Podcasts about Dinesen

Mathias Mentze er en af de klarest lysende stjerneskud på den danske design- og arkitekthimmel. Sammen med sin partner Alexander Vedel Ottenstein står han bag duoen Mentze Ottenstein, der kombinerer formgivning, indretning, kuratering, renovering og udstillingsdesign. Hvis du har besøgt Frederik Bille Brahes café Atelier September i Nordhavn eller Sofi Bakery i Berlin, er det Mentze Ottenstein, der har indrettet. De seneste par år har de også lavet indretninger og projekter for kunder som Dinesen, Royal Copenhagen, Glyptoteket og Nivagaard. I dette afsnit af 'Arbejdstitel' gæster Mathias Mentze programmet. Og snakken falder på en lang række livlige ting: Kunsten at blive inviteret med til New York Times T Magazines fest i Milano, den vidunderlige Rochelle Canteen i London og evnen til at koordinere tøj, når man er et kreativt par, der også går meget ud sammen. Dette afsnit af 'Arbejdstitel' er bragt i samarbejde med Bruun Rasmussen Kunstauktioner i anledning af deres store live-auktion for design den 19. juni 2025. Se mere på bruun-rasmussen.dk.

Radio Victoria fylder 10 år, så Morgen Med Lauridsen havde inviteret Henrik Dinesen i studiet til en hygge snak om de 10 år som er gået. Henrik Dinesen er programchef på Radio Victoria, og fortæller her hvad det indebærer?

In a recent study published in JAMA Psychiatry, researchers reported that a machine learning model was able to stratify risk for subsequent diagnosis of schizophrenia or bipolar disorder among individuals already receiving psychiatric treatment. Coauthor Søren Dinesen Østergaard, PhD, of Aarhus University in Denmark joins JAMA+ AI Editor in Chief Roy H. Perlis, MD, MSc, to discuss. Related Content: Machine Learning Model Shows Promise in Early Detection of Serious Mental Illness Predicting Diagnostic Progression to Schizophrenia or Bipolar Disorder via Machine Learning

Velkommen til en ny episode af "Få det til at ske - Adfærdsledelse med resultat". I dagens afsnit udforsker vi den transformative kraft af kønskulturhistorie med et særligt fokus på KØN - Gender Museum Denmark. Museet, som oprindeligt blev grundlagt i 1982 for at fremhæve kvinders historie, har udviklet sig til en bredere institution, der nu omfavner alle køn og seksualiteter fra middelalderen til nutiden.I dette afsnit går vi bag kulissen hos KØN med museumsdirektør Pernille Taagaard Dinesen og erhvervsstrategisk udvikler & bæredygtighedsrepræsentant Simone Due Rasmussen for at diskutere, hvordan museet anvender dialog og indsigt til at forme et mere ligestillet samfund. Vi udforsker museets udstillinger og uddannelsesprogrammer, der alle er designet til at fremme nysgerrighed og refleksion omkring køn, ligestilling og mangfoldighed.Lyt med og lær mere:Indsigt i kønskulturhistorie: Lær om, hvordan KØN - Gender Museum Denmark har udviklet sig fra at fokusere på kvinders historie til at omfavne en bredere forståelse af alle køn og seksualiteter gennem tiderne.Forståelse af museets rolle: Opdag hvordan museet ikke kun bevarer historie, men også spiller en aktiv rolle i at forme samfundsdebatter og holdninger til køn, ligestilling, og mangfoldighed.Bevidsthed om bæredygtighed: Få indblik i, hvordan museet integrerer bæredygtighed i sine udstillinger og daglige drift med det grønne miljømærke 'Green Attraction', som bidrager til at spare ressourcer og reducere CO2-udledninger.Perspektiver på ligestilling: Forstå de udfordringer og løsninger museet arbejder med for at fremme dialog og inklusion omkring køn, og hør eksempler på, hvordan disse initiativer ændrer besøgendes syn på kønsroller og ligestilling.Motivation til dialog og refleksion: Bliv inspireret til selv at deltage i samtaler om køn og mangfoldighed og brug museets tilgang og erfaringer til at reflektere over egne holdninger og handlinger i forhold til disse emner.

Forleden var David og Søren fra C21 på besøg hos "Eftermiddag med Dinesen" på Radio Victoria. Genhør besøget her.

Episode: 1193 Beryl Markham flies out of Africa, and across the Atlantic.  Today, a daring flight and an unlikely book.

Jacob Dinesen indleder sin sommertour på Jelling festival. Men det er bare starten på en ægte sommer festival for en af de mest succesfulde danske musikere. Jacob Dinesen er med i Studie 5 i dag. Vi fejrer også Patti Labelle og spiller soundtracket til nogle af de 80erfilm der finder tilbage til nutiden. Feks "Frækkere end politiet tillader". Vært: Rasmus Scharling Toft.

Jeg har besøg af Jacob Dinesen. Hvilket rart menneske! Hvilken stemme og indfølelse. Det var virkelig en fornøjelse at være i hans selskab og snakke om ægte store følelser og fornemmelsen af frihed og sandhed. Og det er netop lige præcis dét, som Jacob oplever, når han tænder dagens første cigaret og sidder på terrassen med kaffen og lytter til Chris Stapleton og dennes album "Traveller". Vi hygger og griner og taler alvorsord i en god time, om alt det, som musikken vækker til live i os: Om modstand, kærlighed, gamle guitarer og alt derimellem. Kort sagt: "3 akkorder og sandheden!" Jeg glæder mig, til du skal lytte med. Kærlige hilsner fra Onkel Goodluck.

“Den form for håndspillet musik som Tønder Festival præsenterer, blev en del af mit DNA.” Når Jacob Dinesen bliver spurgt, om Tønder Festivalen og hans sønderjyske ophav har haft direkte indflydelse på lyden af hans musik, så er han ikke i tvivl om svaret. For folk og folk-rock er blevet en uundgåelig del af hans signatur-udtryk. I denne anden del af ugens Portrætalbum kan du høre mere om Jacobs rejse fra den unge knægt, der med sine egne ord ”måske nok spillede dårlige koncerter – men til gengæld spillede rigtig lang tid” og frem til den forandring, der dukker op på hans nyeste album. Du kan også blive klogere på, hvorfor Bob Dylan har været så svær at komme i gang med for Jacob, og hvordan Michael Falch hjalp ham med at finde vejen ind til kernen af det enorme diskografi. Udsendelse nr.: 113 Vært: Anders Bøtter Klip og lyddesign: Emil Germod Redaktør: Michelle Mølgaard Andersen Produceret af: Bowie-JettSee omnystudio.com/listener for privacy information.

“Jeg er ikke guitarist. Jeg er økse-morder!” Sådan beskriver musiker Jacob Dinesen selv sin spillestil. En stil, der blandt andet er inspireret af det engelske folk-rockorkester ”Mumford & Sons,” og deres album ”Babel” har fulgt Jacob Dinesen siden 2012. Men hvem var den unge håbefulde knægt, der tog guitaren under armen, spillede de første jobs på Hagge's Musik Pub i Tønder og tillod sig at drømme stort? Det og meget andet kan du blive klogere på i denne første del af ugens Portrætalbum, hvor Anders Bøtter og Jacob Dinesen sammen dyrker folk-rocken, de gode minder, farmors store støtte og hendes oplæring i whisky-drikning! Udsendelse nr.: 113 Vært: Anders Bøtter Klip og lyddesign: Emil Germod Redaktør: Michelle Mølgaard Andersen Produceret af: Bowie-JettSee omnystudio.com/listener for privacy information.

Hvordan skriver man en sang om et hjem, hvor der er nok kærlighed at dele ud af - også til børn, der ikke er af eget blod? Jacob Dinesen er ugens gæst i Sangskriver. Lytteren Anna har skrevet ind for at hylde hendes forældre, der mødte hinanden for 25 år siden i Zoologisk Have, og siden har taget en masse plejebørn ind i deres familie. Men hvordan skriver man en sang om det? Vært: Jonas Gülstorff.

An experienced CEO who started numerous public and private companies in different industries, Dave Dinesen is an experienced and impactful Canadian businessman. Dave is energized by seeing companies grow and make a difference in the world. Dave brought his expertise to MacKay CEO Forums with a vision for all CEOs and Executives to experience the same peer learning benefits that he experienced that helped him grow personally and professionally. Listen to Dave as he shares insight from his early childhood, to starting his companies, and his current passion for peer learning. 2023 MACKAY EDGE SUMMIT: If you want to meet over 500 CEOs and Executives and surround yourself with game changers, register for the 2023 MacKay EDGE Summit: Vancouver, BC - November 15, 2023. ⁠⁠Register now.⁠⁠ TODAY'S BOOK RECOMMENDATION: 'Tell Yourself a Better Lie' by Marisa Peer. Join a MacKay CEO Forums Peer Group Today: ⁠MacKay CEO Forums⁠ brings results-oriented CEOs, Executives, and Business Leaders together to solve their toughest problems and maximize opportunity through peer learning and support. ⁠⁠Learn more.⁠⁠ CONNECT WITH MACKAY CEO FORUMS: ⁠⁠⁠⁠⁠⁠⁠LinkedIn ⁠ | ⁠⁠⁠⁠⁠⁠ ⁠Facebook⁠ | ⁠⁠⁠⁠⁠⁠⁠ X⁠⁠⁠

Tracy and Jason Dinesen are longtime members of the Simpson community — she a faculty member in Spanish and administrator, he a graduate and adjunct accounting professor — who've done something many of us long to do: Sell their possessions and move to another country. In the Dinesens case, they and their two teenaged sons have moved to Portugal, and they tell their story on this week's podcast episode. The Dinesens also are documenting their story on their own podcast, As The Dinesens Turn, which you can find on all major podcasting platforms.

Afsnit 533 Mille Dinesen! Mille er skuespillerinde og du kender hende måske som Rita eller Nynne. Dagens afsnit handler, traditionen tro, om hendes karriere, hvor hun er vokset op, hvad hendes forældre laver osv. - Men dagens snak handler lige så meget om hvem Mille er, når hun ikke er foran kameraet; Hun fortæller bl.a. om hendes podcastidé, der omhandler de lokale i Brumleby, hvor Mille selv er vokset op og faktisk stadig bor... Rigtig gå fornøjelse, Christian.

