Podcasts about golconda

Illinois Farm Bureau Executive Director of Governmental Affairs and Commodities provides his latest "Seven with Kevin" segment.  An update from American Farmland Trust.A local effort in Golconda to refurbish an 1887 building into a community center.  We meet Jersey-Greene County Farm Bureau Manager Macey Wellhausen.

Join us on this episode of "Midweek Takeaway" as hosts Phil Carroll and Kevin Hornsby welcome Oliver Friesen, CEO of Guardian Metal Resources. We delve into Guardian's substantial progress at their key projects: Pilot Mountain, Garfield, and Golconda, following their successful IPO. The episode highlights exciting developments, including the identification of Carlin-Type gold targets at Golconda and significant porphyry potential at Pilot Mountain and Garfield, underpinned by magnetic and IP surveys revealing substantial anomalies. With a robust £2.15M raised in recent fundraising efforts, Oliver discusses how these funds are propelling the company's exploration activities and drill preparations, setting the stage for an in-depth exploration phase across these promising sites. Tune in to explore how Guardian Metal Resources is shaping its future in the mining sector and what this means for investors and the industry at large. Disclaimer & Declaration of Interest The information, investment views, and recommendations in this podcast are provided for general information purposes only. Nothing in this podcast should be construed as a solicitation to buy or sell any financial product relating to any companies under discussion or to engage in or refrain from doing so or engaging in any other transaction. Any opinions or comments are made to the best of the knowledge and belief of the commentator but no responsibility is accepted for actions based on such opinions or comments. The commentators may or may not hold investments in the companies under discussion.

Dylan Dog 455 "Fuga da Golconda", scritto da Claudio Lanzoni, disegnato da Sergio Gerasi, edito dalla Sergio Bonelli Editore. Mi trovi anche su Instagram ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.instagram.com/fumetti.e.dintorni/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ E qualcosa la trovi anche su TikTok ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@fumettiedintorni⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Se ti piace il mio podcast, offrimi un caffè ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/fumettiedintorni⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Qui c'è il mio piccolo mercatino ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.subito.it/utente/16653861

CONTENTMENT by Pastor George Lehman Contentment is what's on God's heart for us. Contentment[tevredenheid] is accepting what God has given you and by His strength, making the most of it. This word will bring real meaning to your spiritual race. 1 Timothy 6:6-7 (Amp) – 6 [And it is, indeed, a source of immense profit, for] godliness accompanied with contentment (that contentment which is a sense of inward sufficiency) is great and abundant gain.  7 For we brought nothing into the world, and obviously we cannot take anything out of the world; Having things is not the problem; it's when the things have you! God will not invest, if there's going to be NO RETURN. This should give you confidence because God believes in His investment in you!!! A content life is a reservoir of abundance. What TENT did you live in? We live in one of two tents. Content… Or Discontent “A content heart is the greatest blessing a man can enjoy in this world.” - Joseph Addison. Someone said: “When we cannot find Godly contentment in ourselves, it is useless to seek it elsewhere.”  Here's the real issue: So many people are always wishing things were different or better or nicer or more comfortable this is a great way to torture yourself. The truth is – always appreciate what you have.  There is always someone out there who wishes that they had what you have. This world is really run on discontentment.  We find fault with our work, our boss, our church and other people. Our old sinful nature is generally discontent. How many people become discontent because there's a new Cell phone, TV, bike that they don't have. So, they feel discontent if only I can have !!!! So many people are trying to fill a void with things that will never satisfy. Today again….God is calling us to make radical adjustments to our lives. “They say wealth is like sea water – the more you drink the thirstier you become.” Asking John D. Rockefeller, how much money it took to make a man happy, his reply was, “Just a little bit more”. Please follow this very carefully: The bible calls us to our convictions not our circumstances, to govern our sense of contentment. Convictions = Is to follow and believe God's word. True biblical contentment is a conviction that Christ's power, purpose and provision is sufficient for every circumstance.   Ephesians 3:20 “Now to Him Who, by (in consequence of) the [action of His] power that is at work within us, is able to [carry out His purpose and] do superabundantly, far over and above all that we [dare] ask or think [infinitely beyond our highest prayers, desires, thoughts, hopes, or dreams]” Our growth and maturity are to learn how to walk through every adversity and difficulty fully trusting in Christ's sufficiency. 2 Corinthians 3:4-5 (Amp) – 4 Such is the reliance and confidence that we have through Christ toward and with reference to God.  5 Not that we are fit (qualified and sufficient in ability) of ourselves to form personal judgments or to claim or count anything as coming from us, but our power and ability and sufficiency are from God. We must be content in our convictions (i.e. what do I believe?) to live content. Please note that from all these scriptures below there is a common thread… …you can find contentment only in Jesus Christ and in striving to serve Him (seek first the Kingdom of God – Matthew 6:33). Philippians 4:11-13 (Amp) – 11 Not that I am implying that I was in any personal want, for I have learned how to be content (satisfied to the point where I am not disturbed or disquieted(panic) in whatever state I am(Paul is not looking at his circumstance, but his convictions).  12 I know how to be abased(to be brought low) and live humbly in straitened(poverty/restricted) circumstances, and I know also how to enjoy plenty and live in abundance. I have learned in any and all circumstances the secret of facing every situation, whether well-fed or going hungry, having a sufficiency and enough to spare or going without and being in want.  13 I have strength for all things in Christ Who empowers me [I am ready for anything and equal to anything through Him Who infuses inner strength into me; I am self-sufficient in Christ's sufficiency].   Romans 8:28 (NIV) – And we know that in all things God works for the good of those who love him, who have been called according to his purpose. Notice – Christ is the source of our contentment. Job 36:11 (NIV) – If they obey and serve him, they will spend the rest of their days in prosperity(immense profit and abundant gain) and their years in contentment.   Proverbs 19:23 (NIV) – The fear of the Lord leads to life;  then one rests content, untouched by trouble. As God's child you are called to learn to be content. This is a lifelong process – but well worth the time and sacrifice. How important is contentment when serving Jesus? The wise Solomon said: Ecclesiastes 2:10-11 (NIV) – 10 I denied myself nothing my eyes desired; I refused my heart no pleasure.  My heart took delight in all my labor, and this was the reward for all my toil.  11 Yet when I surveyed all that my hands had done and what I had toiled to achieve, everything was meaningless, a chasing after the wind; nothing was gained under the sun. Like an engraving on a tombstone said: She died for want of things.  He died trying to give them to her. Story of diamond mine: Years ago, Russell Conwell told of an ancient Persian, Ali Hafed, who "owned a very large farm that had orchards, grain fields, and gardens... and was a wealthy contented man." One day a wise man from the East told the farmer all about diamonds and how wealthy he would be if he owned a diamond mine. Ali Hafed went to bed that night a poor man--poor because he was discontented. Craving a mine of diamonds, he sold his farm to search for the rare stones. He travelled the world over, finally becoming so poor, broken, and defeated that he committed suicide. One day the man who purchased Ali Hafed's farm led his camel into the garden to drink. As his camel put its nose into the brook, the man saw a flash of light from the sands of the stream. He pulled out a stone that reflected all the hues of the rainbow. The man had discovered the diamond mine of Golconda, the most magnificent mine in all history. Had Ali Hafed remained contente at home and dug in his own garden, then instead of death in a strange land, he would have had acres of diamonds. Hebrews 13:5 (NIV) –  Keep your lives free from the love of money and be content with what you have, because God has said, “Never will I leave you; never will I forsake you.” 1 Timothy 6:6-7 (Amp) – 6 [And it is, indeed, a source of immense profit, for] godliness accompanied with contentment (that contentment which is a sense of inward sufficiency) is great and abundant gain.  7 For we brought nothing into the world, and obviously we cannot take anything out of the world.  

