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3 episodes with c black
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2 episodes with c black
2 episodes with c black
In questo secondo episodio speciale, vedremo come l'Impero nipponico, per la prima volta dopo la modernizzazione, abbia gettato uno sguardo oltre i propri confini. Per ottenere il predominio in Asia Orientale ed essere trattato alla pari dalle potenze occidentali, il Giappone dovrà confrontarsi militarmente con la Cina.Seguimi su Instagram: @laguerragrande_podcastSe vuoi contribuire con una donazione sul conto PayPal: podcastlaguerragrande@gmail.comScritto e condotto da Andrea BassoMontaggio e audio: Andrea BassoFonti dell'episodio:Michael R. Auslin, Toshihiko Kishi, Hanae Kurihara Kramer, Scott Kramer, Barak Kushner, Olivia Morello, Kaoru (Kay) Ueda, Fanning the Flames: Propaganda in Modern Japan, 2021 Rosa Caroli, Francesco Gatti, Storia del Giappone, Laterza, 2007 Chonin, Encyclopaedia Britannica L. M. Cullen, A History of Japan, 1582–1941: Internal and External Worlds, Cambridge University Press, 2003 Giuliano Da Frè, Storia delle battaglie sul mare, Odoya, 2014 John W. Dower, War Without Mercy: Race and Power in the Pacific War, Pantheon, 1986 Peter Duus, Modern Japan, Houghton Mifflin, 1998 Peter Duus, The Abacus and the Sword: The Japanese Penetration of Korea, University of California Press, 1998 Bruce Elleman, Modern Chinese Warfare, 1795–1989, Routledge, 2001 Gabriele Esposito, Japanese Armies 1868–1877: The Boshin War and Satsuma Rebellion, Osprey Publishing, 2020 David Evans, Mark Peattie, Kaigun: strategy, tactics, and technology in the Imperial Japanese Navy, 1887–1941, Naval Institute Press, 1997 Allen Fung, Testing the Self-Strengthening: The Chinese Army in the Sino-Japanese War of 1894–1895, Modern Asian Studies 30, 1996 Hane Mikiso, Modern Japan: A Historical Survey Sue Henny, Jean-Pierre Lehmann, Themes and Theories in Modern Japanese History: Essays in Memory of Richard Storry, A&C Black, 2013 James Huffman, Modern Japan: An Encyclopedia of History, Culture, and Nationalism, Garland Reference Library of the Humanities, Routledge, 1997 Marius Jansen, The Making of Modern Japan, Harvard University Press, 2002 Kim Jinwung, A History of Korea: From "Land of the Morning Calm" to States in Conflict, Indiana University Press, 2012 Philip Jowett, China's Wars: Rousing the Dragon 1894–1949, Bloomsbury Publishing, 2013 Donald Keene, Emperor of Japan: Meiji and His World, 1852-1912, Columbia University Press, 2002 Liu Kwang-Ching, The Cambridge History of China, Late Ch'ing, 1800–1911, Cambridge University Press, 1978 James McClain, Japan, a modern history, Norton, 2001 Naotaka Hirota, Steam Locomotives of Japan, Kodansha International Ltd, 1972 Piotr Olender, Sino-Japanese Naval War 1894–1895, MMPBooks, 2014 Christopher Paik, Abbey Steele, Seiki Tanaka, Constraining the Samurai: Rebellion and Taxation in Early Modern Japan, International Studies Quarterly 61, 2017 Sarah Paine, The Sino-Japanese War of 1894–1895: Perceptions, Power, and Primacy. Cambridge University Press, 2003 Pebrina, Treccani Christian Polak, Silk and Light: 100-year history of unconscious French-Japanese cultural exchange (Edo Period – 1950), Hachette, 2001 Richard Ponsonby-Fane, Kyoto: the Old Capital of Japan, 794–1869, 1956 Mark Ravina, To Stand with the Nations of the World: Japan's Meiji Restoration in World History, Oxford University Press, 2017 Edwin Reischauer, Storia del Giappone, Bompiani, 2013 Chris Rowthorn, Giappone, EDT, 2008 Michael Seth, A History of Korea: From Antiquity to the Present, Rowman & Littlefield Publishers, 2010 John Sewall, The Logbook of the Captain's Clerk: Adventures in the China Seas, Chas H. Glass & Co., 1905 Lawrence Sondhaus, Naval Warfare, 1815–1914, Routledge, 2001 Henry Van Straelen, Yoshida Shoin Forerunner Of The Meiji Restoration, Brill, 1952 Conrad D. Totman, Japan before Perry: a short history, University of California Press, 1981 Trudy Ring, Robert M. Salkin, Paul E. Schellinger, Sharon La Boda, Noelle Watson, Christopher Hudson, Adele Hast, International Dictionary of Historic Places: Asia and Oceania, Taylor & Francis, 1994 Jacopo Turco, Come ha fatto il Giappone a diventare così ricco?, Nova Lectio, 2024 Howard Van Zandt, Pioneer American Merchants in Japan, Tuttle Publishing, 1984 Arthur Walworth, Black Ships Off Japan: The Story of Commodore Perry's Expedition, Read Books, 2008In copertina: Nessun nemico resiste dove noi ci rechiamo: la resa di Pyongyang, stampa di Migita Toshihide, 1894, Metropolitan Museum of ArtIshikari Lore di Kevin MacLeod è un brano concesso in uso tramite licenza Creative Commons Attribution 4.0. https://creativecommons.org/licenses/by/4.0/Fonte: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100192Artista: http://incompetech.com/
Il Giappone rappresenta un esempio unico di come un paese possa modernizzarsi in un lasso di tempo estremamente breve e senza grandi sconvolgimenti all'interno della propria società. In questo primo episodio speciale, vediamo quali sfide il paese del Sol Levante abbia dovuto affrontare a partire dal XIX secolo, a causa della penetrazione delle potenze occidentali.Seguimi su Instagram: @laguerragrande_podcastSe vuoi contribuire con una donazione sul conto PayPal: podcastlaguerragrande@gmail.comScritto e condotto da Andrea BassoMontaggio e audio: Andrea BassoFonti dell'episodio:Michael R. Auslin, Toshihiko Kishi, Hanae Kurihara Kramer, Scott Kramer, Barak Kushner, Olivia Morello, Kaoru (Kay) Ueda, Fanning the Flames: Propaganda in Modern Japan, 2021 Rosa Caroli, Francesco Gatti, Storia del Giappone, Laterza, 2007 Chonin, Encyclopaedia Britannica L. M. Cullen, A History of Japan, 1582–1941: Internal and External Worlds, Cambridge University Press, 2003 Giuliano Da Frè, Storia delle battaglie sul mare, Odoya, 2014 John W. Dower, War Without Mercy: Race and Power in the Pacific War, Pantheon, 1986 Peter Duus, Modern Japan, Houghton Mifflin, 1998 Peter Duus, The Abacus and the Sword: The Japanese Penetration of Korea, University of California Press, 1998 Bruce Elleman, Modern Chinese Warfare, 1795–1989, Routledge, 2001 Gabriele Esposito, Japanese Armies 1868–1877: The Boshin War and Satsuma Rebellion, Osprey Publishing, 2020 David Evans, Mark Peattie, Kaigun: strategy, tactics, and technology in the Imperial Japanese Navy, 1887–1941, Naval Institute Press, 1997 Allen Fung, Testing the Self-Strengthening: The Chinese Army in the Sino-Japanese War of 1894–1895, Modern Asian Studies 30, 1996 Hane Mikiso, Modern Japan: A Historical Survey Sue Henny, Jean-Pierre Lehmann, Themes and Theories in Modern Japanese History: Essays in Memory of Richard Storry, A&C Black, 2013 James Huffman, Modern Japan: An Encyclopedia of History, Culture, and Nationalism, Garland Reference Library of the Humanities, Routledge, 1997 Marius Jansen, The Making of Modern Japan, Harvard University Press, 2002 Kim Jinwung, A History of Korea: From "Land of the Morning Calm" to States in Conflict, Indiana University Press, 2012 Philip Jowett, China's Wars: Rousing the Dragon 1894–1949, Bloomsbury Publishing, 2013 Donald Keene, Emperor of Japan: Meiji and His World, 1852-1912, Columbia University Press, 2002 Liu Kwang-Ching, The Cambridge History of China, Late Ch'ing, 1800–1911, Cambridge University Press, 1978 James McClain, Japan, a modern history, Norton, 2001 Naotaka Hirota, Steam Locomotives of Japan, Kodansha International Ltd, 1972 Piotr Olender, Sino-Japanese Naval War 1894–1895, MMPBooks, 2014 Christopher Paik, Abbey Steele, Seiki Tanaka, Constraining the Samurai: Rebellion and Taxation in Early Modern Japan, International Studies Quarterly 61, 2017 Sarah Paine, The Sino-Japanese War of 1894–1895: Perceptions, Power, and Primacy. Cambridge University Press, 2003 Pebrina, Treccani Christian Polak, Silk and Light: 100-year history of unconscious French-Japanese cultural exchange (Edo Period – 1950), Hachette, 2001 Richard Ponsonby-Fane, Kyoto: the Old Capital of Japan, 794–1869, 1956 Mark Ravina, To Stand with the Nations of the World: Japan's Meiji Restoration in World History, Oxford University Press, 2017 Edwin Reischauer, Storia del Giappone, Bompiani, 2013 Chris Rowthorn, Giappone, EDT, 2008 Michael Seth, A History of Korea: From Antiquity to the Present, Rowman & Littlefield Publishers, 2010 John Sewall, The Logbook of the Captain's Clerk: Adventures in the China Seas, Chas H. Glass & Co., 1905 Lawrence Sondhaus, Naval Warfare, 1815–1914, Routledge, 2001 Henry Van Straelen, Yoshida Shoin Forerunner Of The Meiji Restoration, Brill, 1952 Conrad D. Totman, Japan before Perry: a short history, University of California Press, 1981 Trudy Ring, Robert M. Salkin, Paul E. Schellinger, Sharon La Boda, Noelle Watson, Christopher Hudson, Adele Hast, International Dictionary of Historic Places: Asia and Oceania, Taylor & Francis, 1994 Jacopo Turco, Come ha fatto il Giappone a diventare così ricco?, Nova Lectio, 2024 Howard Van Zandt, Pioneer American Merchants in Japan, Tuttle Publishing, 1984 Arthur Walworth, Black Ships Off Japan: The Story of Commodore Perry's Expedition, Read Books, 2008In copertina: suonatrici tradizionali, fotografia di Felice Beato, anni '60 del XIX secolo, colorizzata a mano.
- Những ngày trước dịp Black Friday, nhiều cửa hàng tại TP.HCM đã rầm rộ quảng cáo khuyến mại sớm với những chương trình ưu đãi giảm giá từ 50% - 80% nhưng lượng khách mua không nhiều. Chủ đề : tphcm, mùa hạ giá --- Support this podcast: https://podcasters.spotify.com/pod/show/vov1tintuc/support
In this episode, we will discuss the difference between sidereal and tropical zodiac systems used in Indian and Western astrology respectively. The sidereal zodiac is based on stars and the tropical zodiac is based on the sun's position. We will also cover the precession of the equinoxes, which causes the spring equinox to move along the orbit and creates a difference between these two zodiacs over time. Bibliography: Campion N. (2012). A History of Western Astrology. A&C Black. O'Connell, P. J. (2015). The Sidereal and Tropical Zodiacs: An Historical Survey. Culture and Cosmos, 19(2), 7-29. Rao, K. N. (2010). Astrology for Beginners: B.V. Raman. Motilal Banarsidass Publishers. Lahiri, S. (2008). Lahiri's Indian Ephemeris Of Planets' Positions: According To The ‘Nirayana' Or Sidereal System For 2002 A.D. To 2020 A.D. Motilal Banarsidass Publishers. Topic: History of India | Astronomy | Astrology Ko-fi: http://ko-fi.com/namaskarindia UPI ID: 9893547492@paytm Paypal: https://www.paypal.com/paypalme/aduppala Instagram: https://www.instagram.com/namaskarindialive/ Facebook: https://www.facebook.com/namaskarindialive Twitter: https://twitter.com/AradhanaDuppala Youtube: https://www.youtube.com/c/NamaskarIndia WhatsApp Discussions: https://chat.whatsapp.com/H8IUJPlB32cA2soTjrTghV WhatsApp Announcements: https://chat.whatsapp.com/KVd5UHxumW90TxLHjkB89k --- Support this podcast: https://podcasters.spotify.com/pod/show/namaskar-india/support
In a memorable hunting adventure this spring Brian Mehmen had the opportunity to travel to scenic British Columbia and hunt prime territory for black bear with a few of his best Muscatine, Iowa, buddies: Brian Wolfe, Troy Fridley and Steve Harding - a.k.a. "The River Boys." Each hunter had two tags on this six-day adventure that was filled with ups and downs, as you'll hear. Thank you as always for listening and please share the podcast with family or friends to help get the word out.
“As to the divination which takes place in sleep, and is said to be based on dreams, we cannot lightly either dismiss it with contempt or give it implicit confidence.” These were the words of Aristotle, written in 350 BCE, and taken very much to heart by a British psychiatrist in the 1960's, when he took on the monumental task of collecting and collating hundreds of premonitions from across the country, with the ultimate goal of not only researching the phenomena, but then also using the data to avert disaster and perhaps even to save the world. SOURCES Knight, Sam (2022) The Premonitions Bureau: A True Account of Death Foretold. Penguin Press, NY, USA. Ulanowski, Krzysztof (2014) Mesopotamian Divination. Some Historical, Religious and Anthropological Remarks. Miscellanea Anthropologica et Sociologica 2014, 15 (4): 13–28. Martin, Martin (1719) A description of the Western Islands of Scotland. A. Bell, London, UK. Dunne, J. W. (1927) An Experiment With Time. A & C Black, London, UK. Barker, John (1968) Scared To Death. Dell Publishing, London, UK. Psychic News (1968) Doctor Who Studied Premonitions Dies. Psychic News, Thurs 31 Aug 1968, p1. London, UK. Fairley, Peter (1966) Did Anyone Have A Genuine Premonition OF Aberfan Disaster? Evening Standard, Fri 28 Oct 1966, p13. London, UK. Fairley, Peter (1967) If You Dream Of Disaster… . Evening Standard, Wed 4 Jan 1967, p19. London, UK. Barnes, Michael (1966) Learning To Hate Your Bad Habits. The Daily Telegraph, Fri 30 Dec 1966, p5. London, UK. Birmingham Evening Mail (1967) 124 Killed In Holiday Air Crash. Birmingham Evening Mail. Thurs 20 April 1967, p1. Birmingham, UK. The Guardian (1967) As Torrey Canyon Breaks Up Oil Battle Is Extended To Strait Of Dover. Tues 28 March 1967, p1. Manchester, UK. Evening Standard (1967) Giant Tanker On Reef. Evening Standard, Sat 18 March 1967, p9. London, UK. Birmingham Daily Post (1968) A Bureau To Avert Disasters? Birmingham Daily Post, Fri 23 Feb 1968, p34. Birmingham, UK. Fairley, Peter (1968) The Londoners Who Believe They Saw Disaster In Advance. Evening Standard, Mon 11 March 1968, p8. London, UK. Fairley, Peter (1968) Did Mr Hencher Forecast The Hither Green Rail Disaster? Evening Standard, Tues 12 March 1968, p7. London, UK. Psychic News (1968) Doctor Who Studied Premontions Dies. Psychic News, Aug 31 1968, p1. London, UK. ------- This episode is sponsored by BetterHelp, check out betterhelp.com/darkhistories to get 10% off your first month. ------- For almost anything, head over to the podcasts hub at darkhistories.com Support the show by using our link when you sign up to Audible: http://audibletrial.com/darkhistories or visit our Patreon for bonus episodes and Early Access: https://www.patreon.com/darkhistories The Dark Histories books are available to buy here: http://author.to/darkhistories Dark Histories merch is available here: https://bit.ly/3GChjk9 Connect with us on Facebook: http://facebook.com/darkhistoriespodcast Or find us on Twitter: http://twitter.com/darkhistories & Instagram: https://www.instagram.com/dark_histories/ Or you can contact us directly via email at contact@darkhistories.com or join our Discord community: https://discord.gg/cmGcBFf The Dark Histories Butterfly was drawn by Courtney, who you can find on Instagram @bewildereye Music was recorded by me © Ben Cutmore 2017 Other Outro music was Paul Whiteman & his orchestra with Mildred Bailey - All of me (1931). It's out of copyright now, but if you're interested, that was that.
Join us this week as we play Start, Bench, Cut with black characters. Welcome to the League Facebook Group: The League of Melanated Gentlemen Podcast Instagram: The League of Melanated Gentlemen Podcast YouTube: The League of Melanated Gentlemen Podcast Hosts: Brandon Willis, Jordan Mitchell, Spenser Jones
This week we continue our series reading from Rodney Hilton's collection of essays about the Crisis of Feudalism. These are pretty short essays, but we will no doubt be talking about them forever.Hilton, Rodney. Class Conflict and the Crisis of Feudalism. A&C Black, 1985.Check out Varn Vlog:https://www.patreon.com/varnvlogSupport the show
This week we continue our series reading from Rodney Hilton's collection of essays about the Crisis of Feudalism. These are pretty short essays, but we will no doubt be talking about them forever.Hilton, Rodney. Class Conflict and the Crisis of Feudalism. A&C Black, 1985.Check out Varn Vlog:https://www.patreon.com/varnvlogSupport the show
On today's episode we go over some of the new topics we'll go into on the next few shows, the oddities of the I.S.S & an amazing offer. Check out DailyPlanet.Club for a 3 MONTH FREE TRIAL Hit me up at FranksCastles21@proton.me with any questions, if you want anything plugged or if you want to get on the show! Thanks for listening folks, don't forget to rate/share and subscribe to fight the algorithm!!!
