Podcasts about taxi drivers

It's Taylor Swift release week! The girls talk movie adaptations, pranks on set, and a tragic celeb divorce.

Da parceria com Hitchcock à despedida em Taxi Driver, Martim Sousa Tavares guia-nos pela intensidade e pela ternura escondida na música de Bernard Herrmann: um mestre das emoções cinematográficas.See omnystudio.com/listener for privacy information.

Martin Scorsese's Taxi Driver & Raging Bull are widely considered two of the best films of their era that were made in America. He and Robert DeNiro were a powerhouse creative team and they're still considered one of the all-time great collaborations in the history of the medium. This makes it curious that the film that they made together in between these monumental classics, 1977's New York, New York, has been largely forgotten and left out of the conversation.We're seeking to remedy that with our episode this week and we are happy to be joined by film enthusiast and historian Jim Hemphill. Jim has loved the film since he saw as a young film student and he brings some wonderful and personal insights to the discussion. In the episode we cover:Why directors and actors are often poor judges of their own workJim's early days in LA and getting to meet folks like Samuel Fuller, Billy Wilder, Budd Boetticher, and Blake EdwardsThe power of laserdiscs (and physical media in general) to develop and nurture generations of movie loversMarty's balance of strengths in having the talents of a classical studio director alongside the passions of an independent auteur The fact that NYNY may be Scorsese's only film (beyond his "faith trilogy") where the protagonist experiences genuine growthAnd more!Buy New York, New York Limited Edition Blu-RaySubstantive Cinema Episode ListJim's IndieWire article on NYNYBlu-ray Commentaries with Jim and his wife: The Golden Child and Navy SealsShoutouts:The Smashing MachineOne Battle After AnotherDexter: ResurrectionFollow Jim:InstagramIndieWireFollow Us:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Philip's Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BlueSky⁠⁠⁠Share Your Questions/Suggestions/Feedback With Us:Email: thesubstancepod@gmail.comDM on InstagramSupport Us: Support the show with an individual donation on CashApp to $TheSubstancePod or become a monthly Patreon supporter at patreon.com/TheSubstancePod

Certains d'entre vous ont déjà vu durant leurs vacances, New York la nuit. Comment résister à une balade qui nous met inévitablement dans les pas de tant de cinéastes, photographes, chanteurs, compositeurs, écrivains et acteurs qui ont marqué notre imagination. Et vous vous y êtes cru, hein ? Vous vous êtes revu dans votre fauteuil à regarder Breakfast at Tiffany's, Vous avez un message ou encore Mad Men. Tant de films, tant de séries, impossible de les citer tous. Et puis il y a les chansons, de Bob Dylan à Lady Gaga, en passant par Simon & Garfunkel, Bruce Springsteen et Taylor Swift.New York, la nuit. La ville qui ne dort jamais, comme dit la chanson. Tout le monde connaît New York New York. Les néons de Times Square qui éclaboussent Broadway de leurs couleurs, les sirènes de police qui déchirent l'air, les taxis jaunes qui filent vers le pont de Brooklyn, les patineurs en décembre sur Rockfeller Plaza, chaque quartier ou coin de rue a déjà été filmé, chanté, raconté, bref, a été immortalisé. Robert De Niro, en Taxi Driver, fou de solitude, Al Pacino dans la peau de Serpico, le flic désabusé, Woody Allen qui regarde l'aube se lever sur Manhattan, et John Travolta dansant dans une discothèque de Brooklyn sur un titre des Bee Gees ; la nuit new-yorkaise, c'est cette promesse de fiction qui se transforme en réalité.Car la nuit à New York, c'est le grand écart : les paillettes et la misère, les comédies musicales de Broadway et le jazz enfumé dans les clubs de Harlem, la réussite et la ruine à Wall Street et bien sûr l'Empire State Building et les façades sombres du Bronx. Les rêves s'y font et s'y brisent, mais toujours sur fond de musique et d'histoires, comme si la ville refusait le silence.Et la chanson ne dément pas. Frank Sinatra, je vous l'ai dit. Mais aussi Madonna, dansant sur un taxi, Lou Reed qui erre poétiquement dans l'underground, les bas-fonds, et à l'opposé Jay-Z et Alicia Keys érigeant New York en cathédrale pop avec Empire State of Mind. Alors chaque soir, le rideau se lève. Vous le savez, vous y avez assisté. Les projecteurs éclairent Manhattan, un réalisateur invisible crie « Action ! ». Et vous, simple passant, devenez pour quelques heures l'acteur d'un film plus grand que vous. Parce qu'à New York, la nuit, la légende ne s'arrête jamais. Comme disait Simone de Beauvoir : “Il y a quelque chose dans l'air de New York qui rend le sommeil inutile.”

Today is Tuesday, Sept. 23, 2025. The Brainerd Dispatch Minute is a product of Forum Communications Co. and is brought to you by reporters at the Brainerd Dispatch. Find more news throughout the day at BrainerdDispatch.com.

