Podcasts about John Wayne

On My Three Sons, Stanley Livingston grew up, with the boomer generation and with television itself. By the time we came to know Stan as Chip Douglas he had logged over ten credits, performing with Paul Newman and Joanne Woodward, Doris Day, Ozzie & Harriet Nelson, Jimmy Stewart, John Wayne, Debbie Reynolds and Gregory Peck!Stan takes us back to his first gig, as a stunt double for Jon Provost on Lassie. Jon couldn't swim yet. Stan got stuck in a muddy pond and turned in a tremendously vivid performance as a kid attempting not to drown.His parents met in Baltimore, where his father ran a burlesque theater and his mom put some vahs in her dance voom. In search of reinvention, they moved to California where Stan and his brother Barry were born and raised. With an ample dose of show biz in his blood, Stan felt at home from the first moment he stepped onto a set.He shares the story of his big break at just six years old on The Adventures of Ozzie and Harriet. Stan was working as a neighborhood kid extra when Ozzie threw him a line and he delivered. Stan appeared on ten episodes of the show, until he landed My Three Sons and his brother Barry took over. (Then following him to MTS!)At age 13, Stan was cast in the epic, star-studded adventure, How the West Was Won under the legendary (and notoriously hot-tempered) direction of Henry Hathaway. He recounts Hathaway's explosive on-set tirades (and how Debbie Reynolds was the only cast member bold enough to take him on and yell back!)  The experience taught him an invaluable lesson: never take what happens on set personally.Stan speaks warmly of William Frawley, who played Bub on My Three Sons. Stan never knew his grandfathers and Bill did not have kids. They adopted each other and truly cherished their bond, on and off screen.And so, it was difficult for Stan to accept William Demarest who came in as Uncle Charley when William Frawley's faltering health made it impossible to get him insured. But Stan did eventually warm to the new Bill who came with his own set of charms.We hear behind-the-scenes stories from the MTS set, including a memorable location shoot aboard a jet at LAX, and how producers enticed movie star Fred MacMurray to television by structuring a schedule that allowed him to shoot all of his scenes for the season in just a few months.We enjoy a warm, insightful look at growing up in classic television and celebrate the mentors who helped shape one of America's most beloved sitcom families. Plus IMDB Roulette spins us back to Old Hollywood and a 'My Three Sons Guest Star Roulette' lightning round! In recommendations --Lisa: The Chair Company on HBOWeezy: Neighbors on HBOPath Points of Interest:Stanley LivingstonStanley Livingston on WikipediaStanley Livingston on IMDBStanley Livingston on FacebookGolden Age Hollywood Show March 28, 2026The Chair Company on HBONeighbors on HBO

This is a re-release of my interview with Robert CarradineRobert Carradine 1954-2026Robert CarradineTake a walk with me down Fascination Street as I get to know Robert Carradine. Bobby is part of the iconic Carradine family. From his father John to his brothers Keith, David, & Michael, to his niece Martha Plimpton, and his daughter Ever Carradine; this family is Hollywood royalty! In this episode, Bobby and I chat about so many of the things he has done. We discuss his first ever film, working with John Wayne, Revenge of the Nerds with James Cromwell and where that laugh came from! We also dive into his twenty year long career as a professional race car driver for Lotus, and the 24 Hours Of Daytona with Paul Newman. Bobby shares stories including using a bull whip to break a cigarette out of Jamie Lee Curtis' mouth! We cover his playing Lizzie McGuire's dad on the entire run of that show plus the movie, and even a weird "Wife Swap" story involving NFL great Terrell Owens. Finally, we chat about his band "The Checks" and his podcast "Party Nerds Pop-Cast". Both of these projects are with his good buddy Richard Gabai. I have checked out the show, and I think it's definitely worth giving a listen. I think you will enjoy it. Bobby graciously lets me play one of the songs by The Checks, and I think you will enjoy that as well. I can't thank Bobby enough for being on the show. Make sure you show him some love!

People's impression of cowboys is largely due to Hollywood. Actors like John Wayne, Gary Cooper and Clint Eastwood cemented the image of the rugged, handsome, White cowboys throughout their films. While it made for good movies, it's not entirely accurate to how the West looked at the time. There's plenty of history on vaqueros, or Mexican cowboys, in the West, but one demographic left their prints on Arizona history with their stories vastly untold: Black cowboys This week on Valley 101, we answer the question: Were there Black cowboys in Arizona?  ⁠Submit your question⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ about Phoenix! Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Guests: Tricia Martineau Wagner, Tomari "TJ" Stevenson Host, Producer: ⁠⁠⁠⁠⁠⁠⁠⁠Amanda Luberto⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

How did Evangelical Christians come to not only vote for Donald Trump, but embrace him as a heroic figure? Historian Kristin Kobes Du Mez says it was a long time in coming, and that Trump is not a betrayal of evangelical values, but a fulfilment of them. We'll talk with Du Mez ahead of delivering the annual Thulin Lecture this week in Urbana.

Stew forces John Wayne to finally watrch "Narc" and "Uncut Gems" before they both dive into the new Sam Raimi thriller "Send Help." Plus, adventures in Stewart family road tripping.

Like him or not, John Wayne is an American icon. It's high time we covered one of his films and Rio Bravo seemed like a great place to start. Dismissed as just another Howard Hawks Western upon release, over the decades it's become a beloved classic. First time guest and podcast extraordinaire Cam Sully joins for some Duke talk.___Please consider joining our Patreon: https://www.patreon.com/wwibofficialYouTube: https://www.youtube.com/@whywasntitbetterLetterboxd: https://letterboxd.com/wwibpodcastInstagram: https://www.instagram.com/wwib_officialX: https://x.com/WWIBpodcastSubscribe! Rate! Review! Tell a friend!

In this episode Pax takes Mike to Lincoln County New Mexico and they talk about the misadventures of John Wayne as Chisum!

On today's show: Dennis explores the topic of declining masculinity in men. He shares his observations on how societal changes, such as the shift from rugged, masculine icons like John Wayne to more polished, boyish figures like Tom Cruise, reflect a broader issue. Dennis also discusses how this trend affects men's behavior, citing examples like the decline of men paying for dates and the rise of the "fifty-fifty" approach. He invites listeners to share their thoughts on this topic, sparking a lively discussion about the importance of traditional masculine values and the impact on relationships and society.See omnystudio.com/listener for privacy information.

It's Awards Season yet again. Here on the Holmes Movies Podcast that means, it is time for the Alternative Oscars episodes! AKA the Anders and Adam-emy Awards: Each episode for this series we pick a different year in Oscars history and attempt to correct the record, stripping the undeserving of their garlands while recognising those who were cruelly overlooked.This time, we will be casting our eye back to… the 51st Academy Awards. The event celebrated all the films released in the year of 1978. The event was held at the Dorothy Chandler Pavilion in Los Angeles, California on April 9th 1979. The host was the legendary Johnny Carson.It was a bittersweet ceremony as it was the last public ceremony of The Duke himself John Wayne, who would pass away a few months later from cancer. He was there to announce and give the award for Best Picture. It was also the year when Laurence Olivier was awarded with an Honorary Oscar for his achievements and contribution to screen acting and the art of film. The 51st Academy Awards was the ceremony where Michael Cimino's film The Deer Hunter won big. It was awarded Best Picture and Best Director along with Best Supporting Actor for Christopher Walken. Along with Heaven Can Wait from Warren Beatty and Buck Henry, The Deer Hunter got the most nominations. Did The Deer Hunter deserve Best Picture? And what is up with the person dressing up in a full duck costume? Listen to this episode and see how we would have done things. Be sure to check out our Monument Valley Film on our YouTube Channel.Anders's screenwriter work can also be seen at work in the horror, car chase thriller Delivery Run, co-written with & directed by Joey Palmroos. The film has been released digitally and also in select cinemas in the US and the UK. In Finland it was released on Apple TV after finishing its limited cinema run and was the Number 1 film for multiple weeks. You can read a review about it here on the Fangoria website. The film is now available to watch in the other Nordic territories like Sweden, Oslo and of course Denmark. If you live in Denmark, you can watch the movie here on Apple TV by clicking this link.Follow us on our Instagram page. For obvious reasons, we are no longer on Twitter. You won't find us there. Perhaps we will make a BlueSky account, so keep an eye out for that.Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic.Check out our blog and read Anders's recent review on David Lynch's brilliant film Mulholland Drive. Hosted on Acast. See acast.com/privacy for more information.