This week we start a new series where we read from Rodney Hilton's collection of essays about the Crisis of Feudalism. These are pretty short essays, but we will no doubt be talking about them forever. Hilton, Rodney. Class Conflict and the Crisis of Feudalism. A&C Black, 1985.Check out Varn Vlog:https://www.patreon.com/varnvlogSupport the show
ANGELA'S SYMPOSIUM 📖 Academic Study on Witchcraft, Paganism, esotericism, magick and the Occult
#witchcraft #academic #esoteric The concept of Occulture as explained by Christopher Partridge in his "The Re-enchantment of the West" CONNECT & SUPPORT
ANGELA'S SYMPOSIUM 📖 Academic Study on Witchcraft, Paganism, esotericism, magick and the Occult
#cybergnosis #technognosis #gnosis What is Cyber Gnosis and how has the internet and the virtual space it creates reshaped concepts of Gnosticism by esoteric practitioners? CONNECT & SUPPORT
In the early hours of the morning, in Central Park in Plymouth, the bodies of Terry Sweet and Bernie Hawken were discovered lying just 200 yards apart in the park and it was clear that both had suffered a violent assault. Sadly, soon after the police arrived, Terry died from his injuries, aged just 64. Miraculously, Bernie survived the horrific attack, but his injuries were so severe that he spent the rest of his life in a wheelchair. Just who had attacked these two men? And why? Writing Credit: Megan Grant. See Megan's work on Instagram: https://www.instagram.com/megathachristie/?igshid=MmIzYWVlNDQ5Yg%3D%3D Find out more about the UK True Crime Podcast: https://uktruecrime.com Buy my book 'Gone Fishing' about serial killer Angus Sinclair https://www.amazon.co.uk/Gone-Fishing-Unsolved-Crimes-Sinclair/dp/1914277201 Bloodhound Gin Please head to persiedistillery.com/uktc to find about more about UK True Crime Bloodhound Gin. Remember to use the special discount promo code UKTC (UK adults only). Follow my latest Bloodhound Gin stories on instagram @UKTrueCrime Do share your own Bloodhound pics with us on socials, by tagging #UKTC Join my community at Patreon https://www.patreon.com/UKTrueCrime Sources https://www.bbc.co.uk/bbcthree/article/cacc0b40-c3a4-473b-86cc-11863c0b3f30 https://outrage.org.uk/ Summerskill, B. ed., 2006. The Way We are Now: Gay and Lesbian Lives in the 21st Century. A&C Black. https://wearencs.com/blog/lgbtq-history-decade-1990s https://www.independent.co.uk/news/stigma-creates-fear-of-reporting-attacks-1581020.html https://galop.org.uk/wp-content/uploads/2021/06/Galop-Hate-Crime-Report-2021-1.pdf https://plymlgbtarchive.org.uk/2012/06/12/murder-in-the-park/ https://www.plymouthherald.co.uk/news/plymouth-news/brutal-murder-gay-man-central-467665https://www.plymouthherald.co.uk/news/plymouth-news/hope-fitting-tribute-victim-shocking-4687039 https://www.crowdfunder.co.uk/p/centralparkmemorial?fbclid=IwAR0SNcvgxN036Q2xQyRchD17tVZFzGEWegWkOfaYEbs5fYhQ--xOZRjdBJQ https://www.plymouthherald.co.uk/news/plymouth-news/memorial-willow-tree-planted-central-8297702
Mrs. Hungerford Notable Women Authors of the Day
**www.dublindigitalradio.com https://www.patreon.com/dublindigitalradio Music By Afrika Borwa House, Afro Brotherz, C- Black, TNS, Dj Thakzin, Black Motions, Dj Fortee and more**
www.dublindigitalradio.com https://www.patreon.com/dublindigitalradio Music by Oscar Mbo, Karyendasoul, C Black, TekniQ, Drumetic Boyz, Morda, House Victimz and Many more
10:00 a.m. service When We Sing By the Rev. Dr. Agnes W. Norfleet ________________________________________ Hymn: When the Morning Stars Together Text: Albert F. Bayly, 1966, alt. Music: German melody; harm. Tochter Sion, 1741. Text: ©1966 Ox-ford University Press. All rights reserved. Anthem: He Comes to Us Text: Albert Schweitzer (1875-1965), from “The Quest of the Historical Jesus” (used by permission of The MacMillan Company, N.Y., N.Y., 1948, and A & C Black, Ltd., London, UK). Music: Jane M. Marshall (1924-2019). Text & Music: ©1957 Carl Fischer Music, Inc., N.Y., N.Y. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Hymn: God Is Calling through the Whisper Text: Mary Louise Bringle, 2003. Music: Polish carol; harm. Wilbur Lee, 1958. Text: ©2006 GIA Pub-lications, Inc. Music Harm: ©1958 Broadman Press (admin. Music Services). Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Hymn: When in Our Music God Is Glorified Text: Fred Pratt Green, 1972, alt. Music: Charles Villiers Stanford, 1904,. alt. Text: ©1972 Hope Publishing Company. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved.
Graeme C Black, OBE, DPhil, FRCOphth, FMedSci - Suspecting and Diagnosing Inherited Retinal Dystrophies: Early Clues and Confirmatory Testing
Graeme C Black, OBE, DPhil, FRCOphth, FMedSci - Suspecting and Diagnosing Inherited Retinal Dystrophies: Early Clues and Confirmatory Testing
Graeme C Black, OBE, DPhil, FRCOphth, FMedSci - Suspecting and Diagnosing Inherited Retinal Dystrophies: Early Clues and Confirmatory Testing
Graeme C Black, OBE, DPhil, FRCOphth, FMedSci - Suspecting and Diagnosing Inherited Retinal Dystrophies: Early Clues and Confirmatory Testing
Graeme C Black, OBE, DPhil, FRCOphth, FMedSci - Suspecting and Diagnosing Inherited Retinal Dystrophies: Early Clues and Confirmatory Testing
Graeme C Black, OBE, DPhil, FRCOphth, FMedSci - Suspecting and Diagnosing Inherited Retinal Dystrophies: Early Clues and Confirmatory Testing
Species distributions are an essential feature for a successful species conservation management. Data of presence/absence are quite simple to obtain and they are easily part of most inventory schemes, such as Bird Atlases and survey plots. After +100 years of bird banding, the current flurry of geotagging should improve knowledge on distributions. It should specifically be an easy feature for large species. The Great Grey Owl (Great Gray Owl in North America, Strix nebulosa) is one of those species; it is c. 65cm tall and has a wingspan of 1,2m, occurring in the Old World and the New World from temperate to arctic regions. However, the actual distribution is poorly known and described, even major authorities differ, as discussed here. Rather than an icon of the wild, this species seems to be more of a road- and urban species, as shown with machine learning predictions when modeling best-available data in Alaska (Andrews 2019). Using Great Grey Owls, the presented problems centered around expert-drawn distribution maps are commonly found elsewhere too, while ML and Open Access dat provide progress and new insights crucially needed. References (in order of relevance for this podcast) Andrews P. (2019). First Machine Learning-Based Model Predictions Of Great Gray Owl (Strix Nebulosa) Distribution In Alaska: A Primer For Supporting Conservation Governance. Unpublished M.Sc. University of Alaska Fairbanks. WIKIPEDIA (2022) Great Grey Owl. https://en.wikipedia.org/wiki/Great_grey_owl BirdLife International (Data Zone) (2023). Great Grey Owl. http://datazone.birdlife.org/species/factsheet/great-grey-owl-strix-nebulosa IUCN RedList (2022) Great Grey Owl. https://www.iucnredlist.org/search/map?query=Great%20Grey%20Owl&searchType=species eBIRD (2022) Great Gray Owl. https://ebird.org/species/grgowl/US-WA-063 Sibley, D. (2000). The North American Bird Guide. Pica. König, C., & Weick, F. (2008). Owls of the world. A&C Black. Audubon Guide to North American Birds (2022) https://www.audubon.org/field-guide/bird/great-gray-owl NATURESERVE (2022) Great Gray Owl. https://explorer.natureserve.org/Taxon/ELEMENT_GLOBAL.2.100756/Strix_nebulosa --- Support this podcast: https://anchor.fm/falk-huettmann/support
9.7.2022 #RolandMartinUnfiltered: Black Star-Urban Edge's GCAC Media Deal, 5/3 Bank refuse to cash check,S.C. Black Activist Sentence #RMU is LIVE in New Orleans with a major announcement! Black Star and Urban Edge Networks secured a media rights deal with HBCU-centric Gulf Coast Athletic Conference! A pregnant Black woman is serving four years in a South Carolina prison for her actions during a 2020 racial justice protest. Civil rights leaders say the punishment does not fit the crime. Her attorney will join us to tell us what she convicted of and what's could happen during next week's hearing for her sentence reconsideration. The EPA Administrator says their priority is to get safe, drinkable water to the people in Jackson, Mississippi. I'll be talking to the EPA Administrator who is on the ground in Jackson. A Black retired Michigan school teacher man says she was racially discriminated against when three white employees at a Fifth Third Bank told her a casino jackpot check she was trying to deposit was fraudulent. Yeah, another story of banking while Black. Today, Barack and Michelle Obama return to the White House to unveil their official portraits. We'll show you what happened during the ceremony. 9.7.2022 #RolandMartinUnfiltered: Black Star-Urban Edge's GCAC Media Deal, 5/3 Bank refuse to cash check,S.C. Black Activist Sentence #RMU is LIVE in New Orleans with a major announcement! Black Star and Urban Edge Networks secured a media rights deal with HBCU-centric Gulf Coast Athletic Conference! A pregnant Black woman is serving four years in a South Carolina prison for her actions during a 2020 racial justice protest. Civil rights leaders say the punishment does not fit the crime. Her attorney will join us to tell us what she convicted of and what's could happen during next week's hearing for her sentence reconsideration. The EPA Administrator says their priority is to get safe, drinkable water to the people in Jackson, Mississippi. I'll be talking to the EPA Administrator who is on the ground in Jackson. A Black retired Michigan school teacher man says she was racially discriminated against when three white employees at a Fifth Third Bank told her a casino jackpot check she was trying to deposit was fraudulent. Yeah, another story of banking while Black. Today, Barack and Michelle Obama return to the White House to unveil their official portraits. We'll show you what happened during the ceremony. Support RolandMartinUnfiltered and #BlackStarNetwork via the Cash App ☛ https://cash.app/$rmunfiltered PayPal ☛ https://www.paypal.me/rmartinunfiltered Venmo ☛https://venmo.com/rmunfiltered Zelle ☛ roland@rolandsmartin.com Annual or monthly recurring #BringTheFunk Fan Club membership via paypal ☛ https://rolandsmartin.com/rmu-paypal/ Download the #BlackStarNetwork app on iOS, AppleTV, Android, Android TV, Roku, FireTV, SamsungTV and XBox
April Vollmer is one of the most important mokuhanga printmakers and authors working today. Her book, Japanese Woodblock Print Workshop, is a must have for any person interested in mokuhanga. its process, history, and the artists making it. On this epsiode of The Unfinished Print, I speak with April Vollmer about her travels throughout the mokuhanga landscape. Her time at Nagasawa Art Park, and then onto MI Lab. How she got into becoming an author, writing Japanese Woodblock Print Workshop, her influences and her process. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints Twitter @unfinishedprint, or email me at theunfinishedprint@gmail.com Artists works follow after the note about them. Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. April Vollmer -website, Instagram, Facebook. April was recently a part of the mokuhanga exhibition at the Kentler International Drawing Space, in Red Hook, Brooklyn, New York. This show was curated by the Mokuhanga Sisters collective and is called Between Worlds from, June 17 - July 31st, 2022. Rochester, New York - is a city located in Upstate New York. It was originally inhabited by the Seneca peoples. Shaped by the Genesee River, Rochester was once a flour making city as well as a city famous for its horticulture. More information can be found, here. Hunter College - Is a public college located in Manhattan, New York, and was founded in 1870 as a college for women. More info, here. abstract art - is an art type which moved away from a 19th Century artistic idea of perspective. Abstract art was a rebellion of colour, shape, and experience, for both the viewer and the maker. It corresponds to the modernism of the industrial world, with science, technology, and architecture. More info can be found, here. colour field - is a term in painting associated with the abstract painters of the 1950's and 1960's using large swaths of flat colour. Mark Rothko (1903-1970) is one such painter associated with colour field. More info, here. Vincent Longo (1923-2017) - was a painter, printmaker and teacher based in New York City. He was a part of the New York School of artist's of the 1950's and 1960's. His work was based in geometry. You can find more information about Vinnie, here. 4 Blocks (1985) Bill Paden (1930-2004) - was a woodblock printmaker and artist who studied under the American expat Clifton Karhu (1927-2007) in Kyoto. More info, here. Beppu Beach Water Bay Mountain (ca. 1970's) hanmoto system - is the Edo Period (1603-1868) collaboration system of making woodblock prints in Japan. The system was about using, carvers, printers, and craftsmen, by various print publishers in order to produce woodblock prints. The system consisted of the following professions; publisher, artist, carver, and printer. Tetsuya Noda (b 1940) - is a contemporary print artist, photographer and professor emeritus at Tokyo University of the Arts (Tōkyō Geidai). His process uses photographs through a mimeograph machine, then woodblock and silk screen. Considered one of Japan's most famous living artists, Noda's work is a wonderful representation of what can be done with the print medium. More info, with video, can be found, here. The LeRoy Neiman Center for Print Studies - is a not for profit centre at the Columbia University School of the Arts, which provides an atmosphere of print education for students and invited guests. Tōkyō v Kyōto (Ōsaka) school of mokuhanga - Tōkyō and Kyōto have, historically, been culturally different throughout Japanese history. Even today, especially with foreign expats, which side of the border you pledge allegiance to can make or break a pleasant conversation. Regarding woodblock printing, it was the moving of the capital to Edo from Kyōto by Tokugawa Ieyasu (1542-1616), officially in 1603, which centred the world for an entire nation. Edo became the business, and cultural district in which most people found themselves. The sankin kōtai system, where daimyō from the entire country, were obligated to spend alternating years in the capital, allowed the merchant classes to grow prosperous, spending their time and money on entertainments such as ukiyo-e, kabuki, and sumo. This didn't mean that Kyōto and Ōsaka didn't have ukiyo-e, it simply meant that it was overshadowed by Edo. This is because many publishers and artists lived and worked in Edo's environs. Kabuki from Edo and kabuki from Kyōto thrived, therefore there were many prints published for the plays performed in both cities. Stylistically the prints are different, with Ōsaka ukiyo-e being called Kamigata-e, the region where Ōsaka, and Kyōto are situated. For instance, the work of Ōsaka artist, and painter Shunkōsai Hokushū (active 1802-1832) is famous in Ōsaka for his kabuki prints, but is relatively unknown today, as compared to Katsushika Hokusai (1760-1849) who lived and worked around the same time in Edo. Comparing the two is perhaps comparing Brad Pitt (b. 1963), with Steve Buscemi (b. 1957), but I feel that it shows what both artists, successful in their fields, can accomplish for the genre. More information on Ōsaka ukiyo-e, can be found, here. Keiko Kadota (1942-2017) - was the director of Nagasawa Art Park at Awaji City from 1997-2011, and then of MI Lab at Lake Kawaguchi from 2011 until her passing. Minimalism - is an art movement based on simplicity and geometry. Generally connected to 1960's New York City. More info, here. Yoonmi Nam (b. 1974) - is a contemporary mokuhanga printmaker, lithographer, sculptor, and teacher, based in Lawrence, Kansas. Her work can be found, here. Her interview with The Unfinished Print can be found, here. Yakult (2018) Katie Baldwin - is a contemporary mokuhanga printmaker, illustrator, book maker, and artist based in Huntsville, Alabama. Her work can be found, here. The Dance (2015) Mariko Jesse - is an illustrator, and mokuhanga printmaker based in Tōkyō, London, and California. Her work can be found, here. Mariko, Katie, and Yoonmi are also a part of the collective, wood+paper+box, which can be found, here. Summer Flowers (2021) Daniel Heyman (b. 1963) - is a painter and printmaker based in Rhode Island at the Rhode Island School of Design, where he is Assistant Professor. His work can be found, here. Janus (2019/2020) IMPACT Conference - started by The Center for Print Research, IMPACT stands for "International Multi-discipinary Printmaking, Artists, Concepts and Techniques'. Based in Europe, it is an academic conference discussing printmaking and how it fits into this world. More info about the most recent conference can be found, here. Kari Laitinen (b. 1952) - is a Finnish artist and printmaker based in Finland. His works explore colour and dimension. More information can be found, here. He helped write, with Tuula Moilanen, the book Woodblock Printmaking with Oil-based Inks and the Japanese Watercolour Woodcut. It was published in 1999. Secret Space II (2014) Tuula Moilanen - is a Finnish mokuhanga printmaker and painter based in Finland. She lived and studied in Kyōto from 1989-2012, where she learned her printmaking at Kyōto Seika University and from printmaker Akira Kurosaki (1937-2019). Her work can be found, here. Clear Day Fuji (2014) Arches - is a brand of Western watercolour paper that is acid-free. BFK - also knowns as Rives BFK, is a Western printmaking paper, made in France. Like Arches, it is 100% cotton. Lower East Side Print Shop - founded in 1968, and is a not-for- profit printmaking studio located in New York City. More information can be found, here. Jennifer Mack-Watkins - is a contemporary mokuhanga printmaker, and serigrapher based in New York City and New Jersey. Her work explores American culture through a personal lens. Her work has been featured in Vogue and the New York Times. More information can be found, here. What To Do (2013) Andrew Stone - is based in Florence, Italy. Andrew is a wine maker and former full-time doctor who has been making mokuhanga and baren, for years. His blog can be found, here. his interview with The Unfinished Print can be found, here. Mons Veneris (2016) Frogman's Print Workshop - is a print space, opened in 1979, in South Dakota. In 2016 the space moved to the University of Nebraska. More info can be found, here. The Adachi Institute of Woodblock Prints - is a print studio located in Tōkyō. Established in 1994 in order to promote and preserve the colour woodblock print of Japan. More information, in English and in Japanese. bokashi - is a Japanese term associated with the gradation of water into ink. There are several types of bokashi. For more information regarding these types of bokashi please check out Professor Claire Cuccio's lecture called “A Story in Layers,” for the Library of Congress, and the book Japanese Printmaking by Tōshi Yoshida, and Rei Yuki. Below are the following types of bokashi. This is from the Yoshida book: ichimonji bokashi - straight line gradation ichimonji mura bokashi - straight line gradation with an uneven edg. Ō-bokashi - a gradual shading over a wide area atenashi bokashi - gradation without definition futairo bokashi - two tone gradation Ansei Uchima (1921-2000) - was a mokuhanga printmaker in the sōsaku hanga style of Japanese printmaking. He was the translator for Japanologist Oliver Statler (1915-2002). In Memoriam (1958) Keiji Shinohara (b. 1955) - is a Japanese mokuhanga printmaker who apprenticed under Uesugi Keiichiro in Ōsaka. He is the artist-in-residence at Wesleyan University in