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Join Round Guy Radio for an electrifying live broadcast from Pekin Community High School Gymnasium, where the Winfield Mount Union Wolves face off against the Minneapolis Bulldogs in the Southeast Iowa Conference Shootout. The event features multiple games across different locations, with each hosting thrilling basketball matchups. This exciting game is sponsored by Partners for Private Fundraising out of Morning Sun, Iowa, ensuring fans don't miss a moment of the action. Celebrity referees Leonard DiCaprio, James Gandolfini, and Bruce Willis bring star power to the court, alongside elite high school talent. Tune in to witness strategic plays, intense rebounds, and incredible three-point shots as teams battle for victory. The game unfolds in a nail-biting sequence of offensive and defensive maneuvers, with players determined to outscore each other. Special thanks to our sponsors Western Drug and Davis Salon for supporting the event.
On this episode of THE HOT MIC, Jeff Sneider and John Rocha discuss the big entertainment news of the week including the 2025 Oscars nominations, Ryan Gosling and Natalie Portman Star Wars news, Oceans 14 update, Martin Scorsese and Leonard DiCaprio's new project, Robert Eggers directing Werwulf, Tom Holland to be the lead in Odyssey and Jon Bernthal joining the cast, Benedict Cumberbatch on Doctor Stange NOT in Avengers Doomsday, Mickey 17, OPUS and DROP trailers, Narnia's IMAX release, the AI controversy over The Brutalist and more!#StarWars #Marvel #Oscars #TheHotMic #JohnRocha #JeffSneider ____________________________________________________________________________________Chapters:0:00 Intro and Rundown2:15 2025 Oscars Nominations Reactions, Snubs, Surprises and Analysis24:10 The Brutalist AI Controversy - Will It Affect Its Oscars Chances?34:04 Ryan Gosling in Talks for Shawn Levy's Star Wars Movie47:26 Will Natalie Portman Appear in Star Wars Ahsoka S2 or Not?50:36 Benedict Cumberbatch's Doctor Strange to Not Be in Avengers: Doomsday53:50 Leonardo DiCaprio and Scorsese Teaming Up for The Devil in the White City Adaptation57:19 David Leiths In Talks to Direct Oceans 14 with George Clooney and Brad Pitt1:04:01 Robert Eggers to Direct Labyrinth Remake and WERWULF Movie1:07:04 Tom Holland to Lead The Odyssey Movie1:09:30 NETFLIX to Release Greta Gerwig's Narnia Movie in IMAX Theaters1:14:07 OPUS, MICKEY 17, and DROP Trailers Talk1:17:22 Justin Baldoni and Blake Lively Update - This is Not Going to End Well1:22:05 Streamlabs and Superchat QuestionsFollow John Rocha: @therochasays Follow Jeff Sneider: @TheInSneider
Welcome back, little turtle cuties and Villa Rosa VIPs! On today's episode of Turtle Time, Amy and Riley discuss the piping hot new trailer for Summer House season 9 as well as Al Pacino getting a little bit of lunch with Leonard DiCaprio. (00:00 - 16:15)We then discuss this week's fun episode of the Real Housewives of Potomac - season 9, episode 11 - "Creature from the Love Lagoon." (16:15)And then we discuss this week's episode of the Real Housewives of Beverly Hills - season 14, episode 5 - "Jennifer Tilly's House of Horrors". (44:45)And then finally, we discuss this week's decent episode of the Real Housewives of New York City - season 15, episode 12 - "A Picture Is Worth A Thousand Words" (01:11:25)If you enjoyed this episode and need more Turtle Time in your life, join the Turtle Time Patreon and become a Villa Rosa VIP to hear exclusive bonus content! We're recapping the Vanderpump Rules series from the beginning each week and uncovering all of its secrets.And if you need even more Turtle Time in your life, follow us on TikTok or Instagram. And please, if you want to watch some of the fun things we do, subscribe on YouTube. Hosted on Acast. See acast.com/privacy for more information.
Have you ever wondered how Leonardo DiCaprio rose from small TV roles to becoming one of Hollywood's biggest stars?He faced many challenges before breaking through, which is something every actor can relate to.In this episode, you'll learn;How DiCaprio got his start and the key element that contributed to his successHow he built a close relationship with industry mentors like Robert De Niro to shape his success.The mindset you need to overcome rejection and keep growingTune in now to discover how Leonardo DiCaprio's early struggles can inspire your own acting journey!Contact Info and ResourcesMartin's Email: martin@cityheadshots.comMartin's Website: https://www.martinbentsen.comHeadshots: https://www.cityheadshots.comShoot Footage for Your Reel: https://www.actorscreenershoot.comEdit Footage Into a Reel: https://www.demoreelsnyc.comThis podcast dives deep into the world of acting in film, exploring the journey of movie acting with stories, building confidence among aspiring actors, navigating auditions and productions, and offering insights from acting agents, coaches, and the challenges of becoming SAG-AFTRA eligible to advance your acting career, skills, and landing roles.
Julia joins the guys as they go back to 'Titanic'. Historical tragedy! Teen heart throbs! Billy Zane! This movie has it all!
Turns out Taylor Swift's new album comes out overnight -- got it! Orcas are still getting spicy in Spain and a great white shark is swimming around New England, we remember our embarrassing restaurant memories, and Neil Young returns to Spotify and Leonard DiCaprio might play Frank Sinatra! Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Turns out Taylor Swift's new album comes out overnight -- got it! Orcas are still getting spicy in Spain and a great white shark is swimming around New England, we remember our embarrassing restaurant memories, and Neil Young returns to Spotify and Leonard DiCaprio might play Frank Sinatra! Learn more about your ad choices. Visit megaphone.fm/adchoices
On this episode of I Am The Wiz, Wiz reviews the 2023 epic western film nominated for 10 Oscars Killers of the Flower Moon starring Leonard DiCaprio, Lily Gladstone and Robert DeNiro, directed by Martin Scorsese
On this week's episode, I have choreographer Phil Wright. We talk about the huge risk he took moving out to Los Angeles from a successful career in Miami. He dives into some of the famous people he has worked with as well as what his most viral video is. There is so much more so make sure you tune in.Show NotesPhil Wright on Instagram: https://www.instagram.com/phil_wright_/Phil Wright on TikTok: https://www.tiktok.com/@philwright_Phil Wright on YouTube: https://www.youtube.com/@PhilWrightMichael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Newsletter - https://michaeljamin.com/newsletterAutogenerated TranscriptPhil Wright:And it's hard because we're working when we're not working, there's no punching and punch out clock withMichael Jamin:Us.Phil Wright:So it's tough. So getting the brain to relax and just actually sit down and watch a movie and not worry about camera angles, or how did he save his line to make him funny?Michael Jamin:Really?Phil Wright:I've lost, and which I'm trying to get back to. I've lost the concept of just being a consumer.Michael Jamin:You're listening to. What the hell is Michael Jamin talking about? I'll tell you what I'm talking about. I'm talking about creativity. I'm talking about writing, and I'm talking about reinventing yourself through the arts.Hey everyone, it's Michael Jamin, another episode of, what the Hell is Michael Jamin talking about? I'll tell you what I'm talking about, guys. So as you know, I'm really into talking to creative people who've just done interesting things and have invented themselves in ways. And so ordinarily I talk to screenwriters and authors and actors and directors, people like that, but I just discovered this guy I want to introduce you to. His name is Phil Wright, and he's the first dancer choreographer I'm talking to, which I think is so, I don't know. I got a lot of questions for you. Phil. Welcome to the show. Thank you so much for doing this,Phil Wright:Dude. Thank you for having me. I'm such a fan, man. You don't realize I'm such a good fan. I watch your page all the time. I'm always interested in what you're getting into. Ah,Michael Jamin:That's very kind. I'm a fan of you. I have to know doing something, which is really interesting. Not a lot of people can make a living as a dancer and even a choreographer that's even fewer people. And yet this is, so where did this all begin then?Phil Wright:Okay, so originally from Miami, Florida. I moved to LA about 10 years ago. I had stepped into the dance world accidentally, I guess because I wasn't really technically trained per se. I didn't start at a young age. I started dancing on the streets. That's when we had crews, and if you weren't part of a crew, then you were a nerd. And I wasn't a nerd by any means. I wasn't book smart, so you had to be a part of a crew, and that's what it was. So it sort of kept me off of the street, out of trouble and fast forward, moved to LA about 10 years ago and just rebranded myself in what I was trying to do with my career. I actually started teaching children to start things off. Kind of got like, you know what? I think I could do better. I think I could, when youMichael Jamin:Say teaching children, you were teaching at schools at where? Yeah,Phil Wright:Teaching at local dance studios around the neighborhood. And honestly, it just started off like, Hey, I need some extra money, man. So I'm serving tables at Applebee's, serving two for twenties and three o'clock rolls around. I go teach a class and do my double shift, go right back to Applebee's and do the same thing all over again. And we won't talk about poker nights. But anyway.Michael Jamin:So you were starting at the bottom, but when you moved to la, did you hope to get in music videos? What was your aspiration?Phil Wright:Well, I mean, first off, I had sort of established myself in Miami. I started teaching for the Miami Heat Dance Team. Oh, really? Miami Billboard Awards, the Latin Billboard awards. And I had sort of caught fire in Miami, and I had an apartment in BIS Camp Boulevard. So I was fine. I didn't really need to move.Michael Jamin:So that must have been hard. You're going to leave all that behind.Phil Wright:Yeah. Yeah.Michael Jamin:You wanted a bigger pool or what? It wasPhil Wright:Huge. It was a huge sacrifice. And then at that time, my girlfriend, well, now wife, I just came home and I just sort of got motivated by my friends who had moved from Miami to la.Michael Jamin:And how old were you at this point when you decided to leave it behind?Phil Wright:Dude, I told my kids this all the time. It's never too late. I moved to Los Angeles when I was 26 years old.Michael Jamin:Right. Okay. Well, you're still young, but, but yeah,Phil Wright:But in artistry world, especially if you're in front of the camera, not behind the camera writing orMichael Jamin:Directly,Phil Wright:If you're in front of the camera and you have eyes on the camera, you have to be, I don't know, fresh, I guess. I don't know.Michael Jamin:Well, especially dancing, because it takes a wear and tear on your body. I mean, it really does. Definitely.Phil Wright:So during that time, you would consider that, woo, that's kind of late in the game. So I moved to LA and started all over, man. I had gave up everything and I had dreams, and I gave it all up and moved to LA to sleep on the floor in my friend's apartment, one bedroom apartment with roaches crawling on me, just,Michael Jamin:And then where did you start from? I should mention, because I haven't said this before. You're huge on YouTube. You've got well over a million followers. That's a big deal, man. That's a very big deal. Thank you. So I mean a household name, but you are making quite a name for yourself. You know what I'm saying? Yeah.Phil Wright:I like to say this broke, gets creative really quick.Michael Jamin:Yes. Tell me howPhil Wright:The motivation to, it's not money per se, it's sort of just being productive. You know what I mean? If I can stay productive, the money will follow. But when you don't necessarily have opportunities knocking at the door every single day, you have to sort of create those opportunities.Michael Jamin:So how were you doing that? What were you doing?Phil Wright:This was the time when Instagram was around and we had our 15 second videos. These were 15 second videos. And I would go out on the street, gorilla style, no permits. I hope they won't catch me now, but no permits, no nothing. And I would get the most popular song that would drop at midnight, photograph something, get two or three friends, and record a dance routine in the middle of the street.Michael Jamin:And this, was it Vine or Instagram?Phil Wright:This was Instagram during the time. This is after Vine.Michael Jamin:Okay.Phil Wright:Now, strategically, what I would do is get the teachers that were already teaching in the classrooms, but I wasn't teaching during that time. No one knew who I was. I knew who those people were because I took those people's classes. So they knew I was a great dancer. They knew I was good people. So they would say, sure, yeah, Phil, we'll dance with you. And no one really, at that time, videos were not big. They weren't a big deal. So I would get them and they would just, Hey, look. And my pitch was like, I only need 15 seconds your time. That's it. 15 seconds, we'll do two eight counts. That's it. And you'll make a new appearance and then you bounce out. ButMichael Jamin:What was your expectation when you were putting these videos up?Phil Wright:My expectations were to get into classrooms, to teach classes.Michael Jamin:Oh, okay. Why? Because you need a following to get to teach in a classroom.Phil Wright:Absolutely.Michael Jamin:Really?Phil Wright:Absolutely. SeeMichael Jamin:That I did not know, even in a small little private studio, you need a following.Phil Wright:You need a following. If people don't know who you are, they're not coming to take class.Michael Jamin:But I would think that my daughters went to take dance class and there was a studio in the neighborhood, and we went there.Phil Wright:Yeah, I mean, well, I'm thinking, I'm talking more of entertainment, not your residential.Michael Jamin:So these classes are more,Phil Wright:These are professionalMichael Jamin:Dance classes, classes,Phil Wright:Debbie Reynolds Dance Complex. These are where the pros go toMichael Jamin:Try. Okay.Phil Wright:And my hope was is to grab these teachers and let them be a part of my video, and I produce it. Well, I cut it. I get on my little editing app, cut it up really quick. And my hope was is if they were ever absent, the studios would see that and say, oh, wow, who's this guy dance with? JR Taylor. Oh, Jr. R Taylor's out next week. Let's just get this guy, because JR Taylor must know this guy.Michael Jamin:So funny, because I did a post a while ago where I said, get in the neighborhood, get as close as you can physically possible to the person whose job you want, pick up their scraps. And that's exactly what you did. You just pick up their scraps. And now you're that guy now.Phil Wright:Yeah. And you know what? I actually had a friend of mine, we guess, I don't know, associates, and he came to me, and during that time, I had asked him to be a part of my video. At that time, no one knew me or this and that, and he declined. He was just like, no, I don't have time and everything like that. And now, fast forward six, seven