Andrea Ward, from Golconda, Illinois, USAYou can read Andrea's article in the Christian Science Sentinel.

====================================================SUSCRIBETEhttps://www.youtube.com/channel/UCNpffyr-7_zP1x1lS89ByaQ?sub_confirmation=1=======================================================================DECIDETE HOYDevoción Matutina para Jóvenes 2024Narrado por: Daniel RamosDesde: Connecticut, Estados Unidos===================|| www.drministries.org ||===================23 DE MARZOUNA MINA DE DIAMANTES«Pues en él están encerradas todas las riquezas de la sabiduría y del conocimiento»(Colosenses 2: 3). Se cuenta que hace mucho tiempo, muy lejos de aquí, un oriental rico y feliz llamado Hafed recibió la visita de un sacerdote budista que le habló del oro, la plata y los diamantes. Le dijo que una mina de diamantes podría producir suficientes gemas para comprar un reino. Esa noche Hafed no pudo conciliar el sueño, porque se consideró un hombre pobre ya que no poseía una mina de diamantes. Para llevar a cabo su deseo, vendió sus propiedades, reunió todo su dinero, dejó a sus parientes al cuidado de su familia y se fue a buscar la mina de diamantes de sus sueños. Recorrió sin éxito países como Arabia, Palestina, España y otros lugares. Finalmente, triste y desilusionado, Hafed se arrojó al mar y murió ahogado. Cierto día, el nuevo propietario de las tierras de Hafed vio un guijarro que brillaba al sol en las arenas del arroyo. Lo tomó, lo llevó a su casa y lo dejó sobre una repisa. Después, el mismo sacerdote que había hablado con Hafed sobre el valor de una mina diamantes, fue a visitar al nuevo dueño. En cuanto entró en la casa, reconoció que esa piedra brillante era un diamante. Recorrieron los terrenos de la propiedad y encontraron muchos diamantes. Así fue como se descubrieron las antiguas minas de Golconda. Si Hafed se hubiera quedado en su propiedad y buscado en su propio terreno, en vez de encontrar pobreza, hambre y muerte lejos de su hogar, habría tenido una mina de diamantes de fabulosa riqueza. ¿Has pensado que junto a ti se encuentra Jesús, la Perla de Gran Precio? Él es la mina espiritual en la que puedes encontrar valiosísimas gemas de sabiduría y conocimiento que te prepararán para adquirir una propiedad de valor incalculable en el reino de los cielos. Entonces, ¿qué sentido tiene cavar en las modernas minas de basura y desperdicios representadas por una cultura decadente que no tiene en cuenta a Dios ni sus promesas? Reconoce hoy que la verdadera riqueza se halla en Jesús. «Ya saben ustedes que nuestro Señor Jesucristo, en su bondad, siendo rico se hizo pobre por causa de ustedes, para que por su pobreza ustedes se hicieran ricos» (2 Corintios 8: 9). 

Interview with Nick Brodie, Director & CEO of Golconda Gold LtdOur previous interview: https://www.cruxinvestor.com/posts/galane-gold-gg-addressing-issues-head-on-ready-for-2022-1398Recording date: 17th January 2024Golconda Gold Positioned to Unlock Value from Long-Life South African AssetGold miner Golconda Gold operates two assets - the Galaxy mine in South Africa and the Summit project in New Mexico. Galaxy is an underground mine with over 130 years of production history and permitted capacity for 50,000 tons per month of ore processing. However, it is only operating at around 15,000 tons per month currently. Through a relatively straightforward expansion plan, Golconda aims to ramp up Galaxy to produce 40,000 ounces of gold per year within the next 3-4 years.The key enabler for this production growth is a recent $5 million streaming agreement secured from Empress Capital. Golconda will deliver the first 8,000 ounces produced to Empress at 20% of the prevailing gold price. Thereafter, Empress is entitled to a reduced 2% royalty over an additional 12,000 ounces, before dropping down to a 1.5% life-of-mine royalty. This customized and capped gold stream provides non-dilutive funding for Golconda to purchase necessary expansion equipment and undertake development to open up more stoping areas underground.Importantly, the expansion is completely within the footprint of existing mining works and utilizes Golconda's permitted 2.5 million ounce mineral resource, of which just over 50% has been delineated so far. At the target 40,000 ounce annual rate, Galaxy's current 1.5 million ounce resource could theoretically support over 35 additional years of mine life with further exploration upside from neighboring ore bodies.Previous technical challenges with flooding and equipment reliability have impacted Galaxy's production consistency. However, Golconda's experienced management team has addressed these issues, putting in place upgraded pumping infrastructure. Meanwhile, new funding will facilitate maintenance and equipment availability improvements to minimize downtime. From this more reliable production base, Galaxy's output is envisaged to double within the next year.Beyond Galaxy, Golconda also owns the Summit project - a previously producing gold-silver project in New Mexico with significant existing infrastructure. A 2022 Preliminary Economic Study defined a 50,000 ounce gold equivalent potential operation over a 7-year mine life at all-in sustaining costs below $900 per ounce. Subject to sourcing $7-8 million in project financing through an offtake contract or additional streaming, Summit could provide valuable production diversification and cash flow upside for Golconda investors.With excess process capacity, established resources, and experienced operational management, Golconda Gold presents a unique value investment opportunity. Near term funded growth towards 40,000 ounces per year of low-cost gold production could be just the start of Galaxy's renaissance.—View Golconda Gold's company profile: https://www.cruxinvestor.com/companies/golconda-goldSign up for Crux Investor: https://cruxinvestor.com

00:00 - Introduction 03:00 - Why Nevada? 12:55 - USA & Critical Metals Interest 18:50 - Fast Tracking Pilot Mountain 25:00 - Pilot Mountain Copper, Silver & Zinc Credits 27:40 - Golconda, Garfield, Stonewall & Kibby Basin 34:02 - Lithium 36:00 - Summary & Next 6 Months

In this episode, Fabrice talks about the disappearance of a symbol of the French crown. A cursed gemstone that has marked three centuries of history and has also inspired numerous artists, including James Cameron for his film Titanic. Its name: the Blue Diamond of the Crown. From its theft to the curse that surrounds it, discover its fabulous destiny. A Majestic Diamond The story of this diamond begins with Jean-Baptiste Tavernier, a true adventurer who traveled the world from Europe to Asia, passing through Persia and Constantinople. In 1668, Tavernier returned from his sixth voyage to India with bags filled with pure diamonds acquired in the Sultanate of Golconda. He hurried to the Louvre to show his magnificent collection to the current King of France, Louis XIV. The King was amazed by all these goods, before him lay over a thousand diamonds of all sizes and shapes. He then proceeded to buy all the largest diamonds offered to him, including a remarkably blue diamond that would become famous as the Blue Diamond of the French Crown. Production : Bababam Voice : Fabrice Muracciole Translation of the French script of Clémence Setti. Learn more about your ad choices. Visit megaphone.fm/adchoices

Australian listed gold explorer, Gold50, has made a new discovery at the Golconda project in Arizona. The company published the discovery drill results earlier this month. We reconnect with Mark Wallace of the company and talk about the exploration work, this discovery and followup, along with another key project in Nevada.