Six People Have Sustained injuries, while four others have been arrested, after police officers from the Kokrobite District Police Headquarters allegedly assaulted taxi drivers during a wake-keeping

This is a free preview of a paid episode. To hear more, visit wisdomofcrowds.liveToday's guest is Geoff Shullenberger, the managing editor of Compact and a writer whose articles and reviews have appeared in American Affairs, The Chronicle of Higher Education, The New Atlantis, UnHerd, and more. Last week, after the assassination of Charlie Kirk, Geoff wrote an incisive piece titled, “The Return of the Assassin.” In it, he observes that the nature of violence has shifted in recent years, away from the mass shooting and towards the targeted political assassination. Why this is the case, and what it bodes for the future, is the subject of this week's podcast.The conversation provides historical perspective by comparing contemporary political (or quasi-political) violence to radical groups from the 1960s and 1970s like the Baader Meinhof group, the Red Brigades, the Black Panthers, and figures like Huey Newton and Eldridge Cleaver. Shadi Hamid distinguishes between left-wing violence (utopian, seeking new systems) and right-wing violence (preservationist, maintaining hierarchies). Geoff challenges this framework, noting that recent shooter profiles don't fit neatly into these categories. Damir Marusic notes that human beings always want events to “mean” something, but it may very well be that all this violence is essentially senseless.In our bonus section for paid subscribers, the guys discusses Martin Scorsese's Taxi Driver; Geoff explains why he doesn't think we are on the brink of civil war; was the Charlie Kirk assassination an “honor killing”?; was January 6 a “mobilization”?; what Trump does next; were we living under a liberal dictatorship in 2020?; Damir on “the rotten Democratic Party”; Shadi says: “Nobody is blameless, but that doesn't mean everyone is equally to blame”; and more!Required Reading and Viewing:* Geoff Shullenberger, “The Return of the Assassin" (Compact).* Geoff Shullenberger, “Popular Justice” (The Point).* Tom Wolfe, “Radical Chic” (New York).* Michel Foucault, Discipline and Punish (Amazon).* Martin Scorsese, Taxi Driver (IMDB). * Oliver Stone, JFK (IMDB).* Oliver Stone, Talk Radio (IMDB).* Eric Bogosian, Talk Radio (Amazon).* La Verkin City, Utah, United Nations-Free Zone Ordinance.* Punk rock picture of Oswald and Ruby.Free Preview Video:Full video for paid subscribers below:

COULD YOU MILK ME?!? Meet the Parents Full Movie Reaction Watch Along:   / thereelrejects   Visit https://huel.com/rejects to get 15% off your order Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ From The Austin Powers Director Behind The Roses, also w/ h Ben Stiller & the Severance team winning a boatload of Emmy's, Aaron & John REUNITE to give their Meet the Parents Reaction, Recap, Commentary, Analysis, Breakdown, & Spoiler Review! Meet the Parents (2000) is one of the most iconic comedy films of the early 2000s, directed by Jay Roach (Austin Powers, Trumbo) and starring Ben Stiller (Zoolander, Tropic Thunder) as Greg Focker, a nervous male nurse who is about to propose to his girlfriend Pam Byrnes (Teri Polo – The West Wing, The Fosters). His plans, however, go hilariously awry when he must first win the approval of her intimidating father, Jack Byrnes, played by the legendary Robert De Niro (Goodfellas, Taxi Driver). The ensemble cast also features Blythe Danner (Meet the Fockers, Will & Grace) as Pam's kind-hearted mother Dina, and Owen Wilson (Wedding Crashers, Loki) as Kevin, Pam's wealthy and charismatic ex-boyfriend. Packed with classic cringe-worthy comedy and unforgettable moments, Meet the Parents includes some of the most highly searched and referenced scenes in comedy history, such as Greg's disastrous attempts at impressing Jack, the infamous polygraph test sequence, the hilarious mishap with Jack's beloved cat Jinx, and the chaotic backyard volleyball game. The film's clever mix of slapstick, situational awkwardness, and sharp dialogue cemented its place as one of the best comedy movies of its era, spawning two sequels and a cultural legacy that still resonates today. Aaron Alexander & John Humphrey react to, review, and break down all the funniest moments, character dynamics, and iconic sequences from Meet the Parents in this Reaction & Commentary video! Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Before Sir Alec Guinness was Obi-Wan Kenobi, he adapted Joyce Cary's book The Horse's Mouth into the 1958 movie. In addition to writing the screenplay, Guinness starred as Gulley Jimson, an artist who is dedicated but snide, talented but demanding, endearing but dishonest. Jimson charms and delights, and nothing will get in the way of his vision. Even worse, he leaves havoc in his wake. Roymieco Carter, who's Associate Professor and Director of the Visual Arts Program at North Carolina A&T State University, discovered the movie when he was a student at Virginia Commonwealth University, and it made a big impact. Carter explains why The Horse's Mouth impacted him at such an early age, and why asking for permission to be an artist or designer isn't necessary, if you want to be something, be it.-Associate Professor and Director of the Visual Arts Program at North Carolina A&T State University, Roymieco Carter teaches graphic design, digital media, visual literacy and theory, and social criticism. Carter has written articles on graphic design education, art education, gaming, human computer interaction, and graphics computer animation. Having studied and worked in fashion art, as well as design and advertising practices, he often draws from his graphic design background for inspiration. His work uses a mixture of digital and hand techniques including collage, calligraphy, drawing, xerography, stenciling and typography. Raised in the tobacco farmlands of Virginia, he draws inspiration from his rural upbringing, and integrates themes of violence, displacement, and oppression into his work, exploring how history is manipulated and rewritten. Holding a BFA in Art and Advertising from Virginia Commonwealth University and an MFA in Graphic Design from Penn State University, Carter's work fuses documented history with cultural narratives and folklore, evoking deep emotional and personal insights.https://cartergallery.wordpress.com/ https://www.linkedin.com/in/roymieco-carter-65a38827/ https://www.ncat.edu/employee-bio.php?directoryID=909381433 https://www.ganttcenter.org/calendar/open-air-steven-cozart-and-roymieco-carter/ -The Horse's Mouth (1958)https://www.imdb.com/title/tt0051739/https://www.tcm.com/video/223317/horses-mouth-the-1958-the-old-dreadnought -Further Readinghttps://en.wikipedia.org/wiki/Mihaly_Csikszentmihalyi https://en.wikipedia.org/wiki/No_Church_in_the_Wild https://www.museepicassoparis.fr/en/picassos-childhood -Thirtysomething (1987-1991)https://en.wikipedia.org/wiki/Thirtysomethinghttps://designobserver.com/i-was-a-mad-man/ https://slate.com/news-and-politics/2001/05/miles-drentell-r-i-p.html https://som.yale.edu/blog/memoriam-bill-drenttel-Other movies and shows discussed, alphabetical listSinners (2025)Taxi Driver (1976)

