Podcast appearances and mentions of Brian Cox

Encore! Today we're revisiting an episode with cinephile and massively brilliant actor Brian Cox, who joins Janet, John, (and Pen) for a deep dive into the most iconic gangster films that created the genre. To learn more about this episode and others, visit the official Cinema Sounds & Secrets website!

How did social media stars, podcasters and YouTubers overtake traditional media in ad revenue? Michael Savage, media editor at the Guardian, shepherds us into the new era.Also on the show: as The Standard announces a new partnership with Message Heard, we chat to the podcast outfit's Jake Warren about the magic ingredients that turn print into podcast.All that plus: Warner Brothers Discovery give more details of their split, whilst Netflix invests in Spain...And, in the Audio Network Media Quiz, Matt becomes Professor Brian Cox. That's all happening in this edition of The Media Club. Come on in!The Media Quiz is sponsored by Audio Network who select the music to score each episode - they can do it for you too at audionetwork.comBecome a member for FREE when you sign up for our newsletter at themediaclub.comA Rethink Audio production, produced by Matt Hill with post-production from Podcast Discovery.We record at Podshop Studios - for 25% off your first booking, use the code MEDIA CLUB at podshoponline.co.ukWhat The Media Club has been reading this week:Influencers overtake traditional media in ad revenueWarner Bros Discovery announce breakup plansNetflix planning $1bn in Spanish programmingGuardian launches new secure messaging serviceDisney nabs ITV's unscripted chiefBFI claims 130,000 TV & Film scripts trained AIJamie Laing rebrand podcastRadio X creates ‘beer-proof parkas'(00:00) - Hellos(00:53) - Michael Savage's Media Club Invite(02:03) - Jake Warren's Media Club Invite(04:13) - Influencers Earning More than Broadcasters(10:14) - YouTube and Podcasting(11:41) - The Top 5 Companies Providing Ad Revenue(12:55) - Warner Brothers Discovery Splitting Company(18:40) - Netflix Announces $1b funding for Spanish Originals(25:46) - The Guardian's Encrypted App(28:20) - News Platforms and Podcasts(35:52) - Should We Worry About AI?(38:33) - The Audio Network Quiz(45:45) - Goodbyes Hosted on Acast. See acast.com/privacy for more information.

El profesor Brian Cox explora los reinos ocultos del sistema solar, entre los planetas y más allá de ellos, donde hay incontables mundos envueltos en la oscuridad. Visita algunas de las regiones menos exploradas y descubre lo que se esconde más allá del alcance de los telescopios más potentes. El sistema solar no está formado únicamente por unos pocos mundos que orbitan cerca del Sol: es una enorme estructura que se extiende hasta la mitad de la estrella más cercana.

As Infosecurity Europe prepares to mark its 30th anniversary, Portfolio Director Saima Poorghobad shares how the event continues to evolve to meet the needs of cybersecurity professionals across industries, sectors, and career stages. What began in 1996 as a niche IT gathering has grown into a strategic hub for over 14,000 visitors, offering much more than just vendor booths and keynotes. Saima outlines how the event has become a dynamic space for learning, collaboration, and strategic alignment—balancing deep technical insight with the broader social, political, and technological shifts impacting the cybersecurity community.The Power of the Crowd: Community, Policy, and Lifelong LearningThis year's programming reflects the diverse needs of the cybersecurity community. Attendees range from early-career practitioners to seasoned decision-makers, with representation growing from academia and public policy. The UK government will participate in sessions designed to engage with the community and gather feedback to inform future regulation—a sign of how the show has expanded beyond its commercial roots. Universities are also getting special attention, with new student guides and tailored experiences to help emerging professionals find their place in the ecosystem.Tackling Today's and Tomorrow's Threats—From Quantum to GeopoliticsInfosecurity Europe 2024 is not shying away from bold topics. Professor Brian Cox will open the event by exploring the intersection of quantum science and cybersecurity, setting the tone for a future-facing agenda. Immediately following, BBC's Joe Tidy will moderate a session on how organizations can prepare for the cryptographic disruption quantum computing could bring. Rory Stewart will bring a geopolitical lens to the conversation, examining how shifting alliances, global trade tensions, and international conflicts are reshaping the threat landscape and influencing cybersecurity priorities across regions.Maximizing the Experience: Prep, Participate, and PartyFrom hands-on tech demos to peer-led table talks and new formats like the AI and Cloud Security Theater, the show is designed to be navigable—even for first-time attendees. Saima emphasizes preparation, networking, and follow-up as keys to success, with a new content download feature helping attendees retain insights post-event. The celebration culminates with a 90s-themed 30th anniversary party and a strong sense of pride in what this event has helped the community build—and protect—over three decades.The message is clear: cybersecurity is no longer just a technical field—it's a societal one.___________Guest: Saima Poorghobad, Portfolio Director at Reed Exhibitions | https://www.linkedin.com/in/saima-poorghobad-6a37791b/ Hosts:Sean Martin, Co-Founder at ITSPmagazine | Website: https://www.seanmartin.comMarco Ciappelli, Co-Founder at ITSPmagazine | Website: https://www.marcociappelli.com___________Episode SponsorsThreatLocker: https://itspm.ag/threatlocker-r974___________ResourcesLearn more and catch more stories from Infosecurity Europe 2025 London coverage: https://www.itspmagazine.com/infosec25Catch all of our event coverage: https://www.itspmagazine.com/technology-and-cybersecurity-conference-coverageWant to tell your Brand Story Briefing as part of our event coverage? Learn More

As Infosecurity Europe prepares to mark its 30th anniversary, Portfolio Director Saima Poorghobad shares how the event continues to evolve to meet the needs of cybersecurity professionals across industries, sectors, and career stages. What began in 1996 as a niche IT gathering has grown into a strategic hub for over 14,000 visitors, offering much more than just vendor booths and keynotes. Saima outlines how the event has become a dynamic space for learning, collaboration, and strategic alignment—balancing deep technical insight with the broader social, political, and technological shifts impacting the cybersecurity community.The Power of the Crowd: Community, Policy, and Lifelong LearningThis year's programming reflects the diverse needs of the cybersecurity community. Attendees range from early-career practitioners to seasoned decision-makers, with representation growing from academia and public policy. The UK government will participate in sessions designed to engage with the community and gather feedback to inform future regulation—a sign of how the show has expanded beyond its commercial roots. Universities are also getting special attention, with new student guides and tailored experiences to help emerging professionals find their place in the ecosystem.Tackling Today's and Tomorrow's Threats—From Quantum to GeopoliticsInfosecurity Europe 2024 is not shying away from bold topics. Professor Brian Cox will open the event by exploring the intersection of quantum science and cybersecurity, setting the tone for a future-facing agenda. Immediately following, BBC's Joe Tidy will moderate a session on how organizations can prepare for the cryptographic disruption quantum computing could bring. Rory Stewart will bring a geopolitical lens to the conversation, examining how shifting alliances, global trade tensions, and international conflicts are reshaping the threat landscape and influencing cybersecurity priorities across regions.Maximizing the Experience: Prep, Participate, and PartyFrom hands-on tech demos to peer-led table talks and new formats like the AI and Cloud Security Theater, the show is designed to be navigable—even for first-time attendees. Saima emphasizes preparation, networking, and follow-up as keys to success, with a new content download feature helping attendees retain insights post-event. The celebration culminates with a 90s-themed 30th anniversary party and a strong sense of pride in what this event has helped the community build—and protect—over three decades.The message is clear: cybersecurity is no longer just a technical field—it's a societal one.___________Guest: Geoff White, Author, Speaker, Investigative Journalist, Podcast Creator | https://www.linkedin.com/in/geoffwhitetech/Hosts:Sean Martin, Co-Founder at ITSPmagazine | Website: https://www.seanmartin.comMarco Ciappelli, Co-Founder at ITSPmagazine | Website: https://www.marcociappelli.com___________Episode SponsorsThreatLocker: https://itspm.ag/threatlocker-r974___________ResourcesLearn more and catch more stories from Infosecurity Europe 2025 London coverage: https://www.itspmagazine.com/infosec25Catch all of our event coverage: https://www.itspmagazine.com/technology-and-cybersecurity-conference-coverageWant to tell your Brand Story Briefing as part of our event coverage? Learn More

As Infosecurity Europe prepares to mark its 30th anniversary, Portfolio Director Saima Poorghobad shares how the event continues to evolve to meet the needs of cybersecurity professionals across industries, sectors, and career stages. What began in 1996 as a niche IT gathering has grown into a strategic hub for over 14,000 visitors, offering much more than just vendor booths and keynotes. Saima outlines how the event has become a dynamic space for learning, collaboration, and strategic alignment—balancing deep technical insight with the broader social, political, and technological shifts impacting the cybersecurity community.The Power of the Crowd: Community, Policy, and Lifelong LearningThis year's programming reflects the diverse needs of the cybersecurity community. Attendees range from early-career practitioners to seasoned decision-makers, with representation growing from academia and public policy. The UK government will participate in sessions designed to engage with the community and gather feedback to inform future regulation—a sign of how the show has expanded beyond its commercial roots. Universities are also getting special attention, with new student guides and tailored experiences to help emerging professionals find their place in the ecosystem.Tackling Today's and Tomorrow's Threats—From Quantum to GeopoliticsInfosecurity Europe 2024 is not shying away from bold topics. Professor Brian Cox will open the event by exploring the intersection of quantum science and cybersecurity, setting the tone for a future-facing agenda. Immediately following, BBC's Joe Tidy will moderate a session on how organizations can prepare for the cryptographic disruption quantum computing could bring. Rory Stewart will bring a geopolitical lens to the conversation, examining how shifting alliances, global trade tensions, and international conflicts are reshaping the threat landscape and influencing cybersecurity priorities across regions.Maximizing the Experience: Prep, Participate, and PartyFrom hands-on tech demos to peer-led table talks and new formats like the AI and Cloud Security Theater, the show is designed to be navigable—even for first-time attendees. Saima emphasizes preparation, networking, and follow-up as keys to success, with a new content download feature helping attendees retain insights post-event. The celebration culminates with a 90s-themed 30th anniversary party and a strong sense of pride in what this event has helped the community build—and protect—over three decades.The message is clear: cybersecurity is no longer just a technical field—it's a societal one.___________Guest: Saima Poorghobad, Portfolio Director at Reed Exhibitions | https://www.linkedin.com/in/saima-poorghobad-6a37791b/ Hosts:Sean Martin, Co-Founder at ITSPmagazine | Website: https://www.seanmartin.comMarco Ciappelli, Co-Founder at ITSPmagazine | Website: https://www.marcociappelli.com___________Episode SponsorsThreatLocker: https://itspm.ag/threatlocker-r974___________ResourcesLearn more and catch more stories from Infosecurity Europe 2025 London coverage: https://www.itspmagazine.com/infosec25Catch all of our event coverage: https://www.itspmagazine.com/technology-and-cybersecurity-conference-coverageWant to tell your Brand Story Briefing as part of our event coverage? Learn More

El profesor Brian Cox viaja a los mundos volcánicos del sistema solar y explora paisajes alienígenas repletos de fuego y hielo. Hay planetas y lunas cubiertos de volcanes, con erupciones tan violentas que llegan hasta el espacio. Comprender qué hace que estos mundos estén activos es fundamental para la búsqueda de vida más allá de la Tierra.

Welcome to the inaugural space hotel, Scottish actor Brian Cox is in the studio to give his views on stamp duty changes for some reason, and the Tims come up with the perfect solution to avoid telling Kemi Badenoch the truth.More pinpoint satire from comedian Michael Spicer in his sketch series that nails modern life, politics, culture and current events. Michael is famous for his Room Next Door government advisor character whose withering take downs of politicians have amassed more than 100 million views and helped keep his audience sane in fractured times.Writer, Performer and Co-Editor: Michael SpicerComposer and Sound Designer: Augustin BousfieldProducer: Matt TillerA Tillervision production for BBC Radio 4

