Podcasts about Soul Rebels

Cookbook author and content creator Sarah Ahn—best known for “Ahnest Kitchen” on Instagram and TikTok—takes us inside her mama's kitchen, a place you've likely seen on your feed! She shares her family's incredible story of surviving the Korean War, the secret to perfect Korean fried chicken, and how her 66-year-old mother feels about her unexpected rise to social media stardom.Your Mama's Kitchen is a production of Higher Ground.Produced by Sonia Htoon.Associate Producers are Camila Thur de Koos and Jenna Levin.Sound design and engineering from Andrew Eapen, Ryan Kozlowski and Roy Baum.Executive producers for Higher Ground are Mukta Mohan, Dan Fierman and Michele Norris.The show's closing song is 504 by The Soul Rebels.Editorial and web support from Melissa Bear and Say What Media. Talent booker is Angela Peluso.Copyright 2024 by Higher Ground Audio, LLC / Sound Recording copyright 2024 by Higher Ground Audio, LLC. Hosted on Acast. See acast.com/privacy for more information.

The Headlines: "Ted Lasso" Season 4 Will Feature a Women's Team – Read more Ed Sheeran Surprises New Orleans With a Pop-Up Performance – Read more "Ted Lasso" Season 4 Will Feature a Women's Team "Ted Lasso" fans, get ready — because the next season is going to be historic! On the latest episode of Jason and Travis Kelce's New Heights podcast, Jason Sudeikis confirmed that Ted will be coaching a women’s team in season four. This follows the seed planted in the season three finale when Keeley Jones (Juno Temple) suggested to Richmond owner Rebecca Welton (Hannah Waddingham) that the club start a women’s team. Sudeikis didn’t give away too much more about the plot, but the idea of Ted leading a women’s squad already has fans buzzing about how it could change the dynamic of the show — and maybe even give Richmond a fresh start.

British actor Lashana Lynch takes us back to the tight-knit West London community where she grew up and to her grandparents' record shop, which was the soundtrack to her childhood. She talks about the importance of bringing her Jamaican heritage to the red carpet and how she channels her mother's strength and discipline to prepare for certain roles. She also share her love for her mama's saltfish dish and why she craves Jamaican comfort food when she's on set.Your Mama's Kitchen is a production of Higher Ground.Produced by Sonia Htoon.Associate Producers are Camila Thur de Koos and Jenna Levin.Sound design and engineering from Andrew Eapen, Ryan Kozlowski and Roy Baum.Executive producers for Higher Ground are Mukta Mohan, Dan Fierman and Michele Norris.The show's closing song is 504 by The Soul Rebels.Editorial and web support from Melissa Bear and Say What Media. Talent booker is Angela Peluso.Copyright 2024 by Higher Ground Audio, LLC / Sound Recording copyright 2024 by Higher Ground Audio, LLC. Hosted on Acast. See acast.com/privacy for more information.

The Queen Diva herself, Big Freedia, joins to talk about all things New Orleans. From making his aunt's Mardi Gras popcorn balls to coming out on his 13th birthday, Big Freedia shares what it was like to grow up on Josephine Street and Music Street. He'll also share what it was like to get that call from Beyoncé and how he brought bounce back to New Orleans after Katrina. Plus he shares how to make his mom's cornbread dressing.Your Mama's Kitchen is a production of Higher Ground.Produced by Sonia HtoonAssociate Producers are Camila Thur de Koos and Jenna Levin. Sound design and engineering from Andrew Eapen, Ryan Kozlowski and Roy Baum.Executive producers for Higher Ground are Mukta Mohan, Dan Fierman and Michele Norris.The show's closing song is 504 by The Soul Rebels.Editorial and web support from Melissa Bear and Say What Media. Our talent booker is Angela PelusoCopyright 2024 by Higher Ground Audio, LLC / Sound Recording copyright 2024 by Higher Ground Audio, LLC. Hosted on Acast. See acast.com/privacy for more information.

  | ANDY CALDWELL  | WARRIOR (CHUCK LOVE REWORK) | TENSNAKE  | COMA CAT (PURPLE DISCO MACHINE REMIX) | URBAN JAZZ PROVIDER  | BLUE (MIDNIGHT DUB) DJGOLDFINGER SAX EDIT | GERARDO FRISINA  | GODS OF THE YORUBA | STAVROZ  | THE FINISHING | BRAND NEW HEAVIES  | BROTHER SISTER | MOONCHILD  | CHANGE YOUR MIND | KOOP  | WALTZ FOR KOOP | BRAMBLES  | IN THE ANDROGENOUS DARK(DJGOLDFINGER SAX EDIT) | THE WAILERS  | SOUL REBEL

This weeks show starts off with classics from Eek A Mouse, Israel Vibration, Gregory Isaacs, Peter Tosh, The Wailing Souls, Dennis Brown, Junior Murvin, Tetrack, Cultural Roots, Little Roy, Ken Boothe, Martin Campbell, Black Uhuru, Robert Lee, and Hempress Sativa. New Music this week comes from Glen Washington, Nga Han, Professor Skank, Kumar and The Green Lion Crew, Ras Demo and Krak In Dub, Anthony B, Queen Omega, Soul Rebel, The Hempolics, Afrikan Simba, Joe Yorke and the Co-Operators, King Jammy, Manwel T, Gary Clunk and Learoy Green, Footsie & Adam Prescott, Protoje, Bugle, and Agent Sasco with Lila Ike'. Christmas music this week comes from Luciano, Black Market Dub, Freddie McGregor, Frankie Paul, Dub Proof, Michael Palmer, and Cocoa Tea.  Enjoy! Eek A Mouse - Christmas A Come (12” Mix) - Reggae Anthology: Eek Ology - VP Records Israel Vibration - Mr. Counsular Man - On The Rock - Ras Records Gregory Isaacs - Got To Be In Tune - Private Beach Party - Ras Records Peter Tosh - Cold Blood - Wanted Dread & Alive - Rolling Stones Records Wailing Souls - Down In Trench Town - Back A Yard - Greensleeves Alborosie - Trench Town Dub - Back A Yard Dub - Greensleeves Black Market Dub - Here Comes Santa Claus - A Black Market Christmas - Escape Hatch Records Luciano - Christmas Time Is Here - Xterminator Garnet Silk - Lord Watch Over Our Shoulders (remix) - Lord Watch Over Our Shoulders - Greensleeves Dennis Brown - Let Love In - Loves Gotta Hold On Me - Joe Gibbs Junior Murvin - Roots Train - Police & Thieves - Island Records Junior Murvin & The Upsetters - Roots Train Number Two - Kingston Shuffle: Funky Sounds & Beats From Kingston Jamaica - Pressure Sounds Tetrack - Trappers - Reggae Anthology: Gussie Clarke From The Foundation - VP Records Cultural Roots - Hell A Go Pop - Jah Shaka Presents: The Positive Message - Greensleeves Mighty Diamonds - Pray Unto Thee - Reggae Antholgy: Pass The Knowledge - VP Records Little Roy - Right Now/Right Now Dub - Stingray Records Ken Boothe - Black, Gold, & Green - Black, Gold, & Green Glen Washington - You A Di Boss - Cream Of The Crop 2024 - Irie Ites Records Freddie McGregor - Everyday Is Christmas - The Christmas Album - VP Records Martin Campbell & Hi Tech Roots Dynamics - Jah Love - Rootsman The Real Thing - Channel One UK Back Uhuru - Carbine - Red - Mango Robert Lee & The Tuff Scout All Stars - Battlefield/A Battling Dub - Tuff Scout Hempress Sativa & Jahlanzo - Children of The Emperor/Children Of The Emperor Dub - Conquering Lion Records 7” Nga Han - Good To Know - Rebellion City Productions Professor Skank - Jah Jah Is Coming (The Rootsman Mix) - Jah Jah Is Coming Dub - Inspirational Sounds The Green Lion Crew feat. Kumar - Count Your Blessings - Rough Road 11th Anniversary Edition - Green Lion Crew/Ineffable Records Ras Demo & Krak In Dub - Zion Gate - Evidence Music Bushman - Show I The Way - Brimstone Riddim - Dutty Rock Productions Anthony B - Every Morning - Warrior Sound Music Jhazahra - New Wave - Trey Drumz Soul Rebel - Rebels Rocking - Road Riddim - Jah T Jr. Mortimer - Heavy - From Within - Overstand Entertainment/Easy Star Records  Vanzo & Little Lion Sound - Stepping High - Uhuru Riddim - Evidence Music Bost & Bim feat. Queen Omega - Jah Dawta - Soprano Riddim - The Bombist The Hempolics feat. Macka B - One Law Fi Dem - Kiss, Cuddle, & Torture Vol. 3 - Zee Zee Records Frankie Paul - Merry Christmas - Rub A Dub Christmas - Tuff Gong Internatioal Afrikan Simba - No Good For You - Mission - Reality Shock Records Joe Yorke & The Co Operators - Downbeat Melody - Waggle Dance Records Dub Proof feat. Addis Pablo - Irie Christmas/Irie Christmas Dub - Seasons Greetings - Green Stream Clive Hunt & The Hit Team - Ivan The Terrible - Blue Lizzard - VP Records Aswad - Cut No. 144,000 - Simba 12” King Jammy - Liberation Dub - King Jammy's Unites The Nations With Dub - VP Records Earl Cunningham & The Roots Radics - Jailhouse/Jailhouse Version - Art & Craft Manwel T - Freedom Stepper/Freedom Dub - Manwel T Roaring Lamb - Dub Everything - Decolonize Everything - Roaring Lamb Gary Clunk feat. Learoy Green - Run & Go Hide (Gary Clunk Meets Roots Zombie Sound System Mix)/Dub & Go Hide (Gary Clunk Meets Roots Zombie Sound System Mix) - Archives Of Dub Vol. 4 - Culture Dub Records Culture Freeman w/ Indica Dubs & Chazbo - Trust In Jah/Jah Dub - Indica Dubs 12” Danny Red & Jah Disciple - Tell Jah Sorry/Tell Jah Sorry Version - Blackboard Jungle  Footsie & Adam Prescott - The Don/The Dub - Nice Up! Shabba Ranks - Roots and Culture - Digital B 12” Michael Palmer - Happy Merry Christmas - Greensleeves Protoje - Barrel Bun - The Jamaican Situation - InDiggNation Collective/Ineffable Records Bugle - Consequences - Inna Mi House Music Agent Sasco w/ Lila Ike & Daseca - Everything & Anything - Daseca Productions Courtney Melody - Roots Man Corner - Reggae Anthology: Redman International: We Run Things - VP Records Cocoa Tea - Please Come For Christmas - Caribbean Christmas - King Jammy's/Johnny Wonder Admiral Bailey - Jump Up - King Jammy's Selector's Choice Vol. 3 - VP Records Leroy Gibbons - Magic Moment - King Jammy's Selector's Choice Vol. 3 - VP Records Frankie Paul - Cassanova - King Jammy's Selector's Choice Vol. 3 - VP Records Tiger - Bam Bam - King Jammy's Selector's Choice Vol. 3 - VP Records