Forty-years ago, Oscar-winning master Martin Scorsese (Goodfellas, Taxi Driver, Killers of the Flower Moon) directed his second dark comedy in a row (after The King of Comedy) with this quirky New York story which takes place almost entirely during one crazy night.  The whole story centers on Paul played by Griffing Dunne (An American Werewolf in London, My Girl, Dallas Buyers Club) who's just a lowly word processor by day but late one night, he decides to meet up with a mysterious, beautiful woman named Marcy (Rosanna Arquette) in the Soho district.  When he arrives at her apartment, she's at first not there so he ecounters her very strange, forward roommate (Linda Fiorentino)....eventually some one dies....and things just get stranger from there as Paul finds himself trapped in this ONE part of Manhattan unable to find his way home.  The stacked cast for this cult classic also includes Teri Garr, Catherine O'Hara, Will Patton, John Heard, Cheech Marin, and Tommy Chong. Host: Geoff GershonEdited By Ella GershonProducer: Marlene GershonSend us a textSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

Buckle up for guest ⁠Cliff Froehlich⁠'s pick, Martin Scorsese's landmark 1976 film ⁠Taxi Driver⁠, with a hall-of-fame performance from Robert DeNiro. The great St. Louis film-scene leader guides Andrew and Josh through his cinematic upbringing in St. Louis and the morally murky streets of Scorsese's scuzzy NYC. Despite all that, do Andrew and Josh think Taxi Driver belongs in the Take-Up's pantheon? After they answer that burning question, they'll recommend One More Thing with Jia Zhang-ke's ⁠Caught by the Tides⁠, and Stephen King's ⁠From a Buick 8⁠. Next week Andrew and Josh continue talking King, going long on the latest big-screen adaptation of his work, ⁠The Long Walk⁠.Read on at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTake-Up.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and follow us @thetakeupstl on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Special thanks to Social Media Manager Kayla McCulloch and Contributor Ethan Tarantella. Theme music by AMP.

Le meilleur de "Beau geste": C'est sous les ors de l'Hôtel de la Marine que l'Américaine Jodie Foster évoque dans un français parfait les secrets et les nuances de ses 58 ans de métier. De ses collaborations avec Scorsese au Silence des agneaux en passant par ses deux Oscars, cette actrice prolifique nous dit tout de son élixir de jouvence : le cinéma !

The All Local Afternoon Update for Monday, September 15th 2025

This is the 4pm All-Local update on Monday, Sept. 15.

Richie Stotts in conversation with David Eastaugh https://www.richiestotts.com/ New York City born musician who began writing and performing in a fledgling 1970s NYC band named “The Numbers”. Richie's songwriting skills and lead guitar playing experience ultimately lead to him becoming one of the founding members of the groundbreaking and inimitable punk/metal group, Plasmatics. In 1978, Richie was among the earliest musicians to sport a Mohawk, taking inspiration from the Travis Bickle character in the movie Taxi Driver. 

The Daily Quiz - Entertainment, Society and Culture Today's Questions: Question 1: What is the plot of the movie Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb? Question 2: What is the name of the Hindu god of creation? Question 3: Taxi Driver was released in which year? Question 4: Which legendary creature is thought to inhabit the forests of North America, standing up to 10 feet tall and weighing about 500 pounds? Question 5: Name the movie that matches the following plot summary: 'A mafia enforcer and a casino executive compete against each other over a gambling empire.' Question 6: Which of these languages would you find spoken in Kenya? Question 7: Which of the following describes Michelangelo? Question 8: Which Oscar Winning Actor Played Scrooge In "The Muppet Christmas Carol"? Question 9: Which of these quotes is from the film 'Juno'? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

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A tour de force of talent stemming from the collaboration of Paul Schrader, Robert De Niro, and Martin Scorsese. The wrathful tour of vengeance by Travis Bickle is a story that was shocking at the time of release and has lived on in our culture into today. Don't miss as Ben and Zach discuss this legendary movie!Instagram-@TheMovieVaultPodEmail us- themovievaultpod@gmail.comYouTube - https://www.youtube.com/@lastresortnetworkThis episode is brought to you by Point A Insurance (formerly Hedman Anglin Agency). Contact them at 614-486-7300 for your home and auto insurance needs. If you do contact them, make sure to tell them that Ben and Zach sent you! Visit their website for more information at www.PointAInsurance.com