I have been anticipating having the opportunity to speak with Carl Amari on an episode of Unstoppable Mindset for several months. Carl and I share a passion for vintage radio programs sometimes called “old time radio shows”. Carl heard his first broadcast in 1975 when he heard Cary Grant staring in a program from the 20-year long series entitled “Suspense”. That program left the air in 1962, but like other shows, some radio stations kept it alive later.   Carl's interest in vintage programs goes far beyond the over 100,000 transcription master's he has amassed. He has also created some programs of his own. For example, in 2002 Carl asked for and received the rights to recreate the television show, “The Twilight Zone” for a radio audience. He used many famous actors while recreating the series. He talks about what he did and how he brought “The Twilight Zone” to life on the radio.   He also has dramatized five versions of the bible. His most well-known work is “The Word Of Promise Bible”. When I first purchased that bible from Audible, I had no idea that Carl was its creator.   Carl Amari is quite a creative guy making movies, collecting and producing radio programs and he even hosts podcasts.   I hope you have as much fun listening to this episode as I did in creating it with Carl. We definitely will have him back as he has many more stories to tell.       About the Guest:   Carl Amari has been licensing classic radio shows from the owners and estates since 1990.  He has amassed a library of 100,000+ master recordings.  Amari broadcasts these golden-age of radio shows on his 5-hour radio series, Hollywood 360, heard on 100+ radio stations coast-to-coast each week.  Amari is also the Host/Producer of The WGN Radio Theatre heard each weekend on legendary Chicago radio station, WGN AM 720. Amari is the founder and curator of The Classic Radio Club.  Each month Amari selects the best-of-the-best from his classic radio library to send to members.   Amari is also a published author.  In 1996, he began writing a series of books about classic radio for The Smithsonian Institute.  More recently, he teamed with fellow classic radio expert, Martin Grams, to co-write the best-selling coffee-table cook “The Top 100 Classic Radio Shows” (available at Amazon).  Each bi-monthly, Amari writes a classic radio-themed column titled “Good Old Days on the Radio” for the nostalgia publication Good Old Days Magazine.   In 2002, Amari licensed the intellectual property, The Twilight Zone, from CBS and The Rod Serling estate to create and produce The Twilight Zone Radio Dramas, which are fully dramatized audio adaptations based on Rod Serling's Emmy-Award winning TV series.  Hosted by prolific actor Stacy Keach, each hour-long radio drama features a Hollywood celebrity in the title role.  The Twilight Zone Radio Dramas has won numerous awards of excellence including The Audie Award, AFTRA's American Scene Award and the XM Nation Award for Best Radio Drama on XM.  The Twilight Zone Radio Dramas are broadcast coast-to-coast each week on nearly 100 radio stations.    In 2007, Amari parlayed his experience and passion for radio theatre and love for the Bible into the creation of the award-winning Word of Promise celebrity-voiced, dramatized audio Bible published by Christian giant Thomas Nelson, Inc.  The New Testament won 2008's highest Evangelical award, The Christian Book of the Year.  The Word of Promise stars Jim Caviezel (“The Passion of the Christ”) reprising his film role as Jesus, with Michael York, Terence Stamp, Lou Gossett, Jr., Marisa Tomei, Lou Diamond Phillips, Ernie Hudson, Kimberly-Williams Paisley and many other celebrities voicing roles of the New Testament.  In 2008, Amari produced The Word of Promise Old Testament featuring more than 400 actors including: Jon Voight, Gary Sinise, Richard Dreyfuss, Max von Sydow, Malcolm McDowell, Joan Allen, John Rhys-Davies, Sean Astin, Marcia Gay Harden and Jesse McCartney. The Old Testament was combined with the New Testament and released as The Word of Promise Complete audio Bible in 2009 and has won numerous awards, including three Audie awards.  The Word of Promise has become the #1 selling audio Bible of all time.  In 2009, Amari produced The Truth & Life Dramatized Audio Bible: New Testament, a Catholic Bible featuring Neal McDonough, John Rhys-Davies, Malcolm McDowell, Kristen Bell, Blair Underwood, Julia Ormond, Brian Cox, Sean Astin and other celebrities.  It was released by Zondervan Corporation, the largest religious publisher in the world.  Amari secured an Imprimatur from The Vatican and a foreword by Pope Benedict XVI for The Truth & Life Dramatized Audio Bible: New Testament, which has become the #1 selling Catholic audio Bible in the world.  In 2016, Amari produced The Breathe Audio Bible for Christian Publisher Tyndale House.  Celebrities voicing roles include Ashley Judd, Josh Lucas, Kevin Sorbo, Hill Harper, John Rhys-Davies and Corbin Bleu.  Amari currently produces a weekly radio series based on this audio Bible called The Breathe Radio Theatre hosted by Kevin Sorbo, heard on Christian radio stations coast-to-coast.    In 2000, Amari produced the feature film Madison starring Jim Caviezel, Bruce Dern, Jake Lloyd, Mary McCormack and John Mellencamp.  In 2001, Madison was invited by Robert Redford to be the opening film at Redford's prestigious Sundance Film Festival.  Madison was later released worldwide by MGM.  Amari also spends his time creating television series for Warner Brothers and Gulfstream Pictures.  Amari's latest film projects include producing, Wireman, starring Scott Eastwood and Andy Garcia, a true-story set in 1978 Chicago and Crossed, a Zombie Post-Apocalyptic story by The Boys creator Garth Ennis.  Both films will be released in 2025.   Amari's company was twice named to the INC. 500 list of fastest growing privately-held companies.  He was selected as one of Chicago's Very Own by Tribune Broadcasting and his business accomplishments have been highlighted in The Wall Street Journal, The Chicago Sun-Times, The Chicago Tribune, Variety, INC. 500, The Associated Press, Entertainment Weekly, The Washington Post, The Los Angeles Times and The New York Post. Ways to connect Carl:   https://www.hollywood360radio.com/   https://classicradioclub.com/   https://ultimateclassicradio.com/   You can also provide my email address: Carl@ClassicRadioClub.com   About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hello to you all, wherever you may be, welcome to another episode of unstoppable mindset. Oh, it's always good to have an unstoppable mindset. I am really very joy today. I'm really happy because I get to have an hour to chat with someone who I've admired for a while, although I haven't told him that but he, I first heard him on a show. Well, he did a show called Yeah, on a program called yesterday USA, which is a program that plays old radio shows on now two different networks. They have a red network and a blue network, so they have emulated NBC, and they're on 24 hours a day, doing a lot of old radio stuff. And I've been collecting radio shows for a long time, although our guest, Carl has has done, in a broad sense, a lot more than I have. But anyway, he collects shows. He does a lot with master copies of radio shows, and I don't, don't have that many masters, but he's also done some other things. For example, in 2002 he acquired the rights from CBS and the Rod Serling estate to create Twilight Zone radio, and he is created versions for radio of all of the Twilight Zone broadcasts. The other thing that he did that I didn't realize until I got his bio, is that he created something else that I purchased from Audible, probably in 2008 or 2009 the Word of Promise Bible, where he got a number of entertainers and and special people and Celebrities like Michael York and others to create the Bible, and it's only 98 hours long. So you know, it takes a little while to read, but still, it's worth doing. So I would like to introduce you all to Carl Amari and Carl, welcome to unstoppable mindset. Michael,   Carl Amari ** 03:14 thank you so much for having me. It's a real honor. Thanks so much.   Michael Hingson ** 03:19 Well, the honor is, is mine as well. I really am glad that that you're here and we do get to talk about radio and all sorts of whatever comes along. Well, I want to start this way. Tell me about kind of the early Carl, growing up and all that well for an opening, yeah. Gosh,   Carl Amari ** 03:35 that was a long time ago, but when I was 12 years old in 1975 I heard my first classic radio show. It was an episode of suspense, and it starred Cary Grant in a show called on a country road. Yeah, and I was at a sleepover at my friend's house, and we were kind of rowdy, as as 12 year olds will be. And his father had this show, I think it was on an eight track tape or a cassette tape, and he played it, and it was the first time I ever experienced theater of the mind. And I, you know, grew up watching Batman and the Twilight Zone and Wild Wild West, and I had never had anything, you know, that that really, really just blew me away, like hearing a radio drama where you hear the the actors performing, and you see the, you know, they have the sound effects and the music, and it creates this movie in your mind. And I was at a 12 as 12 years old. I was just completely just, you know, flabbergasted, and I wanted to learn all I could about classic radio and and so I spent, really my entire career, the last 40 plus years, licensing and putting out these radio shows, licensing from. The estates and putting them out on radio and on CD and digital download and so forth.   Michael Hingson ** 05:06 Cool. Yeah, I remember on a country road the first show. Well, I remember a few times my parents were listening to radio in the early 50s, and I think one of the first ones I heard was Dick Tracy, but I don't even remember that, but I think it was 1957 in October or so. I was listening to the radio, and all of a sudden I heard, and one of my maybe it was 58 but anyway, one of my favorite songs at the time was Tom Dooley by the Kingston Trio, and this announcement came up that on suspense this Sunday would be the story of Tom Dooley. And I went, Oh, that's Oh, right, right. Listen to that. And I did, and I was hooked for the very same reasons that you were radio really presents you the opportunity to picture things in in your own mind, in a sense, the way you want. And what they do in the radio production is get actors who can draw you in, but the whole idea is for you to picture it in your own mind. So I did it with Tom Dooley, and I got hooked. And I was listening to suspense and yours truly Johnny dollar ever since that day. And then also Gun Smoke and Have Gun Will Travel came along, and then that was fun.   Carl Amari ** 06:23 Yeah, those were those shows that you just mentioned. They were on still in the 50s. Because when you think of the golden age of radio, it was really the 30, late 30s all the way to the very early 50s, golden age of radio. But there were hangers on. There was Johnny dollar, and, like you said, suspense. And you know, some of these programs that were still on fiber, McGee and Molly, even, you know, Jack Benny, were still on during the 50s. And then, of course, most of the shows made the transition to the visual medium of television. But the eyes, I still say, you know, today, listening to these radio shows is more fun, and I think they're more impactful than the television versions. Oh,   Michael Hingson ** 07:07 I think so by any standard. I think that's true. And gun Well, let's see. Suspense went into, I think 1962 Johnny dollar did, and suspense and Gunsmoke and Have Gun Will Travel. Started on television, actually, but then transitioned to radio. There were a few shows, a few of the plots that actually were on both, yes, but John Danner played Paladin on the radio, and that was fun. And then, of course, Gunsmoke as well. So they, they, they all went into the 60s, which was kind of kind of cool, yeah.   Carl Amari ** 07:43 And usually they had, you know, sometimes they had the same cast, and other times a completely different cast, like with Gunsmoke, you know, William Conrad was Marshall Matt Dillon on on radio. And, of course, people remember him as canon on television, also Nero Wolf on television. But William Conrad, who was probably in more radio shows than anyone I can think of. Yeah, was, was Marshall, Matt Dillon, and then on on television, of course, James Arness, so yeah, and but then, you know, the Jack Benny Program, there was the same cast, you know, the very same people that were on radio, moved to television, same with Red Skelton and many of the shows, but other times, completely different cast.   Michael Hingson ** 08:22 I was watching this morning when I woke up, me too. Let's see, was it me too? Yeah, was me TV? They're great and and they had Jack Benny on at 430 in the morning. I just happened to wake up and I turned it on. There's Benny season five, where he took the beavers to county fair. Of course, the Beavers are fun. And I've actually, I've actually had the opportunity to meet Beverly Washburn, which was, oh, sure,   Carl Amari ** 08:52 sure. Oh man, Jack Benny, probably the high water mark of comedy. You know, when you talk about, you know, a guy that was on, he started in vaudeville, you know, and then he had his own radio show, his own TV show was in movies, and probably the most successful. And when you think about Seinfeld, right, when you think about the series, the television series Seinfeld, there's so many correlations between Seinfeld and the Jack Benny Program, you know Seinfeld. It was, was a comedian, you know Jerry Seinfeld, playing himself. He had this cast of Looney characters all around him. Same thing with the Jack Benny show. It was Jack Benny with a cast of Looney characters. And so it's probably was an homage, you know, to to Jack Benny. And   Michael Hingson ** 09:39 I, I'm, think you're right. I think in a lot of ways, that probably absolutely was the case. And you know, there are so many radio shows that that, in one way or another, have have influenced TV. And I think people don't necessarily recognize that, but it's true, how much, yeah, radio really set the stage for so many things. Yeah, I think the later suspenses, in a sense, were a lot better than some of the earlier ones, because they really were more poignant. Some were more science fiction, but they really were more suspenseful than than some of the early ones, but they were all fun.   Carl Amari ** 10:13 Oh gosh, suspense that's now you're talking about, I think the best series of all time, you know, because it was about almost 1000 episodes. It lasted from 42 to, I believe, 62 or 63 and and it had, for a time, there was a lot of true stories on suspense when Elliot Lewis took over. But yeah, you're right. It had the best actors, the best writers, the best production values. So suspense to this day. You know, I think is, of all the shows was, was one of the best, if not the best.   Michael Hingson ** 10:45 Oh, I agree. I can't argue with that at all. And did so many things. And then for at least a summer, they had hour long suspenses, but mostly it was a half hour or Yes, later was 25 minutes plus a newscast, right,   Carl Amari ** 10:59 right, right? It didn't seem to work in the hour long format. They only did a handful of those, and they went back right back to the half hour once a week, you know. But, yeah, no suspense, one of my favorites for sure.   Michael Hingson ** 11:13 Oh, yeah. Well, and it's hard to argue with that. It's so much fun to do all of these. And you know, on other shows in radio, in a sense, tried to emulate it. I mean, escape did it for seven years, but it still wasn't suspense, right,   Carl Amari ** 11:27 right. Closest thing to suspense was escape, but it was never and I think because you know, as as you know Michael, but maybe some of your listeners don't realize this, these actors, these big actors, Humphrey Bogard and chair, you know, James Stewart and Cary Grant, they were, they were studio, they were under a studio contract. So they weren't like today, where they were freelance. So when, like, let's say, Jimmy Stewart was being paid, I'll just make up a number $5,000 a week to be under contract to make movies when he wasn't making a movie, they wanted to make money on this actor, so they would loan him out to radio. And these actors were on suspense, like on a routine basis, you had movie stars every week appearing on suspense, the biggest movie stars on the planet. So and you would think, well, how could they afford these movie stars? Well, because the studios wanted to make money when their actors weren't working, right?   Michael Hingson ** 12:23 And and did, and people really appreciate it. I mean, Jess Stewart, yeah, even some of the actors from radio, like fiber began, Molly, yeah, on a suspense. And they were, that was a great that was a great show. But, oh yeah,   Carl Amari ** 12:38 back, I think it was back, right? Yeah, yeah, which   Michael Hingson ** 12:41 was really cool. Well, you license a lot of shows from, from people tell me more about that. That must be interesting and fascinating to try to negotiate and actually work out. Well,   Carl Amari ** 12:52 early on, when I was in college, you know, as a communications major, and I learned very early on that these show, a lot of these shows are, copyrighted so and because I was actually sent a cease and desist letter on a college station just playing a show. And so that was, and it was from Mel blanks company, man of 1000 voices. And he his son, Noel, helped me learn, you know, taught me that, hey, you know, these shows are were created by, you know, the the estates, you know, the that were still around Jack Benny and, you know, CBS owns a ton of stuff and different, you know, entities that own these shows and and he helped, and he introduced me to a lot of people, including Jerry Lewis and Milton Burrell and and so I spent My early career in my 20s, flying back and forth to LA and New York and licensing these shows from like Irving Brecher, who created the life of Riley and the Jack Benny estate. And, you know, golden books at the time, owned the Lone Ranger and so licensing that and Warner Brothers, you know, DC for Batman and so, and Superman, I mean, which had Batman on it, but Superman, I licensed those. And, you know, MCA universal for dragnet and the six shooter and so on and on and on and and I spent, as I say, my early career licensing. I now have over 100,000 shows under license, and mostly from Master transcriptions, because I only like to collect from the master source, because we put them out through a club, the classic Radio Club, and I air them on my I have a national radio show called Hollywood 360 we air them every week, five shows every week on the network. There's over 100 stations, including Armed Forces Radio and and so I want the quality to be impeccable. I don't want dubs of dubs or, you know, cracks and pops. And I really want to give people what it sounded like back then when they aired   Michael Hingson ** 14:54 and well. And you you can sort of do that, but the sound is probably even better today. With the audio equipment that people have access to, yeah, the sound is even better than it was. But I hear what you're saying, and it's cool to listen to those, and they're not stereo. Oh, that would be interesting to to try to reprocess and make that happen, but the audio is incredible. Yeah,   Carl Amari ** 15:16 yeah, that's kind of what our, you know, our trademark is, Michael is, you know, if you're listening to Hollywood 360 which, as I say, is on a lot of stations across the country, when you listen to that show, and in every hour, we play a we play a show, you know you're going to get something that sounds just, is like we're talking right now. You know that's that's important to me. Yeah,   Michael Hingson ** 15:37 well, and I can appreciate that, and it makes perfect sense that it is because we should really preserve the the programs, and we should do what we can to make them sound as good as we can, and we should really get that high quality. And the high quality is there, yes, just not always what people find, and people are willing to, well, accept less than what they should, yeah,   Carl Amari ** 16:01 well, I, you know, I grew up collecting from where I wherever I could. But then, when I started licensing them, I would get the masters from the, you know, whoever owned them. And then I also have about a half a dozen collectors that only collect on 16 inch disc, which is kind of great. And so if I have, let's say, you know, suspense and and I'll, you know, let's say, you know, because we license that from CBS. But if CBS doesn't have a certain show, but a collector on disc has it, I'll get that from the collector and still pay the royalty the CBS because they own it. But I'll get that, that disc from a collector. And, you know, we, and it's a cost of doing business, but we'll get it transferred and and put it out to the public that way.   Michael Hingson ** 16:46 Typically, what are the discs made of? So   Carl Amari ** 16:49 they're, they're like, uh, they're like a shellac. I mean, they're, they're like, a glass. Some of them are actually glass,   Michael Hingson ** 16:55 yeah, you know, some of the Jack Benny shows were glass, yeah,   Carl Amari ** 16:59 and acetate and things like that. And so I there's one gentleman that's in in Redding, California, Doug Hopkinson, who is just an expert on this, and he does most of the transfers. We recently licensed 41 different series from Frederick zivs estate. And you know, we're talking the entire collection of Boston Blackie bold venture with Humphrey Bogart and Lauren Bacall, Philo Vance, with Jackson Beck, Mr. District Attorney, and I was a communist for the FBI. And Doug is actually doing they're all on they're all zivs Personal discs. Frederick Ziv, he had them. There's 10,000 more than 10,000 discs in a controlled warehouse in Cincinnati, and we are slowly but surely working our way through 10,000 shows. And Doug is doing all those transfers. So he's a busy guy. Does he go there to do it? No, we have him sent. So you do cardboard boxes. Yeah, yeah. To California. And then Doug has two, you know, it's special equipment that you have to use. I mean, it's very, very it's not just a turntable, and it's a special equipment. And then, you know, we get the raw file, you know, we get the, he uses the special needles based on that album, you know, or that disc he has, you know, a whole plethora of needles, and then he tests it, whichever gets the best sound out of there. So, yeah, he's really, he's tops at this. And so we're doing those Troy, we just transferred all the, I was a communist for the FBI with Dana Andrews, yeah, and all the Boston blackies, which is one of my favorites   Michael Hingson ** 18:40 and bold venture. And, yeah, I have those, good man, so I know that it's interesting. You mentioned the needles. So for people who don't know, in order to get a program on one disc, the transcriptions were literally 16 inches. I mean, we're all used to LPS or 12 inch disc, but the radio transcriptions were 16 inch discs, right?   Carl Amari ** 19:05 And that held 15 minutes. And now you needed two discs, yeah? So generally, you needed two discs to give you one show, unless it was one on one side and one on the other side. But a lot of times it was, it was, it was two discs for one show, yeah, and then, and then, on the opposite side, you'd have another show. One   Michael Hingson ** 19:24 of the things that I got the opportunity to do was to collect my dad knew somebody when he worked at Edwards Air Force Base that had a number of 16 inch transcriptions, and I had a turntable. Wasn't great, but it served the purpose for a college kid. And one of the things I discovered was that there were a few recordings that, rather than putting the needle on the outside and the record spins and plays in, you actually start from the inside and go out.   Carl Amari ** 19:56 Yes, I've seen that, yeah, and I'm told we're that way. Yeah,   Michael Hingson ** 20:00 I'm told that they did that because the the audio quality was actually better. Doing it that way, really? Yeah, I didn't know that. I didn't know, but that's what I was told, was that the audio quality was even better. Wow,   Carl Amari ** 20:11 yeah. I mean, it's a skill, you know, because with we really have one shot to get these 10, you know, these, these discs and and and we were getting them from, from literally, Frederick zivs Personal. They were, I told, like the first one off the duplication line. When he would, he would bicycle the discs all around the country. We're not using discs that were ever touched by radio stations. In fact, a lot of them, we have to drill out the holes in the middle because they've closed up a little bit. So these have never been played. They're unplayed. His master discs that are unplayed and and if you have the bold venture, you know what we were able to pull off those masters, it's like high fidelity. Mon Oro,   Michael Hingson ** 20:56 yeah. They're as good as it can get. And they do, they sound really great. Well, even the Boston blackies are good. Yeah,   Carl Amari ** 21:02 oh yeah, yeah. I'm excited about that, because that, that's one of my favorite shows Boston.   Michael Hingson ** 21:07 I like Boston Blackie and yeah, and I like, I was a communist for the FBI, and I haven't gotten those yet, but I'm waiting to get Dana Andrews that whole   Carl Amari ** 21:15 they just shipped. So there you should be getting them, Michael. So thank you for that. They'll   Michael Hingson ** 21:20 be they'll be coming, yes, which is pretty cool, but it is so fun to have the opportunity to listen to all these and I really urge people, the easy way is you can go to places like yesterday usa.net, online and listen to a lot of radio programs, but you can go to Carl's website, or when he can tell us how to do it, and you can actually purchase the opportunity to get copies of some of these shows, and they're absolutely fun and worth doing.   Carl Amari ** 21:54 Yeah, thank you, Michael. We are. We have, you know, our radio show has a website. You can learn about our radio show that's that's easy. It's Hollywood. And then 360 so Hollywood, 360 radio.com, that's like my and you can reach me, but there's ways to contact me through there. And then we, I think I mentioned we offer these through a club, which is pretty cool, because what I do every month is I'll comb the library of we have over 100,000 shows, and I'll take, I'll pick 10 shows every month and put them either on five CDs with a booklet, historical booklet, and it's in a nice case. And you get about every 30 days, CD members get a new 10 C 10 show five CD set in the mail, or you can get those same shows via digital download. So if you don't want the CDs, you just want a link sent to you there, they're done that way too. And that's classic radio club.com and all of the information is there at Classic radio club.com and as I say that that we put out only the best quality there, like, the best quality you could possibly get, which,   Michael Hingson ** 23:04 which is so cool, because I have heard some of those programs as you say that they're dubbed or people, for some reason, have the wrong speed. They're not great quality, right? So frustrating. Yeah, there's no need for any of that. And some people, of course, cut out the commercials, not being visionary enough to understand the value of leaving the commercials in, right? And again, they didn't do a very good job of cutting them out.   Carl Amari ** 23:31 No, we leave everything in. Even, you know, it's so interesting to hear cigarette commercials, or, you know, all you know, vitamin commercials, like, you know, you know, ironized yeast presents, lights out. You know, it's fun. It's fun to hear, you know, these commercials. And sometimes, like on the dragnets, when they're talking about Chesterfield, they're like, oh, doctor recommended, you know, and all this.   Michael Hingson ** 23:55 Well, even better than that, I was just thinking the Fatima cigarettes commercials on dragnet. Yeah, research shows, yeah, I wonder where they got that research,   Carl Amari ** 24:07 yeah. Oh my gosh. They were, they were, it was crazy how they would do that. I mean, they got away with it. They did. They did. They did. And, you know, we, even when we air radio shows, we don't cut the commercials unless it's cigarette commercials, because there's an FCC rule that you can't hear cigarette commercials. But like, you know, when we play Jack Benny and there's and there's, you know, Grape Nuts flakes commercials, we leave it in. We want people to hear the Fun, fun of those commercials and things well,   Michael Hingson ** 24:36 and sometimes, of course, like with great nuts flakes commercials, the commercial is part of the program. Yes, it's integrated. Break away. It's all integrated in which makes it so fun. I didn't know that there was an FCC rule that said you can't air any cigarette commercials even for educational purposes.   Carl Amari ** 24:55 Well, it might be for educational purposes. It may be non commercial, but I know on commercial stage. Stations, I can imagine that. Yeah, yeah. And Hollywood, 360 is commercial, you know, we have sponsors like, you know, we have Prevagen is one of our big sponsors, cats, pride, kitty litter, and, you know, they've been with me forever. And, you know, whatever, the Home Depot, Geico, you know, my pillow, these are some of our sponsors. And, and so we're on commercial stations across the country.   Michael Hingson ** 25:21 Yeah, so it makes sense that that you you do it that way, which, yeah, you know, is understandable. But, boy, some of those commercials are the Chesterfield commercials. Accu Ray on Gunsmoke. Yeah?   Carl Amari ** 25:37 A gimmick to get you to buy their cigarettes.   Michael Hingson ** 25:39 Yeah, I bet there was no accuray machine, but, oh, probably not, probably not. It is so funny. Well, you did the Twilight Zone radio programs. What got you started on doing that?   