"From Steel Pulse to Wu-Tang: A Festival of Musical Diversity"Larry Mishkin discusses a review of various experiences and performances, starting with a cannabis event called "Miracle in Mundelein," which took place over the past weekend. The main focus of the review is a discussion of a Grateful Dead show from September 9, 1987, at the Providence Civic Center in Rhode Island. The show was notable for being the second night of a three-show run, marking the opening of the Grateful Dead's 1987 East Coast fall tour.Key highlights include:"Hey Pocky Way" Performance: This was the first time the Grateful Dead performed the song "Hey Pocky Way," which is originally by the Meters, a New Orleans funk band. The song became a fan favorite, primarily due to the influence of Brent Mydland, the band's keyboardist. However, the song fell out of rotation after Brent's death in 1990."Jack Straw" Performance: Another song featured was "Jack Straw," a Grateful Dead classic written by Bob Weir and Robert Hunter. It was originally performed in 1971 and became a staple in the band's setlists. The song was performed in the second spot of the setlist during the 1987 show, indicating the band's tendency to feature it early in their concerts.Music News Segment: The transcript also includes a segment on music news, which starts with a brief history of the band Cheap Trick, particularly their song "I Want You to Want Me."Review of the Miracle in Mundelein Festival: The review shifts to discussing the recent "Miracle in Mundelein" festival, where several acts performed:Steel Pulse: A roots reggae band from Birmingham, England, who delivered a lively and energetic performance.The Soul Rebels: A New Orleans brass band known for their energetic live shows and collaborations with major artists. Their set featured Raekwon and GZA from the Wu-Tang Clan, adding a strong hip-hop element to the performance.Wiz Khalifa: The headliner of the event, Wiz Khalifa, is praised for his stage presence and connection with the audience. The review notes his strong advocacy for cannabis and how his music resonated well with the crowd.Overall, the review captures the blend of nostalgia with the Grateful Dead's classic performances and the fresh, dynamic energy of the Miracle in Mundelein festival, highlighting both the music and the culture of cannabis.https://www.cheaptrick.com/ Grateful DeadSeptember 9, 1987 (37 years ago)Providence Civic CenterProvidence, Rhode IslandGrateful Dead Live at Providence Civic Center on 1987-09-09 : Free Borrow & Streaming : Internet Archive Second night of a three show run, the opening shows of 1987 East Cost fall tour.  INTRO:                                 Hey Pocky Way                                                Track #1                                                :35 – 2:03 First time ever played Hey Pocky Way was written by George Porter Jr., Leo Nocentelli, Art Neville & Joseph Modeliste, founding members of The Meters, an American funk band formed in 1965 in New Orleans by Modeliste (drums), Porter Jr. (bass), Nocentelli (guitar) and Neville (keyboards). The band performed and recorded their own music from the late 1960s until 1977 and played an influential role as backing musicians for other artists, including Lee Dorsey, Robert Palmer, Dr. John, and Allen Toussaint. Song was released on Rejuvenation the band's fifth studio album in 1974. In 2003, the album was ranked number 138 on Rolling Stone magazine's list of the 500 greatest albums of all time,[6] and 139 in a 2012 revised list. Beginning with this show, the Dead began to feature Hey Pocky Way, usually as a show opener.  Sung by Brent who really got into it with both his keyboard playing and strong singing, it  became a fan favorite.  But as a Brent influenced tune, it died when he did. Played:  25 timesFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast: July 22, 1990 at World Music Theatre, Tinley Park, IL, USA (Brent's second to last show)  SHOW No. 1:                    Jack Straw                                                Track #2                                                4:00 – 5:50 "Jack Straw"  written by Bob Weir and Robert Hunter. The track first appeared on the album Europe '72. The song was first performed in concert on October 19, 1971, in Minneapolis, Minnesota at new keyboardist Keith Godchaux's first appearance with the band. In the song's earliest performances (c. 1971–72), Weir sang all of the vocals. By the time the 'Europe 72' version was recorded, (at the Olympia Theater in Paris on 5-03-72), Weir and Jerry Garcia were switching up the vocals - as they had on April 26th when 'Hundred Year Hall' was recorded. The song appeared in both the first and second sets until the band's short hiatus in 1974-1975. After re-forming, the song almost exclusively appeared in the first set. After Brent Mydland joined the band in 1979, the song almost exclusively opened the band's first set. The band also often extended the jam after the second verse after Mydland's joining, often extending the song to over six minutes. Dead and Company have also further extended the song, often adding an abstract opening jam prior to the song's first verse.[1] Bob Weir stated in a 2004 interview that the song's lyrics were partly based on John Steinbeck's novel Of Mice and Men.[2] The song's themes include riding the rails, the Great Depression, and hobo (homeless) camps of the era. Jack Straw is also—perhaps coincidentally—the name of the original plantation owner, who lived controversially with his gay lover, Peter Ochello, in Tennessee Williams's play Cat on a Hot Tin Roof.[3] Always a great song to hear in concert, the fans loved it and it was always an omen of good things to come in the show. Played:  477 timesFirst:  October 19, 1971 at Northrop Auditorium, Minneapolis, MN, USALast:  July 8, 1995 at Soldier Field in Chicago MUSIC NEWS Miracle In Mundelein – second year of the festival in Mundelein a suburb northwest of Chicago.  Missed last year with JRAD but made it this year on Saturday with my sons Jonathan and Daniel, Jonathan's fiancé, Bella and Daniel's buddy AJ.  Different theme to this year's music focusing on hip hop and rap, not part of my regular music, but certainly a key genre for Daniel and AJ who filled me on details during the show. Acts:Steel Pulse - Steel Pulse are a roots reggae band from the Handsworth area of Birmingham, England. They originally formed at Handsworth Wood Boys School, and were composed of David Hinds (lead vocals, guitar), Basil Gabbidon (lead guitar, vocals), and Ronald McQueen (bass); along with Basil's brother Colin briefly on drums and Mykaell Riley (vocals, percussion). Steel Pulse were the first non-Jamaican act to win the Grammy Award for Best Reggae Album. They were initially refused live dates in Caribbean venues in Birmingham due to their Rastafarian beliefs. During the popularization of punk rock in the mid-1970's, Steel Pulse began to play punk venues such as the Hope and Anchor in London and The Electric Circus in Manchester in 1976.[1] Aligning themselves closely with the Rock Against Racism organization and featuring in its first music festival in early 1978, they chose to tour with sympathetic elements of the punk movement,[1] including the Stranglers and XTC. Eventually they found a more natural home in support slots for Burning Spear, which brought them to the attention of Island Records. Fun set that was in progress when we arrived, great sound and lots of energy that kept the crowd moving. The Soul Rebels - The Soul Rebels (also Soul Rebels Brass Band, Soul Rebels or The Rebels) are an eight-piece New Orleans based brass ensemble that incorporate elements of soul, jazz, funk, hip-hop, rock and pop music within a contemporary brass band framework.  Starting out as a local New Orleans favorite, The Soul Rebels have evolved into collaborating live with major artists in all worlds of music including:Katy PerryNasMetallicaGreen DayTrombone ShortyProdigyString Cheese IncidentUmphrey's McGeeGalacticSuzanne VegaEurythmicsLettuceGov't Mule                                               And many more The band has built its career around an eclectic live show that harnesses the power of horns and percussion in a funky party-like atmosphere. The band routinely plays over 250 shows a year. They have been described by the Village Voice as "the missing link between Public Enemy and Louis Armstrong.  The Soul Rebels consist of percussionists and founding members Lumar LeBlanc and Derrick Moss, trumpet players Julian Gosin and Marcus Hubbard, trombonists Corey Peyton and Paul Robertson, saxophonist Erion Williams, and sousaphonist Manuel Perkins Jr.                                                 On Saturday, they featured Raekwon and GZA from Wu Tang Clan.                                      RAEKWON - Corey Woods[2] (born January 12, 1970),[3][4] better known by his stage name Raekwon (/reɪˈkwɒn/, ray-KWON), is an American rapper. He rose to prominence as a founding member of the hip-hop group Wu-Tang Clan, which achieved mainstream success following the release of their debut album, Enter the Wu-Tang (36 Chambers), in 1993. Raekwon would subsequently pursue a solo career, releasing his first solo album, entitled Only Built 4 Cuban Linx..., in 1995. The album received critical acclaim, and is regarded by many critics as one of the greatest hip-hop albums of all time, as well as a staple of 1990s rap.                                     Raekwon attributes the name Raekwon to the Five-Percent Nation, an offshoot of the Nation of Islam, when he was a "young kid."[11] He converted to Islam in 2009.                                     Growing up, he witnessed his mother being hit and abused by different men, an experience which he said "affected [him] a lot."[10] As a young man, his mother kicked him out of their Park Hill home when Raekwon got into an argument with her boyfriend and his mother sided with the boyfriend. During this time, he spiraled into a pattern of hopelessness and violent behavior.[8] He became addicted to cocaine and crack cocaine until he became aware of how the crack epidemic was affecting those around him, at which point "it was an automatic stop."[10]Raekwon and rap partner Ghostface Killah attended junior high school together on Staten Island.[14] Raekwon attended New Dorp High School, where he befriended rappers Remedy, Method Man and Inspectah Deck.[15]             Woods first rapped as Sha Raider. In 1992, he joined the Wu-Tang Clan, an originally nine-member rap group drawing mainly from the Staten Island but also from the Brooklyn boroughs of New York City. He rapped as Raekwon The Chef, and also used the aliases Lex Diamonds, Shallah Raekwon, and Louis Rich. After being caught in a crossfire and accidentally shot four times, Raekwon began rapping in earnest. He later described being shot as an "important eye opener." In September 2009, MTV ranked Raekwon tenth among "hottest" rappers. In December, HipHopDx's 2009 awards named Only Built For Cuban Linx... Pt. II album of the year, calling it "the Hip Hop equivalent to The Godfather 2, with Rae as revitalized as Marlon was". Raekwon won Emcee of the Year—the prior year, Nas won—while HipHopDX staff explained, Raekwon brought it back to lyrical, dope rap. He released an album that spoke to teens, twenty-somethings, thirty-somethings, and beyond. Without compromising, the Chef made an edgy Hip Hop record that refused to bastardize the catalog he laid down 15 years ago. On top of that, Rae (along with Ghostface) was a go-to for numerous rappers making albums, ranging from the Playaz Circle to Jadakiss to BK One. That's beyond real, as was a year filled with performing in arenas, clubs and even churches. When it came to mastering the ceremony, Rae had 'em all following the leader.[28]— HipHopDX GZA - Gary Eldridge Grice[2] (born August 22, 1966), better known by his stage names GZA (/ˈdʒɪzə/JIZ-ə) and The Genius,[3] is an American rapper. A founding member of the hip hop group Wu-Tang Clan, GZA is the group's "spiritual head", being both the first member in the group to receive a record deal and being the oldest member.[4] He has appeared on his fellow Wu-Tang members' solo projects, and has maintained a successful solo career starting with his second album Liquid Swords (1995). His lyrical style often dismisses typical rap story lines in favor of science and wide-ranging philosophies and has been characterized as "armed with sharp metaphors and a smooth flow".[5][6][7][8] An analysis of GZA's lyrics found that he has the second largest vocabulary in popular hip hop music.[9][10] He teamed up with an education group to promote science education in New York City through hip hop. In 1992, GZA joined the Wu-Tang Clan, a group of nine, formed by his cousin RZA. GZA had some high-profile appearances on the group's debut album, Enter the Wu-Tang (36 Chambers) (1993), including a solo track, "Clan in da Front".[22] This, combined with appearances on other Clan members' albums such as Return to the 36 Chambers: The Dirty Version (1995) and Only Built 4 Cuban Linx... (1995) brought him much recognition. According to Method Man, "we form like Voltron and GZA happens to be the head".                         The combination of the Soul Rebels beat and Raekwon's and GZA's rapping made for an exceptional set of music that caught me off guard but was worth the price of admission.  