard computer[9] Malachi Kirby as Martin Dubois, the original scientist of the Hail Mary[12] Liz Kingsman as Annie Shapiro, a backup scientist of the Hail Mary Mia Soteriou as Dr. Browne Orion Lee as Dr. Li Michelle Greenidge as Chimamanda Additionally, Eunice Huthart (the film's stunt coordinator), Damien de Froberville (co-president of Sony Pictures Animation), Ray Porter (the audiobook narrator), and Meryl Streep provided the rejected alternative voices for Rocky.[13][14] Production Development In March 2020, Metro-Goldwyn-Mayer was nearing a deal to acquire adaptation rights to the then-upcoming Andy Weir novel Project Hail Mary (2021), with Ryan Gosling set to star in and produce the film.[7] The rights for the novel were acquired for $3 million.[15] In May 2020, Phil Lord and Christopher Miller were hired to direct and produce the film.[16] Due to Lord and Miller being unable to work on the screenplay because of commitments to Spider-Man: Across the Spider-Verse (2023), Drew Goddard (who previously adapted Weir's 2011 novel The Martian into a 2015 film) was hired the following month to write the screenplay.[17][18] In April 2024, Amazon, which acquired Metro-Goldwyn-Mayer in 2022,[19] revealed a possible 2026 release window for the film.[20] In May 2024, Sandra Hüller joined the cast, with Greig Fraser hired as cinematographer.[8] Milana Vayntrub joined the cast the following month.[21] Filming The film's crew, actors Ryan Gosling and Sandra Hüller, writer Drew Goddard, author/producer Andy Weir, and directors Phil Lord and Christopher Miller visiting NASA's Jet Propulsion Laboratory on February 25, 2026 Principal photography began on June 3, 2024, in the United Kingdom and wrapped on October 26, 2024.[22][23] Filming took place at Shepperton Studios.[24] Location filming occurred at The Hemel Hempstead School, the South Parade Pier in Portsmouth,[25] the Mullard Radio Astronomy Observatory in Cambridge,[26] and Durdle Door and Man o' War Cove in Dorset.[27][28][29] The film was "filmed for IMAX" by using large-sensor Arri Alexa 65 cameras, which provide 6.5K (20 MP) of resolution, with an aspect ratio of 2.1:1,[30] utilizing the whole sensor with anamorphic lenses rotated by 90 degrees to achieve the IMAX standard 1.43:1 aspect ratio. For regular presentations, the common 2:1 format (Univisium) was derived by cropping the top and bottom of the IMAX image. The film switches between taller and wider aspect ratios. When a scene takes place in the present, a taller aspect ratio is used—1.43:1 for IMAX 15/70 mm or Dual Laser, 1.85:1 for Xenon or Single Laser, and 2.00:1 for non-IMAX presentations. For scenes in the past, an aspect ratio of 2.39:1, a standard ratio for anamorphic process cinematography, was achieved with the regular use of anamorphic lenses.[31] In an interview with The Hollywood Reporter, Miller mentioned that no chroma keying was used in the film, with the entire set being shot practically.[32] Fraser had previously collaborated with visual effects supervisor Paul Lambert on the Dune films; their disdain for green and blue screens, which impacts lighting and visuals through color spill, led them to use blackouts and grey screens on the film instead.[33] Miller had previously stated that VFX was used to depict the spaceship from the outside, while shots of Gosling in space were shot against a black or varying color backdrop.[34] NASA provided support through both the input of scientific experts and astronaut Kjell N. Lindgren visiting Gosling during filming to share insights on human spaceflight.[35] Post-production The visual effects were developed by Framestore (which also collaborated on the film adaptation of The Martian),[36] Industrial Light & Magic (ILM), Sony Pictures Imageworks, BUF and Wylie Co. VFX, with Mags Sarnowska serving as visual effects supervisor alongside Lambert.[37] While puppeteer Ortiz voiced Rocky during filming with Gosling, it was initially thought that a more high-profile actor would replace him. However, Lord and Miller felt that Ortiz's performance could not be improved upon during screenings of the film.[38] Lord praised the collaboration between practical and visual effects in the creation of the character Rocky's performance: Rocky was built and designed by the legendary Neal Scanlan and his creature shop and is performed by puppeteering legend James Ortiz and his team, who were on set with Ryan in every scene. Rocky's performance is a beautiful collaboration between James and the other Rockyteers on set and the wonderful animators at Framestore led by the funny soulful Arslan Elver.[39] Miller noted that by the end of the film shots with Rocky were about 50% VFX animation and 50% puppetry.[40] The digitally shot and produced film was transferred to film stock and then re-digitized to achieve the "warmth" of analog film.[31] The initial test screening of the film was 3 hours and 45 minutes long, and was cut down to the final length due to feedback from the screenings.[41] Joel Negron served as film editor.[42] Music Main article: Project Hail Mary (soundtrack) It was announced at San Diego Comic-Con that Daniel Pemberton would score the film. Pemberton worked with Lord and Miller on Spider-Man: Into the Spider-Verse (2018) and its 2023 sequel, which they produced. This is the first film directed by Lord and Miller to not be scored by Mark Mothersbaugh.[43] The score, consisting of 38 tracks, was released digitally on March 20, 2026.[44] The film also includes fourteen other songs, including "Sign of the Times" by Harry Styles, "Two of Us" by the Beatles, "Rainbows" by Dennis Wilson and "Gracias a la vida" sung by Mercedes Sosa.[45] Marketing The film's title on the marquee of Moreland Theater in Portland, Oregon in March 2026 The first trailer was released on June 30, 2025.[46] It was the most-viewed trailer for any original film in the first week of its release, accumulating 400 million views globally.[47] Lego released a model of the Hail Mary spacecraft on March 1, 2026, as part of the Lego Icons series.[48] Release Theatrical Project Hail Mary was released on March 20, 2026, in 4,007 theaters by Amazon MGM Studios in the United States and Canada, and Sony Pictures Releasing International in all other territories.[5] It was also released in select IMAX theaters, with a 1.43:1 aspect ratio.{{cite web |last=D'Alessandro |first=Anthony |title=Ryan Gosling, Lord & Miller Amazon MGM Studios Space Adventure ''Project Hail Mary'' Sets Launch for Spring 2026 |date=April 18, 2024 |website=[[Deadline Hollywood]] |url=https://deadline.com/2024/04/ryan-gosling-project-hail-mary-release-date-1235889844/ |access-date=April 18, 2024 |archive-date=April 19, 2024 |archive-url=https://web.archive.org/web/20240419002823/https://deadline.com/2024/04/ryan-gosling-project-hail-mary-release-date-1235889844/ |url-status=live}}{{cite web |last=D'Alessandro |first=Anthony |title=Amazon MGM Studios & Sony Pictures Ink Multi-Year International Theatrical Distribution Deal |date=June 27, 2025 |website=[[Deadline Hollywood]] |url=https://deadline.com/2025/06/amazon-mgm-studios-sony-international-distribution-1236444141/ |access-date=July 1, 2025 |archive-date=June 27, 2025 |archive-url=https://web.archive.org/web/20250627130223/https://deadline.com/2025/06/amazon-mgm-studios-sony-international-distribution-1236444141/ |url-status=live}}{{cite web |last=Gray |first=Jeremy |date=June 30, 2025 |title=''Project Hail Mary'' Film Adaptation Looks Like a Visual Feast |url=https://petapixel.com/2025/06/30/project-hail-mary-film-adaptation-looks-like-a-visual-feast/ |access-date=July 1, 2025 |website=[[PetaPixel]] |archive-date=July 12, 2025 |archive-url=https://web.archive.org/web/20250712225014/https://petapixel.com/2025/06/30/project-hail-mary-film-adaptation-looks-like-a-visual-feast/ |url-status=live |language=en-US}}{{cite web |last=Kim |first=Anny |date=December 16, 2025 |title=Everything to know about ''Project Hail Mary'', coming soon from Amazon MGM Studios |url=https://www.aboutamazon.com/news/entertainment/project-hail-mary-ryan-gosling-amazon-mgm-studios |access-date=December 31, 2025 |publisher=About Amazon |language=en-US}}"}},"i":0}}]}">[c] Home media The film was released on digital streaming platforms on May 12, 2026.[53] It began streaming on the MGM+ subscription streaming service and Prime Video on June 18 and July 3, respectively.[54][55][56] It was also released on 4K Ultra HD Blu-ray, Blu-ray, and DVD on August 11, 2026, by Alliance Entertainment.[57] Following the standard disc release will be an Amazon exclusive three-disc SteelBook gift set, scheduled for October 13.[57] It will include a third disc with the film in its full 1.43:1 IMAX ratio, plus additional bonus material and a collectible booklet.[citation needed] Reception Box office As of September 11, 2026 Project Hail Mary has grossed $344.1 million in the United States and Canada, and $341.2 million in other territories, for a worldwide total of $685.3 million.[4][5] In the United States and Canada, Project Hail Mary was released on March 20, 2026, and was projected to gross $63–65 million in North America from 4,007 theaters in its opening weekend.[58] Initially, publications estimated that the film would gross $45–55 million.[59] After grossing $31 million on opening day, including $12 million in previews, the film debuted to $80.6 million in the United States and Canada,[60] and $60.4 million overseas for a worldwide total of $141 million,[61] becoming Amazon MGM Studios' biggest debut to date.[60] In its second weekend, the film made $54.1 million (a drop of 32.8%), remaining in first.[62] It was surpassed by The Super Mario Galaxy Movie in its third weekend, grossing $31.7 million.[63] In Japan, the film became the highest-grossing foreign film of 2026 in terms of box office revenue attendance on its first day of release.[64] Critical response The performances of Ryan Gosling, Sandra Hüller, and James Ortiz were praised by critics On the review aggregator website Rotten Tomatoes, 95% of 430 critics' reviews are positive, with an average rating of 8.2/10. The website's consensus reads: "A visually dazzling space odyssey that's carried along effortlessly by the gravitational pull of Ryan Gosling at his most winning, Project Hail Mary is a near-miraculous fusion of smarts and heart."[65] Metacritic, which uses a weighted average, assigned the film a score of 77 out of 100, based on 60 critics, indicating "generally favorable" reviews.[66] Audiences polled by CinemaScore gave the film an "A" on an A+ to F scale.[67] The film received an average rating of 8 out of 10 from Cine21.[68] G. Allen Johnson of the San Francisco Chronicle deemed it "a masterpiece of a family popcorn movie, with eye-popping hand-crafted production design and outstanding creature design and puppetry work."[69] Randy Myers of The Mercury News gave the film a 3.5/4 rating, writing: "While you can't help but marvel at the visuals and applaud the commitment of Gosling's endearing performance, what also makes Project Hail Mary so gosh darn lovable is that it imbues us with child-like wonder from scenes that pay homage to such classics as E.T., Flight of the Navigator and, yes, Rocky."[70] Cosplay of Ryland Grace with a fan-created Rocky prop at NärCon 2026 Robbie Collin of The Telegraph concluded in his review: "Does it have many original ideas of its own? Perhaps not. But its greatest hits mixtape of other people's has been compiled with such flair – as well as a sound comprehension of why they worked so well the first time – that it's hard not to be swept up regardless."[71] Barry Hertz of The Globe and Mail shared a similar opinion, writing: "At almost every turn, Project Hail Mary attempts to convince you that it is groundbreaking, innovative filmmaking. But in actuality, the movie lands as a grand act of cinematic recycling – the fusing together of familiar, comforting bits and pieces into something determined to please crowds and warm hearts."[72] Amy Nicholson of the Los Angeles Times wrote: "While Stanley Kubrick's unsentimental 2001: A Space Odyssey inspired the iPad, Lord and Miller want to inspire a better version of us."[73] Brian Truitt of USA Today gave the film a four out of four rating, writing that "Project Hail Mary is one of those old-school popcorn movies with big ideas, the kind of film that Steven Spielberg and George Lucas would have made back in the day and kids of all ages would have obsessed over and bought the toys."[74] Ryan Cooper of The American Prospect wrote that the film portrayed a "shockingly realistic view of heroism" and was "one of the rare films that is quite a bit better than the book".[75] Peter Bradshaw of The Guardian wrote: "Gosling is an effortlessly charming screen player, and he keeps it watchable, though the film itself has moments of dullness and a sort of puppyish silliness [...] Perhaps refreshingly, the film doesn't aim for the stunned awe and rapture of, say, Christopher Nolan's Interstellar or even Jon Spaihts' underrated Passengers, but it does have the classic sci-fi spacecraft tropes: the huge, mysterious architecture with its vertiginous tunnels in which legacy pop music is played to soothe the inhabitants."[76] GVSU anthropology professor Deana L. Weibel praised Grace's intellectual humility in the film.[77] Nicholas Barber of the BBC declared it one of the best films of 2026, writing: Project Hail Mary is an unusual science-fiction blockbuster in that it's mostly about people using their brains to solve problems [...] Does that approach sound a bit dry and academic? If so, rest assured that Project Hail Mary is touching and inspiring – and surprisingly fun [...] it's directed by Phil Lord and Christopher Miller, who take a complicated, potentially bleak narrative and make it as fast-paced and cheerful as their animated hit The Lego Movie. Meanwhile, Ryan Gosling brings all of his goofball charm to the role of an amnesiac biologist who is trying to save the world.[78] Conversely, Owen Gleiberman of Variety called it "not a very good movie", adding that "it's baggy and incredibly derivative of movies you've seen before [...] More crucially, everything to do with the onboard alien is far too cute and formulaic".[79]