Connecticut. More info about Keiji can be found here, and here. Twilight (2012) Ursula Schneider - is a painter, woodblock printmaker and teacher at Sarah Lawrence College in Yonkers, New York. More info about her work can be found, here. Leaf and Wood (2018) Jackie Battenfield - is a painter, printmaker, collagist, author, and motivational speaker. April alludes to Jackie's book, “The Artist's Guide: How to Make a Living Doing What You Love,” (2009). More information about Jackie's work can be found, here. Soundings (1999) International Mokuhanga Conference - is a bi-yearly conference dedicated to mokuhanga which started in 2011 by the International Mokuhanga Association. Each conference is themed. The latest conference was in 2021, delayed a year because of the pandemic. More information can be found, here. Tōhoku Earthquake and Tsunami 2011 - (東北地方太平洋沖地震) was a massive earthquake and subsequent tsunami which struck the coast of North East Japan on March, 11, 2011. The earthquake was 9.0 - 9.1 on the Richter scale. Watson-Guptill - is an American publishing house, starting business in 1937. It is now a part of Ten Speed Press. Mina Takahashi - is the editor of Hand Papermaking magazine dedicated to the production and preservation of handmade paper. Was the editor of Dieu Donné in New York City from 1990-2004. She is also a curator. Printmaking Today - is a magazine published by Cello Press in England, and is published quarterly. The magazine focuses on printmaking themes and artists. More info, here. Mid-America Print Council - promotes the art of printmaking of all types. It was started in 1990 in Des Moines, Iowa. It publishes an annual journal with essays and articles about printmaking. More information can be found, here. Edvard Munch (1863-1944) - was a Norwegian artist, who at the time of his death in 1944 had amassed thousands of his own works, including 15,391 prints of all types. Munch loved printmaking, using various mediums. The National Gallery of Art in Washington D.C. has an excellent exploration of his prints, here. Mokuhanga books in English - Here is a list of books for those interested in studying and understanding mokuhanga, that I am aware of. This list is by no means exhaustive, so if you believe I've missed one please message me. If the book is in print (or even out of print and there are PDF's) you will see the authors name hyper-linked so you can get the books : April Vollmer - Japanese Woodblock Printshop: A Modern Guide to the Ancient Art of Mokuhanga. (2015) Watson-Guptill Publications Tuula Moilanen, Kari Laitinen, and Antti Tanttu - The Art and Craft of Woodblock Printmaking. (2013) Aalto Books Laura Boswell - Making Japanese Woodblock Prints. (2020) The Crowood Press. Hiroshi Yoshida - Japanese Woodblock Printing. (1939) Sanseido Company, Ltd. Walter J. Phillips - The Technique of the Colour Woodcut. (1926) Brown-Robertson, New York. Rebecca Salter - Japanese Woodblock Printing. (2001) A&C Black. Tōshi Yoshida & Rei Yuki - Japanese Print Making: A Handbook of Traditional and Modern Techniques. (1966) Tuttle Publishing. Marilyn Chesterton and Rod Nelson - Making Woodblock Prints. (2015) Crowood Press Terry McKenna - Terry has written two excellent woodblock primers for the beginner and the intermediate practitioner. The first is Mokuhanga Fundamentals: Core Skills... & the second book is, Creative Print. Both can be purchased directly from here, and other fine establishments in e-book or physical form. Self Published. Fabiola Gil Alares - her book, Mokuhanga: Manual Ilustrado de Xilografía Japonesa, is one of the finest books on the subject of mokuhanga. This book is in Spanish. Her interview with The Unfinished Print can be found, here. Keiko Hara (b.1942) - is a painter, printmaker in mokuhanga, lithograph, and stencil. She is also a sculptor, and collagist. More info can be found, here. Verse R - Black and White (2017) floating kentō - is a removable registration system attached to the block when printing. As the kentō isn't affixed to the block; blotting, and very clean borders are one of the positives of using this method of registration. It is an "L" shape. baren - is a Japanese word to describe the flat, round shaped disc which is predominantly used in the creation of Japanese woodblock prints. It is traditionally made of cord of various types, and a bamboo sheath, although baren come in many variations. Guerra & Paint Pigment Corp. - is a brick and mortar store located in Brooklyn, New York that sells artists pigments. More info, here. Endi Poskovich - is a printmaker and artist who focuses on symbols, and language for his work. More info about his work can be found, here. Two (Hälftberg) (2004-2017) Holbein - is a pigment company with offices in Japan, Canada, and the United States. More info, here Benjamin Selby - is an artist who works in mokuhanga, as well as touching on serigraphy and installations. More information about Benjamin's work can be found, here. Turbulent Waters (2020) Auto Mach Reciprocating Wood Carver - is an automatic chisel that is made in Japan. It is plugged into an outlet. It comes with a variety of bits for carving. It makes carving large areas of hard wood a breeze. More information can be found, here. acetate - is a plant based, non-petroleum product. It is made from wood pulp and cotton. It is bendable, and stiff enough to use for getting into your kentō registration if you decide to use it for key block transfer. Yoshida Family of Artists - The Yoshida's are one of the most famous family of artists from Japan. Started with painter Yoshida Kasaburō (1861-1894), and made famous by Yoshida Hiroshi (1876-1950) and his work with the shin-hanga movement and woodblock printing. The Yoshida family has helped shape many artists around the world. More info from the Mount Holyoke College Art Museum, here. Generation by April Vollmer (2002) © Popular Wheat Productions opening and closing credit - Anyone Can Have a Good Time by OWLS (2001). From their self-titled album, and released on Jade Tree. logo designed and produced by Douglas Batchelor and André Zadorozny Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Україну If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***
Suuuup Everyone!!! Welcome to another episode of Mr Miyagi Podcast. We are on episode number 35, with a mix that was curated for the University Of Johannesburg radio FM. Tracklist:1. Jazzbee - Lord you are holly2. Shazzmic Soul - Im so in to you3. House Victimz - Spirit4. Goapele - Closer (2022 Soulful Mix)5. C Blak - Flame6. China Chameleon - Moya Wami 7. Nomfundo Moh - Phakade Lami ( Fatso 98 Bootleg Mix)8. Aretha Franklin - Ever changing time (Mr Roland Magoo's Soulful Touch)9. Chronicaldeep - Make up your mind10. C Blak - Falling11. Kelvin Momo ft Mhaw Keys - Song Cry (Soulful Mix)12. C Black - ft Oscar Mbo - Buya FaanaLove, Peace & Music
Blessed is the One Who Stays Awake Revelation 16 By William Klock There's an old story of a clergyman, who out of concern for a parishioner who had been absent for some time, went to visit her at home. He saw her car in the driveway. The drapes were drawn, but he could see the lights were one. He could hear the faint sound of the TV. She was clearly home. He knocked on the door and waited. No answer. Then he heard the TV go silent. He knocked again. Still no answer. He waited. Out of the corner of his eye he saw a faint movement of the living room drapes, as if someone had peeked around the edge. Still no answer. He rang the doorbell and waited again. Still nothing. He sighed, pulled one of his cards from his pocket, and slipped it into the front door's weather stripping. Then he had an idea. If anyone needed to read her Bible, it was she. So he took the card back, pulled out his pen, and wrote on the back “Revelation 3:20”—“Behold, I stand at the door and knock”—and slipped the card back into the weatherstripping. “She'll have to look that one up,” he thought, “and maybe she'll keep reading while her Bible's open.” He rang the bell one more time, waited again, and left. On Sunday morning he was pleased to see that the woman was in church, but she left too quickly for him to greet her. Then, as he was getting ready to leave the church, one of the wardens approached, holding a little card. “It was in the offering plate,” the warden said as he handed it to him. The priest took the card and saw it was one of his own. He turned it over and saw the Bible reference he'd written: “Revelation 3:20”. Underneath it the woman had written another: “Genesis 3:10”. He laughed. That's Adam's answer to the Lord, “I was afraid, because I was naked, and I hid myself.” Revelation 16 continues with the Lord's judgement on Greco-Roman world. We looked at Chapter 15 two weeks ago and saw the announcement of seven plagues, carried by seven angles in bowls like those used for drink offerings in the temple. In Chapter 16 we'll now see those plagues poured out—the wrath of God revealed. And in the middle of the plagues John stops—in verse 15—to give a warning to God's people: “Behold, I am coming like a thief! Blessed is the one who stays awake, keeping his garments on, that he may not go about naked and be seen exposed!” It's a warning from Jesus for his Church to stay alert and on guard—not to be distracted, but to be diligently about the work he's given. He gave similar warnings to the churches at Sardis and Laodicea. The reference is to an officer in the temple in John's day, who was tasked with making sure that the men on watch stayed awake. He would make the rounds of the temple and if he caught anyone asleep, he would beat him. If he found the same man asleep a second time, he would strip the man naked and burn his clothes.[1] One commentator writes, “The danger is of being caught not momentarily but habitually off guard—not, to put it crudely, with trousers down, but without trousers at all.”[2] Consider Jesus' warning to the Christians in Sardis: Wake up, and strengthen what remains and is about to die, for I have not found your works complete in the sight of my God. (Revelation 3:2) Brothers and Sisters, it is easy to become complacent. Either we become complacent and neglect our calling to proclaim and to live out the good news about Jesus and to declare the mighty works of God. Or we become complacent in that we become worldly. We live in the world and it's easy to be unconsciously influenced by it when we keep our guard down and neglect to feed ourselves on God's word and to share in the means of grace found in the Church. It's also easy to become complacent through wilful compromise with the world. We face opposition and instead of standing firm, we compromise in the hopes that the world will oppose us less—maybe that they'll even like us. We see an awful lot of this today. Churches looking to attract “seekers” structure ministry and worship around what is attractive to unbelievers—which can be great when done thoughtfully and carefully, but disastrous when, as so often happens, we end up looking more like the world than the church. Or we cozy up to the world's system, especially to politics—Left or Right—it can go either way. When we allow ourselves to be overtaken by the world's ways of thinking, whether that be commercialism and materialism or expressive individualism, the sexual revolution, and post-modern gender theory. Or—I think most appropriate in light of our text today—we water down our message. Large parts of the Western Church today are hesitant to talk about sin and about the consequences of sin, about the wrath of God and of judgement. H. Richard Niebuhr famous described the gospel of much of modern Christendom as: “A God without wrath brought men without sin into a kingdom without judgement through the ministrations of a Christ without a cross.”[3] Such a faith is worthless—for those who believe—and for the world to which it is proclaimed. The Church that preaches such a message is no church at all and when God's judgement does come, such churches will be swept away with everything else not of the kingdom—caught naked and asleep at her post. It's important that the Church be clear about the difference between the things of God and the things of the world, the difference between godliness and sin, and knowing the kingdom of God, and be able to persevere in the midst of tribulation—that, to use John's metaphor, we stay awake and keep our pants on. As John announces the judgement that was soon to come on the pagan world of Caesar, using the language of cataclysmic plagues, the Church was expected to recognise the judgement of God in the same way that Israel had seen, recognised, and praised the judgment of God on Pharaoh, the supposed god-king, and on his pantheon of false gods. John saw those who had conquered the beast, like Israel of old watching Pharaoh's army drown, singing the praises of their victorious God. Brothers and Sisters, God's people are called to singing of his victory for the sake of the world and, in doing so, we glorify him. Now look at Chapter 16. John writes: Then I heard a loud voice from the temple telling the seven angels, “Go and pour out on the earth the seven bowls of the wrath of God.” Remember that in the last scene, John saw the heavenly tabernacle filled with smoke—so full that no one could enter. And out came seven angels bearing bowls. The image is of the priests of the old covenant bearing their drink offerings at the conclusion of the daily service. Since no one could enter the heavenly tabernacle because of the smoke, this must be the voice of God directing the angels. John then goes on: So the first angel went and poured out his bowl on the earth, and harmful and painful sores came upon the people who bore the mark of the beast and worshiped its image. The second angel poured out his bowl into the sea, and it became like the blood of a corpse, and every living thing died that was in the sea. The third angel poured out his bowl into the rivers and the springs of water, and they became blood. (Revelation 16:2-4) Just like the plagues poured out on rebellious Jerusalem, the plagues poured out on the pagan nations are meant to remind us of the plagues the Lord brought on Egypt. First, painful sores reminiscent of the boils that afflicted the Egyptians. Second, the sea turning to blood and then, third, the fresh waters turning to blood as well. In contrast to the plagues poured out on rebellious Jerusalem, these plagues are universal in scope. The earlier plagues were limited—a third of the water, a third of the people. I think the idea in this distinction is that when God disciplined his rebellious children, there was an opportunity for the pagan nations to see, to take heart, and to repent of their wickedness themselves. Now that opportunity has passed. The wine of God's wrath has been tread out in the winepress and the wicked peoples who drank the blood of the saints are now—metaphorically—left with nothing but putrid blood to drink. That raises another question? Are these plagues meant to be understood literally? I think it's fairly clear, given the context, that they are not. The imagery draws on the Lord's past judgement on the nations that afflicted his people, first Egypt and then, we'll see, Babylon. The point is that the Lord is now going to judge Rome. Remember the point of Revelation: tribulation, perseverance, and kingdom. Jesus' main purpose in giving John this vision is to encourage the saints to persevere in the midst of tribulation. The great New Testament scholar, George Caird, puts it this way: “The theme of the whole series [i.e., the plagues] is neither the collapse of the physical universe nor the punishment of individual men for their personal contribution to the world's iniquity, both of which come later when the record books are opened…but the ending of persecution through the removal of the persecutor.”[4] The angels underscore this when they sing out between the third and fourth plagues. Look at verses 5 to 7: And I heard the angel in charge of the waters say, “Just are you, O Holy One, who is and who was, for you brought these judgments. For they have shed the blood of saints and prophets, and you have given them blood to drink. It is what they deserve!” And I heard the altar saying, “Yes, Lord God the Almighty, true and just are your judgments!” The Lord's judgement vindicates his saints and brings justice on their persecutors. The songs of the angels and of the altar—I assume these are the martyrs we saw earlier under the altar—the song is a needed reminder of the goodness of the Lord's judgement. We modern Christians have often become uncomfortable with judgement—Niebuhr's God without wrath and kingdom without judgement. One morning this week I left my prayer book at home. I had left a Canadian prayer book on my desk—the 1962 edition—after looking up something in the lectionary last week, so I picked it up for Morning Prayer. And I was jarred by the changes they made in the Psalter. Wherever they could, they eliminated or watered down the passages that speak of or call for the Lord's judgement. Whole psalms were removed. Because modern Christians have—to our shame—become exceedingly uncomfortable with the topic of the wrath and judgement of God. And yet, the angels sing here, it is God's justice which reveals his holiness. Do we consider that when we sing “Holy, holy, holy Lord God almighty”? And do we consider that it is the Lord's justice that is our consolation as we face a world that opposes us because it opposes him? Brothers and Sisters, we need to remember that the Lord is revealed to be true and just because he judges wickedness and, in that, he deserves our praises. There is no reason to preach the gracious mercy of the cross, if there is nothing from which we need deliverance. Now the fourth plague—verses 8 and 9: The fourth angel poured out his bowl on the sun, and it was allowed to scorch people with fire. They were scorched by the fierce heat, and they cursed the name of God who had power over these plagues. They did not repent and give him glory. The fourth of the trumpets that announcement judgement on Jerusalem heralded a plague of darkness. Now the fourth bowl brings the opposite. It metaphorically highlights the Lord's vindication of his saints. The martyrs we saw under the altar back in Chapter 7 were consoled with the words: They shall hunger no more, neither thirst anymore; the sun shall not strike them, nor any scorching heat. (Revelation 7:16) In contrast, the wicked are exposed to the full justice of the Lord. And yet, even as they experience his wrath, like Pharaoh, their hearts are hardened. They know the source of their affliction, but rather than repent, rather than turn from their evil and give him glory, they curse him. With the fifth bowl, the judgement narrows from the wider pagan world of the Greeks and Romans to its throne—to the heart and embodiment of its wickedness. The fifth angel poured out his bowl on the throne of the beast, and its kingdom was plunged into darkness. People gnawed their tongues in anguish and cursed the God of heaven for their pain and sores. They did not repent of their deeds. (Revelation 16:10-11) The Lord's judgement now falls on the beast, on Caesar, on Nero himself. Darkness—political chaos—descends on the empire. In a.d. 69 the Senate declared Nero a public enemy. He fled and committed suicide. A year of chaos—referred to as the Year of the Four Emperors—ensued. Galba became emperor. He was murdered by Otho. Meanwhile, Vitellius popular for his military victories in Germany, vied for the throne and won the support of the imperial guard. Otho committed suicide. But Vitellius had his own rival in the general, Vespasian, who was besieging Jerusalem. In the end, Vespasian's supporters in the military outnumbered those of Vitellius, who abdicated and was promptly lynched by a mob in Rome. It was a year of chaos