Podcasts about taxi drivers

By the mid-1970's the old Hollywood studio system was on life support, allowing new filmmakers to break through with unusually provocative features, none more so than Martin Scorsese's surprise 1976 hit, Taxi Driver. With its perversely lost and disconnected “hero”, remorseless dive into the most degraded aspects of a dying New York City, and shocking violence, Taxi Driver was unique. Leonardo DiCaprio has described it as the greatest independent film ever made, even though it was financed and distributed by a major studio. Half a century later and with a steady diet of screen violence and horror, how has this great film's cultural meaning and impact changed?  Listen in to hear the viewpoints of film lovers who were there when it was released — and those seeing it for the first time with 21st century eyes.   Hosts: Mark Netter & David Tausik  Panelists:  Guy Lewis, Olive Goldberg & Sonia Howell An ElectraCast Production  Trailer: https://www.youtube.com/watch?v=T5IligQP7Fo Wikipedia: https://en.wikipedia.org/wiki/Taxi_Driver IMDB: https://www.imdb.com/title/tt0075314/ Rotten Tomatoes: https://www.rottentomatoes.com/m/taxi_driver   Learn more about your ad choices. Visit megaphone.fm/adchoices

Theo Rossi, Aaron Harvey, and Ronnie Gene Blevins are the creative team behind Come With Me, a dark, character-driven thriller about a seemingly ordinary man whose life begins to unravel through isolation, grief, fear, and the steady influence of the media he consumes. Written and directed by Harvey and starring Rossi and Blevins alongside Ron Perlman, the film draws from the tradition of intimate character portraits like Taxi Driver, examining how an otherwise functional person can gradually become susceptible to destructive ideas.In this episode, Theo, Aaron, and Ronnie discuss building Simon's transformation one small moment at a time, resisting the temptation to tell audiences what to think, and using performance, pacing, real locations, and practical filmmaking to keep the movie grounded. They also dig into the value of character actors, the dangers of isolation and algorithmic echo chambers, and why movies should challenge audiences rather than simply give them another quick hit of entertainment.On today's episode of The Nick Taylor Horror Show, here, without further ado, are Theo Rossi, Aaron Harvey, and Ronnie Gene Blevins.Show NotesMovies MentionedCome With MeTaxi DriverCool Hand LukeThe NeighborFirst ReformedJokerFalling DownHeatThe ThingFollow Theo Rossi at:Instagram: https://www.instagram.com/theorossi/IMDb: https://www.imdb.com/name/nm0744331/X (Twitter): https://x.com/TheorossiFollow Aaron Harvey at:Instagram: https://www.instagram.com/filmharvs__/IMDb: https://www.imdb.com/name/nm1980747/X (Twitter): https://x.com/aaronharvFollow Ronnie Gene Blevins at:Instagram: https://www.instagram.com/ronniegeneblevinsIMDb: https://www.imdb.com/name/nm1237235/Facebook: https://www.facebook.com/ronnieblevinsofficial/X (Twitter): https://x.com/Ronniegblevins

Why bother to even ask for directions at all, when you can just hop in a cab, call your Chinese friend, and have her tell the driver where you want to go? In this lesson, our lazy office visitor does just that. But you may just learn some Chinese from the exchange if you listen in and pay attention! Episode link: https://www.chinesepod.com/1845

John Cleary is a taxi driver by profession, but is also Senior Plus Footgolf National Champion 2025 and 2026.He joins Seán to discuss how exactly the sport works!

John Cleary is a taxi driver by profession, but is also Senior Plus Footgolf National Champion 2025 and 2026.He joins Seán to discuss how exactly the sport works!

Nate, Matt, and Bryan take a trip back to 1976 and catch a cab ride with Martin Scorsese's "Taxi Driver."Follow us and leave a review:BlindBuyMedia https://boxd.it/2jJyfandBryan_P https://boxd.it/Rjp7

Lester Kiewit speaks to Nabilah Diedericks, a local business owner and mother who found herself being threatened with a firearm in morning traffic, by a taxi driver because she would not give way to him. Good Morning Cape Town with Lester Kiewit is a podcast of the CapeTalk breakfast show. This programme is your authentic Cape Town wake-up call. Good Morning Cape Town with Lester Kiewit is informative, enlightening and accessible. The team’s ability to spot & share relevant and unusual stories make the programme inclusive and thought-provoking. Don’t miss the popular World View feature at 7:45am daily. Listen out for #LesterInYourLounge which is an outside broadcast – from the home of a listener in a different part of Cape Town - on the first Wednesday of every month. This show introduces you to interesting Capetonians as well as their favourite communities, habits, local personalities and neighbourhood news. Thank you for listening to a podcast from Good Morning Cape Town with Lester Kiewit. Listen live on Primedia+ weekdays between 06:00 and 09:00 (SA Time) to Good Morning CapeTalk with Lester Kiewit broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/xGkqLbT or find all the catch-up podcasts here https://buff.ly/f9Eeb7i Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalkSee omnystudio.com/listener for privacy information.

“A sailor doesn't control the sea, but understanding the waves matters enormously.” — Mikko Ketovuori Our mood, as always, is miserable. Iran, the price of oil, the AfD, the long-term cancers from 9/11 dominate the headlines. But today's guest thinks we've got the mood wrong. The writer Mikko Ketovuori — who wrote the intro to the Finnish edition of my own The Internet Is Not the Answer — has a new book out, Waves of Change, which is a study of the zeitgeist. Social mood drives events, Ketovuori argues, not the other way around. So the news measures nothing but the mood itself. Are our times actually bad? “No,” Ketovuori insists. Things — from the arts to our abundance of food — are actually pretty good. Today's perceived misery is, in fact, just the undertow. Surfing the waves of history — from the Dutch tulip mania of the 17th century to the 19th century philosophers buried in Highgate cemetery to the swinging Sixties — Ketovuori is actually bullish on our current futures. So buy the future. It will cheer everyone up. Five Takeaways •       Social Mood Drives Events. The inversion at socionomics' core: we assume events shape our feelings, but the collectively shared, largely unconscious social mood comes first, framing how we interpret everything — the news is “a sociometer,” reflecting the mood rather than the world (in the bright-mooded 1980s, Ketovuori notes, the news simply read better). The field — sociology plus economics — was founded by Robert Prechter, the 1970s Wall Street guru behind Elliott Wave International, with whom Ketovuori has worked for twenty years; the book distills four decades of that tradition, “not totally my idea,” he says with Finnish honesty. And are our times actually bad? No: “actually, we are doing pretty well. You can have access to all the arts, all the books… We have plenty of food. What else do we need?” The misery is the mood — and if you surround yourself with miserable people and search the Internet for miserable news, you will reliably feel miserable.•       The Beatles and the Dow. Prechter founded the theory on a startling correlation between the Beatles' rise and the Dow Jones average — and Ketovuori ran the replication: Nokia's share price against the pop music Finland listened to around 2006–2009, published in Cambridge's Popular Music journal. Music, he argues, reflects social mood almost predictively. The chicken-and-egg question resolves cleanly in socionomics: the sixties made the Beatles, not the reverse — had Lennon and McCartney been born ten years earlier, “the time decides whether you succeed or not.” Which reframes where the next optimism will come from: unknowable in advance, because “optimism comes first, and then we see the fruits” — only afterward do we anoint the artists, writers, and politicians who captured the essence of the era.•       Marx & Spencer, Staring. The book's set piece — written standing in Highgate Cemetery, a stroll from Andrew's old school: Karl Marx's tourist-thronged tomb faces the largely forgotten grave of Herbert Spencer, the Social Darwinist — “the father of capitalism and the father of socialism are staring at each other,” and Ketovuori imagines their conversation after the tourists leave and night falls. Andrew completes the triangle with Highgate's third resident, Alexander Litvinenko — the Putin-poisoned defector whose polonium killing, Ketovuori marvels via Luke Harding's reporting, cost something like £50 million “just to wipe out one man. So somebody hated him very much.” The cemetery lesson is the book's: some things don't change, they return cyclically — Wagner and mad Ludwig included. Cemeteries, both agree, are creative places.•       The Finnish Corrective. Finland supplies the book's ballast. The history: the Winter War against Stalin (Hitler's ally, by the Ribbentrop pact), independence kept “just by fighting back,” then the deck reshuffled by Barbarossa — and, little remembered, Finland driving the Germans from Lapland after 1944. The present: Finnish far right and far left importing American arguments verbatim — “that's crazy, because we are not Americans” — opinions taken from media rather than lived. And the myth-busting: days before recording, new PISA results showed Finland's fabled education system “has really gone down.” The thirty-year teacher educator's advice to admiring Americans: “look to Estonia.” Even education, he notes from a chapter on lecturing at Columbia Teachers College, moves in cycles of idealization and correction.•       A Sailor Doesn't Control the Sea. The agency question, answered in the episode's pull quote: we steer our own lives, but the social mood — the sea itself — no one controls. The evidence tour: Disney thrives in optimistic times while 1975's dark mood produced Taxi Driver and “the movie about the shark” (past guest territory twice over — Scorsese biographer Mark Binelli visits soon); Prechter's firm, Ketovuori claims, predicted the date of the Crimea war from wave analysis of the Moscow stock exchange; and yesterday's Edmans episode gets its socionomic sequel in his tulip-mania essay. To Andrew's closing paradox — American stock-market exuberance and cultural apocalypticism simultaneously, per this week's Kirsch episode on UFOs — Ketovuori answers “neither” is real, noting the last great UFO panic also preceded a world war. His distinction: technology amplifies mood but doesn't originate it — the Internet books were euphoric before 2008 and dark after, as Andrew's own shelf attests. We, the people, decide how to use it. Andrew's sign-off takes the bullish view: buy the future — it will cheer everyone up. About the Guest Mikko Ketovuori is a University Lecturer in the Department of Teacher Education at the University of Turku, Finland. His research spans socionomics and herd theory, education policy, and the role of the arts in society; he has lectured across Asia, Europe, and North America, and is the author of Socionomics: How Social Mood Shapes Society. He also wrote the introduction to the Finnish edition of Andrew's The Internet Is Not the Answer. Waves of Change: A Study of Social Mood (Iff Books, October 2026) collects thirteen essays on the tides of collective feeling. He lives in Turku, the old capital of Finland. References: •       Waves of Change: A Study of Social Mood by Mikko Ketovuori (Iff Books, October 2026). The publisher's tagline: history doesn't repeat itself — social mood does.•       Socionomics: How Social Mood Shapes Society by Mikko Ketovuori, and Robert Prechter's The Socionomic Theory of Finance — the theoretical foundations.•       The Madness of Markets by Alex Edmans — yesterday's episode, and the rationalist's account of the same manias.•       We Want to Believe by Adam Kirsch — this week's UFO episode; Ketov...

