Podcasts about Kenilworth

Everyone knows the image: the pearls, the sieve, the impossible gown. Elizabeth I as Gloriana, timeless and untouchable. But someone paid for that image. A lot of someones. Today we're following the money behind Tudor image-making, from the Norwich aldermen who spent months of public funds on five days of royal pageantry, to Robert Dudley bankrupting himself at Kenilworth, to Nicholas Hilliard painting the most iconic portraits of the age while struggling to pay his own debts. The Gloriana myth was brilliant. It was also built on a foundation of panicking town councils, bankrupt earls, and poets who never quite got what they were owed. Learn more about your ad choices. Visit megaphone.fm/adchoices

On August 28th 1999, 16 year old Jessica Gaudie would vanish without a trace while babysitting in Nambour, on the Sunshine Coast in Queensland Australia.In August of 2001, Derek Bellington Sam is sentenced to 15 years imprisonment for her murder, but to this day has refused to co-operate with Police and take them to Jessica's body. One year before Jessica's disappearance, on July 16th 1998. 25 year old British Backpacker Celina Bridge vanishes without a trace after last being seen walking down Boolooumba Creek Rd, in Kenilworth. Three months prior to Jessica's disappearance, on May 28th 1999, 46 year old teachers aide and animal over Sabrina Ann Glassop vanishes without a trace, also from Boolooumba Creek Rd.The one thing in common, these women all came into contact with Derek Sam.In Season Six of Guilt, Ryan heads into the untamed hinterland of Australia looking for the missing piece of the puzzle. In an attempt to answer the question, where is Jessica? And what happened to Celina Bridge and Ann Glassop.Subscribers to Brevity+ will get ad free listening, bonus episodes, early release AND for the first time ever, access to weekly video content, interactive maps and more to compliment the podcast via our website www.theguiltpodcast.com.If you have any information related to Derek Sam or the disappearance of Jessica Gaudie, Celina Bridge or Sabrina Ann Glassop please contact us via our website or email brevitystudiosnz@gmail.comThis Season of Guilt is proudly sponsored by Anytime Fitness Australia.Credits:Writing and editing: Ryan WolfResearch and interviews: Ryan WolfAdditional research and Marketing: Bella OffnerWeb Design: Jacob Saffle at Media Street MediaTitle Song: 'Phoenix' by LudlowGuilt is a 100% Independent Podcast. Support the Podcast by becoming a Brevity+ subscriber. For a small monthly or annual fee you can both support the show and get a ton of amazing features, including Early Episode Release, Bonus Episodes, Ad Free Listening and exclusive access to the Guilt Podcast 'War Room' on www.theguiltpodcast.com where you'll find timelines, maps, case files, exclusive episode video content and more!Subscribe today on Apple or Spotify (Supporting Cast). For details on how to subscribe please visit our website www.theguiltpodcast.com/how-to-subscribeIf you have information about any of our cases or you would like to suggest a case or a story, please visit our website www.theguiltpodcast.com and use our contact form to contact us.Guilt is a 100% Independent Podcast. Support the Podcast by becoming a Brevity+ subscriber. For a small monthly or annual fee you can both support the show and get a ton of amazing features, including Early Episode Release, Bonus Episodes, Ad Free Listening and exclusive access to the Guilt Podcast 'War Room' on www.theguiltpodcast.com where you'll find timelines, maps, case files, exclusive episode video content and more!Subscribe today on Apple or Spotify (Supporting Cast). For details on how to subscribe please visit our website www.theguiltpodcast.com/how-to-subscribeIf you have information about any of our cases or you would like to suggest a case or a story, please visit our website www.theguiltpodcast.com and use our contact form to contact us.Support this show http://supporter.acast.com/guilt. Hosted on Acast. See acast.com/privacy for more information.

Ahead of her new book What's So Great About the Great Books? coming out in April, Naomi Kanakia and I talked about literature from Herodotus to Tony Tulathimutte. We touched on Chaucer, Anglo-Saxon poetry, Scott Alexander, Shakespeare, William James, Helen deWitt, Marx and Engels, Walter Scott, Les Miserables, Jhootha Sach, the Mahabharata, and more. Naomi also talked about some of her working habits and the history and future of the Great Books movement. Naomi, of course, writes Woman of Letters here on Substack.TranscriptHenry Oliver: Today, I am talking with Naomi Kanakia. Naomi is a novelist, a literary critic, and most importantly she writes a Substack called Woman of Letters, and she has a new book coming out, What's So Great About the Great Books? Naomi, welcome.Naomi Kanakia: Thanks for having me on.Oliver: How is the internet changing the way that literature gets discussed and criticized, and what is that going to mean for the future of the Great Books?Kanakia: How is the internet changing it? I can really speak to only how it has changed it for me. I started off as a writer of young adult novels and science fiction, and there's these very active online fan cultures for those two things.I was reading the Great Books all through that time. I started in 2010 through today. In the 2010s, it really felt like there was not a lot of online discussion of classic literature. Maybe that was just me and I wasn't finding it, but it didn't necessarily feel like there was that community.I think because there are so many strong, public-facing institutions that discuss classic literature, like the NYRB, London Review of Books, a lot of journals, and universities, too. But now on Substack, there are a number of blogs—yours, mine, a number of other ones—that are devoted to classic literature. All of those have these commenters, a community of commenters. I also follow bloggers who have relatively small followings who are reading Tolstoy, reading Middlemarch, reading even much more esoteric things.I know that for me, becoming involved in this online culture has given me much more of an awareness that there are many people who are reading the classics on their own. I think that was always true, but now it does feel like it's more of a community.Oliver: We are recording this the day after the Washington Post book section has been removed. You don't see some sort of relationship between the way these literary institutions are changing online and the way the Great Books are going to be conceived of in the future? Because the Great Books came out of a an old-fashioned, saving-the-institutions kind of radical approach to university education. We're now moving into a world where all those old things seem to be going.Kanakia: Yes. I agree. The Great Books began in the University of Chicago and Columbia University. If you look into the history of the movement, it really was about university education and the idea that you would have a common core and all undergraduates would read these books. The idea that the Great Books were for the ordinary person was really an afterthought, at least for Mortimer Adler and those original Great Books guys. Now, the Great Books in the university have had a resurgence that we can discuss, but I do think there's a lot more life and vitality in the kind of public-facing humanities than there has been.I talked to Irina Dumitrescu, who writes for TLS (The Times Literary Supplement), LRB (The London Review of Books), a lot of these places, and she also said the same thing—that a lot of these journals are going into podcasts, and they're noticing a huge interest in the humanities and in the classics even at the same time as big institutions are really scaling back on those things. Humanities majors are dropping, classics majors are getting cut, book coverage at major periodicals is going down. It does seem like there are signals that are conflicting. I don't really know totally what to make of it. I do think there is some relation between those two things.Ted Gioia on Substack is always talking about how culture is stagnant, basically, and one of the symptoms of that is that “back list” really outsells “front list” for books. Even in 2010, 50 percent of the books that were sold were front-list titles, books that had been released in the last 18 months. Now it's something like only 35 percent of books or something like that are front-list titles. These could be completely wrong, but there's been a trend.I think the decrease in interest in front-list books is really what drives the loss of these book-review pages because they mostly review front-list books. So, I think that does imply that there's a lot of interest in old books. That's what our stagnant culture means.Oliver: Why do you think your own blog is popular with the rationalists?Kanakia: I don't know for certain. There was a story I wrote that was a joke. There are all these pop nonfiction books that aim to prove something that seems counterintuitive, so I wrote a parody of one of those where I aim to prove that reading is bad for you. This book has many scientific studies that show the more you read, the worse it is because it makes you very rigid.Scott Alexander, who is the archrationalist, really liked that, and he added me to his blog roll. Because of that, I got a thousand rationalist subscribers. I have found that rationalists at least somewhat interested in the classics. I think they are definitely interested in enduring sources of value. I've observed a fair amount of interest.Oliver: How much of a lay reader are you really? Because you read scholarship and critics and you can just quote John Gilroy in the middle of a piece or something.Kanakia: Yeah. That is a good question. I have definitely gotten more interested in secondary literature. In my book, I really talk about being a lay reader and personally having a nonacademic approach to literature. I do think that, over 15 years of being a lay reader, I have developed a lot of knowledge.I've also learned the kind of secondary literature that is really important. I think having historical context adds a lot and is invaluable. Right now I'm rereading Les Miserables by Victor Hugo. When I first read it in 2010, I hardly knew anything about French history. I was even talking online with someone about how most people who read Les Miserables think it's set in the French Revolution. That's basically because Americans don't really know anything about French history.Everything makes just a lot more sense the more you know about the time because it was written for people in it. For people in 1860s France, who knew everything about their own recent history, that really adds a lot to it. I still don't tend to go that much into interpretive literature, literature that tries to do readings of the stories or tell me the meaning of the stories. I feel like I haven't really gotten that much out of that.Oliver: How long have you been learning Anglo-Saxon?Kanakia: I went through a big Anglo-Saxon phase. That was in 2010. It started because I started reading The Canterbury Tales in Middle English. There is a great app online called General Prologue created by one of your countrymen, Terry Richardson [NB it is Terry Jones], who loved Middle English. In this app, he recites the Middle English of the General Prologue. I started listening to this app, and I thought, I just really love the rhythms and the sounds of Middle English. And it's quite easy to learn. So then, I got really into that.And then I thought, but what about Anglo-Saxon? I'm very bad at languages. I studied Latin for seven years in middle school and high school. I never really got very far, but I thought, Anglo-Saxon has to be the easiest foreign language you can learn, right? So, I got into it.I cannot sight read Anglo-Saxon, but I really got into Anglo-Saxon poetry. I really liked the Anglo-Saxon Chronicle. Most people probably would not like the Anglo-Saxon Chronicle because it's very repetitive, but that makes it great if you're a language learner because every entry is in this very repetitive structure. I just felt such a connection. I get in trouble when I say this kind of stuff, because I'm never quiet sure if it's 100 percent true. But it's certainly one of the oldest vernacular literatures in Europe. It's just so much older than most of the other medieval literature I've read. And it just was such a window into a different part of history I never knew about.Oliver: And you particularly like “The Dream of the Rood”?Kanakia: Yeah, “The Dream of the Rood” is my favorite Anglo-Saxon poem. “The Dream of the Rood” is a poem that is told from the point of view of Christ's cross. A man is having a dream. In this dream he encounters Christ's cross, and Christ's cross starts reciting to him basically the story of the crucifixion. At the end, the cross is buried. I don't know, it was just so haunting and powerful. Yeah, it was one of my favorites.Oliver: Why do you think Byron is a better poet than Alexander Pope?Kanakia: This is an argument I cannot get into. I think this is coming up because T. S. Eliot felt that Alexander Pope was a great poet because he really exemplified the spirit of the age. I don't know. I've tried to read Pope. It just doesn't do it for me. Whereas with Byron, I read Don Juan and found it entertaining. I enjoyed it. Then, his lyric poetry is just more entertaining to read. With Alexander Pope, I'm learning a lot about what kind of poetry people wrote in the 18th century, but the joy is not there.Oliver: Okay. Can we do a quick fire round where I say the name of a book and you just say what you think of it, whatever you think of it?Kanakia: Sure.Oliver: Okay. The Odyssey.Kanakia: The Odyssey. Oh, I love The Odyssey. It has a very strange structure, where it starts with Telemachus and then there's this flashback in the middle of it. It is much more readable than The Iliad; I'll say that.Oliver: Herodotus.Kanakia: Herodotus is wild. Going into Herodotus, I really thought it was about the Persian war, which it is, but it's mostly a general overview of everything that Herodotus knew, about anything. It's been a long time since I read it. I really appreciate the voice of Herodotus, how human it is, and the accumulation of facts. It was great.Oliver: I love the first half actually. The bit about the Persian war I'm less interested in, but the first half I think is fantastic. I particularly love the Egypt book.Kanakia: Oh yeah, the Egypt book is really good.Oliver: All those like giant beetles that are made of fire or whatever; I can't remember the details, but it's completely…Kanakia: The Greeks are also so fascinated by Egypt. They go down there like what is going on out there? Then, most of what we know about Egypt comes from this Hellenistic period, when the Greeks went to Egypt. Our Egyptian kings list comes from the Hellenistic period where some scholar decided to sort out what everybody was up to and put it all into order. That's why we have such an orderly story about Egypt. That's the story that the Greeks tried to tell themselves.Oliver: Marcus Aurelius.Kanakia: Marcus Aurelius. When I first read The Meditations, which I loved, obviously, I thought, “being the Roman emperor cannot be this hard.” It really was a black pill moment because I thought, “if the emperor of Rome is so unhappy, maybe human power really doesn't do it.”Knowing more about Marcus Aurelius, he did have quite a difficult life. He was at war for most of his—just stuck in the region in Germany for ages. He had various troubles, but yeah, it really was very stoic. It was, oh, I just have to do my duty. Very “heavy is the head that wears the crown” kind of stuff. I thought, “okay, I guess being Roman emperor is not so great.”Oliver: Omar Khayyam.Kanakia: Omar Khayyam. Okay, I've only read The Rubaiyat of Omar Khayyam by Edward Fitzgerald, which I loved, but I cannot formulate a strong opinion right now.Oliver: As You Like It.Kanakia: No opinions.Oliver: Boswell's Life of Samuel Johnson.Kanakia: Boswell's Life of Samuel Johnson. I do have an opinion about this, which is that they should make a redacted version of Boswell's Life of Samuel Johnson. I normally am not a big believer in abridgements because I feel like whatever is there is there. But, Boswell's Life of Samuel Johnson, first of all, has a long portion before Boswell even meets Johnson. That portion drags; it's not that great. Then it has all these like letters that Johnson wrote, which also are not that great. What's really good is when Boswell just reports everything Johnson ever said, which is about half the book. You get a sense of Johnson's conversation and his personality, and that is very gripping. I've definitely thought that with a different presentation, this could still be popular. People would still read this.Oliver: The Communist Manifesto.Kanakia: The Communist Manifesto. It's very stirring. I love The Communist Manifesto. It has very haunting, powerful lines. I won't try to quote from it because I'll misquote them.Oliver: But it is remarkably well written.Kanakia: Oh yeah, it is a great work of literature.Oliver: Yeah.Kanakia: I read Capital [Das Kapital], which is not a great work of literature, and I would venture to say that it is not necessarily worth reading. It really feels like Marx's reputation is built on other political writings like The Eighteenth Brumaire of Louis Bonaparte and works like that, which really seem to have a lot more meat on the bone than Capital.Oliver: Pragmatism by William James.Kanakia: Pragmatism. I mean, I've mentioned that in my book. I love William James in general. I think William James was writing in this 19th-century environment where it seemed like some form of skepticism was the only rational solution. You couldn't have any source of value, and he really tried to cut through that with Pragmatism and was like, let's just believe the things that are good to believe. It is definitely at least useful to think, although someone else can always argue with you about what is useful to believe. But, as a personal guide for belief, I think it is still useful.Oliver: Major Barbara by George Bernard Shaw.Kanakia: No strong opinions. It was a long time ago that I read Major Barbara.Oliver: Tell me what you like about James Fenimore Cooper.Kanakia: James Fenimore Cooper. Oh, this is great. I have basically a list of Great Books that I want to read, but four or five years ago, I thought, “what's in all the other books that I know the names of but that are not reputed, are not the kind of books you still read?”That was when I read Walter Scott, who I really love. And I just started reading all kinds of books that were kind of well known but have kind of fallen into literary disfavor. In almost every case, I felt like I got a lot out of these books. So, nowadays when I approach any realm of literature, I always look for those books.In 19th-century American literature, the biggest no-longer-read book is The Last of the Mohicans by James Fenimore Cooper, which was America's first bestseller. He was the first American novelist that had a high reputation in Europe. The Last of the Mohicans is kind of a historical romance, à la Walter Scott, but much more tightly written and much more tightly plotted.Cooper has written five novels, the Leatherstocking Tales, that are all centered around this very virtuous, rough-hewn frontiersman, Natty Bumppo. He has his best friend, Chingachgook, who is the last of the Mohicans. He's the last of his tribe. And the two of these guys are basically very sad and stoic. Chingachgook is distanced from his tribe. Chingachgook has a tribe of Native Americans that he hates—I want to say it's the Huron. He's always like, “they're the bad ones,” and he's always fighting them. Then, Natty Bumppo doesn't really love settled civilization. He's not precisely at war with it, but he does not like the settlers. They're kind of stuck in the middle. They have various adventures, and I just thought it was so haunting and powerful.I've been reading a lot of other 19th-century American literature, and virtually none of it treats Native Americans with this kind of respect. There's a lot of diversity in the Native American characters; there's really an attempt to show how their society works and the various ways that leadership and chiefship works among them. There's this very haunting moment in The Last of the Mohicans, where this aged chief, Tamenund, comes out and starts speaking. This is a chief who, in American mythology, was famous for being a friend to the white people. But, James Fenimore Cooper writing in the 1820s has Tamenund come out at 80 years old and say, “we have to fight; we have to fight the white people. That's our only option.” It was just such a powerful moment and such a powerful book.I was really, really enthused. I read all of these Leatherstocking Tales. It was also a very strange experience to read these books that are generally supposed to be very turgid and boring, and then I read them and was like, “I understand. I'm so transported.” I understand exactly why readers in the 1820s loved this.Oliver: Which Walter Scott books do you like?Kanakia: I love all the Walter Scott books I've read, but the one I liked best was Kenilworth. Have you ever read Kenilworth?Oliver: I don't know that one.Kanakia: Yeah, it's about Elizabeth I, who had a romantic relationship with one of her courtiers.Oliver: The Earl of Essex?Kanakia: Yeah. She really thought they were going to get married, but then it turned out he was secretly married. Basically, I guess the implication is that he killed his wife in order to marry Queen Elizabeth I. It's a novel all about him and that situation, and it just felt very tightly plotted. I really enjoyed it.Oliver: What did you think of Rejection?Kanakia: Rejection by Tony Tulathimutte? Initially when I read this book, I enjoyed it, but I was like, “life cannot possibly be this sad.” It's five or six stories about these people who just have nothing going on. Their lives are so miserable, they can't find anyone to sleep with, and they're just doomed to be alone forever. I was like, “life can't be this bad.” But now thinking back over it, it is one of the most memorable books I've read in the last year. It really sticks with you. I feel like my opinion of this book has gone up a lot in retrospect.Oliver: How antisemitic is the House of Mirth?Kanakia: That is a hotly debated question, which I mentioned in my book. I think there has been a good case made that Edith Wharton, the author of House of Mirth, who was from an old New York family, was herself fairly antisemitic and did not personally like Jewish people. What she portrays in this book is that this old New York society also was highly suspicious of Jewish people and was organized to keep Jewish people out.In this book there is a rich Jewish man, Simon Rosedale, and there's a poor woman, Lily Bart. Lily Bart's main thing is whether she's going to marry the poor guy, Lawrence Selden, or the rich guy, Percy Gryce. She can't choose. She doesn't want to be poor, but she also is always bored by the rich guys. Meanwhile, through the whole book, there's Simon Rosedale, who's always like, “you should marry me.” He's the rich Jewish guy. He's like, “you should marry me. I will give you lots of money. You can do whatever you want.”Everybody else kind of just sees her as a woman and as a wife; he really sees her as an ally in his social climbing. That's his main motivation. The book is relatively clear that he has a kind of respect for her that nobody else does. Then, over the course of the book, she also gains a lot more respect for him. Basically, late in the book, she decides to marry him, but she has fallen a lot in the world. He's like, “that particular deal is not available anymore,” but he does offer her another deal that—although she finds it not to her taste—is still pretty good.He basically is like, “I'll give you some money, you'll figure out how to rehabilitate your reputation, and later down the line, we can figure something out.” So, I think with a great author like Edith Wharton, there's power in these portrayals. I felt it hard to come away from it feeling like the book is like a really antisemitic book.Oliver: Now, you note that the Great Books movement started out as something quite socially aspirational. Do you think it's still like that?Kanakia: I do think so. Yeah. For me, that's 100 percent what it was because I majored in econ. I always felt kind of inadequate as a writer against people who had majored in English. Then I started off as a science fiction writer, young adult writer, and I was like, “I'm going to read all these Great Books and then I'll have read the books that everybody else has read.” In my mind, that's also what it was—that there was some upper crust or literary society that was reading all these Great Books.That's really what did it. I do think there's still an element of aspiration to it because it's a club that you can join, that anyone can join. It's very straightforward to be a Great Books reader, and so I think there's still something there. I think because the Great Books movement has such a democratic quality to it, it actually doesn't get you to the top socially, which has always been the true, always been the case. But, that's okay. As long as you end up higher than where you started, that's fine.Oliver: What makes a book great?Kanakia: I talk about it this in the book, and I go through many different authors' conceptions of what makes a book great or what constitutes a classic. I don't know that anyone has come up with a really satisfying answer. The Horatian formulation from Horace—that a book is great or an author is great if it has lasted for a hundred years—is the one that seems to be the most accurate. Like, any book that's still being read a hundred years after it was written has a greatness.I do think that T. S. Eliott's formulation—that a civilization at its height produces certain literature and that literature partakes of the greatness of the civilization and summarizes the greatness of the civilization—does seem to have some kind of truth to it.But it's hard, right? Because the greatest French novel is In Search of Lost Time, but I don't know that anyone would say that the France in the 1920s was at its height. It's not a prescriptive thing, but it does seem like the way we read many of these Great Books, like Moby Dick, it feels like you're like communing with the entire society that produced it. So, maybe there's something there.Oliver: Now, you've used a list from Clifton Fadiman.Kanakia: Yes.Oliver: Rather than from Mortimer Adler or Harold Bloom or several others. Why this list?Kanakia: Well, the best reason is that it's actually the list I've just been using for the last 15 years. I went to a science fiction convention in 2009, Readercon, and at this science fiction convention was Michael Dirda, who was a Washington Post book critic. He had recently come out with his book, Classics for Pleasure, which I also bought and liked. But he said that the list he had always used was this Clifton Fadiman book. And so when I decided to start reading the Great Books, I went and got that book. I have perused many other lists over time, but that was always the list that seemed best to me.It seemed to have like the best mix. There's considerable variation amongst these lists, but there's also a lot of overlap. So any of these lists is going to have Dickens on it, and Tolstoy, and stuff like that. So really, you're just thinking about, “aside from Dickens and Tolstoy and George Eliot and Walt Whitman and all these people, who are the other 50 authors that you're going be reading?”The Mortimer Adler list is very heavy on philosophy. It has Plotinus on it. It has all these scientific works. I don't know, it didn't speak to me as much. Whereas, this Clifton Fadiman and John Major list has all these Eastern works on it. It has The Tale of Genji, Romance of the Three Kingdoms, Story of the Stone, and that just spoke to me a little bit more.Oliver: What modern books will be on a future Great Books list, whether it's from someone alive or someone since the war.Kanakia: Have you ever heard of Robert Caro?Oliver: Sure.Kanakia: Yeah. I think his Lyndon Johnson books are great books. They have changed the field of biography. They're so complete, they seem to summarize an entire era, epoch. They're highly rated, but I feel like they're underrated as literature.What else? I was actually a little bit surprised in this Clifton Fadiman-John Major book, which came out in 1999, that there are not more African Americans in their list. Like, Invisible Man definitely seemed like a huge missed work. You know, it's hard. You would definitely want a book that has undergone enough critical evaluation that people are pretty certain that it is great. A lot of things that are more recent have not undergone that evaluation yet, but Invisible Man has, as have some works by Martin Luther King.Oliver: What about The Autobiography of Malcolm X?Kanakia: I would have to reread. I feel like it hasn't been evaluated much as a literary document.Oliver: Helen DeWitt?Kanakia: It's hard to say. It's so idiosyncratic, The Last Samurai, but it is certainly one of the best novels of the last 25 years.Oliver: Yeah.Kanakia: It is hard to say, because there's nothing else quite like it. But I would love if The Last Samurai was on a list like this; that would be amazing.Oliver: If someone wants to try the Great Books, but they think that those sort of classic 19th-century novels are too difficult—because they're long and the sentences are weird or whatever—what else should they do? Where else should they start?Kanakia: Well, it depends on what they're into, or it depends on their personality type. I think like there are people who like very, very difficult literature. There are people who are very into James Joyce and Proust. I think for some people the cost-benefit is better. If they're going to be pouring over some book for a long time, they would prefer if it was overtly difficult.If they're not like that, then I would say, there are many Great Books that are more accessible. Hemingway is a good one and Grapes of Wrath is wonderful. The 19th-century American books tend to be written in a very different register than the English books. If you read Moby Dick, it feels like it's written in a completely different language than Charles Dickens, even though they're writing essentially at the same time.Oliver: Is there too much Freud on the list that you've used?Kanakia: Maybe. I know that Interpretation of Dreams is on that list, which I've tried to read and have decided life is too short. I didn't really buy it, but I have read a fair amount of Freud. My impression of Freud was always that I would read Freud and somehow it would just seem completely fanciful or far out, like wouldn't ring true. But then when I started reading Freud, it was more the opposite. I was like, oh yeah, this seems very, very true.Like this battle between like the id and the ego and the super ego, and this feeling that like the psyche is at war with itself. Human beings really desire to be singular and exceptional, but then you're constantly under assault by the reality principle, which is that you're insignificant. That all seemed completely true. But then he tries to cure this somehow, which does not seem a curable problem. And he also situates the problem in some early sexual development, which also did not necessarily ring true. But no, I wouldn't say there's too much. Freud is a lot of fun. People should read Freud.Oliver: Which of the Great Books have you really not liked?Kanakia: I do get asked this quite a bit. I would say the Great Book that I really felt like—at least in translation—was not that rewarding in an unabridged version was Don Quixote. Because at least half the length of Don Quixote is these like interpolated novellas that are really long and tedious. I felt Don Quixote was a big slog. But maybe someday I'll go back and reread it and love it. Who knows?Oliver: Now you wrote that the question of biography is totally divorced from the question of what art is and how it operates. What do you think of George Orwell's supposition that if Shakespeare came back tomorrow, and we found out he used to rape children that we should—we would not say, you know, it's fine to carry on to doing that because he might write another King Lear.Kanakia: Well, if we discovered that Shakespeare was raping children, he should go to prison for that. No. It's totally divorced in both senses. You don't get any credit in the court of law because you are the writer of King Lear. If I murdered someone and then I was hauled in front of a judge and they were like, oh, Naomi's a genius, I wouldn't get off for murder. Nor should I get off for murder.So in terms of like whether we would punish Shakespeare for his crime of raping children, I don't think King Lear should count at all, but it's never used that way. It's never should someone go to prison or not for their crimes, because they're a genius. It's always used the other way, which is should we read King Lear knowing that the author raped children, but I also feel like that is immaterial. If you read King Lear, you're not enabling someone to rape children.Oliver: There's an almost endless amount of discussion these days about the Great Books and education and the value of the humanities, and what's the future of it all. What is your short opinion on that?Kanakia: My short opinion is that the Great Books at least are going to be fine. The Great Books will continue to be read, and they would even survive the university. All these books predate the university and they will survive the university. I feel like the university has stewarded literature in its own way for a while now and has made certain choices in that stewardship. I think if that stewardship was given up to more voluntary associations that had less financial support, then I think the choices would probably be very different. But I still think the greatest works would survive.Oliver: Now this is a quote from the book: “I am glad that reactionaries love the Great Books. They've invited a Trojan horse into their own camp.” Tell us what you mean by that.Kanakia: Let's say you believed in Christian theocracy, that you thought America should be organized on explicitly Christian principles. And because you believe in Christian theocracy, you organize a school that teaches the Great Books. Many of these schools that are Christian schools that have Great Books programs will also teach Nietzsche. They definitely put some kind of spin on Nietzsche. But they will teach anti-Christ, and that is a counterpoint to Christian morality and Christian theology. There are many things that you'll read in the Great Books that are corrosive to various kinds of certainties.If someone who I think is bad starts educating themselves in the Great Books, I don't think that the Great Books are going to make them worse from my perspective. So it's good.Oliver: How did reading the Mahabharata change you?Kanakia: Oh yeah, so the Mahabharata is a Hindu epic from, let's say, the first century AD. I'm Indian and most Indians are familiar with the basic outline of the Mahabharata story because it's told in various retellings, and there's a TV serial that my parents would rent from the Indian store growing up and we would watch it tape by tape. So I'm very familiar with it. Like there's never been a time I have not known this story.But I was also familiar with the idea that there is a written version in Sanskrit that's extremely long. It is 10 times as long as the Iliad and the Odyssey combined. This Mahabharata story is not that long. I've read a version of it that's about 800 pages long. So how could something that's 10 times this long be the same? A new unabridged translation came out 10 years ago. So I started reading it, and it basically contains the entire Sanskrit Vedic worldview in it.I had never been exposed to this very coherently laid-out version of what I would call Hindu cosmology and ethics. Hindus don't really get taught those things in a very organized way. The book is basically about dharma, the principle of rightness and how this principle of rightness orders the universe and how it basically results in everybody getting their just deserts in various ways. As I was reading the book, I was like, this seems very true that there is some cosmic rebalancing here, and that everything does turn out more or less the way it should, which is not something that I can defend on a rational level.But just reading the book, it just made me feel like, yes, that is true. There is justice, the universe is organized by justice. It took me about a year to read the whole thing. I started waking up at 5:00 a.m. and reading for an hour each morning, and it just was a really magical, profound experience that brought me a lot closer to my grandmother's religious beliefs.Oliver: Is it ever possible to persuade someone with arguments that they should read literature, or is it just something that they have to have an inclination toward and then follow someone's example? Because I feel like we have so many columns and op-eds and “books are good because of X reason, and it's very important because of Y reason.” And like, who cares? No one cares. If you are persuaded, you take all that very seriously and you argue about what exactly are the precise reasons we should say. And if you're not persuaded, you don't even know this is happening.And what really persuades you is like, oh, Naomi sounds pretty compelling about the Mahabharata. That sounds cool. I'll try that. It's much more of a temperamental, feelingsy kind of thing. Is it possible to argue people into thinking about this differently? Or should we just be doing what we do and setting an example and hoping that people will follow.Kanakia: As to whether it's possible or not, I do not know. But I do think these columns are too ambitious. A thousand-word column and the imagined audience for this column is somebody who doesn't read books at all, who doesn't care about literature at all. And then in a thousand-word column, you're going to persuade them to care about literature. This is no good. It's so unnecessary.Whereas there's a much broader range of people who love to read books, but have never picked up Moby Dick or have never picked up Middlemarch, or who like maybe loved Middlemarch, but never thought maybe I should then go on and read Jane Austen and George Eliot.I think trying to shift people from “I don't read books at all; reading books is not something I do,” to being a Great Books card-carrying lover of literature is a lot. I really aim for a much lower result than that, which is to whatever extent people are interested in literature, they should pursue that interest. And as the rationalists would say, there's a lot of alpha in that; there's a lot to be gained from converting people who are somewhat interested into people who are very interested.Oliver: If there was a more widespread practice of humanism in education and the general culture, would that make America into a more liberal country in any way?Kanakia: What do you mean by humanism?Oliver: You know, the old-fashioned liberal arts approach, the revival of the literary journal culture, the sort of depolitical approach to literature, the way things used to be, as it were.Kanakia: It couldn't hurt. It couldn't hurt is my answer to that question.Oliver: Okay.Kanakia: What you're describing is basically the way I was educated. I went to Catholic school in DC at St. Anselm's Abbey School, in Northeast, DC, grade school. Highly recommend sending your little boys there. No complaints about the school. They talked about humanism all the time and all these civic virtues. I thought it was great. I don't know what people in other schools learn, but I really feel like it was a superior way of teaching.Now, you know, it was Catholic school, so a lot of people who graduated from my school are conservatives and don't really have the beliefs that I have, but that's okay.Oliver: Tell us about your reading habits.Kanakia: I read mostly ebooks. I really love ebooks because you can make the type bigger. I just read all the time. They vary. I don't wake up at 5:00 a.m. to read anymore. Sometimes if I feel like I'm not reading enough—because I write this blog, and the blog doesn't get written unless I'm reading. That's the engine, and so sometimes I set aside a day each week to read. But generally, the reading mostly takes care of itself.What I tend to get is very into a particular thing, and then I'll start reading more and more in that area. Recently, I was reading a lot of New Yorker stories. So I started reading more and more of these storywriters that have been published in the New Yorker and old anthologies of New Yorker stories. And then eventually I am done. I'm tired. It's time to move on.Oliver: But do you read several books at once? Do you make notes? Do you abandon books? How many hours a day do you read?Kanakia: Hours a day: Because my e-reader keeps these stats, I'd say 15 or 20 hours a week of reading. Nowadays because I write for the blog, I often think as I'm reading how I would frame a post about this. So I look for quotes, like what quote I would look at. I take different kinds of notes. I'll make more notes if I'm more confused by what is going on. Especially with nonfiction books, I'll try sometimes to make notes just to iron out what exactly I think is happening or what I think the argument is. But no, not much of a note taker.Oliver: What will you read next?Kanakia: What will I read next? Well, I've been thinking about getting back into Indian literature. Right now I'm reading Les Miserables by Victor Hugo. But there's an Indian novel called Jhootha Sach, which is a partition novel that is originally in Hindi. And it's also a thousand pages long, and is frequently compared to Les Miserables and War and Peace. So I'm thinking about tackling that finally.Oliver: Naomi Kanakia, thank you very much.Kanakia: Thanks for having me. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.commonreader.co.uk

