Podcasts about Jenny Zhang

This episode explores new research, which has found that the richest 1% of people caused 20 times more warming than the global average since 1990. --- Read this episode's science poem here. Read the scientific study that inspired it here. Read ‘ted talk' by Jenny Zhang here. --- Music by Rufus Beckett. --- Follow Sam on social media and send in any questions or comments for the podcast: https://linktr.ee/sam.illingworth  

Melvyn Bragg and guests discuss Louisa May Alcott's 1868 novel, credited with starting the new genre of young adult fiction. When Alcott (1832-88) wrote Little Women, she only did so as her publisher refused to publish her father's book otherwise and as she hoped it would make money. It made Alcott's fortune. This coming of age story of Meg, Jo, Beth and Amy March, each overcoming their own moral flaws, has delighted generations of readers and was so popular from the start that Alcott wrote the second part in 1869 and further sequels and spin-offs in the coming years. Her work has inspired countless directors, composers and authors to make many reimagined versions ever since, with the sisters played by film actors such as Katherine Hepburn, Elizabeth Taylor, Winona Ryder, Claire Danes, Kirsten Dunst, Saoirse Ronan and Emma Watson. With Bridget Bennett Professor of American Literature and Culture at the University of LeedsErin Forbes Senior Lecturer in African American and U.S. Literature at the University of BristolAndTom Wright Reader in Rhetoric and Head of the Department of English Literature at the University of SussexProducer: Simon TillotsonReading list:Louisa May Alcott (ed. Madeline B Stern), Behind a Mask: The Unknown Thrillers of Louisa May Alcott (William Morrow & Co, 1997)Kate Block, Jenny Zhang, Carmen Maria Machado and Jane Smiley, March Sisters: On Life, Death, and Little Women (Library of America, 2019)Anne Boyd Rioux, Meg, Jo, Beth, Amy: The Story of Little Women and Why It Still Matters (W. W. Norton & Company, 2018)Azelina Flint, The Matrilineal Heritage of Louisa May Alcott and Christina Rossetti (Routledge, 2021)Robert Gross, The Transcendentalists and Their World (Farrar, Straus and Giroux, 2022)John Matteson, Eden's Outcasts: The Story of Louisa May Alcott and Her Father (W. W. Norton & Company, 2007)Bethany C. Morrow, So Many Beginnings: A Little Women Remix (St Martin's Press, 2021)Anne K. Phillips and Gregory Eiselein (eds.), Critical Insights: Louisa May Alcott (Grey House Publishing Inc, 2016)Harriet Reisen, Louisa May Alcott: The Woman Behind Little Women (Picador, 2010)Daniel Shealy (ed.), Little Women at 150 (University of Mississippi Press, 2022)Elaine Showalter, A Jury of Her Peers: American Women Writers from Anne Bradstreet to Annie Proulx (Virago, 2009)Simon Sleight and Shirleene Robinson (eds.), Children, Childhood and Youth in the British World (Palgrave, 2016), especially “The ‘Willful' Girl in the Anglo-World: Sentimental Heroines and Wild Colonial Girls” by Hilary EmmettMadeleine B. Stern, Louisa May Alcott: A Biography (first published 1950; Northeastern University Press, 1999) In Our Time is a BBC Studios Audio Production

We are thrilled to welcome James R. Benn, author of the Billy Boyle World War II mystery series. The nineteenth book in the series, THE PHANTOM PATROL, is out today! It's Winter 1944, and Boyle is on a mission that takes him from the beleaguered art world of Paris to the front lines of the Battle of the Bulge. Some of the novels we discuss in this episode include THE MOST by Jessica Anthony, THE GATHERING by C.J. Tudor, DEMON COPPERHEAD by Barbara Kingsolver, OUT AT THE PLATE: The Dot Wilkinson Story by Lynn Ames, and the third quarter readalong in our Year of Reading Romance, ENVY by Sandra Brown. Emily took a couple of older literary journals off her shelf and read two short stories: “The Miracle Years of Little Fork” by Rebecca Makkai in Ploughshares (Summer 2015 edition) and “Why Were They Throwing Bricks?” by Jenny Zhang in n+1 (Spring 2017). We also talk about what we are #currentlyreading, including two that are out now: A TALE OF TWO CITIES by Charles Dickens and, perfect for Banned Books Week: THAT LIBRARIAN: THE FIGHT AGAINST BOOK BANNING IN AMERICA by Amanda Jones. And two that are forthcoming: THE MIGHTY RED by Louise Erdrich (out 10/1/2024 from Harper) and JANE AUSTEN'S BOOKSHELF: A Rare Bookseller's Quest to Find the Women Writers Who Shaped a Legend by Rebecca Romney (2/18/2025 from Marysue Rucci Books/Simon & Schuster). In #BiblioAdventures, Emily had a lovely visit to the New Canaan Public Library, and Chris continues to rewatch the Harry Potter movies. As always, we talk about more books and adventures than we can squeeze into this quick preview. We hope you enjoy this episode, and if you do, please leave a review on iTunes or wherever you listen or tell a friend about us. Happy Reading! Emily & Chris

On this week's show, Rebecca Onion and Jenny Zhang fill in for Stephen. First, the panel tackles HBO's Industry. The show is in its third season and has seen a huge increase in viewership. But is it a show worth of the coveted Sunday night timeslot? Then, they explore Alien: Romulus, a new addition to Xenomorph lore, with a controversial cameo. Finally, the panel talks about Sephora, beauty culture and tweens in a conversation inspired by Jia Tolentino's new essay What Tweens Get from Sephora and What They Get From Us.  On this week's exclusive Slate Plus bonus episode, the panel talks about watching horror movies as a critic.  Email us at culturefest@slate.com.  Endorsements: REBECCA: Two endorsements: First, Health and Safety: A Breakdown by Emily Witt. This memoir from a New Yorker writer is a fascinating look at “changing perceptions of life.” Second, pistachio milk. It's tasty.  JULIA: This week's Hang Up and Listen marks the end of an era. “What a gift this show has been.”  DANA: The Review of Beauty, a substack from Jessica Delfino. Dana knows she may have endorsed it in the past, but given the third topic this week it is too fitting to not mention it again.  Podcast production by Jared Downing. Production assistance by Kat Hong.  Hosts Dana Stevens, Julia Turner, Rebecca Onion, Jenny Zhang Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, Rebecca Onion and Jenny Zhang fill in for Stephen. First, the panel tackles HBO's Industry. The show is in its third season and has seen a huge increase in viewership. But is it a show worth of the coveted Sunday night timeslot? Then, they explore Alien: Romulus, a new addition to Xenomorph lore, with a controversial cameo. Finally, the panel talks about Sephora, beauty culture and tweens in a conversation inspired by Jia Tolentino's new essay What Tweens Get from Sephora and What They Get From Us.  On this week's exclusive Slate Plus bonus episode, the panel talks about watching horror movies as a critic.  Email us at culturefest@slate.com.  Endorsements: REBECCA: Two endorsements: First, Health and Safety: A Breakdown by Emily Witt. This memoir from a New Yorker writer is a fascinating look at “changing perceptions of life.” Second, pistachio milk. It's tasty.  JULIA: This week's Hang Up and Listen marks the end of an era. “What a gift this show has been.”  DANA: The Review of Beauty, a substack from Jessica Delfino. Dana knows she may have endorsed it in the past, but given the third topic this week it is too fitting to not mention it again.  Podcast production by Jared Downing. Production assistance by Kat Hong.  Hosts Dana Stevens, Julia Turner, Rebecca Onion, Jenny Zhang Learn more about your ad choices. Visit megaphone.fm/adchoices

The conversation this week is with Jenny Zhang, otherwise known as Jay-Z. Jenny has been a senior AI product manager who has launched machine learning products for Capital One, which saved more than a hundred million dollars annually, retained employees, and retained customers. A graduate of Stanford University, she is currently a co-founder and senior product manager of Founder Design Thinking, where she works with creators who want more reach by helping them to speak on a podcast, find AI tools that help their startup, and prioritize features that users love.If you are interested in learning about how AI is being applied across multiple industries, be sure to join us at a future AppliedAI Monthly meetup and help support us so we can make future Emerging Technologies North non-profit events!Emerging Technologies NorthAppliedAI MeetupResources and Topics Mentioned in this Episodecallmejz.aiAI MarketingSpeaker ProfileHeyGenRobloxArt BaselTheresAnAIForThatNoCode AI Discord ChannelProduct Led AllianceHeadlinerEnjoy!Your host,Justin Grammens

Apa jadinya ketika sebuah kebiasaan berubah menjadi kengerian. “Sleep Call” film yang disutradarai oleh Fajar Nugros siap mengangkat fenomena kesepian masyarakat yang akhirnya menjadikan dunia maya sebagai pelarian. Bergenre ‘suspense thriller', film ini dibintangi  Laura Basuki, Juan Bio One, Jenny Zhang, Della Dartyan, Rachel Vennya Kristo Immanuel, Bront Palarae dan Dimas Danang. Tayang 7 September mendatang, simak obrolan podcast ANTARA kali ini bersama pemain ‘Sleep Call' dan sang sutradara. --- Send in a voice message: https://podcasters.spotify.com/pod/show/antaranews-podcast/message