years later, I invited him to my house, to my birthday party. Actually, dude, I've never told you this, but I have to apologize. I didn't know you. I was like, dude, that's water on the bridge. Doesn't matter. You didn't know me. You know what I mean? But I had to put myself out there for people to even say my name, whether if it was good or bad, at least I'm buzzing in some type of way. ButMichael Jamin:You see, people didn't know how serious you were. I'm sure you must've known people who did what you did and gave up after about a week and a half.Phil Wright:Yeah. But bro, I was on a tyrant. I would shoot, say five to seven videos a day, and remember, it's only 15 seconds. So I would shoot that and then release 'em every day throughout.Michael Jamin:It's difficult. It becomes, you're never done. You're never done. It's like, I imagine it's sorting the mail. The mail doesn't stop coming, man. And that's what posting is like. Do you still keep that same schedule?Phil Wright:Well, it's tough. Now. I got two kids. I got a wife, you know what I mean? Now my home base is traveling. I travel a lot. I'm always on the plane. And I've already built up this sort of following online to where now I can, Hey, I'm in Arizona. I can put a post out and say, Hey, I'm in Arizona. And then I'll just get a wild spread of emails. Hey, could you come to my studio? Hey, could you come here?Michael Jamin:Is that right? So that's okay. So I want to know how that works. You decide what city you're going to go to, and you'll spend a week there. You decide, this is all your decision, right? I'm going to go to Phoenix. And then somehow, because all these people follow you on social media, these studio owners, they book you, and they know that the people, your fans are going to come see you at the studio. So it's easy for them. It's almost like a no brainer.Phil Wright:Well, that's the hope. You know what I mean? That you post that and they hope that people come to the studio. But in reality, I do so much with posting and promoting their own studio. They're going to go to Michael Jamin, writers Dance Studio five o'clock, see you there. Whether or not people come or not, the fact that I'm showing up there gives you such a boost to say, Hey, Phil Wright was at my studio. This is the footage. This is the class footage. You might want to check out Michael Jamin Writer's Studio next time that you're in town,Michael Jamin:But are you getting paid a percentage of the people who come, or are they just booking you? And regardless,Phil Wright:We're past that,Michael Jamin:Steve. We can't talk about that. I want to know how it works to be No, no,Phil Wright:No. We can definitely, no, that's sort of like the beginning stages of things. People handle their own the way they want to, but I work off of a flat rate, soMichael Jamin:So they book, you get paid either way,Phil Wright:Right? They book the hotel, the flight, they booked me myMichael Jamin:Time's. So interesting. So you're almost like a comedian, except you're doing dance.Phil Wright:Own my own boss, my own company. I created my own company for, right, Inc. And was able to go move off of that. SoMichael Jamin:Do you have employees working for you? Is that what Well,Phil Wright:I did have an assistant that helped me all the logistics, like getting the flights and the hotels and stuff like that. But she's moved on to bigger and better things. But now I'm just solely working for myself right now, just I don't have How many,Michael Jamin:So you travel every week. Are you in a different city everyPhil Wright:Week? Yeah. So I also do work for another company, a dance convention called Break the Floor. So they hire me seasonal throughout the fall up until the summer, and then I have that. So that's where you see all, I'm in the ballroom full of kids in the classes. They have numbers on their chest andMichael Jamin:Stuff. And those kids, what do they aspire? What do those kids, when you say, what do you think they want?Phil Wright:Most of them want to be professional dancers. Some of them just want to be in the room, some of them. Or you get the families that were past pro dancers that are trying to get the other kids into their kids, into dancing. So the motivation is like, yes, this is a professional. We're hiring Phil Wright, he's coming to Nebraska. Get your tickets now.Michael Jamin:See? And you have to have the right temperament for that, because you have to have the right energy to deal with kids. I mean, I wonder if there's a lot of people like you who do that.Phil Wright:Well, I would say there's not too many kid teachers out there.Michael Jamin:It's interesting. You've got this niche for yourself,Phil Wright:Enormous amount of patience. SoMichael Jamin:Yes.Phil Wright:So I think that helps me out in my age. I'm very one of the very few that teaches kids. There are other few teachers out there, but I think that's where most of my clock comes from.Michael Jamin:Do you have a community of other dancers like yourself who do what you do?Phil Wright:Yeah. I mean, some of them are more on the pro side, like, Hey, they work with artists per se only. Right?Michael Jamin:Interesting.Phil Wright:Luckily for me, I'm in a space where I get to do a little bit of everything,Michael Jamin:Really.Phil Wright:I choreographed commercials. I just finished a commercial with Kevin Hart and DraftKings. That's going to come out later.Michael Jamin:You got to teach him how to dance.Phil Wright:Well, that was pretty funny. That was pretty funny. He came up to me and he was missing his cue, and I was like, because he was supposed to do a pump, and the pyro was supposed to go off in the back. And I go up to Kevin, I was like, Kevin, dude, you're making me look bad, man. You're not pumping on time. He goes, Phil, when you get to a status of mine, you're going to do whatever the hell you want to do.Michael Jamin:Really? Oh, alright. As long as the director'sPhil Wright:Okay. I go, okay, okay. And I said, well, after we did the take, I go, well, I guess I'm out of a job then. Thanks cv. And he started laugh. So that was sort of a moment for me.Michael Jamin:I said this to my wife a couple of weeks ago because I was just, I don't know what got me started. I was the thing about choreography, which to me is so, because I'm not a dancer, I don't know how you guys do anything. It's so interesting. I don't know how you guys do it. It's like you're telling a story with movement and really good choreography is from my unknown. My opinion is, I guess just an outsider. To me, it's so specific to that song. It's almost like you can't even use that move in another song. An extreme example would be Michael Jackson's thriller. Okay, you're dancing like a zombie. You can't use those zombie moves in another video. It just won't work. And it's like, I don't know how you guys do that. I don't know how you even begin. Where do you begin when you choreograph a piece?Phil Wright:The creative process can be interesting for each individual choreographer. Everyone else has their own process. It's like writing. You may burn incense and then get in, go into a dark or something like that. Whatever happens to me. But the creative process is quite different from a lot for a lot of different people. For me, per se, I go to sleep with the music on. I wake up to the music, I listen to the lyrics as much as possible, and I get into a very creative mode where it's not manufactured. What I mean by that is it's not like, okay, I'm going to go here and think I'm going to go here, rather than just kind of letting my body settle in and let it happen. It's almost like, I don't know, cold reading, if you will, just off the whim, let's just go off of the cuff. And then that's where my creative juices start to flow. Now I get into a mode where I do it very subconsciously. I try not to block out hours to choreograph. I sort of just go out throughout my day and create movement and live life as easy asMichael Jamin:Possible. But then how do you remember if you're choreographing it on the fly, then how do you remember? What do you do? You film yourself?Phil Wright:Film myself. Yeah. Film myself real quick. It's like an idea. Writing. Oh, an idea. Lemme write that down.Michael Jamin:And when you're dancing, is it in your head or is it in your body? Where are you remembering thesePhil Wright:Moves? Some of it is, is initiated with through feeling and emotion, man and heart. Some things just touch you all so much on an emotional level. That's why I say manufactured is going through your head and trying to say, okay, let me form these shapes on the dance floor. AndMichael Jamin:He shapes,Phil Wright:Yeah, shapes and movement and how you would love to see your class move.Michael Jamin:Well, that's another thing. Now I'm thinking about you're choreographing just yourself, but you might have everyone, I might be doing something different. It has to mesh together. AndPhil Wright:I'm thinking about the masses, man. I'm thinking about what I would want to choreograph and how would this put me in a mood? Let's just say like Beyonce's new Renaissance tour album I put on her album. I'm thinking about arenas, I'm thinking about. So I think of that, and that puts me in a mode of larger movement to please a larger crowd. Whereas you take that compared to TikTok dancing, you have to say it in this littleMichael Jamin:Box. Yeah, right.Phil Wright:Please. You're more of a commercial. You're trying to sell or promote something.Michael Jamin:It'sPhil Wright:Different. Yeah. It's much, much, much different.Michael Jamin:Are you watching other dancers and saying, oh my God, how do I do that? Or that move?Phil Wright:I get inspired all the time. I know some choreographers don't like to watch, but I love to watch. And you know what? To their point, you don't want to watch so much because subconsciously when you get into your creative process, you end up doing what they do. You know what I mean? It's like,Michael Jamin:Ah. Well, that's the thing. Do you feel like you have a defined feel right style that you don't want? Do you not want be inspired, too much inspiration from somebody else? Because you don't want it to bleed into your work. You don't want to dilute your voice.Phil Wright:My inspiration comes from hard work and ethic, or how they're working and how they're releasing their content rather than the actual material.Michael Jamin:Oh, I see.Phil Wright:Or how are they promoting it or how are they editing it? You know what I mean? Oh, what's the new camera that they're using? Are they doing depth? You know what I mean? So those are the things that I look for. That's where my motivation,Michael Jamin:Because I was going to ask you, because if you saw someone with some move that you've never seen before, would you try it? Or would you feel like, no, that's just not mine can't.Phil Wright:There's nothing new under this sun. It's been done already. It's definitely been done already. I don't see anything. Oh, wow. You know what I mean? It's more, for me, it's about the work ethic more thanMichael Jamin:Anything else. Interesting. So howPhil Wright:Are you changing the game from yesterday into tomorrow?Michael Jamin:Okay, so what's your thought on that? How are you doing that?Phil Wright:It's hard because, well, for me, I think there should be a, well, for me, I'm in a transition phase. In 2022, no, 2020, I sold my TV show to Disney Channel.Michael Jamin:Yes, I wanted to talk about that. But go, yeah, let's talk about it now then.Phil Wright:Yeah, yeah, yeah. So the big worry, and let's just put this footnote, the big worry of every dancer is that, okay, my time is running out.Michael Jamin:WhatPhil Wright:I do, what am I, I'm not dancing anymore. You know what I mean? So I was approached by Irene Drayer, who saw an article that was written on me teachers about parents and students dancing. She said, Hey, I think this is a TV show. I said, lady, you're wasting my time. I got to go teach class. She goes, no, I'm serious. Nine months later, we're in Disney's office. This is when Gary Marsh was head of television and programming at Disney Show. And he actually came to one of my classes and saw my class and was inspired. And nine months later, I was able to sell a TV show, a dance competition show to Disney Channel.So let's just put that to the side really quick. My hope was, okay, yes, I'm out. I got something, I sold a show. I don't have to dance anymore, really. You know what I mean? I can be a personality now. I can promote myself in a different fashion. This is another mountain that I can climb and be successful at. Fast forward TV shows goes on. We do not so well, because it was during covid no's watching TV there. Everyone was watching CNN. So our timing was off. And I went back to the drawing board. I went back to teaching. ButMichael Jamin:You see, it's a couple of interesting things. First of all, I don't think you would've sold that show had you not already built yourself up. I mean, you have a big following. So it's not like you were just the guy with an idea, Hey, here's a show. You are a guy who had built something already who went in and pitched a show, right? I mean, it's a big difference. But I don't think people realize that. A lot of people are like, I got an idea on your first date in la. If you said, I want to sell a Dan show. Okay, well, sorry, it's not going to happen. So you had to build it first. And then the other thing is interesting is that people think that you're never done with it. The journey never ends. Wherever you are in career is more that you have to do, and you're always thinking about the next thing. So yeah. So you aspire. Well, I was going to ask you. Yeah, because knowing that youth, you lose your youth in every creative industry, you have to be always thinking about the next thing. And so you're just to be more of this personality, which you already are. I mean, maybe you don't realize it. I realize it. When you're booked to go to Arizona, it's you. They're booking. It's not even your dance moves, it's you. You know what I'm saying?Phil Wright:I tell my students all the time, like dancers per se, we spent a great amount of deal of creating and ultimately making these artists lookMichael Jamin:Great on stage,Phil Wright:Either on stage or we're promoting a commercial to sell something or whatnot. And a lot of times, and I've seen a lot of dancers go through this, they go through this real down phase because we spend so much energy making everyone else stars.Michael Jamin:Oh, really?Phil Wright:As opposed to us being the actual star, we're stars, per se, among the dance community. But when it comes to the actual product of Target, target, target doesn't give to pennies and a crap about us. We can be replaced under their watch. But in our dance community, we're like, oh my God, Sarah's killing it. You know what I mean? But we're not, per se, really making our presence known and being our own bosses and being our own stars. And I think that was something that resonated with me. And I recognized very, very early in the game. So I wanted to put myself in the forefront to say, look, I know I'm helping you build your legacy, but at the same time, I need to build my own.Michael Jamin:SoPhil Wright:That was a big, big, big thing for me.Michael Jamin:And so what do you do other than trying to sell TV shows? What do you do to doPhil Wright:That? I mean, ultimately that's the big goal right there. I