Podcast appearances and mentions of thomas doherty

By the 1930s, filmmakers had access to a backlog of footage from nearly forty years of motion pictures, allowing them to create a new kind of film stitched together from the raw material of older films. At around the same time, the transition to synchronous sound added a transformative new element to the grammar of cinema: the voiceover narration. Together, the film inventory and offscreen commentary gave rise to the archival documentary, the motion picture genre that preserves and rewinds history. In How Film Became History: The Rise of the Archival Documentary in 1930s America (Columbia University Press, 2026), Dr. Thomas Doherty tells the story of the archival documentary, spotlighting the first films that set out deliberately to preserve history on screen. He shows how newsreels and documentaries challenged the era's restrictive censorship and how film began to engage with the great political issues of the day. Doherty considers a range of films—some well-known, others obscure—including J. Stuart Blackton's The Film Parade (1933), Laurence Stallings and Truman Talley's The First World War (1934), Cornelius Vanderbilt Jr.'s Hitler's Reign of Terror (1934), Max Eastman and Herbert Axelbank's Tsar to Lenin (1937), and the March of Time screen magazine. Tracing the creation of the archival documentary, How Film Became History illuminates how motion pictures have come to shape our vision of the past. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

By the 1930s, filmmakers had access to a backlog of footage from nearly forty years of motion pictures, allowing them to create a new kind of film stitched together from the raw material of older films. At around the same time, the transition to synchronous sound added a transformative new element to the grammar of cinema: the voiceover narration. Together, the film inventory and offscreen commentary gave rise to the archival documentary, the motion picture genre that preserves and rewinds history. In How Film Became History: The Rise of the Archival Documentary in 1930s America (Columbia University Press, 2026), Dr. Thomas Doherty tells the story of the archival documentary, spotlighting the first films that set out deliberately to preserve history on screen. He shows how newsreels and documentaries challenged the era's restrictive censorship and how film began to engage with the great political issues of the day. Doherty considers a range of films—some well-known, others obscure—including J. Stuart Blackton's The Film Parade (1933), Laurence Stallings and Truman Talley's The First World War (1934), Cornelius Vanderbilt Jr.'s Hitler's Reign of Terror (1934), Max Eastman and Herbert Axelbank's Tsar to Lenin (1937), and the March of Time screen magazine. Tracing the creation of the archival documentary, How Film Became History illuminates how motion pictures have come to shape our vision of the past. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

By the 1930s, filmmakers had access to a backlog of footage from nearly forty years of motion pictures, allowing them to create a new kind of film stitched together from the raw material of older films. At around the same time, the transition to synchronous sound added a transformative new element to the grammar of cinema: the voiceover narration. Together, the film inventory and offscreen commentary gave rise to the archival documentary, the motion picture genre that preserves and rewinds history. In How Film Became History: The Rise of the Archival Documentary in 1930s America (Columbia University Press, 2026), Dr. Thomas Doherty tells the story of the archival documentary, spotlighting the first films that set out deliberately to preserve history on screen. He shows how newsreels and documentaries challenged the era's restrictive censorship and how film began to engage with the great political issues of the day. Doherty considers a range of films—some well-known, others obscure—including J. Stuart Blackton's The Film Parade (1933), Laurence Stallings and Truman Talley's The First World War (1934), Cornelius Vanderbilt Jr.'s Hitler's Reign of Terror (1934), Max Eastman and Herbert Axelbank's Tsar to Lenin (1937), and the March of Time screen magazine. Tracing the creation of the archival documentary, How Film Became History illuminates how motion pictures have come to shape our vision of the past. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

By the 1930s, filmmakers had access to a backlog of footage from nearly forty years of motion pictures, allowing them to create a new kind of film stitched together from the raw material of older films. At around the same time, the transition to synchronous sound added a transformative new element to the grammar of cinema: the voiceover narration. Together, the film inventory and offscreen commentary gave rise to the archival documentary, the motion picture genre that preserves and rewinds history. In How Film Became History: The Rise of the Archival Documentary in 1930s America (Columbia University Press, 2026), Dr. Thomas Doherty tells the story of the archival documentary, spotlighting the first films that set out deliberately to preserve history on screen. He shows how newsreels and documentaries challenged the era's restrictive censorship and how film began to engage with the great political issues of the day. Doherty considers a range of films—some well-known, others obscure—including J. Stuart Blackton's The Film Parade (1933), Laurence Stallings and Truman Talley's The First World War (1934), Cornelius Vanderbilt Jr.'s Hitler's Reign of Terror (1934), Max Eastman and Herbert Axelbank's Tsar to Lenin (1937), and the March of Time screen magazine. Tracing the creation of the archival documentary, How Film Became History illuminates how motion pictures have come to shape our vision of the past. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

By the 1930s, filmmakers had access to a backlog of footage from nearly forty years of motion pictures, allowing them to create a new kind of film stitched together from the raw material of older films. At around the same time, the transition to synchronous sound added a transformative new element to the grammar of cinema: the voiceover narration. Together, the film inventory and offscreen commentary gave rise to the archival documentary, the motion picture genre that preserves and rewinds history. In How Film Became History: The Rise of the Archival Documentary in 1930s America (Columbia University Press, 2026), Dr. Thomas Doherty tells the story of the archival documentary, spotlighting the first films that set out deliberately to preserve history on screen. He shows how newsreels and documentaries challenged the era's restrictive censorship and how film began to engage with the great political issues of the day. Doherty considers a range of films—some well-known, others obscure—including J. Stuart Blackton's The Film Parade (1933), Laurence Stallings and Truman Talley's The First World War (1934), Cornelius Vanderbilt Jr.'s Hitler's Reign of Terror (1934), Max Eastman and Herbert Axelbank's Tsar to Lenin (1937), and the March of Time screen magazine. Tracing the creation of the archival documentary, How Film Became History illuminates how motion pictures have come to shape our vision of the past. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

By the 1930s, filmmakers had access to a backlog of footage from nearly forty years of motion pictures, allowing them to create a new kind of film stitched together from the raw material of older films. At around the same time, the transition to synchronous sound added a transformative new element to the grammar of cinema: the voiceover narration. Together, the film inventory and offscreen commentary gave rise to the archival documentary, the motion picture genre that preserves and rewinds history. In How Film Became History: The Rise of the Archival Documentary in 1930s America (Columbia University Press, 2026), Dr. Thomas Doherty tells the story of the archival documentary, spotlighting the first films that set out deliberately to preserve history on screen. He shows how newsreels and documentaries challenged the era's restrictive censorship and how film began to engage with the great political issues of the day. Doherty considers a range of films—some well-known, others obscure—including J. Stuart Blackton's The Film Parade (1933), Laurence Stallings and Truman Talley's The First World War (1934), Cornelius Vanderbilt Jr.'s Hitler's Reign of Terror (1934), Max Eastman and Herbert Axelbank's Tsar to Lenin (1937), and the March of Time screen magazine. Tracing the creation of the archival documentary, How Film Became History illuminates how motion pictures have come to shape our vision of the past. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.

