Podcasts about John Wayne

Front Row Classics is happy to welcome back author, Chris Yogerst, to chat about one of the seminal westerns in Hollywood history. Chris recenlty penned a book for UNM Press' "Reel West" series on 1962's The Man Who Shot Liberty Valance. Brandon and Chris discuss the impact of John Ford's eulogy to the Old West. The two break down the performances of Jimmy Stewart, John Wayne, Vera Miles and Lee Marvin as well as the themes of fact & fiction.  "The Man Who Shot Libert Valance (Reel West)" is available from UNM Press wherever books are sold. 

In this episode of Gangland Wire, host Gary Jenkins talks with author Linda Stasi about her historical novel, The Descendant, inspired by her own Italian-American family history. Stasi traces her ancestors' journey from Sicily to the Colorado mining camps, revealing the brutal realities faced by immigrant laborers in the American West. The conversation explores the violent labor struggles surrounding the Ludlow Massacre and the role of powerful figures like John D. Rockefeller, as well as the diverse immigrant communities that shaped Colorado's mining towns. Stasi challenges stereotypes about Italians in America, highlighting their roles as workers, ranchers, and community builders—not just mobsters. Jenkins and Stasi also discuss Prohibition-era bootlegging and the early roots of organized crime in places like Pueblo, weaving together documented history with deeply personal family stories of survival, violence, and resilience. Drawing on her background as a journalist, Stasi reflects on loss, perseverance, and the immigrant pursuit of the American dream, making The Descendants both a historical narrative and an emotional family legacy. Click here to find the Descendant. 0:04 Introduction to Linda Stasi 3:12 The Role of Women in History 7:05 Bootlegging and the Mafia’s Rise 9:31 Discovering Family Connections 14:59 Immigrant Struggles and Success 19:02 Childhood Stories of Resilience 24:04 Serendipity in New York 26:19 Linda’s Journey as a Journalist Hit me up on Venmo for a cup of coffee or a shot and a beer @ganglandwire Click here to “buy me a cup of coffee” Subscribe to the website for weekly notifications about updates and other Mob information. To go to the store or make a donation or rent Ballot Theft: Burglary, Murder, Coverup, click here To rent ‘Brothers against Brothers’ or ‘Gangland Wire,’ the documentaries click here.  To purchase one of my books, click here.  [0:00] Well, hey, all you wiretappers out there, glad to be back here in studio, Gangland Wire. This is Gary Jenkins, retired Kansas City Police Intelligence Unit detective, and I have an interview for you. This is going to be a historical fiction author. This is going to be a historical fiction book by a writer whose family lived the life of, whose family, This is going to be a real issue. This book is going to, we’re going to talk about a book. We’re going to talk with an author about the book. We’re going to talk with the author, Linda Stasi. We’re going to talk with the author, Linda Stasi, about her book, The Descendants. Now, she wrote a historical fiction, but it’s based on her actual family’s history. [0:50] From Sicily to New York to California. The wild west of colorado now get that you never heard of many italians out west in colorado but she’s going to tell us a lot more about that and how they were actually ended up being part of the pueblo colorado mafia the corvino family and then got involved in bootlegging and and then later were involved in ranching and different things like that so it’s uh it’s a little different take on the mob in the United States that we usually get, but I like to do things that are a little bit different. So welcome, Linda Stasey. Historical fiction, how much of it is true? Is it from family stories? All the stories are true. I’ll ask you that here in a little bit. Okay, all the stories are true. All right. All the stories are true. [1:41] It’s based on not only stories that were told to me by my mother and her sisters and my uncles and so forth, But it’s also based on a lot of actual events that took place while they were living in Colorado. And it’s based on the fact that, you know, people don’t know this. We watch all these movies and we think everybody who settled the West talk like John Wayne. There were 30 different languages spoken right in the minds of Colorado. So my uncles rode the range and they were, drovers and they were Italian. I mean, they were first generation. They were born in Italy and they made their way with all these other guys who were speaking Greek and Mexican and you name it. It wasn’t a lot of people talking like, hey, how are you doing, partner? How are you doing, bard? Talking like I do. Right. [2:46] But it took a long time for you you can blame the movies for that and the dominant uh uh caucasian culture for that right and you know there was that what was the movie the the martin scorsese movie killers of the flower moon oh yeah all the uh native americans spoke like they were from like movie set in color and oklahoma so he was like what. [3:13] Yeah, well, it’s the movies, I guess. [3:25] Unlike any women that I would have thought would have been around at that time. They were rebellious, and they did what they wanted, and they had a terrible, mean father. And I also wanted to tell this story. That’s what I started out telling. But I ended up telling the story of the resilience of the immigrants who came to this country. For example, with the Italians and the Sicilians, there had been earthquakes and tsunamis and droughts. So Rockefeller sent these men that he called padrones to the poorest sections of Sicily, the most drought-affected section, looking for young bucks to come and work. And he promised them, he’d say, oh, the president of America wants to give you land, he wants to give you this. Well, they found themselves taken in the most horrific of conditions and brought to Ellis Island, where they were herded onto cattle cars and taken to the mines of Colorado, where they worked 20-hour days. They were paid in company script, so they couldn’t even buy anything. Their families followed them. They were told that their families were coming for free, and they were coming for free, but they weren’t. They had to pay for their passage, which could never be paid for because it was just company script. [4:55] And then in 1914, the United Mine Workers came in, and there were all these immigrants, Greeks and mostly Italians, and they struck, and Rockefeller fired everyone who struck. So the United Mine Workers set up a tent city in Ludlow. [5:14] And at night, Rockefeller would send his goons in who were—he actually paid the National Guard and a detective agency called Baldwin Feltz to come in. And they had a turret-mounted machine gun that they called the Death Squad Special, and they’d just start spraying. So the miners, the striking miners, built trenches under their tents for their women and children to hide. when the bullets started flying. And then at some point, Rockefeller said, you’re not being effective enough. They haven’t gone back to work. Do what you have to do. So these goons went in and they poured oil on top of the tents. And they set them on fire. [6:00] And they burnt dozens of women and children to death. They went in. The government claimed it was 21 people, but there was a female reporter who counted 60-something. and they were cutting the heads and the hands off of people, the children and women, so they couldn’t be identified. It all ended very badly and none of Rockefeller’s people or Rockefeller got in trouble. They went before Congress and Rockefeller basically said they had no right to strike. And that was that. So here are all these men and women now living wild in the mountains of Colorado, not speaking the language, not. Being literate, not able to read and write. [6:44] And living in shacks on mountains in the hurricane, I mean, in the blizzards and whatnot. And then it’s so odd. In 1916, Colorado declared prohibition, which was four years before the rest of the country. [7:00] So these guys said, well, we need to make booze. We need to make wine. What do you mean you can’t have booze and wine? So that’s how bootlegging started in Colorado. And that’s how the mafia began in the West. with these guys. [7:18] It’s kind of interesting. As I was looking down through your book, I did a story on the more modern mafia. This started during bootlegging times in Pueblo, and I noticed in your book, I refer to Pueblo, this was the Corvino brothers. So did you study that? Is that some of the background that you used to make, you know, use a story? You used real stories as well as, you know, the real stories from your family, real stories from history. Well, the Carlinos are my family. Oh, you’re related to the Carlinos. Well, what happened was I didn’t know that. And my cousin Karen came across this photo of the man who was her son. [7:59] Grandfather that she never met because he was killed in the longest gunfight in Colorado history when she was 10 days old. And he was Charlie Carlino. So she came across it and we met, we ended up meeting the family. Sam Carlino is my cousin and he owns like this big barbecue joint in san jose california and uh we’ve become very friendly so i i said i look i’m looking at this and i think wait a minute vito carlino is the father he has three sons and one daughter the youngest son charlie who was the the handsome man about town cowboy, they had a rival family called the dannas in bootlegging and charlie carlino and his bodyguard were riding across the baxter street bridge driving in one direction and the dannas were coming in the other direction and the dannas got out and and killed them and it’s exactly what I’m thinking to myself, Vito Corleone, three sons, Charlie gets killed on the bridge while the two cars are… I thought, wait a minute. Wait a minute. Wait a minute. I mean. [9:26] It can’t be that coincidental, right? No. No, it can’t be. Even the bridge. Somebody was doing their research. [9:46] And had baby Charlotte, who was only 10 days old at the time. So all these stories are true, and it started other gunfights and so forth and so on. But I thought, holy shit. That’s my family. I had no idea. I mean, I knew my aunt was married to a guy whose name was Charlie Carlino, And I should show you the picture because he looks like the missing link from the village people. He’s got big fur chaps on and a cowboy hat. I mean, he’s got his holsters on and he’s got his long gun over his shoulder. It’s like, wow. Yeah, so that story is true. And my mom was a little girl when the Pueblo flood happened. And she always recalled the story to me about watching in horror as the cows and the horses and people were floating away, dead. [10:54] So now the name of your book is A Descendant, which is you, of course. And you kind of use the situations that you just described and the real life people in this book. So then how does this book progress and what other situation do you use? Well, I used many of the acts. I used the Ludlow massacre, the flood, the bootlegging, the prohibition. I also uncovered that the governor of Colorado said. [11:30] Assigned all these guys to become prohibition agents, but they were all KKK. Yeah. So they actually had license to kill the immigrants, just saying they had a still. They had a still. And they were wholesale killing people. So there’s that story. There’s the story of the congressional hearing of Rockefeller after that. And um the the book ends up with my mother um beating my father um who was not in colorado she met him at my aunt’s wedding and avoided him and avoided him and they finally got together and it ends up the book ends up at the start of world war ii and my father was drafted into the air Force, or the Army Air Corps, as it was called that time, and his was assigned to a bomber. He was a co-pilot or a bombardier or something, I forgot. And my grandfather on my father’s side said, well, wait a minute, where are you going to do this? And he said, well, we’re going to Italy. And he said, you’re going to bomb this? Your own country? And my father said, no, no, Bob, this is my country. [12:47] So the book comes full circle. Yeah, really. You know, I, uh, uh, sometimes I start my, I’ll do a program here for different groups or for the library once in a while. And I always like to start it with, you know, first of all, folks, remember, uh. [13:03] Italians came here after, you know, really horrible conditions in southern Italy and Sicily and they came here and they’re just looking for a little slice of American pie the American that’s all they want is a some of the American dream and you know they were taking advantage of they had they were they were darker they had a different language so they didn’t fit it they couldn’t like the Irish and the Germans were