On August 28th 1999, 16 year old Jessica Gaudie would vanish without a trace while babysitting in Nambour, on the Sunshine Coast in Queensland Australia.In August of 2001, Derek Bellington Sam is sentenced to 15 years imprisonment for her murder, but to this day has refused to co-operate with Police and take them to Jessica's body. One year before Jessica's disappearance, on July 16th 1998. 25 year old British Backpacker Celina Bridge vanishes without a trace after last being seen walking down Boolooumba Creek Rd, in Kenilworth. Three months prior to Jessica's disappearance, on May 28th 1999, 46 year old teachers aide and animal over Sabrina Ann Glassop vanishes without a trace, also from Boolooumba Creek Rd.The one thing in common, these women all came into contact with Derek Sam.In Season Six of Guilt, Ryan heads into the untamed hinterland of Australia looking for the missing piece of the puzzle. In an attempt to answer the question, where is Jessica? And what happened to Celina Bridge and Ann Glassop.Subscribers to Brevity+ will get ad free listening, bonus episodes, early release AND for the first time ever, access to weekly video content, interactive maps and more to compliment the podcast via our website www.theguiltpodcast.com.If you have any information related to Derek Sam or the disappearance of Jessica Gaudie, Celina Bridge or Sabrina Ann Glassop please contact us via our website or email brevitystudiosnz@gmail.comThis Season of Guilt is proudly sponsored by Anytime Fitness Australia.Credits:Writing and editing: Ryan WolfResearch and interviews: Ryan WolfAdditional research and Marketing: Bella OffnerWeb Design: Jacob Saffle at Media Street MediaTitle Song: 'Phoenix' by LudlowGuilt is a 100% Independent Podcast. Support the Podcast by becoming a Brevity+ subscriber. For a small monthly or annual fee you can both support the show and get a ton of amazing features, including Early Episode Release, Bonus Episodes, Ad Free Listening and exclusive access to the Guilt Podcast 'War Room' on www.theguiltpodcast.com where you'll find timelines, maps, case files, exclusive episode video content and more!Subscribe today on Apple or Spotify (Supporting Cast). For details on how to subscribe please visit our website www.theguiltpodcast.com/how-to-subscribeIf you have information about any of our cases or you would like to suggest a case or a story, please visit our website www.theguiltpodcast.com and use our contact form to contact us.Guilt is a 100% Independent Podcast. Support the Podcast by becoming a Brevity+ subscriber. For a small monthly or annual fee you can both support the show and get a ton of amazing features, including Early Episode Release, Bonus Episodes, Ad Free Listening and exclusive access to the Guilt Podcast 'War Room' on www.theguiltpodcast.com where you'll find timelines, maps, case files, exclusive episode video content and more!Subscribe today on Apple or Spotify (Supporting Cast). For details on how to subscribe please visit our website www.theguiltpodcast.com/how-to-subscribeIf you have information about any of our cases or you would like to suggest a case or a story, please visit our website www.theguiltpodcast.com and use our contact form to contact us.Support this show http://supporter.acast.com/guilt. Hosted on Acast. See acast.com/privacy for more information.

On August 28th 1999, 16 year old Jessica Gaudie would vanish without a trace while babysitting in Nambour, on the Sunshine Coast in Queensland Australia.In August of 2001, Derek Bellington Sam is sentenced to 15 years imprisonment for her murder, but to this day has refused to co-operate with Police and take them to Jessica's body. One year before Jessica's disappearance, on July 16th 1998. 25 year old British Backpacker Celina Bridge vanishes without a trace after last being seen walking down Boolooumba Creek Rd, in Kenilworth. Three months prior to Jessica's disappearance, on May 28th 1999, 46 year old teachers aide and animal over Sabrina Ann Glassop vanishes without a trace, also from Boolooumba Creek Rd.The one thing in common, these women all came into contact with Derek Sam.In Season Six of Guilt, Ryan heads into the untamed hinterland of Australia looking for the missing piece of the puzzle. In an attempt to answer the question, where is Jessica? And what happened to Celina Bridge and Ann Glassop.Subscribers to Brevity+ will get ad free listening, bonus episodes, early release AND for the first time ever, access to weekly video content, interactive maps and more to compliment the podcast via our website www.theguiltpodcast.com.If you have any information related to Derek Sam or the disappearance of Jessica Gaudie, Celina Bridge or Sabrina Ann Glassop please contact us via our website or email brevitystudiosnz@gmail.comThis Season of Guilt is proudly sponsored by Anytime Fitness Australia.Credits:Writing and editing: Ryan WolfResearch and interviews: Ryan WolfAdditional research and Marketing: Bella OffnerWeb Design: Jacob Saffle at Media Street MediaTitle Song: 'Phoenix' by LudlowGuilt is a 100% Independent Podcast. Support the Podcast by becoming a Brevity+ subscriber. For a small monthly or annual fee you can both support the show and get a ton of amazing features, including Early Episode Release, Bonus Episodes, Ad Free Listening and exclusive access to the Guilt Podcast 'War Room' on www.theguiltpodcast.com where you'll find timelines, maps, case files, exclusive episode video content and more!Subscribe today on Apple or Spotify (Supporting Cast). For details on how to subscribe please visit our website www.theguiltpodcast.com/how-to-subscribeIf you have information about any of our cases or you would like to suggest a case or a story, please visit our website www.theguiltpodcast.com and use our contact form to contact us.Guilt is a 100% Independent Podcast. Support the Podcast by becoming a Brevity+ subscriber. For a small monthly or annual fee you can both support the show and get a ton of amazing features, including Early Episode Release, Bonus Episodes, Ad Free Listening and exclusive access to the Guilt Podcast 'War Room' on www.theguiltpodcast.com where you'll find timelines, maps, case files, exclusive episode video content and more!Subscribe today on Apple or Spotify (Supporting Cast). For details on how to subscribe please visit our website www.theguiltpodcast.com/how-to-subscribeIf you have information about any of our cases or you would like to suggest a case or a story, please visit our website www.theguiltpodcast.com and use our contact form to contact us.Support this show http://supporter.acast.com/guilt. Hosted on Acast. See acast.com/privacy for more information.