and civil war. But again, even as the beast was toppled from his throne, there was no repentance. Nero, who had initiated the empire's persecution of the saints, was cast down, but in quick succession four others seized his throne and made the same blasphemous claims to divinity that he had. And the sixth bowl. Verses 12-16: The sixth angel poured out his bowl on the great river Euphrates, and its water was dried up, to prepare the way for the kings from the east. And I saw, coming out of the mouth of the dragon and out of the mouth of the beast and out of the mouth of the false prophet, three unclean spirits like frogs. For they are demonic spirits, performing signs, who go abroad to the kings of the whole world, to assemble them for battle on the great day of God the Almighty. (“Behold, I am coming like a thief! Blessed is the one who stays awake, keeping his garments on, that he may not go about naked and be seen exposed!”) And they assembled them at the place that in Hebrew is called Armageddon. John has referred to Rome symbolically as Babylon—historically the great enemy of the people of God. And now the symbolism of the judgements recalls the fall of Babylon, while at the same time conjuring up the great fear of Rome at that time. Ancient Babylon fell to the Medes when the invaders diverted the Euphrates River so that they could enter the city. Now it's Rome's turn to fall. Rome's great enemy to the east was the Parthian empire—on the other side of the Euphrates. In the midst of Rome's political chaos, war was coming. John writes of the kings of the nations assembling to battle at a place called in Hebrew, Harmageddon—the Mount of Megiddo. It's a little interesting in that there's no Mount Megiddo. Megiddo is a valley between the mountains—the route from the coastal plain of Palestine to the interior, to Syria and Damascus. For that reason it had a been a place of many battles. Deborah and Barak had won their victory there in Judges. It was the place where King Josiah met his Waterloo, so to speak. And that's precisely how John uses “Megiddo” here. That there's no actual Mount Megiddo suggests strongly that John isn't using this location literally. When we say someone has met their Waterloo, we don't literally mean that they've gone to Waterloo to lose a battle. Waterloo is a metaphor for defeat and John uses Megiddo in a similar way here. Rome will meet her enemies and she will fall. The beast's own wickedness will catch up with him both at home and abroad and he will be toppled from his throne. But in the middle of all this there's that warning. “Stay awake,” warns Jesus. Hearkening back to the plague of frogs in Egypt, the dragon, the beast, and the false prophet spew forth demonic spirits imaged as frogs. These unclean spirits perform signs that deceive the kings of the nations and summon them to the battle. Jesus warns his people not to be conned by the false prophets and their lying signs. Pharoah's magicians had once mimicked the Lord's miracles and the prophets of the dragon and the beast will do the same. God's people must be alert, he warns, that they not fall prey to the enemy's propaganda. And in verses 17-20 the seventh and final bowl is poured out. The seventh angel poured out his bowl into the air, and a loud voice came out of the temple, from the throne, saying, “It is done!” And there were flashes of lightning, rumblings, peals of thunder, and a great earthquake such as there had never been since man was on the earth, so great was that earthquake. The great city was split into three parts, and the cities of the nations fell, and God remembered Babylon the great, to make her drain the cup of the wine of the fury of his wrath. And every island fled away, and no mountains were to be found. And great hailstones, about one hundred pounds each, fell from heaven on people; and they cursed God for the plague of the hail, because the plague was so severe. The final judgement is poured out into the air, the space between heaven and earth, and the only language John can employ to describe the result is the language of de-creation used by the Old Testament prophets. Zechariah had once described the fall of Jerusalem using this metaphorical language—the city being split in two by an earthquake. Now Rome is metaphorically split in three in the chaos of lightning, thunder, and earthquakes. I think it's very possible this is a reference to the civil war that was about the rattle Rome to its core, but it was a civil war that would topple the beast who had persecuted the saints. And yet, still, the wicked continue to curse God. The men who took Nero's place on the throne did not continue the persecution of the saints, but they continued with their blasphemous claims to divinity. Nevertheless, John says, “God remembered Babylon the great”. This is our lead-in to Chapters 17 and 18. The great city will be revealed as the world's whore. But in that revelation, the faithfulness and the beauty of the Lord's bride will also be revealed. John saw the end of pagan Rome. Or it might be better to say that he saw the beginning of the end of pagan Rome. As Caird also rightly points out, Israel's prophets had always used this kind of apocalyptic language “to give theological depth and urgency to this historical crisis which he and his people were facing at the moment. John, too, had his vision of the End, but because he had learnt his theology at the foot of the Cross, he knew that an end could also be a beginning.”[5] The Lord's judgement would cast down the beast, break his empire, and in time the good news about Jesus, proclaimed by saints and witnesses by the blood of the martyrs would transform the world. And, Brothers and Sisters, it will continue to do so. Throughout history the power of the gospel has brought transformation, but it's never as simple as we might like: Okay, the gospel has conquered here, now the Church can go over there or over there to conquer and forget about here. The Church triumphs there, and then wanes here, only to triumph again here, later. We in the West are experiencing what it's like to live in a post-Christian world—the waning of the gospel here—to fall out of favour, to experience opposition. If John were here today he would warn and exhort us as he did the Christians of his own day: “Blessed is the one who stays awake, keeping his garments on, that he may not go about naked and be seen exposed!” Don't give up. Don't succumb to the spirit of the age. Don't be swayed by the lies of the unclean spirits. The gospel will triump here again and it will do so through the witness of faithful Christians. So live in deep community with your church family. Drink deeply at the well of grace provided by the sacraments. Steep yourself in the word of God. Don't be afraid to be different—to be holy—and to proclaim the sinfulness of sin, the gracious mercy of God revealed at the cross, and the lordship of Jesus over all things. Be shaped by faith-filled hope for Christ has died, Christ is risen, and Christ will come again. Let's pray: Almighty God, we thank you for the exhortation you have given us through John. You judge the wicked and deliver your people. Your gospel is powerful and transforms the world. Strengthen our faith and fill us with hope in these truths, so that we can live courageously for Jesus in the face of hatred and opposition. Renew us by your Spirit and make us faithful witnesses of the transforming power of your word. Judge the wicked, we pray, vindicate your people, and set your fallen creation to rights. Through Jesus we pray, who lives and reigns with you, in the unity of the Holy Spirit, one God, new and for ever. Amen. [1] Philip Carrington, The Meaning of Revelation (London: SPCK, 1931), 265. [2] J. P. M. Sweet, Revelation (Philadelphia: Westminster Press, 1979), 249. [3] The Kingdom of God in America (New York: Harper and Row, 1959), 193. [4] The Revelation of St. John the Divine (London: A & C Black, 1966), 201. [5] 210
In February 2022, I had the privilege of interviewing Mr. Anthony Browder for a Black History Month special for The Hilltop focused on Washington D.C.. (See article "Black Inequality In Washington, D.C." here: https://thehilltoponline.com/2022/02/28/black-inequality-in-washington-d-c/ This recording is the entire interview, with excerpts written for the article below. Please comment and share! “In 1986, I created an activity that is now known as the Egypt on the Potomac field trip, where I outlined specific architectural structures in Washington D.C., that have a direct historical, cultural, symbolic, and spiritual correlation to ancient Egypt” said Howard alumnus Anthony Browder. “The Washington monument is a 6000-year-old African symbol. There's African symbols of the ankh in Meridian Hill Park. The energy that went into the creation of the city exists within Black folk native to D.C.” he continued. Originally from Chicago, IL, Browder has worked in D.C. since completing his studies at Howard in 1974. Browder founded the IKG Cultural Resources Center, an institute focused on disseminating information about the worldwide African experience. Since the 1980s, he has traveled to Egypt over 50 times for archeological research and lectured throughout the U.S., Caribbean, Mexico, Africa, Japan and Europe on issues related to African and African American history. Browder believes D.C.'s Black population has special energy and consciousness due to their spirit, culture and prowess within the capital of the wealthiest and most powerful nation in human history, however he is concerned the District's public-school system may be failing the city's youth. “The mindset of many of our people is ‘to be smart is to be white', not acknowledging that Africans were the first people to read, write and think. Our youth may not know about pivotal ancestors such as Rev. Anthony Bowen who was born enslaved in Prince George's County, yet purchased his freedom at the age of 19 in Washington D.C.” Browder said. “Bowen bought land in D.C. and built a house, which served as a stop on the Underground Railroad and as a school where he educated formerly enslaved African people. He also developed several businesses and hired Black people. The former YMCA on 12th Street in NW was the first Black YMCA in the world and named in his honor” Browder continued.
Fabiola Gil Alares is one of mokuhanga's most interesting artists. Her work, with bright flat, rich colours with a romantic appeal, tells a fantastic story, one which naturally draws you to her work. In this episode of The Unfinished Print, I speak with mokuhanga printmaker Fabiola Gil Alares about her prints, her artistic background, the amazing book project she's undertaken and what it feels like to be one of the hardest working mokuhagna artists, today. Special thanks to my good friend Consuelo Orrego for help in translation. Please follow The Unfinished Print and my own print work on Instagram @andrezadoroznyprints Twitter @unfinishedprint, or email me at theunfinishedprint@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Fabiola Gil Alares - website, Instagram, LinkedIn, Facebook, YouTube, Mokuhankan Laura Boswell - is a British printmaker who uses mokuhanga, and linocut and reduction printmaking, as her mediums of choice. She was interviewed by The Unfinished Print, which can be found, here. She is an important teacher and promoter of mokuhanga. More info can be found, here. MI Lab - Is an artist-in-residency located in Lake Kawaguchi, near Mt. Fuji. Once called Nagasawa Art Park, MI Lab has been an important centre of many talented and successful mokuhanga printmakers, working today. More info, here. Mokuhankan and David Bull - is a brick and mortar woodblock print shop located in Asakusa, Tōkyō. It is a learning and working space, where it sells the works of artist Jed Henry, master carvers of the past, and various print series. All are printed and carved by Mokuhankan printmakers and carvers. Started by printmaker David Bull as a way to sell his own series and reprints of old carvers of the past, Mokuhankan has grown exponentially over the years and is a must visit when coming to Tōkyō. More info, here. Shoicihi Kitamura - is a master carver of Japanese woodblock. He has taught at Nagasawa Art Park and has conducted many demonstrations on carving, and at various International Mokuhanga Conferences. More info, here. Hidehiko Gotō - is a master baren maker and mokuhanga artist who has conducted many demonstrations on baren making throughout the world, and at the International Mokuhanga Conferences. Some of his mokuhanga can be found here. Gotō also contributed to Fabiola's book. Terry McKenna - is a mokuhanga artist and instructor based in Karuizawa, Nagano, Japan. He is a student of Richard Steiner, an American woodblock printmaker based in Kyōtō, Japan. Terry runs and operates the Karuizawa Mokuhanga School, which is a school open to those who are interested in wanting to learn and study mokuhanga in a Japanese setting. Both Richard and Terry have been interviewed by The Unfinished Print, here, and here. Educational Museum of Origami, Zaragoza - is a one of its kind museum focused on the Japanese paper art of origami, located in Zaragoza, Spain. More info, here. Serigraphy - is another word for the art of silk screen printing. Silk screen printing can be in on various materials, silk, canvas, paper, etc. Katsushika Hokusai (1760-1849) - is one of the most, if not the most, famous Japanese artist ever known. He designed woodblock prints, as well as creating his own paintings, screens, scrolls, and commissioned art in Buddhist temples throughout Japan. More info, here. The British Museum has a lot of info, here. Miyakodori - is a publishing house of woodblock prints. Started by Takashi Kashiwagi, a woodblock carver himself, he releases and carves (through laser and hand carving) artists such as Tōkyō based graphic designer Shinji Tsuchimochi. More info, here. shop. Saitō Kiyoshi (1907-1997) - was a Japanese woodblock printmaker and artist who worked in the sōsaku hanga style of mokuhanga. His fame outside of Japan was fairly comprehensive with his peak fame being in the 1950's and 1960's. For a comprehensive book on his life and times, Saitō Kiyoshi: Graphic Awakening published by The John & Mable Ringling Museum is an excellent source. Can be found, here. Lecture by Dr. Paget about Saitō can be found, here. Royal Talens Gouache - is a specific brand of gouache pigment. Gouache pigments are a mixture of pigment, water and binder and usually opaque and used in painting, and various types of printmaking. Royal Talens is a maker of different types of pigments, originally a Dutch company but is currently produced all over the world. More info, here. Nakajima Tsuzen - is a mokuhanga printmaker who has been working in the medium for many years. His work highlights the woodblock technique of mokume, where the grain of the wood is used to highlight certain aspects of the print. Mr. Nakajima's website can be found, here. Instagram Different types of wood - mokuhanga printmakers can use many different types of wood for their work. Most of the time, shina veneer harvested sustainably, is used for modern woodblock prints. Japanese cherry wood was used a lot but because of it's expense today it is used rarely. Other woods used is basswood, elm, and even red oak. Mokuhanga books in English - As Fabiola mentions in the episode, there are various other books on mokuhanga and it process in the English language. Here is a list of books that I am aware of. It is also important for me to say, that through this list we can see how important Fabiola's book is for those who speak languages other than English and hopefully other mokuhanga practitioners will publish books in various languages around the world. This list is by no means exhaustive, so if you believe I've missed someone please message me. If the book is in print (or even out of print and there are PDF's) you will see the authors name hyper-linked so you can buy the books : April Vollmer - Japanese Woodblock Printshop: A Modern Guide to the Ancient Art of Mokuhanga. (2015) Watson-Guptill Publications Tuula Moilanen, Kari Laitinen, and Antti Tanttu - The Art and Craft of Woodblock Printmaking. (2013) Aalto Books Laura Boswell - Making Japanese Woodblock Prints. (2020) The Crowood Press. Hiroshi Yoshida - Japanese Woodblock Printing. (1939) Sanseido Company, Ltd. Walter J. Phillips - The Technique of the Colour Woodcut. (1926) Brown-Robertson, New York. Rebecca Salter - Japanese Woodblock Printing. (2001) A&C Black. Toshi Yoshida & Rei Yuki - Japanese Print Making: A Handbook of Traditional and Modern Techniques. (1966) Tuttle Publishing. Marilyn Chesterton and Rod Nelson - Making Woodblock Prints. (2015) Crowood Press Terry McKenna - Terry has written two excellent woodblock primers for the beginner and the intermediate practitioner. The first is Mokuhanga Fundamentals: Core Skills... & the second book is, Creative Print. Both can be purchased directly from here, and other fine establishments in e-book or physical form. Self Published. Naoko Matsubara - is a Japanese-Canadian mokuhanga printmaker who has been a printmaker for over 60 years. She has worked with artists such as Munakata Shikō (1903-1975) and has published many books, and has traveled the world for her work. More info, here. Her website can be found, here. opening and closing credit music - TELEVISION - Marquee Moon (1977) Elektra/Asylum © Popular Wheat Productions logo designed and produced by Douglas Batchelor and André Zadorozny Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Україну If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***
Dans cet épisode #91, on va parler de Sardar Udham, sorti en 2021, et qui a été un énorme succès auprès du public.Revenant sur le massacre d'Amritsar et l'assassinat de Sir Michael O'Dwyer par le biais du parcours d'Udham Singh, Shoojit Sircar offre-t-il un film aussi "neutre" qu'il le prétend ? Ou bien illustre-t-il comment réaliser de la propagande douce en distordant l'Histoire par légers et nombreux à-coups ? Suivez-nous sur insta : bollywood_versus et Twitter : BV_podcastLaissez-nous un commentaire sur iTunes ou Spotify :) BIBLIOGRAPHIE :[1] Amritsar 1919 | Yale University Press https://yalebooks.yale.edu/book/9780300250718/amritsar-1919 (accessed 2022 -03 -12). [2] ARMY COUNCIL AND GENERAL DYER. (Hansard, 8 July 1920) https://api.parliament.uk/historic-hansard/commons/1920/jul/08/army-council-and-general-dyer (accessed 2022 -03 -12). [3] Copy of Transcript of Proceedings in the Trial, on 4 Jun 1940, of Udham Singh for The for the murder of Sir Michael Francis O'Dwyer (1864-1940), Lieutenant-Governor of the Punjab 1913-19, British Library: Asian and African Studies, 1940. [4] Dutt, S. Garden of Bullets: Massacre at Jallianwala Bagh; Independently published, 2019. [5] Chaudhuri, M. Inside Sardar Udham's Recreation of the Jallianwala Bagh Massacre. Film Companion, 2021. [6] Chester, L. Kim A. Wagner, Amritsar 1919: An Empire of Fear and the Making of a Massacre. The Journal of Modern History 2020, 92 (4), 938–940. https://doi.org/10.1086/711264. [7] UK Documents. Shaheed Udham Singh Case; 1940. https://archive.org/details/shaheed-udham-singh-case/page/n5/mode/2up?view=theater [8] SIR MICHAEL O'DWYER (ASSASSINATION). (Hansard, 14 March 1940) https://api.parliament.uk/historic-hansard/commons/1940/mar/14/sir-michael-odwyer-assassination (accessed 2022 -03 -12). [9] Collett, N. The Butcher of Amritsar: General Reginald Dyer, New édition.; Hambledon Continuum: London ; New York, 2006. [10] Collett, N. The Butcher of Amritsar: General Reginald Dyer; A&C Black, 2006. [11] Durlacher, C. The Massacre That Shook The Empire; Sugar Films, 2019. [12] Udham Singh | Making Britain https://www.open.ac.uk/researchprojects/makingbritain/content/udham-singh (accessed 2022 -03 -12).