One of our favourite global fashion icons is making headlines for her "robotic" morning habits, and we need to discuss whether her 6am espresso-and-emails vibe is aspirational or just plain exhausting.We’re also spiralling over a major security breach on a North Carolina film set that has led to "privacy please" being literally written in the sand.Finally, if you're looking for a guilty new pleasure we luxuriate in the rise of a new "sexy stories" platform that is completely flipping the business model for romance and adult entertainment.Love binge-watching TV? The Spill has launched a new podcast called Watch Party where we deep dive into the shows everyone’s talking about. Follow the feed on Apple or Spotify now. Plus remember The Spill drops the tea twice a day in this feed so follow us for all the latest entertainment news… OR you can WATCH our show in full length video on the Apple Podcast app - make sure your phone is up to date and enjoy the watch! Link here. THE END BITS Find and follow us on socials: Instagram: https://www.instagram.com/thespillpodcast/ TikTok: https://www.tiktok.com/@thespillpod Facebook: https://www.facebook.com/thespillpodcast/ Read all the latest entertainment news on Mamamia: https://mamamia.com.au/entertainment/ Support Independent Women’s Media: https://www.mamamia.com.au/subscribe/ Your subscription helps us continue to tell the stories that matter to women. Want to join the conversation? Have feedback or a topic you want us to discuss? Send us a voice message or email us at thespill@mamamia.com.au and we’ll get back to you ASAP! Executive Producer: Monisha Iswaran Audio & Video Producer: Michael Kean Mamamia acknowledges the traditional owners of the land on which we have recorded this podcast. From Mom and Mia. 00:02Speaker 2 Welcome to the Spill your daily pop culture fix. 00:05Speaker 1 I'm m Vernon and. 00:06Speaker 3 I'm Brief Player, executive producer of MoMA MIA's interview podcast No Filter, and former magazine editor. 00:12Speaker 1 We had a full intro. That's that's my intro. That's what I'm told to say. I love that. Well. I know yours is just your name, but you. 00:20Speaker 2 Know what that's because I don't know what's going on for me. 00:23Speaker 3 That is, it's because you are a name. It's because your talented girl too. Oh okay, well player. 00:28Speaker 1 Does stand out. 00:29Speaker 4 Well. 00:29Speaker 2 A name that is missing is LB Laura Brodney. It is she is having some fun with her family and we are holding down the fort LB. 00:38Speaker 1 If you're listening, no you're not. It's fun. We've got this. 00:42Speaker 2 Today on the show, we are going to be talking about a very firm statement a production company has put out towards its fan base of a very cult favorite show and what this means, I guess, for the future of film sets. We're also talking about how a lot of hot men doing a bit of. 01:00Speaker 1 A career turn. We're not complaining, we are, no, we are quite the opposite. 01:06Speaker 2 Really, But first I need to talk about our friend Victoria Beckham, so friend of the show, friend of the show, show of the podcast. So she recently went on Emma Gred's podcast. It's like over an hour long interview. Emma Greed, if you don't know, has developed so many of the Kardashian brands. She's like CEO of Chloe's Jean's brand, she was co founder of Skims. She's very very well known in the girl boss industry. 01:32Speaker 3 The girl is actually such an apt description. 01:36Speaker 1 I love it. 01:37Speaker 2 So Vibi did this interview with her, and there's so many juicy things in it. If you haven't watched her documentary on Netflix, you now don't need to. You just need to listen to this interview because she pretty much covers everything she says in the documentary. 01:51Speaker 1 She talks about her kids. 01:54Speaker 2 You know, when you're watching a YouTube interview and it like has the most replay, it shows you the most replayed moments literally about her talking about her kids and the differences between parenting children versus parenting adults. We've talked about bestie Brooklyn Beckham and everything that's going on between him and his mom. Best friend of the show, best friend of the show. She also talked about the alleged affair. She talked about her company making money, losing money, making money again. 02:20Speaker 3 It's super unusual for Victoria to give a like a big deep dive interview as well, so I think. 02:26Speaker 2 Like girl Boss to girl Boss, felt like it was environment Yeah, but like to be fair, a lot of the stuff she talks about with her company and her both her fashion brand and beauty brand is like really really interesting where she talks about She covered it in the documentary as well, but I guess emm agreed asks those really like kind of personal business se questions where she mixes business questions with lifestyle questions. There is one part of the podcast so that I really want to discuss, yes, and it's the part that no one's really talking about. It's her day in the live. 03:01Speaker 1 It's the highlight of the podcast for me. I just love to know. 03:05Speaker 2 What celebrity millionaires and billionaires are doing every day so I can try to replicate it in my sad little life. 03:12Speaker 3 On weekends, because we have jobs. 03:16Speaker 1 Because we have real jobs, real jobs. Should I take you through it? Yes? Oh please please? Okay, she's almost the weekend. I need to know, we need to. 03:23Speaker 2 Know okay, So she says, we get up every morning, thank God, off to a strong style. 03:31Speaker 1 We get up every single morning. That's crazy. 03:34Speaker 2 We get up every morning and we make Harper breakfast. What I've noticed in this day in the live, she doesn't mention about her own eating habits, because we all know she eats steamed fish and veggies every single day. And I don't think she wants to keep marketing that because I don't think she really wants a fish dealer. 03:49Speaker 1 She doesn't need it, doesn't need, she doesn't need, doesn't need a fish finger. 03:53Speaker 2 So they both make Harper breakfast. She says, if he's not traveling, David does the school run, she goes down to the gym. When she says down to the gym, I'm assuming downstairs. 04:03Speaker 3 And the like, Yeah, I don't think she's like popping going down the road, you know, the local like fitness first, no, non equivalent. 04:09Speaker 2 She's going down to the gym, and she does. Wait for forty five minutes. Then David comes back home, joins her, and then they work out together for another hour. 04:21Speaker 1 Oh, I know they're that couple. 04:23Speaker 2 An hour and forty five minutes every single morning in the gym that's a lot, girl, it's a lot. But she loves doing things with him. 04:29Speaker 1 Yeah, but like there are other things to do. Okay. 04:32Speaker 2 Then she says she goes to the office, which is ten minutes away from where she lives. 04:36Speaker 1 So I'm assuming the same time stamped this, Like, do we know, like when is she rolling into the now? 04:41Speaker 3 She kind of like, so it could be midday because if she's got up, we don't know when she gets up, made Harper breakfast or you know, being present for the breakfast making. 04:51Speaker 1 I can't see. I feel like it's David hands on not. 04:53Speaker 2 I feel like she'll make Harper like a juice and David makes the breakfast. 04:57Speaker 1 We know he cooks. He loves to cook. 04:58Speaker 3 And then like she's an arrow and forty five in the gym, has to shower, get I'm sure like that, you. 05:04Speaker 1 Know, becoming becoming BB. 05:06Speaker 3 Yeah, the day is not a quick time office mid day probably yeah, probably. 05:12Speaker 2 So she says it's only ten minutes away, so I'm assuming, like the same estate. 05:17Speaker 1 I'm assuming it's. 05:18Speaker 2 Like it's just next door, next door, a second home. Yeah, she says she goes in five days a week. Oh, what do we feel about that? Well, she says, I have to be there. It's where like all the ideas get made. There's something about going in every day, and I'm like, this sounds like a CEO who had hybrid working conditions and I told everyone. 05:40Speaker 1 To come here, to come back. 05:41Speaker 3 It's like, yeah, VB at the front line of pushing people back in the office's like, I. 05:45Speaker 1 Love being here all the time. Don't shut up, Phoebe. It's because you get to roll in a mid day. 05:50Speaker 2 Yes, And she says she doesn't travel that much. She only ever goes to New York because beauty. Her beauty brands in New York and her fashion brands in between London and Paris must be nice. 06:00Speaker 3 She has a lot of social engagements too, Like, I don't what she's doing this interview. 06:06Speaker 1 Yeah, on the weekend, probably. 06:09Speaker 2 Probably she's in the office five days with family time, Okay, I guess. 06:13Speaker 1 So. 06:13Speaker 2 She also says at six pm, they are all at home and they all have dinner together, no phones, they just talk about their days. 06:22Speaker 1 I love that. 06:22Speaker 2 Yeah, And she says that we are quite a traditional family. Most people won't believe that, but they are. 06:28Speaker 1 I believe that, but I think that it's ordained, like. 06:34Speaker 3 I don't know if it's well, we actually know for a fact it's not every child's choice to be part of that environment. But I can imagine they have strict rules about dinner together and no phones and yeah, well. 06:46Speaker 2 After everything that happened with like Brooklyn Beckham, I'm sure they are like quite strict parents. She also talked about how her daughter Harper is launching a skincare brand because she says that like her daughter used all of these like different skin cares and ruined her skin, and she wanted to create a really nice collection of like clean skin care for young girls to use, like sure, And I was like sure. I mean, like I'm kids meant to get acne. 07:17Speaker 1 Yeah, it's inevitable. Yeah, but it's good for them. 07:19Speaker 2 It's good for them. But as you know, I didn't really listen to any of that stuff. I was just like, let me know the day in the life. Yea other day in the life, and now we got it. So if you want to know what to do for to be Victoria Beckham, an hour and forty five minutes in the gym every morning. 07:31Speaker 1 That is in your house. Yeah, that's in your house. You have to have the gym in your house, and if. 07:35Speaker 3 You do go to work, it's down the road ten minutes. Yeah, and you're not really doing a commute. You're certainly not on the train. 07:40Speaker 1 You're fine, you'll do it. It's probably in you. I would say it's pretty easy to be VB. 07:44Speaker 3 But I don't know about an hour and forty five minutes in the gym every morning. 07:47Speaker 1 I'll give it a go tomorrow, I'm definitely not. No, I stop at waking up every day. We've got that down. I've got it down. Only five more steps to go. 07:58Speaker 2 So the summer turned pretty You might have heard of it. Yeah, she'll have a little old show. They're currently in the production of making the movie, which is meant to act as like the actual actual series finale. 08:11Speaker 1 Yes, this is it. 08:12Speaker 2 Yes, and they're currently filming. Recently, the production company that's doing so, on my Return, Pretty Amazon. 08:19Speaker 1 Tweeted this. 08:20Speaker 2 They said, we love the excitement, but sharing locations and visiting sets disrupts filming and creates real safety concerns for our cast and crew. We're working hard to create a protective bubble to make the best movie possible. Please help us protect the magic of Cousins. That's the place where it's set, not cousins in general, until it's ready to be shared after that. Jenny Hahn, who wrote the book and is also a big writer of the movie and the show, she also posted when people come to set, film and share videos, it disrupts the work and makes it harder for actors to get into character and causes unnecessary anxiety for them. 08:57Speaker 1 We often have to stop. 08:58Speaker 2 Production to clear crowds from the show, which breaks the crew's focus. This story means a lot to me, and I know it means a lot to you too. I want to give you the best version of this movie. Please help protect our process, right. 09:11Speaker 3 Oh, Look, like fervent fandoms are a double edged sword because like they need that. That's why they have had a successful series. It's why they've got this movie coming out. They wouldn't have that without the fans. And the fans are so so so passionate, and like in my heart, I'm a fangirl, I always will be, and I have so much love for fangirls and boys. 09:32Speaker 1 Yeah, and I just think like. 09:34Speaker 3 The reason why, like they're showing up because they love it so much. They want to be part of that world. And it's like it's super endearing, but I do understand why. You know, it's not necessarily conducive to a good set. 09:47Speaker 2 I think they've also like this set and crew in particular, I've had such like bad luck when it comes to like fans being so intense about the show. Because when I first read this, I was kind of like, I was a bit like boohoo. 09:59Speaker 1 Like, yeah, everyone loves the show. Nice, just be nice. 10:03Speaker 2 But then I remembered when they were filming the series finale of the last season of the summer I turned pretty where Belly goes to Paris, and a lot of it was filmed in Paris. They had to fly Gavin over also who played Jeremiah, even though Jeremiah had no scenes in Paris, because everyone was just so intense and guessing who she would choose, Conrad or Jeremiah. And then around the same time, they were putting out Statesmen saying please stop bullying our cast. 10:29Speaker 1 They're not their characters. 10:31Speaker 2 So they've really been through a lot with their fan base. But it's the same exactly what you said. I feel like if I was like walking around the US or in Europe and I saw that they were filming close to me, I wouldn't want to go. 10:45Speaker 1 Of course, I would want to have a look see. Of course I would take a couple of picks. 10:48Speaker 3 I don't know if I would necessarily share them on social media because that's just not my bag. 10:52Speaker 1 But I would show my friends. Yeah, I'd sit here and talk about it. I would literally talk about it like. 11:00Speaker 3 Yeah, like it's it's even if it's not your absolute favorite show. Like obviously there are people that are going, oh my god, I want to see them up close. Let's plan a trip, and like, you know that is happening. I know that happened a bit on the set of people we meet on vacation. 11:14Speaker 1 Yeah, but the. 11:15Speaker 3 Interactions were actually all really lovely and all the reports were fine, and there wasn't kind of a messaging sent out that I'm aware of that was like, don't do this. 11:23Speaker 1 But you know, fandoms are why a. 11:26Speaker 3 Lot of these projects get off the ground in the first place, especially if they're you know, they're based on a book or whatever, so they come with an inbuilt fan base, and so with that comes like this experience. 