Carl Amari ** 25:53 Well, you know, growing up, I think I mentioned earlier, it was one of my favorite shows, yeah, always mine too, you know. And just watching that I was so blown away by twilight zone as a kid. So then when I got into the licensing of these classic radio shows, and I I was, I guess I was just always really envious of these producers that got to do these radio shows. And I always thought, man, I was. I was born in the wrong decades. You know, I was, I wish I was around back in the 40s and was able to produce suspense or escape or one of these shows. And I thought the show that would work the best, you know, that was on television, that that would work great in the theater of the mind realm, would be twilight zone, because growing up watching, you know, the makeup wasn't that great and the costumes weren't that great. You could see the zippers on the Martians sometimes. And I thought, you know, the writing was so amazing, right? And the stories were so vivid, and it worked for your theater of the mind that you didn't really need the visual with Twilight Zone, especially if you, you know, you have to write them in a way for radio. There's a special technique for writing for radio, obviously. So I, I reached out to to CBS and the rod Sterling estate, and they thought it was cool. And they said, you know, what do one, we'll let, we'll let, we'll take a listen to one, you know. And they sent me the television script for monsters are due on Maple Street. That was the one they sent me. And at the time, I was trying to get Robert Wagner to be the host. I always liked to take the thief and and, and he thought it was interesting, but he passed on it ultimately. And, and then at the same time, I was working with Stacy Keach, senior, Stacy keach's Dad, who had created Tales from the tales of the Texas range Rangers, right? And, and, and so I was at, actually at Jane Seymour's house, because Jane Seymour was married at that time to Stacy's brother, James Keach, and I got invited to a party there. And I got to meet Stacy Keach and and I heard his voice up close, you know, standing next to him, and I was like, this is the guy I gotta get to be the host. And so I started telling him about what I was doing, and he's like, I'd love to be the host of that. And so that was the beginning of a lifelong friendship with Stacy, and he was just incredible on it. And we did one, we did a pilot, monsters are doing Maple Street. And they loved it. And said, go ahead. And that was it. And it was like, in 2002   Michael Hingson ** 28:29 the first one I heard was, if I remember the title, right, a different kind of stopwatch, okay, the one with Blue Diamond Phillips, Blue Diamond Phillips, that was the first one. I think you. You offered that as a, as a sample. Yeah, yes, when I got that was pretty cool. But you   Carl Amari ** 28:43 wouldn't believe Michael, how many whenever I would reach out to an actor like Jason Alexander, I mean, Jay, I remember Jason, when I reached out to him and I said, Hey, I'd like to you to do these. And he was like, Oh, I'd love it. And then he did it, and then he'd call me and say, You got any more of those? Love doing it, you know, because they never get to do this. They, you know, these actors don't get to do radio. And so people like, you know, Lou Diamond Phillips and Luke Perry God rest his soul, and and Michael York and Malcolm McDowell and, you know, Don Johnson and Lou and Luke Luke Gossett Jr, so many of these people that I reached out to, Jane Seymour, another one, they were just they were they couldn't say yes fast enough. They just loved doing radio drama. It was so easy to book these stars. I've   Michael Hingson ** 29:38 been talking with Walden Hughes, who, you know, is the guy who now runs yesterday USA, we've been talking about and we've been doing recreations of a number of shows. The problem is that the people who are involved, oftentimes have never really gone back and listened to the shows they're recreating and their voice. And what they do are so different than the kinds of things that you actually would hear on the shows, they just don't do it very well. And we've actually thought about the idea of trying to get a grant to try to teach people how to be radio actors and really learn to do the kinds of things that would make the shows a lot more meaningful. We'll see what happens. We're really working on it. We're going to be doing some recreations in Washington for enthusiasm. Puget Sound, yes, and one of my favorite radio shows has always been Richard diamond private detective. I thought such a wise guy, and so I am actually going to be Richard diamond in Nice,   Carl Amari ** 30:46 oh my gosh, yeah, wow. Well, you know, there's a real, there's a real special magic to doing these radio shows, as I know, you know, you understand, you know, there's, there's, and that was that really boils down to having great actors and also great writing like so CBS would send us. He would, they would send me the our the Rod Serling scripts, you know, we really, we'd get them, but they, of course, would not work on radio because it was written for a visual medium. So I had, I had a two time sci fi fantasy winning writer Dennis echeson, who is no longer with us, unfortunately, but he, he, he was an expert on Twilight Zone and also how to write for radio. And it's all about that it's taking that he would take the TV scripts and and redo them so that they would work without the visual, and that you start with that. And then you can, you know, then you can create, when you have a grin, you have a great group of actors. And I hired only the best Chicago supporting cast here, you know, the the Goodman theater and, and, you know actors and, and, you know people like that. And then, of course, the star, we'd fly the star in, yeah, and they, they knock out two shows. I bring in lunch in the middle of the day, we'd knock out two shows. And it was a wonderful experience doing like, I don't know, I think I did, oh gosh, close to 200 episodes.   Michael Hingson ** 32:13 Now, were some of the episodes, shows that never were on the the TV series, or they, yeah, when   Carl Amari ** 32:19 we got through the original 156 shows, because that's how many were in the original Rod Serling run. So we did them all. We actually one of them I never released because I wasn't happy with it. I think it was called come wander with me. So that one I never released, we did it. I wasn't happy with it, because it was a musical one, you know, I think it had Bob Crosby on it, or somebody like that, and on the TV show, and so it was a lot of singing, and I just wasn't happy with it. But after that, there was no no more. I could have gone into the later series, but I just, I said to them, can I hire writers to write new ones, you know? And they said, Sure, but we have to approve it and all that. And so a lot of them got approved, and a lot of them didn't. And then we, we, I think we produced maybe close to 4030, or 40 originals,   Michael Hingson ** 33:13 right? Yeah, did you ever meet Rod Serling? No, never   Carl Amari ** 33:18 did. He was gone before I got into this. Yeah,   Michael Hingson ** 33:22 he came to UC Irvine to lecture once when I was still on campus. I was actually Program Director of the radio station, and so several of us from kuci got to interview him. And one of our, the people who was involved with that, actually had one of the ape costumes from Planet of the Apes. So he came dressed up as one of the Apes. Was Wow, but great. But the thing about rod Sterling his voice is it's hot. How do I describe this? No matter what his voice sounded like on television, it wasn't nearly as deep as his natural voice, and microphones couldn't get the same level with his real voice, and so we interviewed him. His voice was very deep, and then we did then we went out and listened to the lecture at the gym, and he sounded like Rod Serling, but he didn't sound like Rod Serling when we were talking with him, yeah, and when we could hear him with our ears, when it came out on on the show that we did the interview, it again, sounded like Rod Serling, but just the microphone. Couldn't really get the full breath of his voice, which was sure,   Carl Amari ** 34:35 yeah. I mean, what a talent, right? I mean, and then he had that show, Zero Hour, zero hour, right? Yeah, radio. And that was an interesting series, too. He tried to bring back the and he didn't. It was a, I think it was a fine job. You know, good job. Yeah. There were others, you know, CBS Radio, mystery theater, of course, diamond Brown. And there were some other ones. But I. I'm real proud, really, really proud of The Twilight Zone. I think they're, they're, they're, I mean, they're not nothing is as good as the way they did these the shows in the golden age. I mean, I don't think anyone can get to that point, but they're, I think they're pretty close, and I'm very proud of them.   Michael Hingson ** 35:15 Oh, yeah. And, but it still is with the Twilight Zone. It's really hard to compete with that, my favorite Twilight Zone, and for me, it was tough because I never knew the titles of the shows, because they would show you the title, but I could never, never really hear them. But when I started collecting and got access to, like your your radio Twilight zones and so on. I started to learn titles, and so my favorite has always been valley of the shadow. Oh, great one. Yeah. I just always thought that was the best of the it was an hour long instead of a half hour. But I Yeah, on TV. But I always thought that was just so innovative. I   Carl Amari ** 35:57 think Ernie Hudson did that one for me. I'm trying to think, but yeah, there was, we had, we had so many incredible actors on it. I mean, it was, it was a real fun, you know, four or five years that I was doing those, lot of fun doing them. Yeah,   Michael Hingson ** 36:12 you had several with Stan Freeberg. And, of course, yes, who don't know Stan Freeberg was definitely very much involved in radio, especially in the 50s, late 40s, with, that's rich, but mostly in the 50s, a satirist and incredible humorist and entertainer. But he did several Twilight zones.   Carl Amari ** 36:31 He did, you know, yeah, I was working with him on, you know, I created the show when radio was, which is still out there today, and and when radio was I ever initially had art Fleming as the host, you know, the original host of original Jeopardy guy, yeah. And then when art passed away, I hired Stan Freeberg, and Stan was the host of that show for many years. And then, then, when I started doing Twilight Zone, I said, Hey, would you like to do some of these? And he's like, Yeah, I'd like to do them all, yeah. Let me have all the scripts. But the one that he did that I think, is just off the charts amazing, is called Four o'clock ever, yeah, one, yeah, yeah. That is just the most interesting show, The Twilight Zone episode that we did where he plays this kind of a loony, a loony guy, who is that? What you describe him as, narking on everybody doesn't like anything, like anybody or anything, no, and it's so and he calls people and harasses them and oh my gosh, and he says, I'm gonna shrink everybody to four inches tall at four o'clock. Four o'clock, right? Yeah, and it's just, oh my gosh, what a what a great episode. It's one of my favorites.   Michael Hingson ** 37:48 And of course, if you think about it, listening people out there who got shrunk at four o'clock,   Carl Amari ** 37:56 well, let's not give it away, but yes, I think you can figure it out.   Michael Hingson ** 37:59 I think it's pretty,   Carl Amari ** 37:59 easy to figure out, but, and I actually played, I actually played a role in that episode. I played the bird. I did all the bird sounds on that episode. And so I feel like I had a co starring role, because, yeah, he had a parrot. You know, that was every time you would say something. And I played that, that part on there. But   Michael Hingson ** 38:22 yeah, all the Twilight zones were, were so clever, yeah, and, and I love listening to them. I I have a an mp three player that I carry on airplanes, and I have audio copies of all the Twilight zones. So every so often as I'm flying somewhere or two on and listen there, Michael,   Carl Amari ** 38:43 I'm so glad to hear that. Oh, man, you make me so happy to hear that. So   Michael Hingson ** 38:47 fun. And you know, another one of my favorites was, will the real Martian please stand up now? Yeah, that was cute, and I won't give it. Oh,   Carl Amari ** 38:57 great. So great. Yeah, I sent trying to think who the actor was in that one, but it's been a while, but that's a great one, yeah. And I remember, you know, watching it on TV and and thinking, Oh, this would work on radio. So great, you know, so love doing them. Yeah, I'd love to do more. I might consider coming back and doing more. I mean, originals, you know, might be a lot of fun to do those again, I was   Michael Hingson ** 39:21 going to ask you if you've got any plans for doing anything future. You know, in the future might be interesting, and there's a lot of leeway, of course, to take it in different directions. Do x minus one, but you don't have to do the same stories, even, although, yeah, a lot of good stories in in the original x minus ones on for those who don't know x minus one is a science fiction series. It was on from what 1955 through 1957 I   Carl Amari ** 39:49 believe, yeah, it was a great series. Sci Fi really lends itself really, very well to radio drama. You know, in theater of the mind, it's great because you can, you can go in. Anywhere you land on any planet. And you know, it's very easy to do on radio, where it's tough to do on TV. You know, you have to spend a lot of money to do that. So, I mean, Stan Freeburg proved that with his with his giant ice cream Sunday.   Michael Hingson ** 40:15 All right, go with the marasino Cherry. For those who don't know, is that he said, we're going to empty Lake Michigan now. We're going to fill it up with whipped cream. We're going to drop a maraschino cherry into it and other things. He said, You can't do that on TV.   Carl Amari ** 40:31 Try doing that on television. Yeah, he was something. He was so much fun to wear. Of all the people that I've met over the years, you know so many of these radio stars, and I've interviewed so many hundreds of them, really, over the years, I'd have to say I have a special place in my heart for Stan the most, because I got to work with him for so many years, and we used to just go to lunch together all the time, and and he had a, he had a, he had a, what was it again? Now? Oh, oh, I'm trying to think of the car that he drove, a jaguar. It was a jaguar, and it was a and we used to drive around in his, his big Jaguar all around LA, and just have so much fun together. And I just loved working with Stan. He was such a great man. I   Michael Hingson ** 41:17 never got to meet what would have loved to Yeah, Jack Benny and Jimmy Durante, oh my gosh, yeah. And, of course, Stan Freeberg, but yeah, you know, I wasn't in that circle, so I didn't write that. But what, what wonderful people they were. And, yeah,   Carl Amari ** 41:32 George Burns, George Burns used to, yeah, George used to take me to the Hillcrest Country Club, and we would just have the best time. He just thought it was the most interesting thing that a young guy in his 20s was so passionate about, you know, those days. And he we would just talk for hours. And I used to go to his office in Hollywood and in his and we would just sit and talk. And I have pictures of of those, those times I have them in my office, you know, he and I together. He was like a mentor to me. He and Stan were both mentors.   Michael Hingson ** 42:05 Did you get recordings of many of those conversations? Yes, I do.   Carl Amari ** 42:08 I do have quite a few with with George and Stan. Yeah,   Michael Hingson ** 42:12 it was great, you know, yes, nothing like talking to God, that's   Carl Amari ** 42:16 right. And he had a coffee cup in his office. It's it was a white coffee cup, and it had God on it, and black to drink out of that coffee cup. And he had, I was to say, when I first, my first time, I went to his office in Hollywood, you know, he was a real long office, narrow with is all paneling, and there was all these beautiful pictures, like photos of all the people he and Gracie had worked with. And then there was this beautiful painting of Gracie above him, you know, where he was sitting at his desk. And I remember walking in. I said, Hi, George, because I had talked to him on the phone a lot of times. And he said, Ah, come on in, you know. And I said, Oh, man, George, these photos are amazing on the walls, looking as I was walking towards his desk. And he says, You like those pictures? I said, Yeah. He goes, everyone in those pictures is dead except for me. I knew him the last about four years of his life. From that, from he was 96 to 100 I knew George, and we'd, we'd go   Michael Hingson ** 43:16 to the Hillcrest together. It was fun. Did you meet or get to know Bob Hope, never   Carl Amari ** 43:21 met Bob Hope No, because he lived, what, two, yeah. He lived 100 Yeah. Never met Bob Hope No.   Michael Hingson ** 43:27 And Irving Berlin got to 100 Yeah, yeah. But so   Carl Amari ** 43:30 many, I mean, Jerry Lewis, and so many others that that, I mean, Jerry was so great. I mean, you know, probably one of the most talented people to ever live, you know, and he could even sing, and he could, he could do it all. I mean, he was something. I mean, I was in such awe of that man. And we, he was very kind to me, licensed me to Martin Lewis and all that. So, yeah,   Michael Hingson ** 43:52 we saw one of my favorite musicals. I originally saw it as a movie out here on K Shea was the million dollar movie. It was Damn Yankees,   Carl Amari ** 44:03 damn Yeah, he was on Broadway. Did that on Broadway, and he did it on Broadway,   Michael Hingson ** 44:07 and we read about it. And his father, he had how his father said, You'll really know you've arrived when you get to do something on Broadway. And that was the only thing he ever got to do on Broadway. And we did get to go see it. We saw, Oh, wow, yeah,   Carl Amari ** 44:20 Broadway, amazing, yeah, amazing, yeah, yeah.   Michael Hingson ** 44:24 I'm so sad that there was so much acrimony for so many years between him and Dean Martin, yeah, which was really probably brought on more by all the people they worked with that, yes, that cost a whole lot more than them. But yeah, near the end they, they did deal with it a little Yeah?   Carl Amari ** 44:42 They, they got back together a little bit. Yeah, yeah. He was an interesting guy, Boy, I'll tell you. You know, just talking to him, I learned so much, learned so much over the years.   Michael Hingson ** 44:53 Yeah, yeah. It's so much fun to to be able to do that. Well, I really do hope you do get. To do another show, to do something else. And you're right, there's nothing like science fiction in terms of what you can do, and maybe even doing a series, yeah, yeah, as opposed to individual shows. One of my favorite science fiction books by Robert Heinlein is called the Moon is a Harsh Mistress, and I would love to see somebody dramatize that. I think it would take, probably, to do it right? It's going to take about 15 hours to do but, oh, wow. What a great what a great thing. If you've never read it, read the book, it's really, oh, I   Carl Amari ** 45:30 haven't, so I'm not familiar with it, so I'll give it a read. The Moon is a Harsh, missus,   Michael Hingson ** 45:34 yeah, yeah. Pretty clever. A computer helps organize a revolution on the moon, which was being colonized and run from the lunar authority on earth. Here's what gives it away in 2075 subtract 300 years. Yeah, it's all about the same thing, like the revolution here, but a computer, Mycroft wakes up and helps organize the revolution. It's really pretty clever. Oh, wow,   Carl Amari ** 46:04 that would be fun to do in a series. Yeah, it   Michael Hingson ** 46:08 would be worth doing. But, but, yeah, I've always enjoyed the book. Robert Donnelly read it as a talking book for blind people. Oh, okay, okay, yeah. So I actually have it. I'll have it, I'll have to find it. I could actually send you the recording. You could listen to it. Oh, please do. I'd love that. We won't tell the Library of Congress, so we will know much trouble.   Carl Amari ** 46:33 But you know, then I kind of, you know, my other passion is the Bible. Yeah, I was gonna get to that. Tell me, yeah. I was just gonna, you know, and so a lot of these same actors that did, you know, Twilight zones and things for for me, I just, I met, like Jason Alexander and so many of these people, Lou Gossett Jr, when I decided to do the to dramatize the entire Bible on audio. A lot of these same actors and many, many, many more, were really, were really great to be in that too. It was a lot of fun.   Michael Hingson ** 47:06 Yeah, well, very recognizable voices, to a large degree, like Michael York,   Carl Amari ** 47:12 yes, yes, he was the narrator. So he did the most. He worked the longest. What a great man. Just an amazing actor. He was the narrator. And then you know Jim Caviezel, who played Jesus in the Passion of the Christ, played Jesus in it, right? And then you know Richard Dreyfus was Moses John Voigt was Abraham. Max von Saito played Noah John Rees Davies was in it. I mean, we had, we had, I mean, Marissa Tomei was Mary Magdalene. I had many, many Academy Award winners in it, and so many people, you know, was in it. That was a four year deal that took me four years to do the full Bible. Yeah, 98 hours on audio, fully scored the whole thing.   Michael Hingson ** 48:01 Well, you had a great publisher put it out. Thomas Nelson, Yes, yep. They also did my first book, Thunder dog. So can't complain about that too much. No,   Carl Amari ** 48:10 they know how to market. It Was it, was it, I think, I think today it's still the number one selling dramatized Audio Bible in the world. I believe, you know, so it's, it's been a big success for Thomas Nelson, yeah, that was, that was, that was quite, I mean, you should have seen what my passport looked like when I did that. I mean, it was stamped for every country all over that I was going and, you know, and having to produce, because a lot of the actors, like, you know, John Reese Davies. He lives in, he lives in the Isle of Man, and, you know, and then, you know, Max von Saito was nice France, and we scored it in Bulgaria. And, I mean, you know, it was just crazy and traveling all over the world to make that audio. But you've done some other Bibles in addition to that. I have, yeah, yeah, I have. I've done, think I did. Now it's like five different ones, because I like doing different translations, you know, because it's different. I mean, even though it's the same story, the translations people people have translations that they love, you know, whether it's the RSV or it's the New Living Translation or the Nkj or, you know, and so I, I've enjoyed doing them in different translations. That's   Michael Hingson ** 49:25 pretty cool. Do you have any, any additional, additional ones coming out?   Carl Amari ** 49:29 No, no, I've done, I've done done, like, five and, and so I'm more doing, you know, more concentrating now on my radio show, Hollywood, 360, and, and some movie production stuff that I've been working on. And then I'm one of the owners of a podcast company. So we're, we're always putting out, you know, different podcasts and things. And so my plate is very full, although I would love, I think I would love to do some. Thing, like, what you're saying, like, either more Twilight zones, or maybe something like that. It might be, you know, I'd love to do something in the theater or the mind, you know, arena again, too, because I love doing that. Yeah,   Michael Hingson ** 50:11 I think it'd be a lot of fun to do. Tell me about the podcast,   Carl Amari ** 50:15 yeah. So, um, so we have a podcast company called Gulfstream studios, and we have our main, our main podcast is a is, is. So we're, we, we do a show called, well, there's, there's several podcasts that we're doing, but, but it's the spout is the is the one that's a music oriented we have all the biggest music artists on there. It's really great. So spout is the name of that podcast. And then we're working on, we're working on a Bible podcast. We're going to come out with some a Bible podcast pretty soon. I'm real excited about that more soon. Hopefully you'll have me back when we launch that. Well, yeah, and then, you know, we have, we're always looking for any so I'm ready to, I'm ready to take your podcast onto our platform. Whatever you say. Michael, oh, we'll have to,   Michael Hingson ** 51:10 we'll have to look at that and work it out. But in the meanwhile, I said earlier, I'd love to come on any of the podcasts that you want. And if, yeah, have you read thunder dog,   Carl Amari ** 51:19 no, I didn't know. I didn't have not read it. No. So thunderdog   Michael Hingson ** 51:23 was my story of being in the World Trade Center and getting out and so on. But you should read it, because there are also some, some really poignant parts, like, just to briefly tell that part of the story, I'll send you a video where of a speech I've given, but one of the parts of it is that, as I was running away from tower two, as it was collapsing, because we were at Vesey Street and Broadway, so we were like 100 yards away from tower two when it came down, I turned and ran back the way I came. And as I started to run, I started, I said to myself, and I stayed focused pretty much. But I said to myself at that point, God, I can't believe that you got us out of a building just to have it fall on us. Right? I heard a voice as clearly as we are hearing each other now in my head that said, don't worry about what you can't control. Focus on running with Roselle and the rest will take care of itself. Wow. And I had this absolute sense of certainty that if we just continue to work together, we would be fine. We did, and we were but I am very much a a person who believes in the whole concept of God. And for those who who may disagree with me, you're welcome to do that. You'll you'll just have to take that up with God or whatever at some point. But I would love to really explore anytime you you need a guest to come on and be a part of it, and who knows, maybe I'll be good enough to act in a radio show you do.   Carl Amari ** 52:49 I'm sure you would be, sure you would be Michael, but it would be, yeah, but it would   Michael Hingson ** 52:54 be fun to do. But I really enjoy doing all this stuff, and radio, of course, has become such a part of my life for so long, it has helped me become a better speaker. Was I travel and speak all over the world?   Carl Amari ** 53:10 Yeah, wow. Well, I'm a big fan of yours, and, and, but I'd love to read the book, so I'll order it. Can I get it off of Amazon or something like that? You can get   Michael Hingson ** 53:19 it off of Amazon. You can get it from Audible, okay, or wherever. And then I wrote, then we wrote two others. One's called running with Roselle, which was really intended more for kids talking about me growing up, and Roselle my guide dog at the World Trade Center growing up. But more adults buy it than kids. And then last year, we published live like a guide dog. True Stories from a blind man and his dogs about being brave, overcoming adversity and moving forward in faith, and that one is really about people need to and can learn how to control fear and not let fear overwhelm or, as I put it, blind them. And you can actually learn to use fear as a very powerful tool to help you function, especially in emergencies and unexpected situations. And so live like a guide dog uses lessons I've learned from all of my guide dogs and my wife's service dogs, Fantasia that have taught me so much about learning to control fear. And I realized at the beginning of the pandemic, I've talked about being calm and focused getting out, but I've never taught anyone else how to do it, so live like a guide dog is my solution for that, which is kind of that, that,   Carl Amari ** 54:26 that I'm sure helps a lot of people, you know, that's because fear is, is, it's, it's debilitating, you know? So, yeah, well, that's, but it doesn't need doesn't need to be, that's right, that doesn't need to be, yeah, it's one of the reasons why I wanted to do the Bible stuff, because I learned at a very early age that these theater, these radio shows you under, you listen and you actually interpret them and understand them deeper with the theater of the mind than watching them on television or reading them like, like. I think even reading a book as great as that is, if you heard it dramatized on radio, it's even more powerful. I and so I knew that if I took the Bible, which is the greatest book of all time, and it was dramatized in a way, in a kind of a movie quality way, with sound effects and music and wonderful actors that I thought people would get a deeper meaning of the word. And I think we it. We were successful with that, because so many people have written about it on Amazon and things and saying like I, you know, when I heard the Word of Promise, and when I heard this audio, I had to go and get my Bible and see, does it really say that? You know? So here's people that had read the Bible many, many times, and then they heard the dramatization of it, and were like, wow, I didn't even realize that, you know, that was that happened in the Bible. So it's, it's, it's pretty cool, you know, to read those you know how it's helped people, and it's helped save souls, and it's just been a great you know, it's been a very rewarding experience. Have you   Michael Hingson ** 56:09 ever taken it and divided it up and put it on the radio? Well, that's   Carl Amari ** 56:12 one of the not in the radio, but we're going to do some podcast with, we're going to, we're going to be doing something really, really unique with, with one of my later ones that I did not the Word of Promise, but a different one. And, and it's going to, it's going to be really, really special. I can't wait to talk about it on your show. Looking   Michael Hingson ** 56:30 forward to it, yeah, well, we have had a lot of fun doing this, and I'm going to have to sneak away. So I guess we'll have to stop, darn but we do have to continue this. And, and I'd love to find ways to work together on projects and be a part of your world and love you to be more a part of mine. I'm really glad that we finally had a chance to get together and do all this. It's been a lot of fun. Me   Carl Amari ** 56:53 too, Michael, me too. It's really, I said it was an honor, and it really was an honor. And thank you so much. Well,   Michael Hingson ** 56:59 for all of you listening, we hope you've enjoyed this episode of unstoppable mindset. Love to hear your thoughts. Feel free to email me at Michael H I M, I C, H, A, E, L, H i at accessibe, A, C, C, E, S, S, I B, e.com, or go to our web page where we host the where we have the podcast, w, w, w, dot Michael hingson.com/podcast, Michael hingson is m, I, C, H, A, E, L, H, I, N, G, s, O, n.com/podcast, love to get your thoughts wherever you're listening. Please give us a five star rating. We value that very highly. We really appreciate you giving u

