Podcasts about human kindness

Central Ohio's vast range of nonprofits care for children, families, animals, the environment, and just about everything in between. Our region's nonprofit organizations – both large and small – are doing work that's more important than ever, yet some are facing an uncertain future amid potential funding cuts and anxiety among the communities they serve. With a panel of passionate nonprofit leaders, we unpack the state of Central Ohio nonprofits at one of CMC's most popular forums of the year. Featuring: Julie Fletcher, Director of Community Impact, Crane Group Joe Gottron, President & CEO, Gladden Community House Denise Robinson, President and CEO, Alvis Tom Schmid, President & CEO, The Columbus Zoo and Aquarium The host is Michael Corey, Executive Director, Human Service Chamber of Central Ohio Concluding remarks by Dr. Frederic Bertley, President and CEO, COSI and CEO, The National Veterans Memorial and Museum  The presenting sponsor of this forum was The Columbus Foundation. This forum was sponsored by Bank of America, Benefactor Group, Columbia Gas of Ohio, The Columbus Museum of Art, Cramer and Associates, Huntington Bank, Mollard Consulting, and The United Way of Central Ohio. The presenting sponsor of the CMC livestream was The Center for Human Kindness at the Columbus Foundation. CMC's livestream partner was The Columbus Dispatch. This forum was also supported by The National Veterans Memorial and Museum. This forum was recorded before a live audience at The National Veterans Memorial and Museum in Columbus on June 25, 2025. 

