Podcasts about tarrantino

Dan is invited to the private screening room of one of the most outspoken, controversial,and most respected directors of our time, Oscar winner Quentin Tarantino.See omnystudio.com/listener for privacy information.

Holmberg's Morning Sickness - Monday April 22, 2024 Learn more about your ad choices. Visit megaphone.fm/adchoices

Holmberg's Morning Sickness - Monday April 22, 2024 Learn more about your ad choices. Visit megaphone.fm/adchoices

Holmberg's Morning Sickness - Friday May 26, 2023 Learn more about your ad choices. Visit megaphone.fm/adchoices

Holmberg's Morning Sickness - Friday May 26, 2023 Learn more about your ad choices. Visit megaphone.fm/adchoices

Aisha Alfa, Adam Burke, Nate Craig, and Greg Edwards join Brido on the panel.  Aftershow, video, and extras at www.patreon.com/brido. 

There are 3 major sections in the book of Ezekiel. The first one is all about Israel's past, and why God did what He did. The third one is all about Israel's future, and what God is preparing. This middle one, which we cover in one sermon, (so you should do yourself a favor and go read it all comprehensively... ch. 25-32) is all about: “God's Animus for Our Enemies”.

Holmberg's Morning Sickness - Tuesday March 28, 2023 Learn more about your ad choices. Visit megaphone.fm/adchoices

The year is 1958, and America is still innocent in terms of evil people. We know they were always around, but with snail mail and no internet, things that made the news are not like they are today. Someone commits a heinous crime in Manchester, England, and in mere seconds, we here in the US hear about it. Today's case, Day 11, takes us back to when Eisenhouse and Nixon led the US and the FBI, led by J. Edgar Hoover, was America's watchdog. Even though it entered the lexicon in early 1900, the word teenager was coming into the common language. Teens were becoming more independent from their parents thanks to public education. No longer were young children pulled from school to go to work. This led to some rebellion from those teens, who were better to show the cause than James Dean and Elvis. Perhaps it was perfect timing in the US, or maybe it was the shock of how two teenagers could capture the world's attention and go down in infamy. The couple would be memorialized in such movie classics as Terrance Malik's 1974 Badlands with Martin Sheen and Sissy Spacek as the leads, Tarrantino's True Romance, David Lynch's Wild at Hart, Oliver Stone's Natural Born Killers. Even today, the couple still holds our gaze with movies, tv shows, songs, books, and more. Join Jen and Cam on the 5th Annual Our True Crime Podcast's 12 Nightmares Before Christmas -Day 11-Bad Romance: Charles Starkweather and Caril FugateListener Discretion by @octoberpodVHS All music is courtesy of our Executive Producer @wetalkofdreams Sources:http://www.biography.com/articles/Charles-Starkweather-233080https://scholarworks.umt.edu/cgi/viewcontent.cgi?article=6100https://books.google.com/books?id=CxYeAAAAIBAJ&pg=PA39&article_id=2740,4258335https://www.archive.org/details/killerscontractk0000cawt/page/174https://books.google.com/books?id=348UAAAAIBAJ&q=%22Charles+Starkweather%22&pg=PA21&article_id=5866,2297883#v=onepagehttps://lincolnlibraries.org/wp-content/uploads/2014/10/StarkweatherTimeline.pdfhttps://www.newspapers.com/clip/77473754/the-miami-news/https://www.wyohistory.org/encyclopedia/killing-spree-transfixed-nation-charles-starkweather-and-caril-fugate-1958https://www.history.com/this-day-in-history/killer-couple-strikes-the-heartland

Ein Actionfilm mit weiblichem Maincast, der sich an Tarrantino, John Wick, Guns Akimbo und vielen anderen orientiert. Was wir von der Umsetzung der guten Grundidee halten, hört ihr in dieser Folge.