Dans ce nouvel épisode de MONSTER SQUAD, Marie Casabonne reçoit Fabien Mauro, auteur de Ishiro Honda. Humanisme monstre (Rouge Profond) et Kaiju, Envahisseurs & Apocalypse: L'âge d'or de la science-fiction japonaise (Aardvark) et Stéphane Moïssakis pour disséquer un nouveau monstre : Hannibal Lecter.Éminent et brillant psychiatre, homme cultivé et raffiné, esthète et excellent cuisinier, le Dr Lecter est aussi un serial killer cannibale. Sorti de l'esprit de l'auteur américain Thomas Harris, Hannibal Lecter apparaît dans 4 romans, 5 films et une série, et a pris tour à tour les traits de différents acteurs (Brian Cox, Anthony Hopkins, Gaspard Ulliel et Mads Mikkelsen).Retrouvez toutes nos émissions sur http://www.capturemag.frPrésentation : Marie Casabonne Rédacteur en chef : Stéphane Moïssakis Chroniqueurs : Stéphane Moïssakis et Fabien MauroRéalisation : Alain Mercier Production : Stéphane Moïssakis et Alain Mercier Montage et mixage : Anthony Navarro Musiques : Magic And Ecstasy et Rite Of Magic par Ennio MorriconeLogo "Monster Squad" par Ninon C Maufé : https://www.instagram.com/ninoncmaufe/Pour nous soutenir, il y a deux adresses :PATREON : https://www.patreon.com/capturemagTIPEEE : https://www.tipeee.com/capture-magLISEZ CAPTURE MAG !Toutes nos revues sont disponibles dans les librairies, les magasins de produits culturels et sites marchands.Akileos : https://bit.ly/AkilsCMCapture Mag est sur LETTERBOXD : https://letterboxd.com/CaptureMag/En MP3 sur Acast : https://bit.ly/3v6ee7sSur SPOTIFY : https://spoti.fi/3PJYnF3Sur DEEZER : https://bit.ly/2wtDauUSur APPLE podcasts : https://apple.co/2UW3AyO#hanniballecter #anthonyhopkins #thomasharris Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