already here they had all the good jobs they had the businesses and so now the Italians they’re they’re kind of uh sucking high and tit as we used to say on the farm they’re they’re uh you know picking up the scraps as they can and form businesses. And so it sounds like, you know, and they also went into the, I know they went in the lead mines down here in South Missouri, because there’s a whole immigrant population, Sicilians in a small town called Frontenac. And it also sounds like they went out to the mines in Denver, Colorado. So it’s based on that diaspora, if you will, of people from Southern Italy. And they’re strapping, trying to get their piece of the American pie. Right. And I think that I also wanted very much to change the same old, same old narrative that we’ve all come to believe, that, you know, Italians came here, they went to New York, they killed everybody, they were ignorant slobs. And my family had a ranch! They were ranchers! They had herds of cattle! It’s like, that’s just been dismissed as though none of this existed because. [14:30] Yes, they were darker, because they had curly hair. [14:34] There’s a passage in my book that’s taken actually from the New York Times, where they say that Southern Italians are. [14:43] Greasy, kinky-haired criminals whose children should never be allowed in public schools with white children. Yeah. They used to print stuff like that. I’ve done some research in old newspapers, and not only about Italians, but a lot of other minorities, they print some [14:57] horrible, horrible, horrible things. Well, every minority goes through this, I guess. Everyone. I think so. Part of it’s a language problem. You hear people say, well, why don’t they learn our language? Well, what I say is, you know, ever try to learn a foreign language? It’s hard. It is really, really hard. I’ve tried. It is really hard. I got fired by my Spanish teacher. Exactly. You know how hard it is. I said, no, wait, I’m paying you. You can’t fire me. She said, you can’t learn. You just can’t learn. My grandkids love to say she got fired by her Spanish teacher. [15:36] But it’s such a barrier any kind of success you know not having the language is such a barrier to any kind of success into the you know american business community and that kind of a thing so it’s uh it’s tough for people and you got these people young guys who are bold and, they want they want to they end up having to feel like they have to take theirs they have to take it because ain’t nobody giving it up back in those days and so that sounds like your family they had to take however they took it they they had to take what they got how did that go down for them, start out with a small piece of land or and build up from there how did that go out well from what i understand um. [16:21] They first had a small plot, and then that they didn’t own. They just took it. And then as the bootlegging business got bigger, they started buying cattle and sheep. And they just started buying more and more land. But my grandfather was wanted because he killed some federal agent in the Ludlow Massacre. So he was wanted. So it was all in my grandmother’s name anyway. So she became, in my mind and in my book, she becomes the real head of the family. And my grandfather had a drinking problem, and she made the business successful and so forth. And then I do remember a story that my mother told me that—. [17:16] Al Capone came to the ranch at some point, and all the kids were like, who’s this man in the big car? There was other big cars. And then they moved to New York shortly after that, although they were allowed to keep the ranch with some of my aunts running it. I think there was a range war between the Dana family and the Carlinos and the Barberas, and they were told, get out of town, and they got out of town. And then they made a life in Brooklyn. And then my mom went back to Colorado and then came back to Brooklyn. [17:54] You think about how these immigrants, how in the hell, even the ones who come here now, how in the hell do you survive? I don’t know. Don’t speak the language. You don’t have the money. How do you survive? I don’t know. I truly don’t know. I couldn’t do it. I couldn’t either. I couldn’t either. I don’t even want to go to another country where I don’t speak the language unless I can hire somebody to do stuff for me, you know, try to scuffle around and get a job, work off the books. You know, you got to work off the books, so to speak, and take the lowest, hardest jobs that they are, that there are. I don’t know. It’s crazy. I don’t really understand. Yeah. But, uh, so this, uh, it’s really interesting this, uh, the whole thing with the ranches and, and building up the ranches out there. I know we spoke, talk about Al Capone. Well, his brother, I think it was, it was not Ralph. There was another Capone brother. Which one? Well, another Capone brother who became, came a revenuer and I’ve seen some pictures of him and he looks like a cowboy with a hat and everything. He was in Nebraska or something. [19:02] It’s so funny. And I just, when I was growing up and I would tell people that my mom rode her donkey and then her horse to school, and they’d always say to me, but aren’t you Italian? [19:19] That’s Italian. Italian. Yeah, it’s interesting. Now, of course, your mom was, I noticed something in there about being in Los Animas in that area. Yes. Was there some family connection to that? And I say that because my wife’s grandfather lived there his whole life in Los Animas. Well, Los Animas County takes in Pueblo, I believe. Oh, okay. That’s the northern, that’s the far northern edge of Pueblo. The whole big area. I didn’t realize it was that close to Pueblo. I think my mom’s birth certificate actually says Los Animas County. Uh-huh. Something like that, yeah. Okay, all right. I didn’t realize Los Andemos was that close. I think. I might be wrong. Oh, it could be. It had those big counties out west, a great big county, so it would probably do. [20:10] So let’s see. Tell us a couple other stories out of that book that you remember. Well, there’s a story of my mother and her sister, Clara. Clara was a year what do they call Irish twins you know Italian twins she was like 14 months younger than my mom and um, When my mom had to start school, she was very close to my Aunt Clara, and they refused to go to school without each other. So my grandmother lied and said they were twins. And the teacher said, I don’t think they’re twins. This one’s much littler than the other, and I’m going to send the sheriff to that guinea father of yours and make sure. Well, unfortunately, the town hall burnt down with all the records that night. So they were never able to prove that Aunt Clara was a year younger. [21:14] Interesting. And also there’s a story of how they were in school when the flood hit. And my mother did have a pet wolf who was probably part wolf, part dog, but it was her pet named Blue. They got caught in the flood because they were bad and they had detention after school. And um had they left earlier they would have um so the dog came and dragged them was screaming and barking and making them leave and the teacher got scared because of the wolf and so they left and the wolf was taking them to higher and higher ground and had they stayed in that schoolhouse they would have been killed the teacher was killed everybody was washed away Wow. Yeah, those animals, they got more of a sense of what’s going on in nature than people do, that’s for sure. But she had always told me about her dog wolf named Blue. When they went back to New York City, did they fall in with any mob people back there? They go back to Red Hook. They had connections that were told, they were told, you know, you can, like Meyer Lansky and a couple of other people who would help them, um. [22:33] But my mom—so here’s an absolutely true story, and I think I have it as an epilogue in the book. So a few years ago, several years ago, my daughter had gotten a job in the summer during college as a slave on a movie set that was being filmed in Brooklyn. And she got the job because she, A, had a car, and B, she could speak Italian. And the actress was Italian. So every night she’d work till like 12 o’clock and I’d be panicked that she’d been kidnapped or something. So she’d drive her car home. But then every night she was coming home later and later and I said, what’s going on? She said, you know, I found this little restaurant and right now we’re in Red Hook where the, and it wasn’t called Red Hook. It was called, they have another fancy name for it now. [23:32] And she said and I just got to know the owner and he’s really nice and I told him that when I graduated from college if I had enough money could I rent one of the apartments upstairs and he said yes and she said we’ve got to take grandma there we’ve got to take grandma there she’ll love the place she’ll love the place and so my mother got sick and just came home from college, and she was laying in the bed with my mother, and she said, Grandma, you’re going to get better, and then we’re going to take you to this restaurant, [24:03] and I promise you, you’re going to love it. So my mother, thank God, did get better, and we took her to the restaurant. [24:12] The man comes over, and it’s a little tiny Italian restaurant, and the man comes over, and he says, Jessica, my favorite, let me make you my favorite Pennelli’s. And my mother said, do you make Pennelli’s? And he said, yes. She said, oh, when we first came to New York, the man who owned the restaurant made us Pennelli’s every day and would give it to us before we went to school. And he said, really, what was his name? And she said, Don, whatever. And he said, well, that’s my grandfather. She said, well, what do you mean? He said, well, this is, she said, where are we? And he said. [24:53] They called it Carroll Gardens. And he said, well, it’s Carroll Gardens. She said, well, I grew up in Red Hook. He said, well, it is Red Hook. She said, well, what’s the address here? And he said, 151 Carroll Street. And she said, my mother died in this building. [25:09] My daughter would have rented the apartment where her great-grandmother died. What’s the chances of that of the 50 million apartments in New York City? No, I don’t know. And the restaurant only seats like 30 people. So… My mother went and took a picture off the wall, and she said, this is my mother’s apartment. And there were like 30 people in the restaurants, a real rough and tumble place, and truck drivers and everything. And everybody started crying. The whole place is now crying. All these big long men are crying. Isn’t that some story? Full circle, man. That’s something. Yeah, that is. Especially in the city. It’s even more amazing in a city like New York City. I know. That huge. That frigging huge. That exact apartment. Oh, that is great. So that restaurant plays a big part in the book as well, in the family. Okay. All right. All right. Guys, the book is The Descendant, Yellowstone Meets the Godfather, huh? This is Linda Stasi. Did I pronounce that right, Stasi? Stacey, actually. This is Linda Stasi. And Linda, I didn’t really ask you about yourself. [26:17] Tell the guys a little bit about yourself before we stop here. Well, I am a journalist. I’ve been a columnist for New York Newsday, the New York Daily News, and the New York Post. I’ve written 10 books, three of which are novels. [26:34] And I’ve won several awards for journalism. And I teach a class for the Newswomen’s Club of New York to journalists on how to write novels, because it’s the totally opposite thing. It’s like teaching a dancer to sing, you know? It’s totally opposite. One of my mentors was Nelson DeMille, my dear late friend Nelson DeMille, and I called him up one night after I wrote my first novel, and I said, I think I made a terrible mistake. He said, what? I said, I think I gave the wrong name of the city or something. He said, oh, for God’s sakes, it’s fiction. You can write whatever you want. [27:17] But when you’re a journalist, if you make a mistake like that, you’re ruined. Yeah, exactly. So I have. We never let the facts get in the way of a good story. Go ahead. I’m sorry. I said I have a daughter and three grandsons. My daughter is the only female CEO of a games company. She was on the cover of Forbes. And my husband just died recently, and he was quite the character. He got a full-page obit in the New York Times. He’s such a typical, wonderful New York character. So I’m in this strange place right now where I’m mourning one thing and celebrating my book. On the other hand, it’s a very odd place to be. I can imagine. I can only imagine. Life goes on, as we say, back home. It just keeps going. All right. Linda Stacey, I really appreciate you coming on the show. Oh, thank you. I appreciate you talking to me. You’re so much an interesting guy. All right. Well, thank you.