Here's what happened on the full show available on my Patreon.Topics:*Ben and I breakdown a little bit of my time on The Huge Show.*Audience intros*I really mangled my face shaving*Tarrantino movies.*Is Eric the last guy to realize that monkey pox is a butt sex disease.*John "The psycho magician" joins us to talk about his "moving up the magic ladder."*Ben updates us on his dog issues.*Did FBHW cause a COVID outbreak?*Bruce humping Daisy causing numerous problems*Zaniac drama.*Chris in Minnesota is once again wound up.*Some more background about when Ben taught his buddy how to masterbate.*1 Minute of The Ben and Bethany Show.*Woodstock 99 docu on Netflix. *Jimmy in Maine plays with his goat in an unusual way.*Bet on Ben*Ben's Shitty Twitter Jokes*The Final Word*Everyone Talks ShitSupport this podcast at — https://redcircle.com/the-eric-zane-show-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Please note that I there may be some adult content in this episode as I discuss different reasons for film ratings. The second half of this episode is purely subjective -- I fully expect my listeners to have differing opinions, and that's okay. These are just the guidelines I go by when choosing to show my kids certain movies. Welcome to season 4 of Life Through the Big Screen. Typically I've been keeping my seasons six episodes long, so being 4 seasons in isn't as impressive as it sounds. I do think that I'm going to start expanding the length of episodes per season eventually. I just love creating new introductions - and speaking of, which one has been your favorite so far? Give me some feedback. A little update about my personal life, because I let you in on it on my last solo episode: my open heart surgery is no longer scheduled for late in July - it's been pushed back to September or October. I'm not thrilled that it might overlap with the holidays - but it is what it is. It was pushed back because there's fluid in my lungs from possible COVID that needs to completely clear out before they cut me open. So I do appreciate that the doctors are taking extreme precautions. I also got a job! It's my dream job of marketing and content creation. It's for a super cool retirement firm who seems to always want to be on the cutting edge of unique ideas and new ways of reaching their target demographics. I start a week from the time of this recording. And if Zach, Dylan, and Larin are listening to this, my highest gratitude goes out to you for taking a chance on me.And thank you, listeners for continuing to take a chance on this podcast. I know your time is valuable and you dozens of other podcasts you could be listening to right now, so I am honored that your spending your time with me. I do my best with the tools I have available to bring you the best quality podcast I can. And with time I hope to continue to get better. I'm also open to hearing your feedback and any suggestions you may have, so feel free to email me at author.andrewtoy@gmail.com or leave a comment in Apple podcasts. As you know, I open up each season with me gabbing about a particular topic that I feel I want to discuss for a little bit. As you know my kids are seven and eight at the time of this recording and that means that they're becoming of age to start watching more movies that fall outside of the Disney catalogue. This also means that my wife and I can find more common ground on what we can show the kids - or at least that it's easier for her to allow more space for me to show them what I think might be appropriate, because they're no longer tiny children. They're growing kids, who, as long as they know what's on screen is fabricated with great skill and masterful imagery and film magic, they can take in what I allow to be placed in front of them. They know too that movies are meant to be vessels of enjoyment and pleasure. And Sarabeth knows that movies are my best way of connecting to the kids. The same way that Tim Taylor was obsessed with his tools and wanted to pass that love on to his boys, that's how I am with movies and my kids. It's also fun debating with them, for instance, which of the Star Wars movies are superior. My daughter claims that Kylo Ren is a great villain, but I get a little overzealous when I try to explain to her how he started off as a great character, but went downhill quickly as Disney executives started listening to the angry mobs rather than focusing on telling a great story, thus his character was ruined for time immortal. I'm looking at YOU Kathleen Kennedy and Ryan Johnson, and whosever idea it was to make Ray-lo a disgusting reality. But I do thank you on behalf of my daughter. Yesterday my son said that The Empire Strikes Back is his least favorite Star Wars movie. When I pressed him, he said it was because Yoda was boring. I'll be interested to see if and when his opinion changes on that. So what is the MPAA? You'll know it as soon as I say one color: Green. That's right, when you go the theater and that green screen with a bunch of random words nobody has ever read pops up on the screen - and if you were cool like me, you yelled "Green!" when you were in high school. The words state that the following preview - or trailer - has been approved for all audiences by the Motion Picture Association of America. The MPAA. These are the people who have been telling parents which movies they can or cannot take their kids to see. You already know by the title of my episode that I'm not going to speak very favorably about the MPAA, and I'll explain why they're full of crap, and always have been. But first, a little history on the MPAA. According to motionpicture.org, the MPAA was, and I quote: "Established in 1968, the film rating system provides parents with the information needed to determine if a film is appropriate for their children." This sounds like it had good intentions. "Ratings are determined by the Classification and Ratings Administration (CARA), via a board comprised of an independent group of parents."Before I read a little about the history of the MPAA, I'm going to breeze through a quick refresher course of what the individual rating are today: If a film is rated G, that means it's approved for general, or all, audiences: Nothing that would offend parents for viewing by children.A PG rated film stands for Parental Guidance. Where parents are "urged to give “parental guidance.” May contain some material parents might not like for their young children." A PG-13 film is not only the most common film rating, but it's also the newest. This means that parents are strongly cautioned. Some material may be inappropriate for children under 13, so parents are urged to be cautious. An R-rated film means "Restricted." This type of film contains some adult material. Parents are urged to learn more about the film before taking their young children with them. Under 17 requires accompanying parent or adult guardian. And finally NC-17 means that no one under 17 is admitted. I can't recall a mainstream film being given this rating and being shown in a local movie theater. So we're not going to touch on this one for the purposes of this podcast.Now MotionPictures.org makes this beginning part sound much moralistic than it really is, and for a good video on what went on to REALLY inspire the formation of the Motion Picture Producers and Distributors of America (MPPDA), check out a video called The History of Hollywood Censorship and the Rating System by Filmmaker IQ. I'll put a link to that down in the show notes. But this organization was formed in 1922, basically to protect the rights of corrupt elitists in Hollywood. In 1945, the organization changes its name to what we now know it today as the MPAA. In 1968, the film industry sought artistic freedoms and the removal of strict limits on certain content. The result? The MPAA created the film rating system (G, PG, PG-13, R) we use today. I got a little curious about the rating system, so I looked up some interesting stats. I looked up the most inappropriate G-rated movies. Screencrush gave me a list of 15 suggestions. I'm going to list just 10 of them. 2001 A Space Odyssey - I haven't seen this movie yet, so no comment. But according to the description it has some pretty violent deaths it it. And 3. 1968's Planet of the Apes, and 1970's Beneath the Planet of the Apes. These I haven't seen, either but apparently Charlton Heston gets shot in the throat and bleeds to death, Tarrantino-style, and entire planets of people die. Sarabeth cannot stand blood, but these movies did not traumatize her as a child, so I'm sure it's fine for kids today. 4.   Dracula has Risen From His Grave (1968). I promise you I've watched movies before, but I also have not seen this. Maybe I just tend to stay away from G-rated movies as a rule. But I'd think any Dracula film rated G is a little suspect, unless it's those Adam Sandler cartoons. 5. Romeo and Juliet from 1968 is also rated G. Not sure I'd care to watch a G-rated version of this story - and yes, that was my adolescent self talking. 6. The Andromeda Strain (1971) - Didn't see this either, but I read the book. The book was bull crap with 0 suspense. Can't imagine the movie being any different. 7. Willy Wonka and the Chocolate Factory (1971). Sure it was a little unsettling when Violett turned into the blueberry, but I don't think this film is outside the range of being G-rated. My kids like it. 8. Gone with the Wind - I can get on board this one not being G-rated. This is a dark, dark movie, filled with corpses, attempted abortion, child death, racism, a lot of traumatizing stuff here. Still one of the greatest films ever made, to be clear. 9. 20,000 Leagues Under the Sea - I'm in the middle of reviewing this for an episode. So far, nothing very unsettling. 10. Old Yeller. I mean, it gets pretty freaky when they show Old Yeller baring his teeth like he's about to rip Travis' throat out. Moving along with the stats: There used to not be a PG option. The rating system actually began with four categories: G, M (for Mature audiences, which changed in 1969 to PG), R, and X. I couldn't find the first PG movie, but the first Disney-released PG movie was the Black Hole, which came out in 1970. Most people know this, but I'll talk about the history of the PG-13 rating briefly here. This is the newest on the rating system, even though it's the most populated. In 1984, parents were outraged at the PG rating of Indiana Jones and the Temple of Doom (remember, at that time it went from PG to R). And I believe Gremlins was also part of the outrage as it was PG as well, as a little holiday horror classic with bloodthirsty puppets ravaging the small town of Kingston Falls. (But I think the most traumatizing part of that movie is when Phoebe Cates talks about her dad suffering and dying in the chimney that might have justifiably resulted in the PG-13 rating.) So after the outrage from parents, the PG-13 rating was invented and thus Red Dawn, starring Patrick Swayze, was the first to earn the most popular rating in the system. A movie called Greetings, which was released in 1968, was the first film to earn the R-rating. The Wolf of Wall Street, starring Leonardo DiCaprio and Jonah Hill, held the record for the number of the uses of the F-word at a count of 569. It has been beat by two other films since then, but neither are R-rated. And finally, here is the list of the top 10 highest grossing R-rated films of all time as of July 2022: Number 10, is Fifty Shades of Grey, followed by The Hangover 2 (bad start). Then we get into better territory with The Passion of the Christ at number 8 and Logan at number 7. Number 6 is Defective Chinatown 3, whatever that is. Number 5 is appropriately It from 2017. Number 4, The Matrix Reloaded, sure whatever. And the top 3 are appropriately Deadpool raking in $78.6 million, followed by the superior Deadpool 2 at just about the same amount of earnings at just a few million more. And the highest grossing R-rated movie is also the only R-rated film that has earned its spot in the billion-dollar movie club, Joker, at just over a billion dollars. When we come back I'm going to talk about how to break movies down when deciding what to show my kids. *Commercial Break*One thing the MPAA has improved on is that now they'll actually list the reasons a film is rated what it is. That wasn't always the case. Our poor parents would take us to Blockbuster and see that Mr. & Mrs. Smith, for instance, was rated PG-13, but it wouldn't state why. Was it sequences for action/violence? Sensuality? Sexual references? So you see, the rating, without the reasoning, is pretty useless. Take for example The Lost World: Jurassic Park and Twister, two PG-13 movies that came out within a year of each other. Both have the same ratings, but for very different reasons and to extremely differing degrees. If you're the kind of parent who doesn't want their kids seeing people die on screen, The Lost World: Jurassic Park won't be the movie to watch with your kids. Peter Stormare gets savagely attacked by the compys, Arliss Howard gets toyed and played with by a baby T-rex before he's eaten by it and the mommy T-rex. My favorite character in the movie, played by Richard Schiff gets the worst death in the Jurassic Park trilogy when the two T-rexes flip him in the air and rip his body apart. Not to mention several deaths of people in the camp and in the *sigh* San Diego scene. It also has more blood than the first movie, but it's not nearly as scary. Twister, by contrast, has an unusually low body count, especially for a disaster film. Helen Hunt's dad dies his needless death in the movie's opening, and no one else dies except for Cary Elwes much later in the film, and it's sort of off-screen. Those are the only two deaths in the entire movie -- everyone else lives happily ever after, and completely bloodless. Yet, despite the high body count and flowing blood, I'll show The Lost World: Jurassic Park to my kids before I show them Twister. Why? Because Twister, as silly of a movie as it is (though don't knock it too hard, because it's my favorite natural disaster movie), is based off of real-life threats. Living in