El ROCKBUSTERS de esta semana está dedicado a un veterano actor muy destacado del cine británico: Brian Cox. Esta semana cumple 79 primaveras, y le homenajeamos recopilando ocho canciones hard and heavies que aparecen en algunas de sus películas. Aquí tenéis la lista de temas: 1 - The Unband "Pink slip" (Supermaderos) 2 - Stephen Pearcy & George Lynch "Round and round" (Supermaderos 2) 3 - Faces "Ooh La La" (Academia Rushmore) 4 - Mötohead "Snake bite love" (RED 2) 5 - The Jeff Healey Band "Bulletproof" (Glimmer man) 6 - Loverboy "Working for the weekend" (Pixels: la película) 7 - Red 7 "Heartbeat" (Hunter 8 - G Tom Mac "Cry little sister (I need you know)" (Truco o trato: Terror en Halloween)

Stephen discusses his love for the popular sciences in this exclusive podcast introduction to the extended cut of his interview with physicist and television host Professor Brian Cox. Hear them talk about the probability of intelligent life on distant planets and put the uniqueness of our human existence into mathematical perspective. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

The Berkshire International Film Festival gets underway on Thursday and runs through Sunday in Great Barrington and Lenox, MA. On Saturday night, May 31st, they will present their special tribute event. This year they honor multi-award winner Brian Cox, featuring an intimate conversation between Brian and his wife, Nicole Ansari-Cox. She is an actress, director, and producer. The conversation will be held at the Mahaiwe Performing Arts Center in Great Barrington at 7:00 pm. A screening of “The Escapist” will follow.

WE ARE ALMOST CAUGHT UP! MARCH AND APRIL LETS GO MARCH Mickey 17- dir. Bong Joon Ho; Robert Pattinson(x17), Naomi Ackie, Steven Yeun, Mark Ruffalo, Toni Collette Plankton: The Movie- dir. Dave Needham; Mr. Lawrence, Jill Talley, Tom Kenny, Bill Fagerbakke, Rodger Bumpass, Carolyn Lawrence, Clancy Brown, Mary Jo Catlett, Lori Alan Opus- dir. Mark Anthony Green; Ayo Edibiri, John Malkovich, Juliette Lewis, Murray Bartlett, Melissa Chambers, Tony Hale, Stephanie Suganami, Mark Siversten, Amber Midthunder The Electric State- dir. Joe and Anthony Russo; Millie Bobby Brown, Crisp Rat, Ke Huy Quan, Jason Alexander, Woody Norman, Gioncarlo Esposito, Stanley Tucci, Woody Harrelson, Anthony Mackie, Brian Cox, Jenny Slate, Hank Azaria, COLMAN DOMINGO!?!?, Alan Tudyk Ash- dir. Flying Lotus; Eiza González, Aaron Paul, Iko Uwais, Kate Elliott, Beula Koale, Flying Lotus The Woman in the Yard- dir. Jaume Collet-Serra; Danielle Deadwyler, Okwui Okpokwasili, Peyton Jackson, Estella Kahiha, Russell Hornsby Death of a Unicorn- dir. Alex Scharfman; Jenna Ortega, Paul Rudd, Will Poulter, Richard E. Grant, Téa Leoni, Sunita Mani, Steve Park, Anthony Carrigan APRIL Drop- dir. Christopher Landon; Meghann Fahy, Brandon Sklenar, Violett Beane, Jacob Robinson, Reed Diamond Sinners- dir. Ryan Coogler; Michael B. Jordan, Miles Caton, Hailee Steinfeld, Wunmi Mosaku, Jack O'Connell, Delroy Lindo, Omar Benson Miller, Jayme Lawson, Li Jun Li, Yao Until Dawn- dir. David F. Sandberg; Ella Rubin, Michael Cimino, Odessa A'Zion, Ji-young Yoo, Belmont Cameli, Maia Mitchell, Peter Stormare MAY Thunderbolts* Another Simple Favor Rosario The Surfer Clown in a Cornfield Final Destination: Bloodlines Mission Impossible: The Final Reckoning Friendship Lilo & Stitch Karate Kid: Legends Bring Her Back --------------------------------------------------- iTunes: podcasts.apple.com/us/podcast/movi…el/id1082173626 Spotify: open.spotify.com/show/2VE15E5fS0Z…75eb550499c&nd=1 Jurge - twitter: twitter.com/jcruzalvarez26 Letterboxed: letterboxd.com/jcruzalvarez26/​ Ryan- twitter: twitter.com/MrPibbOfficial Letterboxed: letterboxd.com/filmpiece/​ Karrie - twitter: twitter.com/kar_elyles Letterboxed: letterboxd.com/karrie/

The 19th Annual Berkshire International Film Festival will be held May 29 - June 1 in Great Barrington and Lenox. 2025 BIFF Honoree is multi award-winning actor Brian Cox and the festival opens with "A Man with Sole: The Impact of Kenneth Cole." Kelley Vickery, BIFFThe festival runs from May 29 - June 1 in Great Barrington and Lenox. Bringing together films, filmmakers, industry professionals and fans for a four-day celebration. The lineup features 27 documentaries, 23 narrative features, 25 short films, and a FREE animated shorts selection for kids.