Stew shares some big life news before he and John Wayne watch "Marty Supreme," the new zombie film "28 Years Later: The Bone Temple," and the Netflix Damon-Affleck actioner "The Rip."

Listeners call in with their favorite vigilantes—from John Wick to Charles Bronson—while Michael breaks into storytelling detours featuring John Wayne, outrageous true‑crime cases, and even a pork‑powered rant.See omnystudio.com/listener for privacy information.

On Episode 145 of The Film ‘89 Podcast, Steve, Skye and returning guest host, filmmaker Kyle Reardon, celebrate the 70th anniversary of legendary director John Ford's epic 1956 western, The Searchers. Directed by one of the most revered and influential filmmakers ever to step behind a camera, and starring one of cinema's true icons, John Wayne, in one of his most complex roles, The Searchers tells the tale of civil war veteran, Ethan Edwards, a man wrestling with his own dark side, and his adopted nephew Martin (Jeffrey Hunter) and their years long search for Ethan's niece, Debbie, taken from her family by a Comanche Chief after a raid on Ethan's brother's homestead. Shot in stunning Vista Vision and featuring some of the most astonishing cinematography ever seen in a motion picture, Ford's film was is arguably the peak of a staggering career that spanned seven decades and a film that's become widely regarded as one of the greatest American films of not just the 20th century, but all time. 

Only one performance style has dominated the lexicon of the casual moviegoer: “Method acting.” The first reception-based analysis of film acting, Imagining the Method: Reception, Identity, and American Screen Performance (U Texas Press, 2024) investigates how popular understandings of the so-called Method—what its author Justin Rawlins calls "methodness"—created an exclusive brand for white, male actors while associating such actors with rebellion and marginalization. Drawing on extensive archival research, the book maps the forces giving shape to methodness and policing its boundaries. Imagining the Method traces the primordial conditions under which the Method was conceived. It explores John Garfield's tenuous relationship with methodness due to his identity. It considers the links between John Wayne's reliance on "anti-Method" stardom and Marlon Brando and James Dean's ascribed embodiment of Method features. It dissects contemporary emphases on transformation and considers the implications of methodness in the encoding of AI performers. Altogether, Justin Rawlins offers a revisionist history of the Method that shines a light on the cultural politics of methodness and the still-dominant assumptions about race, gender, and screen actors and acting that inform how we talk about performance and performers. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Only one performance style has dominated the lexicon of the casual moviegoer: “Method acting.” The first reception-based analysis of film acting, Imagining the Method: Reception, Identity, and American Screen Performance (U Texas Press, 2024) investigates how popular understandings of the so-called Method—what its author Justin Rawlins calls "methodness"—created an exclusive brand for white, male actors while associating such actors with rebellion and marginalization. Drawing on extensive archival research, the book maps the forces giving shape to methodness and policing its boundaries. Imagining the Method traces the primordial conditions under which the Method was conceived. It explores John Garfield's tenuous relationship with methodness due to his identity. It considers the links between John Wayne's reliance on "anti-Method" stardom and Marlon Brando and James Dean's ascribed embodiment of Method features. It dissects contemporary emphases on transformation and considers the implications of methodness in the encoding of AI performers. Altogether, Justin Rawlins offers a revisionist history of the Method that shines a light on the cultural politics of methodness and the still-dominant assumptions about race, gender, and screen actors and acting that inform how we talk about performance and performers. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Only one performance style has dominated the lexicon of the casual moviegoer: “Method acting.” The first reception-based analysis of film acting, Imagining the Method: Reception, Identity, and American Screen Performance (U Texas Press, 2024) investigates how popular understandings of the so-called Method—what its author Justin Rawlins calls "methodness"—created an exclusive brand for white, male actors while associating such actors with rebellion and marginalization. Drawing on extensive archival research, the book maps the forces giving shape to methodness and policing its boundaries. Imagining the Method traces the primordial conditions under which the Method was conceived. It explores John Garfield's tenuous relationship with methodness due to his identity. It considers the links between John Wayne's reliance on "anti-Method" stardom and Marlon Brando and James Dean's ascribed embodiment of Method features. It dissects contemporary emphases on transformation and considers the implications of methodness in the encoding of AI performers. Altogether, Justin Rawlins offers a revisionist history of the Method that shines a light on the cultural politics of methodness and the still-dominant assumptions about race, gender, and screen actors and acting that inform how we talk about performance and performers. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Only one performance style has dominated the lexicon of the casual moviegoer: “Method acting.” The first reception-based analysis of film acting, Imagining the Method: Reception, Identity, and American Screen Performance (U Texas Press, 2024) investigates how popular understandings of the so-called Method—what its author Justin Rawlins calls "methodness"—created an exclusive brand for white, male actors while associating such actors with rebellion and marginalization. Drawing on extensive archival research, the book maps the forces giving shape to methodness and policing its boundaries. Imagining the Method traces the primordial conditions under which the Method was conceived. It explores John Garfield's tenuous relationship with methodness due to his identity. It considers the links between John Wayne's reliance on "anti-Method" stardom and Marlon Brando and James Dean's ascribed embodiment of Method features. It dissects contemporary emphases on transformation and considers the implications of methodness in the encoding of AI performers. Altogether, Justin Rawlins offers a revisionist history of the Method that shines a light on the cultural politics of methodness and the still-dominant assumptions about race, gender, and screen actors and acting that inform how we talk about performance and performers. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