Mads Dinesen blev kendt som champagnedrengen og kom i medierne med et hurtigt liv i overhalingsbanen, hvor han blendede pengesedler i sine champagneflasker. Men da de begyndte at gå ned af bakke for ham, så begyndte han også at bedrage og snyde.Nu fortæller han om tiden dengang og hvordan han nu i dag får afløb for sin lyst til at provokere.Medvirkende:Mads Dinesen, tidligere kendt som champagnedrengenVært og tilrettelægger:Niels Frederik RickersProducer:Jeppe Aamand ØvigRedaktør: Mille Ørsted

THE FRENCH LIEUTENANT'S WOMAN and OUT OF AFRICA   This week: Two films released four years apart do as much to delineate Streep's meteoric rise to being one of the all-time great film actors as anything. FRENCH LIEUTENANT'S WOMAN (1981) is an adaptation of John Fowles' post-modern 1969 novel, which addresses directly the construction and themes of the "Victorian Novel". In Karel Resz' film of legendary playwright Harold Pinter's screenplay, instead of historical fact checking within the narrative and three different endings, they opt for a meta-narrative of a film shoot romance mirroring the plot of a film-with-the-film called The French Lieutenant's Woman. It's an odd choice we chew on quite a bit. But how is Streep? To be fair, there is a lot going on here and she is playing a character playing a character in a near-parody of old school melodramas and her choices in that are choices made by the modern actress she is also playing. Head spinning. Her performance earned her an Oscar nomination but this is not the Streep we see four short years later. OUT OF AFRICA (1985), directed by Sydney Pollack from a script by Karl Luedtke adapted from the memoir by Isak Dinesen and two Dinesen biographies. It's the story of a wealthy Danish woman going to Africa to live on a coffee farm with her cheating husband. While there she meets individualist ivory hunter (Robert Redford, playing an Englishman with an American accent who embodies the white man's burden of protecting land they conquered from people just like them, much like Kevin Costner in Yellowstone) and falls in love. It's a classic sweeping epic (unfortunately not shot anamorphic as Pollack usually did) that charts ugly bouts of colonization. Streep and Redford do speak to that within the film, but it is generally while doing the things they fear more people will come and do (hunting, treating the natives like second class citizens, getting in fights with other white imperialists, driving big cars over the Savanna, etc). It's tough to take at points but the sweep, the romance, the music and the performances can make you squint enough to get a ton of value out of it as an old school Hollywood melodrama. In particular, Streep's performance. As in Sophie's Choice, she is clearly completely in control of her character and with full knowledge of how the camera captures her performance. She is nearly flawless. Pairing this with French Lieutenant's Woman was a brilliant idea to illustrate where and how someone makes the jump from good to great to GOAT. She did not win Best Actress this year because Hollywood was already tiring of her brilliant performances year after year, however. That perception would lead to Streep's turn to comedy later in the decade with the execrable She-Devil. Ken. Thomas and Andi will tell you all about both films. It's a must-listen for any fan of Streep. THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Twitter: https://twitter.com/thegoodthepoda1YouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!):Ken: Ken KoralJack: jackk1096

In the latest episode of our Identity Architects podcast, InfoSum's VP, Business Development, Valerie Mercurio, sat down with Søren Dinesen, CEO at Digiseg, to discuss privacy, trust, clean rooms, and more.---More information on InfoSum https://www.infosum.com/InfoSum Case Studies: https://www.infosum.com/resources/library/case-studies---Subscribe to our newsletter: https://www.infosum.com/resources/insightsFollow us on LinkedIn: http://www.linkedin.com/company/infosumhqFollow us on Twitter: https://twitter.com/InfoSum

Ugens gæst og ven er Mille Dinesen. Hvem vil ikke gerne være venner med Mille?! Vi vil i hvert fald gerne. Hun er en af Danmarks dygtigste skuespillerinder, og så er hun skønt selskab. Derudover er hun en holdspiller, som de fleste af os holder af. Lyt med! See omnystudio.com/listener for privacy information.

Grow your brand on TikTok with help from Brooklyn Dinesen. Host Michelle Thames speaks with Brooklyn about everything you need to know before developing your TikTok strategy. She shares how to grow your brand on TikTok, tips for creating great video content, and how to connect with your audience. Brooklyn Dinesen is an expert in TikTok marketing, video marketing, branding, storytelling, Instagram reels, confidence, and growing a loyal following. ——Follow Brooklyn on Instagram and TikTokGet 50 FREE hook ideas hereBrooklyn's websiteFollow Michelle on InstagramAre you ready to run Facebook ads free quiz and workbookJoin The Newsletter - We send weekly tips to grow and market your online business the easy wayLeave a review for Social Media Decoded Support the show

The season is starting to wrap up in the F1 Feeder Series world, and we snagged two drivers who raced all the laps in their championships to victories, podiums, and a championship. Danish F4 champ Julius Dinesen and British F4 race winner Aiden Neate join the podcast and dive into:

Tønder-drengen Jacob Dinesen var selvfølgelig tilstede på Tønder Festival - selvom han ikke var på plakaten i år.

"Jeg tænker godt, vi kan lave en aftale om en podcast. Der er dog en betingelse, at vi hver drikker en flaske champagne, gennem den time der optages." Sådan lød beskeden fra dagens gæst.Og nu sidder vi her, med tre flasker champagne foran os. Tsunami er nemlig rykket en tur til Berlin, for at lave et interview med en mand, som de fleste kender, men ingen rigtigt ved noget om.Dagens gæst er champagnedreng, levemand, og tidligere dømt, Mads DinesenI dag skal vi finde ud af hvorfor man pludselig rejser til berlin for at bo, vi skal finde ud af hvem Mads Dinesen egentlig er, og så skal vi selvfølgelig samle et ikea skab på tid.Tsunami lærte: - Peebles kan godt drikke champagne_____________________________Værter: Sebastian Peebles & Chano Jørgensen Producer: Absolut ingen. Fuck jer 24Syv. Gæst: Mads Dinesen Musik: Upright-Music

This week, we are joined by Andia Dinesen, Executive Vice President for Communications and Operations for the Association of Military Banks of America (AMBA). As a military spouse, Andia shares her journey to AFC® certification through the FINRA Foundation Military Spouse Fellowship Program. She touches on the importance of perseverance and offers great advice for AFCs interested in working on a military installation or for a bank or credit union. She also shares why having trusted partners in financial services is critical to our work as financial professionals.As a bonus, Andia catches us up on the great resources that AMBA provides – from their Veterans Banking Benefits Program (VBBP), to their collaboration with AFCPE which provides free financial counseling to Veterans, to the financial preparedness kit available to servicemembers (MilDocs) – there are lots of great resources for you to better support the military and Veteran community.Show Notes:02:23 How she got started, and how she found the AFC®04:44 The funny backstory behind her being a military spouse06:21 Advice to all aspiring Military Spouse Fellows and applicants08:07 Tips for those interested in working at a banker credit union10:04 Who else hires AFCs?15:46 How being an AFCPE member has furthered her career20:09 All about MILDOCS22:09 Andia's final 2 centsShow Note Links:Andia's LinkedIn pageFINRA Foundation Military Spouse Fellowship ProgramVeterans Benefits Banking ProgramPro Bono Financial Counseling:  For Veterans or for General PublicAMBA - Association of Military Banks of AmericaMILDOCS

Our thirteenth edition of The MadTech Podcast Special explores the cookieless future. The impending demise of the third-party cookie has had a huge impact on the ad tech industry, and knowing how to progress when this finally takes place is the leading topic of conversation. In this episode, Søren Dinesen, CEO, Digiseg; Josh Mortensen, CMO, Digiseg; and Thomas Lytzen, director of ad sales and tech, Ekstra Bladet joins ExchangeWire's Lindsay Rowntree to explore how the ad tech industry will be impacted when the expiration date for third-party cookies eventually arrives. In this session they cover, how the impending demise of the third-party cookie has impacted the existing data infrastructure that underpins not just the ad tech industry, but also data privacy from the perspective of the consumer; what principles long-term solutions need to possess in order to go the distance; what a privacy-first agenda looks like in comparison to our current landscape; and whether the digital advertising industry is ready for this shift.