Continuing Issue 69 of Double Reel, the monthly magazine podcast for the discerning film nerd. This is the Remakes Tribunal where we put two films up for judgement. Firstly a remake of a well-known film where we ask if it deserves to exist and how it compares to the original - this issue we continue our Westerns theme with True Grit, the Coen Brothers' new version of the 1969 John Wayne film. Then we offer a Parole Hearing to a film that didn't work the first time - the troubled 2015 production Jane Got A Gun. Double Reel Monthly and Classics and Hidden Gems for this issue are already available to download, and we have a Spotlight episode coming next week.   Check out Alan's author page here: https://www.facebook.com/AlanBaylesWriter  And check out our YouTube show celebrating physical media, Maximum Disc: https://www.youtube.com/@DoubleReelFilm/playlists     

From the Archives Special Episode With the recent passing of Chuck Negron (Three Dog Night) we are re-releasing our interview with Chuck that we did on Friday, July 24, 2020. Rob & Matt interviewed Chuck Negron and this was only their second interview and most memorable. Chuck had such great stories and memories to share from his early beginnings and his time in Three Dog Night (one of the greatest bands to ever form) Chuck tells us of his beginnings playing basketball, his first group, three dog night, puppets, John Wayne.. we also play one of chuck's recent recordings. Sit back and enjoy the time we got to spend with one of music's great singers CHUCK NEGRON.  You will be greatly missed.  RIP Chuck.

Front Row Classics is happy to welcome back author, Chris Yogerst, to chat about one of the seminal westerns in Hollywood history. Chris recenlty penned a book for UNM Press' "Reel West" series on 1962's The Man Who Shot Liberty Valance. Brandon and Chris discuss the impact of John Ford's eulogy to the Old West. The two break down the performances of Jimmy Stewart, John Wayne, Vera Miles and Lee Marvin as well as the themes of fact & fiction.  "The Man Who Shot Libert Valance (Reel West)" is available from UNM Press wherever books are sold. 

Andy Devine was one of classic Hollywood's most instantly recognizable character actors, famous for his gravelly voice, warm copmic timing, and unforgettable presence in Westerns, serials, and family films. In this video, Chris and Gerry explore the life and career of Andy Devine, from his early days as a footabll player turned actor to his long run as Holly wood's go-to comic sidekick. We look at his collaborations with stars like John Wayne, his rolds in Westerns, adventure serials, and Disney films, and how his distinctive voice helped him transition into radio and television. Whether you know him from Stagecoach, The Man Wh Shot Liberty Valance, or countelss Saturday matinee Westerns, this deep dive celebrates why Andy Devine remains a beloved figure in classic American cinema.