the mid-west, or south, we get tornado warnings pretty regularly. When I showed my kids the original Jurassic Park, they didn't go to bed afraid that they'd be attacked by dinosaurs. Real life disasters, however, might have a different affect on them. I could be wrong, but I know from experience when my parents had me watch Unsolved Mysteries or Eyewitness News, I sometimes had a hard time going to sleep because I knew the things were credible, though distant. Now let's compare a couple of R-rated movies to some PG-13 ones and I want you to tell me which one you'd rather have your young kids watch with you. Would you rather watch Swimfan with your kids, or Mel Gibson's The Patriot? If you said The Patriot, that's R-rated for "strong war violence." But that strong war violence is momentary and brief. But Swimfan is PG-13 for mature thematic elements, sexual content, disturbing images, and language. Would you feel more comfortable showing The King's Speech to your kids, or The Dark Knight? Can you believe that The King's Speech is the R-rated one, and The Dark Knight is deemed appropriate for children as young as 13? The King's Speech has a few F-words, which is always meant for humor. My kids have heard Sarabeth and I use much harsher language. But for those of you who've seen The Dark Knight, you'd agree that that movie could be scarring for young audiences. And the MPAA reasoning is only half-truthful. It reads that the Dark Knight is PG-13 for intense sequences of violence and some menace, but it makes no mention at all of terrifying imagery. I'm sorry, but Two Face is much scarier than any monster I've seen depicted in an R-rated film. Let's do one more comparison, shall we? Would you rather show your kids the PG-rated Poltergeist, or the R-rated Planes, Trains, & Automobiles? The MPAA has not bothered to go back and re-rate 1982's Poltergeist, despite the moderate use of violence, and severe and frequent use of frightening and intense scenes. Planes, Trains, and Automobiles, however, is only appropriate for adults, according to the MPAA, because Steve Martin cusses out the car rental lady. So are you starting to see what I mean when I say ratings mean nothing? My kids' first PG-13 theater experience was Ghostbusters: Afterlife and it was for my son's 6th birthday and my daughter was 7. Felix got a little freaked out during the big climax, but I told him to hang in there, and before he knew it, it was over, and now he wants to own the movie and watch it again. Some people may say that the rating system is completely subjective, but I say it's not subjective enough. There's no board of parents anywhere that can predict or dictate what would be okay or not okay for my kids to watch. Sometimes it's not based off the content at all, but more about the message being delivered. I've told you that I've shown my kids the first two Jurassic Park movies because 95% of the human relationships are people helping people. There is very little human infighting. The struggle is between man and creature, and the overall idea is people depending on the kindness and bravery of others. That's a good message that I want to subconsciously sink into my kids' heads. But I'll skip the first beginning part of Home Alone where Kevin is a complete asshole to his mom. "Content-wise" and I'm doing air-quotes, it's acceptable, because it lacks violence or sexuality, but the message behind it is something my kids aren't ready to see because if they watch that part enough, they'll think it's acceptable to talk to their parents the way Kevin does. Also, he doesn't really get punished for that particular crime - his punishment, if you want to call it that, is unrelated to the way he treats and talks to his family. (Best Christmas movie ever, by the way.)I know this is sort of a lot, and I hope you're tracking with me. I hope this helps you see past just the rating system that the MPAA offers. Another example is this. The Lord of the Rings, compared to Jurassic Park, is relatively bloodless. However, it's going to be many years before I show that trilogy to my kids. Why? It's action and adventure and fantasy, you'd think it'd be a great candidate to show the kiddos. Well, it never let's up. Pretty much once the hobbits leave the Shire within the first 30 minutes of Fellowship, it's nothing but heartache and stress and nightmare visions until the last 30 minutes of Return of the King. And there's no comic relief to relieve the heavy tension. Also, it gets pretty convoluted and drawn-out. So even if the stress didn't get to them, I don't want them to get bored on their first viewing and not have an appreciation of the films from the start. I want to make sure their brains are developed and mature enough to be able to grasp the magnitude of the story beyond just the sword fights. In the previous episode about Spider-Man: No Way Home, Dean Letini brought up a great point that there are many movies in the MCU that he has yet to show his 9 year old, notably Winter Soldier because some guy gets kicked into the propeller of a helicopter. PG-13. You know what else is PG-13 in the MCU? Ant Man. That's right. The giant Thomas the Train bouncing off the tracks in the little girl's room warranted the same rating as Winter Soldier, or The Sixth Sense. Why? It's one word, and it'll come as no surprise: Money. You better believe that the studio execs at Disney know full well that if they release an MCU movie with a PG rating, it'll lose a lot of money. When's the last time a G-rated movie snuck into theaters? I don't know either. Frozen is PG. Ice Age is PG. Zootopia is PG. They're all PG because it's a chance that it'll get more butts int he seats - those kids teetering on adolences who might be skeptical going to see an animated movie. You know what's rated G? Snow White and the Seven Dwarves. Pinocchio. All Dogs Go to Heaven. Those movies are nightmare-inducing! Pinocchio was banned in Germany for any child at the time of its release - it had an equivalent of an R-rating. But what kid do you know that got a single nightmare from Moana? So the rating system is stupid. Lightyear is PG, but I don't give a crap because I'm not taking my kids to see a movie where lesbians are normalized. That doesn't make me a bigot and I'll tell you why. Sexuality is complicated enough without a million different influences and ideas barraging our kids. Sexuality needs to not be discussed in front of or around kids for the simple reason that kids need to be kids. We need to keep their minds clear of all that stuff. They've got the rest of their lives to figure it all out, and wrestle with it and grapple with what sexuality is and what it means to them. If we're in such a hurry for our kids to grow up, why the hell not hand them over the keys to our cars? Put them to work in the factories? Take out a portion of their allowance for taxes? Actually, that last idea isn't half bad. But please understand what I'm saying. Once human beings are of age, where their brains are fully developed and they can reason on their own and take in entertainment with critical thinking and they've been properly educated on the basics of sexuality, then we can loosen things up a little bit.I'm not a bigot because Oscar is my favorite supporting character in The Office. Those two guys in Modern Family? They were hilarious. The fact that Negasonic Teenage Warhead has a lesbian lover in Deadpool and the way Ryan Reynolds plays it is awesome. Deadpool himself is practically bi or A-sexual or something, and I love him anyway. But my kids don't need to see any of that because they barely know how a mommy and a daddy make a baby. They're still at level one knowledge. There's absolutely no reason for them to know anything more than that at this age. And I understand that they're likely not going to turn to me and ask why two women are married and kissing in a cartoon movie, but the thought will stick with them, and it will grow overtime the more they see that. My religion teaches that it's wrong to be in a same-sex relationship, and I'll teach my kids the same, but when they're of age, it's ultimately going to be their choice. All I can do is teach them what I know to be morally right and to love those who don't see it that way. So the rating system is based off of 4 or 5 main elements. Violence. We spoke pretty extensively about violence so I won't go over it again except to add that there are different styles and different degrees. I'll let my kids watch people get eaten by dinosaurs (and keep in mind, they know that it's fake), but I won't be showing them any Tarrentino-style movies any time soon. That's a style of violence that I don't think would be good for my kids to see - with blood squirting out of arteries and flooding the ground. Not because it's realistic, but it's just a lot. And most of it is caused by human on human violence - that goes back to the message behind the movie. I don't want my kids thinking we applaud or glorify humans murdering one another. Just as there's different styles of violence, there's also different degrees of it. Yes, I'm okay with my kids watching dinosaurs or creatures eating people, but even that can be taken too far for them at this age. I wouldn't dare show them the bear attack in The Revenant, for instance, because that's way too realistic and could be traumatizing. Or even the pig-creature attack in Annihilation, or any of the Alien franchise just yet. Why? Because that's a level of gore and creepiness that's above Jurassic Park. It's also prolonged. When someone gets eaten in Jurassic Park, it's usually pretty quick and the movie movies on. I admit that this is all purely subjective. You may think Jurassic Park is too gory for your kids, and I won't tell you you're wrong. Only you know what your kids will be able to handle. We've talked about sex, in movies. It's not that my wife and I are sensitive to the subject. No, it's that we're unabashedly over-protective of our kids when it comes to it. And when they're ready to talk about it, we'll be ready to lead them in a frank and honest discussion that we're not afraid to have with them. The point here is that we want to be the first source our kids get that information from. Thankfully there are a lot of movies - PG, PG-13, or even R that don't mention or show anything sensual. But be weary of the PG movies from our youth. We turned on a random movie from Disney + not too long ago. It was a movie that starred Jonathan Taylor Thomas and Chevy Chase called Man of the House. Now to be fair, I remember watching it as a kid and it didn't affect me, but we turned it off 15 minutes in, first because it was boring, but secondly, it seemed like all they were talking about was how JTT didn't want Chevy Chase to sleep with Farrah Fawcett. It was just a little TMI in this JTT "family comedy." Air quotes again. And honestly, even when my kids do come of age, there's a ton of stuff I'll be uncomfortable watching with them. I'll never forget how awkward it got watching Friends with my parents on Thursday nights - especially the later episodes - and particularly when I learned how to *ahem* do certain things, and the show addressed that more and more. So, so awkward. As far as language goes in movies, this is sort of a funny story, and it's not to shame my kids, but to celebrate their innocence. They've seen plenty of PG-13 movies where there's cursing throughout - I even showed them the PG-rated Back to the Future films which are basically just damn and shit every other line (that's not a fundamentalist complaint, by the way, that's just an observation). But you know where my kids have heard the majority of cursing? That's right, from their mom and dad, during our dark days leading up to our separation and even a bit afterwards on some bad days. And we use every word in the book and then some. Thankfully it's not like that any more, but if any kid had reason to mimic curse words, it would be ours. But recently we asked them to list off some bad words they know - we did this with wry smiles and curiosity - they could only come up with "stupid" and "dumb." I wonder if they know more than they're letting on. I showed them Raiders of the Lost Ark not too long ago and Harrison Ford goes, "God Damn it," at one point, and of course my son laughs because of the line delivery and he goes, "He just said God damn it." Sarabeth promptly explained that that's not something we say, and he hasn't since. Every movie is going to have cursing. You're going to hear cursing when you take your kids to Taco Bell or to the beach. It's everywhere. Just remember, it's not a sin for them to hear it. And I believe when they're older, it's not even a sin for them to curse. I curse all the time, though I do try to limit it in front of the kids. Lastly, ratings can be determined on drug use, and now tobacco use. I've really got no reason to show my kids Pineapple Express or any stoner movie. And seeing Peter Pan smoking a bong never made me want to go out and try it myself. Nor did the racist depictions make me think racist thoughts against Native Americans. But really, are the Indians in Neverland REALLY Native Americans? Shouldn't they be called Native Neverlandians? All that to say, the MPAA can look like they're nit-picking things and trying to be more protective, but in my opinion, they're nitpicking the wrong things. It's up to each parent to decide what's important to restrict from their children, because only each parent knows their children. Not the MPAA, and certainly not Hollywood. Thanks for tolerating this little lecture about my thoughts on movie ratings. If you have different thoughts or opinions, I'd love to hear them. Drop me an email at author.andrewtoy@gmail.com or leave a comment down below. You can follow Life Through the Big Screen on Instagram or Facebook or Twitter, all that stuff is in the show notes below. Here's the video talking more about the history of the MPAA: The History of Hollywood Censorship & the Rating SystemFollow Life Through the Big Screen on these following pages:InstagramFacebookTwitterEmail: Author.andrewtoy@gmail.comThis episode was sponsored by Spur Creative 