What we're going to be teaching about today is about how to get over that hump. That big hump of getting on video, because I don't know what it is with a lot of people, but let's be honest, you're sitting there listening to this show right now and in the back of your mind, you're telling yourself, Hey, I know I need to get on video. Instead of getting to work you delay the process. The reason why I know that is because it's the fourth quarter and I can predict when the calls are going to come into our company and people will say Hey, Mike, I'm gonna do video this year, and they're already starting to happen. If you don't know, we script, distribute videos, and basically build your show and become your marketing dude, and make it really fucking simple. But this isn't about us. What I want to do today is show you how we get each and every one of those people comfortable on the camera and get used to, you know, creating content.Three Things You'll Learn in This EpisodeWhy it is important to get yourself on videoHow to get started on video and get yourself a real estate marketing dudeWhy most people shy away from video and how to get the f*ck over itResourcesReal Estate Marketing DudeThe Listing Advocate (Earn more listings!)REMD on YouTubeREMD on InstagramTranscript:So how do you attract new business you constantly don't have to chase it. Hi, I'm Mike way ambassador, real estate marketing. This podcast is all about building a strong personal brand people have come to know, like trust and most importantly, refer. But remember, it is not their job to remember what you do for a living. It's your job to remind them. Let's get started What's up ladies and gentlemen, welcome another episode of the real estate marketing dude, podcast. Book folks haven't had any guests lately, I've just been sort of lazy on booking them sort of having a good time, doing a little bit of teaching. So what we're going to be teaching about today is about how to get over that hump. That big hump of getting on video, because I don't know what it is with a lot of people. But let's be honest, like you're sitting there listening to this show right now you kick that can down the road for far too long. And in the back of your mind, you're telling yourself, Hey, I know I need to get on video. I know I need to get on video. But you know what, it's been such a good year, I could just wait one more week. And then that week turns into a month and then a month turns into six months and then another year. And the reason why I know that is because it's the fourth quarter. And I can predict when the calls are going to come into our company, I can predict when they say Hey, Mike, I'm gonna video this year, and they're already starting to happen. And we're only in October. And if you don't know, we script that it distribute videos, and basically build your show and become your marketing dude, and make it really fucking simple. But this isn't about us. What I want to do today is show you how we get each and every one of those people comfortable on the camera and get used to, you know, creating content. Like I didn't practice for this podcast right here, I just literally hit record. And it's because I'm passionate about my trade, I know exactly how to communicate with my audience, I know exactly who my brand is. And that doesn't happen overnight. That takes time it takes, you know, takes time and energy, but where it all starts is by havingthe wherewithal or the called the balls to go out and say, hey, look, I'm a personal brand. People don't hire my broker or my bank or whatever, they hire me. And when you first realize that you are the brand, that's when everything changes, you see, we often times just look at ourselves, and we think I'm just an individual, like, for me, I'm a dad, I have three kids, you know, I have feelings, I get emotional, you know, I get stressed out quite a bit, guys, I have anxiety, you know, but we don't voice those different things to the world. But the truth is, is that our vulnerabilities are the best marketing piece we have. And that's part of what embracing your brand is all about. It's not about connecting with 45 Different million people because a jack of all trades is the master of none. It's about connecting with those people whom you who are your brothers from another mother, your sisters from another mister your people, your friends, your family, look at the last 10 clients that you attracted and you close a transaction with and I want you to ask yourself, well, I just closed a transaction with 10 people. Why did I all become Why'd they all feel like they're my friends? Like, why did I start drinking beer with them? Like why do I want to hang out with these people? Well, the reason is because consumers choose you based upon the comfort level they feel with you, especially in our business, and you don't attract like people on accident. It's just how it is people are attracted to like people, especially when they're buying or selling real estate, it's one of the biggest financial moves they're ever gonna make, they're not going to do it with someone they don't relate with. Which comes back to my original point, authenticity, because that's what identifying your brand really is. You don't have to create videos about real estate if you want to. That's great. That just means you love real estate. But you have to create videos and match them with your daily life, your personal brand. And the very first thing to get over how to get over being on the camera is actually start with a strategy that you're excited about. If I was going to go out and start shooting a bunch of videos on, I don't know, playing video games, like I don't play video games, I don't have fun playing video games. My videos would be very boring on video games. Why? Because I would be not very entertaining, playing video games. It's just not my thing. So what does that mean? Well, it means you create stuff that you already do see videos and lead generation, it's communication. And it's impossible to communicate in the correct way or an authentic way when you're being forced to do something you're not comfortable with. Therefore, it's always while we create a branding strategy, it's always why we create a communication strategy. So the first question you have to ask yourself is am I doing video long term in my using video to build my brand over Time, or am I going to go ahead and use video, just because I need a few videos like maybe I need a sales video, some running ads, maybe I need some core videos on my website because I need to help convert some more leads or whatever that may be. But if you're going to create your brand with video, you need to have a theme you need to determine which is the right way to do videos for you. So let's go ahead and put this into context with a couple different stories to show you. So I'm gonna give you a couple ideas on some shows we created this month. The best one I love. I love this dude. We create a show for mortgage broker in Fort Collins. If you guys have any business to do in Fort Collins, look him up. His name is Aaron Beatty. And we first meet Aaron I noticed that he has a huge beard. He has a he's wearing a hat. Aaron looks like a lumberjack like Aaron, your Instagram handle. He goes oh, well, um, you know, Colorado's bearded lender. I'm like done. So we came up with a show a video series called beard budget. Why would we do that? Well, I know beard is his personal brand. I know that he focuses on the cost of living in Fort Collins because he's a mortgage broker. So what a better way to brand that than just to say beard budget. I don't care. He doesn't have to say it from the top of his brain that he's a mortgage broker. But every time someone watches beer budget, they're going to infer his mortgage broker without him having to say it. Now that he has a strategy under a show, what kind of content would you create with beer budget? Well, you can easily do neighborhood tours and talk about the budget. In each, you could do a beard budget show just on the different types of loans available. You could do a beard budget show on brewery tours, it doesn't have to be real estate, you could do how to spend a day in Fort Collins on a budget. Think of the moviehalf baked if you've ever seen that movie when Oh my God, what's his name, but he takes the girl out to date and he only has $7? Well, if you watch that scene in the movie, every time he has the buy her something like an ice cream cone or hot dog, he starts losing that money. And he's scared about running out of money and being embarrassed on the date. That is the branding strategy for this individual. But let's go ahead and switch gears and let's just say oh, I don't have a beard, Mike. Neither do I. But what would I do if I'm just like a regular agent? You know, I'm just like a regular plain Jane person, you know, I sort of get along with everybody. No, you don't you haven't dialed in your brand. yet. I'm telling you, you do not get along with everybody. You are not God, and you are not perfect. So don't try to be what you really want to do is figure out average the last 10 clients you have, and then be like, Hey, how would I? How would I communicate to them? If I had a reality show? What would the name of it be? That's how you build your brand. That's how you build your video strategy. Okay, one more example. Go on. Let me think of one more. Okay. So let's do a Geographic show. I'm gonna launch a Geographic show here in San Diego. I use it when I'm doing actually. So long story short, we're starting a team here in San Diego. And we're, we're creating the first real estate marketing company powered by real estate agents. So we're going to be creating content for people. If you're in a market that you're interested in exploring that opportunity with us, please feel free to reach out and visit us at real estate marketing dude. Because we are going to be setting up expansion teams throughout the country and the name of our website is called your real estate dudes. So we're going to do teams separated across the country from all different types of brands, and or whatnot. But the name of my show here is called North County vibes. vibes. Why would I have a show called North County vibes? Well, totally goes with dudes. I could have North County vibes. Hey, bro. This is like the flow of it down here. That's how I am outside. We're shooting our first two videos, actually today. We're going to do a downtown Encinitas tour. And we're gonna talk about all the cool restaurants, the bars, two breweries that are on the little strip there. Then we're talking about the pros and cons of living here in Encinitas. And we're gonna just go through it. And we're going to do it in a very duty type of way. But it's how we do content that people remember. So the first thing you need to do is figure out how to communicate, I highly suggest starting a show if you're gonna create an ongoing series, because just like this podcast, I wasn't going to shoot this week, I didn't have a guest. But if I don't shoot this podcast right now into this episode, I don't have anything to publish on Saturday. It's my job as a media company to keep publishing content so that you guys can tune in, listen to it, get more ideas, and start implementing them in your markets. That's how I run my brand. That's how I find more clients. Okay, so it's no differently than how you can do it in your own now, let's get to the actual shoot. So what is your strategy? Most people are are stuck because they don't have the right strategy with video. They're just doing video because Tom Ferry told them to and you're just trying to check a box or your coach told you to but the video idea your coach told you to videos and you're like that's fucking boring. I don't want to do market reports. Then don't fucking do Boom, because that's never gonna work for you, because you already lost the battle, you're getting on camera, doing something that you're not comfortable with, therefore, your videos never going to look good. You're never going to be authentic in it. That's just the truth. You got to be excited about your strategy, if you need help with that you call a real estate marketing dude. Now, secondly, let's talk about why people buckle at the knees. When the camera turns on, if you don't know what I'm talking about, like if you ever noticed, like,when you get a call from a random stranger, let's just say someone calls you up, hey, I'm coming in your market. I'm gonna spend a million dollars was spent a million dollars with you and coming in your market? Do you actually like worry about how you're going to answer the question? Like if that guy comes in? Hey, I want to why don't you tell me what the downtown Encinitas looks like? I'm gonna come in there. I want to spend about 1.5 million, but I really want to make sure I like the downtown area. Am I going to think twice on how I answer that question or respond to that individual? Absolutely not. So then why the fuck do you think twice about what you say into a camera, the only difference between talking to a camera versus talking to an individual is just the context of the situation. But you're always talking to one person one at a time. And the reason I don't know why it makes us buckle up Dinesen when we see that record button ricin in front of a camera. But if you close your eyes and use envision yourself talking to one person at a time, one person at a time, that's really what it is. Go head on YouTube, right now look at some of our clients stuff, look at other agents stuff, see what they're doing. And that once I have the most views of the most conversational, they're not ever selling anything. They're just giving information. And as a real estate agent, as a lender, that's your job. You give information about your product, service and community. That's what the hell we sell. We don't sell houses, we saw the communities those houses resided. And that's a different train of thought and how you bring up and think about your content strategy going forward. So the other thing too, is like to be shooting videos. You should never be nervous in the act of shooting a video. And the reason is because if you don't like the way you look, guess why you just don't post it or don't send it to anybody. Therefore the act of shooting What the fuck are you worried about? Who's gonna see you besides yourself? And us if you're using you and your editor, or your producer or your editor or your script writer, whatever it may be? What are you worried about? If your video looks like crap, reshoot it in practice, but it's not hard, it's just new, the biggest challenge people have is just getting started. Just like in anything else. Like, look. We've had our third kid and I've had three kids, okay. Every time we have a kid, I gain as much weight as my wife does in the pregnancy. And I'm like, hey, this time,I'm gonna eat healthy. Not gonna gain 15 to 20 pounds.I'm gonna do this guess what I gained 15 to 20 pounds. Now I'm in the process of working out losing that weight. And it's working but took me freakin two months to commit to being consistent. at getting back on the we bought the peloton thing here I am in my garage. And it took two weeks to do that. So what I'm saying are two months. I mean, just to get back in the trainer thing. So much like what is approaching video. Anytime you do something new, it's very uncomfortable. But no one's ever growing. Unless they're uncomfortable. I don't know about you. But I like to be the most uncomfortable person at all given times when it comes to business. Because when I am, that means I'm fucking growing it. It's when you become complacent that you hit your own damn glass ceiling. And that's the same approach with video. If you come in and you say, Oh, this is this is just gonna suck every time it's all mindset. No, it doesn't suck every time I look at some of our first videos I sucked on them, doesn't mean I didn't get good at them. Now I could talk your face off, just by fucking sitting here. I don't even plan this video. I'm talking to you for the last 25 minutes on my own. And I don't have any script. Why? Because over time, you get better. And you're not shooting video, you're creating content. But here's why you should be motivated by it. 10 to 15% of the people who see your content will be moving this year and 100% of them have referral for you. So that means everyone always asked me Mike, what's the ROI in video? What's the ROI in video? First answer is hey, listen, you're never going to be able to determine that because you're not going to know what one video did. And what one video made someone actually pick up the phone and call you just like I don't know what podcast you listen to that actually got you to get off your ass and finally scheduled the damn demo with the real estate market you do so I guess they're blown up your brand and blow up your shit. That's what I'm talking about. Look at all the subliminal call to actions I'm throwing in throughout this podcast. I learned that over time. Why? Because I started at one point and I disciplined myself in the process and that promise you that's what happens when you get with video. No, it's not hard. It's just new. But just like in anything, the first time I drove a car, it was very hard. As a matter of fact, I don't even know how to drive stick shift. If I tried to do stick shift right now I'm shitting my pants, I don't want to do stick shift. But if I the first time I did it, it probably embarrassed myself. I probably embarrass myself the second time, and eventually, I'd be taking that Jeep on the beach, running through waves driving stick shift. So my point is, is that when you're creating content, there's absolutely no excuse for you to be scared of getting on video because guess what, you look like that every fucking day. And you sound like that every fucking day. If you're scared to get on video, you're scared to sell a house and meet with a client face to face because that's all video is. And this entire thing is just mindset. Don't overthink this process, or let anyone else get an away. Are there going to be some people who don't like your videos and haters? Yes, there will. But that means when you're doing it right. You're not think I have haters? Fuck you haters. I could give two shits about my haters. No one cares. You're not supposed to resonate with everybody and the second you embrace that and love it and realize that God made you as an individual human being and you're the only one like you in the entire freakin world. That's pretty damn cool. And yes, you have something to offer. That's what that means. So Will people not like your videos? Yes. Will people like your videos? Yes. Should you care? Absolutely not. If you here's what it comes down to and I'll close with this. If you truly believe in your heart, that you're the best lender investor real estate agent whoever the hell you are. Whether you're not even in real estate, I don't care best bakery owner. If you're the best at what you do for a living, it actually becomes your obligation to let the world know about it. If not, you're a fucking dickhead. Let me say that one more time. If you believe you are the best person for the job, it becomes your obligation to tell the world about it and serve them I have no problem telling people I am the absolute best at real estate marketing video content creation and repurposing in the country because I fucking amand there's gonna be other people Oh, no, he's not No I am. Why? Because I think I am do I have competition? Of course I do. But if I don't create content How the hell am I gonna scream it from the rooftops? How am I going to continue to pay my employees pay for my kids and do all that stuff it's because I'm a brand and I'm not marketing my individual a marketing my brand the second you differentiate that is the second video becomes easy. If you guys have any questions about video getting started or anything call us up schedule demo, give us a shot. Real estate marketing dude, I've sold real estate for 18 years I speak real Turkish that's why it's easy for me to script edit distribute all of your content anywhere you're out in the United States. So if you even question it, at the very least, take all the free content on our site. At the very least hire local person but just do it. I don't care if you hire us just get on damn video because if you're not marketing your network and marketing your brand, I promise you somebody else's and that's the exact reason why you log on to facebook maybe every other month and realize that someone stole one of your clients or someone forgot your only real estate you're learning it's not their job to remember what you do for a living it's your job to fucking remind them remember that your personal brand embrace it, and scream it from the damn rooftops thank you folks for listening to their episode the real estate marketing Dude, please visit our website at real estate marketing do.com You can also subscribe to our YouTube channel if you like our content and like seeing our videos and also connect with us on social Facebook Instagram and I'm getting the huge tick tock channel finally set up these guys happy Halloween. Thank you for watching another episode of the real estate marketing dude podcast. If you need help with video or finding out what your brand is, visit our website at WWW dot real estate marketing dude.com We make branding and video content creation simple and do everything for you. So if you have any additional questions, visit the site, download the training, and then schedule a time to speak with the dude and get you rolling in your local marketplace. Thanks for watching another episode of the podcasts. We'll see you nexttime.

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Isak Dinesen is the pseudonym of Karen Blixen, born in Denmark in 1885. After her marriage in 1914 to Baren Bror Blixen, she and her husband lived in British East Africa, where they owned a coffee plantation. She divorced from her husband in 1921 but continued to manage the plantation for another ten years, until the collapse of the coffee market forced her to sell the property and return to Denmark in 1931. There she began to write in English under the nom de plume Isak Dinesen. Her first book, and literary success, was Seven Gothic Tales. It was followed by Out of Africa, The Angelic Avengers (written under the pseudonym Pierre Andrézel), Winter's Tales, Last Tales, Anecdotes of Destiny, Shadows on the Grass, and Ehrengard. She died in 1962.From https://www.penguinrandomhouse.com/authors/7105/isak-dinesen/. For more information about Isak Dinesen:“Isak Dinesen, The Art of Fiction No. 14”: https://www.theparisreview.org/interviews/4911/the-art-of-fiction-no-14-isak-dinesen“Margaret Atwood on the show-stopping Isak Dinesen”: https://www.theguardian.com/books/2013/nov/29/margaret-atwood-isak-dinesen

Episode Summary Join Harry Duran, host of Vertical Farming Podcast, as he welcomes to the show serial entrepreneur, Dave Dinesen. Dave is the CEO of CubicFarm Systems, a local chain agtech company that provides unique automated onsite commercial-scale food and livestock feed technologies. Dave is committed to applying technology to address global challenges like food security and climate change. In this episode, Harry and Dave discuss the impact the pandemic has had on the vertical farming industry, why Dave places such a high value on equity in the workplace and the critical tipping point we’ve arrived at for the future of our food supply. Episode Sponsor CULTIVATD Key Takeaways 02:37 – Harry welcomes to the show Dave Dinesen, CEO of CubicFarm Systems Netled, who talks about the effects of the global pandemic and how the vertical farming industry has evolved throughout the years 06:33 – What inspired Dave to launch CubicFarms Systems and early stages of the company 09:53 – Dave talks about why he believes so many are leaving their fields to work in AgTech 13:31 – Dave discusses his strong belief in equity, treating his employees the best he possibly can and where this vision originated from 21:40 – Dave speaks to the evolution of CubicFarms Systems’ offerings, current offerings and the markets they serve 29:53 – Dave talks about CubicFarms Systems winning the Dairy Farmers for Nexus Innovation Award 31:22 – What excites Dave the most about the future of vertical farming 33:33 – Positive trends Dave hopes to continue post-pandemic world 35:46 – Challenges and opportunities that CubicFarms faces in the near future 36:48 – A tough question Dave has had to ask himself recently 37:54 – Dave provides best practices for leadership and who he looks to for inspiration 41:08 – What Dave does to unwind at the end of the workday and what’s something Dave has changed his mind about recently 43:22 – What has Dave excited about the future of CubicFarms Systems 45:25 – Harry thanks Dave for joining the show and let’s listeners know where they can learn more about CubicFarms Systems and connect with Dave Tweetable Quotes “We are looking for people that get really, really jazzed by what we are doing. So, literally the mission and vision of our company that share our values that know that something has to change. And it’s going to take a collection of entrepreneurial, visionary, courageous people to come into work every day and create this industry.”(10:29) “Yes you want to invest in a company that’s helping to feed the planet, localize food production, save water and reduce greenhouse gases. And at the same time, treat the people doing the work as well as you possibly can.”(15:38) “If our company succeeds, all of our employees succeed. If our company fails, it’s gonna be partly everybody’s fault. And I think when you’ve got skin in the game, you’re just gonna make sure it doesn’t fail.”(20:16) “If you just talked about the greenhouse gas issue, HydroGreen significantly decreases greenhouse gases.”(30:45) “I’m hoping that when the pandemic sort of ends that a lot of this doesn’t change. We still need to meet people and share a meal, but there’s a lot that’s good about this as tragic as it’s been.”(33:07) “You’ve gotta have great people who are better at what they do than you are and you’ve gotta have that great, trusting relationship. And know that you’re not gonna have a blind spot. There’s that saying, ‘Nobody’s perfect, but a team can be.’ And I just so subscribe to that.”(39:39) Links Mentioned Dave’s LinkedIn CubicFarm Systems Website Dave’s Band Sponsor Info: Cultivatd Website Cultivatd Instagram Cultivatd’s Twitter Cultivatd’s Facebook

Det du kan forvente at høre mere om den her podcast: Er der flere kriser under corona og hvilke faser går vi igennem? Hvordan man løser kriser? Hvorfor ledere ikke orker flere tips og tricks til ledelse Hvordan Louise Dinesens opvækst i et belastet område, har haft betydning for hendes arbejde og værdigrundlag i dag Hvilke grænseløse handlinger kan forekomme på arbejdspladsen, som kan være ekstremt stressfyldt for medlemmerne af en virksomhed eller organisation. Og hvorfor vi nu står med en de-humanisering i arbejdslivet.  https://www.louisedinesen.dk  

Så er der et nyt pauseinterview klar. Denne gang er det den gode Peter Dinesen fra Næstved Boldklub, som fortæller lidt om det at være kommet tilbage på lokale grønne hænder, holdet og kampen mod Slagelse i søndags.

Welcome Theis Barenkopf Dinesen to this episode were we go deep into the topic “Innovation as business growth enabler” This is a more experimental episode were we left my standard questions and focus on Theis experience as a innovation facilitator and his experience from many industries, studies and jobs. The structure of the interview looks as following: 1) Who is Theis: Educational background: Digital Design, Design Future, Business Administration Professional background: As an employee, consultant, startup/personal business owner and innovation facilitator His overall approach to innovation in a business context 2) What is innovation - in a business context Ideas are like horses - you need many to before you can choose the fastest It is more risky not to be innovative and take chances, than it is not doing it Innovation/ideation: Is not a one-man-band, it's a collaborating ensemble Is not a luxury, it's a necessity because the world is changing and customers are unholy bastards Is not confined to products and services, it can happen in many areas, from processes, costumer service to logistics, payment and customers experience Is a sliding scale, from super shallow (paint you product in a new colour) to infinitely deep (intergalactic space travel) Needs to have boundaries the same way as the rest of the organisation (regard it on equal terms with other organisational efforts) Needs to be a constant, not a one day event 3) Innovation as a strategic business development tool The innovative environment: Organisational innovation enabling as one of the key competences of top management Stop just talking about: A zero fail culture - live it Tearing down silos - allow them to overflow Being agile and change ready - and then hire next quarter accountants Cases on strategic briefs LEGO: "A brick centred for girls age 6 to 12" Newspaper from burning money to be profitable again Trophy games: "Make more money (without spending more)” 4) Innovation as a employee development tool As a collaborator: Innovation needs to happen in an open and sharing environment with many competences present, being the perfect environment to make cross-organisational collaboration happen As a change-maker: Many people are afraid of change and will thus resist it. But bringing new product/services to the market and thus continue to be a relevant company is understandable for everybody, and changes happening because of that, are easier accepted throughout the whole organisation As a personnel developer: When employees get to show new sides of themselves, they feel better and you as an employer get to realise more of their value As an overall growth enabler: Be able to see and realise new opportunities 5 primary takeaways: An idea is just an idea - work you ass off on “THE Idea!” Innovation is about SHARING - NOT Protecting Let yourself be inspired from other areas than you core competence ground (art, business, departments, children…) Don't shy away from aiming for the stars - you can always compromise later Don't draw rockets - build rails Reach out to Theis Barenkopf Dinesen: Company Idea & daughters www.idda.dk LinkedIn Subscribe to the podcast and share it with your friends --- Send in a voice message: https://anchor.fm/schirach/message

This week we review new movies Promising Young Woman, One Night in Miami, and LGBTQ-themed First Blush, as well as the new sitcom, Call Your Mother, and we discuss our new favorite binge, the Danish show, Rita.

I enjoy good food. I am lucky, I have eaten in some great restaurants and cities around the world. Trying to replicate the most simplest of recipes at home is an ordeal and usually ends in failure. To off-set these failures I tend to indulge in many hours watching food programmes on Netflix and wishing that I had the ability to cook like many of the chefs.   One thing that always enters my mind is the systems that are put in place to make a kitchen function and produce quality. How do teams work, how do they learn and what does leadership look like? And how does team culture influence and is influenced by creativity, customer experience and brand?   So with my interest in organizational culture and anthropology I decided to explore this further. In fact, I decided to explore these questions by focusing on the crème da la crème – Michelin Star restaurants.   To help me with this I spoke with one of Denmark's leading documentary film makers, Rasmus Dinesen whose most recent documentary is called Michelin Stars: Tales from The Kitchen. Rasmus travelled the world over 2 years spending time in the kitchens of some of the most renowned restaurants observing and speaking to chefs about what it takes to become a Michelin star restaurant. We discuss everything from how the culture has changed to one where chefs are conscious about team wellbeing and sustainability. We explore the concept of the rebel. How Miles Davis, the jazz musician, and his legacy, shaped the values of one restaurant in New York. We also go into detail about how teams function in the kitchen day in day out.    It is also worth finding out what food travels Rasmus is working next on and also where he takes his anthropological note book. I think I might have to join him on this one. Show Notes: Rasmus: LinkedIn Film Facebook Amazon Prime John: Twitter LinkedIn JC & Associates Decoding Culture Newsletter

We’re excited to launch a short series of episodes on the topic of hospitality, beginning with a discussion of Babette’s Feast, the moving novella (and its film adaptation) by Isak Dinesen. What can Babette’s Feast teach us about the nature of grace in hospitality, and the giving of oneself? How do we apply this to how we show hospitality to our own families? Links:  Babette's Feast, A Film by Gabriel Axel Babette's Feast and Other Stories, by Isak Dinesen

Pernille Taagaard Dinesen er efter mere end ti år som museumsinspektør på Aros nu sprunget ud som skønlitterær forfatter - men i dag har hun også det vigtige hverv at være vores nyhedsredaktør. Pernille har udvalgt de ti nyheder, som lige netop hun finder mest tankevækkende fra det seneste døgn og gennemgår dem sammen med vært Jens Folmer Jepsen.

“Vi har skabt et samfund hvor vi skal nå mere og mere pr. Tidsenhed og vi får hele tiden værktøjer, der øger mængden af ting, vi skal nå”Link: https://link.chtbl.com/bdmi3EtIEn arbejdsplads handler selvfølgelig om kvaliteten af det arbejde, der skal udføres og de produkter, der skal skabes. Men hvad bestemmer egentlig oplevelsen af at være på en god arbejdsplads? Det er et ret interessant spørgsmål, fordi utallige undersøgelser har vist os at følelserne, der findes på en arbejdsplads har afgørende indflydelse på en masse ting, såsom produktiviteten, den mentale trivsel og ikke mindst relationerne mellem de mennesker, der er på en arbejdsplads. Det ved dagens gæst i Lægens ord heldigvis en hel masse om. Det er nemlig arbejdspsykolog Louise Dinesen, der gennem en lang årrække har beskæftiget sig indgående med mennesker, der leder mennesker. Samtalen idag handler bl.a. om disse spørgsmål: Hvad går igen, når mennesker skal karakterisere deres bedste job? Handler ledelsesrelationer om at få noget ud af mennesker eller ind i mennesker? Hvordan kan man samenligne parforhold og ledelsesforhold ?Hvordan kan vi redefinere ledelsesrelationen? Hvad bør være det vigtigste mål med ledelsen? Hvad går igen, når mennesker skal karakterisere deres værste job? Hvordan skaber man rammerne for at skabe den bedste arbejdsplads? Vært: Imran RashidGæst: Louise DinesenMix: Imran RashidMusik: Kasper Holm Larsen

On this episode, we discuss the fifty-eighth Best Picture Winner: “OUT OF AFRICA.”"Out of Africa" is based loosely on the autobiographical book "Out of Africa" written by Isak Dinesen (the pseudonym of Danish author Karen Blixen), which was published in 1937, with additional material from Dinesen's book "Shadows on the Grass" and other sources. The story covers the following:  Initially set on being a dairy farmer, the aristocratic Karen Blixen travels to Africa to join her husband, Bror, who instead spends their money on a coffee plantation. After discovering Bror is unfaithful, Karen develops feelings for hunter Denys, but realizes he prefers a simplistic lifestyle compared to her upper class background. The two continue on until a series of events force Karen to choose between her love and personal growth. Directed by Sydney Pollack, the film stars Meryl Streep as Karen, Robert Redford as Denys, and Klaus Maria Brandauer as Bror.Here on The Envelope, we discuss & review every Best Picture Winner in the Academy Awards History. You can reach anyone here at TheEnvelopePodcast.com – Just go there to email us, check our bios, and keep up with the latest episode.

The Covid-19 pandemic exposed fragility in supply chains, such as labour shortages, disruptions in the packing and transportation sectors, and increasing uncertainty in the domestic and international markets. CubicFarms' automated growing systems have emerged as a key solution to overcoming these challenges by allowing growers to localize food production and provide their markets with fresh produce and nutritious livestock feed reliably and consistently. What does this do to opportunities for land investment? Tune in to find out.   Disclaimer The information provided on addy's website, webinars, blog, emails and accompanying material is for informational purposes only.  It does not constitute or form any part of any offer or invitation or other solicitation or recommendation to purchase any securities. It should not be considered financial or professional advice. You should consult with a professional to determine what may be best for your individual needs. Forward-Looking Statements Some information contains certain forward-looking information and forward-looking statements within the meaning of applicable securities legislation (collectively "forward-looking statements"). The use of the words "intention", "will", "may", "can", and similar expressions are intended to identify forward-looking statements. Although addy believes that the expectations reflected in such forward-looking statements and/or information are reasonable, undue reliance should not be placed on forward-looking statements since addy can give no assurance that such expectations will prove to be correct. These statements involve known and unknown risks, uncertainties and other factors that may cause actual results or events to differ materially from those anticipated in such forward-looking statements. Furthermore, the forward-looking statements contained in this news release are made as at the date of this news release and addy does not undertake any obligations to publicly update and/or revise any of the included forward-looking statements, whether as a result of additional information, future events and/or otherwise, except as may be required by applicable securities laws.

Corona-krisen sætter sig i humøret – mest hos kvinder. »Forude venter os en pukkel af nye psykiatriske patienter,« forudser professor i klinisk medicin Søren Dinesen Østergaard.  Coronakrisen giver flere symptomer hos psykisk syge og skubber en gruppe raske ud over kanten til især depression. I lyset af coronapandemien udkommer en række specialudsendelser af podcasten 24 spørgsmål til professoren: Lone Frank taler med videnskabsfolk for at belyse pandemien og dens konsekvenser fra alle vinkler – medicinsk, økonomisk, psykologisk, sociologisk og kulturelt.

Today kicks of what used to be Military Saves Week but is now, Military Saves Month. Each week there is a theme to bring awareness to the importance of spending less than you make and saving money. My guest today is here to talk about ways to save automatically using banking. Andia Dinesen is not only a fellow milspouse and AFC, but she’s also the Executive Vice President for Communications and Operations for the AMBA. We have a great conversation about the importance of setting your savings up to be automatic. Show notes can be found here https://laceylangford.com/podcast/saving-automatically-with-banking/

Rope of Dope Presents er et ugentligt mixtape, som findes eksklusivt på ropeofdope.dk. Alle DJ’s / Artister er specielt inviteret og håndplukket af Rope Of Dope's jury. Ønsker du eksklusive fordele? Bliv medlem på www.ropeofdope.dk/member

Rope of Dope Presents er et ugentligt mixtape, som findes eksklusivt på ropeofdope.dk. Alle DJ’s / Artister er specielt inviteret og håndplukket af Rope Of Dope's jury. Ønsker du eksklusive fordele? Bliv medlem på www.ropeofdope.dk/member

Emilie Kjær Hanefelt Dinesen havde altid fået gået karakterer, og klaret sig godt i skolen, indtil hun for nogle år siden startede på jurastudiet. Uanset hvor meget hun sled, fulgte succesoplevelser og gode karakterer ikke med, og det altopslugende arbejde begyndte at påvirke hendes helbred. Emilie blev nødt til at droppe ud for at kunne komme nogenlunde helskindet ud på den anden side – noget hun måske havde gjort tidligere, hvis ikke hun havde forbundet det med stor skam.

VELKOMMEN TILBAGE. I dette afsnit præsenterer jeg en nem og god tilgang til en af den slags patienter, vi ser mest. Brystsmertepatienten. Der kan være rigtig mange årsager til at patienter har brystsmerter og vi skal fange de farligste af dem. Der er selvfølgelig altid den klassiske blodprop, men hvad kan det også være. Huskeordet PETMAC og paramediciner Astrid V. Dinesen sender os afsted mod en godt og stærkt forløb. God fornøjelse. RELEVANTE STUDIER: Til ekg fund lungeemboli https://litfl.com/ecg-changes-in-pulmonary-embolism/ Indstikssted nåledekompremmering https://www.ncbi.nlm.nih.gov/pubmed/26488319 Ledende årsag til hjertestop https://drive.google.com/file/d/1_-8jh3Ycvu5JNDrDjMpD6TBP5wC66CPL/view?usp=sharing LINKS TIL DIVERSE: Kviklæser https://www.facebook.com/groups/580345996053322/ INFO ○ Esøfagus variser er kort fortalt udposning på spiserøret. Går der hul på dem, kan de bløde virkelig meget. ○ S1Q3T3 er et ekg fund der traditionelt er blevet forbundet med tilstedeværelsen af en lungeemboli. Det betyder S-tak i romertal 1, Q-tak i romertal 3 og negativ T-tak i romertal 3.

Sometimes I feel like... a motherless child. No, really: Sometimes I feel like I've been looking in almost all the wrong places for confirmations and traces of my Ur-existential Christian faith. One's been "trolling" almost one's whole life through Truffaut and Dinesen and Kafka and Isherwood and Seneca and H.G. Wells and Stephen King and Val Lewton and Rod Serling and and John Galsworthy and, golly, even Michael Reeves -- *panning for Christian gold! * What I mean is, one can make a lifetime of gathering Christian-sounding crumbs from a master's table, i.e., the above artists and philosophers, while never seeing that the whole loaf is actually right in front of you. I'm thinking of The Chain (1949) by Paul Wellman or I'd Climb the Highest Mountain with Susan Hayward (1951) or George Eliot's first novella "Janet's Repentance" or Passing of the Third Floor Back by Jerome K. Jerome. What?!? Well, it turns out there are some conscious Christian masterpieces out there, which were very successful in their day but have been almost completely smothered, in the reception, by This World. I mean, who has ever heard of The Chain by Paul Wellman? Yet it is simply the most touching story of a young Episcopal minister in Jericho, Kansas, who preaches and acts out Grace in a stratified and complacent city with great sacrifice yet great success. The Chain is a must read! Yet it's been almost completely buried, as have been many other works like it, by "the World, the Flesh and the Devil". Hope this cast gives you some new reading, and some fresh heart! Podcast 292 is dedicated to David Browder.

Memorias de África (fragmentos).Calidad literaria superlativa. Escrita con distinción y estilo exquisito, por Karen Christentze Dinesen, danesa, más conocida como Isak Dinesen (1885–1962).Los nativos la apodaban: «la hermana leona» y se ganó su afecto, por su coraje, su buena puntería y su habilidad como cazadora. De carácter biográfico, Memorias de África (1937), catapultó a Dinesen, a la fama mundial. Inspirando una adaptación, en la ya clásica película homónima, protagonizada por Meryl Streep y Robert Redford.De estilo deliberadamente anticuado, sus narraciones se ciernen entre la ilusión y el romanticismo, logrando expresar: “un espíritu que ya no existe en los tiempos modernos”. Su cuento más famoso, "El Festín de Babette", sobre una cocinera que gasta todo el premio de la lotería, para preparar una comida final, fue reproducido en una película, ganadora del Óscar a la Mejor película extranjera de 1988.Te puedo asegurar una sola cosa, vas a sentir los colores de África… en el alma.https://www.spreaker.com/show/caminata-literariahttps://podcasts.google.com/?feed=aHR0cHM6Ly93d3cuc3ByZWFrZXIuY29tL3Nob3cvNDEyMTIwMy9lcGlzb2Rlcy9mZWVkhttps://open.spotify.com/show/1SH2bJevsQFNHRX6TCChS0?si=FyBNN6h_TpOyCNlX4x8KJwhttps://podcasts.apple.com/mx/podcast/caminata-literaria/id1486701220

I podcasten 'Mærk mere af livet' fortæller Trine Geltzer Dinesen om, da hun i 2002 mistede sin næsten 8 mdr. gamle datter Emily under en ferie på Tenerife. Emily blev syg på ferien, men alt for sent fandt lægerne ud af at det var meningitis. Hun døde på sygehuset, og familien måtte flyve hjem med en tom barnevogn.I podcasten fortæller Trine om hvad der skete på ferien, hvordan de måtte køre fra sygehus til sygehus, hvordan de stod alene, for de pårørende blev der ikke taget sig af. En traumatisk oplevelse for familien.I episoden fortæller Trine om hele hendes sorg og hvordan hun kommer igennem den som årene går. Vi får også en snak om, hvad man har brug for, når man har mistet en nær og hvad vi andre som familie, ven eller kollega kan gøre for at hjælpe personen i sorg.Men det er også historien om hvordan Trine i dag har fået koblet hendes erfaring fra sorgen og hendes fløjte. Trine skriver på sin blog om Emily:”Der skulle gå mange år førend jeg forstod og acceptere, at du havde været forbi, for at vise mig en ny vej at gå. ”Det hele giver så god mening.Det er en hård, men smuk historie, som jeg er rigtig glad for at Trine ville dele med mig og podcastens lyttere. Af HJERTET TAK Trine.Episoden afsluttes med fantastiske toner fra Trines fløjte. Hjertelig velkommen til denne episode, som jeg håber må gøre en forskel for mange.Kærlig hilsenMarianne KøpkeArbejds- og livsmentorwww.mariannekoepke.dk

I podcasten 'Mærk mere af livet' fortæller Trine Geltzer Dinesen om, da hun i 2002 mistede sin næsten 8 mdr. gamle datter Emily under en ferie på Tenerife. Emily blev syg på ferien, men alt for sent fandt lægerne ud af at det var meningitis. Hun døde på sygehuset, og familien måtte flyve hjem med en tom barnevogn.I podcasten fortæller Trine om hvad der skete på ferien, hvordan de måtte køre fra sygehus til sygehus, hvordan de stod alene, for de pårørende blev der ikke taget sig af. En traumatisk oplevelse for familien.I episoden fortæller Trine om hele hendes sorg og hvordan hun kommer igennem den som årene går. Vi får også en snak om, hvad man har brug for, når man har mistet en nær og hvad vi andre som familie, ven eller kollega kan gøre for at hjælpe personen i sorg.Men det er også historien om hvordan Trine i dag har fået koblet hendes erfaring fra sorgen og hendes fløjte. Trine skriver på sin blog om Emily:”Der skulle gå mange år førend jeg forstod og acceptere, at du havde været forbi, for at vise mig en ny vej at gå. ”Det hele giver så god mening.Det er en hård, men smuk historie, som jeg er rigtig glad for at Trine ville dele med mig og podcastens lyttere. Af HJERTET TAK Trine.Episoden afsluttes med fantastiske toner fra Trines fløjte. Hjertelig velkommen til denne episode, som jeg håber må gøre en forskel for mange.Kærlig hilsenMarianne KøpkeArbejds- og livsmentorwww.mariannekoepke.dk

En radiofonisk brunchbuffet af musik, gæster og satirisk tandsmør! Vært: Carsten Bang.

How much do you trust other people? The answer depends on where you live. Today, political scientist Peter Thisted Dinesen tells me all about the importance of trust for a functioning society. Some societies, like Denmark, have uniquely high amounts of social trust. Unfortunately, many of the world’s most powerful countries are seeing unprecedented amounts of distrust, the United States in particular, which might be why the world is falling apart at the seams. ----------------------   To enter the weekly giveaway for a FREE book, write a review of the podcast on iTunes (http://stefaniruper.com/listen), take a screen shot of your review, then email it to stefani@nakedhumanity.org. Then you'll be PERMANENTLY entered into the drawing! Check out the list of books you can get @ http://stefaniruper.com/bookgiveaway. Guests for this show are carefully curated and vetted by a team of content experts to bring you nothing less than the most interesting, most intellectually rigorous, and most exciting insights into human nature the world has to offer. The host of Naked Humanity is Oxford PhD candidate and theorist of the human condition Stefani Ruper. Ruper has worked as a scientist studying life on Mars, as a scholar of religion, and is now a specialist on the human condition in the modern world. Her genius is in refusing to hide from hard questions and harder answers, so you get a real, honest look at what it means to be human. Never shying away from controversy or unpopular opinions, Ruper demonstrates everything is more complicated when you peer behind the curtain - but that is exactly what we must to do make a better, happier world. *Subscribe on Youtube: http://bit.ly/2Y8fkfV Instagram: http://instagram.com/stefani.ruper Twitter: http://twitter.com/stefaniruper Facebook: http://facebook.com/stefaniruper Website: http://stefaniruper.com *Subscribe on a podcasting app: iTunes: https://apple.co/2JJM4Is Spotify: https://spoti.fi/2Ye2b9x   Google Play: http://bit.ly/2Y1vXig

