Podcasts about kenzaburo oe

Corre el rumor de que «Karate Kid» está basada en un relato del premio Nobel japonés Kenzaburo Oe titulado «A veces, el corazón de una tortuga». Increíble… pero falso. El proceso creativo de la peli fue mucho más sencillo, aunque no menos prodigioso. Como tantas películas, «Karate Kid» está basada en un testimonio real: el de un chico de instituto que aprendió artes marciales para hacer frente a sus acosadores. Robert A. Kamen, el guionista, leyó la noticia en el periódico y se encerró a escribir la historia. Corría la década de los 80 y una película de superación como la que escribió Kamen solo podía dirigirla un hombre: John G. Avildsen, king of the underdogs, o sea, rey de los marginados, además de ganador de un Oscar por «Rocky». Avildsen seleccionó para los papeles protagonista y antagonista de Daniel LaRusso y Johnny Lawrence a Ralph Macchio y William Zabka, quienes entrenaron duro hasta cartografiar en sus mentes, más que unas técnicas de defensa y ataque, una coreografía perfecta. Hay quien ha querido ver en la rivalidad entre LaRusso y Lawrence, una secuela ochentera y californiana de «La guerra de las galaxias», con el señor Miyagi y el sensei Kreese como trasuntos de Yoda y Darth Vader. Pero «Karate Kid» es mucho más que eso. «Karate Kid» es la historia de Daniel LaRusso, un chico cualquiera, el vecino de al lado, que se las tiene que ver con el más popular del instituto, Johnny Lawrence, un pijo malote; todo, por el amor de Ali («con i latina»). Con un argumento así, ¿quién no pagaría una entrada? La película fue un éxito desde su estreno en 1984, en Nueva York. Los miembros del reparto entraron en el Baronet and Coronet Theatre siendo más o menos conocidos y salieron inmortalizados, para bien… y para mal. Macchio y Zabka, por ejemplo, pasarían su vida peleando contra su fama de héroes adolescentes, hasta que ya cincuentones se rindieron y aceptaron protagonizar, 34 años después, Cobra Kai, la secuela de la peli. Pero esta es otra historia… otra historia de éxito. Episodio producido, escrito y narrado por Gonzalo Altozano. Sonido: César García. Diseño: Estudio OdZ. Contacto: galtozanogf@gmail.com Twitter: @GonzaloAltozano iVoox, Spotify, Apple.

Corre el rumor de que «Karate Kid» está basada en un relato del premio Nobel japonés Kenzaburo Oe titulado «A veces, el corazón de una tortuga». Increíble… pero falso. El proceso creativo de la peli fue mucho más sencillo, aunque no menos prodigioso. Como tantas películas, «Karate Kid» está basada en un testimonio real: el de un chico de instituto que aprendió artes marciales para hacer frente a sus acosadores. Robert A. Kamen, el guionista, leyó la noticia en el periódico y se encerró a escribir la historia. Corría la década de los 80 y una película de superación como la que escribió Kamen solo podía dirigirla un hombre: John G. Avildsen, king of the underdogs, o sea, rey de los marginados, además de ganador de un Oscar por «Rocky». Avildsen seleccionó para los papeles protagonista y antagonista de Daniel LaRusso y Johnny Lawrence a Ralph Macchio y William Zabka, quienes entrenaron duro hasta cartografiar en sus mentes, más que unas técnicas de defensa y ataque, una coreografía perfecta. Hay quien ha querido ver en la rivalidad entre LaRusso y Lawrence, una secuela ochentera y californiana de «La guerra de las galaxias», con el señor Miyagi y el sensei Kreese como trasuntos de Yoda y Darth Vader. Pero «Karate Kid» es mucho más que eso. «Karate Kid» es la historia de Daniel LaRusso, un chico cualquiera, el vecino de al lado, que se las tiene que ver con el más popular del instituto, Johnny Lawrence, un pijo malote; todo, por el amor de Ali («con i latina»). Con un argumento así, ¿quién no pagaría una entrada? La película fue un éxito desde su estreno en 1984, en Nueva York. Los miembros del reparto entraron en el Baronet and Coronet Theatre siendo más o menos conocidos y salieron inmortalizados, para bien… y para mal. Macchio y Zabka, por ejemplo, pasarían su vida peleando contra su fama de héroes adolescentes, hasta que ya cincuentones se rindieron y aceptaron protagonizar, 34 años después, Cobra Kai, la secuela de la peli. Pero esta es otra historia… otra historia de éxito. Episodio producido, escrito y narrado por Gonzalo Altozano. Sonido: César García. Diseño: Estudio OdZ. Contacto: galtozanogf@gmail.com Twitter: @GonzaloAltozano iVoox, Spotify, Apple.

Dalla bomba atomica al nuovo primo ministro giapponese, passando per Godzilla. Con Flavio Parisi, scrittore che vive in Giappone da vent'anni. Il libro di Flavio Parisi “Cadere sette volte, rialzarsi otto”  Questo e gli altri podcast gratuiti del Post sono possibili grazie a chi si abbona al Post e ne sostiene il lavoro. Se vuoi fare la tua parte, abbonati al Post.  I consigli di Flavio Parisi – Il film “Genbaku no ko”, “Children of Hiroshima” – “Note su Hiroshima” di Kenzaburo Oe  – L'album “Wow” di Junko Onishi  – La rapper MFS  Sul Post – Il Premio Nobel per la Pace all'organizzazione giapponese Nihon Hidankyo – Quando e perché i giapponesi si inchinano  – La fioritura dei turisti in Giappone    Learn more about your ad choices. Visit megaphone.fm/adchoices

Look! You just got another free Patreon Episode of Corinne spoiling the ever living life out of It Ends with Us by Colleen Hoover. Next week we will have our discussion of Kenzaburo Oe's The Silent Cry. Then August's prompt is to read a book that won a translation award and our first selection for that will be Deena Mohamed's Shubeik Lubeik (otherwise known as Your Wish is My Command in other English editions). Content warnings: domestic violence, sex, we spoil the entire book and make fun of Colleen Hoover's writing If you want to read along with The Bookstore Challenge 2024, you can join us on The StoryGraph to see what others are reading for each month and get ideas for your TBR: The Bookstore Challenge 2024. Get two audiobook credits for the price of one at Libro.fm when you sign up using the code BOOKSTOREPOD. Website | Patreon

Corinne's pick for July's prompt to read a book published 20 years before you were born is The Stud by Jackie Collins. It's a wild ride with lots of rich and rich-adjacent people exhibiting poor impulse control! Contains: sex, swearing, discussion of homophobia and transphobia, other offensive behaviors, attempted rape Our next book discussion will be The Silent Cry by Kenzaburo Oe. You can find it at your local bookstore or library and read along with us.  If you want to read along with The Bookstore Challenge 2024, you can join us on The StoryGraph to see what others are reading for each month and get ideas for your TBR: The Bookstore Challenge 2024. Get two audiobook credits for the price of one at Libro.fm when you sign up using the code BOOKSTOREPOD. Website | Patreon