In this episode of Gangland Wire, host Gary Jenkins talks with author Linda Stasi about her historical novel, The Descendant, inspired by her own Italian-American family history. Stasi traces her ancestors' journey from Sicily to the Colorado mining camps, revealing the brutal realities faced by immigrant laborers in the American West. The conversation explores the violent labor struggles surrounding the Ludlow Massacre and the role of powerful figures like John D. Rockefeller, as well as the diverse immigrant communities that shaped Colorado's mining towns. Stasi challenges stereotypes about Italians in America, highlighting their roles as workers, ranchers, and community builders—not just mobsters. Jenkins and Stasi also discuss Prohibition-era bootlegging and the early roots of organized crime in places like Pueblo, weaving together documented history with deeply personal family stories of survival, violence, and resilience. Drawing on her background as a journalist, Stasi reflects on loss, perseverance, and the immigrant pursuit of the American dream, making The Descendants both a historical narrative and an emotional family legacy. Click here to find the Descendant. 0:04 Introduction to Linda Stasi 3:12 The Role of Women in History 7:05 Bootlegging and the Mafia’s Rise 9:31 Discovering Family Connections 14:59 Immigrant Struggles and Success 19:02 Childhood Stories of Resilience 24:04 Serendipity in New York 26:19 Linda’s Journey as a Journalist Hit me up on Venmo for a cup of coffee or a shot and a beer @ganglandwire Click here to “buy me a cup of coffee” Subscribe to the website for weekly notifications about updates and other Mob information. To go to the store or make a donation or rent Ballot Theft: Burglary, Murder, Coverup, click here To rent ‘Brothers against Brothers’ or ‘Gangland Wire,’ the documentaries click here.  To purchase one of my books, click here.  [0:00] Well, hey, all you wiretappers out there, glad to be back here in studio, Gangland Wire. This is Gary Jenkins, retired Kansas City Police Intelligence Unit detective, and I have an interview for you. This is going to be a historical fiction author. This is going to be a historical fiction book by a writer whose family lived the life of, whose family, This is going to be a real issue. This book is going to, we’re going to talk about a book. We’re going to talk with an author about the book. We’re going to talk with the author, Linda Stasi. We’re going to talk with the author, Linda Stasi, about her book, The Descendants. Now, she wrote a historical fiction, but it’s based on her actual family’s history. [0:50] From Sicily to New York to California. The wild west of colorado now get that you never heard of many italians out west in colorado but she’s going to tell us a lot more about that and how they were actually ended up being part of the pueblo colorado mafia the corvino family and then got involved in bootlegging and and then later were involved in ranching and different things like that so it’s uh it’s a little different take on the mob in the United States that we usually get, but I like to do things that are a little bit different. So welcome, Linda Stasey. Historical fiction, how much of it is true? Is it from family stories? All the stories are true. I’ll ask you that here in a little bit. Okay, all the stories are true. All right. All the stories are true. [1:41] It’s based on not only stories that were told to me by my mother and her sisters and my uncles and so forth, But it’s also based on a lot of actual events that took place while they were living in Colorado. And it’s based on the fact that, you know, people don’t know this. We watch all these movies and we think everybody who settled the West talk like John Wayne. There were 30 different languages spoken right in the minds of Colorado. So my uncles rode the range and they were, drovers and they were Italian. I mean, they were first generation. They were born in Italy and they made their way with all these other guys who were speaking Greek and Mexican and you name it. It wasn’t a lot of people talking like, hey, how are you doing, partner? How are you doing, bard? Talking like I do. Right. [2:46] But it took a long time for you you can blame the movies for that and the dominant uh uh caucasian culture for that right and you know there was that what was the movie the the martin scorsese movie killers of the flower moon oh yeah all the uh native americans spoke like they were from like movie set in color and oklahoma so he was like what. [3:13] Yeah, well, it’s the movies, I guess. [3:25] Unlike any women that I would have thought would have been around at that time. They were rebellious, and they did what they wanted, and they had a terrible, mean father. And I also wanted to tell this story. That’s what I started out telling. But I ended up telling the story of the resilience of the immigrants who came to this country. For example, with the Italians and the Sicilians, there had been earthquakes and tsunamis and droughts. So Rockefeller sent these men that he called padrones to the poorest sections of Sicily, the most drought-affected section, looking for young bucks to come and work. And he promised them, he’d say, oh, the president of America wants to give you land, he wants to give you this. Well, they found themselves taken in the most horrific of conditions and brought to Ellis Island, where they were herded onto cattle cars and taken to the mines of Colorado, where they worked 20-hour days. They were paid in company script, so they couldn’t even buy anything. Their families followed them. They were told that their families were coming for free, and they were coming for free, but they weren’t. They had to pay for their passage, which could never be paid for because it was just company script. [4:55] And then in 1914, the United Mine Workers came in, and there were all these immigrants, Greeks and mostly Italians, and they struck, and Rockefeller fired everyone who struck. So the United Mine Workers set up a tent city in Ludlow. [5:14] And at night, Rockefeller would send his goons in who were—he actually paid the National Guard and a detective agency called Baldwin Feltz to come in. And they had a turret-mounted machine gun that they called the Death Squad Special, and they’d just start spraying. So the miners, the striking miners, built trenches under their tents for their women and children to hide. when the bullets started flying. And then at some point, Rockefeller said, you’re not being effective enough. They haven’t gone back to work. Do what you have to do. So these goons went in and they poured oil on top of the tents. And they set them on fire. [6:00] And they burnt dozens of women and children to death. They went in. The government claimed it was 21 people, but there was a female reporter who counted 60-something. and they were cutting the heads and the hands off of people, the children and women, so they couldn’t be identified. It all ended very badly and none of Rockefeller’s people or Rockefeller got in trouble. They went before Congress and Rockefeller basically said they had no right to strike. And that was that. So here are all these men and women now living wild in the mountains of Colorado, not speaking the language, not. Being literate, not able to read and write. [6:44] And living in shacks on mountains in the hurricane, I mean, in the blizzards and whatnot. And then it’s so odd. In 1916, Colorado declared prohibition, which was four years before the rest of the country. [7:00] So these guys said, well, we need to make booze. We need to make wine. What do you mean you can’t have booze and wine? So that’s how bootlegging started in Colorado. And that’s how the mafia began in the West. with these guys. [7:18] It’s kind of interesting. As I was looking down through your book, I did a story on the more modern mafia. This started during bootlegging times in Pueblo, and I noticed in your book, I refer to Pueblo, this was the Corvino brothers. So did you study that? Is that some of the background that you used to make, you know, use a story? You used real stories as well as, you know, the real stories from your family, real stories from history. Well, the Carlinos are my family. Oh, you’re related to the Carlinos. Well, what happened was I didn’t know that. And my cousin Karen came across this photo of the man who was her son. [7:59] Grandfather that she never met because he was killed in the longest gunfight in Colorado history when she was 10 days old. And he was Charlie Carlino. So she came across it and we met, we ended up meeting the family. Sam Carlino is my cousin and he owns like this big barbecue joint in san jose california and uh we’ve become very friendly so i i said i look i’m looking at this and i think wait a minute vito carlino is the father he has three sons and one daughter the youngest son charlie who was the the handsome man about town cowboy, they had a rival family called the dannas in bootlegging and charlie carlino and his bodyguard were riding across the baxter street bridge driving in one direction and the dannas were coming in the other direction and the dannas got out and and killed them and it’s exactly what I’m thinking to myself, Vito Corleone, three sons, Charlie gets killed on the bridge while the two cars are… I thought, wait a minute. Wait a minute. Wait a minute. I mean. [9:26] It can’t be that coincidental, right? No. No, it can’t be. Even the bridge. Somebody was doing their research. [9:46] And had baby Charlotte, who was only 10 days old at the time. So all these stories are true, and it started other gunfights and so forth and so on. But I thought, holy shit. That’s my family. I had no idea. I mean, I knew my aunt was married to a guy whose name was Charlie Carlino, And I should show you the picture because he looks like the missing link from the village people. He’s got big fur chaps on and a cowboy hat. I mean, he’s got his holsters on and he’s got his long gun over his shoulder. It’s like, wow. Yeah, so that story is true. And my mom was a little girl when the Pueblo flood happened. And she always recalled the story to me about watching in horror as the cows and the horses and people were floating away, dead. [10:54] So now the name of your book is A Descendant, which is you, of course. And you kind of use the situations that you just described and the real life people in this book. So then how does this book progress and what other situation do you use? Well, I used many of the acts. I used the Ludlow massacre, the flood, the bootlegging, the prohibition. I also uncovered that the governor of Colorado said. [11:30] Assigned all these guys to become prohibition agents, but they were all KKK. Yeah. So they actually had license to kill the immigrants, just saying they had a still. They had a still. And they were wholesale killing people. So there’s that story. There’s the story of the congressional hearing of Rockefeller after that. And um the the book ends up with my mother um beating my father um who was not in colorado she met him at my aunt’s wedding and avoided him and avoided him and they finally got together and it ends up the book ends up at the start of world war ii and my father was drafted into the air Force, or the Army Air Corps, as it was called that time, and his was assigned to a bomber. He was a co-pilot or a bombardier or something, I forgot. And my grandfather on my father’s side said, well, wait a minute, where are you going to do this? And he said, well, we’re going to Italy. And he said, you’re going to bomb this? Your own country? And my father said, no, no, Bob, this is my country. [12:47] So the book comes full circle. Yeah, really. You know, I, uh, uh, sometimes I start my, I’ll do a program here for different groups or for the library once in a while. And I always like to start it with, you know, first of all, folks, remember, uh. [13:03] Italians came here after, you know, really horrible conditions in southern Italy and Sicily and they came here and they’re just looking for a little slice of American pie the American that’s all they want is a some of the American dream and you know they were taking advantage of they had they were they were darker they had a different language so they didn’t fit it they couldn’t like the Irish and the Germans were already here they had all the good jobs they had the businesses and so now the Italians they’re they’re kind of uh sucking high and tit as we used to say on the farm they’re they’re uh you know picking up the scraps as they can and form businesses. And so it sounds like, you know, and they