Für diese Folge von Reich durch Radeln waren Klaus und Magda beim dänischen Botschafter René Dinesen zu Gast. Im Gespräch verrät er, dass sich auch ein Botschafter abreagieren muss und warum er in Wien kaum Rad fährt. Es ist zu einer kleinen Tradition geworden: der dänische Botschafter in Wien kommt mit dem Rad zum Neujahrsempfang des Bundespräsidenten. Heuer war es erstmals an René Dinesen, diese diplomatisches Zeichen zu setzen: Seit knapp einem Jahr vertritt der 48-Jährige die Rad-Nation Dänemark in Österreich. Von der medialen Aufmerksamkeit, die er damit auf sich zog, war er etwas überrascht. "Es hat aus Kübeln geschüttet, wahrscheinlich war das der Grund für die Aufregung. Oder weil der Bundespräsident früher bei den Grünen war", versucht sich Dinesen die Schlagzeilen zu erklären. An die hiesige Rad-Infrastruktur, gibt Dinesen zu, muss er sich allerdings erst noch gewöhnen. In Kopenhagen habe er täglich 25 Kilometer auf dem Rad zurückgelegt. In Wien hingegen bleibt das Rad stehen. Das habe zwar auch mit seiner Arbeit als Botschafter zu tun, aber auch mit den Verhältnissen auf Wiens Straßen: Während er in Kopenhagen auf breiten Radstraßen mit seinem Lieblings-Podcast in den Ohren zur Arbeit geradelt sei, fühle er sich hier als Radler zwischen Autos und Straßenbahn unwohl. Abseits der Radthemen gibt uns René Dinesen noch Einblicke in die Arbeit eines Botschafters: Weshalb Botschafter alle vier Jahre das Land verlassen müssen, wie er Dänemark neben Österreich auch noch in vier weiteren Ländern vertritt und wie er in Afghanistan nur knapp einem Bombenanschlag entkommen ist. Links:  Copenhagenize-Index: Hauptstädte im Fahrradcheck Dänische Botschaft auf Twitter ---------------------------------------------- Über diesen Podcast: In unserem Fahrrad-Podcast “Reich durch Radeln” (RDR) beleuchten wir velophile Erfolgsgeschichten. Wir sprechen mit Menschen, die durch das Radfahren reich geworden sind. “Reichtum” – so wir wir das verstehen – kann Reichtum an Geld oder an imateriellen Werten sein. Das Team von RDR besteht derzeit aus Matthias Bernold, Klaus Brixler und Magdalena Jöchler. Die Musik stammt von MC Broko. Wir haben im ehemaligen ARGUS-Büro in der Frankenberggasse (oberhalb des Argus-Shops) unser Pop-Up-Studio errichtet, in  dem wir unsere Gesprächspartnerinnen und -partner empfangen. Danke bei dieser Gelegenheit an ARGUS und das österreichische Fahrradmagazin Drahtesel, die uns diese Räumlichkeiten und ihre Infrastruktur zur Verfügung stellen. Wenn euch unsere Arbeit gefällt: liked uns und schreibt für Reich-Durch-Radeln eine Beschreibung auf eurer Podcast-Plattform. Wenn ihr die Interessen der Radfahrenden in Österreich unterstützen und über das Radfahren in Österreich auf dem Laufenden bleiben wollt, könnt ihr außerdem den Drahtesel hier abonnieren. Wir freuen uns über euer Feedback und eure Kritik. Bitte an ReichDurchRadeln@posteo.de

Så har Mediano Music besøg af sin første aktuelle musikalske gæst. Det er musikeren Jacob Dinesen, der besøger Mediano-studiet, og han har taget sin guitar med. I en samtale med Jan Eriksen taler han om sin musik, om UU-vejlederen, der sagde, at han skulle droppe musikken, om inspiration og hvorfor han har valgt at spille 'Ordinary Guy' i studiet. Hør musik fra hans karriere og hør hans egne ord om musikken. Og hør selvfølgelig den flotte fortolkning lavet live i studiet. Kan du lide samtaler som denne, så lov os at dele budskabet om Mediano Music. Vært og redaktør: Jan Eriksen Producer: Thomas Nørskov

Yesbjerg laver et personportræt af Henrik Dinesen, som taler til os alle igennem Radio Victoria. Vi taler om livet og karrieren.  Desuden byder vi på en oplæsning af én af de mange erindringer vi poster her på siden i løbet af 2018. 

I første time taler vi om Mille Dinesen, som afslørede, at hun er gravid under rulleteksterne i Natholdet – til STOR overraskelse for Anders Breinholdt. På Badehotellets pressemøde blev journalisterne instrueret i, at de IKKE måtte stille personlige spørgsmål. Den store balletstjerne Nini Theilade er død og Jakob Steen-Olsen fortæller om Ninis vanvittige liv med en crazy mor, der stjal Ninis forlovede. Lisbeth Dahls barnebarn blev healet ud af en koma og Jennifer Aniston er blevet skilt fra Justin Theroux. Ditte Okman er vært og i panelet sidder nyhedschef på ugebladet TÆT PÅ, Nikolaj Vraa, teaterredaktør på Berlingske, Jakob Steen Olsen, og chefredaktør på SE og HØR, Niels Pinborg,See omnystudio.com/listener for privacy information.

Værter: Henrik Povlsen og Jesper Holm.

In Alternative Kinships: Economy and Family in Russian Modernism (Northern Illinois University Press, 2017), Jacob Emery presents literary texts as intersections of aesthetic, social, and economic phenomena. Drawing particular attention to the texts that emerge under the influence of burgeoning Soviet ideology, Jacob Emery discusses aesthetic developments and repercussions caused and initiated by the programs aimed at the redefinition of economy and society. The spheres of family and economy appear to not only absorb changes and transformations instigated by the strengthening of communist rhetoric, but also to exercise influences on the formation and on the development of Soviet literature, reshaping the aesthetic continuum and revealing the collision of paradigms and epistemes. While focusing on the texts that illuminate the peculiarities of Russian Modernism (Andrei Bely’s Petersburg, Yuri Olesha’s Envy), Alternative Kinships also includes a detailed discussion of Nathaniel Hawthorne’s The House of the Seven Gables, Miroslav Krleza’s The Return of Filip Latinovicz, and Isak Dinesen’s stories. This comparative attempt discloses intricate interconnections not only between literatures and cultures but between ideologies and political programs as well. Jacob Emery points out, “Like the authors of Russian modernism, Hawthorne, Krlea, and Dinesen are concerned with alternative kinships that take shape at a moment of crisis in the history of hereditary castes: the rise of Jeffersonian democracy, the fall of the Austro-Hungarian aristocracy, and, in Dinesen’s historical fiction, a preoccupation with inheritance mechanisms in the period just before and after the French Revolution “(10-11). Literature appears to respond to political developments, which bring forth crucial shifts, redefining the areas of the familiar and of the conventional. As Alternative Kinships demonstrates, Soviet literature offers an array of intriguing possibilities for reshaping family relationships. In addition, these experiments are inextricably connected with the Soviet economic endeavors. One of the fascinating family experiments that Jacob Emery extensively comments on is “milk kinship,” which, under the Soviet regime,” aimed to replac[e] traditional ideas of kinship” (113). State-run milk banks, Emery argues, is “the metaphor of a transcendental mother supplying a universal family” (115). Russian modernism generates a number of scenarios, portraying not only the redefinition of social and economic relations but also the transformation of the individual: alternative kinships call for New Men and Women. Alongside family relationships, which respond to economic, political, ideological modifications, Alternative Kinships also touches upon hereditary memory: family is inseparable from the memory that reveals itself in multiple ways. Aesthetic and literary interconnections that Jacob Emery outlines through the analysis of gothic and modernist texts initiate a conversation about cultural memory: literary texts demonstrate the interconnectedness of the aesthetics, history, society, and the individual. Literature as a complex construct that incorporates a number of components and fragments, which establish a variety of relationships, can be illustrated with the image of mirror, which is closely analyzed in Alternative Kinships. Mirror is actively employed to show family relationships and to reveal the potential of a literary text to absorb and to respond to the environment. Revealing the dynamics of family and economy relationships across times and cultures, Alternative Kinships contributes to the discussion of international modernism(s), Learn more about your ad choices. Visit megaphone.fm/adchoices

In Alternative Kinships: Economy and Family in Russian Modernism (Northern Illinois University Press, 2017), Jacob Emery presents literary texts as intersections of aesthetic, social, and economic phenomena. Drawing particular attention to the texts that emerge under the influence of burgeoning Soviet ideology, Jacob Emery discusses aesthetic developments and repercussions caused and initiated by the programs aimed at the redefinition of economy and society. The spheres of family and economy appear to not only absorb changes and transformations instigated by the strengthening of communist rhetoric, but also to exercise influences on the formation and on the development of Soviet literature, reshaping the aesthetic continuum and revealing the collision of paradigms and epistemes. While focusing on the texts that illuminate the peculiarities of Russian Modernism (Andrei Bely’s Petersburg, Yuri Olesha’s Envy), Alternative Kinships also includes a detailed discussion of Nathaniel Hawthorne’s The House of the Seven Gables, Miroslav Krleza’s The Return of Filip Latinovicz, and Isak Dinesen’s stories. This comparative attempt discloses intricate interconnections not only between literatures and cultures but between ideologies and political programs as well. Jacob Emery points out, “Like the authors of Russian modernism, Hawthorne, Krlea, and Dinesen are concerned with alternative kinships that take shape at a moment of crisis in the history of hereditary castes: the rise of Jeffersonian democracy, the fall of the Austro-Hungarian aristocracy, and, in Dinesen’s historical fiction, a preoccupation with inheritance mechanisms in the period just before and after the French Revolution “(10-11). Literature appears to respond to political developments, which bring forth crucial shifts, redefining the areas of the familiar and of the conventional. As Alternative Kinships demonstrates, Soviet literature offers an array of intriguing possibilities for reshaping family relationships. In addition, these experiments are inextricably connected with the Soviet economic endeavors. One of the fascinating family experiments that Jacob Emery extensively comments on is “milk kinship,” which, under the Soviet regime,” aimed to replac[e] traditional ideas of kinship” (113). State-run milk banks, Emery argues, is “the metaphor of a transcendental mother supplying a universal family” (115). Russian modernism generates a number of scenarios, portraying not only the redefinition of social and economic relations but also the transformation of the individual: alternative kinships call for New Men and Women. Alongside family relationships, which respond to economic, political, ideological modifications, Alternative Kinships also touches upon hereditary memory: family is inseparable from the memory that reveals itself in multiple ways. Aesthetic and literary interconnections that Jacob Emery outlines through the analysis of gothic and modernist texts initiate a conversation about cultural memory: literary texts demonstrate the interconnectedness of the aesthetics, history, society, and the individual. Literature as a complex construct that incorporates a number of components and fragments, which establish a variety of relationships, can be illustrated with the image of mirror, which is closely analyzed in Alternative Kinships. Mirror is actively employed to show family relationships and to reveal the potential of a literary text to absorb and to respond to the environment. Revealing the dynamics of family and economy relationships across times and cultures, Alternative Kinships contributes to the discussion of international modernism(s), Learn more about your ad choices. Visit megaphone.fm/adchoices