just want to sell ips,Be able to, and right now, I'm currently in acting classes. I take acting classes here as well. But I tell my students all the time, man, I have to open up so many doors. Open up all the doors that you can. I'm in acting class. I actually have two pictures next week with Disney and Nicole Nickelodeon. I'm on social media all the time. And I believe that there's three ways that you can do this. You can do this in person on social media, and you can do this on linear, on television. And if you can have those three lanes open, constantly rolling. When one door closed, God forbid we get hit with covid again. At least my online and television is rolling. Or if I don't have a TV show going right now, at least I'm in person traveling from here to there.Michael Jamin:Is that exhausting though? Traveling?Phil Wright:Oh, soMichael Jamin:Exhausting. So I mean, it's not like you want to do more of it. You're kind of okay with,Phil Wright:I mean, look, the reason why I'm okay with, it's because I'm so blessed to be able to createMichael Jamin:My own, to do itPhil Wright:And take downtime when I want to. I don't have a boss. I am. I'm the guy. So that's why there's a certain level of gratitude there. And there was a time where no one wanted me in their city. No one cared. So for some people to be like, oh my God, we will love to. We will pay X amount of dollars for you to come here.Michael Jamin:You camp out at one city for a week. Or will you go from Phoenix to Houston in one week?Phil Wright:I used to be able to go there and just chill out for the entire weekend or whatnot. No, I'll fly to New York, get off the plane, teach two or three classes, go back to the airport, go back home. The same. I want to be as efficient as possible. I want to be quick, fast. And for me, if I can make X amount of dollars in six hours with me just sleeping on a plane, then that's fine. You know what I mean? Whereas I used to travel in my red Mitsubishi to San Francisco for 200 bucks. You know what I mean? So it's a process. So it's a level of gratitude that goes with it. But I'm fast, man. I get in and I get out, and if whatever it takes to get it done, I get it done.Michael Jamin:Hey, it's Michael Jamin. If you like my content, and I know you do because you're listening to me, I will email it to you for free. Just join my watch list. Every Friday I send out my top three videos of the week. These are for writers, actors, creative types, people like you can unsubscribe whenever you want. I'm not going to spam you, and the price is free. You got no excuse to join. Go to michaeljamin.com. And now back to, what the hell is Michael Jamin talking about?I guess you're a YouTuber, right? Are you in that community, that YouTubePhil Wright:Circle? I guess I made videos for a long time. I'm not as avid as I was before, but I was dropping videos every day. But now, here's the problem with what I was doing, is that I was using music that was licensed to these big artists. And I would get notices on my YouTube all the time and say, Hey, there's copyright infringement you can't monetize. So I never made money from my YouTube per se. You know what I mean?Michael Jamin:But I see people on Instagram or TikTok dancing to popular songs. I seePhil Wright:That. I do that all the time. But you have to understand that that influences third party companies to come after you and say,Michael Jamin:Sure it does. Oh my God,Phil Wright:We see how many views do you have on YouTube? Can you shoot this Friz commercial? Or can you do thisMichael Jamin:Target? Oh, okay. So they're not monetizing, those people are not monetizing their Instagram that way. They're monetizing by getting brand deals or whatever.Phil Wright:But now, don't quote me on that because they may be monetizing. They may be. But I'm just talking about, for me, I never had the luxury of monetizing YouTube because of the copyright infringement clause. AndMichael Jamin:On YouTube, did you teach yourself all this, or did you figure this out as you went? Or was someone helped youPhil Wright:Broke, gets creative really quick. I think we all established that, man, when you have nothing, man, when you're against the wall, you find ways to succeed. And fortunately, I was able to find a lane and make it work. A lot of my friends tell me today, they're like, I don't know how you did it,Michael Jamin:Man. Really? Yeah. Really.Phil Wright:And I knock on wood, man, because I'm so lucky.Michael Jamin:What did your family think of all this when you're starting out?Phil Wright:My wife is very supportive. I have a 3-year-old and a 2-year-old. So they're very young.Michael Jamin:No, I mean your family, your parents, myPhil Wright:Family at home. Well, my mom passed it 2015. And you know what? I think that had a lot to do with it as well, because a part of the notion of moving out to la I'm the baby of the family, so I was the last one to leave. So my whole motivation was to make her proud, come back home, buy her a bigger house, et cetera, et cetera. Consequently taking her life in 2015. And for some reason, and no matter what you believe in or whatever, I felt like as an artist, for me, the universe kind of gives you an exchange for some reason. And for some reason, my career, justMichael Jamin:Right after that, you felt there was an exchange.Phil Wright:I swear to you. I promise you. I promise you. It was an exchange. And I had not booked a single job in LA for two years. I get that news, and it was actually on the same day that I had booked my job, and my sister called me, she told me the news, and at that point, I went from on cloud nine to zero. None of it at all at that point. None of it. None of it matters. You know what I mean? You give these jobs and you give these companies and you give all of these achievements, so much power over you. You sort of block out the real necessity in life is life itself. So shortly after that, Mike, my career just, I went crazy and YouTube started popping off. Instagram started popping off. I started to make a name for myself. People started inquiring for me and everything. So it was a pretty wild period for me. It was emotionally kind of weird because I was appreciative, but not as appreciative as I would be if my mom were stillMichael Jamin:Right. Yeah, it puts it all in perspective. So you must've been dealt. I mean, people don't realize the sacrifice. I don't know. I think a lot of people, you took a giant sacrifice. You left your family, and a lot of people don't want to do that. They talk about it, but they don't do it. And so everything you gained, you paid for, you paid it.Phil Wright:Like I said, I swear to you, I just always see it as an exchange. I always see it as an exchange. And I tell my students all the time, you work hard at it, it'll come. Talent is great. That's awesome to have. But two main things are the main reason why I'm always booked is because people like me,Michael Jamin:Man,Phil Wright:I love people. I love to talk to people. Hell, I invited you to my birthday party. I don't even know whoMichael Jamin:You're, you did. I said, let's get you on my show.Phil Wright:But I love people and I love interacting and things like that. So I tell my students all the time, talent is great. It's good to have. It's a good weapon to have, but you have to be likable. You have to walk into a room and people light up because of you always have to stop if you can do that.Michael Jamin:And that's very interesting because what you're describing is people have to like you. What you're describing is that, that you're giving these people something you're actually, and it's not entitled. It's not like, Hey, look at me. I'm the star. What can I give you? How can I be nice to you? How can I be kind to you so that you'll like me as opposed to me, me, me, me. It's really putting the energy outPhil Wright:There would be at ease. People will never book me on their two year tour if I'm going to be a paint. Right? People are not going to write with you for nine months straight. AndMichael Jamin:People talk. People talk. Yeah. I'm always just shocked when I'm on a set and some young actor or actress will behave. When don't you realize that when you leave, we all talk. We talk to our friends On other shows, you don't understand that. So be nice to people.Phil Wright:Right? Right. Absolutely. And then no matter how much you trust somebody, everyone has secrets that they're going to tell. So someone's going to secret to somebody else. And for whatever you think you trust, it's going to leak. But that's funny about our industry is because networking is a huge about our industry in the entertainment world, not just dancing, not just acting, not just writing, not just producing just in general. You have to network. I got hired to do an NBA commercial because one of the producer is friends with one of the parents students that I teach.Michael Jamin:Interesting.Phil Wright:Literally, he was in the room and said, man, I need a choreographer. She goes, oh my God, this cool guy teaches my daughter. He goes, okay, cool. Send him the number.Michael Jamin:Well, you see, that's how it works. It's like you put the energy out there. It wouldn't have worked the other way around. If you had solicited the NBA or whoever, it wouldn't have worked. I'm a go away. But when you put yourself out there, you get discovered. It's the energy thing. Absolutely. And so it's the opposite of what so many people think. It's like people always begging, hire me, hire me. And it's not what you have to do. It's the other way around.Phil Wright:The moment I started to pour more into myself. That's when I started bookingMichael Jamin:More. What do you mean pour more into yourself?Phil Wright:When I started to make my, when I prioritized me, the times wire knocking on the door, hello, hello. Hang on. Hey, look at me. Please, please, please. No one will give me a time. Yes,Michael Jamin:Nobody,Phil Wright:Nobody. But when I started getting my own stuff, creating my own videos that's on the street for no dime, no nothing, just pure investment in art, all of a sudden everyone started to gravitate towards me and say, oh, okay. Well, we'll hire you to come and teach at the studio. And look, when I was knocking at the door, I was only trying to make a buck. I was just trying to make a pig check. So it just,Michael Jamin:But think how empowering that is because you're telling people you don't have to ask for permission. Just do it. It's empowering. You get to do it. You don't have to ask, just do it already.Phil Wright:Yeah, just do it. And we're so free to do that. And that's why I always encourage dancers and any other artist to just give yourself that power. Believe in yourself that way, because that's when you attract other giants to be a part of it.Michael Jamin:But that takes me to the next thing, which is you're putting yourself out there. You're exposing yourself to judgment, to ridicule. You're going to get haters. You hate. Everyone does. Yes. So what is your response to that? How do you deal with that?Phil Wright:I mean, for every one hater, I have 10 people who loveMichael Jamin:Me, right? But you see the hater first. I seePhil Wright:Hater. It's like the hat that drops down on the stage. Everyone's doing amazing, and the hat dropsMichael Jamin:Down. IPhil Wright:Wonder who's going to pick up that hat,Michael Jamin:Right?Phil Wright:But always, I don't know. Obviously there's a part of me that is a little disturbed by the hater. I'm like, you always ask yourself why? What possessed you to get your two thumbs? I just go to chitchatting like that. And I watch a lot of Gary V. I watch a lot of motivational speakers, and there's always things that they say to kind of get me uplifted, but I'm not going to sit up here and pretend like, oh, they don't bother me. And everything like that. Or the cliche, they make me work harder. I'm bothered by it. Absolutely. Because my fault is I want to please everybody.Michael Jamin:AndPhil Wright:The truth is, you're not going to be able to doMichael Jamin:It. But how do you deal with, do you block them? Do you talk with them? What do you do?Phil Wright:There was a point in time where I just unfollow. I was following people unnecessarily just because I want it to be in the face, and I want it to be. But now I've sort of shaved down that if I look, I'll give you an example. If I was go on my Instagram page, I should be able to look at posts without even putting on the value and liking it. Everyone I follow is someone who I stand by and trust with my eyes closed. It's like you're watching a video and you don't even have to turn on the Valium and they're just talking. You like it because you just like it. Right? That's whoever I follow is that's the motivation that comes behindMichael Jamin:That. But when someone comes on your page though, and they call you, whatever they say about you, do you block them? What do you do at all? Do you just ignore them? What do you do? IPhil Wright:Don't get too many, to be quite honest. If there's, they come in sporadic moments, but if there's an unnecessary comment, I delete it immediately.Michael Jamin:Okay. You delete it, but you don't block 'em. Yeah,Phil Wright:Because I don't even block 'em, because I've blocked some people before. It's very rare,Michael Jamin:BecausePhil Wright:Really got to understand, I work with children, I work with kids. I work with a lot of kids. So that's not much negativity around the world to say anything bad about a child. Every now and then, I do other pieces of content where I'm not with children all the time, and then I get wacky comments or whatever. But I would immediately delete it because, just because I think negativity attracts more negativity. Positivity attracts more positivity. So I just immediately deleteMichael Jamin:It. Yeah. I don't want to see it. I don't want to seePhil Wright:It. I don't even really read it all the way through. It's just see something. There was sometimes I put somebody in check. I kind of have checked somebodyMichael Jamin:And did that work?Phil Wright:Yeah. Oh, because then all of my fans and all of my people are like,Michael Jamin:Yeah, I mean, I ask you, because I'm relatively new to this. And I always ask people, how do you deal with this? Because it's putting yourself out there. And I think this keeps a lot of people from actually putting themselves out there. The negativity.Phil Wright:Yeah. No, but you know what? Sometimes it's a blessing in disguise.Michael Jamin:How's that?Phil Wright:It allows the people who love you to come to bat for you.Michael Jamin:Yeah, that's true.Phil Wright:They come to bat. And sometimes it's okay. So the next time you get a hater, a writer writing, just fall back. Don't even say anything.Michael Jamin:I do that sometimes. I'm not as good as you are. I'm not as involved.Phil Wright:Just fall back. Just fall back and just let, becauseMichael Jamin:Sometimes you don't get that reaction. Sometimes you get other people saying, yeah, they jump on. That's what I'm worried about.Phil Wright:But then that's when you swipe and delete real.Michael Jamin:That's when you just never know. I get some of that. I think someone's going to defend me, and instead I get someone else piling on. I like, oh, man.Phil Wright:But you know what? It is good to know that you have people that support you in a way that they will. I think that's important to do every now and then. But for the most part, I