also went into the, I know they went in the lead mines down here in South Missouri, because there’s a whole immigrant population, Sicilians in a small town called Frontenac. And it also sounds like they went out to the mines in Denver, Colorado. So it’s based on that diaspora, if you will, of people from Southern Italy. And they’re strapping, trying to get their piece of the American pie. Right. And I think that I also wanted very much to change the same old, same old narrative that we’ve all come to believe, that, you know, Italians came here, they went to New York, they killed everybody, they were ignorant slobs. And my family had a ranch! They were ranchers! They had herds of cattle! It’s like, that’s just been dismissed as though none of this existed because. [14:30] Yes, they were darker, because they had curly hair. [14:34] There’s a passage in my book that’s taken actually from the New York Times, where they say that Southern Italians are. [14:43] Greasy, kinky-haired criminals whose children should never be allowed in public schools with white children. Yeah. They used to print stuff like that. I’ve done some research in old newspapers, and not only about Italians, but a lot of other minorities, they print some [14:57] horrible, horrible, horrible things. Well, every minority goes through this, I guess. Everyone. I think so. Part of it’s a language problem. You hear people say, well, why don’t they learn our language? Well, what I say is, you know, ever try to learn a foreign language? It’s hard. It is really, really hard. I’ve tried. It is really hard. I got fired by my Spanish teacher. Exactly. You know how hard it is. I said, no, wait, I’m paying you. You can’t fire me. She said, you can’t learn. You just can’t learn. My grandkids love to say she got fired by her Spanish teacher. [15:36] But it’s such a barrier any kind of success you know not having the language is such a barrier to any kind of success into the you know american business community and that kind of a thing so it’s uh it’s tough for people and you got these people young guys who are bold and, they want they want to they end up having to feel like they have to take theirs they have to take it because ain’t nobody giving it up back in those days and so that sounds like your family they had to take however they took it they they had to take what they got how did that go down for them, start out with a small piece of land or and build up from there how did that go out well from what i understand um. [16:21] They first had a small plot, and then that they didn’t own. They just took it. And then as the bootlegging business got bigger, they started buying cattle and sheep. And they just started buying more and more land. But my grandfather was wanted because he killed some federal agent in the Ludlow Massacre. So he was wanted. So it was all in my grandmother’s name anyway. So she became, in my mind and in my book, she becomes the real head of the family. And my grandfather had a drinking problem, and she made the business successful and so forth. And then I do remember a story that my mother told me that—. [17:16] Al Capone came to the ranch at some point, and all the kids were like, who’s this man in the big car? There was other big cars. And then they moved to New York shortly after that, although they were allowed to keep the ranch with some of my aunts running it. I think there was a range war between the Dana family and the Carlinos and the Barberas, and they were told, get out of town, and they got out of town. And then they made a life in Brooklyn. And then my mom went back to Colorado and then came back to Brooklyn. [17:54] You think about how these immigrants, how in the hell, even the ones who come here now, how in the hell do you survive? I don’t know. Don’t speak the language. You don’t have the money. How do you survive? I don’t know. I truly don’t know. I couldn’t do it. I couldn’t either. I couldn’t either. I don’t even want to go to another country where I don’t speak the language unless I can hire somebody to do stuff for me, you know, try to scuffle around and get a job, work off the books. You know, you got to work off the books, so to speak, and take the lowest, hardest jobs that they are, that there are. I don’t know. It’s crazy. I don’t really understand. Yeah. But, uh, so this, uh, it’s really interesting this, uh, the whole thing with the ranches and, and building up the ranches out there. I know we spoke, talk about Al Capone. Well, his brother, I think it was, it was not Ralph. There was another Capone brother. Which one? Well, another Capone brother who became, came a revenuer and I’ve seen some pictures of him and he looks like a cowboy with a hat and everything. He was in Nebraska or something. [19:02] It’s so funny. And I just, when I was growing up and I would tell people that my mom rode her donkey and then her horse to school, and they’d always say to me, but aren’t you Italian? [19:19] That’s Italian. Italian. Yeah, it’s interesting. Now, of course, your mom was, I noticed something in there about being in Los Animas in that area. Yes. Was there some family connection to that? And I say that because my wife’s grandfather lived there his whole life in Los Animas. Well, Los Animas County takes in Pueblo, I believe. Oh, okay. That’s the northern, that’s the far northern edge of Pueblo. The whole big area. I didn’t realize it was that close to Pueblo. I think my mom’s birth certificate actually says Los Animas County. Uh-huh. Something like that, yeah. Okay, all right. I didn’t realize Los Andemos was that close. I think. I might be wrong. Oh, it could be. It had those big counties out west, a great big county, so it would probably do. [20:10] So let’s see. Tell us a couple other stories out of that book that you remember. Well, there’s a story of my mother and her sister, Clara. Clara was a year what do they call Irish twins you know Italian twins she was like 14 months younger than my mom and um, When my mom had to start school, she was very close to my Aunt Clara, and they refused to go to school without each other. So my grandmother lied and said they were twins. And the teacher said, I don’t think they’re twins. This one’s much littler than the other, and I’m going to send the sheriff to that guinea father of yours and make sure. Well, unfortunately, the town hall burnt down with all the records that night. So they were never able to prove that Aunt Clara was a year younger. [21:14] Interesting. And also there’s a story of how they were in school when the flood hit. And my mother did have a pet wolf who was probably part wolf, part dog, but it was her pet named Blue. They got caught in the flood because they were bad and they had detention after school. And um had they left earlier they would have um so the dog came and dragged them was screaming and barking and making them leave and the teacher got scared because of the wolf and so they left and the wolf was taking them to higher and higher ground and had they stayed in that schoolhouse they would have been killed the teacher was killed everybody was washed away Wow. Yeah, those animals, they got more of a sense of what’s going on in nature than people do, that’s for sure. But she had always told me about her dog wolf named Blue. When they went back to New York City, did they fall in with any mob people back there? They go back to Red Hook. They had connections that were told, they were told, you know, you can, like Meyer Lansky and a couple of other people who would help them, um. [22:33] But my mom—so here’s an absolutely true story, and I think I have it as an epilogue in the book. So a few years ago, several years ago, my daughter had gotten a job in the summer during college as a slave on a movie set that was being filmed in Brooklyn. And she got the job because she, A, had a car, and B, she could speak Italian. And the actress was Italian. So every night she’d work till like 12 o’clock and I’d be panicked that she’d been kidnapped or something. So she’d drive her car home. But then every night she was coming home later and later and I said, what’s going on? She said, you know, I found this little restaurant and right now we’re in Red Hook where the, and it wasn’t called Red Hook. It was called, they have another fancy name for it now. [23:32] And she said and I just got to know the owner and he’s really nice and I told him that when I graduated from college if I had enough money could I rent one of the apartments upstairs and he said yes and she said we’ve got to take grandma there we’ve got to take grandma there she’ll love the place she’ll love the place and so my mother got sick and just came home from college, and she was laying in the bed with my mother, and she said, Grandma, you’re going to get better, and then we’re going to take you to this restaurant, [24:03] and I promise you, you’re going to love it. So my mother, thank God, did get better, and we took her to the restaurant. [24:12] The man comes over, and it’s a little tiny Italian restaurant, and the man comes over, and he says, Jessica, my favorite, let me make you my favorite Pennelli’s. And my mother said, do you make Pennelli’s? And he said, yes. She said, oh, when we first came to New York, the man who owned the restaurant made us Pennelli’s every day and would give it to us before we went to school. And he said, really, what was his name? And she said, Don, whatever. And he said, well, that’s my grandfather. She said, well, what do you mean? He said, well, this is, she said, where are we? And he said. [24:53] They called it Carroll Gardens. And he said, well, it’s Carroll Gardens. She said, well, I grew up in Red Hook. He said, well, it is Red Hook. She said, well, what’s the address here? And he said, 151 Carroll Street. And she said, my mother died in this building. [25:09] My daughter would have rented the apartment where her great-grandmother died. What’s the chances of that of the 50 million apartments in New York City? No, I don’t know. And the restaurant only seats like 30 people. So… My mother went and took a picture off the wall, and she said, this is my mother’s apartment. And there were like 30 people in the restaurants, a real rough and tumble place, and truck drivers and everything. And everybody started crying. The whole place is now crying. All these big long men are crying. Isn’t that some story? Full circle, man. That’s something. Yeah, that is. Especially in the city. It’s even more amazing in a city like New York City. I know. That huge. That frigging huge. That exact apartment. Oh, that is great. So that restaurant plays a big part in the book as well, in the family. Okay. All right. All right. Guys, the book is The Descendant, Yellowstone Meets the Godfather, huh? This is Linda Stasi. Did I pronounce that right, Stasi? Stacey, actually. This is Linda Stasi. And Linda, I didn’t really ask you about yourself. [26:17] Tell the guys a little bit about yourself before we stop here. Well, I am a journalist. I’ve been a columnist for New York Newsday, the New York Daily News, and the New York Post. I’ve written 10 books, three of which are novels. [26:34] And I’ve won several awards for journalism. And I teach a class for the Newswomen’s Club of New York to journalists on how to write novels, because it’s the totally opposite thing. It’s like teaching a dancer to sing, you know? It’s totally opposite. One of my mentors was Nelson DeMille, my dear late friend Nelson DeMille, and I called him up one night after I wrote my first novel, and I said, I think I made a terrible mistake. He said, what? I said, I think I gave the wrong name of the city or something. He said, oh, for God’s sakes, it’s fiction. You can write whatever you want. [27:17] But when you’re a journalist, if you make a mistake like that, you’re ruined. Yeah, exactly. So I have. We never let the facts get in the way of a good story. Go ahead. I’m sorry. I said I have a daughter and three grandsons. My daughter is the only female CEO of a games company. She was on the cover of Forbes. And my husband just died recently, and he was quite the character. He got a full-page obit in the New York Times. He’s such a typical, wonderful New York character. So I’m in this strange place right now where I’m mourning one thing and celebrating my book. On the other hand, it’s a very odd place to be. I can imagine. I can only imagine. Life goes on, as we say, back home. It just keeps going. All right. Linda Stacey, I really appreciate you coming on the show. Oh, thank you. I appreciate you talking to me. You’re so much an interesting guy. All right. Well, thank you.