11:38Speaker 2 And I do think it's changed a lot as technology has changed. Very true to it, Jenny Hahn said, in her statement that it really disrupts the cast and the crew. Like imagine thinking you're filming a show and now you have like a live studio audience who're just like reacting to everything. Plus with the fans filming stuff and posting it online, it just creates like this bigger, bigger thing where was before It used to be like, oh my god, I was in the background of parks and recreation, did you see me? 12:06Speaker 3 I think, like, I find it frustrating when there's too many clips shared on my like for you page. For you that's it where you're like, I don't want to see it, and it's like, oh, like the way I was tapping interested on stuff when The Devil Wears Prata, like stuff was all coming. 12:22Speaker 2 That literally happened to me when I watched the second movie because I watched it in cinemas after you guys went to the big premiere and I was seeing scenes that I'd already seen on my TikTok. It's annoying, right because everyone was just filming them, yeah. 12:34Speaker 1 Filming the way, walking on the streets and everything. 12:36Speaker 3 But then it's also funny as well because we saw so many stills and footage from that film of Anne Hathaway and Patrick Brammel on the Street. It was so gorgeous and so romantic, and then like that was totally missing from the film. So that's a funny experience as well, because we've all been primed and it's almost like part of the promo. And that's actually really interesting because some productions, yeah, are like if you can't beat them, join them, and they're using it as an opportunity for promo. So we've seen that a lot with like they've been filming and they've wrapped filming now on Sunrise on the Reaping, which is like the next installment of the Hunger Games franchise. It's like the cast were encouraged to show stuff on their own like social media, like let's do it first. Yeah, yeah, so they're like McKenna grace was like all over it, and you know, she's so great on social media anyway. But we got a lot of behind the scenes stuff from that production and the movie doesn't come out till November, but they like really leaned into it and like knew that they had this really really really passionate fan base and so they were like feeding people from the start. 13:41Speaker 1 That's really smart. 13:42Speaker 2 I have a feeling Marvel kind of did the same for the New Spider Man movie because Tom Holland does a lot of his own stunts where they got like fans filming him, like jumping over cars and stuff in New York, and they were sharing those own videos on their own socials. It also really interesting, like can work way that kind of helps the production company or give them ideas. Do you remember when the first stills of It Ends with Us came out? Oh, and we were seeing lively in like those costs, like the most horrendous wardrobe choices, the most mirandous wardrobe choices. 14:19Speaker 3 And then it was just like mass trolling of like this she wearing? 14:25Speaker 1 What is this? 14:25Speaker 2 And then we still saw some quiet questionable efforts in that movie, but like the ones that we saw on des Moir were like not in the movie at all, very similarly love story. What they had as like the dress for Carolyne Bassett, the first. 14:39Speaker 3 First glimpse at both of them, both of them, it was like, that's not how they looked like they were wearing like h and M pieces like it just it wasn't reflective. 14:48Speaker 1 And that's so important, particularly for that story. 14:50Speaker 3 Because they're like, firstly, yeah, he had a lot of money, he dressed really well. He was like stylish and gorgeous and you know, but she was known FIRS style. That was a trademark, so to miss that and even like it was right down to the hair, like that's not what Carolyn's hair looked like, and then they started to change. When the show dropped, it was like it had been absolutely coarse corrected and then they nailed it. 15:14Speaker 1 So it is interesting to see and it must be helpful for them. 15:17Speaker 2 They're getting that live feedback as a film versus when a trailer goes out and then they see all the. 15:22Speaker 3 Feed test audience at the end, so like you can't then go await the wardrobe sucks, Like you can't go and reshoot the entire thing. So that's really yeah, that's been really beneficial for them. I've noticed as well. The next series of AHS has been like teasing so much from behind the scenes they've been doing. So they've got the core cast of Coven back, which is really exciting because like in my be in many people's opinion, Coven was the best season three, right, it was season three, that's like the Witch season that was set in Your Orleans absolutely incredible and like the cast so so stellar. Now, if you remember Jessica Lang, who was in the first maybe I think. 16:04Speaker 1 Five seasons, yes, I think. 16:06Speaker 3 So Dan left and when I said no, I'm done, I'm never going back, right, she was like adamant, like no, no, no, no. 16:14Speaker 1 No, guess who's back? 16:15Speaker 5 Shut up? 16:16Speaker 3 Yes, And it was announced on set like they had her in costume and they were like playing into it and they've been dropping in on st same. 16:24Speaker 1 As Emma Roberts is back. And of course her famous line is, hey, bitch, I bet you thought you saw the last of me. 16:30Speaker 3 So that's how she promo that she was back, which was so cool. 16:34Speaker 1 Oh my god, I love so. 16:36Speaker 3 Fun and like, as a fan of that series, I was so excited to like, it's like playing along from home from the start. 16:42Speaker 1 It also extends their run. It gets people excited from the start. That's so true. 16:46Speaker 2 I was thinking of massive cult shows where everyone's been obsessed with and movies where they had to like go through extra lengths just to make sure nothing's link. And I found this really interesting. Fun facts, fun facts for the girls in Sex and the City. The last episode, Sarah Jessica Parker said, they filmed. 17:05Speaker 1 Three this is traditional tragicity not and just like that. Yeah, okay, great, I'm a purist. I'm glad that we're talking about it. 17:12Speaker 2 So three different ending. So the first ending that we all saw on our screens is she ends up with Big. The second fake ending that they filmed was her coming back to New York alone, and the third one can guess, oh, her ending up with Alexander Petrov's no. No, And she was like, yeah, it was so obvious because they were such bad end. 17:38Speaker 3 Look, the one of her coming back to New York alone would have been nice, would have been like it would proper. Yes, I actually think maybe if the show was set today that she re that's so true. Back then everyone wanted a happy ending and we weren't. You know, the show was already revolutionary enough. 17:54Speaker 1 The people weren't. Back then, everyone was like, what would you do with that? And then yes, we don't understand. I don't understand, but now we know, we now we know. 18:03Speaker 2 Kit Harrington on Game of Throw Yeah said that because all of their scenes were filmed in like rural areas, like in forests and like snowy mountains. 18:12Speaker 1 You're a fan and you tricked out that you know what you deserved exactly? Do you take that video? You tell us what's going on. 18:19Speaker 2 But they said they had paparazzi were coming camouflage with these big with these big lenses, filming them like walking up like because everything in Game of Thrones would have been a leak, because even just seeing two characters together and Game of Thrones would have been a huge league, even seeing a character still alive, a character still alive, like a character who's like never met another character together. So everything was like really high stakes. So he said that they all had to film a certain number of fake scenes, like proper fake scenes that they knew would never I. 18:51Speaker 1 Just think of the money that's being spent, so much. 18:53Speaker 2 Money on production on actors with Game of Thrones. 18:58Speaker 1 What a waste of money because any name, you know what. 19:07Speaker 3 Us, choose your own adventure, release them all and the people can decide how it should have ended. 19:12Speaker 1 Agree. 19:12Speaker 2 Okay, And this is my favorite one in Avengers end Game. So if you haven't watched Endgame, this is going to be a spoiler. 19:20Speaker 1 But come on, it's been years and years. I haven't watched it. I probably never will. 19:24Speaker 2 Okay, well this is not going to be a huge, huge spoiler, but there's a scene where there's a funeral. So, like one of the characters dies and they all go to a funeral. They told Tom Holland and Mark Ruffalo, who are the two cast members known for accidentally leaking stuff. 19:39Speaker 1 Yeah, Tom Holland. 19:41Speaker 2 Tom Holland has given everyone Avenger plots. Yeah, his whole life, that's all he does, Avengers plots. They told the two of them that it was a wedding scene, and then they came dressed thinking they were filming a wedding scene and didn't realize. 19:54Speaker 1 Until they were there that it was a funeral. 19:56Speaker 2 And they still didn't tell them until the movie was released. Oh it was so only Robert Downey Jr. Was the only actor in that whole franchise to get the full script? 20:08Speaker 3 Is that because he was dead, because he whispered into a microphone. 20:13Speaker 1 Because he was dead, because he was don't tell anyone. 20:15Speaker 2 Yeah, so he was the only one. No one else everyone knew like bits and pieces. But Tom Holland literally thought the funeral scene he was filming for did. 20:23Speaker 1 The rest of the cart not realized when he was not there Robert because he also came there. He had to come. 20:32Speaker 3 That's so funny because that's not so much keeping it a secret from the fans. 20:38Speaker 2 Secret from the car so they don't accidentally. So Tom Holland couldn't actually like leak anything because he didn't know. 20:44Speaker 3 I want to know what film or TV set you would cross international date lines to go on stalk if it. 20:51Speaker 2 Was still filming, or if they did like another season or like brought it back to our screens. The Mindy Project, Oh I would, Oh my god, I would honestly get because like her whole thing was like she was a gynocologist, and I would literally get a doctorate and pretend that I'm a guyano and just to get on that set and be like I'm here to advise. I'm here to like, yeah, I'm here to see Mindy Kayling, here for miss Kayling. 21:19Speaker 1 Here for miss Kayling. 21:20Speaker 2 I'm here to advise as the doctor on set. Oh my god, I'd love that. 21:24Speaker 1 What would be yours? 21:25Speaker 6 Oh? 21:25Speaker 1 Look, if I'm looking backwards, it would be fleaback. That's such a good one. I feel like it would be fairly easy as well. 21:32Speaker 3 Yeah, I think so too. That would be pretty easy. Also, I feel like you're like. 21:36Speaker 1 Phoebe bit chill. 21:37Speaker 2 You know, she'd be so be excited to see you, would be I think she'dn't brite you on As a writer, I think so too. 21:42Speaker 1 Yeah, oh my god. And like looking forwards, I reckon that they'll have a bit of travel with the Hated Rivalry set next time. Oh yeah, they are going to have trouble. 21:52Speaker 3 Because if the summer I turned pretty is pulling out the fans for those two boys, imagine. 21:57Speaker 1 Taking it up a notch the Heated rivalry. 21:59Speaker 2 Will you give them so many points? Just film fake scenes, but make sure you release those ones to that. 22:04Speaker 1 Secluded cabin is suddenly going to look like it's got. 22:07Speaker 2 A great It's like, can you just remove the Airbnb signed from the lawn? 22:11Speaker 1 That'd be great. 22:13Speaker 3 Okay, And we have to talk about something that is joked around the Spill team that I have a doctrine in which she's Quinn. 22:20Speaker 1 Are you across Quinn? The app Quinn? 22:23Speaker 4 Oh? 22:23Speaker 1 When you say. 22:24Speaker 2 App Quinn, I am across it. When you just say Quinn general, I'm like, I don't think I met her. 22:30Speaker 1 The app quick Quinn. Yes. It is like audio erotica It is an app. 22:35Speaker 3 I came across it back at my last job when I was at Murray Claire and I was interviewing Thomas Dougherty. So Thomas Doherty you might remember from the reboot of Gossip Girls, and he's more recently and tell me lies. 22:48Speaker 1 Yes, he has a very chiseled jaw. He has a very chiseled jaw. 22:52Speaker 3 And despite the accent that he often sports in his shows, he's not American. 22:57Speaker 1 He's Scottish. So he's got a beautiful, beauty Scottish face. I couldn't get any better. He's got it. 23:03Speaker 3 And so Quinn is an app like you subscribe to. There's audio erotica on there, done by contributors, creators like normal guys out there. 23:13Speaker 1 It's like a sexy, calm app. It is, Yes, it's calm, but instead of falling asleep, you're getting horny. You're getting horned. Yeah, yeah, I like it because I. 23:22Speaker 2 Heard that women are more likely to get off on like audible sound versus visual. 23:30Speaker 3 Well it would seem so, and like I think, you know, that's the problem. A lot of like visual porn is not made for women, it's made for men. So this app, which was actually created by Caroline Spiegel, And if that name sounds familiar, it's because she's the sister of Snapchat creator Evan. 23:45Speaker 1 Oh my gosh, she's like and they're both sibling. 23:49Speaker 3 Yeah, yeah, Nepo's sibling. But she's like cooler chica and has created something that's like way better for the. 23:54Speaker 1 Girlies and fun sibling duo. Yeah, which also means that she's sister in law. 24:01Speaker 2 They should do a collab time Snapchat. 24:06Speaker 7 They made share a video. 24:07Speaker 6 I don't know. 24:09Speaker 1 So she's created this space where it is like about women's pleasure, much needed, much needed space where it's the focus. It's like female run, female staffed business. Predominantly most of the background creators on it are female. The voices are predominantly male. There are some female voices on it too, because it's like male for female and female for female. Correct. 24:31Speaker 3 Something that they started doing, as I mentioned with Thomas Doherty, was doing these things they call quinn originals with famous men narrating audio erotica. 24:42Speaker 1 I love that. 24:43Speaker 3 So Thomas Doherty came first, so we have to like thank him because he. 24:52Speaker 1 Led the way. 24:53Speaker 3 And what has followed has been like the most astounding lineup of top tier a War winning, and I'm like, when I say award winning, I mean like, like, these are guys that are like Emmy Golden Globe like nominade winners. So I'm going to run you through the stuff, right, Okay. So there's been Jesse Williams, who, of course like, oh my god, those eyes plays Jackson Avery in Ray's Anatomy speaking of Flea Bag, which we just did Andrew. 25:21Speaker 1 The actors at which is like normal accent, yeah, with his Irish accent. Tom blythe tom blythe Beautiful tom Bly God, so many that we already talked about today. There is is like promo for Sunrise on the Things. 