With lots of cannabis references scattered throughout their lyrics and stage talk, they were a perfect match for this festival. Wiz Khalifa - Cameron Jibril Thomaz (born September 8, 1987),[2] better known by his stage name Wiz Khalifa, is an American rapper from Pittsburgh, Pennsylvania. He signed with the local independent label Rostrum Records to release his debut studio album, Show and Prove (2006). His contract entered a short-lived joint venture with Warner Bros. Records the following year. His Eurodance-influenced 2008 single, "Say Yeah" received urban radio airplay and entered both the Rhythmic Top 40 and Hot Rap Songs charts, becoming his first minor hit.[3] Outside of music, Thomaz has delved into acting with television roles in Dickinson and The Eric Andre Show, the lead role alongside Snoop Dogg in the 2012 stoner comedy film Mac & Devin Go to High School, and voice roles in the animated series American Dad!, Duncanville, and Big City Greens. Thomaz founded the record label Taylor Gang Entertainment in 2008, through which he has signed artists including Juicy J, Ty Dolla Sign, and Berner. Known for his abundant usage of cannabis, Thomaz launched his own cannabis brand, Khalifa Kush, in 2016, which expanded for release in nationwide dispensaries in 2022. His stage name is derived from Khalifa, an Arabic word meaning "successor", and wisdom, which was shortened to Wiz when Khalifa was a young boy.[10] Khalifa stated to Spinner.com that the name also came from being called "young Wiz 'cause I was good at everything I did, and my granddad is Muslim, so he gave me that name; he felt like that's what I was doing with my music." He got a tattoo of his stage name on his 17th birthday.[11][12] By the age of 15, he was regularly recording his music at a local studio called I.D. Labs.[13] Impressed by the young teen's talent, E. Dan, the owner of the studio offered Khalifa an intern job at the studio in exchange for free recording time. Dan, being a veteran of the Pittsburgh hip-hop scene, would help develop and mentor the young artist early on in his career. He was the headliner and lived up to the billing.  Great tunes, great stage presence, great spokesperson for cannabis.  My first experience with his music and it was very positive. A great musical education for me with my tutors, Daniel and AJ. More in MJ News  Herbie Flowers  RIPJerry Miller  RIPGoose this week at the Salt Shed, Thursday and Friday   SHOW No. 2:                    Greatest Story Ever Told                                                Track #9                                                3:25 – end                                                 INTO                                                 Devil With a Blue Dress                                                Track #10                                                0:00 – 1:33 Greatest Story – written by Hunter/Bobby/Mickey, originally called “The Pump Song” on Mickey Hart's 1972 album Rolling Thunder.  As the opening tune of Ace, it is called Greatest Story Ever Told.  But this isn't about that song.  Here, it is the lead-in to a first set couple of “extras” thrown in for some fun. "Devil with a Blue Dress On" (also known as "Devil with the Blue Dress") is a song written by Shorty Long and William "Mickey" Stevenson, first performed by Long and released as a single in 1964. A later version recorded by Mitch Ryder and The Detroit Wheels in 1966 peaked at No. 4 on the U.S. Billboard Hot 100.  "Devil with the Blue Dress" was originally released as Shorty Long's debut single on Motown in 1964, but the single failed to chart. The song describes a femme fatale in a blue dress and not an actual devil.[2] Two years later, Mitch Ryder and The Detroit Wheels recorded the song at Bell Sound Studios in New York City[3] as a medley with an original arrangement of Little Richard's "Good Golly, Miss Molly". Their version, released on their album, “Breakout . . . . !”,  was notably more up-tempo than Long's more blues-influenced rendition.[2] Reaching No. 4 on the Hot 100, their version of the track would end up becoming their most well-known and highest charting hit in the United States. Rolling Stone Magazine ranked it No. 428 on their list of Top 500 Songs of All Time. Basically, another great cover to showcase Brent's singing and keyboard skills.  This was the first of 3 times the Dead covered the song.  Another fun diversion by the band that kept the Deadheads guessing and not wanting to ever miss a show. The transition out of Greatest Story is seamless and makes it so you can't hear the end of Greatest Story without hearing the signature beat of Devil making it a “natural” fit. Played – 3 timesFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast:  October 4, 1987 at Shoreline Amphitheatre, Mountain View, CA, USA  SHOW No. 3:                    Good Golly Miss Molly                                                Track #11                                                0:00 – end                                                 INTO                                                 Devil With a Blue Dress                                                Track #12                                                0:00 – 0:51"Good Golly, Miss Molly" is a rock 'n' roll song first recorded in 1956 by American musician Little Richard and released in January 1958 as single on the Specialty label, and later on the album, Little Richard in July 1958.[1] The song, a jump blues, was written by John Marascalco and producer Robert "Bumps" Blackwell. Although it was first recorded by Little Richard, Blackwell produced another version by the Valiants, who imitated the fast first version recorded by Little Richard, not released at that time. Although the Valiants' version was released first (in 1957), Little Richard had the hit, reaching No. 4.[2] Like all his early hits, it quickly became a rock 'n' roll standard and has subsequently been recorded by hundreds of artists. The song is ranked No. 92 on the Rolling Stone magazine's list of the 500 Greatest Songs of All Time. Little Richard first heard the phrase "Good golly, Miss Molly" from a Southern DJ named Jimmy Pennick.[4] He modified the lyrics into the more suggestive "Good golly, Miss Molly/You sure like to ball." Little Richard himself later claimed that he took Ike Turner's piano intro from his influential 1951 rock and roll song "Rocket 88", and used it for "Good Golly, Miss Molly".[5] "I always liked that record," Richard recalled, "and I used to use the riff in my act, so when we were looking for a lead-in to 'Good Golly, Miss Molly', I did that and it fit." In 1966, Mitch Ryder and the Detroit Wheels incorporated "Good Golly Miss Molly" into their version of "Devil with a Blue Dress On". Their version scored a major hit, not only in Ryder's native Detroit, but nationwide, placing at No. 4 on the Billboard Top 100. As with Devil, a Brent thing.  Unfortunately, it was only around for a month.  Then vanished from the Dead's playlist thereafter.  Played:  3 times, makes senseFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast:  October 4, 1987 at Shoreline Amphitheatre, Mountain View, CA, USA  MJ NEWS:             Miracle in Mudelein – a great event sponsored by Rise Dispensaries and Rhythm cultivators.  Second year, featuring great music, excellent food and drink and too many booths for dabbing from various types of rigs including a Studenglass Gravity Bong – my first time using one and it is not your father's four foot Graffix bong!  Daniel and AJ were all over it and as it turned out, the wait in line was well worth the experience.  Rather than try to explain it to you, just Google Gravity Bong and see for yourself!  Great high.             Miracle is that Lake County, a more conservative leaning county, and Mundelein permitted the event.  Attendees can bring in their own flower or extracts (supposedly only if purchased at an Illinois dispensary), smoking accessories, etc.  Rise also was selling products at the show.             A wonderful thing to attend an event and not have to hide and smuggle in your cannabis.  People lighting up everywhere, offering to share, talking strains, etc.  Police were there to keep order and otherwise let it all go on.  Very professional.             Excellent mellow crowd (what else would you expect?).  Well run.  Shot joints out of a canon.  A wonderful day and experience for those who enjoy cannabis, especially not having to hide it or pretend you don't have any when everyone knows attendees are smuggling it in anyway.             A great way to promote cannabis and help normalize it within the community.  And a fun event to be able to share with my boys, Bella and AJ.  Fun had by all.  SHOW No. 4:                    Not Fade Away                                                Track #24 (NOTE – this song is listed as Track #23 AND #24, be sure to use #24)                                                0:00 – end "Not Fade Away" is a song credited to Buddy Holly (originally under his first and middle names, Charles Hardin) and Norman Petty (although Petty's co-writing credit is likely to have been a formality[3]) and first recorded by Holly and his band, the Crickets. Holly and the Crickets recorded the song in Clovis, New Mexico, on May 27, 1957, the same day the song "Everyday" was recorded.[1] The rhythmic pattern of "Not Fade Away" is a variant of the Bo Diddley beat, "Not Fade Away" was originally released as the B-side of the hit single "Oh, Boy!" on 10.27.1957 and was included on the album The "Chirping" Crickets (1957). The Crickets' recording never charted as a single. In 2004, this song was ranked number 107 on Rolling Stone's list of "The 500 Greatest Songs of All Time". The song is closely associated with the Grateful Dead as one of their signature tunes—one which the band transformed from Holly's 1950s boy/girl romanticism to one reflecting the 1960s' more spiritual universal love. Their 1971 recording of the song is included on their second live album, Skull and Roses, paired with Going Down The Road Feeling Bad, a regular happening in the early ‘70's. Primarily a second set tune that used to show up in the second half of the second set after Drums-Space.  Beginning in 1983, the Dead began to play it as the second set closer, trailing off with “Love is real will not fade away” as they exited the stage.  A few years later, the Deadheads starting chanting the line as the Dead left the stage and in some cases, kept it up until the band reappeared for their encore, when the band would pick back up on the beat and play it for another minute or so before their encore tune, such as with this show.    Great example of the Deadheads making their mark on the show and the band being tuned in enough to play along with it.  Although sometimes if the Dead took too long to come out for the encore, the chanting would start to fade off.  And sometimes even when the chant made it all the way to the band's return on stage, the band would ignore it and just dive straight into their encore.  Fun when it all came together like this show. Played:  561 timesFirst:  February 19, 1969 at Fillmore West, San Francisco, CA, USALast:  July 5, 1995 at Riverport Amphitheatre in Maryland Heights, MO (St. Louis) OUTRO:                               The Mighty Quinn                                                Track #25                                                2:11 – 3:48 Bob Dylan wrote and first recorded the song in 1967 during the Basement Tapes sessions, but did not release a version for another three years.  The song's first release was in January 1968 as "Mighty Quinn" in a version by the British band Manfred Mann, from their album Mighty Garvey, and became a great success. A demo of 14 of the 1967 Basement Tapes recordings, including the first of two takes of "Quinn the Eskimo (The Mighty Quinn)", was produced in 1968, but was not intended for release. Recordings taken from the demos began appearing on bootlegs, starting with Great White Wonder,[7] a double-album bootleg that came out in July 1969. The first official release of the song was in 1970 on Dylan's Self Portrait album,[14] a live recording from 1969's Isle of Wight Festival. The live version (titled "The Mighty Quinn (Quinn the Eskimo)") was also selected in 1971 for the second compilation of Dylan's career, Bob Dylan's Greatest Hits Vol. II. Covered by:  the Hollies, Leon Russell and Phish, among others. Although they never played the song with Bob Dylan, the Grateful Dead started playing "The Mighty Quinn" in concert in 1985. It became a favorite encore among the Grateful Dead's fans, and remained so to the end of their career. Last verses, end with, “when Quinn the Eskimo gets here, everybody's gonna want to doze” but the Deadheads heard it as “dose” and always gave it a big cheer. Played:  59 timesFirst:  December 30, 1985 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA  Shoutouts: Lary Vinocur – birthdayElena Mishkin – birthday .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Today, we discuss a 2023 BJA Education article titled 'Perioperative care for transgender and gender diverse adults'.  We start with a discussion of words and terms that are useful to understand, before diving in to discussions about a trauma-informed care approach to minimise and hopefully eradicate negative preoperative experiences, physical, chemical and surgical options for gender affirmation, and lastly how this can inform the provision of safe anaesthesia for transgender patients.Resources for this episode:BJA Education: Perioperative considerations for transgender and gender diverse adults by Harding, D. et al.Feel free to email us at deepbreathspod@gmail.com if you have any questions, comments or suggestions. We love hearing from you! And don't forget to claim CPD for listening if you are a consultant or fellow. Log us as a learning session which you can find within the knowledge and skills division, and as evidence upload a screenshot of the podcast episode. Thanks for listening, and happy studying!