Chapter 1What is HiroshimaIn his gripping book, "Hiroshima," John Hersey transports us into the lives of six individuals who survived the devastating atomic bomb dropped on Hiroshima in 1945. Through Hersey's vivid narrative, the reader experiences the horrific moment and its aftermath from the intensely personal perspectives of a cross-section of residents, including a doctor, a clergyman, and a young woman. Hersey masterfully illustrates the immediate and the long-term human impact of nuclear warfare, highlighting not only the physical scars but also the enduring emotional and psychological trauma. Through these poignant stories, Hersey calls on the world to recognize the profound consequences of nuclear weapons and advocates for a future where such devices of mass destruction are abolished, embodied in the powerful plea, "No more." His narrative is a critical reminder of the human cost of war and a plea for peace and humanity in global politics.Chapter 2 Meet the Writer of HiroshimaJohn Hersey's "Hiroshima" employs a straightforward, journalistic style, which enhances the impact of the harrowing content. Rather than using overtly emotional language, Hersey opts for simplicity and clarity, allowing the stark realities of the atomic bomb's aftermath to resonate profoundly. He uses meticulous detail to humanize the victims, focusing on six survivors to anchor the narrative emotionally. Through these detailed personal stories, Hersey emphasizes the shared humanity and the immense suffering of the individuals, rather than abstract numbers. His restrained language serves as a stark contrast to the devastating circumstances described, compelling readers to engage deeply with the emotional and ethical implications of the event. This approach not only respects the dignity of the survivors but also effectively conveys the profound grief and enduring resilience within the community.Chapter 3 Deeper Understanding of HiroshimaThe bombing of Hiroshima on August 6, 1945, not only marked a pivotal moment in World War II but also left a profound and lasting impact on global culture, literature, society, and ethics. This event has been a crucial and often revisited subject in various disciplines, influencing how people and nations consider war, diplomacy, ethical conduct in science, and the use of technology. LiteratureIn literature, Hiroshima has been a significant theme and subject, used to explore the dire consequences of modern warfare and its profound moral implications. Numerous works focus on human suffering, the moral dilemmas of war, and reflections on peace. Notable literary works include John Hersey's "Hiroshima," which is a journalistic masterpiece that details the lives of six survivors immediately following the bombing. This book is significant for its narrative style and its raw portrayal of human suffering, playing a critical role in shaping the American understanding of the atomic bombings. Japanese literature also carries many accounts and stories inspired by the events, with authors like Kenzaburo Oe (who wrote "Hiroshima Notes") exploring the implications on Japanese society and individual survivors. These literary explorations have helped to humanize the event, shaping how subsequent generations understand and grapple with the tragedy. Art and CultureIn art and culture, Hiroshima has provoked a wide array of responses, from films and paintings to music and photography. For instance, in cinema, both Japanese films like "Black Rain" and international productions like "Hiroshima Mon Amour" delve into the psychological and societal impacts of the bombing. Artists and filmmakers use these platforms to revisit trauma, often addressing the themes of memory and healing. The Hiroshima Peace Memorial Park and Museum itself serves as a cultural beacon, regularly hosting art exhibitions and...

La chronique de Josef Schovanec : L'auteur japonais Kenzaburô Ôe, lauréat du Prix Nobel en 1994, qui nous a quittés le 3 mars dernier. Le talk-show culturel de Jérôme Colin. Avec, dès 11h30, La Bagarre dans la Discothèque, un jeu musical complétement décalé où la créativité et la mauvaise foi font loi. À partir de midi, avec une belle bande de chroniqueurs, ils explorent ensemble tous les pans de la culture belge et internationale sans sacralisation, pour découvrir avec simplicité, passion et humour. Merci pour votre écoute Entrez sans Frapper c'est également en direct tous les jours de la semaine de 11h30 à 13h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Entrez sans Frapper sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8521 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

La chronique de Josef Schovanec : L'auteur japonais Kenzaburô Ôe, lauréat du Prix Nobel en 1994, qui nous a quittés le 3 mars dernier. Le 29 mars prochain, ce sera les 5 ans de la disparition d'Agnès Varda, une des figures importantes de la Nouvelle Vague. À cette occasion, la Cinémathèque française à Paris présente une exposition « Viva Varda », à voir jusqu'au 28 janvier. Agnès Varda est souvent présentée comme une femme libre qui n'a jamais cessé de se réinventer, guidée par un désir toujours inassouvi d'expérimentations. Une femme cinéaste que le goût pour les autres et l'appétit des rencontres aurait conduit à traverser, à sa guise, les catégories : court et long métrages, fiction et documentaire, argentique et numérique. Comme si sa détermination avait garanti le fait qu'aucun carcan – esthétique, politique, économique – ne contienne sa folle liberté. Il est vrai de dire que Varda était libérée. Dans sa jeunesse et alors que les femmes vivent encore sous l'emprise du Code Napoléon, elle fait des choix de vie conjugaux, sentimentaux et familiaux très modernes : vivant une dizaine d'années en concubinage quand le mariage est une norme à laquelle il est difficile d'échapper, un temps en couple avec une femme (Valentine Schlegel), ou encore choisissant d'élever sa fille sans le père biologique. Dans sa vie professionnelle, Varda a été tout aussi audacieuse. Mais la célébration d'une artiste ayant navigué avec aisance entre les formats et supports – le cinéma, mais aussi la photographie et l'art contemporain – peut avoir tendance à effacer les renoncements que ses partis pris lui ont coûtés. L'autocensure à Hollywood et le code Hays, à l'occasion de la sortie du livre "Le Code Hays" de Francis Bordat et Frédéric Cavé (AFRHC - Association française de Recherche sur l'Histoire du Cinéma). En mars 1930, les studios hollywoodiens se dotent d'un nouveau Code de production qui établit les règles consenties par l'industrie hollywoodienne pour désamorcer l'activité des innombrables organes de censure qui entravaient l'exploitation des films aux États-Unis. Sur la base d'archives inédites, le premier des deux essais composant ce livre relate la genèse de ce texte. On voit s'y confronter des points de vue opposés sous l'arbitrage de Will H. Hays, président de la MPPDA (l'association professionnelle des studios), jusqu'à la signature par les producteurs réunis d'un accord qui, contrairement à ce qu'on a pu dire, a efficacement gouverné le cinéma hollywoodien entre 1930 et 1934. Le second essai entreprend de corriger l'image presque universellement négative du « patron » de l'autocensure. Non seulement Hays fut un immense diplomate, mais il a contribué de façon peut-être décisive à l'avènement de « l'âge d'or » hollywoodien. On en parle avec Dick Tomasovic, chargé de cours en histoire et esthétique du cinéma et des arts du spectacle à l'ULg. Polar et littérature de genre avec Michel Dufranne : Le grand écart entre un polar potache belge et un thriller psychologique français : - Ludovic Mélon, La Brigade des buses, Calmann-Lévy - Anouk Shutterberg, La Nuit des fous, Récamier/Noir Le talk-show culturel de Jérôme Colin. Avec, dès 11h30, La Bagarre dans la Discothèque, un jeu musical complétement décalé où la créativité et la mauvaise foi font loi. À partir de midi, avec une belle bande de chroniqueurs, ils explorent ensemble tous les pans de la culture belge et internationale sans sacralisation, pour découvrir avec simplicité, passion et humour. Merci pour votre écoute Entrez sans Frapper c'est également en direct tous les jours de la semaine de 11h30 à 13h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Entrez sans Frapper sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8521 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Japanese novelist Haruki Murakami hosted a ghost story reading event in Tokyo amid growing attention before the announcement of this year's Nobel Prize in Literature, an award he is a perennial favorite to win. Murakami said at the September 28 reading that he enjoys scary stories and wants to write more of them. The event featured one from the 18th-century collection “Tales of Moonlight and Rain,” which intrigued Murakami since his childhood and is known to have inspired his work. The classic collection written by Akinari Ueda called “Ugetsu Monogatari” in Japanese explores a blurry borderline between the real and surreal, which Murakami said in a guide he contributed to a 2021 magazine made him wonder which side he was on. Borders and walls are important motifs in Murakami's writing. Protagonists in his stories often travel through walls or between two worlds and encounter mysterious, exotic characters. While Murakami has said he grew up mostly reading Western novels, some experts have also noted the influence of Ueda's stories in some of Murakami's work. Murakami has been a candidate for the Nobel Prize in Literature for more than a decade, and the winner of the 2023 prize was announced on October 5. If he had won, he would have been the first Japanese writer since Kenzaburo Oe in 1994 to be named a Nobel laureate. Japanese media also have mentioned novelists Yoko Ogawa and Yoko Tawada as possible contenders in recent years. The Nobel Prize did not come up at September 28's ghost story event. Kayoko Shiraishi, a veteran actress known for ghost tale monologues, performed Ugetsu's “The Kibitsu Cauldron," a story of an imprudent man who marries a priest's good daughter despite a cauldron's fortunetelling revealing a bad omen. The protagonist meets a horrendous end after betraying his wife, who becomes a vengeful spirit. Murakami wrote his first published novel, 1979's “Hear the Wind Sing,” after being inspired to write fiction while watching a baseball game at Meiji Jingu Stadium. This article was provided by The Associated Press.