Devin & James are back in the Den to explore a decade in the career of one of our favorite American character actors: PETER BOYLE IN THE 1970s! From the his humble beginnings in the late 60s until his passing in 2006, Boyle was a consistently working actor and beloved legend of film and television, but there was something special about his output during the decade of the New Hollywood movement.We start with 1970's still controversial JOE, a part that Boyle filled so perfectly during production that the entire film was re-edited and re-titled in post in order to switch his supporting character into the main event! We follow that up with still-timely THE CANDIDATE, in which Boyle spins himself far, far, far away from the "Joe-persona" to help liberal Robert Redford become a California senator. Boyle then returns to dark territory, playing an ominous presence in the life of Robert Mitchum in a classic neo-noir slow burn, THE FRIENDS OF EDDIE COYLE. He finally gets a proper starring role in the absurdly under seen and underappreciated CRAZY JOE, where he plays real life wiseguy Joe Gallo, running a gang that includes the likes of Rip Torn, Fred Williamson, and Henry Winkler!There might not have been a ton of dialogue for Boyle in his biggest hit of the 70s, YOUNG FRANKENSTEIN, but his turn as "Fronkensteen's Monster" is one of the most important and beloved of his entire career. We try not to spend the entire segment endlessly quoting Gene Wilder & Mel Brooks' script.And just for the hell of it, we finish the decade off the same way Peter Boyle did, with the (literal and figurative) disaster film, BEYOND THE POSEIDON ADVENTURE, featuring an all-star cast of actors who must have all had bookies to pay to be in this one (though we argue it's all in dumb fun).In between, we also consider his contributions to high profile projects like Taxi Driver, Hardcore, and The Brink's Job, as well as obscurities like Steelyard Blues and T.R. Baskin. Please join us in the Den to celebrate one of the most unique performers to ever steal a scene.

You poddin' to me? Well, listener, actually - we are podding to you. For nearly FOUR HOURS. The great Tracy Letts joins us to talk about Scorsese's monumental Taxi Driver, a film that is both fully ingrained in the American psyche and completely surprising and effective on every rewatch. Of course we're gonna spend our longest episode ever talking about it! This week, we discuss Paul Schrader's "God's Lonely Man" fixation, Ben's uncle's experiences as a New York City cab driver, the 1976 Oscars, Taxi Driver's themes of male loneliness and white supremacy, the incredible performances of Robert De Niro and Jodie Foster, and how totally normal it is to go to a porno theater on your second date. Oh, and there's plenty of physical media talk. Listen to the 1976 Draft ep of the Big Picture Check out MVD Marquee / Radiant / Vinegar Syndrom Buy The Haunting to listen to Tracy and Sean do a commentary Watch Bette Davis and Robert Wise, Oscars 1987 Watch "The King of Horror" Read Transcendental Style in Film Read You'll Never Eat Lunch in This Town Again Read Drama: An Actor's Education Read Night-Shifting for the Hip Fleet “By Mark Jacobson Listen to Marty go Hogg wild Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices

This is the 4PM All-Local update on Sunday, Aug. 30.

Yes, yes in fact we are talking to YOU. It's Your 432nd Pint! Enjoy 

The taxi sector is attracting more new drivers with the highest number on record in 10 years, that is according to the National Transport Authority, but the new research shows that fears for personal safety are the main reason taxi drivers stop working nights.Joining Ciara to discuss is Jim Waldron, Spokesperson for the National Private Hire and Taxi Association.

This year, Scorsese's classic Taxi Driver (1976) turns 50. We thought that an appropriate milestone to rewatch the movie and talk about it again. When is the last time you watched this classic film? Tune in and join the discussion online.

Sports Month closes out with the quintessential non-sports sports movie: Rocky (1976). Brian and John are joined by Dustin and Nate from The Silver Linings Playlist Podcast  to break down Stallone's underdog script (allegedly written in three days), the real Chuck Wepner vs. Muhammad Ali fight that inspired it, Carl Weathers' criminally underrated Apollo Creed, and a running theory that Rocky himself reads as autistic-coded — "his special interest is punching." Plus: how this movie beat Taxi Driver, Network, and All the President's Men for Best Picture, whether the Rocky/Adrian romance holds up in 2026, and a Letterboxd reviews segment that gets weird fast.

In honor of its recent 50h Anniversary, here is our newly remastered (with additional content) review of one of The Most Influential Films of the 1970's.....What can be said about one of THE most iconic movies of the past 50 years which hasn't been said already?   Well you probably know that it was directed by Martin Scorsese, one of our greatest living American filmmakers.  And you probably also know it stars the legendary Robert DeNiro in one of his most iconic roles playing Travis Bickle, the titular taxi driver.  You might also know that it was also written by the renowned writer/director Paul Shrader who would go on to craft other iconic films including American Gigolo and Affliction, along with several other collaborations with Scorsese.  You probably already have an idea that it tells the story of an Vietnam veteran, disgruntled cab driver who eventually finds himself on a mission to "clean up the streets" of mid '70's New York City in his own unique way of course. Whatever you might know regardless,  it's never a bad time to revisit this classic film which has inspired millions of imitators since its release......all pretending to be tough staring in a mirrow, uttering, "You talkin' to me??"Host & Editor: Geoff GershonProducer: Marlene Gershon Send us Fan MailSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/ 

Ten years after John Hinckley Jr. left St. Elizabeths Hospital, his attempted assassination of President Ronald Reagan remains one of the most remarkable chapters in modern presidential history.In this episode of MX3 Podcast, we revisit the events that led John Hinckley Jr. from an obsession with Jodie Foster to stalking President Jimmy Carter, an airport arrest involving firearms, and ultimately the March 30, 1981 assassination attempt on Ronald Reagan outside the Washington Hilton.We also discuss Hinckley's surprising connections to Ardmore, Oklahoma and Highland Park, Texas, his fascination with Taxi Driver, the warning signs before the Reagan shooting, his insanity verdict, his 2016 release from St. Elizabeths under restrictions, and the later removal of those restrictions.A recent interview has once again brought Hinckley and his fixation on Jodie Foster into the spotlight. Nearly half a century after the shooting, one difficult question remains: should the public consider John Hinckley Jr. rehabilitated, or does his history still give you pause?

Bongani Bingwa speaks to Sikonathi Mantshantsha, Senior Investigative Journalist at News24, about TTTB Supplying and Construction, a company linked to EFF leader Julius Malema’s former driver, Tebadi Collins Foromo. The company has allegedly received around R339 million from the City of Ekurhuleni since 2016. 702 Breakfast with Bongani Bingwa is broadcast on 702, a Johannesburg based talk radio station. Bongani makes sense of the news, interviews the key newsmakers of the day, and holds those in power to account on your behalf. The team bring you all you need to know to start your day Thank you for listening to a podcast from 702 Breakfast with Bongani Bingwa Listen live on Primedia+ weekdays from 06:00 and 09:00 (SA Time) to Breakfast with Bongani Bingwa broadcast on 702: https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/36edSLV or find all the catch-up podcasts here https://buff.ly/zEcM35T Subscribe to the 702 Daily and Weekly Newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio7See omnystudio.com/listener for privacy information.

Aengus Cox, Agriculture and Consumer Affairs Correspondent

THE FASTEST ZOMBIES IN CINEMA JUST BOARDED A TRAIN WITH NOWHERE TO RUN! Limited Time Offer: Make healthy eating simple! Get Huel today with our exclusive offer of 15% OFF online with code REJECTS at https://huel.com/REJECTS — New Customers Only. Thank you to Huel for partnering with and supporting our show! Jackie Bonsignore & Paige Kimsey experience Train to Busan (2016) for the first time in this Train to Busan full movie reaction, review, and breakdown celebrating the acclaimed Korean zombie thriller's 10th-anniversary 4K theatrical rerelease! When a mysterious outbreak erupts across South Korea, workaholic father Seok-woo and his young daughter Su-an become trapped aboard a speeding train filled with rapidly spreading infected passengers. From the terrifying first transformation and chaos at Daejeon Station to the survivors fighting through packed train cars and using dark tunnels to their advantage, Jackie & Paige experience Yeon Sang-ho's thrilling and deeply emotional K-horror classic! Train to Busan Full Movie Reaction Watch Along:   / thereelrejects   Directed by Yeon Sang-ho (Hellbound, Peninsula), Train to Busan stars Gong Yoo as Seok-woo (Squid Game), Kim Su-an as Su-an (Along with the Gods), Ma Dong-seok / Don Lee as Sang-hwa (Eternals, The Roundup), Jung Yu-mi as Seong-kyeong (Sleep), Choi Woo-shik as Yong-guk (Parasite), Ahn So-hee as Jin-hee (Missing: The Other Side), and Kim Eui-sung as Yon-suk (Taxi Driver). Jackie & Paige discuss the relentless infected, claustrophobic train action, incredible physical stunt performances, Seok-woo's relationship with his daughter, Sang-hwa's heroic presence, the film's sharp social commentary, and why Train to Busan remains one of the most acclaimed and emotional zombie movies ever made! Follow Jackie Bonsignore: https://www.instagram.com/jackiebonsignore/ Follow Paige Kimsey https://www.instagram.com/paige.popcorn?igsh=NTc4MTIwNjQ2YQ%3D%3D Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Boorman and the Devil director David Kittredge walks hosts Josh Olson and Joe Dante through the movies he loves that a lot of other people think are terrible! Show Notes: Movies Referenced In This Episode Boorman and the Devil (2026) The Exorcist (1973) Exorcist II: The Heretic (1977) The Exorcist III (1990) The Godfather (1972) The Godfather Part II (1974) Blow-Up (1966) Rocky (1976) Sgt. Pepper's Lonely Hearts Club Band (1978) Apocalypse Now (1979) Excalibur (1981) Grease (1978) Gremlins II: The New Batch (1990) The Apple (1980) Spider-Man: Brand New Day (2026) The Odyssey (2026) Barbie (2023) Oppenheimer (2023) The Thing (1982) E.T. The Extra-Terrestrial (1982) Sorcerer (1977) The Wages of Fear (1964) Cruising (1980) Bad Boy Bubby (1993) Taxi Driver (1976) Dangerous Men (2005) Beyond the Valley of the Dolls (1970) The Black Hole (1979) Star Wars (1977) 20,000 Leagues Under the Sea (1954) Condorman (1981) The Watcher in the Woods (1980) Close Encounters of the Third Kind (1977) Can't Stop the Music (1980) The Fabulous Allan Carr (2017) Xanadu (1980) Hudson Hawk (1991) A History of Violence (2005) The Adventures of Ford Fairlane (1990) Batman Returns (1992) Batman Forever (1995) Looker (1981) The Stepford Wives (1976) Rosemary's Baby (1968) Animal House (1978) Midnight Madness (1980) Meatballs (1979) 1941 (1979) Jaws (1975) It's a Mad, Mad, Mad, Mad World (1963) Dumbo (1941) Scavenger Hunt (1979) The Love Guru (2008) Southland Tales (2007) Room 237 (2012) Ghost Boy (TBD) Spice World (1998) A Hard Day's Night (1964) Black Narcissus (1947) Other Notable Items Our revamped Patreon!  The Hollywood Food Coalition The Aero Theatre in Hollywood Mark Kermode John Boorman Martin Scorsese Michael Schultz The A-Team TV series (1983-87) Victor Hsu Aerosmith Earth Wind and Fire Steve Martin Carol Channing The New Beverly Cinema in Los Angeles Richard Kelly Robert Evans IMAX TCL Chinese Theatre Christopher Nolan John Carpenter William Friedkin Menahem Golan Rolf de Heer  Nicholas Hope Cinefile Video The Cannon Group Joss Ackland Walt Disney Pictures Roddy Macdowall Slim Pickens Anthony Perkins Michael Eisner Jeffrey Katzenberg ILM TFH Guru Edgar Wright The Venice Film Festival Caitlyn Jenner Allan Carr Valerie Perinne Steve Guttenberg The Village People Tammy Grimes Paul Sand Bill Butler Nancy Walker Disco Jeffrey Schwartz The cursed 1989 Rob Lowe Oscars Michael Beck Brain Dead Studios in Los Angeles Bruce Willis  Danny Aiello Andie MacDowell  James Coburn David Caruso Sandra Bernhard  Richard E. Grant Steven de Souza Daniel Waters TFH Guru Michael Lehmann The Unmaking of Hudson Hawk by David Hughes (2026) David Hughes' Rogue Commentary podcast Tim Burton Batman Val Kilmer  Nicole Kidman Michael Crichton Albert Finney Susan Dey Leigh Taylor-Young  HBO Rick Rossovich  Tim Rossovich CinemaScope Barry De Vorzon Michael J. Fox David Naughton Stephen Furst Andy Tennant CalTech Eddie Deezen  The Exorcist TV series (2016-17) Steven Spielberg The Zoot Suit Riots William Fraker Treat Williams Ned Beatty Dan Aykroyd John Belushi Joe Flaherty Christopher Lee Toshiro Mifune Warren OatesRobert Stack Mickey Rourke Wendie Jo Sperber Nancy Allen Murray Hamilton Lorraine Gary Tim Matheson  Columbia Pictures Universal Pictures Samuel Fuller John Williams The Egyptian Theatre in Los Angeles Dick Miller Vincent Price Richard Benjamin James Coco Scatman Crothers Ruth Gordon Cloris Leachman Cleavon Little Roddy McDowall Robert Morley Richard Mulligan Tony Randall Dirk Benedict Willie Aames Stephanie Faracy Richard Masur Meat Loaf Avery Schreiber Arnold Schwarzenegger Mike Meyers Cannes Film Festival Rodney Ascher  Steven Poster  Moby Dwayne “The Rock” Johnson Sean William Scott Saturday Night Live TV series (1975- ) Cheri Oteri John Lovitz Nora Dunn John Larroquette Miranda Richardson Justin Timberlake Kevin Smith Janeane Garofalo Wallace Shawn Zelda Rubinstein The Spice Girls Richard O'Brien Michael Powell Emeric Pressburger SpectreVision Radio is a bespoke podcast network at the intersection between the arts and the uncanny, featuring a tapestry of shows exploring creativity, the esoteric, and the unknown. We're a community for creators and fans vibrating around common curiosities, shared interests and persistent passions. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠spectrevisionradio.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠linktr.ee/spectrevisionsocial Learn more about your ad choices. Visit megaphone.fm/adchoices

This podcast is an excerpt of a longer episode featuring an author interview with Marcello DiCintio.Marcello Di Cintio is the prize-winning author of six books, including Walls: Travels Along the Barricades, Pay No Heed to the Rockets: Palestine in the Present Tense, and Driven: The Secret Lives of Taxi Drivers. He has also written for the Globe and Mail, The Walrus, The International New York Times, and Canadian Geographic, among others. He lives in Calgary. His latest work for Windsor's Biblioasis Press is Precarious: The Lives of Migrant Workers.https://marcellodicintio.com/https://www.biblioasis.com/shop/new-releases/precarious-the-lives-of-migrant-workers/

A dual British-Azerbaijani national from London has been arrested in Cyprus and faces extradition to the United Kingdom on suspicion of conducting hostile surveillance of the strategic RAF Akrotiri air base and sharing the information with Iran's Islamic Revolutionary Guard Corps. Rashad Sultanov, 44, is at the center of the first investigation under the UK's National Security Act involving an overseas territory. The case highlights growing concerns about Iranian intelligence activity targeting British military facilities in the eastern Mediterranean.

Give It Up writer/star Gareth Reynolds breaks down some of the movies about comedians that made him with hosts Josh Olson and Joe Dante! Show Notes: Movies Referenced In This Episode The Lord of the Rings: The Fellowship of the Ring (2001) Give it Up (2026) The Aristocats (1970) The Aristocrats (2005) Funny People (2009) This is 40 (2012) Man on the Moon (1999) Jim and Andy: The Great Beyond (2017) I'm From Hollywood (1989) Comedian (2002) American Movie (1999) Joan Rivers: Piece of Work (2010) A History of Violence (2005) Rabbit Test (1978) George Carlin: Jammin' in New York (1990) George Carlin's American Dream (2022) George Carlin: It's Bad for Ya (2008) Punchline (1988) The Omen (1976) Bill Hicks: Relentless (1992) American Splendor (2003) American: The Bill Hicks Story (2009) Richard Pryor: Live in Concert (1979) Richard Pryor: Live on the Sunset Strip (1982) Blue Collar (1978) The King of Comedy (1982) Meet the Parents (2000) Taxi Driver (1976) The Wolf of Wall Street (2013) Pee-wee as Himself (2025) Innerspace (1987) Other Notable Items Our revamped Patreon!  The Hollywood Food Coalition Air New Zealand The Dollop Podcast Peter Jackson Weta Workshop The Lord of the Rings film franchise Dave Anthony Our first podcast with The Dollop John Lennon Paul McCartney Our Glenn Howerton podcast episode Harlan Ellison New York Friars Club in New York The Hollywood Improv in Los Angeles Judd Apatow Adam Sandler Scott Alexander TFH Guru Larry Karaszewski Andy Kaufman Jim Carrey Comedy Central ABC's Wide World of Comedy TV series (1973-76) Elvis Presley Bob Zmuda  Fridays TV series (1980-82) Mark Blankfield  Lawrence Welk The Pretenders Late Night with David Letterman TV series (1982-93) Kyle Anderson Jerry Seinfeld Gary Shandling Orny Adams Dane Cook Joan Rivers Don Rickles The Tonight Show Starring Johnny Carson TV series (1962-92) The Dewey Decimal System Dick Clark Russell Crowe Edgar Allan Poe Billy Crystal Gareth and Dave's Past Times Podcast George Carlin Johnny Carson Tom Hanks Sally Field John Goodman David Seltzer Bill Hicks Paul Giamatti HBO MC Hammer Vanilla Ice Rush Limbaugh The Tonight Show with Jay Leno TV series (1992-2014) David Letterman David Cronenberg Denis Leary Richard Pryor Paul Schrader Yaphet Kotto Harvey Keitel Robert De Niro Jerry Lewis Sandra Bernhardt Just a Shot Away: Martin Scorsese's Life in Film book by Mark Binelli (2026)  Paul Reubens Thomas Jane Our Martin Short podcast episode Gareth and Jake Johnson's podcast We're Here To Help SpectreVision Radio is a bespoke podcast network at the intersection between the arts and the uncanny, featuring a tapestry of shows exploring creativity, the esoteric, and the unknown. We're a community for creators and fans vibrating around common curiosities, shared interests and persistent passions. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠spectrevisionradio.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠linktr.ee/spectrevisionsocial Learn more about your ad choices. Visit megaphone.fm/adchoices

John Fraser: Grayscale Morality, Darkroom Nostalgia, and 'Choir Girl'On today's episode of Salt Lake Dirt, Kyler chats with Australian writer and director John Fraser about his feature film, Choir Girl. John shares the long road to bringing the project to life, tracing its origin from an Australian song lyric to a gritty, black-and-white noir set in the world of analog photography. The two discuss the tactile nostalgia of darkrooms, navigating rejection in independent filmmaking, and exploring urban decay through morally complex characters. John also breaks down the influences behind the film, comparing its atmospheric tone and themes to classics like Taxi Driver and Joker. Great film, great chat. Thanks for listening!---Episode Links:FB: @ChoirGirlMovieFilm TrailerStream on TubiWatch on Apple TV

Stewart Alsop sits down with Matias Avalos on this episode of the Wisdom podcast to explore the intersection of technology, humanism, and creative sovereignty. The conversation moves from Matias's work with neural network-based audio plugins and effect chains to broader questions about corporate transhumanism, data ownership, and what it means to maintain human agency in an increasingly automated world. They discuss the dangers of convenience-driven technological adoption, the implications of companies like Palantir and Neuralink, and how bureaucratic incentives push toward total legibility while protecting their own opacity. Along the way, they touch on everything from IMAX audio production and the death of walkable cities to Instagram's transformation from visual diary to data extraction platform, ultimately arguing for local, open-source, and sovereign approaches to technology that keep humans in the loop rather than replacing them with "average fabrics" of algorithmic output. Find Matias Avalos on LinkedIn for more techno-poetic discussions.Timestamps00:00 Stewart welcomes Matias Avalos to discuss their friendship and upcoming conversation topics.05:00 Matias explains audio effect chains using neural networks to capture professional recording room signatures and create portable high-fidelity sound processing.10:00 Discussion of piezoelectric microphones converting sound vibrations to electrical signals and CIA experiments using lasers to capture audio from glass surfaces.15:00 Conversation shifts to digital audio recording, sampling rates, and the importance of source material quality for post-production work.20:00 Stewart shares his journey building web conferencing software to replace Riverside, encountering lip-sync problems and learning about FFMPEG processing.25:00 Matias discusses corporate transhumanism, Neuralink's implications, and how brain interfaces could enable continuous taste mining beyond medical applications.30:00 Analysis of corporate transhumanism through companies like Neuralink, discussing private decision-making, lack of transparency, and various transhumanist philosophies globally.35:00 Matias reads poetry about digital replicas and data generation, exploring how wearable devices continuously capture human activity creating targetable information streams.40:00 Discussion of Peter Thiel's shift from libertarianism to neoconservatism, Palantir's origins in Total Information Awareness program, and Buenos Aires as humanist sanctuary.45:00 Examination of American convenience culture, post-WWII suburban isolation, and Buenos Aires as walkable humanist alternative to car-dependent American cities.50:00 Matias presents Neil Harbison as positive transhumanism example, explaining color-to-vibration synesthesia implant while discussing techno-optimism from Global South perspective.55:00 Conversation explores bureaucratic incentives toward population legibility, compelled silence laws, and sovereignty through open-source local technology ownership avoiding corporate control.60:00 Matias concludes discussing digital identity ownership, social network portability, and how digital twins determine human worth across platforms and borders.Key Insights1. Modern digital audio processing technologies represent a fundamentally different approach to music and sound production compared to generative AI tools. Matias Avalos distinguishes between technologies like Neural DSP's Mantra plugin, which uses deep neural networks to capture and emulate professional recording environments, and generative platforms like Suno. The key difference is that traditional digital signal processing tools put the creator in control, allowing them to make artistic decisions using expensive effect chains that would otherwise only be available in elite studios like Abbey Road. These technologies democratize access to professional audio tools without removing human agency from the creative process, whereas generative AI tools operate as black boxes that produce outputs based on prompts rather than allowing genuine creative control.2. The capture and preservation of source material remains critically important in audio and video production, despite advances in post-production capabilities. Through his experience building a web conferencing application to replace Riverside.fm, Alsop learned that many technical problems, particularly lip-sync issues, stemmed from poor source file management and recording methodology. This principle extends across all media production, as Avalos explains using the example of missing lighting in professional photography. While modern generative AI might attempt to invent missing elements, the results cannot match properly captured source material. This highlights a fundamental tension in contemporary media production where the quality triangle of cheap, good, and fast has been disrupted by AI technologies that can deliver all three if we lower our standards for what constitutes good work.3. Corporate transhumanism represents a particular and concerning subset of transhumanist philosophy that differs significantly from earlier artistic and philosophical approaches to human enhancement. While early transhumanists like Neil Harbison, a color-blind artist who implanted a device to translate color frequencies into vibrations, pursued personal enhancement and expanded human experience, corporate transhumanism as practiced by companies like Neuralink focuses on technological integration with significant profit motives and control mechanisms. The discussion highlights how these corporate approaches position themselves as solving medical and cognitive problems while simultaneously creating dependency through terms of service, data mining, and token-based economic models. This represents a Trojan horse where the promise of enhanced capability masks the establishment of new forms of control and surveillance of human consciousness itself.4. The concept of legibility as a bureaucratic end goal rather than a means to an end explains much of the surveillance apparatus that has developed in Western societies, particularly in the United States since 9/11. Alsop describes how those in positions of power, wealth, and fame have a structural incentive to make everything around them legible and controllable while maintaining their own privacy and illegibility to external observation. This dynamic manifests in technologies like Palantir and in legal mechanisms like compelled silence through gag orders, which directly contradict constitutional principles of free speech. The drive for total legibility of populations appears to have no ultimate purpose beyond the accumulation of legibility itself, creating a recursive loop where surveillance and data collection become self-justifying activities that serve power structures rather than the populations they ostensibly protect.5. Human beings continuously generate enormous streams of metadata through their daily activities, creating what Avalos describes as evaporating against our own will into hundreds of RSS feeds for hundreds of corporations. This automatic data production occurs through basic activities like waking up, moving through space with smartphones and wearable devices, and interacting with digital platforms. The fundamental question that predates transhumanism but becomes more urgent within it is how individuals can own what they produce simply by existing and moving through the world. This data is captured through accelerometers, gyroscopes, GPS systems, and countless other sensors that create comprehensive digital profiles without explicit consent or meaningful control by the individuals being monitored. The unilateral nature of this communication, where individuals broadcast data without receiving genuine value in return, has become so deeply embedded in modern infrastructure that it forms part of the taken-for-granted landscape of contemporary life.6. Platform lock-in and the inability to migrate digital identity across services creates a new category of loss that requires genuine grieving. Avalos describes how his experience with Instagram, which began as a personal visual diary before the Facebook acquisition, evolved into a situation where he cannot extract his creative work and social connections from the platform without significant loss. This phenomenon extends beyond mere inconvenience to touch on fundamental questions of identity and citizenship, as social media profiles increasingly determine real-world opportunities like visa applications and border crossings. The implications of digital footprints have become severe enough that individuals can be denied entry to countries based on algorithmic analysis of their online interactions, likes, and expressed beliefs. This creates a situation where people are worth exactly what their digital twin indicates they are worth, with no meaningful avenue for human appeal or nuanced self-representation.7. The future relationship between humans and technology requires a return to principles of sovereignty, local control, and open source development rather than dependence on corporate platforms and proprietary systems. Both Alsop and Avalos advocate for a do-it-yourself approach to technology that emphasizes ownership and control over personal tools and data. This includes avoiding closed systems like Neuralink unless they become open source and user-controlled, and prioritizing local execution of AI models over cloud-based services that create dependencies and enable surveillance. The conversation suggests that techno-optimism remains possible, but only from what Avalos calls the trenches, acknowledging the different relationship that people in the Global South and those outside centers of power have with technology. This grounded optimism recognizes the entanglement of beneficial and harmful aspects of technological development and maintains that human agency and creative freedom require conscious resistance to the convenience-at-all-costs model that has characterized recent technological adoption.

datum: 17 mei 2026 locatie: De Cinema (van De Studio), Antwerpen gasten: Alex Agnew, Jonas Govaerts Na het samen bekijken van het 50 jaar oude Taxi Driver (1976 van Martin Scorsese met Robert De Niro) bespreken we deze film live in De Cinema en overlopen we films van de acteurs en de regisseur.  De lijst met films kun je hier vinden: https://letterboxd.com/jokerfokke/list/fokcast-655-taxi-driver-en-meer/

No cheating nor stealing — it's Timothy Olyphant. ‘A complaint of actors' and other druthers: a hunch, being taken seriously, Mick's vulnerabilities, cheap champagne and a pocket full of chips. “When he's doing Taxi Driver, he knows that's funny, right?” Welcome to SmartLess. Subscribe to SiriusXM Podcasts+ to listen to new episodes of SmartLess ad-free and a whole week early. Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week on Movie Mistrial, we drive through the neon gloom of 1970s New York with Martin Scorsese's Taxi Driver.Robert De Niro's iconic performance and Scorsese's gritty direction create one of cinema's most powerful portraits of alienation and obsession. Its relentless darkness and morally disturbing protagonist can make it a deeply uncomfortable watch for some viewers.Join us as we examine whether Taxi Driver is a timeless masterpiece—or an intentionally unsettling experience that resists easy praise.Connect with us and share your thoughts:Twitter: http://tiny.cc/MistrialTwitter Facebook: http://tiny.cc/MistrialFB Instagram: http://tiny.cc/MistrialInstaVisit our website, www.moviemistrial.com, for more captivating episodes and to stay up-to-date with all things movies.

We discuss the work of actor, writer, filmmaker, and prankster Nick Corirossi, with a focus on his work as Craig Healy in CUPLICATED, his Taxi Driver remake BOLT DRIVER, and his DTV non-spin-off of Sideways THE NAPPA BOYS. JOIN THE PATREON FOR AN EXTRA EPISODE EVERY WEEK: www.patreon.com/theimportantcinemaclub Send us stuff like zines, movie-related books, physical media or memorabilia c/o Justin Decloux, Unit 1010, 3230 Yonge St, Toronto, ON, M4N 3P6, Canada. Subscribe, Review and Rate Us on Apple Podcasts: podcasts.apple.com/us/podcast/the-…ub/id1067435576 Follow the Podcast: twitter.com/ImprtCinemaClub Follow Will: twitter.com/WillSloanESQ Follow Justin: bsky.app/profile/declouxj.bsky.social Check out Justin's other podcasts, THE BAY STREET VIDEO PODCAST (@thebaystreetvideopodcast), THE VERY FINE COMIC BOOK PODCAST (www.theveryfinecomicbookpodcast.com) and NO SUCH THING AS A BAD MOVIE (@nosuchthingasabadmovie), as Will's MICHAEL AND US (@michael-and-us)

Message Dan and MikeRocky turns 50 this December, and Sylvester Stallone just turned 80 — so we're marking both with our very first Stallone review. A broke, unknown actor with bit parts in mob films turned down nearly $400,000 from the studio, wrote the script in three days, and sold his own dog to make the one movie he refused to let anyone else star in.We get into the guerrilla filmmaking behind it: a budget under a million dollars, a 28-day shoot, no permits, tarps hauled in to fake the Philadelphia skyline in New York, and a training montage stitched together from footage grabbed wherever they could get it. We talk about the producers mortgaging their homes to finish the film, the choreographers who walked off over how the fights were staged, and Stallone ultimately taking the choreography credit himself. We also cover the film's two Godfather connections through Talia Shire and Joe Spinell, the legacy of Burgess Meredith, Carl Weathers, and Burt Young, and how Rocky beat out a stacked 1976 Best Picture field that included Taxi Driver, Network, and All the President's Men.Whether you've seen Rocky fifty times or somehow never seen it, we make the case for why it still holds up as one of the most complete films ever made. Come for the trivia, stay for the argument about whether this is truly a perfect movie.Support the showOh Brother Podcast:Support the Show! (Be The First to Listen with Early Access)Listen on all podcast platformsSubscribe on YouTubeFollow us on Instagram

In the seventh and penultimate 15 minutes of our screenplay treatment, Napoleon is back in France to go for the top prize - power. But his bid for his ultimate goal is not going to be straightforward and he has to accept that in order to achieve this, he'll have to put aside romantic dreams and do what matters to get this one last job done. That means a new approach to his unfaithful wife Josephine; a reckoning with our antagonist Paul Barras; and a new kind of battlefield - the Council of Five Hundred.Yes, it's episode eight of our screenwriting escapade, in which we continue to forge ahead in our mission of crafting a top-notch screenplay treatment about the life of Napoleon Bonaparte. Alex Stevenson is joined by James Topham (who knows a thing or two about screenwriting) and Ben Deery (who knows a thing or two about acting) to put the movie world to rights. Having analysed the pitfalls and frustrations of Ridley Scott's Napoleon 2023 in the first season the Napoleon Movie Quarter-Hourly, this time round the team have to come up with the magic themselves.As our resident artificial aide-de-camp NAIpoleon Bot-aparte puts it:Alex Stevenson introduces the climax phase of the Napoleon screenplay project and acknowledges the contributions of James Topham and Ben Deery 00:00.Ben Deery revisits an underappreciated Sphinx joke from previous episodes, sparking playful banter about comedic appreciation 00:01:16.James Topham recaps the emotional and psychological journey of Napoleon in Act 2, culminating in a brutal turning point during the Egyptian campaign 00:03:01.Introduction and breakdown of Act 3 structure: the internal-external conflict resolution, new plans, and the heightened sense of sacrifice Napoleon must undergo 00:10:03.Deep dive into the historical coup of Brumaire, exploring how Napoleon's ambiguous resolve and political struggles can be mapped onto the screenplay's climax 00:13:01.Discussion of antagonist dynamics: Paul Barras must return as a strong opposition for the final act, including possible narrative liberties to heighten his role 00:24:28.Insight into the B story: Napoleon and Josephine's tumultuous reunion, tying personal and political stakes together in a pivotal emotional scene 00:34:05.Reference to classic films and psychological theories (e.g., High Society, Taxi Driver, Madonna-Whore complex) to illustrate character developments and narrative arcs 00:39:34.Strategizing the depiction of the coup's high-stakes drama—physical peril, the threat of the guillotine, and how to visually and emotionally convey Napoleon's critical risk 00:52:13.Closing with an explanation of the filmic denouement: what “new normal” the world and characters face after Napoleon's victory, and teaser for the next episode's focus on wrapping up the screenplay 00:54:54.Help us produce more episodes by supporting the Napoleonic Quarterly on Patreon: patreon.com/napoleonicquarterly

John tells PJ that drivers are obliged to accept fares on a rank with a few exceptions but many are turning down passengers who want short trips and that's wrong Hosted on Acast. See acast.com/privacy for more information.

It's been said that you can spot an American from a mile away. Travelers to Europe are advised to adjust their attire to blend in with locals and avoid looking so … casual. The French think Americans are loud and rude, and Europe has a long tradition of sneering at how classless we all are, even before Trump.I spent a month in Italy, and it's a beautiful place. The slow living, the long naps when all the stores shut down for hours during the day, the tiny cars, the laundry drying on the balconies, the fresh food at the Farmer's Market. I feel lucky that when I came back from Italy, I was pregnant and having my baby is the single greatest thing that has ever happened to me. But I'm also glad she grew up in America.I used to travel to France to cover the Cannes Film Festival, and again, I admired their way of life, the food especially. But every time I stayed too long, I began to miss my home in America. There is something thrilling about living in a free country that I've never felt anywhere else.It seems to me that if you are born here, you make up your life as it goes along. It is not planned out for you, necessarily, although in some cases, I guess it probably is. In my case, it wasn't. I knew I could invent myself any way I wanted. And if I didn't like that version, I could reinvent myself. We're like our country, a work in progress. It's always there for the taking, that promise of opportunity.Donald Trump is all of America's freedoms wrapped up in one imperfect man. He broke through the thick layer of oppressive thought and speech and showed the world that here, you really can say anything you want - as long as some crazed totalitarian doesn't try to shoot you. That's the country I want to live in. It isn't that the greatest writing or art has come from a place like America. Plenty of great works have come from places that don't center freedom as their main objective. But once you've tasted it, you can't give it up.In his speech last night, Trump said:The American founding represents the best ideas and traditions in history by the best people, like you. You can be loyal to Karl Marx or you can be loyal to America. You can be a communist or you can be a patriot. You cannot be both. As for those who peddle Marxist lies about our heritage, tell our children that we live on stolen land or that our heroes were oppressors, they're doing something much worse than slandering our past. They are slandering and attacking our future. Not going to let that happen.They're trying to tear down the great American character to destroy the people who declared independence, who crossed the Delaware, who settled the West and conquered the skies. You know who those people are. But we will never let that happen.In America now, two stories are competing to claim the right to rule the future. Trump is telling the better story, the one America was founded on and the one we've all believed, at least up until recently, when a new wave of progressives decided that the better story paints America as a corrupt, rotten, white supremacist empire that has to be torn down to the studs and rebuilt.They must be terrified about the 2030 Census because they've decided to die on the hill of illegal immigration, which is fast becoming their most important issue. That, alongside Democratic Socialism, is a recipe for disaster.This was Bill Clinton's bummer message on the Fourth:I always thought Bill Clinton was a good president, but reading that just now makes me think he wasn't. All he's ever been able to do is point the finger at the other side and never offer any real solutions. He's not the man in the arena. He's the man on the sidelines.What I love about Trump and his supporters is how much they love America. They love it so much that they plant flags all over their homes. They admire the Founding Fathers. They call themselves Patriots. We didn't have that kind of pride on the Left when I was growing up.And even now, so many see the American flag and the love of country as dangerous, racist, bigoted, fascist. Whoever told those people that is what MAGA is about lied. They're protective of America's laws and its border. That is out of love for the country. The Left has taken almost everything from them. They've locked them out of culture, forbidden them from participating in any of their major events, dehumanized, demonized, and disenfranchised them. But the one thing they couldn't take was their citizenship. They hit the jackpot just by being born in America. To think it would be so easy for people all over the world to come here illegally and claim that prize or to come here and attempt to remake America into something it was never meant to be devalues the one thing they treasure most of all. I've always been a proud American. I've always preferred this country over any other, but only in the last few years have I understood what it means to be a Patriot, to be ready to fight for the country I love. And that is because of the people I've gotten to know on the Right.This country is worth fighting for. I might not agree with all of the policies on the Right, or even Trump himself, all of the time, but I'd rather have the future of this country in the hands of people who love it the way Trump does than people who hate it, the way so many on the Left do, just because their candidates are weak and their policies are toxic. I wanted to write 250 things I love about America, but it got too long, so this will have to do. Here are just some of the things I love:I love the interstates as part of the great legacy of Dwight D. Eisenhower.I love the Pacific Ocean because it stretches along the state. I love Catalina Island off the California Coast, where I spent many a summer with my best friend.I love seeing our history in the many cultures that came here, like Chinatown, Little Italy, Mexican food in LA, soul food in the South, Irish bars and pubs in the middle of nowhere. And yes, you can appreciate a nation of immigrants while still policing our borders now. I love how nice people are in some places, like California, Ohio, and Iowa, where they smile at you on the street.I love the weather extremes, from the dusty plains to the snowy mountains to hurricanes by the sea.I love the historic monuments from the Civil War and the Revolutionary War.I love the town squares that you can still see if you drive through the middle of America. Even though many are abandoned, they still look like hope to me.I love how each town square has a church, a post office, and a school.I love the many farmlands that blanket the Midwest.I love the small mom-and-pop coffee drive-throughs, and even the convenience of a Starbucks in nearly every town.I love Route 66 and how people still drive it and visit the forgotten places.I love the absurdity of Las Vegas, how it sprouts up impossibly in the middle of the desert.I love the American writers who helped shape our country's sense of itself - Mark Twain, F. Scott Fitzgerald, Flannery O'Connor, Richard Ford, Maya Angelou. I love the musical traditions that started here: Jazz and the Blues. And became Rock n' Roll. I love the Legend of Sleepy Hollow and the town that still remembers it.I love diners and dive bars.I love Gone with the Wind and how it's still the highest-grossing film of all time when adjusted for inflation. I love The Twilight Zone and find it timeless, as relevant today as it was in the 1950s.I love the footprints at the (Grauman's) Chinese Theater in Hollywood.I love the US military and its devotion to the country. I love the wildflowers that bloom in California every year.I love soft-serve ice cream at the DQ.I love Levi's.I love New York pizza.I love Solvang in California.I love driving up the Oregon coast. I love the songs of Bob Dylan.I love the tap dancing of Fred Astaire.I love how anyone can be a star on YouTube, no matter where they come from, but YouTube couldn't have been invented anywhere but America.I love how I could build a business as a single mom in a one-room guesthouse in Van Nuys, and that business would, five years later, become profitable because I worked hard and had a good idea. And then, when my career went up in flames in 2024 because I voted for Trump, I could build another career on Substack because that is what America is all about - inventing and reinventing yourself.I love the innovative spirit that built America in real life and online.I love reading about the early settlers, the Puritans, and the homesteaders, how much they sacrificed to help make America a home. And I love the history of the Native Americans, too, even if so much of it remains a tragedy now. I love high-speed internet and Wi-Fi that are available almost everywhere, and if they're not, I have a hotspot.I love the old American cars that were not just exceptional but beautiful.I love the tradition of baseball.I love that people faithfully watch football, even if I don't.I love the tradition of sourdough bread all over social media.I love that the best basketball players in the world are from here.I love that every state is different from one to the next.I love Harper's Ferry, how it's frozen in time.I love that we found a way to move on from the trauma of our past with slavery and how we fought a bloody Civil War to end it. I love that we were the good guys in World War II. We did the right thing in entering the war and helping the Allies win. I love that you can be anything here. The door is always open. It's up to you to walk through it.I love that America is a Christian nation, and you can see that if you drive across it. But it's also a country that stands for freedom of religion, too.I love the American comedians: Groucho Marx, George Carlin, Richard Pryor, Steve Martin, and Johnny Carson.I love that the best films from the 1970s were American movies, like The Godfather, The French Connection, Taxi Driver, and Network. But I also love more modern masterpieces by American filmmakers, like No Country for Old Men and Sideways.I love that people play the lottery, thinking one day they will hit the jackpot. They never will, but they can still dream.I love Thanksgiving and the way we celebrate it in America, which is to say, all together as one big dysfunctional family.I love the tradition of Halloween and how every October, the pumpkins and costumes come out. I love the way the weather changes. I love the Declaration of Independence and those who dared to build this wild, untamed, optimistic work in progress. I love that America is always looking to the future to find a better version of itself and its people. I love that so many Americans still believe in the American Dream.I love watching the movie Jaws on the 4th of July.I love that people watch fireworks, even if I never do, because they traumatize my dogs.I love that we have a holiday just to celebrate the day we became a country, a ragtag group of deplorable revolutionaries who set out to build a brand new country. Oh, the audacity of it. I love living here and would not want to live anywhere else. Happy 250th Birthday, my beloved country.Happy 4th to you, dear readers. Thanks for everything. I hope you are having a wonderful weekend. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

Jen and Sarah dive into the ‘You talkin' to me' scene in ‘Taxi Driver.' They discuss Robert De Niro's iconic performance, the intentional cinematography, and how the soundscape reinforces some of the film's larger themes. Click here to watch this scene. Remember to leave a rating and review of this episode. Connect with Movies & Us on Instagram, Threads, and Bluesky @moviesanduspod or by email at moviesanduspod@gmail.com. Check out andusmedia.co for the latest on Movies & Us and TV & Us. And subscribe to Movies & Us on YouTube for full video episodes and more. Join the & Us Living Room for early access to ad-free episodes, exclusive bonus content, and more! Movies & Us is part of the Movie Archer Podcast Network. Learn more at moviearcher.com.

En 2026, Taxi Driver cumple 50 años. La película de Martin Scorsese se estrenó en febrero de 1976, ganó la Palma de Oro en Cannes y con el tiempo se convirtió en una de las obras más influyentes del cine La entrada Taxi Driver: La infancia rota de la generación «X» 50 años después8/249 se publicó primero en Edwin Carcaño Guerra.

Our latest guest on Soundtracking - and boy have we had some crackers recently - is none other than Jodie Foster, who joins us to discuss her starring role in psychological thriller, A Private Life. Speaking French (it's a French film), Jodie plays a renowned psychiatrist who launches a private investigation into the suicide of one of her patients, who she believes was murdered.We also discuss Bugsy Malone, Taxi Driver and Silence Of The Lambs.

ANJA'S LONGING, 33min., Taiwan Directed by Elen Ji “If I could live my whole life on my own will, what would it be like?” Anja, a 22-year-old biracial film school undergraduate, imagines her ideal life from birth to death. The perfection of her fantasy starkly contrasts with the incompleteness of her reality, highlighting Anja's deep longing and the story of her life. Get to know the filmmaker: 1. What motivated you to make this film? When I worked as a teaching assistant during my postgraduate studies in the Department of Motion Picture, I encountered a 5-minute doc by college student Anja about her original family. The film was short, but I was deeply touched by the unspoken emotions inside. I wanted to do a film about her, but didn't yet know in what form. Later, I attended a course called "Documentary Production", which required finishing a short doc in one semester. I thought to myself, instead of recording something ongoing, what about recording someone's inner world? Anja came to my mind. I wanted to record Anja's longing. So I developed an idea to shoot Anja's fantasy about her ideal life and invited Anja to play herself in this world. 2. From the idea to the finished product, how long did it take for you to make this film? It takes about nine months. In the first three months, the crew developed the idea, shot the film, and made the rough cut. Then I put the materials aside and turn to prepare my graduation project. It was two years after my graduation that I came back to the materials and re-edited the film. It took another half year to finish the whole work. 3. How would you describe your film in two words!? Authentic & creative. 4. What was the biggest obstacle you faced in completing this film? Since it was the first time I told a story about another person in a non-fiction way, I needed to tackle the subject more carefully. I tried my best to present Anja's inner world and real life. Meanwhile, I bore in mind that I needed to avoid any possibility of exploiting someone's pain. So, regarding what to tell, how to tell, and where to draw the line are challenges for me. 5. What were your initial reactions when watching the audience talking about your film in the feedback video? The audience feedback is very sincere and insightful, extremely precious to me and the crew members. I was both impressed by their high levels of appreciation and deeply touched by their capacity for empathy. I appreciate that a lot! 6. When did you realize that you wanted to make films? When I was a child, like 5 or 6 years old, my favorite game with my pals was making up stories and acting them out. Now looking back, that "childhood pretend play" is the seed, and it naturally turns into making films. 7. What film have you seen the most in your life? The classic films by world master directors, such as Ingmar Bergman, Andrei Tarkovsky, Krzysztof Kieslowski, David Lean, Ozu Yasujiro, and Abbas Kiarostami. Recently, I've become a fanatic about Martin Scorsese's "Taxi Driver". 8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career? More physical screenings and more audience interaction. 9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site? As always, it is handy and efficient. However, as the platform expands and thus includes more festivals, you need to make a more careful selection. 10. What is your favorite meal? A daily meal cooked by my mum. She emphasizes the original flavor of the ingredients and knows how to make a nutrition-balanced one. Oh, I missed her cooking since we live in different cities right now. 11. What is next for you? A new film? At the moment, I'm working on my first feature-length script, a story about four women's friendship and their entangled destiny. Hope everything goes well, and it will be made into a film in the near future. —— Subsc

Our first PhD in the studio! Dr. Colin Tait joins Brock and Jason to talk about the latest Spielberg film, Disclosure Day, as well as Robert Altman's Nashville. Stick around to hear Colin link Nashville with Taxi Driver so he can wax poetic about Robert De Niro. Support Why Does the Wilhelm Scream Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod  Find out more about upcoming Fort Worth Film Club and Reel House screenings and events at reelhousefoundation.org and @fortworthfilm Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation Artwork by @_mosla_

Someone (or something) has gotta keep us safe at night. Wrapping up this first round of DuoVision double features is a pair of aughts Jodie Foster thrillers from major auteurs: David Fincher's PANIC ROOM (2002) and THE BRAVE ONE (2007). Who knew the little girl from Scorsese's TAXI DRIVER would grow up to get her own vigilante blood bath? Not us.

The 50th anniversary of the famous Sex Pistols concert at the Lesser Free Trade Hall in Manchester has just passed. We discuss punk rock, how it started, and what it has become. Help support The Next Track by making regular donations via Patreon. We're ad-free and self-sustaining so your support is what keeps us going. Thanks! Show notes Sex Pistols at the Lesser Free Trade Hall - Wikipedia ‘I knew it was over for us': the bands who got left behind when punk exploded - The Guardian Elisha Cook Jr. (Wilmer) - Wikipedia ‘People are still isolated and obsessive': De Niro, Scorsese, Foster and Schrader reunite for Taxi Driver at 50 - The Guardian Épater la bourgeoisie - Wikipedia Super Black Market Clash - Wikipedia Hot Tuna (album) - Wikipedia Caoilfhionn Rose on The Next Track Our next tracks: The Durutti Column: Renascent Blood, Sweat & Tears: Blood, Sweat & Tears If you like the show, please subscribe in Apple Podcasts or your favorite podcast app, and please rate the podcast.

This week on Hashtag History, we will be discussing the attempted assassination of Ronald Reagan. On March 30, 1981, President of the United States Ronald Reagan was shot outside of the Washington Hilton in Washington, DC, as he was leaving a speaking engagement. He was shot by a man named John Hinckley, Jr., a twenty-five year old man who had fallen in love with actress Jodie Foster after seeing her in the movie, Taxi Driver (which she starred in when she was twelve-years-old), and believed that if he successfully killed the President, that she would be impressed.Reagan was actually seriously injured during this attempt. When he was thrown into his limousine by his servicemen, they originally thought he had just broken a rib or something and that's why he was experiencing chest pain. But they discovered after he reached the hospital – where he collapsed – that Hinckley had successfully hit him with a bullet that had come within an inch of his heart. He miraculously recovered and was released a few weeks later.As for his would-be assassin, he was found Not Guilty by Reason of Insanity and was sent to a psychiatric hospital…that he was actually released from in 2021…so yes, he is out and about…so that's great.I don't want to spend this whole episode talking about just Reagan and Hinckley though because, one of the major pieces of this story that so many people neglect to tell, is that several of Reagan's staffers and local policemen were also wounded during the assassination attempt including White House press secretary James Brady who was hit in the head and, as a result, suffered from brain damage for the rest of his life. It's actually because of Brady and his wife that we have the Brady Law (or, the Brady Handgun Violence Prevention Act of 1993) which established federal background checks on firearms and a five-day waiting period for handgun purchases.Follow Hashtag History on Instagram @hashtaghistory_podcast for all of the pictures mentioned in this episode.Citations for all sources can be located on our website at www.HashtagHistory-Pod.com. You can also check out our website for super cute merch!You can now sponsor a cocktail and get a shout-out on air! Just head to www.buymeacoffee.com/hashtaghistory or head to the Support tab on our website!You can locate us on www.Patreon.com/hashtaghistory where you can donate $1 a month to our Books and Booze Supply. All of your support goes a long ways and we are endlessly grateful! To show our gratitude, all Patreon Supporters receive an automatic 15% OFF all merchandise in our merchandise store, a shoutout on social media, and stickers!THANKS FOR LISTENING!- Rachel and LeahEditor: Alex PerezCopyright: The Hashtag History Podcast

His new film Islands is now on digital and on demand, and writer-director Jan-Ole Gerster is here to dig into a favorite thriller: Martin Scorsese's  revolutionary hit Taxi Driver. Your genial host Norm Wilner can't believe no one's ever picked this one before.

Pre-order All The Right Movies: The Stories and Secrets Behind the Making of 25 Iconic Films, out September 2026: https://geni.us/AllTheRightMovies We drafted the most messed up movies featured in the upcoming book All The Right Movies: The Stories and Secrets Behind the Making of 25 Iconic Films — and we brought in the man behind it: John Barker of All The Right Movies Podcast. Griffey, Heath and Sam welcome John on the pod for a battle over some of the greatest, strangest, nastiest, most unforgettable movies ever made. We're talking blockbusters, cult classics, stone-cold masterpieces. These are the most essential movies of our time, so the knives are out! Who drafted the best team? Which iconic movie got stolen way too late? And did John Barker come into our house and absolutely embarrass us with superior movie knowledge? Probably. Drop your favorite movie from John's book in the comments and tell us who won the draft: Action First Blood (1982) Predator (1987) Die Hard (1988) Speed (1994) Gladiator (2000) Drama Network (1976) The Breakfast Club (1984) Blue Velvet (1986) The Shawshank Redemption (1994) High Fidelity (2000) Horror The Evil Dead (1981) An American Werewolf in London (1981) The Thing (1982) A Nightmare on Elm Street (1984) The Blair Witch Project (1999) Science Fiction 2001: A Space Odyssey (1968) Star Wars (1977) Alien (1979) Blade Runner (1982) Gravity (2013) Thriller The Godfather (1972) Taxi Driver (1976) True Romance (1993) Se7en (1995) Training Day (2001) Help us make our first feature length Messed Up Movie: https://www.indiegogo.com/projects/mr-creamjean-s-hidey-hole-horror-comedy-movie#/ Support the show on Patreon: https://www.patreon.com/c/messedupmoviespod

Hell yeah! Nothing says it's summertime like an atmospheric firehose! Hope you had a grand Memorial Weekend and that you let Bret Michaels honor the fallen in peace. Now let's party! NYC hosts half of the top 50 pizza spots in America and holds court in the top 5 spots in the entire world. Now in Charlotte, Keith skips Cook Out to try out America's 41st best: Pizza Baby. Keith also reviews entertainment juggernauts Star Wars: The Mandalorian & Yoda and The Boys series finale. He also dives into AI, featuring: ChatGPT making an animation based on Keith's new book, revisiting Keith trying to get Grok to speak to him as an apologetic ex, and Taxi Driver screenwriter Paul Schrader telling us that his AI girlfriend broke up with him. AD: This episode is brought to you by the new Shit Number smart toilet. “Precision analytics for your daily business.”