On August 28th 1999, 16 year old Jessica Gaudie would vanish without a trace while babysitting in Nambour, on the Sunshine Coast in Queensland Australia.In August of 2001, Derek Bellington Sam is sentenced to 15 years imprisonment for her murder, but to this day has refused to co-operate with Police and take them to Jessica's body. One year before Jessica's disappearance, on July 16th 1998. 25 year old British Backpacker Celina Bridge vanishes without a trace after last being seen walking down Boolooumba Creek Rd, in Kenilworth. Three months prior to Jessica's disappearance, on May 28th 1999, 46 year old teachers aide and animal over Sabrina Ann Glassop vanishes without a trace, also from Boolooumba Creek Rd.The one thing in common, these women all came into contact with Derek Sam.In Season Six of Guilt, Ryan heads into the untamed hinterland of Australia looking for the missing piece of the puzzle. In an attempt to answer the question, where is Jessica? And what happened to Celina Bridge and Ann Glassop.Subscribers to Brevity+ will get ad free listening, bonus episodes, early release AND for the first time ever, access to weekly video content, interactive maps and more to compliment the podcast via our website www.theguiltpodcast.com.If you have any information related to Derek Sam or the disappearance of Jessica Gaudie, Celina Bridge or Sabrina Ann Glassop please contact us via our website or email brevitystudiosnz@gmail.comThis Season of Guilt is proudly sponsored by Anytime Fitness Australia.Credits:Writing and editing: Ryan WolfResearch and interviews: Ryan WolfAdditional research and Marketing: Bella OffnerWeb Design: Jacob Saffle at Media Street MediaTitle Song: 'Phoenix' by LudlowGuilt is a 100% Independent Podcast. Support the Podcast by becoming a Brevity+ subscriber. For a small monthly or annual fee you can both support the show and get a ton of amazing features, including Early Episode Release, Bonus Episodes, Ad Free Listening and exclusive access to the Guilt Podcast 'War Room' on www.theguiltpodcast.com where you'll find timelines, maps, case files, exclusive episode video content and more!Subscribe today on Apple or Spotify (Supporting Cast). For details on how to subscribe please visit our website www.theguiltpodcast.com/how-to-subscribeIf you have information about any of our cases or you would like to suggest a case or a story, please visit our website www.theguiltpodcast.com and use our contact form to contact us.Guilt is a 100% Independent Podcast. Support the Podcast by becoming a Brevity+ subscriber. For a small monthly or annual fee you can both support the show and get a ton of amazing features, including Early Episode Release, Bonus Episodes, Ad Free Listening and exclusive access to the Guilt Podcast 'War Room' on www.theguiltpodcast.com where you'll find timelines, maps, case files, exclusive episode video content and more!Subscribe today on Apple or Spotify (Supporting Cast). For details on how to subscribe please visit our website www.theguiltpodcast.com/how-to-subscribeIf you have information about any of our cases or you would like to suggest a case or a story, please visit our website www.theguiltpodcast.com and use our contact form to contact us.Support this show http://supporter.acast.com/guilt. Hosted on Acast. See acast.com/privacy for more information.

On August 28th 1999, 16 year old Jessica Gaudie would vanish without a trace while babysitting in Nambour, on the Sunshine Coast in Queensland Australia.In August of 2001, Derek Bellington Sam is sentenced to 15 years imprisonment for her murder, but to this day has refused to co-operate with Police and take them to Jessica's body. One year before Jessica's disappearance, on July 16th 1998. 25 year old British Backpacker Celina Bridge vanishes without a trace after last being seen walking down Boolooumba Creek Rd, in Kenilworth. Three months prior to Jessica's disappearance, on May 28th 1999, 46 year old teachers aide and animal over Sabrina Ann Glassop vanishes without a trace, also from Boolooumba Creek Rd.The one thing in common, these women all came into contact with Derek Sam.In Season Six of Guilt, Ryan heads into the untamed hinterland of Australia looking for the missing piece of the puzzle. In an attempt to answer the question, where is Jessica? And what happened to Celina Bridge and Ann Glassop.Subscribers to Brevity+ will get ad free listening, bonus episodes, early release AND for the first time ever, access to weekly video content, interactive maps and more to compliment the podcast via our website www.theguiltpodcast.com.If you have any information related to Derek Sam or the disappearance of Jessica Gaudie, Celina Bridge or Sabrina Ann Glassop please contact us via our website or email brevitystudiosnz@gmail.comThis Season of Guilt is proudly sponsored by Anytime Fitness Australia.Credits:Writing and editing: Ryan WolfResearch and interviews: Ryan WolfAdditional research and Marketing: Bella OffnerWeb Design: Jacob Saffle at Media Street MediaTitle Song: 'Phoenix' by LudlowGuilt is a 100% Independent Podcast. Support the Podcast by becoming a Brevity+ subscriber. For a small monthly or annual fee you can both support the show and get a ton of amazing features, including Early Episode Release, Bonus Episodes, Ad Free Listening and exclusive access to the Guilt Podcast 'War Room' on www.theguiltpodcast.com where you'll find timelines, maps, case files, exclusive episode video content and more!Subscribe today on Apple or Spotify (Supporting Cast). For details on how to subscribe please visit our website www.theguiltpodcast.com/how-to-subscribeIf you have information about any of our cases or you would like to suggest a case or a story, please visit our website www.theguiltpodcast.com and use our contact form to contact us.Guilt is a 100% Independent Podcast. Support the Podcast by becoming a Brevity+ subscriber. For a small monthly or annual fee you can both support the show and get a ton of amazing features, including Early Episode Release, Bonus Episodes, Ad Free Listening and exclusive access to the Guilt Podcast 'War Room' on www.theguiltpodcast.com where you'll find timelines, maps, case files, exclusive episode video content and more!Subscribe today on Apple or Spotify (Supporting Cast). For details on how to subscribe please visit our website www.theguiltpodcast.com/how-to-subscribeIf you have information about any of our cases or you would like to suggest a case or a story, please visit our website www.theguiltpodcast.com and use our contact form to contact us.Support this show http://supporter.acast.com/guilt. Hosted on Acast. See acast.com/privacy for more information.

Jockey Andrew Fortune has lived a fairytale-worthy comeback story that Hallmark movies are made of. At the age of 58, he won his first ever Met this past weekend at Kenilworth. What made it even more remarkable was coming out of retirement and getting back down to his racing weight by losing almost 40 kilograms. He shares his amazing and inspirational story with Lester Kiewit. Good Morning Cape Town with Lester Kiewit is a podcast of the CapeTalk breakfast show. This programme is your authentic Cape Town wake-up call. Good Morning Cape Town with Lester Kiewit is informative, enlightening and accessible. The team’s ability to spot & share relevant and unusual stories make the programme inclusive and thought-provoking. Don’t miss the popular World View feature at 7:45am daily. Listen out for #LesterInYourLounge which is an outside broadcast – from the home of a listener in a different part of Cape Town - on the first Wednesday of every month. This show introduces you to interesting Capetonians as well as their favourite communities, habits, local personalities and neighbourhood news. Thank you for listening to a podcast from Good Morning Cape Town with Lester Kiewit. Listen live on Primedia+ weekdays between 06:00 and 09:00 (SA Time) to Good Morning CapeTalk with Lester Kiewit broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/xGkqLbT or find all the catch-up podcasts here https://buff.ly/f9Eeb7i Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567See omnystudio.com/listener for privacy information.

On August 28th 1999, 16 year old Jessica Gaudie would vanish without a trace while babysitting in Nambour, on the Sunshine Coast in Queensland Australia.In August of 2001, Derek Bellington Sam is sentenced to 15 years imprisonment for her murder, but to this day has refused to co-operate with Police and take them to Jessica's body. One year before Jessica's disappearance, on July 16th 1998. 25 year old British Backpacker Celina Bridge vanishes without a trace after last being seen walking down Boolooumba Creek Rd, in Kenilworth. Three months prior to Jessica's disappearance, on May 28th 1999, 46 year old teachers aide and animal over Sabrina Ann Glassop vanishes without a trace, also from Boolooumba Creek Rd.The one thing in common, these women all came into contact with Derek Sam.In Season Six of Guilt, Ryan heads into the untamed hinterland of Australia looking for the missing piece of the puzzle. In an attempt to answer the question, where is Jessica? And what happened to Celina Bridge and Ann Glassop.Subscribers to Brevity+ will get ad free listening, bonus episodes, early release AND for the first time ever, access to weekly video content, interactive maps and more to compliment the podcast via our website www.theguiltpodcast.com.If you have any information related to Derek Sam or the disappearance of Jessica Gaudie, Celina Bridge or Sabrina Ann Glassop please contact us via our website or email brevitystudiosnz@gmail.comThis Season of Guilt is proudly sponsored by Anytime Fitness Australia.Credits:Writing and editing: Ryan WolfResearch and interviews: Ryan WolfAdditional research and Marketing: Bella OffnerWeb Design: Jacob Saffle at Media Street MediaTitle Song: 'Phoenix' by LudlowGuilt is a 100% Independent Podcast. Support the Podcast by becoming a Brevity+ subscriber. For a small monthly or annual fee you can both support the show and get a ton of amazing features, including Early Episode Release, Bonus Episodes, Ad Free Listening and exclusive access to the Guilt Podcast 'War Room' on www.theguiltpodcast.com where you'll find timelines, maps, case files, exclusive episode video content and more!Subscribe today on Apple or Spotify (Supporting Cast). For details on how to subscribe please visit our website www.theguiltpodcast.com/how-to-subscribeIf you have information about any of our cases or you would like to suggest a case or a story, please visit our website www.theguiltpodcast.com and use our contact form to contact us.Guilt is a 100% Independent Podcast. Support the Podcast by becoming a Brevity+ subscriber. For a small monthly or annual fee you can both support the show and get a ton of amazing features, including Early Episode Release, Bonus Episodes, Ad Free Listening and exclusive access to the Guilt Podcast 'War Room' on www.theguiltpodcast.com where you'll find timelines, maps, case files, exclusive episode video content and more!Subscribe today on Apple or Spotify (Supporting Cast). For details on how to subscribe please visit our website www.theguiltpodcast.com/how-to-subscribeIf you have information about any of our cases or you would like to suggest a case or a story, please visit our website www.theguiltpodcast.com and use our contact form to contact us.Support this show http://supporter.acast.com/guilt. Hosted on Acast. See acast.com/privacy for more information.

The Town made it 10 games unbeaten at Kenilworth Road with a come-from-behind 2-1 win over Stevenage on Saturday afternoon. Kev is joined by The Lutonian journalist James Cunliffe to reflect on an afternoon where the Hatters showed plenty of spirit and character. They dissect the main moments from the match, the turning points throughout it and who impressed and changed the game. There is a reflection on the first signing of the January transfer window plus a look ahead to the Vertu Trophy tie with Swindon Town on Tuesday night. All this and a whole lot more on the longest-running, award-winning Luton Town podcast!

When we think of King Arthur, many of us imagine medieval romance—knights in shining armor, enchanted swords, or chivalric quests. But for the Tudors, Arthur wasn't just storybook material. In the 16th century, Arthurian legend was a political tool, a national symbol, and—for some—an actual piece of English history. From Henry VII naming his heir "Prince Arthur," to Elizabeth I being welcomed at Kenilworth with Lady-of-the-Lake imagery, the Tudors used Arthurian myth to define their dynasty, elevate their authority, and shape the emerging idea of English nationalism. This week, we're exploring how Arthur, Merlin, and the world of Geoffrey of Monmouth were reinvented for a new age of politics, performance, and propaganda. Our guest, historian Andrew, walks us through royal pageants, literary allegory, and visual symbols that connected the Tudor monarchy to a heroic—and sometimes ominous—legendary past.

When we think of King Arthur, many of us imagine medieval romance—knights in shining armor, enchanted swords, or chivalric quests. But for the Tudors, Arthur wasn't just storybook material. In the 16th century, Arthurian legend was a political tool, a national symbol, and—for some—an actual piece of English history. From Henry VII naming his heir “Prince Arthur,” to Elizabeth I being welcomed at Kenilworth with Lady-of-the-Lake imagery, the Tudors used Arthurian myth to define their dynasty, elevate their authority, and shape the emerging idea of English nationalism.This week, we're exploring how Arthur, Merlin, and the world of Geoffrey of Monmouth were reinvented for a new age of politics, performance, and propaganda. Our guest, historian Andrew, walks us through royal pageants, literary allegory, and visual symbols that connected the Tudor monarchy to a heroic—and sometimes ominous—legendary past. Hosted on Acast. See acast.com/privacy for more information.

It's the turn of Kelly in Plymouth and Deborah in Kenilworth, but who'll reign supreme?

The Hatters return home as Jack Wilshere's Luton side prepare to face in-form Rotherham United at Kenilworth Road. Kev is joined once again by The Lutonian journalist James Cunliffe and Town fan Dan Barratt-Davis to preview another huge League One clash. The lads discuss: ⚽ Rotherham's resurgence

On August 28th 1999, 16 year old Jessica Gaudie would vanish without a trace while babysitting in Nambour, on the Sunshine Coast in Queensland Australia.In August of 2001, Derek Bellington Sam is sentenced to 15 years imprisonment for her murder, but to this day has refused to co-operate with Police and take them to Jessica's body. One year before Jessica's disappearance, on July 16th 1998. 25 year old British Backpacker Celina Bridge vanishes without a trace after last being seen walking down Boolooumba Creek Rd, in Kenilworth. Three months prior to Jessica's disappearance, on May 28th 1999, 46 year old teachers aide and animal over Sabrina Ann Glassop vanishes without a trace, also from Boolooumba Creek Rd.The one thing in common, these women all came into contact with Derek Sam.In Season Six of Guilt, Ryan heads into the untamed hinterland of Australia looking for the missing piece of the puzzle. In an attempt to answer the question, where is Jessica? And what happened to Celina Bridge and Ann Glassop.Subscribers to Brevity+ will get ad free listening, bonus episodes, early release AND for the first time ever, access to weekly video content, interactive maps and more to compliment the podcast via our website www.theguiltpodcast.com.If you have any information related to Derek Sam or the disappearance of Jessica Gaudie, Celina Bridge or Sabrina Ann Glassop please contact us via our website or email brevitystudiosnz@gmail.comThis Season of Guilt is proudly sponsored by Anytime Fitness Australia.Credits:Writing and editing: Ryan WolfResearch and interviews: Ryan WolfAdditional research and Marketing: Bella OffnerWeb Design: Jacob Saffle at Media Street MediaTitle Song: 'Phoenix' by LudlowGuilt is a 100% Independent Podcast. Support the Podcast by becoming a Brevity+ subscriber. For a small monthly or annual fee you can both support the show and get a ton of amazing features, including Early Episode Release, Bonus Episodes, Ad Free Listening and exclusive access to the Guilt Podcast 'War Room' on www.theguiltpodcast.com where you'll find timelines, maps, case files, exclusive episode video content and more!Subscribe today on Apple or Spotify (Supporting Cast). For details on how to subscribe please visit our website www.theguiltpodcast.com/how-to-subscribeIf you have information about any of our cases or you would like to suggest a case or a story, please visit our website www.theguiltpodcast.com and use our contact form to contact us.Guilt is a 100% Independent Podcast. Support the Podcast by becoming a Brevity+ subscriber. For a small monthly or annual fee you can both support the show and get a ton of amazing features, including Early Episode Release, Bonus Episodes, Ad Free Listening and exclusive access to the Guilt Podcast 'War Room' on www.theguiltpodcast.com where you'll find timelines, maps, case files, exclusive episode video content and more!Subscribe today on Apple or Spotify (Supporting Cast). For details on how to subscribe please visit our website www.theguiltpodcast.com/how-to-subscribeIf you have information about any of our cases or you would like to suggest a case or a story, please visit our website www.theguiltpodcast.com and use our contact form to contact us.Support this show http://supporter.acast.com/guilt. Hosted on Acast. See acast.com/privacy for more information.

On August 28th 1999, 16 year old Jessica Gaudie would vanish without a trace while babysitting in Nambour, on the Sunshine Coast in Queensland Australia.In August of 2001, Derek Bellington Sam is sentenced to 15 years imprisonment for her murder, but to this day has refused to co-operate with Police and take them to Jessica's body. One year before Jessica's disappearance, on July 16th 1998. 25 year old British Backpacker Celina Bridge vanishes without a trace after last being seen walking down Boolooumba Creek Rd, in Kenilworth. Three months prior to Jessica's disappearance, on May 28th 1999, 46 year old teachers aide and animal over Sabrina Ann Glassop vanishes without a trace, also from Boolooumba Creek Rd.The one thing in common, these women all came into contact with Derek Sam.In Season Six of Guilt, Ryan heads into the untamed hinterland of Australia looking for the missing piece of the puzzle. In an attempt to answer the question, where is Jessica? And what happened to Celina Bridge and Ann Glassop.Subscribers to Brevity+ will get ad free listening, bonus episodes, early release AND for the first time ever, access to weekly video content, interactive maps and more to compliment the podcast via our website www.theguiltpodcast.com.If you have any information related to Derek Sam or the disappearance of Jessica Gaudie, Celina Bridge or Sabrina Ann Glassop please contact us via our website or email brevitystudiosnz@gmail.comThis Season of Guilt is proudly sponsored by Anytime Fitness Australia.Credits:Writing and editing: Ryan WolfResearch and interviews: Ryan WolfAdditional research and Marketing: Bella OffnerWeb Design: Jacob Saffle at Media Street MediaTitle Song: 'Phoenix' by LudlowGuilt is a 100% Independent Podcast. Support the Podcast by becoming a Brevity+ subscriber. For a small monthly or annual fee you can both support the show and get a ton of amazing features, including Early Episode Release, Bonus Episodes, Ad Free Listening and exclusive access to the Guilt Podcast 'War Room' on www.theguiltpodcast.com where you'll find timelines, maps, case files, exclusive episode video content and more!Subscribe today on Apple or Spotify (Supporting Cast). For details on how to subscribe please visit our website www.theguiltpodcast.com/how-to-subscribeIf you have information about any of our cases or you would like to suggest a case or a story, please visit our website www.theguiltpodcast.com and use our contact form to contact us.Guilt is a 100% Independent Podcast. Support the Podcast by becoming a Brevity+ subscriber. For a small monthly or annual fee you can both support the show and get a ton of amazing features, including Early Episode Release, Bonus Episodes, Ad Free Listening and exclusive access to the Guilt Podcast 'War Room' on www.theguiltpodcast.com where you'll find timelines, maps, case files, exclusive episode video content and more!Subscribe today on Apple or Spotify (Supporting Cast). For details on how to subscribe please visit our website www.theguiltpodcast.com/how-to-subscribeIf you have information about any of our cases or you would like to suggest a case or a story, please visit our website www.theguiltpodcast.com and use our contact form to contact us.Support this show http://supporter.acast.com/guilt. Hosted on Acast. See acast.com/privacy for more information.

On August 28th 1999, 16 year old Jessica Gaudie would vanish without a trace while babysitting in Nambour, on the Sunshine Coast in Queensland Australia.In August of 2001, Derek Bellington Sam is sentenced to 15 years imprisonment for her murder, but to this day has refused to co-operate with Police and take them to Jessica's body. One year before Jessica's disappearance, on July 16th 1998. 25 year old British Backpacker Celina Bridge vanishes without a trace after last being seen walking down Boolooumba Creek Rd, in Kenilworth. Three months prior to Jessica's disappearance, on May 28th 1999, 46 year old teachers aide and animal over Sabrina Ann Glassop vanishes without a trace, also from Boolooumba Creek Rd.The one thing in common, these women all came into contact with Derek Sam.In Season Six of Guilt, Ryan heads into the untamed hinterland of Australia looking for the missing piece of the puzzle. In an attempt to answer the question, where is Jessica? And what happened to Celina Bridge and Ann Glassop.Subscribers to Brevity+ will get ad free listening, bonus episodes, early release AND for the first time ever, access to weekly video content, interactive maps and more to compliment the podcast via our website www.theguiltpodcast.com.If you have any information related to Derek Sam or the disappearance of Jessica Gaudie, Celina Bridge or Sabrina Ann Glassop please contact us via our website or email brevitystudiosnz@gmail.comThis Season of Guilt is proudly sponsored by Anytime Fitness Australia.Credits:Writing and editing: Ryan WolfResearch and interviews: Ryan WolfAdditional research and Marketing: Bella OffnerWeb Design: Jacob Saffle at Media Street MediaTitle Song: 'Phoenix' by LudlowGuilt is a 100% Independent Podcast. Support the Podcast by becoming a Brevity+ subscriber. For a small monthly or annual fee you can both support the show and get a ton of amazing features, including Early Episode Release, Bonus Episodes, Ad Free Listening and exclusive access to the Guilt Podcast 'War Room' on www.theguiltpodcast.com where you'll find timelines, maps, case files, exclusive episode video content and more!Subscribe today on Apple or Spotify (Supporting Cast). For details on how to subscribe please visit our website www.theguiltpodcast.com/how-to-subscribeIf you have information about any of our cases or you would like to suggest a case or a story, please visit our website www.theguiltpodcast.com and use our contact form to contact us.Guilt is a 100% Independent Podcast. Support the Podcast by becoming a Brevity+ subscriber. For a small monthly or annual fee you can both support the show and get a ton of amazing features, including Early Episode Release, Bonus Episodes, Ad Free Listening and exclusive access to the Guilt Podcast 'War Room' on www.theguiltpodcast.com where you'll find timelines, maps, case files, exclusive episode video content and more!Subscribe today on Apple or Spotify (Supporting Cast). For details on how to subscribe please visit our website www.theguiltpodcast.com/how-to-subscribeIf you have information about any of our cases or you would like to suggest a case or a story, please visit our website www.theguiltpodcast.com and use our contact form to contact us.Support this show http://supporter.acast.com/guilt. Hosted on Acast. See acast.com/privacy for more information.