⭐Rio Lobo (1970) Review: Hawks, Wayne, and a Fading Western Era⭐

Dan Miller is back, and this time we are talking about the side of purity culture that almost never gets center stage: how it messes with men. While purity culture is usually framed around controlling women's bodies and desires, Dan helps us unpack how men and those socialized as male are shaped by shame, fear, and some wildly unhealthy expectations. From being taught they are inherently dangerous to being trapped in rigid ideas of masculinity, this conversation looks at how purity culture limits emotional range, intimacy, and even basic self understanding long after people have deconstructed the theology.We get into everything from the predator versus protector binary to the loneliness epidemic among men, why anger becomes the only socially acceptable emotion, and how the “slippery slope” logic around touch wrecks healthy connection. Dan also walks through what healing can actually look like, including somatic awareness, parts work, and relearning how to experience pleasure and desire without shame. We wrap by talking about what it might look like to raise boys differently, with more room for emotions, curiosity, and care. Equal parts thoughtful, validating, and gently unhinged in the best way, this episode is for anyone trying to unlearn the damage purity culture did to their body, their relationships, or their sense of self.Connect with Dan:Website: CTRR Practitioner bio pageSocial Media: Straight White American Jesus Podcast, Co-Host, Instagram: @straightwhitejc, Twitter: @straightwhitejcEmail: danielmillerswaj@gmail.comResources discussed in this episode: Jesus and John Wayne by Kristen Kobes duMez This podcast is brought to you by the Center for Trauma Resolution and Recovery: an online trauma coaching company whose practitioners are trauma informed and trauma trained to work with individuals, couples and families who have experienced high control religion, cults, and religious trauma. For more information on the support that CTRR provides, for resources–including courses, workshops, and more–head to traumaresolutionandrecovery.com or follow us on Instagram: @traumaresolutionandrecovery The views and opinions expressed by Sunday School Dropouts are those of the hosts and not necessarily reflect the official policy or position of the Center for Trauma Resolution and Recovery. Any of the content provided by our guests, sponsors, authors, or bloggers are their own ideas and opinions.The Sunday School Dropouts podcast is not anti-religion but it is anti -harm, -power and control, -oppression and, -abuse and will speak to the harmful practices and messaging of fundamentalist groups. Follow Andrew on Instagram and TikTok @deconstruct_everything To begin working with Andrew as a coach, schedule your FREE inquiry call hereFollow Laura on Instagram and TikTok @drlauraeanderson or on her website: www.drlauraeanderson.com To work with Laura as a coach, therapist, consultant, or to inquire about other services, you can do so hereHosts: Laura Anderson and Andrew KerbsMusic by Benjamin Faye Music @heytherebenji 

The cowboy is one of the most potent symbols of American Western mythology. But while pop culture might call John Wayne or the Marlboro Man to mind, real history tells a different story than Hollywood or history books. Cowboys in the West were racially diverse, and in Eastern Oregon, Chinese Americans played a big role in ranching and local economies.   As part of work to reclaim histories of the early Chinese diaspora in rural Oregon, archaeologists and community historians are on the trail of Eastern Oregon’s Chinese cowboys. That pursuit takes us to the historic Stewart Ranch in Grant County to learn more about Buckaroo Sam, cook Jim Lee and others who lived and worked there. We're joined by historical archaeologist Chelsea Rose to kick off a special series in collaboration with OPB’s “Oregon Experience,” the Southern Oregon University Laboratory of Anthropology and Jefferson Public Radio about unearthing Oregon history — the real stuff. -   For more episodes of The Evergreen, and to share your voice with us, visit our showpage. Follow OPB on Instagram, and follow host Jenn Chávez too. You can sign up for OPB’s newsletters to get what you need in your inbox regularly.   Don’t forget to check out our many podcasts, which can be found on any of your favorite podcast apps:HushTimber Wars Season 2: Salmon WarsPolitics NowThink Out Loud And many more! Check out our full show list here.  

John Wayne and Stew regroup after the holiday season to talk cooking success, videogame geekery, and a whole bunch of movies: Bugonia, Zootopia 2, The Smashing Machine, and The Baltimorons.

Em 1956 foi lançado o filme Sangue de Bárbaros, uma atrocidade cinematográfica que virou motivo de piada e constrangeu todos os envolvidos. No entanto, cerca de 24 anos depois, teorias surgiram de que o local das filmagens estaria contaminado por radiação de testes nucleares e uma grande parte dos profissionais envolvidos com o filme veio a óbito por conta da radiação. Mas será mesmo?Roteiro e Apresentação: Icles RodriguesEdição: João Victor VilaInstagram: ⁠⁠⁠@iclesrodrigues⁠⁠⁠Adquira o curso História: da pesquisa à escrita por apenas R$ 49,90 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CLICANDO AQUI⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Adquira o curso A Operação Historiográfica para Michel de Certeau por apenas R$ 24,90 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CLICANDO AQUI⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Adquira o curso O ofício do historiador para Marc Bloch por apenas R$ 29,90 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CLICANDO AQUI⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Colabore com nosso trabalho em ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠apoia.se/obrigahistoria⁠Conforto é com a Insider. Use o cupom HISTORIAFM ou acesse o site pelo link ⁠https://creators.insiderstore.com.br/HISTORIAFM⁠ #insiderstore

Welcome to It's A Wonderful Podcast!We're starting 2026 with an insightful and important series highlighting PRE-CODE HOLLYWOOD, and all the uncensored scandalousness that comes with it!Stripping back the lavish historical sets for a big city bank this week as Morgan and Jeannine talk the moral quandaries of sleeping your way up the corporate ladder in an act of revenge against the terrible men in your past in BABY FACE (1933) starring Barbara Stanwyck!With a notably strong interracial friendship, full feminine power, and a rather surprising appearance from a young John Wayne, they had a real blast on this milestone episode!Our YouTube Channel for all our video content: ⁠⁠⁠⁠⁠⁠⁠(17748) It's A Wonderful Podcast - YouTube⁠⁠⁠⁠⁠⁠⁠The It's A Wonderful Podcast Theme by David B. Music.Donate:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IT'S A WONDERFUL PODCAST STORE:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/g9design⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!!Keep up with us on (X) Twitter:Podcast:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Morgan:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jeannine:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠_Keep being wonderful!!

Drama on a FridayFirst, a look at the events of the day.Then, Screen Directors Playhouse, originally broadcast January 9, 1949, 77 years ago, Stagecoach starring John Wayne.  The classic story based on the movie about The Ringo Kid, The Plummer Boys, and The Apaches. Followed by The Lux Radio Theater, originally broadcast January 9, 1950, 76 years ago, Sorry Wrong Number starring Barbara Stanwyck and Burt Lancaster.  An adaptation of the movie which was adapted from the "Suspense" radio show. Then, Dr. Christian starring Jean Hersholdt, originally broadcast January 9, 1938, 88 years ago, Hit and Run.   Dr. Christian is called after a car crash. Finally, Claudia, originally broadcast January 9, 1948, 78 years ago, Lottie Takes Over. A freight terminal has landed!  Kathryn Bard and Paul Crabtree star.Thanks to Debbie B. for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamCheck out Professor Bees Digestive Aid at profbees.com and use my promo code WYATT to save 10% when you order! If you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old-time radio shows 24 hours a day

Canadian film legend Zacharias Kunuk (Atanarjuat: The Fast Runner) has made more than 30 films and documentaries over his career — almost entirely in Inuktitut. His latest film, Uiksaringitara (Wrong Husband), is an epic historical drama set 4,000 years ago in what we now call Nunavut, where supernatural forces threaten the promised marriage of lovers Kaujak and Sapa. Zacharias joins guest host Talia Schlanger to discuss the traditional Inuit stories that inspired the film, what he says John Wayne movies have in common with Inuit storytelling, and why he's hoping audiences a century from now will still be studying his acclaimed body of work.

 International Law in TattersShould we be surprised by the decision of President Trump to kidnap President Nicolas Maduro and his wife Cilia Flores? Should we be shocked by his claim that the US will now administer Venezuela or that US Oil companies will manage Venezuela's huge oil reserves? And what of his threats against Cuba, Colombia, Mexico, Greenland, Nigeria and others?The historical reality is that we have seen all of this before. The most brazen example this century was the invasion of Iraq in 2003, under the pretext of the non-existent weapons of mass destruction. The truth then was that US and British interests were primarily concerned with the control of Iraq's oil. The result was a million Iraqi dead and a region torn apart by the subsequent political instability. International law was flagrantly broken. Torture and a brutal occupation followed. The Fellow in the Big PictureOver the Christmas break I watched more television than I do at any other time. Regular readers will know that I'm more of a radio man. RTE Radio, Raidió na Gaeltachta, Raidió Fáilte, Radio Ulster. I listen to these every day. But I like westerns. And there is always a ton of westerns to be seen on television over the Christmas period. Some are old ones featuring Audie Murphy, Gene Audrey, Alan Ladd, John Wayne, Maureen O Hara and the likes.  TG4 usually has a good selection of these.They also show a lot of movies featuring Clint Eastwood. I like his films.  And not just the westerns. Although he first came to our attention in Ballymurphy with Rawhide. Unforgiven was the film of choice this Nollaig with Gene Hackman and Morgan Freeman, all in starring roles. And it was followed by Butch Cassidy and the Sundance Kid.  Irish government should be ashamed2026 began for the people of the Gaza Strip and the Palestinian Occupied Territories with more Israeli attacks by land and sea and air; winter storms that have added to the enormous hardship of people trying to survive in flimsy tents; and the denial of appropriate humanitarian aid.2025 also ended with Israel having killed nearly half of all those journalists killed last year. Reporters Without Borders recorded that 29 reporters were killed by Israeli forces making Israel “the worst enemy of journalists.” 

The Ladies of MACABRE have given a lot of thought to what their last meals would be if they were on death row? Join Blaire and Halley as they discuss last meals chosen by some of the most famous serial killers. Who had the biggest meal? Who's was the most expensive? Who refused to eat? Find out more on this unhinged, EXHUMED Patreon episode. Want more exclusive content just like this? Join our exclusive Spotify feed for ad free and early listening. Or join us over on Patreon for even more content, bonus episodes, and after dark shenanigans. Listener discretion is very advised.

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"Worst. Criss. Angel. Magic trick. Ever."This week's scariest movie is... The Conjuring Last Rites. This film has everything: Egg Whites. Science Romeos. And Realty recommendations that you should not take. If you love Shakespeare-in-a-toolshed riffs, basement John Wayne portraits, and common-sense yelling at pitch-black rooms, this episode's for you!Please Subscribe, Rate, and Review The Horror Virgin to help more people discover our community.What did you think of our episode on The Conjuring Last Rites? Tell us on social media @HorrorVirgin (Facebook/Instagram), @HorrorVirginPod (Twitter).Up Next: Good Boy (2025)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

You thought John Wayne was problematic last episode? We've got five British powerhouses ready to give him a run for his money in the criminally underrated 44 INCH CHEST! The movie's 40% Tomatometer score seems to reflect people's inability to cope with bad behavior when it's not traditionally scolded, so listen to Alex & Julio try to be open-minded and give Ray Winstone a shot!TIMELINE00:01:24 44 Inch Chest00:14:52 Contrarians Corner- Wanna know how we really feel about 44 INCH CHEST? Check out the Real Talk (RT) episode, on your feed RIGHT NOW! (or pretty soon — Spotify can be a pain when it comes to refreshing the feed)- Interested in more Contrarians goodness? Join THE CONTRARIANS SUPPLEMENTS on our Patreon Page! Deleted clips, extended plugs, bonus episodes free from the Tomatometer shackles… It's everything a Contrarians devotee would want!- Our YouTube page is live! Get some visual Contrarians delight with our Contrarians Warm-Ups and other fun videos!- Contrarians Merch is finally here! Check out our RED BUBBLE MERCH PAGE and buy yourself something nice that's emblazoned with one of our four different designs!- THE FESTIVE YEARS have been letting us use their music for years now and they are amazing. You can check out their work on Spotify, on Facebook or on their very own website.- Our buddy Cory Ahre is being kind enough to lend a hand with the editing of some of our videos. If you like his style, wait until you see what he does over on his YouTube Channel.- THE LATE NIGHT GRIN isn't just a show about wrestling: it's a brand, a lifestyle. And they're very supportive of our Contrarian endeavors, so we'd like to return the favor. Check out their YouTube Channel! You might even spot Alex there from time to time.- Hans Rothgiesser, the man behind our logo, can be reached at @mildemoniospe on Instagram or you can email him at mildemonios@hotmail.com in case you ever need a logo (or comics) produced. And you can listen to him talk about economy on his new TV show, VALOR AGREGADO. Aaaaand you can also check out all the stuff he's written on his own website. He has a new book: a sort of Economics For Dummies called MARGINAL. Ask him about it!

John Wayne is a Christmas cookie making machine, and the fellas dissect the "Odyssey" trailer. Then, it's a long overdue discussion of the new Christmas classic "The Holdovers," and a deep dive on the latest "Avatar: Fire and Ash."

You might not remember the name Constance Towers, but you may have seen her alongside John Wayne in "The Horse Soldiers," and maybe saw her turning heads in "Shock Corridor." And if you are a "General Hospital" fan, you know that when Helena Cassadine walks into the room someone's either getting a sinister warning or mysteriously disappearing. Constance also starred, on stage, in "Showboat" and "The King and I." And, she was the recipient of two Emmy award nominations. Towers will discuss what it was like being married to the ambassador to Mexico, John Gavin.

John Wayne, who? Media will make you believe that white men were the premier cowboys, but Black cowboys were the real rodeo legends. Bill Pickett was an innovator of the sport, and they made him hide his Blackness. — 2-Minute Black History is produced by PushBlack, the nation's largest non-profit Black media company. PushBlack exists to amplify the stories of Black history you didn't learn in school. You make PushBlack happen with your contributions at BlackHistoryYear.com — most people donate $10 a month, but every dollar makes a difference. If this episode moved you, share it with your people! Thanks for supporting the work. The production team for this podcast includes Cydney Smith, Len Webb, and Lilly Workneh. Our editors are Lance John and Avery Phillips from Gifted Sounds Network. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

I talk about the show I'm into, watching The Searchers with John Wayne, and body positivity. Cheers!

John Wayne S. III is approaching VIP status on Yeah Uh Huh with his third appearance. He is on pace for the Five Timer club, and as the inaugural member he is requesting a blue smoking jacket to commemorate that future occasion. For now, he is with us to celebrate the holidays and discuss his newest movie, Hard Holiday. The movie follows the plight of LaDonne Jenkyns, a down on her luck former singer who is laid off just days before Christmas. Hard Holiday is a thoughtful reminder that the holidays are not always happy for everyone, but with love and determination even our worst moments can be a doorway to redemption and joy. #podmatch #londyntownpictures #independentfilm #johnwaynesIII #gloriaprince #alyshakeys #ebonyhustle #diehard #christmasmovieTheme by David T and Mojo 3https://www.amazon.com/Insanity-Sobri...Hard Holiday on Tubihttps://tubitv.com/movies/100048791/hard-holidayHard Holiday on Prime Videohttps://www.amazon.com/Hard-Holiday-John-Wayne-III/dp/B0FNR5QFMPThe Bystander on Amazon Primehttps://www.amazon.com/Bystander-Novel-John-David/dp/1966593899Londyn Town Pictureshttps://londyntownpictures.com/Yeah Uh Huh Social Stuff:YUH Profile on Podmatchhttps://podmatch.com/hostdetailpreview/176507442209909894f443df9Yeah Uh Huh on Linktr.eehttps://linktr.ee/yeahuhhuhpodYeah Uh Huh on TikTokhttps://www.tiktok.com/@yeahuhhuhpodYeah Uh Huh on Facebookhttps://facebook.com/YeahUhHuhPodYeah Uh Huh on Twitterhttps://twitter.com/YeahUhHuhPodYeah Uh Huh on Spotifyhttps://open.spotify.com/show/7pS9l716ljEQLeMMxwihoS?si=27bd15fb26ed46aaYeah Uh Huh on Apple Podcastshttps://podcasts.apple.com/us/podcast/yeah-uh-huh/id1565097611Yeah Uh Huh Website:https://yeah-uh-huh.wixsite.com/yeahuhhuhpodYeah Uh Huh WebsiteHome | YeahUhHuhPod (yeah-uh-huh.wixsite.com)Yeah-Uh-Huh on YoutubeYeah Uh-Huh - YouTubeYeah Uh Huh on Apple Podcastshttps://podcasts.apple.com/us/podcast/yeah-uh-huh/id1565097611