As Infosecurity Europe prepares to mark its 30th anniversary, Portfolio Director Saima Poorghobad shares how the event continues to evolve to meet the needs of cybersecurity professionals across industries, sectors, and career stages. What began in 1996 as a niche IT gathering has grown into a strategic hub for over 14,000 visitors, offering much more than just vendor booths and keynotes. Saima outlines how the event has become a dynamic space for learning, collaboration, and strategic alignment—balancing deep technical insight with the broader social, political, and technological shifts impacting the cybersecurity community.The Power of the Crowd: Community, Policy, and Lifelong LearningThis year's programming reflects the diverse needs of the cybersecurity community. Attendees range from early-career practitioners to seasoned decision-makers, with representation growing from academia and public policy. The UK government will participate in sessions designed to engage with the community and gather feedback to inform future regulation—a sign of how the show has expanded beyond its commercial roots. Universities are also getting special attention, with new student guides and tailored experiences to help emerging professionals find their place in the ecosystem.Tackling Today's and Tomorrow's Threats—From Quantum to GeopoliticsInfosecurity Europe 2024 is not shying away from bold topics. Professor Brian Cox will open the event by exploring the intersection of quantum science and cybersecurity, setting the tone for a future-facing agenda. Immediately following, BBC's Joe Tidy will moderate a session on how organizations can prepare for the cryptographic disruption quantum computing could bring. Rory Stewart will bring a geopolitical lens to the conversation, examining how shifting alliances, global trade tensions, and international conflicts are reshaping the threat landscape and influencing cybersecurity priorities across regions.Maximizing the Experience: Prep, Participate, and PartyFrom hands-on tech demos to peer-led table talks and new formats like the AI and Cloud Security Theater, the show is designed to be navigable—even for first-time attendees. Saima emphasizes preparation, networking, and follow-up as keys to success, with a new content download feature helping attendees retain insights post-event. The celebration culminates with a 90s-themed 30th anniversary party and a strong sense of pride in what this event has helped the community build—and protect—over three decades.The message is clear: cybersecurity is no longer just a technical field—it's a societal one.___________Guest: Saima Poorghobad, Portfolio Director at Reed Exhibitions | https://www.linkedin.com/in/saima-poorghobad-6a37791b/ Hosts:Sean Martin, Co-Founder at ITSPmagazine | Website: https://www.seanmartin.comMarco Ciappelli, Co-Founder at ITSPmagazine | Website: https://www.marcociappelli.com___________Episode SponsorsThreatLocker: https://itspm.ag/threatlocker-r974___________ResourcesLearn more and catch more stories from Infosecurity Europe 2025 London coverage: https://www.itspmagazine.com/infosec25Catch all of our event coverage: https://www.itspmagazine.com/technology-and-cybersecurity-conference-coverageWant to tell your Brand Story Briefing as part of our event coverage? Learn More

World Food Prize Foundation – Mariangela Hungria https://www.worldfoodprize.org/index.cfm?nodeID=97051&audienceID=1 Prêmio Mundial da Alimentação 2025 Mariangela Hungria https://youtu.be/hdz2mXLz9KU?si=a80uC2zmcA15FOq_ impervious,  adjective https://www.merriam-webster.com/dictionary/impervious A brasileira premiada com ‘Nobel da Agricultura' por trabalho que mantém Brasil como ‘celeiro do mundo' https://www.bbc.com/portuguese/articles/c93y8p5nqneo How One Company Secretly Poisoned The Planet https://youtu.be/SC2eSujzrUY?si=fWsr-UhdtCn7_4VA (filme) Dark Waters https://www.imdb.com/title/tt9071322/ Professor Brian Cox explores the wonder of ... Read more The post parabéns Mariangela Hungria, a Terra a agradece! mais: como UMA indústria contaminou o planeta? appeared first on radinho de pilha.

This week, a new disaster movie was announced. There isn't a script yet, because no one knows how it's going to end - and when it was announced, no one knew how to react. If there was ever a global WTF moment in film, it was Trump's announcement of a 100 percent tariff on films coming into the US which have been produced in foreign lands. As is often the case with President Trump, he asks a good question but comes up with the wrong answer. It's totally reasonable to look at how California can rebuild its entertainment industry. According to the International Alliance of Theatrical Stage Employees, around 18,000 full time jobs have been lost over the last three years, mostly in California. So, yes, sure, look at how to maintain production and jobs in the US - but in a way which will actually benefit the entertainment business. No one sees the tariff on films made overseas as the answer to their problems. Many US studios make films overseas. The industry was advocating for tax incentives and subsidies and all the other normal things countries, including New Zealand, have done to help their film industries. But throwing out a declaration on social media without further explanation isn't the way to convince an industry you have their best interests at heart. Share prices for Netflix, Disney, Warner Bros. Discovery, Paramount and Comcast fell after President Trump's announcement. And what does this proposal even mean? Is Trump talking about independent, foreign language films? Or large-scale studio films made overseas? And what if you produce the film from the States - say you write the script, pre-produced and post produce the film in the US, but take advantage of another country's tax incentives to shoot there? Is that a film made in a foreign land? What about a US produced film that uses Weta FX in NZ to create award winning visual effects - will it have to foot the tariff bill? What does this mean for streaming services? It's thought about 75 percent of Netflix content is made outside the US. Will TV shows be included? It's a minefield and it has thrown Hollywood into chaos. Films do not get made in a hurry, they are scheduled and planned years in advance. This is close to a writer's strike - in that Hollywood is being forced to take a breath and pause non-committed work, and it will take some time to get things started again. It's not just Hollywood who has been thrown, film industries around the world are in collective shock. In the UK, where new instalments of Marvel's Avengers and Spider-Man are set to shoot in London, the news was met with disbelief. Succession star Brian Cox called it “an absolute disaster”, and with a related workforce of around 200,000, many freelancers could find themselves jobless. New Zealand could suffer the same fate. Our industry has been bolstered recently by international productions, such as Chief of War, Minecraft and Brad Pitt's Heart of the Beast. We have an incredible industry here driven by a world-class crew who rely on these international projects. At the beginning of the year, Studio West in Auckland completed construction of its fifth sound stage, and Auckland Film Studios is also adding new stages - all so they can accommodate bigger international projects. The industry will be holding its breath that it can find a way to fill this new capacity. New Zealand's film sector generates NZ$3.5 billion annually, with around one third of revenue generated from the United States. So, yeah, what Brian Cox said - this could be a disaster. But we're grown ups - so keep calm and carry on seems to be the public response so far, but behind the scenes there is no doubt at least mild panic. Finding a way to convince Trump there are other approaches to Make Hollywood Great Again will be at the forefront of industry leaders' minds right now - let's hope they do. Otherwise, this story might have a miserable ending... LISTEN ABOVESee omnystudio.com/listener for privacy information.

Robin Ince is a comedian, author, broadcaster and a populariser of scientific ideas. He is best known as the co-host of the BBC Radio 4 series The Infinite Monkey Cage with Professor Brian Cox. His new book Normally Weird and Weirdly Normal: My adventures in neurodiversity is out now. Interviewed by Dr. Anya Borissova and Dr. Alex Curmi - Give feedback here - thinkingmindpodcast@gmail.com Follow us here: Twitter @thinkingmindpod Instagram @thinkingmindpodcastIf you would like to invite Alex to speak at your organisation please email alexcurmitherapy@gmail.com with "Speaking Enquiry" in the subject line.Alex is not currently taking on new psychotherapy clients, if you are interested in working with Alex for focused behaviour change coaching , you can email - alexcurmitherapy@gmail.com with "Coaching" in the subject line.Give feedback here - thinkingmindpodcast@gmail.com - Follow us here: Twitter @thinkingmindpod Instagram @thinkingmindpodcast Tiktok - @thinking.mind.podcast 

ANTIC Episode 116 In this episode of ANTIC The Atari 8-Bit Computer Podcast… we talk about all the Atari things we did this month and discuss all the “AI-generated nonsense” going on in the Atari world…READY! Recurring Links  Floppy Days Podcast  AtariArchives.org  AtariMagazines.com  Kay's Book “Terrible Nerd”  New Atari books scans at archive.org  ANTIC feedback at AtariAge  Atari interview discussion thread on AtariAge  Interview index: here  ANTIC Facebook Page  AHCS  Eaten By a Grue  Next Without For  Links for Items Mentioned in Show: What we've been up to https://github.com/savetz/critical-connection  Fujinet update: Brian Cox - https://www.FVResearch.com  Mozzwald (Joe) https://mozzwald.com/product-category/fujinet/  Problem was https://github.com/FujiNetWIFI/fujinet-hardware/tree/master/ATARI/Old-Versions/FN32ROV-1.3-Q24#important-bugfixes  https://www.eightbitfix.com/  Archived 2 JACG Newsletters - March & April, 1986: https://archive.org/details/jacg-newsletter-1986-march-vol-5-no-7  https://archive.org/details/jacg-newsletter-1986-april-vol-5-no-8  Indy Classic Expo - https://www.indyclassic.org  Vintage Computer Center - https://www.vintagecomputercenter.com  OmniView 80 card - https://archive.org/details/Atari_OMNIVIEW_manual  ATR8000 manual - https://archive.org/details/atr-8000-owners-manual  Astra 1620 manual and video - Chris Lorenzo: https://www.youtube.com/watch?v=BNZ_-Ig7rro  https://archive.org/details/astra-1620-dual-disk-drive-user-manual 

Tonight on DYH we review The Electric State from Netflix!The Electric State is a 2025 American science fiction action-adventure film produced and directed by Anthony and Joe Russo. Its screenplay by Christopher Markus and Stephen McFeely is loosely based on the 2018 illustrated novel by Simon Stålenhag. The film stars Millie Bobby Brown and Chris Pratt, alongside Ke Huy Quan, Jason Alexander, Woody Harrelson, Anthony Mackie, Brian Cox, Jenny Slate, Giancarlo Esposito and Stanley Tucci.Plans for a film adaptation were announced in 2017, with Andy Muschietti. The Russo brothers signed on to direct in December 2020. Universal Pictures acquired the distribution rights before Netflix took over the rights in June 2022. Much of the cast was revealed between June 2022 and November 2024, with filming taking place in Atlanta, Georgia in fall 2022. With a reported budget of $320 million, it is one of the most expensive films ever made.The Electric State had its world premiere on February 24, 2025, at Grauman's Egyptian Theatre, in Los Angeles, California, and was released on Netflix on March 14, to negative reviews from critics.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Oh my goodness it's Jason Bourne. That's right we're taking a look at all of the movies in the Jason Bourne-universe. Beginning with the Doug Liman directed Matt Damon starring action-espionage thriller The Bourne Identity. Set against a European backgrop and also featuring the likes of Franka Potente, Julia Stiles, Brian Cox, Clive Owen and Chris Cooper the story follows a man whom after beig dredged out of the ocean with no memory must follow a series of clues to discover the truth behind his past. And it turns out he's an assassin or whatever. Thanks for watching our Caravan Of Garbage reviewSUBSCRIBE HERE ►► http://goo.gl/pQ39jNHelp support the show and get early episodes ► https://bigsandwich.co/Patreon ► https://patreon.com/mrsundaymoviesJames' Twitter ► http://twitter.coQm/mrsundaymoviesMaso's Twitter ► http://twitter.com/wikipediabrownPatreon ► https://patreon.com/mrsundaymoviesT-Shirts/Merch ► https://www.teepublic.com/stores/mr-sunday-movies The Weekly Planet iTunes ► https://itunes.apple.com/us/podcast/the-weekly-planet/id718158767?mt=2&ign-mpt=uo%3D4 The Weekly Planet Direct Download ► https://play.acast.com/s/theweeklyplanetAmazon Affiliate Link ► https://amzn.to/2nc12P4 Hosted on Acast. See acast.com/privacy for more information.

Welcome back to your favorite podcast about some of Hollywood's biggest financial bombs. In this episode, Troy and Brad delve into The Long Kiss Goodnight, a 1996 action thriller directed by Renny Harlin and written by Shane Black. The film stars Geena Davis as Samantha Caine, a schoolteacher suffering from amnesia, and Samuel L. Jackson as private detective Mitch Henessey and mixes in a heavy dose of '90s nostalgia, "The Long Kiss Goodnight" has gained a cult following over the years; despite its disappointing box office results. Jose from Watch Skip Plus, one of the film's biggest fans, joined the guys in this discussion. Together, they explore the film's production history, its significance in the action genre, and why it deserves a place in your holiday movie lineup.The Long Kiss Goodnight is directed by Renny Harlin and stars Geena Davis, Samual L. Jackson, Patrick Malanhide, Craig Bierko, Brian Cox and David Morse.Not A Bomb has has plenty of spooky designs in our Merch store! Head over to the Not A Bomb Tee Public store and check them out. Special thanks to Ted Blair for the amazing designs!We're committed to hearing your feedback and suggestions. If there's a cinematic flop you'd like us to delve into, please reach out to us at NotABombPod@gmail.com or through our contact page. Your reviews and feedback are what drive us. If you enjoy our content, consider leaving a review on Apple Podcast or Spotify.Cast: Brad, Troy, Jose

Brian Cox is one of the finest classical actors of his generation. Fans of Succession will of course know him for his portrayal of the ruthless media mogul, Logan Roy, but in this interview we go back to the beginning of Cox's long career, which has its roots deeply in theatre. We also go back to his childhood in Dundee, which was unusual and somewhat solitary. Brian talks to Gyles about his early years, the death of his father when he was very young, and his mother's subsequent struggles with mental illness and depression. He talks about his early ambitions to act, his lucky break getting a job at Dundee Rep when he was only 15 and the things that happened there. He tells Gyles about moving to London for drama school, getting married, and his early successes. He tells stories about some of the great actors he's worked with: Olivier, Richardson and Gielgud. This is a fascinating conversation with an unconventional, and remarkable, person. Thank you to Brian for this brilliant interview. Brian is currently starring in The Score at the Theatre Royal, Haymarket, in London. It's open until April 26th 2025. Gyles has been and loved it - this is highly recommended. Learn more about your ad choices. Visit podcastchoices.com/adchoices Hosted on Acast. See acast.com/privacy for more information.

Brian Cox is one of the finest classical actors of his generation. Fans of Succession will of course know him for his portrayal of the ruthless media mogul, Logan Roy, but in this interview we go back to the beginning of Cox's long career, which has its roots deeply in theatre. We also go back to his childhood in Dundee, which was unusual and somewhat solitary. Brian talks to Gyles about his early years, the death of his father when he was very young, and his mother's subsequent struggles with mental illness and depression. He talks about his early ambitions to act, his lucky break getting a job at Dundee Rep when he was only 15 and the things that happened there. He tells Gyles about moving to London for drama school, getting married, and his early successes. He tells stories about some of the great actors he's worked with: Olivier, Richardson and Gielgud. This is a fascinating conversation with an unconventional, and remarkable, person. Thank you to Brian for this brilliant interview. Brian is currently starring in The Score at the Theatre Royal, Haymarket, in London. It's open until April 26th 2025. Gyles has been and loved it - this is highly recommended. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode of Queer Cinema Catchup, Joe and Allison review the new Max movie 'The Parenting'. They discuss the film's horror-comedy genre; the queer representation around which the plot is centered (but not focused on!); and its mixed reception. They also examine the performances of the cast, including Brandon Flynn, Parker Posey, and Brian Cox. Throughout the episode, they share personal anecdotes, discuss favorite B movies, and debate the nuances of comedy and horror in modern cinema.00:00 Introduction and Movie Title Confusion00:46 Initial Impressions and Cast Overview01:54 Favorite Scenes and Character Dynamics03:08 Plot Twists and Character Missteps05:30 Horror Elements and Critiques17:34 Proposal and Relationship Dynamics22:04 Casting Choices 24:52 Family Movie Nights and Moulin Rouge Obsession26:02 Lisa Kudrow's Role in Feel Good27:06 Queer Representation and Homophobia in Media28:35 Character Dynamics and Stereotypes37:25 Emotional Beats and Character Arcs40:29 Dean Norris and Breaking Bad Anecdote44:32 Analyzing Movie Watching Habits45:51 Favorite B Movies and Podcast Outro Hosted on Acast. See acast.com/privacy for more information.

After the demise of The Beast, Faith and Co must contend with the threat of Angelus. Join us as we discuss Fred/Gunn melodrama, Brian Cox's side hustles, and an update on Liv's Buffy journey. It's Angel S4E14: Release! Twitter, IG, & FB: @boozeandbuffy Email: boozeandbuffy@gmail.com Art Credit: Mark David Corley  Music Credit: Grace Robertson

This week on Dish, Nick and Angela are joined by a powerhouse couple. Brian Cox is a renowned Scottish actor whose career spans more than six decades. Born in Dundee, he was classically trained before becoming a key figure in British theatre. Brian Cox made history as the first actor to portray Dr Hannibal Lecter on screen in Michael Mann's Manhunter in 1986. He went on to star in highly acclaimed films including Braveheart and The Bourne Identity.  On television, Brian Cox is now a cultural icon, thanks to his award-winning portrayal of media titan Logan Roy in Succession. Brian married his wife Nicole in 2002, and they have two sons. Nicole Ansari-Cox is an actor, director and producer. Born in Cologne, she began acting at the age of nine with a breakthrough role in the German crime series Tatort. Her career includes roles in TV shows such as Deadwood and Succession. Nicole frequently shares the stage with her husband, including their current performance in The Score at Theatre Royal Haymarket. Nick prepares the couple's favourite cocktail, a frozen margarita, to start while Angela prepares roast trout with soy, orange and chilli, based on a sweet and spicy salmon recipe from Waitrose. The experts at Waitrose pair this with an English white wine, Chapel Down Bacchus. This episode is one of those great Dish double dates. Brian and Nicole talk about their new play and its parallels with modern life. They share some hilarious insights into their marriage and Brian's eating habits, and treat us to some amazing anecdotes from the set of Succession. You can now watch full episodes of Dish on YouTube  All recipes from this podcast can be found at waitrose.com/dishrecipes A transcript for this episode can be found at waitrose.com/dish We can't all have a Michelin star chef in the kitchen, but you can ask Angela for help.  Send your dilemmas to dish@waitrose.co.uk and she'll try to answer them in a future episode.   Dish from Waitrose is made by Cold Glass Productions

This is THE film that Josh used to think of when he thought the name: “Bruce Willis”, but is it any good? Killer casts such as this (Bruce Willis, Morgan Freeman, John Malkovich, Mary-Louise Parker, Helen Mirren, Karl Urban, Rebecca Pidgeon, Brian Cox and Richard Dreyfuss) have gone awry before… Tune in to hear Kendrick and Josh discuss the Willis film: RED!Check us out at: williswaypod.comJosh's Ranking of Bruce Willis Films: https://letterboxd.com/cosmicjosh/list/bruce-willis-ranked/Kendrick's Ranking of Bruce Willis Films: https://letterboxd.com/special_k/list/bruce-willis-ranked/Email us: williswaypod@gmail.comLOTAHPN Discord link: https://discord.gg/W4AjJeU7WH

Pippa Crerar assesses the latest developments at Westminster.The Chancellor Rachel Reeves unveiled her Spring Statement this week and Pippa takes a closer look at the details with the chair of the Treasury Select Committee, Labour's Dame Meg Hillier and the Conservative frontbencher and former Treasury minister, Dame Harriett Baldwin.Also this week, Keir Starmer travelled to Paris for the latest meeting of the ‘coalition of the willing'. Labour's Dame Emily Thornberry, who chairs the Foreign Affairs select committee discusses this with the Liberal Democrat MP Mike Martin, a former British army officer who served multiple tours in Afghanistan. Reform UK's deputy leader, Richard Tice, who represents Boston and Skegness and Times columnist Fraser Nelson discuss the party's coming electoral test in the local elections. And, following comments by the technology secretary Peter Kyle that the UK will see its first ever space launch this year, Pippa speaks to the physicist and broadcaster Professor Brian Cox about the benefits of space exploration.

Ryan and Dylan give their thoughts on the not so well-reviewed The Electric State from the Russo Brothers.

Brian Cox and Robin Ince unpick the hidden codes behind the shapes we see in nature with Mathematicians Sarah Hart & Thomas Woolley and comedian Dave Gorman. The panel marvel at how evolution so often beats mathematicians to finding the most elegant solutions, after all, it's had millennia to experiment. How do trees achieve the optimal distribution of leaves and why tortoise shells are so geometrically exciting?Plus we learn why the cheetah got its spots, thanks to the work of Thomas Wolley's mathematical hero, Alan Turing, how numbers can be more or less irrational, and why Dave Gorman has a vendetta against oblongs. Producer: Melanie Brown Exec Producer: Alexandra Feachem Assistant Producer: Olivia Jani

Lisa Kudrow, Edie Falco, and Parker Posey all in the same horror comedy? Yes, yes, and hell yes! Tune in to hear us break down “The Parenting” (now streaming on Max) — from all the crude jokes that Matt (obviously) loved, to whether there was enough balance between the funny and the scary, and how a text message with the

In the week that Dear England, his play about the English football team, reopens at the National Theatre, playwright James Graham has announced that his next play, at the Edinburgh International Festival, will star Succession's Brian Cox and be about the financial crash of 2008. In this revealing conversation he talks to Sarah about his admiration for Southgate, the tragedy behind his play Punch, his horror of social media and why theatre is a vital tool for building empathy and countering toxic masculinity. Hosted on Acast. See acast.com/privacy for more information.

Brian Cox and Robin Ince explore the history of music recording, joined by Acoustics Professor Trevor Cox, Music Professor Sam Bennett and musician and producer Brian Eno. Together they guide us through the evolution of sound recording, a space in which technology hasn't stood still since its advent in the mid 1800's. We hear the very first recognisable recording of a voice made with a brush making marks in soot and put a spotlight on the Fairlight CMI, a revolutionary digital synthesizer of the 70's, used in Brian's records (Cox & Eno's!)Plus, we run an audio experiment with our live audience who turn themselves into our in house digital orchestra, with the help of their mobile phones. Now that lots of people have several devices that can play sound, new technology is harnessing this to create a more immersive experience – which (kind of) worked in our experiment!Producer: Melanie Brown Exec Producer: Alexandra Feachem Assistant Producer: Olivia Jani

https://Art2Life.com - Art can manifest in countless ways, from traditional canvas paintings to more unconventional forms like intricate snow patterns. British artist Simon Beck uses only his feet and a compass to create breathtaking patterns on snow-covered landscapes, primarily near his home at the Les Arts Ski Resort near Mont Blanc in France.  Simon shares his unusual journey from competitive orienteering and map-making to becoming a pioneer of snow art. Join us as Simon shares insights into his creative process, the physical demands of his work, and the awe-inspiring interplay between nature and art. ================================ LISTEN IF YOU ARE INTERESTED IN… (0:00) Creating snow drawings mirrors reverse map-making  (04:04) The transition from competitive orienteering to snow drawing as a main source of income  (07:16) Prioritizing making art near home first to photograph the drawing before others ski  (11:35) Shadows on snow look darker or lighter depending on the sun's position and time of day  (12:57) Drawing requires focus in the first 1.5 hours, the Simon listens to music  (18:14) Fractals balance lightness, strength, and space  (19:56) Measurement is key, but the design relies on judgment  (30:57) Why not too many people watch Simon work  ================================ RESOURCES MENTIONED Les Arcs Ski Resort: https://www.seelesarcs.com/ Professor Brian Cox: https://apolloschildren.com/ ================================= CONNECT WITH SIMON BECK Connect on Instagram: https://www.instagram.com/simonbeck_snowart/ Simon's Snow Art: https://www.abebooks.com/Snow-art-Beck-Simon-EDIT-MILON/31548161892/bd ============================= CONNECT WITH NICHOLAS WILTON AND ART2LIFE: Get the Free COLOR TIPS PDF: https://workshop.art2life.com/color-tips-pdf-podcasts/  Follow the Sunday Art2Life Vlog: https://art2life.lpages.co/sign-up-for-the-a2l-vlog/  Follow Nicholas Wilton's Art on Instagram: https://www.instagram.com/nicholaswilton/  Follow Art2Life on Instagram: https://www.instagram.com/art2life_world/?hl=en  Subscribe on Youtube: https://www.youtube.com/c/Art2Life  #Art2Life #FineArt #AbstractArt #ModernArt #Contemporary

Eat that second gummy and make sure your dick isn't too small for his butt because we're discussing Craig Johnson's comedy horror film The Parenting, which sports one hell of an ensemble cast. Join us as we address the "sketchiness" of the film before fully submitting to its charms. From surprise comedian Brandon Flynn to Brian Cox's hilariously homophobic rants to Parker Posey's spacey AirBnb host, there's no shortage of laughs in this delightful little movie. Questions? Comments? Snark? Connect with the boys on Instagram, BlueSky, Youtube, Letterboxd, Facebook, or join the Facebook Group to get in touch with other listeners > Trace: BlueSky / Instagram > Joe: Bluesky / Instagram  Be sure to support the boys on Patreon!   Theme Music: Alexander Nakarada   Learn more about your ad choices. Visit megaphone.fm/adchoices

Invite your parents (demon or not) over for our review of 'The Parenting'! On the menu: Edie Falco & Lisa Kudrow steal the show, Parker Posey being Parker Posey, fart jokes, camp queer comedies, and more!INSTAGRAM: https://www.instagram.com/abiteofpod/THREADS: https://www.threads.net/@abiteofpodBLUESKY: https://bsky.app/profile/abiteofpodcast.bsky.socialTWITTER: https://twitter.com/ABiteOfPodDISCORD: https://discord.com/invitePATREON: https://www.patreon.com/join/abiteofpod(01:18) - Initial Thoughts (04:35) - Queer Movies & A Stacked Casts(08:57) - Did The Horror Work?(11:42) - Did The Rom-Com Work?(15:30) - Too Campy? Not Enough Camp?(22:23) - Final ThoughtsFor business inquiries please contact abiteofpod@gmail.com'The Parenting' directed by Craig Johnson and written by Kent Sublette.Starring Nik Dodani, Brandon Flynn, Brian Cox, Edie Falco, Lisa Kudrow, Dean Norris, Vivian Bang, and Parker Posey.