Finishing off the season, and indeed the entirety of Casting Lots (boo hoo!), Carmella and Alix present six quick-fire stories of survival cannibalism at sea. Did you know Casting Lots now has merch? Find us on Redbubble: https://www.redbubble.com/people/CastingLotsPod/shop TRANSCRIPT https://castinglotspod.home.blog/2022/01/20/s3-e13-sea-part-v---more-fun-on-boats/ CREDITS Written, hosted and produced by Alix Penn and Carmella Lowkis. Theme music by Daniel Wackett. Find him on Twitter @ds_wack and Soundcloud as Daniel Wackett. Logo by Riley. Find her on Twitter and Instagram @tallestfriend. Casting Lots is part of the Morbid Audio Podcast Network. Network sting by Mikaela Moody. Find her on Bandcamp as mikaelamoody1. BIBLIOGRAPHY Barcia, M. (2016). UCL Americas Seminar: White Cannibalism in the Slave Trade: The Curious Case of the Schooner 'Arrogante'. Available at: https://www.ucl.ac.uk/americas/events/2016/nov/white-cannibalism-slave-trade-curious-case-schooner-arrogante Barcia, M. (2017). ‘The real horrors of the transatlantic slave trade behind Taboo and Roots', The Conversation, 1 March. Available at: https://theconversation.com/the-real-horrors-of-the-transatlantic-slave-trade-behind-taboo-and-roots-73568 Barcia, M. (2021). ‘White Cannibalism in the Illegal Slave Trade', New West Indian Guide, 22 July. Available at: https://doi.org/10.1163/22134360-bja10002 DeSpair, C. (2019). ‘Cannibalism At Sea', Decidedly Grim, 4 July. Available at: http://www.decidedlygrim.net/?p=7331 Faiella, G. (n.d.) Terrible true tales of life at sea. Available at: https://www.thehistorypress.co.uk/articles/terrible-true-tales-of-life-at-sea/ Faiella, G. (2019). Cannibals and Carnage: Thrilling Tales of the Sea. Vol. 1. Cheltenham: History Press. Frost, D. (2020). ‘‘Provisions being scarce and pale death drawing nigh, / They'd try to cast lots to see who should die': The Justification of Shipwreck Cannibalism in Popular Balladry', Exchanges, 7(2). Available at: https://exchanges.warwick.ac.uk/index.php/exchanges/article/view/459 Graham, L. et al. (2020). ‘SV Drot (+1899)', Wrecksite, 30 September. Available at: https://www.wrecksite.eu/wreck.aspx?168851&fbclid=IwAR01zmvkDYkywggoAv2fvXSU5rZsqeSEcXJCq2Z6AnEKM4LxVVvCRhyQYys Hepworth Dixon, C. (1981). Seamen And The Law: An Examination Of The Impact Of Legislation On The British Merchant Seaman's Lot, 1588-1918. Ph. D Thesis. University College London. Available at: https://discovery.ucl.ac.uk/id/eprint/1317735/1/282305.pdf Jones, S.K. (1982). A Maritime History Of The Port Of Whitby, 1700-1914. Ph. D Thesis. University College London. Available at: https://discovery.ucl.ac.uk/id/eprint/1381923/1/389634.pdf Méaulle, F. (1899). Un nouveau radeau de ‘la Méduse'. [Engraving]. Available at: https://www.meisterdrucke.uk/fine-art-prints/Fortun%C3%A9-M%C3%A9aulle/743192/The-new-Raft-of-the-Medusa,-1899.--.html Morgan, M. (2021). ‘Adrift in stormy seas, Delaware pilot crew survives on cannibalism: History', Delmarva Now, 7 March. Available at: https://eu.delmarvanow.com/story/news/local/delaware/2021/03/07/adrift-stormy-seas-delaware-pilot-crew-survives-cannibalism/6876403002/ Salmons, K. (2011). ‘Cannibalism and the Greely Arctic Expedition: A New Source for "Falk"', The Conradian, 36(1), pp. 58-69. Available at: https://www.jstor.org/stable/20873715 Salmons, K. (2017). Food in the Novels of Joseph Conrad. London: Palgrave Macmillan. Shortland, S. (2020). ‘'Bites here and there': Literal and Metaphorical Cannibalism Across Disciplines Conference Review', Exchanges, 7(2). Available at: https://exchanges.warwick.ac.uk/index.php/exchanges/article/view/550 Simpson, A.W.B. (1981). ‘Cannibals at Common Law', The Law School Record, 27, pp. 3-10. Available at: https://chicagounbound.uchicago.edu/cgi/viewcontent.cgi?article=1002&context=crosskey_lectures Simpson, A.W.B. (2003). Cannibalism and the Common Law. London: A&C Black. Société d'Archéologie et de Mémoire Maritime. (2017). Le Cannibalisme de Survie. Available at: http://www.archeosousmarine.net/cannibale.php Zajonc, T. (2014). ‘1899 – The Drot', Expedition Writer, 18 June. Available at: https://expeditionwriter.com/1899-the-drot/
Our host Dizzy D-spill premiers a new segment to The Notion called Cleaning Up The Culture. This series (C.U.T.C) will focus on things that Dizzy believes the modern African American culture needs to improve on. Tune in to a new and encouraging series of The Notion Podcast!!!
In the Midst of the Lampstands Revelation 1:9-20 by William Klock We've all heard that old statement, “Consider the source,” haven't we? When I was a kid, someone would insult me and I'd get upset and say something about to my mom and she'd say, “Consider the source.” In other words, “Why would you take what someone like that says seriously?” If someone you know to be an inveterate liar tells you something, you probably won't believe it. For a number of years someone was sending me thick envelopes stuffed with poorly made, oddly shaped photocopies of newspaper clippings and weird, barely coherent explanatory letters claiming to be from a prophet. The person who sent them was obviously a lunatic, it showed, and they went straight into the trash. But other things we take seriously. A letter from Revenue Canada? The stationery itself demands we take it seriously. An order from the Provincial Health Officer? Bonnie Henry may be fairly unassuming, but we know that behind those orders stands the authority of the Province of British Columbia. Or maybe you're experience something difficult. Someone you love has just died. Or you're going through a crisis of faith. Someone comes alongside you, someone sends you an email or a letter, someone calls you. And that person offers encouragement—maybe some advice. And we all know that it means a lot more coming from someone who has walked the same road or from someone whose great faith we respect. When a mature Christian offers a bit of spiritual advice or, maybe even a rebuke, it carries a great deal more weight than similar words coming from a brother or a sister who is worldly or immature. As I said last week, Revelation is a letter and Chapter 1 is the introduction. We'll be looking at verses 9-20 this morning. John is the author of the letter, the one who penned the words, and sent it off with a courier to be read in the churches, but as we saw last week, this is Jesus' revelation. God has given it to him and he has given it to John. Jesus is the one who speaks with authority in this book—he's the source, he's the authority behind it—and here John gives us a glimpse at who it was who spoke to him. Here John shows us just who this Jesus is and the picture he paints with his words tells these churches—and us—that we'd better pay attention and take this seriously. So, verses 9-11: I, John, your brother and partner in the tribulation and the kingdom and the patient endurance that are in Jesus, was on the island called Patmos on account of the word of God and the testimony of Jesus. I was in the Spirit on the Lord's day, and I heard behind me a loud voice like a trumpet saying, “Write what you see in a book and send it to the seven churches, to Ephesus and to Smyrna and to Pergamum and to Thyatira and to Sardis and to Philadelphia and to Laodicea.” John, first, tells them his own situation. He is their brother and their partner—he is their sharer—in three things: in tribulation, in the kingdom, and in patient endurance. He, himself, is living in exile on the island of Patmos, a little island about fifty kilometres off the coast of what's now Turkey. It had a military garrison there, but we don't know if John was literally in prison or if he'd just been forced into exile. He had an apostolic role when it came to these churches and, presumably, someone hoped that by removing their leader, this movement of Jesus-followers would flounder, maybe even die off. We don't know who exiled him, whether it was local or Roman authorities, but what's important is that John says he's there “on account of the word of God and the testimony of Jesus.” Notice that he doesn't say he's there because of his own testimony, because of his own preaching, because of his own witness to Jesus. No, he says that he's there because God has spoken and because Jesus has given testimony. Jesus, by his death, resurrection, and ascension has borne testimony against the gods and kings of this age, and they have lashed out in retaliation against his apostle. And not just against John. They have lashed out at the Church. Brothers and Sisters, there are three things that are a certainty for the believer. The first is tribulation. There is no escape. Jesus warned his disciples in John 15:20, “A servant is not greater than his master. If they persecuted me, they will also persecute you.” First the Jews, then the Romans went after the fledgling Church. Those early believers suffered great tribulation, but they had faith in the words of Jesus, “Blessed are those who are persecuted for righteousness' sake, for theirs is the kingdom of heaven” (Matthew 5:10). In Acts 14 Luke writes that Paul and Barnabas travelled, visiting these churches, “strengthening the souls of the disciples, encouraging them to continue in the faith, and saying that through many tribulations we must enter the kingdom of God.” They knew that Jesus had inaugurated his kingdom and that tribulation was the prelude to its consummation. Their suffering was in union with the suffering of Jesus. Paul wrote to the Colossians, “I rejoice in my sufferings for your sake, and in my flesh I am filling up what is lacking in Christ's afflictions for the sake of his body, that is, the church” (Colossians 1:24). And that's the second certainty: the kingdom. We can face tribulation because Jesus has already inaugurated the kingdom. As Paul wrote to the Ephesians, Jesus reigns “far above all rule and authority and power and dominion, and above every name that is named, not only in this age but also in the one to come. And he put all things under his feet” (Ephesians 1:21-22). The battle with the kings and gods of this age wages on, but Jesus has been given dominion over all. John draws on the language and imagery of Daniel 7. The Prophet writes: Behold, with the clouds of heaven there came one like a son of man, and he came to the Ancient of Days and was presented before him. And to him was given dominion and glory and a kingdom, that all peoples, nations, and languages should serve him; his dominion is an everlasting dominion, which shall not pass away, and his kingdom one that shall not be destroyed. (Daniel 7:13-14) The Church faces tribulation precisely because Jesus' kingdom is here and now, because it stands in conflict with the gods and kings of the present age. But that means that the Church—Brothers and Sisters, that we—can pursue the mission Jesus has given us with confidence. Jesus won the decisive battle at the cross; his kingdom shall not be destroyed. That leads us to the third certainty: perseverance. This is the heart of the book of Revelation. The individual letters to the churches highlight this. Where they have done well, they must persevere in well-doing. Where they have compromised, it is critical that they return to Jesus and persevere. And the rest of the book goes on to reveal the faithfulness of God to strengthen faith that they might persevere. But notice, all these things are centred in Jesus. We face tribulation because we are united with Jesus and because of his witness against the present age. But we have confidence because we are united with Jesus and know and are part of his kingdom. And we persevere as we are united with Jesus—sharing in his life and empowered by his Spirit—and knowing that what he has begun he will surely complete. In the incarnation and at the cross, God has invested his beloved Son in the redemption of his creation from sin and death and we can be sure that no matter how bad things may get, God will never cut his losses. The resurrection of Jesus was the decisive victory over the present age. He will continue until he puts every enemy under his feet. Now, John goes on to say that he was “in the Spirit on the Lord's Day”. The Lord's Day is a reference to Sunday. I think, too, that there's some intentional symbolism here, drawing on the Old Testament idea of the Day of the Lord—the day when God would come in judgement to vindicate his people and to destroy their enemies. And being “in the Spirit” is language drawn from the Old Testament prophets to certify John's status as a prophet. Throughout the Old Testament the prophets speak of being in the Spirit as God speaks through them. Prophecy is not a gut feeling, an impression, or a vague idea. Prophecy is the distinct and clear word of God, delivered to man, through the mediation of the Holy Spirit. This is why prophecy is taken so seriously in the Bible. God's word is true and because of that his people can have confidence in it. That trust, however, is undermined by false prophets and so to prophesy falsely is a grave offense. It's an offense against God and against God's word. The test is simple. Does the word spoken come to pass? Does it jibe with what God has already revealed about himself? In the Old Testament, if it didn't, the false prophet was sentenced to death. The equivalent in the New Testament would be excommunication. It's something that, sadly, the modern church does not often take seriously with the result that we've cheapened prophecy and have a multitude of false prophets running around leading people astray and undermining faith in God's word. But, John, truly in the Spirit, hears a voice like a trumpet—a clarion call and a summons—and he is instructed to record what he is about to see and to send that record to seven churches: Ephesus and to Smyrna and to Pergamum and to Thyatira and to Sardis and to Philadelphia and to Laodicea. This is a cluster of churches in western Asia Minor, western Turkey—churches where John's ministry was well-known. If it were today we could say that he was their bishop. First John hears that great voice and then he turns to see who it is. Look at verses 12-16. Then I turned to see the voice that was speaking to me, and on turning I saw seven golden lampstands, and in the midst of the lampstands one like a son of man, clothed with a long robe and with a golden sash around his chest. The hairs of his head were white, like white wool, like snow. His eyes were like a flame of fire, his feet were like burnished bronze, refined in a furnace, and his voice was like the roar of many waters. In his right hand he held seven stars, from his mouth came a sharp two-edged sword, and his face was like the sun shining in full strength. Who is it that speaks? Why should we care what he has to say? Does his word carry authority? Well, his summons to John was like the summons of a trumpet—imagine the sound of trumpets blown by royal heralds. And now, turning he sees this awe-inspiring image. If it's hard to wrap your head around John's description, that's because it's a composite of a bunch of different images drawn from all over the Old Testament, but especially—again—from Daniel. Whatever John saw, this was the best way he could describe it. So, first, John is drawn into a sort of heavenly analogue to the holy place of the tabernacle or temple. That was the place where, in Israel, the lampstand stood, burning always and filling the tabernacle with its light. But here there are seven—a connection with the seven churches to which John writes—but united in Jesus. Jesus stands in the midst of them. The long robe and the golden sash around his chest show him as the high priest. He's the one who tends the lamps, trims their wicks, keeps them burning. These churches were struggling through difficult days, but the Lord Jesus sustains them. And John describes him as one like a son of man—that's a figure from Daniel 7—but he also uses imagery to describe him that draws on Daniel's description of the Ancient of Days. The son of man—and I read the passage about him from Daniel just a bit ago—was the representative of Israel, of the people of God, to whom the Ancient of Days gave dominion, glory, and kingdom forever. This is Jesus. But what's really interesting is that John's physical description of him is that of the Ancient of Days, of the one who gives the son of man his dominion, of God himself. Here's Daniel 7:9-10. As I looked, thrones were placed, and the Ancient of Days took his seat; his clothing was white as snow, and the hair of his head like pure wool; his throne was fiery flames; its wheels were burning fire. A stream of fire issued and came out from before him; a thousand thousands served him, and ten thousand times ten thousand stood before him; the court sat in judgment, and the books were opened. So this isn't just a description of Jesus as majestic and awe-inspiring. John uses this description to equate Jesus with God himself. It's a remarkable testimony to the divinity of Jesus that does so drawing on the Old Testament. And that's not all. There just isn't time this morning to get into every detail. The flaming eyes, the bronze feet, again the gold sash, are all drawn from Daniel 10. And while his call was like the sound of a trumpet, when he addresses John, it's like the overwhelming sound of rushing waters, which is how Ezekiel describes the sound of God's glory returning to the temple. Jesus holds a constellation of seven stars in his hand. This one's pretty cryptic, although John does tell us in verse 20 that these stars are the angels of the seven churches—possibly heavenly beings with some kind of oversight of these churches, but I think more likely referring to their bishops or elders. It's not an easy bit of imagery to sort out. The sword proceeding from Jesus' mouth, however, is much more obvious. This is his word. In 2:16 we read that by it he will make war against his enemies and in 19:11-16, by it he will conquer the nations. Even to trace all the pieces of this image of Jesus back to their Old Testament sources is overwhelming. It's good to do so, but I like George Caird's warning not to “unweave the rainbow”. He writes, “John uses his allusions not as a code in which each symbol requires separate and exact translation, but rather for their evocative and emotive power. This is not photographic art. His aim is to set the echoes of memory and association ringing.”[1] That's a good way to understand the imagery of Revelation and, especially, passages like this. It's something like look at a rainbow—or it should be. The rainbow is made up of bands of colour as this imagery is made up of allusions to the Old Testament. But as the rainbow itself is more than just sum of its colours, so John's images are more than just the sum of all these biblical allusions. Our problem is that we lack that memory and association those first Jewish Christians had. I think the image, which seems so “weird” to us, would have been far less weird to the original audience and would simply have inspired a natural awe. They saw the rainbow, where we see the bands of colour and struggle even to put names to them. And natural awe exactly John's response. As I was reading this I was thinking of a recent conversation I had with Rob. He was talking about visiting anther church here in Courtenay and said he could understand why people went there. I think the words he used to describe it were “fun” and “party”. I know, the services there—as is increasingly common—are modelled on rock concerts. It's not just them; it's symptomatic of our culture. We have lost a sense of the holy. We have little space left for reverence. We're increasingly familiar and casual with everything and everyone—including God. And yet that's just not what we see in the Bible when people encounter God. Throughout the Scriptures, the people who encounter God are overwhelmed with awe and fear. Even Peter, who was comfortable to argue with Jesus as the rabbi who got into his boat and told him to row out into the lake, fell to his knees and begged him to leave—his exact words were, “Depart from me, for I am a sinful man, O Lord.”