erase it, take it off. Because I don't want more people to be attracted to that idea of negativity. I just can't. I don't.Michael Jamin:Do you still collaborate with other dancers and choreographers or No, not so much anymore.Phil Wright:Not too much. I used to, not so much, because my thought process is for the next 10 years, I want to get into a world where sitting behind a desk and I'm able to create, there are handful, few,Michael Jamin:But create what?Phil Wright:Ideas, ideas, television shows, also selling recreational programs. Like there's this program I was just on, America's Got Talent, and we went on as the Parent Jam, so where kids and parents can dance with one another, which was after that. So I'm trying to see if we can license that in recreational centers and dance studios, and maybe I can sort of get that abroad. But that's a work in progress.Michael Jamin:I mean, it seems real smart, this little niche you got yourself, because parents will spend anything on their kidsPhil Wright:And they will do anything for their kids,Michael Jamin:Right? SoPhil Wright:They would get on the dance line. That's what sort of kind of propelled the idea, because they were able to get on, oh, I'm a lawyer, dude, but I love my daughter, so I'll do it.Michael Jamin:Right. They're at that age until they get older.Phil Wright:Just thinking about trying to expand that idea, trying to be in that world, trying to land up a couple gigs as an actor, hopefully, fingers crossed. Trying to pitch another idea for a television show. Just trying to fill the void of being an entertainer fully.Michael Jamin:Yeah. Yeah. I don't know. I'm inspired by what you've done. I really am. Because who are you? You're guy. You're just a guy who built it. That's all. You're a guy who built it.Phil Wright:You know what? It gets hard. Obviously. There are times where I work a little too much.Michael Jamin:Oh, really?Phil Wright:Yeah, man, that's the tough part. BalancingMichael Jamin:You mean? Being on the road?Phil Wright:Being on the road and just not working. And it's hard because we're working when we're not working.Michael Jamin:Yes.Phil Wright:There's no punching and punch out clock with us.Michael Jamin:Yeah. Yeah.Phil Wright:So it's tough. So getting the brain to relax and just actually sit down and watch a movie and not worry about camera angles or how did he say this line to make him funny?Michael Jamin:Really?Phil Wright:I've lost, and which is I'm trying to get back to. I've lost the concept of just being a consumer.Michael Jamin:Well, what's interesting though, because when you go to acting, the first thing they try to get, you do this, be in your body, but you are a dance, are in your, I mean, that's something you probably know better than other actors. How to be comfortable in your body and how not to be afraid of movement. That might look weird. You know what I'm saying? It's like you have this comfort in you, and also you're just naturally comfortable. You using a naturally comfortable person.Phil Wright:I'm fine with who I am, and I had to work on that to be okay with, because I'm from very the deep down south of Miami, Florida, so I didn't speak as well as I do now. I still that now my appearance, I come from a city where they put goatee, thinner mouths, pants. It was a very rough part of the city. And I'm still working on that, just continuously molding myself. So it takes time and it's a process.Michael Jamin:What do you think of this? So now that you're getting into acting or in the acting classes, what do you think of it? I mean, what's your,Phil Wright:It's so hard, bro.Michael Jamin:People don't realize it. You know what? I made a post the other day about how hard and people got on me for that, because laying bricks is hard. Well, yes, laying bricks is hard, but being on camera and being an actor, being good at it is hard.Phil Wright:It's incredibly hard. Now, I will say, I have the comfortable state of performing. I'm cool with you. Get me standing up. I got my script. Okay, good. All right, good. Let's go. I love that. I love that adrenaline rush. But the words on the page are, we're fighting. And then my identity does this. And I have a big problem with sometimes ad adlibbingMichael Jamin:Goes,Phil Wright:The writers, they're hired for a reason. Okay. Yeah. You're going to make it better.Michael Jamin:Well, there's truth to that. I mean, if you were a dancing in a big number with a bunch of dancers, you don't get to ad-lib. If everyone's doing, you got to do your piece.Phil Wright:Yeah. He would always say, if it's on the page, it was well thought out. And that's the way I want you to say it. Unless you're Leonard DiCaprio or Denzel can't do what you want, whatMichael Jamin:Was your reason for going for ad-Libbing is you couldn't remember it. Or becausePhil Wright:Memorizing lines are hard.Michael Jamin:Yeah, it's hard.Phil Wright:Yeah, very hard. And not only that, memorizing and then attaching feeling and emotion to it. It's incredibly hard. And then doing that in different ways and facets of it. You know what I mean? And then taking direction, okay, I did it this way. Okay, Phil, can we do that on the up now? ButMichael Jamin:Maybe being an on-air personality is more, as opposed to an actor, maybe that's more your thing.Phil Wright:Definitely. That's where I live, my personality,Michael Jamin:Right?Phil Wright:The acting world. The reason why I keep challenging myself in that way is because I never know what if another TV show does pop off for me, I have to be ready. I can't drop that ball. You know what I mean? And it also keeps me constantly reading. ItMichael Jamin:KeepsPhil Wright:Me, and that's how I kind of see it. I go to acting class once a week. I have that. And I block out that time specifically for that, just because it's not only just for my goals and aspirations, but it's more for training and reading and understanding scriptsMichael Jamin:And enriching yourself. Yeah. Yeah.Phil Wright:Myself. And I love comedy. That's why I was attracted to your page. You're naturally funny. So dude,Michael Jamin:None of it's easy. I know. I hope I make it look easy. I made a post the other day. It's like I got a lot of stuff I don't post, because when I watch it the next day go, this sucks. I'm not posting it. And then people are like, put it up anyway. No, I'm not going to put it up. No, I'mPhil Wright:Okay. So, so I have an opinion about that. So fuck. Okay, and this is quick story. I know we're moving, but I post everything,Michael Jamin:Everything.Phil Wright:Every single thing that is in my camera roll. I try to post in some way. IMichael Jamin:Try to. Why?Phil Wright:Because look, I feel like we're in a service business, and you hear this whole slogan of quality, of a quantity, this and that. And my whole notion is this, man, look, one man's trash is another man's treasure. And just hear me out.Michael Jamin:I'm going to listen to youPhil Wright:Out. One man's trash is another man's treasure. I'll give an example. My biggest YouTube video is baby shark.Michael Jamin:Okay?Phil Wright:Me in the middle of the classroom, baby shark. Guess how many views thatMichael Jamin:Have? I don't. 10 million. I dunno.Phil Wright:Now, mind you, igraph for mc hammer, right? I've been on the road. I've choreographed commercials, national commercials, I've danced with card B. All of this, my top grossing video, Michael, on YouTube has a quarter of a billionMichael Jamin:Views. Oh my God. Wow.Phil Wright:And it's me standing in the middle of a play saying, baby shark,Michael Jamin:Isn't that weird?Phil Wright:Now let's go back.Michael Jamin:Oh my God.Phil Wright:As a choreographer, as a professional choreographer, I look at that and say, hell no. I'm not posting that. I would get crapped on easily. I posted that, and I say that. I tell you that story just because that put me on a different map.Michael Jamin:Yeah, I'm sure it didPhil Wright:Put me on a different map. And had I been so particular about that moment, had I been so judgmental and critical on myself, and try hard and try to pick the bits out of it. Yeah, I know you're going to have a hard No,Michael Jamin:You make a good case. No, you make a very compelling case.Phil Wright:Yeah. And it is a battle. It's a battle. Because we go through it all the time. We want our best material to be viewed at all times. But I'm telling you, you are in the service business. It does not matter if one person doesn't like it. I'm telling you, there are going to be people out in the middle of America in Idaho who thinks that joke is funny.Michael Jamin:I knowPhil Wright:Not everyone's going to laugh, but I get it. And guess what? That might be the kid that might make a difference in yourMichael Jamin:Career, right? Well, the thing is, because I totally see where you're coming from, but today, for things to really go viral, it has to be almost controversial. It has to be so extreme. It almost has to be. That's why hate does really well on the internet, because it gets people riled up. And I often say to myself, yes, but is that what I want to be? What I'm saying is that what I, and I know we're not really talking about that. We're talking about jokes that maybe aren't that funny. But I also have to worry about people, my colleagues, my comedy writer, friends, and I have many that follow me, some bigger than I am. Many bigger than I'm, and I don't want them to think I'm terrible at my job.Phil Wright:And that's the problem, though. That is the problem. Because ultimately, not all the time, but the people you least expected are the people who are going to put money in your pocket. People that you're worried about aren't the people usually put money in your pocket or give you an opportunity. So you have to take that into consideration. And yes, there's a streamline there. Don't just put up trash,Michael Jamin:Obviously.Phil Wright:But you should be a little bit more lenient with yourself and your art when it comes to posting and marketing yourselfMichael Jamin:In the way. But Phil, you have given, I tell you've given this a lot of thought. You've given all of this a lot of thought.Phil Wright:It's because of the experience, though. That's only because of what I've been through. The top jobs that I've booked in my entire life sometimes aren't the most enjoyable. They're not. And guess what? Those top jobs don't even pay top dollar.Michael Jamin:Really. Really?Phil Wright:No. Obviously, okay, my TV show, yes. Yeah. But I'm talking about working for a national commercial because you also have to understand that choreographers don't have a union. Dancers have a union, but choreographers, I choreographed a commercial last month, and the dancers made more than I did.Michael Jamin:Really?Phil Wright:It's because I'm my own boss and I don't have a union to protect me.Michael Jamin:Tions. Do you have an agent or manager, though?Phil Wright:I do have an agent. I do. I work with a manager who's on a theatrical side.Michael Jamin:Yes. Okay, so they don't handle this part. No.Phil Wright:No. But you know what? Honestly, and it took me a long time to get to there, because I just hate, I don't like the middleman.Michael Jamin:IPhil Wright:Don't like people negotiating for me and telling me what I'm worth. I hate that I grind my teeth every day about it, because I just feel like there's a slew of roster of people that they're trying to satisfy.Michael Jamin:AndPhil Wright:Bottom of the baro, I just got added onto their team. They have to come in. I don't like kissing ass. I don't want to bring you cookies because you,Michael Jamin:Well, that's another thing. A lot of people think that an agent or manager is going to make your career, and I'm kneeling. No, guys, you got to make your own career, even if you have one of them, you got to make your own career.Phil Wright:Right? And even in that motion, I do believe in entertainment lawyers. You do have to have,Michael Jamin:Yes,Phil Wright:Get you a good lawyer, keep the contracts and get you in good standings. But yes, I currently do have an agent, and we're happy. We're good. Everything's working. Everything'sMichael Jamin:So interesting. So we work in different parts of the field, entertainment. And I say the same thing, agent, the manager, sorry, the lawyers worth every penny. The lawyer. I just got an email from my lawyer for a contract worth every pennyPhil Wright:Worth, every penny. But sometimes, I don't know, man, once again, this is a challenge for me. I've been trying to get around to just trusting and letting them handle that section. Whereas I was always in control email fill Wright in seven, and I was the one who's, Hey, this is Max, not Max, thisMichael Jamin:IsPhil Wright:Max. Phil is busy at the moment. What would you like to book? You know whatMichael Jamin:I mean? Yeah, right. That way you're not the bad guy. It's smart to do that as well. Exactly. That way you're not the bad guy. BadPhil Wright:Guy.Michael Jamin:Wow. You got to figure, I don't know, man. You're very impressive. You got it all. You're younger than me, and you've got it more figured out than me. So I feel like you're impressive.Phil Wright:I'm climbing up the ladder, man. I don't know.Michael Jamin:You're doing great. You're doing, I'm absolutely very impressed by everything you've built. And let me tell everyone where they can find you as we wrap up our, so you have a website, dance with phil.com, check, and also follow everyone. Follow him on social media. Is it the same? What is your handle? I didn't look that up.Phil Wright:Social media. Instagram is at Phil write, that's PHIL, Wright, W-R-I-G-H-T.Michael Jamin:And just go check out what he's doing. It's just very positive. You carved out a small little niche for yourself, and by giving, now you get, it's just like you're saying it's a trade. Everything's a trade. Yeah.Phil Wright:And I think even, I'm going to take a nice insert of this, and I'm posting up my Instagram. Oh,Michael Jamin:You'llPhil Wright:Absolutely.Michael Jamin:You know what though? It's funny when you mentioned mc Hammer, I actually directed him on the phone right here where I'm sitting, but it wasn't on Zoom, so I took a picture of my phone, but that's it. I go, hammer, I'm taking a picture of the phone.Phil Wright:He's awesome.Michael Jamin:He's awesome. Yeah, he was very sweet. This wasPhil Wright:10, 15 years ago. So legendary, man. So legendary.Michael Jamin:Yeah. No kidding. Yeah, yeah. Anyway, Phil, thank you so much. Phil Wright, everyone, go check him out. It was a real pleasure talking with you. Wonderful conversation. Alright everyone, we got more great stuff next week. Until then, just keep creating. Be like Phil,Phil Wright:Love it.Michael Jamin:So now we all know what the hell Michael Jamin is talking about. If you're interested in learning more about writing, make sure you register for my free monthly webinars @michaeljamin.com/webinar. And if you found this podcast helpful or entertaining, please share it with a friend and consider leaving us a five star review on iTunes that really, really helps. For more of this, whatever the hell this is, follow Michael Jamin on social media @MichaelJaminwriter. And you can follow Phil Hudson on social media @PhilaHudson. This podcast was produced by Phil Hudson. It was edited by Dallas Crane and music was composed by Anthony Rizzo. And remember, you can have excuses or you can have a creative life, but you can't have both. See you next week.