Welcome back! In this second episode we discuss some literary news, specifically the passing of Nobel laureate Kenzaburo Oe and the US/Canada edition of the Republic of Consciousness Prize (chaired by our Lori Feathers) before moving onto a conversation on Tristan Egolf's Kornwolf. In the Marías portion we chat some more about Redonda and dive into All Souls and Dark Back of Time. Bonus points if you can guess exactly when we recorded this episode (hint: lime-sized hail in Dallas is a pretty good giveaway).If you're interested in giving the Republic of Consciousness longlist event a listen (and we know you are!), here's a link to a recording of that event.And if you're eager to hear more about Redonda and Try Not to be Strange (from one of our favorite presses, Biblioasis), here's a link to Lori's other podcast, Across the Pond, and the episode where she and Sam Jordison of Galley Beggar Press chat with Michael Hingston.Books mentioned in this episode: A Personal Matter by Kenzaburo Oe, translated by John Nathan The Last Werewolf by Glen Duncan the works of Amelia Gray Tristan Egolf's other novels: Skirt & the Fiddle and Lord of the Barnyard Try Not to Be Strange: The Curious History of the Kingdom of Redonda by Michael Hingston A Companion to Javier Marías by David K. HerzbergerClick here to subscribe to our Substack and do follow us on the socials, @lostinredonda across most apps (Twitter and Instagram for now; we're coming for you eventually #booktok).Music: “Estos Dias” by Enrique UrquijoLogo design: Flynn Kidz Designs

Seine Landsleute bezeichneten ihn als Schwarzes Schaf oder Nestbeschmutzer. Er selbst hat sich als Außenseiter gesehen, der im Alter in den Genuss gekommen sei, seine Verrücktheiten auszuleben. Am 3. März 2023 ist Kenzaburo Oe in Tokio gestorben. Aus diesem Anlass wiederholt das Kulturfeature ein Portrait zum 80. Geburtstag des Literaturnobelpreisträgers.// Von Barbara Geschwinde/ SWR 2015/ www.radiofeature.wdr.de Von Barbara Geschwinde.

Seine Landsleute bezeichneten ihn als Schwarzes Schaf oder Nestbeschmutzer. Er selbst hat sich als Außenseiter gesehen, der im Alter in den Genuss gekommen sei, seine Verrücktheiten auszuleben. Am 3. März 2023 ist Kenzaburo Oe in Tokio gestorben. Aus diesem Anlass wiederholt das Kulturfeature ein Portrait zum 80. Geburtstag des Literaturnobelpreisträgers.// Von Barbara Geschwinde/ SWR 2015/ www.radiofeature.wdr.de Von Barbara Geschwinde.

The number of people still wearing masks remains high, despite guidelines being relaxed on Monday. Japanese novelist and pacifist Kenzaburo Oe, winner of the 1994 Nobel Prize in Literature, died peacefully in the early hours of March 3rd aged 88. While in Nara prefecture, torches were lit for the annual 'Shuni-e' ceremony and two-week Omizutori ritual which reaches its climax with water drawn from a well near Todaiji temple. And in Shimbashi, we focus on the sound of people enjoying the warm weather and the beginning of spring. — Get in touch: notebook.podcast@gmail.com Leave a message: speakpipe.com/notebook Instagram: @notebook_pod Twitter: @notebook_pod — Learn more about your ad choices. Visit megaphone.fm/adchoices

Muere el Nobel de Literatura Japonés Kenzaburo Oe, Placebo dará concierto íntimo en México, Muestran crueldad humana en la obra "El Eterno Verano de la Guerra"Edgar Estrada nos cuenta todo sobre el mundo del entretenimiento; espectáculos, cultura, cine, televisión, teatro y muchas recomendaciones a tu alcance. ¡Estamos "Del Tingo al Tango"! Una producción original de Audio Centro

El legado de López Tarso. Murió también a los 88 años el escritor japonés Kenzaburo Oe, Premio Nobel de Literatura

Themen u.a.: Rückblick auf die Oscar-Nacht; Nachruf auf den Literaturnobelpreisträger Kenzaburo Oe; Kulturnachrichten; Gespräch mit Opernregisseur Barrie Kosky; Premieren an NRW-Bühnen; Moderation: Jörg Biesler Von Jörg Biesler.

Kenzaburo Oe, regarded as one of Japan's leading contemporary novelists and the second Japanese person to win the Nobel Prize in literature, died on March 3, his publisher, Kodansha, announced in a statement Monday. He was 88. He won the Nobel Prize in 1994 as he was working on the "A Flaming Green Tree" trilogy. The prize was awarded for works including the novel "A Personal Matter" — which was dedicated to his son, the composer Hikari Oe — solidifying his place in contemporary literature. Hikari Ōe was born and developmentally disabled. Doctors tried to convince his parents to let their son die, but they refused to do so. Even after an operation, Ōe remained visually impaired, developmentally disabled and epileptic, with limited physical coordination. Episode Notes: https://www.japantimes.co.jp/news/2023/03/13/national/kenzaburo-oe-obit/

O episódio de hoje é uma prévia da maior feira do Mercado Editorial do Mundo. A Feira do livro de Frankfurt. E marca também o início da cobertura do PublishNews na Alemanha. Pra participar desse bate-papo descontraído, conversamos com João Varella – nosso ouvinte e crítico, editor da Lote 42 e Banca Tatuí, e que foi selecionado para o Frankfurt International Booksellers, novo projeto da feira de Frankfurt que levará 15 livrarias internacionais para o evento para participarem de uma programação que inclui treinamentos, seminários e networking. Também contamos com a participação remota de Gustavo Faraon, da Dublinense, selecionado para participar do Fellowship Program, voltado para jovens editores e que liberou um tempinho na sua agenda para responder nossas perguntas. E eu, Fabio também vou pra Frankfurt. A Tocalivros foi uma das dez editoras selecionadas pelo CreativeSP, programa de internacionalização da economia criativa do Governo do Estado de São Paulo, para ir a Feira também. Eu estarei por lá representando a plataforma de audiolivros e e-books e estúdio de produção e conto no episódio, um pouco de como será. Junto com Talita, em sua terceira vez no evento, falamos sobre as expectativas do que nos aguarda depois de anos com eventos online e híbridos e parece que volta com força total! Este podcast é um oferecimento da MVB Brasil, empresa que traz soluções em tecnologia para o mercado do livro. Além da Metabooks, reconhecida plataforma de metadados, a MVB oferece para o mercado brasileiro o único serviço de EDI exclusivo para o negócio do livro. Com a Pubnet, o seu processo de pedidos ganha mais eficiência. https://brasil.mvb-online.com/home Já ouviu falar em POD, impressão sob demanda? Nossos parceiros da UmLivro são referência dessa tecnologia no Brasil, que permite vender primeiro e imprimir depois; reduzindo custos com estoque, armazenamento e distribuição. Com o POD da UmLivro, você disponibiliza 100% do seu catálogo sem perder nenhuma venda. http://umlivro.com.br Este é o episódio número 239 do Podcast do PublishNews do dia 17 de outubro de 2022 gravado no dia 13. Eu sou Fabio Uehara e esse episódio conta com a participação de Talita Fachinni e Karina Lourenço. E a edição de Fabio Uehara. E não se esqueça de assinar a nossa newsletter, nos seguir nas redes sociais: Instagram, Linkedin, YouTube, Facebook e Twitter. Todos os dias com novos conteúdos para você. E agora João Varella Dicas para Frankfurt https://metabooks.com/servicos/blog/feira-do-livro-de-frankfurt-2022 O alegre canto da perdiz - Paulina Chiziane - Dublinense https://dublinense.com.br/livros/o-alegre-canto-da-perdiz/ Leyem - Caio Zerbini - Editora Quelônio - https://www.quelonio.com.br/product-page/leyen-caio-zerbini Pedro e o imperador - Batista e Joana Afonso - Lote 42 - https://www.bancatatui.com.br/produtos/pedro-e-o-imperador/ Flip Mapeamento do clube de leitura https://www.flip.org.br/noticia/flip-faz-mapeamento-de-coletivos-e-clubes-de-leitura/ Game: The Dark Pictures Anthology - https://www.thedarkpictures.com Juhmco Hanada - https://www.instagram.com/juhmcocoppola/ O grito silencioso - Kenzaburo Oe (https://www.estantevirtual.com.br/livros/kenzaburo-oe/o-grito-silencioso/1992728431) Monstro do Pântano - Alan Moore - Editora Panini (https://panini.com.br/monstro-do-pantano-por-alan-moore-vol-1-edicao-absoluta) A morte de Bunny Munro - Nick Cave - https://www.estantevirtual.com.br/livros/nick-cave/a-morte-de-bunny-munro/484143588 --- Send in a voice message: https://anchor.fm/podcast-do-publishnews/message