Betrüger - Tarrantino - Erlebnis Reisen - Covid Medizin - Verbrecher - Mafia - Carsharing - Facebook - "Das Buch war besser" (?) - Filme - Sammy The Bull - Talkbox vs. Autotune uva.--------------------------------------------------------------------------------------------------------------https://www.amazon.de/s?k=Thorsten+Passek&i=audible&s=date-desc-rank&qid=1612200102&ref=sr_st_date-desc-rank

Celebrated label head, skateboarder, movie buff, AND BASSIST Brent Eyestone (Dark Operative Records) returns for Round 4 of the Director's Draft! Brent Eyestone owns and operates Dark Operative, a music company established in 2018 to assist established artists in an evolved capacity. The company invests heavily in the upkeep of artists' mental and physical health, places music in motion picture and television projects, and provides other vital services intended to sustain the longevity and wellbeing of careers in creativity. In 1997, Brent started Magic Bullet Records in his college apartment, he has toured and performed around the world with various bands, and currently sings in the hardcore punk band Bleach Everything. When not serving The Skatepark Project, Brent also focuses on regional food-bank fundraising, clean-water well projects, and mental-health awareness. More often than not, you can catch him at Del Mar dog beach. When he is not putting out music from bands like Caspian, Power Trip, This Will Destroy You, and all of the above, Brent is usually at the movies, packing himself to the gills with plenty of hot takes on all things movies, or talking films with Alex Essoe (Midnight Mass, Haunting of Hill House, Starry Eyes, etc) for their Movie Night show. In this episode, we talk Peacemaker, Tarrantino's NFT project, the films of the Coen Brothers, Ron Howard, John Carpenter, Clint Eastwood, and more!!!  Whether you're a first time listener, a bassist, a movie buff, or a none of the above, you will love to take this deep dive into all this film. Be sure to check out Ian  band Strangelight HERE as they just put out a stellar new EP. Ian's got some additional tunes that you can also use for your podcast here!  Name your price! Ross has some tunes available at the Burial Waves bandcamp here! Keep up with all things Brent via the Dark Operative site or follow him on instragramat @darkoperative If you want to hear more of THIS conversation, the extended version is available to patrons on all tiers at the Rigs of Dad Patreon page.  Movie news, movie reviews, and an in depth discussion about how audiences made it through this year in movies.  You can even take some deep dives with more of my guests, get some Patreon exclusive swag, and more by checking out the Rigs of Dad Patreon page OR just download the Patreon ap, search for Rigs of Dad, and you can support creators like me and so many more in the process!   Head over to Age of Ruin's Instagram and dive into some of the best thrash I have ever heard.  Their new album is coming soon.  It's produced by Mike Schleibaum of Darkest Hour and is just a relentless and refreshing metal cleanse. Big shout out and congrats to the homies at www.shearrevival.com as well!!  Take care of yourself by investing in your body care.  Look good, smell good, and feel good.  Treat your body and neighbors nose with love using Shear Revival! Use the code CLEANTONE10 to get 10% off your order!! Huge loves to the incredible Sacha Dunable.  Check out www.dunableguitars.com if you need some real tone in your life.   Buy Local if you are in DC by swinging through Chuck Levin's Washington Music Center I also want to give a shoutout to Quantum Industries.  These dudes are putting out true tanks of guitar cases.  Check them out at BE SURE to enter ROD10 for a discount on your order!!! Much love to the fine folks at Custom District Pedalboards for allowing me to pack the heaviest tones on the lightest boards.  Get yours over at www.customdistrictpedalboards.com