—when the understanding of just who Jesus was sank in. Even meeting an angel inspires fear throughout the Scriptures—with the odd exception of Jacob's, who decided to start a fight. No one with a real sense of who God is—or who Jesus is—walks casually into the presence of holiness. Here's what John has to say about his own response in verses 17-20: When I saw him, I fell at his feet as though dead. But he laid his right hand on me, saying, “Fear not, I am the first and the last, and the living one. I died, and behold I am alive forevermore, and I have the keys of Death and Hades. Write therefore the things that you have seen, those that are and those that are to take place after this. As for the mystery of the seven stars that you saw in my right hand, and the seven golden lampstands, the seven stars are the angels of the seven churches, and the seven lampstands are the seven churches. Like everyone else who has ever had a real encounter with God, John prostrates himself. But human fear in the presence of the holy is only half the story. Like every other time God's servants fall at his feet this way, Jesus says those wonderful words, “Fear not.” The fire will not consume those whom the holy One calls into his presence. This is language drawn from Isaiah. “I am the first and the last,” Jesus says. He identifies himself with the God of Israel and he does so again with those words we find across the Old Testament, “I am the living one”—a title closely tied to God's very name, the I AM. But in Jesus this title takes on new meaning. He is the one who died—who was crucified—and whom God raised from death. He is the firstborn of the resurrection, the firstborn of God's new creation. He's not only alive forevermore, but in conquering death itself, he now holds the keys to death and hades—he holds the keys that will release humanity from bondage. And in a scene that recalls Isaiah, Jesus commissions John. There is no purifying coal held to John's lips as there was to Isaiah's. The old Israel was an unclean people in need of redemption, but the new Israel, John and the people, the seven churches to whom he is commanded to write, have already been purified by the blood of the lamb. They have already been made holy—now they're being exhorted to persevere. And, Brothers and Sisters, that brings us back to where we started. That whole thing about “consider the source”. Jesus speaks to the Church and John shows us our Lord as he speaks. And on the one hand we see the God of Israel, the Ancient of Days, the living God, the great I AM. We enter in the presence of the holy. This is the God before whom we can only fall on our knees and sing out with the greatest of reverent fear, “Holy, holy, holy! Lord God Almighty.” But he is, at one and the same time, the Son who has lovingly humbled himself for our sake, who has taken upon himself our flesh, who has submitted himself to hatred, to abuse, to torture, and to death to redeem a people for himself. He is the Ancient of Days, but he is also the one of whom we can sing, “The Lord's my shepherd, I'll not want.” He is the good shepherd who has given his life for the sheep and who now draws us near. Here's the heart of this revelation. Here are those three certainties: tribulation, kingdom, and perseverance. We struggle to reconcile the joint presence of tribulation and kingdom. How can God's kingdom be present when we face tribulation? But this is just it. Jesus took his throne, he established his kingdom, he won the victory over sin and death through suffering. And now, Brothers and Sisters, he exhorts his people to follow the same path. The Church will be victorious, the Church will see the consummation of Jesus' kingdom one day, but it will triumph over the would-be gods and kings of this present age ultimately through tribulation. It is not an easy path, but the purpose of this Revelation of Jesus the Messiah is to show us the way and to assure us that our Lord is with us every step we take. Let's pray: Blessed Lord, who caused all holy Scriptures to be written for our learning—and in particular the Revelation of Jesus that you gave to St. John: help us so to hear them, to read, mark, learn and inwardly digest them that, through patience, and the comfort of your holy word, we may embrace and for ever hold fast the hope of everlasting life, which you have given us in our Saviour Jesus Christ, who lives and reigns with you, in the unity of the Holy Spirit, one God, now and for ever. Amen. [1] The Revelation of St. John the Divine (London: A & C Black, 1973), 25.
Rear Admiral Dr. Barry C. Black, U.S. Navy, Retired, takes us behind the scenes of the United States Senate and shares the dedication of his life's work providing spiritual guidance to those in need. He talks about the four pillars of his responsibilities as the Senate Chaplain to Provide, Facilitate, Care for All and Advise.
Everything SA Music Premium South African Music Content The Rea & Blvck Steph Podcast Episode 2 pt 1Intro song by : NatorDeep - Best FriendSound by : Nkhaotic
Follow Gabe on IG: https://bit.ly/3cpvsEMFollow On The Radar On IG: https://bit.ly/3n3tP1QFollow On The Radar On Twitter: https://bit.ly/2VYj8lmFollow On The Radar on Facebook: https://bit.ly/2VWjJnBFollow On The Radar on Tik Tok: https://bit.ly/2JNPcWIFollow On The Radar On iHeartRadio: https://ihr.fm/39UZUW1Follow On The Radar On Apple Podcasts: https://apple.co/370ITYD#CBlack #Interview #Ontheradar
No Halloween Homecoming Dance is complete without a black cat! But since there are so many, we had to narrow it down to just Italian horror films positioning themselves as adaptations of Poe's The Black Cat which includes: Argento's The Black Cat from Two Evil Eyes (1990), Cozzi's The Black Cat (1989), Fulci's The Black Cat (1981), and Martino's Your Vice Is a Lock Room and Only I Have the Key (1972).
Hey Lovely People Mfundisi we Number is back with some good Music this time I decided to make Side A and Side B... Of which Side B is the Tribute to my fellow Brother Chymamusique, enjoy the Good Music Journey to Havana Vol 26 Main Mix by Mfundisi we Number (Dj Pavara) Side ATracklist 1. Kay9ine feat Decency - Untitled (2020 Promo) 2. Stephanie Cooke & Kenny Bobien - Love's Been Right here (2021 Exclusive Mix) 3.C- Black feat Hope The Voice - Spoken Words (###) 4.Deepconsoul l, Luis Hendricks feat Mr Tee - ###### (2021 Exclusive Mix) 5.Fatso feat MenziSoul - Need Your Love 6.Milk Deep feat Lady K - ##### 7.Donald Juney - Bekezela Mama - 2021 Promo 8.Dustinho - One Evening (####) 9.The Layabouts feat Shea Soul - Perfectly (2021 Excluisve Dub Mix) 10.Trust SA - Owl Hours (Part 1) 2021 Promo 11.Juan Soul feat Fallou Faye - Mtna (Caiiro Techn Remix) For BookingsEmail: djpavara@gmail.com Whatsapp : 0762904417
This live interview is about healing , black owned business owners explaining their “why” of life and purposes of their non profit organization and the importance of mental health. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/mocha-speaks/message Support this podcast: https://anchor.fm/mocha-speaks/support
Gute Laune gibt's bei uns immer wenn wir in Erinnerungen schwelgen, nein sogar baden dürfen! Und so auch in dieser Episode in der wir eines unserer Lieblingsthemen aufmachen, die Musik! Wir erinnern uns an die erste Platte und an die Zeit vor Spotify und Youtube. Ja es war eine einfache Zeit, aber es war eine schöne Zeit!
Cuando escuchamos la palabra "espía", seguro nos viene a la mente el estereotipo del clásico agente secreto hollywoodense: sofisticado, discreto e intrépido; sin embargo, esta profesión no está reservada exclusivamente para los hombres: desde épocas inmemoriales las mujeres han jugado un importantísimo papel en el contexto del espionaje a nivel mundial. En el programa de hoy conoceremos algunas historias de mujeres espías: desde María Parado de Bellido y Policarpa Salavarrieta La Pola, heroínas peruana y colombiana que preponderaron la libertad de sus respectivas naciones por encima sus propias vidas; hasta agentes secretas como Mata Hari, Mathilde Carré La Chatte e Irmgard Schmitd, que tuvieron notoriedad en el contexto de las guerras mundiales y la Guerra Fría; y para cerrar con broche de oro, les contaremos la historia de Elvira de la Fuente, la espía peruana que jugó un papel relevante en las previas al famoso Día D, el desembarco de Normandía durante la Segunda Guerra Mundial. ¡Gracias a nuestros Patreons que hacen posible llegar semana a semana con los episodios de Por las Rutas! Para ser parte de nuestro Patreon, visita: https://www.patreon.com/porlasrutasdelacuriosidad, o envíanos un Yape ingresando a: https://bit.ly/3fcTORK. Gracias por la portada a JB Design - Diseño, Diagramación y Publicidad REFERENCIAS: Mujeres espías: intrigas y sabotaje tras las líneas enemigas, Laura Manzanera; Penguin Random House Grupo Editorial España, edición digital, 2018 Double Agent Victoire: Mathilde Carré and the Interallié Network, David Tremain; History Press, edición digital, 2018 Double Cross: the true story of the D-Day spies, Ben Macintyre; A&C Black, edición digital, 2016 Espías y traidores, Fernando Rueda; Esfera de los Libros, edición digital, 2012 http://batiburriloacg.blogspot.com/2010/09/maria-parado-de-bellido.html https://www.youtube.com/watch?v=c1zrD0MAs0I https://www.newspapers.com/clip/12830299/the-philadelphia-inquirer-20-jan-1955/ https://fundacioncibei.org/elvira-chaudoir-alias-bronx-la-doble-espia-peruana-que-engano-a-hitler/ https://pasiondelalectura.wordpress.com/tag/elvira-chaudoir/ https://www.radionacional.co/cultura/elvira-de-la-fuente-la-peruana-que-salvo-londres-y-fue-vital-en-el-dia-d https://en.wikipedia.org/wiki/Elvira_Chaudoir MÚSICA UTILIZADA EN ESTE PROGRAMA (TODOS LOS DERECHOS PERTENECEN A LOS AUTORES, COMPOSITORES Y/O INTÉRPRETES) Danza de tijeras, Wayanay / Autor: Danza folklórica de los departamentos de Apurímac, Ayacucho y Huancavelica Mangalacharan (Ganesh vandana), Srjan Odissi Dance Academy / Autor: Danza folklórica del estado de Odisha El suplicio de La Pola, La Pola: banda sonora original / Autor: Marta Gómez El canto de los partisanos, Germaine Sablon / Autor: Anna Marly, Joseph Kessel y Maurice Druon Gata Fiera, Trébol Clan ft. Joan y Héctor el Father / Autor: Héctor Delgado y Gilberto Matías Primal fear, Dave James / Autor: Dave James
We are back at it again with the Tournament of Champions! This time the gang is unfiltered as they discuss and vote on who the greatest black comedian of all time. Joining us with the "What's Your Digits" podcast as things get crazy and heated with this one. Follow our guest. IG @rundemdigits Be sure to like, subscribe and follow our Facebook fanpage. (Da Villians Podcast) Follow us on IG @da_villians Send all comments, feedback & questions to: davillians502@gmail.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/daville3/message
Follow us on SoundCloud for our Weekly Podcast Stream // Download Marlon C : https://blacksevenmusic.fanlink.to/BackOnClujEP Stream more: https://blacksevenmusic.fanlink.to/Stream Hi and welcome back to the Black Seven podcast, hosted by BRODYR. This week we've got a special mix for you from Marlon C. If you haven't heard his remix for Gustaff yet that came out on our label a few weeks back, then you need to check it out. Head over to our Spotify playlist and you can check out the full release there! For now, sit back and turn it up! You're gonna love this one! Tracklist 1. Rendher - Five Vibe (Original Mix) 2. Jholeyson - Eiglee (Max Chapman, Kodewerk Remix) 3. Anko A, Greck B - 9 Centins (Original Mix) 4. Vito (UK) - Deep Inside (Rob Stillekens Remix) 5. Marlon C, Santiago Bejarano - Wise Chatter (Original Mix) 6. Saul Antolin - El Bosque de Fangorn (Original Mix) 7. Marlon C, Vito (UK) - Without A Fight (Original Mix) 8. Alberto Cristian _ Side Bells (Original Mix) 9. Gianfranco Troccoli, Rone White, Alessandro Diruggiero - I Wish (Original Mix) 10. Greck B, Nic Zega - Redbone (Original Mix) 11. Lucas Mancilla & THR3MIND - Like You (Original Mix) 12. Vito (UK) - Raggamuffin (Original Mix) 13. Rendher - No Dither (Original Mix) 14. DJOKO -It All Comes to an End (Original Mix) https://www.facebook.com/BlackSevenMusic https://www.soundcloud.com/BlackSevenMusic https://www.twitter.com/BlackSevenMusic https://www.instagram.com/BlackSevenMusic
In our final episode of Season 2, Alix and Carmella offer a quick-fire selection of stories on the custom of the sea. TRANSCRIPT https://castinglotspod.home.blog/2024/02/24/s2-e13-sea-part-iv---fun-on-boats/ CREDITS With thanks to Emily for transcription help. Written, hosted and produced by Alix Penn and Carmella Lowkis. Theme music by Daniel Wackett. Find him on Twitter @ds_wack and Soundcloud as Daniel Wackett. Logo by Riley. Find her on Twitter and Instagram @tallestfriend. Casting Lots is part of the Morbid Audio Podcast Network. Network sting by Mikaela Moody. Find her on Bandcamp as mikaelamoody1. BIBLIOGRAPHY Boger, J. (1805). ‘Plympton, July 4, 1805’, London Gazette, 6 July, p. 869. Available at: https://www.thegazette.co.uk/London/issue/15821/page/869 Boréale 138. (2019). Radio-Canada, 31 October. Available at: https://ici.radio-canada.ca/premiere/emissions/boreale-138/segments/chronique/140347/bateau-naufrage-anticosti-granicus-cannibalisme-cote-nord Bossé, G.R. (2003). The macabre discovery of the wreck of The bark Granicus, on the Island of Anticosti, during the winter and spring of 1828-1829. Available at: http://www.geocities.ws/grbosse.geo/granicus/granicus.html ‘Charlotte de Berry’. (2021). Wikipedia. Available at: https://en.wikipedia.org/wiki/Charlotte_de_Berry Chronicles of the Sea. (1838). ‘Loss of H.M.S. Nautilus’, Chronicles of the Sea, 13 October, pp. 1-6. Available at: https://books.google.co.uk/books?id=gwUHAAAAQAAJ&dq=HMS%20Nauticus%201807&pg=PA369#v=onepage&q=HMS%20Nautilus%201807&f=false Coolopolis Montreal. (2013). ‘Cannibalism in Quebec’, Coolopolis, 6 May. Available at: http://coolopolis.blogspot.com/2013/05/cannibalism-in-quebec.html Drew, C. and D. Stout. (2000). ‘Survivors Tell of Submarine Horrors’, New York Times, 17 August. Available at: https://www.nytimes.com/2000/08/17/world/survivors-tell-of-submarine-horrors.html Foxe, E. (2004). Charlotte de Berry. Available at: https://web.archive.org/web/20050112085737/http://www.bonaventure.org.uk/ed/deberry.htm Foxe, E. (2004). Charlotte de Berry - 1836. Available at: https://web.archive.org/web/20050124113946/http://www.bonaventure.org.uk/ed/lloydscdb.htm Golden Age of Piracy. (n.d.). Charlotte de Berry. Available at: https://web.archive.org/web/20170903101143/http://www.goldenageofpiracy.org/buccaneers/charlotte-de-berry.php Great Britain. Parliament. House of Commons. (1839). Report from Select Committee on Shipwrecks of Timber Ships. London: House of Commons. Available at: https://books.google.co.uk/books?id=66kxAQAAMAAJ&dq=%22elizabeth%20rashleigh%22&pg=PA61#v=onepage&q=%22elizabeth%20rashleigh%22&f=false John Bull. (1835). ‘Shocking Sufferings’, John Bull, 25(737). Available at: https://www.lastchancetoread.com/docs/1835-01-25-john-bull.aspx Lettens, J. (2008). ‘HMS Nautilus (+1807)’, Wrecksite, 19 January. Available at: https://www.wrecksite.eu/wreck.aspx?17256 Lighthousefriends.com. (n.d.). Cap de la Table Lighthouse. Available at: https://www.lighthousefriends.com/light.asp?ID=1617 Lindridge, J. (1846). ‘Loss of H.M.S. Nautilus, Captain Palmer, January 5, 1807’ in Tales of Shipwrecks and Adventures at Sea. London: William Mark Clark, pp. 217-220. Available at: https://books.google.co.uk/books?id=rTFFAAAAYAAJ&dq=HMS%20Nauticus%201807&pg=PA217#v=snippet&q=HMS%20Nautilus%201807&f=false Nadeau, J. (2019). ‘Un cas de cannibalisme’, Le Devoir, 28 October. Available at: https://www.ledevoir.com/opinion/chroniques/565735/un-cas-de-cannibalisme Nikki. (2017). ‘Charlotte De Berry’, Pirate’s Quest, 17 March. Available at: https://www.piratesquest.co.uk/charlotte-de-berry/ O’Neill, J. (2016). ‘Stove Boats, Shipwrecks, and Cannibalism: The Perils of Westport Whaling Voyages’, Westport Historical Society, 29 November. Available at: https://wpthistory.org/2016/11/stove-boats-shipwrecks-and-cannibalism-the-perils-of-westport-whaling-voyages/ Rarick, E. (2008). Desperate Passage: The Donner Party’s Perilous Journey West. Oxford: Oxford University Press. Ricketts, B. (2014). ‘ANTICOSTI Island… A Writer’s Dream’, Mysteries of Canada, 30 October. Available at: https://mysteriesofcanada.com/quebec/anticosti-island/ Sailor’s Magazine. (1849). ‘Dreadful Suffering at Sea’, Sailor’s Magazine, 22(4), pp. 101-102. Available at: https://books.google.co.uk/books?id=NtQZAAAAYAAJ&lpg=RA4-PA101&dq=%22janet%22%20%22Hosmer%22%20%221849%22&pg=RA1-PA101#v=onepage&q=%22janet%22%20%22Hosmer%22%20%221849%22&f=false Simpson, B. (2003). Cannibalism and Common Law. London: A&C Black. Stone, G. (2008). ‘Cannibalism? A Difference of Opinion’, Westport Historical Society, 26 April. Available at: https://wpthistory.org/2008/04/cannibalism_a_d/ Stone, G. (2008). ‘Janet: the captain’s account’, Westport Historical Society, 26 April. Available at: https://wpthistory.org/2008/04/janet_the_capta/ Terrific Record. (1849). ‘Perils of the sea’, The Terrific Record, 45, pp. 714-715. Available at: https://books.google.co.uk/books?id=g_oEAAAAQAAJ&lpg=PA714&dq=%22janet%22%20%22Hosmer%22%20%221849%22&pg=PA714#v=onepage&q=%22janet%22%20%22Hosmer%22%20%22&f=false The 1805 Club. (n.d.). Commander John Sykes. Available at: https://www.thetrafalgarway.org/john-sykes Vanner, A. (2020). ‘Hell and high water: HMS Nautilus, 1807’, The Dawlish Chronicles, 21 February. Available at: https://dawlishchronicles.com/2020/02/21/hell-and-high-water-hms-nautilus-1807/ Wheeler, R. (2006). Palmer's Pilgrimage. Oxford: Peter Lang. Yolen, J. (2010). ‘Charlotte de Berry’ in Sea Queens. Watertown, MA: Charlesbridge, pp. 55-58. Zajonc, T. (2014). ‘1807 - Nautilus Sloop’, Expedition Writer, 23 July. Available at: http://expeditionwriter.com/1807-nautilus-sloop/
Last week, as the House Managers presented their Impeachment case -- a step-by-step, rigorous, fact-based prosecution that clearly drew the connection between Donald Trump’s words and the violence that ensued in that very chamber little more than a month earlier - we thought back to the stirring words of the Senate Chaplain, Rear Admiral (Ret.) Barry C. Black following that failed insurrection.At 4:45am on the morning of January 7th - just hours after an angry mob had violently attacked the US Capitol - a joint session of Congress certified the free and fair election of Joe Biden as the 46th President of the United States.As the proceeding drew to a close - Vice President Mike Pence, who just hours earlier was targeted for execution by the mob in that very building - recognized the Senate Chaplain to give the final invocation.Let’s listen to the powerful prayer offered by the Senate Chaplain, Rear Admiral (Ret.) Barry C. Black.Support this show http://supporter.acast.com/words-matter. See acast.com/privacy for privacy and opt-out information.