You got trouble, my friends,Right here in Little China!With a capital “T” and that rhymes with “P” and that stands for Pan (crowd: “Lo Pan!”)Yeah, you got trouble (big trouble!),Right here in Little China!Gotta find a girl with jade-green eyes, that is his plan.(spoken) Mothers of Little China . . . heed this warning! Look for these signs: are your boys wearing red bandannas? Are certain words sneaking into their vocabulary? Words like “the first sovereign emperor” and “Ching Dai, god of the East”? Are they hanging around with the Three Storms and stealing trucks from Jack Burton?Well if so, my friends . . . Yup, we've got “Big Trouble in Little China this week in our “Cuz I Wanna (And You're Gonna Like It)” series, a John Carpenter film that didn't do so hot at the box office but found new life on home video. Does it squander that new life? How well does this forty-year-old movie about martial arts, Chinese mysticism, and Kurt Russell channeling John Wayne hold up? Give a listen . . . or this will really piss us off to no end!Poll question: what's your favorite movie that was ignored at the box office but found new life in some other form (home video, midnight shows)?

Stew shares some big life news before he and John Wayne watch "Marty Supreme," the new zombie film "28 Years Later: The Bone Temple," and the Netflix Damon-Affleck actioner "The Rip."

Listeners call in with their favorite vigilantes—from John Wick to Charles Bronson—while Michael breaks into storytelling detours featuring John Wayne, outrageous true‑crime cases, and even a pork‑powered rant.See omnystudio.com/listener for privacy information.

Today in 1971, the NFL began its annual draft. Back then, the drafts were strictly business, except for the moment when an NFL franchise appeared to draft one of the biggest names in Hollywood. Plus: today in 2021, a guy in Idaho won a big lottery prize, after having won smaller prizes five times earlier. Inside the 1971 NFL Draft, Where Atlanta Selected...John Wayne? (Sports Illustrated)Man wins sixth Idaho Lottery, this time taking home $250K (NBC News)Select our show as a backer on Patreon

On Episode 145 of The Film ‘89 Podcast, Steve, Skye and returning guest host, filmmaker Kyle Reardon, celebrate the 70th anniversary of legendary director John Ford's epic 1956 western, The Searchers. Directed by one of the most revered and influential filmmakers ever to step behind a camera, and starring one of cinema's true icons, John Wayne, in one of his most complex roles, The Searchers tells the tale of civil war veteran, Ethan Edwards, a man wrestling with his own dark side, and his adopted nephew Martin (Jeffrey Hunter) and their years long search for Ethan's niece, Debbie, taken from her family by a Comanche Chief after a raid on Ethan's brother's homestead. Shot in stunning Vista Vision and featuring some of the most astonishing cinematography ever seen in a motion picture, Ford's film was is arguably the peak of a staggering career that spanned seven decades and a film that's become widely regarded as one of the greatest American films of not just the 20th century, but all time. 

Only one performance style has dominated the lexicon of the casual moviegoer: “Method acting.” The first reception-based analysis of film acting, Imagining the Method: Reception, Identity, and American Screen Performance (U Texas Press, 2024) investigates how popular understandings of the so-called Method—what its author Justin Rawlins calls "methodness"—created an exclusive brand for white, male actors while associating such actors with rebellion and marginalization. Drawing on extensive archival research, the book maps the forces giving shape to methodness and policing its boundaries. Imagining the Method traces the primordial conditions under which the Method was conceived. It explores John Garfield's tenuous relationship with methodness due to his identity. It considers the links between John Wayne's reliance on "anti-Method" stardom and Marlon Brando and James Dean's ascribed embodiment of Method features. It dissects contemporary emphases on transformation and considers the implications of methodness in the encoding of AI performers. Altogether, Justin Rawlins offers a revisionist history of the Method that shines a light on the cultural politics of methodness and the still-dominant assumptions about race, gender, and screen actors and acting that inform how we talk about performance and performers. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Only one performance style has dominated the lexicon of the casual moviegoer: “Method acting.” The first reception-based analysis of film acting, Imagining the Method: Reception, Identity, and American Screen Performance (U Texas Press, 2024) investigates how popular understandings of the so-called Method—what its author Justin Rawlins calls "methodness"—created an exclusive brand for white, male actors while associating such actors with rebellion and marginalization. Drawing on extensive archival research, the book maps the forces giving shape to methodness and policing its boundaries. Imagining the Method traces the primordial conditions under which the Method was conceived. It explores John Garfield's tenuous relationship with methodness due to his identity. It considers the links between John Wayne's reliance on "anti-Method" stardom and Marlon Brando and James Dean's ascribed embodiment of Method features. It dissects contemporary emphases on transformation and considers the implications of methodness in the encoding of AI performers. Altogether, Justin Rawlins offers a revisionist history of the Method that shines a light on the cultural politics of methodness and the still-dominant assumptions about race, gender, and screen actors and acting that inform how we talk about performance and performers. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Only one performance style has dominated the lexicon of the casual moviegoer: “Method acting.” The first reception-based analysis of film acting, Imagining the Method: Reception, Identity, and American Screen Performance (U Texas Press, 2024) investigates how popular understandings of the so-called Method—what its author Justin Rawlins calls "methodness"—created an exclusive brand for white, male actors while associating such actors with rebellion and marginalization. Drawing on extensive archival research, the book maps the forces giving shape to methodness and policing its boundaries. Imagining the Method traces the primordial conditions under which the Method was conceived. It explores John Garfield's tenuous relationship with methodness due to his identity. It considers the links between John Wayne's reliance on "anti-Method" stardom and Marlon Brando and James Dean's ascribed embodiment of Method features. It dissects contemporary emphases on transformation and considers the implications of methodness in the encoding of AI performers. Altogether, Justin Rawlins offers a revisionist history of the Method that shines a light on the cultural politics of methodness and the still-dominant assumptions about race, gender, and screen actors and acting that inform how we talk about performance and performers. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Only one performance style has dominated the lexicon of the casual moviegoer: “Method acting.” The first reception-based analysis of film acting, Imagining the Method: Reception, Identity, and American Screen Performance (U Texas Press, 2024) investigates how popular understandings of the so-called Method—what its author Justin Rawlins calls "methodness"—created an exclusive brand for white, male actors while associating such actors with rebellion and marginalization. Drawing on extensive archival research, the book maps the forces giving shape to methodness and policing its boundaries. Imagining the Method traces the primordial conditions under which the Method was conceived. It explores John Garfield's tenuous relationship with methodness due to his identity. It considers the links between John Wayne's reliance on "anti-Method" stardom and Marlon Brando and James Dean's ascribed embodiment of Method features. It dissects contemporary emphases on transformation and considers the implications of methodness in the encoding of AI performers. Altogether, Justin Rawlins offers a revisionist history of the Method that shines a light on the cultural politics of methodness and the still-dominant assumptions about race, gender, and screen actors and acting that inform how we talk about performance and performers. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