This episode of Random Rewatch looks at Steven Spielberg's 2002 film Catch Me if You Can, starring Leonard DiCaprio, Tom Hanks, Christopher Walken, Amy Adams, Jennifer Garner, Martin Sheen, Ellen Pompeo and Elizabeth Banks. The Socials: Twitter: @movie_punditry @mikeymo1741 @RDellBurns Threads: @mikeymo1741 @rdell47 Facebook: https://wwww.facebook.com/MoviePunditry Email: moviepunditry@outlook.com Opening Music: Electronic Rock (King Around Here) by Alex Grohl via Pixabay.com
On finit la semaine par un podcast PopCulture où l'on débrief ensemble des gossips & de ce que nos stars favorites ont fait cette semaine à Hollywood.
Kay Adams hosted the latest episode of 'Up & Adams' on FanDuel TV and YouTube! On today's episode, Kay shares her top NFL storylines that are being under-reacted to after Week 6. Then, Super Bowl Champion tight end Rob Gronkowski talks about if he'd play for Detroit Lions head coach Dan Campbell, the evolution of the tight end position over the past decade, and previews the matchup between the Miami Dolphins and Philadelphia Eagles on Sunday. Then, San Francisco 49ers wide receiver Deebo Samuel gives an update on his injury, the pregame scuffle before the game against the Cleveland Browns, and addresses the back and forth between him and Lions safety C.J. Gardner-Johnson that started on Sunday. Finally, Super Bowl Champion running back Shane Vereen shares a story of a night out with Rob Gronkowski and Leonard DiCaprio and how to fix the issues plaguing the New England Patriots.
Leonard DiCaprio has been named an investor in Nuview, a startup that's planning a constellation of LIDAR satellites. Psyche mission is on track for October 2023. Plus researchers are working on a real-life tractor beam.
The Rich Zeoli Show- Full Episode (04/06/2023): 3:05pm- The Supreme Court of the United States has denied West Virginia's emergency request to “lift an appeals court's injunction, which enabled a transgender girl to compete on her middle school's female teams until the three-judge panel reaches a final decision.” According to reporting from The Hill's Zach Schonfeld and Brooke Migdon, “Justice Samuel Alito in a statement joined by Justice Clarence Thomas dissenting from the decision said the case ‘concerns an important issue that this Court is likely to be required to address in the near future.'” Though, as Rich notes, the title of the article is incredibly misleading, you can read more here: https://thehill.com/homenews/3937891-supreme-court-rules-west-virginia-transgender-athletes-can-compete-on-female-sports-teams/ 3:30pm- FACT CHECK: According to a misleading headline from the Miami Herald the “13-year-old son of Rebekah Jones, whistleblower who clashed with DeSantis, arrested over memes.” Christina Pushaw, a political aide for Florida Governor Ron DeSantis, notes that “he threatened to shoot up his middle school and stab classmates who angered him.” 3:35pm- According to Leah Barkoukis of Townhall, “[d]uring former President Trump's speech at Mar-a-Lago on Tuesday following his arraignment in a Manhattan courthouse, ABC News blurred out the message written on his podium. ‘TEXT TRUMP to 88022' was displayed as a way to fundraise for his presidential campaign, but the news organization did not want their viewers to see…” Interestingly, the news organization did not blur a text-to-donate number displayed during a recent President Joe Biden speech. You can read more here: https://townhall.com/tipsheet/leahbarkoukis/2023/04/06/why-abc-news-is-being-accused-of-election-interference-n2621636 3:45pm- According to a report from Ari Blaff of National Review, “Representative Jim Jordan (R-OH) subpoenaed Mark Pomerantz, a former senior lawyer in Manhattan district attorney Alvin Bragg's office, to testify on Capitol Hill following public statements he made pressuring his old boss to pursue a case against Donald Trump.” You can read more here: https://www.nationalreview.com/news/jim-jordan-subpoenas-former-manhattan-da-attorney-who-demanded-trump-be-indicted/ 4:05pm- Daniel Turner—Founder & Executive Director of Power the Future—joins The Rich Zeoli Show to discuss the Organization of Petroleum Exporting Countries' (OPEC) recent announcement that they will reduce oil production by 1.16 million barrels per day. Should we expect to see gas prices exceeding $4 a gallon? Could they even exceed $5 a gallon? 4:30pm- Did The Simpsons predict the Barbie Movie AND the arrest of former President Donald Trump? Rich, Matt, and Henry review the evidence—social media may have oversold the prediction. 4:40pm- Does Rep. Alexandria Ocasio-Cortez (D-NY) have a secret burner Twitter account? Who knows for sure! BUT she was on Late Night with Seth Meyers and was as hilarious as you would imagine. 5:05pm- The Drive at 5: 2024 Republican Presidential Primary Endorsements- Congressman Thomas Massie (R-KY) has announced that he is endorsing Florida Governor Ron DeSantis for President. Though he is expected to run, DeSantis has not yet officially announced his candidacy. Massie now joins Congressman Chip Roy (R-TX) in endorsing DeSantis. Meanwhile, on Monday, Senator Cindy Hyde-Smith (R-MS) became the sixth U.S. Senator to endorse former President Donald Trump. 5:10pm- While appearing on MSNBC's Morning Joe, presidential historian Jon Meacham accused Republicans of suspending their devotion to the U.S. Constitution in exchange for appeasing former President Donald Trump. 5:15pm- While speaking alongside Nobel Prize winning economist Paul Krugman at the City University of New York's Graduate Center, Congresswoman Nancy Pelosi (D-CA) had her remarks interrupted by several loud hecklers. 5:25pm- Leonard DiCaprio vs Nord Stream II! PLUS The Mystery Movie Clip. 5:40pm- On Thursday, National Security Council Coordinator for Strategic Communications John Kirby spoke to the White House press about a newly released review of the Biden Administration's withdrawal from Afghanistan. When asked about an estimated $7 billion in military equipment that was abandoned in Afghanistan, Kirby suggested the Afghanistan military is responsible for abandoning the equipment and allowing it to fall into the hands of enemy combatants. 6:05pm- Dr. Victoria Coates—former Deputy National Security Advisor & Senior Research Fellow at The Heritage Foundation—joins The Rich Zeoli Show to talk about her latest editorial for Newsweek, “Biden's Ineffectual Energy Play Sticks Americans with the Bill.” Dr. Coates also discusses Russia's wrongful detention of Wall Street Journal journalist Evan Gershkovich—who has baselessly been accused of espionage. 6:35pm- Rich gets knocked off the air…did he get fired for insulting Leonardo DiCaprio? 6:40pm- During Wednesday's press briefing, The New York Times' Michael Shear questioned White House Press Secretary Karine Jean Pierre about the Biden Administration's decision to not comment on Donald Trump's indictment even though members of the administration have been outspoken about Trump's legal troubles in the past. 6:50pm- While speaking with CBS Mornings, Mayor-elect Brandon Johnson blamed poverty and crime in Chicago on big corporations who aren't paying their fair share in taxes. Has Chicago replaced Lori Lightfoot with a new Lori Lightfoot?
The Rich Zeoli Show- Hour 3: The Drive at 5: 2024 Republican Presidential Primary Endorsements- Congressman Thomas Massie (R-KY) has announced that he is endorsing Florida Governor Ron DeSantis for President. Though he is expected to run, DeSantis has not yet officially announced his candidacy. Massie now joins Congressman Chip Roy (R-TX) in endorsing DeSantis. Meanwhile, on Monday, Senator Cindy Hyde-Smith (R-MS) became the sixth U.S. Senator to endorse former President Donald Trump. While appearing on MSNBC's Morning Joe, presidential historian Jon Meacham accused Republicans of suspending their devotion to the U.S. Constitution in exchange for appeasing former President Donald Trump. While speaking alongside Nobel Prize winning economist Paul Krugman at the City University of New York's Graduate Center, Congresswoman Nancy Pelosi (D-CA) had her remarks interrupted by several loud hecklers. Leonard DiCaprio vs Nord Stream II! PLUS The Mystery Movie Clip. On Thursday, National Security Council Coordinator for Strategic Communications John Kirby spoke to the White House press about a newly released review of the Biden Administration's withdrawal from Afghanistan. When asked about an estimated $7 billion in military equipment that was abandoned in Afghanistan, Kirby suggested the Afghanistan military is responsible for abandoning the equipment and allowing it to fall into the hands of enemy combatants.
The boys tell James Cameron to stuff a turkey with this week's listener takeover movie. That's because Nicole has requested the Where to Stick It Podcast to review Titanic! Yes, the Titanic. A 3 hour masterpiece crammed into 2 VHS tapes. Though praised by some, the crew has been less than thrilled to watch this movie. Hopefully James Cameron doesn't catch wind or he might beat some ass.