For those who haven't heard the announcement I posted, songs from this point on will sometimes be split among multiple episodes, so this is the second part of a two-episode look at the song “Who Knows Where The Time Goes?” by Fairport Convention, and the intertwining careers of Joe Boyd, Sandy Denny, and Richard Thompson. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a forty-one-minute bonus episode available, on Judy Collins’ version of this song. Tilt Araiza has assisted invaluably by editing, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Erratum For about an hour this was uploaded with the wrong Elton John clip in place of “Saturday Sun”. This has now been fixed. Resources Because of the increasing problems with Mixcloud’s restrictions, I have decided to start sharing streaming playlists of the songs used in episodes instead of Mixcloud ones. This Tunemymusic link will let you listen to the playlist I created on your streaming platform of choice — however please note that not all the songs excerpted are currently available on streaming. The songs missing from the Tidal version are “Shanten Bells” by the Ian Campbell Folk Group, “Tom’s Gone to Hilo” by A.L. Lloyd, two by Paul McNeill and Linda Peters, three by Elton John & Linda Peters, “What Will I Do With Tomorrow” by Sandy Denny and “You Never Know” by Charlie Drake, but the other fifty-nine are there. Other songs may be missing from other services. The main books I used on Fairport Convention as a whole were Patrick Humphries' Meet On The Ledge, Clinton Heylin's What We Did Instead of Holidays, and Kevan Furbank's Fairport Convention on Track. Rob Young's Electric Eden is the most important book on the British folk-rock movement. Information on Richard Thompson comes from Patrick Humphries' Richard Thompson: Strange Affair and Thompson's own autobiography Beeswing.  Information on Sandy Denny comes from Clinton Heylin's No More Sad Refrains and Mick Houghton's I've Always Kept a Unicorn. I also used Joe Boyd's autobiography White Bicycles and Chris Blackwell's The Islander.  And this three-CD set is the best introduction to Fairport's music currently in print. Transcript Before we begin, this episode contains reference to alcohol and cocaine abuse and medical neglect leading to death. It also starts with some discussion of the fatal car accident that ended last episode. There’s also some mention of child neglect and spousal violence. If that’s likely to upset you, you might want to skip this episode or read the transcript. One of the inspirations for this podcast when I started it back in 2018 was a project by Richard Thompson, which appears (like many things in Thompson’s life) to have started out of sheer bloody-mindedness. In 1999 Playboy magazine asked various people to list their “songs of the Millennium”, and most of them, understanding the brief, chose a handful of songs from the latter half of the twentieth century. But Thompson determined that he was going to list his favourite songs *of the millennium*. He didn’t quite manage that, but he did cover seven hundred and forty years, and when Playboy chose not to publish it, he decided to turn it into a touring show, in which he covered all his favourite songs from “Sumer Is Icumen In” from 1260: [Excerpt: Richard Thompson, “Sumer is Icumen In”] Through numerous traditional folk songs, union songs like “Blackleg Miner”, pieces by early-modern composers, Victorian and Edwardian music hall songs, and songs by the Beatles, the Ink Spots, the Kinks, and the Who, all the way to “Oops! I Did It Again”: [Excerpt: Richard Thompson, “Oops! I Did it Again”] And to finish the show, and to show how all this music actually ties together, he would play what he described as a “medieval tune from Brittany”, “Marry, Ageyn Hic Hev Donne Yt”: [Excerpt: Richard Thompson, “Marry, Ageyn Hic Hev Donne Yt”] We have said many times in this podcast that there is no first anything, but there’s a reason that Liege and Lief, Fairport Convention’s third album of 1969, and the album other than Unhalfbricking on which their reputation largely rests, was advertised with the slogan “The first (literally) British folk rock album ever”. Folk-rock, as the term had come to be known, and as it is still usually used today, had very little to do with traditional folk music. Rather, the records of bands like The Byrds or Simon and Garfunkel were essentially taking the sounds of British beat groups of the early sixties, particularly the Searchers, and applying those sounds to material by contemporary singer-songwriters. People like Paul Simon and Bob Dylan had come up through folk clubs, and their songs were called folk music because of that, but they weren’t what folk music had meant up to that point — songs that had been collected after being handed down through the folk process, changed by each individual singer, with no single identifiable author. They were authored songs by very idiosyncratic writers. But over their last few albums, Fairport Convention had done one or two tracks per album that weren’t like that, that were instead recordings of traditional folk songs, but arranged with rock instrumentation. They were not necessarily the first band to try traditional folk music with electric instruments — around the same time that Fairport started experimenting with the idea, so did an Irish band named Sweeney’s Men, who brought in a young electric guitarist named Henry McCullough briefly. But they do seem to have been the first to have fully embraced the idea. They had done so to an extent with “A Sailor’s Life” on Unhalfbricking, but now they were going to go much further: [Excerpt: Fairport Convention, “Matty Groves” (from about 4:30)] There had been some doubt as to whether Fairport Convention would even continue to exist — by the time Unhalfbricking, their second album of the year, was released, they had been through the terrible car accident that had killed Martin Lamble, the band’s drummer, and Jeannie Franklyn, Richard Thompson’s girlfriend. Most of the rest of the band had been seriously injured, and they had made a conscious decision not to discuss the future of the band until they were all out of hospital. Ashley Hutchings was hospitalised the longest, and Simon Nicol, Richard Thompson, and Sandy Denny, the other three surviving members of the band, flew over to LA with their producer and manager, Joe Boyd, to recuperate there and get to know the American music scene. When they came back, the group all met up in the flat belonging to Denny’s boyfriend Trevor Lucas, and decided that they were going to continue the band. They made a few decisions then — they needed a new drummer, and as well as a drummer they wanted to get in Dave Swarbrick. Swarbrick had played violin on several tracks on Unhalfbricking as a session player, and they had all been thrilled to work with him. Swarbrick was one of the most experienced musicians on the British folk circuit. He had started out in the fifties playing guitar with Beryl Marriott’s Ceilidh Band before switching to fiddle, and in 1963, long before Fairport had formed, he had already appeared on TV with the Ian Campbell Folk Group, led by Ian Campbell, the father of Ali and Robin Campbell, later of UB40: [Excerpt: The Ian Campbell Folk Group, “Shanten Bells (medley on Hullaballoo!)”] He’d sung with Ewan MacColl and A.L. Lloyd: [Excerpt: A.L. Lloyd, “Tom’s Gone to Hilo” ] And he’d formed his hugely successful duo with Martin Carthy, releasing records like “Byker Hill” which are often considered among the best British folk music of all time: [Excerpt: Martin Carthy and Dave Swarbrick, “Byker Hill”] By the time Fairport had invited him to play on Unhalfbricking, Swarbrick had already performed on twenty albums as a core band member, plus dozens more EPs, singles, and odd tracks on compilations. They had no reason to think they could actually get him to join their band. But they had three advantages. The first was that Swarbrick was sick of the traditional folk scene at the time, saying later “I didn’t like seven-eighths of the people involved in it, and it was extremely opportune to leave. I was suddenly presented with the possibilities of exploring the dramatic content of the songs to the full.” The second was that he was hugely excited to be playing with Richard Thompson, who was one of the most innovative guitarists of his generation, and Martin Carthy remembers him raving about Thompson after their initial sessions. (Carthy himself was and is no slouch on the guitar of course, and there was even talk of getting him to join the band at this point, though they decided against it — much to the relief of rhythm guitarist Simon Nicol, who is a perfectly fine player himself but didn’t want to be outclassed by *two* of the best guitarists in Britain at the same time). And the third was that Joe Boyd told him that Fairport were doing so well — they had a single just about to hit the charts with “Si Tu Dois Partir” — that he would only have to play a dozen gigs with Fairport in order to retire. As it turned out, Swarbrick would play with the group for a decade, and would never retire — I saw him on his last tour in 2015, only eight months before he died. The drummer the group picked was also a far more experienced musician than any of the rest, though in a very different genre. Dave Mattacks had no knowledge at all of the kind of music they played, having previously been a player in dance bands. When asked by Hutchings if he wanted to join the band, Mattacks’ response was “I don’t know anything about the music. I don’t understand it… I can’t tell one tune from another, they all sound the same… but if you want me to join the group, fine, because I really like it. I’m enjoying myself musically.” Mattacks brought a new level of professionalism to the band, thanks to his different background. Nicol said of him later “He was dilligent, clean, used to taking three white shirts to a gig… The application he could bring to his playing was amazing. With us, you only played well when you were feeling well.” This distinction applied to his playing as well. Nicol would later describe the difference between Mattacks’ drumming and Lamble’s by saying “Martin’s strength was as an imaginative drummer. DM came in with a strongly developed sense of rhythm, through keeping a big band of drunken saxophone players in order. A great time-keeper.” With this new line-up and a new sense of purpose, the group did as many of their contemporaries were doing and “got their heads together in the country”. Joe Boyd rented the group a mansion, Farley House, in Farley Chamberlayne, Hampshire, and they stayed there together for three months. At the start, the group seem to have thought that they were going to make another record like Unhalfbricking, with some originals, some songs by American songwriters, and a few traditional songs. Even after their stay in Farley Chamberlayne, in fact, they recorded a few of the American songs they’d rehearsed at the start of the process, Richard Farina’s “Quiet Joys of Brotherhood” and Bob Dylan and Roger McGuinn’s “Ballad of Easy Rider”: [Excerpt: Fairport Convention, “Ballad of Easy Rider”] Indeed, the whole idea of “getting our heads together in the country” (as the cliche quickly became in the late sixties as half of the bands in Britain went through much the same kind of process as Fairport were doing — but usually for reasons more to do with drug burnout or trend following than recovering from serious life-changing trauma) seems to have been inspired by Bob Dylan and the Band getting together in Big Pink. But very quickly they decided to follow the lead of Ashley Hutchings, who had had something of a Damascene conversion to the cause of traditional English folk music. They were listening mostly to Music From Big Pink by the Band, and to the first album by Sweeney’s Men: [Excerpt: Sweeney’s Men, “The Handsome Cabin Boy”] And they decided that they were going to make something that was as English as those records were North American and Irish (though in the event there were also a few Scottish songs included on the record). Hutchings in particular was becoming something of a scholar of traditional music, regularly visiting Cecil Sharp House and having long conversations with A.L. Lloyd, discovering versions of different traditional songs he’d never encountered before. This was both amusing and bemusing Sandy Denny, who had joined a rock group in part to get away from traditional music; but she was comfortable singing the material, and knew a lot of it and could make a lot of suggestions herself. Swarbrick obviously knew the repertoire intimately, and Nicol was amenable, while Mattacks was utterly clueless about the folk tradition at this point but knew this was the music he wanted to make. Thompson knew very little about traditional music, and of all the band members except Denny he was the one who has shown the least interest in the genre in his subsequent career — but as we heard at the beginning, showing the least interest in the genre is a relative thing, and while Thompson was not hugely familiar with the genre, he *was* able to work with it, and was also more than capable of writing songs that fit in with the genre. Of the eleven songs on the album, which was titled Liege and Lief (which means, roughly, Lord and Loyalty), there were no cover versions of singer-songwriters. Eight were traditional songs, and three were originals, all written in the style of traditional songs. The album opened with “Come All Ye”, an introduction written by Denny and Hutchings (the only time the two would ever write together): [Excerpt: Fairport Convention, “Come All Ye”] The other two originals were songs where Thompson had written new lyrics to traditional melodies. On “Crazy Man Michael”, Swarbrick had said to Thompson that the tune to which he had set his new words was weaker than the lyrics, to which Thompson had replied that if Swarbrick felt that way he should feel free to write a new melody. He did, and it became the first of the small number of Thompson/Swarbrick collaborations: [Excerpt: Fairport Convention, “Crazy Man Michael”] Thompson and Swarbrick would become a brief songwriting team, but as much as anything else it was down to proximity — the two respected each other as musicians, but never got on very well. In 1981 Swarbrick would say “Richard and I never got on in the early days of FC… we thought we did, but we never did. We composed some bloody good songs together, but it was purely on a basis of “you write that and I’ll write this, and we’ll put it together.” But we never sat down and had real good chats.” The third original on the album, and by far the most affecting, is another song where Thompson put lyrics to a traditional tune. In this case he thought he was putting the lyrics to the tune of “Willie O'Winsbury”, but he was basing it on a recording by Sweeney’s Men. The problem was that Sweeney’s Men had accidentally sung the lyrics of “Willie O'Winsbury'” to the tune of a totally different song, “Fause Foodrage”: [Excerpt: Sweeney’s Men, “Willie O’Winsbury”] Thompson took that melody, and set to it lyrics about loss and separation. Thompson has never been one to discuss the meanings of his lyrics in any great detail, and in the case of this one has said “I really don't know what it means. This song came out of a dream, and I pretty much wrote it as I dreamt it (it was the sixties), and didn't spend very long analyzing it. So interpret as you wish – or replace with your own lines.” But in the context of the traffic accident that had killed his tailor girlfriend and a bandmate, and injured most of his other bandmates, the lyrics about lonely travellers, the winding road, bruised and beaten sons, saying goodbye, and never cutting cloth, seem fairly self-explanatory: [Excerpt: Fairport Convention, “Farewell, Farewell”] The rest of the album, though, was taken up by traditional tunes. There was a long medley of four different fiddle reels; a version of “Reynardine” (a song about a seductive man — or is he a fox? Or perhaps both — which had been recorded by Swarbrick and Carthy on their most recent album); a 19th century song about a deserter saved from the firing squad by Prince Albert; and a long take on “Tam Lin”, one of the most famous pieces in the Scottish folk music canon, a song that has been adapted in different ways by everyone from the experimental noise band Current 93 to the dub poet Benjamin Zephaniah to the comics writer Grant Morrison: [Excerpt: Fairport Convention, “Tam Lin”] And “Matty Groves”, a song about a man killing his cheating wife and her lover, which actually has a surprisingly similar story to that of “1921” from another great concept album from that year, the Who’s Tommy. “Matty Groves” became an excuse for long solos and shows of instrumental virtuosity: [Excerpt: Fairport Convention, “Matty Groves”] The album was recorded in September 1969, after their return from their break in the country and a triumphal performance at the Royal Festival Hall, headlining over fellow Witchseason artists John and Beverly Martyn and Nick Drake. It became a classic of the traditional folk genre — arguably *the* classic of the traditional folk genre. In 2007 BBC Radio 2’s Folk Music Awards gave it an award for most influential folk album of all time, and while such things are hard to measure, I doubt there’s anyone with even the most cursory knowledge of British folk and folk-rock music who would not at least consider that a reasonable claim. But once again, by the time the album came out in November, the band had changed lineups yet again. There was a fundamental split in the band – on one side were Sandy Denny and Richard Thompson, whose stance was, roughly, that Liege and Lief was a great experiment and a fun thing to do once, but really the band had two first-rate songwriters in themselves, and that they should be concentrating on their own new material, not doing these old songs, good as they were. They wanted to take the form of the traditional songs and use that form for new material — they wanted to make British folk-rock, but with the emphasis on the rock side of things. Hutchings, on the other hand, was equally sure that he wanted to make traditional music and go further down the rabbit hole of antiquity. With the zeal of the convert he had gone in a couple of years from being the leader of a band who were labelled “the British Jefferson Airplane” to becoming a serious scholar of traditional folk music. Denny was tired of touring, as well — she wanted to spend more time at home with Trevor Lucas, who was sleeping with other women when she was away and making her insecure. When the time came for the group to go on a tour of Denmark, Denny decided she couldn’t make it, and Hutchings was jubilant — he decided he was going to get A.L. Lloyd into the band in her place and become a *real* folk group. Then Denny reconsidered, and Hutchings was crushed. He realised that while he had always been the leader, he wasn’t going to be able to lead the band any further in the traditionalist direction, and quit the group — but not before he was delegated by the other band members to fire Denny. Until the publication of Richard Thompson’s autobiography in 2022, every book on the group or its members said that Denny quit the band again, which was presumably a polite fiction that the band agreed, but according to Thompson “Before we flew home, we decided to fire Sandy. I don't remember who asked her to leave – it was probably Ashley, who usually did the dirty work. She was reportedly shocked that we would take that step. She may have been fragile beneath the confident facade, but she still knew her worth.” Thompson goes on to explain that the reasons for kicking her out were that “I suppose we felt that in her mind she had already left” and that “We were probably suffering from post-traumatic stress disorder, though there wasn't a name for it back then.” They had considered inviting Trevor Lucas to join the band to make Denny more comfortable, but came to the (probably correct) conclusion that while he was someone they got on well with personally, he would be another big ego in a band that already had several, and that being around Denny and Lucas’ volatile relationship would, in Thompson’s phrasing, “have not always given one a feeling of peace and stability.” Hutchings originally decided he was going to join Sweeney’s Men, but that group were falling apart, and their first rehearsal with Hutchings would also be their last as a group, with only Hutchings and guitarist and mandolin player Terry Woods left in the band. They added Woods’ wife Gay, and another couple, Tim Hart and Maddy Prior, and formed a group called Steeleye Span, a name given them by Martin Carthy. That group, like Fairport, went to “get their heads together in the country” for three months and recorded an album of electric versions of traditional songs, Hark the Village Wait, on which Mattacks and another drummer, Gerry Conway, guested as Steeleye Span didn’t at the time have their own drummer: [Excerpt: Steeleye Span, “Blackleg Miner”] Steeleye Span would go on to have a moderately successful chart career in the seventies, but by that time most of the original lineup, including Hutchings, had left — Hutchings stayed with them for a few albums, then went on to form the first of a series of bands, all called the Albion Band or variations on that name, which continue to this day. And this is something that needs to be pointed out at this point — it is impossible to follow every single individual in this narrative as they move between bands. There is enough material in the history of the British folk-rock scene that someone could do a 500 Songs-style podcast just on that, and every time someone left Fairport, or Steeleye Span, or the Albion Band, or Matthews’ Southern Comfort, or any of the other bands we have mentioned or will mention, they would go off and form another band which would then fission, and some of its members would often join one of those other bands. There was a point in the mid-1970s where the Albion Band had two original members of Fairport Convention while Fairport Convention had none. So just in order to keep the narrative anything like wieldy, I’m going to keep the narrative concentrated on the two figures from Fairport — Sandy Denny and Richard Thompson — whose work outside the group has had the most influence on the wider world of rock music more broadly, and only deal with the other members when, as they often did, their careers intersected with those two. That doesn’t mean the other members are not themselves hugely important musicians, just that their importance has been primarily to the folk side of the folk-rock genre, and so somewhat outside the scope of this podcast. While Hutchings decided to form a band that would allow him to go deeper and deeper into traditional folk music, Sandy Denny’s next venture was rather different. For a long time she had been writing far more songs than she had ever played for her bandmates, like “Nothing More”, a song that many have suggested is about Thompson: [Excerpt: Fotheringay, “Nothing More”] When Joe Boyd heard that Denny was leaving Fairport Convention, he was at first elated. Fairport’s records were being distributed by A&M in the US at that point, but Island Records was in the process of opening up a new US subsidiary which would then release all future Fairport product — *but*, as far as A&M were concerned, Sandy Denny *was* Fairport Convention. They were only interested in her. Boyd, on the other hand, loved Denny’s work intensely, but from his point of view *Richard Thompson* was Fairport Convention. If he could get Denny signed directly to A&M as a solo artist before Island started its US operations, Witchseason could get a huge advance on her first solo record, while Fairport could continue making records for Island — he’d have two lucrative acts, on different labels. Boyd went over and spoke to A&M and got an agreement in principle that they would give Denny a forty-thousand-dollar advance on her first solo album — twice what they were paying for Fairport albums. The problem was that Denny didn’t want to be a solo act. She wanted to be the lead singer of a band. She gave many reasons for this — the one she gave to many journalists was that she had seen a Judy Collins show and been impressed, but noticed that Collins’ band were definitely a “backing group”, and as she put it “But that's all they were – a backing group. I suddenly thought, If you're playing together on a stage you might as well be TOGETHER.” Most other people in her life, though, say that the main reason for her wanting to be in a band was her desire to be with her boyfriend, Trevor Lucas. Partly this was due to a genuine desire to spend more time with someone with whom she was very much in love, partly it was a fear that he would cheat on her if she was away from him for long periods of time, and part of it seems to have been Lucas’ dislike of being *too* overshadowed by his talented girlfriend — he didn’t mind acknowledging that she was a major talent, but he wanted to be thought of as at least a minor one. So instead of going solo, Denny formed Fotheringay, named after the song she had written for Fairport. This new band consisted at first of Denny on vocals and occasional piano, Lucas on vocals and rhythm guitar, and Lucas’ old Eclection bandmate Gerry Conway on drums. For a lead guitarist, they asked Richard Thompson who the best guitarist in Britain was, and he told them Albert Lee. Lee in turn brought in bass player Pat Donaldson, but this lineup of the band barely survived a fortnight. Lee *was* arguably the best guitarist in Britain, certainly a reasonable candidate if you could ever have a singular best (as indeed was Thompson himself), but he was the best *country* guitarist in Britain, and his style simply didn’t fit with Fotheringay’s folk-influenced songs. He was replaced by American guitarist Jerry Donahue, who was not anything like as proficient as Lee, but who was still very good, and fit the band’s style much better. The new group rehearsed together for a few weeks, did a quick tour, and then went into the recording studio to record their debut, self-titled, album. Joe Boyd produced the album, but admitted himself that he only paid attention to those songs he considered worthwhile — the album contained one song by Lucas, “The Ballad of Ned Kelly”, and two cover versions of American singer-songwriter material with Lucas singing lead. But everyone knew that the songs that actually *mattered* were Sandy Denny’s, and Boyd was far more interested in them, particularly the songs “The Sea” and “The Pond and the Stream”: [Excerpt: Fotheringay, “The Pond and the Stream”] Fotheringay almost immediately hit financial problems, though. While other Witchseason acts were used to touring on the cheap, all packed together in the back of a Transit van with inexpensive equipment, Trevor Lucas had ambitions of being a rock star and wanted to put together a touring production to match, with expensive transport and equipment, including a speaker system that got nicknamed “Stonehenge” — but at the same time, Denny was unhappy being on the road, and didn’t play many gigs. As well as the band itself, the Fotheringay album also featured backing vocals from a couple of other people, including Denny’s friend Linda Peters. Peters was another singer from the folk clubs, and a good one, though less well-known than Denny — at this point she had only released a couple of singles, and those singles seemed to have been as much as anything else released as a novelty. The first of those, a version of Dylan’s “You Ain’t Goin’ Nowhere” had been released as by “Paul McNeill and Linda Peters”: [Excerpt: Paul McNeill and Linda Peters, “You Ain’t Goin’ Nowhere”] But their second single, a version of John D. Loudermilk’s “You’re Taking My Bag”, was released on the tiny Page One label, owned by Larry Page, and was released under the name “Paul and Linda”, clearly with the intent of confusing particularly gullible members of the record-buying public into thinking this was the McCartneys: [Excerpt: Paul and Linda, “You’re Taking My Bag”] Peters was though more financially successful than almost anyone else in this story, as she was making a great deal of money as a session singer. She actually did another session involving most of Fotheringay around this time. Witchseason had a number of excellent songwriters on its roster, and had had some success getting covers by people like Judy Collins, but Joe Boyd thought that they might possibly do better at getting cover versions if they were performed in less idiosyncratic arrangements. Donahue, Donaldson, and Conway went into the studio to record backing tracks, and vocals were added by Peters and another session singer, who according to some sources also provided piano. They cut songs by Mike Heron of the Incredible String Band: [Excerpt: Linda Peters, “You Get Brighter”] Ed Carter, formerly of The New Nadir but by this time firmly ensconced in the Beach Boys’ touring band where he would remain for the next quarter-century: [Excerpt: Linda Peters, “I Don’t Mind”] John and Beverly Martyn, and Nick Drake: [Excerpt: Elton John, “Saturday Sun”] There are different lineups of musicians credited for those sessions in different sources, but I tend to believe that it’s mostly Fotheringay for the simple reason that Donahue says it was him, Donaldson and Conway who talked Lucas and Denny into the mistake that destroyed Fotheringay because of these sessions. Fotheringay were in financial trouble already, spending far more money than they were bringing in, but their album made the top twenty and they were getting respect both from critics and from the public — in September, Sandy Denny was voted best British female singer by the readers of Melody Maker in their annual poll, which led to shocked headlines in the tabloids about how this “unknown” could have beaten such big names as Dusty Springfield and Cilla Black. Only a couple of weeks after that, they were due to headline at the Albert Hall. It should have been a triumph. But Donahue, Donaldson, and Conway had asked that singing pianist to be their support act. As Donahue said later “That was a terrible miscast. It was our fault. He asked if [he] could do it. Actually Pat, Gerry and I had to talk Sandy and Trevor into [it]… We'd done these demos and the way he was playing – he was a wonderful piano player – he was sensitive enough. We knew very little about his stage-show. We thought he'd be a really good opener for us.” Unfortunately, Elton John was rather *too* good. As Donahue continued “we had no idea what he had in mind, that he was going to do the most incredible rock & roll show ever. He pretty much blew us off the stage before we even got on