⭐Rio Lobo (1970) Review: Hawks, Wayne, and a Fading Western Era⭐

Dan Miller is back, and this time we are talking about the side of purity culture that almost never gets center stage: how it messes with men. While purity culture is usually framed around controlling women's bodies and desires, Dan helps us unpack how men and those socialized as male are shaped by shame, fear, and some wildly unhealthy expectations. From being taught they are inherently dangerous to being trapped in rigid ideas of masculinity, this conversation looks at how purity culture limits emotional range, intimacy, and even basic self understanding long after people have deconstructed the theology.We get into everything from the predator versus protector binary to the loneliness epidemic among men, why anger becomes the only socially acceptable emotion, and how the “slippery slope” logic around touch wrecks healthy connection. Dan also walks through what healing can actually look like, including somatic awareness, parts work, and relearning how to experience pleasure and desire without shame. We wrap by talking about what it might look like to raise boys differently, with more room for emotions, curiosity, and care. Equal parts thoughtful, validating, and gently unhinged in the best way, this episode is for anyone trying to unlearn the damage purity culture did to their body, their relationships, or their sense of self.Connect with Dan:Website: CTRR Practitioner bio pageSocial Media: Straight White American Jesus Podcast, Co-Host, Instagram: @straightwhitejc, Twitter: @straightwhitejcEmail: danielmillerswaj@gmail.comResources discussed in this episode: Jesus and John Wayne by Kristen Kobes duMez This podcast is brought to you by the Center for Trauma Resolution and Recovery: an online trauma coaching company whose practitioners are trauma informed and trauma trained to work with individuals, couples and families who have experienced high control religion, cults, and religious trauma. For more information on the support that CTRR provides, for resources–including courses, workshops, and more–head to traumaresolutionandrecovery.com or follow us on Instagram: @traumaresolutionandrecovery The views and opinions expressed by Sunday School Dropouts are those of the hosts and not necessarily reflect the official policy or position of the Center for Trauma Resolution and Recovery. Any of the content provided by our guests, sponsors, authors, or bloggers are their own ideas and opinions.The Sunday School Dropouts podcast is not anti-religion but it is anti -harm, -power and control, -oppression and, -abuse and will speak to the harmful practices and messaging of fundamentalist groups. Follow Andrew on Instagram and TikTok @deconstruct_everything To begin working with Andrew as a coach, schedule your FREE inquiry call hereFollow Laura on Instagram and TikTok @drlauraeanderson or on her website: www.drlauraeanderson.com To work with Laura as a coach, therapist, consultant, or to inquire about other services, you can do so hereHosts: Laura Anderson and Andrew KerbsMusic by Benjamin Faye Music @heytherebenji 

The cowboy is one of the most potent symbols of American Western mythology. But while pop culture might call John Wayne or the Marlboro Man to mind, real history tells a different story than Hollywood or history books. Cowboys in the West were racially diverse, and in Eastern Oregon, Chinese Americans played a big role in ranching and local economies.   As part of work to reclaim histories of the early Chinese diaspora in rural Oregon, archaeologists and community historians are on the trail of Eastern Oregon’s Chinese cowboys. That pursuit takes us to the historic Stewart Ranch in Grant County to learn more about Buckaroo Sam, cook Jim Lee and others who lived and worked there. We're joined by historical archaeologist Chelsea Rose to kick off a special series in collaboration with OPB’s “Oregon Experience,” the Southern Oregon University Laboratory of Anthropology and Jefferson Public Radio about unearthing Oregon history — the real stuff. -   For more episodes of The Evergreen, and to share your voice with us, visit our showpage. Follow OPB on Instagram, and follow host Jenn Chávez too. You can sign up for OPB’s newsletters to get what you need in your inbox regularly.   Don’t forget to check out our many podcasts, which can be found on any of your favorite podcast apps:HushTimber Wars Season 2: Salmon WarsPolitics NowThink Out Loud And many more! Check out our full show list here.  

John Wayne and Stew regroup after the holiday season to talk cooking success, videogame geekery, and a whole bunch of movies: Bugonia, Zootopia 2, The Smashing Machine, and The Baltimorons.

Em 1956 foi lançado o filme Sangue de Bárbaros, uma atrocidade cinematográfica que virou motivo de piada e constrangeu todos os envolvidos. No entanto, cerca de 24 anos depois, teorias surgiram de que o local das filmagens estaria contaminado por radiação de testes nucleares e uma grande parte dos profissionais envolvidos com o filme veio a óbito por conta da radiação. Mas será mesmo?Roteiro e Apresentação: Icles RodriguesEdição: João Victor VilaInstagram: ⁠⁠⁠@iclesrodrigues⁠⁠⁠Adquira o curso História: da pesquisa à escrita por apenas R$ 49,90 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CLICANDO AQUI⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Adquira o curso A Operação Historiográfica para Michel de Certeau por apenas R$ 24,90 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CLICANDO AQUI⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Adquira o curso O ofício do historiador para Marc Bloch por apenas R$ 29,90 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CLICANDO AQUI⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Colabore com nosso trabalho em ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠apoia.se/obrigahistoria⁠Conforto é com a Insider. Use o cupom HISTORIAFM ou acesse o site pelo link ⁠https://creators.insiderstore.com.br/HISTORIAFM⁠ #insiderstore

Welcome to It's A Wonderful Podcast!We're starting 2026 with an insightful and important series highlighting PRE-CODE HOLLYWOOD, and all the uncensored scandalousness that comes with it!Stripping back the lavish historical sets for a big city bank this week as Morgan and Jeannine talk the moral quandaries of sleeping your way up the corporate ladder in an act of revenge against the terrible men in your past in BABY FACE (1933) starring Barbara Stanwyck!With a notably strong interracial friendship, full feminine power, and a rather surprising appearance from a young John Wayne, they had a real blast on this milestone episode!Our YouTube Channel for all our video content: ⁠⁠⁠⁠⁠⁠⁠(17748) It's A Wonderful Podcast - YouTube⁠⁠⁠⁠⁠⁠⁠The It's A Wonderful Podcast Theme by David B. Music.Donate:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IT'S A WONDERFUL PODCAST STORE:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/g9design⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!!Keep up with us on (X) Twitter:Podcast:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Morgan:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jeannine:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠_Keep being wonderful!!

Drama on a FridayFirst, a look at the events of the day.Then, Screen Directors Playhouse, originally broadcast January 9, 1949, 77 years ago, Stagecoach starring John Wayne.  The classic story based on the movie about The Ringo Kid, The Plummer Boys, and The Apaches. Followed by The Lux Radio Theater, originally broadcast January 9, 1950, 76 years ago, Sorry Wrong Number starring Barbara Stanwyck and Burt Lancaster.  An adaptation of the movie which was adapted from the "Suspense" radio show. Then, Dr. Christian starring Jean Hersholdt, originally broadcast January 9, 1938, 88 years ago, Hit and Run.   Dr. Christian is called after a car crash. Finally, Claudia, originally broadcast January 9, 1948, 78 years ago, Lottie Takes Over. A freight terminal has landed!  Kathryn Bard and Paul Crabtree star.Thanks to Debbie B. for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamCheck out Professor Bees Digestive Aid at profbees.com and use my promo code WYATT to save 10% when you order! If you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old-time radio shows 24 hours a day

Canadian film legend Zacharias Kunuk (Atanarjuat: The Fast Runner) has made more than 30 films and documentaries over his career — almost entirely in Inuktitut. His latest film, Uiksaringitara (Wrong Husband), is an epic historical drama set 4,000 years ago in what we now call Nunavut, where supernatural forces threaten the promised marriage of lovers Kaujak and Sapa. Zacharias joins guest host Talia Schlanger to discuss the traditional Inuit stories that inspired the film, what he says John Wayne movies have in common with Inuit storytelling, and why he's hoping audiences a century from now will still be studying his acclaimed body of work.

 International Law in TattersShould we be surprised by the decision of President Trump to kidnap President Nicolas Maduro and his wife Cilia Flores? Should we be shocked by his claim that the US will now administer Venezuela or that US Oil companies will manage Venezuela's huge oil reserves? And what of his threats against Cuba, Colombia, Mexico, Greenland, Nigeria and others?The historical reality is that we have seen all of this before. The most brazen example this century was the invasion of Iraq in 2003, under the pretext of the non-existent weapons of mass destruction. The truth then was that US and British interests were primarily concerned with the control of Iraq's oil. The result was a million Iraqi dead and a region torn apart by the subsequent political instability. International law was flagrantly broken. Torture and a brutal occupation followed. The Fellow in the Big PictureOver the Christmas break I watched more television than I do at any other time. Regular readers will know that I'm more of a radio man. RTE Radio, Raidió na Gaeltachta, Raidió Fáilte, Radio Ulster. I listen to these every day. But I like westerns. And there is always a ton of westerns to be seen on television over the Christmas period. Some are old ones featuring Audie Murphy, Gene Audrey, Alan Ladd, John Wayne, Maureen O Hara and the likes.  TG4 usually has a good selection of these.They also show a lot of movies featuring Clint Eastwood. I like his films.  And not just the westerns. Although he first came to our attention in Ballymurphy with Rawhide. Unforgiven was the film of choice this Nollaig with Gene Hackman and Morgan Freeman, all in starring roles. And it was followed by Butch Cassidy and the Sundance Kid.  Irish government should be ashamed2026 began for the people of the Gaza Strip and the Palestinian Occupied Territories with more Israeli attacks by land and sea and air; winter storms that have added to the enormous hardship of people trying to survive in flimsy tents; and the denial of appropriate humanitarian aid.2025 also ended with Israel having killed nearly half of all those journalists killed last year. Reporters Without Borders recorded that 29 reporters were killed by Israeli forces making Israel “the worst enemy of journalists.” 

The Ladies of MACABRE have given a lot of thought to what their last meals would be if they were on death row? Join Blaire and Halley as they discuss last meals chosen by some of the most famous serial killers. Who had the biggest meal? Who's was the most expensive? Who refused to eat? Find out more on this unhinged, EXHUMED Patreon episode. Want more exclusive content just like this? Join our exclusive Spotify feed for ad free and early listening. Or join us over on Patreon for even more content, bonus episodes, and after dark shenanigans. Listener discretion is very advised.

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"Worst. Criss. Angel. Magic trick. Ever."This week's scariest movie is... The Conjuring Last Rites. This film has everything: Egg Whites. Science Romeos. And Realty recommendations that you should not take. If you love Shakespeare-in-a-toolshed riffs, basement John Wayne portraits, and common-sense yelling at pitch-black rooms, this episode's for you!Please Subscribe, Rate, and Review The Horror Virgin to help more people discover our community.What did you think of our episode on The Conjuring Last Rites? Tell us on social media @HorrorVirgin (Facebook/Instagram), @HorrorVirginPod (Twitter).Up Next: Good Boy (2025)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

You thought John Wayne was problematic last episode? We've got five British powerhouses ready to give him a run for his money in the criminally underrated 44 INCH CHEST! The movie's 40% Tomatometer score seems to reflect people's inability to cope with bad behavior when it's not traditionally scolded, so listen to Alex & Julio try to be open-minded and give Ray Winstone a shot!TIMELINE00:01:24 44 Inch Chest00:14:52 Contrarians Corner- Wanna know how we really feel about 44 INCH CHEST? Check out the Real Talk (RT) episode, on your feed RIGHT NOW! (or pretty soon — Spotify can be a pain when it comes to refreshing the feed)- Interested in more Contrarians goodness? Join THE CONTRARIANS SUPPLEMENTS on our Patreon Page! Deleted clips, extended plugs, bonus episodes free from the Tomatometer shackles… It's everything a Contrarians devotee would want!- Our YouTube page is live! Get some visual Contrarians delight with our Contrarians Warm-Ups and other fun videos!- Contrarians Merch is finally here! Check out our RED BUBBLE MERCH PAGE and buy yourself something nice that's emblazoned with one of our four different designs!- THE FESTIVE YEARS have been letting us use their music for years now and they are amazing. You can check out their work on Spotify, on Facebook or on their very own website.- Our buddy Cory Ahre is being kind enough to lend a hand with the editing of some of our videos. If you like his style, wait until you see what he does over on his YouTube Channel.- THE LATE NIGHT GRIN isn't just a show about wrestling: it's a brand, a lifestyle. And they're very supportive of our Contrarian endeavors, so we'd like to return the favor. Check out their YouTube Channel! You might even spot Alex there from time to time.- Hans Rothgiesser, the man behind our logo, can be reached at @mildemoniospe on Instagram or you can email him at mildemonios@hotmail.com in case you ever need a logo (or comics) produced. And you can listen to him talk about economy on his new TV show, VALOR AGREGADO. Aaaaand you can also check out all the stuff he's written on his own website. He has a new book: a sort of Economics For Dummies called MARGINAL. Ask him about it!

John Wayne is a Christmas cookie making machine, and the fellas dissect the "Odyssey" trailer. Then, it's a long overdue discussion of the new Christmas classic "The Holdovers," and a deep dive on the latest "Avatar: Fire and Ash."

John Wayne, who? Media will make you believe that white men were the premier cowboys, but Black cowboys were the real rodeo legends. Bill Pickett was an innovator of the sport, and they made him hide his Blackness. — 2-Minute Black History is produced by PushBlack, the nation's largest non-profit Black media company. PushBlack exists to amplify the stories of Black history you didn't learn in school. You make PushBlack happen with your contributions at BlackHistoryYear.com — most people donate $10 a month, but every dollar makes a difference. If this episode moved you, share it with your people! Thanks for supporting the work. The production team for this podcast includes Cydney Smith, Len Webb, and Lilly Workneh. Our editors are Lance John and Avery Phillips from Gifted Sounds Network. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Yes, of course THE SEARCHERS is not the Unforgiven of the 50s - but was it even trying to be? Can we set aside the things our modern eyes flag as regressive and appreciate the movie on its own terms? Do you need to be a John Wayne superfan to truly enjoy this John Wayne vehicle? What will our favorite movies look like to podcasters of the future? Let's get it all out in this Real Talk segment!TIMELINE00:01:26 That'll be the day00:02:01 Real Talk00:47:01 The Future & Patreon Stuff- Interested in more Contrarians goodness? Join THE CONTRARIANS SUPPLEMENTS on our Patreon Page! Deleted clips, extended plugs, bonus episodes free from the Tomatometer shackles… It's everything a Contrarians devotee would want!- Our YouTube page is live! Get some visual Contrarians delight with our Contrarians Warm-Ups and other fun videos!- Contrarians Merch is finally here! Check out our RED BUBBLE MERCH PAGE and buy yourself something nice that's emblazoned with one of our four different designs!- THE FESTIVE YEARS have been letting us use their music for years now and they are amazing. You can check out their work on Spotify, on Facebook or on their very own website.- Our buddy Cory Ahre is being kind enough to lend a hand with the editing of some of our videos. If you like his style, wait until you see what he does over on his YouTube Channel.- THE LATE NIGHT GRIN isn't just a show about wrestling: it's a brand, a lifestyle. And they're very supportive of our Contrarian endeavors, so we'd like to return the favor. Check out their YouTube Channel! You might even spot Alex there from time to time.- Hans Rothgiesser, the man behind our logo, can be reached at @mildemoniospe on Instagram or you can email him at mildemonios@hotmail.com in case you ever need a logo (or comics) produced. And you can listen to him talk about economy on his new TV show, VALOR AGREGADO. Aaaaand you can also check out all the stuff he's written on his own website. He has a new book: a sort of Economics For Dummies called MARGINAL. Ask him about it!Up next, we travel across the ocean to present-day London, to tackle the grizzly drama 44 INCH CHEST! Until then, let us know what you thought of The Searchers: is it really the best of the best when it comes to John Wayne flicks? Is Spielberg really sitting down to watch this before he shoots a new movie? Should we do The Conqueror sooner rather than later? E-mail us at wearethecontrarians@gmail.com or share your thoughts with us on Threads or BlueSky!

