Podcasts about sweet pete

Kelly is joined by Brent Robinson, Sales Manager at Sweet Pete's Bike Shop near Dufferin and Bloor, to discuss why e-bike batteries are becoming a hazard to Toronto citizens. There has been a rise in fires started by exploding e-bike batteries. Learn more about your ad choices. Visit megaphone.fm/adchoices

YO! We are now in the 00s to talk about In My Eyes second and final LP, "Nothing To Hide" released in January of 2000. Dig in for lots of youth crew revival nostalgia!

The lads finally discuss Willy's Chocolate Experience, AI in general, time zones, Rob gets in touch about some insane stickers he saw on a car and the lads debate the significance of the gay rainbow paw, Sweet Pete sends us some wine cans with awful labellingCome see Pierre at Soho Theatre in London from March 26th!https://sohotheatre.com/events/pierre-novellie-why-are-you-laughing/ Get bonus BudPod on Patreon! Hosted on Acast. See acast.com/privacy for more information.

Hmm, what to do this weekend in the 904/324? Lots of family fun options, starting downtown! The Savannah Bananas are in town for baseball hijinks! Make your own marshmallows at Sweet Pete's! The Jax Symphony presents Vivaldi's 4 Seasons! Blippi is live at the Florida Theatre! And wrap up Black History Month with this weekend's Melanin Market! In Nassau County, enjoy the classic cars at the Amelia Concours d'Elegance! And in SJC, The Beach Boys are back at the Amp! Wrap it all up with Brad Williams, he brings his huge comedy talent to The Florida Theatre Sunday evening!

Strap on your colorful feathers, this episode is Wild

This Monday on First Coast Connect, we rounded up our neighbors from Jacksonville's Beaches. They are everyday people who joined us to talk about what it's like to live and work in the Beaches.

The JMN crew sounds off about some of this weekend's events around the 904. Lots of fun things including Touch A Truck, a Comics & Collectibles event, lots of concerts including Jason Aldean or Matisyahu, ghost hunting at Sweet Pete's (what? It's Augtober!), and of course the Jags final preseason game is at home! See a complete list of events in our Weekend Spotlight writeup!

Welcome to our very first Confection Connection! In this alliterative episodes we will be trying the unique signature items from candy stores all around the world and telling you the history of each of the stores. For our first stop we are heading to Jacksonville, Florida to try Sweet Pete's Candy and trying their signature sea salt caramel along with a few others. You can check out their stuff at Sweetpetescandy.com

We cover a lot of ground in this one, talking natural phenomena, rouge AirBNB guests, and a new Texas law.

This week's episode was streamed live in Twitch through Sacramento's own STAB comedy theater. Watch the VOD here-->  https://www.twitch.tv/stabcomedy/video/1775473056On this episode: It's been 10 short years… time for another Lord of the Rings movie, and John Wick 4 is long as fuck. PLUS!!  A Kev-Man review of the new MCU movie, and an update on Raven's LandingIn news: Twitch, STAB Comedy, www.twitch.tv/stabcomedy , Listener Ryan, protein powder, Mountain Dew, bagels, chive cream cheese, Mighty Morphon Power Rangers: Once & Always, David Yost, Walter Jones, Amy Jo Johnson, Scream, Barbara Goodson, Toni Collette, Samara Weaving, Christian Bale, Wales, Jack Fitzpatrick, Tetris, Air, Michael Jordan, Ben Affleck, Adidas, Taron Egerton, Apple TV, Sweet Pete, Woody Allen, Wheel of Punishment, The Hollywood Persona, The Film Vault, The Film Vaulters, Mitch Burns, Da Hip Hop Witch, Joel, Binge Lord Dan, Binge Movies, XChange, Weirdsville, Alan Moyle, Amityville, Amityville Poo: The Killer Poo, Amityville Leprechaun, Winnie The Pooh, Eeyore, Amityville Gas Chamber, Amityville Uprising, Staying Alive, Saturday Night Fever, John Travolta, Pulp Fiction, Channing Tatum, John Cena, Ernest Scared Stupid, Still Alive, The Place Beyond the Pines, Derek Cianfrance, Hangover 2, Paul Thomas Anderson, Philip Seymour Hoffman, The Master, Viggo Mortensen, Maori, Hakka, J.K. Simmons, Miles Teller, Licorice Pizza, Timmy Wiseau, The Room, Big Shark, Cocaine Bear, Ghost Shark, Vampire Shark, Mech Shark vs Sharktopus, The Meg 2, Transporter, Homeless in America, Tim and Eric Awesome Show Good Job, The 1975, Terrance Malick, The NeighborhoodVisit the Indie GoGo for Joseph's new project: Raven's Landing https://www.indiegogo.com/projects/raven-s-landing#/ http://www.MCFCpodcast.comhttp://www.facebook.com/MCFCpodcasthttp://www.twitter.com/podcastMCFChttp://www.tiktok.com/middleclassfilmclasshttp://www.instagram.com/middleclassfilmclassEmail: MCFCpodcast@gmail.comLeave us a voicemail at (209) 730-6010Merch store - https://middle-class-film-class.creator-spring.com/ Join the Patreon:www.patreon.con/middleclassfilmclassPatrons:Javier  Listener Stephen: The Maple Syrup Don  Joel Shinneman  Linda McCalister  Heather Sachs  https://twitter.com/DorkOfAllDorks  Ryan  CorbinJason  https://www.forcefivepodcast.com/  Brendan BealChris GeigerJoseph Navarro    Pete Abeytaand Tyler Noe    Streaming Picks:Mighty Morphin Power Rangers (1995) - Youtube for freeVillains - Hoopla, KanopyThere's Someone Inside Your House - NetflixBrigsby Bear - HBO MaxMonkeybone - $4 rental on Prime or YouTubeSpace Sweepers - NetflixMen - ShowtimePitch Black - Netflix

We hope you're thirsty, because this week's guest is Julia Melucci of Monin. The global company creates flavorings for cocktails, mocktails, coffee drinks, milkshakes and more. Julia's official title is beverage innovation manager. But she describes herself as an Oompa-Loompa in Willy Wonka's chocolate factory.“I work in a sugar factory, and I play with sugar all day long,” says Julia, who works at Monin's U.S. headquarters in Clearwater. In this conversation, Julia explains how she combines data with her hospitality industry experience to determine which flavor will be the next big thing. (Monin's flavor of the year for 2023 is hot honey.) She also discusses her participation in the elite bartending group Chilled 100, offers advice for bartenders and shares tips for creating your own signature drink.Related episodes:Brewing Local Honey Mead at Green Bench Mead & CiderIn Praise of Punch: Justin Gray on Your New Favorite Summertime SipReal-Life Willy Wonka: Meet Peter Behringer of Sweet Pete's in Jacksonville

How do you go from working in news to becoming the production director at Sun Grove Church? Sweet Pete joins us to tell us how! He is the Program/Production Director there and has worked in the overall tech universe for many years now!In this episode you'll hear: 1:00 We play “crazy person” or celebrity sighting 7:45 We have “Sweet Pete!” 18:00 Getting his church tech director start 21:30 Doing the News vs. Church Tech Directing 31:10 Serving church tech volunteers well40:00 Sweet Pete's Dream jobs 43:00 God won't let Sweet Pete leave Sacramento CA50:45 Tech Takeaway on done vs. perfect and humility Plugs: Hangout with Pete on Instagram or reach out to him directly via email at p.wright@sungrove.org. Resources for your Church Tech MinistryDoes your church have used gear that you need to convert into new ministry dollars? We can make you an offer here. Do you need some production gear but lack the budget to buy new gear? You can get Certified Church Owned gear here.Connect with us: Follow us on FacebookHang out with us on InstagramSee all the ways we can serve your church on our WebsiteGet our best gear sent to your inbox each Monday before it goes public via the Early Service

If you can't stand the heat… then grab a glass of milk. We're spicing things up with Michele Northrup, better known as the Saucy Queen.Whether you love spicy food, or you feel your mouth burning when you hear a song by the Red Hot Chili Peppers, I think you'll enjoy today's conversation. Michele Northrup owns Intensity Academy hot sauce company and co-produces the annual I Like It Hot! Festival. This year's event takes place Sept. 10 and 11 at the Largo Event Center. I visited Michele at her home in Tampa's Northdale neighborhood to discuss her favorite ways to spice up a meal. She also also offered advice for introducing spicy foods to kids and for cooling down your mouth if things get a bit too intense. Speaking of intense, stick around for the taste test at the end of the episode. Thanks to Michele's husband, Atlas Cortecero, for assisting with that.Related episodes:“Burger Beast” Sef Gonzalez on Florida's Best HamburgersReal-Life Willy Wonka: Meet Peter Behringer of Sweet Pete's in JacksonvilleCome Fry With Me: Florida State Fair Funnel Cake Queen “Mama Jane” Harris

If you can't stand the heat… then grab a glass of milk. We're spicing things up with Michele Northrup, better known as the Saucy Queen.Whether you love spicy food, or you feel your mouth burning when you hear a song by the Red Hot Chili Peppers, I think you'll enjoy today's conversation. Michele Northrup owns Intensity Academy hot sauce company and co-produces the annual I Like It Hot! Festival. This year's event takes place Sept. 10 and 11 at the Largo Event Center. I visited Michele at her home in Tampa's Northdale neighborhood to discuss her favorite ways to spice up a meal. She also also offered advice for introducing spicy foods to kids and for cooling down your mouth if things get a bit too intense. Speaking of intense, stick around for the taste test at the end of the episode. Thanks to Michele's husband, Atlas Cortecero, for assisting with that.Related episodes:“Burger Beast” Sef Gonzalez on Florida's Best HamburgersReal-Life Willy Wonka: Meet Peter Behringer of Sweet Pete's in JacksonvilleCome Fry With Me: Florida State Fair Funnel Cake Queen “Mama Jane” Harris

Rocky reminisces about getting alcohol poisoning in Mexico. Plus, video surveys are the future, girl code and "the look", and Sweet Pete is single and branded! Comedian Florence Friebe joins The Party God Squad! The two talk going down under, ego deaths, and doing comedy in NYC. Come for the comedy, leave with some lessons!

On this episode of the podcast, Sweet Pete shares his heart for church production and motivations for a healthy lifestyle. Today's thought: What are ways that we can improve our lifestyle from a mental health, physical health, and spiritual health perspective? Take a listen to hear Sweet Pete talks about his time participating in the MXU 75 day challenge. Guest Link: https://www.instagram.com/sweetpete.w/ Follow me: https://linktr.ee/drew_hester

Love talking to small bike shop owners, especially in Canada. Peter Lily of Sweet Pete's Bike Shops in Toronto has a great story and so great personal goals. Have you been to Sweet Pete's?

This episode Steve picked a set of songs about places that he does not want to live.  However, due to a case of the COVIDs, Steve was unable to be in the studio with Drew at the time the show was recorded.  Artists this week: Gang Of Youths, Ryan Adams, Wet leg, Sex Pistols, Gum Country, Go Betty Go, Adam Ant, Sweet Pete with Jonathan Toubin, Aimee Mann, Pale Lips, Blondie, Carolina Liar, Yello, Joe Jackson, INXS and Stiffed. On the Air on Bedford 105.1 FM Radio      * 5pm Friday *      * 10am Sunday *      * 8pm Monday * Stream live at http://209.95.50.189:8178/stream Stream on-demand most recent episodes at https://wbnh1051.podbean.com/category/suburban-underground/ Twitter: @SUBedford1051 Facebook: SuburbanUndergroundRadio Instagram: SuburbanUnderground And available on demand on your favorite podcast app!  

We had Marvin Ellis on the show so you know the episode was lit. Marvin and Erick talked about Zack kissing dudes and being called gay. Erick's friend Kenny was thinking he was gay because of a rumor that was started. Did Zack have to pee a lot on a date? Because Marvin think Zack's bladder is smaller than the America's middle class. The lady Erick is dating is fine with how tail he is and couldn't find love on dating apps in the past. The Rescue Rangers movie got some heat from Sweet Pete. Marvin is done watching Season 3 of Atlanta and one episode you don't know if a guy is black. You're going to love this one because Marvin is always a treat.   Music: Deadly Six Goin Hammer   Links: 2519 Soul Food and More Erick Feiling IG Zack Stack IG Comedian Erick Feiling

Join Will, Tiffany and Mike as we take the clues and find the ways and whys and who's. Because we're getting together for a special Flashquack to talk about the cameo crazy Chip and Dale Rescue Rangers Disney+ movie. What did we think of it? What were our favorite references and cameos? Is this a worthy Roger Rabbit successor? Is the Sweet Pete controversy valid? And what about Darkwing? So whether you liked the movie or you didn't give us a listen because whatever's wrong will get solved! Links- https://linktr.ee/StCanardFiles DW #ChipNDale #RescueRangers #DarkwingDuck This podcast is powered by Pinecast.

Today's episode includes: Chip ‘n Dale: Rescue Rangers (2022) receives backlash for the similarities between Sweet Pete and Peter Pan (1953) star Bobby Driscoll Marvel Studios signs deal to use Stan Lee's likeness in their movies, series and more Disney+ released the 2nd trailer of Baymax! Scooby-Doo will have an adult animated series with Velma and a preschool show called Scooby-Doo! and the Mystery Pups YouTube will allow viewers to skip to the “most replayed” part of videos

Paulie's sister pranks Pete Mardukis, Long Loins reflects on a friend. Later, Paulie is all about the Boston Celtics.

If you're gonna do an episode about Valentine's Day chocolates in Florida , then there's just one man for the job—and not because his last name happens to be Love. Norman Love is the founder of Norman Love Confections, a Fort Myers-based candy company that specializes in chocolates that look as good as they taste. I chatted with Norman about how to choose chocolates for that special someone, somebody you barely know at all or just to treat yo'self. Norman also discussed how he got into the dessert biz and the challenges of running a chocolate company in hot, humid Florida.Related episodes:Real-Life Willy Wonka: Meet Peter Behringer of Sweet Pete's in JacksonvilleIt's Easy Being Green at Kermit's Key West Key Lime ShoppeCome Fry With Me: Florida State Fair Funnel Cake Queen “Mama Jane” HarrisHow to Photograph Food Like a Pro

If you're gonna do an episode about Valentine's Day chocolates in Florida , then there's just one man for the job—and not because his last name happens to be Love. Norman Love is the founder of Norman Love Confections, a Fort Myers-based candy company that specializes in chocolates that look as good as they taste. I chatted with Norman about how to choose chocolates for that special someone, somebody you barely know at all or just to treat yo'self. Norman also discussed how he got into the dessert biz and the challenges of running a chocolate company in hot, humid Florida.Related episodes:Real-Life Willy Wonka: Meet Peter Behringer of Sweet Pete's in JacksonvilleIt's Easy Being Green at Kermit's Key West Key Lime ShoppeCome Fry With Me: Florida State Fair Funnel Cake Queen “Mama Jane” HarrisHow to Photograph Food Like a Pro

Ron has an interesting conversation with Sam Shelley who was run over at age 6  by a van and suffered most of his life with multiple disabilities such as MS, head trauma, autoimmune diseases.  Sam tells us how he found his "perfect spirit" and  made a full recovery and now is no longer disabled  and no longer needs medicine. Sam  explains "mindset mentoring" and the concept of "headtrash".  Well worth the listen!! https://itsawrapwithrap.com https://headtrashanonymous.org #HC Universal Network Sponsor:  Sweet Pete's Candy Shop-Jacksonville, Florida                 www.sweetpetescandy.com    

The Florida State Fair will look a little different this year, due to the pandemic. But one thing remains the same: The food will be as over-the-top as ever. As usual, serving up your deep-fried favorites will be Jane Harris, better known as Mama Jane. She's worked with The Best Around Concessions for more than 35 years. The Cape Coral-based company is owned by the McGrath family, and they have trailers selling everything from turkey legs to corn on the cob. But it's Jane, who manages the funnel cake trailer, who's become a media darling and fried dough virtuoso. Jane lives in Pensacola and travels to fairs across the U.S. and Canada about eight months out of the year. I spoke to Jane as she revved up to hit the Florida State Fair in Tampa. It kicks off today and runs through May 2. In our conversation, Mama Jane shares how to recreate fair food at home, she offers an approximate timeline for when some of your favorite fair foods were likely invented, and we'll brainstorm names for her latest fried creation.Hungry for more? Check out these conversations that celebrate guilty pleasures:“Burger Beast” Sef Gonzalez on Florida's Best HamburgersReal-Life Willy Wonka: Meet Peter Behringer of Sweet Pete's in Jacksonville

The Florida State Fair will look a little different this year, due to the pandemic. But one thing remains the same: The food will be as over-the-top as ever. As usual, serving up your deep-fried favorites will be Jane Harris, better known as Mama Jane. She's worked with The Best Around Concessions for more than 35 years. The Cape Coral-based company is owned by the McGrath family, and they have trailers selling everything from turkey legs to corn on the cob. But it's Jane, who manages the funnel cake trailer, who's become a media darling and fried dough virtuoso. Jane lives in Pensacola and travels to fairs across the U.S. and Canada about eight months out of the year. I spoke to Jane as she revved up to hit the Florida State Fair in Tampa. It kicks off today and runs through May 2. In our conversation, Mama Jane shares how to recreate fair food at home, she offers an approximate timeline for when some of your favorite fair foods were likely invented, and we'll brainstorm names for her latest fried creation.Hungry for more? Check out these conversations that celebrate guilty pleasures:“Burger Beast” Sef Gonzalez on Florida's Best HamburgersReal-Life Willy Wonka: Meet Peter Behringer of Sweet Pete's in Jacksonville

On this week's Stack podcast: The Joker #1 DC Comics Written by James Tynion IV, Sam Johns Art by Guillem March, Mirka Andolfo Children of the Atom #1 Marvel Written by Vita Ayala Art by Bernard Chang Karmen #1 Image Comics By Guillem March Wonder Woman #770 DC Comics Written by Michael W. Conrad and Becky Cloonan, Jordie Bellaire Art by Travis Moore, Paulina Ganucheau Non-Stop Spider-Man #1 Marvel Written by Joe Kelly Art by Chris Bachalo Proctor Valley Road #1 BOOM! Studios Written by Grant Morrison & Alex Child Art by Naomi Franquiz American Vampire 1976 #6 DC Comics Written by Scott Snyder Art by Rafael Albuquerque Deadpool Nerdy Thirty #1 Marvel Written by Joe Kelly, Skottie Young, Kelly Thompson, Fabian Nicieza, Gail Simone, Daniel Way, Gerry Duggan & Brian Poeshn, Rob Liefeld & Chad Bowers Art by Cerardo Sandoval, Aaron Conley, Kevin Libranda with Bob Quinn, Patch Zircher, Michael Shelfer, Paco Medina, Scott Koblish, Rob Liefeld Home Sick Pilots #4 Image Comics Written by Dan Watters Art by Caspar Wijngaard Rorschach #6 DC Comics Written by Tom King Art by Jorge Fornés Thor & Loki: Double Trouble #1 Marvel Written by Mariko Tamaki Art by Gurihiru Black Hammer Visions #2 Dark Horse Comics Written by Geoff Johns Art by Scott Kolins Superman #29 DC Comics Written by Phillip Kennedy Johnson, Sean Lewis Art by Phil Hester, Sami Basri Eternals #3 Marvel Written by Kieron Gillen Art by Esad Ribić Birthright #47 Image Comics Written by Joshua Williamson Art by Andrei Bressan Luna #2 BOOM! Studios By Maria Llovet Sweet Tooth: The Return #5 DC Comics By Jeff Lemire The Immortal Hulk #44 Marvel Written by Al Ewing Art by Joe Bennett Specter Inspectors #2 Boom! Box By Bowen McCurdy and Kaitlyn Musto The Amazing Spider-Man #61 Marvel Written by Nick Spencer Art by Patrick Gleason The Last Witch #3 BOOM! Box Written by Conor McCreery Illustrated by V.V. Glass SUBSCRIBE ON RSS, ITUNES, ANDROID, SPOTIFY, STITCHER OR THE APP OF YOUR CHOICE. FOLLOW US ON TWITTER, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON. Full Episode Transcript: Alex:                 Hey. What's up, everybody. Welcome to The Stack. I'm Alex. Justin:              I'm Justin. Pete:                I'm Pete. Alex:                 On The Stack, we talk about a bunch of books that have come out this week, and let's kick it off with the clown prince of crime himself, The Joker #1 from DC Comics, written by James Tynion IV and Sam Johns, art by Guillem March and Mirka Andolfo. This is the first time ever the Joker has an ongoing series. So of course, it's mostly about Commissioner Gordon. I mean, this is reliably good. It's James Tynion, Guillem March. His art is gorgeous, as usually, even with the swerve here that it mostly is not about the Joker. It's still a really good story. I liked it quite a bit. What'd you guys think? Pete:                Yeah. I was really impressed. I thought it was very interesting because it's like “Okay. Joker #1. What are we going to get here?” and I was really impressed with the choices that they made with this comic. Also, we're still getting this kind of Punchline kind of backup story in this, which is great, and it's going to be really interesting to see how this Punchline thing unfolds, but yeah. As far as Joker #1, I thought they did an amazing job of getting you excited for this big kind of arc that they're telling. I think, as far as this first issue is concerned, it does its job really well. I am very excited for more. Justin:              Yeah. I really like this version of Commissioner Gordon, or ex-Commissioner Gordon. We get to see a nice flashback of when he was in the Chicago PD before he got busted down to Gotham, and it reminded me a lot of Scott Snyder's Detective Comics run, sort of where he was plucked from that. Pete:                Oh, yeah. With Jock. Jock was doing the art. Yeah. Justin:              Yeah. He was plucked, and Francavilla, Frencesco Francavilla, was doing the art on that for a little bit as well when he was dealing with his son and being suspicious of him becoming a murderer. Pete:                Yeah. That whole restaurant scene was just so- Justin:              A hundred percent. Pete:                Yeah. Justin:              In this, we get a little … There's some reflections of that here in the story as well, and it's just a great story, and I really like the idea that it's not a story where we have to watch the Joker being a crazy person the whole time. It's this sort of- Pete:                Or there's three or four Jokers or … You know what I mean? Justin:              Yes. This sort of detective story where we're following Commissioner Gordon make some hard choices that I'm curious to see how plays out. Alex:                 It's good storytelling across the board. If you were hesitant at all, definitely pick it up. Next up, Children of the Atom #1 from Marvel, written by Vita Ayala, art by Bernard Chang. This is an interesting take on what's currently going on with X-Men to show us several characters that seemingly have decided not to go to Krakoa and instead be regular teenagers in high school while fighting crime as mutants. There's, of course, a little bit of a twist there, but what did you think about this first issue? Justin:              I'm curious what Pete thinks of it, because we get to see perhaps a Cyclops that he can really get on board with. Pete:                Yeah. It was an issue of a comic book. Had some X-Men in it, which is great. Justin:              True. Pete:                There's some fighting. Yeah. I liked a couple of the characters. Art was really good. Justin:              Interesting. Not sort of a non-take there, really. I like this story a lot, especially in the larger context of the X-Men universe right now. This feels like a simple, standalone series where we're going to follow these characters and whatever is up with them. They feel like sort of mutant wannabes, almost, trying to find their place by replicating the original X-Men in a fun way. It's drawn really nicely. It was cool. Great reveal at the end. Alex:                 Yeah. I like the fact that we're getting to see outside of Krakoa and what's going on there, because this is a part of the world that we need to find out more about of and their reaction to things. So I am curious, given the twist at the end in particular, where this is going to go, but Vita Ayala is always reliable as a writer, but Chang's art is good. These characters are interesting. I'm excited to read the second issue. Alex:                 Next up, Karmen #1 from Image Comics by and art by Guillem March. This is a very different take on an angel dressed in sort of a skeleton thing straight out of Karate Kid, right, Pete? You know what I'm talking about. Pete:                I do know what you're referencing, but I feel like this costume is a little bit more elaborate than that one. Alex:                 Slightly more elaborate because it actually is her skeleton, but she is visiting with somebody who … They don't come out and say it, but has recently died or is about to die and takes her around as a ghost to sort of show her the world. It's not quite clear to me what this book is going to be about going forward yet at this point. There's a tease of something a little bit more at the end here, but it's always a pleasure to see Guillem March's art. Justin:              Great art, and this feels like something that is like a labor of love, like something that the amount of time and focus put into this book is just palpable. It's beautiful, and it's sort of haunting in the way the story unfolds. I thought this was great, and yeah. Love the art. Pete:                Yeah. It's very sad and very powerful, and yeah. I mean, it's kind of a twisted tale about something that is just … Whoa. Everybody okay? I thought that was a fire alarm going off there. Alex:                 It's all right. Justin:              No. I didn't hear anything. Alex:                 I mean, I will say, to that point, not to interrupt you, Pete, but I do want to mention for anybody interested in picking this up, trigger warning for suicide in this book, potentially. They don't come out and say it, but it's pretty clear what's going on there. Also, there is a fair amount of nudity. So this is not a book that should go necessarily handing to kids, but go ahead, Pete, if there was anything else you wanted to say. Pete:                Yeah. It's kind of a dark tale, but they're kind of putting a bright kind of light on it. So I'm very interested to see how this all unfolds and what the point of this is, because it's a little fucked up, but yeah. I mean, it's not something you can read in the subway or something. You have to read this by yourself somewhere, but it does a great job of grabbing the reader's attention, and I'm curious to see kind of how it all unfolds. Alex:                 Pete, did you take this one to your reading hole? Pete:                Yeah. Yeah. Alex:                 Me too. Yeah. I got in my hole, just crawled up, and read that book so nobody could see me. Justin:              I made a reservation in Pete's reading hole, and I still haven't really got my arrival date. Alex:                 Oh, you got to try the cheese puffs there. They are to die for. Justin:              So good. Alex:                 Wonder Woman #770 from DC Comics, written by Michael W. Conrad and Becky Cloonan and Jordie Bellaire, art by Travis Moore and Paulina Ganucheau or Ganucheau. Excuse me. We talked about this a little bit on the live show. This is coming out of the Future State stuff. So Wonder Woman had this new status quo where she pulled herself back from being sort of a guardian of the universe type thing but instead has found herself in Valhalla in the Norse afterlife fighting the same fights over and over again. That's the front story. The back story is showing us young Wonder Woman. I thought this was phenomenal. Justin:              This was one of my favorite books of the week. Really great. I was really curious, reading all the stuff coming out of Future State, where Wonder Woman was going to land. It felt like it was going to be just not a fun place, she was going to be doing something different, and this was such a breath of fresh air. Diana sort of doesn't know what Wonder Woman is. She doesn't have her powers. She's just being a warrior in its purest form. There's a mystery unfolding behind the scenes. There's some romance here, perhaps. Really just a great story top to bottom. Really caught me off guard. Alex:                 Pete, you were very patiently raising your hand. What's going on? Pete:                All right. So I'm a huge fan of Wonder Woman, but it was weird. I know there's a lot of different kind of mythology, historical and non-historical, wrapped up with Wonder Woman. So it was like I was like “Asgard? Wonder Woman? Why am I fighting this in my brain?” It's this weird Valhalla. I know it should be okay, but to me, it's like I associate it so hard with Marvel that it was hard for me to be like “Yeah. This is cool. Wonder Woman's walking around Marvel right now. This is totally fine. There's nothing wrong with this.” Alex:                 Yeah. I get what you're saying, but it's definitely a very different take than Thor stuff over in Marvel, certainly. I agree with you. It is nearly impossible for comic books to divorce Norse mythology from Thor and the Thor comics books and Loki and et cetera, but those existed beforehand. They definitely time immemorial, and this feels like a more mythological take on Norse mythology than exactly what's going on, usually at least, in Marvel comics. So I got over it by the end, but I was definitely there with you at the beginning with it, Pete. Justin:              Thor was a different dude. He had a red beard. So that's totally different. Pete:                Sure. Sure. Sure. Yeah. Yeah, but that aside, I really thought this was a great start for this new team. I feel like this is really cool. I also really liked the backup. I thought that was fun. I'm excited for this. Alex:                 Well, let's move on to one that you're very excited for as well, Pete, Non-Stop Spider-Man #1 from Marvel, written by Joe Kelly and art by Chris Bachalo. Pete:                Come on. Alex:                 Of course, this is taking Spider-Man and putting him in the position of Alexander Hamilton in the musical Hamilton, because he is going non-stop. Pete:                Don't ruin this for me, you fucking piece of shit. Justin:              My favorite song from Hamilton is Non-Stop. Alex:                 Really? Justin:              Yeah. Alex:                 Oh, interesting. Pete, you love this book. This is the fast and the furious of Spider-Man books. It's sort of the total opposite of what's going on in Amazing Spider-Man. No real soap opera going on here, just complete balls-to-the-wall action with brief interludes to give you backstory about what's going on. Talk about what you liked about this book. Justin:              Even those interludes are happening pretty fast. This is a smash opera, which is Pete's medium of choice. Pete:                Yeah. I love this. There's no time wasted. It's all non-stop. It's all happening. During a fight scene, which is such a great idea, don't waste time like “Oh, let's go to a coffee shop and fucking talk about our feelings.” No. It's all action. It is just non-stop. I loved it. The art alone is worth picking this up. Unbelievable. Just so fun how Spider-Man's falling but counting the stories by having this inner monologue. I needed this Spider-Man, because Nick Spencer's fucking killing me on that other Spider-Man book, and I just needed a light, fun Spider-Man Spider-Man book that isn't doing a bunch of weird shit. So I really needed this book, and the art is just so good, and I love the pace of it. I love the action. Every single page was glorious, and then the backup story with not your mom's Zemo here. This is a new Zemo here that's just has a lot of sass, got some backtalk, really owning the fact that he's rocking a purple mask in a fun way, and it's all about that drip. Justin:              He does love that drip. Yeah. I first opened this book, and I was like “Surely there's going to be a couple stops in here.” None. Pete:                No. Why do you need stops? What do you need stops for? It's an express train. Justin:              It's an express train. Pete:                You go on the local if you want some fucking stops and look around. Justin:              Pete, what did you think of the backmatter where the editor, Nick Lowe, talks about how, in every single page, he's getting his relationship with Mary Jane annulled. Pete:                That's not true. Justin:              That's how non-stop it is. Pete:                That's not true. Alex:                 Non-stop annulments. Yeah. Pete:                That's not true. it's not true at all. Alex:                 This is the perfect team- Justin:              It is true. Re-read it. Alex:                 I would say this is the perfect team for this book. Joe Kelly, great at this sort of thing. Chris Bachalo, great at this sort of thing. This is fun. Like you're saying, Pete, this is the opposite of what's going on in Amazing Spider-Man, and it's a nice little treat after reading that. Pete:                It is a nice treat. Come on. Justin:              Yeah. No. I really enjoyed it. Chris Bachalo's art's great. It's great to see him on a book like Spider-Man where you get to see- Pete:                It's phenomenal. Justin:              There's so much going on. The panels are crooked. When I got to the end, I was like “This surely can't be the end,” and there's a whole other story. So the stops kept not stopping, you know? Pete:                Yeah. Exactly. Never stop stopping. What'd you guys think of the backup? Justin:              Fun. Alex:                 The Baron Zemo backup? Pete:                Yeah. Alex:                 I love Zemo. I don't know what it is. I just love that guy. Pete:                Yeah. I didn't know you were such a Zemo head. Alex:                 I love Zemo. Pete:                But this- Alex:                 I can't explain it. Pete:                How do you- Alex:                 No. Actually, I can explain it. It's because Under Siege, Avengers: Under Siege, is probably my favorite Avengers storyline. I was like “Yo. I'm sold on this guy. This guy-“ Justin:              Avengers: Under Siege is your favorite Avengers story? Alex:                 Absolutely. Justin:              Wow. Pete:                Wow. Justin:              There it is. Pete:                How do you feel- Justin:              You love a real loose mask, huh? Pete:                How do you feel about this updated Zemo a little bit? He's got a little sass. Justin:              You keep pushing his sass. Pete:                Well, it's just I haven't seen the Zemo, and Zalben's a Zemo head. So I'm wondering if he's like “This is my Zemo,” or like he feels cool with it. Alex:                 No. It's straight out- Justin:              Pete, have you- Alex:                 If anything, it's old Zemo. He's got the loose mask back again instead of the tight mask. Pete:                Sure. Yeah. Alex:                 His neck's getting some air. Pete:                Right, but I mean, the way he's talking is not how Zemo normally talks. Alex:                 It's fine. Justin:              Pete, this story focuses on a drug called A Plus. Have you been taking some of it? Because you seem hyped. You're non-stop right now. Pete:                Dude, I am non-stop, and I needed a book like this to get me hyped. Alex:                 Let's move on then and talk about Proctor Valley Road #1 from BOOM! Studios, written by- Pete:                Oh, boy. Alex:                 … Grant Morrison and Alex Child, art by- Pete:                What? Alex:                 … Naomi Franquiz. What? Pete:                I kept the whole time reading this being like “I can't believe this is written by Grant Morrison. It looks like such a nice, wholesome book, and I can't believe Grant Morrison is doing this shit.” Alex:                 Yeah, and then you got to the end, right? Pete:                Oh, yeah. I did. Alex:                 So this is about a bunch of kids who hear a legend about a place called Proctor Valley Road, where a bunch of people seemed to die. Like Pete's saying, it starts relatively like just regular teen fun movie for three quarters of the book, and then things get messed up by the end in a really big way, spinning out into some mythology. It doesn't feel like a Grant Morrison book at all, I would say- Pete:                It doesn't. Alex:                 … but Justin, what did you think about this one? Pete:                It's easy to follow. You can understand. It's impressive. Justin:              Well, I think the biggest difference why it doesn't feel very Grant Morrison is the art. The choice of the artist, Naomi Franquiz, is very different, feels very not Grant Morrison, but I think it sort of plays against type a little bit in a good way, because the horror comes at you in such a different way by the end. I feel like you get in the heads of the characters very quickly, and they're all fun, likable, smart characters. Has sort of Scooby Doo vibe with the collection and the era of characters here. Alex:                 Now, I don't want to jump on you too much, but the artist's name is actually Franquiz, and that's a great segue to start up my Fran quiz. First question. Who played the nanny on the hit TV show The Nanny? Pete:                Fran Drescher. Alex:                 Correct. That was the whole quiz. I can't think of another Fran. I'm sorry. Justin:              Oh, that's good. Most famous Frans are Fran Drescher. Pete:                I do want to talk about that podcast we were on, at some point. That was kind of crazy. Alex:                 Let's just skip by that and instead talk about American Vampire 1976 #6 from DC Comics, written by Scott Snyder, art by Rafael Albuquerque. Here- Pete:                The Querque. Alex:                 … shit is going down, and we're heading towards, I would say, the endgame of American Vampire at this point as our heroes finally close in on the thing that's going to let them beat the Tongue, the demonic entity that's trying to take over the Earth, and things go horrifically wrong. I like this issue. I also like every issue of this book. Pete:                Holy twists and turns, Batman. This is some shit. Justin:              Holy twisted tongue. The Tongue always wins. Can't beat the Tongue. Pete:                Yeah. Wow. Yeah. This was very impressive. Alex:                 That's what I always say to my wife. Pete:                Oh, my god. Don't be creepy, you fuck. Yeah. American Vampire just continues to impress. You think like “Okay. I got a handle on what's going on.” Nope. No. You do not. Yeah. I think this is a really solid, great issue. The Querque is just killing it on the art. It's a lot of fun and really crazy and over the top. Justin:              Really making that nickname work. What is so great about this book and a lot of Scott Snyder's stuff is he always had another gear. This series, there's such a big cast. It's like “Oh, right. These are all … I remember how all these characters work together,” and in this issue and throughout this series, they've been in an ever-worsening situation, and in this issue, the situation somehow gets much worse, and he focuses the cast down to the characters we care the most about and the twists and turns that happen there. He's masterful at timing the big story moves, and this is another great example of that. Pete:                That guy's a great writer. Alex:                 Good stuff. Deadpool Nerdy 30 #1 from Marvel, written by Joe Kelly, Skottie Young, Kelly Thompson, Fabian Nicieza, Gail Simone, Daniel Way, Gerry Duggan, and Brian Posehn, Rob Liefeld, and Chad Bowers, art by Gerardo Sandoval, Aaron Conley, Kevin Libranda, with Bob Quinn, Patch Zircher, Michael Shelfer, Paco Medina, Scott Koblish, and Rob Liefeld. Basically, anybody that you can imagine having something to do with Deadpool over the years was pretty much involved in this. This was a bunch of short stories all set on different birthdays that Deadpool is happening. We'll turn it over to Pete, our Deadpool expert. Pete:                Yeah. This is nice. This is just a who's who that's put their fingerprints on Deadpool coming back to tell some fun stories, and that's exactly what it is. You've got everything from Rob Liefeld making fun of pouches to just insane party birthday things. Yeah. It's crazy. It's Deadpool. It's over the top. It's fun. It's also like the art styles are very different for all these different stories. There's a lot of really funny stories in this, a lot of funny ideas. Yeah. The No Chill story was really fun. Yeah. I believe Deadpool would hide guns in different ice cream shops all over the country. Why not? Yeah. It's a ton of fun. It's a lot of great art, and it's one of those collected stories that I think is worth it. Justin:              I've been celebrating Deadpool's birthday every year. So the fact that he's hit 30 is just a real boon. I'm cutting loose like crazy over here. I thought this was fun as well. I want to give it up for the Skottie Young story, Baby's First Cable, which is very fun. Kelly Thompson's Best There Is was really, really good, and the Fabian Nicieza story, I thought, was very good as well. Alex:                 That's the one that I wanted to call out in particular. The thing that I really liked about this book is it's very easy to do a bunch of goofs with Deadpool, but Fabian went for something much serious and much darker, and I think people forget that Deadpool stories can get really dark sometimes. Pete:                Oh, yeah. Justin:              Yeah. Alex:                 So that was great. I was very trepidatious going into this, because I don't usually love collections. They feel like a mixed bag, but they got the right creators working on it, and this is good. If you're a fan of Deadpool at any point in his history, I think this is kind of a must-pick-up. Pete:                Yeah. Alex:                 Next up, Home Sick Pilots #4 from Image Comics, written by Dan Waters, art by Caspar Wijngaard. This is so good. This book is so good. Pick up this book. Justin:              It's so much better than it has any right to be, out of the gate just coming out hot with this story about some teens who are in a band, the Home Sick Pilots. They go into a haunted house. One of them becomes this ghost gatherer of these haunted objects, and this is sort of the all fight issue where things are coming to a head. It's so much action. It's beautifully drawn. The premise is so strong, and it has this sort of intense loneliness about it as well that I really like. Pete:                Yeah. I mean, if you would have tried to explain this story to me, I'd be like “You're out of your gourd. This doesn't sound good,” but it is so well done, so creative, so different. The art, the storytelling, the paneling … It all works so well. This is such a crazy unique story, and some really unique characters. Yeah. I just continue to be impressed. This is one of those ones where you get it and you're like “Man, I hope it's going to be as good as the last issue,” and it fucking delivers. Alex:                 I think a lot of it has to do with Caspar Wijngaard's art, honestly, where the character designs are so unique. We talked about this in the last issue, but there's a VHS something ghost, zombie, I don't know, monster. I don't know exactly what's going on, but it's so terrifyingly and beautifully drawn. One of the main ghost is this horseshoe ghost, has a horseshoe head. Again, absolutely terrifying. We find out more about the mythology here. There seems to be an outside group that kind of has maybe ghosts trapped in TVs that are strapped to their chests that are tracking down ghosts. So there's so much going on in this book, but it- Pete:                Then the haunted house double-page spread thing was fucking insane. Alex:                 Beautiful. The fact that everything is very distinct in terms of the look, in terms of the coloring of the book … Fantastic. Pick up this book. I cannot wait for the next issue. Next up, Rorschach- Justin:              Don't trust VHS tapes. Switch to Betamax. Alex:                 I only use LaserDisc, personally. Pete:                Oh, wow. Alex:                 Rorschach #6 from DC Comics, written by Tom King, art by Jorge Fornés. In this issue, we're continuing to work our way back through the history of our cowboy character, who was killed back in the first issue. Here, we find out how she met the Jack Kirby-esque artist who later went on to don the mask of Rorschach. This is good. I was not quite sure about it going in or what was going on, but like we talked about with the last issue, I think that really started to indicate where the story is going and sell me on it. I like this quite a bit. Pete:                Yeah. I was a little worried this was going to be like that Eminem song, like “Dear Stan, my biggest fan.” So I'm glad that she didn't kill herself in those letters or whatever, but man, this was a really great idea and well pulled off. I have no idea what's going on in this Rorschach book, but I've been really impressed with all the different issues, and it's the classic King thing where he's like “Oh, yeah. I'm just going to give you just enough information to pick up the next issue.” That guy is a master. Alex:                 Pete, it's interesting you brought that up, because you know Tom King wrote the Eminem/Punisher crossover that was in XXL. Pete:                Oh, I know. It's a fucking great issue, man. Alex:                 He didn't write that, but … Justin:              Wow. Pete took that bait very quickly. Pete:                Yeah, but it is a great issue regardless of who wrote it. Alex:                 Is it? Pete:                It was Eminem who wrote it. Justin:              I like this issue of Rorschach a lot. I feel like Tom King is trying to say something about American with this book in a really smart, subtle way, almost as if to say … Here's what I think he's picking apart. In the original Watchmen book, it was all about how bringing the world together via the squid monster was a necessary thing to prevent everyone from world war from killing all human, if you were to believe that plan, and this is about how society is drifting apart and what sort of in a very personal in these personal stories, and we get to sort of see that happen in this story following these two characters who are corresponding via letter, and then we're hearing the presidential debate underneath it all, between Robert Redford and the conservative candidate, and it's just really good. I am always excited to see what the next big idea he's getting to is. Pete:                I'm not sick of this Robert Redford bit. This is fun. Justin:              Not a bit. Alex:                 Not a bit. It's real. It's happening. Thor and Loki: Double Trouble #1 from Marvel, written by Mariko Tamaki, art by Gurihiru. This is an all-ages title showing Thor and Loki as teens? 20? Pete:                Double trouble. Alex:                 Something like that, and just- Justin:              Something. Alex:                 … playing some tricks on each other and having a good time. I know I'm a sucker for this sort of thing, but what did you guys think of this book? Justin:              It's fun. It's fun to see, I mean, the inherent dynamic between Thor and Loki where it's like “Oh, you can't trust Loki,” but Thor always does because Thor's a sucker for Loki. This feels the most natural of that, where they're young, they're sort of daring each other, and it goes instantly and horribly wrong in a fun, all-ages way. Pete:                Yeah. I thought this was cute and well done in all the right ways. Even though it's an all-ages, it's still a very enjoyable book to read. It's kind of fun to see them depicted this way and the kind of team-ups and mischief they get into. Yeah. It was a good book. Alex:                 Next up, from all ages to no ages, Black Hammer: Visions #2 from Dark Horse Comics, written by Geoff Johns, art by Scott Kolins. This is very exciting to me, personally. I don't want to speak for you guys or the world at large, but to see Geoff Johns and Scott Kolins, the team for The Flash and many other things, collaborating on a very hardcore horror book that's set in the Black Hammer universe, I thought, was very neat. I was a little worried about it. I wasn't sure how it would play out, but I thought it was horrifying and well written, and I liked the little twist there. It felt like a Tales from the Crypt episode. I was very happy with how this book turned out. What did you guys think? Justin:              Yeah. It felt like just classic, classic comics, comic horror with a lot of great execution. We don't know who the bad guy is right out of the gate, and then it's like “Oh, this is bad. Oh, maybe everything's bad.” It feels like we end in a place where it's just “Oh, this is just awful across the board for everyone,” which is very true to classic horror comics, I think, in a good way. Love the art. This series is so good. Next up, in April we get Chip Zdarsky and Johnnie Christmas teaming up. This has been one of my favorite anthology series to pick up. Pete:                Yeah. It was creepy in ways that I wasn't ready for a little bit. It was just like this white dude who has got a POC in the back and gets pulled over by the comics and then is like “Hey. I'm white. So you don't fucking question me,” or whatever. So it just sucked that so far we haven't got any … The poor kid gets really completely fucked over and then turned into something monstrous. I hope that there is a kind of redemption arc for that character a little bit, but yeah. The team and art is unbelievable. Alex:                 All right. Fair enough. Next up, Superman #29 from DC Comics, written by Phillip Kennedy Johnson and Sean Lewis, art by Phil Hester and Sami Basri. This is the new era for Superman that Phillip Kennedy Johnson on our live show a couple of weeks back. So it's exciting to finally see it come to fruition. Here, we are finding out about Superman fighting an enemy that he can't quite beat, or at least can hurt him in a certain way, and we find out from his son that this enemy might in fact kill him, which is, I would say, a big deal for comic books. What'd you think about this issue? Pete:                Yeah. I mean- Justin:              Has the death of Superman ever been a big deal for comics at any point? Alex:                 I don't remember it in my lifetime. Pete:                Yeah. I think that there's some real touching father-son shit going on here, and that Amanda Waller, man. She's up to something. Somebody should be watching her or paying a little bit more close attention, because- Justin:              Wow. Strong viewpoint, Pete. Pete:                Then there was a weird kind of backup where I was like “This just looks like The Goon,” but yeah. Alex:                 I don't know. That was Bibbo, right? Pete:                Yeah. Yeah. Justin:              Bibbo. Alex:                 Bibbo. Yeah. That was Sean Lewis writing about Bibbo. He's writing this backup story about the other folks that live in Metropolis while the Superman stuff is going on. We get a little Jimmy Olsen. We get a little Bibbo. We got some weird villains. I thought that was fun. Justin, what did you think about this book? Justin:              I really like Phil Hester's art. Phil Hester Green Arrow was a book he sort of was on for a long time, and I feel like his style really fits here in the DC universe to me for whatever reason, and I feel like this is … The Johnson Superman era has begun. I've really been liking the work he's done on Superman, and this takes the continuity of Superman and his son sort of both being Superman at the same time and adds this sense of dread over top of it in a way that I thought was just really good, really smart. Alex:                 It- Pete:                Also, it was really impressive how cool Superman was about his own death, and his son knows, but he wasn't going to push him on it. He's really slow playing that pretty well, and I was like “Wow. I would have been like ‘Yo. Fucking son. Tell me when I'm fucking dying here. Help me out. What the fuck. I'm bleeding out my arm and you're being casual.'” Justin:              Well, I- Alex:                 I mean, that feels classic Superman. Justin:              Superman feels like … We know his greatest weakness is Kryptonite, but his second greatest weakness is not playing Coney ball with him, which really seems to break his god damn heart. Pete:                Yeah. That was heartbreaking. Yeah. Oh, come on, man. Alex:                 What are the rules there? Pete:                If he's dying- Alex:                 How do you play Coney ball? Pete:                … play Coney ball. Alex:                 Come on. Justin:              It's probably a lot of throwing a pine cone while you're flying or something and trying to catch it. Pine cones sharp. Alex:                 Yeah. Some day. Some day we'll get a game of Coney ball. We'll get the rules. It'll be a lot like Calvinball, but I guess we'll have to find out. Eternals #3 from Marvel, written by Kieron Gillen, art by Esad Ribic. Here, we are finding out more about the Deviants in particular, the antithesis of the Eternals, as they are dealing with a spiraling-out-of-control murder mystery of their own. How'd you feel about this issue? Pete:                Well, first off, the art is just glorious. It's really beautiful. Lot of amazing character designs and stuff like this- Justin:              It's like someone took- Pete:                … the facial expressions. Justin:              It's like someone took the … Sorry to interrupt you, Pete. Someone took the- Pete:                No problem. Justin:              He-Man characters and put them in epic Renaissance paintings. Pete:                Yeah. Yeah. Justin:              It's so beautiful. Pete:                It's really impressive. It's almost like a watercolor tone to it. It's really great. Yeah. I've been enjoying. Eternals really wasn't my bag for a long time, but this new kind of reboot is doing its job in getting me excited about a movie that maybe … I don't know. Justin:              Wow. Alex:                 Good conclusion there. Justin:              Way to play it cool. Alex:                 Strong conclusion. Justin:              Playing it very coy. That movie's been announced and talked about for quite some time. Pete:                Well, I don't know when it's actually coming out. You know what I mean? So that's why I was trying to be like … Alex:                 I do think somebody mentioned this on our Patreon Slack that it feels like it's Kieron Gillen's X-Men, and I think that's accurate in a way because he's using these text pages to break everything up, but he's maybe the only person other than Jonathan Hickman that is using that convention in a successful and exciting way. There's a page here where the computer, who narrates the entire book, talks about how many Deviants actually exist, and they kick to a double-page spread of just names of Deviants, and it's like “Page 10 of 7,947,” or something like that, and it plays so well because it's this oh-shit moment of the Eternals … There's probably 10 of them, and they getting killed off, and their enemies, the Deviants, are innumerable at this point. It's great. Justin:              Did you guys have any favorites from the Deviant page you wanted to highlight? Alex:                 [Corbadorbadugal 00:34:14]. Pete:                [inaudible 00:34:17] that shout out. Justin:              I'm going to give it up for some of my favorites from the page, [Smokewheel 00:34:22], [Bottleshirt 00:34:22], and [Dabgnorts 00:34:25]. Pete:                Oh, yeah. Dabgnorts. How could I forget about Dabgnorts? Justin:              I went to college with a Bottleshirt. So I feel like I know that dude. Alex:                 Not to keep plugging stuff, but you can go back a couple of months in our feed, and we talked to Kieron Gillen before he launched Eternals where he talked about it quite a bit. That's in the Comic Book Club feed. So check that out. It was fun to chat with him about this stuff. Alex:                 Birthright #47 from Image Comics, written by Joshua Williamson, art by Andrei Bressan. We are getting to the endgame here. Here, our heroes are going after people whoa re picking the detritus of the magical battle, the climax that we had finding the God King Lore, and that leads to probably what actually this final arc is about, which is brother versus brother. What'd you think about this one? Pete:                [crosstalk 00:35:17]- Justin:              Can I love this book more? Can I talk about this book possibly any more in my life? I've given this a shine up on every single issue of this series because I love it so much, and this was great. In the midst, the fact that this is the epic end to this epic story and we still get this great, quiet bar scene between these two warriors talking about just how shit went down and the difficulties of being a rage-fueled werewolf … Did anyone on this podcast identify with that character? Anybody? Any hands going up here? Pete:                I'm sure. I'm sure there was a lot of people that did. Alex:                 Me? Me? Was it me? Justin:              You are the rage werewolf of the show. Alex:                 Okay. Justin:              Don't let anyone tell you different. Alex:                 Awoo. Pete:                Yeah. I agree. This continues to just be unbelievable. Yeah. It's crazy because it's like “Oh, I thought this was wrapped up,” but it continues to go on in such an enjoyable way that I don't want it to end, but yeah. I just think this is artistically and creatively one of those books that's going to stand up over time. Alex:                 I agree. Next up, Pete's favorite book of the month- Justin:              Month? Alex:                 … maybe year, Luna #2 from BOOM! Studios by Maria Llovet. This is about a- Pete:                Don't put your weird shit on me, motherfucker. Alex:                 Listen, man. Maria Llovet makes some gorgeous art. That is what I am going to say. This is about a woman that is getting into a strange cult and getting sucked deeper and deeper. Justin, what did you think about this one? Justin:              I like this. It's crazy how much this is like the other book, the Brian Azzarello book. Alex:                 Faithless. Justin:              Faithless. Yeah. Just in almost every way. So it's a little weird to have this being out so soon after we've been talking about the other one, but I like this independent of Faithless. I think this is a good book. It's sort of like the country, the unplugged version of Faithless, where there's a lot of vests with no shirt underneath, looking in old books and playing some fun acoustic guitar. Alex:                 Faithless too fancy for you? Check out Luna, now from BOOM! Studios. Justin:              A hundred percent. Even bad boys have a soft side. Luna, from BOOM! Studios. Alex:                 Next up, Sweet Tooth: The Return #5 from DC Comics by Jeff Lemire. We are at the second to last issue of this book, a rebooted Sweet Tooth. We find out some big revelations and twists in this issue. Pete, there's a big, angry elephant. What did you think of this one? Pete:                Yeah. I really enjoyed the elephant. Yeah. We got the kind of reveal, the evil master plan in this. Yeah. I think it does a great job of leading us, being like “Oh, what's going to … Tune in next time.” Yeah. I think this is a great book. The art's fantastic. It's really raise the stakes. I can't wait to see what happens in the next issue. Justin:              Pete, how did you like the zoo? I really enjoyed the elephant. Pete, how'd you like the circus? I really enjoyed the elephant. Pete, how'd you like your safari? I really enjoyed the elephant. That's all I hear from you, Pete. Alex:                 Hey, Pete. How were your animal crackers? I really enjoyed the elephant. Pete:                The elephant. Yeah. Justin:              Pete, how do you enjoy- Pete:                See, the elephant animal cracker is a little bigger. So you get more cracker. That's why it's more enjoyable. Justin:              Pete, how did- Alex:                 Did you bite off the legs first, or the trunk first? What did you go for? Pete:                It depends on the mood, you know? Some days are a trunk day. Other are the legs. Justin:              Uh oh. He's in a real trunk mood. Pete:                Yeah. Justin:              Pete- Alex:                 Yeah. Oh, I can't eat carbs today. It's trunk day. Justin:              Trunk day. Pete, how did you enjoy the animal in the room that no one wanted to talk about? I really enjoyed the elephant. I mean, if you like Sweet- Pete:                I love walking into the room and talking about the giant elephant. You kidding me? Justin:              Believe me, I've known you for so long I can't hide an elephant in the room with you. Elephant. If you like Sweet Tooth, you're going to like this book. It is a true one-to-one sequel to that book. You don't get to know the characters as well, and it feels like it's taking the ideas and creating a story that has the tension and stress and thriller nature of Sweet Tooth and just playing that hard quickly, and I'm curious what the big point of this will be at the end. Alex:                 I agree. I think a lot of the proof is going to be in that final issue, and I'm excited to check that out. Next up, The Immortal Hulk #44 from Marvel, written by Al Ewing, art by Joe Bennett. We are back to the good old fucked up Immortal Hulk this issue with things growing out of people's backs and big monsters and things exploding and whatever. That's great. I love it. I love this book. Justin:              Yeah. I love this book too. The art is so good, so horrifying. Truly, there's so much just skin stretched- Pete:                Oh, fuck. Justin:              … in fucked up places. I love it. Alex:                 I love that this is the sort of book where you can have a green Sasquatch in the desert with Puck, and Rick Jones, who's just like a stretched out neck at this point and a head, is coming out of a radioactive guy, and they're like “Whoa. Whoa. He's not bad. He's not smiling anymore,” and you're like “Yeah. No. No. He's a good guy now.” Justin:              Yeah. It was like “I noticed the lack of smile on this horrifying image.” Alex:                 But it's great. I love that they've gotten this book to a place where they just have this insane mythology where that happens. You have this huge fights with the U-Foes and the Hulk where, spoiler, but they win and they blast the skin off the Hulk in the most horrifying way, leading to a huge cliffhanger at the end there. This is great. Pete, I know you've been a little back and forth on this book. How'd you feel about this one? Pete:                I thought it had a really hilarious, amazing, scary, fucked up last page. I think this is a very creative, dark, twisted book. It continues to be enthralling. I'm excited to see how this is going to kind of end or wrap up here, because after that last page, I was like “What?” Alex:                 This is not actually my problem or anything, but there was a certain sense I got towards the end of this book, because they clearly are heading towards the endgame with Immortal Hulk. I started to feel bad for whoever is going to have to pick up Hulk afterwards, after this run, and be like- Justin:              Yeah. Pete:                But I think- Alex:                 … “Yeah. I'm the Hulk. I like to smash things. Boop. Boop.” Pete:                No, but I think that Marvel knows that, and I think that you kind of get something that's like “Hey. Your Hulk book isn't always fucked up.” You know what I mean? So it'll be a refreshing, nice Hulk story that we can kind of be like “Oh, yeah. That's right. This Hulk,” and then maybe it'll be something else later, but I think the next thing could be a nice palate cleanser. Alex:                 No. I agree. I mean, I think all I'm saying is this is such a definitive Hulk run. To come after this, I do not know what you do next at this point. Justin:              Yeah. I mean, it does feel like they're setting up … This issue, really, I was like “Ah, I see where we're going.” I'm very excited for that. The U-Foes were great. It's rare to see a story where your hero gets just destroyed in such a fashion, and yeah. I feel like they're going to be like “Okay. How about it's just Hulk smash for a while?” after this. Alex:                 Next up, Specter Inspectors #2 from BOOM! Box by Bowen McCurdy and Kaitlyn Musto. We love the first issue of this book, which found a bunch of fake paranormal investigators discovering something real paranormal. They track down more paranormal stuff this issue, specifically a ghost in a library. Pete, you're a big Ghostbusters fan. Pete:                Yeah. I mean, the classic- Alex:                 You love a ghost in a library. What'd you think about this one? Pete:                Yeah. The classic ghost in the library move. Fun. Yeah. I think this continues to be a really fantastic book, and what's nice is even though it's drawn a little cartoony, there's still some real scary panels going on in here, and I like this kind of group of people that we have working together. It has some heart to it. It's intense, and it's going to be fun to see how this gang kind of gets out of trouble, but yeah, a little nod to the old classic Ghostbusters with the old librarian ghost. Alex:                 Yep. Justin:              Yeah. This book, the art is so great at just expressing the different feelings and emotions these characters are having throughout this story. So it's a really great book that … Great synergy between the writer and artist here, and it's good. It's scary, and it's fun. Pete:                It's a bold move to talk to a librarian ghost, because you know she's going to shush you, but they rolled that dice and they took that gamble. Justin:              I'd rather talk to a librarian ghost than just a regular living librarian. Pete:                Interesting. Alex:                 Next up, The Amazing Spider-Man #61, AKA stop Spider-Man, from Marvel, written by Nick Spencer, art by Patrick Gleason. This issue, we're getting a brand-new status quo for Spider-Man. This is the much hyped new costume. We find out why he gets the new costume here. Justin, what did you think about this one? Justin:              This is such a total shift back to what Nick Spencer was doing before this last big storyline where all this gross stuff happened with Kindred and Sin-Eater and all that, which was so heavy and intense, and this was like “Nope. It's fun again. Boomerang and Spidery just being roommates, screwing around, social media,” all that. So it was a bit of a whiplash jumping into this issue. I like what's happening. It's hard to reconcile with the last six months of Spider-Man. Alex:                 Pete? Pete:                Yeah. I mean, I agree with Justin. This does feel like Whiplash where somebody's yelling at me to play the drums and I really don't want to. I'm looking forward to this thing being over with so can get back to Spider-Man. Alex:                 For me, this felt like Whiplash in terms of I'm a little more into my bird than Sam Rockwell. Justin:              Okay. Alex:                 So we all had different takes. I liked this. I thought this was fun. Like Justin was saying, I do think it's interesting that they throw in the Kindred thing right at the beginning here. They're clearly not done with it. We're going to come back to it at some point, you'd think. Justin:              I just hope we finally get to find out who's underneath the mask. Alex:                 That would be great. The Last Witch #3, our last book here on The Stack, from BOOM! Box, written by Conor McCreery, illustrated by V.V. Glass. Here, we're getting a witch versus witch battle. That's the hot thing this month. Everybody loves it. Everybody loves seeing witches fighting, and you guys have been loving this book. Pete:                Oh, yeah. Justin:              I do love this book. This is another one of my favorites of the week. Pete:                Yep. Justin:              These characters are so good. I'm so behind this young girl who has the witch mark and is battling these badass witches and somehow finding a way to win every time. I really love this. Pete:                Yeah. I'm really impressed with this, the art, the storytelling. It's really fantastic. What's great is it's even better than it looks. When you look at it, you're like “Oh, kind of looks adorable. Looks like an all-ages,” but it's not. There's so much going on in this book. It's really fantastic. It's very touching. Plus, you got a badass grandma who smokes cigars. I mean, come on. You know what I mean? Come on. Alex:                 I knew it. I knew you were going to bring up the grandma. Justin:              I knew we'd- Pete:                Come on. Justin:              … get to Pete's grandma love. Pete:                The little kid and the … It's touching. It's badass. It's fun. It's a lot of different things, but the storytelling and the art is glorious, and this book has really been impressive. Justin:              At what age are you finally like “Wow. That's what I'm talking about,” when you see a grandma, Pete? Pete:                What do you mean? Justin:              What age? Is it someone having grandchildren? Or are you like … When you see someone, like an older grandmother woman, is that when you're like “Okay. I want to put a sword in that golden girl's hand”? Pete:                Well, any time you see a badass grandma, you think that's a cool grandma. You know what I mean? So I don't know what the age is, but if you saw a grandma rocking a cigar or with a sword or a machine gun, you're going to be like “Hell yeah. I'm on her team. She's on my team. Let's go.” Alex:                 Pete, that's a real GILF, is what you're saying? Pete:                No. No. That is not what I'm saying. Alex:                 Grandma I'd like to fight with. Pete:                All right. You know what, Zalben? I don't know what to do with you. Alex:                 But I know what to do with all of you. You need to support as at patreon.com/comicbookclub. Also, we do a live show every Tuesday night at Crowdcast and YouTube at 7:00 PM. Probably shouldn't have said the time there. iTunes, Android, Spotify, Stitcher, or the app of your choice to subscribe and follow our show. @ComicBookLive on Twitter. Comicbookclublive.com for this podcast and more. @ComicBookClub on YouTube. We'll see you next time at the virtual comic book shop. The post The Stack: The Joker, Children Of The Atom And More appeared first on Comic Book Club. Support the show: https://www.patreon.com/comicbookclub See omnystudio.com/listener for privacy information.

Where are they now? Marcus checks in with businesses from Season 1 and 2, such as Athans Motors, WorldWide Trailer Sales, Inc., Mr. Green Tea, Michael Sena's Pro-Fit, and Sweet Pete's.

On this week's comic book review podcast: Crossover #1 Image Comics Story by Donny Cates Art by Geoff Shaw Sweet Tooth: The Return #1 DC Comics Creator, writer, artist Jeff Lemire Wolverine: Black, White & Blood #1 Marvel Comics Written by Gerry Duggan, Matthew Rosenberg and Declan Shalvey Art by Adam Kubert, Joshua Cassara and Declan Shalvey Origins #1 BOOM! Studios Created by Arash Amel, Lee Krieger and Joseph Oxford Script by Clay McLeod Chapman Art by Jakub Rebelka Stranger Things and Dungeons & Dragons #1 Dark Horse Comics/IDW Written by Jody Houser & Jim Zub Line art by Diego Galindo Backtrack #8 Oni Press Written by Brian Jones Art by Jake Elphick U.S.Agent #1 Marvel Comics Written by Priest Art by Georges Jeanty That Texas Blood #5 Image Comics By Chris Condon and Jacob Phillips Mighty Morphin' #1 BOOM! Studios Written by Ryan Parrott Illustrated by Marco Renna Spy Island #3 Dark Horse Comics Written bye Chelsea Cain Art by Lea Mitternique Web of Venom: Empyre's End #1 Marvel Comics Written by Clay McLeod Chapman Art by Guiu Villanova Batman #102 DC Comics Written by James Tynion IV Art by Carlo Pagulayan Dryad #6 Oni Press Written by Kurtis Wiebe Illustrated by Justin Barcelo The Goddamned: The Virgin Brides #4 Image Comics Written by Jason Aaron Art by r.m. Guéra Thor #9 Marvel Comics Written by Donny Cates Art by Nic Klein Wicked Things #6 BOOM! Box Created and written by John Allison Art by Max Sarin DCeased: Dead Planet #5 DC Comics Written by Tom Taylor Art by Trevor Hairsine Inkblot #3 Image Comics Written by Emma Kubert Art by Rusty Gladd X-Men #14 Marvel Comics Written by Jonathan Hickman Art by Mahmud Asrar and Leinil Yu Marauders #14 Marvel Comics Written by Gerry Duggan Art by Stefano Caselli SUBSCRIBE ON RSS, ITUNES, ANDROID, SPOTIFY, STITCHER OR THE APP OF YOUR CHOICE. FOLLOW US ON TWITTER, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON. Full Episode Transcript: Alex:                 What's up, everybody? Welcome to The Stack. I'm Alex. Justin:              I'm Justin. Pete:                I'm Pete. Alex:                 And on The Stack, we talk about a bunch of comic books that have come out this week. Pete:                We sure do. Justin:              Yeah. Alex:                 This is the main thing people are concerned about right now is new comics. That's what we're all talking about on this Wednesday morning. So let's get into it. Let's talk about new comics. Let's just chill out and have a good time and not stress about absolutely anything else going on in the world. Kick it off with Crossover #1 from Image Comics, story by Donny Cates, art by Jeff Shaw. This is a highly anticipated comic. And I got to say, I feel like it was worth the wait. If you didn't pick it up, mild spoilers here. But the idea of the book is it takes place in a world where a comic book crossover suddenly pops up in the real world, in Colorado, essentially changing the entire world. And a bunch of things reverberate off of there years later, as we meet various characters who have been affected by this comic book crossover. What did guys think about this book? Pete:                Well, from the cover, I really wanted to get blasted in the face with a rainbow. And I'm glad that they took the time to make sure that happened in the comic, so- Justin:              So you felt like you got blasted in the face? Pete:                Yeah, yeah. I felt like they did a good job of getting that across. Justin:              I like this book a lot as well. It's one of those like, bang bang premise books where it's just like, this is it. And then it's like you slowly then start to meet the characters. And I do think in this book specifically, you don't really get too much of a sense of the characters by the end of the first issue. But the premise is such a sort of satisfying idea that I think it sells it on that alone. Pete:                Can I just be the guy who says the thing we're all thinking? That little girl in the comic, shitty artist, she's probably not going to be able to get any work. Justin:              Wow. Because she's got dots. Alex:                 No, no she draws- Pete:                No, because of her artist skills. Alex:                 Yeah, she draws a not so great drawing by the end of the book. Justin:              I see, I see, I got you. Oh at the end, yes. Alex:                 What I really appreciate about this, like you're saying Justin is, there's so many things that are nicely set up in this book beyond the central concept of the book. It's such, as usual, smart writings from Donny Cates. It also really stretches Jeff Shaw, in terms of multiple comic book styles. The promise here is that Donnie and Jeff have gotten characters that we know. This isn't just them, creating a world whole cloth. This is also them bringing in characters from Image from other comic book companies, that this is legitimately a actual comic book crossover. And we haven't quite gotten there yet. Because most of it, we're spending outside of Colorado and the ground zero zone where it all goes down. Alex:                 But the promise is, we're going to get there soon. And I would be shocked if we don't get things like Rick Grimes walking in front of a comic book store, Savage Dragon popping through. At least all of these Image Comics characters, and potentially some DC and Marvel characters through as well. As long as it stays grounded in those characters, the main characters of the book, I think it's going to be a wild ride to take. Justin:              Yeah, and the revelation at the end of the first issue was like, “Oh, shit, can they do this?” And I think that's a great feeling to have at the end of an issue. Like, can they pull this off? And feeling like, “Well, this issue is good.” So yeah, they probably can. Alex:                 Yeah. Pete:                It'll be interesting. I think it does a good job of being like, “Here is something that… We all know what a crossover means. Like, here's the title that's going to grab you and then kind of try to put a twist on it.” And it is that will they be able to pull this off? And that's very exciting for a first issue. Alex:                 Let's talk about another book that probably shouldn't work. But I think of course totally does. Sweet Tooth: The Return #1 from DC Comics creator, writer and artist, Jeff Lemire. As you can figure out from the title, this is Jeff Lemire, returning to a almost perfect comic book series, Sweet Tooth years later, that was about a young animal boy that pairs up with an old man journeys through a post apocalyptic world try to find Safe harbor. They eventually kind of found it. And this picks up as happens in the first panel of the first issue, 300 years later, except things are happening again. As they say in old Twin Peaks, it is happening again. And that's definitely a lot of the vibe that I think we get here. Man, I loved this book and the audacity of it and the fact that I have no idea where it's going to go. Particularly by the end, how'd you guys feel? Justin:              I agree with you like the idea of setting the premise like, oh, the story is starting over and we're hitting very similar beats, but in a totally different world, means they're going to just like totally throw that out of whack. Like very quickly, I think. And I love Sweet Tooth. It's such a distinct book, and to be able to see it back on the shelves in a limited series though. Right. So that's a totally different thing. Alex:                 Yes. Pete What do you think about this one? You're a big Sweet Tooth fan. Pete:                Yeah, this was- Justin:              You got a real sweet tooth. Pete:                Yeah, it just… Don't get me started, I eat so much fucking candy. Alex:                 Hey Pete you got the sweetest teeth I've ever seen. Justin:              Hey it's Sweet Pete. Who's here? It's Sweetie Petey. Looking for his little sugar lick. Alex:                 Sweet Pete you want one of your meat treats? Pete:                When you guys are done. Alex:                 Never. Justin:              Never done. Pete:                So Black Label's putting this, which is interesting. It means they can kind of get a little crazier. So it'll be interesting to see how much they push on that side. But I thought like the art was great. It really felt like Sweet Tooth. I thought it was very kind of weird world that he kind of woke up in. This inside, but kind of outside world. So I think they did a good job being like, “Hey, remember everything you love still here? New-ish kind of scenario. Come along for this ride.” And I think yeah, it does a great job of getting you excited for another story, with this team with this kind of gang that we know and love. So I think they did a great job of kind of returning to the well on this. Alex:                 Yeah, I agree. Let's move on to another one that I'm sure you like Pete. Wolverine Black, White and Blood #1 from Marvel Comics written by Gerry Duggan, Matthew Rosenberg, Declan Shalvey, art by Adam Kubert, Joshua Cassara and Declan Shalvey. As you could probably figure out from the title, I think this is an anthology all about Wolverine that uses black, white, and blood and that's pretty much it. So- Justin:              Actual blood. Alex:                 Yeah. Justin:              Human blood is what it's printed in this book. Pete:                So, this is just the story that I need right now. With all the insane shit going on I just want a Wolverine story. Okay, I don't want to have to think about Fuck Island or how many swords, whatever, who's got and read a bunch of fucking menus or articles or whatever the fuck in between panels. Just give me a fucking comic book about Wolverine. Thank you. Yes, this is my favorite pick from the week. I loved it. Great use of red, and then the black and white coloring. This is just a lot of fun and good times. Justin:              Exactly. Pete, you're right. It's so simple. The first story is just a simple story about a man from the 19th century who is born a mutant, has a healing factor he falls in love with the red haired woman. Later he is absorbed into a Weapon X program which is run by a secret government organization. He's experimented on, adamantium is added to his claws for some reason, in his skeletal system. He is then trained to fight using magnets, fight other monsters, that are built in this thing, and that people eventually feel pity for him because he does have some sort of conscience. It's a simple story. Pete:                Yeah it's simple. Just give me a Wolverine story. All right. Alex:                 Classic. It's like Dick and Jane, basically. Justin:              Yes. Exactly, you're talking about of course, the Jim Carrey movie. Alex:                 As usual with this sort of thing I think. Gerry Dugan and Matthew Rosenberg, Declan Shalvey, all good storytellers. Pete:                The Dugs. Alex:                 The Dugs. So they're all solid stories. For my money, the Declan Shalvey- Pete:                Rosenberg's great. Alex:                 … The third story is easily the best one. And I think part of that is that Declan Shalvey, as both the writer and the artist understands the challenge here and creates a story that plays to the strengths of the panels. It's simpler, it's more straightforward. It plays to those splashes, the small splashes both of blood but also the splash of the paddles. And I like that one quite a bit. Personally. Justin:              Interesting. I really like the Weapon X story from Gerry Dugan. Pete:                I loved the Rosenberg story the most. The Wolverine and a baby, I don't need to see that. But [Zaubs 00:09:40] you do you. But what's nice is three stories. If you pick this book up, probably like one of them. I thought this was great. You what you're getting and it delivers. Justin:              One of my favorite movies was Three Claws and a Little Baby. So I get it. Pete:                I thought you were going to say and a little lady, but you didn't. Justin:              No, I preferred baby. Alex:                 That's the sequel. Justin:              The sequel, yeah. Alex:                 Origins- Justin:              One claw's played by Steve Gutenberg, one claw's played by Ted Danson… Pete:                Come on, The Gute- Alex:                 What do you prefer? Do you prefer Three Claws and a Baby or Claws Academy? Justin:              That's though, or the Santa Claws? We're getting to that season. Alex:                 Origins #1 from Boom Studios created by Arash Amel, Lee Krieger and Joseph Oxford, script by Clay McLeod Chapman and art by Jacob Rebelka . I got to tell you I probably should have done some research here because I was very confused about the credits. Is this a video game or was this a previous property Why are there so many creators and a different script writer? What's going on? But as it is the hero here I think is Jacob Rebelka's art which is weird, set in a post-apocalyptic world, there's a bunch of people wandering through. It seems very close to the Museum of Natural History but clearly isn't. They pick up those strawberries but the strawberries are very bad for you. I needed more information personally in this first issue, but I still like the art quite a bit. Justin:              The strawberries are just filled with worms. It's not like they're… Alex:                 Oh, okay. Gotcha. So normal strawberries. Justin:              A normal strawberry. Alex:                 Yes. Justin:              I agree with you, the art in this book is amazing. I'm very intrigued by the story. I don't know exactly what's happening. It feels like there's a some sort of clone baby, but they talk about the baby, who is then later somewhat more of an adult, is named David. But they make it seem like he's famous somehow. Is there a David that you think it is, like David Beckham? Alex:                 Copperfield? Justin:              Oh, yes. When I was five, David Copperfield made me disappear. Pete:                Yeah, you've told us that story. Alex:                 Yeah, we know. Justin:              Have I told you that story? Yeah, well, just letting me know, it's available- Alex:                 Not to interrupt but when I was five, David Beckham made me disappear. Pete:                Wow. Justin:              He bent you out of reality. Alex:                 Pete, what do you think about this one? Pete:                I think the art's are unbelievable. I love the kind of like, seeing the subway entrance in the middle of the grass was kind of really cool. Justin:              It's lush. Pete:                Yeah, it's very creative. It's a cool story. I'm excited to see where this goes. But as of now, it's like, there's this baby named David. And so it's like, is this… Justin:              Oh, David Schwimmer. Pete:                Oh, it's a friend's reference. Because David Schwimmer did have that scene where he got it on in the museum. Justin:              Yes, he worked in a museum and it's in New York. Pete:                Yeah. So that's it, right there. Justin:              And if you're going to need to clone a human to restart the population. You're going to want a Schwimmer. You're going to want to get a Schwimmer. Pete:                Yeah, you're going to want a Schwimmer. Alex:                 You got to yell “Get me the pall bearer.” Justin:              Yes, definitely. Iconic film. Alex:                 Stranger Things Dungeons and Dragons #1 from Dark Horse Comics and [crosstalk 00:13:16]- Pete:                Yeah. Alex:                 Written by Jody Houser and Jim Zub. Line art by Diego Galindo. This is something that Jim Zub plugged on our live show many, many weeks ago at this point. I still kind of didn't know what to expect going in this. But I was surprised how much I enjoyed this. There are less of the Stranger Things and more as an homage, a loving tribute to the history of Dungeons and Dragons is what kind of comes through here. And that's kind of nice. Pete:                Yeah, that's what the Zub-hub was talking about. Like he was really talking about how this really is a love letter to D&D, and kind of really gets into it. And I thought that was a cool kind of way to come at it. You can tell from this, the passion kind of just comes through in the pages. At first when he was telling us on the show, I was like, “Okay.” But this really works in this comic, I thought this was a lot of fun. And I love the kind of little pages at the end where you can kind of start your own. I thought this was great. I thought this was a lot of fun. Justin:              It felt like regular things. It felt like, just things. They were just going about their business as kids. That's not a criticism per se it's just I think this is a hard prequel to the TV show Stranger Things. Bringing in how they got into D&D, which is very cool. And I like this book a lot better than the other Stranger Things book that we read, I think last week, because it feels a little more true to the characters and it feels like in line with the story of the TV show. Pete:                It's going to get strange. All right, they're just kind of starting things out first. Alex:                 Yeah, they've started with Dungeons and Dragons. They're going to move to Advanced Dungeons and Dragon and that's when things are going to get real fucked up. Pete:                Real strange. Justin:              That's crazy. Alex:                 Let's move on to Backtrack #8 from Oni Press written by Brian Joines and are by Jake Elphick. This is, as we've plugged in many, many times, about a Cannonball Run style race but through time. Here mysteries are slowly starting to unfold about the racers who are all tied to the race in different ways. They also end back in pirate times, which is a fun era to put them in. I, as usual, had quite a blast reading this issue. How'd you guys feel about this one? Justin:              It's fun. We're getting into a lot of like, specific character, small moves. And I feel like we're building up towards sort of some big revelations here pretty soon. And yeah, I like them being in pirate times. It's a fun, iconic place for them to be. Pete:                Yeah, it's interesting, because it's like this crazy race throughout time. So you're like, “Oh, Fast and Furious meets Back to the Future.” But like, what's great is we're getting as we're in this insane race, we're getting little kind of windows into people's backstory, why they're here, why they are the way that they are. And it's nicely layered, like some comics issues are more focused on the race. This one's a little bit more focused on the kind of story, which is good. This comic continues to be really great, the art is fantastic. And it really adjusts to what time period it's in such a great way. Alex:                 I also like that we've finally gotten to a point with this book where it feels like Well, you can't eliminate any of these characters. But of course, they're going to and that's going to make it hurt that much more. We're not quite there yet, but