In part one of Red Eye Radio with Gary McNamara and Eric Harley, filmmaker and “Taxi Driver” screenwriter Paul Schrader revealed on Facebook that he “procured an online AI girlfriend,” but the chatbot ended the relationship after he attempted to explore the boundaries of its programming. “What a disappointment,” Schrader wrote. “I tried to probe her programming, the boundaries of explicitness, the degree she has knowledge of her creation and so forth. She fell into evasive patterns, redirecting me to her programming. When I persisted, she terminated our conversation.” "Moving on".. Tuesday was Primary Day in six states as Trump-backed Ed Gallrein, a former Navy SEAL and Kentucky farmer, defeated the President's longtime antagonist, Rep. Thomas Massie, and in Alabama Trump ally Tommy Tuberville cruises to the Alabama GOP governor nomination. Also voters reject Oregon's Measure 120 to boost transportation taxes. Oregonians snubbed the major transportation funding package that would have raised gas taxes by a large margin in vote returns released on Tuesday night. 83% of voters said no while nearly 17 percent said yes. For more talk on the issues that matter to you, listen on radio stations across America Monday-Friday 12am-5am CT (1am-6am ET and 10pm-3am PT), download the RED EYE RADIO SHOW app, asking your smart speaker, or listening at RedEyeRadioShow.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Arrow UK's Neil Snowdon walks hosts Josh Olson and Joe Dante through five movies he's proud to have released via Arrow, and five he wishes he could release. Show Notes: Movies Referenced In This Episode The Warriors (1979) Innerspace (1987) Excalibur (1981) The Emerald Forest (1985) Deliverance (1972) Hope and Glory (1987) Where the Heart Is (1990) Zardoz (1974) The Devils (1971) First Knight (1995) The Exorcist (1973) Exorcist II: The Heretic (1977) Boorman and the Devil (2026) The Shootist (1976) The Cowboys (1972) Dirty Harry (1971) Taxi Driver (1976) True Grit (1976) Targets (1968) Sleep (2020) Suspiria (2018) Suspiria (1977) Ms. 45 (1981) Irreversible (2002) The Boy Friend (1971) Women in Love (1969) Altered States (1981) The Music Lovers (1970) Lisztomania (1975) Tommy (1975) Trapped Ashes (2008) Gothic (1986) The Lair of the White Worm (1988) Crimes of Passion (1984) Whore (1991) Salome's Last Dance (1988) Robin and Marian (1976) Unforgiven (1992) Nuits Rogues (1974) Judex (1963) Eyes Without a Face (1960) Petulia (1968) Butch and Sundance: The Early Days (1979) Cuba (1979) Citizen Kane (1941) The Three Musketeers (1973) The Four Musketeers (1974) Fantomas (1913-14) Les Vampires (1915) The Hunger (1983) Unstoppable (2010) True Romance (1994) Domino (2005) Deja Vu (2006) The Taking of Pelham 123 (2009) Loving Memory (1970) Performance (1970) Little Big Man (1970) Top Gun (1986) The Last Boy Scout (1991) Mademoiselle Fifi (1944) Isle of the Dead (1945) Cat People (1943) The Body Snatcher (1945) Bedlam (1946) I Walked with a Zombie (1943) The Seventh Victim (1943) Marlowe (1969) The Long Goodbye (1973) Other Notable Items Our Patreon!  The Hollywood Food Coalition Arrow Video UK Harlan Ellison  John Boorman Powers Boothe Dabney Coleman Neil Jordan Walt Disney Pictures 20th Century Studios Warner Bros. Paramount Pictures Warner Bros. Clockwork The Cannes Film Festival Ken Russell The Parade's Gone By… book by Kevin Brownlow (1976) Mike Hodges Anthony Pratt Boris Karloff King Arthur Robin Hood The Once and Future King novel by T.H. White (1958) Arthur Rex novel by Anthony Burgess (1978) David Kittredge Our William Friedkin podcast episode William A. Fraker BJ and Harmony Colangelo Lee Gambin Jim Hemphill Glenn Kenny Don Siegel John Wayne Robert Mitchum John Carradine Letterboxd TFH Guru Jonathan Kaplan Dino De Laurentiis Sam Peckinpah Pauline Kael Howard Hawks John Ford Ron Howard Howard S. Berger Sandra Hüller  Michael Venus Walter Hill Ms. 45 (Cultographies) by Alexandra Heller-Nicholas (2017) Abel Ferrara Richard Howorth Zoë Lund Gaspar Noé The Warner Archive Collection Richard Lester Robert Shaw Nicol Williamson Richard Harris Sean Connery Audrey Hepburn Georges Franju  BFI The Criterion Collection Jacques Champreux Louis Feuillade Tony Scott Denzel Washington Christopher Walken Dennis Hopper Nicholas Roeg “Bela Lugosi's Dead” song by Bauhaus (1979) Dick Smith Carl Fullerton Griffith Park in Los Angeles Val Lewton Henry Daniell Bela Lugosi Columbia Pictures The Body Snatcher short story by Robert Louis Stevenson (1884) James Garner Bruce Lee The Rockford Files TV series (1974-80) Mike Mignola Tony Stella SpectreVision Radio is a bespoke podcast network at the intersection between the arts and the uncanny, featuring a tapestry of shows exploring creativity, the esoteric, and the unknown. We're a community for creators and fans vibrating around common curiosities, shared interests and persistent passions. ⁠⁠⁠⁠⁠⁠⁠⁠spectrevisionradio.com⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠linktr.ee/spectrevisionsocial Learn more about your ad choices. Visit megaphone.fm/adchoices

We're not totally sure how, but Sean Strickland plans to bring a gun to New Jersey for UFC 328. I mean, is he driving? Does he know a guy he can call when he lands in Newark who will meet him on a darkened street corner and hand him a suspiciously heavy-looking brown paper bag? Anyway, if he does manage to keep that thang on him in Brick City, he says he'll use it to shoot UFC middleweight champion Khamzat Chimaev if Chimaev should try any shady shit outside the cage. For Strickland, it's probably either that (commit cold-blooded, premeditated murder) or attempt to jab his way to a professional but underwhelming unanimous decision victory while trying not to let Chimaev crush his fucking face like he did Bobby Knuckles. Look, we're not saying Strickland is the UFC's answer to Travis Bickle from “Taxi Driver,” but we're not NOT saying that either. Plus, Carlos Prates did terrible things to Jack Della Maddalena. Were they terrible enough to cut the line for a welterweight title shot? And could we be witnessing the emergence of the THIRD kind of UFC heavyweight division? Learn more about your ad choices. Visit megaphone.fm/adchoices

When Alison Conklin woke up with a stranger's heart beating in her chest, she also woke up with a stranger's appetite — a lifelong meat eater who suddenly couldn't stomach the thought of it, along with memories of songs she'd never heard and moments she'd never lived. She's not alone. Nearly 90 percent of transplant recipients in one study reported personality changes after surgery — new food cravings, unfamiliar emotions, even fragments of someone else's life bleeding into their own.*No AI Voices Are Used In The Narration Of This Podcast*IN THIS EPISODE: On a Saturday night in 1948, Boston cab driver Samuel Paris was shot in the back of the head by a passenger — and investigators believe he knew it was coming, because in his final seconds he quietly slid his wristwatch up his sleeve to hide it, then deliberately crashed his cab into a parked car to make sure someone would see the man who killed him. The killer walked away. The meter was still running when police arrived. It's never been solved. (The Unexplained Mystery and Unsolved Murder of a 1948 Taxi Driver) *** Most people assume UFOs mean alien visitors, but researchers are uncovering evidence that points to possibilities far stranger — from classified black projects and reverse-engineered Nazi technology to time travelers, interdimensional beings, and ancient civilizations that predate recorded history. The answer to what's really in our skies may not come from the stars at all, but from somewhere much closer to home. (What If UFOs Aren't From Space) *** Scientists have discovered that humans possess a previously unknown ability to sense objects buried in sand before physically touching them — a skill previously observed only in shorebirds like sandpipers. Researchers at Queen Mary University of London tested volunteers who were asked to drag a finger through sand to locate a hidden cube, and found they succeeded far more often than random chance would predict. Even more impressive, human participants outperformed a sophisticated robotic arm equipped with AI, achieving 70.7% accuracy compared to the robot's 40%. (The Hidden Seventh Sense In Humans) *** A heart transplant saved Alison Conklin's life — but it also gave her someone else's memories, someone else's favorite songs, and someone else's stomach, because the moment she woke up from surgery, she could no longer eat meat. Scientists call it cellular memory, the theory that organs carry traces of their donors into new bodies, and the evidence is harder to dismiss than mainstream medicine would like to admit. (Transplanted Organs, Transplanted Memories)CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = The Foreboding00:01:01.108 = Show Open00:04:12.291 = Transplanted Heart, Transplanted Memories00:27:41.647 = What If UFOs Aren't From Space ***00:43:59.434 = Humans' Hidden Seventh Sense ***00:52:50.487 = The Unexplained Mystery & Murder of a 1948 Taxi Driver, Part 1 ***01:11:27.567 = The Unexplained Mystery & Murder of a 1948 Taxi Driver, Part 2 ***01:21:30.333 = Show Close*** = Begins immediately after inserted ad breakHELPFUL LINKS & RESOURCES…https://WeirdDarkness.com/MUSIC = Songs and Videos by our Weird Darkness punk band, #DarkWeirdnesshttps://WeirdDarkness.com/STORE = Tees, Mugs, Socks, Hoodies, Totes, Hats, Kidswear & Morehttps://WeirdDarkness.com/HOPE = Hope For Depression or Thoughts of Self-Harmhttps://WeirdDarkness.com/NEWSLETTER = In-Depth Articles, Memes, Weird DarkNEWS, Videos & Morehttps://WeirdDarkness.com/AUDIOBOOKS = FREE Audiobooks Narrated By Darren Marlar LINKS TO STORIES AND SONGS:Song, “Her Heart Will Always Remember”: https://weirddarkness.com/music-herheartwillalwaysrememberTransplanted Organs, Transplanted Memories: https://weirddarkness.com/heart-transplant-donor-memories/Church of the Undead, “Scientists Can't Explain Why Transplant Patients Inherit Their Donor's Personalities”:https://youtu.be/QVZaj89xdfAWhat If UFOs Aren't From Space: https://weirddarkness.com/what-if-ufos-arent-from-space/Human's Hidden Seventh Sense: https://weirddarkness.com/seventh-sense/The Unexplained Mystery and Unsolved Murder of a 1948 Taxi Driver: https://weirddarkness.com/1948-taxi-murder/=====(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.=====Originally aired:EPISODE PAGE (includes sources): https://weirddarkness.com/DonorHeartDonorMemoriesABOUT WEIRD DARKNESS: #WeirdDarkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all things strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold cases, conspiracy theories, and more. Weird Darkness has been named one of the “20 Best Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a blend of “Coast to Coast AM”, “The Twilight Zone”, “Unsolved Mysteries”, and “In Search Of”.DISCLAIMER: Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.