Christian Zyp interviews Maura Smith (director) about the documentary STEVE SCHAPIRO: BEING EVERYWHERE. See it as part of the Edmonton International Film Festival (EIFF) Sunday September 28, 2025 @ 3:00 PM at the Landmark City Centre Cinemas downtown. Maura Smith will be in attendance for a post-screening Q&A.STEVE SCHAPIRO: BEING EVERYWHERE focuses on the fascinating story of a photographer and photojournalists' entire career in his own gentle and humble words. Steve Schapiro is famous for documenting the Civil Rights Movement and providing America with iconic images to magnify the voices of James Baldwin, Dr. Martin Luther King Jr., and John Lewis among others. Schapiro also took some of the most classic photographs of Andy Warhol, Muhammad Ali, David Bowie, Ray Charles, Barbra Streisand, The Godfather, Taxi Driver, Bill Evans, Cannonball Adderley, and countless more.EIFF Website: edmontonfilmfest.com/schedule/INSTAGRAM: @steveschapirobeingeverywhereSTEVE SHAPIRO WEBSITE: www.steveschapiro.com/index

Gather your bolt pistols and money satchels, friend-os! Andrew's pick for the film that made him a cinephile is the Coen Brothers' violent noir/western No Country for Old Men. He and Joshua partake in a ramble about evil, age, philosophy, movie tattoos, and most importantly, which one of them lost the most out of a coin toss (spoiler: it was Andrew). And then stayed tuned as they bring up One More Thing, going into the apocalyptic zoo novel The Island of Lost Things by Emma Sloley and the latest Big Thief album Double Infinity. Next week, special guest and The Take-Up contributor Cliff Froelich guides the hosts out of the west and into the dark, scuzzy streets of 70s New York with Taxi Driver, the classic Scorsese thriller that led to Froelich's own cinematic awakening. Let's hope that was the only thing that movie inspired him to become.Read on at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTake-Up.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and follow us @thetakeupstl on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Special thanks to Social Media Manager Kayla McCulloch and Contributor Ethan Tarantella. Theme music by AMP.

Back in August, while on vacation, Westchester talk radio host Andrew Castellano visited one of his favorite destinations: Block Island. Known for its natural beauty and classic New England charm, the island offers plenty to explore, but one local favorite truly stands out: Aldo's Bakery. A Block Island tradition since 1970, Aldo's serves timeless baked goods in a warm and welcoming atmosphere. Aldo's dedication to fresh, homemade offerings goes beyond breads, pastries, and ice cream. Visitors can also enjoy healthier options like açai bowls, fresh fruit smoothies, avocado toast, and other nutritious treats. And no visit is complete without Del's Lemonade, or something from Aldo's pastry boat, bringing the bakery experience right to your own boat (listen for the Andiamo!). Tune in as Andrew Castellano speaks with Michael Mederios, a longtime Block Island taxi driver, about island life, local favorites, and more.

In this episode, Ned and Joe discuss Taxi Driver (1976).⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Now on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Where to watch?⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ned's Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Joe's Letterboxd

In this high-stress Flashback Friday episode of The Radio Vagabond, I find myself in the heart of Dakar, Senegal, with a bus leaving at 7 am – and a taxi driver who has no idea where the bus terminal is. What follows is a chaotic ride through a waking city, a ticking clock, and rising panic. But this episode isn't just about the stress. Along the way, I also meet a talented local artist and an inspiring Italian woman working with UNICEF. It's a snapshot of the real Senegal – unpredictable, vibrant, and full of character. See pictures and read more on https://www.theradiovagabond.com/118-dakar/ This Flashback Friday episode was first released on November 12, 2020.

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!South Korea. 1979. Forty days to an assassination. We dive into Woo Min-ho's icy political thriller The Man Standing Next — a gripping, true-events drama about KCIA director Kim Gyu-pyeong (played by Squid Game's Front Man, Lee Byung-hun) as he weighs loyalty, country, and a bullet.What the film's aboutAfter years in President Park Chung-hee's inner circle, Kim watches the regime harden: political purges, wiretaps, street crackdowns, and a rival enforcer (Chief Kwak) pushing for blood. When a former KCIA boss defects to the U.S. and threatens to publish a tell-all, the fuse is lit. The film tracks the 40 tense days that culminate in one of South Korea's most consequential nights.What we get into on the podPower, paranoia, and proximity: what it costs to be “the man standing next” to a dictator.The Washington angle: congressional testimony, ambassadors pulling strings, and how U.S. pressure shapes the endgame.That dinner sequence: whisky, insults, and a single decision that changes a nation.History vs. thriller: how the movie compresses real events without losing the knot-in-the-stomach tension.Performances & craft: Lee Byung-hun's controlled implosion, swaggering Kwak, crisp night photography (you can actually see it!), and the score's slow dread.The big themes: loyalty vs. survival, “order” vs. democracy, and why authoritarian systems eventually eat their own.Plus, our usual chaosA delightfully deranged Top 5 mash-up: Cowboys and Waiting Rooms (yes, really).A lightning-round quiz: “Korea or Career?” (parasites, broadcasters, pig-based corporate malfeasance — you had to be there).Should you watch the film first?We do reveal key plot points (including the ending), so if you want the full cinematic punch, watch first. If you're here for big ideas, sharp takes, and a few belly laughs, jump straight in.Why hit playIf you loved Parasite, A Taxi Driver, or political thrillers with teeth (Z, Zero Dark Thirty), this episode is squarely in your lane — part history lesson, part moral knot, all energy.