Gay homosexuals Nick and Joseph review Pennies from Heaven is a 1981 American musical romantic drama film directed by Herbert Ross, starring  Steve Martin, Bernadette Peters, Christopher Walken and Jessica Harper. Additional topics include:Colleen Hoover's VerityJoseph's favorite kinkLemonsThe death of Bob MackieJoin us on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/FishJellyFilmReviews⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046Find merch here: https://fishjellyfilmreviews.myspreadshop.com/allVenmo @fishjellyVisit their website at www.fishjellyfilms.comFind their podcast at the following: Anchor: https://anchor.fm/fish-jelly Spotify: https://open.spotify.com/show/388hcJA50qkMsrTfu04peH Apple Podcasts: https://podcasts.apple.com/us/podcast/fish-jelly/id1564138767Find them on Instagram: Nick (@ragingbells) Joseph (@joroyolo) Fish Jelly (@fishjellyfilms)Find them on Letterboxd: https://letterboxd.com/ragingbells/ https://letterboxd.com/joroyolo/Nick and Joseph are both Tomatometer-approved critics at Rotten Tomatoes: https://www.rottentomatoes.com/critics/nicholas-bell https://www.rottentomatoes.com/critics/joseph-robinson

4:42 Resident Evil 16:53 Shaun the Sheep: The Beast of Mossy Bottom 21:48 The Weight 26:12 The Best of the Best 31:56 Goody Goody 37:46 The History of Concrete 44:48 Sunny Dancer 49:40 Tiny Fugitives 55:32 You Had to Be There 01:00:00 Recap It's a 9-movie week on 'At the Movies Again,' formerly known as 'Roger (Ebert) & Me, a weekly movie review podcast tribute to 'Siskel & Ebert' hosted by film critics Brett Arnold & Mark Dujsik. The show covers every new theatrical and streaming release each Friday in the format Gene Siskel & Roger Ebert pioneered. A movie review podcast covering all new releases every Friday, modeled after 'Siskel & Ebert,' the pair who inadvertently invented film podcasting in the 1970s. A film criticism podcast. Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo Entertainment and The New Flesh podcast, a show about horror movies that is currently celebrating its 11th year. Please rate and review on Apple Podcasts. We are now Rotten Tomatoes-approved! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Producer Mark Joseph joins host David Sams to talk about the theatrical re-release of Reagan, arriving in theaters September 25 as part of America's 250th anniversary celebrations. Joseph shares the story behind the director's cut — ten additional minutes restored, including an opening line about making America great again that traces back further than most viewers would guess with bipartisan history — and reflects on the winding, almost accidental path that led him to make the film in the first place, starting with a speeding ticket that stranded him overnight in Reagan's hometown of Dixon, Illinois. As Joseph explains, politics happens to be Reagan's eventual occupation, but the movie is about the man: his setbacks, his comeback, and above all, a genuine love story between Ronald and Nancy Reagan that carries the film from beginning to end.  The conversation covers the film's origin story, including how the movie's memorable opening sequence came to Joseph in a dream; what made Dennis Quaid the right choice to play Reagan after years of development with other actors attached; the surprising real-life COVID transmission that happened on set during a pivotal hospital scene; and how AI is already reshaping — and could have reshaped — the filmmaking process. Joseph also discusses working with Mel Gibson on The Passion of the Christ, the making of The Chronicles of Narnia, the film's soundtrack featuring Bob Dylan, Clint Black, Gene Simmons, and Tanya Tucker, and the audience-versus-critics divide that has made Reagan a record-setting outlier on Rotten Tomatoes. Learn more and find theater listings at reagan.movie. #markjoseph #reagan #dennisquaid #ronaldreagan #keepthefaith #contagiousinfluencer

Dorothy, saved from a psychiatric experiment by a mysterious girl, is somehow called back to Oz when a vein witch and the Nome King destroy everything that makes the magical land beautiful.     On this week's episode…     Join the Straight Chilling Crew as we discuss electroshock therapy, baby Fairuza Balk, and the darker side of Disney in, Return to Oz (1985).     Show Notes:  Housekeeping (5:50)  Back of the Box/Recommendations (14:45)  Spoiler Warning/Full Review (26:00)  Rotten Tomatoes (1:23:11)  Trivia (1:31:10)  Cooter of the Week (1:37:32)  What We've Been Watching (1:44:45)     Connect with us: Support us on Patreon Website Instagram YouTube Shop E-mail: straightchillingpodcast@gmail.com Voicemail: 904-638-3231  

https://daredaniel.com/wp-content/uploads/2026/09/CANON-FODDER_S01_E70.mp3 Casablanca (1942; Directed by Michael Curtiz) Canon Fodder Episode 70 This week on the Canon Fodder podcast, Daniel and Corky play it again with Michael Curtiz's legendary Casablanca. A model of studio-era storytelling, Curtiz's wartime romance packs intrigue, heartbreak, humor and some of Hollywood's most indelible dialogue into 102 magical minutes. But did your hosts think this was the beginning of a beautiful Canonization, or did Casablanca amount to less than a hill of beans? CASABLANCA FACTS & FIGURES Sight & Sound 2022 Critics Poll Ranking: #63 [tied] World premiere: Nov. 26, 1942 IMDB synopsis: “A cynical expatriate American cafe owner struggles to decide whether or not to help his former lover and her fugitive husband escape the Nazis in French Morocco.” CLIPS & CLIPPINGS Original trailer for Casablanca “La Marseillaise” “I’m shocked…shocked!” “We’ll always have Paris.” NEXT EPISODE’S MOVIE Beau Travail (1999; Directed by Claire Denis) IMDb synopsis: “An ex-Foreign Legion officer recalls his once-glorious life of leading troops in Djibouti.” Our review of Beau Travail comes out Tuesday, Sep. 29! Follow Canon Fodder, Dare Daniel & Single Take on Facebook and Instagram. Listen, rate, review and subscribe to the show on Pandora, Apple Podcasts, Spotify, Listen Notes, Castbox and more. New episodes every other Tuesday! Please help support the show by clicking the Donate button on the homepage or find “Support the Show” in the main menu. Read more of Daniel’s movie reviews at Dare Daniel and Rotten Tomatoes. The post Canon Fodder – Casablanca appeared first on Dare Daniel Family of Podcasts.

Gay homosexuals Nick and Joseph review Dummy - a 1979 American made-for-television film directed by Frank Perry, starring LeVar Burton and Paul Sorvino.Additional topics include:Nick returns!Janet Jackson being responsible for her husband's deathTasha Smith's new lookTyler Perry's shooting scheduleWhat Belongs to Others (Cudze rzeczy)The death of Georgina LightningJoin us on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/FishJellyFilmReviews⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046Find merch here: https://fishjellyfilmreviews.myspreadshop.com/allVenmo @fishjellyVisit their website at www.fishjellyfilms.comFind their podcast at the following: Anchor: https://anchor.fm/fish-jelly Spotify: https://open.spotify.com/show/388hcJA50qkMsrTfu04peH Apple Podcasts: https://podcasts.apple.com/us/podcast/fish-jelly/id1564138767Find them on Instagram: Nick (@ragingbells) Joseph (@joroyolo) Fish Jelly (@fishjellyfilms)Find them on Letterboxd: https://letterboxd.com/ragingbells/ https://letterboxd.com/joroyolo/Nick and Joseph are both Tomatometer-approved critics at Rotten Tomatoes: https://www.rottentomatoes.com/critics/nicholas-bell https://www.rottentomatoes.com/critics/joseph-robinson

Love stories usually start with a spark. This one starts with a curse, a coworker crush, and a wish that should never be granted.We're Sam, Chad, and Mike, and we're diving into Curry Barker's Obsession (2025), a listener pick with a jaw-dropping 94% Rotten Tomatoes score. Bear is a socially awkward music store employee who can't risk rejection, so he reaches for a shortcut: a magical charm called a one-wish willow. When he uses it to force Nikki to love him, the film snaps from awkward longing into psychological horror, where “romance” turns into surveillance, confinement, and a steady collapse of autonomy. We talk through the moral line the movie crosses early, and why Bear feels less like a victim and more like the engine of the nightmare.From there, we get into the craft that makes Obsession so effective: Indy Navarrette's performance, the unsettling switches in Nikki's behavior, and the film's smart use of shadows, silhouettes, and negative space to create fear without leaning on heavy CGI. We also hit our usual categories, including tropes, one-liners, what holds up, what doesn't, the most gratuitous moment, and the scenes that made us laugh out loud even while we were cringing.Then we bring the research: the surprisingly small budget, practical stunt choices, and an alternate ending that changes the emotional wreckage. If you're into modern horror movies about obsession, cursed wishes, and the real-world terror of control, this conversation is for you. Subscribe, share the show with a horror fan, and leave a review. What did you think the wish really cost Nikki? Head to www.screamsandstreams.com for more information related to our episode.