Shane Mauss joins Mike Vecchione and together they investigate Ozzy Osbourne leaving the country because of the shootings, whether time zones are fake or not, Mike's zit, Shane's pandemic beard, their favorite philosophers, Shane's disdain for cake, Shane's early succes and why he changed up his career path, being diagnosed as bipolar and how he manages it, Leonard DiCaprio not dating girls over 25 years old and so much more!(Air Date: September 1st, 2022)Support our sponsors:RockAuto.com - Check out Rock Auto for every auto part at the best price! And tell them Mike Vecchione Investigates sent you!YoDelta.com - Use promo code: Gas to get 25% off!Submit your own video investigation to MikeVecchioneInvestigates@gmail.comYou can watch Mike Vecchione Investigates LIVE for FREE every Thursday at 3pm ET at GaSDigitalNetwork.com/LIVEOnce you're there you can sign up at GaSDigitalNetwork.com with promo code: MVI for a 7-day FREE trial with access to every No Disrespect and Mike Vecchione Investigates episode show ever recorded! On top of that you'll also have the same access to ALL the shows that GaS Digital Network has to offer!Follow the whole show on social media!Shane MaussTwitter: https://twitter.com/Shane_MaussInstagram: https://instagram.com/Shane_MaussMike VecchioneTwitter: https://www.twitter.com/comicmikevInstagram: https://www.instagram.com/comicmikevWebsite: https://www.comicmikev.comShannon LeeTwitter: https://www.twitter.com/imshannonleeInstagram: https://www.instagram.com/shannonlee6982GaS Digital NetworkTwitter: https://twitter.com/gasdigitalInstagram: https://www.instagram.com/gasdigital/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
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Jordan and Brooke kick it solo this week for an absolute must-cover, hotly anticipated film...Clint Eastwood's "J. Edgar," obviously. We talk the disastrous old age makeup, Dustin Lance Black's writing career, the bad gays of American history, Leo's very questionable accent work, and the field day Hoover would've had with Twitter.Follow us on Twitter! (And Jordan's Letterboxd / Brooke's Letterboxd)
Well, ready my treatment, cuz there's a ton o' crap in them thar Hollywood hills, and that nugget ain't gold on this episode of GEEKIN OUT! No reviews this week, due to sheer suckage, but the boys DO discuss: *Good-byes to ANNE HECHE and OLIVIA NEWTON-JOHN *ALEC BALDWIN sez his gun was triggered, the FBI sez Baldwin was triggered, and we have 2nd thoughts *Movies that prove Hollywood's drug problem is worse than ever include a live-action PAC-MAN, FURIOSA, THE FLASH (still), FRIDAY THE 13TH, HALLOWEEN ENDS, and more FREDDY than you can shake a bear rug at All that and more, including why MICHAEL MANN was crying that LEONARD DICAPRIO shoulda been just ten years older. Ummm, yeah. So, put your hands together, it's FAZZIE BEAR on this nightmare baby of a GEEKIN OUT! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/spikenchris/message Support this podcast: https://anchor.fm/spikenchris/support
6AM HOUR: NEWS. 14-year old charged with Murder Philadelphia man, police know who the children are | 77 min video of Uvalde shooting | 16 Starbucks stores are closing | Weather. - Beach evacuated due to a nuclear siren. - Starbucks has gone "woke" and is closing stores all around the country. - Tom Wolf vetoed a bill to ban transgender athletes to compete in womens sports. - Leonard DiCaprio offered debate tips to Pete Buttegieg. - Yellowstone snubbed at the Emmys
6AM HOUR: NEWS. 14-year old charged with Murder Philadelphia man, police know who the children are | 77 min video of Uvalde shooting | 16 Starbucks stores are closing | Weather. - Beach evacuated due to a nuclear siren. - Starbucks has gone "woke" and is closing stores all around the country. - Tom Wolf vetoed a bill to ban transgender athletes to compete in womens sports.- Leonard DiCaprio offered debate tips to Pete Buttegieg.- Yellowstone snubbed at the Emmys 7AM HOUR: NEWS. Latest on the Philadelphia murder case. Starbucks closing in Philly. The Phillies lost to the Blue Jays. Election news. - Tom Wolf vetoes bill to protect women's sports- Zeoli's and WPHT bucket listNON-STOP TALK- Democrats are screwed in the midterms- Biden begging to pump more oil- Voter no longer voting democrat because of the crime- Bodega man charged with murder CUT SHEET | Booker on overdraft fees | Joe Biden hail to the chief | Harris: 'Anything I handle is a tough issue" | National Association of Hispanic Journalists respond to Jill Biden | Stephanopoulos says everything is good | Sen Hawley debates Berkeley law professor 8AM HOUR: NON-STOP TALK- Pete Ciarrocchi joins to talk about French Fry day- Restaurants are hurting due to google reviews NEWS. Wildfire. Learning more about 3rd degree murder charges on a 14 year old. Starbucks is closing 16 locations. Weather- Jan 6th hearings- Pennsylvania elections - Mayor Kenny & crime in the city- How hot is too hot for the human body? 9AM HOUR: NEWS. - Declan O'Scalon discusses his new bill which would prohibit state from disclosing NJ info to other states seeking to issue citations - Grand Hotel - Rich has most download podcast, and beat WIP for sports CUT SHEET | Joe Biden snapped at reporter | CBS hypes getting a vasectomy | Sen. Hirono insists its ridiculous to refer to the founding fathers | Toddler swings at Minnesota cop | Brian Urlacher accuses ex-players of faking CTE - Final thoughts
On this episode of Not Invisible: Native Peoples on the Frontlines we speak with Osage clothing designer, artist and MMIWGT2S advocate Dante Biss-Grayson. We discuss his clothing label Sky Eagle Collection, his advocacy and activism, and what it was like working on the upcoming film “Killers of the Flower Moon” starring Lily Gladstone, Tantoo Cardinal and Leonard DiCaprio."After finding out about the missing and murdered Indigenous women epidemic (MMIW), I looked to my daughter, so little, and wanted to see what I could do to protect her, and protect my sisters. I began to design works that I hope inspire others, give them strength, pride, hope, empowerment, and resilience. This is when the Sky-Eagle Collection was born. " - Dante Biss-GraysonTo learn more about Dante and his work check out his website skyeaglecollection.com and be sure to follow him on Instagram at @skyeaglecollection.This episode of Not Invisible: Native Peoples on the Frontlines was produced by Viktor Maco, Spirit Buffalo and J.B. Hart. Edited by Abbey Franz. Research by Sarah Rose Harper. Hosted by LeAndra Nephin.Our theme song is Another Side, by Wild Whispers, Produced by Ben Reno, Eli Lev, and Megan Leigh. This season of Not Invisible is produced with support from Earth Rising Foundation, and our Patreon Producers, Kathey Duerr, Reena Krishnan and Brenda George.We'd like to give a special shout out to all of our Patreon supporters. You too can become a patron by finding us at Red House Series on Patreon, or Buy Us Coffee, links in our show notes and on our website, redhouseseries.com.Would you like to be a guest on Not Invisible: Native Peoples on the Frontlines, or know someone who would, drop us an email at redhousetvseries@gmail.com.Like this episode? Then please be sure to leave us a 5 star review so others can enjoy it too!Support the show
OR WHATEVER MOVIES is an entertainment podcast hosted by real-life brother and sister duo, Wesley and Iris Ichishita. Each episode is a quick, no-holds-barred discussion of a movie, television show or video. On today's episode, the siblings talk James Cameron's TITANIC, including Wesley's survival scenario, the controversial MPAA rating, and Kate Winslet and Leonard DiCaprio's onscreen chemistry. Contains spoilers. Thank you for listening and your support of OR WHATEVER MOVIES!
Gal's Guide Library is the place to be in March, hence why this episode is late however it's a great one. Our hope for this episode is it will inspire you to create your own expressive artwork, change your name, or reinvigorate your hate for Nazi's. Learn all about the gender non-conforming surrealist that is Claude Cahun! Oh and how Leah almost killed Leonard DiCaprio. More info at galsguide.org
In this episode, Jax and their mother Beth Ann discuss Tarantino's ninth feature film, "Once Upon a. Time... In Hollywood". In it, they discuss the gory details and irreverent intricacies that make Tarantino films so thrilling.
Having founded brokerage house Stratton Oakmont in the late 80s, Belfort quickly grew the company to become the largest of its kind in the United States. Under Belfort's leadership, the firm was known as one of the most dynamic and successful sales organisations in Wall Street history. It also grew to an almost unprecedented level, employing over 1,000 stockbrokers and raising over $1.5 bn.These dizzying heights were followed by a spectacular and well-publicised fall from grace. But today, Jordan Belfort's legacy represents the ultimate redemption story. Not only was he portrayed by Leonard Dicaprio in The Wolf of Wall Street but he's become one of the world's leading motivational speakers, running sales training sessions that extend far beyond asking you to sell him a pen.Having recently joined the lucrative business of NFT's, Belfort has completed a $440k purchase of a CryptoPunk and is quickly becoming known as a thought-leader in this space. In this exclusive Business Leader Insight interview, we talk to Jordan about leadership, NFT's, cryptocurrency and much more.Here's what we covered:In the movie, The Wolf of Wall Street, you were depicted as being a leader that people fiercely rallied around. What would be your advice for leaders looking to galvanise their business and take it to the next level? (0:40)Would you prefer people working from the office over people working from home? (3:13)What would be your motivational advice to salespeople that are going through a bit of a slump? (4:46)Do you think you need failure to be successful? (7:01)How different would your life have been if social media had been available earlier in your career? (8:04)Does the online hate you receive bug you at all? (8:59)The pandemic has seen an increase in people starting their own businesses. Do you believe the 9-5, Monday-Friday job will start to disappear? (10:26)You recently joined the lucrative business of NFT's with a $440k purchase of a CryptoPunk – can you tell us about this? (12:54)What do you see NFT's as and why should you invest in them? (14:35)If you gave us a crystal-ball look into the future, how long until NFTs are completely mainstream and blockchain used in other industries? (18:18)What would you say are the risks and downsides to NFT's and the ‘Metaverse'? (20:42)What would you say are the differences and similarities between Wall Street and NFT's? (24:34)If you could invest in anything, what would it be? (27:42)Who are the notable business leaders that you admire now? (29:25)What's next for Jordan Belfort? (31:11)Any final words for our listeners Jordan? (32:22)Be sure to subscribe to the Business Leader YouTube channel for more interviews with some of the world's leading business figures. See acast.com/privacy for privacy and opt-out information.
What do the plot to seize the throne of the crowned King of France, and, the mission to communicate with the first aliens on earth, have in common? This week on THE MOVIE CONNECTION: KC Watched: "THE MAN IN THE IRON MASK" (3:25) (Directed by, Randall Wallace. Starring, Leonardo DiCaprio, Gabriel Byrne, Jeremy Irons...) Jacob Watched: "ARRIVAL" (29:09) (Directed by, Denis Villeneuve. Starring, Amy Adams, Jeremy Renner, Forest Whitaker...) Talking points include: Aliens! Favorite historical time periods in movies Leonard DiCaprio villain skills and more! Send us an e-mail to say "Hey!" movieconnectionpodcast@gmail.com Follow us on Instagram Check out more reviews by Jacob on Letterboxd Review and Subscribe on Apple Podcasts Cover image by Austin Hillebrecht and KC Schwartz
• A quiet Charlotte family is thrust into Hollywood • “Writing for me was something that I didn't share with anybody” (Total Recorded Time is 18:21) When it comes to the alure of show business, the same bug that bit stars like Ronald Reagan, Hilary Swank and Leonard DiCaprio bit a family living quietly in sedate Charlotte, North Carolina. And while the DeBoer family's star is still rising, it has spun off its first book, “Until Tomorrow, Little People.” Family patriarch Matt DeBoer wrote the book based on a blog he wrote during the family's first beachhead in Hollywood, holed up in a 2-bedroom apartment for three months, to give their kids a chance to break into stardom. Son Chandler is in a Warner Bros. movie called, "8-Bit Christmas" starring Neal Patrick Harris and daughter Olivia played Young Love in the Netflix movie “You.” Matt DeBoer talks about the unusual series of events that launched the children's careers and formed his book in this Bizgnus Podcast. Please click here to watch the interview: https://youtu.be/1_05Eqg18HQ “Writing for me was something that I didn't share with anybody because I was afraid that it would be rejected,” Mr. DeBoer says. “I was afraid it would be rejected.” Then he realized that his hesitation was at odds with the “go for it” approach he was encouraging for his son and daughter. Mr. DeBoer worked with an editor at his publisher for months to refine the text before it was published. For more information: Untiltomorrowlp.com =========================================== ABOUT US Bizgnus reports, writes, edits and publishes business news in online, broadcast and printed publications. Hidden agendas? We don't have them. Pay-to-play? That's a firing offense around here. We have taken pride in offering unbiased, unfiltered and in-depth interviews with business and other thought leaders since 2005. No one pays to get on our podcasts. And we don't accept advertising (although Google/YouTube sells ads on our videos.) And, frankly, that's where you come in. We'd appreciate your support through Patreon. It is not required. And we're happy to have you watch even if you cannot support us as a patron. If you'd like to help as a patron, please click here: https://www.patreon.com/user?u=56957587 Thank you for your support! President and publisher: Doug Caldwell Our physical address is 150 Herons Run, #104, Sarasota, Florida 34232 Phone 209.477.0330 For business matters, please contact: publisher@bizgnus.com For editorial matters, including story queries, corrections or amplifications and letters, please contact: editor@bizgnus.com You can reach me at 209.470.3400 or by email at editor (at) bizgnus.com.
The uplifting and faith-filled Tobi Tobin is a Los Angeles based luxury lifestyle expert whose work has graced the cover of Architectural Digest and earned her the AIA award. Tobi designs environments for some of the most powerful and influential people in Hollywood such as Reese Witherspoon and Leonard DiCaprio as well as abroad. Tobi injects fifteen years of experience into the public eye by launching her Tobi Tobin Luxury Collection that consists of organic candles, chocolates and fragrances (Malibu store tobitobin.com) Tobi fell in love with European living during her early travels as a model and her beautiful fragrances tell the story of her exotic travels around the world. Tobi explains, “I need organic all natural products and fragrances that are not synthesized. My story and how my products and lifestyle brand developed is because of the products that I needed in my life. I was dissatisfied with the products that were out there and I dove into creating products I could use for myself. I thought just by pure passion that if I needed it, somebody else needs it and wants it the same way. I continue to make decisions for my brand based on what feels good to me, what I want, and probably what everybody else wants too.” Tobi is an intuitive entrepreneur who checks in with her spirit daily to make her life and business decisions. Tobi constantly asks herself, “What am I doing for my friends? My family? My customers? It all starts with listening. Some of the best advice I ever received was to ask yourself ‘is this going to hurt me or heal me?' when you make decisions. ‘Is where I'm living hurting or healing me? Is the relationship I'm in hurting or healing me?' If you continue to ask yourself this question, it will completely transform your life." Tobi is the ultimate overcomer, full of resilience and fatih. She reflects, “Everything starts with my Christian faith. I'm not going anywhere without it. I need somebody to save me, a friend and a Savior."
Wir zerfließen sommerlich für euch in der 52. Show der neuen Zeitrechnung und haben mal wieder mehr Einzelreviews in die Tracklist gepackt. Der Neowestern AUFSTAND DER AUFRECHTEN macht den Anfang und trägt den Streit zwischen Rindern und Öl aus den eine wachsende Wirtschaftsmacht anfeuert. Da Kane und Mike mit ihrem Podcast Viva la Movielutión beschäftigt sind, ist Julia mit zwei anderen bayrischen Buam auf dem Krad nach Las Vegas AUSGRISSN und erzählt, was sie erlebt haben. Was Benedikt erleben musste, gibt er in seiner Besprechung zu BOSS LEVEL wieder, als hätte sich ein Film dazu verschworen schlecht sein zu wollen. Julia wechselt dann erneut das Thema und schaut bei drei Filme von Terry Gilliam vorbei und wirft einen einenden Blick auf 12 MONKEYS, BRAZIL und ZERO THEOREM. Nach der nächsten Staffelstabübergabe widmet sich Benedikt einem favorisierten Thema, dem Exorzismus. THE SEVENTH DAY ist ein neuer Beitrag zum mephistophelischen Genre und stellt dabei erneut die Frage ob Guy Pearce noch zu retten ist. Danach gehen Lisa und Julia zusammen mit Danny Boyle an THE BEACH und betrachten den fast nicht mehr jugendlichen Leonard DiCaprio. Zum Abschluss donnert Russell Crowe durch UNHINGED und benimmt sich schlecht. Passt doch. So ist unser Sommer. Kommt gut durch Glut und Flut.