Engineering manager at Vox Media and author Nicole Zhu joins Stephanie on today's episode to discuss her writing practice. nicoledonut is a biweekly newsletter about the writing process and sustaining a creative life that features creative resources, occasional interviews with creative folks, short essays on writing and creativity, farm-to-table memes and TikToks, and features on what Nicole is currently writing, reading, and watching. This episode is brought to you by Airbrake (https://airbrake.io/?utm_campaign=Q3_2022%3A%20Bike%20Shed%20Podcast%20Ad&utm_source=Bike%20Shed&utm_medium=website). Visit Frictionless error monitoring and performance insight for your app stack. Kieran Culkin on learning about billionaires filming Succession (https://www.tiktok.com/@esquire/video/7215641441597410603?_r=1&_t=8bPK4Ingkf5) The Home Depot skeleton (https://twitter.com/jenni_tabler/status/1566266554240888832) Nicole Zhu's newsletter (https://nicoledonut.com/) The Making of a Manager by Julie Zhuo (https://www.juliezhuo.com/book/manager.html) Saving Time by Jenny Odell (https://www.penguinrandomhouse.com/books/672377/saving-time-by-jenny-odell/) Transcript: STEPHANIE: Hello and welcome to another episode of The Bike Shed, a weekly podcast from your friends at thoughtbot about developing great software. I'm Stephanie Minn. And today, I'm joined by my friend and special guest, Nicole Zhu. NICOLE: Hi, I'm so excited to be here. My name is Nicole, and I am an Engineering manager at Vox Media and a writer. STEPHANIE: Amazing, I'm so thrilled to have you here. So, Nicole, we usually kick off the show by sharing a little bit about what's new in our world. And I can take us away and let you know about my very exciting weekend activities of taking down our Halloween skeleton. And yes, I know that it's April, but I feel like I've been seeing the 12-foot Home Depot skeletons everywhere. And it's becoming a thing for people to leave up just their Halloween decorations and, just as the other holidays keep rolling on, changing it up so that their skeleton is wearing like bunny ears for Easter or a leprechaun hat for St. Patrick's Day. And we've been definitely on the weird skeleton in front of the house long past the Halloween train for a few years now. Our skeleton's name is Gary. And it's funny because he's like a science classroom skeleton, so not just plastic. He's actually quite heavy. NICOLE: He's got some meat to the bones. [laughs] STEPHANIE: Yeah, yeah, and physiologically correct. But we like to keep him out till spring because we got to put him away at some point so that people are excited again when he comes back out in October. And the kids on our block really love him. And yeah, that's what I did this weekend. [laughs] NICOLE: I love it. I would love to meet Gary one day. Sounds very exciting. [laughs] I do get why you'd want to dress up the skeleton, especially if it's 12 feet tall because it's a lot of work to put up and take down for just one month, but that's fascinating. For me, something new in my world is the return of "Succession," the TV show. STEPHANIE: Oh yes. NICOLE: I did not watch yesterday's episode, so I'm already spoiled, but that's okay. But I've been getting a lot of Succession TikToks, and I've been learning a lot about the making of the show and the lives of the uber-rich. And in this one interview with Kieran Culkin, the interviewer asked him, "What's something that you learned in shooting the show about the uber-rich about billionaires that's maybe weird or unexpected?" And Kieran Culkin says that the uber-rich don't have coats because they're just shuttled everywhere in private jets and cars. They're not running to the grocery store, taking the subway, so they don't really wear coats, which I thought was fascinating. It makes a lot of sense. And then there was this really interesting clip too that was talking about the cinematography of the show. And what is really interesting about it is that it resists the wealth porn kind of lens because it's filmed in this mockumentary style that doesn't linger or have sweeping gestures of how majestic these beautiful cities and buildings and apartments they're in. Everything just seems very matter of fact because that is just the backdrop to their lives, which I think is so interesting how, yeah, I don't know, where I was like, I didn't ever really notice it. And now I can't stop seeing it when I watch the show where it's about miserable, rich people. And so I like that the visual language of the show reflects it too. STEPHANIE: Wow, yeah, that makes a lot of sense. The coat thing really gets me because I'm just imagining if I could be perfectly climate controlled all the time. [laughs] NICOLE: Right? Oh my gosh, especially you're based in Chicago [laughs], that is when you can retire the winter coat. That is always an important phase. STEPHANIE: Yeah, seriously. I also am thinking now about just like the montages of showing a place, just movies or shows filmed in New York City or whatever, and it's such...so you know it's like the big city, right? NICOLE: Mmm-hmm, mm-hmm. STEPHANIE: And all of that setup. And it's really interesting to hear that stylistically, that is also different for a show like this where they're trying to convey a certain message. NICOLE: Yeah, yeah, definitely. STEPHANIE: So I'm really excited to have you on The Bike Shed because I have known you for a few years. And you write this really amazing newsletter called "nicoledonut" about your writing practice. And it's a newsletter that I open every other week when you send out a dispatch. And last year at RubyConf, they had a conference track called Bringing Your Backgrounds With You. And there were talks that people gave about how the hobbies that they did outside of work or an identity that they held made them a better developer, like, affected how they showed up at work in a positive way. And as someone who has always been really impressed by the thoughtfulness that you apply to your writing practice, I was really curious about how that shows up for you as an engineering manager. NICOLE: Definitely a great question. And to provide a bit of context for listeners, I feel like I have to explain the newsletter title because it's odd. But there's a writer who I really love named Jenny Zhang, and her handle across the Internet is jennybagel. And so I was like, oh, that would be so funny. I should be nicoledonut. I do love donuts. My Neopets username was donutfiend, so it was -- STEPHANIE: Hell yeah. NICOLE: But anyway, so that was kind of...I was like, I need to come up with some fun title for this newsletter, and that is what I settled on. But yes, I've written personal essays and creative nonfiction. And my primary focus more recently these past few years has been fiction. And this newsletter was really kind of born out of a desire to learn in the open, provide resources, act as kind of a journal, and just process ideas about writing and what it means to kind of sustain a creative life. So it has definitely made me more reflective and proactively, like you said, kind of think about what that means in terms of how that transfers into my day job in engineering. I recently moved into management a little over a year ago, and before that, I was a senior full-stack engineer working on a lot of our audience experiences and websites and, previously, more of our editorial tools. So I think when it comes to obviously writing code and being more of an individual contributor, I think you had previously kind of touched on what does it mean to treat code as a craft? And I do think that there are a lot of similarities between those two things because I think there's creativity in engineering, of course. You have to think about going from something abstract to something concrete. In engineering, you're given generally, or you're defining kind of requirements and features and functionality. You may be make an engineering plan or something like that, an EDD, given those constraints. And then I think writing is very similar. You outline, and then you have to actually write the thing and then revise. I do think writing is not necessarily as collaborative as coding is, perhaps, but still similar overall in terms of an author having a vision, dealing with different constraints, if that's word count, if it's form or structure, if it's point of view, things like that. And that all determines what the outcome will be. You always learn something in the execution, the idea that planning can only take you so far. And at a certain point, you gather as much background knowledge and information and talk to as many people. Depending on the kinds of writing I do, I have or haven't done as much research. But at a certain point, the research becomes procrastination, and I know I need to actually just start writing. And similarly, with engineering, I think that's the piece is that once you actually start implementation, you start to uncover roadblocks. You uncover questions or complications or things like that. And so I think that's always the exciting part is you can't really always know the road ahead of you until you start the journey. And I also think that in order to benefit from mentorship and feedback...we can talk more about this. I know that that's something that is kind of a larger topic. And then another thing I think where the two are really similar is there's this endless learning that goes with each of them. I guess that's true of, I think, most crafts. Good practitioners of the craft, I think, take on that mindset. But I do think that obviously, in engineering, you have industry changes, new technologies emerging really frequently. But I do think that good writers think about that, too, in terms of what new novels are coming out. But also, how do you build a solid foundation? And I do think it's that contrast that applies in any craft is, you know, you want to have a good solid foundation and learn the basics but then keep up to date with new things as well. So I think there was this...there's this meme I actually did include in the newsletter that was...it's the meme of these two guys looking at different windows of a bus, and one looks really sad, and one looks really happy. But the two of them have the same caption, which is there's always more to learn. And so I think that is the two sides of the coin [laughs]. I think that is relevant in engineering and writing that I've kind of brought to both of those practices is trying to be optimistic [laughs] about the idea that there's always more to learn that that's kind of the thought of it. And then certainly, when it comes to management, I do think that writing has proven really valuable in that very obvious sense of kind of practical communication where I just write a lot more. I write a lot more things that are not code, I should say, as a manager. And communication is really at the forefront of my job, and so is demonstrating curiosity and building empathy, fostering relationships with people. And I do think that particularly writing fiction you have to be curious about people I think to be a writer. And I think that is true of managers as well. So I do think that has been a really interesting way that I didn't anticipate writing showing up in my day job but has been a really helpful thing and has made my work stronger and think about the people, the process, and kind of what we do and why a little differently. STEPHANIE: Yeah, absolutely. Wow, you got into a lot of different things I'm excited to keep discussing further. But one thing that I was thinking about as you were talking was, have you heard of the adage, I guess, that code is read many more times than it's written? NICOLE: Hmm, I think I have, yeah. STEPHANIE: I was thinking about that as you were talking because, in some ways, in most ways, actually, if you ascribe to that adage, I suppose, we write code for others to read. And I think there's an aspect of code telling a story that is really interesting. I've heard a lot of people advocate for writing, thoughtbot included, writing your tests like they're telling a story. And so when a future developer is trying to understand what's going on, they can read the tests, understand the setup, read what is being tested, and then read what the expected outcome is and have a complete picture of what's going on. The same goes for commit messages. You are writing little bits of documentation for people in the future. And I've also been thinking about how legacy code is just this artifact as well of all of the changes that an organization might have gone through. And so when you see something that you see a bit of code that is really weird or gets your spidey senses tingling, it's almost like, oh, I wonder what happened here that led to this piece left behind? NICOLE: Yeah, definitely. Now that you're talking about it, I also think of pull requests as a great way to employ storytelling. I remember there definitely have been times where myself or other engineers are working on a really thorny problem, and we always joke that the PR description is longer than the change. And it's like, but you got to read the PR description in order to understand what change you're making and why. And here's the backstory, the context to kind of center people in that. As a manager, I think about storytelling a lot in terms of defining purpose and providing clarity for teams. I was reading Julie Zhuo's "The Making of a Manager," and it was a really kind of foundational text for me when I first was exploring management. And she kind of boils it down to people, purpose, and process. And so I do think the purpose part of that is really tied to clear communication. And can you tell a story of what we're doing from really high-level vision and then more tactically strategy? And then making sure that people have bought into that, they understand, can kind of repeat that without you being there to remind them necessarily. Because you really want that message to carry through in the work and that they have that understanding. Vision is something I only recently have really started to realize how difficult it is to articulate. It's like you don't really understand the purpose of vision until you maybe don't have one, or you've been kind of just trying to keep your head afloat, and you don't have a Northstar to work towards. But I do think that is what plays into motivation, and team health, and, obviously, quality of the product. So yeah, that's kind of another dimension I've been thinking of. And also our foes actually. Sorry, another one. Our foes, I think, like outages and incidents. I think that's always a fun opportunity to talk about stories. There was a period of time where every time we had an incident, you had to present that incident and a recap of it in an engineering all-hands every month. And they ended up being really fun. We turned something that is ostensibly very stressful into something that was very entertaining that people could really get on board with and would learn something from. And we had the funniest one; I think was...we called it the Thanks Obama Outage because there was an outage that was caused by a photo of Barack Obama that had been uploaded in our content management system, as required no less, that had some malformed metadata or something that just broke everything. And so, again, it was a really difficult issue [laughs] and a long outage. And that was the result that I remember that presentation being really fun. And again, kind of like mythmaking in a way where that is something that we remember. We pay attention to that part of the codebase a lot now. It's taught us a lot. So yeah, I do think storytelling isn't always necessarily the super serious thing, but it can also just be team building, and morale, and culture as well. STEPHANIE: Yeah, absolutely. I think what you said about vision really resonates with me because if you don't have the vision, then you're also not making the best decisions you can be making even something as low-level as how you write the code. Because if you don't know are we going to be changing this feature a month from now, that might dictate how you go forth with implementation as opposed to if you know that it's not in the company's vision to really be doing anything else with this particular feature. And you then might feel a little more comfortable with a more rudimentary approach, right? NICOLE: Yeah, totally. Whether or not it's, we've over-optimized or not or kind of optimized for speed. Like, it's all about trade-offs. And I do think, again, like you said, having a vision that always you can check your decision-making against and inform the path ahead I think is very, very helpful. STEPHANIE: When you write, do you also keep that in mind? Like, do you write with that North Star? And is that really important to your process? NICOLE: I think it depends. I think that writing can be a little more at a slant, I suppose, is how I think of it because I don't always...just similar to work, I don't always come in with a fully-fledged fleshed-out vision of what I want a piece to be. The most recent piece I've been working on actually I did have kind of a pretty, I think, solid foundation. I've been working on this story about loneliness. And I knew that I wanted to base the structure on the UCLA...a UCLA clinic has this questionnaire that's 20 items long that is about measuring loneliness on a scale. And so I was like, okay, I knew that I wanted to examine dimensions of loneliness, and that would be the structure. It would be 20 questions, and it would be in that format. So that gave me a lot more to start with of, you know, here's where I want the piece to go. Here's what I want it to do. And then there have definitely been other cases where it's more that the conceit seems interesting; a character comes to mind. I overhear a conversation on the subway, and I think it's funny, and that becomes the first thing that is put on the page. So I definitely have different entry points, I think, into a draft. But I will definitely say that revision is the phase where that always gets clarified. And it has to, I think, because as much as I'm sometimes just writing for vibes, it's not always like that. And I do think that the purpose of revision is to clarify your goals so you can then really look at the piece and be like, is it doing what I want it to? Where is it lacking? Where's it really strong? Where's the pacing falling flat? And things like that. So I do think that sooner or later, that clarity comes, and that vision comes into focus. But it isn't always the first thing that happens, I think, because I do think the creative process is a little bit more mysterious, shall we say, than working on an engineering team. [laughs] STEPHANIE: Yeah. Well, you started off responding to my question with it depends, which is a very engineering answer, but I suppose -- NICOLE: That is true. That is true. You got me. [laughs] STEPHANIE: It applies to both. MID-ROLL AD: Debugging errors can be a developer's worst nightmare...but it doesn't have to be. 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Since 2008, Airbrake has been a staple in the Ruby community and has grown to cover all major programming languages. Airbrake seamlessly integrates with your favorite apps to include modern features like single sign-on and SDK-based installation. From testing to production, Airbrake notifiers have your back. Your time is valuable, so why waste it combing through logs, waiting for user reports, or retrofitting other tools to monitor your application? You literally have nothing to lose. Head on over to airbrake.io/try/bikeshed to create your FREE developer account today! STEPHANIE: You mentioned revision. And so, I do want to talk about feedback because I think that is an important part of the revision process. And I have really loved what you've had to say about writing feedback and your experience with writing feedback, especially in writing workshops. And I have always been really curious about what we might be able to learn about receiving feedback in code review. NICOLE: When it comes to receiving feedback, I think I wrote a two-part series of my newsletter, one that was about providing feedback, one that was about receiving it. I think on the side of receiving feedback, first and foremost, I think it's important to know when you're ready to share your work and know that you can share multiple times. In writing, that can be I show a very early draft to my partner who is the person who kind of reads everything and anything at any stage. It's something less polished, and I'm really just testing ideas. But then obviously, if there's something that is more polished, that is something I would want to bring to a writing group, bring into a workshop, things like that. Similarly, as engineers, I think...thank God for GitHub drafts actually adopting literally the way in which I think of that, right? STEPHANIE: Yeah. NICOLE: You can share a branch or a GitHub PR in progress and just check the approach. I've done that so many times, and really that helped so much with my own learning and learning from mentors in my own organization was checking in early and trying to gut-check my work earlier as opposed to later. Because then you feel, I think, again, a bit more naturally receptive because you're already in that questioning phase. You're not like, oh, this is polished, and I've written all the tests, and the PR description is done. And now you want me to go back and change the whole approach from the ground up. That can feel tough. I get that. And so I think, hand in hand, what goes with that is whose feedback are you interested in? Is that a peer? Is it a mentor? I think obviously leaning on your own team, on senior engineers, I do think that is one of the primary, I think, expectations of a senior engineer is kind of multiplying the effectiveness of their peers and helping them learn and grow. So I do think that that's a really valuable skill to develop on that end, but also, again, just approaching people. And obviously, different teams have different processes for that, if it's daily stand-ups, if it's GitHub reminders, automated messages that get pulled up in your channel, things like that. But there are ways to build that into your day-to-day, which I think is really beneficial too. And then there's also the phase of priming yourself to receive the feedback. And I think there's actually a lot of emotional work that I don't think we talk about when it comes to that. Because receiving feedback can always be vulnerable, and it can bring up unexpected emotions. And I think learning how to regulate the emotional response to that is really valuable for us as people but obviously within the workplace too. So I've found it really helpful to reflect if I'm getting feedback that...well, first of all, it depends on the format. So I think some people prefer verbal feedback, some people will prefer written. I think getting it in the form of written feedback can be helpful because it provides you some distance. You don't have to respond in the moment. And so I've definitely had cases where I then kind of want to reflect on why certain suggestions might elicit certain reactions if I have a fight or flight response, if I'm feeling ashamed or frustrated, or indignant, all the range of emotions. Emotions are, to put the engineering hat on, are information. And so I think listening to that, not letting it rule you per se but letting it inform and help you figure out what is this telling me and how do I then respond, or what should I do next? Is really valuable. Because sometimes it's not, again, actually the feedback; maybe it's more about that, oh, it's a really radical idea. Maybe it's a really...it's an approach I didn't even consider, and it would take a lot of work. But again, maybe if I sit and think about it, it is the scalable approach. It's the cleaner approach, things like that. Or are they just touching on something that I maybe haven't thought as deeply about? And so I think there is that piece too. Is it the delivery? Is it something about your context or history with the person giving the feedback too? I think all of those, the relationship building, the trust on a team, all plays into feedback. And obviously, we can create better conditions for exchanging and receiving feedback. But I do think there's still that companion piece that is also just about, again, fostering team trust and culture overall because that is the thing that makes these conversations all the easier and less, I think, potentially fraught or high pressure. STEPHANIE: 100%. Listeners can't see, but I was nodding very aggressively [laughs] this entire time. NICOLE: Loved it. STEPHANIE: And I love that you bring up interpersonal relationships, team culture, and feelings. Listeners of the show will know that I love talking about feelings. But I wanted to ask you this exact question because I think code review can be so fraught. And I've seen it be a source of conflict and tension. And I personally have always wanted more tools for giving better feedback. Because when I do give feedback, it's for the person to feel supported to help push their work to be better and for us to do good work as a team. And I am really sensitive to the way that I give feedback because I know what it's like to receive feedback that doesn't land well. And when you were talking about investigating what kinds of feelings come up when you do receive a certain kind of comment on a code review or something, that was really interesting to me. Because I definitely know what it's like to have worked really, really hard on a pull request and for it to feel very precious to me and then to receive a lot of change requests or whatever. It can be really disappointing or really frustrating or whatever. And yeah, I wish that we, as an industry, could talk about this stuff more frequently. NICOLE: Yeah, for sure. And I do think that you know, I think the longer you work with someone, ideally, again, the stronger relationship you form. You find your own ways of communicating that work for you. I think actually what I've learned in management is, yes, I have a communication style, but I also am flexible with how I work with each of my reports, who, again, have very different working styles, communication styles, learning styles. I don't believe that the manager sets the standards. I think there is a balance there of meeting people where they are and giving them what they need while obviously maintaining your own values and practices. But yeah, certainly, again, I think that's why for perhaps more junior engineers, they might need more examples. They might not respond well to as terse a comment. But certainly, with engineers, senior engineers that I've worked with, when I was starting out, the more we developed a relationship, they could just get a little bit more terse. For example, they could be like, "Fix this, fix that," and I would not take it personally because we had already gone through the phase where they were providing maybe some more detailed feedback, links to other examples or gists, or things like that, and our communication styles evolved. And so I do think that's another thing to think about as well is that it doesn't have to be static. I think that's the value of a team, and having good team process, too, is ideally having arenas in which you can talk about how these kinds of things are going. Are we happy with the cadence? Are we happy with how people are treating each other and things like that? Are we getting timely feedback and things like that? That's a good opportunity for a retrospective and to talk about that in a kind of blameless context and approach that more holistically. So I do think that, yeah, feedback can be very fraught. And I think what can be difficult in the world of engineering is that it can be very easy to then just be like, well, this is just the best way for the work. And feelings are, like you said, not really kind of considered. And, again, software development and engineering is a team sport. And so I do think fostering the environment in which everyone can be doing great work is really the imperative. STEPHANIE: Yeah, I really like how you talked about the dynamic nature of relationships on a team and that the communication style can change there when you have built that trust and you understand where another person is coming from. I was also thinking about the question of whose feedback are you interested in? And I certainly can remember times where I requested a review from someone in particular because maybe they had more context about this particular thing I was working on, and I wanted to make sure that I didn't miss anything, or someone else who maybe I had something to learn from them. And that is one way of making feedback work for me and being set up to receive it well. Because as much as...like you said, it's really easy to fall back into the argument of like, oh, what's the best way for the work, or what is the cleanest code or whatever? I am still a person who wrote it. I produced a piece of work and have feelings about it. And so I have really enjoyed just learning more about how I react to feedback and trying to mitigate the stress that I feel in what is kind of inherently like a conflict-generating process. NICOLE: Yeah, yeah, definitely. Another thing that kind of popped into my head to one of the earlier questions we were talking about is in terms of similarities between writing and engineering, style and structure are both really, really important. And even though in engineering, like you said, sometimes it can be, I mean, there is a point with engineering where you're like, this line of code works, or it doesn't. There is a degree of correctness [laughs] that you do have to meet, obviously. But again, after that, it can be personal preference. It's why we have linters that have certain styles or things like that to try to eliminate some of these more divisive, shall we say, potentially discussions around, [laughs] God forbid, tabs or spaces, naming conventions, all this stuff. But certainly, yeah, when it comes to structuring code, the style, or whatever else, like you said, there's a human lens to that. And so I think making sure that we are accounting for that in the process is really important, and not just whether or not the work gets done but also how the work gets done is really important. Because it predicts what do future projects...what does future collaboration look like? And again, you're not just ever optimizing for one thing in one point of time. You're always...you're building teams. You're building products. So there's a long kind of lifecycle to think about. STEPHANIE: For sure. So after you get feedback and after you go through the revision process, I'm curious what you think about the idea of what is good enough in the context of your writing. And then also, if that has influenced when you think a feature is done or the code is as good as you want it to be. NICOLE: Yeah, definitely. I think when it comes to my writing, how I think about what is good enough I think there is the kind of sentiment common in the writer community that you can edit yourself to death. You can revise forever if you wanted to. It's also kind of why I don't like to go back and read things I've already published because I'm always going to find something, you know, an errant comma or like, oh, man, I wish I had rephrased this here. But I do think that, for me, I think about a couple of questions that help me get a sense of is this in a good place to, you know, for me generally, it's just to start submitting to places for publication. So one of those is, has someone else read it? That is always a really big question, whether it's a trusted reader, if I brought it to a workshop, or just my writing group, making sure I have a set of outside eyes, fresh eyes on the piece to give their reaction. And again, truly as a reader, sometimes just as a reader, not even as a fellow writer, because I do think different audiences will take different things and provide different types of feedback. Another one is what kinds of changes am I making at this point in time? Am I still making really big structural edits? Or am I just kind of pushing words and commas around, and it feels like rearranging deck chairs on the Titanic? They're not massive changes to the piece. And then the final question is always, if this were published in its current state right now, would I be happy with it? Would I be proud of it? And that's a very gut feeling that I think only an individual can kind of feel for themselves. And sometimes it's like, no, I don't like the way, like, I know it's 95% there, but I don't like the way this ends or something else. Again, those are all useful signals for me about whether a piece is complete or ready for submission or anything like that. I think when it comes to engineering, I think there's a little bit less of the gut feeling, to be honest, because we have standards. We have processes in place generally on teams where it's like, is the feature working? Have you written tests? Have you written a QA plan if it needs one? If it's something that needs more extensive documentation or code comments or something like that, is that something you've done? Has a bit more of a clear runway for me in terms of figuring out when something is ready to be shown to others. But certainly, as a manager, I've written a lot more types of documents I suppose, or types of communication where it's like organizational changes. I've written team announcements. I've written celebration posts. I've had to deliver bad news. Like, those are all things that you don't think about necessarily. But I've definitely had literally, you know, I have Google Docs of drafts of like, I need to draft the Slack message. And even though it's just a Slack message, I will spend time trying to make sure I've credited all the right people, or provided all the context, got all the right answers. I run it by my director, my peers, and things like that if it's relevant. And again, I think there is still that piece that comes in of drafting, getting feedback, revising, and then feeling like, okay, have I done my due diligence here, and is it ready? That cycle is applicable in many, many situations. But yeah, I certainly think for direct IC work, it's probably a little bit more well-defined than some of the other processes. STEPHANIE: Yeah, that makes sense. I really liked what you said about noticing the difference between making big structural changes and little word adjustments. I think you called it pushing commas around or something like that. NICOLE: [laughs] Yeah. STEPHANIE: I love that. Because I do think that with programming, there is definitely a big part of it that's just going on the journey and exploring different avenues. And so if you do suddenly think of, oh, I just thought of a completely different way to write this code, that is worth exploring even if you just end up going back to the original implementation. But at least you saw that thought through, and you're like, okay, this doesn't work because of X, Y, and Z, and I'm choosing to go this other route instead. And I think that, yeah, that is just a good practice to explore. NICOLE: Another example of storytelling, too, where it's like, you can tell the story in the PR description or whatever, in stand-up, to be like, I also did go down this path, XYZ reason. Here's why it didn't work out, and here's what we're optimizing for. And there you go. So I do think we talk...I guess product managers think more about buy-in, but I think that's true of engineers too. It's like, how do you build consensus and provide context? And so yeah, I think what you were saying, too, even if the path is circuitous or you're exploring other avenues, talking to other people, and just exploring what's out there, it all adds up to kind of the final decision and might provide, again, some useful information for other people to understand how you arrived there and get on board with it. STEPHANIE: 100%. I remember when I worked with someone who we were writing a PR description together because we had paired on some code. And we had tried three different things. And he wrote paragraphs for each thing that we tried. And I was like, wow, I don't know if I would have done that on my own. But I just learned the value of doing that to, like you said, prime yourself for feedback as well, being like, I did try this, and this is what I thought. And other people can disagree with you, but then at least they have the information, right? NICOLE: Definitely. STEPHANIE: So before we wrap up, the last thing that I wanted to talk about, because I think it's super cool, is just how you have a totally separate hobby and skill and practice that you invest time and energy into that's not programming. And it's so refreshing for me to see you do that because I think, obviously, there's this false idea that programmers just code all the time in their free time, in their spare time, whatever. And I'm really curious about how writing fits into your life as something separate from your day job. NICOLE: Yes, I've been thinking about this a ton. I think a lot of people, the last couple of years has forced a really big reckoning about work and life and how much we're giving to work, the boundaries that can be blurred, how capitalism butts its head into hobbies, and how we monetize them, or everything is a side hustle. And, oh, you should have a page running...oh, you should charge for a newsletter. And I think there's obviously the side of we should value our labor, but also, I don't want everything in my life to be labor. [laughs] So I do think that is interesting. Writing to me, I actually do not see it as a hobby. I see it as another career of mine. I feel like I have two careers, but I have one job, [laughs] if that makes sense. I certainly have hobbies. But for me, what distinguishes that from my writing is that with hobbies, there's no expectation that you want to get better. You approach it with just...it's just pure enjoyment. And certainly, writing has part of that for me, but I have aspirations to publish. I love it when my work can reach readers and things like that. But I do think that regardless having other interests, like you said, outside engineering, outside technology, it's a great break. And I do think also in technology, in particular, I notice...I think we're getting away from it, but certainly, there's an expectation, like you said, that you will have side projects that you code in your free time, that you're on Hacker News. I think there is a little bit of that vibe in the tech industry that I don't see in other industries. You don't expect a teacher to want to teach in their free time, [laughs] you know what I mean? But we have almost that kind of implicit expectation of engineers to always be staying up to date on those things. I think with writing and engineering; the two complement each other in some interesting ways. And they make me appreciate things about the other craft or practice that I may not previously have. And I think that with engineering, it is a team effort. It's really collaborative, and I really love working in that space. But on the flip side, too, with writing, I do love, you know, there's the ego part of it. You don't have individual authorship over code necessarily unless it's git blame level. But there's a reason why it's called git blame, [laughter] even the word is like git blame. I've literally had cases where I'm like, oh, this thing is broken. Who wrote this? And then I was like, oh, surprise, it was you six years ago. But I do think with writing; it's an opportunity for me to really just explore and ask questions, and things don't have to be solved. It can just be play. And it is a place where I feel like everything that I accomplish is...obviously, I have people in my life who really support me, but it is a much more individual activity. So it is kind of the right-left brain piece. But I've been reading this book called "Saving Time." It is what my microphone is currently propped on. But it's by Jenny Odell, who wrote: "How to Do Nothing." It's breaking my brain in a really, really, really good way. It talks a lot about the origin of productivity, how we think about time, and how it is so tied to colonialism, and racism, and capitalism, and neoliberalism, all these things. I think it has been really interesting. And so thinking about boundaries between work and writing has been really, really helpful because I really love my job; I'm not only my job. And so I think having that clarity and then being like, well, what does that mean in terms of how I divide my time, how I set examples for others at work in terms of taking time off or leaving the office on time? And trying to make sure that I have a good emotional headspace so that I can transition to writing after work; all those things. I think it is really interesting. And that also, ultimately, it's we're not just our productivity either. And I think writing can be very, again, inherently kind of unproductive. People joke that cleaning is writing, doing the dishes is writing, taking a walk is writing, showering is writing, but it is true. I think that the art doesn't talk about efficiency. You can't, I think, make art always more efficient in the same way you can do with engineering. We don't have those same kinds of conversations. And I really like having that kind of distinction. Not that I don't like problem-solving with constraints and trade-offs and things like that, but I also really like that meandering quality of art and writing. So yeah, I've been thinking a lot more about collective time management, I guess, and what that means in terms of work, writing, and then yeah, hobbies and personal life. There are never enough hours in the day. But as this book is teaching me, again, maybe it's more about paradigm shifting and also collective policies we can be putting in place to help make that feeling go away. STEPHANIE: For sure. Thank you for that distinction between hobby and career. I really liked that because it's a very generative mindset. It's like a both...and... rather than an either...or... And yeah, I completely agree with you wanting to make your life expansive, like, have all of the things. I'm also a big fan of Jenny Odell. I plugged "How to Do Nothing" on another episode. I am excited to read her second book as well. NICOLE: I think you'll like it a lot. It's really excellent. She does such interesting things talking about ecology and geology and geographic time skills, which is really interesting that I don't know; it's nice to be reminded that we are small. [laughter] It's a book that kind of reminds you of your mortality in a good way, if that makes sense. But much like Gary on your porch reminds you of mortality too [laughs] and that you have to put Gary away for a little bit so that his time can come in October. [laughs] STEPHANIE: Exactly, exactly. Cool. On that note, let's wrap up. Thank you so much for being on the show, Nicole. NICOLE: Thank you so much for having me. This was a blast. STEPHANIE: Show notes for this episode can be found at bikeshed.fm. JOËL: This show has been produced and edited by Mandy Moore. STEPHANIE: If you enjoyed listening, one really easy way to support the show is to leave us a quick rating or even a review in iTunes. It really helps other folks find the show. JOËL: If you have any feedback for this or any of our other episodes, you can reach us @_bikeshed, or you can reach me @joelquen on Twitter. STEPHANIE: Or reach both of us at hosts@bikeshed.fm via email. JOËL: Thanks so much for listening to The Bike Shed, and we'll see you next week. ALL: Byeeeeeeee!!!!!!!! ANNOUNCER: This podcast is brought to you by thoughtbot, your expert strategy, design, development, and product management partner. We bring digital products from idea to success and teach you how because we care. Learn more at thoughtbot.com.