Juice is in the building! On this track of Vinyl-y Vol III, the NOLA native gets real about his freshman project "Be Intentional," going solo, and touring with the legendary Soul Rebels. We're talking big risks, big rewards, and the hustle it takes to make it. Tap in and get inspired!

稀代のアーティスト ボブ・マーリーの36年の生涯をショートストーリーでお届け。ナレーターは俳優の宮沢氷魚。

Séptimo clip de la favorita de Paroxis histérica en el que hacemos un homenaje a una canción muy interesante con la que Laura Jane Grace y su banda Against me! presentan una fuerte crítica contra la transfobia: True trans soul rebel.

Matt steps in for Pete this week with loads of newish SOUL of 7”s and some Funk, Funk, Funk, Jungle music and tracks with New Orleans flavor. Music Jungle Fire, The Young Sensations, Ofege, East Coast Love Affair, Googie Rene, The Soul Rebels, The Meters, Lizzie No, Lady Wray, Nina Simone, Kool & The Gang and loads more!Tune into new broadcasts of the Superfly Funk & Soul Show, LIVE, Friday from 10 AM - 12 PM EST / 3 - 5 PM GMT.For more info visit: https://thefaceradio.com/superfly-funk-and-soul-show///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Wow, March already and this month I'll be featuring the music of Joe. Also flowing on this week's The Soul Damn ‘Phisticated! Radio Show tunes from SWV, Ruben Studdard, Patrice Rushen, George Benson, Alice Russell, D'Jear, Roy Davis Jr. & The Soul Rebels - so stop on by and hear what you've been missing . . . 