25:36Speaker 3 Yeah, well he's not in that unfortunately, no, because it's set so yeah, so Ray Fines actually plays Snow in that one. Okay, Yeah, so it's it's a bit less sexy because tom blythe isn't in it, but Beautiful tom blythe Chris Brinney from the Summer Return pretty again another thing, yes, so okay, but also not only are they getting these men to do it, they're really explicit like they're not tame, right, They're not. So they're getting them to say yes to it. They're getting them to do it. There's sound effects and everything, and they're. 26:09Speaker 1 Getting them to do it at the exact. 26:11Speaker 3 Time that like their major project is. So when the summertime Pretty season three came out, that's when. 26:18Speaker 1 Chris's episode dropped. Wow, same as like okay, that's smart dropped. Like They're so amazing the way they're able to get them. 26:26Speaker 3 And as someone who like books talent, right, that's my job here, that's what I do for No Filter, I book the talent and when I worked in magazines, I booked the cover star talent. 26:36Speaker 1 Right. 26:36Speaker 3 It is hard, like there is like they have not much time to spare. It is hard to get someone like everyone's chasing them, especially when they're on for like those projects. So it is amazing to me how they've managed to get these guys to do this, which is like quite a hard sell I would imagine at the start. But I think that because of the lineup they've had, it's getting easier and easier because when you look at that roster, if you're like a talent manager and you look and you go, oh Andrew Scott, like wow, he's done this, like you know all of these like amazing actors, then you get more likely to show it and say hey, like. 27:11Speaker 1 Yeah, that's chat you. 27:12Speaker 2 And I also wonder because like Romanticy is like killing it in the genre game right now. 27:19Speaker 3 Funny you mention that because Jesse Williams, yeah, his one is themed around Romanticy still like a. 27:25Speaker 1 Very porn vie. I like that. 27:28Speaker 3 The other guys that have done it who we also just talked about was Connor Story and Hudson Williams stuff. 27:33Speaker 1 They did a series together. Of course they did. Of course they did, because that's. 27:36Speaker 3 What they can't do anything and they can yeah, they can never not do anything together. And there's plays into that same vibe as well. 27:42Speaker 2 Yeah, because it's like every like I mean, I'm a huge Romanticy reader, and like I know that a lot of production companies are thinking about taking these like books that everyone loves to the big screen. Like we know Michael B. Jordan's bought rights of a series that was like the whole room of him, like talking to Yarnha on the red carpet, everyone thinking she's going to be starring in one of his upcoming productions. 28:04Speaker 1 And I think this. 28:05Speaker 2 Is such a good opportunity for these men to like jump on this platform because you're obviously, if you're gonna listen, you're gonna visualize them. 28:13Speaker 1 Absolutely. It's not like an anonymous no, exactly what they like. And they all have like massive fan. 28:19Speaker 3 Bases and girls and the way that the Queen Girls tease the next celebrity on their TikTok and Instagram. You'll see like an arm or you'll. 28:26Speaker 1 See like I know that arm, well you do, because you're like I recognize those tattoos, I recognize those backsteps. 28:33Speaker 3 Well indeed, because the latest one to drop, the latest series was narrated by Sean Hattersey of The Pit. 28:42Speaker 1 Oh, he is such a good looking guy. He is such but everyone on the Pit is very good looking. Yeah, but especially those two sad, sad, sexy old doctors. 28:53Speaker 2 Right, oh my god, Okay, I'm really really you know now. 28:57Speaker 3 Okay, So when I hadn't watched The Pit because like, I don't. 29:00Speaker 1 Want to get around a medical drama. You know, you're very much like LB, like it's too real. 29:05Speaker 3 Yes, But then when I started seeing Sean hat to see on the Quinn's feed, I was like, he's really hot. And I've since watched The Pit now I love it, which is so I love that so they're very good, like Quinn seem very good at picking men who aren't just like super attractive and are doing really well in that. 29:21Speaker 1 Space, but also very like Zygeist. Yeah, like everyone's already talking about that. They absolutely nail it. 29:26Speaker 3 I'm going to give a shout out to the two girls at Quinn that run the social media, Brooke and Michayla. 29:32Speaker 1 You're doing guard's work. Girls. 29:33Speaker 3 Absolutely, they're like world class girls, girls what we want. They are both gorgeous, they're always on there, they're primoing, they're so funny. Yeah, you've got to get around on this great and they have really good taste in men because I can see like who they're tapping, you can you can see who that they picked. 29:52Speaker 1 But do you want to hear some? I definitely want to hear some? Okay, how do we want to do that? Shall I play you some and you can kind of guess who you think it is? Okay? 30:00Speaker 7 Yeah? 30:00Speaker 1 I like that, you like that? Okay, I'm nervous. Spillers. 30:05Speaker 2 If you're watching this on Apple podcasts or YouTube, close your eyes, don't look at me. 30:08Speaker 1 Do this. 30:11Speaker 5 I would take your clothes off until you were nothing, but you're underwear. I will get that sound out of you again, the one you made when you press your body into mind. 30:25Speaker 6 Oh, the pushing noises, breathless, desperate for some relief, and the pressure building inside you. 30:38Speaker 1 Oh my god, who do you think that is? Was that Chris Briny? No? Older? Older, much older? 30:47Speaker 3 Ah, I'm gonna read you the tags that were under the audio for that older man. 30:55Speaker 1 Forbidden romance, forbidden romance, mutual pining, sexting, nude picture, jealousy, personal backstory, consent, very important, it is important. M dom oh male dominant watching instructing you. Oh, it's my pit man. Sean had to see it is he sounds so young in. 31:18Speaker 3 That well they make so much feel like the breathy voice must be the breathiness. 31:22Speaker 1 I don't know. Maybe he just feels young because he's very exciting. 31:27Speaker 7 You like that? 31:28Speaker 1 All right, Let's try another one and say if you can guess who this is. 31:34Speaker 7 And you never even said a word about any of it to me. I thought you trusted me and we trusted each other, but you betrayed. 31:48Speaker 4 Me and no, no, I am Oh you're sorry. 32:01Speaker 7 Now you're sorry. Here, we've been sorry. We all that's your chance, prove it to me. 32:19Speaker 4 Beg. You heard me. 32:28Speaker 7 Beg. 32:33Speaker 4 Sorry isn't good enough? 32:36Speaker 7 Not for the anguish I should when you left me? 32:38Speaker 2 Oh my god, this could easily be Flee Back season three, Andrew, You're so right. 32:44Speaker 1 Yeah, So what's really funny is that not only do they like get these guys, and they get them when they're doing a major project. The story kind of weaves in a little instead of like Neil, he's saying, beg, beg, and he says it so well, and he says it so so well. 33:04Speaker 2 I wish I had like a transcript to reply to what are you saying? Because I was like, Oh, I didn't say sorry, but maybe I should have. 33:10Speaker 1 Maybe I should have. 33:11Speaker 3 Okay, and I'm going to play you one more Okay, this one I've chosen to show you just how explicit it can go. 33:20Speaker 1 Oh god, we're gonna have to beat that so much. 33:24Speaker 8 Do you want me to fill you up? 33:26Speaker 4 Darling? 33:28Speaker 1 And I will, but first the bed moving. 33:33Speaker 8 I need you to get me ready for you come here and Niel, whoa that? 33:41Speaker 1 And your leg's still working after that? 33:42Speaker 4 Darling? 33:44Speaker 8 Yeah, let me help you. You're so pretty like this so hazy from Climax on your knees for me. Do you see how hard do you make me? How much I love making you feel good? I need you to spit on it. 34:05Speaker 1 For me, please, my god. Someone British, right, someone British is a tom BLI. No, I don't know any British men. Okay, that one was Jamie Campbell Bauer. Oh my god, stranger things, Stranger things. That's guys, Oh my god. Just if you're like imagining, he is really hot in real life. He's really really beautiful in realize. 34:36Speaker 2 And this is actually a good strategy for him because a lot of people he played Bena's so good. 34:41Speaker 3 Yeah, he's very good at being scary that a lot of people just hated him. But he really just came out and this was actually he's done two series on Quicks. 34:49Speaker 1 He loves it, he loves it. 34:51Speaker 3 He's come back for more, and whenever he's asked about it in the interviews, he can't speak highly enough of it. He's like, my god, I love that it's a female led company. I love that it prioritizes women's pleasure. He's all over it, like dream man. I can talk about other days like he's love of my life. Right, So he's done two series of it, which is great news for all the fans of like ones that have been in the past thing like we want more, we want more. Jamie has like come back and done another one, so you never know what could happen. But the reason why I wanted to talk about this today is because this morning I woke up and did my morning scroll. I don't do it an hour and forty five minutes. 35:34Speaker 1 It's getting I scroll instare in TikTok instead. 35:37Speaker 3 And they're also very healthy habits, very healthy habits. They have started teasing their next Quinn original with a famous person. 35:49Speaker 1 Who is it. It would appear to be Sam Hewan from Outlander. 35:55Speaker 7 Stop. 35:56Speaker 1 They are so smart, good, are so blad, They so know what the girls want. 36:03Speaker 9 Oh, it's always hot men as well. They're always the hottest I know. And they also do you know what, they're all really good guys too. Yeah, there's no one on their rostar that you're like, oh, he's like there's complaints about him or there's something weird, Like they just they're good guys. 36:18Speaker 1 They do their background racent. 36:20Speaker 2 And it's also like this new wave of famous men and it's like I feel like it's a generational thing. Where like all the Hollywood men are kind of like aicked out by the like girl fan base because they. 36:30Speaker 1 Don't want to make movies for girls. 36:31Speaker 2 Yeshe was like, these men are leaning right in because we're the ones who are spending money to watch them exactly in our movies. Yeah, and they're like doing how I don't know, I feel like their career path, we're doing this is the absolute correct choice for them as well as like the Quinn girls, like I feel like it would have been so hard to develop like pretty much a pawn app for women, but also wanting it to be as like socially out there, like I feel like for women, firstly, no porn is ever made for women, and then for women. 37:02Speaker 1 To watch porn, we have to pretend we don't. 37:04Speaker 2 Yeah, and like with Quinn, it's like giving us a safe space to like share these videos with friends, to show them off and be like, yes, this is exactly what we want. 37:13Speaker 1 Well, that is so that it's so true. 37:15Speaker 3 And you know where one of the best places on the internet is the comments section, Yeah, Quinn's TikTok and Instagram, particularly TikTok because people are just funnier on there anyway. 37:25Speaker 1 But like I have this. 37:26Speaker 3 Theory that I know where all the hardcore directioners have grown up and gone, because no fan base was funnier, hornier, smarter the directions. 37:38Speaker 1 Now they're all Quin listeners. 37:40Speaker 2 They're all Queen listeners and probably Quinn writers. Yeah, Quinn, they're writing them scripts. 37:44Speaker 3 Yeah, but you know what they do tap really great writers to write these stories. 37:48Speaker 1 Well, it's like a proper like story. It's not like you're suddenly in the middle of it. No, no, no, It's it's like a beginning middle story. 37:58Speaker 3 So Jamie's story is like kind of a bit Draco Hermione coded. 38:02Speaker 1 It's one of those like Drake really good at. 38:04Speaker 3 Finding like the zeitgeisty things that the girlies are reading that's on platforms like AO three, which is like where all the. 38:10Speaker 1 Fan fit goes. 38:11Speaker 3 Speaking of I discovered on x there is so much AO three smart stories about the Pit. 38:19Speaker 1 It hasn't ever been going that long. 38:21Speaker 3 But the girls are at home like girls away, right, So I created the most like full on stories about the Pit. Okay, I need to know who you want to see next on Quinn. 38:31Speaker 1 Let me think who would be great? Can I tell you mine? 38:34Speaker 5 Yeah? 38:34Speaker 1 Can you tell me you tell me yours. 38:35Speaker 2 Well, I think I was thinking of this while we were just listening to those Donald Glover as childish Gambino. He was meant to come to send me to do a concert in like I think, I want to say, twenty eighteen nineteen, and he broke his foot and he couldn't perform, and I had bought VIP tickets for me and my sister and I wasn't even working then, and I sent him along Instagram message. I was disappointed that he didn't come. 39:02Speaker 1 And he didn't make it up to you by doing a Quinn. Yeah, he can make it up to me doing Quinn. 39:06Speaker 2 But I think, like I want my story to be him replying to me and going, okay, I'll do a private concept for you at my house. 39:13Speaker 1 Oh my god, I love this and that can be our whole queen story. 39:16Speaker 6 But actually went. 39:17Speaker 1 Out because you've put yourself in the narrative. I don't know what. 39:20Speaker 3 You're not wrong to do it, because that is actually the way that the stories are written. Like when you listen to them in the story, they're the partner in the story. 39:29Speaker 1 I like that. 39:30Speaker 3 Yeah, okay, I do have mine. Okay, it's Joseph Morgan. 39:35Speaker 1 It's Joseph. 39:36Speaker 3 He played Klaus in The Vampire Diaries and the Originals. 39:40Speaker 1 I need to look this up. I need to look this he makes look it up. He was like the really bad one. 39:45Speaker 3 He was like a really bad He's so sexy. He also has not aged, so I think he might. 39:50Speaker 1 Actually he's an English actor. He is an English actor. 39:54Speaker 3 He was so sexy as Klaus. I'd love him to just like can he as a vampire? 40:00Speaker 1 Yeah? Well a vampire. 40:01Speaker 3 He was a vampire werewolf highbrid because he was like way too powerful. 40:05Speaker 1 Oh, the most powerful and the bad guy. 40:07Speaker 3 Yeah, the most powerful and the bad guy. And I think he'd nail it, but I want him to do it as Klaus. 40:13Speaker 1 Yes, he would nail it. Yeah, canail You amen to that. Thank you so much for listening to the Spill today. 40:22Speaker 3 If you enjoyed this episode, the best way you can support it is to give us a five star rating wherever you listen. It goes a long way in helping us continue to bring you the very best content. And don't forget weekend watch drops at six tomorrow. The Spill is produced by Manisha it Is Warren, with video production by Michael Keene, Bye, bye,Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