the stage.” To make matters worse, Fotheringay’s set, which was mostly comprised of new material, was underrehearsed and sloppy, and from that point on no matter what they did people were counting the hours until the band split up. They struggled along for a while though, and started working on a second record, with Boyd again producing, though as Boyd later said “I probably shouldn't have been producing the record. My lack of respect for the group was clear, and couldn't have helped the atmosphere. We'd put out a record that had sold disappointingly, A&M was unhappy. Sandy's tracks on the first record are among the best things she ever did – the rest of it, who cares? And the artwork, Trevor's sister, was terrible. It would have been one thing if I'd been unhappy with it and it sold, and the group was working all the time, making money, but that wasn't the case … I knew what Sandy was capable of, and it was very upsetting to me.” The record would not be released for thirty-eight years: [Excerpt: Fotheringay, “Wild Mountain Thyme”] Witchseason was going badly into debt. Given all the fissioning of bands that we’ve already been talking about, Boyd had been stretched thin — he produced sixteen albums in 1970, and almost all of them lost money for the company. And he was getting more and more disillusioned with the people he was producing. He loved Beverly Martyn’s work, but had little time for her abusive husband John, who was dominating her recording and life more and more and would soon become a solo artist while making her stay at home (and stealing her ideas without giving her songwriting credit). The Incredible String Band were great, but they had recently converted to Scientology, which Boyd found annoying, and while he was working with all sorts of exciting artists like Vashti Bunyan and Nico, he was finding himself less and less important to the artists he mentored. Fairport Convention were a good example of this. After Denny and Hutchings had left the group, they’d decided to carry on as an electric folk group, performing an equal mix of originals by the Swarbrick and Thompson songwriting team and arrangements of traditional songs. The group were now far enough away from the “British Jefferson Airplane” label that they decided they didn’t need a female vocalist — and more realistically, while they’d been able to replace Judy Dyble, nobody was going to replace Sandy Denny. Though it’s rather surprising when one considers Thompson’s subsequent career that nobody seems to have thought of bringing in Denny’s friend Linda Peters, who was dating Joe Boyd at the time (as Denny had been before she met Lucas) as Denny’s replacement. Instead, they decided that Swarbrick and Thompson were going to share the vocals between them. They did, though, need a bass player to replace Hutchings. Swarbrick wanted to bring in Dave Pegg, with whom he had played in the Ian Campbell Folk Group, but the other band members initially thought the idea was a bad one. At the time, while they respected Swarbrick as a musician, they didn’t think he fully understood rock and roll yet, and they thought the idea of getting in a folkie who had played double bass rather than an electric rock bassist ridiculous. But they auditioned him to mollify Swarbrick, and found that he was exactly what they needed. As Joe Boyd later said “All those bass lines were great, Ashley invented them all, but he never could play them that well. He thought of them, but he was technically not a terrific bass player. He was a very inventive, melodic, bass player, but not a very powerful one technically. But having had the part explained to him once, Pegg was playing it better than Ashley had ever played it… In some rock bands, I think, ultimately, the bands that sound great, you can generally trace it to the bass player… it was at that point they became a great band, when they had Pegg.” The new lineup of Fairport decided to move in together, and found a former pub called the Angel, into which all the band members moved, along with their partners and children (Thompson was the only one who was single at this point) and their roadies. The group lived together quite happily, and one gets the impression that this was the period when they were most comfortable with each other, even though by this point they were a disparate group with disparate tastes, in music as in everything else. Several people have said that the only music all the band members could agree they liked at this point was the first two albums by The Band. With the departure of Hutchings from the band, Swarbrick and Thompson, as the strongest personalities and soloists, became in effect the joint leaders of the group, and they became collaborators as songwriters, trying to write new songs that were inspired by traditional music. Thompson described the process as “let’s take one line of this reel and slow it down and move it up a minor third and see what that does to it; let’s take one line of this ballad and make a whole song out of it. Chopping up the tradition to find new things to do… like a collage.” Generally speaking, Swarbrick and Thompson would sit by the fire and Swarbrick would play a melody he’d been working on, the two would work on it for a while, and Thompson would then go away and write the lyrics. This is how the two came up with songs like the nine-minute “Sloth”, a highlight of the next album, Full House, and one that would remain in Fairport’s live set for much of their career: [Excerpt: Fairport Convention, “Sloth”] “Sloth” was titled that way because Thompson and Swarbrick were working on two tunes, a slow one and a fast one, and they jokingly named them “Sloth” and “Fasth”, but the latter got renamed to “Walk Awhile”, while “Sloth” kept its working title. But by this point, Boyd and Thompson were having a lot of conflict in the studio. Boyd was never the most technical of producers — he was one of those producers whose job is to gently guide the artists in the studio and create a space for the music to flourish, rather than the Joe Meek type with an intimate technical knowledge of the studio — and as the artists he was working with gained confidence in their own work they felt they had less and less need of him. During the making of the Full House album, Thompson and Boyd, according to Boyd, clashed on everything — every time Boyd thought Thompson had done a good solo, Thompson would say to erase it and let him have another go, while every time Boyd thought Thompson could do better, Thompson would say that was the take to keep. One of their biggest clashes was over Thompson’s song “Poor Will and the Jolly Hangman”, which was originally intended for release on the album, and is included in current reissues of it: [Excerpt: Fairport Convention, “Poor Will and the Jolly Hangman”] Thompson had written that song inspired by what he thought was the unjust treatment of Alex Bramham, the driver in Fairport’s fatal car crash, by the courts — Bramham had been given a prison sentence of a few months for dangerous driving, while the group members thought he had not been at fault. Boyd thought it was one of the best things recorded for the album, but Thompson wasn’t happy with his vocal — there was one note at the top of the melody that he couldn’t quite hit — and insisted it be kept off the record, even though that meant it would be a shorter album than normal. He did this at such a late stage that early copies of the album actually had the title printed on the sleeve, but then blacked out. He now says in his autobiography “I could have persevered, double-tracked the voice, warmed up for longer – anything. It was a good track, and the record was lacking without it. When the album was re-released, the track was restored with a more confident vocal, and it has stayed there ever since.” During the sessions for Full House the group also recorded one non-album single, Thompson and Swarbrick’s “Now Be Thankful”: [Excerpt, Fairport Convention, “Now Be Thankful”] The B-side to that was a medley of two traditional tunes plus a Swarbrick original, but was given the deliberately ridiculous title “Sir B. McKenzie’s Daughter’s Lament For The 77th Mounted Lancers Retreat From The Straits Of Loch Knombe, In The Year Of Our Lord 1727, On The Occasion Of The Announcement Of Her Marriage To The Laird Of Kinleakie”: [Excerpt: Fairport Convention, “Sir B. McKenzie’s Daughter’s Lament For The 77th Mounted Lancers Retreat From The Straits Of Loch Knombe, In The Year Of Our Lord 1727, On The Occasion Of The Announcement Of Her Marriage To The Laird Of Kinleakie”] The B. McKenzie in the title was a reference to the comic-strip character Barry McKenzie, a stereotype drunk Australian created for Private Eye magazine by the comedian Barry Humphries (later to become better known for his Dame Edna Everage character) but the title was chosen for one reason only — to get into the Guinness Book of Records for the song with the longest title. Which they did, though they were later displaced by the industrial band Test Dept, and their song “Long Live British Democracy Which Flourishes and Is Constantly Perfected Under the Immaculate Guidance of the Great, Honourable, Generous and Correct Margaret Hilda Thatcher. She Is the Blue Sky in the Hearts of All Nations. Our People Pay Homage and Bow in Deep Respect and Gratitude to Her. The Milk of Human Kindness”. Full House got excellent reviews in the music press, with Rolling Stone saying “The music shows that England has finally gotten her own equivalent to The Band… By calling Fairport an English equivalent of the Band, I meant that they have soaked up enough of the tradition of their countryfolk that it begins to show all over, while they maintain their roots in rock.” Off the back of this, the group went on their first US tour, culminating in a series of shows at the Troubadour in LA, on the same bill as Rick Nelson, which were recorded and later released as a live album: [Excerpt: Fairport Convention, “Sloth (live)”] The Troubadour was one of the hippest venues at the time, and over their residency there the group got seen by many celebrities, some of whom joined them on stage. The first was Linda Ronstadt, who initially demurred, saying she didn’t know any of their songs. On being told they knew all of hers, she joined in with a rendition of “Silver Threads and Golden Needles”. Thompson was later asked to join Ronstadt’s backing band, who would go on to become the Eagles, but he said later of this offer “I would have hated it. I’d have hated being on the road with four or five miserable Americans — they always seem miserable. And if you see them now, they still look miserable on stage — like they don’t want to be there and they don’t like each other.” The group were also joined on stage at the Troubadour on one memorable night by some former bandmates of Pegg’s. Before joining the Ian Campbell Folk Group, Pegg had played around the Birmingham beat scene, and had been in bands with John Bonham and Robert Plant, who turned up to the Troubadour with their Led Zeppelin bandmate Jimmy Page (reports differ on whether the fourth member of Zeppelin, John Paul Jones, also came along). They all got up on stage together and jammed on songs like “Hey Joe”, “Louie Louie”, and various old Elvis tunes. The show was recorded, and the tapes are apparently still in the possession of Joe Boyd, who has said he refuses to release them in case he is murdered by the ghost of Peter Grant. According to Thompson, that night ended in a three-way drinking contest between Pegg, Bonham, and Janis Joplin, and it’s testament to how strong the drinking culture is around Fairport and the British folk scene in general that Pegg outdrank both of them. According to Thompson, Bonham was found naked by a swimming pool two days later, having missed two gigs. For all their hard rock image, Led Zeppelin were admirers of a lot of the British folk and folk-rock scene, and a few months later Sandy Denny would become the only outside vocalist ever to appear on a Led Zeppelin record when she duetted with Plant on “The Battle of Evermore” on the group’s fourth album: [Excerpt: Led Zeppelin, “The Battle of Evermore”] Denny would never actually get paid for her appearance on one of the best-selling albums of all time. That was, incidentally, not the only session that Denny was involved in around this time — she also sang on the soundtrack to a soft porn film titled Swedish Fly Girls, whose soundtrack was produced by Manfred Mann: [Excerpt: Sandy Denny, “What Will I Do With Tomorrow?”] Shortly after Fairport’s trip to America, Joe Boyd decided he was giving up on Witchseason. The company was now losing money, and he was finding himself having to produce work for more and more acts as the various bands fissioned. The only ones he really cared about were Richard Thompson, who he was finding it more and more difficult to work with, Nick Drake, who wanted to do his next album with just an acoustic guitar anyway, Sandy Denny, who he felt was wasting her talents in Fotheringay, and Mike Heron of the Incredible String Band, who was more distant since his conversion to Scientology. Boyd did make some attempts to keep the company going. On a trip to Sweden, he negotiated an agreement with the manager and publisher of a Swedish band whose songs he’d found intriguing, the Hep Stars. Boyd was going to publish their songs in the UK, and in return that publisher, Stig Anderson, would get the rights to Witchseason’s catalogue in Scandinavia — a straight swap, with no money changing hands. But before Boyd could get round to signing the paperwork, he got a better offer from Mo Ostin of Warners — Ostin wanted Boyd to come over to LA and head up Warners’ new film music department. Boyd sold Witchseason to Island Records and moved to LA with his fiancee Linda Peters, spending the next few years working on music for films like Deliverance and A Clockwork Orange, as well as making his own documentary about Jimi Hendrix, and thus missed out on getting the UK publishing rights for ABBA, and all the income that would have brought him, for no money. And it was that decision that led to the breakup of Fotheringay. Just before Christmas 1970, Fotheringay were having a difficult session, recording the track “John the Gun”: [Excerpt: Fotheringay, “John the Gun”] Boyd got frustrated and kicked everyone out of the session, and went for a meal and several drinks with Denny. He kept insisting that she should dump the band and just go solo, and then something happened that the two of them would always describe differently. She asked him if he would continue to produce her records if she went solo, and he said he would. According to Boyd’s recollection of the events, he meant that he would fly back from California at some point to produce her records. According to Denny, he told her that if she went solo he would stay in Britain and not take the job in LA. This miscommunication was only discovered after Denny told the rest of Fotheringay after the Christmas break that she was splitting the band. Jerry Donahue has described that as the worst moment of his life, and Denny felt very guilty about breaking up a band with some of her closest friends in — and then when Boyd went over to the US anyway she felt a profound betrayal. Two days before Fotheringay’s final concert, in January 1971, Sandy Denny signed a solo deal with Island records, but her first solo album would not end up produced by Joe Boyd. Instead, The North Star Grassman and the Ravens was co-produced by Denny, John Wood — the engineer who had worked with Boyd on pretty much everything he’d produced, and Richard Thompson, who had just quit Fairport Convention, though he continued living with them at the Angel, at least until a truck crashed into the building in February 1971, destroying its entire front wall and forcing them to relocate. The songs chosen for The North Star Grassman and the Ravens reflected the kind of choices Denny would make on her future albums, and her eclectic taste in music. There was, of course, the obligatory Dylan cover, and the traditional folk ballad “Blackwaterside”, but there was also a cover version of Brenda Lee’s “Let’s Jump the Broomstick”: [Excerpt: Sandy Denny, “Let’s Jump the Broomstick”] Most of the album, though, was made up of originals about various people in Denny’s life, like “Next Time Around”, about her ex-boyfriend Jackson C Frank: [Excerpt: Sandy Denny, “Next Time Around”] The album made the top forty in the UK — Denny’s only solo album to do so — and led to her once again winning the “best female singer” award in Melody Maker’s readers’ poll that year — the male singer award was won by Rod Stewart. Both Stewart and Denny appeared the next year on the London Symphony Orchestra’s all-star version of The Who’s Tommy, which had originally been intended as a vehicle for Stewart before Roger Daltrey got involved. Stewart’s role was reduced to a single song, “Pinball Wizard”, while Denny sang on “It’s a Boy”: [Excerpt: Sandy Denny, “It’s a Boy”] While Fotheringay had split up, all the band members play on The North Star Grassman and the Ravens. Guitarists Donahue and Lucas only play on a couple of the tracks, with Richard Thompson playing most of the guitar on the record. But Fotheringay’s rhythm section of Pat Donaldson and Gerry Conway play on almost every track. Another musician on the album, Ian Whiteman, would possibly have a profound effect on the future direction of Richard Thompson’s career and life. Whiteman was the former keyboard player for the mod band The Action, having joined them just before they became the blues-rock band Mighty Baby. But Mighty Baby had split up when all of the band except the lead singer had converted to Islam. Richard Thompson was on his own spiritual journey at this point, and became a Sufi – the same branch of Islam as Whiteman – soon after the session, though Thompson has said that his conversion was independent of Whiteman’s. The two did become very close and work together a lot in the mid-seventies though. Thompson had supposedly left Fairport because he was writing material that wasn’t suited to the band, but he spent more than a year after quitting the group working on sessions rather than doing anything with his own material, and these sessions tended to involve the same core group of musicians. One of the more unusual was a folk-rock supergroup called The Bunch, put together by Trevor Lucas. Richard Branson had recently bought a recording studio, and wanted a band to test it out before opening it up for commercial customers, so with this free studio time Lucas decided to record a set of fifties rock and roll covers. He gathered together Thompson, Denny, Whiteman, Ashley Hutchings, Dave Mattacks, Pat Donaldson, Gerry Conway, pianist Tony Cox, the horn section that would later form the core of the Average White Band, and Linda Peters, who had now split up with Joe Boyd and returned to the UK, and who had started dating Thompson. They recorded an album of covers of songs by Jerry Lee Lewis, the Everly Brothers, Johnny Otis and others: [Excerpt: The Bunch, “Willie and the Hand Jive”] The early seventies was a hugely productive time for this group of musicians, as they all continued playing on each other’s projects. One notable album was No Roses by Shirley Collins, which featured Thompson, Mattacks, Whiteman, Simon Nicol, Lal and Mike Waterson, and Ashley Hutchings, who was at that point married to Collins, as well as some more unusual musicians like the free jazz saxophonist Lol Coxhill: [Excerpt: Shirley Collins and the Albion Country Band, “Claudy Banks”] Collins was at the time the most respected female singer in British traditional music, and already had a substantial career including a series of important records made with her sister Dolly, work with guitarists like Davey Graham, and time spent in the 1950s collecting folk songs in the Southern US with her then partner Alan Lomax – according to Collins she did much of the actual work, but Lomax only mentioned her in a single sentence in his book on this work. Some of the same group of musicians went on to work on an album of traditional Morris dancing tunes, titled Morris On, credited to “Ashley Hutchings, Richard Thompson, Dave Mattacks, John Kirkpatrick and Barry Dransfield”, with Collins singing lead on two tracks: [Excerpt: Ashley Hutchings, Richard Thompson, Dave Mattacks, John Kirkpatrick and Barry Dransfield with Shirley Collins, “The Willow Tree”] Thompson thought that that album was the best of the various side projects he was involved in at the time, comparing it favourably to Rock On, which he thought was rather slight, saying later “Conceptually, Fairport, Ashley and myself and Sandy were developing a more fragile style of music that nobody else was particularly interested in, a British Folk Rock idea that had a logical development to it, although we all presented it our own way. Morris On was rather more true to what we were doing. Rock On was rather a retro step. I'm not sure it was lasting enough as a record but Sandy did sing really well on the Buddy Holly songs.” Hutchings used the musicians on No Roses and Morris On as the basis for his band the Albion Band, which continues to this day. Simon Nicol and Dave Mattacks both quit Fairport to join the Albion Band, though Mattacks soon returned. Nicol would not return to Fairport for several years, though, and for a long period in the mid-seventies Fairport Convention had no original members. Unfortunately, while Collins was involved in the Albion Band early on, she and Hutchings ended up divorcing, and the stress from the divorce led to Collins developing spasmodic dysphonia, a stress-related illness which makes it impossible for the sufferer to sing. She did eventually regain her vocal ability, but between 1978 and 2016 she was unable to perform at all, and lost decades of her career. Richard Thompson occasionally performed with the Albion Band early on, but he was getting stretched a little thin with all these sessions. Linda Peters said later of him “When I came back from America, he was working in Sandy’s band, and doing sessions by the score. Always with Pat Donaldson and Dave Mattacks. Richard would turn up with his guitar, one day he went along to do a session with one of those folkie lady singers — and there were Pat and DM. They all cracked. Richard smashed his amp and said “Right! No more sessions!” In 1972 he got round to releasing his first solo album, Henry the Human Fly, which featured guest appearances by Linda Peters and Sandy Denny among others: [Excerpt: Richard Thompson, “The Angels Took My Racehorse Away”] Unfortunately, while that album has later become regarded as one of the classics of its genre, at the time it was absolutely slated by the music press. The review in Melody Maker, for example, read in part “Some of Richard Thompson’s ideas sound great – which is really the saving grace of this album, because most of the music doesn’t. The tragedy is that Thompson’s “British rock music” is such an unconvincing concoction… Even the songs that do integrate rock and traditional styles of electric guitar rhythms and accordion and fiddle decoration – and also include explicit, meaningful lyrics are marred by bottle-up vocals, uninspiring guitar phrases and a general lack of conviction in performance.” Henry the Human Fly was released in the US by Warners, who had a reciprocal licensing deal with Island (and for whom Joe Boyd was working at the time, which may have had something to do with that) but according to Thompson it became the lowest-selling record that Warners ever put out (though I’ve also seen that claim made about Van Dyke Parks’ Song Cycle, another album that has later been rediscovered). Thompson was hugely depressed by this reaction, and blamed his own singing. Happily, though, by this point he and Linda had become a couple — they would marry in 1972 — and they started playing folk clubs as a duo, or sometimes in a trio with Simon Nicol. Thompson was also playing with Sandy Denny’s backing band at this point, and played on every track on her second solo album, Sandy. This album was meant to be her big commercial breakthrough, with a glamorous cover photo by David Bailey, and with a more American sound, including steel guitar by Sneaky Pete Kleinow of the Flying Burrito Brothers (whose overdubs were supervised in LA by Joe Boyd): [Excerpt: Sandy Denny, “Tomorrow is a Long Time”] The album was given a big marketing push by Island, and “Listen, Listen” was made single of the week on the Radio 1 Breakfast show: [Excerpt: Sandy Denny, “Listen, Listen”] But it did even worse than the previous album, sending her into something of a depression. Linda Thompson (as the former Linda Peters now was) said of this period “After the Sandy album, it got her down that her popularity didn't suddenly increase in leaps and bounds, and that was the start of her really fretting about the way her career was going. Things only escalated after that. People like me or Martin Carthy or Norma Waterson would think, ‘What are you on about? This is folk music.'” After Sandy’s release, Denny realised she could no longer afford to tour with a band, and so went back to performing just acoustically or on piano. The only new music to be released by either of these ex-members of Fairport Convention in 1973 was, oddly, on an album by the band they were no longer members of. After Thompson had left Fairport, the group had managed to release two whole albums with the same lineup — Swarbrick, Nicol, Pegg, and Mattacks. But then Nicol and Mattacks had both quit the band to join the Albion Band with their former bandmate Ashley Hutchings, leading to a situation where the Albion Band had two original members of Fairport plus their longtime drummer while Fairport Convention itself had no original members and was down to just Swarbrick and Pegg. Needing to fulfil their contracts, they then recruited three former members of Fotheringay — Lucas on vocals and rhythm guitar, Donahue on lead guitar, and Conway on drums. Conway was only a session player at the time, and Mattacks soon returned to the band, but Lucas and Donahue became full-time members. This new lineup of Fairport Convention released two albums in 1973, widely regarded as the group’s most inconsistent records, and on the title track of the first, “Rosie”, Richard Thompson guested on guitar, with Sandy Denny and Linda Thompson on backing vocals: [Excerpt: Fairport Convention, “Rosie”] Neither Sandy Denny nor Richard Thompson released a record themselves in 1973, but in neither case was this through the artists’ choice. The record industry was changing in the early 1970s, as we’ll see in later episodes, and was less inclined to throw good money after bad in the pursuit of art. Island Records prided itself on being a home for great artists, but it was still a business, and needed to make money. We’ll talk about the OPEC oil crisis and its effect on the music industry much more when the podcast gets to 1973, but in brief, the production of oil by the US peaked in 1970 and started to decrease, leading to them importing more and more oil from the Middle East. As a result of this, oil prices rose slowly between 1971 and 1973, then very quickly towards the end of 1973 as a result of the Arab-Israeli conflict that year. As vinyl is made of oil, suddenly producing records became much more expensive, and in this period a lot of labels decided not to release already-completed albums, until what they hoped would be a brief period of shortages passed. Both Denny and Thompson recorded albums at this point that got put to one side by Island. In the case of Thompson, it was the first album by Richard and Linda as a duo, I Want to See the Bright Lights Tonight: [Excerpt: Richard and Linda Thompson, “I Want to See the Bright Lights Tonight”] Today, I Want to See the Bright Lights Tonight is widely regarded as one of the greatest albums of all time, and as one of the two masterpieces that bookended Richard and Linda’s career as a duo and their marriage. But when they recorded the album, full of Richard’s dark songs, it was the opposite of commercial. Even a song that’s more or less a boy-girl song, like “Has He Got a Friend for Me?” has lyrics like “He wouldn’t notice me passing by/I could be in the gutter, or dangling down from a tree” [Excerpt: Richard and Linda Thompson, “Has He got a Friend For Me?”] While something like “The Calvary Cross” is oblique and haunted, and seems to cast a pall over the entire album: [Excerpt: Richard and Linda Thompson, “The Calvary Cross”] The album itself had been cheap to make — it had been recorded in only a week, with Thompson bringing in musicians he knew well and had worked with a lot previously to cut the tracks as-live in only a handful of takes — but Island didn’t think it was worth releasing. The record stayed on the shelf for nearly a year after recording, until Island got a new head of A&R, Richard Williams. Williams said of the album’s release “Muff Winwood had been doing A&R, but he was more interested in production… I had a conversation with Muff as soon as I got there, and he said there are a few hangovers, some outstanding problems. And one of them was Richard Thompson. He said there’s this album we gave him the money to make — which was I Want to See the Bright Lights Tonight — and nobody’s very interested in it. Henry the Human Fly had been a bit of a commercial disappointment, and although Island was altruistic and independent and known for only recording good stuff, success was important… Either a record had to do well or somebody had to believe in it a lot. And it seemed as if neither of those things were true at that point of Richard.” Williams, though, was hugely impressed when he listened to the album. He compared Richard Thompson’s guitar playing to John Coltrane’s sax, and called Thompson “the folk poet of the rainy streets”, but also said “Linda brightened it, made it more commercial. and I thought that “Bright Lights” itself seemed a really commercial song.” The rest of the management at Island got caught up in Williams’ enthusiasm, and even decided to release the title track as a single: [Excerpt: Richard and Linda Thompson, “I Want to See the Bright Lights Tonight”] Neither single nor album charted — indeed it would not be until 1991 that Richard Thompson would make a record that made the top forty in the UK — but the album got enough critical respect that Richard and Linda released two albums the year after. The first of these, Hokey Pokey, is a much more upbeat record than their previous one — Richard Thompson has called it “quite a music-hall influenced record” and cited the influence of George Formby and Harry Lauder. For once, the claim of music hall influence is audible in the music. Usually when a British musician is claimed to have a music ha