In Alternative Kinships: Economy and Family in Russian Modernism (Northern Illinois University Press, 2017), Jacob Emery presents literary texts as intersections of aesthetic, social, and economic phenomena. Drawing particular attention to the texts that emerge under the influence of burgeoning Soviet ideology, Jacob Emery discusses aesthetic developments and repercussions caused and initiated by the programs aimed at the redefinition of economy and society. The spheres of family and economy appear to not only absorb changes and transformations instigated by the strengthening of communist rhetoric, but also to exercise influences on the formation and on the development of Soviet literature, reshaping the aesthetic continuum and revealing the collision of paradigms and epistemes. While focusing on the texts that illuminate the peculiarities of Russian Modernism (Andrei Bely’s Petersburg, Yuri Olesha’s Envy), Alternative Kinships also includes a detailed discussion of Nathaniel Hawthorne’s The House of the Seven Gables, Miroslav Krleza’s The Return of Filip Latinovicz, and Isak Dinesen’s stories. This comparative attempt discloses intricate interconnections not only between literatures and cultures but between ideologies and political programs as well. Jacob Emery points out, “Like the authors of Russian modernism, Hawthorne, Krlea, and Dinesen are concerned with alternative kinships that take shape at a moment of crisis in the history of hereditary castes: the rise of Jeffersonian democracy, the fall of the Austro-Hungarian aristocracy, and, in Dinesen’s historical fiction, a preoccupation with inheritance mechanisms in the period just before and after the French Revolution “(10-11). Literature appears to respond to political developments, which bring forth crucial shifts, redefining the areas of the familiar and of the conventional. As Alternative Kinships demonstrates, Soviet literature offers an array of intriguing possibilities for reshaping family relationships. In addition, these experiments are inextricably connected with the Soviet economic endeavors. One of the fascinating family experiments that Jacob Emery extensively comments on is “milk kinship,” which, under the Soviet regime,” aimed to replac[e] traditional ideas of kinship” (113). State-run milk banks, Emery argues, is “the metaphor of a transcendental mother supplying a universal family” (115). Russian modernism generates a number of scenarios, portraying not only the redefinition of social and economic relations but also the transformation of the individual: alternative kinships call for New Men and Women. Alongside family relationships, which respond to economic, political, ideological modifications, Alternative Kinships also touches upon hereditary memory: family is inseparable from the memory that reveals itself in multiple ways. Aesthetic and literary interconnections that Jacob Emery outlines through the analysis of gothic and modernist texts initiate a conversation about cultural memory: literary texts demonstrate the interconnectedness of the aesthetics, history, society, and the individual. Literature as a complex construct that incorporates a number of components and fragments, which establish a variety of relationships, can be illustrated with the image of mirror, which is closely analyzed in Alternative Kinships. Mirror is actively employed to show family relationships and to reveal the potential of a literary text to absorb and to respond to the environment. Revealing the dynamics of family and economy relationships across times and cultures, Alternative Kinships contributes to the discussion of international modernism(s), Learn more about your ad choices. Visit megaphone.fm/adchoices

In Alternative Kinships: Economy and Family in Russian Modernism (Northern Illinois University Press, 2017), Jacob Emery presents literary texts as intersections of aesthetic, social, and economic phenomena. Drawing particular attention to the texts that emerge under the influence of burgeoning Soviet ideology, Jacob Emery discusses aesthetic developments and repercussions caused and initiated by the programs aimed at the redefinition of economy and society. The spheres of family and economy appear to not only absorb changes and transformations instigated by the strengthening of communist rhetoric, but also to exercise influences on the formation and on the development of Soviet literature, reshaping the aesthetic continuum and revealing the collision of paradigms and epistemes. While focusing on the texts that illuminate the peculiarities of Russian Modernism (Andrei Bely’s Petersburg, Yuri Olesha’s Envy), Alternative Kinships also includes a detailed discussion of Nathaniel Hawthorne’s The House of the Seven Gables, Miroslav Krleza’s The Return of Filip Latinovicz, and Isak Dinesen’s stories. This comparative attempt discloses intricate interconnections not only between literatures and cultures but between ideologies and political programs as well. Jacob Emery points out, “Like the authors of Russian modernism, Hawthorne, Krlea, and Dinesen are concerned with alternative kinships that take shape at a moment of crisis in the history of hereditary castes: the rise of Jeffersonian democracy, the fall of the Austro-Hungarian aristocracy, and, in Dinesen’s historical fiction, a preoccupation with inheritance mechanisms in the period just before and after the French Revolution “(10-11). Literature appears to respond to political developments, which bring forth crucial shifts, redefining the areas of the familiar and of the conventional. As Alternative Kinships demonstrates, Soviet literature offers an array of intriguing possibilities for reshaping family relationships. In addition, these experiments are inextricably connected with the Soviet economic endeavors. One of the fascinating family experiments that Jacob Emery extensively comments on is “milk kinship,” which, under the Soviet regime,” aimed to replac[e] traditional ideas of kinship” (113). State-run milk banks, Emery argues, is “the metaphor of a transcendental mother supplying a universal family” (115). Russian modernism generates a number of scenarios, portraying not only the redefinition of social and economic relations but also the transformation of the individual: alternative kinships call for New Men and Women. Alongside family relationships, which respond to economic, political, ideological modifications, Alternative Kinships also touches upon hereditary memory: family is inseparable from the memory that reveals itself in multiple ways. Aesthetic and literary interconnections that Jacob Emery outlines through the analysis of gothic and modernist texts initiate a conversation about cultural memory: literary texts demonstrate the interconnectedness of the aesthetics, history, society, and the individual. Literature as a complex construct that incorporates a number of components and fragments, which establish a variety of relationships, can be illustrated with the image of mirror, which is closely analyzed in Alternative Kinships. Mirror is actively employed to show family relationships and to reveal the potential of a literary text to absorb and to respond to the environment. Revealing the dynamics of family and economy relationships across times and cultures, Alternative Kinships contributes to the discussion of international modernism(s), Learn more about your ad choices. Visit megaphone.fm/adchoices

In Alternative Kinships: Economy and Family in Russian Modernism (Northern Illinois University Press, 2017), Jacob Emery presents literary texts as intersections of aesthetic, social, and economic phenomena. Drawing particular attention to the texts that emerge under the influence of burgeoning Soviet ideology, Jacob Emery discusses aesthetic developments and repercussions caused and initiated by the programs aimed at the redefinition of economy and society. The spheres of family and economy appear to not only absorb changes and transformations instigated by the strengthening of communist rhetoric, but also to exercise influences on the formation and on the development of Soviet literature, reshaping the aesthetic continuum and revealing the collision of paradigms and epistemes. While focusing on the texts that illuminate the peculiarities of Russian Modernism (Andrei Bely’s Petersburg, Yuri Olesha’s Envy), Alternative Kinships also includes a detailed discussion of Nathaniel Hawthorne’s The House of the Seven Gables, Miroslav Krleza’s The Return of Filip Latinovicz, and Isak Dinesen’s stories. This comparative attempt discloses intricate interconnections not only between literatures and cultures but between ideologies and political programs as well. Jacob Emery points out, “Like the authors of Russian modernism, Hawthorne, Krlea, and Dinesen are concerned with alternative kinships that take shape at a moment of crisis in the history of hereditary castes: the rise of Jeffersonian democracy, the fall of the Austro-Hungarian aristocracy, and, in Dinesen’s historical fiction, a preoccupation with inheritance mechanisms in the period just before and after the French Revolution “(10-11). Literature appears to respond to political developments, which bring forth crucial shifts, redefining the areas of the familiar and of the conventional. As Alternative Kinships demonstrates, Soviet literature offers an array of intriguing possibilities for reshaping family relationships. In addition, these experiments are inextricably connected with the Soviet economic endeavors. One of the fascinating family experiments that Jacob Emery extensively comments on is “milk kinship,” which, under the Soviet regime,” aimed to replac[e] traditional ideas of kinship” (113). State-run milk banks, Emery argues, is “the metaphor of a transcendental mother supplying a universal family” (115). Russian modernism generates a number of scenarios, portraying not only the redefinition of social and economic relations but also the transformation of the individual: alternative kinships call for New Men and Women. Alongside family relationships, which respond to economic, political, ideological modifications, Alternative Kinships also touches upon hereditary memory: family is inseparable from the memory that reveals itself in multiple ways. Aesthetic and literary interconnections that Jacob Emery outlines through the analysis of gothic and modernist texts initiate a conversation about cultural memory: literary texts demonstrate the interconnectedness of the aesthetics, history, society, and the individual. Literature as a complex construct that incorporates a number of components and fragments, which establish a variety of relationships, can be illustrated with the image of mirror, which is closely analyzed in Alternative Kinships. Mirror is actively employed to show family relationships and to reveal the potential of a literary text to absorb and to respond to the environment. Revealing the dynamics of family and economy relationships across times and cultures, Alternative Kinships contributes to the discussion of international modernism(s), Learn more about your ad choices. Visit megaphone.fm/adchoices

Programledere: Mathilde Kjølsrød Berg og Amalie Widerberg. **Så langt er det to kandidater som søker på stillingen som ny leder i Norsk Studentorganisasjon. Hør Marianne Andenæs og Bjørn Dinesen debattere i studio. **Studenter med dysleksi kan søke om ekstra stipend på over 3000 kroner. - Svært få studenter vet om dette tilbudet, sier leder av Sosialdemokratene Ingvild Stensrud. **Den årlige undersøkelsen Studiebarometeret utført av NOKUT er klar. Funn viser at i en del utdanningstyper, hvor studenter raporterer lav studieinnsats, får studentene toppkarakterer. Det gjelder blant annet i fag som pedagogikk og språk. Sjefsanalytiker i NOKUT Ole-Jacob Skodvin stiller spørsmålet: blir studentene nok utfordret?

In this episode, I talk with not 1, not 2, but 3 amazing Mompreneurs who give the scoop on: • What does "Mompreneur" mean to them? • As a woman, mom and entrepreneur, their greatest challenge and what they've done to overcome it • Advice to someone starting out Today's guests are: Grace Moores - owner of The Moores Group, a marketing agency that specializes in sponsorships for small businesses with a community based demographic. Grace and her husband have 2 children. Stephanie Goertz - owner of The Healthy Connection, supporting and connecting companies and people so that they can create a stronger and healthier community within Kitchener, Waterloo, and Cambridge, Ontario. Stephanie is also the Kitchener-Waterloo Mompreneurs Licensee, and a wife and mom of 2! Vanessa Dinesen - Vanessa is the Peterborough Mompreneurs Licensee, and has owned and operated her bookkeeping and income tax business for the past seven years, while raising her 5 kids along with her husband!

Dave Dinesen is the President & CEO of BackCheck, Canada's largest pre-employment screening company. A rogue employee is a disaster - and Dave has the stories. Plus, BackCheck has recently been acquired by an American firm. Dave shares the lessons from the transaction.