Welcome to our new podcast for all stitchers, embroiderers, textile artists and creative souls, where we have friendly informal conversations about what it actually means to be an artist working in textiles, with your hosts Izzy Moore and Gina Ferrari. We are both practising artists and tutors specialising in machine embroidery, but we're still figuring it all out! We chat about combining the creative process with running a business and hope that you will find inspiration and support for your own creative journeys. In this episode we talk about some of our favourite textile related books; those we find useful, interesting and inspiring as well as those we might like to own. You can find a list of all books mentioned, plus a few more of our favourites, below. Gina's Choices: Inspired to Stitch 21 Textile Artists, Diana Springall, (A & C Black); From Art to Stitch, Janet Edmonds, (Search Press); Alexander McQueen, Savage Beauty, Metropolitan Museum of Art, (Yale University Press). Izzy's Choices: Mixed Media Inspirations by Beryl Taylor, (Interweave); Machine Embroidery: Stitch Techniques by Val Campbell Harding & Pam Watts, (Batsford); Celtic Art: The Methods of Construction by George Bain, (Constable). Other books that almost made the list: Mark Making in Textile Art, Helen Parrot, (Batsford); The Art of Embroidery, inspirational stitches, textures and surfaces, Francoise Tellier-Loumagne, (Thames & Hudson); Sketchbook Explorations for Mixed Media and Textile Artists Shelley Rhodes, (Batsford); The Found Object in Textile Art, Cas Holmes, (Batsford); Encyclopedia of Machine Embroidery, Val Holmes, (Batsford); World Textiles: A sourcebook, (British Museum Press). Other books mentioned in this episode: WOW Book 6 - edited by Lynda Monk, (d4daisy Books Ltd); Traditional Dress: Knowledge and Methods of Old Time Clothings, Adolf Hungry Wolf, (Good Medicine Books); Papiers a la Mode, Isabelle de Borchgrave & Rita Brown, (Bellear Publishing London); Patch Work - A life among clothes, Claire Wilcox, (V & A publishing); The Christmas Chronicles, Nigel Slater, (4th Estate); Raw Drawing, Alessandro Bonaccorsi, (Batsford); The Practice: Shipping Creative Work, Seth Godin, (Penguin Books); Spoon-Fed: Why almost everything we've been told about food is wrong, Tim Spector, (Jonathan Cape) If you're interested in our online teaching, Gina's Free Machining Fun courses and Angelina Angels course are open until the end of December, and Izzy's Beautiful Baubles course is open until Christmas. We both have new courses in the pipeline, so please sign up for our newsletters to find out more! You can sign up to Gina's newsletter here, and Izzy's here. The music is Dear Autumn by Ikson and you can find it at soundcloud.com/ikson.
The Crossing: Sermons and Services from the National Cathedral
As Chaplain of the U.S. Senate, the Rev. Dr. Barry C. Black receives questions from lawmakers, staffers and their families. On Military Recognition Sunday, The Rev. Dr. Barry Black preached, and had one question for us, “Are you prepared to defend your hope?” Sermon date: May 17, 2020
Episode 93 featured more songs for Nova Scotia. Thanks to all of you for joining us live and for sharing your love and support. Nova Scotia Strong 💙🎧Artwork by Elise GoodhoofdTo support affected families: heartcolchester.caSongs:A Little Good News - Anne Murray / T Rocco, C Black, R BourkeThese Hands - Dave GunningAngel - Sarah McLachlanFisherman's Son - The Rankin FamilyReason to Believe - Rita MacNeil#music
On this episode, we go back to my second day at this year’s C2E2 convention in Chicago and you get hear my talks with first, bestselling author S.L. Huang, who is about to release her new book Critical Point. Then after that, I talk to the team behind D.C. Black Label’s Joker/Harley: Criminal Sanity, writer Kami Garcia and artist Jason Badower. Along with being a bestselling author, S.L. Huang has a math degree from MIT and is a weapons expert and professional stuntwoman who has worked in Hollywood on Battlestar Galactica and a number of other productions. Huang’s latest book due out on April 28th, Critical Point, is the third in her Cas Russell series following Zero Sum Game and Null Set. During our chat with talk about this series based on this character that is a math-genius mercenary, along with her background in math and as a stuntwoman, along with representation in literature and the different ways to be a nerd (haha). Purchase Critical Point: Pre-Order Now Follow S.L. Huang: Web: slhuang.com Twitter: twitter.com/sl_huang With Kami Garcia and Jason Badower, we talk about Joker/Harley: Criminal Sanity and its authenticity from a mental health aspect, along with how this project came to be and how it’s since influenced their other projects. And since Jason Badower is Australian, we had to talk about coffee! Purchase Joker/Harley: Criminal Sanity: dccomics.com Follow Kami Garcia: Web: kamigarcia.com Twitter: twitter.com/kamigarcia Instagram: instagram.com/kamigarcia Facebook: facebook.com/kamigarciaYA Follow Jason Badower: Web: jasonbadower.com Facebook: facebook.com/Jason-Badower-219122454787596 Twitter: twitter.com/jasonbadower Instagram: instagram.com/jasonbadower SUBSCRIBE/RATE/REVIEW FRESH IS THE WORD: Subscribe on all major streaming platforms. Please rate and review on Apple Podcast and Stitcher. List of where Fresh is the Word streams: linktr.ee/freshisthewordpodcast or just search “Fresh is the Word”. Also available on IHeartRadio. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/freshistheword/message
Vitamin C! Black Friday 60 Second Tip of the Week! by Health, Fitness and Nutrition
This week, I am joined by a very special guest, Mr. Anderson of the 'Go Forth and Adult' podcast. We unpack a lot in this week's current events. rapper DaBaby is caught on video punching a female fan in the crowd at his concert. Pleasure P, of singing group Pretty Ricky, was arrested at a 'Checkers' on battery charges and Harvey Weinstein was sentenced to 23 years in prison. For "Topic of Discussion" we were supposed to discuss the black gay agenda but the conversation was so good it just took a turn on it's on
Happy Valentine’s Day from Casting Lots Podcast! In this special episode, Alix tells the story of young Ann Saunders and the Frances Mary: a tale of shipwreck, survival cannibalism, and love. Looking for a book or film to enjoy while you snuggle up to your significant other this evening? We’re also discussing our favourite examples of survival cannibalism in pop culture – from the literary to the pulpy to the plain old weird. TRANSCRIPT https://castinglotspod.home.blog/2020/02/14/valentines-day-special-the-frances-mary-and-cannibalism-in-pop-culture/ CREDITS Written, hosted and produced by Alix Penn and Carmella Lowkis. Theme music by Daniel Wackett. Find him on Twitter @ds_wack and Soundcloud as Daniel Wackett. Logo by Riley. Find her on Twitter and Instagram @tallestfriend. Casting Lots is part of the Morbid Audio Podcast Network. Network sting by Mikaela Moody. Find her on Bandcamp as mikaelamoody1. BIBLIOGRAPHY Birch, C. (2011). Jamrach’s Menagerie. London: Canongate. Carlisle, H. (2000). The Jonah Man. London: Orion Books. Connors, S.T. (1973). ‘Marten Hartwell Story’. Stompin’ Tom Connors. To It and at It. [Digital]. Ontario: Stompin’ Tom Ltd. Available at: https://open.spotify.com/track/7cmxWi6JlsvWWqawkklNXw Crain, C. (1994). ‘Lovers of Human Flesh: Homosexuality and Cannibalism in Melville’s Novels’, American Literature, 66(1), pp. 25-53. Available at: https://doi.org/10.2307/2927432 DeSpair, C. (2019). ‘MFDJ 07/04/2019: CANNIBALISM AT SEA’, Decidedly Grim, 4 July. Available at: http://www.decidedlygrim.net/?p=7331 Faiella, G. (2019). Misery, Mutiny and Menace. Cheltenham: The History Press. Faiella, G., (2020). ‘Terrible true tales of life at sea’, The History Press, n.d. Available at: https://www.thehistorypress.co.uk/articles/terrible-true-tales-of-life-at-sea/ Ford, D. (2008). ‘Eating Flesh: Cannibalism at Sea on board Jersey Ships’, Heritage, 2008. Available at: https://www.jerseyheritage.org/heritage-magazine ‘George Byron, 7th Baron Byron’. (2020). Wikipedia. Available at: https://en.wikipedia.org/wiki/George_Byron,_7th_Baron_Byron Accessed: 19 January 2020. Kimichika, M. (2018). The Catamaran. Japan: Kindle Direct Publishing. ‘List of Catholic Saints’. (2020). Wikipedia. Available at: https://en.wikipedia.org/wiki/List_of_Catholic_saints (Accessed 19 January 2020) Martel, Y. (2012). The Life of Pi. Edinburgh: Canongate. Miskolcze, R. (2007). Women and Children First. Lincoln, NE: University of Nebraska Press. Mitchell-Cook, A. (2011). ‘To Honor their Worth, Beauty and Accomplishments: Women in Early American-Anglo Shipwreck Accounts’, Coriolis, 2(1), pp. 17-33. Available at: http://ijms.nmdl.org/article/view/8071 Mitchell-Cook, A. (2013). A Sea of Misadventures. Columbia, SC: University of South Carolina Press. Pembroke, J.D.T. (2015). ‘Dr. Pembroke’s Clinic – True Love and Cannibalism on the High Seas’, The Pandora Society, 14 October. Available at: https://thepandorasociety.com/dr-pembrokes-clinic-true-love-and-cannibalism-on-the-high-seas/ Petrinovich, L.F. (2000). The Cannibal Within. Piscataway, NJ: Transaction Publishers. Saunders, A. (1827). Narrative of the shipwreck and sufferings of Miss Ann Saunders. Providence, RI: ZS Crossmon. Available at: https://archive.org/details/cihm_40276/page/n5 Schutt, B. (2017). Eat Me: A Natural and Unnatural History of Cannibalism. London: Profile Books. Simmons, D. (2010). The Terror. London: Transworld. Simpson, B. (2003). Cannibalism and Common Law. London: A&C Black. Solomon, J. (2013). Shipwreck in Art and Literature. New York: Routledge. Stagnaro, A. (2019). ‘St. Lawrence Laughed in the Face of Death’, National Catholic Register, 10 August. Available at: https://www.ncregister.com/blog/astagnaro/st.-lawrence-laughed-in-the-face-of-death The Terror. (2018). AMC, 25 March-21 May. Thomas, R.A.M. (2018). Interesting and Authentic Narratives of the Most Remarkable Shipwrecks, Fires, Famines, Calamities, Providential Deliverances, and Lamentable Disasters on the Seas in Most Parts of the World. Miami, FL: HardPress. Warkentin, E. (2018). A Land So Wild. San Jose, CA: Carnation Books. Wilcox, J. (2000). Humour in Anglo-Saxon Literature. Rochester: Boydell & Brewer. Your Catholic Voice Foundation. (2020). ‘Saints A to Z’, Catholic Online. Available at: https://www.catholic.org/saints/stindex.php (Accessed 19 January 2020)
Show Notes This week, we recap, review, and analyze Mobile Suit Zeta Gundam (機動戦士Ζガンダム) episode 28 - The Jupitris Infiltration (ジュピトリス潜入), discuss our first impressions, and provide commentary and research on physical deception and women spies. We are joined by guest-voice Adam Black, who asked us to link to One Earth Sanga, and organization he works with that "expresses a Buddhist response to ecological crises." - Wikipedia page for Operation Bodyguard, comprised of Operations Fortitude and Quicksilver.- Wikipedia page for the 23rd Headquarters Special Troops (aka the "Ghost Army"), American deception specialists operating in Europe after D-Day.- A collection of historical materials about the 23rd Headquarters. - The 23rd Headquarter's most famous alumnus, fashion designer extraordinaire Bill Blass.- An overview on dummy tanks. - New York Times article about modern Russian inflatable dummies:Andrew E. Kramer, A New Weapon in Russia’s Arsenal, and It’s Inflatable. New York Times article, Oct. 12, 2016. Available at https://nyti.ms/2dWBU8A- Some modern inflatable dummy manufacturers, so you can see pictures of just how real they look (and in case you want your own). - Books about the Second Battle of El Alamein:John Latimer, Alamein. Harvard UP (2002).James Lucas, War in the Desert: the Eighth Army at El Alamein. Beaufort (New York 1982). - Wikipedia page for Operation Bertram.- Articles and books on Operation Bertram:Rickard, J (21 April 2017), Operation Bertram, http://www.historyofwar.org/articles/operation_bertram.htmlPeter Forbes, Dazzled and Deceived: Mimicry and Camouflage. Yale UP (2011).Rick Stroud, The Phantom Army of Alamein: The Men Who Hoodwinked Rommel. A&C Black (2013)- US Naval War College page on women in espionage, with lots of great links to books, articles, and websites with additional information.- Wikipedia category page for “female wartime spies.”- Wikipedia page for “sexpionage” with definition and famous examples.- Article from The Washington Post about sexpionage in the Cold War:Dobbs, Michael. “SEXPIONAGE WHY WE CAN'T RESIST THOSE KGB SIRENS.” The Washington Post, 12 Apr. 1987.- Journal article:Martin, Amy J. “America’s Evolution of Women and Their Roles in the Intelligence Community.” Journal of Strategic Security, vol. 8, no. 3, 2015, pp. 99–109. JSTOR, www.jstor.org/stable/26465249. Accessed 8 Jan. 2020.- More recent articles from Forbes and The Guardian about perceived strengths and advantages of women as spies.- Brief discussion of the history of women in the CIA, culminating with the appointment of Gina Haspel as Director of the CIA in 2018.- Article from The Atlantic, reviewing several books about women in espionage. Includes good excerpts with anecdotes about famous women spies and some of the thought process behind using women for espionage work:Mundy, Liza. “Female Spies and Their Secrets.” The Atlantic, June 2019. Accessed at https://www.theatlantic.com/magazine/archive/2019/06/female-spies-world-war-ii/588058/.- Article with stories of specific women spies:Jarvis, Erika. “Five Badass Female Spies Who Deserve Their Own World War II Movie.” Vanity Fair, 26 Nov. 2016. Accessed at https://www.vanityfair.com/hollywood/2016/11/allied-world-war-2-female-spy-movies- And more stories of amazing women spies.- Defense Intelligence Agency short bios of women in espionage, page 1 and page 2.- The music in the ABC (AEUG Broadcasting Channel) is:Gemini (Instrumental Version) by Josh Woodward, licensed under a Creative Commons Attribution License. You can subscribe to the Mobile Suit Breakdown for free! on fine Podcast services everywhere and on YouTube, follow us on twitter @gundampodcast, check us out at gundampodcast.com, email your questions, comments, and complaints to gundampodcast@gmail.com.Mobile Suit Breakdown wouldn't exist without the support of our fans and Patrons! You can join our Patreon to support the podcast and enjoy bonus episodes, extra out-takes, behind-the-scenes photo and video, MSB gear, and much more!The intro music is WASP by Misha Dioxin, and the outro is Long Way Home by Spinning Ratio, both licensed under Creative Commons CC BY 4.0 license. Both have been edited for length. Mobile Suit Breakdown provides critical commentary and is protected by the Fair Use clause of the United States Copyright law. Gundam content is copyright and/or trademark of Sunrise Inc., Bandai, Sotsu Agency, or its original creator. Mobile Suit Breakdown is in no way affiliated with or endorsed by Sunrise, Bandai, Sotsu, or any of their subsidiaries, employees, or associates and makes no claim to own Gundam or any of the copyrights or trademarks related to it. Copyrighted content used in Mobile Suit Breakdown is used in accordance with the Fair Use clause of the United States Copyright law. Any queries should be directed to gundampodcast@gmail.comFind out more at http://gundampodcast.com
In 1919, a young Army officer named Dwight Eisenhower, along with a "Mad Max"-style military convoy, set out on a cross-country road trip to examine the nascent state of America's roads. Penn State Altoona's Professor Brian C. Black explains how this trip influenced Eisenhower's decisions decades later, both as general and president, and laid the groundwork for the rise of petroleum-based engines and the interstate highway system.