Wir zerfließen sommerlich für euch in der 52. Show der neuen Zeitrechnung und haben mal wieder mehr Einzelreviews in die Tracklist gepackt. Der Neowestern AUFSTAND DER AUFRECHTEN macht den Anfang und trägt den Streit zwischen Rindern und Öl aus den eine wachsende Wirtschaftsmacht anfeuert. Da Kane und Mike mit ihrem Podcast Viva la Movielutión beschäftigt sind, ist Julia mit zwei anderen bayrischen Buam auf dem Krad nach Las Vegas AUSGRISSN und erzählt, was sie erlebt haben. Was Benedikt erleben musste, gibt er in seiner Besprechung zu BOSS LEVEL wieder, als hätte sich ein Film dazu verschworen schlecht sein zu wollen. Julia wechselt dann erneut das Thema und schaut bei drei Filme von Terry Gilliam vorbei und wirft einen einenden Blick auf 12 MONKEYS, BRAZIL und ZERO THEOREM. Nach der nächsten Staffelstabübergabe widmet sich Benedikt einem favorisierten Thema, dem Exorzismus. THE SEVENTH DAY ist ein neuer Beitrag zum mephistophelischen Genre und stellt dabei erneut die Frage ob Guy Pearce noch zu retten ist. Danach gehen Lisa und Julia zusammen mit Danny Boyle an THE BEACH und betrachten den fast nicht mehr jugendlichen Leonard DiCaprio. Zum Abschluss donnert Russell Crowe durch UNHINGED und benimmt sich schlecht. Passt doch. So ist unser Sommer. Kommt gut durch Glut und Flut.
Rent-a-chickenMila Kunis and Ashton Kutcher's farmhouse estateJesse Tyler Ferguson sells his Los Angeles mansion to Leonardo DiCaprio—for $2 million over askingZac Efron's house is contingentCelebrity real estate winner and loser
In this episode of Friday Night Beers, Tom & Vince try a beer called Gumballhead. This wheat beer comes from Three Floyds in Munster, Indiana. The hosts drink it and somehow compare it to things like Leonard DiCaprio movies, celebrity crushes and impressions, The Departed quotes and more pop culture items. At the end, they rate this beer on a unique 1-5 scale. VINCE: 2.5 / 5 VincesTOM: 4.85 / 5 Toms Please follow the Instagram page @friday.night.beers. Theme music by Billy Hansa. Subscribe to and rate the podcast on Apple, Spotify or wherever you find your podcasts!
There’s a good chance you’re familiar with Aya Cash courtesy of her work on the hit TV series You’re the Worst and The Boys, but initially her focus was on theater. Cash’s pivot to the screen proved to be a journey filled with experiences that illuminated how she’d find the most joy in her work and also what she’d strive for as a leader on set to best support others. With her new movie We Broke Up in theaters now and set to hit VOD on April 23rd, Cash took the time to join us for an episode of Collider Ladies Night to look back on the steps she took that paved the way to her many recent accomplishments. Hear all about her experience working on The Newsroom, leading You’re the Worst, working with Leonard DiCaprio on The Wolf of Wall Street, booking the role of Stormfront on The Boys, making We Broke Up with William Jackson Harper and so much more in this edition of Collider Ladies Night! Learn more about your ad choices. Visit megaphone.fm/adchoices
Leonard Dicaprio, Brad Pitt, Vince and Jack. Is there a better or more powerful foursome in all the land? Of course that's a rhetorical question, but the answer would be no. Using that logic, could there be a better or more powerful Movie Muggin Episode than one where the boys talk about Once Upon a Time in Hollywood? Let your ears be the judge.
Dexter is back! Showtime announced that lead actor Michael C. Hall & former showrunner Clyde Phillips are returning to helm a revival of the hit show Dexter. The Soup Gang discusses what this means for the character and if fans will be more receptive to this new ending. Plus, Anya Taylor-Joy is playing a young Furiosa & Leonard DiCaprio leads one of the most stacked casts in the history of film!Topics!00:00 - Introduction05:20 - Dexter Revived at Showtime 15:08 - Anya Taylor-Joy Cast as Lead in Furiosa Movie21:40 - Joaquin Phoenix Cast as Napoleon in Ridley Scott Epic 29:30 - Leonardo DiCaprio, Jennifer Lawrence, Timothee Chalamet Join Adam McKay’s ‘Dont Look Up’ 37:38 - Gal Gadot to play Cleopatra, Patty Jenkins to Direct47:17 - Fan Questions!Listen to episodes of The Nerd Soup Podcast here - nerdsouppodcast.buzzsprout.comFOLLOW US ON TWITTER, INSTAGRAM & FACEBOOK!TWITTER! - twitter.com/NerdSoupAaron Twitter: @nerdsoupmonkeyBeau Twitter: @beausoupTeddy Twitter: @TeddyNerdSoupNash Twitter: @AnthonyJQNashINSTAGRAM - www.instagram.com/nerdsoup4u/FACEBOOK! - www.facebook.com/NerdSoup4u/)Visit our Patreon page here - patreon.com/nerdsoup
Katie Kaps is the co-founder of HigherDOSE, a spa focused on next-level health and wellness therapies with 11 locations that attract celebrity clients, influencers, models, and athletes, including Michelle Williams and Leonard DiCaprio. Katie Kaps and HigherDOSE were featured in The New York Times, Forbes, Huffington Post and Vogue. This show is truly about creating a strong brand, the moving pieces we need to line up and how to think about and execute strong marketing. It's the thinking that is most interesting and not just the doing part. When people ask Katie what she does, how does she like to reply? Katie worked in the finance industry. What did she take from that period? Does Katie think that a generalist approach to sport helped her learning and development? DOSE is about upping the happy chemicals in the body. What are the happy chemicals? Higher Dose is very stylish. What is the thinking behind the actual physical design? How did Katie resolve partnership issues to maintain the company during rough periods? At dinner in 2012, Katie's mother asked her what she wanted out of life? Katie answered, "to feel euphoric." Katie launched Tough Mudder into International markets. Why do we seem to be embracing these sorts of events? Where does Katie think HigherDOSE is going in terms of product offering? Quarantine got Katie peeling back the layers. What she learned about what she really needs. Hot and cold therapy. What's the wellness benefit? Can someone do it at home with a shower? Katie's mum taught her to be independent. How did she do that? LINKS Higher Dose https://higherdose.com Dropkick Murphy's (Feat. Bruce Springsteen) 2020 Streaming outta Fenway https://www.youtube.com/watch?v=w9_QkXvkcMM Powderfinger https://youtu.be/r_V5jNSYjAs The Mojo Radio Show Patreon page https://www.patreon.com/themojoradioshowpodcast Top 10 Cowbell songs of all time https://ultimateclassicrock.com/cowbell-songs/ The Mojo Radio Show website themojoradioshow.com The Mojo Radio Show on Facebook https://www.facebook.com/TheMojoRadioShowPodcast/ The Mojo Radio Show on Twitter https://twitter.com/tmrspod The Mojo Radio Show copyright Gary Bertwistle & Darren Robertson Products or companies we discuss are not paid endorsements. They are not sponsored by, nor do we have any professional or affiliate relationship of any kind with any of the companies or products highlighted in the show.... sadly! It's just stuff we like, think is cool and maybe of interest to you our listeners. “Life should not be a journey to the grave with the intention of arriving safely in a pretty and well preserved body, but rather to skid in broadside in a cloud of smoke, thoroughly used up, totally worn out, and loudly proclaiming "Wow! What a Ride!”. Hunter S Thompson. See acast.com/privacy for privacy and opt-out information.
Ricky Lowe is the CEO of Kumos Consulting having applied his 1st class MEng problem solving ability to an already distinguished Salesforce career. Join us as we discuss Health Cloud as well as Salesforce applications in the Life Science and Engineering industries."I always find that when we're talking about Salesforce, I would liken it to the movie "Inception" with Leonard DiCaprio, and I was actually just explaining to our CEO the other day about some work you were doing for us, and how you are on the maximum level, which is level four for "Inception" where it goes deep, deep into four people's subconscious.Now my understanding is about level two I reckon. So I know my way around a dashboard and a few reports. Whenever it gets too complicated, I think you know the moment when my eyes glaze over and I think my brain's hurting, so you take over, and you explain in layman's terms."https://www.azonetwork.com/marketing-science/blog/salesforce-for-life-sciences-and-healthcare?referrer=acast See acast.com/privacy for privacy and opt-out information.
We begin our trek into the 2019 blockbusters with the Quentin Tarantino comedy-drama/ alternate history, Once Upon A Time In Hollywood, starring the legendary Leonard DiCaprio, the amazing Brad Pitt, and the amazingly awesome Margot Robbie. In this film, Tarantino takes us back to 1969 Hollywood and gives us an alternate look at the Manson Family murders as we follow Rick Dalton (DiCaprio) and his stuntman/best friend Cliff Booth (Pitt) as Rick is an aging Western actor looking to find his place in an industry that is leaving him behind. It's a great film, no doubt about that. So, hear our thoughts on it and have a great time!Support the show (https://plotaholics.com)
Want to dominate every negotiation? And influence everyone you meet?Jordan Belfort, the Wolf of Wall Street, explains how to negotiate any deal, and why being able to influence people is so important in your life & in your career. He also gives you the inside scoop on the "Steve Madden story" and how it compares to the movie (with Leonard DiCaprio).Then, he brings on artists & rappers Wes Walker & Dyl who created the platinum hit single "Jordan Belfort" to talk about the music business, how the boys SHOULD HAVE negotiated their deal, what they learned from success...and finally, some freestyle rapping with JB's son The Drunken Poet. Only in The Wolf's Den. Subscribe to JB’s YouTube:https://www.youtube.com/wolfofwallst?sub_confirmation=1LISTEN TO THE WOLF’S DEN ON:ITUNES/APPLE PODCASTS: https://apple.co/2lbYTSESPOTIFY: https://spoti.fi/2kGDosVCASTBOX: http://bit.ly/2ngKUvrSTITCHER: http://bit.ly/2kvasE6Follow Me:Instagram: https://bit.ly/2Fj4jSzFacebook: https://bit.ly/2Kr2bMOTwitter: https://bit.ly/2Xub1j7Cameo: https://www.cameo.com/wolfofwallstTikTok: https://www.tiktok.com/@wolfofwallstreet
SPOILER FREE - This episode is safe to listen to if you have not seen either movie yet. It's Oscar time, and for these two movie reviewers, it is the most important time of the year. We are reviewing all Best Picture Nominees spoiler free this time. In this podcast, we review Tarantino's Once Upon a Time...in Hollywood and Phillips' Joker. Both received nominations for Best Picture and Best Actor. Do we think they deserve (or will win) in either of these categories? Come listen and find out!
It breaks my heart that so many adults are convincing children that they're going to die in a climate apocalypse. It's no wonder why folks such as AOC say they're not going to bring kids into the world because of this scare-mongering. Yet, scare-mongering is all it is. It's not true. And the adults if they had any sense of dignity should be ashamed of themselves. Unfortunately, when there is so much money at stake, shame takes a back-seat. It's all about dollars, and how some people can get more and more. Using kids, and animals, as propaganda is certainly not new behavior to those trying to frighten people. "What about the children" is the cry that is heard time and again when one engages in a behavior someone else doesn't like. But the climate alarmists seem to have a lock on the technique. And seeing Greta Thunberg at the UN chastise us with her "How Dare You" speech saddened me deeply. She is being used. Used as a tool by her parents. By the media. By the left. By wealthy corporate types. By Arnold Schwarzenegger, Leonard DiCaprio etc. By anyone and everyone who are trying to capitalize on the money that can be found in climate alarmism. So, when I saw this video by Michelle Stirling, over at the Friends of Science Youtube channel, https://www.youtube.com/watch?v=P1xBFIP6ZpI&t=202s, it really spoke to me. "Don't Worry, Be Happy, Greta!" says Michelle. You're a teenager for Heaven's sake! I've been following Friends of Science for a bit now and greatly enjoy their content and Michelle's delivery. If you're of French language she does some of the videos in French too. Pretty cool. It was a HUGE pleasure for me to interview her today. I think you'll enjoy this discussion immensely. You'll get mad too, don't get me wrong. The greens have been taken over by fascists, no two ways around it. And when I say fascist I mean it in the true sense of the word, Big Government and Big Business colluding. I'm not sure about Big Labor, other than government unions, however being along for the ride. It doesn't matter though. The moneyed interested are keen on making more and advocating "green" living is the way they think they can do it, all at our expense, of course. --- Support this podcast: https://anchor.fm/josh-scandlen-podcast/support
Cora Keegan is a model, but she doesn't talk to Doug and Brent toomuch about modeling. Instead, they talk about other stuff and makeprank calls and they MIGHT even call Leonard DiCaprio at one point.Is it really him? Listen and find out! See omnystudio.com/listener for privacy information.
The Movie Geeks share their thoughts on the new Quentin Tarantino film Once Upon a Time in...Hollywood starring Leonard DiCaprio, Brad Pitt and Margot Robbie.