On August 28th 1999, 16 year old Jessica Gaudie would vanish without a trace while babysitting in Nambour, on the Sunshine Coast in Queensland Australia.In August of 2001, Derek Bellington Sam is sentenced to 15 years imprisonment for her murder, but to this day has refused to co-operate with Police and take them to Jessica's body. One year before Jessica's disappearance, on July 16th 1998. 25 year old British Backpacker Celina Bridge vanishes without a trace after last being seen walking down Boolooumba Creek Rd, in Kenilworth. Three months prior to Jessica's disappearance, on May 28th 1999, 46 year old teachers aide and animal over Sabrina Ann Glassop vanishes without a trace, also from Boolooumba Creek Rd.The one thing in common, these women all came into contact with Derek Sam.In Season Six of Guilt, Ryan heads into the untamed hinterland of Australia looking for the missing piece of the puzzle. In an attempt to answer the question, where is Jessica? And what happened to Celina Bridge and Ann Glassop.Subscribers to Brevity+ will get ad free listening, bonus episodes, early release AND for the first time ever, access to weekly video content, interactive maps and more to compliment the podcast via our website www.theguiltpodcast.com.If you have any information related to Derek Sam or the disappearance of Jessica Gaudie, Celina Bridge or Sabrina Ann Glassop please contact us via our website or email brevitystudiosnz@gmail.comThis Season of Guilt is proudly sponsored by Anytime Fitness Australia.Credits:Writing and editing: Ryan WolfResearch and interviews: Ryan WolfAdditional research and Marketing: Bella OffnerWeb Design: Jacob Saffle at Media Street MediaTitle Song: 'Phoenix' by LudlowGuilt is a 100% Independent Podcast. Support the Podcast by becoming a Brevity+ subscriber. For a small monthly or annual fee you can both support the show and get a ton of amazing features, including Early Episode Release, Bonus Episodes, Ad Free Listening and exclusive access to the Guilt Podcast 'War Room' on www.theguiltpodcast.com where you'll find timelines, maps, case files, exclusive episode video content and more!Subscribe today on Apple or Spotify (Supporting Cast). For details on how to subscribe please visit our website www.theguiltpodcast.com/how-to-subscribeIf you have information about any of our cases or you would like to suggest a case or a story, please visit our website www.theguiltpodcast.com and use our contact form to contact us.Guilt is a 100% Independent Podcast. Support the Podcast by becoming a Brevity+ subscriber. For a small monthly or annual fee you can both support the show and get a ton of amazing features, including Early Episode Release, Bonus Episodes, Ad Free Listening and exclusive access to the Guilt Podcast 'War Room' on www.theguiltpodcast.com where you'll find timelines, maps, case files, exclusive episode video content and more!Subscribe today on Apple or Spotify (Supporting Cast). For details on how to subscribe please visit our website www.theguiltpodcast.com/how-to-subscribeIf you have information about any of our cases or you would like to suggest a case or a story, please visit our website www.theguiltpodcast.com and use our contact form to contact us.Support this show http://supporter.acast.com/guilt. Hosted on Acast. See acast.com/privacy for more information.

On August 28th 1999, 16 year old Jessica Gaudie would vanish without a trace while babysitting in Nambour, on the Sunshine Coast in Queensland Australia.In August of 2001, Derek Bellington Sam is sentenced to 15 years imprisonment for her murder, but to this day has refused to co-operate with Police and take them to Jessica's body. One year before Jessica's disappearance, on July 16th 1998. 25 year old British Backpacker Celina Bridge vanishes without a trace after last being seen walking down Boolooumba Creek Rd, in Kenilworth. Three months prior to Jessica's disappearance, on May 28th 1999, 46 year old teachers aide and animal over Sabrina Ann Glassop vanishes without a trace, also from Boolooumba Creek Rd.The one thing in common, these women all came into contact with Derek Sam.In Season Six of Guilt, Ryan heads into the untamed hinterland of Australia looking for the missing piece of the puzzle. In an attempt to answer the question, where is Jessica? And what happened to Celina Bridge and Ann Glassop.Subscribers to Brevity+ will get ad free listening, bonus episodes, early release AND for the first time ever, access to weekly video content, interactive maps and more to compliment the podcast via our website www.theguiltpodcast.com.If you have any information related to Derek Sam or the disappearance of Jessica Gaudie, Celina Bridge or Sabrina Ann Glassop please contact us via our website or email brevitystudiosnz@gmail.comThis Season of Guilt is proudly sponsored by Anytime Fitness Australia.Credits:Writing and editing: Ryan WolfResearch and interviews: Ryan WolfAdditional research and Marketing: Bella OffnerWeb Design: Jacob Saffle at Media Street MediaTitle Song: 'Phoenix' by LudlowGuilt is a 100% Independent Podcast. Support the Podcast by becoming a Brevity+ subscriber. For a small monthly or annual fee you can both support the show and get a ton of amazing features, including Early Episode Release, Bonus Episodes, Ad Free Listening and exclusive access to the Guilt Podcast 'War Room' on www.theguiltpodcast.com where you'll find timelines, maps, case files, exclusive episode video content and more!Subscribe today on Apple or Spotify (Supporting Cast). For details on how to subscribe please visit our website www.theguiltpodcast.com/how-to-subscribe.If you have information about any of our cases or you would like to suggest a case or a story, please visit our website www.theguiltpodcast.com and use our contact form to contact us.Guilt is a 100% Independent Podcast. Support the Podcast by becoming a Brevity+ subscriber. For a small monthly or annual fee you can both support the show and get a ton of amazing features, including Early Episode Release, Bonus Episodes, Ad Free Listening and exclusive access to the Guilt Podcast 'War Room' on www.theguiltpodcast.com where you'll find timelines, maps, case files, exclusive episode video content and more!Subscribe today on Apple or Spotify (Supporting Cast). For details on how to subscribe please visit our website www.theguiltpodcast.com/how-to-subscribeIf you have information about any of our cases or you would like to suggest a case or a story, please visit our website www.theguiltpodcast.com and use our contact form to contact us.Support this show http://supporter.acast.com/guilt. Hosted on Acast. See acast.com/privacy for more information.

On August 28th 1999, 16 year old Jessica Gaudie would vanish without a trace while babysitting in Nambour, on the Sunshine Coast in Queensland Australia.In August of 2001, Derek Bellington Sam is sentenced to 15 years imprisonment for her murder, but to this day has refused to co-operate with Police and take them to Jessica's body. One year before Jessica's disappearance, on July 16th 1998. 25 year old British Backpacker Celina Bridge vanishes without a trace after last being seen walking down Boolooumba Creek Rd, in Kenilworth. Three months prior to Jessica's disappearance, on May 28th 1999, 46 year old teachers aide and animal over Sabrina Ann Glassop vanishes without a trace, also from Boolooumba Creek Rd.The one thing in common, these women all came into contact with Derek Sam.In Season Six of Guilt, Ryan heads into the untamed hinterland of Australia looking for the missing piece of the puzzle. In an attempt to answer the question, where is Jessica? And what happened to Celina Bridge and Ann Glassop.Subscribers to Brevity+ will get ad free listening, bonus episodes, early release AND for the first time ever, access to weekly video content, interactive maps and more to compliment the podcast via our website www.theguiltpodcast.com.If you have any information related to Derek Sam or the disappearance of Jessica Gaudie, Celina Bridge or Sabrina Ann Glassop please contact us via our website or email brevitystudiosnz@gmail.comThis Season of Guilt is proudly sponsored by Anytime Fitness Australia.Credits:Writing and editing: Ryan WolfResearch and interviews: Ryan WolfAdditional research and Marketing: Bella OffnerWeb Design: Jacob Saffle at Media Street MediaTitle Song: 'Phoenix' by LudlowGuilt is a 100% Independent Podcast. Support the Podcast by becoming a Brevity+ subscriber. For a small monthly or annual fee you can both support the show and get a ton of amazing features, including Early Episode Release, Bonus Episodes, Ad Free Listening and exclusive access to the Guilt Podcast 'War Room' on www.theguiltpodcast.com where you'll find timelines, maps, case files, exclusive episode video content and more!Subscribe today on Apple or Spotify (Supporting Cast). For details on how to subscribe please visit our website www.theguiltpodcast.com/how-to-subscribe.If you have information about any of our cases or you would like to suggest a case or a story, please visit our website www.theguiltpodcast.com and use our contact form to contact us.Guilt is a 100% Independent Podcast. Support the Podcast by becoming a Brevity+ subscriber. For a small monthly or annual fee you can both support the show and get a ton of amazing features, including Early Episode Release, Bonus Episodes, Ad Free Listening and exclusive access to the Guilt Podcast 'War Room' on www.theguiltpodcast.com where you'll find timelines, maps, case files, exclusive episode video content and more!Subscribe today on Apple or Spotify (Supporting Cast). For details on how to subscribe please visit our website www.theguiltpodcast.com/how-to-subscribeIf you have information about any of our cases or you would like to suggest a case or a story, please visit our website www.theguiltpodcast.com and use our contact form to contact us.Support this show http://supporter.acast.com/guilt. Hosted on Acast. See acast.com/privacy for more information.

On August 28th 1999, 16 year old Jessica Gaudie would vanish without a trace while babysitting in Nambour, on the Sunshine Coast in Queensland Australia.In August of 2001, Derek Bellington Sam is sentenced to 15 years imprisonment for her murder, but to this day has refused to co-operate with Police and take them to Jessica's body. One year before Jessica's disappearance, on July 16th 1998. 25 year old British Backpacker Celina Bridge vanishes without a trace after last being seen walking down Boolooumba Creek Rd, in Kenilworth. Three months prior to Jessica's disappearance, on May 28th 1999, 46 year old teachers aide and animal over Sabrina Ann Glassop vanishes without a trace, also from Boolooumba Creek Rd.The one thing in common, these women all came into contact with Derek Sam.In Season Six of Guilt, Ryan heads into the untamed hinterland of Australia looking for the missing piece of the puzzle. In an attempt to answer the question, where is Jessica? And what happened to Celina Bridge and Ann Glassop.Subscribers to Brevity+ will get ad free listening, bonus episodes, early release AND for the first time ever, access to weekly video content, interactive maps and more to compliment the podcast via our website www.theguiltpodcast.com.If you have any information related to Derek Sam or the disappearance of Jessica Gaudie, Celina Bridge or Sabrina Ann Glassop please contact us via our website or email brevitystudiosnz@gmail.comThis Season of Guilt is proudly sponsored by Anytime Fitness Australia.Credits:Writing and editing: Ryan WolfResearch and interviews: Ryan WolfAdditional research and Marketing: Bella OffnerWeb Design: Jacob Saffle at Media Street MediaTitle Song: 'Phoenix' by LudlowGuilt is a 100% Independent Podcast. Support the Podcast by becoming a Brevity+ subscriber. For a small monthly or annual fee you can both support the show and get a ton of amazing features, including Early Episode Release, Bonus Episodes, Ad Free Listening and exclusive access to the Guilt Podcast 'War Room' on www.theguiltpodcast.com where you'll find timelines, maps, case files, exclusive episode video content and more!Subscribe today on Apple or Spotify (Supporting Cast). For details on how to subscribe please visit our website www.theguiltpodcast.com/how-to-subscribe.If you have information about any of our cases or you would like to suggest a case or a story, please visit our website www.theguiltpodcast.com and use our contact form to contact us.Guilt is a 100% Independent Podcast. Support the Podcast by becoming a Brevity+ subscriber. For a small monthly or annual fee you can both support the show and get a ton of amazing features, including Early Episode Release, Bonus Episodes, Ad Free Listening and exclusive access to the Guilt Podcast 'War Room' on www.theguiltpodcast.com where you'll find timelines, maps, case files, exclusive episode video content and more!Subscribe today on Apple or Spotify (Supporting Cast). For details on how to subscribe please visit our website www.theguiltpodcast.com/how-to-subscribeIf you have information about any of our cases or you would like to suggest a case or a story, please visit our website www.theguiltpodcast.com and use our contact form to contact us.Support this show http://supporter.acast.com/guilt. Hosted on Acast. See acast.com/privacy for more information.

On August 28th 1999, 16 year old Jessica Gaudie would vanish without a trace while babysitting in Nambour, on the Sunshine Coast in Queensland Australia.In August of 2001, Derek Bellington Sam is sentenced to 15 years imprisonment for her murder, but to this day has refused to co-operate with Police and take them to Jessica's body. One year before Jessica's disappearance, on July 16th 1998. 25 year old British Backpacker Celina Bridge vanishes without a trace after last being seen walking down Boolooumba Creek Rd, in Kenilworth. Three months prior to Jessica's disappearance, on May 28th 1999, 46 year old teachers aide and animal over Sabrina Ann Glassop vanishes without a trace, also from Boolooumba Creek Rd.The one thing in common, these women all came into contact with Derek Sam.In Season Six of Guilt, Ryan heads into the untamed hinterland of Australia looking for the missing piece of the puzzle. In an attempt to answer the question, where is Jessica? And what happened to Celina Bridge and Ann Glassop.Subscribers to Brevity+ will get ad free listening, bonus episodes, early release AND for the first time ever, access to weekly video content, interactive maps and more to compliment the podcast via our website www.theguiltpodcast.com.If you have any information related to Derek Sam or the disappearance of Jessica Gaudie, Celina Bridge or Sabrina Ann Glassop please contact us via our website or email brevitystudiosnz@gmail.comThis Season of Guilt is proudly sponsored by Anytime Fitness Australia.Credits:Writing and editing: Ryan WolfResearch and interviews: Ryan WolfAdditional research and Marketing: Bella OffnerWeb Design: Jacob Saffle at Media Street MediaTitle Song: 'Phoenix' by LudlowGuilt is a 100% Independent Podcast. Support the Podcast by becoming a Brevity+ subscriber. For a small monthly or annual fee you can both support the show and get a ton of amazing features, including Early Episode Release, Bonus Episodes, Ad Free Listening and exclusive access to the Guilt Podcast 'War Room' on www.theguiltpodcast.com where you'll find timelines, maps, case files, exclusive episode video content and more!Subscribe today on Apple or Spotify (Supporting Cast). For details on how to subscribe please visit our website www.theguiltpodcast.com/how-to-subscribe.If you have information about any of our cases or you would like to suggest a case or a story, please visit our website www.theguiltpodcast.com and use our contact form to contact us.Guilt is a 100% Independent Podcast. Support the Podcast by becoming a Brevity+ subscriber. For a small monthly or annual fee you can both support the show and get a ton of amazing features, including Early Episode Release, Bonus Episodes, Ad Free Listening and exclusive access to the Guilt Podcast 'War Room' on www.theguiltpodcast.com where you'll find timelines, maps, case files, exclusive episode video content and more!Subscribe today on Apple or Spotify (Supporting Cast). For details on how to subscribe please visit our website www.theguiltpodcast.com/how-to-subscribeIf you have information about any of our cases or you would like to suggest a case or a story, please visit our website www.theguiltpodcast.com and use our contact form to contact us.Support this show http://supporter.acast.com/guilt. Hosted on Acast. See acast.com/privacy for more information.

On August 28th 1999, 16 year old Jessica Gaudie would vanish without a trace while babysitting in Nambour, on the Sunshine Coast in Queensland Australia.In August of 2001, Derek Bellington Sam is sentenced to 15 years imprisonment for her murder, but to this day has refused to co-operate with Police and take them to Jessica's body. One year before Jessica's disappearance, on July 16th 1998. 25 year old British Backpacker Celina Bridge vanishes without a trace after last being seen walking down Boolooumba Creek Rd, in Kenilworth. Three months prior to Jessica's disappearance, on May 28th 1999, 46 year old teachers aide and animal over Sabrina Ann Glassop vanishes without a trace, also from Boolooumba Creek Rd.The one thing in common, these women all came into contact with Derek Sam.In Season Six of Guilt, Ryan heads into the untamed hinterland of Australia looking for the missing piece of the puzzle. In an attempt to answer the question, where is Jessica? And what happened to Celina Bridge and Ann Glassop.Subscribers to Brevity+ will get ad free listening, bonus episodes, early release AND for the first time ever, access to weekly video content, interactive maps and more to compliment the podcast via our website www.theguiltpodcast.com.If you have any information related to Derek Sam or the disappearance of Jessica Gaudie, Celina Bridge or Sabrina Ann Glassop please contact us via our website or email brevitystudiosnz@gmail.comThis Season of Guilt is proudly sponsored by Anytime Fitness Australia.Credits:Writing and editing: Ryan WolfResearch and interviews: Ryan WolfAdditional research and Marketing: Bella OffnerWeb Design: Jacob Saffle at Media Street MediaTitle Song: 'Phoenix' by LudlowGuilt is a 100% Independent Podcast. Support the Podcast by becoming a Brevity+ subscriber. For a small monthly or annual fee you can both support the show and get a ton of amazing features, including Early Episode Release, Bonus Episodes, Ad Free Listening and exclusive access to the Guilt Podcast 'War Room' on www.theguiltpodcast.com where you'll find timelines, maps, case files, exclusive episode video content and more!Subscribe today on Apple or Spotify (Supporting Cast). For details on how to subscribe please visit our website www.theguiltpodcast.com/how-to-subscribe.If you have information about any of our cases or you would like to suggest a case or a story, please visit our website www.theguiltpodcast.com and use our contact form to contact us.Guilt is a 100% Independent Podcast. Support the Podcast by becoming a Brevity+ subscriber. For a small monthly or annual fee you can both support the show and get a ton of amazing features, including Early Episode Release, Bonus Episodes, Ad Free Listening and exclusive access to the Guilt Podcast 'War Room' on www.theguiltpodcast.com where you'll find timelines, maps, case files, exclusive episode video content and more!Subscribe today on Apple or Spotify (Supporting Cast). For details on how to subscribe please visit our website www.theguiltpodcast.com/how-to-subscribeIf you have information about any of our cases or you would like to suggest a case or a story, please visit our website www.theguiltpodcast.com and use our contact form to contact us.Support this show http://supporter.acast.com/guilt. Hosted on Acast. See acast.com/privacy for more information.