It's a Pi Day miracle: We recorded these reviews in the same place at the same time for the first time in a long time. Five years, to be exact. And it was so nice to be together again at Alonso's apartment on this rainy day in LA. We begin with "The Electric State," an empty, ugly, $320 million action extravaganza from longtime MCU directors Anthony and Joe Russo. It's a retro-futuristic, post-apocalyptic story set in the '90s, after humans and robots have gone to war. The ridiculous cast includes Millie Bobby Brown, Chris Pratt, Stanley Tucci, Anthony Mackie, Brian Cox, Jenny Slate, Ke Huy Quan and Woody Harrelson as Mr. Peanut. Yes, you read that right. Streaming now on Netflix. We were also disappointed with "Opus," about a legendary pop star who invites a group of journalists to his remote retreat to listen to his first album in three decades. It's an A24 horror movie, and it feels awfully familiar. It also features an impressive cast including Ayo Edebiri, John Malkovich, Murray Bartlett, Juliette Lewis and Amber Midthunder. In theaters now. And over at our Patreon, we recap the latest episode of "Daredevil: Born Again" on Disney+. Thanks for sharing some of your time with us -- we'll try to do this in person again soon! Subscribe to Christy's Saturday Matinee newsletter: https://christylemire.beehiiv.com/

Brian Cox and Robin Ince referee as Saturn and Jupiter square up to each other in a planetary face off. Representing team Saturn is space physicist Professor Michele Dougherty, and in the opposite corner is Dr Paul Abel on Team Jupiter. Katherine Parkinson judges this cosmic contest, casting the final vote to decide who will be awarded the coveted Kuiper Belt. It is not all about looks of course, but it is a significant factor in a first impression. Both Saturn and Jupiter score highly in this department, boasting magnificent icy rings and colourful stripes respectively. But what lies beneath their aesthetically pleasing exteriors? How do the planets compare on the inside? The gas giants have been subjects of investigation for many years, with historic missions like Galileo and Cassini uncovering their secrets. But they aren't alone, each planet is surrounded by its own mini solar system of moons, which get space scientists just as excited as their parent planets do. Both Jupiter and Saturn have moons which are hot contenders in the search for extra-terrestrial life and our panel discuss the future plans to explore them.Producer: Melanie Brown Exec Producer: Sasha Feachem Researcher: Olivia Jani

Do you see? Do you SEE, that this week on the pod we search for the madman scent in Manhunter. We discuss the workman like approach of our first journey into the Hannibal Lecter -Verse, how to think like a serial killer and abusive needle drops. This early serial killer and FBI procedural set the tone for movies that would follow and deserves some over saturated glow.   Synopsis: Former FBI profiler Will Graham returns to service to pursue a deranged serial killer dubbed "the Tooth Fairy" by the media. Starring: William Petersen, Brian Cox, Tom Noonan  Director: Michael Mann Youtube: https://youtu.be/L-qsbHKoHAo Join the Misfit Parade: https://www.misfitparade.com/ Support the show on the Patreon: https://www.patreon.com/messedupmoviespod Watch our newest short film Sugar Tits Now! https://www.youtube.com/watch?v=Sz7leFqqo4g  

In this bumper edition we begin with Labour's leaked plans to cut welfare spending by £6 billion. £5 billion to come from making it harder to claim Personal Independence Payments. Five Scottish Labour MPs have put their names to a letter supporting these "reforms" as " truly progressive". We look at the cuts, wonder if this could be the final nail in the coffin of Scottish Labour, and Lesley compares and contrasts the UK response to the Ukraine crisis with that of Germany.The USA's change in stance under Trump to the Ukraine war and the Western Alliance in NATO prompted erstwhile Westminster SNP leader Ian Blackford to call for the SNP to switch to a multilateral position on nuclear disarmament. We examine the UK's independent nuclear deterrent and question both its independence and its value as a deterrent.Lesley watched the C4 documentary about Michael Sheen's campaign to not only personally pay off £1 million of debt owed by folk from his local area but also his long term project aimed at highlighting social injustice and the impact of credit finance companies on vulnerable communities.https://www.theguardian.com/lifeandstyle/2025/mar/10/michael-sheen-interview-secret-million-pound-giveaway-port-talbotOur attention also turns to the USA. Are we deluding ourselves over popular opposition to Trump's policies? Will the Democrats find the spine to use the disruptive tactics employed by the Republicans during the Obama and Biden presidencies?All this plus Elaine C Smith, Brian Cox, and Gone With The Wind. ★ Support this podcast ★

This week we look at our country of the week - Ethiopia - Saudis shoot Ethiopian refugees, the Tigray civil war, coffee in Ethiopia, Ethiopian Jews,   The UK's National Death Service; Exploiting Sexual Abuse in Australia; Man becomes Sydney Woman of the Year;  Mardi Gras mockery of Christ; that White House Press Conference; Sharks in NSW; Mikey Madison and 'sex workers'; Germany rearms and refinances; Britain funds illegal Mexican abortion providers;  the death of Gene Hackman; Wes Streeting and Islamic freedom; Brian Cox on the Universe; Revival in the UK?  Feedback, an apology and Psalm 22 in Gaelic.  With music from Bob Marley, Helen Reddy, Nebiyou Elias,  Bob Dylan, and Bach Gaelic Psalm Singers. 

Robin Ince and Brian Cox venture into the captivating and surprisingly mysterious realm of ice. Joining them on this cool adventure is former ice dancer Darren Harriot, glaciologist Liz Morris, polar explorer Felicity Aton and ice chemist Christoph Salzmann. From beautifully formed snowflakes to ice shelves in Antarctica our guests discuss the fascinating science suspended in solid water and how much is still to be discovered. With the help of a gin and tonic they explore the properties of ice - like why it floats and how there are 20 phases of ice, three of which were accidentally discovered by our guest Christoph. Darren shares his respect and fear for ice having learnt to dance and ice-skate on it. Liz discusses how analysing deep ice can provide a window into our past climate whilst also helping us understand our present one and why penguins can be problematic. Polar explorer Felicity explains how being able to read the colours, shapes and sounds of the ice have helped to keep her alive as she's traversed the highly inhospitable (but also incredibly beautiful) polar regions. Producer: Melanie Brown Exec Producer: Alexandra Feachem Assistant Producer: Olivia Jani

Guest: George Kurian, CEO of NetAppFor almost 10 years, George Kurian has been CEO of the data infrastructure firm NetApp, overseeing its pivot to cloud services. After he  took the job — a surprise promotion dropped on him just days before it was announced — he had to learn on the job how the job could be.“ There are a lot more stakeholders that a CEO has to deal with than a chief product officer,” George says, referring to his previous role. “There's also a lot more external commitment ... It was a really all-consuming effort to get the company turned around.”He said the CEO job can be “fairly lonely” because you may want to be peers or friends with your team and your board — but in fact, they are sometimes your subordinates and your superiors, respectively.“ We wouldn't be here without others having contributed significantly on the journey,” George says. “[But] there are times when you have to step back and say, ‘I see a pattern that my team is not seeing,' or ‘Do I think that we can do a better job than we are doing?'”Chapters:(01:10) - Commuting to Sunnyvale (04:49) - Growing up in India (08:04) - Protect the child (09:33) - Raising kids in Silicon Valley (12:44) - Money motivation (15:04) - NetApp's renaissance (21:39) - Writing new chapters (23:15) - Culture shifts (26:38) - Coming to NetApp (29:41) - Surprise! You're the CEO (32:41) - Making sacrifices (35:04) - Work vs. family tension (37:18) - Doubt & lonely decisions (42:38) - The data wave (45:27) - Enterprise AI (51:36) - Starting your own company (53:33) - Navigating difficulty (56:28) - Who NetApp is hiring (57:11) - What “grit” means to George Mentioned in this episode: EMC, OpenAI, DeepSeek, CalTrain, the San Francisco 49ers, Princeton University, Subway, Vons, Thomas Kurian, Google Cloud, Stanford University, Brian Cox, Oliver Jay, the Quakers, Jay Chaudhry, zScaler, Manmohan Singh, Oracle, IBM, Sun, Amazon, Microsoft, Glean, Kobe Bryant, Steph Curry, McKinsey, Akamai, Cisco, Gwen McDonald, and the San Francisco Friends School.Links:Connect with GeorgeLinkedInConnect with JoubinTwitterLinkedInEmail: grit@kleinerperkins.com Learn more about Kleiner PerkinsThis episode was edited by Eric Johnson from LightningPod.fm

Cherry, baby! We are here with two-time Tony-winner and three-time Emmy-winner Cherry Jones. You Might Know Her From The Handmaid's Tale, 24, Transparent, Succession, The West Wing, The Village, The Eyes of Tammy Faye, and her numerous theatre credits including The Heiress, Doubt, Mrs. Warren's Profession, and The Glass Menagerie. Cherry talked to us about playing the real life Eileen Myles on Transparent, grounding the violence on 24, whether or not she'll appear in the final season of The Handmaid's Tale, and she shares with us an actor's secret: her “moment before” from the Broadway production of Doubt. Plus, we got the scoop on going toe to toe with Brian Cox on Succession, whether or not she'd ever play Madame/Mama Rose in Gypsy, and trailblazing as a queer person in entertainment when she won her Tonys. This one was just a total treat!  Patreon: www.patreon.com/youmightknowherfrom Follow us on social media: @youmightknowherfrom || @damianbellino || @rodemanne Discussed this episode: Was Sarah Schulman's novel People in Trouble ripped off for Rent? Michael Greif directed Jonathan Larson's original production of Rent Gypsy Rose Lee's autobiography, Gypsy: A Memoir:  June Havoc's 2 memoirs: Early Havoc and More Havoc Arthur Laurents' memoir: Original Story By: Gypsy movie with Rosalind Russell (1962) + Bette Midler tv Gypsy (1993) Our Sunset Boulevard review on Patreon Book about original production of Sunset Boulevard We are digging into the source material for our: YEAR OF Rent | Gypsy | Sunset Boulevard | Chicago The play is called Chicago Bette's Emmy performance of “Rose's Turn” in stirrup pants Spongebob creator Hillenburg sold rights to Nickelodeon and when he died they made a musical and lots of spin-offs Tick Tick Boom introduced Anne to Raul Esparza “Boho Days” 5 Days at Memorial (Apple TV) Nan Pierce on Succession was the bus and truck Katherine Graham After doing Doubt on Broadway, she went on national tour with the show Dennis Haysbert was first President on 24 and then it was Cherry as Allison Taylor Had been doing rep at ART for 10 years when she opened as Catherine in the 1995 revival of The Heiress directed by Gerry Guitierrez Cherry saw Tyne Daly and Angela Lansbury's Gypsy Angela was a tall woman Jane Greenwood was costume designer for The Heiress and the Colleen Dewhurst's A Moon for the Misbegotten Has Colleen's student id card from the American Academy of Dramatic Arts hanging on her wall Played Ma Joad at the National Theatre in London last summer (will not transfer) Jessica Chastain A Doll's House got the phone stuff out of the way at pre-show Testament of Mary with Fiona Shaw Jessica Hecht was so good in Summer of 1976 and Eureka Day Cherry loves J. Smith Cameron in anything M Night Shyamalan's Signs and The Village Former guest of the show Celia Weston told us M Night's camp was fun but didn't inform the work Starred opposite Mel Gibson in the Jodie Foster's film, The Beaver Twelfth Night with Diane Lane (directed by Andrei Serban) Lifetime lesbian movie with Brooke Shields, What Makes a Family (2001) We interviewed Veronica Cartwright who was in The Children's Hour Played Eleanor Roosevelt opposite Hilary Swank's Amelia Eearhart in Amelia  Tina Howe and Jack O'Brien's Pride's Crossing is the thing Cherry wants us to see Played Matt Damon's mom in Ocean's 12 even though she is 14 years younger than him MOVIES CHERRY IS NOT IN: Cold Mountain and A League of Their Own (aka Avita Vayonne)  Does the audiobooks for Little House on the Prairie books Claire Danes reads audiobook of The Handmaid's Tale Essentially played Eileen Myles in Transparent Was NOT in the O'Malley with Mickey Rooney  Was never ASKED to be on The L Word We talked to Barrie Kreinik about Eva La Gallienne and Laurette Taylor but said it was RUMORED, no receipts Character in Noel Coward's Hay Fever based on  Laurette Taylor  Timothee Chalamet's speech at the 2025 SAG Awards “They Like Me” is actually “YOU LIKE ME” “It Came True”

Brian Cox and Robin Ince kindly open the door for each other as they step into understanding altruism asking why humans have evolved to help each. Joining them to explore the human tendency to be kind is evolutionary biologist Steve Jones, psychologist Matti Wilks and comedian Jo Brand. Starting with the animal kingdom we probe the biological underpinnings of why organisms might act to help others at an energetic cost to themselves and where this fits alongside the theory of evolution. We explore how the development of human societies has necessitated altruistic behaviours and how these manifest in our modern lives. Matti introduces the idea of moral circles as we ask why are we more generous to some people than others. We explore how children feel about being kind to those close and far away with some surprising recent findings and finally consider what can encourage more altruistic behaviour.Producer: Melanie Brown Exec Producer: Alexandra Feachem Assistant Producer: Olivia Jani

Brian Cox and Robin Ince slice deep into the lesser explored world beneath us. To join them on the journey from the crust to the core they are joined by seismologist Ana Ferreira, geologist Chris Jackson and comedian Phil Wang.School children learn about the makeup of the earth with an image depicting the earth's core, mantle and crust layered neatly on top of each other, but is this an oversimplification? Our experts reveal that the earths innards are less uniform than we might think and mysteries still abound, including the makeup of some continental sized blobs deep inside the earth. We learn about the incredible heat and pressure as we descend and why that has limited how far humans have been able to explore these deep realms first-hand. We explore the chemistry of the interactions between the earth layers and how they influence the formation of continental plates and volcanoes. Phil has an existential crisis about falling inside gaps between the plates but is reassured his worries are unfounded as Ana explains the latest techniques being used to understand the world deep beneath us.Producer: Melanie Brown Executive Producer: Alexandra Feachem Researcher: Olivia Jani

Brian Cox and Robin Ince look ahead to the topics and guests you can enjoy in Series 32 of The Infinite Monkey Cage.

How much more physics is out there to be discovered? Neil deGrasse Tyson sits down with physicist, professor, and rockstar Brian Cox, to discuss everything from the Higgs boson, life beyond our planet, and the fundamental forces that guide our universe.NOTE: StarTalk+ Patrons can listen to this entire episode commercial-free here: https://startalkmedia.com/show/our-world-of-particles-with-brian-cox/Thanks to our Patrons Anthony Sclafani, Alejandro Arriola-Flores, Brian Christensen, Allen Baker, Atlanta Gamer, Nigel Gandy, Gene, Lisa Mettler, Daniel Johansson, Sunny Malhotra, Omar Marcelino, yoyodave, Mo TheRain, William Wilson, ChrissyK, David, Prabakar Venkataraman, PiaThanos22, BlackPiano, Radak Bence, Obaid Mohammadi, the1eagleman1, Scott Openlander, Brandon Micucci, Anastasios Kotoros, Thomas Ha, Phillip Thompson, Bojemo, Kenan Brooks, jmamblat@duck.com, TartarXO, Trinnie Schley, Davidson Zetrenne, and William Kramer for supporting us this week. Subscribe to SiriusXM Podcasts+ on Apple Podcasts to listen to new episodes ad-free and a whole week early.