WTOP Entertainment Reporter Jason Fraley interviews Trombone Shorty, who brings his band Orleans Avenue with The Soul Rebels to Hollywood Casino at Charles Town Races in West Virginia on Saturday night. He discusses growing up in New Orleans, his lifelong friendship with Jon Batiste, acting in David Simon's "Treme" and why he loves performing in the nation's capital. (Theme Music: Scott Buckley's "Clarion") Learn more about your ad choices. Visit podcastchoices.com/adchoices

WTOP Entertainment Reporter Jason Fraley interviews Trombone Shorty, who brings his band Orleans Avenue with The Soul Rebels to Hollywood Casino at Charles Town Races in West Virginia on Saturday night. He discusses growing up in New Orleans, his lifelong friendship with Jon Batiste, acting in David Simon's "Treme" and why he loves performing in the nation's capital. (Theme Music: Scott Buckley's "Clarion") Learn more about your ad choices. Visit megaphone.fm/adchoices

This is Songwriters & Tour Riders, a music podcast from KOSU hosted by Matthew Viriyapah.Tulsa's King Cabbage Brass Band is bringing a taste of the Mardi Gras iconic sound to Oklahoma.They released their self-titled album last October and are playing with acclaimed New Orleans outfit, the Soul Rebels, on Thursday, Feb. 1 at Beer City Music Hall in Oklahoma City.In this episode, hear founder Gregory Fallis talk about the culture of Mardi Gras and New Orleans brass band music, and starting his own brass band in Tulsa.

Like the city of New Orleans and “the tangled veins of cypress roots that meander this way and that in the swamp” the final sets of the Pretty Lights tour were “interrelated, wrapped around itself in ways that aren't always obvious.”Channeling the spirit of Dr. John and New Orleans itself, the Pretty Lights team threw a party befitting for the end of such a historic tour; once again paying massive respects to regional musical legends by swirling the likes of Louis Armstrong, Lil Wayne, and The Meters while also integrating live horns (provided by The Soul Rebels) with the band for the first time since the days of the Analog Future Band. While we are saddened that the tour has finally ended, we can't help but look towards the future full of optimism as Pretty Lights continues to appear on prominent music festival lineups. The renaissance tour is over, but the future of Pretty Lights is just about to begin. We'll see you there!**All music from this episode along with the rest of the Spaceship Soundsystem tour dates are available for listening at prettylightslive.com Photos provided by Raymond Angelo

Iconic Canadian filmmaker, photographer and artist Bruce LaBruce joins Becky and Cam to discuss New Queer Cinema and a pair of films from 1991: Edward II and Young Soul Rebels. Hosted on Acast. See acast.com/privacy for more information.

This podcast is a commentary and does not contain any copyrighted material of the reference source. We strongly recommend accessing/buying the reference source at the same time. ■Reference Source https://www.ted.com/talks/the_soul_rebels_rebelosis_rebel_rock_rebel_on_that_level ■Post on this topic (You can get FREE learning materials!) https://englist.me/17-academic-words-reference-from-the-soul-rebels-rebelosis-rebel-rock-rebel-on-that-level-ted-talk/ ■Youtube Video https://youtu.be/ytxT3CC94GI (All Words) https://youtu.be/yGBfw5AifZs (Advanced Words) https://youtu.be/du-WlktdJ4g (Quick Look) ■Top Page for Further Materials https://englist.me/ ■SNS (Please follow!)

Welcome to the "News of the Entrepreneurs Talk Africa" podcast where our founders Marc, Jason, and Gerald explore the dynamic world of African entrepreneurship. They kickstart the series by delving into the current state of startup funding, the rise of generative AI, the shift in venture capital mindsets, and the impressive surge in female entrepreneurship across the continent.Timeline00:00:06 - Introduction to the podcast and hosts.00:00:57 - The trio begins their discussion on the current funding situation for startups in Africa.00:11:07 - Jason emphasizes the importance of investment opportunities for growth in fragmented ecosystems like Africa.00:12:34 - Gerald introduces a paradigm shift in companies' utilization of investment funds.00:13:47 - Jason points out investment opportunities from grant-giving organizations.00:16:39 - Marc shares details about the Africa Business Heroes program from the Jack Ma Foundation.00:19:04 - Gerald explores the expanding presence of tech hubs and incubators in emerging African markets.00:21:55 - The team dives into the importance and utilization of generative AI for African entrepreneurs.00:26:40 - Jason argues that AI has become a necessary tool for all businesses.00:28:04 - Jason provides insights into investment trends and prospects in Africa.00:30:46 - The hosts discuss the rise of female entrepreneurship in Sub-Saharan Africa.ReferencesGenerative AI: Explore further about AI on OpenAI and Technology Review's Article on GPT-4, as well as AI initiatives by Google and Microsoft.Discover thriving African entrepreneurs at FCB dot AI, She Leads Africa, Lionesses of Africa, and African Women Entrepreneurship Cooperative.Venture Capital: Know more about Savvy, Fred Swaniker from ALU, and African tech hubs.Female Entrepreneurship: Learn about it from Global Entrepreneurship Monitor and Soul Rebels.Additional resources: African Business Angel Network, DEG Developed PPP Ventures program, Go-Getters Agri Prize, Agri Hack, Africa Business Heroes program, Rwanda tech hubs: KLab, [Impact Hub Kigali](https://impacthub.rwEnjoy! And let us know what you think about this new season!

THE BOB MARLEY TRIBUTE Dennis Brown introduction Lively Up Yourself One Drop Blackman Redemption Rastaman Vibration Natural Mystic Crazy Baldhead Buffalo Soldier Zimbabwe Africa Unite Real Situation Who The Cap Fit Survival Exodus Iron Lion Zion No More Trouble Burning And Looting Revolution Them Belly Full (But We Hungry) War Get Up Stand Up So Much Trouble In The World Time Will Tell Rastaman Chant Babylon System Could You Be Loved Kaya Small Axe Concrete Jungle I Shot The Sheriff Soul Rebel Soul Rebel pt 2 (Run For Cover) Natty Dread Give Thanks Satisfy My Soul Is It Love Easy Skanking Jammin' One Love – People Get Ready Waiting In Vain Three Little Birds Baby We've Got A Date (Rock It Baby) Stir It Up No Woman No Cry (live) Turn Your Lights Down Low feat. Lauryn Hill Redemption Song

In today's podcast I'm talking to Alia Sobel aka Rebel Soul. Alia is a Reiki Master, Teacher, Healer, Life Coach and creator of 'Two Word Story' - a Mindset Mantra. Since 2018, this Mindset Movement has been empowering people to share their stories on mental health and axienty to achieve togetherness, understanding and love amongst our communities. This now global movement is taught to help regain control of your thoughts when your mind goes to a difficult place. We discuss growing, changing, evolving and EMERGING into the best version of yourself by being a rebel. Alia explains how  rebelling against yourself can help you love yourself deeply and live an aligned lifestyle.Connect with Alia here:@twowordstory_rebelsoulwww.aliasobel.comIf you loved this episode, don't forget to subscribe & leave a review. Your support is so appreciated.Reconnect to your true self- If you're ready to step into a new chapter of reconnecting to the woman you want to be, getting crystal clear on your purpose, being fully cared for & supported and feeling confident from the inside-out ->book a FREE Confidence Call here.

Weather Report: Birdland; Jaco Pastorius: (Used To Be A) Cha Cha; Peter Tiehuis T5: First Proof; Peter Tiehuis T5: Heart In Mind; Dubbelaar: Steely Dan: Everything Must Go; Peter Tiehuis T5: Everything Must Go; The Soul Rebels feat. Christian Scott: … Lees verder →