The Movie Geeks share their thoughts on the new Quentin Tarantino film Once Upon a Time in...Hollywood starring Leonard DiCaprio, Brad Pitt and Margot Robbie. Support this podcast
Michael, Lars, and Kathleen discuss the Best Picture nominees of 2004
Jordan Belfort whom you may know as the "Wolf of Wall Street" as portrayed by Leonard DiCaprio talks about his childhood and how he knew as a young child that he always wanted to be rich. He did well in school, sold Italian ice on the beach in the summers to put himself through college but once he got there and the instructor told him becoming a dentist isn't going to make you rich, he immediately left. He started selling door-to-door meats and realized how great of a salesman he was. Jordan talks about what it takes to become a good salesman, why you need to recognize your skills and put that into action. He also talks about his biggest lessons, the art of the closer and what holds people back from becoming what they want to be. @wolfofwallst Learn more about your ad choices. Visit megaphone.fm/adchoices
Jordan Belfort whom you may know as the "Wolf of Wall Street" as portrayed by Leonard DiCaprio talks about his childhood and how he knew as a young child that he always wanted to be rich. He did well in school, sold Italian ice on the beach in the summers to put himself through college but once he got there and the instructor told him becoming a dentist isn't going to make you rich, he immediately left. He started selling door-to-door meats and realized how great of a salesman he was. Jordan talks about what it takes to become a good salesman, why you need to recognize your skills and put that into action. He also talks about his biggest lessons, the art of the closer and what holds people back from becoming what they want to be. @wolfofwallst Learn more about your ad choices. Visit megaphone.fm/adchoices
Need some inspiration photographically and personally? Well, you've come to the right place. In this interview, Harun talks about everything from surviving “sniper alley” as kid (age 9) to photographing in subzero conditions as an adult (he's now 35). Huran was on episode #42 of our podcast. In this episode, Harun gives us an update on all this projects, including a HBO project produced by Leonard DiCaprio. The documentary highlights the effects of methane gas on the environment and climate change – a topic close to Rick's heart. For all our “gear head” listeners, Harun also talks about the Canon cameras and lenses he uses for his still photographs, videos and timelapse sequences. Rick, in cosy CrotononHudson, NY interviewed Harun while he was working in chilly Alaska from his vehicle. We thank Harun for sharing his passion for image making and life with us. Links Web site: www.harunmehmedinovic.com Skyglow: www.skyglowproject.com HAARP video: https://vimeo.com/316677774
JANUARY 8, 2019 BY TOM FOX In today’s edition of Daily Compliance News: · You thought “The Wolf of Wall Street” was bad? Leonard DiCaprio testifies to Grand Jury on 1MDB corruption scandal. (The Telegraph)· Top non-Fed financial regulator named as new head of NY DFS (Wall Street Journal)· What are some of the new ways companies can get hacked in 2019? (Fast Company)· Need a raise? Trying using hostage negotiation tactics. (Financial Times) Learn more about your ad choices. Visit megaphone.fm/adchoices
JANUARY 8, 2019 BY TOM FOX In today’s edition of Daily Compliance News: · You thought “The Wolf of Wall Street” was bad? Leonard DiCaprio testifies to Grand Jury on 1MDB corruption scandal. (The Telegraph)· Top non-Fed financial regulator named as new head of NY DFS (Wall Street Journal)· What are some of the new ways companies can get hacked in 2019? (Fast Company)· Need a raise? Trying using hostage negotiation tactics. (Financial Times) Learn more about your ad choices. Visit megaphone.fm/adchoices
In today’s episode we have a crazy special guest - Gil Eyal!. Gil did not only change the influencer marketing industry with his company Hypr, but he’s the master of influencer marketing himself - we’re talking deals with Leonard Dicaprio, Tobey Maguire, Pitbull, Lance Armstrong, Lil Wayne. He’s here on the show to talk about how he grew Hypr and signed with some of the world’s biggest brands. BUT(!) he’s also here to explain exactly how to run a successful Influencer Marketing campaign. From setting goals, finding the right influencers, how to structure the deal and more.
Jaq and Nate are back but Will’s groove is off! We try to right the ship with a quick Sports Corner from a Week Ago: Go Caps! and Book It: Warriors in 6. [We way overestimated the Cavs ability to keep things interesting, and HELL YES CAPITALS STANLEY CUP CHAMPS] Then we talk some Chupacabra before Topeka Gets Hit Again Corner and Stars Corner, which leads directly into Don’t Hassle the Huff Corner. Then we learn about celebrity uncle: Leonard DiCaprio before hitting some Nelson Don’t Write for Nobody but Nelson Corner and then finish things up with Plastic Corner, Science Corner, Will’s Man Date Song, and History Corner! It’s another educational episode for all you public school teachers looking for more curriculum! Contact Us! Follow Us! Love Us! Email: doubledeucepod@gmail.com Twitter: @doubledeucepod Facebook: www.facebook.com/DoubleDeucePod/ Also, please subscribe/rate/review/share us! We’re on iTunes, Libsyn, Stitcher, Google Play, I think we’re on Spotify, pretty much anywhere they got podcasts, you can find the Deuce! Want to give us a few bucks to help subsidize the Deuce? Head on over to ko-fi.com/doubledeuce and donate in $3 cup of coffee increments! Are you in Lawrence, Kansas? Are you thirsty? Looking for a place to hang out? Maybe catch a game or a live show? Or are you looking for somewhere to put on a show? Or record a podcast? Or rent a room? Then check out Frank’s North Star Tavern and the Eagles Lodge Aerie 309! Official bars of the Double Deuce Podcast! Podcast logo art by Jason Keezer! Intro & Outro featuring Rob Schulte!
Andrew is about to become a father, so we're getting in the parenting spirit with a two-part Leonard DiCaprio special. First up: Shutter Island! Will Andrew's love of Scorcese falter? Will Mike continue to be Canada's Greatest Liar? Do either of them have a good Leo impersonation? Download this episode and solve these mysteries with us! This episode was recorded at the Daily Hive studios in Vancouver, BC. Edited by: Mike Sholars
This week on the podcast, Daniel and Will tackle Spielberg and his 2002 hit film Catch Me If You Can. Listen in as the guys man crush hard on Tom Hanks and Leonard DiCaprio, two actors no one wants to run away from. Don't worry, this episode is no con. Tune in for a good time! Want more early 2000's nonsense? Subscribe! A Splash Zone Media Podcast
Check out this film's post @ MovieJeff.com here » https://themoviereviewshow.blogspot.com/2013/12/the-wolf-of-wall-street.html and leave a comment The Wolf of Wall Street is a 2013 American epic biographical black comedy crime film directed by Martin Scorsese and written by Terence Winter, based on the memoir by Jordan Belfort who is portrayed here by up and comer Leonard DiCaprio. Follow the show... @ Twitter https://twitter.com/MovieJeffDotCom @ YouTube https://www.youtube.com/channel/UCpONT6Yp423GzUrHDDqBL3g @ LetterBoxd https://letterboxd.com/jeffmovie AND, FOR AS LITTLE AS $1/MONTH » https://patreon.com/dad SUPPORT THIS SHOW AND OTHER VENTURES FROM HTTPS://WWW.MYAMERI.CA INDUSTRIES • THANK YOU --- Send in a voice message: https://anchor.fm/the-movie-review-show/message Support this podcast: https://anchor.fm/the-movie-review-show/support
Eden的词汇世界是一档分享各类花式记忆词汇方法的电台节目。也许你是准备考试的学生党(高考,四六级,考研,托雅等)或是每日忙碌的上班族,也许你是辛勤劳动的家庭主妇或是家庭煮夫,或是对英语狂热的爱好者,都可以与我们一同英语成长。每日更新,期期有料。逗B与智慧相结合的奇葩老师每日带你刷单词,你还在等什么?赶快订阅!打赏!转发!留言!点赞 起来!!也可以加我的个人微信:yls5551985 和微信公众平台:edenenglish.每日与我互动打卡记单词!! 本期精彩:英语中的俚语如何用英语表达?欢迎收听本期节目。 本期分享: slang [slæŋ] n.俚语 cool作为形容词和awesome是等义的 cool也有保持冷静的意思,我很淡定,一切都没问题。 【例句】 That Captain America movie was so cool! 那部《美国队长》电影真是棒呆了! Don't worry, I'm cool. 别担心,我ok的。 swag [swæg] 原义:Swag指的是一丛垂花,花环,悬挂饰物。也用于指代偷来的东西,赃物。 作为俚语:还在夸别人handsome,good-looking已经过时了! 【例句】 I've got more swag than you do. 我比你更酷! Bae 作为俚语:这个词是由baby/babe简化而来 【例句】 I can't wait to see you, Bae. 宝贝儿我真是等不及见你了。 High 原义:物理距离,位置很高。比如山太高了(the mountain is too high。 作为俚语:情绪很高涨很激动的时候我们形容那个人“嗨”(high)了,形容某人高兴过头了。 【例句】 I'm so high I can't even think clearly. 我太高兴了,脑子都不转了。 thirsty [ˈθɜ:sti] 原义:口渴了想喝点什么。 作为俚语:想要!想要!真的很想要啊啊啊啊! 【例句】 I'm really thirsty for that new iPhone.我真的很想要那台新手机。 Low key 作为俚语:低调 【例句】 Rihanna and Leonard DiCaprio are keeping their relationship low key. 蕾哈娜和她的男朋友保持着地下恋情。 背景音乐:Wild ones 歌手:Flo Rida,sia
Eden的词汇世界是一档分享各类花式记忆词汇方法的电台节目。也许你是准备考试的学生党(高考,四六级,考研,托雅等)或是每日忙碌的上班族,也许你是辛勤劳动的家庭主妇或是家庭煮夫,或是对英语狂热的爱好者,都可以与我们一同英语成长。每日更新,期期有料。逗B与智慧相结合的奇葩老师每日带你刷单词,你还在等什么?赶快订阅!打赏!转发!留言!点赞 起来!!也可以加我的个人微信:yls5551985 和微信公众平台:edenenglish.每日与我互动打卡记单词!! 本期精彩:英语中的俚语如何用英语表达?欢迎收听本期节目。 本期分享: slang [slæŋ] n.俚语 cool作为形容词和awesome是等义的 cool也有保持冷静的意思,我很淡定,一切都没问题。 【例句】 That Captain America movie was so cool! 那部《美国队长》电影真是棒呆了! Don’t worry, I’m cool. 别担心,我ok的。 swag [swæg] 原义:Swag指的是一丛垂花,花环,悬挂饰物。也用于指代偷来的东西,赃物。 作为俚语:还在夸别人handsome,good-looking已经过时了! 【例句】 I’ve got more swag than you do. 我比你更酷! Bae 作为俚语:这个词是由baby/babe简化而来 【例句】 I can’t wait to see you, Bae. 宝贝儿我真是等不及见你了。 High 原义:物理距离,位置很高。比如山太高了(the mountain is too high。 作为俚语:情绪很高涨很激动的时候我们形容那个人“嗨”(high)了,形容某人高兴过头了。 【例句】 I’m so high I can’t even think clearly. 我太高兴了,脑子都不转了。 thirsty [ˈθɜ:sti] 原义:口渴了想喝点什么。 作为俚语:想要!想要!真的很想要啊啊啊啊! 【例句】 I’m really thirsty for that new iPhone.我真的很想要那台新手机。 Low key 作为俚语:低调 【例句】 Rihanna and Leonard DiCaprio are keeping their relationship low key. 蕾哈娜和她的男朋友保持着地下恋情。 背景音乐:Wild ones 歌手:Flo Rida,sia
Quantum Break hysteria.
Welcome ladies and gentlemen. Episode 18 we are finally legal. We saw the Hateful 8 and get to review it for you wonderful people. We talked about what we are gonna see it next week aka The Revenant. We talked some quick video game stuff like the PS4 going down on Monday. We covered how we feel the new Ghostbusters will stack up compared to the original. We talked about some of 2016 movie lineup. We discuss the oddities of award shows and the crime that is Leonard DiCaprio not winning an oscar. Adam and Gabe have an epic conversation about the Prestige having a possible sequel. The Harry Potter will be in Now You See Me 2. We are obviously extremely excited about the Nice Guys. How is it possible Adam Sandler making money off bad movies. We also pitched an idea for the worst cast for a movie ever.Follow us Twitter, Snapchat, Tumblr, Periscope, Reddit@SecondCityKidswww.facebook.com/secondcitykidsEmail us questions secondcitykids@gmail.com
Review of the WORLD'S LARGEST CLIMATE MARCH EVERRRRR!!!!! Following the News You May Have Missed (which discusses further the absurdity of the United States military operations in Iraq and Syria), I lay out all the beauitful things that happened around the world in beautiful, devoted affection to our beloved Mother Nature. Clips from Leonard DiCaprio at the UN Summit in NYC, John Oliver on Last Week Tonight, and Niel DeGrasse Tyson with the founder of the X Prize discussing the need to and benefits of investing in a GREEN innovation.