My interview with Thomas Doherty, author of "How Film Became History"

Paradise season two follows Xavier Collins investigating President Bradford's death, while exposing deep secrets in the bunker. Join The Watchers as we break down the eight-episode season. #HuluParadise #HuluParadise (2025) is a political thriller television series created by Dan Fogelman, which stars Sterling K. Brown, Julianne Nicholson, Shailene Woodley, Thomas Doherty, Krys Marshall, Enuka Okuma and James Marsden.Subscribe, rate and review! Follow The Watchers in the Basement on social media! Use #WatchersBasement to comment about the show!facebook.com/watchersbasementtwitter.com/WatchBasement instagram.com/watchersbasementthreads.net/@watchersbasementanchor.fm/watchersbasement

The second season of the Hulus series "Paradise" shows us what remains of the world outside the bunker. Sinatra, played by Juliane Nicholson, remains in charge of the city underground, which is threatened by the arrival a group of travelers lead by Link, played by Thomas Doherty. Nicholson and Doherty discuss the new season of "Paradise," streaming now on Hulu. Image courtesy of Hulu

In Cineversary podcast episode #92, host ⁠Erik J. Martin⁠ puts candles on two cakes: one for Buster Keaton's The General, celebrating a 100th birthday, for which he is joined by Thomas Doherty, a professor of American Studies at Brandeis University; and Charles Chaplin's Modern Times, marking a 90th birthday, for which Erik is accompanied by film historian Jeffrey Vance, author of the book Chaplin: Genius Of The Cinema. Erik and his guests explore how these masterworks by the two greatest silent film comedians have aged so gracefully, their impact on cinema, key thematic takeaways, and much more. Learn more about the Cineversary podcast at www.cineversary.com and email show comments or suggestions to cineversarypodcast@gmail.com.

Justin catches up with actors Shailene Woodley and Thomas Doherty to chat about season 2 of the iconic series 'Paradise' on Disney+. Given its post apocalyptic setting, he wanted to know what they'd miss in a brand new but potentially dangerous world PLUS what we can expect in this new season! Follow and subscribe for more!See omnystudio.com/listener for privacy information.

EPISODE 127 -  “HOLLYWOOD FIGHTS BACK: THE COMMITTEE FOR THE FIRST AMENDMENT” - 2/16/2026  On October 1st, a group of entertainment professionals—led by iconic actress and activist JANE FONDA—relaunched the Committee for the First Amendment. They did so in response to what they see as troubling actions by the current government, including renewed efforts to silence critics across government, media, the courts, universities, and the entertainment industry. The group is standing up for free speech and creative expression, believing that the right to criticize, question, protest—and even poke fun at those in power—is central to what America has always aimed to be.This isn't the first time Hollywood has come together to push back against the federal government for violating the Constitution. Back in 1947, the fear of communism sent the government into a frenzy. In an effort to root out so-called “commies,” officials went after elected leaders, government workers, professors, and artists. Many were blacklisted, harassed, silenced, and even jailed because of their political beliefs. To counter this, a group of actors, writers, producers, and directors formed the Committee for the First Amendment, an advocacy group to fight these Hollywood blacklisting, during what would turn out to be a very dark and shameful chapter in American history. This week, we dive into the Committee for the First Amendment, how it started, what it stood for, and why it's still relevant today. SHOW NOTES:  Sources: Show Trial: Hollywood HUAC, and the Birth of the Blacklist (2018), by Thomas Doherty; Hollywood on Trial: McCarthyism's War Against the Movies (2007), by Michael Freeland; Tender Comrades (1997), by Patrick McGilligan & Paul Buhle; Red Scare: The Memories of the American Inquisition (1995), by Griffen Fariello; The Way We Wore (1993), by Marsha Hunt; Witch Hunt: The Revival of Heresy (1950), by Carey McWilliams; “When Hayden Named Names,” May 3, 2023, by Larry Clinton, SausalitoHistoricalSociety.com Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Vanessa Zoltan and Hannah McGregor meet-up at The Cliffs of Insanity to record this week's episode of Hot and Bothered, all about The Princess Bride.This week we discuss frame narratives, parental vs. romantic love, and why literally everyone loves this movie. We finish the episode by calling Dr. Thomas Doherty to talk to us about the legacy of Rob Reiner. ---Hot and Bothered is a Not Sorry ProductionFind us at our website | Follow us on InstagramIf we give you butterflies, consider supporting us on Patreon! On Patreon we have more great romance content including a bonus close scene analysis with Hannah and Vanessa. Hosted on Acast. See acast.com/privacy for more information.

How do you live well, stay engaged, and protect your mental health when the future of the planet feels so uncertain? Listen to this episode of Stories from the Field where our host Will White is joined by Dr. Thomas Doherty—psychologist, ecopsychologist, and author of Surviving Climate Anxiety—for a grounded conversation about eco-anxiety as a normal, values-driven response to climate change rather than a disorder to eliminate. Thomas reframes climate anxiety as a signal of care and connection, and introduces practical ways to regulate the nervous system, make meaning, and stay psychologically resilient without denying reality. Designed for both individuals struggling with climate anxiety and mental health professionals who work with anxiety and grief, this episode explores how time outdoors can become genuinely healing, how to avoid becoming a "climate hostage," and how to move toward what Thomas calls ethical happiness—living with purpose, connection, and integrity in a rapidly changing world. Links to Dr. Thomas Doherty's book, practive page and podcast below: Surviving Climate Anxiety book: thomasdoherty.com Climate Change and Happiness podcast: https://climatechangeandhappiness.com/ Recent Book Reading: https://www.youtube.com/watch?v=F4UbgoO3I3M Google Scholar: https://scholar.google.com/citations?hl=en&user=92NarLYAAAAJ&view_op=list_works This podcast is supported by White Mountain Adventure Institute (wmai.org), offering adventure inspired retreats for men and facilitated by Will White.  

 Wildfires, extreme heat, ice storms and other weather events have Oregonians thinking about climate change in a much more personal way. We talk with clinical psychologist Thomas Doherty, who helps people cope with anxiety, depression and other mental health issues brought on by the climate crisis. His new book, “Surviving Climate Anxiety,” teaches how to cope and heal from the psychological impacts of our environmental crisis.

Welcome to the Artificial Intelligence Podcast with Jonathan Green! In this episode, we delve into the intriguing realm of AI's impact on outsourcing with our distinguished guest, Thomas Doherty. Thomas, known for his expertise in AI-driven transformations, provides a fresh perspective on the evolving outsourcing landscape, emphasizing how AI is revolutionizing traditional outsourcing models.Thomas shares insights on the shift from human outsourcing to AI-enhanced solutions, highlighting the potential of AI to act as the "great equalizer." By removing language barriers and enhancing efficiency, AI enables individuals globally to compete on a level playing field, thereby transforming the outsourcing industry.Notable Quotes:"AI is the great equalizer because if you take, let's say a person whose second language is English, that's their biggest weakness in competing in the American market. AI levels that playing field." - [Thomas Doherty]"We destroy the good in pursuit of the perfect." - [Jonathan Green]"The most successful outsources will become the agentic AI, creating tools and models for organizations to thrive." - [Thomas Doherty]Thomas underscores the importance of viewing AI as a partnership tool, rather than a replacement strategy, enhancing the capabilities of remote teams and fostering global collaboration. He advocates for a balanced approach, where AI complements human skills, leading to more efficient and innovative solutions.Connect with Thomas Doherty:LinkedIn: https://www.linkedin.com/in/thomas-dohertyjr/Thomas also discusses the challenges and opportunities of integrating AI into business processes, offering strategies for successful implementation and emphasizing the need for clear objectives and metrics.If you're interested in understanding the future of outsourcing and how AI is reshaping industries, this episode is a must-listen!Don't miss this enlightening conversation, which offers valuable insights for business leaders looking to harness AI for growth and competitive advantage.Connect with Jonathan Green The Bestseller: ChatGPT Profits Free Gift: The Master Prompt for ChatGPT Free Book on Amazon: Fire Your Boss Podcast Website: https://artificialintelligencepod.com/ Subscribe, Rate, and Review: https://artificialintelligencepod.com/itunes Video Episodes: https://www.youtube.com/@ArtificialIntelligencePodcast

The Lindbergh Kidnapping is one of the most influential crimes in American history; it plunged a national hero into an investigation which changed the way America thought about law, justice, and “celebrity” forever.In this episode, we'll look at what happened inside the Lindbergh home that night, how the investigation unfolded, and how one suspect was tried, convicted, and executed amid an unprecedented media storm.Today, Don is joined by Thomas Doherty, Professor of American Studies at Brandeis University and author of Little Lindy Is Kidnapped: How the Media Covered the Crime of the Century.This episode was edited by Aidan Lonergan and produced by Tom Delargy. The Senior Producer is Freddy Chick.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.  You can take part in our listener survey here.All music from Epidemic Sounds.American History Hit is a History Hit podcast. Hosted on Acast. See acast.com/privacy for more information.