On August 28th 1999, 16 year old Jessica Gaudie would vanish without a trace while babysitting in Nambour, on the Sunshine Coast in Queensland Australia.In August of 2001, Derek Bellington Sam is sentenced to 15 years imprisonment for her murder, but to this day has refused to co-operate with Police and take them to Jessica's body. One year before Jessica's disappearance, on July 16th 1998. 25 year old British Backpacker Celina Bridge vanishes without a trace after last being seen walking down Boolooumba Creek Rd, in Kenilworth. Three months prior to Jessica's disappearance, on May 28th 1999, 46 year old teachers aide and animal over Sabrina Ann Glassop vanishes without a trace, also from Boolooumba Creek Rd.The one thing in common, these women all came into contact with Derek Sam.In Season Six of Guilt, Ryan heads into the untamed hinterland of Australia looking for the missing piece of the puzzle. In an attempt to answer the question, where is Jessica? And what happened to Celina Bridge and Ann Glassop.Subscribers to Brevity+ will get ad free listening, bonus episodes, early release AND for the first time ever, access to weekly video content, interactive maps and more to compliment the podcast via our website www.theguiltpodcast.com.If you have any information related to Derek Sam or the disappearance of Jessica Gaudie, Celina Bridge or Sabrina Ann Glassop please contact us via our website or email brevitystudiosnz@gmail.comThis Season of Guilt is proudly sponsored by Anytime Fitness Australia.Credits:Writing and editing: Ryan WolfResearch and interviews: Ryan WolfAdditional research and Marketing: Bella OffnerWeb Design: Jacob Saffle at Media Street MediaTitle Song: 'Phoenix' by LudlowGuilt is a 100% Independent Podcast. Support the Podcast by becoming a Brevity+ subscriber. For a small monthly or annual fee you can both support the show and get a ton of amazing features, including Early Episode Release, Bonus Episodes, Ad Free Listening and exclusive access to the Guilt Podcast 'War Room' on www.theguiltpodcast.com where you'll find timelines, maps, case files, exclusive episode video content and more!Subscribe today on Apple or Spotify (Supporting Cast). For details on how to subscribe please visit our website www.theguiltpodcast.com/how-to-subscribe.If you have information about any of our cases or you would like to suggest a case or a story, please visit our website www.theguiltpodcast.com and use our contact form to contact us.Guilt is a 100% Independent Podcast. Support the Podcast by becoming a Brevity+ subscriber. For a small monthly or annual fee you can both support the show and get a ton of amazing features, including Early Episode Release, Bonus Episodes, Ad Free Listening and exclusive access to the Guilt Podcast 'War Room' on www.theguiltpodcast.com where you'll find timelines, maps, case files, exclusive episode video content and more!Subscribe today on Apple or Spotify (Supporting Cast). For details on how to subscribe please visit our website www.theguiltpodcast.com/how-to-subscribeIf you have information about any of our cases or you would like to suggest a case or a story, please visit our website www.theguiltpodcast.com and use our contact form to contact us.Support this show http://supporter.acast.com/guilt. Hosted on Acast. See acast.com/privacy for more information.

This episode originally aired on May 16, 2022. On March 26, 1981, 33-year-old William “Bill” Jamison followed his usual routine. He spent the day at Haug Die Casting Company in Kenilworth, New Jersey, where he worked as vice president of production. After work, he grabbed dinner at a restaurant, then stopped at the Chez Lounge inside the Linden Lanes Bowling Alley to enjoy drinks and conversation with friends. His last stop was the St. George Diner in Linden around 1 AM. He ate a quick meal, left about half an hour later, and was never seen again.When Bill failed to arrive at the office the next morning, something completely out of character, his coworkers grew alarmed. One even went to his apartment, but there was no sign of him. They contacted his sister, Katie, who immediately began calling hospitals and reached out to law enforcement.More than 40 years later, Bill's disappearance remains a mystery. Over the years, there have been reported sightings of him in other states and whispers of a possible mob connection. To this day, his family is still searching for answers.If you have any information about the disappearance of William Jamison, please contact the Roselle Park Police Department at (908) 245-2300 or the New Jersey State Police Missing Persons Unit at (609) 882-2000.If you have a missing loved one that you would like to have featured on the show, please fill out our case submission form.Follow The Vanished on social media at:FacebookInstagramTwitterPatreonSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On August 28th 1999, 16 year old Jessica Gaudie would vanish without a trace while babysitting in Nambour, on the Sunshine Coast in Queensland Australia.In August of 2001, Derek Bellington Sam is sentenced to 15 years imprisonment for her murder, but to this day has refused to co-operate with Police and take them to Jessica's body. One year before Jessica's disappearance, on July 16th 1998. 25 year old British Backpacker Celina Bridge vanishes without a trace after last being seen walking down Boolooumba Creek Rd, in Kenilworth. Three months prior to Jessica's disappearance, on May 28th 1999, 46 year old teachers aide and animal over Sabrina Ann Glassop vanishes without a trace, also from Boolooumba Creek Rd.The one thing in common, these women all came into contact with Derek Sam.In Season Six of Guilt, Ryan heads into the untamed hinterland of Australia looking for the missing piece of the puzzle. In an attempt to answer the question, where is Jessica? And what happened to Celina Bridge and Ann Glassop.Subscribers to Brevity+ will get ad free listening, bonus episodes, early release AND for the first time ever, access to weekly video content, interactive maps and more to compliment the podcast via our website www.theguiltpodcast.com.If you have any information related to Derek Sam or the disappearance of Jessica Gaudie, Celina Bridge or Sabrina Ann Glassop please contact us via our website or email brevitystudiosnz@gmail.comThis Season of Guilt is proudly sponsored by Anytime Fitness Australia.Credits:Writing and editing: Ryan WolfResearch and interviews: Ryan WolfAdditional research and Marketing: Bella OffnerWeb Design: Jacob Saffle at Media Street MediaTitle Song: 'Phoenix' by LudlowGuilt is a 100% Independent Podcast. Support the Podcast by becoming a Brevity+ subscriber. For a small monthly or annual fee you can both support the show and get a ton of amazing features, including Early Episode Release, Bonus Episodes, Ad Free Listening and exclusive access to the Guilt Podcast 'War Room' on www.theguiltpodcast.com where you'll find timelines, maps, case files, exclusive episode video content and more!Subscribe today on Apple or Spotify (Supporting Cast). For details on how to subscribe please visit our website www.theguiltpodcast.com/how-to-subscribe.If you have information about any of our cases or you would like to suggest a case or a story, please visit our website www.theguiltpodcast.com and use our contact form to contact us.Guilt is a 100% Independent Podcast. Support the Podcast by becoming a Brevity+ subscriber. For a small monthly or annual fee you can both support the show and get a ton of amazing features, including Early Episode Release, Bonus Episodes, Ad Free Listening and exclusive access to the Guilt Podcast 'War Room' on www.theguiltpodcast.com where you'll find timelines, maps, case files, exclusive episode video content and more!Subscribe today on Apple or Spotify (Supporting Cast). For details on how to subscribe please visit our website www.theguiltpodcast.com/how-to-subscribeIf you have information about any of our cases or you would like to suggest a case or a story, please visit our website www.theguiltpodcast.com and use our contact form to contact us.Support this show http://supporter.acast.com/guilt. Hosted on Acast. See acast.com/privacy for more information.

Parvez and Omar finally return after the longest hiatus in the show's history! They bring us up to speed with all the going-ons in their lives from new jobs, moves, kids graduating to new kids being born! As the show returns so does the show's guest! David Coolidge returns to discuss his groundbreaking new book, Hindu Bhakti Through Muslim Eyes. The book places the Caitanya Vaiṣṇava tradition—devotion to Krishna—into conversation with Islam, tracing a rich millennium-long trajectory of Muslim reflection on Hindu theology and spirituality. The discussion balances between diving deep into the book while at the same time offering a layperson's perspective to the theology and basic tenants of the faith. The discussion is deeply enriched by David's ability to interweave analogs from his own Islamic theological, ethical, and liturgical commitments. This offers not only a unique perspective but a remarkable example of inter-religious scholarship.  About David Coolidge David earned his PhD from the Graduate Theological Union in 2023 and serves as Research Faculty at Bayan Islamic Graduate School. David Coolidge was born in Chicago, and raised in Kenilworth, IL. He has a BA from Brown University and an MA from Princeton University. He converted to Islam in 1998.  From 2008-2013 he worked as a Muslim chaplain, first at Dartmouth College and then again at Brown. From 2014-2017 he taught an undergraduate course on Islamic law and ethics at New York University.  Highly recommend folks go and listen to David's first appearance on the show where he discusses his unique and deeply moving journey to Islam as well as within the Islamic Tradition.       

Just weeks before Election Day, U.S. Senate candidate Charles Percy's daughter was murdered in her sleep. In this episode, we investigate the brutal 1966 killing of 21-year-old Valerie Percy, a shocking case that rocked the affluent suburb of Kenilworth, Illinois. As detectives search for answers, the mystery only deepens: Why Valerie? And how did the killer vanish without a trace? Murder: True Crime Stories is a Crime House Original Podcast, powered by PAVE Studios. Listen wherever you get your podcasts. For ad-free listening and early access to episodes, subscribe to Crime House+ on Apple Podcasts. Don't miss out on all things Murder: True Crime Stories! Instagram: @murdertruecrimepod | @Crimehouse TikTok: @Crimehouse Facebook: @crimehousestudios X: @crimehousemedia YouTube: @crimehousestudios To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

On August 28th 1999, 16 year old Jessica Gaudie would vanish without a trace while babysitting in Nambour, on the Sunshine Coast in Queensland Australia.In August of 2001, Derek Bellington Sam is sentenced to 15 years imprisonment for her murder, but to this day has refused to co-operate with Police and take them to Jessica's body.One year before Jessica's disappearance, on July 16th 1998. 25 year old British Backpacker Celina Bridge vanishes without a trace after last being seen walking down Boolooumba Creek Rd, in Kenilworth.Three months prior to Jessica's disappearance, on May 28th 1999, 46 year old teachers aide and animal over Sabrina Ann Glassop vanishes without a trace, also from Boolooumba Creek Rd.The one thing in common, these women all came into contact with Derek Sam.In Season Six of Guilt, Ryan heads into the untamed hinterland of Australia looking for the missing piece of the puzzle. In an attempt to answer the question, where is Jessica? And what happened to Celina Bridge and Ann Glassop.Subscribers to Brevity+ will get ad free listening, bonus episodes, early release AND for the first time ever, access to weekly video content, interactive maps and more to compliment the podcast via our website www.theguiltpodcast.com. If you have any information related to Derek Sam or the disappearance of Jessica Gaudie, Celina Bridge or Sabrina Ann Glassop please contact us via our website or email brevitystudiosnz@gmail.comThis Season of Guilt is proudly sponsored by Anytime Fitness Australia.Credits:Writing and editing: Ryan WolfResearch and interviews: Ryan WolfAdditional research and Marketing: Bella OffnerWeb Design: Jacob Saffle at Media Street MediaTitle Song: 'Phoenix' by LudlowGuilt is a 100% Independent Podcast. Support the Podcast by becoming a Brevity+ subscriber. For a small monthly or annual fee you can both support the show and get a ton of amazing features, including Early Episode Release, Bonus Episodes, Ad Free Listening and exclusive access to the Guilt Podcast 'War Room' on www.theguiltpodcast.com where you'll find timelines, maps, case files, exclusive episode video content and more!Subscribe today on Apple or Spotify (Supporting Cast). For details on how to subscribe please visit our website www.theguiltpodcast.com/how-to-subscribe.If you have information about any of our cases or you would like to suggest a case or a story, please visit our website www.theguiltpodcast.com and use our contact form to contact us.Guilt is a 100% Independent Podcast. Support the Podcast by becoming a Brevity+ subscriber. For a small monthly or annual fee you can both support the show and get a ton of amazing features, including Early Episode Release, Bonus Episodes, Ad Free Listening and exclusive access to the Guilt Podcast 'War Room' on www.theguiltpodcast.com where you'll find timelines, maps, case files, exclusive episode video content and more!Subscribe today on Apple or Spotify (Supporting Cast). For details on how to subscribe please visit our website www.theguiltpodcast.com/how-to-subscribeIf you have information about any of our cases or you would like to suggest a case or a story, please visit our website www.theguiltpodcast.com and use our contact form to contact us.Support this show http://supporter.acast.com/guilt. Hosted on Acast. See acast.com/privacy for more information.

On August 28th 1999, 16 year old Jessica Gaudie would vanish without a trace while babysitting in Nambour, on the Sunshine Coast in Queensland Australia.In August of 2001, Derek Bellington Sam is sentenced to 15 years imprisonment for her murder, but to this day has refused to co-operate with Police and take them to Jessica's body.One year before Jessica's disappearance, on July 16th 1998. 25 year old British Backpacker Celina Bridge vanishes without a trace after last being seen walking down Boolooumba Creek Rd, in Kenilworth.Three months prior to Jessica's disappearance, on May 28th 1999, 46 year old teachers aide and animal over Sabrina Ann Glassop vanishes without a trace, also from Boolooumba Creek Rd.The one thing in common, these women all came into contact with Derek Sam.In Season Six of Guilt, Ryan heads into the untamed hinterland of Australia looking for the missing piece of the puzzle. In an attempt to answer the question, where is Jessica? And what happened to Celina Bridge and Ann Glassop.Subscribers to Brevity+ will get ad free listening, bonus episodes, early release AND for the first time ever, access to weekly video content, interactive maps and more to compliment the podcast via our website www.theguiltpodcast.com.If you have any information related to Derek Sam or the disappearance of Jessica Gaudie, Celina Bridge or Sabrina Ann Glassop please contact us via our website or email brevitystudiosnz@gmail.comThis Season of Guilt is proudly sponsored by Anytime Fitness Australia.Credits:Writing and editing: Ryan WolfResearch and interviews: Ryan WolfAdditional research and Marketing: Bella OffnerWeb Design: Jacob Saffle at Media Street MediaTitle Song: 'Phoenix' by LudlowGuilt is a 100% Independent Podcast. Support the Podcast by becoming a Brevity+ subscriber. For a small monthly or annual fee you can both support the show and get a ton of amazing features, including Early Episode Release, Bonus Episodes, Ad Free Listening and exclusive access to the Guilt Podcast 'War Room' on www.theguiltpodcast.com where you'll find timelines, maps, case files, exclusive episode video content and more!Subscribe today on Apple or Spotify (Supporting Cast). For details on how to subscribe please visit our website www.theguiltpodcast.com/how-to-subscribe.If you have information about any of our cases or you would like to suggest a case or a story, please visit our website www.theguiltpodcast.com and use our contact form to contact us.Guilt is a 100% Independent Podcast. Support the Podcast by becoming a Brevity+ subscriber. For a small monthly or annual fee you can both support the show and get a ton of amazing features, including Early Episode Release, Bonus Episodes, Ad Free Listening and exclusive access to the Guilt Podcast 'War Room' on www.theguiltpodcast.com where you'll find timelines, maps, case files, exclusive episode video content and more!Subscribe today on Apple or Spotify (Supporting Cast). For details on how to subscribe please visit our website www.theguiltpodcast.com/how-to-subscribeIf you have information about any of our cases or you would like to suggest a case or a story, please visit our website www.theguiltpodcast.com and use our contact form to contact us.Support this show http://supporter.acast.com/guilt. Hosted on Acast. See acast.com/privacy for more information.

On August 28th 1999, 16 year old Jessica Gaudie would vanish without a trace while babysitting in Nambour, on the Sunshine Coast in Queensland Australia.In August of 2001, Derek Bellington Sam is sentenced to 15 years imprisonment for her murder, but to this day has refused to co-operate with Police and take them to Jessica's body.One year before Jessica's disappearance, on July 16th 1998. 25 year old British Backpacker Celina Bridge vanishes without a trace after last being seen walking down Boolooumba Creek Rd, in Kenilworth.Three months prior to Jessica's disappearance, on May 28th 1999, 46 year old teachers aide and animal over Sabrina Ann Glassop vanishes without a trace, also from Boolooumba Creek Rd.The one thing in common, these women all came into contact with Derek Sam.In Season Six of Guilt, Ryan heads into the untamed hinterland of Australia looking for the missing piece of the puzzle. In an attempt to answer the question, where is Jessica? And what happened to Celina Bridge and Ann Glassop.Subscribers to Brevity+ will get ad free listening, bonus episodes, early release AND for the first time ever, access to weekly video content, interactive maps and more to compliment the podcast via our website www.theguiltpodcast.com. More details on this will be coming soon.Episode One drops for subscribers August 4th and for all free listeners August 11th.If you have any information related to Derek Sam or the disappearance of Jessica Gaudie, Celina Bridge or Sabrina Ann Glassop please contact us via our website or email brevitystudiosnz@gmail.comThis Season of Guilt is proudly sponsored by Anytime Fitness Australia.Credits:Writing and editing: Ryan WolfResearch and interviews: Ryan WolfAdditional research and Marketing: Bella OffnerWeb Design: Jacob Saffle at Media Street MediaTitle Song: 'Phoenix' by LudlowGuilt is a 100% Independent Podcast. Support the Podcast by becoming a Brevity+ subscriber. For a small monthly or annual fee you can both support the show and get a ton of amazing features, including Early Episode Release, Bonus Episodes, Ad Free Listening and exclusive access to the Guilt Podcast 'War Room' on www.theguiltpodcast.com where you'll find timelines, maps, case files, exclusive episode video content and more!Subscribe today on Apple or Spotify (Supporting Cast). For details on how to subscribe please visit our website www.theguiltpodcast.com/how-to-subscribeIf you have information about any of our cases or you would like to suggest a case or a story, please visit our website www.theguiltpodcast.com and use our contact form to contact us.Support this show http://supporter.acast.com/guilt. Hosted on Acast. See acast.com/privacy for more information.

On August 28th 1999, 16 year old Jessica Gaudie would vanish without a trace while babysitting in Nambour, on the Sunshine Coast in Queensland Australia.In August of 2001, Derek Bellington Sam is sentenced to 15 years imprisonment for her murder, but to this day has refused to co-operate with Police and take them to Jessica's body.One year before Jessica's disappearance, on July 16th 1998. 25 year old British Backpacker Celina Bridge vanishes without a trace after last being seen walking down Boolooumba Creek Rd, in Kenilworth.Three months prior to Jessica's disappearance, on May 28th 1999, 46 year old teachers aide and animal over Sabrina Ann Glassop vanishes without a trace, also from Boolooumba Creek Rd.The one thing in common, these women all came into contact with Derek Sam.In Season Six of Guilt, Ryan heads into the untamed hinterland of Australia looking for the missing piece of the puzzle. In an attempt to answer the question, where is Jessica? And what happened to Celina Bridge and Ann Glassop.Subscribers to Brevity+ will get ad free listening, bonus episodes, early release AND for the first time ever, access to weekly video content, interactive maps and more to compliment the podcast via our website www.theguiltpodcast.com. More details on this will be coming soon.Episode One drops for subscribers August 4th and for all free listeners August 11th.If you have any information related to Derek Sam or the disappearance of Jessica Gaudie, Celina Bridge or Sabrina Ann Glassop please contact us via our website or email brevitystudiosnz@gmail.comSupport this show http://supporter.acast.com/guilt. Hosted on Acast. See acast.com/privacy for more information.

Isabel I es la única reina inglesa que nunca se casó. La última visita de la icónica monarca Tudor al castillo de Kenilworth hace 450 años podría contener algunas pistas sobre su reinado en solitario.