Franklin County's new 2025 Health Map is here, offering an updated look at the region's biggest health challenges—and signs of progress. What do the latest numbers tell us about healthcare access, infant mortality, adverse childhood experiences, and more? Featuring: Joe Mazzola, Franklin County Health Commissioner Dr. Mysheika W. Roberts, Health Commissioner, Columbus Public Health Dr. Andrew Thomas, Chief Clinical Officer, The Ohio State University Wexner Medical Center The host is Tracy Townsend, Medical Correspondent and Anchor, 10TV News This Morning. The presenting sponsors of CMC's long-running Optimal Health Series are Nationwide Children's Hospital, OhioHealth, and The Ohio State University Wexner Medical Center. This forum was sponsored by Mount Carmel Health System, Cardinal Health, and Ian Alexander Photography.  The presenting sponsor of the CMC livestream was The Center for Human Kindness at the Columbus Foundation. CMC's livestream partner was The Columbus Dispatch. This forum was also supported by The Ellis. This forum was recorded before a live audience at The Ellis in Columbus' historic Italian Village on June 18, 2025.

Central Ohio's economic future is high-tech—but is our education system ready? With new semiconductor plants, clean energy facilities, and advanced logistics hubs rising across the region, the workforce of tomorrow will need advanced skills today. This week, the Columbus Metropolitan Club welcomes a panel of business and education leaders for a candid discussion on what it will take to prepare Ohio students for careers in STEM, AI, and other fast-evolving industries. Featuring: Geena Gamble, Senior Talent Acquisition Specialist, Worthington Enterprises Lisa Gray, President, Ohio Excels Pat Tiberi, President and CEO, Ohio Business Roundtable The host is Alissa Widman Neese, Reporter, Axios. This forum was sponsored by Communities in Schools of Ohio and The Girl Scouts of Ohio's Heartland. The presenting sponsor of the CMC livestream was The Center for Human Kindness at the Columbus Foundation. CMC's livestream partner was The Columbus Dispatch. This forum was also supported by The Ellis. This forum was recorded before a live audience at The Ellis in Columbus' historic Italian Village on June 11, 2025.