Cimafunk est devenu la révélation musicale cubaine de l'année 2018 avec son thème Me Voy, qui lui a valu d'être désigné "artiste de l'année" par le magazine Vistar et de recevoir le prix Lucas de la vidéo la plus populaire. Les chansons de son premier album Terapia comme Me Voy, Paciente ou Parar el tiempo ont conquis inexorablement une multitude de publics. Il a rompu des records d'assistance dans des salles iconiques à Cuba et dans le monde, avec des milliers de fans transportés par le groove du funk afro-cubain. À Cuba, les millenials reproduisant son style et son apparence, qui s'inspire fortement de ses racines africaines et des showmen noirs du XXème siècle. Le nom de Cimafunk fait référence à son héritage de « cimarrón », des Cubains d'origine africaine qui ont résisté et échappé à l'esclavage, ainsi qu'à l'essence de sa musique qui vise à subvertir les sons conventionnels en innovant avec les rythmes. En faisant ressortir le meilleur des rythmes et des traditions cubaines et en y infusant des sons et des styles d'Afrique et des États-Unis, Cimafunk a créé quelque chose d'unique et de spécial, non seulement en termes de musique, mais aussi des valeurs qu'il défend. Nommé par Billboard comme un des "Top 10 des artistes latinos à suivre", Cimafunk a fait un début fracassant au festival de musique South by Southwest 2019 et a effectué une tournée encensée aux États-Unis et en Europe. Fito Paez l'a qualifié de "futur" de la musique latino-américaine, et Rolling Stone a décrit sa musique comme "une combinaison électrisante de funk et de soul, superposée à la clave à cinq temps, ou le battement de cœur de la musique cubaine, apportée à Cuba par les esclaves en provenance de l'Afrique de l'Ouest." Cimafunk a sorti un EP Cun Cun Prá, en décembre 2020. Composé de 5 morceaux dont un son afro-caribéen contagieux : Cun Cun Prá ; un morceau de pop funky La Papa, avec la sensation pop cubaine Diana Fuentes ; un remix R&B sensuel de Parar El Tiempo, avec la prometteuse chanteuse mexicaine Salma ; Caliente, un morceau de hip-hop où la Nouvelle-Orléans rencontre la Havane en featuring avec Tarriona "Tank" Ball de Tank and the Bangas et le brass band The Soul Rebels ; et El Potaje où Cimafunk invite les légendes vivantes Omara Portuondo, Chucho Valdés, Pancho Amat et la Orquesta Aragón pour unir le passé, le présent et l'avenir de la musique cubaine. Lors d'un concert historique à Miami, le 16 octobre 2021, Cimafunk a réuni sur scène ses deux principales inspirations : le pianiste légendaire d'Irakere, Chucho Valdés, et le parrain du Funk, George Clinton de Parliament Funkadelic. Titres interprétés : Funk Aspirin Live RFI  Rompelo Live RFI  Te Quema La bemba Live RFI Salvaje Feat. Chucho Valdes Musiciens : Erik Alejandro Iglesias Rodriguez dit Cimafunk, chant Arthur Luis Alvarez Torres, piano  Raul Zapata Suri, cajon Son : Fabien Mugneret, Benoît Letirant. Playlist : ♦ Bonga Feat. Camelia Jordana, Kudia Kuetu (Lusafrica 2021) ♦ Kepa, Sodade extrait de l'album Divine Morphine (Miliani/Peer Music) ♦ De La Crau, Shaman extrait de l'album Temperi (Pagans 2022) ♦ Tina Mweni, Nayikimba, extrait de l'album Nayikimba (WePresent 2021) (Rediffusion du 9 janvier 2022)

Steffi ist 36 Jahre alt, Mentorin, Gründerin, Frauenstärkerin und Coach. 2015 habe sie Soul Rebel Coaching in Berlin gegründet und begleitet als Soul Rebel Coach selbständige Frauen dabei, ihr Business mit Mut, Intuition, Selbstvertrauen und innerer Klarheit zu gestalten. Steffis Website & Social Media Kanäle: www.soulrebelcoaching.de/ www.instagram.com/soulrebelcoaching www.linkedin.com/in/stefanie-jungbauer-574315177/ Steffis Angebot: Coaching für dich & dein Business: Deine Soul Rebel Reise "SelbstBEWUSST & machtvoll". Du & ich im intensiven 1:1 Setting. Alle Infos findest Du hier: www.soulrebelcoaching.de/coaching-fuer-frauen/ ++++++++++++++++++++

In July of 1980 Dexys Midnight Runners released their debut album. After disbanding his punk band, Kevin Rowland had a vision; to combine the urgency of punk rock with the Northern Soul scene. To quote Kevin himself: "I'm going to do what I really want to do: form a great group. We'll wear great clothes and make soulful music." Let's talk Dexys Midnight Runners, Searching for the Young Soul Rebels!

Soul Rebel Wisdom episode including meditation.

Director Martin Shore and musician/producer Ian Neville call in from New Orleans to talk about the second installment in the franchise of the award-winning TAKE ME TO THE RIVER. "Take Me to the River New Orleans" celebrates the rich musical history, the heritage, legacy, and influence of New Orleans and Louisiana. A true collaboration and melting pot of influences from around the World, that came together and formed one of the world's most unique cultural jewels. Our adventure shows the resiliency of surviving disaster to a formidable rebirth while pairing legacy musicians with stars of today, and how this unique cultural jewel came to exist. Featured in the film are: The Neville Brothers, Dr. John, Irma Thomas, Ledisi, G-Eazy, Snoop Dogg, WIlliam Bell, Galactic, Mannie Fresh, Preservation Hall Jazz Band, George Porter Jr., Christian Scott, Donald Harrison, Big Freeda, Ani DiFranco, PJ Morton of Maroon 5, Rebirth Brass Band, Dirty Dozen Brass Band, Soul Rebels, Voice of the Wetlands, The Givers, Dumpstaphunk, Cheeky Blakk, Lost Bayou Ramblers, Big Sam, Terence Higgins, Walter Wolfman Washington, Dee-1, Davell Crawford and many others. Narrated by John Goodman. takemetotheriver.org/new-orleans

Welcome to Indigenous in Music with Larry K, this week we welcome from Vancouver, British Columbia, Lola Whyte and Chelsea D.E. Johnson into our spotlight. Together they bring us “Old Soul Rebel,” a new shine on Soul, Rock and Roll. They have just released their new self-titled album. They are featured in our current issue of the Say Magazine, read all about them at www.indigenousinmusic.com/old-rebel-soul-interview. Enjoy music from Old Soul Rebel, Phyllis Sinclair, Indian City, Locos Por Juana, MAYDAY, Kinky, The Sober Junkie, Los Bravos, NORTHBOUND51, Latin Vibe, Electric Religious, Janel Munoa, Jessica Hernandez and the Deltas, Julian Taylor Band, The Deeds, Jota Quest, Juanes, Yoqui, Mexican Institute of Sound, The Northstars, Monareta, La Ley, QVLN, Lenine, Los Lonely Boys, Romeo Void, Santullo Sinuupa and much much more. Visit us on our homepage at www.IndigenousinMusicandArts.org and find out all about us and our music page at www.IndigenousinMusic.com to listen to our music archives.

In this week's episode Tim and Jeremy focus on the early life and work of Bob Marley & The Wailers. They explore the role Marley and the group played in bringing Reggae to the world, with the singer becoming a singular and ubiquitous figure in culture in the process. Beginning with their first Ska singles from the mid-'60s, we hear how the original 1965 recording of One Love articulated a nascent form of philosophical universalism, with love as a political virtue to overcome difference. We also follow Marley on his journey towards Rastafarianism, and reintroduce Island Records' Chris Blackwell to the show. Tim and Jeremy discuss the powerful, dub-inflected production of the Wailers' second album Soul Rebels, consider the anti-imperialism of rootsyness, and explore the recording and marketing of their follow up, Catch A Fire. We'll be back in a fortnight with part two of our deep dive on Marley. One Love. Tim Lawrence and Jeremy Gilbert are authors, academics, DJs and audiophile dance party organisers. They've been friends and collaborators since 1997, teaching together and running parties since 2003. With clubs closed and half their jobs lost to university cuts, they're inevitably launching a podcast. Produced and edited by Matt Huxley. Tune in, Turn on, Get Down! Become a patron from just £3 per month by visiting www.patreon.com/LoveMessagePod Tracklist: The Wailers - Simmer Down The Wailers - One Love (1965) Bob Marley & The Wailers - Soul Rebel Bob Marley & The Wailers - Rebel's Hop Bob Marley & The Wailers - Concrete Jungle Books: Timothy White - Catch a Fire: The Life of Bob Marley

Naughty Professor is an iconoclastic New Orleans-based jazz-funk sextet whose adventurous recordings and horn-charged, high-energy live performances have earned them an enthusiastic fan base, critical acclaim, and widespread attention from their musical peers. Their diligent roadwork has established Naughty Professor as a beloved live act. Weaving together with complex, inventive compositions and loose, organic improvisation, the band honors their hometown's jazz, R&B, and brass-band traditions while looking to the future. Where their first four releases showcased the group's knack for self-contained instrumental experimentation, their upcoming EP Good Things continues the trajectory of their 2017 album Identity by joining a trinity of explosive collaborators, whose instrumental and compositional contributions continue to expand the music into new territory. Naughty Professor has shared the stage with artists such as Soulive, Galactic, Snarky Puppy, Fitz, and the Tantrums, The Revivalists, Rebirth Brass Band, The Soul Rebels, Papadosio, George Porter Jr., Victor Wooten, and many more. In this episode, Sam and Noah share their background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