Följ med den ändlöst nyfikne och uppmärksamme svensken när han besöker Java och Indiens Malabarkust, tjänar i den persiska shahens armé, studerar ruinerna av Persepolis, söker efter gammaltestamentliga platser i Irak, fångar vilda elefanter på Sri Lanka, bevistar kremeringen av en provinsguvernör under sultanen i Golconda, besöker Sankta Karins kloster i Sinai, lider skeppsbrott utanför … Fortsätt läsa Sweconpoddar 129 – Nils Mattsson Kiöping 1667 – färgsprakande reseskildring från Asien →

Cari Lettori, se n'è andato uno dei "padri grafici" di Dylan Dog. Luigi Piccatto era infatti parte del team creativo dell'Indagatore dell'Incubo sin dagli esordi della testata, di cui aveva disegnato già il numero 8, "Il ritorno del mostro", e di cui è stato uno degli autori più prolifici. La sua linea chiara, rotonda, espressiva, ha caratterizzato alcuni degli albi più amati dai lettori, da "Cagliostro!" a "I conigli rosa uccidono", da "Grand Guignol" a "Golconda!".Nato a Torino nel luglio del 1954, Piccatto aveva esordito professionalmente nel 1977 sulle pagine di "Corrier Boy", per poi passare su quelle di "Skorpio" e "LancioStory". E anche dopo l'approdo in Bonelli, aveva continuato a collaborare con il "Corriere dei Piccoli".La sua collaborazione con la Casa editrice di Via Buonarroti si è naturalmente sviluppata soprattutto sugli albi di Dylan Dog, per allargarsi occasionalmente anche a testate come Magico Vento e Nathan Never. Suoi sono però anche i disegni del primo numero di Demian e da un suo soggetto era poi nato il personaggio di Kent Darwin, di cui ha ovviamente disegnato ogni avventura, a partire dal Romanzo a Fumetti fino alla più recente miniserie targata Audace.Abbiamo visto uscire una sua storia non più tardi dell'autunno scorso, sul numero 15 di Dylan Dog Oldboy, ma a conferma della sua incredibile prolificità, Bonelli ne ha ancora più d'una nel cassetto...Tutta Storia dell'Altra Vita si stringe intorno alla famiglia in questo momento di dolore.#luigipiccatto #lucadeejay #dylandog #piccatto #sclavi #oldboy #mignacco #chiaverotti

Music: Mani Sharma all day, then DSP and Thaman, SA Rajkumar, Harris Jayaraj, Vivek Sagar Cinematography: KV Guhan: Athadu, Jalsa, parts of Khaleja, Dookudu, Baadshah, SVSC, Aagadu, Naani, and Mister. PS Vinod: debut with Panjaa, Manam, Oopiri, Dhruva, Soggade Chinni Nayana, Hello, Aravinda Sametha, AVPL, Vakeel Saab, Sita Ramam and waiting for SSMB28 KK Senthil Kumar: All Rajamouli movies except Simhadri, Student No1, Vikramarkudu and Maryada Ramanna, also did Golconda high School and Arundhati, only 17 movies, Shyam K Naidu: 15 movies with Puri Jagan Rathnavelu: Arya, Jagadam, 1 Nenokkadine, Rangasthalam, Brahmotsavam, Sarileru, Sye Raa, and Robo. Art Directors/ Production Designers: AS Prakash: Arya, Agnythaavasi, Aagadu, Bommarillu, Dubai Seenu, Kantri, Ready, Kotha Bangaru Lokam, King, Namo Venkatesa, Simha, Don Seenu, Ragada, 100% Love, Dookudu, Bodyguard, SVSC, Mirchi, Baadshah, Balupu, Masala, Aagadu, Mukunda, Srimanthudu, A Aa, Janatha Garage, Nenu Local, Jai Lava Kusa, Agnythaavasi, Aravinda Sametha, F2, Sarileru Neekevvaru, Ala Vaikunthapurramlo, Waltair Veerayya, Veera Simha Reddy, SSMB28 Thota Tharani: Arjun, Athadu, Mass, Leader, Life is Beautiful, Brahmotsavam, Khaidhi No 150, Sivaji the Boss, Ashok Koralath: Indra, Kalisundam Raa, Okkadu, Darling, Arundhati, Takkari Donga, Jayam Mandera, Santosham, Bunny, Varsham, Shankar Dada MBBS, Anand Sai: Brindavanam, Badrinath Temple set in Allu Arjun's Badrinath, Thammudu, Simhadri, Vaasu, Sye, Ashish Vidyarthi's house in Gudumba Shankar, Balu, the Warangal Fort recreated in Mahesh Babu's Sainikidu, Munna, the iconic contemporary mansion of Sanjay Sahu in Jalsa, Parugu, Khaleja, Adhurs, Shakthi, Dhammu, and Yevadu. Raveendar: Magadheera, Nagineedu's house in Maryada Ramanna that Son of Satyamurthy? Bhagamathie Bungalow set which was built in just 29 days Vikramarkudu, Chatrapathi, Okkadunnadu, Rakhi, Pourudu, Goldconda High School, Mr Perfect, Oosaravelli, Sri Rama Rajyam, Oh My Friend, Rajanna, Eega, Attarintiki Daredi in Ramoji Film City, Oohalu Gusagusalade, Nannaku Prematho, Soggade Chinni Nayana, Gentleman, Duvvada Jagganadham, Mahanubhavudu, and Sammohanam, Radhe Shyam Avinash Kolla: Krishagadi veera Prema Ghada, Major, Shyam Singha Roy, Jersey, looking forward to Dasara Chinna: Amma Nanna O Tamil Ammayi, Shivamani, andhrawala, Super, Lakshmi, Pokiri, Yogi, Desamuduru, Chirutha, Bujjigaadu, Neninthe, Anjaneyulu, Ek Niranjan, Golimaar, Nenu Naa Rakshasi, Kandireega, Businessman, Devudu Chesina Manushulu, Cameraman Ganga Tho Rambabu, Ninnu Kori Editors: A Sreekar Prasad is favorite: Annammaya, Nuvve Kavali, Nuvvu Naaku Nachav, Manmadhudu, Okkadu, Arjun, Malliswari, Gowri, Athadu, Jalsa, Khaleja, Panjaa, RRR Navin Nooli: Rangasthalam, Ala Vaikunthapurramlo, first big movie was Govindudu Andari Vadele, Nannaku Prematho, Dhruva, Aravinda Sametha, Jersey, Gang Leader, Krack, Acharya, Bheemla Nayak, SSMB28 Marthand K Venkatesh: Pokiri and Kalisundam Raa, Preminchukundam Raa, Bavagaru Bagunarra, Ganesh, Tholi Prema, Thammudu, Raja, Seenu, Kalisundam Raa, Badri, Ninne Premistha, Aazad, Jayam Manaderaa, Daddy, Takkari Donga, Bobby, Idiot, Raghavendra, Amma Nanna O Tamil Ammayi, Vasantham, Shivamani, Arya, Andharawala, Venky, Nenunnanu, Pokiri, Shankar Dada MMBS, Bhadra, Super, Godavari, Thulasi, Desamuduru, Bommarillu, Munna, Happy Days, Parugu, Kantri, Bujjigadu, Brindavanam, Ragada, Orange, Mr Perfect, SVSC, Yevadu, and Geetha Govindam Fight Masters: Vijayan: Okkadu, Arjun, Pokiri, Takkari Donga, Anbariv: KGF and Vikram Ram Lakshman: Krack fights Vijay: Dookudu, Aagadu, Ragada, Kick, Businessman, Shivamani, Mass, Bheemla Nayak Producers: Aswini Dutt, MS Raju, Dil Raju, S Radhakrishna, Shobu Yarlagadda, Sravanthi Ravi Kishore