A remarkable riding career came to an end at Doomben in July 2019 when Jeff Lloyd donned the silks for the final time. Imagine how many sets of colours this man had worn in a career embracing 41 years, 5500 winners, 94 Gr 1's and countless stakes races. He was 50 years old when he arrived in Brisbane in  2012 but soon demonstrated the skills that had built his image as a world class jockey. Not even a 14 month absence recovering from the effects of a stroke could force his retirement until he was good and ready. The continued success of his sons Zac and Jaden has  triggered several requests for a podcast. We've been into the archives and regenerated an interview recorded with Jeff Lloyd almost 6 years ago. Let's give it another gallop. He began by looking back on cherished memories from his final day at Doomben. The former ace jockey reflects on his English origins. He says there was no actual racing background in his family other than his father's love of a punt. Jeff recalls watching racing on television at every opportunity and the hero worship he developed of legendary jockey Lester Piggott. He says Piggott had more impact on his life than any other jockey. He recalls riding with Piggott many years later in South African Invitational events. Jeff outlines the reason for his family's move from Great Britain to South Africa. He's never forgotten his enrolment with the famous South African Jockey's Academy where strident discipline applied.  Lloyd recalls his initial apprenticeship to respected trainer Brian  De Villiers who gave him unexpected support. Like most jockeys Jeff vividly recalls his first winning ride. The former champion jockey talks about the development of his trademark style. Jeff picked up a special nickname early in his career which sticks to this day- a nickname inspired by his English roots. He reviews the  countless highlights of his South African career. Jeff says he competed in South Africa against some of the world's best jockeys.  Lloyd still regards a 7 time Gr 1 winner called Wolf Power as the best horse he's ridden. The big grey was a specialist miler in  South Africa. He looks back on a stunning day at the Kenilworth track shortly before his relocation to Australia. His haul of wins included three of the country's top Gr 1 races. Jeff talks of his participation in the famous 2000m race the J&B Met. He won it five times. He talks of several trips to other countries including Mauritius. He was lukewarm about a short term contract but finished up riding more winners there than any other jockey before or since. When his stellar South African career came to a close he was given  two unforgettable sendoffs. Jeff Lloyd farewells at Scottsville and Turffontein were emotional experiences. Jeff looks back on the worrying aspect of living in Durban in the early 2000's. He and wife Nickola lived in a housing estate which offered round the clock security. He says dining out wasn't a pleasant prospect. When Jeff decided to try his luck in Australia, brother-in-law and fellow jockey Glyn Schofield opted to do the same.  The former star jockey pays tribute to the horse who got him up and running in his adopted country.  He's never forgotten a Randwick treble on New Year's Day 2008. Jeff says he was well aware Sydney racing people were talking about his unorthodox style. He simply let the results do the talking. He recalls his surprise when he learned that the Aussie horses were not as “hyped up” as their South African counterparts. Lloyd was overwhelmed when a wide range of Sydney trainers started to seek his services. Even Jack Denham jumped on  the bandwagon. He looks back on  a career defining win on Kiwi 3YO Nom De Jeu In the 2008 Australian Derby.  Then came a contract to ride in Hong Kong. Initially it was to be a three month arrangement but things changed. Jeff was delighted to win the Gr 1 HK Mile on the remarkable Able One, an unsound nine year old at the time.  When the decision was made to return to Australia Jeff and NIckola plumped for the Gold Coast as their preferred location. He talks openly about the lowest point in his life. He had a minor tumble at a Doomben midweek meeting and felt unwell on arriving home. He tried to honour commitments at the Sunny Coast the following day, but had to stand himself down. Tests over the next few days revealed a very serious medical situation. Jeff says the enforced break enabled him to completely get over an old back injury. He still marvels at the fact that he was able to win four Brisbane premierships after such a debilitating illness. Jeff rates his 2017 Magic Millions win on Houtzen as a career highlight. He says the luxury of being a natural lightweight enabled him to ride into his  mid fifties. A forty year career and 27000 race rides wasn't devoid of accidents. At the time he left South Africa Jeff had been involved in 14 race falls. A few more followed in Australia. He admits to having caused a handful of those falls himself.  The veteran says he's still very conscious of fitness levels in retirement. This podcast was recorded soon after Jeff's retirement from race riding. Nowadays he's enjoying his role as manager to sons Zac and Jaden and to promising apprentice Zac Wadick. The Jeff Lloyd story is one of racing's most fascinating. He's a great listen.

Send us a textWelcome back to Laundromat News Today, where we're diving into the latest in laundromat news from around the globe with your favorite anchor, Jordan Berry. In this episode, we kick things off in Kenilworth, New Jersey, spotlighting Bubbles and Baskets Laundromat's new customer loyalty program. Jordan emphasizes the importance of fostering customer loyalty and innovating service experiences. Next, we travel to Singapore to share the creative blend of a laundromat and café known as Hangout Laundry, a space that celebrates community with unique events like a Valentine's Day mixer.Stay tuned as we discuss unconventional business pairings, such as the surprising story of a birth in a New York laundromat, and explore community reactions to laundromats refusing to diversify their services. Also on today's radar is Cleveland's Leaning Laundromat, a structure slated for demolition, with a nod to its resilient owner. Plus, the episode brings exciting news for the industry with Tide Laundromats expanding by another 50 units in the Southwest.Jordan urges independent operators to up their game and embrace opportunities for growth and improvement in the face of rising competition. If you're eager to hear innovative insights and uplifting stories from the laundromat world, this episode is for you! So let's get pumped and elevate our game together. As always, if you have a story to share, get in touch at news@laundromatresource.com.Connect With UsYouTubeInstagramFacebookLinkedInTwitterTikTok

Pippa speaks to Rafaela Peerutin, a death doula or soul carer, about how the closure of St Luke’s in-patient facility in Kenilworth has affected patients and the work of other workers in the palliative care space. Go to www.primediaplus.com to listen to the podcastSee omnystudio.com/listener for privacy information.

Welcome back to another exciting episode of 'Talking Tudors' with Natalie Grueninger. Join us as we delve into the captivating world of 16th-century England to explore the enduring and complex relationship between Elizabeth I and Robert Dudley. Discover how their bond developed against the backdrop of political intrigue and personal trials, from their early years at court to Dudley's pivotal role during the Spanish Armada. This episode also highlights the tumultuous emotions and fascinating events at Kenilworth in 1575, Dudley's secret marriage to Lettice Knollys, and the aftermath of his untimely death. With insights from historian Corina Apostu, gain a fresh perspective on this unique and timeless connection that shaped the Tudor era. Don't miss this immersive journey into the passionate and perilous world of the Tudor court, as we uncover the heartbeat of one of history's most iconic partnerships. Visit Corina Apostu's blog https://exploringelizabethanhistory.com/ Find out more about your host at https://www.nataliegrueninger.com Buy Talking Tudors merchandise at https://talkingtudors.threadless.com/ Support Talking Tudors on Patreon The Making of a Queen: Anne Boleyn 1501-1522  https://www.eventbrite.com.au/e/the-making-of-a-queen-anne-boleyn-1501-1522-tickets-1099348955319?aff=ebdsoporgprofile&keep_tld=1  

Pippa speaks to Dr. Ronita Mahilall, the CEO of St Luke's Combined Hospices, about the closure of their Kenilworth in-patient ward. See omnystudio.com/listener for privacy information.

We are discussing the town of Kenilworth, New Jersey, who recently implemented a tech free school day. All educators continually discuss the implications of tech on students and wonder if it is causing more harm than help. Listen in as we applaud Kenilworth public schools for trying something different and wonder if it is something we should all be trying out in the not so distant future. Check out the article we referenced in today's show below. Kenilworth - Tech Free Friday

Knighted in 1950, Sir Arthur Bliss was Master of the Queen's Music in Great Britain from 1953 until his death in 1975. Raymond Bisha introduces a new album comprising both original works for brass band and arrangements of others for the ensemble that represent the breadth of the composer's output, from pieces of royal association (Welcome the Queen) to music for the concert hall (Kenilworth), the ballet stage (Adam Zero and Checkmate) and the cinema (Things to Come). John Wilson conducts the famous Black Dyke Mills Band, a highly distinguished contributor to the rich heritage of British brass bands. Bliss himself readily acknowledged the astonishing virtuosity of such highly disciplined amateur players, noting that “their rules are nearly as rigid as those of football teams!”

Time for a Thursday edition of GCR, lots to do on the program as we go over a loaded Wednesday practice injury report from the Ravens (to be expected off the short week), plus NFL trade rumors continue to buzz, we'll talk about some potential trades the Ravens could still make, what we'd like to see and much more. At 10:30am, we'll start getting you ready for the weekend as we look ahead to this weekend's matchups during Picks with Ken Zalis, going over Maryland's trip to Minnesota, Navy taking on Notre Dame in a matchup with CFP implications, the Ravens and many more. At 11am we will preview the Browns as we head out to Cleveland to check in with former NFL player Jerod Cherry from ESPN Radio Cleveland, get his thoughts on their wild week, Jameis Winston, Lamar Jackson and more. At 11:20am we will get you the opening segment of last night's Arthur Maulet Show at the Gourmet at Kenilworth, as we talk about Art's return from injury and their MNF win in Tampa. Then before we get out of here today, we'll also get you the second segment of the Arthur Maulet Show.

Adrian Clarke and Sam Parkin join Matt Davies-Adams to look ahead to the return of the Championship with big games at the roads of Elland and Kenilworth.  There's a preview of crisis club Reading against Crawley, a prayer offered for the Monk in the Abbey and musings upon if the class of '92 have lost interest in Salford city. Chuck in a couple of scouting reports, predictions and a tweet of the week and you've got a pod! *We won't be around next week as Adrian and Matt are off on holiday, the pod will return in the final week of October* ​​https://quinnbet.click/o/L5trHE?lpage=DXbdHH How good is this? The guys at QuinnBet have enhanced their UK Welcome Offer, where you can now get a Free Bet up to £50 & 50 Free Spins. Its for New Customers that sign up only. You can check out the full terms and conditions at https://www.quinnbet.com/promotions/sports-up-to-50. It's 18+ and remember folks, Always Gamble Responsibly. Check out Gamcare.org– they are the leading provider for gambling support & run the National Gambling Helpline.

Simon Hall, Paul Stokes, Greg Spires and George Sharp look back on the best Friday night we've ever had in Luton, assess the impact of the new signings, reminisce in tribute of Michael Frey about great centre forward performances, in what is an all round very positive Podcast. Hosted on Acast. See acast.com/privacy for more information.

Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your host is Paul Marden, CEO of Rubber Cheese.Fill in the Rubber Cheese 2024 Visitor Attraction Website Survey - the annual benchmark statistics for the attractions sector.If you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website rubbercheese.com/podcast.If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on Twitter for your chance to win the books that have been mentioned in this podcast.Competition ends on 3rd July 2024. The winner will be contacted via Twitter. Show references:Lego House in BillundSutton Hoo (National Trust)Sutton Hoo at the British MuseumThe Dig on NetflixSutton Hoo mask on Lego IdeasThe Dig: Lego version of Sutton Hoo treasure 'amazing' (BBC News)Events at The Hold IpswitchAndrew Webb is a LEGO enthusiast who uses bricks in outreach programmes for teams and organisations as diverse at Arm, Pinset Mason, The National Trust, English Heritage, and the Scouts. During the UK's second Lockdown in early 2021, He made the 1500 year old Sutton Hoo Helmet out of LEGO bricks and submitted it to LEGO Ideas. The build achieved international media coverage, and has since been donated to the National Trust. Andrew continues to help attractions and institutions with LEGO programmes. By day, he works as a global head of content marketing for a B2B tech company. Find out more at http://teambuildingwithbricks.com Transcription:  Paul Marden: Welcome to Skip the Queue, a podcast for people working in and working with Mister attractions. I'm your host, Paul Marden. Today I'm talking to Andrew Webb. By day, Andrew is a content marketer for a tech firm, but in his spare time helps attractions to use Lego as a tool to attract and engage diverse audiences and enable them to interpret history and culture. We're going to talk about what it means to be an building, a model of anglo saxon helmet, and the 24 skills that are used when building with Lego. Paul Marden: So welcome to the podcast. Andrew Webb: Thank you. Paul Marden: On Skip the Queue, we always start with some icebreaker questions that you know nothing about. So let's launch into a couple of those. Book and a pool or museums and galleries for your city break. Andrew Webb: Museum and galleries.Paul Marden: Yeah. I'd expect nothing less given what we're about to talk about. This is one from one of my colleagues, actually, who is really good at icebreakers whenever we do a team building eventually. So he said, “Would you rather have it and lose it or never have it at all?”Andrew Webb: Oh, gosh, I'll have it and lose it for sure. Paul Marden: Yeah, gotta be. That one's from miles. Say thank you, Myles. That was a cracker. Andrew Webb: Do you remember the word there was a great one. Would you rather eat ten donuts or raw onion? Paul Marden: Oh, ten donuts, hand down. I could easily do that. Andrew Webb: I'd get onion. I'd get onion. Every time I would take an onion over ten donuts. I'd be sick after ten donuts. Paul Marden: Oh, no, I reckon I could take that. No problem. Andrew Webb: Okay. Paul Marden: Okay. So we're going to talk a little bit about your adventures in Lego over the last few years. So why don't we kick off and talk a little bit about your original interest in Lego? Because I know it goes back not a long way, because that would be rude. But it goes back to a few years ago, doesn't it? Andrew Webb: It does. I mean, like most people growing up in what we might loosely term the west, I had like, I was a kid, you know, I think most of us grew up with it like that. And then like, you know, growing up in that first age of plastics with Heman, Transformers, Lego, Star wars, all of that sort of stuff. Paul Marden: You're just describing my childhood. Andrew Webb: It's funny because that was. It was all sort of ephemeral, right? I mean, the idea was that the reason why that boom happened, just to dwell on why they're going plastic things. Before that, toys were made out of either tin or wood. So, you know, they were very labour intensive produce there's certainly injection moulding comes along and we could just have anything coupled with the tv shows and the films and all this sort of stuff. So we all grew up in this sort of first age of disposable plastic, and then it all just gets passed down as kids grow up. It gets given away, gets put in the loft and forgotten about. There's a moment when a return of the Jedi bedspread doesn't look cool anymore, right? You hit about 13, 14 and you're like, “Mom, I really want some regular stuff there.”Andrew Webb: So like everybody, you know, I gave it all away, sold it and whatever, but I kept onto my lego and then fast forward, you know, I become a parent and Lego starts to come back into my life. So I'm sort of at a stage where I'm working for a travel startup and I get a press release to go to the Lego House, which if no one has heard about it, where have you been? But also it is a fantastic home of the brick, which Lego built in, opened in 2016. And it is a phenomenal temple to Lego. Not in terms of like a Legoland style approach with rides and things like that, but it's all about the brick and activities that you can do in a brick. Andrew Webb: There is great pools and huge pits of Lego to play with there, as well as displays and all this sort of stuff. They've actually got a Lego duplo waterfall.Paul Marden: Really? Andrew Webb:  Oh, I mean, it's a fantastic attraction. And the way they've done it is just incredible. So they blend a lot of digital things. So if you make a small fish and insert it into this thing, it appears in the tank and swims around and this sort of stuff and the way you can imprint your designs on things. I should just quickly tell you about the cafeteria there as well, just really quickly. So the cafeteria at the Lego House, everyone gets a little bag of Lego and then whatever you build and insert into this sort of iPad sort of slots type thing, and that's what you're. Andrew Webb: So a pink brick might be salmon, a yellow brick might be chicken, whatever, and you put it all in and it recognises it all and then it comes down a giant conveyor belt in a Lego. Giant Lego box and is handed to you by robots. I mean, mind blowing stuff. This is not like with a tray at the National Trust place or somewhere like that for us to come. It is a technological marvel. Absolutely fascinating. So, of course, on the day went, it was a press preview, so there was no canteen workers, so there was no food in the box when me and my daughter, so went without that data, was a bit disappointed. Andrew Webb: But that started that whole reappreciation of Lego, both as a toy to play with my daughter, but also as a way of using Lego in different ways. And that manifests itself in lots of different things. So currently, now, you know, fast forward a little bit. I use Lego for team building exercises, for workshops, for problem solving with organisations, and also just for having fun with adult groups as well as kids. And I think one of the biggest things we've seen since this kind of started around 2000s with the sort of adults reading Harry Potter, do you remember that was like, why are you reading this children's book type of thing? Paul Marden: Yeah. Andrew Webb: And then all the prequel Star wars films came out and Lego made sets about both those two things. And it kind of. I mean, Bionicle saved the company, as only AFOL will know, but it started that whole merchandising thing and adding Lego into that firmament of IP. Right. And we fast forward now, and it's Marvel and Star wars and everything. Paul Marden: You just said AFOL. I know what an AFOL is, but many of our listeners may not know what AFOL is.Andrew Webb: Just to go for acronyms here. So an AFOL is an Adult Fan of Lego. And we've seen actually Lego in the past five years, even earlier. I mean, Lego always had an adult element to it. And one of the original founders used to use it for designing his own house. And there was a whole architectural system called Molodux. So it's always had that element to it. But just recently we've seen, you know, almost retro sets. So we see the Lego Atari 2600 video game system from 1976, which, yeah. Paul Marden: An original NES wasn't there. Andrew Webb: Exactly. NES that's come out. I've got a Lego Optimus prime back here for transformers, you know, all that kind of stuff. So with what's been really interesting is this kidault or whatever, however, call it. And I think that's really fascinating, because if we think about Lego as a toy, we are rapidly approaching the age where we might have three generations of people that have grown up with Lego. Lego first came around in the very late ‘60s, early '70s. And so it's not inconceivable that you might have three generations that had Lego as a child, especially if you grew up in Denmark. A little bit different when it would come to the rest of Europe as they expanded out. So I get to this point, and I'm getting into Lego and doing all this sort of stuff. Andrew Webb: And then, of course, COVID happens and then lockdown happens and we all think the world's going to end and no one knows. Everyone's looking for hobbies, aren't they? They say you were either hunk, drunk or chunk after lockdown. You either got fit, got fat or got alcoholic. So try to avoid those three things. And, you know, everyone's looking for stuff to do, so you have so much banana bread you can bake. And so I stupidly, with my daughter's help, decided to make the Lego Sutton Hoo helmet, the 1500 year old Sutton Hoo helmet found at Sutton Hoo in Suffolk, now in the British Museum. Out of Lego, as you do. Paul Marden: I mean, just exactly. Just as you do. So just a slight segue. I was at the National Attractions Marketing Conference yesterday and there were two people presenting who both talked about their experiences of wacky things that they did during lockdown. There was one person that opened a theatre in her back garden and had various different stars just randomly turn up in her backyard up in North Yorkshire. And you choose to build a Lego Sutton Hoo helmet.Andrew Webb: Lockdown, there will be a time, I think, as we look back, tragic though it was, and, you know, a lot of people died, but it was that moment when society sort of shuffled around a bit and people sort of thought, “Well, if I don't do it now, why not?” People were launching bakeries in their kitchens and serving their community and like. And that element of it. And so people have that. The good side of that, I suppose, is that people did find new outlets of creativity. And Joe Wick's yoga class is in their front row walking groups, you know, all this sort of stuff and beating beaten horsemans and learning to play the violin and dust and stuff. Suddenly we all had to find hobbies because we're all just in. Andrew Webb: No one was going to restaurants, no one's going to bars, no one's going to gigs, nightclubs, theatres. We like to make entertainment at home. It was like the middle ages. So I decided to build the Lego Sutton Hoo helmet, as you do. And so I start this in lockdown, and then, like, I get wind that Netflix is making a film called The Dig. And The Dig is all about, I think it's Lily James and Ray Fiennes in it, and it's all those other people. And it's all about when they found theSutton Hoo helmet. And the guy who found it was called Basil Brown, and he was asked by Edith Pretty, who owned the land, to excavate these humps in the ground that were on her estate. Paul Marden: Okay, so she owns this big estate, in Suffolk, right? And, so she can clearly see there's burial mounds in the back garden, but doesn't know what's in them. Doesn't have any clue that there's treasure locked up inside this. Andrew Webb: I'm not even sure she knew there were anglo saxon burial maps since it was. Paul Marden: They were just lumps of ground in the garden. Andrew Webb: Yeah. I mean, she may have had inkling and other stuff I've turned up over the years and whatever. And some of them were robbed sort of georgian times around then. So some people knew what they were and they were somewhere excavated and gold was taken to fund the polynomial wars and whatnot. But she asked Basil Branson, he was like an amateur archaeologist, right? And so he was just like this local guy would cycle over and do. And the film goes into all that, and the film kind of portrays it as working class. Basil Brown should know his place against the sort of British Museum who are sort of the baddies in this film who think they know what. And of course, this is all set against the backdrop of war. So they escalated it all, then they had to rebury it. Andrew Webb: And then it was used as a tank training ground, so lots of tanks rolled over it. So it's a miracle anything was ever found. But when he did find the Sutton Hoo, who told me and a bunch of other things, clasp brooches, shields, weapons and whatever, when he did find it, so people think it kind of popped out the ground as a helmet, but it didn't. And if you look at the photos, it came out the ground in hundreds of pieces. Paul Marden: Oh, really? So you look at this reconstructed mask that's now in the British Museum, and you think, “Oh, so they just found that in one piece,” lifted out as if it was a Lego hat, you know, for a minifig. In one piece? No, not at all. Andrew Webb: It was actually more like a big parlour Lego in the fact that it was just in hundreds of thousands of pieces. And so there was the first guy to have a go at it was an elderly architect at the British Museum who was, I think, blind in one eye. And he had a go at putting it all together. And he used an armature and clay and pins and whatever, put it all together and said, “Yes, I think it was this.” And then actually it wasn't. He got it all wrong. Lots of different pieces after some more research, and then it falls to this. Nigel Williams is another sub architect, and he was famous for. Andrew Webb: There was a famous Portland vase that was broken in a museum by someone pushing it over as a sort of what you might call, like a just stop oil type of protest now, I can't remember what the call was, but someone smashed an exhibit. And he had painstakingly pieced all this together. He was a total dapper dude. Three piece suit, Chelsea boots, proper swinging sixties, and he had to go and put it all together. His version is the one that's in the British Museum, but he was a massive jigsaw fan. And if you think about Lego, what it is a 3d jigsaw. You get a bunch of pieces and you have to make. Make it into a 3d sculpture. So that was one reason, the dig was the other reason. Andrew Webb: The third reason was that the relationship between East Anglia and essentially Denmark and Billand and Anglo Saxon and Jutland and all that area, I'm talking like Vikings and Anglo Saxons and invasions and all this kind of stuff against the native British, there is essentially a relationship between East Anglia, a trade relationship and a conquest relationship between them. So I built this thing and I frantically put it together and I'm late nights and just losing my marbles trying to get this thing to work. Because Lego is not designed to make, like, spherical shapes, necessarily. It's quite blocky. Right. Everyone knows this. It's the square. Paul Marden: Really easy to make a car, really easy to make a house. A spaceship. Andrew Webb: Houses. Brilliant. Yeah. Square stuff is fantastic. But baking, not only a sort of a semicircle, but a hemisphere, which is what essentially a helmet is. Is even harder because you have to get the Lego to bend in two directions. And so a lot of work went into that just to get the actual face piece came together quite easy. And there was once I had the scale of the pieces under the eyes that formed that sort of thing, and then I could build the nose and face. Ideally, it was going to be so that I could put it on my head. I've actually got a massive head. So in the end, I had to realign that and sort of make it into this sort of child sized head. Paul Marden: But it's a wearable thing, right? Andrew Webb: It is. It is wearable. I mean, at one point, it was probably more fragile than the one in the British Museum because it just kept dropping to pieces. So there's a lot of sub plates that are holding together the outer plate. So it's actually sort of. So just quick Lego terminology here. So bricks, obviously are bricks. The flat things with bubbles on are called plates and then the smoother ones are called tiles. Okay. And used a combination of these to create. There's also a technique called SNOT, which stands for Studs Not On Top. We love acronyms in the Lego community. Right? Paul Marden: Completely.Andrew Webb:  So if you say, “Oh, man, I'm an AFOL covered in SNOT,” people know what you want to know what you mean. So after a night in the tiles, I got covered. Yeah. Andrew Webb: Anyway, so I make the helmet, I make the thing, and then, you know, I get a lot of support from the National Trust, specifically East of England National Trust and Sutton, who site itself because it's there. It's their crown jewels. The British Museum, not so much, because they was like, we've got a billion exhibits here. No, it's just one of them. When you've got the Tippecar moon and the Rosetta stone, it kind of pales into significant. But actually, they were helpful. And one of the curators there, who was on Twitter, who sent me a link to some 3d photos, because if you. If you google it's all pictures at the front. That's fantastic. But what does the back look like? Paul Marden: Oh, right, okay. Andrew Webb: So actually, buried deep in the British Museum's website, in their research department, under a filing cabinet, in the back of a server somewhere, are some quite technical photographic images of it, turning every sort of 30 degrees so that. That it's documented as to what it looks. Because you got to remember that everything on the helmet is symbolic of various different things. There is symbols that mean there's a guy on a horse who's sort of fighting and all this sort of stuff. And it all has quite a lot of meaning. I can occur from different parts of history as well. So there's some sort of roman influencing things there and symbols. And so this whole thing is designed to be not only a battle helmet, but it is also because, remember, crowns haven't been invented yet. Crowns are a later mediaeval sort of invention. Andrew Webb: So this is both a symbol of authority, headwear, like a crown, but also a weapon or a piece of defensive armour and equipment. So it has several functions in its life. So it's quite a complex piece of equipment, that this symbol of authority. So I make all this and then I also submit it to a thing called Lego Ideas. So Lego Ideas is a fantastic programme where anybody in the world, members of the public, can submit Lego Ideas, right? And they go onto a website. There's certain criteria, they have to meet a certain checklist, but then the rest of the public can vote for them. So, I mean, if Taylor Swift just stuck together a load of blocks and said, “Vote for this,” she probably hit the 10,000 threshold instantly. Andrew Webb: But I'm not sure Lego would necessarily take that forward as a build. So there is a judging panel that. But actually, some of the most recent really fantastic sets have come out of Lego Ideas. Members of the public, and they're designing things that the Lego designers wouldn't have thought of themselves. So I think that's been kind of interesting. Sadly, Paul, we didn't make the 10,000 threshold. We did a lot of media coverage. By then, lockdown was over and were sort of getting back to our lives and all this sort of stuff. And my daughter was entering her dark ages. And so it sat in my studio for another sort of year and a half and I thought, “What am I going to do with this?” And so in the end, I thought, “Well, you know what? It's gathering dust here. I'm fed up with it, dustin it.”Andrew Webb: And so I actually approached Josh Ward at the National Trust at Sutton Hoo, who has been a fantastic advocate for Lego and for this particular project, and I have to thank him immensely for that. And they got some money and some funding to build a cabinet and also to house it. So I donated it to National Trust and it is now on display there as part of their firmament of interpretational trail. Paul Marden: That must feel pretty good fow you. Andrew Webb: Yeah, it is quite good looking in there and watching kids go, “Wow.” Because Lego is one of those things instantly recognisable for kids. But certain hill as a site is quite complex for children to contextualise because essentially it's several mounds in the ground. And the helmet itself is at the British Museum. Right. They've got a replica built by the royal armouries. There were several of those. They've got those. They have loads of dress up, they have great explainers and videos and they do a lot of work to show the size and shape and things as a cast iron sculpture, to represent the boat, to show just how big it was when it was pulled up from the sea, because he's buried in a boat. So do a lot of that work, sort of that sort of work as well. Andrew Webb: But having this extra funding in the. They opened up Edith's pretty's house now, and having this room where we've got some other things as well, like crayons and paper and other tools and drawings and colouring in and Lego and big chest of Lego just helps, particularly smaller children who, by the time they've walked from the car park around the site, and it has probably flagged it a little bit. And so just providing that little support for them, it's been a fantastic way to contextualise and another way to interpret that. And I think more and more venues could look into that. When you think, well, how else can we add stuff, particularly for children to help tell the story of this place? Paul Marden: Yeah, absolutely. Absolutely. We went to. It was half term last week and went to the City Museum in Winchester. So they've got some mediaeval, they've got some Roman finds there, and there was lots of fun, but they had. It was full of lots of ways for kids to engage, so there was trails to go around, there was colouring in, make your own mediaeval shield. And all of these things are ways that, you know, my ten year old could engage with it because there's only so many glass cabinets of stuff dug up from the ground that she actually wants to look at. Andrew Webb: I mean, I love. I love pit rivers, right, in Oxford, my favourite museum. Paul Marden: It's crazy, isn't it? I love it. Andrew Webb: But basically, he just went around the world nicking stuff. Right, but as a collection of objects, It's fantastic. Paul Marden: It's deeply unnerving. Andrew Webb: Sorry, sorry if any pit rivers curators are listening there, nick, and stuff about it, but, it is my favourite museum because it's just for kids. It's probably really kind of like, how do you tell that story? I also think there was an article in the garden recently that, you know, the cost of living crisis as well. Parents are looking for value solutions now and so I think it wasn't Peppa Pig World, it was Paddington World. And a family ticket is 170 pounds. That is a huge dent in the family finances for a 70 minutes experience. If you are watching the pennies, if you can afford that and save up for it, whatever. And I know these things are, you know, memory making and all that sort of stuff, and I've been to Harry Potter with my daughter. Andrew Webb: That is not cheap, but it's a fantastic day out because once you're in, you spend the whole day there. If you take a packed lunch, you can save a lot of money on that, on the thing. But I suppose what I'm saying is that, you know, our museums and galleries, particularly traditionally, the what you might call free spaces, public spaces, are facing unprecedented demand in terms of parents looking for cost effective value days out, as well as funding being cut from central government and that sort of. So they have to do a huge amount with less and less for a bigger audience. And that is a strain on any institution and things like that. Other examples of places that get this. Andrew Webb: So obviously with the Sutton Hoo helmet, the hold in Ipswich, which is Suffolk Council's kind of flagship museum in the county town of Ipswich, but instead of calling it, you know, the Museum of Suffolk, they've called it The Hold, which is a reference to the fact it's on, I think it's either because it's on the shore or it's doing sheep, I'm not sure anyway. But a fantastic space, contemporary modern space  had a Lego exhibition a few years ago, borrowed my helmet, had some Lego exhibition stuff to do. And the good thing about that is when these teams have to do quite a lot of comms marketing and, you know, that has a cost as well, but often you see different demographics than perhaps would normally go to a stones and bones museum, if you know what I mean. Right. Andrew Webb: You'll see that it makes it more accessible to the community and to different people who don't like going and looking at the Magna Carta or whatever. For some kids, a day at the British Library is fantastic. Look at all these old books for more, maybe more boisterous children. That's probably not a really great idea. So I think galleries can take a leaf out of this and think, or museums or any institution really can take a leap out of this and think, “How can we do more for less? And what tools can we have that perhaps we haven't considered before, like Lego, as a way to open up our interpretation and our offering?” So this could work in Museum of Docklands, for example. This could work in the royal armouries. Andrew Webb: There's lots of places where if you looking to improve your children's offering that some form of lego, I mean, it ends up all over the floor, it ends up being taken away. Sometimes you've got to watch out for things like that. But that's why I always recommend, like, just the basic blocks and plates, not minifigures and stuff like that, because, you know, they just end up in kids' pockets and trousers. But I do think it is a fantastic tool for developing that interpretation piece. Paul Marden: So I run a coding club using Lego. Okay. So I work with years four, five and six, typically. And we normally start off by the end of two terms, we will be building robotics, programming things, doing amazing things. But we start at the very beginning with just open up a box, and it is amazing what a bunch of seven, eight and nine year olds can do with a two by four red brick just given bricks. Yeah. And they will build amazing things. Yeah. And they will tell you amazing stories. And you also see real diversity in the behaviours of children, because some children, in that free play context, they do not have the skills to do that. And I had one girl recently who hasn't played with Lego, and free play just blew her mind, and she was in tears because she couldn't embrace the creativity of it.Paul Marden: But then the following week, when we were following instructions, she was great at building from a set of instructions, You can do that from a limited palette and give them a mission. Sutton Hoo, build a, I don't know, a sword, build a shield, build something to interpret what you have seen. You're in the transport museum. Build, build. How did you get to the museum this morning? Give them something to do and then let them go. And half an hour later, you will be amazed by what they will have built. Andrew Webb: I actually did something this at the National Archives down in Kew, where they had a kids exhibition. Well, an exhibition in the summer about wacky inventions, because obviously the National Archives holds the patents for all these things, and they've got things like Victorian top hats with umbrellas in, and, you know, all this kind of crazy Heath Robinson style stuff that, you know, forks with four sets of tines, so you can eat four times as much. It just bonkers. Really interesting things. The curators had gone through and found this wacky world, sort of. What's his name? The guy that illustrates Roald Dahl. They got illustrations and all that. Paul Marden: Quentin Blake. Andrew Webb: Yeah, Quentin Blake, yeah. So they had this Quentin Blake sort of stuff, and, like, there was activities. And I came down for some special stuff because they had the first Lego brick patent in the UK. When it was first launched in the UK, 1963, I think it was. That's when they filed the patent. Paul Marden: And I bet. So that patent would be exactly the same as a two by four brick, now, won't it? Andrew Webb: The patent was for a one by four brick. Isometrically dawn. Just three diets. Just three views with what? It was a construction toy. And then the page. Sorry. And the address was just Railway Station Billund.  There wasn't like, just all the mail just went to the railway station in Billund just addressed for attention of Lego. And it's only like. I mean, it's not even a sheet of A4, It's a piece like this. And after it is something like a lamp that won't blow out on a thing, and before it's like some special kind of horse comb, but it's kind of this bonkers catalogue of just these things. But again, it was about, “Right. We did some work. The curators and interpreters looked, you know, had kids analyse the painting to think, what could it be? And look at the dates and structure. Look at that.” Andrew Webb: And then I came out and, like, did some Lego. So we did things like, who can build the longest bridge? Who can build the tallest tower out of a single colour? Those sorts of exercises. But then also the free play was build your own wacky invention. And kids are building automatically dog washers, where the dog ran on a thing and it scrubbed its back. And one kid built something that was like a thing for removing getting pips out of apples. It was just like this sort of like this crazy little tool. They like some sort of problem that he had. Andrew Webb: And I think what this also speaks to is developing those stem skills in children and adults and building that engineering, because I've also ran Lego workshops with explorers who I used to, I thought were between Cubs and scouts, but are actually after scouts. So I did this in my local town, here in Saffron Walden, and was like, “Oh, my God, these kids are like, 15, 16. They're not going to want to play Lego. Some of them are in my daughter's year at school, so. Hello, Amy.” And it was really interesting because we did a series of challenges with them. So the egg drop challenge, can you protect an egg and drop it from the floor? And can you build this and work together? Another good one is looker, runner, builder. Andrew Webb: So you give everybody two sets of the same bricks, and one person is the looker, one person is the runner, one person is the builder. So the looker can't touch, but he can tell the runner. The runner can't look at the model, he can only tell the builder, and the builder can't speak back. And so this is a really useful exercise. And I've done this with teams where, because this is exactly what businesses see, engineering will build a product. Sales or their marketing are like, what the hell is, you know, or whatever it might be. Paul Marden: It's that. It's that classic cartoon of a Swing, yeah. Andrew Webb: Yeah. So it's that, you know, this is what the brief said. Engineering interpreter does this. Marketing saw it. So it's a great tool for things like that. Especially when you put people like the C Suite or CEO's or leaders at the end, because all they're getting is the information and it. It's there and it's how to build communications. Because in life, the fluctuations reverse. A CEO says, “Let's do this.” And by the time it's cascaded down to engineering, who don't get a say, it's not at all what he imagined so, or they imagined so, it's. It's an interesting case of using tools like that. So I did that with these kids and it was fascinating because they're 14, 15, 16.Andrew Webb: A group of three girls won two out of the three challenges and probably could have won a third one if I felt that I couldn't award it to them again because it would just look weird. And they were smashing the looker runner builder thing. They were working together as a team, they were concentrating, they were solving problems, they were being creative, they took some time to prototype, they refined and iterated their design. They were doing all this sort of work. And it's brilliant because 15 year old girls don't often take engineering related STEM subjects at GCSE. Certainly, probably don't take them at a level and more than enough. And I think that I once interviewed Eben Upton, who invented Raspberry Pi, and he said, “We think about the eighties as this sort of like golden age of computing, but actually it was terrible. It was terrible for diversity, it was terrible for inclusion.“Andrew Webb: And he said, “Like growing up, there was one other kid in his town that had a computer, you know, so there was no sort of way to sort of getting other people involved and make this accessible.” And part of the reason now computers have got smaller. Some of the work I did at Pytop was like trying to make technology more accessible and seeing it not just video games and things like that, but actually I can use this in a fashion show, or I can make music, or I can use this to power some lights to do a theatre production, and trying to bring the, I guess, the creative arts into technology. And that's when we start to see the interest application of technology. Andrew Webb: And Lego plays a part in that, in the fact that it is a tool, a rapid prototyping tool that everybody is familiar with. And it is also, you know, clean, safe. There's no, you don't need blow torches and saws and those sorts of things to kind of prototype anything. You don't even need a pair of scissors, you know, it's completely tool free, unless you're using that little mini separator to get your bricks apart. And so I think that just circle back on, like, how the Science Museum or what's the one down there? Isabel Kingdom Brunel Museum and things like that. I can see those guys could be and should be thinking about, “How could we have a Lego programme?“Andrew Webb: You don't have to have a permanent deployment like they've got at Sutton Hoo although that is great because they've got the mast there as the head piece of it. But certainly a programme of events or summer camps or summer events, because I did this with English Heritage at Kenilworth Castle as well. They were having, like, a big Lego build and the public were invited in 15-minute shifts into a big marquee and everyone got given a tile. And the idea was to build the gardens because the gardens at Kenilworth Castle were laid out to impress Elizabeth the first. And so everybody got there was like bunches of stuff and regular bricks, also flowers and this sort of stuff. And it was like, “Come on, we've got to build something to impress a queen.” Andrew Webb: He said to kids, like, “Yeah, you've got to impress. Bling it up, like, dial it to ten.” And were just getting these enormous, like, avatar sized trees with just incredible bits hanging off it. And like, “There she has a teapot because she might want a cup of tea.” And you're like, “Brilliant, excellent. Of course she does.”  And so I think that. And then they moved through. Some of the Legos were selected to be displayed and things like that. So there's different ways you can do it. You can either do it as like. And I'm a big fan of the drop in sessions because kids and parents can just naturally build it into their day rather than the pre built. My child was. We were rubbish at, like, organising things. Andrew Webb: People like, “Oh, great. Half term, it's a chocolate thing, sold out ". And you're like, yeah, because there's 30 spaces for three and a half thousand kids who want to do it. Whereas if it's like a walkthrough or a. In groups phase through and then the activity, small kids kind of conk out after about 20 minutes, half an hour anyway. You get much more people through and much more people get to enjoy the experience rather than the 30 organised people who got up early and booked. So that's my other top tip to any institution, because it's heavily weather dependent as well. Sun comes out, everyone piles pass into the nearest sort of stately home, national attraction. All of those places can definitely benefit English Heritage. Did a really big push this half term, just gone on Lego at several events. Andrew Webb: We had one here at Audley End, there was one at Kenilworth that I was at. There's been pairs of the ones all around the country, because again, you just need a marquee, which most venues have access to because they use them for other things or some sort of space in case it rains. And you just see someone like me and a whole massive tub of Lego and you're off to the races. Paul Marden: Exactly. So we were talking about this at the conference yesterday about ways in which. So for many attractions, people turning up is a literal flip of a coin. Is the weather good or is the weather bad? What can you do to adapt your attraction to be able to deal with when it's bad? And then what can you do to bring people when you have made that adaptation? So, you know, you've now got a marquee and you have a Lego exhibit that you can put into there. So it's just dumping a pile of Lego and a bunch of well trained volunteers or visitor experienced people who can facilitate that, police it, little Johnny sticking minifigs in his pocket. Paul Marden: And then you turn on your Google Adwords and show that you've got this, you know, bad weather reason to go to a stately home that my daughter would turn her nose up to all of a sudden, “Okay, we're going to go and do that. We're going to go and have afternoon tea and you're going to go and play with some Lego and see some animals, maybe.” Yeah, what can you do to attract that extra audience and adapt to the bad weather and service different sorts of people? Andrew Webb: I think that comes down to a bear in mind. I convert some of my Lego lens rather than a venue lens. But I think speaking as a parent and someone who does this is you need a reason to go back to somewhere that you already know. Okay, so you go to Stonehenge, you go and look at the stones, you go, “Wow.” You look at the visitor centre and then it's ticked off. I mean, you see busloads of tourists. Stonehenge is at Cambridge, maybe, or Oxford people, when people do England, Lambeth, Heathrow, London Crown Jewels, Tower Bridge, West End, day trip out on a coach to Stonehenge, maybe to Cambridge, and that's it, off to Paris. Right? So parents like British people like that too. Like why go to Stonehenge four times a year? Or why go to any venue when you're familiar with it? Andrew Webb: It's always about offering something new and something different. Audley End up near where I live, I think, is English Heritage. All through July, every Sunday, they're just doing music. So there's a string quartet or someone with a harp or maybe someone with a guitar or whatever. And you've got a book, but it's. It's not like there's 30 places and it's a bonfight. It's just like, “Oh, wow, they've done something different.” They do a really great thing. Like, they do victorian falconry, for example. So they get someone in who talks about how Victorians use falconry for hunting as a sport, but also for the kitchen table, and they're flying falcons around and doing the whole bit of meat on a string and all this sort of stuff. And everyone, like, “They do a world war two one.”Andrew Webb: I mean, the editorial calendar for any venue's got to look like, “Go and make Christmas food. January, we're closed to kind of dust and clean everything. Valentine's Day, chocolate make you put. It's daffodils”, it's whatever it might be. And then you just build that. Build that programme in and you need. This is why I think that venues now, again, I'll just come back to that. You talk about AdWords, but that, again, is more spend. It's like, how'd you build that mail list? How do you drop into the local Facebook groups and Mumsnet and all that kind of stuff? You know, that's where you can do it organically rather than. Because people don't sit in front of Google necessarily, or think, like, what should we do? Paul Marden: You sit on the sofa on a Thursday night trying to figure out what on earth are we going to do this weekend? Yeah, so you're completely right. The mum's net, the content marketing, is hugely important, isn't it? Andrew Webb: Which is my job. But also it's kind of like how can institutions become part of that? When I say community, if you think about most people travel a thin hour to go somewhere. I mean, people go further afield, you know, but. But basically it's like, what? My mom turns, like, a tea and a pee. So you've got to go somewhere. You've got to have a cup of tea, visit the loos. It's all about tea. It's all about canteens and loos, basically. You could have a World Heritage Site, UNESCO World Heritage site. And it's like, how good's the caf? And are the toilets clean? Yeah, that's what people remember. Gar went hens at dawn. I was awed by the majestic. But that Looney D cleaning, you know, it's not good. It's all that people come home with. Andrew Webb: So, you know, institutions go into place that they are trying to offer different things. Like late nights. We've talked about that. How can we use this space after hours? Because if you think about it, if your institution's open 10 till 6, most people are at work five days a week, you're gonna have students and pensioners who are gonna be not great spenders, either of those two groups. So, late nights, I went to a great one in the National Gallery when the James Bond film. I was kind of sitting royale or whatever. He's still on the top of the National Gallery overlooking Trafalgar Square, and they've got the national dining rooms there and they had Vesper Martini, everyone got a cocktail. Andrew Webb: And then went to look at the fighting Temeraire, which is the bit where he's standing with Q, the new Q, who voices Paddington, whose name escapes me and gives him, like, a gun and a radio, but they're like the fighting Temeraire by Turner is this little thing. And so, you know, you've got to make hay out of that, right? You've got to sort of, like, do a late night, various ones. And so all it was a few cocktails in the cafe next door and are taught by the curator and stuff like that. But 30 people just looking for an experience. And so if venues are clever, of course, the dark side of this is when you get Willy Wonka world up in Scotland. Andrew Webb: Or interestingly, some of the Lego events that have been happening at NEC have caused a massive online backslash in the community for just being exceptionally bad value for money. And so you read about these things that people have said, “Come and visit Santa's grotto, and it's just a muddy field with a tree in it,” so you've got to be careful. But I think those events, those sort of fly by night kind of institutions, don't really work. But how galleries can leverage the creativity of what they're doing? Whether they are come and paint in our, you know, our local gallery, come and have an art class, come and do that. People are looking for stuff to do that is value for money. That isn't always drink lead, you know, it's not always cocktail making or things like that. Andrew Webb: And that comes with a whole heap of other things and dietary requirements for cookery courses and just clean up and the mess and all that kind of stuff. So I think that, yeah, canning organisations, the ones that can really think about that, and I'm happy to help organisations who want to think about this, especially through the life of Lego. They will be the ones that will start to add and build out and develop their. What you might term this whole sector needs a name. The kind of extracurricular offering, we might say, above and beyond their collection and then their traditional interpretation and if they're. Paul Marden: Thinking of doing this. So there's a good why. Yeah, the why is you can reach diverse audiences, helps people with interpretation. Andrew Webb: Quite cheap. Paul Marden: Yeah, absolutely. It's a cheap way of extending your offering and diversifying what you do. You can bring in event elements to this, but how do they do it? Apart from engaging with somebody like you? And I'm going to guess there's not many people like you. So that's going to be a tricky thing for some people to do. But if they were starting from scratch, how would they go about doing this? You said earlier, “Don't go mad with buying the bricks and spending a fortune on.”Andrew Webb: There are people like me that can do all this as well as myself. I think that the first thing is plan it. Plan what you need to do. You can't throw this stuff together. You might be looking at. Already the hold have been contacting me for a late night they're doing in September. They contacted me April. Paul Marden: Okay. Andrew Webb: Because if you're a creator, you're planning exhibitions, you are thinking on that long term cycle. Paul Marden: Yeah, completely. Andrew Webb: And so what you need to do is bake this in as part of that curational process or part of the interpretation of things at the start, rather than like, “Right, we're doing exhibit on Peter Rabbit, let's chuck in a load of fluffy bunnies or whatever.” You know, it's got to be. You've got to think about it and have it contextualised. I think the best things are. What success looks like is, first of all, you need a space. Now you can hire a marquee that comes with a cost. If you're a venue and you've got your own or you've got a hall or a stables or interpretational room or something like that, often spaces, specifically bigger ones, will have classroom spaces for school groups anyway. So that's often that can be where you can host these sorts of events. Kids are very familiar. Andrew Webb: The chairs are all small wall colour, you know, etc. Industrial strength carpet in case stuff gets built. So locations like where you're going to stage this? Paul Marden: Yeah. Andrew Webb: Secondly, I think you need to think about, what do we want people to do? What is the experience? What is the narrative piece? Because you can't just say, here's a big part of Lego. Kids will just build cars and houses, right? You know, they need context. You know, if you give a kid a sheet of paper, you could draw anything. They're like, well, what? And so you need to give them a mission almost. They need a task, I think. Also think about, as I said before, keeping the tasks around 20 minutes, because actually adding the time running out jeopardy element is quite fun for kids because they'll go, “Well, I've only got five minutes left.” And often that's when it all falls apart and then they have to iterate the design. Andrew Webb: So think about that kind of moving people through in 15 to 20 minutes cycles. We had kids at Kenilworth, that would go out the exit and just walk back around and come in the front like that. Like four or five times. One boy came in, he was loving it. So think about that. Think about how you're going to move people through the space. Think about what you need to envisage it. So the Kenilworth, for example, there was me hosting it from dawn toward dusk. We had another builder there who was helping take break it all down and put them against the model that we built. There were two members of staff who were letting people through, so just monitoring it from an entry exit point of view, walkie talkies, in case people had issues and things like that. Andrew Webb: And think about when you're going to do it. Okay, so half term is a good one. It's a good thing to do. We saw a lot of this at Kenilworth, but I've seen other places as well, particularly half terms and things like that. You often see grandparents caring for grandchildren, right? Because parents are at work and grandparents can only walk around the site so much before they want to sit down. So sometimes have it, like, think about where they can. And when I was at Kenilworth, grandparents came in with their two grandkids, and the kids started playing and I was like, you could join in, too. Oh, no, I don't want it. You know, they were almost like, “I can't do this. It's like, come on, get in, get in. Come on, grandma. Come on. I'll show you how it works. “Andrew Webb: By the end of that session, they were memory making. I then took their photo with their phones, they'd have this sort of grandparent. But, you know, you always say it like, my grandfather taught me to fish. Like Sean Connery says in the hunt for red October. This sort of moment where sort of, it's a Hollywood trope that grandfather knowledge is sort of passed on type of thing. Right. And so you can see that where you could have this, almost either the reverse of that, of kids showing grandparents, but also they're all having this event outside of the parental unit. So it's a new type of experience. It adds value, it gets people to play with their grandkids. Paul Marden: Priceless. Andrew Webb: So I think that's kind of an interesting way. So think about when, think about where and think about what will be my three sort of tips for any institution looking to put this together. Paul Marden: You gave one the other day which I thought was priceless, which was, don't give them wheels. Andrew Webb: Oh, yes. Paul Marden: Don't include the wheels. Andrew Webb: Take the wheels out of any sets, unless you are the Transport Museum or the, you know, a car based museum, because kids will do wings as well. I'd probably suggest taking those out because kids have just built cars. Some kids have just built cars, you know, even if you give them a mission. Unless that is the mission. The other thing that I would think that venues could do as well as sort of all day events, because it's quite a time drain, you know, on staff and this sort of stuff, but it is a value. The other thing you can think about is one off evening events for adults. Yes, I've done this. I did this at my local add them shops. Bricks, beers and bubbles challenges supercompass teams. Think of it like a pub quiz with brick is the answer. Andrew Webb: So build me a thing that does that kind of thing. Teams all get together, you can race them, you can see who goes the furthest. You can do all this stuff. And the hold is what I'm doing at the hold in September. I did it at the hold a couple of years ago. And what was interesting was that we had quite diverse groups of adults. We had just couples who were clearly AFOLs and were like, “Yeah, I'm going to go to that.” We had a group of friends. One of them had just come back from years travelling and they didn't want to go sort of straight to the pub and just interrogate him about his travelling, whatever. Andrew Webb: They kind of like, “Well, we wanted something to do where we could have a beer and have a chat, but were doing something else whilst we're doing that.” And that's the joy of Lego. Your hands are doing the work and you're almost like the back of your brain is doing the work and you're like, “Oh, yeah, yeah. Before you kick them.” And the concentration levels are there and then you can kind of get into that state of flow. And so they were just having this lovely chat, had a beer, talking about stuff, but also memory making in terms of when he came back from his travelling. So I think that's really important. Andrew Webb: Did you know that this is your brain, right? And then your brain on Lego, there are 24 discrete skills that are happening in your brain. So Lego research this, things like fine motor skills, cognitive sort of thinking about things, future planning, my favourite emotional regulation that is not going, “Oh, my God, it's not working. And smashing all to pieces.” So I've seen this as well with children, is that when you give them a Lego, if you gave them jelly and a football, they'll all just. They're a high energy kind of things, right? And that's fine, great outdoors, kids want to burn off energy. Here's a load of balls. Go crazy, right? Or ball pits, trampolines, bouncy castles, those sorts of things. When you get on Lego, what actually happens is it's very hard to be anarchic, to use a wrong word, but a word. It's very hard to be anarchic with Lego because you can't really do it. Andrew Webb: And so you can get a group of kids together and they'll almost self invigilate. And at one point, I ran it at a local toy shop and the parents are all hanging about and like, “I've never seen them so quiet.” They were just in the state of flow. And so, I think, you know, again, back to the. Back to the explorers and the scouts, that was one of the best sessions that those kids had done as teenagers because the reason was they were given permission to play with Lego. They still had the muscle memory from when they were smaller children. They were solving. They weren't just being told to play with Lego, they were actually solving engineering challenges. How can you design a bridge that will take this weight? How can you protect an egg? How can you think about this? Andrew Webb: And so you need to think about the challenge and the what. You need to think about that, the where and you think about the when, as I said, and get those right. You can have a very exceptional visitor experience for not a huge amount of effort. It's not highly costly, it's not highly technical, it's just a bit of elbow grease and a bit of forward thinking in terms of what we might need. And I think that parents appreciate just that minute away where they can. It's almost like a 20 minute babysitter, right, where they can just go, “Don't touch that.” You know, you're walking around a stately home, “Don't sit there, don't touch. Mind the lady.” All that kind of no data that parents give out institutions, they can just take a breather and check their phones and whatever. Paul Marden: And the kids are just having an amazing time. Andrew Webb: Yeah. And the kids are happy. And at the end of the day, as a parent, we all do our best and you just want, you know, them to be playing with something screen free, getting along and learning something. And, you know, that is the win. That is the ultimate takeout. You can layer on your own institution in context and rev up the visitor experience, bring in new visitors, attract a more diverse group of people that perhaps wouldn't normally come to a Regency Rococo style villa or whatever it might be, then that's all to the better, because, you know, you can start to use this in your planning and you can do what Suntton Hoo did? And go, right, well, we've done this and it's really worked. Andrew Webb: And then I can apply for funding for it and I can expand and I can make it permanent and then I can sort of say, well, this now becomes a tool and a string and arbo for our educational. It doesn't have to be split between visitor attractions and development. It can, you know, you can split it between several parts of the institution and use it in different ways, use it for educational purposes as well as visitor experience. So the world's your oyster with a bit of thinking. Paul Marden: With a bit of Lego and a bit of thinking. Andrew Webb: Bit of Lego, yeah. A few bricks and a couple of tricks and you're off to the races. Paul Marden: Andrew, this has been brilliant. Thank you ever so much. Andrew Webb: You're welcome. Paul Marden: I've got one more question for you before we finish. Now, you bottled this earlier on when I said we always have a book recommendation from our guests. And in spite of having the fullest bookshelf I've seen in quite a long time, you've bottled it on a book. But you did offer me a favourite movie. And so what would be your movie recommendation of choice? Andrew Webb: My go to movie would probably be Withnail and I, Richard E. Grant's first film. Every line has came down from God on a tablet. I mean, it is just. Yeah. Richard Griffiths as Uncle Monty, Paul McGann. It's just one of my favourite films and, you know, cult classic that no one's really. Well, people have heard of it now, but again, they even make stuff out with Alan Eyright. So you can go and watch a screening of it at the farm at Crow Crag up in Penrith, you know, and everyone dresses up and everyone comes with Mister blathering sets tea and I come on holiday by mistake and Jessie says, Danny. Andrew Webb: And, you know, fortunately, for better or for worse, I know these are tough times, but people try and find the fun in things. They try and at the end of the day, everyone's looking for a good time, whether we're children or an adult. You want something to just have a laugh and take you away for a moment. And if films and culture but also experiences can do that, then that's all for the good. Paul Marden: Well, look, this is going to be a challenge, but listeners, if you would like a copy of Andrew's film recommendation, then when we release the show message on X, if you can retweet that and say, “Give me Andrew's movie”, then the first person that does that, somehow I will get the movie to you. It might be on VHS, it might be on DVD, but somehow we will get you a movie. Andrew Webb: I found a CD the other day from a bar I used to go to in Clapham in the noughties and late ‘90s. I said to my mate, look, I'm great, put it on. And I went, “I can't.” I haven't got a CD player anymore. I had to go dig through a box somewhere in the study to find a portable CD player that plugged into my computer that could. By the end of it, we're just laugh. Forget it. Paul Marden: Andrew, this has been wonderful. Thank you ever so much. Andrew Webb: You're welcome. Cheers. Paul Marden: Thanks for listening to Skip the Queue. If you've enjoyed this podcast, please leave us a five star review. It really helps others find us. And remember to follow us on Twitter for your chance to win the books that have been mentioned. Skip The Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. You can find show notes and transcriptions from this episode and more over on our website, SkiptheQueue.fm. The 2024 Visitor Attraction Website Survey is now LIVE! 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Aston Villa win ANOTHER ONE - and it's in spite of conceding from set pieces again! Lucas Digne is the hero, Ollie Watkins is elite and Unai Emery sees enough and makes a triple substitution. Hosted on Acast. See acast.com/privacy for more information.