It is SO America to have a problematic movie star as the ultimate icon of the quintessential American genre. And even worse: take John Wayne's reputation out of the equation, and John Ford's THE SEARCHERS can barely register as a serviceable Western. So it's not just that Ford's romanticizing of cowboy life is dated - it's also boring, and a little cheesy when it goes for full emotion. Listen to Alex & Julio as they try to figure out if The Duke made his own brother a cuckold!TIMELINE00:01:24 The Searchers00:15:02 Contrarians Corner- Wanna know how we really feel about THE SEARCHERS? Check out the Real Talk (RT) episode, on your feed RIGHT NOW! (or pretty soon — Spotify can be a pain when it comes to refreshing the feed)- Interested in more Contrarians goodness? Join THE CONTRARIANS SUPPLEMENTS on our Patreon Page! Deleted clips, extended plugs, bonus episodes free from the Tomatometer shackles… It's everything a Contrarians devotee would want!- Our YouTube page is live! Get some visual Contrarians delight with our Contrarians Warm-Ups and other fun videos!- Contrarians Merch is finally here! Check out our RED BUBBLE MERCH PAGE and buy yourself something nice that's emblazoned with one of our four different designs!- THE FESTIVE YEARS have been letting us use their music for years now and they are amazing. You can check out their work on Spotify, on Facebook or on their very own website.- Our buddy Cory Ahre is being kind enough to lend a hand with the editing of some of our videos. If you like his style, wait until you see what he does over on his YouTube Channel.- THE LATE NIGHT GRIN isn't just a show about wrestling: it's a brand, a lifestyle. And they're very supportive of our Contrarian endeavors, so we'd like to return the favor. Check out their YouTube Channel! You might even spot Alex there from time to time.- Hans Rothgiesser, the man behind our logo, can be reached at @mildemoniospe on Instagram or you can email him at mildemonios@hotmail.com in case you ever need a logo (or comics) produced. And you can listen to him talk about economy on his new TV show, VALOR AGREGADO. Aaaaand you can also check out all the stuff he's written on his own website. He has a new book: a sort of Economics For Dummies called MARGINAL. Ask him about it!

Yes, of course THE SEARCHERS is not the Unforgiven of the 50s - but was it even trying to be? Can we set aside the things our modern eyes flag as regressive and appreciate the movie on its own terms? Do you need to be a John Wayne superfan to truly enjoy this John Wayne vehicle? What will our favorite movies look like to podcasters of the future? Let's get it all out in this Real Talk segment!TIMELINE00:01:26 That'll be the day00:02:01 Real Talk00:47:01 The Future & Patreon Stuff- Interested in more Contrarians goodness? Join THE CONTRARIANS SUPPLEMENTS on our Patreon Page! Deleted clips, extended plugs, bonus episodes free from the Tomatometer shackles… It's everything a Contrarians devotee would want!- Our YouTube page is live! Get some visual Contrarians delight with our Contrarians Warm-Ups and other fun videos!- Contrarians Merch is finally here! Check out our RED BUBBLE MERCH PAGE and buy yourself something nice that's emblazoned with one of our four different designs!- THE FESTIVE YEARS have been letting us use their music for years now and they are amazing. You can check out their work on Spotify, on Facebook or on their very own website.- Our buddy Cory Ahre is being kind enough to lend a hand with the editing of some of our videos. If you like his style, wait until you see what he does over on his YouTube Channel.- THE LATE NIGHT GRIN isn't just a show about wrestling: it's a brand, a lifestyle. And they're very supportive of our Contrarian endeavors, so we'd like to return the favor. Check out their YouTube Channel! You might even spot Alex there from time to time.- Hans Rothgiesser, the man behind our logo, can be reached at @mildemoniospe on Instagram or you can email him at mildemonios@hotmail.com in case you ever need a logo (or comics) produced. And you can listen to him talk about economy on his new TV show, VALOR AGREGADO. Aaaaand you can also check out all the stuff he's written on his own website. He has a new book: a sort of Economics For Dummies called MARGINAL. Ask him about it!Up next, we travel across the ocean to present-day London, to tackle the grizzly drama 44 INCH CHEST! Until then, let us know what you thought of The Searchers: is it really the best of the best when it comes to John Wayne flicks? Is Spielberg really sitting down to watch this before he shoots a new movie? Should we do The Conqueror sooner rather than later? E-mail us at wearethecontrarians@gmail.com or share your thoughts with us on Threads or BlueSky!

John Wayne talks Christmas parade chaos while Stewart decries airport gyms and video game awards shows. Then, they count down their Top 5 Most Underrated Christmas movies, and check out the latest "Knives Out" film, "Wake Up Dead Man."

TVC 718.4: Ed welcomes back Stefanie Powers, the actress known around the world as Jennifer Hart on Hart to Hart (ABC, 1979-1984), and the founder and president of the William Holden Wildlife Foundation, the nonprofit organization that Stefanie established in 1982 in memory of her longtime life partner that continues and furthers the conservation work of William Holden in East Africa. Stefanie will reunite with McLintock! co-star Patrick Wayne for the first time in sixty years for a one-performance-only benefit production of A.R. Gurney's Love Letters that will take place on Sunday, Jan. 11 on the Debbie Reynolds Main Stage at the historic El Portal Theatre in North Hollywood, CA beginning at 1pm. Tickets start at $55. If you purchase a VIP ticket for $150, you'll have a chance to meet Stefanie and Patrick on stage. Proceeds for this production will support the efforts of the William Holden Wildlife Foundation. For tickets and more information, call (818) 508-4200 or go to ElPortalTheatre.com. Topics this segment include why Love Letters continues to appeal to actors and audiences alike; Stefanie's experience working with John Wayne, Patrick Wayne, Maureen O'Hara, and (briefly) director John Ford while filming McLintock!; a trick that Stefanie learned during the production of McLintock! that enables her to drive through dusty terrain without eating dust (a trick that she has used many times during her travels to Africa); and why you can't visit Ireland without seeing The Quiet Man first.

12-15-2025. "HO! HO! HOLLYWOOD: SANTA CLAUSE IN CLASSIC CINEMA" (118) Long before special effects, CGI snowstorms, and big-budget holiday franchises, it fell to a small but memorable group of performers to embody the warmth, wonder, and whimsy of old St. Nick. Ever wonder about the actors who were called upon to portray Santa Claus in film and TV? These classic Santas weren't just men in red suits — they were character actors, vaudevillians, radio veterans, and Hollywood workhorses who brought their own unique spark to the role, shaping how generations of moviegoers came to imagine Father Christmas. From the twinkle-eyed charmers to the unexpectedly gruff curmudgeons, from the iconic to the nearly forgotten, we're unwrapping the stories behind the earliest portrayals that turned Santa into a cinematic tradition. So settle in with a mug of something warm, hang your stocking, and join us as we explore the jolly, joyful, and sometimes surprisingly complex history of Hollywood's first Santas. SHOW NOTES:  Sources: Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: Ivanhoe (1913); Scrooge (1913); Santa Claus (1912), starring Leedham Bantok; 20th Century Fox Hour: Miracle on 34th Street (1955); starring Teresa Wright, Joseph Cotten, & Thomas Mitchell; Shadow of a Doubt (1943), starring Joseph Cotten & Teresa Wright;  Stagecoach (1939), starring John Wayne, Claire Trevor, & Thomas Mitchell; It's a Wonderful Life (1946), starring James Stewart, Donna Reed, & Thomas Mitchell; Gone With The Wind (1939), starring Vivien Leigh & Clark Gable; Theodora Goes Wild (1936), starring Irene Dunne; Mr. Smith Goes to Washington (1939), starring James Stewart & Jean Arthur; Our Town (1940), starring Martha Scott & Henry Fonda; High Noon (1952), starring Gary Cooper & Grace Kelly; Wild Flowers (1943), starring José Elias Moreno; Santa Claus (1959), starring José Elias Moreno; Santa Claus Conquers the Martians (1964), staring John Call; Fearless Fagan (1952), staring Janet Leigh & Keenan Wynn;  Boots Malone (also 1952), starring William Holden Don't Bother to Knock (1952), starring Marilyn Monroe & Richard Widmark; The Long, Long Trailer (1954), starring Lucille Ball & Desi Arnaz; The Anderson Tapes (1971), starring Sean Connery & Dyan Cannon; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

I talk about the show I'm into, watchingThe Searchers with John Wayne, and body positivity. Cheers!