Optimal Health Series Is Ohio headed for a crisis in health coverage, especially for mental health and addiction services? More than a decade ago, Ohio's Medicaid expansion was a game changer, extending coverage to over 700,000 Ohioans and providing a lifeline to thousands of Ohioans in need of mental health and addiction treatment services. Expansion worked: uninsured rates dropped, medical debt decreased, health improved, and emergency room visits went down. In just four years, 630,000 Ohioans received treatment for mental illness or substance use disorder, a victory in the fight against opioid addiction. In 2024, forty percent of adults covered by expansion had a primary mental health and/or substance use disorder diagnosis. These gains may now be in jeopardy: Governor DeWine's new proposed biennial budget includes a so-called “kill-switch” provision that would automatically end mental health and addiction services provided through the expansion if federal Medicaid funding is reduced. With key leaders and policy experts, we'll unpack the impact Medicaid has had on health outcomes in Ohio and the consequences facing patients in recovery if the state's landmark care expansion is abandoned. Featuring: Oyauma Garrison, President & CEO, Maryhaven, Inc. Rachelle Martin; Executive Director, National Alliance on Mental Illness of Franklin County Amy Bush Stevens, Amy Bush Stevens Consulting, LLC, Consultant to the Health Policy Institute of Ohio The host is Greg Moody, Director of Professional Development, The John Glenn College of Public Affairs, The Ohio State University The presenting sponsors of the CMC Optimal Health Series are Nationwide Children's Hospital, OhioHealth, and The Ohio State University Wexner Medical Center. This forum was sponsored by Maryhaven. The presenting sponsor of the CMC livestream was The Center for Human Kindness at the Columbus Foundation. CMC's livestream partner was The Columbus Dispatch. This forum was also supported by The Ellis. This forum was recorded before a live audience at The Ellis in Columbus' historic Italian Village on June 4, 2025.  

Canada isn't just a neighbor—it's Ohio's number one international trading partner. In this week's Columbus Metropolitan Club forum, we explore what recent U.S.-Canada trade tensions could mean for jobs, industries, and the economic future of Central Ohio.  Featuring: Colin Bird, Consul General of Canada in Detroit Allison Russo, Ohio State Representative, District 7, and Statehouse Minority Leader Bala Sathyanarayanan, Executive Vice President and Chief Human Resources Officer, Greif The host is Dan Eaton, Senior Reporter, Columbus Business First. This forum was sponsored by The Ohio Manufacturers' Association. The forum partners were The Columbus Council on World Affairs and The League of Women Voters of Metropolitan Columbus.  The presenting sponsor of the CMC livestream was The Center for Human Kindness at the Columbus Foundation. CMC's livestream partner was The Columbus Dispatch. This forum was also supported by The Ellis. This forum was recorded before a live audience at The Ellis in Columbus' historic Italian Village on May 21, 2025.

Why are your property taxes going up — and where is that money actually going? This week's CMC forum tackles the property tax questions on everyone's mind, with experts who understand the system inside and out. From home values to school funding, to mills and assessments, our panel helps make sense of it all. Featuring: Michael D. Cole, President, Columbus City School Board Greg Lawson, Research Fellow, The Buckeye Institute And Michael Stinziano, Franklin County Auditor The host is Anna Staver, State Government and Politics Reporter for Cleveland.com and The Cleveland Plain Dealer. This forum was sponsored by Bricker Graydon. The presenting sponsor of the CMC livestream was The Center for Human Kindness at the Columbus Foundation. CMC's livestream partner was The Columbus Dispatch. This forum was also supported by The Ellis. Recorded before a live audience at The Ellis in Columbus' historic Italian Village on May 14, 2025.

Central Ohio is prospering, but economic mobility remains out of reach for many families. This forum explores the stark racial and economic disparities in the Columbus region and asks what new policies and community actions are needed to ensure shared prosperity. Featuring: Lourdes Barroso de Padilla, Columbus City Councilmember Keith Jones, President & CEO, Oakwood Management Duwain Pinder, Partner, Ohio - Columbus, McKinsey & Company Dr. Jason Reece, Associate Professor, City and Regional Planning, Knowlton School of Architecture, The Ohio State University The host is Mataryun "Mo" Wright, President & CEO, RAMA Consulting Group. This forum was sponsored by The Crane Group, The McKinsey Institute for Economic Mobility, and The Robert Weiler Company. The presenting sponsor of the CMC livestream was The Center for Human Kindness at the Columbus Foundation. CMC's promotional and livestream partner was The Columbus Dispatch. This forum was also supported by The Ellis. This forum was recorded before a live audience at The Ellis in Columbus' historic Italian Village on May 7, 2025.

Bioscience breakthroughs are transforming lives in Central Ohio. From cutting-edge gene therapies to world-first medical devices, the region's life sciences sector is booming—and saving lives. This week's Columbus Metropolitan Club forum brings together scientific leaders and business innovators to explore how research, investment, and clinical development are coming together to power the next generation of healthcare innovation.  Featuring:  Dr. Frank Agbogbo, Vice President of Process Development, Forge Biologics  Dr. Erandi De Silva, Investment Partner, Drive Capital  Dr. Louise Rodino-Klapac, Executive Vice President, Head of R&D, and Chief Scientific Officer, Sarepta  Robin Sears, President and CEO, LENTECHS  The host is Tyler Allchin, Managing Director, Healthcare, JobsOhio This forum was created in partnership with the 2025 COSI Science Festival, and was sponsored by: Armatus Bio, Battelle, Holder Construction, Ohio Life Sciences, The Ohio State University Wexner Medical Center, and Sarepta. The presenting sponsor of the CMC livestream was The Center for Human Kindness at the Columbus Foundation. Our livestream partner was The Columbus Dispatch. This forum was also supported by The Ellis. This forum was recorded before a live audience at The Ellis in Columbus' historic Italian Village on April 30, 2025. 

Jane Scott Legacy in Civic Engagement Forum Celebrating Community Leaders If “The Columbus Way” were a river, its source might just be The Columbus Partnership. In this one-on-one conversation, the Partnership's new President and CEO Jason Hall shares his vision for the influential coalition of regional CEOs. As Columbus grows, so does the importance of collaborative leadership—and Hall's next steps could help shape the future of Central Ohio's economy, equity, and civic identity. Featuring: Jason Hall, President and CEO, The Columbus Partnership The host is Sophia Fifner, President and CEO, The Columbus Metropolitan Club The forum's presenting sponsor was Nationwide. This forum was also sponsored by The Columbus Landmarks Foundation, The Columbus Zoo and Aquarium, Encova Insurance, The Edwards Companies, Huntington, Smoot Construction, and The United Way of Central Ohio. The presenting sponsor of the CMC livestream was The Center for Human Kindness at the Columbus Foundation. CMC's livestream partner was The Columbus Dispatch. This forum was also supported by The Ellis.

What does the Federal Reserve actually do—and why should it matter to Central Ohioans? Beth Hammack, the new president of the Federal Reserve Bank of Cleveland, sits down with CMC to explain her role, how the Fed operates, and how it impacts your paycheck, your mortgage, and our regional economy. Featuring: Beth Hammack, President and CEO, Federal Reserve Bank of Cleveland.  The host is award-winning news anchor Clay Gordon. This forum was sponsored by Homeport. The presenting sponsor of the CMC livestream was The Center for Human Kindness at the Columbus Foundation. CMC's livestream partner was The Columbus Dispatch.  This forum was also supported by The Ellis.  This forum was recorded before a live audience at The Ellis in Columbus' historic Italian Village on April 16, 2025. 

Columbus appears to be on track to keep an important promise: The Columbus Promise. The innovative education partnership launched in 2021 with the goal of sending more Columbus City School graduates to college, boosting their own life trajectories and helping Central Ohio supercharge its workforce. The Columbus Promise lets any graduate of Columbus City Schools attend Columbus State Community College at no cost for six semesters and provides a $500 stipend each semester plus academic support.  Now the Promise is no longer just a pilot. The program's key partners – the City of Columbus, Columbus City Schools, I Know I Can, and Columbus State – and an array of private backers – have all recently recommitted to launching a new phase of the program, with more than half of a new $25 million goal already raised.  With a panel of leaders, we unpack the Columbus Promise, explore its origins and impact, and get an inside look at what happens next. Featuring Dr. Angela Chapman, Superintendent/CEO, Columbus City Schools Janelle Coleman, Vice President, Community Engagement & Corporate Philanthropy and President, AEP Foundation Shannon Hardin, President, Columbus City Council  Dr. Desiree Polk-Bland, Senior Vice President for Student Success, Columbus State Community College The moderator is Colleen Marshall, News Anchor, NBC4, and host of "NBC4's The Spectrum." This presenting sponsor of this forum was The Columbus Foundation. This forum was also sponsored by Cardinal Health and American Electric Power. The presenting sponsor of the CMC livestream was The Center for Human Kindness at the Columbus Foundation. CMC's livestream partner was The Columbus Dispatch. This forum was also supported by The Ellis. This forum was recorded before a live audience at The Ellis in Columbus' historic Italian Village on April 9, 2025.

BIG things are happening in Central Ohio! With top leaders, we dig into some of the BIGGEST construction and development projects happening right now in our region, including the new $2B Columbus Airport terminal, the $200M reimagining of the Ohio Expo Center & State Fair, defense contractor Anduril's just-announced state-of-the-art plant, and the highway and transportation systems that will tie it all together. We explore where big ideas come from, and the partnerships and workforce that's essential to turn big dreams into tomorrow's Central Ohio reality.  Featuring:  Pamela Boratyn, Director, The Ohio Department of Transportation Connor Brogan, Arsenal-1 Project Leader, Anduril Matt Kunz, Vice President and Columbus General Manager, Turner Construction  And Joseph Nardone, President & CEO, The Columbus Regional Airport Authority  The host is Angela An, News Anchor, WBNS 10TV. This forum was sponsored by Barton Malow, The Columbus Regional Airport Authority, HNTB, Public Sector Consulting, and Turner Construction.  The presenting sponsor of the CMC livestream was The Center for Human Kindness at The Columbus Foundation. CMC's livestream partner was The Columbus Dispatch. It was also supported by The Ellis. This forum was recorded before a live audience at The Ellis in Columbus' historic Italian Village on April 2, 2025.  

Ohio Governor Mike DeWine's new proposed $218 billion two-year state budget promises to completely fund the state's public education system, to deliver a tax credit for parents with minimum-wage jobs, and provides higher funding for children's services, including childcare, literacy, and vision programs. With the Governor's proposal in hand, Ohio lawmakers now have until July 1, 2025 to shape the budget and return it to the Governor's desk. CMC welcomes Ohio Governor Mike DeWine for an in-depth conversation on his proposed budget and his priorities for the state. Featuring:  Governor Mike DeWine, State of Ohio  The host is Jo Ingles, Journalist & Producer, Statehouse News Bureau.  This forum was sponsored by The United Way of Central Ohio, The Ohio Farm Bureau, The Columbus Chamber of Commerce, Public Sector Consulting, Ian Alexander Photography, HNTB, and Smoot Construction. The presenting sponsor of the CMC livestream was The Center for Human Kindness at The Columbus Foundation. CMC's livestream partner was The Columbus Dispatch. This forum was also supported by The Ellis.  This forum was recorded before a live audience at The Ellis in Columbus' historic Italian Village on March 26, 2025. 

Ohio's energy demand is set to skyrocket with the rise of data centers, electric vehicles, and the shutdown of aging power plants. Can the state's power generation keep pace, or will electricity shortages hinder Ohio's growth? Major tech companies are establishing data centers in central Ohio, consuming a growing portion of the state's power supply to support consumers and power-intensive technologies like AI. Additionally, the retirement of some fossil-fuel power plants and the unpredictability of renewable sources like wind and solar add further pressure to Ohio's energy system. With industry leaders and experts, we explore the real “power play” essential for the state's economic growth. Featuring:  Ryan Augsburger, President, The Ohio Manufacturers' Association  Kenny McDonald, President & CEO, One Columbus  Janine Migden-Ostrander, Pace University Law School E   nergy & Climate Center, and Former Ohio Consumers' Counsel  Todd Snitchler, President & CEO, Electric Power Supply Association  The host is Bryant Petway, Construction Executive, ArchKey Solutions  This forum was sponsored by The Columbus Region. The presenting sponsor of the CMC livestream was The Center for Human Kindness at The Columbus Foundation. CMC's livestream partner was The Columbus Dispatch.  This forum was also supported by The Ellis.  This forum was recorded before a live audience at The Ellis in Columbus' historic Italian Village on March 19, 2025.   

Columbus is more than lucky: the city is home to a vast array of performing arts organizations that bring vibrancy, expression, and wonder to Ohio's state capital through theater, dance, ballet, live music performances, and more. Artists, venues, and companies abound, plus scores of associated programs that seek to inspire young people to learn about themselves by exploring the world of performing arts. While audiences are filling events, funding remains a challenge, with uncertainties around public funding that are driving arts organizations to build innovative partnerships with each other and supporters. With Central Ohio's rising population, demand for the performing arts is expected to grow, and new venues to handle the growth are in the works: CAPA is raising $14 million to renovate an historic church on Third Street in downtown into a new multipurpose arts venue, while the Columbus Symphony last year unveiled plans for a breathtaking new 200,000-square-foot venue that would be the city's first purpose-built concert hall, and Shadowbox's Up Front Performance Space is also now newly-renovated. With representatives from key venues and organizations, we take stock of the state of performing arts in Columbus with industry leaders for a look behind the curtains. Featuring:  Daniel Walshaw, Chief Operating Officer, Columbus Symphony Chad Whittington, President and CEO, The Columbus Association for the Performing Arts Stacie Boord, CEO, Shadowbox Live Regina Ann Campbell, CEO, King Arts Complex The host is Jami Goldstein, Chief Creative Officer, The Greater Columbus Arts Council (GCAC). This forum was sponsored by The Carol A. McGuire Legacy in Civic Engagement Fund and The Greater Columbus Arts Council.  The presenting sponsor of the CMC livestream was The Center for Human Kindness at the Columbus Foundation. CMC's livestream partner was The Columbus Dispatch.  This forum was also supported by The Ellis.  This forum was recorded before a live audience at The Ellis in Columbus' historic Italian Village on March 12, 2025. 