In this high-stress Flashback Friday episode of The Radio Vagabond, I find myself in the heart of Dakar, Senegal, with a bus leaving at 7 am – and a taxi driver who has no idea where the bus terminal is. What follows is a chaotic ride through a waking city, a ticking clock, and rising panic. But this episode isn't just about the stress. Along the way, I also meet a talented local artist and an inspiring Italian woman working with UNICEF. It's a snapshot of the real Senegal – unpredictable, vibrant, and full of character. See pictures and read more on https://www.theradiovagabond.com/118-dakar/ This Flashback Friday episode was first released on November 12, 2020.

Baywatch Berlin ist zugegebenermaßen kein Anfängerpodcast. Wer da nicht von Anfang an dabei war, sein Archiv nicht ordentlich organisiert hat und hier und da mit der Sekundärliteratur nachlässig ist, wird inhaltlich schnell aus der Kurve fliegen. Zu komplexe Handlungsstränge, die einzelnen Ebenen teils so verworren, dass selbst inhaltlich eng eingebundene Kollegen wie Kultkonsti oder Pfeifenheinrich regelmäßig den Überblick verlieren, zwischen welchen und wie vielen Layern hier gerade agiert wird. Deshalb ist es von Zeit zu Zeit notwendig, ein Angebot an potenzielle Neuhörer zu gestalten. Das sind Folgen, die unregelmäßig eingestreut werden, in denen die intellektuelle Zugbrücke ABSICHTLICH etwas weiter heruntergelassen wird, um neuen Menschen Zugang zur Zauberwelt Baywatch Berlin zu gewähren. Diese Folgen erkennen Sie daran, dass sich die drei Podcaster am Anfang einmal namentlich vorstellen & dann in weiterer Folge sogenanntes „dummes Zeug“ geredet wird. In dieser Einsteigerfolge werden folgende Themen – naja – behandelt: • Wie läuft die Karriere vom Sexschamanen und hat sich Schmitti durch seine Passiv-Sex-Erfahrung des Sommers vollends aus der knisternden Welt der Erotik zurückgezogen? • Kann man Millionär werden, wenn man rauskriegt, wie man selber Bonbons macht? (Nein) • Und kann man einem Tierarzt „Beine machen“, wenn man sich verhält wie Robert De Niro in Taxi Driver? Sie sehen: Es lohnt sich mal reinzuhören, denn so leicht machen es Ihnen die drei mindestens eine Woche lang nicht bei Baywatch Berlin. Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/BaywatchBerlin **** https://kickenmitherz.de/#mithelfen Kicken mit Herz Spendenkonten der Veranstalter Spendenkonto des Placebo Kickers Hamburg e.V. Betreff: Adresse für Spendenbescheinigung HASPA BIC: HASPDEHHXXX IBAN: DE19 2005 0550 1011 3113 11

Today's HeadlinesViolent anti-government protests erupt across Indonesian islandsTruth needed for the next generation in ChinaThree ways technology boosts Bible translation

In normal cinema, the goal of the director is to control the audience, to direct their gaze, to dictate their emotions.What does it mean when directors make movies where the audience is allowed to decide what the film means to them?Legendary filmmaker Paul Schrader (screenwriter of Taxi Driver and Raging Bull; director of Mishima: A Life in Four Chapters and First Reformed) , joins me to discuss his book Transcendental Style in Film: Ozu, Bresson, Dreyer and the democratic nature of slow cinema.

The Casuals discuss the film Taxi Driver (1976)

This is the 4PM All-Local on Monday, Aug. 25.

Südkorea im Mai 1980. Das Land steht am Scheideweg zwischen Militärdiktatur und Demokratie. Der deutsche Journalist Jürgen Hinzpeter war damals maßgeblich daran beteiligt, dass die Welt davon erfuhr, wie brutal die damalige Regierung Proteste niederschlug. Diese für Südkorea noch heute sehr bedeutsamen Ereignisse wurden in einem Film verarbeitet. Er heißt A Taxi Driver und ist derzeit auf SBS on Demand zu sehen.

Clement Manyathela hosts representatives from the Gauteng Department of Roads and Transport, Santaco and the e-Hailing partners council to deliberate on the violent clashes between e-hailing drivers and taxi drivers that resulted in the death of an e-hailing driver last week. The Clement Manyathela Show is broadcast on 702, a Johannesburg based talk radio station, weekdays from 09:00 to 12:00 (SA Time). Clement Manyathela starts his show each weekday on 702 at 9 am taking your calls and voice notes on his Open Line. In the second hour of his show, he unpacks, explains, and makes sense of the news of the day. Clement has several features in his third hour from 11 am that provide you with information to help and guide you through your daily life. As your morning friend, he tackles the serious as well as the light-hearted, on your behalf. Thank you for listening to a podcast from The Clement Manyathela Show. Listen live on Primedia+ weekdays from 09:00 and 12:00 (SA Time) to The Clement Manyathela Show broadcast on 702 https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/XijPLtJ or find all the catch-up podcasts here https://buff.ly/p0gWuPE Subscribe to the 702 Daily and Weekly Newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook https://www.facebook.com/TalkRadio702 702 on TikTok https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702 See omnystudio.com/listener for privacy information.