Home improvement guru Dean Sharp joins Tim to recount the terrifying car accident he survived back in 2008. Tim also covers the wild scene at a Los Angeles 7-Eleven looted by a group of teenagers, plus gives listener shoutouts and shares his gratitude for the news reporters who helped highlight Foosh’s story. And things get even crazier with a car speeding down the runway at John Wayne Airport. See omnystudio.com/listener for privacy information.

John Wayne talks 5K success and then Stew descres the death of " Black Friday" and grabs his pitchfork over Netflix acquiring WB. Then...they watch two Netflix movies (lol) - "Train Dreams" and "Jay Kelly."

The destruction of classic Hollywood is here! Lionel explains how Netflix's colossal $72 billion deal to acquire Warner Brothers Discovery (including HBO and DC Studios) signals the rise of a media colossus that could remake culture and politics. This isn't just a merger; it's the reboot of the game with one dominant gatekeeper. Plus, Lionel dives into the terrifying reality of AI in showbiz, from the controversial AI actress Tilly Norwood to the digital mapping of production assets, asking: Is our cultural repository being destroyed for maximal global efficiency? Learn more about your ad choices. Visit megaphone.fm/adchoices

Ep. 362: Bruce Bennett on Charley Varrick, The American Revolution, Technicolor Weekend at Chicago Film Society, The Shootist Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week I'm happy to welcome back series regular Bruce Bennett for our latest debrief. Among the films he brings to the show are longtime favorite Charley Varrick (directed by Don Siegel, subject of a retrospective most recently at Metrograph); The American Revolution (directed by Ken Burns, Sarah Botstein, and David Schmidt); and The Shootist (Siegel again, starring John Wayne in swan song mode). Bennett also talks about the wondrous annual Technicolor Weekend at Chicago Film Society. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

This is a Grave Talks CLASSIC EPISODE! High in the mountains of Bisbee, Arizona, stands a hotel built during the height of the copper boom — a grand structure meant to showcase wealth, innovation, and the promise of a growing Western city. When the Copper Queen Hotel opened in 1902, Bisbee was the largest urban center between St. Louis and San Francisco, alive with miners, rail travelers, and fortune-seekers. More than a century later, the Copper Queen still welcomes guests… but not all of them are living. Arizona's oldest continuously operating hotel has hosted icons like John Wayne, Marlon Brando, and Harry Houdini. Yet the names most often whispered through its halls belong to those who linger long after checkout: Julia Lowell, a young boy known as Billy, and the elusive “Smoking Man.” In this episode of The Grave Talks, we sit down with Jenna Lampinen to explore the legends, encounters, and unexplainable moments tied to one of Arizona's most famously haunted hotels. This is Part Two of our conversation. If you'd like information on staying at the hotel or paranormal investigations, contact Jenna Lampinen. You can email her at jenna@copperqueen.com. #ghoststory #copperqueenhotel #bisbeeaz #hauntedarizona #hauntedhotel #realghoststories #thegravetalks #paranormalpodcast #ghostencounter #supernaturalstories #truehaunting #historicghosts Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

Dive into 15+ years of pure Jeep chaos, laughs and heart with Tony from the XJ Talk Show / Jeep Talk Show! In this special "Behind the Archives" episode, Tony dusts off ancient recordings (some never released!) and reacts live to the wildest moments: • The infamous "gay man poisons lesbian neighbors with toast over three-legged cat" story • Live from Bantam 2017 mudding in 72° perfection • Josh calling in from the Oregon coast promising "inevitable recovery" • Epic campfire chat – who would YOU take shotgun on the trail? (Bill Murray, Tom Hanks, Einstein, John Wayne, Robin Williams, Teddy Roosevelt, Betty White… the answers are gold!) • The soldier in the rain who stood at attention for a funeral procession (bring tissues) • Grand Cherokee newbie Cody launches "My Grand Adventure" segment • 2007-2010 Wrangler secret "not-really-a-recall" brake line drama • Classic XJ Talk jingle + Tom Rapp's legendary Christmas song • Antler hat moisture mystery (you have to hear it) Whether you've been listening since episode 1 or you just found us, this is the perfect "where it all began" episode. Timestamps in comments ↓ New episodes every Thursday night – join us live on Zoom! Subscribe + hit the bell so you never miss a trail story, tech tip or Tony roasting Josh Links you need right now: Newsletter (1 email/week, easy unsubscribe) → https://jeeptalkshow.com Facebook group → facebook.com/jeeptalkshow Campfire Chat Zoom sign-up → in the newsletter Merry Christmas, happy wheeling, and thank you for being part of the world's most downloaded Jeep podcast. See you on the trail… or around the virtual campfire! #XJTalkShow #JeepTalkShow #JeepLife #XJCherokee #GrandCherokee #OffRoad #JeepFamily #Bantam2017 #BillMurrayJeepStories (Comment your dream trail shotgun passenger below – I'll read the best ones on the next live show!) Just copy-paste this whole thing into YouTube and you're done. Want me to also write the title, thumbnail text and the 5 best comment replies to boost engagement? Reply "yes" and I'll send them in 30 seconds. Enjoy the views – this one's gonna blow up with the Jeep crowd! Welcome to Jeep Talk Show, the ultimate podcast for Jeep enthusiasts! Join Tony, and, the crew as we dive into off-road adventures, Jeep Wrangler 392 updates, Jeep Gladiator camping, and the Jeep Cherokee relaunch. From $130K Jeep resale trends to Gladiator tent reviews, we cover Jeep modifications, off-road gear, and events like Easter Jeep Safari and Great Smoky Mountain Jeep Invasion. Get expert Jeep 4xe towing tips, lightweight truck camper insights, and off-road trail guides for Jeeps. Subscribe for weekly Jeep news, join our community at jeeptalkshow.com/discord, and hit the trail with us! Head to https://jeeptalkshow.com to explore our world of Jeep madness, subscribe, and let us make your day a little more rugged and a lot more fun. Ready to roll with us? Let's hit the trails together! #Jeep Talk Show, #Jeep podcast, #off-road podcast, #Jeep community, #Jeep off-roading, #Jeep Wrangler, #Jeep Gladiator, #Jeep news, #Jeep modifications, #Jeep accessories, #off-road adventures, #Jeep events, #Jeep 4xe, #Wrangler 392, #Jeep camping, #Jeep trails, #Jeep Wrangler 392, #$130K Jeep resale, #Jeep infotainment bricking, #TuneOutdoor Gladiator tent, #RealTruck trail access 2025, #Jeep Gladiator camping, #lightweight truck camper, #$13K Jeep camper, #Jeep Cherokee relaunch 2025, #Great Smoky Mountain Jeep Invasion, #Easter Jeep Safari 2025, #Jeep Badge of Honor app, #women off-road Jeep podcast, #Chic Chat Jeep podcast, #Jeep off-road gear reviews, #best Jeep accessories 2025, #Jeep 4xe towing tips, #off-road trail guides for Jeeps

What happens when you're addicted to violence itself? John Graham shipped out on a freighter at 16, made the first ascent of Denali's North Wall at 20 (never repeated), and faced death dozens times—loving every minute. By 28, nothing mattered except his next dangerous adventure. Then came Vietnam. Setting up a firing squad during the 1971 Easter Offensive in Hue, ordering deaths of teenagers, John broke down weeping. Through encounter groups, he discovered the compassionate man beneath his "John Wayne image." At the UN, he used those warrior qualities for good—risking his career to help end apartheid. For 40 years with the Giraffe Heroes Project, he's inspired courage worldwide. "Pick up the corner of the rug you can pick up."John Graham is a leader of the Giraffe Heroes Project, inspiring courage globally for 40 years. A former US Foreign Service Officer for 15 years, he risked his career at the UN to help end apartheid in South Africa. From shipping out on a freighter at 16 to the first ascent of Denali's North Wall at 20, John transformed from adrenaline-addicted adventurer to global peacebuilder—negotiating with the Khmer Rouge, working on Israel/Palestine peace efforts, and saving the Everglades. Author of four books including the memoir "QUEST." Harvard and Stanford graduate.About The Show: The Life in Transition, hosted by Art Blanchford focuses on making the most of the changes we're given every week. Art has been through hundreds of transitions in his life. Many have been difficult, but all have led to a depth and richness he could never have imagined. On the podcast Art explores how to create more love and joy in life, no matter what transitions we go through. Art is married to his lifelong partner, a proud father of three and a long-time adventurer and global business executive. He is the founder and leader of the Midlife Transition Mastery Community. Learn more about the MLTM Community here: www.lifeintransition.online.In This Episode: (00:00) The Firing Squad That Changed Everything(03:11) Vietnam: City of Hue and the Easter Offensive(08:55) Encounter Groups and Finding the Nice Guy(15:21) From Violent Adventurer to UN Peacemaker(19:39) MidLife Transition Mastery Ad(21:39) Double-Crossing the Government to End Apartheid(32:15) Listen to Your Heart—Walk in the Woods(37:20) Meeting Ann Medlock and the Giraffe Heroes Project(41:02) Transition Mastery Coaching Ad(42:47) Who is the Giraffe Project for?(51:17) Breaking Free From False Identity(56:04) Connect With John GrahamLike, subscribe, and send us your comments and feedback.Resources:Personal Website: johngraham.orgGiraffe Heroes Project: giraffe.orgSocial Media: "Badass Granddad" on TikTok, Instagram, YouTube (search "badass granddad" with two D's)Books by John Graham:"QUEST: Risk, Adventure, and the Search for Meaning" (memoir, also available as audiobook)"Stick Your Neck Out: A Street-smart Guide to Creating Change in Your Community and Beyond""Denali Diary" (first-person account of the first ascent of Denali's North Wall)"Outdoor Leadership"Email Art BlanchfordLife in Transition WebsiteLife in Transition on IGLife in Transition on FBJoin Our Community: https://www.lifeintransition.online/My new book PURPOSEFUL LIVING is out now. Order it now: https://www.amazon.com/PURPOSEFUL-LIVING-Wisdom-Coming-Complex/dp/1963913922Explore our website https://lifeintransitionpodcast.com/ for more in-depth information and resources, and to download the 8-step guide to mastering mid-life transitions.The views and opinions expressed on the Life In Transition podcast are solely those of the author and guests and should not be attributed to any other individual or entity. This podcast is an independent production of Life In Transition Podcast, and the podcast production is an original work of the author. All rights of ownership and reproduction are retained—copyright 2025.