June 9, 1954. Senator Joseph McCarthy has accused the United States Army of having communists within its midst. After rising to power during a time of great fear in America, McCarthy's name has become synonymous with anti-communism – and with baseless, life-ruining accusations. But today, five simple words will take down one of the most notorious men in American political history. What made McCarthy so powerful in the first place? And how did that very same thing eventually bring him down? Thank you to our guest, Ellen Schrecker, historian, author and expert on McCarthyism. Thank you to Thomas Doherty, Professor of American Studies at Brandeis University, for speaking with us for this episode. He is the author of Cold War, Cool Medium: Television, McCarthyism, and American Culture.  ** This episode originally aired June 8, 2020. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

As always there are spoilers ahead! Trigger warning for a lot of discussion of suicide with analysis of the plot along with a side of dark humour. If you would like to support the podcast and get ad free versions you can subscribe for $3 or £3 a month at https://www.patreon.com/everyscififilm You can follow the podcast on Threads, Instagram and Bluesky. If you want to watch the film before you listen you can check the Just Watch website to see where it is available in your region. On the Beach is available online to buy and rent from Apple and other sources in many places. I can't believe I am almost done and dusted with this film! I did really like the film and have to admit that perhaps I have been giving it a hard time.  Perhaps because it gave me a hard time! There are moments of fun, flirtation and enjoyment but it is all within the backdrop of undeniable impending annihilation. I am definitely someone who prefers some depth and thematic discussion of the ethics of humanity in my science fiction (as well as some good old pew-pew led heroism) but I did find this film to be so very sad. Luckily I have two absolutely wonderful guests to keep me company and help me keep a stiff upper lip in the face of doom. Thomas Doherty is a professor of American Studies at Brandeis University, he is a cultural historian with a special interest in Hollywood cinema on which he has written extensively. John Wills is a Professor of American Media and Culture at University of Kent. He has written lots about popular culture including 1950s American and Nuclear film. Chapters 00:00 Introduction 02:10 Nuclear war is apparently not fun 08:09 Not your usual sci-fi 09:21 Scope, scale and cultural impact 13:43 We are ALL doomed 15:58 Gregory & Ava: Dwight & Moira 20:51 Fred Astaire as the scientist! 23:45 Peter and Mary contemplate suicide and murder 27:27 Love in the time of annihilation 30:03 Submarine: Signals and San Francisco 36:58 The Final Ferrari Race 39:30 Suicide 46:16 Legacy 49:09 Recommendations Correction:  At 9:54 Tom mentions the film has not been revived but a joint US-Australia TV film released in 2000 was made. NEXT EPISODE! Next episode we will be discussing Teenagers from Outer Space (1959). It is a low budget indie film which seems to fit into the “bad film” category and so will not be for everyone! But I found it a relief full of lots of sci-fi tropes, funny parts, a coherent plot and likeable characters. The film is in the public domain. You can watch it on the Internet Archive website and there is also a weirdly colourised version of the film on YouTube where you can also find the Mystery Science Theatre 3000 episode on the film. I found that very funny too.

During this bonus episode, taped live at the Angelika Film Center in downtown Manhattan in a send-up to the Hollywood Ten, writer and critic Julie Salamon returns to The Wreckage to host New York Times editor/reporter and historian Clay Risen and AJHS executive director Gemma R. Birnbaum. Risen's new book, Red Scare: Blacklists, McCarthyism, and the Making of Modern America, provided an excellent framework for the discussion. Our deep appreciation to Rebecca Naomi Jones, who has once again brought life to the archives this season, and with her immense talent and empathetic storytelling, took our listeners on a riveting journey through one of the most tumultuous times in US history.  Additional thanks to Matthew Dallek, Thomas Doherty, Martin J. Siegel, Larry Tye, Jelani Cobb, Clay Risen, and Julie Salamon for being part of our season. The Wreckage is made possible by funding from the Ford Foundation. Additional funding is provided through the American Jewish Education Program, generously supported by Sid and Ruth Lapidus.  

In November 1947, ten Hollywood writers and directors were cited for contempt of court for their refusal to testify before HUAC. Criminal charges were issued against the group that would become known as “the Hollywood Ten,” and the first systematic Hollywood blacklist had begun. Of the ten, six were Jewish - John Howard Lawson, Herbert Biberman, Alvah Bessie, Albert Maltz, Samuel Ornitz, and Lester Cole - as were many of the studio executives who voted to blacklist them. Narrated by Rebecca Naomi Jones and featuring Thomas Doherty, author of Show Trial: Hollywood, HUAC, and the Birth of the Blacklist. Image: Anticommunist group protests the release of "Exodus" in 1960, written by Hollywood Ten "unfriendly" Dalton Trumbo. From the Abraham Shoenfeld Papers at AJHS, P-884. The Wreckage is part of the American Jewish Education Program, generously supported by Sid and Ruth Lapidus.

The film, television, and theater industries were represented by some of the largest unions in the United States, and in the late 1940s, with the full cooperation of Screen Actors Guild President Ronald Reagan, organizations like the Motion Picture Alliance for the Preservation of American Values sought to root out what they deemed the communist threat in entertainment. Unions from other industries were also targeted, and a narrative that communist infiltration was the true root cause of contemporary labor conflicts was embraced by a number of American politicians. Narrated by Rebecca Naomi Jones and featuring Thomas Doherty, author of Show Trial: Hollywood, HUAC, and the Birth of the Blacklist.  Image: Strikers on the picket line at Warner Bros., in the early morning hours before violence broke out, October 5, 1945. Photo by Keystone-France/Gamma-Keystone via Getty Images The Wreckage is part of the American Jewish Education Program, generously supported by Sid and Ruth Lapidus.

The end of 2024 is nigh!You can follow the podcast on Instagram and Threads although I am also trying to join in on BlueSky a bit. (It's a bit weird though.) Welcome to an end of year special! A compilation of some interesting parts of conversations from the podcast in 2024 that were edited out. I edit the podcast down to a more digestible length but this means I often lose parts of conversations that are really fun or insightful so here is a collection of those. I also wanted to give a shout out to some amazing independent podcasters who (like myself) do not have huge teams or budgets to put together their shows. They've also offered me some sense of camaraderie in the crazy world of obsessing over something and then making podcasts about it. You can find The Lorehounds crew and offerings which include conversations and recaps on some of the best sci-fi shows around on their website. Em at Verbal Diorama is absolutely lovely, passionate about films (especially The Mummy) and does deep dives into many popular movies. Her research skills are fantastic and she is a fellow winner on the Ear Worthy podcast awards for 2024. Her website is here. Mark Steadman is a fantastic and knowledgeable digital producer who knows lots about the podcasting business. He will be launching Undo: How history's outliers got stuff done in January. You can learn more about him and it here.Details of the guests and shows featured in this end of year episode: • Jess Nevins and Julian Chambliss were guests on episode 10: Pulps, Comics and the Rise of Superheroes. • Mark Bould and Peter Conolly Smith were guests on episode 8: King Kong: The Origin of a Cinematic Titan.• Sonja Fritzsche and Noah Isenberg were guest in episode 5: Metropolis: The Most Influential Sci-Fi Film Ever*.• Thomas Doherty and Xavier Aldana Reyes were guests on episode 12: Mad Scientists: Frankenstein, Dr Jekyll & Boris Karloff.• Keith Williams and Ari Brin were guests on episode 14: Robert Duncan Milne: A Lost Pioneer of Science Fiction.• Jay Telotte and Marc Longenecker were guests on episode 15: The Thing from Another World: Howard Hawks & the Cold War.•  Scott Higgins and Phil Nichols were guests on episode 18: It Came From Outer Space: Bradbury, 3D & 1950s Teens• Thomas Doherty and Mathew Rule Jones were guests on episode 21: Them! The 1954 Horror Sci-Fi that Spawned Big Bug Cinema.• Jay Telotte and Mark Bould were guests on episode 11: Flash Gordon: From Buck Rogers Rip-Off to Space Opera Legend.Chapters:00:00 Intro and indie podcast shoutouts02:06 Comics and Pulps: Who is your favourite superhero?05:46 King Kong: Hays Code, covert wars and Frank-N-Furter10:17 Metropolis: Rotwang the prototype15:35 Mad Scientists: Favourites20:55 Robert Duncan Milne: From page to screen30:35 The Thing from Another World: Themes of seeing34:15 It Came From Outer Space: 3D cinema and unions36:28 Them! Drive-ins, degenerates and dingy cinemas46:53 Flash Gordon: Casting choicesNEXT EPISODE! The next film we'll be focusing on is the original Japanese version of Godzilla (1954). This is surprisingly difficult to get hold of although you can purchase a DVD from many outlets. In the US it is available on Apple TV and Max (previously HBO Max) as well as on Tubi. You can check the Just Watch website to see if it might be streaming in your region. I just wanted to add that the opening credits and music are just phenomenal in my opinion.  

Thomas and Panu discussed Thomas' upcoming book Surviving Climate Anxiety: A Guide to Coping, Healing, and Thriving – a comprehensive resource for the general public that includes practical examples and stories drawn from people Thomas has worked with. Thomas shared insights about the book's five part structure, which is designed to move readers from basic skills for coping with eco and climate stress, through developing environmental identity, healing from eco-anxiety and despair, finding happiness and flourishing using the arts and spirituality, and taking action on environmental problems. Panu reflected on the importance of addressing the dark and light aspects of climate feelings and having a survivor mission. Surviving Climate Anxiety will be published in 2025 by Little Brown Spark.

This week, Tommy is joined by actor Thomas Doherty who is currently shaking things up in Season 2 of the intoxicating drama, Tell Me Lies. You know and love Thomas from so many fan-favorite projects like the Descendants franchise, the Gossip Girl reboot, Dandelion, The Invitation and so many more. But now he plays Leo, the charming newcomer who finds himself in the middle of Lucy (Grace Van Patten) and Stephen's (Jackson White) toxic past. Tell Me Lies has been crowned as one of today's most bingeworthy shows, and audiences can't get enough of the intense drama that unfolds week after week. Today, Thomas opens up about how starring in the Descendants films changed his life, what those years meant to him, transitioning from a more family-friendly network to the next chapter of his career, the one role he would love to reprise from his past, what it was like acting in some of those wild and racy scenes in Gossip Girl, the conversation he had with Ed Westwick about playing a role loosely inspired by his original Chuck Bass, the intensity of working on a show like Tell Me Lies, forming his chemistry with co-star Grace Van Patten, the finale that the audience isn't going to be ready for, why he isn't big on setting goals and rather live in the present, and much more. See omnystudio.com/listener for privacy information.

On this week's episode, Deux is talking about the hottest topics of the week including: Love Island USA Kendall Jenner + Bad Bunny Leonardo DiCaprio + Vittoria  Joe Alwyn  Rachel Zoe divorce  Harry Styles Celebrity weddings: Charlie Puth, Post Malone Rosalía  Goonies sequel Taylor Swift's fashion Instagram Rapid-Fire Q&A: Lewis Hamilton, Taylor Swift + Brittany Mahomes, Thomas Doherty, George Clooney + Amal, Blake Lively + Ryan Reynolds, Couch F*cker, Harry Styles, Milo Ventimiglia, Florence Pugh, Matty Healy wedding, Kiernan Shipka, Sabrina Carpenter + Scientology, Kylie Jenner + Timothée Chalamet, Travis Scott, Evan Peters, Pete Davidson, Julianne Hough + Scooter Braun, Ana De Armas + Ben Affleck, and more! To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This week on The Leftovers, never-before-heard audio from actor Thomas Doherty, who stars in Disney's Descendants movies, the reboot of Gossip Girl and the new indie romance film Dandelion.  Thomas is from Scotland, but moved to the U.S. to pursue acting. When he goes back home to the U.K., his dad always cooks up a big batch of his favorite comfort food: haggis served with neeps and tatties (you can learn all about these dishes on last week's episode of Your Last Meal!).   Eager to learn about other traditional Scottish dishes, host Rachel Belle asks Thomas about classics like cullen skink and cock-a-leekie soup, but ...Thomas is just as stumped as she is! Listen to the hijinks and learn a bit about Scottish cuisine along the way!    Follow along on Instagram! Watch Rachel's Cascade PBS TV show The Nosh with Rachel Belle! Pre-order Rachel's cookbook Open Sesame!Support the show: http://rachelbelle.substack.comSee omnystudio.com/listener for privacy information.