12-15-2025. "HO! HO! HOLLYWOOD: SANTA CLAUSE IN CLASSIC CINEMA" (118) Long before special effects, CGI snowstorms, and big-budget holiday franchises, it fell to a small but memorable group of performers to embody the warmth, wonder, and whimsy of old St. Nick. Ever wonder about the actors who were called upon to portray Santa Claus in film and TV? These classic Santas weren't just men in red suits — they were character actors, vaudevillians, radio veterans, and Hollywood workhorses who brought their own unique spark to the role, shaping how generations of moviegoers came to imagine Father Christmas. From the twinkle-eyed charmers to the unexpectedly gruff curmudgeons, from the iconic to the nearly forgotten, we're unwrapping the stories behind the earliest portrayals that turned Santa into a cinematic tradition. So settle in with a mug of something warm, hang your stocking, and join us as we explore the jolly, joyful, and sometimes surprisingly complex history of Hollywood's first Santas. SHOW NOTES:  Sources: Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: Ivanhoe (1913); Scrooge (1913); Santa Claus (1912), starring Leedham Bantok; 20th Century Fox Hour: Miracle on 34th Street (1955); starring Teresa Wright, Joseph Cotten, & Thomas Mitchell; Shadow of a Doubt (1943), starring Joseph Cotten & Teresa Wright;  Stagecoach (1939), starring John Wayne, Claire Trevor, & Thomas Mitchell; It's a Wonderful Life (1946), starring James Stewart, Donna Reed, & Thomas Mitchell; Gone With The Wind (1939), starring Vivien Leigh & Clark Gable; Theodora Goes Wild (1936), starring Irene Dunne; Mr. Smith Goes to Washington (1939), starring James Stewart & Jean Arthur; Our Town (1940), starring Martha Scott & Henry Fonda; High Noon (1952), starring Gary Cooper & Grace Kelly; Wild Flowers (1943), starring José Elias Moreno; Santa Claus (1959), starring José Elias Moreno; Santa Claus Conquers the Martians (1964), staring John Call; Fearless Fagan (1952), staring Janet Leigh & Keenan Wynn;  Boots Malone (also 1952), starring William Holden Don't Bother to Knock (1952), starring Marilyn Monroe & Richard Widmark; The Long, Long Trailer (1954), starring Lucille Ball & Desi Arnaz; The Anderson Tapes (1971), starring Sean Connery & Dyan Cannon; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Home improvement guru Dean Sharp joins Tim to recount the terrifying car accident he survived back in 2008. Tim also covers the wild scene at a Los Angeles 7-Eleven looted by a group of teenagers, plus gives listener shoutouts and shares his gratitude for the news reporters who helped highlight Foosh’s story. And things get even crazier with a car speeding down the runway at John Wayne Airport. See omnystudio.com/listener for privacy information.

This is a Grave Talks CLASSIC EPISODE! High in the mountains of Bisbee, Arizona, stands a hotel built during the height of the copper boom — a grand structure meant to showcase wealth, innovation, and the promise of a growing Western city. When the Copper Queen Hotel opened in 1902, Bisbee was the largest urban center between St. Louis and San Francisco, alive with miners, rail travelers, and fortune-seekers. More than a century later, the Copper Queen still welcomes guests… but not all of them are living. Arizona's oldest continuously operating hotel has hosted icons like John Wayne, Marlon Brando, and Harry Houdini. Yet the names most often whispered through its halls belong to those who linger long after checkout: Julia Lowell, a young boy known as Billy, and the elusive “Smoking Man.” In this episode of The Grave Talks, we sit down with Jenna Lampinen to explore the legends, encounters, and unexplainable moments tied to one of Arizona's most famously haunted hotels. This is Part Two of our conversation. If you'd like information on staying at the hotel or paranormal investigations, contact Jenna Lampinen. You can email her at jenna@copperqueen.com. #ghoststory #copperqueenhotel #bisbeeaz #hauntedarizona #hauntedhotel #realghoststories #thegravetalks #paranormalpodcast #ghostencounter #supernaturalstories #truehaunting #historicghosts Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

This is a Grave Talks CLASSIC EPISODE! High in the mountains of Bisbee, Arizona, stands a hotel built during the height of the copper boom — a grand structure meant to showcase wealth, innovation, and the promise of a growing Western city. When the Copper Queen Hotel opened in 1902, Bisbee was the largest urban center between St. Louis and San Francisco, alive with miners, rail travelers, and fortune-seekers. More than a century later, the Copper Queen still welcomes guests… but not all of them are living. Arizona's oldest continuously operating hotel has hosted icons like John Wayne, Marlon Brando, and Harry Houdini. Yet the names most often whispered through its halls belong to those who linger long after checkout: Julia Lowell, a young boy known as Billy, and the elusive “Smoking Man.” In this episode of The Grave Talks, we sit down with Jenna Lampinen to explore the legends, encounters, and unexplainable moments tied to one of Arizona's most famously haunted hotels. If you'd like information on staying at the hotel or paranormal investigations, contact Jenna Lampinen. You can email her at jenna@copperqueen.com. #ghoststory #copperqueenhotel #bisbeeaz #hauntedarizona #hauntedhotel #realghoststories #thegravetalks #paranormalpodcast #ghostencounter #supernaturalstories #truehaunting #historicghosts Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

-Rob skewers Democrats for caring more about optics than “drug-smuggling terrorists,” compares fentanyl boats to Zyklon B trains, and wonders whatever happened to John Wayne. -The Newsmax Hotline lights up with Michael Charbon, who trades jokes about Canadian winters, assisted suicide, and back bacon—plus a mutual agreement that liberals have lost their minds. Today's podcast is sponsored by : BIRCH GOLD - Protect and grow your retirement savings with gold. Text ROB to 98 98 98 for your FREE information kit! WEBROOT : Live a better digital life with Webroot Total Protection. Rob Carson Show listeners get 60% off at http://webroot.com/Newsmax  To call in and speak with Rob Carson live on the show, dial 1-800-922-6680 between the hours of 12 Noon and 3:00 pm Eastern Time Monday through Friday…E-mail Rob Carson at : RobCarsonShow@gmail.com Musical parodies provided by Jim Gossett (http://patreon.com/JimGossettComedy) Listen to Newsmax LIVE and see our entire podcast lineup at http://Newsmax.com/Listen Make the switch to NEWSMAX today! Get your 15 day free trial of NEWSMAX+ at http://NewsmaxPlus.com Looking for NEWSMAX caps, tees, mugs & more? Check out the Newsmax merchandise shop at : http://nws.mx/shop Follow NEWSMAX on Social Media:  -Facebook: http://nws.mx/FB  -X/Twitter: http://nws.mx/twitter -Instagram: http://nws.mx/IG -YouTube: https://youtube.com/NewsmaxTV -Rumble: https://rumble.com/c/NewsmaxTV -TRUTH Social: https://truthsocial.com/@NEWSMAX -GETTR: https://gettr.com/user/newsmax -Threads: http://threads.net/@NEWSMAX  -Telegram: http://t.me/newsmax  -BlueSky: https://bsky.app/profile/newsmax.com -Parler: http://app.parler.com/newsmax Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Faith For Normal People, Pete and Jared revisit a conversation with Kristin Kobes Du Mez, author of the bestselling book Jesus and John Wayne. The conversation explores the history of “toxic” masculinity in both the church and American pop culture, and how Christians in 2025 can be part of the resistance efforts against harmful cultural structures. This is a reissue of The Bible for Normal People Episode 170 from June 2021. Show Notes → https://thebiblefornormalpeople.com/episode-68-kristin-kobes-du-mez-a-church-history-of-toxic-masculinity-reissue/ Watch on YouTube → https://youtu.be/OAjNnqgLkeA ********** This episode is sponsored by Aura Frames. For a limited time, visit AuraFrames.com and get $45 off Aura's best-selling Carver Mat frames, named #1 by Wirecutter, by using promo code NORMALPEOPLE at checkout. This exclusive Black Friday Cyber Monday deal is their best of the year, so order now before it ends! Support the show by mentioning us at checkout! Terms and conditions apply. Learn more about your ad choices. Visit podcastchoices.com/adchoices