Holmberg's Morning Sickness - The Entertainment Drill - Friday October 1, 2021 Learn more about your ad choices. Visit megaphone.fm/adchoices

Holmberg's Morning Sickness - The Entertainment Drill - Friday October 1, 2021

Part Drunker: In this episode the Losers take a look at our personal picks from 2015, Sicario, Ex Machina, The Hateful Eight, The Invitation and Green Room.

Holmberg's Morning Sickness - The Entertainment Drill - Tuesday August 10, 2021 Learn more about your ad choices. Visit megaphone.fm/adchoices

Holmberg's Morning Sickness - The Entertainment Drill - Tuesday August 10, 2021

Ob Markus Muskelkater vom Olympia schauen kommt oder andere Ursache hat ist eine der Fragen denen wir mal wieder auf den Grund gehen. Wir bieten von der Berichterstattung zum Eröffnungsfeiereklat bis zu den wichtigsten Fakten rund um Olympia mal wieder alles was ein Bildungspodcast zu bieten hat. Wo stehen eigentlich Männer und Frauen im direkten Vergleich und warum artet auf einmal alles in Rassismus aus. Außerdem beleuchten wir Nebenschauplätze wie die neuesten Trash TV Formate und handeln mal kurz das Thema Tarrantino ab und mit der Wimper zu zucken. Wir kommen zur großen Gewinnspielauflösung und erörtern einen sehr speziellen Kaffee. ZDP nur echt mit 52 Zähnen.