These riveting works of nonfiction by two incredible women have powerful narratives on family, race, and the way we get to tell our stories. Ordinary Notes by Christina Sharpe compiles art and short vignettes into a beautiful work that explores the Black experience through a wide variety of themes. Sharpe joined us to talk about how these notes came to be, the wealth of literary influences on the project and more. Ava Chin's Mott Street follows one Chinese American family through generations of struggle and resiliency as they work to build their lives. Chin joined us to talk about uncovering her family's past, researching an intergenerational story and more. Listen in as both talk separately with Poured Over's host, Miwa Messer.  And we end this episode with TBR Topoff book recommendations from Marc and Jamie.  This episode of Poured Over was hosted by Executive Producer Miwa Messer and mixed by Harry Liang. Follow us here for new episodes Tuesdays and Thursdays (with occasional Saturdays).   Featured Books (Episode): Ordinary Notes by Christina Sharpe Mott Street by Ava Chin In the Wake by Christina Sharpe Counternarratives by John Keene Of Human Bondage by Somerset Maugham Obasan by Joy Kogawa Auschwitz and After by Charlotte Delbo Fellowship Point by Alice Elliott Dark Wayward Lives by Saidiya Hartman Lose Your Mother by Saidiya Hartman Featured Books (TBR Topoff): Black Futures by Kimberly Drew and Jenna Wortham Sour Heart by Jenny Zhang