File 221002 - Special Agent Hodgson interviewing Leah Hunter about an unusual sighting and an experience involving loss of time and possible extranatural abduction which occurred while hiking outside of Golconda, NV. This episode is a special preview of "For the Record," a spin-off podcast from the world of The Redacted Reports, available exclusively at www.theredactedreportspodcast.com

The Kohinoor Diamond one of the largest diamonds in the world reportedly was mined in Kollur, the former Golconda sultanate of the Kakatiya dynasty, India. While many are now calling for its return to India from Britain, Melbourne-based Physicist and Gemmologist Mr Prem Phakey tells about its qualities, stories associated with it, and the history of its name and the series of owners before finally being acquired by the British.

Every once in a while, you read a book, watch a gripping movie or a TV show; and you ask yourself the question, “Was that a true story?”And then you spend hours googling the hell out of it. How great would it be if you could not find the answer and not be able to reach a conclusion!As every great storyteller knows, the better you tell a story the more you make it come to life. Conversely, even if you tell a real story poorly, it will not ring true.Let's meet a great storyteller now.My guest is author Sudipta Sen Gupta. She used to be a top level marketing executive turned academic, historian and author. Her debut novel is titled, Aasma-i-Noor. In Persian it loosely means A Sky of Light or even, a Universe of Light...depending on how expansive you're feeling today.Aasma-i-Noor is a diamond. It is a rare, red diamond that came from the Kollur mine in Golconda, the same mine that gave us the Koh-i-Noor (means Mountain Of Light) and Darya-i-Noor (meaning Sea Of Light). All great names…clearly all tributes to Total Internal Refraction.In Sudipta's novel, the history of this diamond is linked to the heart of the events surrounding the rise and fall of Siraj-ud-Daulah and his chief nemesis Robert Clive.And around this time is the last anyone heard of the Aasma-i-Noor, leaving the question: was this whole bloody pivotal point in the history of India caused by the fascination of a few men for a gemstone?Artfully, the story spills into the present day with a couple of treasure hunters in Kolkata finding clues from history to be able to locate this diamond. At this point, the novel suddenly takes on the rush of a Dan Brown thriller and I will leave the rest for you to read.As for separating history from historical fiction, I have rarely read this done in so deft a manner. It is every debut novelist's aspiration that their debut novel must set the world on fire. If Aasma-i-Noor doesn't do that, it is the fault of the world.That said, I am privileged to have Sudipta here as my guest today.ABOUT SUDIPTA SEN GUPTASudipta Sen Gupta is an associate professor in the School of Management at GD Goenka University. After completing her graduation in physics from Presidency College, Kolkata, and MBA from Faculty of Management Studies (FMS), Delhi University, she worked in senior corporate management roles for over 20 years. She helped build multiple well-known brands and powered multinational organizations to success, winning several national and global awards and recognitions along the way. In 2017, she decided to leave the corporate world and join academics, allowing her time to complete her PhD and return to her first love—Indian history. Aasma-i-Noor: The Cursed Jewel is the result of that love.Buy Aasma-i-Noor: https://amzn.to/3ASAYM4WHAT'S THAT WORD?!Co-host Pranati "Pea" Madhav joins Ramjee Chandran in "What's That Word?!",  where they discuss the word "WIT: and joining them is a guest from the United States.WANT TO BE ON THE SHOW?Reach us by mail: theliterarycity@explocity.com or simply, tlc@explocity.com.Or here: https://www.facebook.com/groups/theliterarycityOr here:  https://www.instagram.com/explocityblr/

A cyberpunk-disco-rockot (bocs, de mindig ez ugrik be) játszó Golconda egy roppant üde színfolt a hazai palettán. A második lemezük megjelenése remek apropó volt arra, hogy leüljek a srácokkal beszélgetni egyet. Vendégeim: - Hámori Dávid (dob) - Auer Bence (Billentyűs hangszerek) Golconda a Facebookon: https://www.facebook.com/golcondaband Golconda az Instagramon: https://www.instagram.com/golconda.music/ Ric$ a Facebookon: https://facebook.com/szenegetorichard Ric$ blogja: https://ricsandgreen.hu Ha bármi észrevétel, hozzáfűznivaló, témaötlet van, azt a rics@ricsandgreen.hu címre küldhetitek! Ha szeretnéd, hogy több Ric$Cast készüljön, akkor támogasd az adást a patreon.com/ricscast oldalon, válaszd a csatornatagságot, használd a "köszönet" gombot, vagy egy pólós csomag megvásárlásával a Facebook oldalamon! Köszönöm! Felvétel, mastering: Faragó Sztivi István - Carver Recording https://facebook.com/CarverRecording Intro zene: Fellegi Ádám Intro hangok: Lukács László, Fejes Tamás, Sidi, Big Daddy L, Nomad Marci, Paddy

Al centro di ogni storia c'è un'infelicità che deve essere curata.

GIVEAWAY ALERT - LISTEN TO THE EPISODE AND ANSWER 3 SIMPLE QUESTIONS LINKED BELOW TO STAND A CHANCE TO WIN A HERITAGE WALK IN HYDERABAD WITH YUNUS!!!Just fill out this form to enter the giveaway - https://docs.google.com/forms/d/e/1FAIpQLSdkIvpPCtNpLO_Y3mmL_X6GjxrTXbPer_9UvRIHAC61hE5Rcg/viewform WINNERS OF THE BOOK ‘A FOR PRAYAGRAJ' BY UDBHAV AGARWAL, CONGRATULATIONS!!We will reach out to you shortly TASNEEM AMIN TANAY JOSHI This week, The Musafir Stories speaks with Yunus Lasania - a journalist, heritage expert, curator of Hyderabad History Project on Instagram and Beyond Charminar Podcast Today's destination: Heritage walk in the Old City of Hyderabad, Telangana Nearest Airport: Rajiv Gandhi International Airport, HYD Nearest Railway Station: Hyderabad Deccan Railway Station, HYB Prerequisites - Walking shoes! Packing - As needed Time of the year - Year-round! Length of the itinerary: 2-3 hours Itinerary Highlights: Yunus starts the conversation by explaining the foundations of Hyderabad, the Qutub Shahi dynasty's origins, how the city was built as an extension to the Golconda fort's walled city by Mohammed Quli Qutub Shah, and how it was eventually destroyed by Aurangazeb in 1687. After the defeat of the Qutub Shahis, the Golconda kingdom was ruled by the Asaf Jahis or Nizams, who were generals in Aurangazeb's army, however they didn't become independent till 1765 after which the city was developed further. Charminar was the first structure to be built as a part of Hyderabad, named after the wife of the founder, Mohammed Quli Qutub Shah. We also discuss other legends and stories about the wife of the ruler - Bagmati, and the other names associated with Hyderabad. The walk begins at the Badshahi Ashurkhana - a place of mourning for the Shia muslims who mourn the death of the Prophet's grandson, Imam Husain in the battle of Karbala where he was killed with his followers. The Ashurkhana was built in 1593, 2 years after the construction of Charminar and is inspired by the Persian style of architecture with colourful walls and tiles. The other monuments enroute to Charminar - the most iconic structure of Hyderabad, include, the Chaar Kamaan, the 4 gates which mark entrance/exit points to the old city, Gulzar Houz - the erstwhile drinking water fountain of Hyderabad, Madina masjid - the biggest mosque of the old city and markets around Charminar including Pathar gatti market and Laad Bazaar. The group also makes a quick stop for breakfast at Govind's Dosa Bundi to feast on some cheese dosas early in the morning. The final stop of the walk is of course, the magnificent Charminar - built in 1591, it is the most iconic structure of Hyderabad and is reflective of its rich culture and architecture. The building has several Persian and Indian influences including intricate artwork, 4 minars at almost 56m high built with yellow limestone. We also discuss some of the other walks done by Yunus including one that covers the Nizam part of the city, including Chowmahalla palace, Nizam's museum as well as alternate walks that takes one through the lesser-known buildings of the city. We discuss the eateries of Hyderabad in general and the old city in particular, ranging from biryani to Irani chai. Yunus' recommendations for Biryani include Grand Hotel, Shadaab, Nayaab, Biryani house, Bawarchi, Fanooz, Khan Miyan, Paradise, Alpha hotel. Alpha hotel, Grand, Paradise, Cafe Bahaar, Nimra Cafe and Garden Cafe are popular options for Irani Chai! We wrap up the episode by discussing the language of the region - Dakhani, its origins, influences and misconceptions. We also have some wonderful movie recommendations to get a taste of Hyderabad and Dakhani including Shyam Benegal's Ankur, Mandi, Bolo Hau and The Angrez! Links: Link to Yunus' blog: https://medium.com/@hyderabadhistoryproject Link to Yunus' Twitter: https://twitter.com/lasaniayunus Link to Yunus' Instagram: https://www.instagram.com/thathyderabadiboy/ Link to Hyderabad History project's IG page: https://www.instagram.com/thehyderabadhistoryproject/ Linktree: https://linktr.ee/yunuslasania Photo by Shiv Prasad on Unsplash Follow The Musafir Stories on: Twitter: https://twitter.com/musafirstories?lang=en Facebook: https://www.facebook.com/themusafirstories/ Instagram: https://www.instagram.com/musafirstoriespodcast/?hl=en website: www.themusafirstories.com email: themusafirstories@gmail.com You can listen to this show and other awesome shows on the IVM Podcasts app on Android: https://ivm.today/android or iOS: https://ivm.today/ios, or any other podcast app. You can check out our website at http://www.ivmpodcasts.com/

Sonatina - Ruben Darío (Nicaragua) Spotify: https://open.spotify.com/show/4ddtKTMUUKPOS3YpC9MMfF?fbclid=IwAR2ahnAOofvzKs2bLJ7Zapc5WWburwTHfLSlF2TLFCyW83devbGexPsAsTY Deezer: https://www.deezer.com/es/show/2816092 Instagram: https://www.instagram.com/yo.te.lo.narro/ Youtube: https://www.youtube.com/channel/UCXjBZ3Wn52x7lQ52sUEPt9w Música: "It Came Upon a Midnight Clear de Kevin MacLeod cuenta con una licencia Creative Commons Atribución 4.0. https://creativecommons.org/licenses/by/4.0/ Fuente: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100191 Artista: http://incompetech.com/" #narracion #declamacion #literatura #lectura #poesia #arte #literatura_hispanoamericana #arts #poetry #poem #RubenDario #Nicaragua #Sonatina ---- La princesa está triste.. Qué tendrá la princesa? Los suspiros se escapan de su boca de fresa, que ha perdido la risa, que ha perdido el color. La princesa está pálida en su silla de oro; está mudo el teclado de su clave sonoro, y en un vaso, olvidada, se desmaya una flor. El jardín puebla el triunfo de los pavos reales. Parlanchina, la dueña dice cosas banales, y vestido de rojo piruetea el bufón. La princesa no ríe, la princesa no siente; la princesa persigue por el cielo de Oriente la libélula vaga de una vaga ilusión. ¿Piensa acaso en el príncipe de Golconda o de China, o en el que ha detenido su carroza argentina para ver de sus ojos la dulzura de luz? ¿O en el rey de las islas de las rosas fragantes, o en el que es soberano de los claros diamantes, o en el dueño orgulloso de las perlas de Ormuz? ¡Ay!, la pobre princesa de la boca de rosa quiere ser golondrina, quiere ser mariposa, tener alas ligeras, bajo el cielo volar; ir al sol por la escala luminosa de un rayo, saludar a los lirios con los versos de Mayo, o perderse en el viento sobre el trueno del mar. Ya no quiere el palacio, ni la rueca de plata, ni el halcón encantado, ni el bufón escarlata, ni los cisnes unánimes en el lago de azur. Y están tristes las flores por la flor de la corte; los jazmines de Oriente, los nelumbos del Norte, de Occidente las dalias y las rosas del Sur. ¡Pobrecita princesa de los ojos azules! Está presa en sus oros, está presa en sus tules, en la jaula de marmol del palacio real; el palacio soberbio que vigilan los guardas, que custodian cien negros con sus cien alabardas, un lebrel que no duerme y un dragón colosal. ¡Oh, quién fuera hipsipila que dejó la crisálida! (La princesa está triste; la princesa está pálida.) ¡Oh visión adorada de oro, rosa y marfil! ¡Quién volara a la tierra donde un príncipe existe (la princesa está pálida; la princesa está triste), más brillante que el alba, más hermoso que Abril! "Calla, calla, princesa" -dice el hada madrina-, "en caballo con alas hacia aquí se encamina, en el cinto la espada y en la mano el azor, el feliz caballero que te adora sin verte, y que llega de lejos, vencedor de la Muerte, a encenderte los labios con su beso de amor..." ----

Cari Lettori

What you'll learn in this episode: The history of JCK and the JCK Show How Victoria identifies trends to highlight in JCK Why the line between women's jewelry and men's jewelry has blurred, especially among younger consumers How travel influences jewelry design The most exciting new designers Victoria has her eye on About Victoria Gomelsky Victoria Gomelsky is editor-in-chief of JCK, a New York City-based jewelry trade publication founded in 1869. Her work has appeared in the New York Times, Robb Report, AFAR, WSJ Magazine, the Hollywood Reporter, Escape, The Sun and Waking Up American: Coming of Age Biculturally, an anthology published by Seal Press. She graduated summa cum laude and Phi Beta Kappa from UCLA with a BA in political science in 1995 and earned her MFA in nonfiction writing from Columbia University in 2002. She specializes in jewelry and watch writing but her greatest love has always been travel — 60 countries and counting. Victoria was born in St. Petersburg, Russia and emigrated to the United States in 1978 with her parents and twin sister, Julia. She divides her time between New York City and Los Angeles. Additional Resources:  Victoria's Website Victoria's Instagram Photos: Victoria Gomelsky watches: Transcript: Victoria Gomelsky, editor in chief of esteemed jewelry trade publication JCK, was bitten by the travel bug during her first-ever trip—when she and her family immigrated to the U.S. from the Soviet Union in the late 1970s. Since then, she's visited more than 60 countries, often traveling to visit jewelry shows and report on jewelry trends. She joined the Jewelry Journey Podcast to talk about how her career in jewelry started with a mysterious online job posting; why Gen Z is changing the way we categorize jewelry; and where to find her favorite jewelry destinations. Read the episode transcript here.   Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is a two-part Jewelry Journey Podcast. Keep your eyes open for part two, which we'll be posting later this week. Today, our guest is Victoria Gomelsky, editor-in-chief of the well-known industry publication JCK. Victoria is an accomplished writer. She's written about jewelry for the New York Times as well as an extensive list of respected publications. She also covers another of her passions, which is travel. She's had a quite a jewelry journey, as she was born in Russia and has been to more than 60 countries and counting. We'll hear all about her jewelry journey today. Victoria, welcome back to the program. Sharon: I have to ask you, why Las Vegas in July or in June? It's hot then.    Victoria: You know it's hot. It was this year that it was actually pushed back to August, which was so much hotter. It was hard to even fathom. I think the timing is such because it works well for the majors, the majors being the signets and the chain jewelers who really need to plan out their holiday buying much earlier than your average small boutique owner. A lot of it has to do with the schedule that makes sense for the industry. It's Vegas because it's hard to imagine another city that is appropriate for a giant tradeshow—   Sharon: That's true.   Victoria: That's easy to get, that has ample hotel room space. There are certainly smaller conferences that have been around the country. The American Gem Society has its annual conclave in a different city every year, but it's much, much smaller. It's convenience and ease of access, and I've gotten used to it. I don't love Vegas, but it does feel like my year is incomplete without my week at JCK. I've been going since 2000, so it's hard to imagine a year without it.   Sharon: How far in advance are you planning your publications? Are you thinking about the December issue in August?   Victoria: Well, if we had a December issue, yes.    Sharon: If it was an issue online?   Victoria: Online we can pull together pretty quickly. If it's a big feature, we like to plan it at least a month in advance, but so much of online is responding to what's happening in the world. Especially with the pandemic, it was really hard to plan because, as did everybody, we hit those walls where we thought, “This may not be relevant in a month.” Things were so changeable and volatile.    Online has a much different pace, but in terms of the print issue, we'll start planning the issue that heads out the door on the eve of JCK Vegas 2022. It'll probably go out in late May, and we'll probably start thinking about that in January in terms of big picture ideas. Just this morning, I was asked to give a sketch of content for a section on colored stones. It's hard to do that really early. You want to be timely. You want to be thoughtful about what people are thinking and what's happening the world.    Especially if an issue's coming out in the spring, I feel like after the holiday makes the most sense, because the holiday in the jewelry industry, as you can imagine or know, is everything. It's still the bulk of sales. The bulk of news comes out of this fourth quarter. To plan content without knowing how the holidays have gone is going to miss the mark, unless you're planning something general and vague. So, I like to wait until early January to start thinking about what makes sense and what people are talking about, what the news is.   Sharon: In terms of the holidays, since they're around the corner right now, you must have some features that are holiday-related that you think about early on, maybe in September or August.   Victoria: We do. If it's not about the holiday, it's about what people might start thinking about for the holiday. We do a lot of trend coverage on JCK, a lot of specific trend coverage, whether it be men's jewelry or something else. I'm actually working on a series of special report newsletters that go out every Monday in November all around the men's jewelry theme. We've covered colored stones, pearls, bridal. We tackle everything with a slight angle towards the holiday, questions like: Is this worth stocking? What are the trends? What kinds of things might retailers keep in mind as they prepare?    JCK is very much a style and trend publication, but it's also a business publication for people who happen to own jewelry businesses. We do a lot of marketing coverage, technology, social media apps that people need to know that might make them more efficient in their business. You could take jewelry out of a lot of what we cover and put in another field, whether it's fashion or home good or anything, and it might apply in terms of the strategies people might want to use to target customers, what they need to know. We try to cover it from all facets. It's always been a publication for businessowners in the jewelry space, so there's a lot of general business information we try to make sure our readers are aware of.   Sharon: If you're looking at trends, I'm thinking about the non-jewelry person that would go to Vogue or Harper's Bazaar or something like that—I'm dating myself, I realize—who can go online. I still think in terms of putting it online, like everybody else. Tell us about men's jewelry. Are men wearing more jewelry than before?   Victoria: Yes, they really are. It's funny, because I've been 20 years covering jewelry, and every four or five years, I'm either asked to or I initiate a story about the men's jewelry renaissance. There's always been something to say over the last 20 years. I do a lot of freelance writing for the New York Times. I did a piece for the Times about seven years ago, and there was a lot to say. There were a lot of jewelers introducing new men's collections and different takes on the subject, but no time has felt quite as relevant to that topic as now.    I think if you look to some of the most famous pop artists we see today, whether it's Harry Styles or Justin Bieber, the Jonas Brothers, Lil Nas X, any of these pop culture personalities, they are draped in jewelry, and not just any jewelry. A lot of them are draped in pearls, which for many of us are the most feminine gem around. There is this great, very interesting conversation about genderless or gender agnosticism in jewelry. Should we even define jewelry as a men's piece versus a woman's piece? Why not just make jewelry? Maybe it's a little more masculine/minimalist. Maybe it's a little more feminine/elaborate or diamond-set, but let it appeal to who it appeals to. Why do you need to tell people who it's for? It's a conversation.    I also write about watches quite a bit, and it's a conversation the watch world is grappling with, more so this year than any other year. Do we need to tell women that this is a “lady's watch”? Why don't we just market a watch, whether it, again, has feminine design codes or masculine design codes. Let whoever is interested in it buy it. We don't need to tell people what categories they are allowed to be interested in. It's been a very interesting conversation. I think fashion is embroiled in this conversation too, and it's been exciting to see.    When I talk about men's jewelry, I think what happens is that much of the industry still needs these categories because at retail, for example, a retailer might get a bunch of jewelry and they need to know how to merchandise or how to display it. For those kinds of problems, you still want to say, “O.K., well, this is my men's showcase,” but I think slowly things are changing. I don't know if in five years or 10 years, we'll even need those topics anymore. I think we'll just have a showcase of jewels. Again, they might be more minimalist or plainer, and they might appeal to men or women or people who consider themselves nonbinary.    Sharon: That's interesting, especially with watches, because when women wear men's watches, that's a fashion statement today.   Victoria: Very much so. I did a huge piece on female collectors for the Times in early 2020, and all of them wore men's pieces and felt a little grieved that they were being told what a woman's watch is. A woman's watch is a watch worn by a woman; that's it. I think the same might be true for jewelry. A men's jewel is a jewel worn by a man and so on. It's been an interesting thing to see evolve, and certainly there's a lot of momentum behind it. I think we'll slowly see these categories dissolve.   Sharon: There's a lot. I haven't seen men wearing brooches. Some of what you're talking about, to me, still has a way to go.   Victoria: A lot of it is being driven by Gen Z, Millennials, younger generations who look to their style icons like Harry Styles, as I mentioned. They're draped in a feather boa and necklaces. As that generation comes up they're going to age, and they're eventually going to be 30 or 40 and they'll be quite comfortable with jewelry because, 20 years later, they've been wearing it all these decades. But yeah, today, if you ask your average guy if he's going to wear a pearl necklace, I'm sure the answer's no, but I think these things do change. They change quicker than we expect them to. It's so much of what we see and what seems O.K. A lot of men might want to do that or might think they would look good in a pearl necklace.    I keep coming back to it because pearls are, again, the most feminine of gems, at least in terms of the lore we talk about, how we talk about them. Yet you see them on people like the Jonas Brothers or, for that matter, big, beautiful, iced-out Cuban chains. You see those on rappers or on hip hop stars. There is this communication out in the world where if you're just a regular guy and you're cruising through your Instagram and seeing these images, it all says to you, “This is O.K. This is right. Go for it if you're feeling it.” I think there is a lot more leeway in today's society to express yourself the way you want to. I think it's wonderful. It's quite exciting to see those barriers break down and have these conversations. It's been cool to write about.   Sharon: It would be interesting to have this conversation in 20 years. You reminded me of a conversation I had recently with an antique jewelry dealer about cufflinks. I said to her, “Cufflinks? Who wears cufflinks? I'm in Los Angeles.” Well, you're in Los Angeles too. Even the most staid businessperson, you don't see him with a cufflink, ever. I don't know.   Victoria: Maybe about a month ago, my boyfriend and I were invited to the opening of the Academy Museum of Motion Pictures, which just opened in September in the heart of Miracle, right next to LACMA. It was a big gala affair sponsored by Rolex, which is a huge supporter of the Academy and the Oscars and now the museum. It was wonderful; it was like a little Oscars event, except it wasn't televised. It was black-tie glamor. Hollywood glamor was the theme, so my boyfriend rented a tux; he doesn't own one, of course, because we're in L.A. and it's a pandemic. Who needs a tux? But he got a tux, and I was gutted that I didn't have cufflinks for him or that he didn't have his own. He rented some, I think; he had a few shirt studs he was able to get from the rental place, but it was the first time. I thought, “Oh my God, cufflinks!” and we had a wonderful time. It was really exciting to be back in the world in such a fabulous way. It really felt special.   Sharon: I didn't realize it had opened. I was at LACMA, the L.A. County Museum of Art, this weekend and there was a big crowd around the Academy Museum, but I didn't realize it had opened. My antique jewelry dealer friend was also saying that she has collectors who collect antique cufflinks. I thought, “That's interesting.” I didn't know that was a collector's item in some circles, I guess.   Victoria: Yeah, when I think about it, there are a lot of great ones in London. If you ever go through Mayfair or Old Bond Street and you find those antique dealers there—there's Deakin & Francis, an old U.K. firm that specializes in cufflinks. I've never owned any, but now that we're talking about it, I feel I need to buy my partner some.   Sharon: I stopped buying my husband them 20 years ago when they just sat on his dresser not worn. I said, “O.K., I tried.” You're a traveler. You've been to how many countries?   Victoria: I lose track. It depends a little on how you count countries. I think I've counted Macao separately from China, even though it's a special administrative region of Hong Kong. Somewhere around 60. It might be about 61 or 62. A lot of countries I've been to—I mean, I've been to Switzerland at least 20 times, Brazil five times, Russia four times. I keep going back to places even though it's always very exciting to take another country off my list. As I mentioned earlier, I was a backpacker after college. My first trip was to Central America with some girlfriends with backpacks on. We took off for three months. We went to Costa Rica and Panama and Venezuela, and I ended up in the Caribbean for a couple of weeks.    I had already started a little bit of traveling. Initially, we came from Russia as a kid. I think when we left Russia in late 1978 as part of the exodus of Soviet Jews from the Soviet Union, we were allowed to seek asylum in the States. We took this journey via Vienna and then Rome and ended up in Cherry Hill, New Jersey, of all places, because that's where we had an invitation. We had to have a formal invitation because we were political refugees.    I think very early on, even though it was never articulated to me—it was something I felt in my bones—I thought that travel was a way to lead a better life. It was a road to a better life, as it was for us. Early on that knowledge imprinted on me, on my soul. In high school, I started saving money to go to an exchange program in Spain. That was my first real trip outside—I'd gone to Mexico with my family, but I had never traveled outside of that. So, I had the bug. After college, I was always interested in slightly more offbeat places.    One of my favorite places in the whole world—and I dream about going back all time—is India. I love places that still feel like they're not discovered. Clearly, India's very discovered, but it's not as easy to travel there as it might be to go to Europe. I love Europe and Paris and London as much as the next person, but there's always something that feels a little easy in those spots. I love Southeast Asia. I went to Vietnam in the 90s a couple of times. I loved it. I love Malaysia. I love the food there. I love the smells and the culture. I love things that feel different. India couldn't be more different than our lives. A lot of the same people go between the two, between L.A. and India, for example, and you'll find a lot of creature comforts in places like Mumbai. The culture and the heritage and the history, the way of life and the way people look at life is so, so different, and I'm really drawn to that. I like going places that test me a little bit.   