1 04 - Theme from Shaft Prophets of Soul 05:24 Prophet of Soul Gregory James Edition 2 We Will Work Faith & Harmony 02:54 Sacred Soul Of North Carolina 3 I'm Going Home Dedicated Men of Zion 03:56 The Devil Don't Like It 4 The Masquerade Is Over Dobby Dobson - 03:06 You Can't Wine 5 Gone Too Far Allen Toussaint 03:30 45 6 It Ain't Necessary Mamie Galore 02:13 45 7 If Walls Could Talk (Checker 1226) Little Milton 03:09 45 8 Leaving Here (Pt. 1) PM Warson 02:21 Dig Deep Repeat 9 05 Rent Free (1644) tanika charles 02:19 10 Sally go round the roses La Clave 03:08 La Clave 11 Justified Esther Phillips 05:32 Home Is Where The Hatred Is: The Kudus Years 1971-1977 12 Firehouse Rock Wailing Souls 04:12 Down in Jamaica, 40 Years of VP Records CD1 13 Money I$ King Lee Fields & The Expressions 03:19 My World 14 Stay Broke Boukou Groove 04:32 A Lil' Bouko In Your Cup 15 Going Straight Crazy (feat. Princess Shaw) Galactic 03:29 Already Ready Already 16 Hymn Of The Big Wheel Massive Attack 06:37 Blue Lines 17 Maliba Fatoumata Diawara 03:32 Maliba 18 Tanty Lynn Anthony Joseph & The Spasm Band 06:08 Rubber Orchestras 19 Evil Ways Ozomatli 03:28 Non-Stop: Mexico to Jamaica 20 Santa Cruzin' The Soul Rebels 04:35 Let Your Mind Be Free 21 Don't Follow Fashion Oghene Kologbo & Afrobeat Academy 04:09 Remember Fela Anikulapo Kuti 22 Grand Theft Chocolate Milk 05:30 We're all in this together 23 Greenbacks (Featuring Shirley Davis) Deep Street Soul 02:52 Deep Street Soul 24 Triple Funk Dyke & The Blazers 03:09 We Got More Soul: Phoenix 1967-1968 CD1 25 Ain't That Peculiar (Feat. Sly Stone, El Debarge & The P-Funk All-Stars) George Clinton 04:36 George Clinton & His Gangsters Of Love 26 Got to Give It Up Brian Culbertson 04:54 Funk! 27 Get Up Off Stro Elliot & James Brown 03:30 Black & Loud: James Brown Reimagined By Stro Elliot 28 Natural High (Bonus Extended Version) Bloodstone 06:00 Natural High

On today's episode I am speaking with Shelley Paxton former Chief Marketing Officer at the iconic global brand Harley Davidson. Founder and CEO of Soulbbatical, Shelley left her corporate career behind after waking up with recurring nightmares for over a year. Soulbbatical is a way of being and movement inspired by her personal journey. This awakening led her on a profound Soulbbatical journey that became her mission, business, and bestselling book Soulbbatical: A Corporate Rebel's Guide to Finding Your Best Life, named #1 on Forbes' 21 Books to Read in 2021 list. She's leading a REBELution to rewrite the script of success and liberate a billion souls. Create a life and business you love.  Episode Quote: Passion is energy. Feel the power that comes from focusing on what excites you. ~ Oprah  Shelley Paxton's contact info E-mail: media@soulbbatical.com Website: https://soulbbatical.com/ Instagram: https://www.instagram.com/soulbbatical/ Helpful Entrepreneurial Resources from Become Your Own Boss Monica FREE ebook Get your Become Your Own Boss Planner Episode Sponsor -  Zeus' Closet Solopreneur Package Now Available - Promo Code: BOSS The best way to train team members - Trainual Link Get the 30 point checklist for building a clothing brand at www.zeuscloset.com/checklist Ways to reach me: DM me on IG @becomeyourownboss Email: monica@monicaallen.com Follow me on Clubhouse - @monicaallen2 Join my Clubhouse Club -  Become Your Own Boss - Social Media Room hosted each Thursday at 10AM EST. Who is Monica? Monica Allen grew up in a small town in Georgia with her single mom who had her at age 18, her grandmother and uncle. Living below the poverty line for all of her young life, Monica was determined to break the cycle. Being the first in her immediate family to attend a 4 year university, Monica worked in the field of insurance as a benefits broker for 8 years and earned her Masters in Business Administration. Leaving to set out on her entrepreneurial journey in 2005, she is now a serial entrepreneur owning several businesses. She is co-founder of Zeus' Closet, stuff4GREEKS and Deuce Equity Group.  She is the sole proprietor of Monica Allen Interiors and an Amazon Bestseller (The Fearless Entrepreneurs: Fear Less; Be More). She loves equipping aspiring entrepreneurs, side hustlers and small business owners with tips to launch, grow and scale their business while avoiding the many pitfalls of entrepreneurship. She believes that being surrounded by positive people, believing in yourself, and having faith in God has led to her success. Have some Feedback? If you enjoyed this episode, please share it with your friends or fellow entrepreneurs. Don't forget to subscribe to the show on iTunes, Spotify, Stitcher, Google Podcast, Pandora, Amazon or wherever you get your podcast to get automatic episode updates for "Become Your Own Boss!"  And, finally, please take a minute to leave an honest review and rating on iTunes or Audible. This truly is what helps the podcast grow. --- Send in a voice message: https://anchor.fm/becomeyourownboss/message

Welcome to Indigenous in Music with Larry K, this week we welcome from Vancouver, British Columbia, Lola Whyte and Chelsea D.E. Johnson into our spotlight. Together they bring us “Old Soul Rebel,” a new shine on Soul, Rock and Roll. They have just released their new self-titled album. They are featured in our current issue of the Say Magazine, read all about them at www.indigenousinmusic.com/old-rebel-soul-interview. Enjoy music from Old Soul Rebel, Phyllis Sinclair, Indian City, Locos Por Juana, MAYDAY, Kinky, The Sober Junkie, Los Bravos, NORTHBOUND51, Latin Vibe, Electric Religious, Janel Munoa, Jessica Hernandez and the Deltas, Julian Taylor Band, The Deeds, Jota Quest, Juanes, Yoqui, Mexican Institute of Sound, The Northstars, Monareta, La Ley, QVLN, Lenine, Los Lonely Boys, Romeo Void, Santullo Sinuupa and much much more. Visit us on our homepage at www.IndigenousinMusicandArts.org and find out all about us and our music page at www.IndigenousinMusic.com to listen to our music archives.

The Story behind Searching for the young Soul Rebels Dexys special from a couple of years back some great stories from Geoff Blythe Archie Brown Ian Snowball Neil Jones Neil Sheasby Remastered version.Support this show http://supporter.acast.com/srbmedia. See acast.com/privacy for privacy and opt-out information. Become a member at https://plus.acast.com/s/srbmedia.

| Feeling Home Again  | 03:39  | Kip Carmen  | How Can One Man Be So Lucky (Paul Simpson Re-edit)  | 05:10  | The Dells | Baby Let's Dance Tonight (Soulpersona Remix)  | 05:09  | Jay King | Complicated (The Realm Remix)  | 04:30  | Tanqueray Hayward | Stepp 'N Out  | 03:51  | Chavonna Adams | I Hate U (Lules 'Wifey' Blend) (Clean Edit)  | 02:43  | Sza | Not This Girl (Gedi Edit)  | 03:33  | Kate Moe Dee | In The Presence (feat. Derick Hughes)  | 05:17  | The Leonard Lothlen Project | Mind Blown (BC's Clean Edit)  | 03:47  | Bertie Anderson | The More Things Change (Gedi Edit)  | 03:58  | Zsa | The Moment (Steppers Mix - Radio Edit)  | 04:41  | Cornell CC Carter | Wake Up And Get It  | 03:05  | Sydney Ranee´ | Walls  | 03:21  | Nanette Maxine | Get Ya Money  | 03:56  | Ivy Lo | Outta Town (Ivy Lo Radio Mix)  | 03:37  | Ivy Lo | It's Gonna Get Betta (Gedi Edit)  | 03:07  | Saint Jaimz feat. Collective Efforts Muzic Group | Groove Train (Gedi Edit)  | 04:23  | The Soul Rebels | Hey Girl (Gedi Edit)  | 04:23  | Bey Bright | Feels  | 02:46  | Corey Ronell | Don't Give Up On Our Love  | 03:16  | Robert IMtume Owens | Imagine Me (Gedi Edit)  | 03:31  | Alexis Spight | Til We Meet Again  | 02:09  | Jane Handcock | Lover's Groove  | 04:03  | The Lady Songbird Jinda | One And Only  | 03:20  | Oliver James | I Need (Gedi Edit)  | 02:54  | Whodini & Alonzo Davis | Wish I Could (Gedi Clean Edit)  | 03:38  | Charli Taft | Personal (The Realm Mix)  | 04:31  | Will Downing feat. Tanya Smith | Give In To Me (Gedi Edit)  | 04:21  | Whodini & US feat. Solo Flips & Ocean Waynos | Enough  | 03:06  | Mary J. Blige | Come See About Me  | 03:28  | Mary J. Blige | Listen To Learn (Gedi Edit)  | 04:34  | Ronnie | Can't Nobody  | 04:11  | Lenny Williams & Shirley Jones  | Love Will Never Do (Without You)  | 03:23  | Lee Wilson | Just To Be With You  | 04:25  | Freda Payne | I Ain't Gonna Waste Your Time  | 05:00  | L. Young  | Say The Word  | 02:54  | Ivy Lo | Sip N' Vibe  | 03:34  | Ivy Lo | Glow  | 03:52  | Marshella Muzic  | Baby  | 03:15  | Aimi | I Just Wanna Know (Remix)  | 03:29  | Jade Novah feat. Tarriona 'Tank' Ball | Peaches & Cream (Gedi Edit)  | 03:40  | Dottie | Lady In Red  | 03:56  | Charley Valentine | In§omnia  | 03:31  | Ida Divine | I Gotta Be The One (Gedi Clean Edit)  | 03:33  | Courtney Mickens | What Kinda Lady  | 03:55  | Courtney Mickens | Slow Change Up  | 03:23  | Miriah Avila | Beyond Borders (Yakul Remix)  | 03:38  | Ruth Koleva, Diggs Duke | Hey Love (feat. Soul Tune Allstars)  | 04:05  | María Sánchez | Like That  | 02:25  | Shel B | Company (feat. Carmichael Musiclover)  | 04:09  | Melba Moore | Go  | 04:08  | Love Mae C. | Body Open (Gedi Clean Edit)  | 03:03  | Perri Jones | Refund (I Don't Love You)  | 04:43  | Katera | In Love With The DJ (2022)  | 05:00  | Katera | All Your Love (All Nite Long) (Bare Mix)  | 05:17  | Jay King feat. Lenny Williams, J. Henry & Glenn Jones

In this episode LIisa explores imbolc and the beginning of spring.

