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Why, it's the twilight of Jedi Twilight! And frankly? Good. Learn more about your ad choices. Visit megaphone.fm/adchoices
(Trigger warning: Homophobia, transphobia, conversion camps)On this week's episode of Teen Girl Talk, we're heading to the worst camp with the best people. We're covering But I'm a Cheerleader. Also on this episode Suesie calls out Frank's blatant slander against the Twilight fandom. Frank calls out Christian Grey for being terrible. Intro and outro is Rebel Girl by Bikini Kill.Please rate, review and subscribe to the show on iTunes and SpotifyE-mail: realteengirltalk@gmail.comTeen Girl Talk's Instagram: https://www.instagram.com/realteengirltalk/ Frank's writing website: franklincota.com Suesie's Instagram: https://www.instagram.com/susieboboozy/Frank's Instagram: https://www.instagram.com/siriwouldchallenge/Frank's YouTube: https://www.youtube.com/channel/UCJcUttxP0ujvc6HXBz-4kIw
“Twilight” 20th-anniversary reflections As anomalies in the Delphic Expanse rock the Enterprise, T'Pol is trapped under debris and Archer works to rescue her. Although he pulls her out just in time, another wave smacks him head-on and knocks him out. Even worse, the wave deposits interspatial parasites in his hippocampus. He is also left with anterograde amnesia, leaving him without the ability to form long-term memories. One morning, he awakes to find that he's been shacking up with T'Pol for the past 12 years, that he has a Vulcan haircut, and that the Xindi conflict is over—and Earth lost. In this episode of Warp Five, hosts C Bryan Jones and Matthew Rushing continue our 20th-anniversary retrospective that takes you through all of Star Trek: Enterprise, one episode at a time. In this installment, we continue Season 3 with “Twilight,” Mike Sussman‘s clever concept, the story's Voyager origins, and how it raises the stakes for the rest of the season. Chapters Intro (00:00:00) A Clever Concept (00:02:10) Jolene and Scott Shine (00:05:20) Voyager Origins (00:13:00) The Reset Button (00:23:33) THIS Is Ceti Alpha V!!! (00:29:30) Final Thoughts and Ratings (00:32:50) Closing (36:30) Hosts C Bryan Jones and Matthew Rushing Production C Bryan Jones (Editor and Producer) Matthew Rushing (Executive Producer) Norman C. Lao (Associate Producer)
It's June so you know what that means! Kat and Emma return to the woods for their annual trek through the Twilight series. Listen along as Emma has an existential crisis realizing that Eclipse might actually be good, Kat gets into the lore of it all, and we realize that everyone, even Stephanie Meyer, might agree that polyamory could be the answer to this love triangle. Content warnings for Eclipse include: references to domestic violence, controlling behavior, vague confederate sympathies, self-harm, weird racism towards werewolves, an unfortunate introduction to the concept of imprinting, and insensitive depictions of the Quileute people. The article Emma promised to find and video essay Kat referenced can be found here: https://www.slashfilm.com/1700668/why-bryce-dallas-howard-replaced-rachelle-lefevre-twilight-victoria/ https://www.youtube.com/watch?v=zT5unKXnSUk For more information on the Quileute people, visit https://www.burkemuseum.org/static/truth_vs_twilight/ You can find Emma on twitter @ematsca, Kat @StrawberrySiren, and the show @UnselectPod. Emma is also on bluesky at crabmoney.bsky.social. Kat can be found on Instagram @swordsandsirens and her dog Walter is @WalterWednesdays. Unnatural Selection is a part of the Moonshot Podcast Network. If you like what you've heard and want to support them, you can become a patron at patreon.com/moonshotnetwork The music for this show was commissioned from and composed by Jake Loranger. You can check out more of his work at https://amaranthine.bandcamp.com/
Michael's website https://www.revisionisthistory.org/Doors of Perception is available now on Amazon Prime!https://watch.amazon.com/detail?gti=amzn1.dv.gti.8a60e6c7-678d-4502-b335-adfbb30697b8&ref_=atv_lp_share_mv&r=webMake a Donation to Forbidden Knowledge News https://www.paypal.me/forbiddenknowledgenehttps://buymeacoffee.com/forbiddenThe Forbidden Documentary: Doors of Perception official trailerhttps://youtu.be/F-VJ01kMSII?si=Ee6xwtUONA18HNLZMerchhttps://fknstore.net/Start your microdosing journey with BrainsupremeGet 15% off your order here!!https://brainsupreme.co/discount/FKN15Book a free consultation with Jennifer Halcame Emailjenniferhalcame@gmail.comFacebook