K-scope's Blueprint: Andy K. & The Architects of Modern Movie Advertising

Maura Fay, RTÉ reporter

"You Talkin to me?", "Cʹest à moi que tu parles?", lancée par Robert de Niro face à son miroir est certainement une des phrases les plus connues du cinéma. Le comédien interprète Travis Bickle dans le film Taxi Driver de Martin Scorcese, la Palme dʹor 1976. A lʹécran, on trouve aussi Jodie Foster, toute jeune alors, Harvey Keitel, et Cybill Shepherd. Taxi Driver cʹest lʹhistoire de Travis Bickle, un jeune homme du Middle West, démobilisé des Marines, qui fait le taxi à New-York. Cʹest un déséquilibré, solitaire, insomniaque, qui voit la déchéance morale partout et qui décide de nettoyer la ville en lʹensanglantant. Taxi Driver, cʹest le récit dʹun psychotique mystique créé par le scénariste Paul Schrader, inspiré dʹun fait réel, une tentative dʹassassinat politique, nous y reviendrons. Cʹest un film dʹerrances, un film où des violences se croisent, où des tirs sʹéchangent, où lʹamour nʹa pas sa place. Cʹest un film qui montre les séquelles psychologiques de la guerre du Vietnam, les traumatismes des jeunes gens revenus au pays, fracassés. Ça ne sʹétait jamais vu avant. Le film choque à sa sortie, mais imprime les mémoires. Et surtout, fait entrer pleinement Martin Scorcese dans le Nouvel Hollywood, ce vivier dʹartistes exaltés, prêts à montrer de quoi ils sont capables, ceux qui veulent en découdre avec le système. Lʹhistoire de Taxi Driver sʹécrit avec sur la banquette dʹun taxi jaune new-yorkais et offre à tous ces jeunes talents, acteurs et actrices compris, un terrain dʹexploration fabuleux qui va devenir légendaire. REFERENCES La tentative dʹassassinat contre George Bremer https://www.youtube.com/watch?v=Yk0yNR7uUag " Taxi Driver, un film de Martin Scorcese ", LʹAvant-Scène Cinéma, Numéro 529, Février 2004 Taxi Driver présenté par Jean-Baptiste Thoret en 2013 https://www.youtube.com/watch?v=VMfUAjaSVE4&t=363s Paul SCHRADER, Taxi Driver, Faber & Faber, 1990 CIEUTAT Michel, Martin Scorcese, Rivages, 1987 La scène culte : You talkin to me de Robert de Niro. http://www.youtube.com/watch?v=4e9CkhBb18E DUBOIS, Régis, Martin Scorcese, Lʹinfiltré, Nouveau Monde éditions, 2019

Toni Garcia Ramon ve a desmuntar la pel

Tim Gallin began his quest to perform in feature films and TV after attending CW Post College on Long Island, NY. His first professional job came by way of the Gong Show in August of 1978. He was a contestant on an Elvis Presley special because Chuck Barris was a fan of The King. After seeing his old high school football coach, Vic Magnotta performing in Taxi Driver, Tim picked up the phone and gave him a call. Magnotta was a stuntman, retired special forces soldier, and Vietnam veteran who became close friends with Martin Scorsese while attending NYU. That fateful phone call created for Tim an opportunity to play football in the film The Wanderers. Through Magnotta's continued offers to perform stunts, Tim met many of the people he would collaborate with over the next 45+ years. When asked about a favorite fight scene he performed in, the Marked for Death fight from the classic film F/X (1986) was Tim's immediate response – and is the starting point of this interview that covers some of Tim's epic experiences in the industry including stunt doubling Tom hanks on Splash and Steve Martin on Only Murders in the Building. Tim's IMDB: https://www.imdb.com/name/nm0302941/?ref_=ext_shr_lnkMENTIONSF/X Trailer: https://youtu.be/ihsrN34WkME?si=EtOWzJFZos2zeCsQ Marked For Death fight scene from F/X: https://youtu.be/_KzpueROmto?si=70ABXgw4BnPfTqO5 The absurd life of a 61-year-old veteran Hollywood stuntman: https://www.northjersey.com/story/news/columnists/christopher-maag/2017/12/07/veteran-hollywood-stuntman/762876001/Vic Magnotta imdb: https://www.imdb.com/name/nm0536312/?ref_=ext_shr_lnkTAMMFF Film Freeway: https://filmfreeway.com/TAMMFFFILM FIGHTS WITH FRIENDSDo you listen to our show as an audio podcast? Give video atry. Subscribe to our Youtube for the video version with awesome behind thescenes pics and video! https://www.youtube.com/@FilmFightsFriendsPod?sub_confirmation=1 Dig the show? Consider supporting our Patreon. There are somecool perks! http://patreon.com/FilmFightsFriendsPodcast Join our e-mail list! Hit us up here: fightingwithfriendspod@gmail.comInstagram: http://instagram.com/FilmFightsFriendsPodFacebook: http://facebook.com/FilmFightsFriendsPod Steve's Instagram: Instagram.com/sambosteve Steve's IMDB: http://imdb.me/stephenkoepferPaul's on Instagram: http://Instagram.com/KravMagaChefPaul's IMDB:

Send us a textGoodbye Horses is not only the cult classic song that plays during our favorite scene in The Silence of the Lambs, it is also the the greatest hit of an artist who mysteriously disappeared for 25 years. Goodbye Horses: The Many Lives of Q Lazzarus, is a documentary that reveals the reason behind Diane Luckey's (aka Q Lazzarus) rise, fall, disappearance, and her plans to return, as narrated through her own words, lyrics, and music. Director Eva Aridjis Fuentes joins us to explain how a chance encounter with a taxi driver changed her life, reveal her most fun shoot days, and discuss the importance of redemption.To watch Goodbye Horses: The Many Lives of Q Lazzarus,  click HEREFollow director Eva Aridjis Fuentes on IGSupport the showThanks for listening and for your support! We couldn't have won Best of the Bay Best Podcast in 2022 , 2023 , and 2024 without you! -- Fight fascism. Shop small. Use cash. -- Subscribe to our channel on YouTube for behind the scenes footage! Rate and review us wherever you listen to podcasts! Visit our website! www.bitchtalkpodcast.com Follow us on Instagram & Facebook Listen every Tuesday at 9 - 10 am on BFF.FM