In partnership with The Women's Fund of Central Ohio, this CMC forum unveils the latest research featuring new data on the critical resources that women in Central Ohio need – and often lack – to build wealth. Women face distinct hurdles in accumulating personal wealth, and the implications are huge: according to the Federal Reserve, closing gender and racial wealth gaps could have expanded Ohio's GDP by a staggering $67 billion from 2005 to 2019. Despite women's substantial contribution to Central Ohio's economy, disaggregated research has been lacking—until now. With a panel of passionate leaders, we discuss these fresh findings and shed light on how women in Central Ohio can overcome barriers to wealth creation. Featuring: Keena Smith, CEO, The Women's Center for Economic Opportunity Shannon Isom, President and CEO, Community Shelter Board Lisa Gray, Founding President, Ohio Excels And Alex Dorman, Research Fellow, The Center for Community Solutions The host is Courtney Falato, Vice President and Program Officer, Global Philanthropy, JPMorgan Chase & Co. This forum was sponsored by The Mary Lazarus Legacy in Civic Engagement Fund and JPMorgan Chase & Co. The presenting sponsor of the CMC livestream was The Center for Human Kindness at the Columbus Foundation. CMC's livestream partner was The Columbus Dispatch. This forum was also supported by The Women's Fund of Central Ohio and Vue Columbus. This forum was recorded before a live audience at Vue Columbus in Columbus' historic Brewery District on March 5, 2025. Click here to read the subject of this forum, The Women's Fund of Central Ohio's recent research report, "Making Women Wealthy and Free."

The Columbus Chamber of Commerce and The Ohio Chamber of Commerce both help drive Ohio's economy. How do they collaborate to support businesses, and where do they see opportunities for growth in Central Ohio? This conversation explores the biggest challenges facing Ohio's business climate and the initiatives and partnerships needed to ensure a strong future for the region's employers, workers, and the broader economy. Featuring: Derrick Clay, President & CEO, The Columbus Chamber of Commerce Steve Stivers, President & CEO, The Ohio Chamber of Commerce The host is award-winning news anchor Clay Gordon. This forum was sponsored by The Columbus Chamber of Commerce and Huntington Bank. The presenting sponsor of the CMC livestream was The Center for Human Kindness at the Columbus Foundation. CMC's livestream partner was The Columbus Dispatch. This forum was also supported by The Ellis. This forum was recorded before a live audience at The Ellis in Columbus' historic Italian Village on February 26, 2025.

This CMC forum features a 1:1 conversation with U.S Congresswoman Joyce Beatty, representing Ohio's Third Congressional District since 2013. We'll cover Congresswoman Beatty's legislative priorities and unpack current events in Washington for an in-depth look at the state of federal politics and U.S. democracy. Featuring:  Congresswoman Joyce Beatty, Third Ohio Congressional District, United States House of Representatives  The host is Karen Kasler, Bureau Chief, Statehouse News Bureau.  This forum was sponsored by The Robert Weiler Company. The presenting sponsor of the CMC livestream was The Center for Human Kindness at the Columbus Foundation. CMC's livestream partner was The Columbus Dispatch. This forum was also supported by The Ellis.  This forum was recorded before a live audience at The Ellis in Columbus' historic Italian Village on February 19, 2025. 

Looming federal budget cuts could mean significant reductions in safety-net services for Central Ohio's most vulnerable populations, including immigrants and refugees. How will these changes affect our communities, and how are local nonprofit leaders responding? Our expert panel explores what's at stake and what steps can be taken to mitigate the impact. Featuring: Dr. Seleshi Asfaw, President & CEO, Tewahedo Social Services Elizabeth Brown, President & CEO, YWCA Columbus Michael Corey, Executive Director, Human Service Chamber of Franklin County Shannon Hardin, President, Columbus City Council The host is Dr. Lisa Courtice, President and CEO, The United Way of Central Ohio. This forum was sponsored by Installed Building Products, Mollard Consulting, Nationwide, and The United Way of Central Ohio. The presenting sponsor of the CMC livestream was The Center for Human Kindness at the Columbus Foundation. CMC's livestream partner was The Columbus Dispatch. This forum was also supported by The Ellis. This forum was recorded before a live audience at The Ellis in Columbus' historic Italian Village on February 12, 2025.

Hello to you listening around the world!Coming to you from Whidbey Island, Washington this is 60 Seconds for Wednesdays on Whidbey with your host Diane Wyzga.About a block from my library or a block from the post office sits a house on a corner. Propped against this house I saw a very large sheet of plywood. Spray-painted in large black letters were these words: Kill Lawyers - Not Cops.    Putting aside any 1st Amendment right of free speech arguments or the notion that many folks don't like lawyers until they need one, I have a question: When and how did we arrive at this place? When and how did we depart from human kindness, civility, and manners?  I've often spoken to the man who lives in this house as I passed by on my walk, admired his sunflowers, commented on the weather. I plan to walk up to his door and say, “I am a lawyer. Are you going to kill me? Or do you wish someone would?” I want to hear how he arrived at his position. And then perhaps get him to put away his larger-than-life sign before some yahoo takes him up on the dare.Practical Tip: Be of speech a little more careful than anything else today, tomorrow, and forever.  You're always invited: “Come for the stories - stay for the magic!” Speaking of magic, would you subscribe and spread the word with a generous 5-star review and comment - it helps us all - and join us next time!Meanwhile, stop by my Quarter Moon Story Arts website to:✓ Check out Services I Offer✓ Arrange your no-sales, Complimentary Coaching Consult ✓ Stay current with Diane on LinkedIn, as “Wyzga on Words” on Substack,  and now Pandora RadioStories From Women Who Walk Production TeamPodcaster: Diane F Wyzga & Quarter Moon Story ArtsMusic: Mer's Waltz from Crossing the Waters by Steve Schuch & Night Heron MusicAll content and image © 2019 to Present Quarter Moon Story Arts. All rights reserved.Music: Mer's Waltz from Crossing the Waters by Steve Schuch & Night Heron MusicAll content and image © 2019 to Present: for credit & attribution Quarter Moon Story Arts

In Partnership with WOSU Public Media While there's growing focus on seniors and the care they need, far less attention is being paid to the family members who provide that care. According to AARP, in 2010, there were more than seven potential family caregivers for every person over 80; by 2030, that ratio will drop to 4:1, and by 2050, it will be less than 3:1. In Ohio alone, people caring for older relatives provide 1.4 billion hours of care each year—that's $21 billion in unpaid labor. Younger family members, often juggling their own lives, are the ones dispensing medications, preparing meals, driving loved ones to appointments, and sorting out the financial and legal matters of aging parents. Expanding Medicare to cover in-home care, giving tax credits for caregivers, and setting up a national paid family leave program could all help, but more solutions are needed. In partnership with WOSU Public Media's “Inside Caregiving” initiative, CMC welcomes a panel of leaders and advocates to explore how we'll care for the caregivers that older Central Ohioans will depend on. Featuring: Jennifer Carlson, State Director, AARP Ohio Katie White, Director, Central Ohio Area Agency on Aging Dr. Kathy D. Wright, Associate Professor and Senior Associate Dean for Faculty Affairs, The Ohio State University College of Nursing Chanda Wingo, Director, Franklin County Office on Aging The moderartor is Anthony Padgett, General Manager, WOSU Public Media. The presenting sponsor of the CMC livestream was The Center for Human Kindness at the Columbus Foundation. Our livestream partner was The Columbus Dispatch.  This forum was also supported by The Ellis. This forum was recorded before a live audience at The Ellis in Columbus' historic Italian Village on February 5, 2025.

Ohio's system of higher education is reinventing itself for a new era in the state's history. Will schools be ready?  Among the challenges, the number of U.S. high school graduates is expected to peak next year at about 3.5 million students before dropping 15% in the next four years, according to the Chronicle of Higher Education, with profound implications for institutions of higher education.  Additionally, the needs of key Ohio employers are always accelerating, creating growing pressure on schools to produce workers ready to enter an ever-evolving workforce, especially in technology and healthcare-related professions. Schools are also creating new ways to ensure students stay housed, fed, and that childcare resources are available to keep students with families enrolled and moving toward graduation.  A college education remains a life-changing asset for graduates, with Axios reporting recent grads in 2023 ages 22-27 earned $24,000 more annually than their peers holding just a high school degree. With the help from our expert panelists, we explore how Ohio's higher education institutions are innovating to adapt to a changing educational and workforce landscape. Featuring panelists: Dr. John Comerford, President of Otterbein University Dr. David Harrison, President of Columbus State Community College Dr. Morakinyo A.O. Kuti, President of Central State University Dr. James Orr, Vice Provost for Strategic Enrollment Management at The Ohio State University The host is Sheridan Hendrix, Higher Education Reporter for The Columbus Dispatch. This forum was sponsored by Columbus State Community College, Grange Insurance, The Ohio State University, and Otterbein University. The presenting sponsor of the CMC livestream was The Center for Human Kindness at the Columbus Foundation. CMC's livestream partner was The Columbus Dispatch. It was also supported by The Ellis. This forum was recorded before a live audience at The Ellis in Columbus' historic Italian Village on January 29, 2025.  

Optimal Health Series Central Ohio is growing rapidly, and the region's four major hospital systems are following suit. Each of Columbus' “Big Four” systems – OhioHealth, The Ohio State University Wexner Medical Center, Mount Carmel Health System, and Nationwide Children's Hospital – are expanding rapidly, constructing new facilities and scrambling to hire legions of qualified healthcare professionals. With the region's population expected to grow by 30% in the next 25 years, that may translate into 730,000 new residents – all of whom will require access to healthcare. Can Central Ohio's biggest healthcare players keep pace with demand? This forum features an extraordinary panel featuring the CEOs of all four of the region's major hospital systems for an in-depth exploration of the present and future of healthcare in Central Ohio. Featuring panelists: Dr. Stephen Markovich, President and Chief Executive Officer, OhioHealth Timothy Robinson, Chief Executive Officer, Nationwide Children's Hospital Dr. John Warner, Chief Executive Officer, The Ohio State University Wexner Medical Center and Executive Vice President, The Ohio State University Tauana McDonald, President and Chief Executive Officer, Mount Carmel Health System The host is Greg Moody, Director of Professional Development and the State of Ohio Leadership Institute, John Glenn College of Public Affairs, The Ohio State University. The presenting sponsors of CMC's long-running Optimal Health Series are The Ohio State University Wexner Medical Center, OhioHealth, and Nationwide Children's Hospital. This forum was also sponsored by AstraZeneca, Cardinal Health, Fifth Third Bank, The Healthcare Career Collaborative of Central Ohio Powered by Aspyr, Mount Carmel Health System, and CK Construction. The presenting sponsor of the CMC livestream was The Center for Human Kindness at the Columbus Foundation. CMC's livestream partner was The Columbus Dispatch. This forum was also supported by Vue Columbus.  This forum was recorded before a live audience at Vue Columbus in Columbus, Ohio's historic Brewery District on January 22, 2025.

What was America's most popular housing market in 2024, according to Realtor.com? Look no further than Columbus, Ohio. Homes for sale in Central Ohio were racking up far more online views than the national average, indicating off-the-charts levels of interest in available properties in the region.  If it's been a few years since you sold a home in Central Ohio, you might be in for a shock the next time you plant a “for sale” sign in your yard, now that new rules have completely reshaped realtor commissions. If you're on the buying side, you'll need to be just as prepared for a housing market that's undergone profound changes since before the pandemic, with demand outpacing new construction and out-of-state “institutional” buyers with deep pockets outbidding families and snapping up investment properties.  Ths week, we navigate the new realities of buying and selling in Central Ohio's red-hot housing market. Featuring: Josh Barkan, Division Vice President, M/I Homes of Central Ohio Jon Melchi, Executive Director, Building Industry Association of Central Ohio Buffie Patterson, President, Columbus REALTORS® Board of Directors The host is Bonnie Meibers, Commercial Real Estate Reporter, Columbus Business First. This forum was sponsored by The Robert Weiler Company. The presenting sponsor of the CMC livestream was The Center for Human Kindness at the Columbus Foundation. CMC's livestream partner was The Columbus Dispatch. This forum was also supported by Vue Columbus. This forum was recorded before a live audience at Vue Columbus in the Brewery District on January 15, 2025.

The Atlantic Magazine recently awarded the US economy “superstar status” – calling it the “Taylor Swift” of global economies – for its robust sustained performance. Closer to home, Central Ohio's economy also appears to be roaring along, with the region leading the Buckeye State in growth. What's in store for Central Ohio's economy and our region in 2025? Hear what the year ahead looks like for Central Ohio's economy from a panel of leading experts at CMC's first program of 2025 and one of the year's most popular forums. Featuring: Dr. Joyce Chen, Professor of Economics in Women's, Gender and Sexuality Studies, The Ohio State University Kathy Bostjancic, Senior Vice President and Chief Economist, Nationwide Mutual Dr. Bill LaFayette, Owner, Regionomics The host is Benjamin Lanka, Business Editor, The Columbus Dispatch. This forum was sponsored by Smoot Construction, Frost Brown Todd, The Columbus Region, Ian Alexander Photography, and PNC. The presenting sponsor of the CMC livestream was The Center for Human Kindness at the Columbus Foundation. Our livestream partner was The Columbus Dispatch. This forum was supported by Vue Columbus. This forum was recorded before a live audience at Vue Columbus in the Brewery District on January 8, 2025.

Can downtown retail make a comeback in Columbus? With a panel of downtown leaders and advocates, this forum explores efforts to re-energize retail downtown and examines what lies ahead for Columbus' urban core. Featuring: Nicholas J. Bankston, Columbus City Councilmember Amy Taylor, President, Downtown Columbus, Inc. Jim Merkel, CEO and Co-Founder, Rockbridge The host is Jessica Ralston, Anchor of Good Day Columbus on ABC6 and FOX28. This forum was sponsored by The Harrison Smith Legacy in Civic Engagement Fund, Downtown Columbus, Inc., The Edwards Companies, and Rockbridge. The presenting sponsor of the CMC livestream is The Center for Human Kindness at the Columbus Foundation. CMC's livestream partner is The Columbus Dispatch. This forum was also supported by The Ellis. This forum was recorded before a live audience at The Ellis in Columbus' historic Italian Village on December 18, 2024.