Holmberg's Morning Sickness - The Entertainment Drill - Friday August 6, 2021 Learn more about your ad choices. Visit megaphone.fm/adchoices

Holmberg's Morning Sickness - The Entertainment Drill - Friday August 6, 2021

Tarrantino buys iconic movie theater, A study on Parenting now vs Parenting then, Confessions, Steve is diggin' this pop culture Lego set

CAGE UNCAGED: FILM FLAM FATALE**BONUS EPISODE**Another bonus episode covering a corner of Cage's career that has been under-represented thus far in Cage Uncaged!This week we tackle the fertile cinematic era between Moonstruck (1987) and Leaving Las Vegas (1995), when Cage would appear as often in quirky indies as studio fare before he became a superstar Oscar Winner. This week we look into a few so-called neo noirs, a popular trend at the time before Tarrantino came along and made every crime story ironic and referential. The trend may have begun nine years earlier with the film debut of the Coen Bros., BLOOD SIMPLE (which we will cover as a double bill with Raising Arizona next episode!). RED ROCK WEST (1993) is directed by John Dahl from a script by Dahl and his brother (or a guy with the same last name). Cage plays an everyman drifter with a bum knee who is mistaken for a hired killer in a speed bump of a town in rural Wyoming. Twists and turns ensue with Dennis Hopper showing up with a knife and fork ready to cut up and chew scenery. Lara Flynn Boyle, JT Walsh and Dwight Yoakam round out a small, but crack, cast that ooze a definitive sense of early 90s style. Two years later in Barbet Schroeder's remake of KISS OF DEATH (1995), Cage plays the villain to David Caruso's career as Caruso haplessly attempted to be a legitimate A-list leading man. With a screenplay by pod fave Richard Price and a supporting cast that includes Helen Hunt, Samuel L Jackson, Michael Rappaport, Stanley Tucci, Kevin Corrigan, Hope Davis, Phillip Baker-Hall, and all-time fave Cage costar Ving Rhames, this movie had the look of a brilliantly cast, high end studio classic. But... it has since disappeared so deep into the memory hole that certain members of the pod *may* have had to resort to pirating it to even be able to watch it in 2021. Pirating hurts artists, don't forget. Was it the movie itself or did 1995 audiences get it wrong? How can we blame Tarrantino? Find out! We actually disagree a LOT on this movie.REMAINING CAGE FILMS: PIG, RAISING ARIZONA, WILLY'S WONDERLAND, MANDY. DEEP BACKGROUND FILMS: BLOOD SIMPLE, UNDER THE BLACK RAINBOW. THEME SONG: HOWLING FANTODS. 

Quentin Tarrantino has a lot of fans but on this podcast, we've found our FOURTH film that someone wants to attempt to take down and that person is Brad Morris (@BradMorris773). Brad outlines many reasons why The Hateful Eight should've been left to freeze to death in the middle of nowhere. We all know @KevinGootee is a huge Tarrantino fan, can Brad coax KG and @KevinIsrael_NJ into agreeing this film should shoot itself in the nuts? Here is where you can find us on all podcast platforms (Apple iTunes, Spotify, Google to name a few) and our Youtube page! https://guttingthesacredcow.com/where-to-listen-see-us/ Want to advertise with us? You know the drill and if you don't: Guttingthesacredcow@Gmail.com We cannot thank you enough yet again for your constant support, love on social media, and your 5 star ratings and reviews. THANK YOU ALL Guttingthesacredcow.com every M-F for blog articles and our merch shop where you can grab a shirt, hoodie, bag, mug, anything your little heart desires. Social media: @KevinGootee @KevinIsrael_NJ @BradMorris773 @GTSCpodcast Gutting the Sacred Cow on FB, Twitter, IG, Tumblr, and Tik Tok

The last time Johnny Dollar saw Tom Pinkley from New Orleans they took in a boxing match and Johnny won $20 from him on an Italian kid who called himself Touchy Tarrantino. That boy was a fighter with a real future, which is why Pinkley covered his losses by selling him a $25000 life policy. However now Pinkley is afraid Tarrantino has no future and suspects the kid is either going to commit suicide or be murdered. Duration: 23:17 Starring: Bob Readick, Robert Dryden, Joan Loring, Ralph Camargo, Mandel Kramer, Daniel Ocko Broadcast Date: 12th March 1961

The last time Johnny Dollar saw Tom Pinkley from New Orleans they took in a boxing match and Johnny won $20 from him on an Italian kid who called himself Touchy Tarrantino. That boy was a fighter with a real future, which is why Pinkley covered his losses by selling him a $25000 life policy. However now Pinkley is afraid Tarrantino has no future and suspects the kid is either going to commit suicide or be murdered. Duration: 23:17 Starring: Bob Readick, Robert Dryden, Joan Loring, Ralph Camargo, Mandel Kramer, Daniel Ocko Broadcast Date: 12th March 1961

Superb work from writer director Drew Goddard, who takes throws the  usual post-Tarrantino school book out the window and instead allows long, slow, patient character development to occupy the front half of the film, ably abetted by an excellent cast.

Just like the Hateful 8 (which I also loved) it polarised audiences but I thought the latest Tarrantino effort was his most impressive and mature directoral effort yet - had I not been preoccupied with end of decade best of lists, it would've beaten Parasite as my best film of 2019.

After a far too lengthy hiatus, Zubida's World is BACK!  Look for weekly episodes.  Zubida has all kinds of new equipment, so the podcast sounds so very awesome.  In this episode, you meet a fellow Hoosier named Ray, who has made three movies.  Once called "Tarrantino without the intelligence or wit", he is a true Indiana treasure.

The middle two thirds of this Tarrantino western are flat out classic, sadly the opening twenty and especially the dire comic book final quarter, where Jamie Foxx tanks the film in comic book madness, undercut a near masterpiece.

Long time DC COMICS Co-Publisher Dan Didio was released from the company. No matter what you thought about him, he made a huge impact on comics with fans and creators. What does this mean for the future of DC? Is Jim Lee going to go solo? Should new blood step up? Scott Snyder? Geoff Johns? What do you all think?Also Bob Iger, who managed to get Disney to buy everything, has stepped down. Easy fix! Send Dan Didio to Disney!Also, what is up with these set leaks for the Batman? And what would it look like if Quentin Tarrantino made a Batman film? And some questions from Twitter!LET'S GO!Be a part of our Let's Go! Podcast crew! patreon.com/letsgopodcastFollow us on Twitter @letsgocomicshowLook at us on Instagram: @letsgocomicshowBe our friend on Facebook.com/letsgopodcastwww.letsgopodcast.comPlease email us with ideas, thoughts and super nice things to say letsgocast@gmail.com

Linette Palladino (Comics Watching Comics on Amazon Video and featured in the NY Times) is a badass lady. She's a comedian, mom, and a captain in the US Army. However, she chose a film that's near and dear to both Kevins' hearts...Pulp Fiction. That's right, she does not enjoy the tale of Vince, Jules, and the Gimp. She may have survived several tours of duty in the Middle East but will she survive Kevin Gootee and Kevin Israels' wrath? @Guttingthesacredcow on FB and IG @Guttingthe on Twitter @KevinGootee @KevinIsrael_nj @LinPalladino

Dates - Kult - Mode Blog - Ltd. Edition - The Cleaner - Tarrantino - Epstein und die Superrasse - Influencer - Investition - Charlice Theron - Porsche 911 - Pulp Fiction - Auto Show - Beeinflussung - Bob Evans - Fonds Filme - Cook Pleite - Quatsche - Selbstmord Und: Mysteriöses Pulver ------------------------------Alben: http://www.knisterpulver.de/104,0,alben,index,0.html

It finally happened - we did a Tarrantino movie. Specifically, The Hateful Eight from 2015. Mercifully, MIke manages to avoid going full film nerd and, instead, explores the nuance of one of the world's greatest directors in traditional puerile fashion. Rob gets confused by the movie and, it's very loud throughout. Enjoy! Intro Music: L'Ultima Diligenza di Red Rock, Ennio Morricone ℗© 2015 Cine-Manic Productions Limited, under exclusive licence to Decca, a division of Unversal Music Operations Ltd Outro Music: Prejudice, Tim Minchin ℗© Laughing Stock Productions --- Send in a voice message: https://anchor.fm/wdawkt/message

Podcast! Kamera! Akcja! Co tydzień o filmach, serialach, i popkulturze ze swoimi fantastycznymi Gośćmi rozmawia Dawid Muszyński, który na ten temat wie prawie wszystko. Dzisiaj gościem Dawida jest Rafał Zawierucha.

Mark and Killian vent their true spoiler-filled feelings about Tarrantino's latest film, Once Upon a time in Hollywood Hosted on Acast. See acast.com/privacy for more information.

Mark and Killian vent their true spoiler-filled feelings about Tarrantino's latest film, Once Upon a time in Hollywood See acast.com/privacy for privacy and opt-out information.

Hollywood - Tarrantino - Johnny Wang - Hobbs & Shaw - Manson Family - Anschlag auf den Praesidenten - Makler - Yakuza - UND: Once upon a time in Hollywood ----------------------------------------------------- TP Hoerbuecher : http://www.knisterpulver.de/104,0,alben,index,0.html ------------------------------------------------------------------------------------------- Manson Tour of Hollywood: https://youtu.be/UOAYZFnjaHo ------------------------------------------------------------------------------------------------ Charlie Werbespot: https://youtu.be/RRcKBsZkqvA

Along with special guest Ryan Kiourkas, permanent hosts Dakota Lovins and Alex Josquin delve into their favorite moves of the summer - whether they've actually seen them or not.

Please join us for Episode #76 where we discuss Quentin Tarrantino's famous film Jackie Brown and the Sion Soto film TAG. With special guest Mandey Shiver (Keith's sister & my dear friend!)  Won't you join us?  Jay Timestamps: 1:05 What's New?, 19:50 Jackie Brown Trailer, 21:55 Jackie Brown comments, 1:16:25 The Hysteria Continues promo, 1:17:05 TAG comments, 1:41:20 Next Time...

On this episode of the Q, Travis Corley of Agitate the Airwaves joins to discuss all the happenings with his company and life in the St. Louis area. Plus they decide to avoid discussing politics for the show. First up, Mark and Travis start to discuss people that are always happy. How do you respond to someone constantly happy? There is no way that a human can be happy 100% of the time, yet we run into these people in life and their happiness rubs off on others. Next up is a hodge podge. Mark and Travis discuss Mark's recent trip to Six Flags St. Louis and how disappointed he was with the park and the staffing and all of it. Banking off their discussion of Warped Tour, Mark provides detail of what it's like to charge hundreds of dollars to get into the park and then offer up less and worse service considering that enormous price.  This leads to a discussion about music and movies that spans multiple genres and styles. It's a really fun talk about everything and too much to post in the info. Finally Mark and Travis try to figure out two problems: 1. Why Travis is being attacked for not nominating certain people for the Agitate the Airwaves Awards? 2. Is this boyfriend an Jerk for going to dinner and not paying a bill? You gotta hear the story to understand.  All this and much more on this episode of the Q!

Hometown Radio 06/20/19 4p: Cassie Tarrantino prepares to take her choir to France

My thoughts and a couple different takes in a more scattered format than a structured recording

Thanks for downloading another episode of your favourite film show :) This week on the show we review hard hitting prison drama A Prayer Before Dawn starring the very talented Joe Cole (Peaky Blinders). Have a listen of the show to find out what we thought and why you should go and see it! Over on Anniversary Corner we have some classic films for you. There's Tarrantino's Inglourious Basterds, the beginning of the Cornetto Trilogy AKA Shaun of the Dead, the game changing Martial Arts, Sci-Fi classic, The Matrix. We also look at the ‘must see' movie of 1994, starring Tom Cruise and Brad Pitt in, Interview with the Vampire. And finally, 1989 brought us Tim Burton's take on the Dark Knight in Batman! Wow, what an Anniversary Corner this is!! As always we've filled the show with a lot of movie news as well as the UK's box office top 10 and what you can expect to watch on streaming services and what new trailers are worth checking out. Thanks for listening and supporting us!

We have good times on the El Movieisms show with our Bad Times at the El Royale Review. This Tarrantino-esque film stars Jeff Bridges, Jon Hamm, Nick Offerman, Chris Helmsworth, Dakota Johnson and is written and directed by Drew Goddard. We also talk a little about First Man and why we still haven't seen Venom.

Donny's away!!! Darrell fights con crud!!! Jim battled a storm!!!! that doesn't stop the gang from bringing you the latest in the pervert report,news, e-mails and what we've watched Ryan Seacrest, Jeffery Tambor, Get Out/Golden Globe controversy, David Cassidy, Ann Wedgeworth, SWAT, Nashville canceled, Carmen Ejogo, Black Lightning premiere date, Jenna Elfman on Walking Dead, Tarrantino , Tom Sizemore, Waco mini series, Non Spoiler Justice League review, Grace Frankie premiere date, Future Man, Mr Robot, Dark Universe, Punisher, Lady Dynamite, Blackish,Brooklyn 99, Murder on the Orient Express, Blade of the Immortal, Deadpool 2, A Quiet Place ​ You can follow us on twitter : @NothingsOn123 http://www.stitcher.com/ https://taylornetworkofpodcasts.com xtremecomedyct.weebly.com

Donny's away!!! Darrell fights con crud!!! Jim battled a storm!!!! that doesn't stop the gang from bringing you the latest in the pervert report,news, e-mails and what we've watched Ryan Seacrest, Jeffery Tambor, Get Out/Golden Globe controversy, David Cassidy, Ann Wedgeworth, SWAT, Nashville canceled, Carmen Ejogo, Black Lightning premiere date, Jenna Elfman on Walking Dead, Tarrantino , Tom Sizemore, Waco mini series, Non Spoiler Justice League review, Grace Frankie premiere date, Future Man, Mr Robot, Dark Universe, Punisher, Lady Dynamite, Blackish,Brooklyn 99, Murder on the Orient Express, Blade of the Immortal, Deadpool 2, A Quiet Place ​ You can follow us on twitter : @NothingsOn123 http://www.stitcher.com/ https://taylornetworkofpodcasts.com xtremecomedyct.weebly.com

Once again Ray Ranfill joins Heavy and Gus to talk old movies, answer emails and debate the merits of ordering things off of the Mexican Internet.  Ty is busy doing "paperwork" once again, or possibly doing research for his new side project with Megan from Megan's Movie Podcast where they analyze each and every line from Tootsie. Gustav gets the ball rolling with a  field report from a pawn shop and offers up a little show and tell for the boys.  He also discusses the wide open nature of black powder pistols for those citizens who may not be able to legally purchase a cartridge firearm. There is some highbrow grandstanding as Gustav brags about reading fancy books such as William Faulkner's Sound and the Fury, but Heavy tries to keep him in check. Jay responds to his own email about the fascinating world of Sun Truthers which Gus and Heavy had never even heard of before. There is some talk about the American institute of trial by jury, Bitcoin and HBO's classic series The Wire. An email from KJ about hangovers leads the three to ask where you would you rather order IV solution from the Canadian Internet of the Mexican Internet and you really can't pass that up for an episode name at that point. Ray talks about how awesome he is at fantasy sports betting and the like. Fake Bailey Jay takes the boys to task about some hot sports opinions about Uma Thurman in Kill Bill, which leads to a very disappointing conversation with Heavy and Jay about their opinions about the film.  But further discussion about Tarrantino's work is more positive. The movie talk leads Ray to ask about regretting showing your kids certain movies.  Gus tells about how he had his kids watch the unedited Blaxploitation classic "Cotton Comes to Harlem" and how he forgot a few jubblies that may have been left out of the edited version.  He also talks about the fun action comedy "True Lies"   So send us your emails about movies, single shot shotguns or jury selection to canyouhearmepod@gmail.com Follow us on Twitter @canyouhearmepod @realgustav @tywebb3000 @longmireheavy Find us on Tumblr and Instagram @canyouhearmepod   Also be sure to check out Ty’s guest appearance on Megan’s Movie Podcast where they discuss The Breakfast Club.   The post Mexican Internet appeared first on Can You Hear Me?.

This week on Lifemark, Michelle and Stephanie talk Ladies Of The House, starring Florence Henderson, Pam Grier and Richard Roundtree.  That's right! Mrs Brady is in a movie with Shaft and Foxy Brown.  Amazingly, no one gets called a Jive Turkey.  Oh and Stephanie totally cried during this movie and she feels just as embarrassed as you'd expect  

Welcome back to the Front Row Movie Reviews Podcast! The podcast for people who actually like movies! On this very special series off-shooting from FULL DISCLOSURE, we will be discussing the films nominated for the 2016 Oscars. We won't go into full spoiler territory like we do with FD normally, but we will certainly give you our honest reviews and tell you what we think their chances are in the big categories. We continue our spotlights with Jeremy going solo to break down 3 in one sitting! He hits "The Hateful Eight", "Carol" & "Trumbo".  If you haven't subscribed to us on iTunes yet, please do! - https://itunes.apple.com/us/podcast/the-front-row-movie-reviews/id1005302379   We are also now on Instagram! Just search for "The Front Row Movie Reviews" - https://instagram.com/thefrontrowmoviereviews/   Also find us on Facebook and Like us there as well! You know, if you actually do.... - https://www.facebook.com/pages/The-Front-Row-Movie-Reviews/267899814323   And of course follow us on Twitter to get the latest news on the Front Row! - https://twitter.com/FrontRowReviewz   Please enjoy this episode of OSCARS SPOTLIGHT and as always, we'll see you in the front row!

In today's show we welcome David Fiorazo to the Scott Adams Show to discuss his latest article about witchcraft and pagans, the Washington coach that was fired for post game prayer, and we also discuss the White House blocking the release of Hillary emails, boycotting Tarrantino films, and the Republicans dropping NBC.

In this episode: Mark Cosgrove on Michael Haneke's extraordinary and moving, Palme D'Or winning, Amour – coming to Watershed this month. For Mark Amour raises questions more broadly around perfection in art and explores why for him Haneke's film represents artistic perfection in cinema. Also discussed is the upcoming The Master, dubbed by some as 'a new American classic', which Mark looks forward to assessing in terms of his contention that a certain strand of American cinema is only concerned with itself, is self-referential and isolated.

Episode TWO - From Dusk Til DawnPLAY EPISODEIn this Second Episode of MOVIEcomm : Your Alternative Movie Commentary Podcast, Adam, Billy and Marcus sit down and watch the 1996 Rodriquez/Tarrantino Road Movie turned Vampire flick "From Dusk Til Dawn". Throughout discussing the themes of the film, Tarrantino's foot fetish, Whether it needs a remake and more.Listen along as a simple Podcast packed with Movie banter, Trivia and entertaining discussion or you can Listen along as an Alternative Movie Commentary and watch the Movie as we watch it. Experience a New Type of Commentary with the MOVIEcomm Crew.Episode Two - From Dusk Til DawnLet us know what you thought. What MOVIEcomm's would you like to hear in the Future. E Mail your suggestions to: barkerpodcasts@gmail.com Follow:@BarkerPodcasts @Bilo66 @MHWebWizzard  @MOVIEcommhttp://oddpoduk.wordpress.comwww.podgodsnetwork.comhttp://theblognobodyisreading.tumblr.com