Well, this one gets uncomfortable immediately.This episode of The Rizzuto Show starts with the fallout surrounding former Wheel of Fortune announcer Jim Thornton and the chat room he was reportedly spotted visiting on a flight. The organization behind that online community responds to the controversy, and suddenly the crew finds itself having a much more complicated conversation than anybody probably expected this early in the morning.The discussion centers on a difficult question: if someone recognizes that they're having dangerous or disturbing thoughts and genuinely wants professional help before ever harming another person, where should that help come from — and where is the line between providing treatment and creating an environment that could normalize or encourage those thoughts?It's exactly the kind of conversation where this comedy podcast somehow wanders from psychology and morality to robot technology and eventually a hypothetical island solution nobody should ever allow this crew to administer.Thankfully, Crap on Celebrities eventually arrives to rescue everyone from that conversation.Sort of.The Foo Fighters have quietly released a six-track live EP featuring performances from intimate club shows, with proceeds supporting local charities fighting food insecurity. So that's genuinely nice.Then the Spice Girls decide to emotionally clothesline their fans.After teasing a major announcement and getting reunion-starved fans dreaming about a possible Sphere residency, the big reveal turns out to be…a 14-disc singles collection.FOURTEEN DISCS.Somewhere, somebody had already started explaining to their spouse why spending irresponsible amounts of money to hear “Wannabe” in Las Vegas was actually a sound financial decision. Instead, congratulations: here are B-sides.Michael Jackson memorabilia also enters the conversation when one of his crystal-covered gloves from the Victory Tour heads to auction. The crew is shocked by the projected price and immediately starts calculating its future value like they're suddenly Sotheby's with fart jokes.Snoop Dogg is announced as host of the 2026 MTV Video Music Awards, Nirvana is set for the Video Vanguard Award, and the gang wonders who exactly the VMAs are for anymore. Once upon a time, you planned your entire night around MTV. Now we're explaining to the children that MTV technically still exists.St. Louis gets dragged into Crap on Celebrities too, with Sexyy Red facing a lawsuit over allegations that she posted a woman's home address and encouraged followers to attack her. Her attorney disputes the allegations, but it gives the show another opportunity to demonstrate why “celebrity news” is sometimes just a nicer phrase for “what the hell is happening?”And then we get Rick Springfield.During an appearance on Joe Rogan, Springfield discussed spending time entertaining American troops in Vietnam in 1968 and described being caught in an attack. According to his story, soldiers had him fire a mortar toward an area where enemy forces were believed to be moving. The next day, he says, a soldier told him, “you got one.”That revelation leads to a very serious discussion about the emotional weight Springfield says he still carries from the experience.It also leads Rafe to have…questions.A lot of questions.The crew debates the details of the story, how a teenage musician visiting troops ends up operating a mortar, what training would have been necessary, how anyone could have confirmed the result afterward and whether decades can alter the way people remember extraordinary experiences.It's heavy, strange and exactly the kind of story this comedy podcast can spend fifteen seconds respectfully processing before somebody notices Springfield used the phrase “hard to land with me” while talking about firing a mortar.Celebrity chaos continues with Nobody Wants This, the return of Practical Magic, Sandra Bullock, some rough Rotten Tomatoes scores, Liam Neeson continuing his lifelong commitment to finding people, and an Oasis documentary apparently becoming the safest movie choice of the weekend.The crew also discusses a documentary examining Alec Baldwin during the legal fallout surrounding the Rust shooting before Lern tries to brighten a show filled with unusually serious subjects by bringing in Dolly Parton and a posthumously released recording of “Bound to Ride.”That immediately creates another important Rizzuto Show question: exactly where are you supposed to listen to bluegrass?Driving sadly through the countryside? Silver Dollar City? Somewhere near Branson while buying a pop gun?We may never know.Then it's celebrity birthdays, Brian De Palma appreciation, a reminder that Carlito's Way deserves your attention and, because we apparently weren't already operating at maximum weirdness, the traditional porno birthday.Today's show is a comedy podcast built around the Rizz Show's greatest skill: taking one genuinely difficult topic, following it with celebrity gossip, somehow finding Rick Springfield holding a mortar in Vietnam, and ending up discussing Spice Girls box sets, Dolly Parton and movies nobody should ever have been forced to title.It's thoughtful. It's uncomfortable. It's ridiculous.In other words, everybody made it to work.Follow The Rizzuto Show → linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → 1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome to another episode of The Rizzuto Show, where getting stitches removed somehow leads to naked shopping, bathroom trauma, fart acceptance, a landfill cat rescue and a serious debate over whether anybody under 25 knows what cash is anymore.This funny show starts with Rizz preparing to finally get his stitches removed and worrying about the scar underneath. Naturally, this becomes a conversation about aging, falling down stairs, mysterious back injuries, hearing loss, stretching just to remain operational and the depressing discovery that modern medicine may be helping us live longer without necessarily making those extra years more comfortable. Welcome to the Geriatric Morning Show. Please bend at the knees when exiting. Then Rizz offers the crew a choice between a nice story and somebody getting naked at Home Goods. Guess which one wins.A Florida shopper reportedly walks into Home Goods, apologizes to a woman, drops his pants and eventually ends up wandering around the store naked. This somehow inspires Lern to consider whether shopping at Home Goods completely nude might actually be enjoyable under the correct circumstances. Soon the crew is discussing nudist resorts, naked grocery shopping and towel etiquette because we apparently abandoned the original story somewhere around decorative throw pillows.That also gives Rafe the opportunity to share his own recent encounter with unexpected nudity: walking into a restaurant bathroom and finding a grown man at the urinal with his pants and underwear completely around his ankles. Full moon. Broad daylight.Rafe's brain immediately activates what Lern describes as the human security system designed to detect either exposed butts or approaching lions. It's science. Probably.The episode then moves into an alleged MMA fighter-versus-chimpanzee story that has the crew firmly rooting for the animal and questioning every decision that led humanity to this particular moment. Thankfully, we eventually get an animal story everybody can celebrate: Mike, an eight-year-old cat accidentally thrown away inside an old couch.After the couch reaches a massive landfill, workers miraculously spot Mike stranded above a trash pit. A crew uses heavy equipment to help rescue him before animal control eventually gets him identified and reunited with his owner. Mike survives. Humanity gets one point back. Then comes one of modern society's smallest yet most powerful social anxieties: the restaurant payment screen. “It's going to ask you a quick question.” WE KNOW WHAT THE QUESTION IS.The gang debates tipping pressure, servers standing beside you while you choose a percentage and the awkward eye contact that turns paying for lunch into a hostage negotiation. A viral server offers a surprisingly simple solution: hand over the device and talk to somebody else while the customer finishes paying. Meanwhile, Gen Alpha has apparently solved another social crisis entirely: being embarrassed about farting.A dance teacher says younger students just let them rip without carrying the shame previous generations dragged around for decades. Moon is thrilled. Lern shares some personal wind-instrument history. Suddenly the Rizzuto Show is analyzing bass versus treble fart tones because NPR wasn't available.The generational divide continues when Rizz watches a young Panera cashier struggle with actual paper money. That launches a debate over whether cash is still king, whether digital money is safer, what happens if the power grid goes down and whether anyone really wants to shave pieces off a gold bar to pay for bananas at Schnucks.From there, the crew remembers the inconveniences younger generations escaped: waiting beside the family phone for an important call, giant telephone cords, payphones, snow-day announcements, shared phone lines and parents losing their minds when somebody dared call during dinner. But this episode also takes a meaningful turn.Rizz reflects on September 11 and what it means that an event still so vivid for people who experienced it is now history taught to younger generations who weren't alive when it happened. He shares memories of being in Manhattan that morning, the confusion surrounding the attacks and the way people came together afterward.The crew also discusses Wells Crowther, remembered as the Man in the Red Bandana, who repeatedly helped people escape the South Tower before losing his own life. Rizz connects the story to conversations with his daughter and the importance of remembering not only what happened, but the people who ran toward danger to help others. Well, this one gets uncomfortable immediately.The Rizzuto Show discusses the fallout surrounding former Wheel of Fortune announcer Jim Thornton and the chat room he was reportedly spotted visiting on a flight. The organization behind that online community responds to the controversy, and suddenly the crew finds itself having a much more complicated conversation than anybody probably expected this early in the morning.The discussion centers on a difficult question: if someone recognizes that they're having dangerous or disturbing thoughts and genuinely wants professional help before ever harming another person, where should that help come from — and where is the line between providing treatment and creating an environment that could normalize or encourage those thoughts?It's exactly the kind of conversation where this comedy podcast somehow wanders from psychology and morality to robot technology and eventually a hypothetical island solution nobody should ever allow this crew to administer. Thankfully, Crap on Celebrities eventually arrives to rescue everyone from that conversation. Sort of.The Foo Fighters have quietly released a six-track live EP featuring performances from intimate club shows, with proceeds supporting local charities fighting food insecurity. So that's genuinely nice. Then the Spice Girls decide to emotionally clothesline their fans. After teasing a major announcement and getting reunion-starved fans dreaming about a possible Sphere residency, the big reveal turns out to be…a 14-disc singles collection. FOURTEEN DISCS.Somewhere, somebody had already started explaining to their spouse why spending irresponsible amounts of money to hear “Wannabe” in Las Vegas was actually a sound financial decision. Instead, congratulations: here are B-sides.Michael Jackson memorabilia also enters the conversation when one of his crystal-covered gloves from the Victory Tour heads to auction. The crew is shocked by the projected price and immediately starts calculating its future value like they're suddenly Sotheby's with fart jokes.Snoop Dogg is announced as host of the 2026 MTV Video Music Awards, Nirvana is set for the Video Vanguard Award, and the gang wonders who exactly the VMAs are for anymore. Once upon a time, you planned your entire night around MTV. Now we're explaining to the children that MTV technically still exists.St. Louis gets dragged into Crap on Celebrities too, with Sexyy Red facing a lawsuit over allegations that she posted a woman's home address and encouraged followers to attack her. Her attorney disputes the allegations, but it gives the show another opportunity to demonstrate why “celebrity news” is sometimes just a nicer phrase for “what the hell is happening?”And then we get Rick Springfield. During an appearance on Joe Rogan, Springfield discussed spending time entertaining American troops in Vietnam in 1968 and described being caught in an attack. According to his story, soldiers had him fire a mortar toward an area where enemy forces were believed to be moving. The next day, he says, a soldier told him, “you got one.” That revelation leads to a very serious discussion about the emotional weight Springfield says he still carries from the experience. It also leads Rafe to have…questions. A lot of questions.The crew debates the details of the story, how a teenage musician visiting troops ends up operating a mortar, what training would have been necessary, how anyone could have confirmed the result afterward and whether decades can alter the way people remember extraordinary experiences.Celebrity chaos continues with Nobody Wants This, the return of Practical Magic, Sandra Bullock, some rough Rotten Tomatoes scores, Liam Neeson continuing his lifelong commitment to finding people, and an Oasis documentary apparently becoming the safest movie choice of the weekend.The crew also discusses a documentary examining Alec Baldwin during the legal fallout surrounding the Rust shooting before Lern tries to brighten a show filled with unusually serious subjects by bringing in Dolly Parton and a posthumously released recording of “Bound to Ride.” That immediately creates another important Rizzuto Show question: exactly where are you supposed to listen to bluegrass? Driving sadly through the countryside? Silver Dollar City? Somewhere near Branson while buying a pop gun? We may never know.Then it's celebrity birthdays, Brian De Palma appreciation, a reminder that Carlito's Way deserves your attention and, because we apparently weren't already operating at maximum weirdness, the traditional porno birthday.Nothing exposes how differently your coworkers' brains function quite like asking them to name a country in Europe and putting concert tickets on the line. The Rizzuto Show brings us another round of “Just the Two of Us,” the deceptively simple contest where callers pick two members of the show, Rafe asks five questions, and those two people attempt to match at least three answers. Easy, right? Absolutely not.Before the competition begins, Rizz takes a trip through “Back in the Day,” remembering everything from The Carol Burnett Show and Little House on the Prairie to Warrant's “Cherry Pie,” Johnny Unitas, John Ritter and one of the Internet's earliest great gifts: Nick Nolte's spectacularly disheveled mugshot. Then it's time to give away concert tickets, and suddenly this becomes the most stressful game show in St. Louis. The prize pile is loaded with Candlebox, Violent Femmes, Toadies, Babymetal and the final precious pairs of Rush tickets. Unfortunately for the listeners, their ability to attend these concerts depends entirely on whether members of the Rizz Show can agree on incredibly complicated concepts like “an ocean.”Devon and Moon kick things off for caller Adam, who wants Rush tickets. They immediately connect on France, miss each other on states beginning with M, recover with the Arch as a St. Louis tourist attraction and seal the deal with the Pacific Ocean. Adam is going to Rush. For once, this show has successfully accomplished something.Then Rizz and Moon attempt to win Babymetal tickets for Paul. They agree on baseball but immediately demonstrate why this game is dangerous when “name an Olympic sport” produces hockey and curling. Dumbbell saves them on gym equipment, but sledding versus skiing and NFL versus MLB finish the job. Sorry, Paul. The Babymetal dream has died at the hands of winter recreation.Rizz and Moon get another chance when Brad wants Violent Femmes tickets, and this time food brings everybody together. Peanut butter and jelly. Sausage pizza. Vanilla ice cream. McDonald's. Beautiful.Unfortunately, the phrase “healthy breakfast cereal” gives us Grape-Nuts, a cereal the show describes with all the enthusiasm normally reserved for eating landscaping material. Somehow that leads to confessions about demolishing boxes of Lucky Charms and Corn Pops, including the dangerous cycle of adding cereal because you have leftover milk, then adding milk because you have leftover cereal, until the box is empty and you're sitting alone with your shame. This is the nutritional guidance you expect from The Rizzuto Show. Then comes the final pair of Rush tickets.Kyle chooses Lern and Devon, setting up an alleged generational showdown between a 41-year-old and a 30-year-old. Things immediately become catastrophic. “Name a superhero.” Superman. Wonder Woman. Oh no... “Name a Disney animated movie.” The Little Mermaid. Bambi. OH NO. At this point, Kyle is watching his Rush tickets disappear in real time while Patient Zero starts sniffing around the wreckage. But then something happens. Monopoly. Netflix. Instagram. Three straight matches. THE COMEBACK IS COMPLETE. Kyle is going to Rush, Lern and Devon have successfully bridged the generational divide, and feminism survives another morning.Justin chooses Rizz and Devon for the final game, with Candlebox tickets waiting at the finish line. They match immediately on guitar. Then rock. Things are looking suspiciously competent. Naturally, it cannot last.Asked to name a famous rock band from the 1980s, Devon goes with Mötley Crüe while Rizz lands elsewhere, launching an argument over what exactly qualifies as an “'80s band” and whether Rush counts just because Moving Pictures came out in 1981. Then comes the holiday-song disaster. Devon chooses Mariah Carey's “All I Want for Christmas Is You.” Rizz chooses “Jingle Bells.” Suddenly we're debating whether the most obvious Christmas song is determined by history, kindergarten classrooms or how aggressively Mariah Carey emerges from hibernation every November. It all comes down to one final question: Name something you find on a desk. The obvious possibilities are endless. Computer. Stapler. Tape dispenser. Mouse. Rizz and Devon? Pen... and LAMP. “There will be no Candlebox today.” Brutal.Along the way, the crew also defends Candlebox's honor, remembers their early Pointfest days, argues about cereal, discusses the Raygun breakdancing documentary, makes questionable winter-activity suggestions and repeatedly proves that knowing someone for years does not mean you have any clue what word is about to come out of their mouth. That's the beauty of “Just the Two of Us.” The questions aren't difficult. The people answering them are.This episode is daily comedy at its most beautifully unnecessary: great concert tickets, easy questions, terrible instincts, miraculous comebacks, wounded callers and an astonishing amount of emotional investment in whether two adults can independently write down “McDonald's.”Come for the Rush tickets. Stay for the chaos.Follow The Rizzuto Show → linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → 1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.Cape Coral man accused of stripping naked in HomeGoods store, saying he 'had to do it'Cat discarded with couch rescued, reunited with family9/11 Marking the 25th AnniversaryRemembering the 'Man in the Red Bandana'Rick Springfield Says He Killed a Man in Vietnam While Performing for Troops as a Teen: ‘It's Hard for Me to Face'Art Collector bids $4,000 on broken vacuum cleaner only to discover it was trashSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