pagehttps://www.facebook.com/profile.php?id=61561665957079&mibextid=ZbWKwLWatch The Forbidden Documentary: Occult Louisiana on Tubi: https://link.tubi.tv/pGXW6chxCJbC60 PurplePowerhttps://go.shopc60.com/FORBIDDEN10/or use coupon code knowledge10FKN Link Treehttps://linktr.ee/FKNlinksForbidden Knowledge Network https://forbiddenknowledge.news/ Johnny Larson's artworkhttps://www.patreon.com/JohnnyLarsonSign up on Rokfin!https://rokfin.com/fknplusPodcastshttps://www.spreaker.com/show/forbiddenAvailable on all platforms Support FKN on Spreaker https://spreaker.page.link/KoPgfbEq8kcsR5oj9FKN ON Rumblehttps://rumble.com/c/FKNpGet Cory Hughes Book!Audio bookhttps://buymeacoffee.com/jfkbook/e/392579https://www.buymeacoffee.com/jfkbookhttps://www.amazon.com/Warning-History-Cory-Hughes/dp/B0CL14VQY6/ref=mp_s_a_1_1?crid=72HEFZQA7TAP&keywords=a+warning+from+history+cory+hughes&qid=1698861279&sprefix=a+warning+fro%2Caps%2C121&sr=8-1https://coryhughes.org/YouTube https://youtube.com/@fknclipspBecome Self-Sufficient With A Food Forest!!https://foodforestabundance.com/get-started/?ref=CHRISTOPHERMATHUse coupon code: FORBIDDEN for discountsOur Facebook pageshttps://www.facebook.com/forbiddenknowledgenewsconspiracy/https://www.facebook.com/FKNNetwork/Instagram @forbiddenknowledgenews1@forbiddenknowledgenetworkXhttps://x.com/ForbiddenKnow10?t=uO5AqEtDuHdF9fXYtCUtfw&s=09Email meforbiddenknowledgenews@gmail.comsome music thanks to:https://www.bensound.com/Become a supporter of this podcast: https://www.spreaker.com/podcast/forbidden-knowledge-news--3589233/support.
On this episode, we cover chapters 16-20 of Midnight Sun, and, boy oh boy, is it a bit of a slog. Despite that, we have a great time talking about edging and water wigglers. We laughed until we cried, per usual. Join us next time as we cover chapters 21-25.
TARGETS: PFC Ryan Daly………………….. Illegal MachineCount Drunkula on The Future War 00:00:57Marvel NOW 00:05:12RoboCop Versus The Terminator Scores 00:08:32T2: Nuclear Twilight #1 written by Mark Paniccia 00:12:12T2: Nuclear Twilight #2 art by Gary Erskine 00:25:56T2: Nuclear Twilight #3 painted covers by Rob Prior 00:29:07T2: Nuclear Twilight #4 00:33:20T2: Nuclear Twilight #0/Cybernetic Dawn #0 00:42:42Terminator 2: Judgment Day: Nuclear Twilight tpb (1996) 00:50:14Robocop #7 (1990) written by Alan Grant 01:22:44Comics in Review: Robocop 2 01:28:10Robocop #8 (1990) penciled by Lee Sullivan 01:30:30Comics in Review: Robocop #1 01:35:37Robocop #9 (1990) inked by Kim DeMulder… 01:38:11Comics Scene #16: Alan Grant interview 01:42:25Robocop #10 (1990) …& Keith Williams 01:48:12Metallic Mayhem 01:54:50episode art galleryblog postComic Books, Marvel Comics, Robocop, Robocop Podcast, John Connor, Kyle Reese, Sarah Connor, The Terminator (1984), Terminator 2, Terminator 2: Judgment Day, T2, T2: Judgment Day, Terminator NOW, Terminator Podcast
I made you a FREE companion guide for this episode! This FREE instant access (and pretty!) PDF will give you 14 easy and enjoyable ways to celebrate the Summer Solstice + 6 journal prompts to help you reflect and process the inspiration of this season. Download it now!Want to celebrate Litha with other woo woo women? Join us in the Wild Wellness Women's Circle for a live Zoom gathering on June 19. This is a supportive place to come as you are and get what you need, so there's TIERED PRICING available. Click here to learn more and join.Litha marks the Summer Solstice, the longest day of the year, and it's a time when fertile energy is at its peak, and all around us, new life is rapidly growing. It celebrates the growing crops, the Sun, abundance, the beauty of Mother Earth, and the first day of Summer! Did you know?More commonly referred to as Midsummer's Night, Litha is believed to be a time when faerie folk pass into the human world at Twilight and offer blessings, and sometimes mischief. If you're familiar with Shakespeare's A Midsummer Night's Dream, this is a great example of the mischief the faeries do to interfere with humans just for fun.Even though the exact dates are June 19-23, we can celebrate this whole season. In this episode, you'll learn...the origins, history, and symbolism of Lithawhat Nature is modeling for us physically, spiritually, and energetically, and how we can align14 easy and enjoyable ways to celebrate Beltane6 journal prompt themes to help you reflect and process the inspiration of this seasonOther episodes mentioned:-229. How to Rewrite and Rewild Your Relationship with Your Cycle - with Em Dewey -228. The 4 Feminine Archetypes - what's yours? -227. Using the superpowers of your menstrual & moon cycle to enjoy your life moreFree Resources- Feel how you want to feel NOW with my Free Desire Map - FREE Masterclass: Discover Your Spiritual Gifts- Sign up for a FREE 1:1 coaching curiosity callLet's Connect on Instagram or Facebook!Let's Go Deeper Together- Join the Wild Wellness Women's Circle (monthly membership with sliding scale pricing)- Enroll in Rewild Your Wellness (lifetime access online course)- Learn more about one-on-one coaching