Scottish actor Thomas Doherty (Gossip Girl, Descendants, Dandelion) isn't hungry in America. But the Brooklyn-based film and TV star says he's famished in Scotland, where artificial dyes and chemicals are banned from food products. Doherty went to a 900-year-old high school in Scotland, so he loves the fresh energy that a young country like the United States offers. But he's not a fan of American food, and misses the strict UK food regulations, saying he pretty much lost his appetite since moving to the States. What he does love is haggis. But Scotland's national dish is outlawed in the U.S.! Scottish food historian Paul Gilchrist joins the show to talk about the ban and tells you everything you'd ever want to know about haggis. Follow along on Instagram! Watch Rachel's Cascade PBS TV show The Nosh with Rachel Belle! Pre-order Rachel's cookbook Open Sesame!Support the show: http://rachelbelle.substack.comSee omnystudio.com/listener for privacy information.

I'm joined this week by Thomas Doherty, Brandeis professor and author of Hollywood and Hitler, 1933-1939, and Maria Elena de las Carreras, assistant professor at UCLA's School of Theater, Film, and Television, to talk about the recent restoration and Blu-ray release of two documentaries by Herbert Kline: Crisis: A Film of ‘The Nazi Way' and Lights Out in Europe. Doherty and de las Carreras provided commentary tracks on the films and were kind enough to join me to discuss the historical import and context of these two important films, which chronicled the German annexation of Czechoslovakia and the beginning of Hitler's assault on Poland. Both movies are available on one Blu-ray directly from Flicker Alley (or Amazon), and they are must-owns for folks interested both in documentary film from the period and World War Two more broadly; I'd heard of Crisis before but had never seen it, and it was a real treat to finally get to watch it. 

In this weeks episode of the world's-fastest-movie-review podcast Jackson and Mike review TWO new films!!! First “FAYE”  Hollywood legend Faye Dunaway candidly discusses the triumphs and challenges of her illustrious career. Through those reflections, she explores personal discoveries, including her struggles with mental health issues and bipolar disorder. Starring Faye Dunaway, Sharon Stone, Mickey Rourke, Parker Posey and Clark Gregg. Then a quick review of “DANDELION”. It follows a singer-songwriter in a downward spiral as she takes a last effort gig at a motorcycle rally in South Dakota where she meets Casey, a guitarist who walked away from his dream long ago.. Starring KiKi Layne, Thomas Doherty, AND Melanie Nicholls-King.

This week we are "In The Room" with the brilliant  Nicole Riegel, and incredible Karmen Leech and Lani Thomison!

Well. It is a BANNER week on Spoilerpiece, gang. Megan and Dave discuss writer-director Nicole Riegel's DANDELION (2:54), about a struggling singer-songwriter from Cincinnati (KiKi Layne) taking a shot at winning an opening slot at a biker gathering in South Dakota while also falling into an intense relationship with a semi-retired Scottish guitarist (Thomas Doherty). Then we get to THE BLUE ROSE (26:56). We'll dispense with a description and leave it all in the audio, but please do buckle up. (And maybe get some popcorn and a burrito. Why the hell not?) Over on Patreon, we talk about CLUE in honor of Martin Mull, who left us in late June.

Nicole Riegel's 2024 film ‘Dandelion' follows Theresa — A.K.A Dandelion — a struggling singer-songwriter who books a last-effort gig at a motorcycle rally in South Dakota before giving up on her dream. There she meets Casey, a guitarist who's long-since walked away from his musical pursuits. A romance blossoms and for the first time, Dandelion finds her authentic voice. KiKi Layne and Thomas Doherty, who star as Dandelion and Casey discussed the film with Reggie “The Reel Critic” Ponder, delving into finding their voices as actors and the way Dandelion's identity as a Black woman impacts her artistry. ‘Dandelion' hits theaters July 12. Follow Reggie “The Reel Critic” Ponder on Instagram and X @thereelcritic.

Nicole Riegel's 2024 film ‘Dandelion' follows Theresa — A.K.A Dandelion — a struggling singer-songwriter who books a last-effort gig at a motorcycle rally in South Dakota before giving up on her dream. There she meets Casey, a guitarist who's long-since walked away from his musical pursuits. A romance blossoms and for the first time, Dandelion finds her authentic voice. KiKi Layne and Thomas Doherty, who star as Dandelion and Casey discussed the film with Reggie “The Reel Critic” Ponder, delving into finding their voices as actors and the way Dandelion's identity as a Black woman impacts her artistry. ‘Dandelion' hits theaters July 12. Follow Reggie “The Reel Critic” Ponder on Instagram and X @thereelcritic.

THE BEST OF THE TRILOGY?! Disney's Descendants 3 Full Reaction Watch Along: https://www.patreon.com/thereelrejects Save Money & Cancel Unwanted Subscriptions By Going To https://rocketmoney.com/rejects  Descendants 3 Reaction, Recap, Commentary, & Spoiler Review! Before Descendants 4: Rise Of Red premieres, we have made it to the final installment which features songs / music videos (MV) like Break This Down, Good To Be Bad, Do What You Gotta Do, One Kiss, & MORE! The cast includes Dove Cameron as Mal (Daughter of Maleficent), Cameron Boyce as Carlos (Son of Cruella de Vil), Sofia Carson as Evie (Daughter of the Evil Queen), Booboo Stewart as Jay (Son of Jafar), China Anne McClain as Uma (Daughter of Ursula), Cheyenne Jackson as Hades (Mal's father), Mitchell Hope as King Ben (Son of Belle and Beast), Sarah Jeffery as Audrey (Daughter of Aurora and Prince Phillip), Thomas Doherty as Harry Hook (Son of Captain Hook), Dylan Playfair as Gil (Son of Gaston), Jadah Marie as Celia (Daughter of Dr. Facilier), Anna Cathcart as Dizzy Tremaine (Daughter of Drizella Tremaine), Jedidiah Goodacre as Chad Charming (Son of Cinderella and Prince Charming), Zachary Gibson as Doug (Son of Dopey), Brenna D'Amico as Jane (Daughter of Fairy Godmother), Melanie Paxson as Fairy Godmother, Dan Payne as Beast, Keegan Connor Tracy as Belle, Judith Maxie as Queen Leah (Aurora's mother), Jamal Sims as Dr. Facilier, Linda Ko as Mrs. Potts. Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Music Used In Manscaped Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Fusebox 252: “POLL PARROT” 32:37 – Getting It Ready For You, The Wilds Of Nome Alaska, FSBX Liner, Grindhouse Resurrection Magazine  Spot 8, Fusebox Liner ID: “Got Bolts?“, Journey To The Dish, Origin of “Poll Parrot”, Mechanics Of A Cult Mindset, Dr.Nupi Arora, Dr Thomas Doherty, Milo The Birdwatcher, Show Close. Squawking thanks to our […]

As thousands of people remain on wildfire-related evacuation orders in northeastern B.C., guest David Hutton, Provincial Health Services Authority director, Provincial Psychosocial Services to learn more about the mental health impact of being forced out of your home. And, ahead of the long weekend, Whistler has enacted a campfire ban in the community. We hear from Thomas Doherty, the municipality's fire chief and ask viewers if the threat of wildfires is affecting their camping plans this summer.

Not the damsel in distress. Not the desirable woman who will raise your kids and take care of the home. These are the stories of the nymphomaniacs, the nasty and creepy women, the Femme Fatales. A string of recent films are casting prominent actresses, in dark, creepy, nasty characters. One example is the movie May December, which received four nominations for this past weekend's Golden Globe Awards. You can read more about cinema actresses in this recent WSJ article: "In Hollywood, It's the Golden Age of the Creepy Woman". So to better understand the history of women in Cinema - not just in Hollywood, from their stereotypical roles to more creative and perhaps more liberating roles, I spoke with Prof. Thomas Doherty and Prof. Maggie Hennefeld, who essentially ran the program by asking each other wonderful question that, frankly, I hadn't even thought about. Prof. Doherty is a cultural historian with a special interest in Hollywood cinema. He is a professor of American Studies at Brandeis University. He guest-participated in our program last year and talked about the Magic of Hollywood, and also compared TV's disruption of Hollywood in the 1950s with AI's disruption now. Prof. Hennefeld is a McKnight Presidential Fellow and Associate Professor of Cultural Studies and Comparative Literature at the University of Minnesota, Twin Cities. I hope you enjoy these episodes. Adel, host & producer ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠History Behind News⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ podcast & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Unravelling the Middle East: This new special series - an in-depth history and analysis of the Middle East - will launch in late January. Get Unravelling the Middle East ⁠⁠⁠⁠Spotify⁠⁠⁠⁠, ⁠⁠⁠⁠Apple⁠⁠⁠⁠, ⁠⁠⁠⁠Castbox⁠⁠⁠⁠, ⁠⁠⁠⁠iHeart Radio⁠⁠⁠⁠, ⁠⁠⁠⁠Amazon Music⁠⁠⁠⁠ or ⁠⁠⁠⁠Radio Public⁠⁠⁠⁠. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SUPPORT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Click here⁠ and join⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠our other supporters in the news peeler community. Thank you. Image attribution: The "Vamp" (Theda Bara) in "A Fool There Was", a 1915 silent film drama in which she seduces and ruins a wealthy family man, John Schuyler (Edward José). Public Domain.