4:46 Practical Magic 2 15:56 Hope 23:10 The Uprising 32:46 Runner 38:03 The Fix 44:07 Serpent's Path 51:00 On A String 56:30 Black Zombie 01:01:04 Recap It's an 8-movie week on 'At the Movies Again,' formerly known as 'Roger (Ebert) & Me, a weekly movie review podcast tribute to 'Siskel & Ebert' hosted by film critics Brett Arnold & Mark Dujsik. The show covers every new theatrical and streaming release each Friday in the format Gene Siskel & Roger Ebert pioneered. A movie review podcast covering all new releases every Friday, modeled after 'Siskel & Ebert,' the pair who inadvertently invented film podcasting in the 1970s. A film criticism podcast. Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo Entertainment and The New Flesh podcast, a show about horror movies that is currently celebrating its 11th year. Please rate and review on Apple Podcasts. We are now Rotten Tomatoes-approved! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

After 22 years of psychiatric treatment, Norman Bates is ready to return to a life of solitude. However, the specters of his crimes, and his mother, continue to haunt him.       On this week's episode…         Join the Straight Chilling Crew as we discuss Anthony Perkins, problematic mommies, and the sequel to the most influential horror movie of all time, Psycho 2 (1983).     Show Notes:  Housekeeping (4:30)  Back of the Box/Recommendations (12:30)  Spoiler Warning/Full Review (20:25)  Rotten Tomatoes (1:05:00)  Trivia (1:12:23)  Cooter of the Week (1:18:22)   Hotline Scream (1:28:32)     Connect with us: Support us on Patreon Website Instagram YouTube Shop E-mail: straightchillingpodcast@gmail.com Voicemail: 904-638-3231  

In anticipation of the upcoming PRACTICAL MAGIC 2, we're rereleasing an episode from the vault -- our recap and review of the whimsigoth, surprisingly DARK and cozy witchy rom com that made us all want to run to Faith Hill in gardening boots and short shorts -- PRACTICAL MAGIC (1998) Along the way, we discuss mental health parallels, the iconic soundtrack, and this brilliant film's criminally low Rotten Tomatoes score! Head to our PATREON for video episodes, ad-free episodes, and more!

Gay homosexuals Nick and Joseph review Annie - a 1982 American musical comedy-drama film directed by John Huston and starring Albert Finney, Carol Burnett, Bernadette Peters, Ann Reinking, Tim Curry, Geoffrey Holder, Edward Herrmann, and Aileen QuinnAdditional topics include:Nick in VeniceWriters on Film Podcast: https://open.spotify.com/episode/63oSyRXKxYcdPENUvLSCgv?si=GZ3uCgGgRMS3yhfl5ExzIQJames and Chico DeBargeDuane "Keffe D" Davis murdering TupacThe deaths of Samuel Monroe Jr., Victor Miller, Carla Jeffrey, and Gloria SteinemJoin us on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/FishJellyFilmReviews⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046Find merch here: https://fishjellyfilmreviews.myspreadshop.com/allVenmo @fishjellyVisit their website at www.fishjellyfilms.comFind their podcast at the following: Anchor: https://anchor.fm/fish-jelly Spotify: https://open.spotify.com/show/388hcJA50qkMsrTfu04peH Apple Podcasts: https://podcasts.apple.com/us/podcast/fish-jelly/id1564138767Find them on Instagram: Nick (@ragingbells) Joseph (@joroyolo) Fish Jelly (@fishjellyfilms)Find them on Letterboxd: https://letterboxd.com/ragingbells/ https://letterboxd.com/joroyolo/Nick and Joseph are both Tomatometer-approved critics at Rotten Tomatoes: https://www.rottentomatoes.com/critics/nicholas-bell https://www.rottentomatoes.com/critics/joseph-robinson

A real estate analyst explains why he upgraded an odd operator yielding 6%. A box office expert talks IMAX and Avengers. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Another fun-filled episode of Nerds Talking is here, and this time the boys are bringing you entertainment news, laughs, nostalgia, and one very unexpected language lesson!We kick things off with the latest entertainment news, before diving into our review of Coyote vs. Acme, the long-awaited Looney Tunes live-action/animation comedy starring Will Forte, John Cena, Lana Condor, Tone Bell, P.J. Byrne, Martha Kelly, and Luis Guzmán, with legendary Looney Tunes voices including Eric Bauza.But here's the big question: Is Coyote vs. Acme REALLY as good as Rotten Tomatoes says it is, or is everyone just trolling Warner Bros. for shelving the movie before it eventually found a new home?With Rotten Tomatoes currently giving the movie a 96% Tomatometer score and a 95% audience score, the stakes are high! The Nerds have watched it, we've got opinions, and we're ready to tell you whether this Wile E. Coyote comeback is worth your time—or whether ACME should have left this one in the warehouse!And then things take a hilarious and VERY unexpected turn when Carlos discovers something about the students at his middle school. He always thought they were simply saying hello to him in their native tongue… but what if they weren't saying hello at all?!

4:26 Onslaught 12:58 Fall 2: Deadpoint 20:43 By Any Means 27:44 The Runner 33:42 Mayday 39:23 Chronovisor 44:23 Parasomnia 49:38 C.O.G. 55:15 Dark Hollow 59:52 RECAP It's an 9-movie week on 'At the Movies Again,' formerly known as 'Roger (Ebert) & Me, a weekly movie review podcast tribute to 'Siskel & Ebert' hosted by film critics Brett Arnold & Mark Dujsik. The show covers every new theatrical and streaming release each Friday in the format Gene Siskel & Roger Ebert pioneered. A movie review podcast covering all new releases every Friday, modeled after 'Siskel & Ebert,' the pair who inadvertently invented film podcasting in the 1970s. Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo Entertainment and The New Flesh podcast, a show about horror movies that is currently celebrating its 11th year. Please rate and review on Apple Podcasts...and we're now on Rotten Tomatoes! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week, Emily Bazelon, John Dickerson, and David Plotz discuss how a narrow Supreme Court majority used aesthetic standing to greenlight Trump's ballroom construction, why bond yields are rising around the world and how that impacts everyone with guest Jason Furman, and how the extradition showdown between Texas and Minnesota over an ICE officer involved in a shooting betrays fraying relations among the states.Here are this week's chatters: Emily: Does Cutting Flower Stems Underwater Really Help?; Rachel Feltman for The Washington Post: How to keep fresh cut flowers from dying (with science) John: Crime and Punishment by Fyodor Dostoevsky; Line of Duty on Rotten Tomatoes; The Economist: What Democrats—and Republicans—can learn from Raphael Warnock; Lia Picard for Huffpost: The Hidden Health Benefits Of Eating Leftovers For Breakfast David: Simon Ducroquet and John Ismay for The New York Times: The Logistics Nightmare Facing U.S. Warships; The Last Ship on Netflix Listener chatter from Daniela Koontz in Houston, Texas: Anthropeum For this week's Slate Plus bonus episode, Emily, John, and David discuss Army secretary Dan Driscoll's resignation as the latest high-level Army official to run afoul of Pete Hegseth, whether Hegseth is capable of leading the military through a moment of real strain, and the increasing leaks from inside the Pentagon. In the latest Gabfest Reads, David Plotz talks with John Lanchester about his new novel, Look What You Made Me Do, a darkly funny psychological thriller about two couples in modern-day London whose lives collide in a story of infidelity, obsession, and revenge. The book explores the performance of niceness, class, intergenerational frictions and how technology makes vengeance not just possible but almost exceedingly easy in the modern age. Email your chatters, questions, and comments to gabfest@slate.com. (Messages may be referenced by name unless the writer stipulates otherwise.) Podcast production by Nina Porzucki Research by Emily DittoYou can find the full Political Gabfest show pages here. Want more Political Gabfest? Join Slate Plus to unlock weekly bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Political Gabfest show page on Apple Podcasts and Spotify. Or visit slate.com/gabfestplus to get access wherever you listen. Find out more about David Plotz's monthly tours of Ft. DeRussy, the secret Civil War fort hidden in Rock Creek Park. Follow@SlateGabfest on X / https://twitter.com/SlateGabfestSlate Political Gabfest on Facebook / https://www.facebook.com/Gabfest/Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.

This week, Emily Bazelon, John Dickerson, and David Plotz discuss how a narrow Supreme Court majority used aesthetic standing to greenlight Trump's ballroom construction, why bond yields are rising around the world and how that impacts everyone with guest Jason Furman, and how the extradition showdown between Texas and Minnesota over an ICE officer involved in a shooting betrays fraying relations among the states.Here are this week's chatters: Emily: Does Cutting Flower Stems Underwater Really Help?; Rachel Feltman for The Washington Post: How to keep fresh cut flowers from dying (with science) John: Crime and Punishment by Fyodor Dostoevsky; Line of Duty on Rotten Tomatoes; The Economist: What Democrats—and Republicans—can learn from Raphael Warnock; Lia Picard for Huffpost: The Hidden Health Benefits Of Eating Leftovers For Breakfast David: Simon Ducroquet and John Ismay for The New York Times: The Logistics Nightmare Facing U.S. Warships; The Last Ship on Netflix Listener chatter from Daniela Koontz in Houston, Texas: Anthropeum For this week's Slate Plus bonus episode, Emily, John, and David discuss Army secretary Dan Driscoll's resignation as the latest high-level Army official to run afoul of Pete Hegseth, whether Hegseth is capable of leading the military through a moment of real strain, and the increasing leaks from inside the Pentagon. In the latest Gabfest Reads, David Plotz talks with John Lanchester about his new novel, Look What You Made Me Do, a darkly funny psychological thriller about two couples in modern-day London whose lives collide in a story of infidelity, obsession, and revenge. The book explores the performance of niceness, class, intergenerational frictions and how technology makes vengeance not just possible but almost exceedingly easy in the modern age. Email your chatters, questions, and comments to gabfest@slate.com. (Messages may be referenced by name unless the writer stipulates otherwise.) Podcast production by Nina Porzucki Research by Emily DittoYou can find the full Political Gabfest show pages here. Want more Political Gabfest? Join Slate Plus to unlock weekly bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Political Gabfest show page on Apple Podcasts and Spotify. Or visit slate.com/gabfestplus to get access wherever you listen. Find out more about David Plotz's monthly tours of Ft. DeRussy, the secret Civil War fort hidden in Rock Creek Park. Follow@SlateGabfest on X / https://twitter.com/SlateGabfestSlate Political Gabfest on Facebook / https://www.facebook.com/Gabfest/ Hosted on Acast. See acast.com/privacy for more information.

This week, Emily Bazelon, John Dickerson, and David Plotz discuss how a narrow Supreme Court majority used aesthetic standing to greenlight Trump's ballroom construction, why bond yields are rising around the world and how that impacts everyone with guest Jason Furman, and how the extradition showdown between Texas and Minnesota over an ICE officer involved in a shooting betrays fraying relations among the states.Here are this week's chatters: Emily: Does Cutting Flower Stems Underwater Really Help?; Rachel Feltman for The Washington Post: How to keep fresh cut flowers from dying (with science) John: Crime and Punishment by Fyodor Dostoevsky; Line of Duty on Rotten Tomatoes; The Economist: What Democrats—and Republicans—can learn from Raphael Warnock; Lia Picard for Huffpost: The Hidden Health Benefits Of Eating Leftovers For Breakfast David: Simon Ducroquet and John Ismay for The New York Times: The Logistics Nightmare Facing U.S. Warships; The Last Ship on Netflix Listener chatter from Daniela Koontz in Houston, Texas: Anthropeum For this week's Slate Plus bonus episode, Emily, John, and David discuss Army secretary Dan Driscoll's resignation as the latest high-level Army official to run afoul of Pete Hegseth, whether Hegseth is capable of leading the military through a moment of real strain, and the increasing leaks from inside the Pentagon. In the latest Gabfest Reads, David Plotz talks with John Lanchester about his new novel, Look What You Made Me Do, a darkly funny psychological thriller about two couples in modern-day London whose lives collide in a story of infidelity, obsession, and revenge. The book explores the performance of niceness, class, intergenerational frictions and how technology makes vengeance not just possible but almost exceedingly easy in the modern age. Email your chatters, questions, and comments to gabfest@slate.com. (Messages may be referenced by name unless the writer stipulates otherwise.) Podcast production by Nina Porzucki Research by Emily DittoYou can find the full Political Gabfest show pages here. Want more Political Gabfest? Join Slate Plus to unlock weekly bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Political Gabfest show page on Apple Podcasts and Spotify. Or visit slate.com/gabfestplus to get access wherever you listen. Find out more about David Plotz's monthly tours of Ft. DeRussy, the secret Civil War fort hidden in Rock Creek Park. Follow@SlateGabfest on X / https://twitter.com/SlateGabfestSlate Political Gabfest on Facebook / https://www.facebook.com/Gabfest/ Hosted on Acast. See acast.com/privacy for more information.

In the middle of a very busy schedule, actor and comedian Kiell Smith-Bynoe drops into the studio to defend the 2004 Tony Scott revenge thriller, Man on Fire. We break down the massive divide between the 39% Rotten Tomatoes critic score and the 89% audience score, debating whether the complaints about runtime and violence were justified. We analyze Denzel Washington's legendary performance, Dakota Fanning's prime child-actor era, and the dizzying, choppy camera work of early 2000s action cinema. Kiell also shares behind the scenes stories from the sets of Ghosts and Stath Lets Flats, including the brutal reality of filming the lockdown and football episodes. We also get into his brand new Audible survival podcast Guz and Kiell Will Not Survive, his upcoming improv tour for Kool Story Bro, and why he thinks Deja Vu is a cinematic masterpiece despite making zero sense. Plus, Kiell issues a desperate, public plea to locate British actor Clive Owen, and reveals the story of how kissing a girl left him with a blocked nose for ten straight years. ⭐ Support the show on Patreon for:Episodes 24 hours earlyAd FreeBonus ContentExclusive Polls and Updatespatreon.com/everyonesacriticpod Support the show

A martial arts rock band goes up against a gang of motorcycle ninjas who have tightened their grip on the Florida narcotics trade.   On this week's episode…   Join the Straight Chilling Crew as we discuss the majesty of Taekwondo, Orlando booger sugar, and the almost forgotten cult classic, Miami Connection (1988).   Show Notes:  Housekeeping (4:50)  Back of the Box/Recommendations (14:25)  Spoiler Warning/Full Review (19:30)  Rotten Tomatoes (1:09:20)  Trivia (1:16:20)  Cooter of the Week (1:20:45)  What We've Been Watching (1:26:06)     Connect with us: Support us on Patreon Website Instagram YouTube Shop E-mail: straightchillingpodcast@gmail.com Voicemail: 904-638-3231

What happens when everybody loves something and you don't? This week, Joey and Jess talk about sci-fi, curation, Rotten Tomatoes, autobiographical characters, leaving room for surprises, and fame. They don't talk about Sweet Pickles books. references Hyperion by Dan Simmons The Expanse series Yesteryear by Caro Claire Burke Children of Time by Adrian Tchaikovsky Dungeon Crawler Carl by Matt Dinniman 

https://daredaniel.com/wp-content/uploads/2026/08/CANON-FODDER_S01_E69.mp3 Born in Flames (1983; Directed by Lizzie Borden) Canon Fodder Episode 69 This week, Daniel and Corky light the fuse with Lizzie Borden's Born in Flames. Told through pirate radio broadcasts, surveillance footage, fake news reports and punk performances, Borden's debut imagines a socialist America where revolution has changed everything except the lives of women and minorities. But did your hosts flame on, or did Born in Flames fizzle out short of the Canon? BORN IN FLAMES FACTS & FIGURES Sight & Sound 2022 Critics Poll Ranking: #243 [tied] World premiere: Feb. 20, 1983 (Berlin International Film Festival) IMDB synopsis: “Set ten years after the most peaceful revolution in United States history, it presents a dystopia in which the issues of many groups – minorities, liberals, gay rights organizations, feminists – are dealt with by the government.” CLIPS & CLIPPINGS Trailer for Born in Flames Revolution Anniversary WTC Explosion NEXT EPISODE’S MOVIE Casablanca (1942; Directed by Michael Curtiz) IMDb synopsis: “A cynical expatriate American cafe owner struggles to decide whether or not to help his former lover and her fugitive husband escape the Nazis in French Morocco.” Our review of Casablanca comes out Tuesday, Sep. 15! Follow Canon Fodder, Dare Daniel & Single Take on Facebook and Instagram. Listen, rate, review and subscribe to the show on Pandora, Apple Podcasts, Spotify, Listen Notes, Castbox and more. New episodes every other Tuesday! Please help support the show by clicking the Donate button on the homepage or find “Support the Show” in the main menu. Read more of Daniel’s movie reviews at Dare Daniel and Rotten Tomatoes. The post Canon Fodder – Born in Flames appeared first on Dare Daniel Family of Podcasts.

In the first attack since July, the U.S. struck Iran at Larak Island. CNBC's Dan Murphy reports on the latest exchanges from Dubai. OpenAI will end access to Cursor after SpaceX's acquisition of the AI startup. At the G20 in Asheville, North Carolina, former U.S. Treasury official Joe LaVorgna explains his optimism about America's economic trajectory and weighs in on both the Treasury's bond buyback plan and Kevin Warsh's next interest rate announcement. Plus, Fandango and Rotten Tomatoes correspondent Erik Davis discusses the busy summer movie season and the five impressive weeks at the box office for "Spider-Man: Brand New Day." Dan Murphy - 03:21 Joe LaVorgna - 15:47 Erik Davis - 28:39 In this episode: Joe Kernen, @JoeSquawk Becky Quick, @BeckyQuick Andrew Ross Sorkin, @andrewrsorkin Dan Murphy, @dan_murphy Katie Kramer, @Kramer_Katie Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Gay homosexuals Nick and Joseph review Unlikely Angel - a 1996 American made-for-television Christmas fantasy-comedy film directed by Michael Switzer and starring Dolly Parton.Additional topics include:Cat on a Hot Tin Roof discussion: https://youtu.be/3ERh8yNoarE?si=qnoXmNln5A7--l0TTyler Perry vs. RuPaulThe deaths of Tim Curry, Michael Wright, and Dolly PartonJoin us on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/FishJellyFilmReviews⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046Find merch here: https://fishjellyfilmreviews.myspreadshop.com/allVenmo @fishjellyVisit their website at www.fishjellyfilms.comFind their podcast at the following: Anchor: https://anchor.fm/fish-jelly Spotify: https://open.spotify.com/show/388hcJA50qkMsrTfu04peH Apple Podcasts: https://podcasts.apple.com/us/podcast/fish-jelly/id1564138767Find them on Instagram: Nick (@ragingbells) Joseph (@joroyolo) Fish Jelly (@fishjellyfilms)Find them on Letterboxd: https://letterboxd.com/ragingbells/ https://letterboxd.com/joroyolo/Nick and Joseph are both Tomatometer-approved critics at Rotten Tomatoes: https://www.rottentomatoes.com/critics/nicholas-bell https://www.rottentomatoes.com/critics/joseph-robinson

4:02 The Dog Stars 14:54 Coyote vs. Acme 23:09 Buddy 32:05 Colony 38:25 Idiots 43:57 The Whisper Man 49:43 Penny Lane is Dead 54:53 Just Play Dead 59:47 The Sun Never Sets 01:06:57 The Salt Path 01:12:30 Boorman and the Devil 01:18:19 RECAP It's an 11-movie week on 'At the Movies Again,' formerly known as 'Roger (Ebert) & Me, a weekly movie review podcast tribute to 'Siskel & Ebert' hosted by film critics Brett Arnold & Mark Dujsik. The show covers every new theatrical and streaming release each Friday in the format Gene Siskel & Roger Ebert pioneered. A movie review podcast covering all new releases every Friday, modeled after 'Siskel & Ebert,' the pair who inadvertently invented film podcasting in the 1970s. Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo Entertainment and The New Flesh podcast, a show about horror movies that is currently celebrating its 11th year. Please rate and review on Apple Podcasts...and we're now on Rotten Tomatoes! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Mostly Film – Take 247: Harrison Ford In Review — Episode 5BAn honest accounting of a difficult stretch. Jonathan and JP cover the long middle — eleven years, three films, roughly $165 million combined box office on budgets totalling nearly $180 million. None of them hits.First, K-19: The Widowmaker. The most defensible of the three — a genuinely ambitious film directed by Kathryn Bigelow, edited by Walter Murch, shot by David Fincher's cinematographer, based on a true Soviet nuclear disaster that was classified for 28 years. Ford was paid $25 million for approximately 20 days of filming and was advised by everyone around him not to take the role. He took it anyway, specifically because Vostrikov wasn't a hero. The surviving crew members sent an open letter objecting to the film. It opened to $12 million domestically on a $90 million budget, ten months after September 11, asking American audiences to empathise with Soviet naval officers. Bigelow's next film was The Hurt Locker, which won her the Oscar. The character of Polenin is based on the man many historians believe prevented World War Three during the Cuban Missile Crisis the following year.Then Firewall. The same Beacon Pictures team that made Air Force One tried to recapture that film's formula. They did not succeed. Ford was found sitting on the airport baggage carousel during a Vancouver shoot, going around in circles on his phone. Virginia Madsen thought his personal voicemail offering her the role was a prank call and didn't return it. Paul Bettany kept being told his punches were too soft until he finally hit Ford at full strength — Ford's response was "that's it." 18% on Rotten Tomatoes. The premise is stronger than the execution. The dog GPS sequence near the end is as bad as advertised.Then Paranoia. Ford in a supporting role behind Liam Hemsworth, reunited with Gary Oldman sixteen years after Air Force One with the dynamic inverted. 5% on Rotten Tomatoes — lower than Catwoman. Opened to $3.5 million domestically. Oldman didn't attend the premiere. The distributor filed for bankruptcy two years later. Jason Hall co-wrote the screenplay and went on to write American Sniper the following year. Richard Dreyfuss appears in a small role and his scenes with Ford are the warmest thing in the film, which tells you everything.Between 2002 and 2013 Ford made eight films outside of Star Wars and Indiana Jones. None of them worked. The question for the episode: was the decline inevitable, or were there different choices available? And is the commercial disappearance of Harrison Ford the movie star the same thing as the disappearance of Harrison Ford the actor?

OUR SHOW!!!!   #Trending      https://ourshowistrending.com/ Come visit our KICKSTARTER and sign up RIGHT NOW!!!!  Even saving it can help us! https://www.kickstarter.com/projects/trendingshow/trending-kristian-harloff-tv-pilot Kristian Harloff breaks down the biggest movie news stories of the day, led by some surprising developments surrounding Avengers: Endgame Encore. Marvel Studios appears to have made some significant changes to the film for its upcoming theatrical re-release, raising questions about exactly what's different and whether these changes could have connections to Avengers: Doomsday and Avengers: Secret Wars. With Marvel bringing one of the biggest MCU movies of all time back to theaters, Kristian discusses what fans can expect from the new Avengers: Endgame Encore version, why Marvel may have decided to alter the film, and whether the re-release is designed to help set the stage for the MCU's next massive Avengers event. Plus, Ridley Scott's The Dog Stars is struggling with critics and has already become one of the filmmaker's worst-reviewed movies on Rotten Tomatoes. What went wrong, and will audiences have a different reaction? Marvel's highly anticipated X-Men reboot also takes another major step forward, adding a cinematographer with an impressive résumé. Kristian discusses how the creative team is coming together and what the latest update could tell us about the look and tone Marvel Studios wants for its new X-Men. And Ryan Gosling has another surprising project on the way. The Ghost Rider star is involved with a new Flintstones reboot, featuring an unexpected choice for the lead role. Stories For Today: Avengers: Endgame Encore — Marvel Studios Appears To Have Made Some Big Changes To The Film The Dog Stars Is Already One Of Ridley Scott's Worst-Reviewed Movies On Rotten Tomatoes X-Men: Marvel Studios Finds Cinematographer With A Seriously Impressive Background For MCU Reboot Ghost Rider Star Ryan Gosling Is Rebooting The Flintstones — With A Surprising Choice Of Lead Today's show is headlined by Avengers: Endgame Encore and the mystery surrounding the changes Marvel Studios has apparently made to the movie. Could new or altered material connect Endgame directly to Doctor Doom, Avengers: Doomsday, or Secret Wars? Kristian breaks down the possibilities and discusses why Marvel is bringing Endgame back now. We also dive into the latest X-Men reboot news, Ridley Scott's rough early reception for The Dog Stars, and Ryan Gosling's unexpected new take on The Flintstones. If you're a fan of Avengers: Endgame, Avengers: Doomsday, Avengers: Secret Wars, Marvel Studios, X-Men, Ridley Scott, Ryan Gosling, Ghost Rider, or the latest movie news, this episode is for you! #AvengersEndgame #AvengersEndgameEncore #AvengersDoomsday #AvengersSecretWars #Marvel #MarvelStudios #MCU #XMen #DoctorDoom #RidleyScott #TheDogStars #RyanGosling #GhostRider #TheFlintstones #MovieNews #KristianHarloffShow SPONSOR:  HIMS: Ready to reach your goals? Visit https://www.hims.com/kristian to get a personalized, affordable plan that gets you. CRAIG'S CHANNEL: https://www.youtube.com/@yhspodcast/  

A director making a slasher sequel becomes obsessed with casting the original film's final girl, leading both women into psychological and sexual chaos.   On this week's episode…   Join the Straight Chilling Crew as we discuss sexual politics in the slasher sub-genre, killing off tropes, and Jane Schoenbrun's third feature film, Teenage Sex and Death at Camp Miasma (2026).   Show Notes:  Housekeeping (4:00)  Back of the Box/Recommendations (9:34)  Spoiler Warning/Full Review (14:00)  Rotten Tomatoes (1:16:30)  Trivia (1:24:35)  Cooter of the Week (1:35:05) What We've Been Watching (1:39:55) Hotline Screams (1:49:15)     Connect with us: Support us on Patreon Website Instagram YouTube Shop E-mail: straightchillingpodcast@gmail.com Voicemail: 904-638-3231

Never has there been a better example of why world building is so important. Fans of Sex and the City love to live vicariously through Carrie Bradshaw so it's no surprise that audiences gave this film a 77% Rotten Tomatoes score. However, film critics gave it a 50%, and we tend to agree. What is they see that fans don't? Tune in to this week's episode so that you can emulate the good and avoid repeating the bad. -V. The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them beg for more. Submit your query letter and first 10 pages writing sample at storynerd.ca. For your FREE First 10 Pages Checklist, visit valeriefrancis.ca/checklist To learn to read like a writer, visit Melanie's website. To subscribe to Kat's Keynotes (Substack), click here. Watch us on YouTube!

The journey continues.The Popcorn Poseidon and Dr. Dare return for Part 2 of our review of Christopher Nolan's The Odyssey, and this time we're going deeper into the movie, the adaptation choices, the characters, and some of the criticism surrounding it.We talk about Nolan blending ancient mythology with modern language, surprising casting decisions, practical effects, character motivations, and some of the creative choices that have divided audiences.There are also a few beefs to settle.Why do people get so angry when an adaptation doesn't match the version they imagined? How much should Rotten Tomatoes, IMDb, social media, or random reviewers influence whether you see a movie? And why are we apparently still having to remind everyone that you can actually watch something and form your own opinion?We also dive into more behind-the-scenes trivia, physical media, streaming frustrations, puzzles within the story, and the incredible work that went into bringing this version of Homer's epic to the big screen.Most importantly: don't just take somebody else's opinion as truth. Remember what Levar Burton says?? Watch the movie and decide for yourself.#TheOdyssey #ChristopherNolan #TheOdysseyMovie #Nolan #MovieAdaptation

KSHB's Mick Shaffer joins earlier to talk Royals and play Rotten Tomatoes. Andy Reid & Jaden Hicks speak to the media leading up to their final preseason game against the Seahawks. See omnystudio.com/listener for privacy information.

Cameron sits down with Neil Champagne, Head of Development at Tinygiant, to unpack how an independent film moves from a promising script to a major festival and why that strategy starts much earlier than most filmmakers realize.Neil has over a decade of producing experience spanning television and independent film. His TV credits include Dirk Gently's Holistic Detective Agency (BBC America), Unspeakable (CBC/Sundance Channel, named a New York Times Best Series of 2019), Fargo (FX), The Girlfriend Experience (Starz), and Blackstone (Netflix). At Tinygiant, he oversees creative workflow across the company's commercial and scripted work, bridging story, capital, and execution. Under his leadership, the company has earned multiple New York Times Critics' Picks and maintains a 98% Rotten Tomatoes average across its film slate.Using Tinygiant's latest feature, She Keeps Me Young, which premiered in the U.S. Narrative Competition at the 2026 Tribeca Film Festival, as a case study, Neil walks through the realities of producing a low-budget indie with an ensemble cast, finding locations that satisfy both the creative and financial demands of the film, and building a production model nimble enough to make ambitious work at the sub-$2 million level.The conversation then goes deep on festival strategy: why Neil is thinking about a film's festival fit from the moment he reads the script, how timing and programming tendencies shape submissions, why simply submitting to dozens of festivals is rarely enough, and what producers can do to ensure their film actually gets seen. He also breaks down the role of sales agents, publicists, earned media, and relationships with programmers once a film begins moving through the festival ecosystem.Ultimately, Neil makes the case that production and go-to-market strategy shouldn't be treated as separate disciplines. The creative identity of a film, including who directs it, what it's about, and who it's for, should be quietly informing every decision along the way, from scheduling and casting to which publicist you hire and which programmer you're sending your press release to. The festival premiere isn't where that thinking starts. It's where it surfaces.The views and opinions expressed by guests on this podcast are solely their own and do not reflect the views of Wrapbook, its employees, or affiliates.ABOUT WRAPBOOKWrapbook is the AI platform for production finance.Built for today's fast-moving production landscape, Wrapbook brings payroll, spend, and accounting into one AI-powered system, giving production teams the tools they need to do more, faster.Built for features, TV, or commercials, Wrapbook helps the industry's biggest production companies stay compliant, track every dollar in real time, and eliminate the paper-chasing that slows everything down. AI handles the busywork, reading invoices, flagging issues, and syncing data, so your team can focus on the work that really matters.But software is only half the story. Wrapbook pairs powerful automation with concierge support from industry experts who've worked on set and know what's at stake. It's how the best production teams scale smarter, protect their budgets, and keep their crews happy.See how Wrapbook is a force multiplier for production finance teams at www.wrapbook.com.

Gay homosexuals Nick and Joseph review Bring It On: All or Nothing - a 2006 American teen comedy film directed by Steve Rash and starring Hayden Panettiere and Solange Knowles-Smith.Additional topics include:Rosie O'Donnell hosting late nightNick sleeping in a bathroomKardea Brown's brisket and bean chiliThe ShardsThe death of Hayden PanettierreJoin us on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/FishJellyFilmReviews⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046Find merch here: https://fishjellyfilmreviews.myspreadshop.com/allVenmo @fishjellyVisit their website at www.fishjellyfilms.comFind their podcast at the following: Anchor: https://anchor.fm/fish-jelly Spotify: https://open.spotify.com/show/388hcJA50qkMsrTfu04peH Apple Podcasts: https://podcasts.apple.com/us/podcast/fish-jelly/id1564138767Find them on Instagram: Nick (@ragingbells) Joseph (@joroyolo) Fish Jelly (@fishjellyfilms)Find them on Letterboxd: https://letterboxd.com/ragingbells/ https://letterboxd.com/joroyolo/Nick and Joseph are both Tomatometer-approved critics at Rotten Tomatoes: https://www.rottentomatoes.com/critics/nicholas-bell https://www.rottentomatoes.com/critics/joseph-robinson

4:18 Insidious: Out of the Further 13:09 Mutiny 19:49 It Ends 26:08 The Magic Faraway Tree 33:27 The Marching Band 38:04 How to Divorce During the War 42:54 The Snare 47:52 Bury the Devil 52:57 Freefall: A Reckoning for Boeing 58:24 Recap It's a 9-movie week on 'At the Movies Again,' formerly known as 'Roger (Ebert) & Me, a weekly movie review podcast tribute to 'Siskel & Ebert' hosted by film critics Brett Arnold & Mark Dujsik. The show covers every new theatrical and streaming release each Friday in the format Gene Siskel & Roger Ebert pioneered. A movie review podcast covering all new releases every Friday, modeled after 'Siskel & Ebert,' the pair who inadvertently invented film podcasting in the 1970s. Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo Entertainment and The New Flesh podcast, a show about horror movies that is currently celebrating its 11th year. Please rate and review on Apple Podcasts. Even if you're on Spotify or YouTube, jump over there and throw us 5 stars. We can't get on RottenTomatoes until 200 people rate it! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Message Dan and MikeWe're reviewing Netflix's The Last House, the sci-fi horror thriller starring Greta Lee and Wagner Moura as parents whose family gets mysteriously sealed inside their home with no way out. The premise is strong and the first act hooks us immediately, but a jarring five-year time jump sends the story spiraling into some of the weakest, most unsatisfying territory we've covered on the show. We dig into the film's abandoned plot threads, its unconvincing CGI creatures, the convenient "everyone's an engineer" problem-solving, and why comparisons to A Quiet Place don't do it any favors. We also talk through the film's IMDb Metascore and its rough Rotten Tomatoes numbers, and explain exactly why we can't recommend spending your two hours on this one.From there we pivot to a rundown of what's actually worth streaming right now. On Netflix, we're raving about Beef, WWE: Unreal, Tires, and Everyone Is Doing Great. On Apple TV+, we cover Your Friends and Neighbors, Widow's Bay, and Sugar starring Colin Farrell. We also flag a couple of shows we'd steer you away from. Plus, a fun tangent on A Quiet Place, film noir influences, and more of our usual brotherly banter.Support the showOh Brother Podcast:Support the Show! (Be The First to Listen with Early Access)Listen on all podcast platformsSubscribe on YouTubeFollow us on Instagram

We are diving into the archives this week to bring back an absolute favorite classic episode of Everyone's a Critic!Comedian Emily Wilson stops by the studio to defend the 2011 Adam Sandler and Jennifer Aniston rom-com, Just Go With It. We break down why the critics were entirely wrong to give this film a 19% on Rotten Tomatoes, arguing that it is actually a sweet, character-driven comedy elevated by the incredible real-life chemistry of its leads. We dive deep into the bizarre but hilarious supporting cast, including Nicole Kidman playing a mean-spirited sorority bully, Dave Matthews playing a rude, wealthy husband, and an early movie appearance by Keegan-Michael Key. We also examine the genius of Adam Sandler's career, his tendency to cast his friends, and the shocking Rotten Tomatoes scores for classics like Click and Master of Disguise. Away from the movie, Emily talks about the success of her Edinburgh Fringe show, Fixed. She shares the wild true story behind the show: auditioning for the American X Factor at age 15 alongside her closeted best friend, getting ripped apart by the judges, and somehow still making it through to the live shows. We also chat about our favorite eras of Saturday Night Live, the magic of live UCB improv shows in New York, and why Emily absolutely hated the acclaimed Paul Thomas Anderson film Licorice Pizza. ⭐ Support the show on Patreon for: Episodes 24 hours earlyAd-Free listeningBonus ContentExclusive Polls and Updatespatreon.com/everyonesacriticpod

Actor and filmmaker Dave Franco joins TigerBelly. We chat taste in cars, working with Alison Brie, growing up with older brothers, mall recognition, Rotten Tomatoes, horror movies, the freezer list, and 21 Jump Street.Download the Bilt app and join the membership for where you live, at joinbilt.com/belly. Use our link so they know we sent you.For simple, online access to personalized and affordable care for Hair Loss, Weight Loss, and more, visit www.hims.com/belly Download Cash App today and make your money work for you. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Two young couples traveling across Texas searching for urban legends of murder end up as prisoners of a bizarre and sadistic family of serial killers.   On this week's episode…   Join the Straight Chilling Crew as we discuss the origins of the Firefly family, Rob Zombie's feature film debut, and the extremely polarizing, House of 1,000 Corpses (2003).   Show Notes: Housekeeping (6:00) Back of the Box/Recommendations (12:10) Spoiler Warning/Full Review (20:00) Rotten Tomatoes (1:02:25) Trivia (1:09:48) Cooter of the Week (1:18:30) What We've Been Watching (1:22:45) Hotline Scream (1:40:40)   Connect with us: Support us on Patreon Website Instagram YouTube Shop E-mail: straightchillingpodcast@gmail.com Voicemail: 904-638-3231

KSHB Tod Palmer joins the show to weigh in on the Royals meeting that took place about the stadium. They wrap up the show playing Rotten Tomatoes!See omnystudio.com/listener for privacy information.

https://daredaniel.com/wp-content/uploads/2026/08/CANON-FODDER_S01_E68.mp3 Touki Bouki (1973; Directed by Djibril Diop Mambéty) Canon Fodder Episode 68 This week, Daniel and Corky hit the road again with Djibril Diop Mambéty's Touki Bouki. Blending French New Wave style, African oral traditions and bursts of surrealism, Mambéty's remarkable debut follows two young outcasts scheming to escape Senegal for the promise of Paris. But did your hosts get swept up in the journey, or did this influential first film leave them stranded short of the Canon? TOUKI BOUKI FACTS & FIGURES Sight & Sound 2022 Critics Poll Ranking: #66 World premiere: May 1973 (Cannes Film Festival) IMDB synopsis: “Mory, a cowherd, and Anta, a university student, try to make money in order to go to Paris and leave their boring past behind.” CLIPS & CLIPPINGS Trailer for Touki Bouki Finale Scorsese on Touki Bouki NEXT EPISODE’S MOVIE Born in Flames (1983; Directed by Lizzie Borden) IMDB synopsis: “Set ten years after the most peaceful revolution in United States history, it presents a dystopia in which the issues of many groups – minorities, liberals, gay rights organizations, feminists – are dealt with by the government.” Our review of Born in Flames comes out Tuesday, Sep. 1! Follow Canon Fodder, Dare Daniel & Single Take on Facebook and Instagram. Listen, rate, review and subscribe to the show on Pandora, Apple Podcasts, Spotify, Listen Notes, Castbox and more. New episodes every other Tuesday! Please help support the show by clicking the Donate button on the homepage or find “Support the Show” in the main menu. Read more of Daniel’s movie reviews at Dare Daniel and Rotten Tomatoes. The post Canon Fodder – Touki Bouki appeared first on Dare Daniel Family of Podcasts.

Pool Sceners. When a jezebel gets in the way of your friendship and your band, only Steve Zahn, Jack Black and Neil Diamond can help. Jason Biggs and Amanda Peet also star in this underrated comedy from 2001, "Saving Silverman." Top 5 Most Wanted Music Biopics during the "Pool Check" and Jim has an ax to grind with Sony on the "Final Lap." Rotten Tomatoes got this gem wrong and you must "turn on your heart light" and enjoy this one. CARPE POON!   BUY YOUR POOL SCENE PODCAST SHIRTS AND STICKERS TODAY!!! DM US ON OUR FACEBOOK TO PURCHASE TODAY!!!   SPREAD THE WORD POOL SCENERS! JOIN THE POOL SCENERS GROUP ON FACEBOOK FOR EXCLUSIVE AND INCLUSIVE CONTENT! LIKE. COMMENT. SUBSCRIBE. RATE AND FOLLOW... APPLE. SPOTIFY. PODBEAN. PODBAY and EVERYWHERE PODCASTS ARE FOUND! LEAVE A 5 STAR REVIEW. WE READ IT ON THE AIR. YOU WIN A PRIZE!!! HAVE AN IDEA FOR AN EPISODE OR A POOL CHECK...MESSAGE US AT ONE OF THE LINKS BELOW. CONTRIBUTE TO THE SHOW ON LINKTREE!! WE GREATLY APPRECIATE IT!! Linktree: https://www.linktr.ee/poolscenepodcast Email: PoolScenePodcast@gmail.com Facebook: https://www.facebook.com/PoolScenePodacst Instagram: https://www.instagram.com/PoolScenePodcast Discord: poolscenepodcast Threads: https://www.threads.com/poolscenepodcast TikTok: https://www.tiktok.com/thepoolscenepodcast Twitch: https://twitch.tv/poolscenepodcast YouTube: https://www.youtube.com/PoolScenePodcast

Gay homosexuals Nick and Joseph review Jew-Boy Levi - a 1999 film directed by Didi Danquart, starring Bruno Cathomas, Bernd Michael Lade, and Ulrich NoethenAdditional topics include:Linda Blair and her dogsLudacris' Chicken and BeerBeef bourguignonBook clubThe deaths of Vincent Pastore, Lloyd Robertson, Jim Krut, Scott Hylands, Mary Rivera, Elsa Aguirre, Jon Cypher, Mark Rydell, and William OrbitJoin us on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/FishJellyFilmReviews⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046Find merch here: https://fishjellyfilmreviews.myspreadshop.com/allVenmo @fishjellyVisit their website at www.fishjellyfilms.comFind their podcast at the following: Anchor: https://anchor.fm/fish-jelly Spotify: https://open.spotify.com/show/388hcJA50qkMsrTfu04peH Apple Podcasts: https://podcasts.apple.com/us/podcast/fish-jelly/id1564138767Find them on Instagram: Nick (@ragingbells) Joseph (@joroyolo) Fish Jelly (@fishjellyfilms)Find them on Letterboxd: https://letterboxd.com/ragingbells/ https://letterboxd.com/joroyolo/Nick and Joseph are both Tomatometer-approved critics at Rotten Tomatoes: https://www.rottentomatoes.com/critics/nicholas-bell https://www.rottentomatoes.com/critics/joseph-robinson

The fourth installment in Sony Pictures and Marvel Studios' Spider-Man series is finally here, and of course, we're all over it. Spider-Man: Brand New Day has swung into theaters as both a critical and box-office smash, raking in a billion dollars in just six days and boasting a 90% score on Rotten Tomatoes. On the pod, we nerd out over all the comic book goodness packed into the movie, including the cameos from Tarantula, Tombstone, and Ramrod. We also dig into the film's surprising lack of a true central villain, the controversial introduction of Jean Grey into the MCU, played by Sadie Sink (Stranger Things), and debate whether this is Tom Holland's most evolved performance yet as Peter Parker—and Spider-Man. Then we build a quick Spider-Man Hall of Fame before tackling the question on everyone's mind: Are movies back?

Set in gritty, real life New York City, alcoholic Sam meets up with a modern day succubus who marks him and controls his will.   On this week's episode…   Join the Straight Chilling Crew as we discuss 90's New York City, drinking to survive, and Larry Fessenden's second feature film, Habit(1995).     Show Notes: Housekeeping (5:20) Back of the Box/Recommendations (12:00) Spoiler Warning/Full Review (19:20) Rotten Tomatoes (1:08:30) Cooter of the Week (1:16:50) What We've Been Watching (1:25:00) Hotline Scream (1:39:00)   Connect with us: Support us on Patreon Website Instagram YouTube Shop E-mail: straightchillingpodcast@gmail.com Voicemail: 904-638-3231

If you're looking for one of the funniest and most insightful conversations with Brandon Collins, comedian, creator of Drunk Black History, podcast host, screenwriter, and producer, you're in the right place. In this episode of The VIBE with Kelly Cardenas, Brandon shares the stories behind his incredible journey in stand-up comedy, creating one of New York's most celebrated live comedy experiences, building successful podcasts, and using humor to educate, entertain, and bring people together.Some conversations make you laugh. Others make you think. This one does both.Brandon is the brilliant creator and host of Drunk Black History, the hit live comedy show that has become a staple of the New York Comedy Festival and has been recognized by The New York Times, Time Out New York, The Boston Globe, and many other major publications as one of the country's must-see comedy events. Beyond the stage, he's an accomplished comedian, screenwriter, producer, and host of the acclaimed podcasts Comedy Outliers and the Rotten Tomatoes-accredited Medium Popcorn.What I loved most about this conversation wasn't just Brandon's success—it was the heart behind it. We talk about creativity, taking risks, finding your voice, building something that lasts, and why laughter can often open doors that nothing else can.Whether you're a fan of stand-up comedy, podcasting, storytelling, entertainment, entrepreneurship, or simply love hearing how remarkable people think, this episode is packed with wisdom, humor, and unforgettable moments.If this episode adds value to your life, would you do me a favor? Subscribe, share it with someone who needs a little more laughter and perspective, and leave a review. It helps us continue bringing incredible guests and meaningful conversations to this community.Drunk Black HistoryFollow Brandon Collins:Instagram: @frodo_blackinsFollow Drunk Black History:Instagram: @officialdrunkblackhistorySubscribe for more conversations with world-class entrepreneurs, entertainers, athletes, creators, and leaders who are changing the world one story at a time.#BrandonCollins #DrunkBlackHistory #ComedyPodcast #StandUpComedy #TheVIBE #KellyCardenas #Podcast #NewYorkComedy #Storytelling #Entertainment #Comedy #ContentCreator #MediumPopcorn #ComedyOutliers #Leadership #Entrepreneurship

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MMA fights Sean Strickland and Ian Garry had some interesting points of view on the world and made sure to let everyone know. Limits on useless loans are starting. Liberal women hardest hit.The Odyssey is here and reviews are mixed. Or are there? Is Rotten Tomatoes still an accurate metric for movie reception? We take a look at what the reviews are actually saying. GUEST: Josh Firestine Link to today's sources: https://www.louderwithcrowder.com/sources-july-22-2026 Let my sponsor American Financing help you regain control of your finances. NMLS #182334 nmlsconsumeraccess.org. APR for rates in the 5s start at 6.327% for well qualified borrowers. Call 800-974-6500 for details about credit, costs and terms. Visit http://www.AmericanFinancing.net/Crowder. Average savings based on borrowers who save over $199.99 Go to http://kalshi.com/r/crowder and $10 credit on your first $10 trade Foundation Daily is made up of premium ingredients to reduce inflammation and stress and promote clean energy and mental clarity. Subscribe now and receive 40% off for life. https://foundationdaily.com/ Share clips from the show! Where to get clips: Telegram: http://t.me/LWCClips Discord: https://discord.gg/nfRAZxEbAV Join Rumble Premium to watch this show every day! http://louderwithcrowder.com/Premium Want to be informed? Check out the 3-in-3 podcast. Here's the best path to victory on the most debated topics: https://threekeyfacts.com/ Get your favorite LWC gear: https://crowdershop.com/ Bite-Sized Content: https://rumble.com/c/CrowderBits Subscribe to my podcast: https://www.louderwithcrowder.com/podcast FOLLOW ME: Website: https://louderwithcrowder.com/ X: https://x.com/scrowder Instagram: http://www.instagram.com/louderwithcrowder Facebook: https://www.facebook.com/stevencrowderofficial Music by @Pogo