This is a Grave Talks CLASSIC EPISODE! High in the mountains of Bisbee, Arizona, stands a hotel built during the height of the copper boom — a grand structure meant to showcase wealth, innovation, and the promise of a growing Western city. When the Copper Queen Hotel opened in 1902, Bisbee was the largest urban center between St. Louis and San Francisco, alive with miners, rail travelers, and fortune-seekers. More than a century later, the Copper Queen still welcomes guests… but not all of them are living. Arizona's oldest continuously operating hotel has hosted icons like John Wayne, Marlon Brando, and Harry Houdini. Yet the names most often whispered through its halls belong to those who linger long after checkout: Julia Lowell, a young boy known as Billy, and the elusive “Smoking Man.” In this episode of The Grave Talks, we sit down with Jenna Lampinen to explore the legends, encounters, and unexplainable moments tied to one of Arizona's most famously haunted hotels. If you'd like information on staying at the hotel or paranormal investigations, contact Jenna Lampinen. You can email her at jenna@copperqueen.com. #ghoststory #copperqueenhotel #bisbeeaz #hauntedarizona #hauntedhotel #realghoststories #thegravetalks #paranormalpodcast #ghostencounter #supernaturalstories #truehaunting #historicghosts Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

Seriously, why would anyone hate this movie? Even if you account for film buffs being horrified by Zhang Yimou's apparent Hollywoodization, there's so much in THE GREAT WALL that average audiences would enjoy. Lots of theories in this Real Talk segment, in addition to unabashed praise for the film — and regret for not having supported it when it first opened. Matt Damon's daughter is wrong on this one!TIMELINE00:01:26 What happened?00:02:12 Real Talk00:51:37 The Future & Patreon Stuff- Interested in more Contrarians goodness? Join THE CONTRARIANS SUPPLEMENTS on our Patreon Page! Deleted clips, extended plugs, bonus episodes free from the Tomatometer shackles… It's everything a Contrarians devotee would want!- Our YouTube page is live! Get some visual Contrarians delight with our Contrarians Warm-Ups and other fun videos!- Contrarians Merch is finally here! Check out our RED BUBBLE MERCH PAGE and buy yourself something nice that's emblazoned with one of our four different designs!- THE FESTIVE YEARS have been letting us use their music for years now and they are amazing. You can check out their work on Spotify, on Facebook or on their very own website.- Our buddy Cory Ahre is being kind enough to lend a hand with the editing of some of our videos. If you like his style, wait until you see what he does over on his YouTube Channel.- THE LATE NIGHT GRIN isn't just a show about wrestling: it's a brand, a lifestyle. And they're very supportive of our Contrarian endeavors, so we'd like to return the favor. Check out their YouTube Channel! You might even spot Alex there from time to time.- Hans Rothgiesser, the man behind our logo, can be reached at @mildemoniospe on Instagram or you can email him at mildemonios@hotmail.com in case you ever need a logo (or comics) produced. And you can listen to him talk about economy on his new TV show, VALOR AGREGADO. Aaaaand you can also check out all the stuff he's written on his own website. He has a new book: a sort of Economics For Dummies called MARGINAL. Ask him about it!Up next, we put our cowboy boots on as we tackle the show's first John Wayne movie, THE SEARCHERS! Until then, let us know what you thought of The Great Wall: is it unfairly maligned? Were you even aware of its connection to Hero, House of Flying Daggers and Curse of the Golden Flower? Were you lucky enough to catch it in 3D? E-mail us at wearethecontrarians@gmail.com or share your thoughts with us on Threads or BlueSky!

-Rob skewers Democrats for caring more about optics than “drug-smuggling terrorists,” compares fentanyl boats to Zyklon B trains, and wonders whatever happened to John Wayne. -The Newsmax Hotline lights up with Michael Charbon, who trades jokes about Canadian winters, assisted suicide, and back bacon—plus a mutual agreement that liberals have lost their minds. Today's podcast is sponsored by : BIRCH GOLD - Protect and grow your retirement savings with gold. Text ROB to 98 98 98 for your FREE information kit! WEBROOT : Live a better digital life with Webroot Total Protection. Rob Carson Show listeners get 60% off at http://webroot.com/Newsmax  To call in and speak with Rob Carson live on the show, dial 1-800-922-6680 between the hours of 12 Noon and 3:00 pm Eastern Time Monday through Friday…E-mail Rob Carson at : RobCarsonShow@gmail.com Musical parodies provided by Jim Gossett (http://patreon.com/JimGossettComedy) Listen to Newsmax LIVE and see our entire podcast lineup at http://Newsmax.com/Listen Make the switch to NEWSMAX today! Get your 15 day free trial of NEWSMAX+ at http://NewsmaxPlus.com Looking for NEWSMAX caps, tees, mugs & more? Check out the Newsmax merchandise shop at : http://nws.mx/shop Follow NEWSMAX on Social Media:  -Facebook: http://nws.mx/FB  -X/Twitter: http://nws.mx/twitter -Instagram: http://nws.mx/IG -YouTube: https://youtube.com/NewsmaxTV -Rumble: https://rumble.com/c/NewsmaxTV -TRUTH Social: https://truthsocial.com/@NEWSMAX -GETTR: https://gettr.com/user/newsmax -Threads: http://threads.net/@NEWSMAX  -Telegram: http://t.me/newsmax  -BlueSky: https://bsky.app/profile/newsmax.com -Parler: http://app.parler.com/newsmax Learn more about your ad choices. Visit megaphone.fm/adchoices

The OG crew returns to discuss Zuckerman's acquisition of the legendary Chick Iverson Orange 356, believed to be the most original, low-mileage 356 in the world. Jerry Seinfeld's act of kindness, Porsche's controversial patents, and Zuckerman's "clown shoe" BMW Z3 M coupe purchase round out this car-packed episode. ______________________________________________ GRAB SOME SCR MERCH: https://spikescarradio.com GET MORE SCR ON PATREON: https://www.patreon.com/spikescarradio

In this episode of Faith For Normal People, Pete and Jared revisit a conversation with Kristin Kobes Du Mez, author of the bestselling book Jesus and John Wayne. The conversation explores the history of “toxic” masculinity in both the church and American pop culture, and how Christians in 2025 can be part of the resistance efforts against harmful cultural structures. This is a reissue of The Bible for Normal People Episode 170 from June 2021. Show Notes → https://thebiblefornormalpeople.com/episode-68-kristin-kobes-du-mez-a-church-history-of-toxic-masculinity-reissue/ Watch on YouTube → https://youtu.be/OAjNnqgLkeA ********** This episode is sponsored by Aura Frames. For a limited time, visit AuraFrames.com and get $45 off Aura's best-selling Carver Mat frames, named #1 by Wirecutter, by using promo code NORMALPEOPLE at checkout. This exclusive Black Friday Cyber Monday deal is their best of the year, so order now before it ends! Support the show by mentioning us at checkout! Terms and conditions apply. Learn more about your ad choices. Visit podcastchoices.com/adchoices