#ThomasDoherty #Comics #BooktubeThomas Doherty joins the podcast. We talk about him finally making his comic book writing debut. The whole process of putting a comic together is talked about here. Beyond that, we talk about Committed Comics. It has outlasted a ton of comic companies out there. Thomas is a lesson of being true to your vision. I have massive respect for the man, and couldn't think of a better way to close out this year. Thanks Thomas.Thomas DohertyKickstarterWebsiteInstagramServicesMy Course on Podcasting - I have launched a podcasting course. Perfect for those seeking to build their platform, and if you're struggling with putting a show together or having the confidence to speak in front a camera, this course is for you.Kickstarter Services - Looking to reach your pledges in creative videos that inform and entertain your audience? I'm launching creating videos specific to your campaign and your platform.  Check it out if you want to reach your audience in more creative ways than just looking into the camera.Available Now:Alice Won? - Available now. Alice escaped the asylum and pursues the Queen of Hearts to the Greek Labyrinth in the underworld, there she must engage in a game of croquet unlike any other, against Jason of the Argonauts. Illustrated by Kenzie Kats, written by yours truly.Support And Subscribe:Buy my MerchBuy Me A CoffeeNewsletterTwitchYoutube

From Gutenberg to Frankenstein to the Luddites to Edison to Ford and to AI - this is our story of fearing human creations, and also our story of embracing the next and newest technology. Dr. Robert Friedel of the University of Maryland rejects the generally accepted definition of "disruptive technologies" and explains how major innovations changed human history: from Gutdenberg's movable type printing press to artificial intelligence. In this episode, we uncover the history behind the following:  How to Define Technology as Disruptive Gutenberg's Printing Press – How It Changed Everything! Electric Lighting How from the Middle of the 19th Century, people's expectations changed - they began to expect technological changes. The Luddites, who lost jobs to new technology and broke machines in protest.  How human culture changed from fear of new technologies to a culture of improvement.  From Frankenstein to Artificial Intelligence. How Good Technologies Become Bad Dr. Friedel is a professor in the Department of History at the University of Maryland. Prior to UMD, he was a historian at the Smithsonian Institution and at the Institute of Electrical and Electronics Engineers. His research expertise is in technology, science, and environment. He has written several books on the history of technology, focusing largely on the nature of invention. His latest book is a wide-ranging survey of Western Technology since the Middle Ages, and it's titled - A Culture of Improvement; Technology and the Western Millennium. Artificial Intelligence Threatens Hollywood Jobs This summer, actors and writers in the movie industry went on a massive strike because of their grievances about their compensation, the royalties they receive, and the use of AI – artificial intelligence. As my podcast guest, Dr. Thomas Doherty explained, this recent strike is similar to the 1960 strike, in that in the 1950s - the years leading up to the big 1960 strike, technology changed everything. Back then, that new technology was TV. The technology that is threatening Hollywood jobs now is streaming and artificial intelligence. Prof. Doherty explains how the situation in this strike is much more dire than the one back in 1960. In the past, the new TV technology threatened Hollywood jobs and incomes. With artificial intelligence, however, the studios not only could potentially supplant writers, but they also own the actors' likeness. What that means is that with AI you don't just lose your job, you lose yourself! Hollywood History podcast: https://bit.ly/HbN-S3E29s. I hope you enjoy these episodes. Adel Host of the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠History Behind News⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ podcast Watch my guests & I ⁠⁠⁠⁠⁠⁠⁠⁠⁠on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SUPPORT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Click here⁠ and join⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ our other supporters in the news peeler community. Thank you.

Avoiding climate news? Do thoughts of the apocalypse keep you up at night? Feeling guilty about unsustainable habits? With climate change becoming a stark reality, more and more of us are grappling with anxiety over our planet's environmental crisis. Today, environmental psychologist Thomas Doherty sheds light on the emerging field of climate-conscious therapy — a response to this very real mental health impact. He explains how therapists are equipping themselves to counsel those struggling with climate anxiety, and how people can restructure their 'pyramid of issues' to create healthier coping mechanisms that will help them navigate these challenging times. You'll hear about the three-pronged mental health impact of climate change: the direct disaster effects, far-reaching social implications, and the indirect repercussions. You'll also learn strategies to help you express your environmental values and narratives so you can feel more empowered to get out there and do something. Resources about Thomas Doherty:Climate Change and Happiness podcastThomas Doherty's practice, Sustainable SelfSee citations and a transcript here: https://www.tabooscience.show/s3e10-climateanxiety/Need music for a project? Use my Epidemic Sound referral link: https://share.epidemicsound.com/kbva2hConnect with the show: Newsletter: https://www.tabooscience.show/newsletter Instagram: https://www.instagram.com/tabooscience YouTube: https://www.youtube.com/@tabooscience Twitter: https://www.twitter.com/tabooscience Website: https://www.tabooscience.show/ Loved this episode? Leave a review and rating here: https://podcasts.apple.com/us/podcast/taboo-science/id1533606473Mentioned in this episode:Indecent With Kiki AndersenListen to Indecent with Kiki Andersen here: https://pod.link/1687409567

Merriam-Webster's Word of the Day for September 4, 2023 is: gauntlet • GAWNT-lut • noun Gauntlet was first used in English to refer to the reinforced glove worn with a suit of armor in the Middle Ages. Gauntlet later came to refer to any long, heavy glove worn to protect the hand, as well as to an open challenge to an argument, fight, competition, etc., usually in the common phrase “throw down the gauntlet.” // In marketing the product this way, the company has thrown down the gauntlet to its top two competitors. See the entry > Examples: “WGA [Writers Guild of America] and SAG [Screen Actors Guild] sought a residual formula that would give standardization and certainty to creators and performers. The talent, a spokesman for the American Federation of Television and Radio Artists said in 1960, is ‘entitled to get a portion of all this money that is floating around. It is as simple as that. Where would everybody be without talent?' The WGA threw down the gauntlet first. On Jan. 16, 1960, citing ‘a consistently uncompromising attitude on the part of producers,' WGA president Curtis Kenyon, a former screenwriter now toiling in television, called a ‘two-pronged' strike against both film and television production.” — Thomas Doherty, The Hollywood Reporter, 18 July 2023 Did you know? There's no reason to treat the word gauntlet with kid gloves, so let's go straight to the punch: gauntlet (which comes from the Middle French word gantelet, the diminutive of gant, meaning “glove”) first referred to the reinforced glove of a suit of armor, but today it's mostly encountered in figurative phrases, such as “throw down the gauntlet” and “pick up the gauntlet,” that arose from the conventions of medieval combat. To challenge someone to combat, a knight would throw his glove at another knight's feet. The second knight would pick the glove up if he intended to accept the challenge, in which case a jousting match might ensue. Accordingly, to throw down the gauntlet is to issue an open challenge, while to pick up the gauntlet is to accept one. (The gauntlet that means “severe trial,” or “ordeal,” often used in the phrase “run the gauntlet,” is an alteration of gantelope, a word that originates from Swedish gata, meaning “lane” or “way.”)

This week we had an entire movie theatre to ourselves as we attempted to watch the plot of The Invitation (2022). Join us as we get distracted by Lana Del Rey, Kristin Chenoweth, and Thomas Doherty's very interesting relationship and contemplate if we would do the same for a bag. "I'm putting myself in her tiny little shoes" --- Support this podcast: https://podcasters.spotify.com/pod/show/scaryqueens/support

Heat waves. Wildfires. Floods. This summer has served up some of the most extreme weather on record, and it's clear many of us are overwhelmed by climate change news. We usually hear more about problems than solutions, and it's often difficult to find helpful information about managing our fear and discomfort. Alaina Wood is a scientist and climate communicator, known for her TikTok videos about uplifting climate-related news. She believes that amplifying positive messages helps people lead healthy lives and stay engaged in activism. She's joined on stage at this 2022 Aspen Ideas Festival event by clinical and environmental psychologist Thomas Doherty, who specializes in working with people on their concerns about environmental issues and climate change. He aims to help people improve their mental health and build capacity to take action on the issues they care about. NBC correspondent Gadi Schwartz moderates the conversation.

Charles Lindbergh was- for a while- the type of national hero we don't seem to have anymore. Millions of Americans followed the story of his 1927 flight across the Atlantic. He was, of course, the first pilot to succeed in making that journey and the country idolized him for it. And then tragedy struck. In 1932, Lindbergh's 20 month old son was kidnapped from the family home. Despite the best efforts of everyone involved, the story did not have a happy ending. Lindbergh's son was killed. The press coverage of all of this was intense-- and when you hear about it you realize that not much has changed since then. The issue of cameras in the courtroom was contentious then as it is today. There was also debate and controversy then as now about how new media reported on the trial. Back then new media was radio and newsreels. Today new media is podcasts and you tubersTo get a perspective on all of this we spoke with Thomas Doherty, the author of LIttle Lindy is Kidnapped: How the Media Covered the Crime of the Century. It is a terrific book. In our conversation, we will cover the crime and the trial-- and also how it has reverberated in ways you may not expect. It has even snuck in an appearance on a popular book you may have read as a child.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

“Gossip Girl” star Thomas Doherty is dishing on season two of the show! Dating expert Damona Hoffman is back and talking to Drew about “Drew love.” See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We extend you an invitation to the Netflix Original Movie that has the sexiness and intrigue of an Anne Rice book written for 3rd grade fans of Bridgerton! It's THE INVITATION everyone! Here's the Rapid Recap (according to Google) to catch you up! After the death of her mother and having no other known relatives, Evie (Nathalie Emmanuel) takes a DNA test and discovers a long-lost cousin she never knew she had. Invited by her newfound family to a lavish wedding in the English countryside, Evie's at first seduced by the sexy aristocratic host (Thomas Doherty). However, she's soon thrust into a nightmare of survival as she uncovers twisted secrets about her family history and the unsettling intentions behind their sinful generosity and behind THE INVITATION Follow us on Twitter @Craptaculus and on Instagram @cinemacraptaculusIntro Music: "The Builder" - Kevin MacLeod (incompetech.com) | Licensed under Creative Commons: By Attribution 3.0 | http://creativecommons.org/licenses/by/3.0/

To close out Vampire Month here on Fishnet Flix, we've got a new gothic romance film in the lineup, and one that will no doubt inspire some new fangbangers to come out of the woodwork. The Invitation (2022) is about Evie (Nathalie Emmanuel), a New Yorker who finds out she has long-lost family members so she travels to the English countryside to meet them. There, she also meets the hunkety-hunk lord of the manor, Mista Walter De Ville (Thomas Doherty). As Evie eases into her British aristocratic surroundings, her outfits go cool, artsy, NYC-funky to stunningly elaborate, thanks to costume designer Danielle Knox. Spoiler: We loved them all! The movie is described in one review as one part Get Out, one part Ready or Not, and one part Dracula, so if that also tickles your fang-cy, give it a watch and tune into our episode! Obsess Much includes the new Interview With the Vampire TV show and the new M3GAN trailer with her killer moves. We also discuss our favorite Spice Girl, Lodge 49 (RIP), the baseless rumors of a Death Becomes Her remake with Lady Gaga, horn out over Thomas Doherty, then discover that he's Harry Hook from The Descendants, and declare that IF "they" ever dare try to remake Witches of Eastwick, he'd make the perfect Daryl Van Horne (Jack Nicholson's devilish role).  For visuals of the costumes, follow us on Instagram at @fishnetflixpod and TikTok @fishnetflix ! DM or email your movie requests at info@fishnetflix.com! We love hearing from you! Don't forget to rate, subscribe, and leave a review on iTunes and wherever you listen to the show! 

Writer and director Jessica Thompson joins the show this week to chat about her film The Invitation, starring Nathalie Emmanuel, Thomas Doherty, and Sean Pertwee. Also on this week's show, we discuss the return of Game of Thrones with our reactions to The House of the Dragon's premiere. Gabe catches us up on Netflix's The Sandman, and we review Kevin Hart and Mark Wahlberg's Me Time.ReelBlend PremiumSign up for an extra episode a week, a bi-weekly newsletter from Sean, and ad-free episodes at RedCircle .ReelBlend on YouTubeBe sure to subscribe to ReelBlend on YouTube (YouTube.com/ReelBlendPodcast) for full episodes of the show in video form. Follow The ShowReelBlend - @ReelBlendSean - @Sean_OConnell Jake - @JakesTakesKevin - @KevinMcCarthyTVGabe - @gabeKovacsTimestamps (approx. only)00:04:03 - Jessica Thompson Interview00:26:32 - The House of The Dragon Review00:38:22 - The Sandman 00:43:11 - Sean Is Catching Up On The Staircase00:50:14 - This Week In Movies00:52:49 - Breaking Review00:56:46 - Me Time Review01:02:46 - The Invitation Review01:07:53 - Our Favorite Music Biopic01:24:42 - OutroSupport this podcast at — https://redcircle.com/reelblend/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy