POPULARITY
2 episodes with wsj magazine
2 episodes with wsj magazine
2 episodes with wsj magazine
On this week's episode, host Dennis Scully speaks to Stellene Volandes and Elisa Lipsky-Karasz, the editorial leaders of Elle Decor. Volandes, the editorial and brand director of Elle Decor, is also the editor in chief of Town&Country and a Hearst veteran—she's been at T&C since 2011. Lipsky-Karasz, Elle Decor's head of editorial content, has jumped around in media, from WWD to Harper's Bazaar to WSJ Magazine. Together, they've taken the reins at Elle Decor after the publication's prior editor in chief, Asad Syrkett, left in the fall of last year. Here, they discuss why there is no “one-size-fits-all” approach to media; why designers need to consider the narrative when they submit projects to the magazine; and why boldness will be central to the success of Elle DecorThis episode is sponsored by Ernesta and ThibautLINKSElle DecorDennis ScullyBusiness of Home
Editorial integrity and independence in the watch world. It's a hot topic, and one we've explored before. But that was before today's guest penned her open letter to the watch industry published in Robb Report titled: "Watch Execs Need to Learn to Respect Journalistic Boundaries." Victoria Gomelsky is editor-in-chief of JCK, a New York City-based jewelry trade publication founded in 1869. Her writing on watches, jewelry and travel has appeared in the New York Times, Robb Report, WSJ Magazine, and the Hollywood Reporter, among many others. For detailed show notes, including links to more information, visit collectivehorology.com/blog. Hosted by Asher Rapkin and Gabe Reilly, co-founders of Collective Horology, Openwork goes inside the watch industry. You can find us online at collectivehorology.com. To get in touch with suggestions, feedback or questions, email podcast@collectivehorology.com.
This week's cover of WSJ Magazine is extremely minimalistic. That's not surprising given that the main story is an in-depth interview with Tim Cook, the CEO of Apple and the king of minimalistic design; Instagram and Threads accounts that track the private jets of celebrities – including Mark Zuckerberg, Elon Musk, Kim Kardashian, Bill Gates, Jeff Bezos, and Kylie Jenner – were suspended on Monday, according to the owner of many such accounts, Florida college student, Jack Sweeney. Links to Instagram/Threads accounts tracking the flights of the former President; Zoom is partnering with Suki, an AI medical note-taking app, to let doctors use an AI scribe that will take notes of their consultations with patients; Earlier this year, Medal, a startup known for its video game clipping features, launched a cross-platform AI assistant called Highlight. Now, the company is spinning off Highlight into a new entity, which has raised $10 million in a funding round. General Catalyst led the funding round with Valor, SV Angel, and Conviction Embed Learn more about your ad choices. Visit podcastchoices.com/adchoices
Born in New Haven, CT, Heidi Lender began her career reporting on the fashion universe for national magazines, writing features and styling photo shoots throughout her twenties. With a BA in apparel and textiles from Cornell University, she covered style and travel from New York to Paris, where she served as Fashion Director and Associate Bureau Chief of Women's Wear Daily and W Magazine. After Paris she went to India, where she lived part-time while studying yoga for the next eight years. In 2007, she opened and taught at a yoga studio in San Francisco, and two years later she discovered her creative self in photography. Self-taught, she began by creating self-portraits and realised a meaningful way to make sense of the world and her place in it. Her images are often based in self-inquiry that stem from personal experiences, relationships and/or investigate identity.She is represented by galleries in the U.S. and Uruguay and has exhibited internationally. Heidi is a founding member of the online collective Six Shooters, has twice been a Critical Mass finalist, received recognition from the likes of the Pollux Awards and the Julia Margaret Cameron Award. Her work has been featured in PDN and Rangefinder magazines and in online photo blogs including CNN, NPR and the New Yorker's Photo Booth. Editorial credits include WSJ Magazine, Disegno Journal and Grey Magazine. In 2014, Kehrer Verlag published the photography book “Grassland” under Lender's pseudonym, H. Lee. She currently resides on an 80-acre ranch in Pueblo Garzón, Uruguay, where she has founded CAMPO, a nonprofit creative institute supporting international artists (www.campogarzon.org).In this episode and her discussion with Anne, Heidi recounts her impulsive decision to leave her burgeoning career as a fashion director in Paris at the young age of 26. A pivotal moment in Heidi's personal story, she tells Anne, is her discovery of Garzón, Uruguay. During an impromptu trip to South America, she stumbled upon her dream home in the quaint village, which became the birthplace of CAMPO. Heidi describes to Anne how her passion for photography flourishes in this picturesque setting, where the art of self-portraiture becomes a therapeutic outlet and a means of self-expression. The episode highlights how photography, combined with mindfulness practices, has been a crucial part of Heidi's healing journey.Heidi then goes deeper into the founding and growth of CAMPO, which has evolved into a sanctuary for artists, chefs and writers from around the world. Heidi articulates her vision of creating transformative experiences for both residents and attendees, fostering a sense of community through artistic collaboration. The festival, now a three-day event with a month-long residency program, is using the theme "unsettled" this year. The theme explores migration and movement, thus reflecting Heidi's own journey of continuous reinvention.***Are you curious about Anne's Coaching & Consulting:Feeling lost or burnt out? Discover Anne's blend of business savvy & spirituality. Transition from career exhaustion to trusting yourself again with her unique coaching approach.Book your free one on one exploratory coaching session here. To find out more about Anne's coaching approach, her consulting background and more, head over here. This episode is brought to you by AVM Consulting Struggling to connect with your audience? Feeling disconnected from your brand's purpose? Is motivating your team becoming a daunting task?AVM Consulting offers a unique blend of coaching, consulting, and storytelling services designed to help your brand connect authentically, align with your values, and inspire your team to achieve greatness.With a track record of success in working with fashion and luxury partners worldwide, AVM Consulting, led by industry expert and certified coach Anne Mühlethaler, is your trusted partner in achieving your brand's vision. Ready to transform your brand and drive meaningful change? Don't wait any longer. We like to make magic happen.FIND OUT MORE ABOUT AVM CONSULTING HERE. ***If you enjoyed this episode, click subscribe for more, and consider writing a review of the show on Apple Podcasts, we really appreciate your support and feedback. And thank you so much for listening! For all notes and transcripts, please visit Out Of The Clouds on Simplecast - https://out-of-the-clouds.simplecast.com/ Sign up for Anne's email newsletter for more from Out of the Clouds at https://annevmuhlethaler.com. Follow Anne and Out of the Clouds: IG: @_outoftheclouds or @annvi Or on Threads @annviOn Youtube @OutoftheClouds For more, you can read and subscribe to Anne's Substack, the Mettā View, her weekly dose of insights on coaching, brand development, the future of work, and storytelling, with a hint of mindfulness.
Born in New Haven, CT, Heidi reported on the fashion universe for national magazines, writing features and styling photo shoots throughout her twenties. With a BA in apparel and textiles from Cornell University, she covered style and travel from New York to Paris, where she served as Fashion Director and Associate Bureau Chief of Women's Wear Daily and W Magazine. After Paris she went to India, where she lived part-time studying yoga for the next 8 years. In 2007, she opened and taught at a yoga studio in San Francisco, and two years later, she discovered her creative self in photography. Self-taught, she began by creating self-portraits and realized a meaningful way to make sense of the world and her place in it. Her images are often based in self-inquiry that stem from personal experiences, relationships, and/or investigate identity.She is represented by galleries in the U.S. and Uruguay and has exhibited internationally. Heidi is a founding member of the online collective Six Shooters, has twice been a Critical Mass finalist, received recognition from the likes of WPGA Pollux Awards and the Julia Margaret Cameron Award. Her work has been featured in PDN and Rangefinder magazines and in online photo blogs including CNN, NPR and the New Yorker's Photo Booth. Editorial credits include WSJ Magazine, Disegno and Grey Magazine. In 2014, Kehrer Verlag published the photography book Grassland under Lender's pseudonym H. Lee. She currently resides on an 80-acre ranch in Pueblo Garzon, Uruguay, where she has founded CAMPO, a nonprofit creative institute, supporting international artists, www.campogarzon.org.In this episode, Heidi recounts her impulsive decision to leave her burgeoning career as a fashion director in Paris at the young age of 26. Her tale is marked by personal challenges, including a divorce and the emotional rollercoaster of IVF, which she bravely shares with Anne. Heidi's journey of self-discovery and resilience is punctuated by her immersion into the world of yoga, where she trained under the renowned Pattabhi Jois, finding solace and a renewed sense of purpose.Prompted by Heidi expressing the realizations she had while shopping in Goa, Anne shares a similar experience from her recent trip to Greece, emphasizing the significance of unique, locally crafted fashion. Anne also speaks candidly about her battle with rheumatoid arthritis and how yoga has been instrumental in her physical and emotional well-being, noting that movement does indeed help with pain, despite seeming counterintuitive. The episode takes a reflective turn as Heidi shares the trials and tribulations she faced during her attempts at conceiving through IVF, eventually leading her to embrace a different life path with acceptance and grace.A pivotal moment in Heidi's personal story, she tells Anne, is her discovery of Garzon, Uruguay. During an impromptu trip to South America, she stumbled upon her dream home in the quaint village, which became the birthplace of CAMPO. Heidi describes to Anne how her passion for photography flourishes in this picturesque setting, where the art of self-portraiture becomes a therapeutic outlet and a means of self-expression. The episode highlights how photography, combined with mindfulness practices, has been a crucial part of Heidi's healing journey.Heidi goes deeper into the founding and growth of CAMPO, which has evolved into a sanctuary for artists, chefs, and writers from around the world. Heidi articulates her vision of creating transformative experiences for both residents and attendees, fostering a sense of community through artistic collaboration. The festival, now a three-day event with a month-long residency program, is using the theme "unsettled" this year. The theme explores migration and movement, thus reflecting Heidi's own journey of continuous reinvention.The episode concludes with a heartfelt discussion between Heidi and Anne on the value of solitude, introspection, and the interconnectedness of creative pursuits and personal growth. Heidi shares important moments of reconnection with her past and influential figures, weaving a narrative of the importance of serendipity and openness to new perspectives. Through her story, Heidi exemplifies resilience, creativity, and the transformative power of embracing life's unpredictable turns.An intimate and heartwarming interview with a talented artist who has a plethora of global experience. Out of the Clouds website: https://outoftheclouds.com/Out of the Clouds on Instagram: https://www.instagram.com/_outofthecloudsThe Mettā View website: https://avm.consulting/metta-viewAnne on Instagram: https://www.instagram.com/annvi/Anne on Threads: https://www.threads.net/@annviAnne on LinkedIn: https://www.linkedin.com/in/anne-v-muhlethaler/Heidi's website: https://heidilender.com/Camp Garzon: https://campogarzon.org/Heidi on Instagram: https://www.instagram.com/heidilenderHeidi on LinkedIn: https://www.linkedin.com/in/heidi-lender/Argentinian chef Francis Mallmann: https://en.wikipedia.org/wiki/Francis_MallmannRestaurant Garzon: https://www.restaurantegarzon.com/W magazine: https://www.wmagazine.com/Women's wear daily: https://wwd.com/Us Magazine: https://www.usmagazine.com/Ashtanga Yoga: https://en.wikipedia.org/wiki/Ashtanga_vinyasa_yogaJohn Berlinsky: https://www.mettayogastudio.com/john-berlinskyK. Patthabi Jois: https://en.wikipedia.org/wiki/K._Pattabhi_JoisPunta del Este: https://en.wikipedia.org/wiki/Punta_del_EsteThe beheaded goddess book: https://www.amazon.com/Beheaded-Goddess-Daughters-Narcissistic-Fathers-ebook/dp/B007Y9L8Z6Rafael Vignoli, the architect: https://en.wikipedia.org/wiki/Rafael_Vi%C3%B1olyDesiree, you gotta be: https://open.spotify.com/track/6CU0zWIWVTEnmWpSjVHM93?si=66f28c3e590a4eb2Ain't no mountain, Diana Ross version: https://open.spotify.com/playlist/4Viqm1uiiHtM5Y0FwTCtFR?si=a5cc9dfe19634c0fJames McBride: https://en.wikipedia.org/wiki/James_McBride_(writer)Tommy Orange: https://en.wikipedia.org/wiki/Tommy_OrangeCAF 8 Virtual Film Forum - Aquí está el enlace actualizado para Film Forum: https://us06web.zoom.us/webinar/register/WN_1utIIAFPToi3gKu-CVvlagLink to donate and support Campo: https://campogarzon.org/support/ This episode is brought to you by AVM Consulting Struggling to connect with your audience? Feeling disconnected from your brand's purpose? Is motivating your team becoming a daunting task?AVM Consulting offers a unique blend of coaching, consulting, and storytelling services designed to help your brand connect authentically, align with your values, and inspire your team to achieve greatness.With a track record of success in working with fashion and luxury partners worldwide, AVM Consulting, led by industry expert and certified coach Anne Mühlethaler, is your trusted partner in achieving your brand's vision. Ready to transform your brand and drive meaningful change? Don't wait any longer. We like to make magic happen.FIND OUT MORE ABOUT AVM CONSULTING HERE. ***If you enjoyed this episode, click subscribe for more, and consider writing a review of the show on Apple Podcasts, we really appreciate your support and feedback. And thank you so much for listening! For all notes and transcripts, please visit Out Of The Clouds on Simplecast - https://out-of-the-clouds.simplecast.com/ Sign up for Anne's email newsletter for more from Out of the Clouds at https://annevmuhlethaler.com. Follow Anne and Out of the Clouds: IG: @_outoftheclouds or @annvi Or on Threads @annviOn Youtube @OutoftheClouds For more, you can read and subscribe to Anne's Substack, the Mettā View, her weekly dose of insights on coaching, brand development, the future of work, and storytelling, with a hint of mindfulness.
Laura Brown has been a fixture of fashion media for over two decades, since arriving in New York from her native Australia. She was the creative force behind Harper's Bazaar for 11 years before joining InStyle as the publication's Editor-in-Chief where she continued to work her magic, notably leading the publication through the pandemic. Then in 2022, she was ceremoniously “eliminated”—AKA fired.Today, she's the founder of LB Media and is working on releasing her first book with co-author and former Editor-in-Chief of WSJ Magazine, Kristina O'Neill. The aptly titled All The Cool Girls Get Fired releases January 2026, but first, Laura joins Sali to share her own career story, including:the power of being “guileless.”building a career in fashion.the forthcoming All The Cool Girls Get Fired.what to do if you suddenly lose your job.and releasing shame and embracing a world of opportunity.Work Friends is produced by ARGENT, a women's clothing label on a mission to redefine workwear and drive forward women's progress. For more, follow ARGENT on Instagram, @ARGENT, and subscribe to the ARGENT YouTube channel, @ARGENTWork, for clips and bonus content. To be featured on a future episode, email your work questions and dilemmas to WorkFriends@ARGENTWork.com for a chance to have one of our amazing guests weigh in with advice.
Will Guidara: Unreasonable Hospitality Will Guidara is the former co-owner of Eleven Madison Park, which under his leadership received four stars from the New York Times, three Michelin stars, and in 2017 was named #1 on the list of the World's 50 Best Restaurants. He has co-authored four cookbooks, was named one of Crain's New York Business's 40 Under 40, and is the recipient of WSJ Magazine's Innovator Award. He is the author of Unreasonable Hospitality: The Remarkable Power of Giving People More Than They Expect*. We expect hospitality from a restaurant or hotel, but we often miss opportunities for this mindset at work. In this conversation, Will and I discuss effective leadership as an act of hospitality, not only for the organization and team — but for the leader themselves. Key Points Service is black and white. Hospitality is color. Hospitality elevates service not only for the person receiving it, but for the person delivering it. Hospitality is a dialogue, not a monologue. With employees, this means giving feedback continuously. When offering criticism, make a charitable assumption. The message is still the message, but the context matters. Giving attention to your top performers does a lot to invest others their work. Make it cool to care. Resources Mentioned Unreasonable Hospitality: The Remarkable Power of Giving People More Than They Expect* by Will Guidara Interview Notes Download my interview notes in PDF format (free membership required). Related Episodes How to Lead Part-Time Staff, with Chris Deferio (episode 289) Five Steps to Hold People Accountable, with Jonathan Raymond (episode 306) The Mindset to Help Your Organization Grow, with Tiffani Bova (episode 633) Discover More Activate your free membership for full access to the entire library of interviews since 2011, searchable by topic. To accelerate your learning, uncover more inside Coaching for Leaders Plus.
Will Guidara, owner of iconic restaurants such as Eleven Madison Park, explains how hospitality is the number one thing that can help your business truly succeed. Eventually, someone is going to make a better product, or build a better brand, than you have. The way to keep people from switching sides? Harboring a loyal customer base. The way to harbor a loyal customer base? Relentless hospitality. Famed restaurateur Guidara credits his successful career to what he calls “Unreasonable Hospitality” - also the title of his book - which he achieved by abiding by three main keys: Being present, taking the work seriously (but himself less seriously), and creating individualized customer experiences. By considering how you're making your customer feel, you're fostering connections and lifelong memories your patrons will never forget. Not only will these actions keep your customers returning to your business, but it will also work as a way of natural marketing; they'll share stories of your service and draw even more people in, keeping your company alive. ----------------------- Go Deeper with Big Think: ►Become a Big Think Member Get exclusive access to full interviews, early access to new releases, Big Think merch and more. https://members.bigthink.com/?utm_sou... ►Get Big Think+ for Business Guide, inspire and accelerate leaders at all levels of your company with the biggest minds in business. https://bigthink.com/plus/great-leade... ------ About Will Guidara: Will Guidara is the author of the National Bestseller Unreasonable Hospitality, which chronicles the lessons in service and leadership he has learned over the course of his career in restaurants. He is the former co-owner of Eleven Madison Park, which under his leadership received four stars from the New York Times, three Michelin stars, and in 2017 was named #1 on the list of the World's 50 Best Restaurants. He is the host of the Welcome Conference, an annual hospitality symposium that brings together like minded people to share ideas, inspire one another, and connect to form community. A graduate of the hospitality school at Cornell University, he has coauthored four cookbooks, was named one of Crain's New York Business's 40 Under 40, and is the recipient of WSJ Magazine's Innovator Award. Learn more about your ad choices. Visit megaphone.fm/adchoices
Will Guidara is the founder of Thank You, a hospitality company that helps leaders across industries transform their approach to customer service. He is also the former co-owner of Eleven Madison Park. In his book Unreasonable Hospitality, he shares many of the lessons about service and leadership he learned throughout his career in restaurants and makes the case that any business can choose to be in the hospitality industry by taking ordinary transactions and turning them into memorable experiences. He is also the co-founder of the Welcome Conference, an annual conference that brings together the best minds in the world of hospitality. A graduate of Cornell University, he has co-authored four cookbooks, was named one of Crain's New York Business's 40 Under 40, and is a recipient of WSJ Magazine's Innovator Award. Will Guidara is with us today to reflect on his experience in the restaurant industry and how it has impacted his approach to business, prioritizing human connection and caring for people. He believes that the hospitality industry has valuable lessons to offer, particularly in that it encourages others to choose to concentrate on the people around them. Will also comments on how society's views on leadership have changed over the years and why we need to prioritize connection over perfection “We can inspire people to be better versions of themselves through our attention to detail or our creativity.” - Will Guidara “It's crucial to name for yourself why your work matters.” - Will Guidara “Find one size fits one gestures.” - Will Guidara This Week on The Wow Factor: Will's experience of growing up in Sleepy Hollow, New York, and what he learned from his mentor and best friend, his father Will discusses his experience of spending time with famous chef Daniel Boulud, including his generosity to him and his father The role of Will's mother in his upbringing and how she inspired him even after his death Will's career history in restaurants, including at Tribeca Grill and Spago, and why he credits Danny Meyer as a major influence Why Will left his role with Danny to learn about the inner workings of a corporate restaurant company The gelato spoon that illustrates Will's Rule of 95/5 Why unreasonable hospitality means going above and beyond for guests Moments of Improvisational hospitality, including buying sleds for kids from Spain who had never seen snow The importance of making guests feel seen and valued through personalized gestures rather than relying on generic or contrived acts of hospitality Why Will employs a Dreamweaver on his team at the restaurant and what the job role entails Will Guidara's Words of Wisdom: A leader needs to be a host. They need to pursue with creativity and intention, a genuine sense of connection amongst the people that work with them. Because if we don't feel like we are in a community with our colleagues, we'll never do anything. Connect with Will Guidara: Will Guidara on LinkedIn Unreasonable Hospitality Will Guidara on Instagram Connect with The WOW Factor: The WOW Factor Website Connect with Brad Formsma via email Brad Formsma on LinkedIn Brad Formsma on Instagram Brad Formsma on Facebook Brad Formsma on Twitter
Will Guidara is the founder of Thank You, a hospitality company that helps leaders across industries transform their approach to customer service. He is also the former co-owner of Eleven Madison Park. In his book Unreasonable Hospitality, he shares many of the lessons about service and leadership he learned throughout his career in restaurants and makes the case that any business can choose to be in the hospitality industry by taking ordinary transactions and turning them into memorable experiences. He is also the co-founder of the Welcome Conference, an annual conference that brings together the best minds in the world of hospitality. A graduate of Cornell University, he has co-authored four cookbooks, was named one of Crain's New York Business's 40 Under 40, and is a recipient of WSJ Magazine's Innovator Award. Will Guidara is with us today to reflect on his experience in the restaurant industry and how it has impacted his approach to business, prioritizing human connection and caring for people. He believes that the hospitality industry has valuable lessons to offer, particularly in that it encourages others to choose to concentrate on the people around them. Will also comments on how society's views on leadership have changed over the years and why we need to prioritize connection over perfection “We can inspire people to be better versions of themselves through our attention to detail or our creativity.” - Will Guidara “It's crucial to name for yourself why your work matters.” - Will Guidara “Find one size fits one gestures.” - Will Guidara This Week on The Wow Factor: Will's experience of growing up in Sleepy Hollow, New York, and what he learned from his mentor and best friend, his father Will discusses his experience of spending time with famous chef Daniel Boulud, including his generosity to him and his father The role of Will's mother in his upbringing and how she inspired him even after his death Will's career history in restaurants, including at Tribeca Grill and Spago, and why he credits Danny Meyer as a major influence Why Will left his role with Danny to learn about the inner workings of a corporate restaurant company The gelato spoon that illustrates Will's Rule of 95/5 Why unreasonable hospitality means going above and beyond for guests Moments of Improvisational hospitality, including buying sleds for kids from Spain who had never seen snow The importance of making guests feel seen and valued through personalized gestures rather than relying on generic or contrived acts of hospitality Why Will employs a Dreamweaver on his team at the restaurant and what the job role entails Will Guidara's Words of Wisdom: A leader needs to be a host. They need to pursue with creativity and intention, a genuine sense of connection amongst the people that work with them. Because if we don't feel like we are in a community with our colleagues, we'll never do anything. Connect with Will Guidara: Will Guidara on LinkedIn Unreasonable Hospitality Will Guidara on Instagram Connect with The WOW Factor: The WOW Factor Website Connect with Brad Formsma via email Brad Formsma on LinkedIn Brad Formsma on Instagram Brad Formsma on Facebook Brad Formsma on Twitter
Rainesford Stauffer is an accomplished author and journalist, contributing to renowned publications such as the New York Times, The Cut by New York magazine, WSJ Magazine, Teen Vogue, Vox, and The Atlantic, to name a few. In her latest book, “All the Gold Stars,” she explores how the cultural, personal, and societal expectations around ambition are driving the global burnout epidemic. Speaking to Rainesford inspired me to share my own experience with burnout. I hope this conversation sparks your reflection on your own ambitions.Today we chat about: Where the attachment to ambition comes from How ambition manifests and why ambition is deeply personal The connection between burnout and exhaustion Why ambition is a privilege Why you can do less work and still be ambitious The ebbs and flows of ambition The link between loneliness and ambition Why the term “self-made” is a fallacy When ambition can become harmful Why it's difficult to have unconditional self-worth and self-esteem Follow Rainesford on Instagram @rainesford_stauffer and grab her book here!
In this episode Hannah is joined by Dylan Grace Essertier. She is a seasoned editor, coach, and speaker based in Brooklyn, New York. Dylan's writing has appeared in Vogue, WSJ Magazine, Condé Nast Traveler, Travel + Leisure, InStyle, Coveteur, Domino Magazine, Harper's Bazaar Art, Architectural Digest, Tasting Table, Bustle, Fathom, Barron's, and Global Citizen, among other top publications. Previously, Dylan worked as the Features Editor for Savoir Flair, the Middle East's largest English online fashion and lifestyle publication, where she oversaw Savoir Flair's culture category, traveling the world to report on the latest hospitality trends as well as conducting interviews with key designers and fashion personalities, including Carolina Herrera, Mario Testino, Diane Von Fürstenberg, Jean-Georges Vongerichten, and more. This episode is all about her journey to creating her company: Dylan Grace Co, travel journalism, what lights her up and pivoting your career. Where to find Dylan @dylangraceco @dylangracetravels Website and Coaching Offerings Where to find Women & the Wilderness @womenandthewildernesspodcast Connect with Hannah; @hannahrheaume Connect with Bradee; @ponytail_onatrail womenandthewilderness.com Facebook Group
Journalist, historian and author Lesley M. M. Blume, historian of science David Hecht, and nuclear historian Alex Wellerstein join Katie to discuss the film Oppenheimer, the legacy and future of nuclear war and what is happening in Fukushima Japan. Then Jamie Peck joins to discuss the latest developments regarding the Stop Cop City Movement as well as her upcoming live show! Lesley M. M. Blume is an award-winning journalist, historian, and New York Times bestselling author. Her work has appeared in The New York Times, National Geographic, The Wall Street Journal, WSJ Magazine, Vanity Fair, Columbia Journalism Review, Vogue, Town & Country, Air Mail, The Hollywood Reporter, Slate, The Los Angeles Review of Books, and The Paris Review Daily, among other publications. She often writes about historical nuclear events, historical war journalism, and the intersection of war and the arts. Blume in New York, 2016. Blume's second major non-fiction book, Fallout: The Hiroshima Cover-up and the Reporter Who Revealed it to the World, was released by Simon & Schuster on August 4, 2020, to mark the 75th anniversary of the atomic bombing of Hiroshima. David K. Hecht is a historian of science, focusing on the modern United States. His particular interest is in public images of science, and he has published on the phenomenon of "scientific celebrities." His first book, Storytelling and Science: Rewriting Oppenheimer in the Nuclear Age, was published 2015 (University of Massachusetts Press), and he is currently researching a second book project on the intersections between nuclear and environmental history. Other scholarly interests include the history of energy, as well as the role that popular rhetoric about science plays in reinforcing (and sometimes challenging) the status quo. His courses include "The Nuclear Age," "The History of Energy," "Image, Myth, and Memory," and "Science on Trial." In 2011 he was awarded the Sydney B. Karofsky prize, Bowdoin's annual teaching prize for junior faculty. Alex Wellerstein is a historian of science and nuclear technology. He is a professor at the Stevens Institute of Technology in Hoboken, New Jersey, where he is the Director of Science and Technology Studies in the College of Arts and Letters. His first book, Restricted Data: The History of Nuclear Secrecy in the United States (University of Chicago Press, 2021), is the first attempt at a comprehensive history of how nuclear weapons ushered in a new period of governmental and scientific secrecy in the USA. His current projects include: a new book about Harry Truman and nuclear weapons; research into the past, present, and potential future of Presidential nuclear weapons use authority; and a video game about life after a full-scale nuclear war set in the early 1980s. His writings on the history of nuclear weapons have appeared in The New Yorker, The Atlantic Magazine, Harper's Magazine, and the Washington Post, among other venues, and his online nuclear weapon effects simulator, the NUKEMAP, has been used by over 50 million people globally. He occasionally maintains a blog: Restricted Data: The Nuclear Secrecy Blog. Link to tickets for Jamie Peck's upcoming live show on September 2, 2023 - https://wl.seetickets.us/event/THE-WOKE-MOB/564089?afflky=TVEye Link to Defend the Atlanta Forest Movement - https://defendtheatlantaforest.org/ Link to Stop Cop City Movement - https://stopcop.city/ Subscribe to Jamie Peck's podcast 'Everybody Loves Communism' - Patreon - https://www.patreon.com/everybodylovescommunism Twitter: @ELCPod ***Please support The Katie Halper Show *** For bonus content, exclusive interviews, to support independent media & to help make this program possible, please join us on Patreon - https://www.patreon.com/thekatiehalpershow Get your Katie Halper Show Merch here! https://katiehalper.myspreadshop.com/all Follow Katie on Twitter: @kthalps
The crack epidemic of the 1980s and 1990s is arguably the least examined crisis in American history. Beginning with the myths inspired by Reagan's war on drugs, journalist Donovan X. Ramsey's exacting analysis traces the path from the last triumphs of the Civil Rights Movement to the devastating realities we live with today: a racist criminal justice system, continued mass incarceration and gentrification, and increased police brutality. When Crack Was King: A People's History of a Misunderstood Era (One World, 2023) follows four individuals to give us a startling portrait of crack's destruction and devastating legacy: Elgin Swift, an archetype of American industry and ambition and the son of a crack-addicted father who turned their home into a "crack house"; Lennie Woodley, a former crack addict and sex worker; Kurt Schmoke, the longtime mayor of Baltimore and an early advocate of decriminalization; and Shawn McCray, community activist, basketball prodigy, and a founding member of the Zoo Crew, Newark's most legendary group of drug traffickers. Weaving together riveting research with the voices of survivors, When Crack Was King is a crucial reevaluation of the era and a powerful argument for providing historically violated communities with the resources they deserve. A journalist, author, and indispensable voice on issues of identity, justice, and patterns of power in America, Ramsey's work has appeared in The New York Times, The Atlantic, GQ, WSJ Magazine, Ebony, and Essence, among a host of other outlets, and he's worked at such venerable newsrooms as the Los Angeles Times and the Marshall Project. A native of Columbus, Ohio, where he saw the crack epidemic firsthand, Donovan now lives in LA. When Crack was King, released to great acclaim, is his first book. Emily Dufton is the author of Grass Roots: The Rise and Fall and Rise of Marijuana in America (Basic Books, 2017). A drug historian and writer, her second book, on the development of the opioid addiction medication industry, is under contract with the University of Chicago Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
The crack epidemic of the 1980s and 1990s is arguably the least examined crisis in American history. Beginning with the myths inspired by Reagan's war on drugs, journalist Donovan X. Ramsey's exacting analysis traces the path from the last triumphs of the Civil Rights Movement to the devastating realities we live with today: a racist criminal justice system, continued mass incarceration and gentrification, and increased police brutality. When Crack Was King: A People's History of a Misunderstood Era (One World, 2023) follows four individuals to give us a startling portrait of crack's destruction and devastating legacy: Elgin Swift, an archetype of American industry and ambition and the son of a crack-addicted father who turned their home into a "crack house"; Lennie Woodley, a former crack addict and sex worker; Kurt Schmoke, the longtime mayor of Baltimore and an early advocate of decriminalization; and Shawn McCray, community activist, basketball prodigy, and a founding member of the Zoo Crew, Newark's most legendary group of drug traffickers. Weaving together riveting research with the voices of survivors, When Crack Was King is a crucial reevaluation of the era and a powerful argument for providing historically violated communities with the resources they deserve. A journalist, author, and indispensable voice on issues of identity, justice, and patterns of power in America, Ramsey's work has appeared in The New York Times, The Atlantic, GQ, WSJ Magazine, Ebony, and Essence, among a host of other outlets, and he's worked at such venerable newsrooms as the Los Angeles Times and the Marshall Project. A native of Columbus, Ohio, where he saw the crack epidemic firsthand, Donovan now lives in LA. When Crack was King, released to great acclaim, is his first book. Emily Dufton is the author of Grass Roots: The Rise and Fall and Rise of Marijuana in America (Basic Books, 2017). A drug historian and writer, her second book, on the development of the opioid addiction medication industry, is under contract with the University of Chicago Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The crack epidemic of the 1980s and 1990s is arguably the least examined crisis in American history. Beginning with the myths inspired by Reagan's war on drugs, journalist Donovan X. Ramsey's exacting analysis traces the path from the last triumphs of the Civil Rights Movement to the devastating realities we live with today: a racist criminal justice system, continued mass incarceration and gentrification, and increased police brutality. When Crack Was King: A People's History of a Misunderstood Era (One World, 2023) follows four individuals to give us a startling portrait of crack's destruction and devastating legacy: Elgin Swift, an archetype of American industry and ambition and the son of a crack-addicted father who turned their home into a "crack house"; Lennie Woodley, a former crack addict and sex worker; Kurt Schmoke, the longtime mayor of Baltimore and an early advocate of decriminalization; and Shawn McCray, community activist, basketball prodigy, and a founding member of the Zoo Crew, Newark's most legendary group of drug traffickers. Weaving together riveting research with the voices of survivors, When Crack Was King is a crucial reevaluation of the era and a powerful argument for providing historically violated communities with the resources they deserve. A journalist, author, and indispensable voice on issues of identity, justice, and patterns of power in America, Ramsey's work has appeared in The New York Times, The Atlantic, GQ, WSJ Magazine, Ebony, and Essence, among a host of other outlets, and he's worked at such venerable newsrooms as the Los Angeles Times and the Marshall Project. A native of Columbus, Ohio, where he saw the crack epidemic firsthand, Donovan now lives in LA. When Crack was King, released to great acclaim, is his first book. Emily Dufton is the author of Grass Roots: The Rise and Fall and Rise of Marijuana in America (Basic Books, 2017). A drug historian and writer, her second book, on the development of the opioid addiction medication industry, is under contract with the University of Chicago Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
The crack epidemic of the 1980s and 1990s is arguably the least examined crisis in American history. Beginning with the myths inspired by Reagan's war on drugs, journalist Donovan X. Ramsey's exacting analysis traces the path from the last triumphs of the Civil Rights Movement to the devastating realities we live with today: a racist criminal justice system, continued mass incarceration and gentrification, and increased police brutality. When Crack Was King: A People's History of a Misunderstood Era (One World, 2023) follows four individuals to give us a startling portrait of crack's destruction and devastating legacy: Elgin Swift, an archetype of American industry and ambition and the son of a crack-addicted father who turned their home into a "crack house"; Lennie Woodley, a former crack addict and sex worker; Kurt Schmoke, the longtime mayor of Baltimore and an early advocate of decriminalization; and Shawn McCray, community activist, basketball prodigy, and a founding member of the Zoo Crew, Newark's most legendary group of drug traffickers. Weaving together riveting research with the voices of survivors, When Crack Was King is a crucial reevaluation of the era and a powerful argument for providing historically violated communities with the resources they deserve. A journalist, author, and indispensable voice on issues of identity, justice, and patterns of power in America, Ramsey's work has appeared in The New York Times, The Atlantic, GQ, WSJ Magazine, Ebony, and Essence, among a host of other outlets, and he's worked at such venerable newsrooms as the Los Angeles Times and the Marshall Project. A native of Columbus, Ohio, where he saw the crack epidemic firsthand, Donovan now lives in LA. When Crack was King, released to great acclaim, is his first book. Emily Dufton is the author of Grass Roots: The Rise and Fall and Rise of Marijuana in America (Basic Books, 2017). A drug historian and writer, her second book, on the development of the opioid addiction medication industry, is under contract with the University of Chicago Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
The crack epidemic of the 1980s and 1990s is arguably the least examined crisis in American history. Beginning with the myths inspired by Reagan's war on drugs, journalist Donovan X. Ramsey's exacting analysis traces the path from the last triumphs of the Civil Rights Movement to the devastating realities we live with today: a racist criminal justice system, continued mass incarceration and gentrification, and increased police brutality. When Crack Was King: A People's History of a Misunderstood Era (One World, 2023) follows four individuals to give us a startling portrait of crack's destruction and devastating legacy: Elgin Swift, an archetype of American industry and ambition and the son of a crack-addicted father who turned their home into a "crack house"; Lennie Woodley, a former crack addict and sex worker; Kurt Schmoke, the longtime mayor of Baltimore and an early advocate of decriminalization; and Shawn McCray, community activist, basketball prodigy, and a founding member of the Zoo Crew, Newark's most legendary group of drug traffickers. Weaving together riveting research with the voices of survivors, When Crack Was King is a crucial reevaluation of the era and a powerful argument for providing historically violated communities with the resources they deserve. A journalist, author, and indispensable voice on issues of identity, justice, and patterns of power in America, Ramsey's work has appeared in The New York Times, The Atlantic, GQ, WSJ Magazine, Ebony, and Essence, among a host of other outlets, and he's worked at such venerable newsrooms as the Los Angeles Times and the Marshall Project. A native of Columbus, Ohio, where he saw the crack epidemic firsthand, Donovan now lives in LA. When Crack was King, released to great acclaim, is his first book. Emily Dufton is the author of Grass Roots: The Rise and Fall and Rise of Marijuana in America (Basic Books, 2017). A drug historian and writer, her second book, on the development of the opioid addiction medication industry, is under contract with the University of Chicago Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/drugs-addiction-and-recovery
The crack epidemic of the 1980s and 1990s is arguably the least examined crisis in American history. Beginning with the myths inspired by Reagan's war on drugs, journalist Donovan X. Ramsey's exacting analysis traces the path from the last triumphs of the Civil Rights Movement to the devastating realities we live with today: a racist criminal justice system, continued mass incarceration and gentrification, and increased police brutality. When Crack Was King: A People's History of a Misunderstood Era (One World, 2023) follows four individuals to give us a startling portrait of crack's destruction and devastating legacy: Elgin Swift, an archetype of American industry and ambition and the son of a crack-addicted father who turned their home into a "crack house"; Lennie Woodley, a former crack addict and sex worker; Kurt Schmoke, the longtime mayor of Baltimore and an early advocate of decriminalization; and Shawn McCray, community activist, basketball prodigy, and a founding member of the Zoo Crew, Newark's most legendary group of drug traffickers. Weaving together riveting research with the voices of survivors, When Crack Was King is a crucial reevaluation of the era and a powerful argument for providing historically violated communities with the resources they deserve. A journalist, author, and indispensable voice on issues of identity, justice, and patterns of power in America, Ramsey's work has appeared in The New York Times, The Atlantic, GQ, WSJ Magazine, Ebony, and Essence, among a host of other outlets, and he's worked at such venerable newsrooms as the Los Angeles Times and the Marshall Project. A native of Columbus, Ohio, where he saw the crack epidemic firsthand, Donovan now lives in LA. When Crack was King, released to great acclaim, is his first book. Emily Dufton is the author of Grass Roots: The Rise and Fall and Rise of Marijuana in America (Basic Books, 2017). A drug historian and writer, her second book, on the development of the opioid addiction medication industry, is under contract with the University of Chicago Press. Learn more about your ad choices. Visit megaphone.fm/adchoices
The crack epidemic of the 1980s and 1990s is arguably the least examined crisis in American history. Beginning with the myths inspired by Reagan's war on drugs, journalist Donovan X. Ramsey's exacting analysis traces the path from the last triumphs of the Civil Rights Movement to the devastating realities we live with today: a racist criminal justice system, continued mass incarceration and gentrification, and increased police brutality. When Crack Was King: A People's History of a Misunderstood Era (One World, 2023) follows four individuals to give us a startling portrait of crack's destruction and devastating legacy: Elgin Swift, an archetype of American industry and ambition and the son of a crack-addicted father who turned their home into a "crack house"; Lennie Woodley, a former crack addict and sex worker; Kurt Schmoke, the longtime mayor of Baltimore and an early advocate of decriminalization; and Shawn McCray, community activist, basketball prodigy, and a founding member of the Zoo Crew, Newark's most legendary group of drug traffickers. Weaving together riveting research with the voices of survivors, When Crack Was King is a crucial reevaluation of the era and a powerful argument for providing historically violated communities with the resources they deserve. A journalist, author, and indispensable voice on issues of identity, justice, and patterns of power in America, Ramsey's work has appeared in The New York Times, The Atlantic, GQ, WSJ Magazine, Ebony, and Essence, among a host of other outlets, and he's worked at such venerable newsrooms as the Los Angeles Times and the Marshall Project. A native of Columbus, Ohio, where he saw the crack epidemic firsthand, Donovan now lives in LA. When Crack was King, released to great acclaim, is his first book. Emily Dufton is the author of Grass Roots: The Rise and Fall and Rise of Marijuana in America (Basic Books, 2017). A drug historian and writer, her second book, on the development of the opioid addiction medication industry, is under contract with the University of Chicago Press. Learn more about your ad choices. Visit megaphone.fm/adchoices
Author Stories - Author Interviews, Writing Advice, Book Reviews
A desperate young publicist tries to save her career by turning the charismatic leader of a grungy retreat center into the hot new self-care brand in this “wildly funny, laser-eyed” (Michael Cunningham) debut novel. Jane Dorner has two modes: PR Jane, twenty-five, chummy, and eager to sell you a feminist vibrator or a self-care/bereavement subscription box; and Actual Jane, twenty-nine, drifting through mediocre workdays and lackluster dates while paralyzed by her crushing mountain of overdue medical bills. When her job performance is called into question, Jane's last-ditch effort to preserve her livelihood and pay off her debt is to land a white whale of a client. Enter the impossibly gorgeous Cass—whom Jane discovers scrolling through Instagram—and her unassuming husband, Tom—proprietors of a “wellness retreat” based out of a ramshackle country house that may or may not be giving off cult vibes. Suddenly Jane realizes she might have found the one ladder she can climb—if she can convince them that transforming Cass herself into a high-end wellness brand is the key to all three of their futures. Magnetic yet mysterious, Cass is primed to be an influencer: She speaks in a mix of inspirational quotes and Zen koans, eats only zucchini (the most spiritually nourishing vegetable), and has baby-perfect skin. Despite Tom's reticence about selling out, Jane sets out to mold Cass into the kind of guru who can offer inner peace and make your skin glow—all at a hefty price, of course. As Jane reckons with her own long-dormant ambitions, she wonders: Can a person really “do good” for others while profiting off them? And what parts of our selves do we lose when we trade power, influence, and beauty? Sparklingly plotted, deliciously deadpan, and irresistibly entertaining, THE GLOW is a razor-sharp sendup of an industry built on the peculiar intersection of money and wellness, where health is a commodity and self-care a luxury. ABOUT THE AUTHOR: Jessie Gaynor's work has appeared in McSweeney's Internet Tendency, The New Yorker, WSJ Magazine, and elsewhere. She is a senior editor at Literary Hub and she has an MFA in poetry from the Iowa Writers' Workshop, where she was a Rona Jaffe fellow. Jessie Gaynor lives in Richmond, Virginia with her family.
Donovan X. Ramsey is a journalist and author who writes about issues of identity, justice, and patterns of power in America. His reporting has appeared in The New York Times, The Atlantic, GQ, WSJ Magazine, Ebony, and Essence, among other outlets and he's been a staff reporter at the Los Angeles Times, NewsOne, and theGrio. He just released to much critical acclaim his debut book When Crack Was King: A People's History of a Misunderstood Era, which explores how Black America survived the crack epidemic. Join us for this extremely important, riveting conversation which explores the origins of the crack epidemic of the 1980's and early 90's; the "war on drugs" and "just say no" era; criminal injustice and racism; the current opioid and fentanyl crisis; and more. Got somethin' to say?! Email us at BackroomAndy@gmail.com Leave us a message: 845-307-7446 Twitter: @AndyOstroy Produced by Andy Ostroy, Matty Rosenberg, and Jennifer Hammoud @ Radio Free Rhiniecliff Music by Andrew Hollander Design by Cricket Lengyel
The Glow: A Novel A desperate young publicist tries to save her career by turning the charismatic leader of a grungy retreat center into the hot new self-care brand in this “wildly funny, laser-eyed” (Michael Cunningham) debut novel. Jane Dorner has two modes: PR Jane, twenty-five, chummy, and eager to sell you a feminist vibrator or a self-care/bereavement subscription box; and Actual Jane, twenty-nine, drifting through mediocre workdays and lackluster dates while paralyzed by her crushing mountain of overdue medical bills. When her job performance is called into question, Jane's last-ditch effort to preserve her livelihood and pay off her debt is to land a white whale of a client. Enter the impossibly gorgeous Cass—whom Jane discovers scrolling through Instagram—and her unassuming husband, Tom—proprietors of a “wellness retreat” based out of a ramshackle country house that may or may not be giving off cult vibes. Suddenly Jane realizes she might have found the one ladder she can climb—if she can convince them that transforming Cass herself into a high-end wellness brand is the key to all three of their futures. Magnetic yet mysterious, Cass is primed to be an influencer: She speaks in a mix of inspirational quotes and Zen koans, eats only zucchini (the most spiritually nourishing vegetable), and has baby-perfect skin. Despite Tom's reticence about selling out, Jane sets out to mold Cass into the kind of guru who can offer inner peace and make your skin glow—all at a hefty price, of course. As Jane reckons with her own long-dormant ambitions, she wonders: Can a person really “do good” for others while profiting off them? And what parts of our selves do we lose when we trade power, influence, and beauty? Sparklingly plotted, deliciously deadpan, and irresistibly entertaining, THE GLOW is a razor-sharp sendup of an industry built on the peculiar intersection of money and wellness, where health is a commodity and self-care a luxury. ABOUT THE AUTHOR: Jessie Gaynor's work has appeared in McSweeney's Internet Tendency, The New Yorker, WSJ Magazine, and elsewhere. She is a senior editor at Literary Hub and she has an MFA in poetry from the Iowa Writers' Workshop, where she was a Rona Jaffe fellow. Jessie Gaynor lives in Richmond, Virginia with her family. When you click a link on our site, it might just be a magical portal (aka an affiliate link). We're passionate about only sharing the treasures we truly believe in. Every purchase made from our links not only supports Dabble but also the marvelous authors and creators we showcase, at no additional cost to you.
Notes and Links to Donovan X. Ramsey's Work For Episode 192, Pete welcomes Donovan X. Ramsey, and the two discuss, among other things, his early relationship with language, formative and transformative writers like bell hooks, Zora Neale Hurston, Phillip Roth, Colson Whitehead, and the inimitable Toni Morrison, connotations and legal policies that are products of the mythmaking and propagandizing of the “crack era,” the emblematic stories of the people followed in Donovan's book, historical precedent for the over policing and oppression of Black people in the US, and optimism and pessimism to be seen in the stories of the crack era and of today. Donovan X. Ramsey is a journalist, author, and an indispensable voice on issues of identity, justice, and patterns of power in America. His reporting has appeared in The New York Times, The Atlantic, GQ, WSJ Magazine, Ebony, and Essence, among other outlets. He has been a staff reporter at the Los Angeles Times, NewsOne, and theGrio. He has served as an editor at The Marshall Project and Complex. Ramsey's writing career has been focused entirely on amplifying the remarkable unheard stories of Black America. He believes in people-first narratives that center individuals and communities—not just issues. His memorable magazine work includes profiles of Deion Sanders, Killer Mike, and Bubba Wallace for GQ; and Bryan Stevenson and Ibram Kendi for WSJ Magazine. Ramsey is the author of When Crack Was King: A People's History of a Misunderstood Era, a work of narrative nonfiction exploring how Black America survived the crack epidemic for One World, an imprint of Random House, a division of Penguin Random House, the world's largest trade book publisher. He was born and raised in Columbus, Ohio. He holds degrees from the Columbia University Graduate School of Journalism, where he concentrated in magazine journalism, and Morehouse College, a historically black college in Atlanta. Today, he calls Los Angeles home. Buy When Crack Was King: A People's History of a Misunderstood Era Donovan's Website Review in The New York Times of When Crack Was King Interview with The Los Angeles Times about When Crack Was King At about 2:55, Donovan gives background on his early reading and writing life At about 6:00, Donovan and Pete fanboy over Toni Morrison, who Donovan calls “the greatest to ever do it” At about 7:30, Donovan discusses his love of Phillip Roth's work, as well as that of Zora Neale Hurston and Colston Whitehead's work At about 9:50, Donovan talks about ideas of representation and how he was taken care of intellectually At about 12:30, Donovan references current writers who thrill and challenge him, including Colson Whitehead, Mat Johnson, and Stephen King, whose cover of It inspired the cover for When Crack Was King At about 14:30, Donovan responds to Pete's questions about long form versus “longer form” and how he dove into the research At about 17:50, Donovan cites jazz as a must when he's writing At about 19:00, Pete points to “crack era laws” Donovan references that seemed to be seeds for the book, and Donovan responds by mentioning Isabel Wilkerson's The Warmth of Other Suns: The Epic Story of America's Great Migration as an important “seed” for the book At about 23:00, Donovan talks about the connotations that come with the word “crackhead,” as well as government and official language that served to dehumanize drug users and Black Americans At about 26:20, Pete compliments and notes about a “good historical revision” in use of language that is not dehumanizing At about 27:10, Pete marks the book's eight-part structure At about 28:30, Pete points out the book's interesting and necessary historical background that is provided At about 29:05, Donovan responds to Pete's asking about Nixon's “War on Drugs” and the preceding and succeeding years in drug and policing policies; he specifically speaks about Nixon's “Southern Strategy” ***At about 33:10, The two discuss connections between events charted in the book with events of today and lament how, since history is cyclical,” there is little At about 34:20, Pete and Donovan discuss the “inconsistent[cy}” in the US government's and society's view of drugs and punishment At about 38:15, Donovan explains the Richard Pryor story and Lenny Bias' tragic death in the context of mythmaking and propaganda around crack cocaine At about 40:10, The newspaper article “Jimmy's World” and the almost unbelievable circus around it is discussed At about 44:20, “Gabo” weighs in on “Jimmy's World!” At about 44:45, Donovan charts the historical consequences of racist tropes regarding drugs and their supposed transference of superhuman qualities for Blacks and other people of color At about 47:25, The two discuss Kurt Schmoke's turn towards the decriminalization of drugs At about 52:00, Donovan reflects on the economic ties between so much of society and the “War At about 53:15, The two discuss the Democrats' emphasis on “tough on crime” in the crack era and beyond, as well as the need for making things right now, with the adjustment of laws and redress of past wrongs At about 57:20, Pete discusses the importance of Dre Dre and other hip musicians as part of bringing the crack era to an end, as well as communities standing up to bring use down At about 58:40, Donovan talks about pessimism that came after finishing the book in 2020, including the case of young Black men being barred from selling water in Atlanta At about 1:02:25, Pete highlights the power of the individual stories in the book, including a beautiful andeote involving Shawn-Coach McCray At about 1:04:00, Donovan responds to Pete's questions about any optimism he feels in examining the individual stories of Shawn, Lennie, Elgin, Kurt, and others At about 1:06:50, Donovan talks about exciting upcoming projects, including podcast potential At about 1:08:00, Donovan shouts out Reparations Club in Los Angeles, For Keeps Bookstore in Atlanta, and McNally Jackson Books in New York as good places to buy his book, as well as his social media/contact info You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode. Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! NEW MERCH! You can browse and buy here: https://www.etsy.com/shop/ChillsatWillPodcast This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com. Check out the next episode with Ethan Chatagnier, which airs today, July 18. Ethan is the author of Singer Distance, a novel lauded by NPR Books and The Millions. His short fiction has appeared in a variety of literary journals including the Kenyon Review Online and he has won a Pushcart Prize and been listed as notable in the Best American Short Stories. Again, the episode with Ethan will air today, July 18.
Marie Griffin doesn't tell clients what to say, she teaches them how to think. From losing everything in her mid-30s to working with names like Gaga, Rhianna, and Beckham on the Media PR side of her firm GRIFFIN Media, Marie has defined her life by making bold moves. Despite lacking prior experience in broadcast or PR, Marie established a successful broadcast PR firm that has now partnered with renowned brands such as Nordstrom, Dior, Adidas, and the WSJ Magazine, just to name a few. In her conversation with Ryan, Marie reveals her superpower: building trust and consistently delivering on her commitments. Marie also debunks the misconception that people fear public speaking, emphasizing that our true apprehension lies in the fear of judgment, a challenge that requires internal resolution. Finally, they delve into CATNIP™, the speaking division of Griffin Marketing & PR, where Marie collaborates closely with clients to discover their irresistible qualities, fostering their development and enabling them to effectively communicate the unique attributes that set them apart.
The book “Savor: A Chef's Hunger for More” is the story of Fatima Ali, a young Pakistani-American chef working in the US who was featured on the TV show Top Chef and who was set to become an influential voice in the world of gastronomy when she was diagnosed with terminal bone cancer. My guest today is Fatima Ali's collaborator Tarajia Morrell who is a New York-based food writer, who's written numerous food-related pieces for publications like the WSJ Magazine and Departures who was brought in to help Fatima express her story. The book follows her life from her childhood in Lahore, Pakistan which was the beginning of her love affair with food, to working in leading restaurants in the United States. It's a really powerful book that packs an emotional punch, because it's about dreams and ambition, love of food & family and how all of that is ultimately so fragile in the face of illness & death. Buy the book: https://amzn.eu/d/gH3F7NY Find Tarajia: Website: https://www.tarajiamorrell.com/ Instagram: https://www.instagram.com/tarajiamorrell/?hl=en Follow me @litwithcharles for more book reviews and recommendations!
Richard Craib from the WSJ Magazine talks about his latest article on reprehensions. They discuss what it means, its history, and some of the ethical questions it raises.
Welcome back to Chronic Gals Podcast! 2022 is quickly coming to a close, and Ash and Righ are ready to look ahead to next year and beyond! Spark up with us as we talk about what's next for the podcast, what's next for us, and what we're dreaming up for 2023! Shout out to WSJ Magazine and NW Leaf for all the great vision board material! FARM FEATURE Fatso by Doc & Yeti (WA) Pineapple Express by unknown FARM FEATURE Sweet Tea - Fire Mountain (WA) BULLETIN BOARD Our Youtube channel, Real Stoners, is now LIVE!! We seek to normalize what happens when you get stoned on our try channel, where real stoners get high and do stuff. What will we do next? Are you a WashingStonian who loves weed? Check out our new WashingStonian's notebook, a blank journal for all of Washington's cannabis connoisseurs! Get it here. /// If you like this episode, share with a friend & let's grow the smoke circle! Follow us over on Instagram @chronicgals_podcast to see what fun we're getting up to & get notified when we go LIVE for our Instagram Live smoke seshes! Subscribe to the audio version of Chronic Gals Podcast wherever you get your podcasts OR check out our videos on Youtube! Support the show & buy us a joint! We're $ChronicGals on CashApp! Check out our website at ChronicGals.com! Talk to you next time on another episode of the Chronic Gals! --- Support this podcast: https://anchor.fm/chronic-gals/support
Dua Lipa is one of the biggest pop stars of the past two years. WSJ Magazine contributor Alan Light - and Dua Lipa herself - explain how a pivotal decision in 2020 helped fuel her success, and why she's decided to launch a newsletter and a podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
What you'll learn in this episode: The history of JCK and the JCK Show How Victoria identifies trends to highlight in JCK Why the line between women's jewelry and men's jewelry has blurred, especially among younger consumers How travel influences jewelry design The most exciting new designers Victoria has her eye on About Victoria Gomelsky Victoria Gomelsky is editor-in-chief of JCK, a New York City-based jewelry trade publication founded in 1869. Her work has appeared in the New York Times, Robb Report, AFAR, WSJ Magazine, the Hollywood Reporter, Escape, The Sun and Waking Up American: Coming of Age Biculturally, an anthology published by Seal Press. She graduated summa cum laude and Phi Beta Kappa from UCLA with a BA in political science in 1995 and earned her MFA in nonfiction writing from Columbia University in 2002. She specializes in jewelry and watch writing but her greatest love has always been travel — 60 countries and counting. Victoria was born in St. Petersburg, Russia and emigrated to the United States in 1978 with her parents and twin sister, Julia. She divides her time between New York City and Los Angeles. Additional Resources: Victoria's Website Victoria's Instagram Photos: Victoria Gomelsky watches: Transcript: Victoria Gomelsky, editor in chief of esteemed jewelry trade publication JCK, was bitten by the travel bug during her first-ever trip—when she and her family immigrated to the U.S. from the Soviet Union in the late 1970s. Since then, she's visited more than 60 countries, often traveling to visit jewelry shows and report on jewelry trends. She joined the Jewelry Journey Podcast to talk about how her career in jewelry started with a mysterious online job posting; why Gen Z is changing the way we categorize jewelry; and where to find her favorite jewelry destinations. Read the episode transcript here. Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is a two-part Jewelry Journey Podcast. Keep your eyes open for part two, which we'll be posting later this week. Today, our guest is Victoria Gomelsky, editor-in-chief of the well-known industry publication JCK. Victoria is an accomplished writer. She's written about jewelry for the New York Times as well as an extensive list of respected publications. She also covers another of her passions, which is travel. She's had a quite a jewelry journey, as she was born in Russia and has been to more than 60 countries and counting. We'll hear all about her jewelry journey today. Victoria, welcome back to the program. Sharon: I have to ask you, why Las Vegas in July or in June? It's hot then. Victoria: You know it's hot. It was this year that it was actually pushed back to August, which was so much hotter. It was hard to even fathom. I think the timing is such because it works well for the majors, the majors being the signets and the chain jewelers who really need to plan out their holiday buying much earlier than your average small boutique owner. A lot of it has to do with the schedule that makes sense for the industry. It's Vegas because it's hard to imagine another city that is appropriate for a giant tradeshow— Sharon: That's true. Victoria: That's easy to get, that has ample hotel room space. There are certainly smaller conferences that have been around the country. The American Gem Society has its annual conclave in a different city every year, but it's much, much smaller. It's convenience and ease of access, and I've gotten used to it. I don't love Vegas, but it does feel like my year is incomplete without my week at JCK. I've been going since 2000, so it's hard to imagine a year without it. Sharon: How far in advance are you planning your publications? Are you thinking about the December issue in August? Victoria: Well, if we had a December issue, yes. Sharon: If it was an issue online? Victoria: Online we can pull together pretty quickly. If it's a big feature, we like to plan it at least a month in advance, but so much of online is responding to what's happening in the world. Especially with the pandemic, it was really hard to plan because, as did everybody, we hit those walls where we thought, “This may not be relevant in a month.” Things were so changeable and volatile. Online has a much different pace, but in terms of the print issue, we'll start planning the issue that heads out the door on the eve of JCK Vegas 2022. It'll probably go out in late May, and we'll probably start thinking about that in January in terms of big picture ideas. Just this morning, I was asked to give a sketch of content for a section on colored stones. It's hard to do that really early. You want to be timely. You want to be thoughtful about what people are thinking and what's happening the world. Especially if an issue's coming out in the spring, I feel like after the holiday makes the most sense, because the holiday in the jewelry industry, as you can imagine or know, is everything. It's still the bulk of sales. The bulk of news comes out of this fourth quarter. To plan content without knowing how the holidays have gone is going to miss the mark, unless you're planning something general and vague. So, I like to wait until early January to start thinking about what makes sense and what people are talking about, what the news is. Sharon: In terms of the holidays, since they're around the corner right now, you must have some features that are holiday-related that you think about early on, maybe in September or August. Victoria: We do. If it's not about the holiday, it's about what people might start thinking about for the holiday. We do a lot of trend coverage on JCK, a lot of specific trend coverage, whether it be men's jewelry or something else. I'm actually working on a series of special report newsletters that go out every Monday in November all around the men's jewelry theme. We've covered colored stones, pearls, bridal. We tackle everything with a slight angle towards the holiday, questions like: Is this worth stocking? What are the trends? What kinds of things might retailers keep in mind as they prepare? JCK is very much a style and trend publication, but it's also a business publication for people who happen to own jewelry businesses. We do a lot of marketing coverage, technology, social media apps that people need to know that might make them more efficient in their business. You could take jewelry out of a lot of what we cover and put in another field, whether it's fashion or home good or anything, and it might apply in terms of the strategies people might want to use to target customers, what they need to know. We try to cover it from all facets. It's always been a publication for businessowners in the jewelry space, so there's a lot of general business information we try to make sure our readers are aware of. Sharon: If you're looking at trends, I'm thinking about the non-jewelry person that would go to Vogue or Harper's Bazaar or something like that—I'm dating myself, I realize—who can go online. I still think in terms of putting it online, like everybody else. Tell us about men's jewelry. Are men wearing more jewelry than before? Victoria: Yes, they really are. It's funny, because I've been 20 years covering jewelry, and every four or five years, I'm either asked to or I initiate a story about the men's jewelry renaissance. There's always been something to say over the last 20 years. I do a lot of freelance writing for the New York Times. I did a piece for the Times about seven years ago, and there was a lot to say. There were a lot of jewelers introducing new men's collections and different takes on the subject, but no time has felt quite as relevant to that topic as now. I think if you look to some of the most famous pop artists we see today, whether it's Harry Styles or Justin Bieber, the Jonas Brothers, Lil Nas X, any of these pop culture personalities, they are draped in jewelry, and not just any jewelry. A lot of them are draped in pearls, which for many of us are the most feminine gem around. There is this great, very interesting conversation about genderless or gender agnosticism in jewelry. Should we even define jewelry as a men's piece versus a woman's piece? Why not just make jewelry? Maybe it's a little more masculine/minimalist. Maybe it's a little more feminine/elaborate or diamond-set, but let it appeal to who it appeals to. Why do you need to tell people who it's for? It's a conversation. I also write about watches quite a bit, and it's a conversation the watch world is grappling with, more so this year than any other year. Do we need to tell women that this is a “lady's watch”? Why don't we just market a watch, whether it, again, has feminine design codes or masculine design codes. Let whoever is interested in it buy it. We don't need to tell people what categories they are allowed to be interested in. It's been a very interesting conversation. I think fashion is embroiled in this conversation too, and it's been exciting to see. When I talk about men's jewelry, I think what happens is that much of the industry still needs these categories because at retail, for example, a retailer might get a bunch of jewelry and they need to know how to merchandise or how to display it. For those kinds of problems, you still want to say, “O.K., well, this is my men's showcase,” but I think slowly things are changing. I don't know if in five years or 10 years, we'll even need those topics anymore. I think we'll just have a showcase of jewels. Again, they might be more minimalist or plainer, and they might appeal to men or women or people who consider themselves nonbinary. Sharon: That's interesting, especially with watches, because when women wear men's watches, that's a fashion statement today. Victoria: Very much so. I did a huge piece on female collectors for the Times in early 2020, and all of them wore men's pieces and felt a little grieved that they were being told what a woman's watch is. A woman's watch is a watch worn by a woman; that's it. I think the same might be true for jewelry. A men's jewel is a jewel worn by a man and so on. It's been an interesting thing to see evolve, and certainly there's a lot of momentum behind it. I think we'll slowly see these categories dissolve. Sharon: There's a lot. I haven't seen men wearing brooches. Some of what you're talking about, to me, still has a way to go. Victoria: A lot of it is being driven by Gen Z, Millennials, younger generations who look to their style icons like Harry Styles, as I mentioned. They're draped in a feather boa and necklaces. As that generation comes up they're going to age, and they're eventually going to be 30 or 40 and they'll be quite comfortable with jewelry because, 20 years later, they've been wearing it all these decades. But yeah, today, if you ask your average guy if he's going to wear a pearl necklace, I'm sure the answer's no, but I think these things do change. They change quicker than we expect them to. It's so much of what we see and what seems O.K. A lot of men might want to do that or might think they would look good in a pearl necklace. I keep coming back to it because pearls are, again, the most feminine of gems, at least in terms of the lore we talk about, how we talk about them. Yet you see them on people like the Jonas Brothers or, for that matter, big, beautiful, iced-out Cuban chains. You see those on rappers or on hip hop stars. There is this communication out in the world where if you're just a regular guy and you're cruising through your Instagram and seeing these images, it all says to you, “This is O.K. This is right. Go for it if you're feeling it.” I think there is a lot more leeway in today's society to express yourself the way you want to. I think it's wonderful. It's quite exciting to see those barriers break down and have these conversations. It's been cool to write about. Sharon: It would be interesting to have this conversation in 20 years. You reminded me of a conversation I had recently with an antique jewelry dealer about cufflinks. I said to her, “Cufflinks? Who wears cufflinks? I'm in Los Angeles.” Well, you're in Los Angeles too. Even the most staid businessperson, you don't see him with a cufflink, ever. I don't know. Victoria: Maybe about a month ago, my boyfriend and I were invited to the opening of the Academy Museum of Motion Pictures, which just opened in September in the heart of Miracle, right next to LACMA. It was a big gala affair sponsored by Rolex, which is a huge supporter of the Academy and the Oscars and now the museum. It was wonderful; it was like a little Oscars event, except it wasn't televised. It was black-tie glamor. Hollywood glamor was the theme, so my boyfriend rented a tux; he doesn't own one, of course, because we're in L.A. and it's a pandemic. Who needs a tux? But he got a tux, and I was gutted that I didn't have cufflinks for him or that he didn't have his own. He rented some, I think; he had a few shirt studs he was able to get from the rental place, but it was the first time. I thought, “Oh my God, cufflinks!” and we had a wonderful time. It was really exciting to be back in the world in such a fabulous way. It really felt special. Sharon: I didn't realize it had opened. I was at LACMA, the L.A. County Museum of Art, this weekend and there was a big crowd around the Academy Museum, but I didn't realize it had opened. My antique jewelry dealer friend was also saying that she has collectors who collect antique cufflinks. I thought, “That's interesting.” I didn't know that was a collector's item in some circles, I guess. Victoria: Yeah, when I think about it, there are a lot of great ones in London. If you ever go through Mayfair or Old Bond Street and you find those antique dealers there—there's Deakin & Francis, an old U.K. firm that specializes in cufflinks. I've never owned any, but now that we're talking about it, I feel I need to buy my partner some. Sharon: I stopped buying my husband them 20 years ago when they just sat on his dresser not worn. I said, “O.K., I tried.” You're a traveler. You've been to how many countries? Victoria: I lose track. It depends a little on how you count countries. I think I've counted Macao separately from China, even though it's a special administrative region of Hong Kong. Somewhere around 60. It might be about 61 or 62. A lot of countries I've been to—I mean, I've been to Switzerland at least 20 times, Brazil five times, Russia four times. I keep going back to places even though it's always very exciting to take another country off my list. As I mentioned earlier, I was a backpacker after college. My first trip was to Central America with some girlfriends with backpacks on. We took off for three months. We went to Costa Rica and Panama and Venezuela, and I ended up in the Caribbean for a couple of weeks. I had already started a little bit of traveling. Initially, we came from Russia as a kid. I think when we left Russia in late 1978 as part of the exodus of Soviet Jews from the Soviet Union, we were allowed to seek asylum in the States. We took this journey via Vienna and then Rome and ended up in Cherry Hill, New Jersey, of all places, because that's where we had an invitation. We had to have a formal invitation because we were political refugees. I think very early on, even though it was never articulated to me—it was something I felt in my bones—I thought that travel was a way to lead a better life. It was a road to a better life, as it was for us. Early on that knowledge imprinted on me, on my soul. In high school, I started saving money to go to an exchange program in Spain. That was my first real trip outside—I'd gone to Mexico with my family, but I had never traveled outside of that. So, I had the bug. After college, I was always interested in slightly more offbeat places. One of my favorite places in the whole world—and I dream about going back all time—is India. I love places that still feel like they're not discovered. Clearly, India's very discovered, but it's not as easy to travel there as it might be to go to Europe. I love Europe and Paris and London as much as the next person, but there's always something that feels a little easy in those spots. I love Southeast Asia. I went to Vietnam in the 90s a couple of times. I loved it. I love Malaysia. I love the food there. I love the smells and the culture. I love things that feel different. India couldn't be more different than our lives. A lot of the same people go between the two, between L.A. and India, for example, and you'll find a lot of creature comforts in places like Mumbai. The culture and the heritage and the history, the way of life and the way people look at life is so, so different, and I'm really drawn to that. I like going places that test me a little bit. Sharon: How do your jewelry and travel intersect? I'm sure you're traveling to the shows like Basle. India must be a great place for jewels. I don't know about the shows there. Victoria: My first trip to India was for a show. There's a famous show—famous, I guess, depending on the circles you move in—in Mumbai called the India International Jewelry Show. That was my first reason to get to India in 2004. I ended up going back to do some reports on the diamond trade there. Mumbai is a real hub of diamonds, so I was going back to do research and then Jaipur in the north. Rajasthan is famous for its colored-stone industry. There are tons of colored-stone dealers and cutters and jewelers there, including the very famous Gem Palace, which I visited a couple of times. My most recent trip to India was in 2017 to Jaipur to attend a conference on colored stones. It happened to intersect with a fair I had always wanted to go to called the Pushkar Camel Fair. Nothing to do with jewelry, although of course you see lots of jewelry in India. Jewelry's a ubiquitous thing there. When I went to this conference in Jaipur, my partner ended up meeting me. We spent a few days in Jaipur together, went down to Udaipur, which is a wonderful town in the south of Rajasthan, just stunning in terms of its history and heritage and hotels and palaces. Then we finished off in Pushkar, also in Rajasthan, at this camel fair. My entrée was for jewelry, but I try to explore as much as I can around it. India's just remarkable. I'm very pleased that jewelry has such a natural and obvious connection to India because anytime I can have a work trip, take me there. Then if I can add on to it, I do. My son is only three—he's not even three; he's three in November, but I'm thinking, “How old does he have to be to go to India? What is too young to take a young, little guy to India?” Maybe when he's seven, hopefully. Sharon: That's an interesting question. It could be three. There are people who are 33 who won't go because they're too afraid. It's on my list, but you're so adventurous. Victoria: I wouldn't have pegged myself as the adventurous sort, at least not in high school. I was very type A. I was student body president. I was a cheerleader. I was very on track at least to go to college and who knows what after that, but I never really thought of myself as a risktaker and an adventure seeker. After spending time in Southeast Asia—I went to backpack there in the 90s, through Vietnam and Cambodia and Malaysia and Singapore—it just settled in my bones. I wanted more and more and more. Those places feel adventurous, but once you get there, they're not as challenging—well, they are challenging in that there's a lot of poverty; the heat is oppressive; it's hard sometimes to figure out your way around if the signage isn't clear and you don't speak the language, but I genuinely feel like the world is full of very good people. Maybe a few bad apples in there, but most people are very kind. So, it's easier than it seems. Sharon: Do you think if somebody is a jewelry designer or looking at the field or profession, that travel would inform what they do? Victoria: Oh, 100 percent yes. There are some jewelers who very much look to other cultures or travel. I think of Lydia Courteille, who's a Parisian jeweler who does insanely elaborate, beautiful gem-set pieces usually after a trip somewhere. She's done pieces based on the Mayan heritage. I believe she traveled to Guatemala. She's done pieces based on myths from Russia and India, and a lot of her collections really are inspired by travel she's taken. There's another jeweler who's part Mexican, part French, named Colette. She has incredible jewels, a lot of them takes on various places she's visited. I think if I were a jeweler, I would certainly use travel as a jumping-off point to create a collection. I can't think of anything more evocative than a jewel that reminds you of a place you've been or the color of the ocean. A lot of people go to Greece and create a beautiful blue jewel that reminds them of the Aegean. Why not? Sharon: I'm thinking of Thierry Vendome, where he goes and finds rusted pieces on his travels and then he'll come back and incorporate them. One piece had a grenade— Victoria: An exploded grenade. Sharon: An exploded grenade, yeah. Tell us who we should keep our eyes on, the top three you think of we should keep our eyes on. Victoria: I just wrote about a jeweler that I only saw in person recently in Las Vegas at the Couture show, but I had Zoomed with them. They are Mumbai-based. It's a company called Studio Renn. It's a husband and wife named Rahul and Roshni Jhaveri, and they create jewelry for art lovers that really does live at the intersection between art and jewelry, philosophy, design. Sometimes you have to talk to them to hear the inspiration, but for example, one of them—they had stumbled across an object on a walk around Lake Tansa, which is a lake on the outskirts of Mumbai. There was this conversation they had about what it means to give something attention. Does that put value on the piece? And for them, it was this exploration of the meaning of value. They took this piece that was an organic object. They didn't tell me what it was. They cast it. They 3D scanned the whole thing and then encased it in precious metal, put rubies inside it in a way that you could only see them if you shone a light on the piece. There was this written source of very layered, complicated but also beautiful jewelry. They're just very interesting. They're really thoughtful. Sharon: How do you spell Renn? Victoria: R-e-n-n. Sharon: I have to say it's the second time this week that somebody has mentioned them as somebody to keep your eye on. Victoria: Yeah, I was thrilled to speak to them, and I ended up doing a piece for the New York Times on them. An Up Next Profile is what the column is called, because even though they've been around for a few years and they're not brand new, they're obviously new to people in the States. They are exploring this market. They worked a tour for the first time. They're really lovely and interesting and do beautiful work. Another jeweler that's gotten a ton of attention—I know her pretty well personally. She is a client of a very good friend of mine. Her name is Lauren Harwell Godfrey, and her collection is called Harwell Godfrey. She's gotten a ton of attention over the last year. In fact, I just saw that she was nominated for a GEM Award, which is like the Oscars of the jewelry industry. The ceremony takes place in January in New York. She was nominated in the design category. Really fantastic use of color, lots of interesting motifs that feel very signature to her, lots of geometric work. We ended up commissioning a piece for my mom for her 75th birthday that my dad gifted to her this last summer. it wasn't a super bespoke piece, but there were bespoke elements to it. It was by Harwell Godfrey. She's a really lovely woman, super-talented designer based in Marin in Northern California. I'll name one more. He's a really interesting guy. He does a ton of work with AI, artificial intelligence, in a way that scares a lot of people that are used to jewelry as this handmade, soulful object. His point is that there's no less soul in it, even though a computer helped to generate an algorithm that created a pattern that he inputs into this machine. His name is Nick Koss. His company is called Volund Jewelry. He's based in Canada and has a very interesting background that I cannot even attempt to encapsulate because it's rich and complicated, but he does really interesting jewelry. A lot of it is using 3D modelling software, AI, but in a thoughtful way. Again, there is lots of meaning baked into the way he sees things. He could talk about it very intelligently. He does custom work. You can go down a real rabbit hole with him. Check him out on Instagram. It's V-o-l-u-n-d. I have a soft spot for one jeweler because I wrote a whole book on them that was published by Assouline probably six or seven years ago. It's a company called Lotus Arts de Vivre. They're based in Bangkok. They've been around since the early 80s, I want to say. It's a real family business. The patriarch is originally from Germany. He moved to Bangkok in the 60s and fell in love with a woman who had been born in Thailand but was the product of many years of intermarriage. Her grandfather was a Scottish captain who fell in love with a tribeswoman from north Thailand. Her other grandfather was an Englishman who married a woman from Malaysia. So, she was the distillation of generations of inner marriage between European and Asian backgrounds. They have this huge compound in Bangkok, and they have two sons that now help run the business. They do extraordinary objects in jewelry. They started out as jewelers, but they do everything from home goods to accessories for people's cars. They use a lot of natural materials in addition to the finest gemstones. They use Golconda diamonds or emeralds from the Panjshir Valley in Afghanistan combined with snakeskin and buffalo horn and different woods. They're huge on different exotic woods from across southeast Asia. They find the finest craftspeople across Asia, whether it's lacquer artists from China or Japan to carvers from Indonesia. They will employ those crafts in their work, and it's just stunning. They used to be with Bergdorf Goodman for many, many years. They are still available in the States. In fact, they won at the recent Couture show for some of their work. So, they're still here and they're everywhere. They have boutiques in different hotels, especially in Asia, like the Peninsula in Hong Kong or Raffles in Singapore. They have a presence, but they're not as well known, I would say, in the States. Sharon: I'll check them out, especially if you wrote a whole book about them. Victoria: The family is beyond interesting. It's the von Bueren family. He's a raconteur, somebody who you could listen to for hours. He's very, very interesting and has seen a lot, and their clients are very interesting. They appeal to a lot of high-society people across Asia, so they have these events. They have a space, a showroom, at their factory in Bangkok right on the river, and they host these soirées that are just magnificent. Sharon: Wow! I'm sure you know all the ins and outs. You can go down a long list of jewelers and manufacturers. You could tell me about all of them. Victoria, thank you so much for being here today. This is so interesting. I'm sure our audience will enjoy hearing what you have to say about JCK since it is such a stalwart. Thank you very much. Victoria: Thank you, Sharon. This is lovely. Thank you for giving me such an opportunity to talk about myself. Sharon: So glad to have you. We will have images posted on the website. You can find us wherever you download your podcasts, and please rate us. Please join us next time, when our guest will be another jewelry industry professional who will share their experience and expertise. Thank you so much for listening. Thank you again for listening. Please leave us a rating and review so we can help others start their own jewelry journey.
What you'll learn in this episode: The history of JCK and the JCK Show How Victoria identifies trends to highlight in JCK Why the line between women's jewelry and men's jewelry has blurred, especially among younger consumers How travel influences jewelry design The most exciting new designers Victoria has her eye on About Victoria Gomelsky Victoria Gomelsky is editor-in-chief of JCK, a New York City-based jewelry trade publication founded in 1869. Her work has appeared in the New York Times, Robb Report, AFAR, WSJ Magazine, the Hollywood Reporter, Escape, The Sun and Waking Up American: Coming of Age Biculturally, an anthology published by Seal Press. She graduated summa cum laude and Phi Beta Kappa from UCLA with a BA in political science in 1995 and earned her MFA in nonfiction writing from Columbia University in 2002. She specializes in jewelry and watch writing but her greatest love has always been travel — 60 countries and counting. Victoria was born in St. Petersburg, Russia and emigrated to the United States in 1978 with her parents and twin sister, Julia. She divides her time between New York City and Los Angeles. Additional Resources: Victoria's Website Victoria's Instagram Photos: Victoria Gomelsky watches: Transcript: Victoria Gomelsky, editor in chief of esteemed jewelry trade publication JCK, was bitten by the travel bug during her first-ever trip—when she and her family immigrated to the U.S. from the Soviet Union in the late 1970s. Since then, she's visited more than 60 countries, often traveling to visit jewelry shows and report on jewelry trends. She joined the Jewelry Journey Podcast to talk about how her career in jewelry started with a mysterious online job posting; why Gen Z is changing the way we categorize jewelry; and where to find her favorite jewelry destinations. Read the episode transcript here. Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is a two-part Jewelry Journey Podcast. Keep your eyes open for part two, which we'll be posting later this week. Today, our guest is Victoria Gomelsky, editor-in-chief of the well-known industry publication JCK. Victoria is an accomplished writer. She's written about jewelry for the New York Times as well as an extensive list of respected publications. She also covers another of her passions, which is travel. She's had a quite a jewelry journey, as she was born in Russia and has been to more than 60 countries and counting. We'll hear all about her jewelry journey today. Victoria, welcome to the program. Victoria: Hi, Sharon. It's so great to be here. Thank you so much. Sharon: I will go into my normal questions, but my first question is—and it seems like a silly one—but you speak Russian, then? Victoria: I do. It's actually not that silly. I came here when I was five with a twin sister. We arrived at JFK in December of 1978, pretty much the height of the Cold War. So, my sister and I really did not want to be Russian, as we were five, six years old. We didn't want to be different from our classmates. So, we started speaking quite quickly in English, and that's how my language developed. I could understand Russian, but in terms of speech, I am not a great speaker. Those are really two different centers in the brain, as I realized. I can be a very good tourist. I can go to St. Petersburg or Moscow, ask for directions, order food at a restaurant, but if you want to have a deep conversation with me about business or anything that requires an extensive vocabulary, it's not going to be me. But I can understand pretty well. Sharon: It always fascinates me. Did you speak any English when you came here? Victoria: No, but having a twin sister and being five, you're a little bit of a sponge. I've read that before age seven, if you pick up another language before that age, that's more or less the cutoff. You can learn to speak quite fluently very quickly, and we did. We didn't know any words. We stopped in Vienna on the way out of the Soviet Union, and then we lived outside of Rome for a few months, so I probably picked up some Italian then, too, come to think of it, not that it stuck. But when we got to the States, it all happened very quickly. I really don't remember learning English. It was almost as if I picked it up by osmosis. Sharon: Wow! It's a great way to learn, in terms of thinking about how it is to learn a language. Your English has solidified in a sense. Victoria: Exactly. Sharon: Were you artistic then? Were you already artistic? Do you consider yourself an artistic person? Victoria: It's a good question. I don't know. I consider myself creative. My sister—again, I have a twin sister; she's really the artist of the family. She's much more visual. She's a graphic designer, an artist. She creates collages and all kinds of things with her hands. I'm not dexterous at all, so my creativity is on the page, what I write and how I see the world. So, I don't consider myself an artist, but I do consider myself a creative. Sharon: Does she call you up sometimes and say, “What were you thinking about that layout on the page?” Victoria: Oh yeah, she's super-critical. Trust me, I do not design or do anything around the home that doesn't get her buy-in, because if I don't get her buy-in on it, she'll come over and say, “Oh my God, I can't believe you put that on the wall.” She'll never let me hear the end of it. So, I make sure to get her buy-in on any artistic or design-oriented decision I have to make. Sharon: She must be a great resource for you in terms of what you do. Did you come to jewelry through writing, or did you have a love of jewelry? How did that work? Victoria: I came through writing. It was all quite random. I'll share the story because it's really my story; it's my original tale, I guess you would say. Sharon: It's a journey. Victoria: My journey. This was the beginning. I was in living in L.A. I was 25. I really wanted to move to New York, and I was too scared to move without a job or without knowing anybody. I really wanted to continue my writing career. I had been a journalist. Even though I majored in poli-sci at UCLA, I had always worked for the Daily Bruin. I had done internships at various news organizations, some of them in the television field; some of them were written publications. I applied to one MFA program in total, and that was the Columbia University Master of Fine Arts program in their non-fiction writing department, specifically. That's the only school I applied to, because I wanted to move to New York and I wanted to continue writing, and that felt, to me, like the only possible way for me to do that. I moved to New York in August of 1998, did two years of this Master of Fine Arts program, and then didn't want to leave. I was still working on my thesis and finishing my degree when I started applying for jobs that were in the writing field. Mind you, this was 2000, so it was the very first wave of web jobs. It was Web 1.0. I didn't realize it yet, but it was on the verge of crashing. That crash we had in 2001 was coming, but I didn't see it then. There were a lot of jobs; a lot more jobs than people to fill them. I happened to go on Monster.com. I'm not sure if it's around anymore. It was a job search site. I had a profile on the site, and I happened to come upon a posting that said, “Luxury goods website seeks writer/editor with two to three years' experience. Click here to forward your profile to this employer.” I had no idea what that meant. It was very vague. At the time, you faxed people your résumé. I guess you could email, but a lot of times it was still faxed. There was just no information at all. It was literally a button. I clicked it and thought, “O.K.” and I forgot about it promptly. A few days later, I heard from a woman named Lisa at a company called Gemkey.com. I had no idea what that was, but it turns out Gemkey was a startup in the jewelry space. It was meant to be a website where retailers would go on and source their inventory online, which was laughable because 20 years later, that's still something that most retailers don't do. It was way, way, way ahead of its time. It was founded by Fred Mouawad, whose father is Robert Mouawad. Robert Mouawad is a Lebanese businessman who donated a ton of money to GIA. His name graces their campus in Carlsbad. GIA being the Gemological Institute of America. Sharon: That's why it sounded familiar. I was going, “Where do I know that from?” Victoria: Yeah. Anyway, Fred was the son. He was an entrepreneur. He was based in Bangkok, and he had this website that had an office in New York. They were looking for some editors to fill out the news section of their site. I was hired as their pearl and watch editor, and I had no idea about either category. I didn't even know pearls were cultured. I really had no language to describe them. I knew what a watch was, but I knew nothing. I could have named Rolex, Cartier maybe, and maybe Timex. I had been backpacking around the world in the late 90s prior to going to grad school, so I was living very scrappily and was quite frugal. I was in my early 20s, not really in the jewelry scene. One of my first trips was to a pearl farm in Australia to see the Paspaley farm located off the coast of Northern Australia. On the way there, I stopped in Bangkok to visit Fred Mouawad's main headquarters and meet some of my colleagues. On the way out, I stopped in Hong Kong to go to the pearl auctions, and I was hooked. It was a wonderful introduction to the world of jewelry, quite literally the world of jewelry. I had loved travel until then, and here was a way to combine my love of it with a way to explore this new category, this new universe. So, I came to jewelry through writing and then through travel. Sharon: That must have been so exciting, to be writing about something you found you loved as opposed to—I don't know. I'm trying to think of some of the things I've had to market over the years where it's like, “You've got to be kidding me.” Victoria: Yes, I think that was one of the things I learned quite early. My job with Gemkey didn't last long because it got bombed not that long after. I think I was employed with them for eight months or so, and then I got laid off because the company was losing money. I ended up getting hired almost right away by National Jeweler, which at the time was close to a hundred-year-old publication. It's still around, not in print form, but it's around in digital form. It was founded, I believe, in 1906. It's really an industry trade like JCK, one of the stalwarts of the business. I got hired as their gemstone editor. I got to National Jeweler, and I realized the company—National Jeweler at the time was owned by a bigger corporation that owned lots of different publications, everything from the Hollywood Reporter to Billboard Magazine to a publication called Frozen Food News. I realized there are so many different niches in the world, and as a writer, I was grateful I didn't slip into the frozen food world, but the music world is great. If you enter music via Billboard, what a great way to learn about music. I happened to enter through the trade of jewelry, and that was a wonderful way to get down into the trenches of an industry that is quite esoteric, quite hard to penetrate, and it still is. All these years later, there's still so much to learn about jewelry, but starting out through a trade was the key. When you're a trade reporter, you get to talk to dealers; you go to tradeshows; you learn from a very ground-up level, as opposed to being an editor of Vogue, where you don't get to see the real world. You spend your time in the limelight. You get to see all kinds of topical designers, but you don't always get the nitty-gritty details, that insight into the supply chain and insight into how a gemstone might emerge from the ground and the steps it takes to become a beautiful jewel. That all came through the trade, so I was very grateful to have that experience and the years and years I spent going to the Tucson shows to research the world of gems, to Basle to speak to high-end jewelers in Europe. There were all kinds of events. I have had a very unique perspective on this trade and the world at large through the lens of jewelry. Sharon: Do you find that writing about jewelry has its own language, in a sense? It's like writing about sports. I couldn't write about sports. Victoria: Very much so. The lingo takes a long time to understand. People think of jewelry as a very superficial subject. I think people who don't know about jewelry will perhaps think, “Well, it's just a bauble. It's just something you put on to sparkle, to add a little or to show off your status, whatever it is.” But there are so many layers to jewelry, and the way you talk about it gets ever more complicated the more you know. There's a whole language around diamonds and gemstones and the ways you describe color, not to mention all the ways you talk about the fabrication of jewelry. That's always eluded me a bit. I've been to factories, and I've been to places where jewelry is made, and that still feels like a topic that's difficult for me to access because I don't have a brain to understand mechanics or engineering. When people are sitting there at the bench trying to tell me the steps of the process, I always get a bit lost. It does feel like a very complicated venture, but I have been fortunate enough to see a lot of that. Sharon: No, I can understand. I was at some design show, and there was a jeweler talking about how much of jewelry is engineering. He was talking about getting the piece to balance, but it's also when you're talking about extrusions when a piece of jewelry is being manufactured. So, you went into nonfiction. Was that something where you said, “I'm not a fiction writer”? Victoria: Yeah, pretty much. I love fiction and I love poetry, but it never felt like a natural pursuit for me. I was always interested in telling stories, and the stories that really compelled me or held my attention were always nonfiction. I think we all know that truth is stranger than fiction. We've all had the epiphany many times throughout lives, I'm sure, where we realized that the stories in front of us are as compelling as anything made up. My entrée into that world was initially through The Daily Bruin, which was a huge college newspaper at UCLA. I learned the basics of being a reporter and a journalist and hunting down sources and doing interviews, but at the same time I didn't love the grind of a daily journalism beat. It was good training, but when I applied to Columbia, I specifically did not apply to the journalism school. I applied to the arts program, to the Master of Fine Arts program, and I was drawn to the writings of, say, a Joan Didion or a Tom Wolfe or polemicists or memoirists—a lot of fiction authors who write beautifully in nonfiction or have beautiful examples of nonfiction in their repertoires. I was drawn to the kind of writing that was true, that was honest, but that still held all the same elements of a good fiction tale. It had characters, dialogue, a plot. I probably don't do as much of that kind of writing as I hoped I would, or as much as I wish I could, because I'm making a living. I write journalism; I write stories, but in all the stories I write, I really try to spend a lot of time with the people who are my sources and get their stories. I really try to convey a sense of story, even if it's a short piece that's running in a newspaper. I do as best as I can in that limited word space with a storyline. Sharon: Tell us about your job as editor. Are you pulling together all the departments, like you see on TV editorial meetings? Victoria: It's a little bittersweet, because JCK—for those of you who aren't familiar, I'll tell you a little bit about what that stands for, because it's a mouthful. JCK goes back to 1869. It wasn't always JCK, which, by the way, stands for Jewelers' Circular Keystone. Jewelers' Circular was a publication in the 30s that merged with another jewelry publication called Keystone. From then on, they were called Jewelers' Circular Keystone, until the 70s when they shortened it to JCK. So, that's what those three initials stand for, but initially, it goes back to 1869 in Maiden Lane, New York, where the fledging jewelry district was growing up. There were watchmakers and jewelers who needed a publication to help them source their materials, help them sell. Various publications formed around them, and they eventually merged and aligned. What we know as JCK today really comes out of Maiden Lane in the 1870s. It's pretty stunning to think about. I joined the magazine in 2010. I had moved back to Los Angeles after nearly a dozen years in New York because I was ready to move. I moved back in late 2009. I had lost my job with National Jeweler after the financial crisis, and that was fine. I had been there for eight years or so, so it was time to move back to California where I grew up. About six months after I landed back in L.A., I ended up getting asked by a friend of mine who was the publisher of JCK if I'd be willing to take a temporary job with JCK as their editor. They were looking for a new editor. They were looking for somebody in New York, but they needed somebody to get them over the hump of a few issues. I thought, “Great, this is a perfect bridge job as I find my footing back in L.A.” Well, as it turns out, it was not that hard to manage a publication from L.A. because I knew the industry. I had my contacts. I even knew my colleagues because I had worked with them. They were editors at JCK, but I had met them many years ago, as I was one of their cohorts in the jewelry media space. So, I knew the people I was working with. After six months or so, everybody thought, “Hey, this is actually going pretty well,” so they brought me on full time. Luckily, I had an apartment in Brooklyn Heights that I had sublet out and hadn't gotten rid of, so I was able to come back to New York once a month for about a week. For about six years, I was truly bicoastal, from 2010 to about 2016. In that time, JCK continued to be—its tagline is “the industry authority.” It's been reporting on this business for so long, and it was exciting. At first, we started out with 10 print issues a year. We had contributors; we had staff writers; we had a whole publishing team. Slowly over the years, that print frequency has shrunk. It became seven issues a year. Then it shrunk down to four print issues a year; mind you, with a robust website and a very strong daily news presence online, but print has always continued to shrink in this environment. As of this year, we went down to one print issue a year. That harried newsroom where people are running around and there are photoshoots happening, that did happen and still does happen, but just not to the frequency and level that you might imagine of a busy magazine publishing schedule. The good thing is that we're published by a company called Advanced Local that is based at One World Trade Center in New York. Of course, nobody's been in the office for a good long while now, but when we are in the office, it's the same parent company, Condé Nast, so we use the same studios to do our photography. We rely on the same talent in terms of photographers and stylists that Vogue and GQ do. So, we have a really good team of people. They're not directly staffed. They're not members of the JCK staff, but they are people that are available to us. We have a wonderful creative director, again, somebody who's a freelancer, but works with top magazines, a wonderful photo editor. When we do get back to being in the office, I'll certainly fly out to New York and partake, or at least be a witness to the photoshoots we do for our covers and our jewelry still lifes. But the hectic, frenzied nature of that has certainly calmed down. We do have, like I said, a robust online presence. We have a well-known news director named Rob Bates. He's covered the world of diamonds and jewelry news for 23 years, coming on 30, I think. We're staffed by some of the best in the business, but it definitely is a small, very scrappy operation. Sharon: So, during Covid, you've been doing this through Zoom, I take it. Victoria: Yeah, everything is through Zoom. We managed to get a bunch of photoshoots in right at the very beginning of March of 2020 that luckily saved us in terms of what we could produce through 2020. Then we did a photoshoot in May. There was that lull where things were looking pretty promising before the Delta variant, so we were able to do a photoshoot then. Like I said, now we're looking to 2022. We have a big issue coming out. It always comes out on the eve of the JCK Show. The JCK Show is the big Las Vegas tradeshow. It shares our name. I don't want to get too complicated with this, but the show was founded in 1992 as a spinoff from the magazine. The magazine existed for all these decades, and the team involved thought, “Hey, isn't it time we use our clout in the industry to form a tradeshow?” And so they began this tradeshow in Las Vegas that then grew to be such a big presence in such an important industry meeting place that the tradeshow ended up being bought by different exhibition companies, and it eventually landed with Reed Exhibitions, which is a big company headquartered in the U.K. with U.S. headquarters in Connecticut. They run a lot of tradeshows and exhibitions, and they ended up buying the magazine and then hiring a different company to publish it. That may be more than your listeners want to hear. It's kind of complicated, but the point is we are related to JCK, this big tradeshow, but we're also an independent editorial voice, so we aren't bound to only write about JCK. Sharon: That's interesting. What about Couture, which is part of the JCK Show, isn't it? Victoria: It's a separate company. In fact, National Jeweler, when I worked there, was owned by the company that—it's gone through many iterations. The company that runs Couture is called Emerald Exhibitions, and they're headquartered in New York. That was the company that owned National Jeweler at some point. There's a lot of overlapping relationships in this world. Couture and JCK are separate companies, separate entities, but they happen at the same time in Las Vegas to make it easy for members of the jewelry industry to shop the shows. There are different points of view. Couture is very much focused on couture-level, high-end designer jewelry. JCK has that, but it also has everything else you might imagine, everything from packing to loose diamonds, loose gemstones, dealers from Hong Kong, Turkey, China when the Chinese are able to visit. JCK is much more a mass marketplace for the entire industry, and Couture is much more focused on high-end design. They're complementary and I love going to both.
In Episode #49, Hanna Lee and Michael Anstendig of Hanna Lee Communications chat with Kevin Sintumuang, Culture & Lifestyle Director, Esquire. Kevin oversees food & drink coverage, including the magazine's Best New Restaurants in America and Best Bars in America lists, among other subjects. He earned his stripes during a 10-year stint at GQ. In addition, Kevin worked at the Wall Street Journal and WSJ Magazine. Have a listen to this witty and worldly journalist who shares his thoughts on:1. How Esquire covers everything that affects men's lives, including food & drink, style, cars and health & wellness, along with sports and politics.2. Why surprising narratives and interesting characters make Esquire stories crackle, along with writing that is specific and universal at the same time. 3. How Esquire's Best New Restaurants in America's criteria, simply put, is a place you want to tell everyone about and you want to go back to.4. Why Esquire's Best Bars in America has more contributors to have more points of view represented and is a mix of both new and existing venues.5. How Esquire will expand travel coverage and publish its first Best New Hotels list in 2022.6. Why he thinks Yannick Benjamin at Contento, a new restaurant and wine bar in New York City, is moving hospitality forward.Follow Kevin on IG at @sintumuang and Twitter at @SINTUMUANG. For more information on our agency, please visit www.hannaleecommunications.com. For a chance to win our agency's new book, “The Japanese Art of the Cocktail,” please email info@hannaleecommunications.com and share your favorite pitching tip from the show. Connect with hosts Hanna Lee (@hannaleeny), Michael Anstendig (@michaelanstendig) and our agency (@hannaleepr) on IG, as well as on Facebook and LinkedIn. See acast.com/privacy for privacy and opt-out information.
Donovan X. Ramsey is a staff writer for the Los Angeles Times. His work has appeared in GQ, WSJ Magazine, The Atlantic, and many other publications.“I actually got into writing about criminal justice ... because I was curious about Black life. But that meant the only way I was able to do that was I had to kind of do this really often depressing slice of Black life. And there’s so much more. And there’s so much beauty in the lived experiences of Black people. … There are so many stories that just never get told about Black life. One, I have a connection to being a Black person, but then being a Black person who has the benefit of a really good education, and I’ve been given some shots here and there… it feels like a duty. If I’m not going to tell these stories, then who?” Thanks to Mailchimp for sponsoring this week's episode. Show notes: @donovanxramsey donovanxramsey.com 02:00 Exit Scam (Aaron Lammer and Lane Brown • Treats Media • 2021) 02:00 "Gossip Girls, Money Men, and 2 More Podcasts Worth Trying" (Nicholas Quah • Vulture • May 2021) 02:00 Nicholas Quah on Longform Podcast 03:00 70 Over 70 (Max Linsky • Pineapple Street Studios • 2021) 25:00 Ramsey's Atlantic archive 26:00 Ramsey's Ebony archive 26:00 "Motorcycle Club Honors, Assists Soldiers Offering Their Lives Overseas" (Black Enterprise • Nov 2012) 26:00 "Janelle Monáe: The ‘Q.U.E.E.N.’ Speaks [INTERVIEW]" (Ebony • Jul 2013) 29:00 She’s Every Woman: The Power of Black Women in Pop Music (Danyel Smith • Dey Street Books • 2017) 31:00 "Police Reform Is Impossible in America" (Gawker • Feb 2015) 32:00 Ramsey's Demos archive 35:00 Jason Parham on Longform Podcast 40:00 Ramsey's The Marshall Project archive 40:00 Ramsey's Complex archive 45:00 "A Triple Murder, a Broken Family, and the Long Tail of the Crack Era" (Vice • Aug 2016) 47:00 Black Futures (Kimberly Drew and Jenna Wortham • One World • 2020) 48:00 "Measuring Crack Cocaine and Its Impact" (Roland G. Fryer • Apr 2006) 56:00 "Bryon Stevenson’s Moral Clarity" (WSJ Magazine • Nov 2019) 56:00 "The Political Education of Killer Mike" (GQ • Jul 2020) 62:00 "NASCAR’s Unlikely Activist" (GQ • Aug 2020) 63:00 Ramsey's Los Angeles Times archive See omnystudio.com/listener for privacy information.
She's here!!! Secure The Gag welcomes to the pod the straightest lesbian comedian, Grace Kuhlenschmidt (Paper, Variety, WSJ Magazine)! Nathan and Grace discuss Grace's come up through Chicago, her work as the Creative Director at Converse, and celebrate the Buttigieg. They also - in a never before done stunt - countdown Grace's top five most viral TikTok videos. Can't say it enough - Grace is THE MOMENT, and to have her on the pod was a blessing from Christ himself. Grace's Work That's Discussed: Converse My First Cooking Tutorial POV I'm Bully Me With My Straight Son vs. Me With My Gay Son POV You're The Lesbian In My Math Class Comment Below If Uve Ever Felt Misunderstood Woman Confuses Jon Ossof for Pete Buttigieg My Official EarnIt Commercial *Grace's Fave Rug Maker
As a friend and accomplished journalist focusing on the topic of black identity, politics and patterns of power in America, Farnoosh catches up with Donovan Ramsey to discuss his upcoming book, When Crack Was King, which chronicles the 1980's and 1990's epidemic, its misperceptions and the way policing changed during those years, as well as Donovan's own experiences with racial discrimination in graduate school and beyond. Also, they discuss the truth about what publishing pays. Donovan and Farnoosh disclose their book advances. More about Donovan: He is called “an indispensable voice on issues of racial identity, politics, and patterns of power in America,” by American culture critic Rich Benjamin. Donovan's commentary on racial politics during the Obama era has been featured in The New York Times and his reporting and commentary on the criminal justice system have appeared in outlets including WSJ Magazine, The Atlantic, GQ, Gawker, BuzzFeed, Vice, and Ebony, among others. Donovan served most recently as the commentary editor at The Marshall Project, a Pulitzer Prize-winning news organization dedicated to the U.S. criminal legal system. Before The Marshall Project, he worked as an editor and writer at a number of outlets including Complex, NewsOne, and NBC's theGrio.com. Donovan holds a master's degree from the Columbia University Graduate School of Journalism and a bachelor's degree in psychology from Morehouse College. He lives in Atlanta, Georgia, and is currently completing his first book, a history of the crack cocaine epidemic for One World—an imprint of Random House, a division of Penguin Random House, the world's largest trade book publisher. You can learn about Donovan on his website www.donovanxramsey.com and follow him on Twitter @iDXR. Learn more about your ad choices. Visit podcastchoices.com/adchoices
© 2020-2025 Ivy Podcast Discovery LLC