In 1919, a young Army officer named Dwight Eisenhower, along with a "Mad Max"-style military convoy, set out on a cross-country road trip to examine the nascent state of America's roads. Penn State Altoona's Professor Brian C. Black explains how this trip influenced Eisenhower's decisions decades later, both as general and president, and laid the groundwork for the rise of petroleum-based engines and the interstate highway system.
In 1919, a young Army officer named Dwight Eisenhower, along with a "Mad Max"-style military convoy, set out on a cross-country road trip to examine the nascent state of America's roads. Penn State Altoona's Professor Brian C. Black explains how this trip influenced Eisenhower's decisions decades later, both as general and president, and laid the groundwork for the rise of petroleum-based engines and the interstate highway system.
The Lamb of War and Peace Revelation 6, p. 1031 October 13, 2019 Reverend Chris Harper I. What was and is (1-11) 1. On the earth (1-8) (A) White horse & rider (2) (B) Red horse & rider (3-4) (C) Black horse & rider (5-6) (D) Pale horse & rider (7-8) 2. In heaven (9-11) (A) Who? (9) (B) What are they doing? (10) (C) Where? (9a) (D) What is their condition? (11) II. What will be (12-17) III. What difference it makes 1. Serious warning for those not in relationship with Jesus (12-17) 2. Hope, peace, and encouragement for those in relationship with Jesus (A) The Lamb is in control (B) God’s people are safe (C) God’s people are robed and resting
Episode LXXV - "B.B.C. (Black BOYS Cheat) by III The Hard Way
Whose purpose is to search for new ideas and goals in techno music, experiment with new paths and reinvent new languages, manipulating, transforming, contaminating Follow us Streaming on: WEBSITE groove room over techno http://www.grooveroomnaples.onweb.it/ https://www.zeno.fm/grooveroomnaplesitaly FREE APP GROOVE ROOM (for android) https://t.co/aBdbXerZ3U TUNEIN http://tun.in/sfwbR RADIO .DE http://grooveroomnaples.radio.de YOUTUBE http://www.youtube.com/c/GROOVEROOM TWITCH https://www.twitch.tv/groveroomnaples ____________________________ LABEL ROBOTICS RECORDS website http://www.roboticsrecords.onweb.it/ beatport http://www.beatport.com/label/robotics-records/35502 facebook https://www.facebook.com/roboticsrecords ---------------------------------------------------- LABEL RSTC RECORDS http://www.labelrstcrecords.onweb.it/ https://www.facebook.com/label.rstc.records https://rstcrecords.bandcamp.com
Whose purpose is to search for new ideas and goals in techno music, experiment with new paths and reinvent new languages, manipulating, transforming, contaminating Follow us Streaming on: WEBSITE groove room over techno http://www.grooveroomnaples.onweb.it/ https://www.zeno.fm/grooveroomnaplesitaly FREE APP GROOVE ROOM (for android) https://t.co/aBdbXerZ3U TUNEIN http://tun.in/sfwbR RADIO .DE http://grooveroomnaples.radio.de YOUTUBE http://www.youtube.com/c/GROOVEROOM TWITCH https://www.twitch.tv/groveroomnaples ____________________________ LABEL ROBOTICS RECORDS website http://www.roboticsrecords.onweb.it/ beatport http://www.beatport.com/label/robotics-records/35502 facebook https://www.facebook.com/roboticsrecords ---------------------------------------------------- LABEL RSTC RECORDS http://www.labelrstcrecords.onweb.it/ https://www.facebook.com/label.rstc.records https://rstcrecords.bandcamp.com
In this episode, Yecid and Pushpa from Nepal talk about languages, education and cultures. We delve into personal connections with the communities and the role of languages and English in everyday life as well as the importance of preserving home languages. Sources: Giri, R. A. (2010). Cultural anarchism: the consequences of privileging languages in Nepal. Journal of Multilingual and Multicultural Development, 31(1), 87–100. https://doi.org/10.1080/01434630903398103 Issa, T., & Hatt, A. (2013). Language, Culture and Identity in the Early Years. A&C Black. Nepal Information: https://www.ethnologue.com/country/NP Renata Flores (Peru): https://www.youtube.com/watch?v=VQUrV_v7OK8 Cite this podcast (APA): Ortega, Y. (Producer). (2019, February 11). Chasing Encounters - Episode - 3 – Discovering Nepal [Audio podcast]. Retrieved from https://soundcloud.com/chasingencounters/chasing-encounters-episode-3-discovering-nepal
Synanon began as an addiction support group that gathered in a grimy Californian flat in the late 1950s. It would grow to become a well-funded utopian society throughout the late ’60s and early ’70s, before declaring itself a religion in 1974. This organisation would attract Hollywood stars like Leonard Nimoy and Jane Fonda to participate in its so-called “Game”, and eventually break up married couples, force men to have vasectomies and women to have abortions, amass assets worth tens of millions of dollars, and become entangled in a web of violence.Synanon’s leader Charles Dederich is often credited with coining the phrase “Today is the first day of the rest of your life.”Full research sources listed on each episode page at www.ltaspod.com.If you have been personally affected by involvement in a cult, or would like to support those who have been, you can find support or donate to Cult Information and Family Support if you’re in Australia (via www.cifs.org.au), and you can find resources outside of Australia with the International Cultic Studies Association (via www.icsahome.com).If you or someone you know is in crisis or needs support right now, please call Lifeline on 13 11 14 in Australia, or find your local crisis centre via the International Association for Suicide Prevention website at www.iasp.info.Links:American National Biography: Supplement — Oxford University Press, 2002Self-Reliance — by Ralph Waldo Emerson, 1847 edition, Wikisource full textEstimating Emerson: An Anthology of Criticism from Carlyle to Cavell — edited by David LaRocca, A&C Black, 1 January 2013Charles Dederich, 83, Synanon Founder, Dies — by Lawrence van Gelder, The New York Times, 4 March 1997Synanon: Toward Building a Humanistic Organization — by Steven Simon, Journal of Humanistic Psychology, Vol. 18, No. 3, Summer 1978Paul Morantz's website — with extensive writings by the attorney and investigative journalist about SynanonThe Man Who Fought the Synanon Cult and Won — by Matt Novak, Gizmodo, 27 August 2014Synanon's Sober Utopia: How A Drug Rehab Program Became A Violent Cult — by Matt Novak, Gizmodo, 20 April 2014The Rise and Fall of Synanon: A California Utopia — by Rod A. Janzen, Johns Hopkins University Press, 20012-year forced stay in drug rehab home inspires art exhibition — by Sam Whiting, San Francisco Chronicle, 22 January 2018SYNONYM — Ongoing art/research project by Phillip Andrew LewisFrom the Jaws of Victory: The Triumph and Tragedy of Cesar... See acast.com/privacy for privacy and opt-out information.
Education On Fire - Sharing creative and inspiring learning in our schools
(https://www.educationonfire.com/wp-content/uploads/2018/02/Unknown.jpeg) Sue Nicholls worked as a music subject leader in many primary settings during her career as a teacher. She has published several music resource books for non-specialists for A&C Black and OUP and contributed material to many other publications. Sue now works as an independent music education consultant leading workshops and courses for schools and music hubs. Links to information in this podcast: https://www.singup.org (https://www.singup.org) Voiceworks Series (https://global.oup.com/academic/content/series/v/voiceworks-vw/?cc=gb&lang=en&) Music Express (https://collins.co.uk/page/Music+Express) Charanga (https://charanga.com) David Liggins (https://www.ocarina.co.uk/david-liggins/) – Ocarina ISM Webinars (https://www.ism.org/professional-development/webinars/primary-music-a-unique-insight) – Primary Music Music Mark (https://www.musicmark.org.uk) Certificate for Music Educators – Trinity (http://www.trinitycollege.co.uk/site/?id=2988) Singing Breakfast Clubs (https://www.singup.org/uploads/involve/user_all/Breakfast_Club_Activity_Folder.pdf) Support this podcast
In this episode, we spend a dark and lonely night on the island in the hope of meeting a hawk. But even back gardens can be scary, strange places. We face the fear, and find mysteries high and low. Book mentioned: 'Tracks and Signs of the Birds of Britain and Europe' (2nd ed.) by Roy Brown, John Ferguson, Michael Lawrence and David Lees, 2003, Christopher Helm / A&C Black. Film mentioned: 'The Secret Life of the Sparrowhawk' by Dave Culley, narrated by Chris Packham: sparrowhawk-island.co.uk.
Gunstaband Mix: 01. Kryptic Minds - The Truth (InsideInfo Remix) 02. Datr3ndz - All It Takes 03. Evol Intent & Gein - Science 04. Jayline - Clap Trap 05. Maksim & Mefjus - Bad Habits (Cynematic Remix) 06. Flux Pavilion & Matthew Koma - Emotional (Crissy Criss Remix) 07. Artificial Intelligence feat. DRS - Pass The Buck 08. Command Strange feat. T.R.A.C - Black & White 09. Khemikal - 5th Dimension 10. Priority One & TwoThirds feat. Jonny Rose - Hunted 11. Paul T & Edward Oberon - Surrender 12. DJ Guv - Power Moves (Original Sin Remix) 13. Dr. Meaker - Good Fight (TrollPhace Remix) 14. Rogue - Rattlesnake 15. Evanescence - Bring Me To Life (Teddy Killerz Remix) BiomeXanika Guest Mix: 01. Mob Tactics - Return Of The Snitch 02. Drumsound & Bassline Smith - Outlaw Renegade 03. Spor feat. James Hadouken! - Empire 04. The Clamps - Antinomic (Human Error Remix) 05. Black Sun Empire & State Of Mind - Thug 06. Dirtyphonics feat. Tali - The Secret 07. Rene LaVice feat. David Boomah - Lights Out 08. Terravita feat. Casey Desmond - Settle The Score (Divine Elements Remix) 09. June Miller & Teddy Killerz - Wildlife 10. Katharsys - Stomper 11. Audio - Make It Happen 12. Agressor Bunx - Terror Force
LSB - ABOUT TONIGHT BROKENDRUM - SMILE (RANDOM MOVEMENT RMX) LSB FT. TOKYO PROSE - IT FINDS YOU LSB - REMEDY LSB - THE HURTING (LENZMAN RMX) LENZMAN FT. CLIFF - LOSING YOU VIP LSB - WHISPERING WORDS LENZMAN - MEMORY LOSS CALCULON & DAVE OWEN FT. CHRISTINA TAMAYO - BEN CARLOS (LENZMAN RMX) ENEI FT. CHARLI BRIX - HOMEWORLD COMMAND STRANGE FT. T.R.A.C - BLACK & WHITE VILLEM & FIELDS - AZURA COMMAND STRANGE - REMEDY KASPER & SATL - MR. FUNKY PHASE - DON'T LOOK BACK (BCEE & SAXXON) MACCA & LOZ CONTRERAS - ONE TOUCH (TECHNIMATIC RMX) ARTIFICIAL INTELLIGENCE FT. DAWN WALL - FALLEN LONDON ELEKTRICITY & KEENO FT. EMER DINEEN - ARTIFICIAL SKIN HUGH HARDIE - WIDE EYES ARP XP & FD - ON YOUR SKIN FD - AMBRA HUGH HARDIE - COLOURFUL LANGUAGE ENTER SHAKIRI - TORN APART (HUGH HARDIE RMX) LONDON ELEKTRICITY - TAPE LOOPS (HUGH HARDIE RMX) FRICTION & TECHNIMATIC - FLOATING FRAMES
The Gist of Freedom Preserving American History through Black Literature . . .
Greater D.C. Black Memorabilia, Art & Doll Show (Gaithersburg, Maryland) The educational exhibits will include slavery artifacts, Marcus Garvey, Black Panther Party, Tuskegee Airmen, Malcolm X, George Washington Carver, Dorothy Dandridge, Madame C. J. Walker Jim Crow era, the Buffalo Soldiers, Negro League Baseball, r and others. There will be autograph sessions with Negro League Baseball Players and other celebrities. There will be onsite verbal black memorabilia appraisals for a fee of $5 per item. The show is indoors and will be held rain or shine. Vendor space still available. (301)649-1915 or view the website www.johnsonshows.com. The 29th annual National Black Memorabilia, Art & Doll Show will be April 20-21, 2013 at the Montgomery County Fairgrounds, 16 Chestnut Street, in Gaithersburg, Maryland. This is located in the Greater Washington, DC area. Show hours are Saturday, 10 am - 7 pm, and Sunday, 10 am - 5 pm. Admission is $7.
The Gist of Freedom Preserving American History through Black Literature . . .
Black Memorabilia with Michele Cook of La Bonne Vivante, Learn the value of your family's precious collectibles; old photos, furniture, toys, books, albums and furniture. Labonnevivante.com ~WASHINGTON D.C. BLACK MEMORABILIA SHOW, WWW.JohnsonSHows.com~WELL ESTABLISHED, AT WHICH VENDORS FROM ALL OVER THE COUNTRY ASSEMBLE TO SHOW THE FULL RANGE OF AFRICAN AMERICAN CULTURAL ARTIFACTS: CDVS, CABINET CARDS, VINTAGE PRO PHOTOS, DAGUERREOTYPE, TIN TYPE, RPPC, SCRAPBOOKS, PHOTO ALBUMS AND EPHEMERA.
In June, 2003, Rear Admiral Barry C. Black was elected the 62nd Chaplain of the United States Senate. Prior to going to Capitol Hill, Chaplain Black served in the U.S. Navy for more than 27 years, ending his career as the Chief of Navy Chaplains.A native of Baltimore, Chaplain Black is an alumnus of Oakwood College, Andrews University, North Carolina Central University, Eastern Baptist Seminary, Salve Regina University, and United States International University. He holds a Doctorate degree in ministry and a Ph.D. in psychology and has received numerous awards and service medals. He is the author of From the Hood to the Hill: A Story of Overcoming.Recorded On: Saturday, January 16, 2010
Barry C. Black, United States Senate Chaplain
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