This is part 2 of a review of the books I've read in 2022! Part one was published on June 21 (episode 52) if you want to listen to that one first. I also update you on how many of the items on my Christmas season bucket list I actually completed. Today's episode includes: #7: An Echo in the Darkness by Francine Rivers https://www.goodreads.com/book/show/46601.An_Echo_in_the_Darkness #8: The Good Sister by Sally Hepworth https://www.goodreads.com/book/show/53137974-the-good-sister?from_search=true&from_srp=true&qid=n9xcE6qIie&rank=1 #9: Breakfast at Tiffanys by Truman Capote https://www.goodreads.com/book/show/251688.Breakfast_at_Tiffany_s_and_Three_Stories?ac=1&from_search=true&qid=gIMPm8TdYT&rank=1 #10: Four Treasures of the Sky by Jenny Zhang https://www.goodreads.com/book/show/55987334-four-treasures-of-the-sky?from_search=true&from_srp=true&qid=84WuTH8vfC&rank=1 #11: As Sure as the Dawn by Francine Rivers https://www.goodreads.com/book/show/95621.As_Sure_as_the_Dawn?from_search=true&from_srp=true&qid=6dJpH80Rgc&rank=1 #12: A Good Scent from a Strange Mountain by Robert Olen Butler https://www.goodreads.com/book/show/261601.A_Good_Scent_from_a_Strange_Mountain?ac=1&from_search=true&qid=pZp2yHBNek&rank=1 And, still working on: Hero Maker by Dave Ferguson https://www.goodreads.com/book/show/35553381-hero-maker?ac=1&from_search=true&qid=BoFVj0cTGG&rank=2 Taking Charge of Your Fertility by Tori Weschler https://www.goodreads.com/book/show/22693240-taking-charge-of-your-fertility?ac=1&from_search=true&qid=sBQ1zZjaWa&rank=1 Also Mentioned: Winter Garden by Kristin Hannah https://www.goodreads.com/book/show/6668467-winter-garden?ac=1&from_search=true&qid=kgu51k5JQH&rank=1 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/morning-by-morning/message

For Greenlight's first poetry event of 2022, we welcomed Indonesian American poet Cynthia Dewi Oka and acclaimed poet and fiction writer Jenny Zhang (Sour Heart) to share, discuss, and celebrate Oka's third collection, Fire Is Not a Country. Oka's poems track how the energies of migration, exploitation, patriarchal violation, and political repression shape and spar with familial love and obligation. Jenny read as well—sweet and cutting poems from her collection My Baby First Birthday—and together she and Oka waxed affectionately and probingly on the meanings of fire, “the little knives that we are made of,” and the connections between a country, the body, and “how okay we are supposed to be.” (Recorded January 11, 2022)

Cool News A new type of killer T-cell can stop attacks on healthy tissue | Interesting Engineering (01:14) A team of scientists has discovered a brand new form of human T cell that suppresses attacks on healthy tissues, which could lead to treatments for illnesses ranging from lupus to cancer.T cells are significant white blood cells in the immune system, playing a crucial role in adaptive immune response by killing diseased or malignant cells Studies in mice have shown that some of these cells may also kill T cells responsible for orchestrating autoimmune responses.Believed that humans share the same cells but not able to prove it The newly discovered class of T cells in the human immune system may be capable of killing other T cells, Aid in the healing of infections and reducing autoimmune disorders. Stanford researchers evaluated the number of these human cells in patients with autoimmune illnesses like multiple sclerosis, lupus, and celiac disease to see if they are immunological inhibitors. Saw that the specific T cells (CD8) were more abundant in patients' blood than in healthy people's blood. Gathered in regions of the body that had been injured by the autoimmune response like the joints in people with rheumatoid arthritis  The researchers looked at genetically altered mice that had 50 percent to 75 percent fewer suppressive CD8 cells than normal mice to see how much protection the cells provide against autoimmunity.Experienced kidney inflammation after being exposed to viruses that can cause autoimmune illness. (Control did not) The paper provides data that these CD8 cells exist in humans, and could indicate that techniques that enhance the number of cells in the body may aid in the treatment of autoimmune diseases.   Tiny 'skyscrapers' help bacteria convert sunlight into electricity | TechXplore (05:24) The researchers, from the University of Cambridge, used 3D printing to create grids of high-rise 'nano-housing' where sun-loving bacteria can grow quickly.3D-printed custom electrodes out of metal oxide nanoparticles that are tailored to work with the cyanobacteria as they perform photosynthesis. Developed a printing technique that allows control over multiple length scales, making the structures highly customisable They extracted the bacteria's waste electrons, left over from photosynthesis, which could be used to power small electronics. These researchers have found that providing the bacteria with the right kind of home increases the amount of energy they can extract by over an order of magnitude. For several years, researchers have been attempting to 're-wire' the photosynthesis mechanisms of cyanobacteria in order to extract energy from them. Lead researcher,  Dr. Jenny Zhang, stated: “There's been a bottleneck in terms of how much energy you can actually extract from photosynthetic systems, but no one understood where the bottleneck was … Most scientists assumed that the bottleneck was on the biological side, in the bacteria, but we've found that a substantial bottleneck is actually on the material side." Dr. Zhang ends it off by talking on cyanobacteria:“Cyanobacteria are versatile chemical factories. Our approach allows us to tap into their energy conversion pathway at an early point, which helps us understand how they carry out energy conversion so we can use their natural pathways for renewable fuel or chemical generation." Concept Touchscreen Uses Temperature to Create Feel of Friction | Gizmodo (10:34) Researchers at Texas A&M have come up with a novel way for touchscreens to feel more than just perfectly smooth by fooling a user's sense of touch through temperature changes. Some theorize a full touchscreen future, but the article argues that being able to feel physical keys with our fingers is an important part of the muscle memory that allows many of us to type at impressive speeds without having to look down and hunt-and-peck on a keyboard. The researchers in a recent study, found that by regulating the temperature of the surface of a touchscreen, they can increase or decrease the amount of friction a finger feels like it's experiencing. The sensation of friction can be increased by as much as 50% by increasing a touchscreen's surface temperature from 23 degrees Celsius to 42 degrees Celsius.The actual temperature changes are imperceptible to the user if doing quick motions The current prototypes don't facilitate temperature adjustments in fine detail, but the eventual goal is to be able to manipulate and quickly change the temperature on any region of a touchscreen.Changes in friction can fool the brain into thinking it's feeling physical buttons like keyboards, playback controls, even joysticks and action buttons for gaming. There's a long way to go before this approach becomes a viable way to make virtual touchscreen keyboards easier to interact with.Being able to rapidly heat and cool a precise area would be very difficult, but it is a cool first step and idea.   Israeli scientists reverse aging process in human eggs | The Jerusalem Post (14:11) A team of researchers at the Hebrew University of Jerusalem, managed to successfully identify one of the aging mechanisms that prevent egg cells from successfully maturing.Stating they found the aging mechanism, it is reversible and they can “treat it.” This is significant with women putting off having kids until later on in life. After the age of 35, women's eggs begin to rapidly deteriorate and in-vitro fertilization (IVF) treatments become less effective. By the time a woman reaches her late 30s, her eggs have accrued enough cellular damage to prevent them from properly maturing or being fertilized. Wasserzug-Pash, who conducted the research, discussed this: “This research allows us to understand how human eggs age, which is important also for understanding how aging occurs in other areas … We can affect this aging mechanism with drugs and with [medical] intervention. We've gone one step forward in being able to help women suffering from age-related infertility. They will suffer less, have to go through fewer difficult procedures, and run into fewer disappointments when it comes to trying to conceive and start a family.” The team found that there is a way to prevent this damage from happening, thereby reversing the aging processes at work in egg cells. Led on the research, Dr. Michael Klutstein, touches on how they can treat the virus-like sequences that occurs in our genome that affects our DNA & ultimately eggs: “If we use drugs that prevent these viruses from operating, and these are just antiviral drugs, then we stop this mechanism from happening and slow down the aging process,”  Researchers in the lab examined both mice and human egg cells that were taken from several different age groups. Along with a control group and a group taking an antiviral drug They found, in all cases, the older oocytes, or eggs, that had received the antiviral drug appeared to be younger than the ones that had not been treated.The older, 35 to 40 year old eggs, “behaved more like eggs in their 20s.” The next step will be to establish the correct protocol for treating human eggs in an IVF setting, as well as ensure that the treatment does not negatively affect the embryo. Anti-aging molecules safely reset mouse cells to youthful states | New Atlas (19:33)  The Yamanaka factors at the center of this study are a set of four reprogramming molecules that can reset the molecular clock found in the cells of the body. Returning unique patterns of chemicals known as epigenetic markers, which evolve through aging, to their original states. New research at the Salk Institute has sought to build on previous research on these factors by demonstrating how these molecules can reverse signs of aging in middle-aged and elderly mice, with no evidence of health problems following the extended treatment.Previously used the approach to reverse signs of aging in mice with a premature aging disease, and improve the function of tissues found in the heart and brain.  The purpose of the new study was to investigate the effects on healthy animals as they approached the latter stages of life The mice groups treated with the Yamanaka factors:Middle-aged mice from 15 through to 22 months old, equivalent to 50 to 70 years old in humans Another group was treated from 12 to 22 months, equal to 35 to 70 years of age. Another group received the molecules for just one month, at the age of 25 months, or 80 years old in human terms. Not only did the mice exhibit no neurological or blood cell changes, nor signs of cancers, they in many ways resembled more youthful animals.  ​​Epigenetic patterns typical of younger mice were observed in the kidneys and skin, while the skin cells were able to proliferate and minimize scarring following injury, a capability that typically declines with age.  Co-corresponding author on the study Juan Carlos Izpisua Belmonte provides the thoughts on the study's results:“We are elated that we can use this approach across the life span to slow down aging in normal animals … The technique is both safe and effective in mice. In addition to tackling age-related diseases, this approach may provide the biomedical community with a new tool to restore tissue and organismal health by improving cell function and resilience in different disease situations, such as neurodegenerative diseases.” From here, the scientists plan to investigate the influence the Yamanaka factors might have on specific molecules and genes, and develop new ways to deliver them.     

Sobat BB69!  Pada episode kali ini, saya bersama Teman Kongkow BB69, yakni Bram Herlambang dan Nuty Laraswaty akan membahas sebuah film Indonesia terbaru.  Film ini dibintangi oleh  Sheila Dara Aisha, Morgan Oey, Dion Wiyoko, Ferry Salim, Eriska Rein, Jenny Zhang, Tansri Kemala dan disutradari oleh Ernest Prakarsa. Judulnya Teka Teki Tika  Selamat mendengarkan.  Untuk rekomendasi film untuk dibahas dapat DM langsung ke https://www.instagram.com/bb69_channel/ See You!  #TekaTekiTika #filmindonesia #ErnestPrakarsa

Today the Little Sleep Ladies celebrate Louisa May Alcott's birthday by discussing a collection of essays called March Sisters: On Life, Death, and Little Women by Kate Bolick, Jenny Zhang, Carmen Maria Machado, and Jane Smiley. The book relates not only each writer but also the readers to the March Sisters. Liza and Riss jump through topics: Which March Sister are you? (Along with Hogwarts Houses), Relating ourselves to aspects in the essays, What Little Women means for many women (and women writers!), etc. Join us in reliving Alcott's beloved classic Little Women once again by listening to this episode! And be sure to let us know on our Social Media (@LSMRpodcast) which March Sister are you???

Oh boy, we're tackling a BIG one this week! This week's guest is Mina Seçkin, whose novel THE FOUR HUMORS is a meandering and thoughtful exploration of family secrecy and cultural identity. Our main character, Sibel, is a college student visiting family in Turkey along with her white American boyfriend, and the pressures of adulthood and losing her father culminate in inexplicable headaches. Sibel becomes fascinated with the theory of the four bodily humors and ancient medicine, and slowly finds her way through not only this ancient field, but the covered-up ancient secrets of her own family. The book is compelling; equal parts coming of age and family saga, with the added texture of an at-times abrasive protagonist. Seçkin calls Arundhati Roy's THE GOD OF SMALL THINGS one of her all time favorite books, and together she and I discuss the remarkable prose of this novel, its Faulkner-esque experiments with time, and the deep understanding of childhood trauma. There is also the matter of explaining one's cultural background without overexplaining, defining an audience for your work, picking the ideal writing snacks, and so much more discussed in this episode. There are also many, many other book recommendations, in case your list needs growing. Books discussed: One Hundred Years of Solitude by Gabriel Garcia Marquez, The Sound and the Fury by William Faulkner, Gold Diggers by Sanjena Sathian, The Vietri Project by Nicola DeRobertis-Theye, Sour Heart by Jenny Zhang, Pizza Girl by Jean Kyoung Frazier Follow Mina on twitter @minaseckin and on instagram @littlebutta Follow the podcast on instagram and twitter @yfbpodcast

197 - The hosts discuss Jenny Zhang's recent Gawker article, “Identity Fraud.” The history of race hustling is discussed, as is what it means to have power. How can you tell the difference between someone holding on to hurt, and someone hurting? Is “woke” a white performance, or is it a way to be more inclusive and caring about others?

For our eighth episode we collaborated with TONG to discuss China's countryside and the blooming trend of reverse migration from city to countryside. Across the country disillusioned city-dwellers are seeking solace, relaxation, and adventure in the previously forgotten haven of China's countryside. Mei Zhang from WildChina speaks with Jenny Zhang and Stefan Harvey from TONG on why this is happening, who it encompasses and implications for the future. ----- For a more detailed write-up on this episode, including links to resources mentioned, please visit our website: wildchina.com

Amy Jumpsuit by Closet Core patterns (hack to dress), Glynn sweater, "ted talk" by Jenny Zhang, link to Distelfink hat pattern on Meghan's website, about Mulberry Hill Farm, link to Maryland Sheep & Wool Festival vendors, link to the Night Sky punchneedle kit and many other craft & knitting kits...

Part 2 of this discussion with Jenny Zhang from Carbonbase details her experiences working at a fast-growing startup, as well as her quick transition between working at a multinational corporation and going into the entrepreneurial scene. An insightful topic for our young audiences who aspire to be entrepreneurs or start a business for themselves!

Blockchain is increasingly relevant in today's economy, with everyone hopping on cryptocurrency trends and fintech solutions. How does blockchain enable better climate solutions? Jenny Zhang from Carbonbase sits with us to talk about technology and blockchain's role in carbon offsetting for companies and environmentally-vulnerable populations, as well as risks and trends to look out for in the near future. Shownotes: How does blockchain work- https://www.youtube.com/watch?v=SSo_EIwHSd4 Smart contracts- https://www.youtube.com/watch?v=pWGLtjG-F5c&t=478s Emissions trading scheme- https://www.youtube.com/watch?v=ReOj12UAus4 Carbon credits- https://www.youtube.com/watch?v=lQyrnq4CEEw News mentioned: CME: https://www.coindesk.com/institutional-investors-ether-rally Paypal: https://www.bbc.com/news/technology-54630283 https://www.reuters.com/article/hsbc-hldg-climatechange-exclusive-int-idUSKBN26U0DP

We are joined by NYC DSA Debt and Finance Working Group leader Jenny Zhang to talk about their cutting edge state-level Tax the Rich campaign.Follow the NYC DSA Debt & Finance Working Group on twitter here.Learn more about the Tax the Rich campaign here.Read an explanation of Tax the Rich's six proposals here.Learn more about the Democracy Policy Network at DemocracyPolicy.network.Our theme song is from "Come Spring" by Noble Dust.

This week, Beth interviews Cathy Yan, a director who in her short filmmaking career has made extraordinary strides. Whether it’s her indie debut Dead Pigs to helming the second female-fronted DC blockbuster, Birds of Prey, her upcoming a24-backed adaptation of Jenny Zhang’s Sour Heart or dystopian sci-fi The Freshening, Cathy’s flair for worldbuilding and palpable passion for characters make her, for us, a woman to watch. Cathy Yan's debut feature, Dead Pigs, is available to watch on Mubi from Friday 12th February: https://mubi.com Who Is She? A Bechdel Test Fest Podcast is a Bechdel Test Fest production. It was written and hosted by Beth Webb and produced by Stephanie Watts, with additional support from Corrina Antrobus and Caitlin Quinlan. Our music was written and produced by Zoe Mead, check out her band Wyldest on all major streaming platforms. Make Up clips were courtesy of Picturehouse Entertainment. Please like, subscribe and tell your friends. Got feedback or suggestions on who to feature in forthcoming episodes? Hit us up at bechdeltestfest@gmail.com. The team on Twitter: @BethKWebb @corrinacorrina @_stephwatts @csaquinlan

Recorded by Jenny Zhang for Poem-a-Day, a series produced by the Academy of American Poets. Published on January 28, 2021. www.poets.org

The Unverifieds (minus Liza, who was busy this weekend) discuss the gender issues that pop up when Asian American men are paired with white women on screen. First, they look at All My Life (starring Harry Shum Jr. and Jessica Rothe) before discussing The Big Sick. Then they turn their attention to the newfound issue of "fetishizing' Asian men and the resulting Asian American gender fights on Tik Tok.Follow us on Twitter at @unver1fiedaccts!Intro Song: "Chairman Mao" by BambuTWITTER:Chris: @JesuInToastFilip: @filipgwritingREFERENCE RESOURCES:Tik Tok calling out Asian guys for embracing fetishizationBBC Sounds clip of brown women saying they like fetishizationr/blackgirldiaries Reddit thread on wanting to be fetishizedFar Away From My by Jenny Zhang in Rookie Magaziner/abcdesis Reddit thread on brown guys with white girlsEMAIL:unverifiedaccts@gmail.com

Today's guest is Jason Kim, Associate Director of Biomedical Informatics and Jenny Zhang, Director of Genomic Data Science at Immuneering. Immuneering leverages more than a decade of leadership in bioinformatics to develop new medicines unlikely to be found by traditional drug discovery methods. Its current pipeline of drug candidates is focused on treating aspects of disease that have eluded conventional approaches, including cancer cachexia and metastasis. Utilizing its proprietary Disease Cancelling Technology, the company engineers medicines that reverse a disease signal across many relevant genes. Immuneering’s technologies have proven exceptionally rapid and capital-efficient in creating its pipeline. Concurrent with its internal programs, they provide unparalleled computational biology services to leading pharmaceutical and biotechnology companies. In the show, Jenny and Jason will chat about: Transitioning from academia into industry, How Immuneering are applying AI to improve drug discovery, What makes them stand out from the competition, Interesting projects they are working on, Why they love working at Immuneering, What they look for in the hiring process, & What’s in store for the future

Amanda and Dan run down the current state of the dining scene. Jenny Zhang wrote about COVID's effects on trick or treating. Hosts: Amanda Kludt (@kludt), Editor in Chief, Eater Daniel Geneen (@danielgeneen), Producer, Eater More to explore: Check out more great reporting from the Eater newsroom. Subscribe to Amanda’s weekly newsletter here. Follow Us: Eater.com Facebok.com/Eater YouTube.com/Eater @eater on Twitter and Instagram Get in Touch: digest@eater.com About Eater: Eater obsessively covers the world through the lens of food, telling stories via audio, television, digital video, and publications in 24 cities across the US and UK. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today on the Digest we're compiling some of our favourite clips from our recent package What Now, Predicting the Future of Restaurants, on Eater.com. Jenny Zhang interviews Soleil Ho on the landscape. Nicholas Mancall-Bitel interviews Eric Rivera on how small business' can adapt. Lesley Suter talks to Keith Corbin about the growing expectations for chefs. Jenny talks to Krishnendu Ray about the necessity of socialized medicine in the restaurant industry. Jenny talks to Lucas Sin of Junzi Kitchen about toxicity and what mom and pop restaurants can learn from Fast Food. Learn more about your ad choices. Visit megaphone.fm/adchoices

Claire and Linda discuss the amazing work and engagement they are witnessing in their Philadelphia literary community by Black-owned bookstores like Harriett's Bookshop and Uncle Bobbie's Coffee & Books. We also talk about poet Jenny Zhang's brilliant dialogue on resisting the tendency to define a group or individual by their most painful trauma and reading books that engender empathy and prime you to take action. Books recommended during the show and more are listed below. For more suggestions like these, peruse our online store here. The Underground Railroad by Colson Whitehead A Life Made by Hand: The Story of Ruth Asawa by Andrea D'Aquino Crooked Hallelujah by Kelli Jo Ford Amora: Stories by Natalia Borges Polesso, translated by Julia Sanches The Color of Law: A Forgotten History of How Our Government Segregated America by Richard Rothstein Fearing the Black Body: The Racial Origins of Fat Phobia by Sabrina Strings If Beale Street Could Talk by James Baldwin Or really, any James Baldwin On Earth We're Briefly Gorgeous by Ocean Vuong How We Fight for Our Lives: A Memoir by Saeed Jones Locking Up Our Own: Crime and Punishment in Black America by James Forman We Have Always Been Here: A Queer Muslim Memoir by Samra Habib Pew by Catherine Lacey Walking With the Wind: A Memoir of a Movement by John Lewis and Michael D’Ors May I Recommend? is a RADIOKISMET podcast. For more, visit RADIOKISMET.COM.