Ohio's labor market remains incredibly tight, but Central Ohio organizations that are building strong cultures of belonging are attracting top talent from diverse backgrounds. Leading employers know from experience that cultivating a strong and authentic sense of belonging among employees can revolutionize recruitment, engagement, retention, productivity, and ROI, even with remote workers. Recent criticism around DEI in the workplace has sparked concerns that diversity, equity, and inclusion progress could stall, but many employers are not only not abandoning DEI initiatives but deepening them with strategic efforts to build a sense of belonging among employees. They're also ensuring the definition of diversity remains broad and embraces neurodivergent and physically impaired employees, elevating every voice. With a panel of passionate leaders, we'll explore the meaning and value of creating a culture of belonging in the contemporary workplace, and how it's helping key Central Ohio employees and employers to stay at the top of their games. Featuring: Daniel Juday, Founder + Facilitator, Space Creator LLC Dr. Tina Pierce, Chief of Strategy and Belonging, The Ohio State University Alumni Association Jennifer Robinson, Chief Human Resources Officer and Deputy Director, Ohio Department of Veterans Services The moderator is Margaret Finley, Head of DEI and Corporate Affairs, ADS, and President, Board of Directors, Central Ohio Diversity Consortium. This forum was sponsored by Advanced Drainage Systems, with additional support from Aspyr and The Central Ohio Workforce Development Network.  The presenting sponsor of the CMC livestream was The Center for Human Kindness at the Columbus Foundation. Our livestream partner was The Columbus Dispatch. It was also supported by The Ellis. This forum was recorded before a live audience at The Ellis in Columbus' historic Italian Village on December 11, 2024. 

In 2023, Columbus saw nearly 24,000 eviction filings, marking a 12,000-case increase from the previous year. Early 2024 data shows this trend worsening, with evictions reaching a 20-year high in Franklin County. Across Ohio, landlords initiated almost 108,000 eviction cases in 2023 — the highest since 2015. A major driver behind the surge is sluggish wage growth, which isn't keeping pace with skyrocketing rents. The “housing wage” — what a worker needs to earn per hour to afford a two-bedroom apartment — rose 9% since last year. To afford such a home, full-time workers need an hourly wage of at least $20.81. In Columbus, however, this figure climbs even higher to $25.04 per hour. With a panel of regional leaders, CMC unpacks why evictions are climbing, the impact on communities when families lose their homes, and the strategies that advocates are leveraging to ensure more Central Ohio families stay housed. Featuring: Kate McGarvey, Executive Director, Legal Aid of Southeast and Central Ohio Shayla D. Favor, Columbus City Council Member and Franklin County Prosecutor-Elect Gene Edwards, Director of Legal Research and Magistrate, Franklin County Municipal Court, The moderator is Danae King, Underserved Communities Reporter, The Columbus Dispatch. This forum was sponsored by The Community Shelter Board with support from The Columbus Dispatch. The presenting sponsor of the CMC livestream was The Center for Human Kindness at the Columbus Foundation. CMC's livestream partner was The Columbus Dispatch.  This forum was recorded before a live audience at The Ellis in Columbus' historic Italian Village on December 4, 2024.

For the first time since 2019, the all-new Columbus Foundation Community Benchmarking Report has measured how Central Ohio compares to more than 20 peer regions across more than 50 metrics and indices. Building on a decade of community tracking, this newest research across a range of metrics offers a clear window to understanding how Central Ohio stacks up to comparable metro areas and gives us one of the best snapshots of where our region finds itself on this side of the COVID-19 pandemic.  The findings dive deeply into five overall categories – population vitality, economic strength, personal prosperity, lifelong learning, and overall community wellbeing. In this second of two forums, we'll dive deep into the study's findings on Personal Prosperity, Lifelong Learning, and Overall Community Wellbeing, and explore what the data says about Central Ohio's future. The complete new report can be downloaded here. Featuring: J. Averi Frost, Freedom Equity Inc. and the Central Ohio African American Chamber of Commerce Dr. Gina Ginn, CEO, Columbus Early Learning Centers Matt Martin, Director of Community Research, The Columbus Foundation The moderator is Autumn Glover, Senior Vice President, Provider + Community Partnerships, AndHealth. The presenting sponsor of this two-part series was The Columbus Foundation. This forum was sponsored by The American Electric Power Foundation.  The presenting sponsor of the CMC livestream was The Center for Human Kindness at the Columbus Foundation. Our livestream partner was The Columbus Dispatch.  This forum was also supported by The Ellis.  This forum was recorded before a live audience at The Ellis in Columbus' historic Italian Village on November 20, 2024.

For the first time since 2019, the all-new Columbus Foundation Community Benchmarking Report has measured how Central Ohio compares to more than 20 peer regions across more than 50 metrics and indices. Building on more than a decade of community tracking, this newest research across a range of metrics offers a clear window to understanding how Central Ohio stacks up to comparable metro areas and gives us one of the best snapshots of where our region finds itself on this side of the COVID-19 pandemic.  The findings dive deeply into five overall categories – population vitality, economic strength, personal prosperity, lifelong learning, and overall community wellbeing.  In this first of two forums, we'll reflect on the results of the last benchmarking study in 2019 before diving deep into the findings of the first two categories: Population Vitality & Economic Strength – to see how Central Ohio measures up to its peers. The complete new report can be downloaded here. Featuring: Matt Martin, Director of Community Research, The Columbus Foundation Kenny McDonald, President and CEO, One Columbus Padmini Roy-Dixon, Economic Development Director & Regional Innovation Officer, Mid-Ohio Regional Planning Commission The host is Doug Buchanan, Editor in Chief, Columbus Business First. This forum was sponsored by The Columbus Foundation. The presenting sponsor of CMC's livestream was The Center for Human Kindness at the Columbus Foundation. CMC's livestream partner was The Columbus Dispatch.  It was also supported by The Ellis. This forum was recorded before a live audience at The Ellis in Columbus, Ohio's historic Italian Village on November 13, 2024.  

This extraordinary and historic forum welcomes The Reverend Nontombi Naomi Tutu as we gather following the election to reconcile and reflect on the common goal of preserving democracy, upholding justice, and to re-commit to listening to one another in good faith and with open minds and hearts. The Reverend Nontombi Naomi Tutu, daughter of Archbishop Desmond and Nomalizo Leah Tutu, knew from early in life that the one thing she would never be is a priest. She has always said, “I have my father's nose, I do not want his job” but life had other plans… After years spent as a development consultant, educator and race and gender activist she accepted her call to ordained ministry. The challenges of growing black and female in apartheid South Africa have been the foundation of Reverend Tutu's life as an activist for human rights. Those experiences taught her that our whole human family loses when we accept situations of oppression, and how the teaching and preaching of hate and division injure us all. Featuring The Reverend Nontombi Naomi Tutu, Daughter of Archbishop Desmond and Nomalizo Leah Tutu, and Priest Associate, All Saint's Episcopal, Atlanta, Georgia, and with moderator Colleen Marshall, Anchor, NBC4. This forum was sponsored by Otterbein University and The Health Policy Institute of Ohio. It was supported by Urban Strings Columbus.  The livestream presenting sponsor was The Center for Human Kindness at the Columbus Foundation. The livestream partner was The Columbus Dispatch.  This forum was recorded before a live audience at The Ellis in Columbus, Ohio's historic Italian Village on November 6, 2024.

Optimal Health Series Central Ohio is home to global leaders in healthcare, but access to healthcare remains uneven in the region as it is for much of the country. What are the costs of uneven healthcare coverage to our region, and what are the factors that prevent many from getting the care they need? With a panel of passionate healthcare leaders, we dive into the true costs of uneven access to healthcare in Central Ohio and how the doors to quality healthcare can be opened for all. Featuring:  Dr. Chyke Doubeni, Chief Health Equity Officer, The Ohio State University Wexner Medical Center  Carrie Harris-Muller, Senior Vice President and Chief Population Health Officer, OhioHealth  Amy Rohling McGee, President, Health Policy Institute of Ohio  Kate Tullio, Associate Vice President for Health Equity, CareSource  The moderator is Angela Dawson, Executive Director, Ohio Commission on Minority Health The presenting sponsors of CMC's long-running Optimal Health Series are The Ohio State University Wexner Medical Center, OhioHealth, and Nationwide Children's Hospital. This forum was also sponsored by AstraZeneca and Cardinal Health.  The livestream presenting sponsor was The Center for Human Kindness at the Columbus Foundation. The livestream partner was The Columbus Dispatch. It was also supported by The Ellis.  This forum was recorded before a live audience at The Ellis in Columbus, Ohio's historic Italian Village on October 23, 2024.

With early voting already underway, Ohio voters are being asked to decide if a new approach to redrawing the state's electoral districts is necessary. At stake is potentially nothing less than the future control of Ohio's statewide legislative bodies. The nonprofit Citizens Not Politicians asserts that Ohio's current electoral districts are gerrymandered – or drawn unfairly to tilt the electoral playing field – and favors Republicans who currently control both the Ohio House and Senate, while Republican leaders have said no such unfairness exists and that the Democratic failure to secure more of Ohio's legislative seats is simply an accurate reflection of voter preference. If the proposed ballot initiative passes, control over drawing Ohio's electoral districts will pass from politicians to a new 15-member nonpartisan board. Will the state's voters agree that gerrymandering is an issue Ohio needs to solve with a fresh approach, or will the status quo win out? We unpack the future of Ohio's legislative districts and the stark choice the state's voters face this fall. Featuring: Kareem Crayton, Vice President, The Brennan Center for Justice Keith Faber, Ohio Auditor of State Maureen O'Connor, Former Chief Justice, The Supreme Court of Ohio  Bradley Smith, The Josiah H. Blackmore II / Shirley M. Nault Professor of Law, Capital University  The moderator is Jessie Balmert, State Government Reporter, The Columbus Dispatch | Gannett | USA Today Network.  This forum was sponsored by The Charles F. Kettering Foundation, The Ohio Chamber of Commerce, and The Ohio Debate Commission. Our forum partner was The League of Women Voters of Metropolitan Columbus. The livestream presenting sponsor was The Center for Human Kindness at the Columbus Foundation. CMC's livestream and marketing partner was The Columbus Dispatch. It was supported by Vue Columbus.  This forum was recorded before a live audience at Vue Columbus in the Brewery District on October 16, 2024.

An erosion of LGBTQ+ rights seems to be the latest casualty of America's deepening polarization. This week's panel takes stock of the trajectory of LGBTQ+ rights and what the future may hold for LGBTQ+ Ohioans and their families. Featuring:  The Honorable Nickie J. Antonio, Ohio State Senate Democratic Leader  Karen Hewitt, Founder and CEO, K Hewitt Consulting, and Co-Founder and COO, The Ohio REST Collective Cam Ogden, Policy Manager, Equality Ohio  Ken Schneck, Editor, The Buckeye Flame  The moderator was Ronald Murray, Associate Director of Health Advocacy at Equitas Health, and Community Engagement Liaison, Stonewall Columbus.  This forum was sponsored by the Lynn Greer Legacy in Civic Engagement Fund Celebrating Inclusion & Equity for the LGBTQ Community, Huckleberry House, and Encova Insurance. The livestream presenting sponsor was The Center for Human Kindness at the Columbus Foundation. The livestream partner was The Columbus Dispatch. It was supported by Vue Columbus.  This forum was recorded before a live audience at Vue Columbus in the Brewery District on October 9, 2024

Could fresh thinking about philanthropy help save the lives of mothers and babies in Central Ohio? This panel explores how participatory grantmaking, trust-based philanthropy, and low-barrier funding promise to improve the lives of Central Ohio's mothers and babies. Featuring:  Isi Ikharebha Green, President, Physicians CareConnection  Kelley Griesmer, President and CEO, The Women's Fund of Central Ohio  Jill Miller, President and CEO, Bethesda Inc. and bi3  Danielle Tong, Executive Director, CelebrateOne  The moderator was Jennifer Bullock, Weekday Anchor, NBC4.  This forum was sponsored by The Ohio State University Wexner Medical Center.  The livestream presenting sponsor was The Center for Human Kindness at the Columbus Foundation. The livestream partner was The Columbus Dispatch. It was supported by Vue Columbus.  This forum was recorded before a live audience at Vue Columbus in Columbus, Ohio's Brewery District on October 2, 2024.

What would Central Ohio's future look like with safe, affordable mixed-income neighborhoods as a part of everyday life? How much healthier, stronger, and more equitable would our region be?  For the most part, this is now just a dream for many central Ohioans. Our region is experiencing a severe housing shortage because we've built an average of only 8,000 housing units per year for more than a decade, while 20,000 units per year were needed to balance supply and demand. This caused the price of housing for both renters and buyers to increase by more than three times the increase in median income for both renters and homebuyers. Today, we examine the links connecting housing, health, and opportunity and spotlight the will to act that could open the gates to healthier outcomes for all. Featuring panelists:  Merisa Bowers, Council President & Member At-Large, Gahanna City Council  Michael B. Coleman, Former Mayor, City of Columbus, and Partner, Ice Miller   Dr. Craig Pollack, Katey Ayers Endowed Professor, Johns Hopkins School of Nursing and Johns Hopkins Bloomberg School of Public Health (including opening remarks) Kenneth L. Wright, Mayor & Council Member At-Large, City of Westerville The moderator was Darci Congrove, Managing Director, GBQ.  This forum was sponsored by The Robert Weiler Company and the Thanks Be To God Foundation.  The livestream presenting sponsor was The Center for Human Kindness at the Columbus Foundation. The livestream partner was The Columbus Dispatch. It was supported by The Ellis and by Families Flourish.  This forum was recorded before a live audience at The Ellis in Columbus, Ohio's historic Italian Village on September 25, 2024.