In Grójec the Team tries to find information and resupplies, but they end up with more than they bargained for.Follow us on X @dorkdaypodcast, on Facebook @dorkdayafternoon, or check out our website www.dorkdayafternoon.com.Join our Discord. Support us, check out our new Patreon.Find great DDA and TPM merch on Redbubble.Two Past Midnight is an actual play podcast of “Twilight: 2000, 4th Ed.”, produced by Dork Day Afternoon. “Twilight: 2000” is a role playing game about a “World War III that didn't happen”, created by Free League and published in partnership with Mongoose Publishing Ltd and Amargosa Press. For more information about Free League and other Free League products, visit freeleaguepublishing.com.The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.Credits:Music and Sound by Syrinscape. syrinscape.com The app putting sound into the hands of gamers.Theme song for Two Past Midnight by Mother Ghost. Check them out on spotify, they are the $hit.And follow them on Instagram @motherghostmusic.
Anthologic 238 Armchair Thriller S1E01 Rachel In Danger For the entire set of Anthologic, click here For the RSS Feed for this podcast, use: http://feeds.feedburner.com/anthologic Feedback to: info@thegoodthebadandtheodd.com Or join the facebook group The Good The Bad And The Odd Or chat with Mark … Continue reading →
Ellen Adair and Eric Gilde discuss the baseball portions of "Twilight." They introduce the film (1:49), with an overview of the story, the cast, and filmmakers, and review the 20-80 baseball scouting grades for rating the film (6:01). Amount of Baseball (10:35) opens with a true conundrum: what is the amount of baseball in the baseball portion of "Twilight"? Do we consider the "first Mariners game" and spring training? Baseball Accuracy (15:30) considers the viability of a four-vampire baseball team and a three-vampire baseball team, with the varying degree of problems that arise. Discussion of vampires' familiarity with John Fogarty's "Centerfield," seventh-wheel vampires, and the Mike Fiers of vampires (?). Ellen has issues with the lack of analytical positioning, and Eric queries the notion of thunder from an aluminum bat. Is Alice tipping her pitches? A brief history of baseball gloves (w/r/t Charlie Waitt, Albert Goodwill Spalding, Bill Doak, Rawlings). Some baserunning headscratchers with Carlisle. There is no spring training in Jacksonville (h/t Meg Rowley), but there ARE spring training/regular season timeline issues in this film. Storytelling (40:11) digs in on the substance of the vampire feud, Ellen's annoyance with the notion of the Cullens as "vegetarians," and Eric's annoyance with the sparkliness. Are they good at baseball? Would putting Bella's hair down really help mask her human scent? Some discussion of the directorial style and costume choices. Score (55:39) addresses the use of Radiohead, the Black Ghosts, Muse, and the squealing guitars. Acting (1:00:03) discusses the performances of Kristen Stewart, Robert Pattinson, Peter Facinelli, Elizabeth Reaser, and Edi Gathegi, with shout-outs to Anna Kendrick and Gil Birmingham. Delightfulness of Catcher (1:04:57) weighs the Moment of Utmost Delight, Elizabeth Reaser's line deliveries, and the matriarch as catcher, while Delightfulness of Announcer (1:07:28) doesn't offer so much. Lack of Misogyny (1:08:01) considers the strength of female players, the film's upgrade over the book, with only a brief foray into the misogyny of the whole premise. No spoilers on the following segments: Yes or No (1:14:20), Six Degrees of Baseball (1:19:52), Favorite Moment (1:22:01) Least Favorite Moment (1:23:50), Scene We Would Have Liked to See (1:26:37), Dreamiest Player (1:28:12), Favorite Performance (1:29:41), Review Thank You (1:30:41) and Next Time (1:32:39). Join Our Discord & Support The Show: PL+ | PL Pro - Get 15% off Yearly with code PODCASTProud member of the Pitcher List Fantasy Baseball Podcast Network