Today, we're talking about the literature of change in the 1960s—how writers took on questions about what it meant to be Japanese in the post-war era and what was the continuing role of Japanese tradition.We're looking especially at Yukio Mishima and Kenzaburo Oe.Content warning: This episode addresses fascism and suicide.Notes and sources at the podcast episode website.

Nessa semana falamos sobre muita coisa. Taca-lhe play!Colabore com o nosso trabalho através do PicPay ou Padrim. PARTICIPANTES:------------------Ana Raíssa - https://twitter.com/annarraissaDiego Squinello - https://twitter.com/GarotoDoKikaoRodrigo Hipólito - http://twitter.com/lhamanalamaVictor Sousa - http://twitter.com/erro500 COMENTADO NO EPISÓDIO------------------Elon Musk desiste do TwitterLDO aprovada sem RP9 impositivaA motivação foi a denúncia sobre o Pacheco?Alessandro Vieira pede investigaçãoCongresso derruba vetos da Cultura | Oposição emocionadaBoris Johnson renuncia ao cargoExército hasteia bandeira nazista em escolaJuiz que mandou prender Milton é atacado em BrasíliaBozo edita decreto para obrigar a exibir preço antes/depois do teto do ICMSMilicos preparam “fiscalização paralela” da eleiçãoMarcelo Arruda é morte em Foz do IguaçuAssassino permanece sedado em previsão de alta | perfilDelegada do caso tinha postagens contra o PT … e foi afastadaMãe acredita em motivação política … mas Bozo defende bandidoComparar posicionamentos: Lula x BozoBozo ligou pra famíliaCâmara faz sessão de 1 minuto … e comissão aprovaSegundo Guedes, não dá nada nãoCaminhoneiro não é burro e sabe fazer contaAnitta é Lula … Lula é AnittaLula in RioBomba caseira foi atirada em eventoLula confirma apoio ao FreixoLula agradecendo Maninho do PTSuplicy vem pra deputado estadual … e Márcio França senadorTarcísio confirma vice do PSD na sua chapa em SPMarreco confirmado como candidato ao senadoA autoestima de Simone TebetCiro Gomes: “Lula planejou entregar Brasil para Bolsonaro”Pesquisa presidencial BTG/FSB - 8 a 10/07Pesquisa Big Data / Record SP - 8 a 9/07 DICAS CULTURAIS------------------[reportagem] Orçamento Secreto banca fraudes no SUS[podcast] O Assunto - Bolsonaro e a necropolítica[texto] Seventeen, de Kenzaburo Oe, ou precisamos falar sobre aquela direita[conto] Seventeen[podcast] Assovio;[edital] Desafio Pindorama Tem algum feedback sobre o episódio?------------------E-mail: podcastmid@gmail.comTwitter: @podcastmidInstagram: @podcastmid

Geçtiğimiz hafta neler izledik, neler okuduk? Önce 2021'in çok konuşulan filmlerinden Bergman Adası'na ve 2017 yapımı Aman Doktor'a bir bakış atıyoruz. Dostoyevski'nin Öteki kitabı üzerinden şeytani ikiz fikrinden ve edebiyattaki izlerinden, Julian Barnes'ın Manş'ı aşan öykülerinden söz ediyoruz. Bu hafta vizyona ve dijital platformlara gelen Audrey Diwan imzalı Annie Ernaux uyarlaması Kürtaj'a, Paul Verhoeven'ın yenisi Benedetta'ya, 2016 yapımı Mon Roi filmi ile 2020 filmlerinden My Salinger Year'a değinip edebiyat dünyasından haberlere geçiyoruz. Yeni yayımlanan Isabel Allende, Thomas Mann, Kenzaburo Oe ve John Berger kitapları ile Orwell'in çizgiroman formatındaki biyografisi ve yeni duyurulan Bulgakov biyografisi konuştuklarımız arasında.

This week, my friend Michael Levin joins the show and talks about reading his way through Nobel Prize winners including Thomas Mann and A Personal Matter by Kenzaburo Oe.Click on the links below to be taken to my Bookshop.org shop. Books Discussed:Buddenbrooks by Thomas MannThe Plague by Albert CamusA Personal Matter by Kenzaburo Oe One Hundred Years of Solitude Gabriel Garcia MarquezFor Whom the Bell Tolls by Ernest HemingwayOther Books Discussed:Wolf Hall – Hilary MantelBring up the Bodies – Hilary MantelThe Mirror and the Light – Hilary MantelKristin Lavransdatter by Sigrid Undset Justine by Lawrence DurrellWhat we're reading nextMrs. March by Virginia FeitoKlara and the Sun by Kazuo IshiguroHIS ONLY WIFE GIVEAWAY - click to be. taken to my. Instagram Page and enter the giveaway.  All you have to do to enter. is leave a comment under the giveaway post. Feel free to tag a friend for more entries. I will randomly select one winner. Open. to US mailing addresses only. This giveaway will close on Tuesday, September 7th, 2021. Click here to read the Verge article on which e-readers are becoming obsolete. Click here to read the Center For Fiction's longest for the First Novel Prize.I'm starting a Patreon for fans of Books Are My People and I want your input! Please me at booksaremypeople@gmail.com with your suggestions. I will be open to suggestions for the next two weeks! Get 10% off of your next purchase at Db by using the code POD10 or. clicking this link!  Levtex HomeList of Nobel Prize Winners in Literature Support the show (https://www.patreon.com/user?u=22705533)

In Haruki Murakamis Roman »Die Pilgerjahre des farblosen Herrn Tazaki« von 2013 wird der junge Held aus dem bis dahin verschworenen Freundeskreis ohne Begründung verstoßen. Er fällt in eine Depression, seine nicht abgeschlossene Jugend lastet wie ein Fluch auf ihm. Ein Klavierstück von Franz Liszt wird für ihn zum Erinnerungsmotiv – auch Liszt thematisiert in seiner Musik Selbstfindung, Abschied, Sehnsucht nach Zugehörigkeit. Über Jahrhunderte hinweg scheinen die Fragen die gleichen zu sein: Wann endet die Jugend, und wodurch? Was verlieren wir, wenn wir erwachsen geworden sind? Gast: Ursula Gräfe, geb. 1956, studierte Japanologie, Anglistik und Amerikanistik an der Universität Frankfurt. Seit 1988 arbeitet sie hauptberuflich als Übersetzerin literarischer Werke vor allem aus dem Japanischen sowie aus dem Englischen und Amerikanischen. Sie hat u.a. Werke von R.K. Narayan, Yasushi Inoue und Kenzaburo Oe ins Deutsche übertragen, ist Autorin einer Buddha-Biografie und Herausgeberin mehrerer Anthologien. Seit 2001 übersetzt sie die Werke Haruki Murakamis. 2019 erhielt sie den japanischen Noma Award for the Translation of Japanese Literature. Host: Ralf Schlüter, geb. 1968, lebt als Kulturjournalist in Hamburg. Seine Jugend verbrachte er zu etwa gleichen Teilen in Plattenläden, Buchhandlungen und Museen, immer schon mit Hang zur Querverbindung: eine Zeile von Bob Dylan brachte ihn auf den Dichter Ezra Pound, ein Patti-Smith-Plattencover auf die zeitgenössische amerikanische Fotografie. Während seines Literaturstudiums im Berlin der 90er schrieb er für den deutschen Rolling Stone und die Berliner Zeitung nicht nur über Musik. Von 2006 bis 2020 war er Stellvertretender Chefredakteur des Kunstmagazins Art. Seit 2013 moderierte er die Sendung Art Mixtape beim Webradio ByteFM. Im Podcast Zeitgeister erkundet Schlüter, von der Musik ausgehend, den Kosmos der Gegenwartskultur noch einmal neu: auf der Suche nach übersehenen Details und unerzählten Geschichten. Haruki Murakami: Die Pilgerjahre des farblosen Herrn Tazaki, Übersetzung von Ursula Gräfe, Köln 2013 Franz Liszt: Porträt von Lehmann: https://www.zeit.de/2011/19/L-SM-Liszt Porträtfoto: https://www.hfm-weimar.de/ueber-uns/leitbild/franz-liszt/ Biographie: Oliver Hilles: Liszt. Biographie eines Superstars. München 2011 Aufnahme: Lazar Berman: Liszt, Années de pèlerinage, Deutsche Grammophon 1977 Der Podcast ist auch zu hören bei ByteFM: https://www.byte.fm/sendungen/bytefm-magazin/ Weitere Podcasts der ZEIT-Stiftung: https://www.zeit-stiftung.de/mediathek/videoundpodcast/podcast/

In Haruki Murakamis Roman »Die Pilgerjahre des farblosen Herrn Tazaki« von 2013 wird der junge Held aus dem bis dahin verschworenen Freundeskreis ohne Begründung verstoßen. Er fällt in eine Depression, seine nicht abgeschlossene Jugend lastet wie ein Fluch auf ihm. Ein Klavierstück von Franz Liszt wird für ihn zum Erinnerungsmotiv – auch Liszt thematisiert in seiner Musik Selbstfindung, Abschied, Sehnsucht nach Zugehörigkeit. Über Jahrhunderte hinweg scheinen die Fragen die gleichen zu sein: Wann endet die Jugend, und wodurch? Was verlieren wir, wenn wir erwachsen geworden sind? Gast: Ursula Gräfe, geb. 1956, studierte Japanologie, Anglistik und Amerikanistik an der Universität Frankfurt. Seit 1988 arbeitet sie hauptberuflich als Übersetzerin literarischer Werke vor allem aus dem Japanischen sowie aus dem Englischen und Amerikanischen. Sie hat u.a. Werke von R.K. Narayan, Yasushi Inoue und Kenzaburo Oe ins Deutsche übertragen, ist Autorin einer Buddha-Biografie und Herausgeberin mehrerer Anthologien. Seit 2001 übersetzt sie die Werke Haruki Murakamis. 2019 erhielt sie den japanischen Noma Award for the Translation of Japanese Literature. Host: Ralf Schlüter, geb. 1968, lebt als Kulturjournalist in Hamburg. Seine Jugend verbrachte er zu etwa gleichen Teilen in Plattenläden, Buchhandlungen und Museen, immer schon mit Hang zur Querverbindung: eine Zeile von Bob Dylan brachte ihn auf den Dichter Ezra Pound, ein Patti-Smith-Plattencover auf die zeitgenössische amerikanische Fotografie. Während seines Literaturstudiums im Berlin der 90er schrieb er für den deutschen Rolling Stone und die Berliner Zeitung nicht nur über Musik. Von 2006 bis 2020 war er Stellvertretender Chefredakteur des Kunstmagazins Art. Seit 2013 moderierte er die Sendung Art Mixtape beim Webradio ByteFM. Im Podcast Zeitgeister erkundet Schlüter, von der Musik ausgehend, den Kosmos der Gegenwartskultur noch einmal neu: auf der Suche nach übersehenen Details und unerzählten Geschichten. Haruki Murakami: Die Pilgerjahre des farblosen Herrn Tazaki, Übersetzung von Ursula Gräfe, Köln 2013 Franz Liszt: Porträt von Lehmann: https://www.zeit.de/2011/19/L-SM-Liszt Porträtfoto: https://www.hfm-weimar.de/ueber-uns/leitbild/franz-liszt/ Biographie: Oliver Hilles: Liszt. Biographie eines Superstars. München 2011 Aufnahme: Lazar Berman: Liszt, Années de pèlerinage, Deutsche Grammophon 1977 Der Podcast ist auch zu hören bei ByteFM: https://www.byte.fm/sendungen/bytefm-magazin/ Weitere Podcasts der ZEIT-Stiftung: https://www.zeit-stiftung.de/mediathek/videoundpodcast/podcast/

On episode 149 of The Quarantine Tapes, guest host Walter Mosley is joined by Morgan Entrekin. Morgan is the publisher of Grove Atlantic. He tells Walter about his experience being in New York and weathering COVID early in the pandemic.Walter and Morgan discuss how the publishing industry has been affected by the pandemic. They talk virtual events, the changing role of books, and technology’s role in publishing. Morgan expresses both his hopes and fears for publishing, ending the episode with a note of optimism for the future. Morgan Entrekin grew up in Nashville, Tennessee. After graduating from Stanford and the Radcliffe Publishing Course, he joined Delacorte Press in 1977, where he worked with such authors as Kurt Vonnegut and Richard Brautigan. In 1984 he started his own imprint at Atlantic Monthly Press, publishing books by P.J. O’Rourke, Ron Chernow, and Francisco Goldman, among others. In 1993, Morgan merged Atlantic Monthly Press with Grove Press, the publisher of authors including Samuel Beckett, William Burroughs, Harold Pinter, and Tom Stoppard. Morgan is currently the CEO and Publisher of Grove Atlantic, Inc, which publishes 120 books a year ranging from general nonfiction, current affairs, history, biography, and narrative journalism to fiction, drama, and poetry. Authors include Mark Bowden, Aminatta Forna, Jim Harrison, Donna Leon, Yan Lianke, Helen Macdonald, Viet Thanh Nguyen, Kenzaburo Oe, Sarah Broom, Bernadine Evaristo, and Douglas Stuart. In 2015, Morgan launched the Literary Hub, a website that features original content from over 200 partners including publishers large and small, literary journals, not-for-profits, and booksellers. Lit Hub now has over 3 million visitors a month.Walter Mosley is one of the most versatile and admired writers in America. He is the author of more than 60 critically-acclaimed books including the just released Elements of Fiction, a nonfiction book about the art of writing fiction; the novel John Woman,Down the River and Unto the Sea (which won an Edgar Award for “Best Novel”) and the bestselling mystery series featuring “Easy Rawlins.” His work has been translated into 25 languages and includes literary fiction, science fiction, political monographs, and a young adult novel. His short fiction has been widely published, and his nonfiction has appeared in the New York Times and The Nation, among other publications. He is also a writer and an executive producer on the John Singleton FX show, “Snowfall.”In 2013 he was inducted into the New York State Writers Hall of Fame, and he is the winner of numerous awards, including an O. Henry Award, The Mystery Writers of America’s Grand Master Award, a Grammy®, and PEN America’s Lifetime Achievement Award.Mosley lives in New York City and Los Angeles.

Essay by Kenzaburo Oe

La Segunda Guerra Mundial dejó muchas heridas abiertas, una de ellas fue en Japón. La caída de las bombas atómicas de Hiroshima y Nagasaki rompieron a la sociedad nipona. El mundo de la literatura japonesa lo refleja en sus obras y en esta ocasión Rubén Almarza nos hablará sobre una de aquellas figuras: Kenzaburo Oe. A lo largo de los minutos nos colamos en el legado del autor con libros como: -Arrancad las semillas, fusilad a los niños. - Una cuestión personal - El grito silencioso En el segundo tramo del programa Alberto Venegas nos habla sobre las posibilidades del videojuego para conservar y difundir la memoria y la historia. Nuestro invitado nos introduce en obras para preservar las tradiciones como Never Alone y otras que se basan en testimonios históricos como es el caso de Path Out, Bury me, my love; ambas abordan la sobre la experiencia de los refugiados sirios. Orden de intervenciones: Rubén Almarza: 8:09 - 25:04 Alberto Venegas: 27:54 - 40:17. Todo esto y mucho más en mucho más en www.elcafedelalluvia.com Síguenos en twitter: @cafelluvia | Facebook: Cafedelalluvia |Instagram: elcafedelalluvia ¡Suscríbete a "El Café de la Lluvia"! ¿Te identificas con lo que hacemos? ¿Piensas que la cultura, la ciencia y la educación son herramientas de transformación social? Si es así, puedes apoyar el medio en: https://elcafedelalluvia.com/apoya-el-proyecto/

O livro que encerra esta temporada retrata um momento difícil e desafiador da vida do autor Kenzaburo Oe: o nascimento de um filho com anomalia cerebral. Para comentar a obra, recebemos Rodrigo Villela, Olívia Byington, Luís Felipe Toledo, Fábio Caramuru, Shintaro Hayashi e Neide Hissae.

Hoy es el cumpleaños de Kenzaburo Oe, nada más ni nada menos que uno de los dos premios Nobel de literatura de Japón. Obviamente su escritura y su forma de narrar historias impresionantes es una de las cosas más admirables de él. Pero si de algo es digno de admirar es su capacidad de sufrir lo insufrible. Con una niñez cargada de un país perdedor de una guerra mundial, se enfrenta con un gran abismo: su hijo nace con hidrocefalia. Enfrentar esta situación, así como conocer de primera mano a víctimas de las dos bombas nucleares lanzadas en Japón, lo hace enfrentarse al sufrimiento. Pero lo interesante es ver cómo al final de su vida, las herramientas que éste ocupo lo ayudaron a cruzar esa oscura situación de su vida. Música: disOrder by airtone (c) copyright 2011 Licensed under a Creative Commons Attribution (3.0) license. http://dig.ccmixter.org/files/airtone/33608

Show Notes This week, we discuss the Mobile Suit Gundam series as a whole: what do we think of the ending? Do we think the story as a whole is well done? Did the shortened series hurt them? Who were our favorite characters? We bring in special guest Sean Michael Chin to break down the trajectory of the Amuro/Char rivalry, viewed through their fights. And we talk about "Yakeato Sedai" or "The Generation of Ashes," and how their artistic output and political activism likely influenced Gundam and its creators. - Book of Academic Essays on Yakeato:Rosenbaum, Roman, and Yasuko Claremont. Legacies of the Asia-Pacific War: the Yakeato Generation. Routledge, 2015.- Wikipedia pages on the three Yakeato I talk about in this episode: Akiyuki Nosaka (野坂 昭如), Kenzaburo Oe (大江 健三郎), and Makoto Oda (小田 実).- Wiki page on Grave of the Fireflies (火垂るの墓 Hotaru no Haka) (the short story, not the film).- Nosaka’s obituary in the Independent (he passed away in 2016).- Kenzaburo Oe’s biography from when he received the Nobel Prize for Literature in 1994.- Paris Review biography and interview with Kenzaburo Oe.- Wikipedia page for composer Hikari Oe.- Article from Time Asia about Makoto Oda.- Makoto Oda’s obituary in The Sunday Times (he died in 2007). You can subscribe to the Mobile Suit Breakdown for free! on fine Podcast services everywhere and on YouTube, follow us on twitter @gundampodcast, check us out at gundampodcast.com, email your questions, comments, and complaints to gundampodcast@gmail.com.Mobile Suit Breakdown wouldn't exist without the support of our fans and Patrons! You can join our Patreon to support the podcast and enjoy bonus episodes, extra out-takes, behind-the-scenes photo and video, MSB gear, and much more!The intro music is WASP by Misha Dioxin, and the outro is Long Way Home by Spinning Ratio, both licensed under Creative Commons CC BY 4.0 license. Both have been edited for length. Mobile Suit Breakdown provides critical commentary and is protected by the Fair Use clause of the United States Copyright law. All Gundam content is copyright and/or trademark of Sunrise Inc., Bandai, or its original creator. Mobile Suit Breakdown is in no way affiliated with or endorsed by Sunrise Inc. or Bandai or any of its subsidiaries, employees, or associates and makes no claim to own Gundam or any of the copyrights or trademarks related to it. Copyrighted content used in Mobile Suit Breakdown is used in accordance with the Fair Use clause of the United States Copyright law. Any queries should be directed to gundampodcast@gmail.comFind out more at http://gundampodcast.com

Renu and Soup talk about Flavors of Youth.Our OP is by Skatune Network - check out the full version here!Our ED is by Takuma OkadaAh yes. Edge of Tomorrow. That needed a sequelAll You Need is KillEvery Frame a Painting on Satoshi KonTo Be HeroKarl Marx Anime TrailerInvisible PlanetsThe Rice Noodle SceneViral Cup Noodle CommercialCup Noodle playing with our Ghibli feelingsDisneyland Tokyo CommercialMcDonalds CommercialLotte Music Video for a BUMP OF CHICKEN songAfter the QuakeA Discussion between Kazuo Ishiguro and Kenzaburo Oe on writing for an audienceFind out more at http://absoluteterritorycast.com

Di #CobaBaca episode 5 ini, @anovaisme dan @anismashlihatin mengajak Duta Baca Yogyakarta @olivehateem untuk berbincang tentang buku karya Carlos Fuentes, Kenzaburo Oe, karya terjemahannya @sastra.alibi, mitos minat baca Indonesia yang katanya rendah dan juga fenomena buku bajakan yang marak terjadi di industri perbukuan.

Sam talks to the distinguished scholar of Japanese literature Jay Rubin, editor of the new Penguin Book of Japanese Short Stories.  Many of us in the West know little of Japanese literature beyond, perhaps, Haruki Murakami, Yukio Mishima and perhaps Banana Yoshimoto and Kenzaburo Oe. Jay fills in the blanks. Did you know the Japanese novel got going centuries before Don Quixote? That Japanese novelists were producing pitiless self-portraits decades before Knausgaard's voguish 'auto-fictions'? All this, plus the story of Japanese women's writing and the place of manga in the culture. Produced by Connor O'Hara.

Philip Dodd and New Generation Thinker Christopher Harding review the newly translated novel from Nobel prize winner Kenzaburo Oe; historian Naoko Shimazu and curator Mizuki Takahashi discuss the chequered history of the concept of Cool Japan; British Bangladeshi writer Tahmima Anam reviews the new exhibition Artist and Empire at Tate Britain. Artist Hew Locke and curator and art historian Sarah Thomas investigate how Empire creates complexity and difficulty around the question of what is British Art. Artist and Empire: Facing Britain's Imperial Past runs at Tate Britain from 25 November 2015 – 10 April 2016 Death By Water written by Kenzaburo Oe is translated by Deborah Boliver Boehm.Producer: Jacqueline Smith

Spielberg's latest film, Bridge of Spies, features Tom Hanks as a lawyer in 1950s America, hired to defend a Soviet spy. Does that combination of actor and director guarantee a great film? Todd Haynes' has adapted a Patricia Highsmith novel for Carol. Cate Blanchett plays a woman trapped in a loveless marriage of convenience who falls in love with a shop girl Rooney Mara. Complications ensue. Richard Eyre directs Ibsen's Little Eyolf at London's Almeida Theatre - difficult play dealing with marriage and grief. A retrospective exhibition of more than 30 years of the work of Irish artist Michael Craig-Martin has opened at The Serpentine Gallery. Nobel Winnner Kenzaburo Oe's latest novel is Death by Water; a leisurely tale about family crises and family legends Tom Sutcliffe's guests are Joe Dunthorne, Damian Barr and Susannah Clapp. The producer is Oliver Jones.

Bookrageous Episode 74; International Literature Intro Music; In The Summertime - Rural Alberta Advantage What We're Reading Jenn [1:15] Hunted Down: The Detective Stories of Charles Dickens [3:15] The Sparrow, Mary Doria Russell [4:45] The Winter's Tale, William Shakespeare Preeti [5:30] The Girls at the Kingfisher Club, Genevieve Valentine [5:45] Marvel Comics: The Untold Story, Sean Howe [9:05] Night of the Living Deadpool, Cullen Bunn Dustin [11:15] The Very Hungry Caterpillar, Eric Carle [11:50] Moscow in the Plague Year: Poems, Marina Tsvetaeva, Christopher Whyte [12:50] This Changes Everything, Naomi Klein [14:30] Songs of the Dying Earth, eds. George R.R. Martin, Gardner Dozois [16:30] Collected Poems, W.H. Auden, Edward Mendelson --- Intermission; Intermission (West Side Story) --- International Literature [17:40] Jenn's sad pie-chart [22:45] Russian sci-fi: Victor Pelevin, Boris & Arkady Strugatsky, Sergei Lukyanenko [25:10] My Struggle: Book 1, Karl Ove Knausgaard [26:50] A Time for Everything, Karl Ove Knausgaard, James Anderson [27:45] In Search of Lost Time, Marcel Proust [29:45] Publishers of literature in translation: Archipelago Books (Knausgaard in hardcover), Dalkey Archive Press, Melville House, FSG, Open Letter Books, Deep Vellum Publishing, And Other Stories Publishing, New Vessel Press, Europa Editions [31:45] The Krishnavatara, K.M. Munshi [32:20] Mary Stewart's Arthurian Saga [33:25] Alina Bronsky, Elena Ferrante [34:10] Illuminations: Essays and Reflections, Walter Benjamin [37:15] Lauren Beukes [38:20] Night Watch, Sergei Lukyanenko [39:30] One Hundred Years of Solitude, Gabriel Garcia Marquez [40:15] Don Quixote, Miguel de Cervantes, Edith Grossman [41:20] The Bone Clocks, David Mitchell (character chart via Vulture) [42:50] Salman Rushdie [44:35] The Brief Wondrous Life of Oscar Wao, Junot Diaz [46:55] Kenzaburo Oe [47:30] Naruto, Masashi Kishimoto [49:50] Stolen Air: Selected Poems of Osip Mandelstam, Christian Wiman, Osip Mandelstam [51:30] Arkady and Boris Strugatsky (Roadside Picnic; The Snail on the Slope); Sergei Lukyanenko [52:25] Gabriel Garcia Marquez & Juan Jose Saer: The Autumn of the Patriarch, La Grande, Scars [52:20] Mohsin Hamid (How to Get Filthy Rich in Rising Asia; The Reluctant Fundamentalist) [53:45] War & War, Laszlo Krasznahorkai, George Szirtes [55:15] The Krishnavatara, K.M. Munshi [56:10] Naruto, Masashi Kishimoto [56:50] Pluto, Naoki Urasawa [57:30] The Infatuations, Javier Marias; Your Face Tomorrow [59:10] The Pearl Series, New Directions: Bad Nature or With Elvis in Mexico, Javier Marias [59:35] The Hall of the Singing Caryatids, Victor Pelevin [1:00:10] The Concise Chinese-English Dictionary for Lovers, Xiaolu Guo [1:01:15] Translators on translation: Edith Grossman, Why Translation Matters; Is That a Fish in Your Ear?: Translation and the Meaning of Everything, David Bellos; The Man Between, Michael Henry Heim --- Find Us! Bookrageous on Tumblr, Podbean, Twitter, Facebook, Spotify, and leave us voicemail at 347-855-7323. Next book club pick: What We See When We Read, Peter Mendelsund. Put BOOKRAGEOUS in the comments of your order to get 10% off from WORD Bookstores! Find Us Online: Dustin, Jenn, Preeti Order Josh's book! Maine Beer: Brewing in Vacationland Get Bookrageous schwag at CafePress Note: Our show book links direct you to WORD, an independent bookstore. If you click through and buy the book, we will get a small affiliate payment. We won't be making any money off any book sales -- any payments go into hosting fees for the Bookrageous podcast, or other Bookrageous projects. We promise.

This 1964 novel is one of the best-known by Japanese novelist Kenzaburo Oe, who won the Nobel Prize for Literature in 1994. The book follows Bird, a new father deciding whether to save his newborn son, whose seemingly severe birth defect might keep him from ever living a full life. 

Una cuestión personal de Kenzaburo Oe (1964), ganador del premio Nobel de Literatura en 1994, es una obra que expora las complejidades de la vida moderna y la busqueda de identidad. En este libro, Bird un joven japonés en Tokio de los 60s se enfrenta a una situacion inesperada cuando su primer hijo nace y nada parece marchar bien. Como musica de fondo extractos de "Rip, Rig & Panic" de The Roland Kirk Quartet (1965).    Contactowww.alaaventura.net/contactofacebook.com/alaaventurapodcastTwitter: @alaaventurajboscomendoza@gmail.com

durée : 00:20:50 - Les Grandes Traversées - par : Michel Pomarède - « L'histoire se répète » écrit en mars 2011 le prix Nobel de littérature Kenzaburo Oe auteur des Notes d'Hiroshima, qui ajoute « l'histoire d'aujourd'hui s'écrit sous le regard des victimes d'hier ». Mais l'histoire se répète-t-elle vraiment ? Après s'être rendu au Japon en 2005 pour rencontrer les Hibakusha, les personnes irradiées d'Hiroshima et de Nagasaki, Michel Pomarède est retourné cette année dans l'archipel. Il a enregistré les « répliques » de la catastrophe du 11 mars 2011 dans la société nipponne : la colère des écrivains Satoshi Kamata et Hideo Furukawa, mais aussi les récits du photographe Ryuichi Hirokawa et de l'écrivain américain William Vollmann présents dans la zone interdite de Fukushima. Grâce aux archives, Michel Pomarède montre comment la catastrophe a notamment nourri l'imaginaire des cinéastes japonais dès 1954 avec l'apparition du monstre Godzilla. Une production cinématographique dépassée il y a un an par la réalité.