Will an innovative new collaboration help Central Ohio attract and build the workforce it needs? The Central Ohio Workforce Development Network is a new large-scale collaborative between thirteen organizations that backers say will open a wide new pipeline funneling eager workers to employers. With a panel of employment advocates and regional leaders, we unpack this newest effort to keep Central Ohio's talent pool filled to the brim. Featuring: Toni Cunningham, President & CEO, Godman Guild  Lisa Divine, Manager, Learning and Development, Worthington Steel  Scott Johnson, Director, Central Ohio Workforce Development Network  The moderator is Bo Chilton, CEO, IMPACT Community Action.  This forum was sponsored by Accenture, Battelle, Otterbein University, Regionomics, and The United Way of Central Ohio.  The livestream presenting sponsor was The Center for Human Kindness at the Columbus Foundation. The livestream partner was The Columbus Dispatch. It was supported by The Ellis and Aspyr.  This forum was recorded before a live audience at The Ellis in Columbus, Ohio's historic Italian Village on September 18, 2024.

According to Hunger Ohio, our state has one of the highest rates of food insecurity in the country, with over 400,000 children across the state living in food-insecure households. What would it take to end hunger once and for all in Central Ohio? This forum brings together passionate experts to spotlight hunger in our midst and discuss actionable steps we can take together. Featuring: Matt Habash, President & CEO, Mid-Ohio Food Collective    Dr. Mysheika W. Roberts, Health Commissioner, Columbus Public Health    Dr. Carol Bradford, Dean of The Ohio State University School of Medicine and Vice President of Health Sciences, The Ohio State University Wexner Medical Center    Adam Troy, Executive Director, Community of Caring Development Foundation    The moderator was Michelle Brown, President & CEO, Children's Hunger Alliance.    This forum was sponsored by The Jeffrey Family Legacy Fund, Kroger, Nationwide, and The Osteopathic Heritage Foundation.    The livestream presenting sponsor was The Center for Human Kindness at the Columbus Foundation. The livestream partner was The Columbus Dispatch. It was supported by The Ellis.    This forum was recorded before a live audience at The Ellis in Columbus, Ohio's historic Italian Village on September 11, 2024. 

In today's polarized landscape, can we still have constructive bipartisan dialogue, especially with a contentious election season underway? Are good-faith discussions across divides even possible in America's white-hot political climate? Our panelists say not only are they possible, they're essential if our democracy is to survive and thrive. By fostering respect and understanding – and most importantly, by truly listening to one another - we can still bridge gaps, collaborate, and succeed. Join us with an incredible panel of public servants who believe bipartisan dialogue in a democratic society is both possible and indispensable.  Featuring: Lee Fisher, Former Ohio Attorney General, and Dean and Joseph C. Hostetler-BakerHostetler Chair in Law, Cleveland State University College of Law Betty Montgomery, Former Ohio Attorney General, and Of Counsel, Mac Murray & Shuster Nancy Rogers, Former Ohio Attorney General, and Former Dean of the Executive Committee for the Divided Community Project, The Ohio State University Moritz College of Law The moderator is Laurel Beatty Blunt, Judge, 10th District Court of Appeals, State of Ohio.    This forum was sponsored by The Chief Justice Thomas J. Moyer Legacy Committee of the Ohio State Bar Association and Porter Wright Morris and Arthur.  The livestream presenting sponsor was The Center for Human Kindness at the Columbus Foundation. The livestream partner was The Columbus Dispatch.  It was supported by The League of Women Voters of Metropolitan Columbus and by The Ellis.  This forum was recorded before a live audience at The Ellis in Columbus, Ohio's historic Italian Village on September 4, 2024. 

Central Ohio's women face unique barriers compared to men in the creation and accumulation of their personal wealth. The cost of the disparity is enormous: the Federal Reserve estimated that closing gender and racial wealth gaps could have increased Ohio's GDP by $67 billion between 2005 and 2019. This week's forum digs into the challenges Central Ohio women face in the creation of personal wealth and the new data and policies needed to close the disparity. Featuring: Courtney Falato, Vice President and Program Officer, Global Philanthropy, JPMorgan Chase & Co. Hannah Halbert, Executive Director, Policy Matters Ohio Kimberly Minor, President and CEO, Women of Color Retail Alliance Lillian Morales-Laster, Executive Director, Empowering Latinas Leadership Academy (ELLA) The moderator was Kelley Griesmer, President and CEO, The Women's Fund of Central Ohio. This forum was sponsored by The Ohio State University and The Ellis. The livestream presenting sponsor was The Center for Human Kindness at the Columbus Foundation. The livestream partner was The Columbus Dispatch.  This forum was recorded before a live audience at The Ellis in Columbus, Ohio's historic Italian Village on August 28, 2024.

The free press and democracy draw strength from each other. When one fails, or is deliberately targeted for destruction, the other is likely to also be a casualty. This week's forum dives into the importance of a free press and the role journalism plays in keeping democracy vigorous. Featuring: Rita McNeil Danish, CEO of Signal Ohio Dr. Kelly Garrett, Director, School of Communication at The Ohio State University Michael Shearer, Executive Editor of The Columbus Dispatch The moderator is Rodney Dunigan, Assistant News Director with ABC 6. The forum partner was The Columbus Dispatch.  The livestream presenting sponsor was The Center for Human Kindness at the Columbus Foundation. The livestream partner was The Columbus Dispatch. It was supported by The Ellis. This forum was recorded at The Ellis in Columbus Ohio's historic Italian Village on August 21, 2024.

Disclaimer: This episode contains conversations around addiction, sexual abuse and trauma. If you find these topics triggering, please take care while listening. Our guest this week is multi-award winning author Katriona O'Sullivan. Katriona's book 'Poor' has spent a bazillion weeks at number one, and for good reason, it's phenomenal. The lads chat to Katriona about the poorest people in society, addiction and how the power of human kindness can change someone's life. Hosted on Acast. See acast.com/privacy for more information.

Get ready for retirement, because it's coming: while not everyone in Central Ohio is ready to clock out for the last time, the region will soon have more residents reaching the age of 65 than starting kindergarten. It's a situation with enormous implications for employers, school districts, healthcare providers, and taxpayers. The 65+ age group of Franklin County residents is the fastest growing segment of the county's population, increasing over 50% between 2010 and 2022. During that time, the number of kindergartners – the 0-4 age group – grew by just 2.4%. According to a Columbus Dispatch article published earlier this year, the median age nationally is now 39 years old, rising steadily from 37.2 in 2010 and 35.2 in 2000. Ohio's average age is even higher at 39.6 years. What policy and infrastructure changes are needed now to meet the housing, transit, homecare and healthcare needs of what's rapidly becoming most of us? It's a situation with HUGE implications for employers, school districts, healthcare providers, and taxpayers. Featuring: Dr. Holly Dabelko-Schoeny, Director of Research for The Age-Friendly Innovation Center, The Ohio State University College of Social Work Katie White, Director, The Central Ohio Area Agency on Aging Kalitha Williams, Outreach and Advocacy Manager, AARP Ohio Chanda Wingo, Director, Franklin County Office on Aging The moderator is Tasha Booker, Caregiver and Senior Vice President for External Engagement, City Year. This forum was sponsored by AARP Ohio, The Franklin County Board of Commissioners, and The Isabelle Ridgeway Foundation.  The forum partner was King Business Interiors. The livestream presenting sponsor was The Center for Human Kindness at the Columbus Foundation. The livestream partner was The Columbus Dispatch. It was supported by The Ellis.  This forum was recorded at The Ellis in Columbus Ohio's historic Italian Village on August 7, 2024.

Columbus, Ohio has been stacking up impressive accolades for some time. The city is home to some of the country's top attractions, world-class sports, a great restaurant and bar scene, and a growing and diversifying population that's significantly younger than the statewide average. Recently, Experience Columbus – the destination marketing organization for Columbus – launched a new campaign to bring attention to the great things Columbus has and is. Its “yes, Columbus” campaign has set its sights on sharing the city's greatness with potential visitors and residents and draws on findings from a communitywide perception study from 2023 that showed that while those who know Columbus are positive, familiarity with Ohio's capital city is low outside of Ohio. What is the new campaign and what will its reach be? What is the Columbus brand? Columbus has long sought to shape a unique identity that's appealing, aspirational, and authentic to who we are and what we want to become. Can we?  Featuring: Yohannan "Yogi" Terrell, CEO, Warhol & WALL ST., and Director, Columbus Fashion Initiative Sarah Townes, Chief Marketing and Innovation Officer, Experience Columbus Stephanie Spicer, President, Luquire Steve Susi, Senior Director, Brand Strategy, Northwestern Mutual The moderator is Jennifer Walton, Chief Brand Officer, Sky Nile Consulting The livestream presenting sponsor was The Center for Human Kindness at the Columbus Foundation. The livestream partner was The Columbus Dispatch. It was supported by The Ellis. This forum was recorded at The Ellis in Columbus Ohio's historic Italian Village on July 31, 2024.

More than 1.5 million Ohioans – over 13% of the state's population – lives in the cities governed by our three July 24 forum panelists. We welcome the current mayors of Cincinnati, Columbus, and Cleveland, Ohio for an extraordinary program as these three dynamic leaders discuss the unique challenges and opportunities facing their 21st century cities. We'll hear their strategies for economic growth, urban development, transit, community engagement, and much more. Join us for this rare opportunity to hear firsthand from the mayors shaping the future of Ohio's three largest cities. Featuring:  Andrew Ginther, Mayor, City of Columbus Justin Bibb, Mayor, City of Cleveland And Aftab Pureval, Mayor, City of Cincinnati The moderator is Yolanda Harris, News Anchor, WBNS-10TV This forum was sponsored by Bricker Graydon, The Columbus Region, The Ohio Mayors Alliance, and Spectrum. The livestream presenting sponsor was The Center for Human Kindness at the Columbus Foundation. The livestream partner was The Columbus Dispatch. It was supported by The Ellis. This forum was recorded at The Ellis in Columbus, Ohio's historic Italian Village on July 24, 2024.

Walter “Ted” Carter Jr. was appointed as the 17th president of The Ohio State University by its Board of Trustees last August. He began his tenure at Ohio State on January 1 of this year. As president, Carter leads the state's premier public research university with six campuses in Ohio and a student body of more than 65,000. Carter also served as president of the University of Nebraska System and was the U.S. Naval Academy's longest continuously serving superintendent since the Civil War. He is a retired U.S. Navy vice admiral with 38 years of service and has logged more than 6,300 flying hours. Carter flew 125 combat missions in Iraq, Afghanistan, Kuwait, Bosnia and Kosovo. He received the Distinguished Flying Cross with combat distinction for valor and is a recipient of the Bronze Star. CMC is honored to welcome President Carter for this special 1:1 forum as we explore the future of the state's flagship university and the vision of its new leader. Featuring: Walter “Ted” Carter Jr., President, The Ohio State University The host is Matt Barnes, NBC4 Anchor This forum was sponsored by The Joseph & Carol Newcomb-Alutto Legacy in Civic Engagement Fund Focusing on Higher Education, The Ohio State University, Huntington, United Way of Central Ohio, Columbus Business First, Moody Nolan, and NBC4 WCMH TV.  The presenting sponsor of CMC's livestream was The Center for Human Kindness at the Columbus Foundation. CMC's livestream partner was The Columbus Dispatch. It was supported by Vue Columbus.  This forum was recorded before a live audience at Vue Columbus in Columbus, Ohio's historic Brewery District on July 17, 2024.

In today's episode, Ally talks about the journey that led her to become the inspired leader that she is today. She shares the highs and the lows and what it was that ultimately created such a great culture within the teams she would build, that others admired and wanted to replicate. Ally Stone has been a partner and leader in the hospitality industry since 2005. During that time, she was integral to developing 15 successful businesses and teams. As Director of Culture and Leadership Development, Ally mastered a deep understanding of what it means to be truly connected as a leader and how that drives the success of any business. She bases her leadership style on what she has come to call “Inspired Leadership.” the approach elevates teamthinking beyond everyday problems and obstacles, building instead on quality in group and individual connection for lasting effect. This has created a culture of engaged, emerging leaders in her organization that many admire and emulate to this day. Ally has worked with thousands of leaders from all levels of organizations. In 2022 Ally was awarded the Transformational Leader Award by The Universal Women's Network and recognized as The Most Inspiring Leadership Development Company by A. I. International. Ally is also a certified Meditation Teacher, a Heart Math Resilience Mentor, and an ICF Certified Coach working towards her Master's Certification.Check out Ally's website hereFollow Ally on InstagramAlly on LinkedIn Candace Dunaway is the Host of the All Things Relatable podcast. Candace practices daily gratitude and believes that this practice is the key to living a joyful life. Candace sees the world through an optimistic lens and looks for the silver linings, even in the most difficult of times. She believes that life is a collection of simple moments of joy that compound to create a happy life.Follow Candace on InstagramUse coupon code candace10 to receive 10% off your set of Now by Solu Meditation SpeakersGet your meditation speakers here

In this compelling and heartfelt video, Pastor Ian Simkins of The Bridge Church in Spring Hill, TN, delves into the transformative week he chose to experience homelessness firsthand. With vivid detail and raw emotion, Pastor Ian shares insights from his journey—challenges faced, lessons learned, and the profound impact it had on his faith and ministry. From the streets of Philadelphia to interactions with the homeless community, his story reveals the depths of human kindness and the societal gaps that often go unnoticed. Join Pastor Ian as he reflects on the importance of true, incarnational hospitality and the subtle, powerful ways we can embody the teachings of Jesus in our everyday interactions.

The Creature is on the run and finally meets a good family. Will they accept it?