Jenny Zhang was born in Shanghai and grew up in New York. She is the author of the poetry collection Dear Jenny, We Are All Find and the story collection Sour Heart. Her latest poetry collection is called My Baby First Birthday. Recommended Reading: The Teebs Tetralogy by Tommy Pico Magical Negro and Who Put This Song On by Morgan Parker Dear Friend, From My Life I Write to You in Your Life by Yiyung Li Homie by Danez Smith Learn more about your ad choices. Visit megaphone.fm/adchoices

We're celebrating poetry with an all-star panel. Enjoy readings from Fatimah Asghar (author of IF THEY COME FOR US), Billy Collins (author of WHALE DAY), Olivia Gatwood (author of LIFE OF THE PARTY), Nate Marshall (author of FINNA), Jana Prikryl (author of NO MATTER), Jenny Zhang (author of SOUR HEART).

This episode is the third episode of our podcast series diving back into our 2016 Publishing Conference, which we held at Issue Project Room in Brooklyn. The panel we’re sharing this week is titled “Finding Your Community”, featuring Jenny Zhang, Alice Sola Kim, Tony Tulathimutte,  and moderated by Jarry Lee. Jenny Zhang is the author of Sour Heart and the recently published My Baby First Birthday-- Alice Sola Kim was a 2016 Whiting award winner and has published in Tin House, The Village Voice, and McSweeney’s among others. Tony Tulathimutte is the author of the novel Private Citizens, and runs a really great writing workshop called Crit, which we’ll link to in the episode notes. Jarry Lee is a model and actor, and former deputy editor at Buzzfeed. Keep in mind this audio is from 2016, but we think it still has lots of relevant and helpful advice for writers looking for a writing community. Tony Tulathimutte's writing workshop in Brooklyn: https://crit.works/ 

Brittani and Ariana will be joined by Jenny Zhang for a live Zoomcast Friday at 7pm PST. https://us04web.zoom.us/j/72971425340

Since our last episode from October on poetry and disappearance in occupied Kashmir, a lot has happened. We've gotten through a long leadership transition and turned our focus inward, to care for AAWW. And earlier this year, we joyfully welcomed our new executive director, Jafreen Uddin. Our staff is currently working from home. We know that it is the strength of our communities that keeps us resilient to help weather the COVID-19 pandemic and confront this difficult time. We also understand that the backbone of AAWW’s work is creating community through our in-person events. And so we're back on AAWW Radio, ready to beam you our audio events at this surreal moment. We know it’s not the same, but we’re hoping it’ll help you through this time of isolation. Starting next week, we'll kick things off by reaching back into our archive, bringing you panel discussions from our 2016 Publishing Conference. We’ll hear from Kaitlin Greenidge, Jenny Zhang, Alice Sola Kim and a bunch of other established writers as they discuss topics like deciding on whether to do an MFA, finding your writing community, breaking into Speculative Fiction, and working in the publishing world.  Then, for those of you who are new to our podcast and haven’t listened through our past 50 episodes, we’ll be picking a few of our personal favorites to republish for listening. And beyond that, we’re brainstorming ideas for new original formats for future episodes! If you have any suggestions for us or have any feedback, feel free to reach out and email us at radio@aaww.org . We hope everyone is staying safe, social distancing to protect those at risk, and helping each other out. See you next week.

We met the charming Jenny Zhang in Ubud and cornered her for an interview about her first book of short stories, Sour Heart. This collection is set in the 90s and told from the point of view of little girls on the cusp of adolescence. Alongside the loss of innocence, experimenting with the world and living with an immigrant identity, her stories also show the ugly side of the American Dream and the generational gaps between families. Enjoy!

Today, Annie is diving into listeners’ bookish dilemmas with some literary therapy. Topics include romance novels, tackling nonfiction, genre shame, and, of course, Little Women. Pretend Annie is coming to you live from Seattle, because she is Annie Jones, and she is listening. Want to leave a voicemail for the next round of Literary Therapy? Email podcast@bookshelfthomasville.com, or leave a voicemail here. Bossy Pants by Tina Fey Is Everyone Hanging Out Without Me? by Mindy Kaling I'll Be Gone in the Dark by Michelle McNamara The Stranger Beside Me by Ann Rule You Never Forget Your First by Alexis Coe Dead Wake by Erik Larson The Devil in the White City by Erik Larson Inheritance by Dani Shapiro Wild Game by Adrienne Brodeur The Glass Castle by Jeannette Walls Know My Name by Chanel Miller I Miss You When I Blink by Mary Laura Philpott Just Mercy by Bryan Stevenson Americana by Bhu Srinivasan An American Marriage by Tayari Jones Picking Cotton by Jennifer Thompson-Cannino 27 Dresses by Jesse Russell Olive Again by Elizabeth Strout The Essex Serpent by Sarah Perry 10 Blind Dates by Ashley Elston What to Say Next by Julie Buxbaum Evvie Drake Starts Over by Linda Holmes Little Women by Louisa May Alcott Meg, Jo, Beth, Amy by Ann Boyd Rioux March Sisters by Kate Bolick, Jenny Zhang, Carmen Maria Machado & Jane Smiley Meg and Jo by Virginia Kantra From the Front Porch is a weekly podcast production of The Bookshelf, an independent bookstore in South Georgia. You can follow The Bookshelf’s daily happenings on Instagram at @bookshelftville, and all the books from today’s episode can be purchased online through our store website, www.bookshelfthomasville.com. Special thanks to Dylan and his team at Studio D production for sound and editing and for our theme music, which sets the perfect warm and friendly tone for our Thursday conversations. This week, Annie is reading Handle with Care by Lore Ferguson Wilbert. If you liked what you heard on today’s episode, tell us by leaving a review on iTunes. Or, if you’re so inclined, support us on Patreon, where you can hear our staff’s weekly New Release Tuesday conversations, read full book reviews in our monthly Shelf Life newsletter, follow along as Hunter and I conquer a classic, and receive free shipping on all your online orders. Just go to patreon.com/fromthefrontporch. We’re so grateful for you, and we look forward to meeting back here next week.

This episode we’re covering Birds Of Prey: something something Harley Quinn.  DISCLAIMER WPT is a podcast for adults; we use adult language and discuss mature topics with a focus on feminism. SPOILER DETAILS We will have a spoiler section for BoP.   Indie Spirit Awards Booksmart, The Farewell win   0:03:00 Oscars https://oscar.go.com/news/winners/oscar-winners-2020-see-the-full-list Portman dress controversy: https://www.theguardian.com/film/2020/feb/12/rose-mcgowan-natalie-portman-oscars-dress-protest-female-directors  Atlantics is available on Netflix in the US   0:10:40 Thor: Love & Thunder ‘Thor’ Sequel Writing Staff Recruits ‘Someone Great’s’ Jennifer Kaytin Robinson:    0:12:30 Swimming With Sharks Kiernan Shipka cast https://www.slashfilm.com/swimming-with-sharks-remake-cast/   0:16:00 The Hunt  Written by Nick Cuse (The Leftovers) and Damon Lindelof (+ Watchmen, LOST). Cast includes Betty Gilbin (GLOW), Emma Roberts, Hillary Swank, Glenn Howerton. Directed by Craig Zobel, who also directed, Compliance https://www.vulture.com/2020/02/is-the-hunt-about-deplorables-what-is-the-hunt-about.html bonus story from Kimmel of Betty Gilbin being healed by a Witch: https://www.youtube.com/watch?v=AQ1txAiC8p0   shownotes: https://wildprettythings.podbean.com/ Spotify: https://open.spotify.com/show/5Wyt6AQOF1iVmIZfmcSneO    Wild Pretty Dispatches We want to hear from you, the listener. We read Apple reviews; if you post about us on social media, use the hashtags #wildprettythings and #podcast.  email: wildprettyanimals@gmail.com instagram: https://www.instagram.com/wildprettythingspod/ twitter: @WildPrettyPod https://twitter.com/WildPrettyPod  Melissa: @mellooyellow on Twitter; mmsloter on Instagram    Sharp Objects   0:26:00 Mad Max: Fury Road   0:29:00 The Assistant (in theaters) Julia Garner   0:35:00 Color Out Of Space (in theaters) Madeline Arthor, Nick Cage, Joely Richardson, Eliot Knight   0:43:50 SPOILERS FOR COOS BEGIN   0:49:30 Now, we can be friends.   Still Great, Bob? http://stillgreatpod.com/    Watchers on the Couch: The Outsider https://www.watchersonthecouch.com/winter-sk-news-and-the-outsider-episodes-1-5-castle-rock/   Switchblade Sisters: BoP director Cathy Yan on Mad Max: Fury Road https://maximumfun.org/episodes/switchblade-sisters/episode-118-mad-max-fury-road-with-birds-of-prey-director-cathy-yan/   Upcoming Episodes The Invisible Man (2/28) Tip Us! https://paypal.me/pools/c/8b7s7tN1CN Venmo: WPGrrNoise If you give the podcast $15, at once, or over time, you can pick the topic for an episode!   0:51:00 Main Topic: Birds Of Prey dir Cathy Yan (Dead Pigs, next project is an adaptation of Sour Hearts by Jenny Zhang) wir Christina Hodson (Bumblebee) cin Matthew Libatique (Darren Aronofsky & A Star Is Born) pd K.K. Barrett (Marie Antionette)   SPOILERS begin at 1:15:00   cast Margot Robbie (also producer credit) - Harley Quinn Ewan McGregor - Black Mask/Roman Sionis Chris Messina (Sharp Objects) Jurnee Smollett-Bell (Lovecraft Country) - Dinah Lance / Black Canary Hair: https://www.popsugar.com/beauty/jurnee-smollett-bell-black-hairstylist-birds-of-prey-47180430  Rosie Perez - Renee Montoya Ali Wong - Ellen Yee Mary Elizabeth Winstead (Ramona Flowers, Death Proof, 10 Cloverfield Lane) - Helena Bertinelli / The Huntress Ella Jay Basco - Cassandra Cain   1:54:00 themes and ideas   203:50 random thoughts   music from Birds Of Prey: The Album, and Harley Quinn: Birds Of Prey https://store.warnermusic.com.au/products/birds-of-prey-the-album  

Asian-American writer Jenny Zhang, author of « Sour Heart », is Kiffe ta race special guest for our first full english episode. How does it feel to be perceived as part of a minority in France and the US ? How are « hyphenated identities » dealt with in both countries ? Why is it so hard for French people to deal with race issues ? What does Jenny Zhang think of French « universalism » and « colorblindness » ? All three discuss these among other topics, such as the segregation of spaces (inner-city vs suburbs) in the US, « political correctness » or the « bamboo ceiling ».REFERENCES« Sour Heart » or « Âpre Coeur » in french (Jenny Zhang, 2019), Ali Wong’s Netflix Special « Hard Knock Wife », Crazy Rich Asians (Jon M. Chu, 2018), Crazy Rich Asians (Kevin Kwan, 2013), To All The Boys I Loved (Susan Johnson, 2018), Always Be my Baby (Nahnatchka Khan, 2019) starring Ali Wong and Randall Park, Jenny Zhang’s Instagram @jennybagel.CREDITS Kiffe ta race is a Binge Audio podcast hosted by Rokhaya Diallo and Grace Ly, edited by Quentin Bresson and Camille Regache, music by Shkyd, produced by Joël Ronez, David Carzon and Gabrielle Boeri-Charles. See acast.com/privacy for privacy and opt-out information.