Als hätte sie schon vorher von unserem Sommersonntag der "Ein-Wort-Songs" gewusst! Marie Bothmer liebt offenbar derartige Titel, besteht doch ihr aktuelles Album fast ausschließlich aus Songs benannt mit eben nur einem Wort. Lediglich der "Taxi Driver" bildet die Ausnahme zwischen Liedern wie "Ego", "Sweetspot" oder "Luftmatratze". Mit "Swimmingpool" hat Marie Bothmer 2021 ihren bislang größten Hit gelandet und perfektioniert seither immer weiter ihren eigenen Sound: deutschsprachige Popmusik mit akustischen Instrumenten wie elektronischen Sounds, bei denen sich die Beats zwischen treibend und sanft hin- und her bewegen. Während sie seit mehr als zehn Jahren Musik macht, ist in diesem Jahr nun der Zeitpunkt für ihr Debütalbum gekommen: "Geb dir alles, stimmt so". Im weitesten Sinn verhandelt Bothmer darauf das Leben aus ihrer Sicht in der Großstadt – und bringt in einer generationen-gefilterten Momentaufnahme Themen wie Selbstfindung, Liebe, Einsamkeit, Feiern und Heartbreak zusammen. In fast allen Liedern herrscht textlich ein leicht melancholischer Unterton. Marie Bothmer reflektiert mit besonderer Offenheit schwierige Beziehungen und Vereinbarungen im Musikbusiness, das eigene Selbstwertgefühl sowie ihr eigenes schwieriges Verhältnis zu ihrem Vater. Musikalisch überwiegt letztlich das Aufbauende: energetischer Dance-Pop und Club-Vibes treffen auf Bothmers Singer-Songwriter-Skills und manchmal klingt ein Hauch 90er-Jahre-Hip-Hop durch.

Supreme Court judges, bus conductors, chemists, even radio stars — in this episode, we look at how women were making their mark in 1960s Taiwan. Our source is a 1963 issue of the Free China Review, published in the peak “Free China” years, when most of the so‑called “Taiwanese” women featured were actually from China. Still, even in this repressive period, you could argue women here had more chances to lead, earn, and succeed than many of their peers in the West.DO US A FAVOR and leave a review or comment (on Apple, Spotify, YT, or our website). It really helps. Thanks.

This week's episode is our monthly roundtable, and as usual Tim is joined by Travis, Wren, Phil, and Jay to discuss this month's topic, Old School New York in the Movies! Listen as monthly co-host Phil Vibez (Irate, Knights of the Black, The Judas Syndrome) takes us on a trip back to where he grew up with the four films 'Fort Apache, The Bronx', 'Gloria', 'Taxi Driver', and 'Death Wish'!Patreon : https://www.patreon.com/HorrorflicksguitarpicksToxic Coffin : https://toxiccoffin.com/

Neue Auswahl, neue Verbesserungen: wir reden wieder über die 100 BESTEN FILME DES 21. JAHRHUNDERTS, die von der NEW YORK TIMES ermittelt wurden. Diesmal über die Liste der Leser. Und wieder gibt es eine Menge zwischen Andi, Eddy und Schröck zu diskutieren. Zum Beispiel, warum CHILDREN OF MEN rausgeworfen oder behalten werden soll. Oder warum Filme wie SICARIO, WARRIOR, SIN CITY, DER PIANIST, SNATCH - SCHWEINE UND DIAMANTEN wie auch CASINO ROYALE in diese Auflistung gehören. Dass trotz aller Ablehnung eines Etienne Gardé auch GODZILLA MINUS ONE auf die Liste gehört. Und welche Filme den Einzug in unser Projekt nur knapp verpasst haben. Gefolgt von weiteren Gesprächen zu WATCHMEN, ANCHORMAN - DIE LEGENDE VON RON BURGUNDY oder A TAXI DRIVER wie auch über TREE OF LIFE, den Dauerbrenner BARBIE, das Krimi-Dinner KNIVES OUT, SINNERS, LITTLE WOMAN oder BRIDESMAIDS. Inklusive der einen oder anderen - wie soll es auch anders sein? - Abzweigung in die eine oder andere Richtung. Und natürlich abgerundet von dem, was die Drei zuletzt gesehen haben. Zum Beispiel MOUNTAINHEAD, BABY FACE, LUPIN III - DER HÖLLENTRIP, aber eben auch FANTASTIC FOUR: FIRST STEPS, den gerade Andi und Eddie dann noch mal aus ihrer Sicht schildern und bewerten. Wir hoffen, damit lässt es sich gut ins Wochenende starten und wünschen Euch erstmal ein schönes, aber dann eben auch viel Spaß auf der Couch, im Kino und selbstverständlich auch mit KINO+. Bleibt gesund und gut drauf und bis zum nächsten Mal. Arrivederci! Rocket Beans wird unterstützt von fritz-kola. Learn more about your ad choices. Visit megaphone.fm/adchoices