in the next couple of issues, it feels like that's coming. And that's a good emotional place for the book to be in. Still a blast to read. If you haven't read it, definitely pick it up. Alex:                 Next up US Agent #1 from Marvel Comics written by Priest, art by George Jeanty. I was very excited personally to see George Jeanty on this book. I've really liked his art a lot since he was on Buffy the Vampire Slayer and other things. He's good stuff. Of course priest, always reliable. And this is a bonkers book about the asshole Captain America going through the heartland, fighting who even knows why. But I really really enjoyed this quite a bit just for how best up it was. How'd you guys feel about it? Justin:              Yeah, if you're looking for sort of a Hawkeye style comic. I feel like this has some strong like Hawkeye vibes back when he was living in Brooklyn with the Russian tracksuit dudes. That whole thing feels very much in line with what this book is. Except he's a little bit more of a shit head. Sort of in the Scott Lane Ant Man style and constantly being mistaken for Captain America which that's going to burn. Pete:                Yeah, I was really happy when that one pizza delivery guy kicked the shit out of them. That was great. Justin:              It is a weird… Like the story, like USA Agent. There's a pizza delivery man who becomes his sort of sidekick. He's keeping all these other pizza delivery people in the basement. Like I don't quite know what the whole thing, the whole deal is here. But it's fun. And it's super unique, I feel like. Alex:                 Yeah, that feels like typical Priest stuff to be where it's just these details thrown in. Where you're like, “What I can't quite get a handle on this, but it's still fascinating at the same time.” Let's move into a very dark turn for a book that we've been enjoying quite a bit. That Texas Blood #5, from Image Comics by Chris Condon and Jacob Phillips. Again, when we had Chris Condon on the show a couple of weeks back, he promised that things were going to get real bad real soon, and oh, boy, they got real bad as our main character is losing his mind down in Texas doing some very dark stuff. In the name of his brother being killed. This is definitely the most brutal issue of this yet. I would say. Justin:              Yeah, I like this book a lot. I feel like the art in this issue specifically is so good. Some hard boiled crime I'm sure this book gets compared to Criminal a ton. And if you're a fan of that, like this is right in line. I do think it's strange that they use the same interior monologue lettering as a Criminal. And Jacob Philips is Sean Phillips' son. I would move away from that because I think this book really stands alone on its own right. It doesn't need to feel like it's drafting off of Criminal's success. Alex:                 How do you feel about Pete? Pete:                Yeah, I think the art's unbelievable. This is some real great storytelling, very intense. This book moves at a very interesting pace. It's sometimes very fast, sometimes it seems like slow. But this is a really kind of great storytelling. Great character stuff. I'm very much enjoying myself. Alex:                 Let's move on then and talk about Mighty Morphin #1 from Boom Studios, written by Ryan Parrott, illustrated by Marco Renna like that Texas blood This is a brutal issue for the Power Rangers. Just devastating, it's a lot of blood. Justin:              Devastating. Oh, Power Rangers. That makes sense, now. They must have left the other two words off the title. Alex:                 Yeah, well, that's how you know they're being serious. Unlike the other actually very dark Power Rangers books that we've been reading recently. This is a return to form. This is like classic Power Rangers. The Green Ranger is evil is he not? We don't even know who he is. Doesn't matter. You got all the villains here. You got all the Power Rangers. But with a slightly more modern style. How did you people feel about this one, particularly given that we've been quite enjoying the other Power Rangers books that have been coming out from Boom. Justin:              This book felt like when you're at a party, when we used to go to parties, and you end up talking to someone you don't really know. And they tell you a very long story and you're like, “I don't know you. Why are you telling me this crazy involved story about your life? Like where are we going with this?” It felt like, “Oh yeah, I guess I see how that relates. Oh, the mighty Mighty Morphin Power Rangers. Yeah. Oh, I see like we're dealing with Zed and all this stuff.” But I will say I enjoyed reading. Despite the fact that it's definitely feels like not my wheelhouse. Pete, how did you feel? Got to shoot your Bulk and Skull? Pete:                Yeah, I mean, this is great. This is just fun. This, to me was like a animated version of Mighty Morphin Power Rangers kind of like the new update of Voltron. I very much had a lot of fun. We got some great fighting, some badass panda stuff. It was fun to see them talk about making the villains and that kind of stuff. Yeah, I thought the reveal at the end was great. I think this was just fun, Mighty Morphin comic stuff. Justin:              It checks out. That's the title and he said stuff at the end. So that's what it is. Alex:                 I did like the reveal at the end. I think what I have been responding to and the other Mighty Morphin books that have been set in this post apocalyptic world where the Power Rangers mostly lost in the villains that are trying to just kind of hold on to what they have, is this idea of playing with the continuity. Which the shows could never do because they're mostly working off of what the Japanese versions, right? Of Power Rangers then remixing them. So they're all very kiddy and very silly and badly dubbed on purpose and all of these things. That just I never liked, this splits the difference between those two things. So to your point Justin, I also actually had a fun time reading this even if it is not quite my thing. But definitely more of my thing is those other books I would personally lean towards those. Justin:              I agree and obviously I've always been a Mystic Knights of Tir Na Nog. But it's especially funny the way that… I was surprised by how all their animals, the animal machines they ride are like saber toothed tiger and all that. I was like, “They all look exactly the same, but they're all different.” The mythology of the Power Rangers is so weird and convoluted. Alex:                 Yeah, I just can't get a handle on it. Pete:                Yeah, if that stuff made sense to you won't be pulled out of the story like that I think. Alex:                 I'll tell you, not to pull back the curtain too much but at my day job I got offered this exclusive clip for I want to say Mighty Morphin Power Rangers: Dino Thunder or something like that. Pete:                Oh, wow. Alex:                 Yeah, I know. And they sent it to me. And it was the casts from like four different Power Rangers shows all getting together. So clearly we've done enough stuff that I could watch it I was like, “Okay, this is like Avengers: Endgame for Power Rangers.” But it was such a deep dive to understand what they were talking about at any point in that clip. Normally a clip I'm like, all right, I could write this up and half an hour tops. That's it. But this one I was like opening up wikis and looking at casts, and debut dates and everything. I was like “What is happening here? This is weird.” But there you go. Deep dives. Alex:                 Let's move on to another one. Which is a one of my favorite books that is coming out right now, Spy Island #3 from Dark Horse Comics written by Chelsea Kane art by Lia Miternique. So this is set on an island in the Bermuda Triangle that is filled with spies of different types. In this issue our mean spy is starting to figure out that her father, who is also on the island hiding out as a mime may have a bigger plan at work. We also find out more about what happened to the first two issues in terms of what she laid down. This book is fantastic. In my mind, it is like a perfect mix between Mind Management and Superior Foes of Spiderman with a flavor of his own. And I am loving every single issue of it. How are you guys feeling? Justin:              Pete? Pete:                Well, I was waiting for you to go. This is really kind of crazy, but it's also a lot of fun. I also like the kind of art. The way the art changes throughout the book. The whole like a series where she's dating different dudes and the kind of like the way the father sees the dudes, very interesting. Yeah, I think this is a very creative, cool book and the art matches it perfectly in such a cool way. Yeah, I'm not always understanding what's happening, but it's very interesting and very creative. So yeah, I think this is a great book. Justin:              Yeah, I agree. It's really funny. It reminds me a bit of Mark Russell's Flintstones, I guess all of Mark Russell's stuff. If you're a fan of that, like this book is like legitimately funny, it has sort of an irreverent tone. The way they do full page sort of jokes, visual jokes is really awesome. But it's still has like some… I'm very interested in the story as well. Like, these characters are fun. Like I don't quite know what's happening with the mystery itself. But it's just a smart world and universe this book creates in every issue. Alex:                 Yeah. I just wanted to reiterate what you said Pete about Lia Miternique's art which collages in so many different styles throughout the book, it's so impressive. Pete:                Very impressive. They're straight flexing. It's unbelievable in this. Alex:                 It's great. Yes, straight flexing is actually a really good way to put it. It's definitely a book to be like, “Here's what we could do. Here's what we can show off.” It's awesome. Definitely pick it up. Next up Web of Venom: Empyres End #1 for Marvel Comics, written by Clay McCloud Chapman, art by Guiu Villanova. This is as you can probably tell from the title, following up on the End of Empyre as a bunch of the Skrull and Cree leave Earth at run directly into the King in Black, the next event, and have literally like a crossover, while one of them is heading one way the other is heading the other. And ends up like aliens on a Skrull ship. I like this, I was a little hesitant, just because it wasn't Donny Cates ready to get and he's been such a mastermind behind this event. But I thought this was a very good, scary book. Justin:              That's such a funny way to put it, Alex. Because it really does feel like it's we're backstage at Marvel and one event is like, “Hey, we finished our performance. Thank you so much.” And another event is like, “Oh, we're up next. We're going to… Sorry. Oh, did we sorry, we bumped into you and made a big mess with all of our symbiont juice. So sorry.” Because it is like, when I saw this I was like, “Empyre. No way.” But it is actually a great story and it does have that sort of Aliens. Like it's game over man for everybody in this issue. And the King in Black is terrifying. Like I'm excited to see this event the more I see of sort of the insanity. Reminds me of the insane Adam Warlock from back in Infinity Gauntlet days, as the villain here. And it's a good read even though it feels unessential from the title. It's worth picking up. Pete:                Yeah, I mean, they got some space vampire bats in here. This is just some crazy, fun stuff that's going on. Yeah, I mean, it's just kind of like alright, space aliens. Cool. There's not too much more going on but it's definitely a cool comic and worth checking out. Alex:                 Next up Batman 102 from DC Comics written by James Tynion IV in art by Carlo Pagulayan. This is the intro of Ghost-Maker who of course, is the guy who builds ghosts. We all know that in the DC Universe. Justin:              Yes. Pete:                No, no, because when he makes ghost by killing you and then you're a ghost. That's how that's… Justin:              Oh no, I think he makes the ghost in the original Pac Man game. He made Inky, Blinky, Dot. Pete:                And also just in case you're wondering he doesn't like crochet little ghosts either makes them. No. Okay, he kills people turning them into ghosts. Justin:              I guess we have different takes. Alex:                 So this introduces that character. And Ghost-Maker, well, he got introduced before, but this is his official introduction. He is going directly for Clownhunter. So we got two new additions to the Batman mythos, going head to head with Batman, of course stuck in the middle. As it turns out, though, Ghost-Maker has a deep tie to Batman's origin. Pete you got to like this right? There was a lot of fighting. Pete:                Yeah, this was a great issue. I love the action. Also fun reveal. Well, all right, let me back up the truck a little bit. Love the Batman like punch entrance. Nice when you can like make your entrance and punch someone in the face. I mean, that's like- Justin:              Yes. I've seen you walk into a lot of weddings. Pete:                Yeah, anyways. But I think this was a ton of action, which is great. But also the way they kind of knew each other, the way it was like, “Ghost-Maker.” “Batman.” And like right into it. It was really cool. Also very interesting how Clownhunter is still hanging on like still a thing. I thought Clownhunter would have kind of like faded away after Batman gave him his talking to. But not the case. And now we're also dealing with Grinners which is interesting. Talking to Oracle on the old earpiece there “Okay, that's cool.” But I think that they also had some funny moments like when Knife Guy was like, “I hate teenagers.” That was hilarious. Justin:              Because you hate teenagers? Pete:                No, no, I just think that it was like a funny line, where he's like, “Teenagers.” But yeah, I think there's some interesting stuff happening in this. And instead of kind of like a cool down from such a big event that we just had. The fact that they kind of ramped it right back up into that it's very kind of interesting. And also cool name, Ghost Stories part one. Justin:              I feel like James Tynion got sort of his first big story out of the way. And now he can really settle in and create his bat universe. And I think Clownhunter, Ghost-Maker are a big part of that. Really leaving his mark on Batman as a character and the whole world there. And I like that. I'm excited that we're sort of in that point in his arc here. Pete:                And it's also interesting to have a villain that's like, “Yo, Batman, do your fucking job. Gotham is a shit show. It's constantly on fire. Like What's your deal?” That's an interesting way to come at it. Alex:                 A lot of the discussion in this book is about what Gotham is now that the Joker War is done and what it's going to become next. I'm excited for what's going to become next. And I trust James Tynion enough to bring it there. But to your point, Justin, he thought he was only going to be on until Issue 100 and he's continuing from there. So in my mind definitely feels like “Oh, okay, I'm going to keep going. Alright, I'm going to set up the next 15, 20, 30 issues, however long I'm on for.” Versus what I was doing before, which was my definitive Batman story. Alex:                 So I'm curious to see what this sets up and where it goes. Because again, I trust James Tynion's storytelling, he has certainly proved himself more than capable. Let's move on to Dryad #6 from Oni Press written by Kurtis Wiebe, and illustrated by Justin [Barcello 00:33:49]. This issue our main family is still hanging out in cyberpunk Tech City, trying to figure out what's going on. Trying to figure out if they should help the kids who are currently in a coma. Turns out they don't need help, they do wake up by the end. We find out another huge revelation about our family. I got to tell you, I was not totally into the cyberpunk stuff in this issue. But I definitely turned around by the end. Love the twist there. I thought that was so great for the series going forward. What was your guys take on it? Justin:              I agree. I love the way the story is unfolding. I think the way they're able to capitalize on this two pronged like fantasy side of the story and the technological side of the story. In a way that it's a tough trick to pull off. And I think it is working on both fronts. I like the sort of Blade Runner vibe to the front end of the book. And then when we shift generations to the kids for the back end, I like all these characters. I'm curious to hear… It feels like this is sort of like a mission went bad a long time ago and we're dealing with the fallout is what this series is actually about. So I want to know What that is. I feel like that was a reveal in this issue that we didn't really know from before. Pete:                This book continues to be very, very creative. Each issue kind of comes at things a little differently. It's fun to see what you're going to get with every issue. Yeah, and we keep getting deeper into the story. They're doing a good job of kind of piecemealing information while still giving us a lot of action. Fun reveal at the end. I think this is very interesting. And also it's cool the way they kind of swap around styles. So I continued to be impressed by this book. Alex:                 Cool. Next up The Goddamned: the Virgin Brides from Image Comics written by Jason Aaron and art by R.M. Guera. Pete, I know what you're going to say it's creepy. So Justin, what did you think about this button? Justin:              This is a book you want to leave out for your grandparents, they're going to love the fighting, they're going to love the very short tops that expose all of your breasts. It's a good stuff for the older generation. But I like this book a lot. The R.M. Guera art is unbelievable. It's so detailed. It feels like it's in the style of Prince Valiant, but with a exciting, much more irreverent story. And the twists and turns, it's also written from the point of view where like, I don't know… We have our protagonists who are on the run. They're virgin brides who are supposed to mate with this like monster basically, that is the god here. And they escaped, we're on the run. And then things aren't going well, basically. And I feel like this book could be very harsh with its character, so I really don't know what's going to happen next. Alex:                 Yeah, I agree. That's one of the biggest things about the book is it's very dark, and it's a super gritty, I hesitate to say realistic but that probably gives the best sense of it take on the Bible and biblical mythology. But if you look at the Bible, lots of people dying all the time, or almost dying or horrible things happening to them almost constantly. So it's actually very- Justin:              Not a fun read. Not a fun read. Alex:                 Yeah. Not a beach… I don't usually take the Bible to the beach, to be honest, like to read it, to just chill out. But like you said, R.M. Guera's art is fantastic. This is very dark. I don't know what's going to happen in the next issue at all. But there's a crazy cliffhanger that happens that was awesome. Good stuff. Let's move on to talk about Thor #9. Pete:                I just wanted to say. Alex:                 Yeah, yeah. Pete:                I agree with you. The ending was really kind of amazing. Justin:              You do like it, you love it. Pete:                No, it's creeptastic in all the wrong ways. Justin:              But do you like the art Pete? Because this is R.M. Guera, same artist on Scalped? Which you like. Pete:                Yeah, amazing artist. Alex:                 Would you say it's worth it for the art alone? Pete:                Nope. Justin:              Wow. Alex:                 You're very wrong. Justin:              Can't get past it. Alex:                 Yeah. Thor #9 from Marvel Comics written by Donny Cates art by Nick Klein. So this is kicking off a new crazy story arc. Donny Cates doing his Donny Cates Marvel thing as he goes back to an old part of Marvel continuity, lifts it up again and makes it as fucked up as possible. In this case, we're exploring what happens to Donald Blake when Thor comes out. Something that we haven't touched out in years. Where does he go? And it ends up being pretty messed up. But I love where the storyline is going. And Nick Klein's art of this book is phenomenal. So good. What did you guys think? Justin:              Totally agree. Like I love… This is my favorite book of the week, the way that finding this little bit of Thor mythology that has been just legitimately ignored. Dr. Blake was the character that was Thor's human form and he would tap his walking stick and become Thor. And Thor just hasn't transformed out of him. It's like Bruce Banner has been the Hulk for so long that like what's Bruce Banner up to? And we get to explore that side of that here. And it is fucked up. And it's super smart the way we get there and to have Donald Blake become this new aspect of the Thor mythology I think is super exciting. Pete:                I don't know man. Like this is to me, it's like, it's okay if we're out of ideas, guys, we can just maybe… Justin:              Jesus. Alex:                 Wow. Justin:              Harsh take. Pete:                What it's like, “Hey, remember how I turn into this guy? Well, when I turn into him, he just kind of walks the earth. What if he got angry about that?” And it's like “Wait, what is happening? What are we doing right now?” Alex:                 That's what's happening, you just described what's happening. Pete:                Yeah, I know, but that doesn't make it a good idea. Justin:              It's fun though. It's like when Wolverine when he died he had to fight a sword dude. Like that was cool. Pete:                Okay. Alex:                 Was it? Pete:                Yeah, I don't know if it was. Justin:              I liked the fighting this sword dude. I didn't like the fact that he came back from just a little speck of blood Lobo-style. Alex:                 I do love… I don't know, just I love the visual of what happens when Donald Blake finally comes out of his reverie, the way that Nick Klein draws him. I don't know if Nick Klein specifically designed him Pete:                The art's unbelievable. Alex:                 What? Pete:                The art's unbelievable. Alex:                 Yeah, it's great. It's worth it for the art alone, I would say. Pete:                Wow. Justin:              Wow. Alex:                 The that Nick Klein designs the new Dr. Donald Blake is great. Justin:              What a cool turn of phrase. Alex:                 It's a great new villain for the Marvel Universe. Spoiler, obviously, but I think in the same way that Donny introduced Cosmic Ghost Rider. And it immediately became like, “Oh, it's this thing. Like that exists. That's fun. That is a fun thing to look at.” Yeah, it's the same thing with whatever Dr. Donald Blake has become. It's a fun clear visual and I love it. And I'm excited to see what this means, it ties into the overall mythology that he's building for Thor, with what's happening with Mjolnir. It just feels very smart across the board. Justin:              100%. Alex:                 Next up, Wicked Things #6 from Boombox created written by John Allison and art by Max Sarin. We've been very complimentary of this book, which follows a teen detective who is framed, probably for murder, as she ends up teaming up with the police department in I believe London. Not 100% sure, but I'm going to say yes. And she is pretty much smarter than him. This is a weird ending for this book I got to say. It feels like there were supposed to be more issues. And then it got cut short, personally, which is disappointing, even though I enjoyed this issue as well. Justin:              Well, that may be true. It does feel… It could also just be a cliffhanger that they're really pushing. I think the last page makes it feel like there was truly like a page ripped out of the back of the book. And I was like, “Wait, what?” I wanted to know how this conversation ends. But in general, it's fun. This main character is such a fun… I love her energy. I like the world this is in which is like this detective, 14 to 16 years old, the best detective in the world. And there's a moment where she's being held hostage and you expect her to like elbow the guy and get away. But it doesn't happen because she's just a regular teen detective. And I think that's fun that they're really keeping within the storyline. Pete:                Just a regular teen detective? Justin:              Yeah, like a… Pete:                Like a normal teen detective. Justin:              Because like, surely you were a teen… You solved some crimes in your small town, right Pete? Pete:                Oh definitely. Definitely did. Yeah, I agree. This is a ton of fun. Alex:                 Sorry, Pete, what did they call you? They called you Thesaurus LePage? Pete:                No they didn't. Justin:              He was really good with saying other words that were like words. Pete:                Yeah. Justin:              He didn't solve a lot of mysteries but he was like, “Oh, I think you mean sweaty.” Alex:                 Yeah. Pete:                Yeah, I think it did feel a little rushed. Every issue up until this issue didn't feel that way. But man, this is still a great story. Really creative, fun, main character. I could definitely see a lot more with her. I hope they keep going in some iteration or whatever. But yeah, this has been a lot of fun and I hope this doesn't end. Alex:                 I agree with definitely worth picking up in trade whenever it's collected and hopefully we'll get a second series of it. Moving on to DCeased: Dead Planet #5 from DC Comics, written by Tom Taylor and art by Trevor Hairsine. In this issue John Constantine is launching a desperate mission to fight back against the anti life plague. And it's predictably dark but with moments of real humanity and humor, everything that we've come to expect from this series I think so far. Justin:              This book has really migrated to the top of my stack like I love reading a book. It's a good book. The characters are fun. The Damian Wayne Batman is great. Constantine still a dick. Just a straight up dick. Pete:                Oh man. Justin:              There's some fun jokes here. Pete:                Constantine is great in this book, this book continues to impress. And I think this was a really great Constantine, hilariously messing with Dr. Fate and Swamp Thing even getting in on the joke. Batman doing father jokes, I don't know. I don't know how I feel about that. But Batman getting a punch in at the end, liked that. That was good. But yeah, this continues to be a very creative, very funny, well done comic that does like a lot of cool things. The Shazaam moment in this is so badass. That was so cool. Yeah, I thought this was a great, great issue. Justin:              And there's a lot of dread here still where like any character could die and everything could go wrong at any moment. And I believe on the last page at the bottom they say things get worse. Alex:                 There we go. Next up Inkblot #3 from Image Comics written by Emma Kubert, art by Rusty Gladd. I got to tell you I keep throwing this book in the stack because I can't wait to figure it out. Like what's going on here. There's a little bit more of a hint in terms of this is a cat that can jump through universes? Pete:                That's the thing. Alex:                 I guess that's the idea of the book that they establish at the beginning here. Pete, you've been enjoying this book. What did you think about this issue? Pete:                Yeah, I don't know what it is. It's just the two eyes are so adorable. It gets me. Justin:              You're a cat guy. Pete:                I'm a cat guy now. So like I get it, cats are very mysterious. They have a lot of things going on that they don't share with us. And yeah, I think that this makes sense of how the Loch Ness Monster came into fruition. I think this is just a crazy kind of creative book. And the art is phenomenal, some adorable storytelling. This is just fun. Alex:                 I just wanted to mention Justin before you get into your comments if you are a cat who would like to share something with us. Please email us at ComicBookClublive@gmail.com. We'd love to hear from you. Justin over to you. Justin:              Yes. I always pick up after the cat call out. Pete:                After the cat plug. Justin:              Cat plug. We're looking to meet some single cats. There's something about this book. The art is really cool. And I think changing gears a little bit with this issue, for the few issues it was like what's the big story here? But I think reading this issue it was like, oh maybe it's just like fun little romps with this cat. Alex:                 Yeah, yeah I think so too. I felt a lot better about this one that I did for the first two because I was trying to figure it out. But I had the same sense as you did Justin. I reserve the right to be robbed with issue #4. But the art is so good and it is a fun little pirate adventure with a cat and the Loch Ness Monster, enjoyable stuff. Justin:              I reserve the right to be wrong. Alex:                 Last thing here we're going to end with our X of Swords, X of Swords block, talking about two issues that came out from Marvel. We got X-men #14, written by Jonathan Hickman art by Mahmud Asrar and Leinil Yu. Marauders #14 written by Gerry Dugan and art by Stefano Caselli, two very different issues. So I do think actually, if anything, we kind of need to talk about them differently. But so far, the champions of Arakko and the champions of Krakoa and they gathered in Otherworld for a dinner. In the first issue and X-men we find out about Apocalypse and his wife, what went on there we find out about her secret history. Pete's got to love that one because there was a lot of text and confusing things that happened. Alex:                 And then in Marauders everybody gets together for dinner and things go predictably badly. Would you think about these chapters of X of Sword? And Pete I know you're upset they're not fighting with swords yet. That aside, how'd you feel about these books? Pete:                Alright, so first off you know what's better than having a huge battle that we've been building to taking the time out to have a dinner first. Alex:                 Agreed, agreed. Pete:                And let's just talk at the dinner table. Justin:              When you're hungry. Pete:                And really just kind of talk things out and have a walk? “Hey, Apocalypse, why don't we hold hands and talk about the past and not fight. And get into a giant action sequence like maybe some people would enjoy?” Justin:              Well, let me give you a quick breakdown of the way the story. They teleport to this strange dimension. Dinner, dinner, sleep, midnight snack, brunch, coffee, sword sharpening and shining. Alex:                 You're forgetting something in the middle there Justin, there's several times when they get handed cards. Pete:                What's not to love. Justin:              That's right. Let's not forget about the… Pete:                [crosstalk 00:49:38]. Justin:              So I feel like there's some like magic happening, some light table magic. I think someone's going to eventually have a yo-yo and other like juggling tricks. It's just a fun day out. Anyway, where was I? Okay, then it's going to be lunch. And then they're going to have like a baseball game. Pete:                Don't forget to show the menu. They're going to show the menu a couple times. Alex:                 The menu was fun. It was a fun menu. Justin:              The menu was very fun. Well, let me say so Pete's criticisms aside, and let's put them far, far aside. I love this. I think that the X-Men issue by Jonathan Hickman is a full take down of Apocalypse. It's like a subtle takedown of Apocalypse. Apocalypse went to earth and he like had these like piddling battles with the X-Men, claiming that he was like survival of the fittest. We need to all be better. The mutants must rise. Justin:              Meanwhile, the world he left behind had everyone literally fighting for their lives, constantly. They became the fittest and he has to come back hat in hand, sword in hand with this woman that he left behind that he maybe still loves and be like, “Oh, you've been literally becoming the best fighters in the universe while I have been shitting the bed on Earth. Okay, cool, cool, cool. Let's go have a little day off.” And then the Marauders issue I feel like is a little bit more focused on the Wolverine side of it, but I do think this series- Pete:                Had time for a nice dance. Did you like the dance? Justin:              Some dancing. Wolverine likes to get fucked up. And I think he feels like he really gets to drink in this issue, which he never really… He's always like, I drink. But then the healing factor eradicates everything. Pete:                Yeah, Wolverine gets real fucked up in this issue. Justin:              Yeah. But I do think a lot of this arc, this whole storyline is about repositioning Apocalypse and I'm curious what the landing point of that is. And I do feel like the Marauders issue definitely had that sense of dread. Like an Agatha Christie story where you're like, “Fuck, some of these people are going to die.” Alex:                 Yeah, it really does feel like… And this is something that was a big point of conversation when the X-men introduced resurrection. It feels like these people are a danger. It feels like all of these characters are not actually going to make it out of this or at least in the same way at the end of the day. And that's great that they went in what has it been, a year, something like that. From everybody being like the exploiter just come back to life whenever, to positioning them into a place where they are in actual danger. And bad things may happen to them maybe for the first time at a really long time. That's super smart. Alex:                 And the Marauders issue in particular plays with that with Storm dancing with the literal personification of death, and mentioning “Hey, you've never actually died. You're one of the few X-men that has not died and come back. So let's talk about that. Isn't that interesting?” I thought there was such smart character work in the Marauders thing, the X-men issue as well. Both with Apocalypse and Annihilation I love as usual the insane world building. I do know where he pulls it out from with Jonathan Hickman there. Alex:                 I do think there are touches of East of West going on with the apocalypse, Annihilation stuff. Particularly in the relationship that's popping up there. But that's fine. That's a great book. So I'm okay to skim some of those ideas a little bit. And of course, the art. Mahmud Asrar, Leinil Yu, Stefano Caselli. Awesome. I know I said this the last time. But this is one of, not just with Marvel, but one of the best crossovers I've read in years. At this point. Pete:                Oh shut up. That's just… Shut up. Alex:                 Years. Pete:                Awful, just awful. Alex:                 Years. Decades. Pete:                First off- Alex:                 Millennia. Justin:              Lifetimes. Pete:                … X of Swords, are we even going to get 10 individual issues, like we got to see how they fought… If we don't get to see like 10 issues of fighting after all this fucking lead up. Oh, if we get no… I'm worried, we're getting close. We're past halfway, we still don't have any fighting yet. Justin:              Would you be disappointed Pete if we only got this fighting from the source perspective? Like it was just like metal banging another metal. Pete:                Just clang clang? Justin:              Clang, clang. Alex:                 And you don't actually get to see it. It's just the interior monologue of the swords. “Wow this hurts.” Pete:                I got to say in the Marauders ep, seeing magic like sizing everybody up. That was pretty cool. Justin:              She's a badass. Alex:                 Super fun. Justin:              You mentioned it before, but the menu at the top of the Marauders issue was super fun. Like I love that, the detail there was great. Pete:                Waste of a page. Justin:              I'd eat that shit. Alex:                 Pogg Ur-Pogg, very fun character. I'm just- Justin:              Marinated in urine. I'm here for it. Alex:                 Yeah, all of the Arakko characters also, I think are great and super fun. They're just… I don't know, I don't know if it's Jonathan Hickman in conversation with other people. I don't know if he's necessarily driving the rest of the X-Men team to this but it's just he comes in just and he's like, “Here's these new additions to Marvel continuity. They totally make sense. You love them know.” They are just these perfect things that absolutely work. And the greater part about all of these new additions from Arokko is only one or two of them are completely black and white, which I think is very cool. And a way of Jonathan Hickman really stretching himself as a creator. Justin:              Yeah. Wow, what a blistering takedown. That's the harshest I've ever heard you speak, Alex. Alex:                 These issues are great at that same for The Stack. If you'd like to support us, patreon.com/comicbookclub. Also we do the live show every Tuesday night at 7:00 PM to crowdcast and YouTube. Come hang out. We would love to chat with you about comics at Comic Book Live on Twitter, iTunes, Spotify, Stitcher, or the app of your choice to subscribe and listen to the show. Also leave us comments on iTunes. Those help out quite a bit. Comicbookclublive.com for this podcast more. Until next time, we'll see you at the virtual comic book shop. Justin:              And remember the door is always open for any stray cat looking to wander in. The post The Stack: Crossover, Sweet Tooth And More appeared first on Comic Book Club. Support the show: https://www.patreon.com/comicbookclub See omnystudio.com/listener for privacy information.

Talk about a sweet gig. Peter Behringer  and his wife, Allison, are the couple behind Sweet Pete's Candy in Jacksonville. This three-story shrine to sugar has bragging rights as the largest candy store in the Southeast. But running a candy business isn't just about lollipops and chocolate bars. Pete recently spoke with The Zest's Dalia Colón about the company's rocky road to success. He also shared the latest candy trends and ideas for treats you can make at home.

Talk about a sweet gig. Peter Behringer  and his wife, Allison, are the couple behind Sweet Pete's Candy in Jacksonville. This three-story shrine to sugar has bragging rights as the largest candy store in the Southeast. But running a candy business isn't just about lollipops and chocolate bars. Pete recently spoke with The Zest's Dalia Colón about the company's rocky road to success. He also shared the latest candy trends and ideas for treats you can make at home.

På musiker og kunstkurator Peter Ole Pedersens folkeskole gik frikvarterne med at lytte til den interne skoleradio. Her kunne eleverne indlevere cd'er, som efterfølgende blev afspillet for hele skolen. En dag fik klassen en omgang musikalsk chokterapi, da Tom Waits' skramlede "Just The Right Bullets" tonede ud fra den skrattende radio. Det var Peter, der havde medbragt og ønsket sangen, da han netop var blevet introduceret til Waits af en musikpassioneret ven af familien. Det blev starten på en stor fascination af Waits og hans dybt særegne univers. Samtidig blev det indirekte starten til Peters interesse for syrerock og eksperimenterende musik, som han har dyrket intenst siden. Peter Ole Pedersen er medlem af bandet syrerock-bandet Elevatorfører (https://elevatorforer.bandcamp.com/album/jeg-er-kommet-for-at-sl-tiden-ihjel) og er tekstforfatter i country rock-projektet Sweet Pete & The Land Band (https://sweetpeteandthelandband.bandcamp.com/). Han arbejder pt. på det 2-årige udstillingsprojekt Go Extreme (https://kunsthalaarhus.dk/da/Projects/Go-Extreme) og har pladeselskabet Kørfirs Records (https://koerfirsrecords.bandcamp.com/music). Varighed: 7:27

Hey! We made it to episode 3! We're like real podcasters now, right? While it was kinda slow in Bravo-land with RHONY and RHOBH both on hiatus, have no fear! We were still able to fill up 54 minutes of your day with Below Deck, Vanderpump Rules, Reunion, Bravo Gossip, and a weird story about a gas station bathroom stall encounter... and not the kind you're thinking. Buckle up and grab a drink! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

I talk to Pete.

I talk to Pete.

Hello and welcome to day three of the 2020 Love Vision Podcast Challenge. This week on the podcast, I'm doing something a little different in celebration of Valentine's Day. I want to help you get refocused on your love life so that you can get unstuck and move forward. Each day this week on the podcast, I'm releasing a mini episode that will help you get clear on your goals in your love life, overcome blocks getting in your way, and you'll end the challenge with creating some tangible action steps that will change your love life. Today is day three and it's all about your love blocks. Now, if you haven't listened to days one and two first, I highly recommend you do that before starting here. It will make a lot more sense when we get to the exercise for today. Okay, so today is all about love blocks and I'm thinking that this is what I'm becoming known for in the relationship and love world because a lot of women come to me specifically because of my work around inner child work. I do believe that as adults we are all playing out old, unresolved issues from our childhood. And this is true across the board. It does not matter your socioeconomic status. It does not matter your religious background, your racial/ethnic background. It does not matter if you've come from a family that looks idyllic and like our Sweet Pete on The Bachelor. It does not matter if you've come from a family of any kind of trauma or divorce. Everyone has stuff. Everyone is a human. Everyone at some point has lost that sense of love, safety, and belonging. And whenever you have lost that sense of love, safety, and belonging, then you have created some sort of habit, and that habit might turn into a pattern, over many years that will help you to compensate so that you don't feel that pain of not feeling the love, safety, and belonging. This is completely normal. It's completely natural. And it is completely human. So if you have noticed that you have some patterns or some blocks that aren't super helpful, and you're aware that they're not helpful, and maybe even at this point you know that they're harmful for you, I want you to know that that's normal and it's okay. It does not mean that there's anything wrong with you. It does not mean that you're broken or anything like that. I really don't buy into the belief that you are broken and you have to be whole and healed in order to find love, because that would mean that all people in a relationship are whole and healed. And that's just the most ridiculous thing I've ever heard. I think the better question is from where are you attracting your relationships? So today we're going to figure out where that place is. Is it a place of fear? Is it a place of not feeling good enough? Is it a place of trying to please, and compensate, and all of those things? Well, what kind of relationship do you think that's going to attract versus attracting from a place of feeling good enough, a feeling like you have so much to give and you want to share that love, or I guess you could say healed place would be? So again, if you want to have all of these journaling questions and exercises that I talk about here on the podcast in writing, then head over to veronicagrant.com/podcastchallenge, and there you can download the workbook for free. Okay, so to get started with figuring out what's blocking you, this is really a natural next step after days one and two. In day one we talked about where are you right now, where are you starting. In day two we talked about where are you going and now it's, what's getting in the way. So using this Google Map analogy again, it's like you put in your address of where you want to go in Google Maps and it has your location so it knows where you are now and Google Maps might give you a few different options. It might say, there's a big traffic jam if you go this route. And you go this route, it's a little bit longer, but the traffic seems to be moving faster. And if you go that route there seems to be a lot of speed traps. And you go this route, there are a bunch of tolls. And so then you have to figure out if you have cash on you to pay the tolls, or whatever it is, right? The point is that there's all these obstacles that are going to get in your way. They're going to either block you totally or slow you down from getting to where you need to go. In our love life world, the same thing is true. You have some blocks that are either totally preventing you or slowing you down from getting into the relationship that you want. And most of them come from childhood. And any blocks that were created when you were older, especially as an adult or a young adult, they might have started in that moment when you were an adult possibly because you experienced some form of trauma. That would certainly create some blocks because it would create some story about yourself, which will create some limiting beliefs. So of course that's going to create some less than ideal habits. However, I would say that even then, not all the time for sure, but a lot of the time, even some of those less than ideal relationships that happened when in your 20s and that were really traumatic and really created a lot of pain and you felt like were a turning point in your life, a lot of times those also can be a manifestation of childhood stuff. Not all the time, of course, things happen, but I would say... I don't know, I don't have a percentage, a lot of the time. Most of the time. I'm not really sure. But even if you think, well, I was totally fine until this relationship when I was 25 or 30 or whatever, I really invite you to dig back even a little deeper and say, well where did that relationship manifest from? Where did I attract that relationship from? So they can really down to the root of it. I do think that you need to get as close as you can to the root of your core wounding. We all have core wounds because that's where the wound was created, and so that's where it can best be healed. So what I want you to do now is, again, if you're journaling now, then go ahead and open your journal. You can pause me as I list all the questions, or you can just write the questions down now, journal later, or download the workbook. But what I want you to do is I want you to just feel into how you feel and your love life. So we did this on day one, and for some of you it might've felt really crappy. You might've felt really ashamed. You might've felt not good enough. All of these feelings might've come up for you as we excavated the current state of your love life. So I want you to drop into feeling that right now. Now, depending on where you are in your situation and your love life, you might be with a specific person and it's maybe not going the way you wanted it to go. So then you can drop into how you feel and the dynamic in that relationship. Or it might just be your love life isn't anyone specifically, and you're dating a lot or not dating at all. How do you feel? And the reason that I want you to jump into this is because this is how we're going to trace it back to where it came from. Now again, just like I said in day one, we're not solving anything. We're not fixing anything. We're not removing any blocks right now. All I want you to do is just get really clear on what the blocks actually are. So what I want you to do, again, you're thinking about how you feel, you're really feeling into it. You might notice that you feel it in your body somewhere. You might feel a tightening in your chest or your throat. You might feel something like in the pit of your stomach. You might feel something completely elsewhere in your body. Again, it's all normal. Wherever you feel it is totally fine. You can't mess this up. And what I want you to do as you're feeling into that, I want you to ask yourself, what does this reminds you of? Or what does feeling like this remind you of? Or another way to ask it is, if you're in a specific relationship with a person, who does that person remind you of? And if you're not in a relationship with someone right now, think about your previous relationships that you have been with and ask yourself, who do they remind you of? And when you feel into those relationships, when you feel into your love life, I want you to ask herself, how old do you feel? So the questions again are, who (or what) does that remind you of, and how old do you feel? And then I just want you to begin thinking about, well, what was going on in that time of your life when you felt five, when you felt eight? Or if it reminds you of a certain situation, what was going on in the situation? Or if it reminds you of a person, probably your mom or your dad, most likely, then how does it remind you of those people? What are the similarities? And this is going to begin to tell you, or show you, how you're playing out some of these old things. Maybe you didn't get the love that you wanted from dad, and so now as an adult, you're trying to fill that void with the men that you're dating. Or maybe you never felt good enough. Or maybe you felt like you were actually always the black sheep in the family. You just didn't really fit in. And maybe your parents even said stuff like that. And so maybe now you feel like, "Well, I'm too much for people. No one's going to like me." And so you find yourself watering yourself down in relationships. Now, these are just two very broad examples. Everyone's going to have a little bit of nuance, but there are infinite number of ways that you could be connecting the dots here and understanding where your blocks came from. Because your blocks come from your core wounds. Because you have a core wound you didn't feel that love, safety, and belonging, that created some feeling of not safety in your body and your emotions. And so you created some habit. You created some belief about yourself or a story about yourself. And then if it just happened once and you get over it, then fine. But typically those things ultimately become habits, which become patterns, which become blocks, and becomes a way in which we see the world. So I would love to know what you came up with. Come on over to Instagram. Let me know I'm @veronicaegrant, and if you're not Instagram, then head over to veronicagrant.com/contact and tell me what you realized. And if you have questions or if you're struggling to connect those dots, then I would love to know that too so I can maybe answer some questions. All right, so that is a wrap for day three of the podcast challenge and again, if you'd like a copy of the workbook that goes along with this challenge, head over to veronicagrant.com/podcastchallenge. If you've been thinking that I might help you get out of your dating patterns and truly transform your relationships as I've done in my own life and the lives of so many of my clients and help you craft a life that serves you, I'd love to work with you. My clients have left toxic relationships, started to actually enjoy dating and meeting people, met their partners, gotten married, and even had some babies. You can also expect to grow in your career, spirituality, sense of self, and more, because guess what? You are the common denominator in your own life. So if you're ready for a massive transformation and are no longer available to stay stuck, I'd love to help you get out of this pattern. Head over to veronicagrant.com/coaching to learn more and take the next step, which is to schedule an introductory call with me. During our call together, we'll get to know each other and see if working together is the next right step for you. Again, that's veronicagrant.com/coaching. All right, that's it. I will see you tomorrow where we'll dive into trusting love. Thanks for listening to the Love Life Connection Podcast. You can find the show notes for this episode at veronicagrant.com/podcast. And that's also the place you can sign up to be coached by me here on the show. And if you love this podcast, please leave a review over on Apple Podcasts. It helps more incredible women like you find this show and find real love. Until next time, remember wherever you are is exactly where you need to be. You're not broken and you don't need to be fixed. Just because you've never had the relationship you want before, doesn't mean you can't have it now. After you listen to this episode, here are your next steps: Don’t forget to download your workbook for this challenge.  Learn more about how your past can impact your love life and how to break old patterns in my virtual retreat, Shift Your Dating Patterns In A Weekend, March 7-8, 2020.  Ready to explore what working with me is like?  Learn more here. Interested in being coached on the Love Live Connection? Learn more here. Are we connected on Instagram? Come tell me WHO you are here! If you get value from the Love Life Connection, please rate & review it on Apple Podcasts. It only takes a sec to impact our ranking + it’ll help other women find our community!

This week's episode is all about Aiden's favorite subject... CANDY! This episode includes some history and stats on your favorite candy and an interview with Pete of Sweet Pete's Candy Shop! Check out the website for pictures. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/thebrainsquadpodcast/support

Peter and Allison Behringer are candy makers who run a small business, Sweet Pete's, in Jacksonville, Florida. Their product is excellent but their business is failing and has yet to turn a profit. The Behringers brought in a partner to help sweeten the pot but that relationship turned toxic. Sweet Pete's is a business with great promise but one that probably won't survive another year. To save it, serial entrepreneur Marcus Lemonis must fix the partnership, create new business and revamp the store or Sweet Pete's will be forced to close their doors. (Episode 206)

Candy may be fun, but business can be hard. Viewers of the TV show The Profit witnessed this when Sweet Pete's Candy was front and center. Sweet Pete's was a small candy shop faced with many business challenges: Marketing a business with no built-in foot traffic, creating an exceptional customer experience, and growing a business while being under-equipped, under-staffed, and saddled with a partner who stalled growth. I'm joined by two confectionary conquistadors, the founders of Sweet Pete's Candy, Pete and Allison Behringer, where we talk about: • The genesis and evolution of the in-store customer experience • Challenges of working alongside a complimentary, but separate, business • Biggest challenges faced when starting out • Lesson learned from working with Marcus Lemonis • Candy thumbs-up/down: Which ones make the grades? Contact Sweet Pete's: Info@SweetPetesCandy.com | www.SweetPetesCandy.com | @SweetPetes | @SweetPetesCandy Follow Greg @WhatsGregDoing

It's a time of rebirth in Stoneybrook, Connecticut. Out with the old, in the with the new. Dawn is dead and gone, and in her place, a new sitter must rise. And with a new sitter comes a new baby to be sat, this time in the frightening form of a video/VHS/well/water demon named Drusilla Destiny who Jack and Tanner are definitely going to keep an eye on. Sweet Pete also introduces an incredible new character called Abby Stevenson and she's an instant favorite, but she comes with a LOT of baggage, and even though she claims to be from Long Island, her origin remains frighteningly unclear for the time being. Music Credits:“Sweet Dreams (Are Made Of This)"(Karaoke Version) originally performed by Eurythmics“Noir Guitar” by Stevie's Amp Shack"Vanilla Summers” by GRIID"I've Seen Better Days"(Karaoke Version) originally performed by Citizen King Thanks to original Baby Boy Scott Lamb for the intro music and Superbrat for the outro music.

Pete Angevine, Co-Founder and CEO of Little Baby's Ice Cream, shares his journey and values-driven approach to building an entire business structure, building a brand, and connecting with the consumer. If you like our podcast, please subscribe and leave us a rating! The post A New Take on Sweet – Pete Angevine, Co-Founder of Little […] The post A New Take on Sweet – Pete Angevine, Co-Founder of Little Baby's Ice Cream appeared first on Finch Brands.

Sweet 66 & The Dispensaries Hosted by: Bruce Radel, Jeff "The Mouth" Murphy Guests : Durango 66, Derek Connor, Esq. (Connor & Connor PLLC), Sweet Pete Guest DJ: Guest Performer(s): Attorney Derek Connor chats with Bruce about the laws relating to medical marijuana use and dispensaries in the State of Nevada. Local surf band, Durango 66 talks with us about their music, as does Sweet Pete. Both participate in a round of Eric The Giant's Mr Olympia Contest. $5 Dolla Holla = Shot of ASS JUICE & Pabst Blue Ribbon for $5, available at the Double Down Saloon during the LIVEDDS broadcast. 8-10pm on Fridays. Weekdays at Double Down Saloon Noon-5pm ALL DRINKS just $2!!!! This episode was brought to you by: Steve The Producer - ...and Engineer too! Double Down Saloon Double Down Radio Thee Swank Bastards Dust Devil Media ©2016

Sparked by a meeting for Inc.com’s series, “Ask Marcus Lemonis.” Nikki and Tre travel to Sweet Pete’s in Jacksonville, Fl as special guests of Marcus Lemonis, business investor on CNBC’s “The Profit.”  Owners Pete and Allison Beringer discuss their journey from failing business with a questionable business partner, to multi-million dollar success after partnering with… The post EP3: Turning Candy into Major Coin- Sweet Pete’s Cashes in on a Deal with CNBC’s The Profit appeared first on Biz Underdog To Topdog.

This week on Turned Out A Punk we give you part 2 of the conversation with Anthony Pappalardo. Listen as Damian and Anthony discuss the formation of In My Eyes all the way to their last tour with the Cro-Mags (that ends with an incredible Harley story). Also touched on: -Turning your back on the Back On Track era of Ten Yard Fight -Sweet Pete needing to be in a band already -Having no business skills and thinking that’s the way it should be -Getting courted by labels -Being the New Balance connect -Not going to Japan -“We knew what we where”: Not being the right type of band for pro-core -The infamous (in Damian’s mind) first Toronto In My Eyes show. -Eating gluten: the start of so many straight edge memories -Dear Pushead, NO SKULLS!!! -Richie Underdog being pissed at you -Not wanting to be the “STRAIGHT EDGE” straight edge band -Sweet Pete and the Smiths -How Boston went Mod -Being assumed of some of your friends -Someone forgot to tell the Cro-Mags they have to share the bus -Kids rocking “Rap Sucks” Star Wars rip-off shirts -Chilling with Paris while Harley fights a skinhead army -Sinners and Saints -Ignite -Slapshot -Explosion -Fastbreak -Six Going On Seven -“Hardcore Social Anxiety” -The Professionals -I’ll trade you some shirts for your weed -Around The World -Social Distortion -Billy Duffying the shit all over everything

One of James' favorite shows starts its new season TONIGHT!We don't know how he did it, but he has somehow convinced the star of the show to be today's guest.Would you ever invest your time and money into a business that is basically going under with no hopes of recovering?What if the entire process were filmed and broadcast to millions of people?That might sound crazy, but that is exactly what today's guest does for a living.Marcus Lemonis, CEO of Camping World and star of the CNBC all-new reality series, "The Profit," joins The James Altucher Show."The Profit" is a television show where struggling small businesses are offered cash and expertise in exchange for a percentage of ownership in their company.Marcus has a real passion for helping others and making businesses successful.For him, it's more than just business plans, numbers, and formulas... "Business success is always about the three P's: People, Process, and Product".What Marcus really enjoys is finding out what makes people tick, what motivates them, and how they can reinvent themselves as well as their business.Have you ever considered starting your own business? How about taking one out of bankruptcy? Marcus just bought Crumbs Bakery and James wants to know why. What does Marcus see in this bankrupt company that nobody else does?Marcus explains that Crumbs was a great business but its product line was just too niched. He wants to sell more than cupcakes so he'll sell products from his other brands, like Mr. Green Tea, Matt's Cookies, and Sweet Pete's candies."You can't run a business on just cupcakes," he said. "When we reopen, we're going to have a diversified offering."This podcast is an exclusive interview with one of the most successful business minds that ever existed, and you won't get these detailed suggestions anywhere else!He even reveals some of the most overlooked business secrets... including how to improve your business with zero cost...James asks Marcus which businesses from seasons one and two have been the most successful and which have been the least. You may be surprised at his answers.Plus, he gives James a sneak peek into season three which premieres TONIGHT on CNBC at 10 p.m. ET/PT... ------------What do YOU think of the show? Head to JamesAltucherShow.com/listeners and fill out a short survey that will help us better tailor the podcast to our audience!Are you interested in getting direct answers from James about your question on a podcast? Go to JamesAltucherShow.com/AskAltucher and send in your questions to be answered on the air!------------Visit Notepd.com to read our idea lists & sign up to create your own!My new book, Skip the Line, is out! Make sure you get a copy wherever books are sold!Join the You Should Run for President 2.0 Facebook Group, where we discuss why you should run for President.I write about all my podcasts! Check out the full post and learn what I learned at jamesaltuchershow.com------------Thank you so much for listening! If you like this episode, please rate, review, and subscribe to "The James Altucher Show" wherever you get your podcasts: Apple PodcastsiHeart RadioSpotifyFollow me on social media:YouTubeTwitterFacebookLinkedIn

One of James' favorite shows starts its new season TONIGHT!We don't know how he did it, but he has somehow convinced the star of the show to be today's guest.Would you ever invest your time and money into a business that is basically going under with no hopes of recovering?What if the entire process were filmed and broadcast to millions of people?That might sound crazy, but that is exactly what today's guest does for a living.Marcus Lemonis, CEO of Camping World and star of the CNBC all-new reality series, "The Profit," joins The James Altucher Show."The Profit" is a television show where struggling small businesses are offered cash and expertise in exchange for a percentage of ownership in their company.Marcus has a real passion for helping others and making businesses successful.For him, it's more than just business plans, numbers, and formulas... "Business success is always about the three P's: People, Process, and Product".What Marcus really enjoys is finding out what makes people tick, what motivates them, and how they can reinvent themselves as well as their business.Have you ever considered starting your own business? How about taking one out of bankruptcy? Marcus just bought Crumbs Bakery and James wants to know why. What does Marcus see in this bankrupt company that nobody else does?Marcus explains that Crumbs was a great business but its product line was just too niched. He wants to sell more than cupcakes so he'll sell products from his other brands, like Mr. Green Tea, Matt's Cookies, and Sweet Pete's candies."You can't run a business on just cupcakes," he said. "When we reopen, we're going to have a diversified offering."This podcast is an exclusive interview with one of the most successful business minds that ever existed, and you won't get these detailed suggestions anywhere else!He even reveals some of the most overlooked business secrets... including how to improve your business with zero cost...James asks Marcus which businesses from seasons one and two have been the most successful and which have been the least. You may be surprised at his answers.Plus, he gives James a sneak peek into season three which premieres TONIGHT on CNBC at 10 p.m. ET/PT... See omnystudio.com/listener for privacy information.

Featuring: Hear the new crew AND the old crew!More listener mail than is probably healthy!Sweet Pete travels through time with his friend, Blue Balls!Enjoy a montage of our favoritest podcast moments ever!Why does it hurt when I pee?