durée : 00:59:04 - Les Grandes Traversées - par : Michel Pomarède - « L'histoire se répète » écrit en mars 2011 le prix Nobel de littérature Kenzaburo Oe auteur des Notes d'Hiroshima, qui ajoute « l'histoire d'aujourd'hui s'écrit sous le regard des victimes d'hier ». Mais l'histoire se répète-t-elle vraiment ? Après s'être rendu au Japon en 2005 pour rencontrer les Hibakusha, les personnes irradiées d'Hiroshima et de Nagasaki, Michel Pomarède est retourné cette année dans l'archipel. Il a enregistré les « répliques » de la catastrophe du 11 mars 2011 dans la société nipponne : la colère des écrivains Satoshi Kamata et Hideo Furukawa, mais aussi les récits du photographe Ryuichi Hirokawa et de l'écrivain américain William Vollmann présents dans la zone interdite de Fukushima. Grâce aux archives, Michel Pomarède montre comment la catastrophe a notamment nourri l'imaginaire des cinéastes japonais dès 1954 avec l'apparition du monstre Godzilla. Une production cinématographique dépassée il y a un an par la réalité. - invités : Jean-Marie Bouissou directeur de recherche à Sciences Po; Hideo Furukawa

durée : 00:58:09 - Les Grandes Traversées - par : Michel Pomarède - « L'histoire se répète » écrit en mars 2011 le prix Nobel de littérature Kenzaburo Oe auteur des Notes d'Hiroshima, qui ajoute « l'histoire d'aujourd'hui s'écrit sous le regard des victimes d'hier ». Mais l'histoire se répète-t-elle vraiment ? Après s'être rendu au Japon en 2005 pour rencontrer les Hibakusha, les personnes irradiées d'Hiroshima et de Nagasaki, Michel Pomarède est retourné cette année dans l'archipel. Il a enregistré les « répliques » de la catastrophe du 11 mars 2011 dans la société nipponne : la colère des écrivains Satoshi Kamata et Hideo Furukawa, mais aussi les récits du photographe Ryuichi Hirokawa et de l'écrivain américain William Vollmann présents dans la zone interdite de Fukushima. Grâce aux archives, Michel Pomarède montre comment la catastrophe a notamment nourri l'imaginaire des cinéastes japonais dès 1954 avec l'apparition du monstre Godzilla. Une production cinématographique dépassée il y a un an par la réalité. - invités : Shuntaro Ida; Ryota Sono; Rankin Taxi Musicien; Ayako Ichikawa; Hirochi Kainuma

durée : 00:57:32 - Les Grandes Traversées - par : Michel Pomarède - « L'histoire se répète » écrit en mars 2011 le prix Nobel de littérature Kenzaburo Oe auteur des Notes d'Hiroshima, qui ajoute « l'histoire d'aujourd'hui s'écrit sous le regard des victimes d'hier ». Mais l'histoire se répète-t-elle vraiment ? Après s'être rendu au Japon en 2005 pour rencontrer les Hibakusha, les personnes irradiées d'Hiroshima et de Nagasaki, Michel Pomarède est retourné cette année dans l'archipel. Il a enregistré les « répliques » de la catastrophe du 11 mars 2011 dans la société nipponne : la colère des écrivains Satoshi Kamata et Hideo Furukawa, mais aussi les récits du photographe Ryuichi Hirokawa et de l'écrivain américain William Vollmann présents dans la zone interdite de Fukushima. Grâce aux archives, Michel Pomarède montre comment la catastrophe a notamment nourri l'imaginaire des cinéastes japonais dès 1954 avec l'apparition du monstre Godzilla. Une production cinématographique dépassée il y a un an par la réalité. - invités : Tomatsu Somei; Susumi Hani; Yosuke Yamahata

durée : 00:50:08 - Les Grandes Traversées - par : Michel Pomarède - « L'histoire se répète » écrit en mars 2011 le prix Nobel de littérature Kenzaburo Oe auteur des Notes d'Hiroshima, qui ajoute « l'histoire d'aujourd'hui s'écrit sous le regard des victimes d'hier ». Mais l'histoire se répète-t-elle vraiment ? Après s'être rendu au Japon en 2005 pour rencontrer les Hibakusha, les personnes irradiées d'Hiroshima et de Nagasaki, Michel Pomarède est retourné cette année dans l'archipel. Il a enregistré les « répliques » de la catastrophe du 11 mars 2011 dans la société nipponne : la colère des écrivains Satoshi Kamata et Hideo Furukawa, mais aussi les récits du photographe Ryuichi Hirokawa et de l'écrivain américain William Vollmann présents dans la zone interdite de Fukushima. Grâce aux archives, Michel Pomarède montre comment la catastrophe a notamment nourri l'imaginaire des cinéastes japonais dès 1954 avec l'apparition du monstre Godzilla. Une production cinématographique dépassée il y a un an par la réalité. - invités : Claude Estèbe enseignant à l'Inalco sur l'histoire visuelle du Japon

durée : 00:59:06 - Les Grandes Traversées - par : Michel Pomarède - « L'histoire se répète » écrit en mars 2011 le prix Nobel de littérature Kenzaburo Oe auteur des Notes d'Hiroshima, qui ajoute « l'histoire d'aujourd'hui s'écrit sous le regard des victimes d'hier ». Mais l'histoire se répète-t-elle vraiment ? Après s'être rendu au Japon en 2005 pour rencontrer les Hibakusha, les personnes irradiées d'Hiroshima et de Nagasaki, Michel Pomarède est retourné cette année dans l'archipel. Il a enregistré les « répliques » de la catastrophe du 11 mars 2011 dans la société nipponne : la colère des écrivains Satoshi Kamata et Hideo Furukawa, mais aussi les récits du photographe Ryuichi Hirokawa et de l'écrivain américain William Vollmann présents dans la zone interdite de Fukushima. Grâce aux archives, Michel Pomarède montre comment la catastrophe a notamment nourri l'imaginaire des cinéastes japonais dès 1954 avec l'apparition du monstre Godzilla. Une production cinématographique dépassée il y a un an par la réalité. - invités : Michaël Ferrier Ecrivain; Yoko Tawada Romancière

If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. On March 4, 2010 Kenzaburo Oe, recipient of the 1994 Nobel Prize in Literature, returned to the University of Chicago's Center for East Asian Studies to deliver this year's Tetsuo Najita Distinguished Lecture. Oe's lecture, "A Novelist Re-Reads 'Kaitokudo,'" discussed the contemporary relevance of Tetsuo Najita's approach to intellectual history.The talk was presented in Japanese, with English translation provided by Michael Bourdaghs, Associate Professor of Modern Japanese Literature in the Department of East Asian Languages and Civilizations.Oe's most recent novel, Suishi (Death by Drowning), was published in Japan to great acclaim in late 2009. His works have been translated into many languages, and in 1994 he became the second Japanese writer to win the Nobel Prize in Literature.For more information about the Najita Distinguished Lecture Series, visit the Center for East Asian Studies website at http://ceas.uchicago.edu/events.

If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. On March 4, 2010 Kenzaburo Oe, recipient of the 1994 Nobel Prize in Literature, returned to the University of Chicago's Center for East Asian Studies to deliver this year's Tetsuo Najita Distinguished Lecture. Oe's lecture, "A Novelist Re-Reads 'Kaitokudo,'" discussed the contemporary relevance of Tetsuo Najita's approach to intellectual history.The talk was presented in Japanese, with English translation provided by Michael Bourdaghs, Associate Professor of Modern Japanese Literature in the Department of East Asian Languages and Civilizations.Oe's most recent novel, Suishi (Death by Drowning), was published in Japan to great acclaim in late 2009. His works have been translated into many languages, and in 1994 he became the second Japanese writer to win the Nobel Prize in Literature.For more information about the Najita Distinguished Lecture Series, visit the Center for East Asian Studies website at http://ceas.uchicago.edu/events.