Screenwriter Stuart Wright talks with Adam ‘Tex' Davis, screenwriter about the podcast his co-hosts: THE OSCARS: What Were They Thinking? & "3 Films That Have Impacted Everything In Your Adult Life"    To listen to Adam's podcast checkout https://www.oscars.wtf   "3 Films That Have Impacted Everything In Your Adult Life" JAWS (1975) RAISING ARIZONA (1987)  TAXI DRIVER (1976)   "3 FILMS THAT HAVE IMPACTED EVERYTHING IN YOUR ADULT LIFE" is a podcast by screenwriter Stuart Wright that explores the transformative power of cinema. From emotional masterpieces to thought-provoking classics, each episode delves into the films that have had a profound impact on our personal growth and perspective. Through engaging storytelling, critical analysis, and cultural commentary, Stuart aims to uncover the lasting influence that movies have had on his guests. Please join him on an emotional journey through the world of film and discover how just three movies can change the direction of a life, cement memories you will never forget or sometimes change how you see the world."   Credits Intro/Outro music is Rocking The Stew by Tokyo Dragons (www.instagram.com/slomaxster/) Podcast for www.britflicks.com https://www.britflicks.com/britflicks-podcast/ Written, produced and hosted by Stuart Wright   "This podcast contains copyrighted material used under the fair use guidelines of Section 107 of the Copyright Act. The purpose of this podcast is to "provide educational/expert analysis" of speechwriting in Hollywood films. All rights to the copyrighted material belong to their respective owners. We do not claim ownership of the content used."  Learn more about your ad choices. Visit megaphone.fm/adchoices

Phillip and Eric are kicking off the first part of their discussion on the Image comic series Kill or Be Killed by Ed Brubaker and Sean Phillips. They discuss its deconstruction of the vigilante hero, its parallels to stories like Taxi Driver and Joker and its roots to the socioeconomic circumstances of its times, and how if Phil would still support Zohran Mamdani if he outlawed Spider-Man and taxed Doctor Strange.

This is the 12pm All Local for July 22, 2025.

“LazyCabbie” drives for 10 hours daily, besides making insightful videos on his working life. Synopsis: Every 3rd Wednesday of the month, The Straits Times examines not just vehicle prices but wider transport issues and trends connected to public and private transport. Contrary to the name of his YouTube channel, Mr Eddie Jui is anything but lazy. The 48-year-old drives 10 hours daily and spends nearly as much time making videos. Like the friendly cabbie making conversation with his passenger, Mr Jui’s videos are candid and honest. And based on how fast the LazyCabbie YouTube channel is growing, it is resonating with people.More on the conversations between Mr Eddie Jui and senior transport correspondent Lee Nian Tjoe below. Highlights (click/tap above): 2:00 Spending at least two to three hours just to get the right angles for the videos. 14:20 Trying to create an online community that is more forward-looking and positive. 18:00 Taxi driving as a sunset industry but one that pays the bills, if you need money urgently. 20:10 Reacting to the rise of autonomous driving potentially taking away taxi driving as a vocation. 23:00 Do not treat driving as a career because there is no progression. Zero progression. Read Lee Nian Tjoe's articles: https://str.sg/wt8G Follow Lee Nian Tjoe on LinkedIn: https://str.sg/iqkJ Read more COE articles: https://str.sg/iGKC Host: Lee Nian Tjoe (niantjoel@sph.com.sg) Produced & edited by: Teo Tong Kai Executive producers: Ernest Luis and Lynda Hong Follow Wheel Insights Podcast here and get notified for new episode drops: Channel: https://str.sg/iTtE Apple Podcasts: https://str.sg/iqW2 Spotify: https://str.sg/iqgB Feedback to: podcast@sph.com.sg SPH Awedio app: https://www.awedio.sg --- Follow more ST podcast channels: All-in-one ST Podcasts channel: https://str.sg/wvz7 Get more updates: http://str.sg/stpodcasts The Usual Place Podcast YouTube: https://str.sg/4Vwsa --- Get The Straits Times app, which has a dedicated podcast player section: The App Store: https://str.sg/icyB Google Play: https://str.sg/icyX --- #wheelinsightsSee omnystudio.com/listener for privacy information.

Flying adventures, peer pressure, a farewell to Michael Madsen, the new sport that is sweeping the nation, George C. Scott has a headache, a director I despise, a movie about a killer date, another solid horror movie from Osgood Perkins, the search continues, and closing the door. Stuff mentioned: Twelve Angry Men (1957), Kris Kristofferson "The Pilgrim - Chapter 33" (1971), Taxi Driver (1976), Reservoir Dogs (1992), Kill Me Again (1989), Caught Stealing (2025), Elvis (2022), Pi (1998), The Whale (2022), Drop (2025), The Monkey (2025), Longlegs (2024), Stephen King The Monkey (1980), and The Box (2009).

On this episode of the JT Sports Podcast, JT breaks down why Jalen Hurts is everything wrong with how we talk about quarterbacks. From "Taxi Driver" comps to ring culture bias, JT calls out the lazy narratives that keep holding elite QBs back. Then he explains why the Cowboys aren't done yet—even with Schottenheimer coaching, this roster is too loaded to fall flat again. JT also lays out Jim Harbaugh's gritty blueprint to run the AFC West and which NFL head coaches are one bad season from unemployment. Plus: why the Jaguars still ain't built for Houston and why kickers deserve way more respect. One take in here might just flip your whole view of QB discourse—listen in.