In this episode Lisa talks about what healing is and the healing journey.

In this episode Soul Rebel Lisa Viccars takes you through a meditation for releasing your limiting beliefs.

In this episode Lisa shares an exploration of self limiting beliefs and how they affect our life.

In this episode Lisa talks about being Your Own Soul Rebel.

Episode One with your host Lisa Viccars, Soul Rebel - Spiritual Self belief and Self Worth Coachwww.lvholistictherapy.com

As-Salaam Alaikum everybody, welcome to the Young n Muslim Podcast! On today's show we are chillin with the Mandem, Mohammad Moose!  An avid listener to the podcast who we met on the Soul Rebel retreat to Jamaica hosted by Wafa and her team (listen to EP. 121 to learn more).  We sat down with our brother Moose and spoke about transparency in relationships & how important it really is. From letting others know about our past, all the way to understanding why people do what they do, based on their past. Pray you enjoy this episode and tune in as Two Mo's and a Breel enlighten you today!Leave us a review. Big S/O to all of our listeners - Both old & New!Please let us know how we did and how we are doing! Every comment, like, and share helps us keep putting out quality content.Follow us on Instagram, Twitter, Tik Tok: YoungNmuslimSubscribe on YouTube: The Young and Muslim PodcastLike us on FB.Apple Itunes, Googleplay, CastBox, and Soundcloud: The Young and Muslim Podcast.

Interview with Microbe of Soul Rebel Collective.  Support the show Patreon.com/phocasseedcast  https://soulrebelgenetics.com/ IG @soulrebelcollective @phocasseeds Phocasseeds.com

In, Soul Rebel we discuss imposter syndrome, perfectionism, marble sculptures, inferiority, coloring outside the lines in your business and all things time-crunch and try-hard. How do you live by an indigenous sundial instead of a man-made metronome? How do you let go of not feeling good enough to embody your pure natural confidence? Coming to ya in this here episode of The Conscious Money Creation Podcast, brought to you by the letter Z and our fellow earth friend, the Porcupine. 

BOB MARLEY TRIBUTE Dennis Brown introduction Lively Up Yourself One Drop Blackman Redemption Rastaman Vibration Natural Mystic Crazy Baldhead Buffalo Soldier Zimbabwe Africa Unite Real Situation Who The Cap Fit Survival Exodus Iron Lion Zion No More Trouble Burning And Looting Revolution Them Belly Full (But We Hungry) War Get Up Stand Up So Much Trouble In The World Time Will Tell Rastaman Chant Babylon System Could You Be Loved Kaya Small Axe Concrete Jungle I Shot The Sheriff Soul Rebel Soul Rebel pt 2 (Run For Cover) Natty Dread Give Thanks Satisfy My Soul Is It Love Easy Skanking Jammin' One Love – People Get Ready Waiting In Vain Three Little Birds Baby We've Got A Date (Rock It Baby) Stir It Up No Woman No Cry (live) Turn Your Lights Down Low feat. Lauryn Hill Redemption Song

Show Notes and Web Links  On Episode 32, Pete discusses “Extended Metaphor in Music,” through Simon and Garfunkel's “I am a Rock,” Bob Marley's “Cornerstone,” and Common's “I Used to Love H.E.R.” The extended metaphors throughout the songs lead to discussion of family ties, pain and loss, commercialism, “authenticity,” and much more. The songs are deepened by the skillful figurative language used by the artists. All of these songs can be heard in almost all, if not all, streaming platforms, by asking Alexa, on YouTube, etc.  “I am a Rock” was released in 1965 by CBS on the album Sounds of Silence.. Music. “Cornerstone” was released in 1970 on the album Soul Rebels. “I Used to Love H.E.R.' is from the 1994 album Resurrection, on Relativity Records.  You can subscribe to The Chills at Will Podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Spotify and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.   “Cornerstone” by Bob Marley, as analyzed on Genius.com.   Authors/Texts Mentioned and Allusions Referenced During the Episode: “All The World's a Stage…” Discussion   Psalm 118-”The stone that the builder refused…”   Episode Seven of The Chills at Will Podcast, “O'Henry Endings”-features “The Lottery” by Shirley Jackson   Common, Kanye West, and Gil Scott-Heron-”My Way Home”

WELCOME to the very first episode of the Soul Rebel's podcast! In this episode, I will take you on a tour through the world of Nourishing Witch and I will introduce you to what's alive within it... Which is SO EXCITING! And I'll also set the ground rules for how we are gonna roll with the podcast from now on. Meet me at  https://www.nourishingwitch.com/ for the good stuff - aka. offerings, courses, readings! And let's hang out on Instagram @nourisingwitch for a dose of art & magic! 

"Il y a une bonne chose dans la musique, quand elle vous cogne dessus, vous ne sentez aucune douleur". Une des formules les plus célèbres de Bob Marley, que vous retrouvez cet été dans Very Good Trip. C'est aussi par ces mots, une sorte de révélation, même, que commençait Trench Town Rock, un de ses plus grands succès en Jamaïque, bien avant que Bob Marley ne s'impose comme une figure charismatique tout autour du monde. Une autre formule, dans cette chanson, résonne avec force : Give the slum a try, Offrez une chance au taudis.Trench Town est ce quartier du sud-est de Kingston, la capitale jamaïcaine, près du port, où Bob Marley a passé une bonne partie de son enfance et de son adolescence.Quand Bob Marley, est arrivé là en 1954, la construction de ce qu'on a surnommé la "concrete jungle", la jungle de béton, il en a fait une chanson célèbre, avait déjà commencé. De petites maisons d'un ou deux étages, bâties autour d'une cour, qu'on appelle là-bas "yard". Selon le témoignage de la chanteuse Cherry Green, qui avait participé aux Wailers des origines : "La plupart des gens vivant à Trench Town venaient de la campagne, où ils n'avaient ni eau courante, ni électricité. Là, on avait une chouette salle de bains, des toilettes et une cuisine".Bob Marley était un enfant de la campagne, il avait grandi dans un village situé dans le centre-nord de l'île, entre les champs et les collines, et qui s'appelle Nine Mile, parce qu'il est situé à neuf miles à l'ouest de la ville d'Alexandria.Nine Mile où se trouve aujourd'hui son mausolée et où des touristes partent faire des excursions, entre guillemets, aux sources de sa légende. Il y a d'ailleurs une très belle cascade qu'on visite pas loin de là. Bob Marley a grandi au sein d'un paysage biblique. Son grand-père, Omeriah, possédait là un domaine agricole situé entre deux petites montagnes en pente douce, que l'on a toujours décrit comme une sorte d'Eden : il y avait là des champs de patates douces, de maïs, des plantations de haricots, des caféiers, une bananeraie. La situation familiale très singulière de Bob Marley, j'y reviendrai en détail, bien sûr, a poussé ce grand-père, à remplir un rôle primordial dans son éducation.PlaylistBob Marley & the Wailers :« Trench Town Rock » extrait de la compilation « Africa Unite : The Singles Collection »« Soul Shake Down Party » extrait de la compilation Artistes divers « Essential Reggae Foundation Singers Volume Two »« Guava Jelly » single« Small Axe » extrait de la compilation « Small Axe - The UK Upsetter Recordings 1970 to 1972 »« Soul Rebels » extrait de la compilation « Africa Unite : The Singles Collection »« Try Me » extrait de la compilation « Small Axe - The UK Upsetter Recordings 1970 to 1972 »« Keep On Moving » extrait de la compilation « Small Axe - The UK Upsetter Recordings 1970 to 1972 »« Concrete Jungle » extrait de l'album « Catch a Fire - Deluxe Version »« Slave Driver - Jamaican Version » extrait de l'album « Catch a Fire - Deluxe Version »« Stir It Up - Jamaican version » extrait de l'album « Catch a Fire - Deluxe Version »« No More Trouble - Jamaican Version » extrait de l'album « Catch a Fire - Deluxe Version »