W're all pretty familiar with the sexual fetishization that monoracial Asian women face, but what about the unique problems that mixed-race Asian women experience? Not only do they run into the same creepiness from non-Asians, but also from monoracial Asians who covet their mixed-race features. With Oxford, returning guest Sharon H. Chang (author, activist, and photographer) and first-timer Annabelle Schmitt (writer, activist) talk about their experiences as mixed-race Asian women. Support us on Patreon! www.patreon.com/planamag Sharon's website: https://sharonhchang.com/ Annabelle's website: https://www.mixed-hues.com/ TWITTER: Sharon (@sharonhchang) Annabelle (@mixedhuess) Oxford (@oxford_kondo) REFERENCED RESOURCES: Far Away From Me by Jenny Zhang: https://www.rookiemag.com/2015/04/far-away-from-me/ Plan A's Review of 'Sour Heart' by Jenny Zhang: https://planamag.com/gendered-perspectives-on-jenny-zhangs-sour-heart-e38720fba4a4 Vote for the song Mark should sing: https://twitter.com/PlanAMag/status/1146072053688217600 SUBMISSIONS & COMMENTS: editor.planamag@gmail.com EFPA Opening Theme: "Fuck Out My Face" by Ayekay (open.spotify.com/artist/16zQKaDN5XgHAhfOJHTigJ)

Sour Heart by Jenny Zhang (https://www.penguinrandomhouse.com/books/545731/sour-heart-by-jenny-zhang/9780399589409/) is a collection of short stories about Chinese immigrant families in 1980’s and 1990’s New York City. The stories are told from the perspectives of the daughter in each family, showcasing the challenges of immigration on marriages, parenting, cultural identity, and belonging. The stories closely mirrored Lin's own immigrant experience, which made the book touching and difficult to get through. In Gengoroh Tagame’s manga My Brother’s Husband (https://www.penguinrandomhouse.ca/books/545416/my-brothers-husband-volume-1-by-gengoroh-tagame/9781101871515), single dad Yaichi receives an unexpected visit from his Canadian brother-in-law Mike. This occasions Yaichi’s revisioning of his relationship with his twin brother Ryoji, a backdrop for the book’s investigation of Japanese attitudes toward queerness and many descriptions of delicious meals. Question of the Episode: There are a lot of representations of “traditional” families in popular culture. What stories have you come across that challenge that notion of a “traditional" family? Join the conversation on Twitter at @World_ofStories or email us at worldofstoriespodcast@gmail.com. 

The term “internalized racism” gets thrown around a lot in Asian American online discussions, but what does it really mean? While the phenomenon of internalized racism is undoubtedly real and has been historically apparent across all racial (usually non-white) groups, would online discussions be more productive if we were more articulate and specific in what we are saying when we use this term? Oxford and Jess welcome two first-time guests, Diana (a stand-up comedian) and Ken (an engineer), in talking through this topic. Intro/Outro Song: "Answer: Love Myself" by BTS Intro Voice Track: Highlights from "Take Me Out" (Australian dating show), "Why is China furious at RiceGum?", "The Hangover," and Esther Ku's standup TWITTER: Oxford (@oxford_kondo) Jess (@cogitatotomato) Diana (@discoveryduck) REFERENCED RESOURCES: "What Is Internalized Racial Oppression and Why Don't We Study It?" by Dr. Karen Pyke: http://www.irows.ucr.edu/cd/courses/232/pyke/intracopp.pdf "Far Away From Me" by Jenny Zhang: http://www.rookiemag.com/2015/04/far-away-from-me/ Tim Chiou on dating as an Asian guy: http://www.thickdumplingskin.com/post/4719422289/tims-response

Writer Jenny Zhang joins the All Things Pizza podcast to take us on a journey to China -- where her and her grandmother forged a special bond over the most unlikely of foods: pineapple pizza from Pizza Hut. Jenny shares a heartwarming story that she wrote for Eater earlier this year, and we discuss some of the topics that she reflects upon in the piece.

A lot of brands try to tap into popular culture, but how can they do it in a way that feels genuine and relevant? David Speed from Graffiti Life and Superimpose’s Jenny Zhang chat to New Blood participant Iain Nabong about culture and relevance.

The Riff Raff chat to Jenny Zhang, author of Sour Heart, about coming-of-age stories, writing complicated relationships and whether it's ever possible to hide autobiographical aspects from your work. Music: www.bensound.com.

From artificial photosynthesis to the art of statistics, the Naked Scientists take Jenny Zhang and Richard Samworth, two of St John's College's leading scientists, for a trip down the river to hear all about their work. Like this podcast? Please help us by supporting the Naked Scientists

From artificial photosynthesis to the art of statistics, the Naked Scientists take Jenny Zhang and Richard Samworth, two of St John's College's leading scientists, for a trip down the river to hear all about their work. Like this podcast? Please help us by supporting the Naked Scientists

Tavi Gevinson returns to start the New Year off right with Rookie on Love, an anthology about the heart's most powerful emotion. Featuring exclusive, never-before-seen essays, poems, comics, and interviews from contributors like Jenny Zhang, Emma Straub, Hilton Als, Janet Mock, John Green, Rainbow Rowell, Gabourey Sidibe, and many more, this collection is the perfect reflection on love in its many forms.

We were joined by Jenny Zhang, the author of one of the most lauded débuts of the last year, the “gorgeous and grotesque” (Slate), Sour Heart.

Author Rebecca Makkai joins co-hosts Eric Newman, Medaya Ocher, and Kate Wolf to discuss her heralded new novel, The Great Believers, which tells two parallel and inter-related stories: one of the AIDS epidemic ravaging the Chicago gay community in the 1980s; the other, set in Paris in 2015, about a woman, Fiona, searching for her daughter, who has joined a cult. The connection is Fiona, who had become a caretaker for the men dying 30 years earlier in Chicago. Rebecca explains how she arrived at such a complex narrative structure (hint: it wasn't how the project started); as well as how she struggled with issues of cultural appropriation versus historical alliance. Also, Jenny Zhang, author of Sour Heart, returns to recommend the work of Tommy Pico, in particular his new book-length poem, Junk.

In which we discuss "Vox Clamantis in Deserto” by Curtis Sittenfeld and “The Empty, The Empty, The Empty” by Jenny Zhang, along with, among other things, Yuja Wang, figuring out how to be a writer, and the really real insides of people.

This week's podcast is another Doubleheader, featuring interviews with Carmen Maria Machado and Jenny Zhang recorded at the Los Angeles Times Festival of Books. First up, co-hosts Eric Newman, Kate Wolf, and Medaya Ocher speak with Carmen Maria Machado about her heralded collection, Her Body and Other Parties, an eclectic set of fictions that both revels in, and challenges, the standard tropes of a wide variety of genres. Carmen also drops hints about what to expect from her upcoming memoir. Then poet, essayist, and storyteller Jenny Zhang stops by to talk about her approach to writing Sour Heart, a collection of coming-of-age stories about the children of recent Chinese immigrants, which also won numerous prestigious awards this past year.

Praised as ingenious by The New Yorker for its “technical artistry with an unfettered emotional directness” Jenny Zhang’s debut short-story collection Sour Heart interrogates the immigrant experience in eight linked stories told from the perspective of a first-generation, Chinese-American girl living in New York, and was the first acquisition of Lena Dunham’s publishing imprint Lenny Books. It follows poetry, essays and the chapbook Hags, all of which have contributed to marking Zhang out as one of her generation’s most provocative voices. In conversation with Rosabel Tan.

Jenny Zhang was born in Shanghai, but raised in New York City. With a foot in each world, it's was often a challenge to find a community and keep one. This perspective runs through her brilliant debut collection of stories, Sour Heart. It was a book that caught the attention of Lena Dunham, who chased it to ensure it'd be the first book published on her new ‘Lenny' imprint. Seven stories, written over fifteen years cutting between public schools in Flushing, Queens to the streets of Shanghai. They're funny, heartfelt, sometimes obscene and like nothing I have ever read before. The stories aren't autobiographical per se, but capture the view of young Chinese-American girls growing up in New York City in the 90's. Over five songs Jenny shares teenage mixtapes, mall hangouts soundtracked by Spice Girls, and the beauty and connection of language. The Promise Ring - ‘Forget Me?' The Spice Girls - ‘Wannabe' Le Tigre - ‘The The Empty' Jay-Z - ‘This Can't Be Life {ft. Beanie Siegel and Scarface}' Cocteau Twins - ‘Heaven Or Las Vegas'

Jenny Zhang was born in Shanghai, but raised in New York City. With a foot in each world, it’s was often a challenge to find a community and keep one. This perspective runs through her brilliant debut collection of stories, Sour Heart. It was a book that caught the attention of Lena Dunham, who chased it to ensure it’d be the first book published on her new ‘Lenny’ imprint. Seven stories, written over fifteen years cutting between public schools in Flushing, Queens to the streets of Shanghai. They’re funny, heartfelt, sometimes obscene and like nothing I have ever read before. The stories aren’t autobiographical per se, but capture the view of young Chinese-American girls growing up in New York City in the 90’s. Over five songs Jenny shares teenage mixtapes, mall hangouts soundtracked by Spice Girls, and the beauty and connection of language. The Promise Ring - ‘Forget Me?’ The Spice Girls - ‘Wannabe’ Le Tigre - ‘The The Empty’ Jay-Z - ‘This Can’t Be Life {ft. Beanie Siegel and Scarface}’ Cocteau Twins - ‘Heaven Or Las Vegas’

Jenny Zhang was born in Shanghai, but raised in New York City. With a foot in each world, it’s was often a challenge to find a community and keep one. This perspective runs through her brilliant debut collection of stories, Sour Heart. It was a book that caught the attention of Lena Dunham, who chased it to ensure it’d be the first book published on her new ‘Lenny’ imprint. Seven stories, written over fifteen years cutting between public schools in Flushing, Queens to the streets of Shanghai. They’re funny, heartfelt, sometimes obscene and like nothing I have ever read before. The stories aren’t autobiographical per se, but capture the view of young Chinese-American girls growing up in New York City in the 90’s. Over five songs Jenny shares teenage mixtapes, mall hangouts soundtracked by Spice Girls, and the beauty and connection of language. The Promise Ring - ‘Forget Me?’ The Spice Girls - ‘Wannabe’ Le Tigre - ‘The The Empty’ Jay-Z - ‘This Can’t Be Life {ft. Beanie Siegel and Scarface}’ Cocteau Twins - ‘Heaven Or Las Vegas’

The #metoo movement continues to resonate through the world of literature, with developments at the Sydney Writers' Festival and the Nobel Prize for Literature. Also, young adult author Jesse Andrews on his novel Munmun, Jenny Zhang's collection of short stories Sour Heart, and the film adaptation of Tim Winton's Breath.

Author/superstar Jenny Zhang is visiting Los Angeles on business for her book Sour Heart and Brittani and Ariana discuss the politics of group texts plus the secret of how to get to LA 2.

AAWW Radio is the podcast of the Asian American Writers' Workshop, a national nonprofit dedicated to the idea that Asian American stories deserve to be told. Listen to AAWW Radio and you’ll hear selected audio from our live events. We’ve hosted established writers like Claudia Rankine, Maxine Hong Kingston, Roxane Gay, Amitav Ghosh, and Hanya Yanagihara, as well as more emerging writers like Ocean Vuong, Solmaz Sharif, and Jenny Zhang. Our events are intimate and intellectual, quirky yet curated, dedicated to social justice but with a sense of humor and weirdness. We curate our events to juxtapose novelists and activists, poets and intellectuals, and bring together people who usually wouldn’t be in the same room. We’ve got it all: from avant-garde poetry to post-colonial politics, feminist comics to lyric verse, literary fiction to dispatches from the racial justice left. AAWW Radio features curated audio from the literary events we hold weekly in our New York City reading room, a legendary downtown art space that hosted Jhumpa Lahiri’s first book party and where Junot Díaz used to play Super Nintendo. Founded in 1991, AAWW is an alternative literary arts space working at the intersection of race, migration, and social justice. A sanctuary for the immigrant imagination, we’re inventing the future of Asian American literary culture. Learn more by visiting aaww.org. Our first episode will be dropping some time in November, and we'll be releasing weekly episodes after our launch. Hit the subscribe button for immediate updates!   This podcast is produced by our AV Producer Robert Ouyang Rusli. This teaser episode is narrated by Nadia Q. Ahmad, writer and former AAWW Programs Associate.