In this episode we continue our exploration of stories collected by legendary British ghost researcher Ruth Roper Wylde, but with a particular focus on Ghost Monks!Also on this episode: indecent exposure, one swinging hotel, and words lose all meaningStory Time Codes:Redfern Avenue, Kenilworth (06:24)Oakhill Park, Outer London (16:23)Dalston Hall, Cumbria (29:55)Pickering Castle, North Yorkshire (39:50)Crossraguel Abbey, Maybole (51:32)RAF Chicksands, Bedfordshire (1:00:13)Rushley Lane, Winchcombe (1:08:50)Full shownotes, including a list media and links, can be found at www.ghoststoryguys.comSupport this podcast at — https://redcircle.com/the-ghost-story-guys4724/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

If Luton stay up is Rob Edwards the manager of the season? Tom, Martin, Gregor and Jonny discuss. Kenilworth Road has become the awkward advantage that many pundits thought it would be, and Ross Barkley is providing flashes of inspiration. At Selhurst park it is the Eze and Olise show, just how good are they? Sticking with attacking flair Ange-ball is back in full flow at Spurs, will Postecoglou take Tottenham into the Champions league?After the break its Liverpool and their title chances and life after Jurgen Klopp, plus a remarkable tail of a very unlikely manager…Carlos Tevez. Timeline:Luton2' If Luton stay up, Rob Edwards is manager of the season.3' they playing good football, they've revitalised ross Barkley and lost their captain to a cardiac arrest.5' Rob Edwards has got the best out of his players. Played positive football and recovered from a poor start.7' They have harnessed community spirit and togetherness.8' Kenilworth road is a completely different environment to any other premier league ground.10' Still ow down on XG but Carlton Morris and Adebayo have stepped up.11' Don't underestimate Ross Barkley's influence.13' A dip for Brighton, have they sold too many players? Palace; the Eze and Olise show17' Eze creates goals out of nothing.18' They do the unorthodox and show there is still a value in the game for that.19' both were rejected by other clubs…21' Eze is an X factor player, he's in the England squad, he's doing better than Grealish this season. Spurs25' Ange does not take backwards step, there will be problems, but he seems to have come through it.26' Still only 8 points off the top. In the top four.27' Martin on Postecoglou “If he gets them in the champions league he's done a fabulous job.”28' This man has added to the gayety of nations, no doubt about it. Tevez – worlds least likely manager31' crazy character, very open, loved his family and Argentina.34' Tevez unlikely rise to management. Got Independiente winning and playing high press football.36' will he, could he come the Premier League…?37' Always the players you don't suspect who become good managers.39' He has brought in neuroscience and a school teacher. A kind calm man.Liverpool v Chelsea42' Connor Bradley, the player that puts alexander Arnold into midfield.43' Liverpool a squad refreshed, Klopp is leaving a gift.45' Lets wait and see on Alonso.46' Postecoglou is the ideal replacement for Klopp49' Hardest job is replacing Klopp's relationship with the fans.51' Liverpool could steamroller Arsenal…Gregor thinks otherwise, Liverpool could be tested going the other way. Hosted on Acast. See acast.com/privacy for more information.

The latest episode of the post-game podcast is here, with host Edward Kay bringing you Paul Gorst's verdict, Jurgen Klopp's press conference & plenty of fan reaction following Luton Town 1-1 Liverpool. Learn more about your ad choices. Visit megaphone.fm/adchoices

"Glass holds many secrets..." During a performance of Donizetti's Il Castello di Kenilworth at Teatro di San Carlo in Naples, The Brotherhood of the Phoenix comes across a strange instrument: The Glass Harmonica. It turns out that this instrument and its mysterious player hold many secrets... Written by Philip Thorne with music and sound design by Adam Raymonda. Featuring Eugenia Caruso, Hemi Yeroham, Alan Burgon, Michael Smulik, Jordan Cobb, Erin King and Julia C. Thorne. Dedicated to Tom Putnam. Full credits on our website. Website: https://ameliapodcast.com  Transcripts: https://ameliapodcast.com/transcripts Patreon: https://www.patreon.com/ameliapodcast Donations: https://ameliapodcast.com/support Merch: https://www.teepublic.com/stores/the-amelia-project?ref_id=6148 Twitter: https://twitter.com/amelia_podcast Instagram: https://www.instagram.com/ameliapodcast/ Tumblr: https://www.tumblr.com/ameliapodcast Learn more about your ad choices. Visit megaphone.fm/adchoices