Ellen Adair and Eric Gilde discuss the baseball portions of "Twilight." They introduce the film (1:49), with an overview of the story, the cast, and filmmakers, and review the 20-80 baseball scouting grades for rating the film (6:01). Amount of Baseball (10:35) opens with a true conundrum: what is the amount of baseball in the baseball portion of "Twilight"? Do we consider the "first Mariners game" and spring training? Baseball Accuracy (15:30) considers the viability of a four-vampire baseball team and a three-vampire baseball team, with the varying degree of problems that arise. Discussion of vampires' familiarity with John Fogarty's "Centerfield," seventh-wheel vampires, and the Mike Fiers of vampires (?). Ellen has issues with the lack of analytical positioning, and Eric queries the notion of thunder from an aluminum bat. Is Alice tipping her pitches? A brief history of baseball gloves (w/r/t Charlie Waitt, Albert Goodwill Spalding, Bill Doak, Rawlings). Some baserunning headscratchers with Carlisle. There is no spring training in Jacksonville (h/t Meg Rowley), but there ARE spring training/regular season timeline issues in this film. Storytelling (40:11) digs in on the substance of the vampire feud, Ellen's annoyance with the notion of the Cullens as "vegetarians," and Eric's annoyance with the sparkliness. Are they good at baseball? Would putting Bella's hair down really help mask her human scent? Some discussion of the directorial style and costume choices. Score (55:39) addresses the use of Radiohead, the Black Ghosts, Muse, and the squealing guitars. Acting (1:00:03) discusses the performances of Kristen Stewart, Robert Pattinson, Peter Facinelli, Elizabeth Reaser, and Edi Gathegi, with shout-outs to Anna Kendrick and Gil Birmingham. Delightfulness of Catcher (1:04:57) weighs the Moment of Utmost Delight, Elizabeth Reaser's line deliveries, and the matriarch as catcher, while Delightfulness of Announcer (1:07:28) doesn't offer so much. Lack of Misogyny (1:08:01) considers the strength of female players, the film's upgrade over the book, with only a brief foray into the misogyny of the whole premise. No spoilers on the following segments: Yes or No (1:14:20), Six Degrees of Baseball (1:19:52), Favorite Moment (1:22:01) Least Favorite Moment (1:23:50), Scene We Would Have Liked to See (1:26:37), Dreamiest Player (1:28:12), Favorite Performance (1:29:41), Review Thank You (1:30:41) and Next Time (1:32:39). Join Our Discord & Support The Show: PL+ | PL Pro - Get 15% off Yearly with code PODCASTProud member of the Pitcher List Fantasy Baseball Podcast Network
Best episode ever! Marika, Anya, and Casey join Geoff to discuss Casey's movie, its wrap party, and the Twilight franchise, before taking some calls!» FOLLOW Geoff on Instagram: https://www.instagram.com/geoffreyjames/» FOLLOW Marika on Letterboxd: https://www.letterboxd.com/marikaelon/» FOLLOW Casey on Instagram: https://www.instagram.com/caseydonahue/» FOLLOW Anya on Instagram: https://www.instagram.com/radiofreeanya/Help Casey & Anya finish their movie! Donate to the kickstarter: http://kck.st/41Cq3n1Advertise on The Headgum Podcast via Gumball.fmRate The Headgum Podcast 5-stars on Apple PodcastsRate The Headgum Podcast 5-stars on SpotifyJoin the Headgum DiscordSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Poignant, Hilarious, and Beautifully HumanStep into the glow of lavender twilight with Alfred P. Doblin's unforgettable collection, Tales of the Lavender Twilight. In this debut, Doblin opens doors to the rich, poignant, and often hilarious lives of late-middle-aged gay men—and one very sophisticated Cocker Spaniel—as they seek love, redefine family, and gracefully navigate the complexities of life's next chapters.From a bittersweet gathering in a West Village gay dive bar to the quirks of a Catskill town brimming with out-of-work actors, Doblin's eleven tales journey coast-to-coast, capturing moments of humor, heartbreak, and unexpected resilience. Follow a hopeful dog in search of a new home, a sharp-tongued theater critic who stirs up old wounds, LGBTQ youths rediscovering a legacy, and an unforgettable Thanksgiving celebration where gratitude and community collide.With warmth, wit, and compassion, Tales of the Lavender Twilight celebrates lives lived boldly, refusing to be defined by a world too focused on youth. These stories are a vibrant tribute to the endurance of spirit, love, and identity.Support this show http://supporter.acast.com/houseofmysteryradio. Become a member at https://plus.acast.com/s/houseofmysteryradio. Hosted on Acast. See acast.com/privacy for more information.
This is Season 6, Episode 17 of this "The Vampire Diaries" related podcast! Pete is watching the show for the first time and Ash is a superfan. Each episode they watch an episode of TVD and discuss. This week they talk about comments, ads, Nate & Jeremiah, Pete-spiracy Theories, callbacks, baby names, and much more! They do some Pete-dictions at the end of the show. Talk to Pete here: https://www.instagram.com/theportableproducer/ We were voted one of the Top 10 The Vampire Diaries Podcasts on the web. https://blog.feedspot.com/the_vampire_dairies_podcasts/ Also we're in the top 100 Vampire Podcasts here: https://www.millionpodcasts.com/vampire-podcasts/ The EC Little Free Library: https://www.instagram.com/eclittlefreelibrary/ Pete is on Letterboxd! https://letterboxd.com/peterlh/ Check out The VamPetey merch at https://www.teepublic.com/user/highdive If you like #TheVampireDiaries and/or you are a young adult, you should check out Pete's books! https://www.amazon.com/Peter-L-Harmon/e/B011SBWJF8/ref=dp_byline_cont_pop_book_1 And if you love this show, please leave us a review. Go to RateThisPodcast.com/vampetey and follow the instructions.
In today’s episode of Mythmakers, Julia Golding sits down with bestselling author Emily J. Taylor to discuss her second novel, The Otherwhere Post (Penguin US / Pushkin Press UK). Set in a world where magic is powered by handwriting, the story follows Maeve, a determined heroine fighting to prove her father’s innocence for a crime that has affected all three realms.Emily shares her journey to becoming a writer, including a brief stop to reflect on the Twilight stories and what made them such a phenomenon. The conversation also explores her creative process and the possibilities of a story centred on an isolated community. For those interested, the poem Julia references is The Night Train by W. H. Auden.You can follow Emily, and her work, on her website https://emilyjtaylorauthor.com/ (00:05) Fantasy Author Interview(13:59) World Building and Setting Periods(24:24) Microcosms in World BuildingFor more information on the Oxford Centre for Fantasy, our writing courses, and to check out our awesome social media content visit: Website: https://centre4fantasy.com/website Instagram: https://centre4fantasy.com/Instagram Facebook: https://centre4fantasy.com/Facebook
Rich is joined by Ruthie Blum—former adviser to Israeli Prime Minister Benjamin Netanyahu and senior editor at JNS—for an unfiltered look at the crisis in Gaza and the push for a Palestinian state. Chris Moritz, author of Failed State: A Portrait of California in the Twilight of Empire, exposes the growing power of Mexican cartel gangs and their reach inside American communities. Plus, Dr. Vince Callahan, founder of the Florida Institute for Neural Discovery, shares insights from his new book Freedom to Change, revealing how stress—especially from childhood—reshapes the brain and how we can reclaim control. Also additional updates on LA Riots. Learn more about your ad choices. Visit podcastchoices.com/adchoices
In this episode, I discuss with author Bruce Handy his book " Hollywood High: A Totally Epic, Way Opinionated History of Teen Movies". From a longtime Vanity Fair writer and editor, a delightfully entertaining, intelligent, and illuminating history and tribute to teen movies—from Rebel Without a Cause to Fast Times at Ridgemont High, and on to John Hughes, Mean Girls, The Hunger Games, and more.What influence did Francis Ford Coppola have on George Lucas's American Graffiti? And Lucas on John Singleton's Boyz n the Hood? How does teenage sexuality in Fast Times at Ridgemont High compare to Twilight? Which teen movies pass the Bechdel test? Why is Mean Girls actually the last great teen film of the 20th century?Doug Hess is the Producer and HostFollow on Facbook @forgottenhollywood
Madlik Podcast – Torah Thoughts on Judaism From a Post-Orthodox Jew
The magic of twilight isn't just for vampires—it's a cornerstone of Jewish ritual and philosophy. Twilight in Judaism is more than just a daily transition—it's a liminal space rich with spiritual significance and halachic implications. We explore the concept of "bein hashmashot" (between the suns) in Jewish law and philosophy, examining its role in Shabbat observance, Passover rituals, and prayer timing. The episode delves into rabbinic debates on defining twilight and its duration, revealing how this ambiguous period embodies uncertainty and celebrates mystery in Jewish thought. Key Takeaways Uncertainty can breed creativity and innovation. Liminal spaces often precede major life transitions. Embracing ambiguity can lead to deeper spiritual experiences. Timestamps [00:00] – The personal story behind the episode: a rabbinic rejection using twilight metaphor [01:30] – Introduction to twilight in Jewish ritual and halakhic significance [03:00] – Exploring the Mishna's mention of twilight miracles and coded miracles [04:45] – Twilight and uncertainty: How it shaped Jewish philosophical thought [06:00] – Biblical references to twilight and its Hebrew/Aramaic translations [10:30] – Halakhic debates over defining twilight: Rashi vs. Ibn Ezra [12:00] – Talmudic insights into twilight as a period of halakhic uncertainty [15:00] – Mystical and cultural perspectives on twilight in Judaism [20:45] – Personal customs, twilight babies, and matzah-making rituals [29:00] – Final reflections and the full story of the rabbinic rejection using twilight metaphor Links & Learnings Sign up for free and get more from our weekly newsletter https://madlik.com/ Safaria Source Sheet: https://www.sefaria.org/sheets/656116 Transcript on episode web page: https://madlik.com/2025/06/11/embracing-the-ambiguity-of-transition/
Buy Twilight of the Gods here : https://www.stalkinghorsepress.com/product/twilight-of-the-gods-pb/https://kurtbaumeister.com/Gateway books/authors Dr Suess Hardy Boys / Nancy DrewSherlock Holmes Tom Swift Issac Asimov Michael Moorcock Martin Amis Nabokov Kundera Julian BarnesCalvino Shakespeare Current reads Gemini Wahhaj - Katy Family Duncan Barlow - A Dog Between Us Tony Trigilio - The Punishment BookA Gorgeous Excitement: A Novel - Cynthia WeinerShakespeare London Fields - Amis Pale Fire - NabokovThe Passion - Jeanette Winterson -The Handmaid's Tale - Atwood Hemingway - Short Stories
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Anchorage, Alaska, isn’t quite the “land of the midnight Sun.” Tonight, there are about five hours between sunset and sunrise. But it is a land of midnight sunlight, because twilight never completely fades. Twilight is the transition between day and night. Earth’s atmosphere scatters sunlight from the dayside to the fringes of the nightside. But when, exactly, does twilight end? When is the sky really dark? As you might expect, astronomers have their own definition. Astronomical twilight begins or ends when the Sun is 18 degrees below the horizon – about twice the width of your fist held at arm’s length. That’s when the sky’s as dark as it’s going to get. Because of the Sun’s motion, astronomical twilight lasts a minimum of about an hour and 10 minutes. But because the Sun usually rises and sets at an angle, twilight can last a good deal longer. During much of June and July, when the days are longest, twilight for much of the northern hemisphere lasts all night. The Sun never drops far below the horizon, so even though it’s out of sight, its light never disappears. So the people of Anchorage need some good blackout curtains to get a dark night’s sleep. If you want a few hours of darkness, head south – someplace like Miami Beach. It gets a full seven hours between evening and morning twilight – hours that might be illuminated by the neon lights of South Beach, but not by the Sun. Script by Damond Benningfield
“As my own mother is aging, she's telling me … before I take this to my grave, here is something you should know. So the secrets are coming out. And as more and more secrets are revealed, I'm learning more about myself.” - Ibi Zoboi Ibi Zoboi writes to remember—her own story, her family's legacy, and the long history of migration, myth, and memory that shaped them both. For Ibi, storytelling is a form of resistance and reclamation. It's how she makes sense of the secrets that shaped her life and gives voice to those left out of the narrative. A National Book Award finalist and the bestselling author of American Street, Pride, Star Child, and (S)Kin, Ibi's work blurs the line between folklore and futurism. In this episode, Stories Left Untold: Ibi Zoboi on Secrets Lost and Found, she opens up about growing up Haitian in 1980s Brooklyn, discovering a half-sister decades later, and finding her way to writing through soap operas, Stephen King, and the voices of women who came before her. She also shares how a Vodou ceremony in Brooklyn changed her relationship to her culture, why she always sought out elders and activists, and how she's still learning to push back against the pressure to fit a mold—on the page and off.Ibi's reading challenge, Haitian Creations, celebrates stories of migration and identity from first-generation and immigrant voices—stories that, like hers, speak to the truths we inherit and the ones we uncover for ourselves.Download Ibi's reading challenge at thereadingculturepod.com/ibi-zoboiAnd this week's Beanstack Featured Librarian is once again William Shaller, the librarian at Hoffman Middle School in Houston, Texas. This time, he shares how a surprise resurgence of Twilight led to an unforgettable moment of joy and connection in his school library.Show ChaptersChapter 1: Under The TableChapter 2: Danny BoyChapter 3: Two Thousand Suns Chapter 4: Brooklyn VodouChapter 5: GhostedChapter 6: Reading ChallengeChapter 7: Beanstack Featured LibrarianLinksThe Reading CultureThe Reading Culture Newsletter SignupFollow The Reading Culture on Instagram (for giveaways and bonus content)Ibi ZoboiIbi Zoboi InstagramTwo Thousand SeasonsBeanstack resources to build your community's reading cultureJordan Lloyd BookeyHost and Production CreditsHost: Jordan Lloyd BookeyProducers: Mel Webb and Lower Street MediaScript Editors: Josia Lamberto-Egan, Mel Webb, Jordan Lloyd Bookey
Could Nebraska football be the next Twilight?
“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast
“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast
“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast
“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast
“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast
“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast
“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast
The Creative Process in 10 minutes or less · Arts, Culture & Society
“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast
On the trail of the remnants of 2nd Armored Division and the fabled research facility, the Team heads into Grójec.Follow us on X @dorkdaypodcast, on Facebook @dorkdayafternoon, or check out our website www.dorkdayafternoon.com.Join our Discord. Support us, check out our new Patreon.Find great DDA and TPM merch on Redbubble.Two Past Midnight is an actual play podcast of “Twilight: 2000, 4th Ed.”, produced by Dork Day Afternoon. “Twilight: 2000” is a role playing game about a “World War III that didn't happen”, created by Free League and published in partnership with Mongoose Publishing Ltd and Amargosa Press. For more information about Free League and other Free League products, visit freeleaguepublishing.com.The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.Credits:Music and Sound by Syrinscape. syrinscape.com The app putting sound into the hands of gamers.Theme song for Two Past Midnight by Mother Ghost. Check them out on spotify, they are the $hit.And follow them on Instagram @motherghostmusic.
Pianist Henrik Kilhamn looks at Yiruma's famous "River Flows In You", a tender but catchy instrumental pop song, associated with the Twilight franchise but not actually used in the movie.Video: https://youtu.be/OqgmQEBC75M
LOVE - What is love? Relationships, Personal Stories, Love Life, Sex, Dating, The Creative Process
“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast
Twilight Decoded: The Originals S3E1 " For the Next Millennium" and S3E2 "You Hung the Moon" by Twilight Decoded: A Twilight Podcast
House of Flying Daggers (2004) is up next on Calum's Chineaboo Birthday Month! Calum has been given the early gift of a cold, so please enjoy his especially sonorous voice. If you miss Twilight month, you will probably enjoy this episode. If you enjoy this film, Calum is fine, Sam might be in trouble. Take a shot every time the words style and substance are said and let us know how you get on.Join us next week for Hero (2002)
Anthologic 237 Tom Holland’s Twisted Tales S1E01 Fred And His GPS For the entire set of Anthologic, click here For the RSS Feed for this podcast, use: http://feeds.feedburner.com/anthologic Feedback to: info@thegoodthebadandtheodd.com Or join the facebook group The Good The Bad And The Odd Or … Continue reading →
In a world obsessed with attention, are we rewarding the worst in us? In today's PT. 2 episode, Chris Hayes and Ryan dive deep into how virtue signaling has transformed into full-blown vice signaling in today's attention economy. They discuss the unraveling of traditional journalism ethics, the decline of shared moral standards, and society's unsettling attraction to vice.Chris Hayes is the Emmy Award–winning host of All In with Chris Hayes on MSNBC and the New York Times bestselling author of A Colony in a Nation and Twilight of the Elites. Chris' latest book is called The Sirens' Call: How Attention Became the World's Most Endangered Resource. Follow Chris on Instagram and X @ChrisLHayes and watch Chris' show ALL IN on MSNBC
“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast
“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast
“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast
“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast
“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast
Meet Christopher Moritz, author of Failed State: A Portrait of California in the Twilight of Empire. A shocking burglary became the catalyst for his powerful book, transforming personal loss into a searing exploration of resilience and societal decay. Christopher shares the raw story behind his writing, revealing how adversity shaped his unflinching narrative. We also dive into the turbulent waters of California politics, dissecting the state's bureaucratic dysfunction, cultural shifts, and systemic failures that fuel his provocative critique. With sharp wit and unfiltered candor, Christopher offers a bold perspective on the Golden State's challenges. Tune in for a thought-provoking conversation that blends personal triumph with a fearless take on a state at a crossroads. Following Chris on X: https://x.com/chrisgmoritz Buy his book: https://www.amazon.com/Failed-State-Portrait-California-Twilight/dp/1510784470 E-mail the show: Mike@Mikeduppod.net https://www.instagram.com/mikeduppod/?hl=en
Bella is rescued from having to watch her boyfriend's pickup baseball game by having a killer vampire start hunting her. She flees back to Phoenix with Edward's family, but even they can't protect her from the biggest threat: her own decisions. ★ Support this podcast on Patreon ★ (00:14) - Intro (00:50) - Recap (02:09) - Chapter 18 (14:06) - Chapter 20 (24:16) - Chapter 22 (31:41) - Chapter 24 (40:56) - Epilogue (47:07) - Review (51:33) - Outro We are Alice Sullivan, Micah Sparkman, and Jeff Lake.Find our other podcasts at armadillo.club!Music: CHASIN' IT by Jason Shaw, licensed under CC-BY 3.0.
Kurt Baumeister - Twighlight of the Gods: A Novel. This is episode 763 of Teaching Learning Leading K12, an audio podcast. Kurt Baumeister's writing has appeared in Salon, Guernica, Electric Literature, Rain Taxi, The Brooklyn Rail, The Rumpus, Vol. 1 Brooklyn, The Nervous Breakdown, The Weeklings, and other outlets. An acquisitions editor with 7.13 Books, Baumeister holds an MFA in creative writing from Emerson College, and is a member of The National Book Critics Circle and The Authors Guild. Twilight of the Gods is his second novel. Our focus today is Kurt's new novel - Twilight of the Gods. Great conversation! Thanks for listening! Thanks for sharing! Before you go... You could help support this podcast by Buying Me A Coffee. Not really buying me something to drink but clicking on the link on my home page at https://stevenmiletto.com for Buy Me a Coffee or by going to this link Buy Me a Coffee. This would allow you to donate to help the show address the costs associated with producing the podcast from upgrading gear to the fees associated with producing the show. That would be cool. Thanks for thinking about it. Hey, I've got another favor...could you share the podcast with one of your friends, colleagues, and family members? Hmmm? What do you think? Thank you! You are AWESOME! Connect & Learn More: kurtbaumeister@gmail.com https://kurtbaumeister.com https://www.instagram.com/kurt.baumeister/ https://www.facebook.com/kurt.baumeister https://bsky.app/profile/kurtbaumeister.bsky.social https://www.amazon.com/stores/Kurt-Baumeister/author/B01MR6A1JP?ref=sr_ntt_srch_lnk_1&qid=1739384666&sr=8-1&isDramIntegrated=true&shoppingPortalEnabled=true https://en.wikipedia.org/wiki/Kurt_Baumeister Length - 50:42
What if the real problem isn't politics, the economy, or technology, but where you're directing your attention? Emmy-winning journalist Chris Hayes joins Ryan to reveal the sinister mechanics of modern media, explore how the digital age fractures our sense of self, and explain why misinformation is most dangerous when it tells us exactly what we want to hear.Chris Hayes is the Emmy Award–winning host of All In with Chris Hayes on MSNBC and the New York Times bestselling author of A Colony in a Nation and Twilight of the Elites. Chris' latest book is The Sirens' Call: How Attention Became the World's Most Endangered Resource. Follow Chris on Instagram and X @ChrisLHayes and watch Chris' show ALL IN on MSNBC
My colleague David Hill rejoins the show to discuss Twilight of the Idols, one of Nietzsche's last works, and one in which Nietzsche directly discusses anarchism.In addition to Nietzsche's putdowns of anarchists, David and I also discuss the ancient Greeks in Nietzsche's thoughts, the unsavory aspects of Nietzsche's philosphy, and Nietsche's attacks on liberalism.For background to this conversation, check out this episode on games and philosophy in ancient Greece: https://do-things-with-words.captivate.fm/episode/1-5-agon-and-ancient-greek-society-david-potter/
Happy Pride, Spookies! It's that time of year again where we become our strongest, gayest, most fabulous selves, and this month we're celebrating with Homoerotic Thriller Pride. To kick things off, we're covering The Hunger (1983), a bloodsucking bisexual romp featuring Catherine Deneuve, David Bowie, and Susan Sarandon. And since Pride is all about community, we also invited our pals from Queer Cinema Catchup to come help us out! Join us on a new Spooky Tuesday as we debate relationship dynamics, discuss that studio-altered ending, and inevitably start making Twilight references. Follow Queer Cinema Catchup on Instagram, TikTok, and YouTube. Check out Allison and Joe's new episodes every Thursday on Apple and Spotify. References: https://www.pastemagazine.com/movies/david-bowie/the-hunger-lesbian-vampirehttps://insessionfilm.com/the-hidden-tragedy-of-tony-scotts-the-hunger/https://bloody-disgusting.com/editorials/3492502/horror-queers-hunger-lesbian-sex/https://btchflcks.com/2013/10/a-study-in-contrasts-the-hunger.html https://btchflcks.com/2015/10/nine-pretty-great-lesbian-vampire-movies.htmlhttps://en.wikipedia.org/wiki/Sekhmethttps://www.per-spex.com/articles/2020/10/25/the-hunger-and-the-bauhaus-movementhttps://dagondogs.com/posts/the-hunger-1983-arcane-visions
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