In the wake of pyjama-clad Hugh Hefner's demise, we discuss the legacy of Playboy and its nuances - and why viewing an empire created 64 years ago solely through the lense of modern feminism can be problematic. A must-read, incidentally, is Gloria Steinem's The Bunny's Tale. Also in today's episode, we discuss the demise of the celebrity interview. Are authentic journalistic profiles destined to become mere relics, in place of publicist-approved puff pieces? We can but wonder. ***** BIG NEWS: You can now book a ticket to the first ever* live* episode of The High Low! We'll be doing a live show 6.30-8.30pm at tibits in Mayfair, on Monday 16th October and 20% of all proceeds go to Women for Women International. Click the link below to book a ticket to the live record: https://www.eventbrite.co.uk/e/the-high-low-live-recording-at-tibits-heddon-street-tickets-38531176787 Find out about more Women for Women International https://www.womenforwomen.org.uk/ ***** What we've been listening to/ watching The Longform podcast (Dolly recommends the eps with Lena Dunham, Ariel Levy, Emily Nussbaum, David Remnick, Jon Ronson, Elizabeth Gilbert and Taffy Drodesser-Akner) https://longform.org Fresh Air podcast with Hilary Clinton http://www.npr.org/programs/fresh-air/2017/09/18/551812328/fresh-air-for-sept-18-2017-hillary-clinton WTF podcast with Barack Obama http://www.wtfpod.com/podcast/episodes/episode_613_-_president_barack_obama ***** What we're been reading Standard Deviation by Katherine Heiny https://www.amazon.co.uk/Standard-Deviation-Katherine-Heiny/dp/0008105529/ref=sr_1_1?s=books&ie=UTF8&qid=1507046125&sr=1-1&keywords=standard+deviation Mount by Jilly Cooper https://www.amazon.co.uk/Mount-Jilly-Cooper/dp/0593072901 I'll Eat When I'm Dead by Barbara Borland https://www.amazon.co.uk/Ill-Eat-When-Im-Dead/dp/1784298565/ref=sr_1_1?s=books&ie=UTF8&qid=1507060568&sr=1-1&keywords=i%27ll+eat+when+i%27m+dead Sour Heart by Jenny Zhang https://www.amazon.co.uk/Sour-Heart-Jenny-Zhang/dp/1408892413/ref=sr_1_1?ie=UTF8&qid=1507046030&sr=8-1&keywords=sour+heart Interview with France's Secretary for Equality, Marlène Schiappa, in The Sunday Times magazine https://www.thetimes.co.uk/article/marlene-schiappa-vive-la-revolution-67xq9bhd9 1968 Rolling Stone interview with Richie Havens http://www.rollingstone.com/music/news/richie-havens-in-1968-the-direction-for-my-music-is-heaven-19680720 A Bunny's Tale by Gloria Steinem http://dlib.nyu.edu/undercover/sites/default/files/documents/uploads/editors/Show-A%20Bunny%27s%20Tale-Part%20One-May%201963.pdf The Death of a Playmate by Teresa Carpenter http://reprints.longform.org/death-of-a-playmate My Playboy Mansion meeting with Hugh Hefner, Mr Sticky Fingers by Camilla Long https://www.thetimes.co.uk/article/my-playboy-mansion-meeting-with-hugh-hefner-mr-sticky-fingers-rss3wwdmz How BBC Star Clare Balding stole my byline, by Ginny Dougray https://www.theguardian.com/media/2017/sep/30/celebrity-interview-bullying-behaviour-balding-saga See acast.com/privacy for privacy and opt-out information.

The short stories in Jenny Zhang’s debut collection Sour Heart started out as separate tales, but soon the young author found herself in possession of the story of a community — told through  moments in the lives of Chinese-American children growing up in a New York City neighborhood.   Insightful and wry, ferocious and beautiful, these interlinking stories earned Sour Heart a spot in Barnes and Noble’s Discover Great New Writers program. In this episode, the author joins Miwa Messer to talk about her book, navigating family, and coming of age in America.

Asian guys are increasingly refusing the assimilationist liberalism that often excludes them, so is the Alt Right a natural landing spot for those who fall out of the collapsing center? Teen, Oxford, and Jess talk about the need for a new progressive Asian political identity. TWITTER: Teen (@mont_jiang) Jess (@whatsupjess) Oxford (@oxford_kondo) REFERENCED RESOURCES: What If Asian American Men Fall to the Alt-Right? by Oxford Kondo: https://planamag.com/what-if-asian-american-men-fall-to-the-alt-right-3b392495786 AALDEF - The Asian American Vote 2016: http://aaldef.org/TheAsianAmericanVote2016-AALDEF.pdf Neo-Nazi to Troll Army: 'We Have to Be Sexy' at the Big Alt-Right Rally by Allie Conti: https://www.vice.com/en_us/article/599zmx/neo-nazi-to-troll-army-we-have-to-be-sexy-at-the-big-alt-right-rally John Cho... Bastard Extraordinaire? by Ben Efsaneyim: http://benefsanem.blogspot.com/2016/08/john-cho.html Men of Color and Masculinity by Sudip Bhattacharya (Reappropriate): http://reappropriate.co/2017/06/men-of-color-and-masculinity/ In All The White Spaces by Jessica Xiao: https://thehumanist.com/magazine/may-june-2016/features/in-all-the-white-spaces The Yellow Man's Masculinity by Christina M. Qiu: https://www.thecrimson.com/column/new-romantix/article/2016/3/7/Yellow-American-feminism-emasculation/ Norway Shooter Anders Breivik’s Zionism in Line With Pro-Israel European Right by Michelle Goldberg: https://www.thedailybeast.com/norway-shooter-anders-breiviks-zionism-in-line-with-pro-israel-european-right Far Away From Me by Jenny Zhang: http://www.rookiemag.com/2015/04/far-away-from-me/

Author Jenny Zhang's new book “Sour Heart” links seven short stories about a community of Chinese immigrants living in contemporary New York City. The fictional narrators are all young girls who are navigating adolescence while becoming Americans. From the big sister who wants to be free of her close-knit family life to the young girl who fears speaking English in public, these small intimate stories represent big expressions of the hopes and fears of families trying to find home in a new country. Callie Crossley speaks with Jenny Zhang about “Sour Heart” -- our September selection for Bookmarked: The Under the Radar Book Club.

[This interview was conducted via phone, post-editing may retain some audio variation.] In the 3-year anniversary episode of the Minorities in Publishing podcast, Jenn interviews author Jenny Zhang (Sour Heart; Dear Jenny, We Are All Find; The Selected) about her road to publication post-MFA program for her debut story collection, entering the poetry scene to gain community, and also taking stock of what a writer should look for when it comes to representation and publication.   

On this week’s podcast, we talk to the Chinese-American author Jenny Zhang and the Colombian writer Carolina Sanín

The calendar has turned to a new month which means we get to share our picks for the top books of August! Join us as we dive into the new releases coming this month we're most excited for including everything from bestsellers to debut authors, fiction and nonfiction alike! We're crossing all genres here so there is something for everything. Be sure to connect with us and share your favorite new books as well. Our TBR list can never be too long... Books mentioned in this episode: Of Mess and Moxie by Jen Hatmaker   The Address by Fiona Davis   America 51 by Corey Taylor   The Last Tudor by Philippa Gregory   Hail to the Chin by Bruce Campbell and Craig Sanborn   Sour Grapes by Jenny Zhang   Warbringer by Leigh Bardugo   Clockwork Dynasty by Daniel Wilson   The Rattled Bones by S.M. Parker   The Half-Drowned King by Lianna Hartsuyker   Little and Lion by Brandy Colbert   The Readymade Thief by August Rose   See What I Have Done by Sarah Schmidt   The Hole by Hye-Young Pyun   Solo by Kwame Alexander   Things That Happened Before the Earthquake by Chiara Barzini   The Dark Net by Benjamin Percy   Girl in Snow by Danya Kukafka   The Red-Haired Woman by Orhan Pamuk   Are You Sleeping by Kathleen Barber   I'd Rather Be Reading: A Library of Art for Book Lovers   The Kelloggs by Howard Markel Say Hello! Find OverDrive on Facebook at OverDriveforLibraries and Twitter at @ProBookNerds. Email us directly at professionalbooknerds@overdrive.com Music "Buddy" provided royalty free from www.bensound.com Podcast Overview We're not just book nerds: we're professional book nerds and the staff librarians who work at OverDrive, the leading app for eBooks and audiobooks available through public libraries and schools. Hear about the best books we've read, get personalized recommendations, and learn about the hottest books coming out that we can't wait to dive into. For more great reads, find OverDrive on Facebook and Twitter.

“In the whore economy, you’re constantly aware if you’re common or you’re rare.” If you enjoyed Tina's talk with Jenny Zhang in the Why Are People Into Fluids?! episode a few months back, then you'll love this Interrobang all about exclusion, meaningful cores, and Jenny's short story book Sour Heart (which comes out in August!) See acast.com/privacy for privacy and opt-out information.

This week Roxane Gay, author of the new memoir ‘Hunger,’ joins Rookie contributor Jenny Zhang for a conversation about bodies, ambition, and fighting loneliness through reading. Then, host Tavi Gevinson gets her tarot cards read by author of ‘Modern Tarot’ Michelle Tea. Plus, illustrator and comic artist Jillian Tamaki answers your questions for our recurring segment ‘Ask a Grown,’ and we hear how a Rookie listener came out to her family. Each week on the Rookie Podcast we'll interview people we admire: artists, writers, musicians, filmmakers, activists. We'll also spotlight the work of Rookie readers (now listeners!) and contributors. We'll discuss creativity, pop culture, feminism, activism, self-care, love, friendship, and more. --- Follow us on Twitter and Instagram: @tavitulle @rookiemag @mtvpodcasts  --- Find us at: rookiemag.com  | rookiepodcast.mtv.com  | podcasts.mtv.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Jenny Zhang’s poetry is disgusting; and, if you know me, you know that nothing makes me wetter than obscenity. Jenny Zhang is the author of Dear Jenny, We Are All Find (Octopus Books), Hags (Guillotine), The Selected Jenny Zhang (Emily Books), and the forthcoming Sour Heart (Lenny). She was born in Shanghai and raised in Queens. See acast.com/privacy for privacy and opt-out information.

"I feel exposed by how wet I can be." Jenny Zhang's poetry is delightfully obscene, so it's no surprise she describes herself as "a very goopy person." In this episode, Tina and Jenny (the brilliant author of chapbooks, essays, and an upcoming book of short stories called Sour Heart) explore all the fluids the human body can produce, from spit to sweat to piss to cum. Along the way, they investigate the phenomenon of dirty panty sniffing, gushers candy, and the erotic potential of words like drained. Warning: this is one of the most visceral and frankly disgusting episodes of YAPIT! Jenny Zhang is the author of Dear Jenny, We Are All Find (Octopus Books), Hags (Guillotine), The Selected Jenny Zhang (Emily Books), and the forthcoming Sour Heart (Lenny). She was born in Shanghai and raised in Queens. See acast.com/privacy for privacy and opt-out information.

Jenny Zhang on Mitski's “Your Best American Girl.”

This week, our favorite moments from past interviews come together around a theme: immigrant narratives. You'll hear from Stacy-Marie Ishmael, Anil Dash, Jenny Zhang, Padma Lakshmi, Hannah Giorgis, Lin-Manuel Miranda, and Uzo Aduba. (This is an excellent episode to start with, so if you're new here, welcome.) Follow Stacy-Marie Ishmael at @s_m_i. Follow Anil Dash at @anildash. Follow Jenny Zhang at @jennybagel. Follow Padma Lakshmi at @padmalakshmi. Follow Hannah Giorgis at @ethiopienne. Follow Lin-Manuel Miranda at @lin_manuel. Follow Uzo Aduba at @uzoaduba. Find Another Round merch at shop.buzzfeed.com. Subscribe to the Another Round newsletter at buzzfeed.com/anotherround/newsletter.Learn more about your ad choices. Visit megaphone.fm/adchoices

Jenny Zhang shares a (gloriously NSFW) poem, then talks about higher education, being brown in white spaces, and lip gloss. Plus: our first official installment of Games With Friends with Bim Adewunmi. Follow Jenny at @jennybagel. Follow Bim at @bimadew.Learn more about your ad choices. Visit megaphone.fm/adchoices

WE BACK! : ) This week we're discussing the amazing article written by Jenny Zhang in response to the Yellowface/nom de plume debacle in the Best American Poetry 2015 anthology: http://www.buzzfeed.com/jennybagel/they-pretend-to-be-us-while-pretending-we-dont-exist#.ys3Vww1YYD We're also discussing a hood lit novel. Yep, that's right. Our friends Ashley and Sarah join us to discuss a novel titled My Bitch, Yo Bitch, Everybody's Bitch. We wrap up the show with our What Are You Reading? segment.