Sharon: How do your jewelry and travel intersect? I'm sure you're traveling to the shows like Basle. India must be a great place for jewels. I don't know about the shows there.   Victoria: My first trip to India was for a show. There's a famous show—famous, I guess, depending on the circles you move in—in Mumbai called the India International Jewelry Show. That was my first reason to get to India in 2004. I ended up going back to do some reports on the diamond trade there. Mumbai is a real hub of diamonds, so I was going back to do research and then Jaipur in the north. Rajasthan is famous for its colored-stone industry. There are tons of colored-stone dealers and cutters and jewelers there, including the very famous Gem Palace, which I visited a couple of times.   My most recent trip to India was in 2017 to Jaipur to attend a conference on colored stones. It happened to intersect with a fair I had always wanted to go to called the Pushkar Camel Fair. Nothing to do with jewelry, although of course you see lots of jewelry in India. Jewelry's a ubiquitous thing there. When I went to this conference in Jaipur, my partner ended up meeting me. We spent a few days in Jaipur together, went down to Udaipur, which is a wonderful town in the south of Rajasthan, just stunning in terms of its history and heritage and hotels and palaces. Then we finished off in Pushkar, also in Rajasthan, at this camel fair. My entrée was for jewelry, but I try to explore as much as I can around it.    India's just remarkable. I'm very pleased that jewelry has such a natural and obvious connection to India because anytime I can have a work trip, take me there. Then if I can add on to it, I do. My son is only three—he's not even three; he's three in November, but I'm thinking, “How old does he have to be to go to India? What is too young to take a young, little guy to India?” Maybe when he's seven, hopefully.    Sharon: That's an interesting question. It could be three. There are people who are 33 who won't go because they're too afraid. It's on my list, but you're so adventurous.   Victoria: I wouldn't have pegged myself as the adventurous sort, at least not in high school. I was very type A. I was student body president. I was a cheerleader. I was very on track at least to go to college and who knows what after that, but I never really thought of myself as a risktaker and an adventure seeker. After spending time in Southeast Asia—I went to backpack there in the 90s, through Vietnam and Cambodia and Malaysia and Singapore—it just settled in my bones. I wanted more and more and more. Those places feel adventurous, but once you get there, they're not as challenging—well, they are challenging in that there's a lot of poverty; the heat is oppressive; it's hard sometimes to figure out your way around if the signage isn't clear and you don't speak the language, but I genuinely feel like the world is full of very good people. Maybe a few bad apples in there, but most people are very kind. So, it's easier than it seems.   Sharon: Do you think if somebody is a jewelry designer or looking at the field or profession, that travel would inform what they do?   Victoria: Oh, 100 percent yes. There are some jewelers who very much look to other cultures or travel. I think of Lydia Courteille, who's a Parisian jeweler who does insanely elaborate, beautiful gem-set pieces usually after a trip somewhere. She's done pieces based on the Mayan heritage. I believe she traveled to Guatemala. She's done pieces based on myths from Russia and India, and a lot of her collections really are inspired by travel she's taken.    There's another jeweler who's part Mexican, part French, named Colette. She has incredible jewels, a lot of them takes on various places she's visited. I think if I were a jeweler, I would certainly use travel as a jumping-off point to create a collection. I can't think of anything more evocative than a jewel that reminds you of a place you've been or the color of the ocean. A lot of people go to Greece and create a beautiful blue jewel that reminds them of the Aegean. Why not?    Sharon: I'm thinking of Thierry Vendome, where he goes and finds rusted pieces on his travels and then he'll come back and incorporate them. One piece had a grenade—   Victoria: An exploded grenade.   Sharon: An exploded grenade, yeah. Tell us who we should keep our eyes on, the top three you think of we should keep our eyes on.   Victoria: I just wrote about a jeweler that I only saw in person recently in Las Vegas at the Couture show, but I had Zoomed with them. They are Mumbai-based. It's a company called Studio Renn. It's a husband and wife named Rahul and Roshni Jhaveri, and they create jewelry for art lovers that really does live at the intersection between art and jewelry, philosophy, design. Sometimes you have to talk to them to hear the inspiration, but for example, one of them—they had stumbled across an object on a walk around Lake Tansa, which is a lake on the outskirts of Mumbai. There was this conversation they had about what it means to give something attention. Does that put value on the piece? And for them, it was this exploration of the meaning of value. They took this piece that was an organic object. They didn't tell me what it was. They cast it. They 3D scanned the whole thing and then encased it in precious metal, put rubies inside it in a way that you could only see them if you shone a light on the piece. There was this written source of very layered, complicated but also beautiful jewelry. They're just very interesting. They're really thoughtful.   Sharon: How do you spell Renn?   Victoria: R-e-n-n.   Sharon: I have to say it's the second time this week that somebody has mentioned them as somebody to keep your eye on.   Victoria: Yeah, I was thrilled to speak to them, and I ended up doing a piece for the New York Times on them. An Up Next Profile is what the column is called, because even though they've been around for a few years and they're not brand new, they're obviously new to people in the States. They are exploring this market. They worked a tour for the first time. They're really lovely and interesting and do beautiful work.    Another jeweler that's gotten a ton of attention—I know her pretty well personally. She is a client of a very good friend of mine. Her name is Lauren Harwell Godfrey, and her collection is called Harwell Godfrey. She's gotten a ton of attention over the last year. In fact, I just saw that she was nominated for a GEM Award, which is like the Oscars of the jewelry industry. The ceremony takes place in January in New York. She was nominated in the design category. Really fantastic use of color, lots of interesting motifs that feel very signature to her, lots of geometric work. We ended up commissioning a piece for my mom for her 75th birthday that my dad gifted to her this last summer. it wasn't a super bespoke piece, but there were bespoke elements to it. It was by Harwell Godfrey. She's a really lovely woman, super-talented designer based in Marin in Northern California.   I'll name one more. He's a really interesting guy. He does a ton of work with AI, artificial intelligence, in a way that scares a lot of people that are used to jewelry as this handmade, soulful object. His point is that there's no less soul in it, even though a computer helped to generate an algorithm that created a pattern that he inputs into this machine. His name is Nick Koss. His company is called Volund Jewelry. He's based in Canada and has a very interesting background that I cannot even attempt to encapsulate because it's rich and complicated, but he does really interesting jewelry. A lot of it is using 3D modelling software, AI, but in a thoughtful way. Again, there is lots of meaning baked into the way he sees things. He could talk about it very intelligently. He does custom work. You can go down a real rabbit hole with him. Check him out on Instagram. It's V-o-l-u-n-d.   I have a soft spot for one jeweler because I wrote a whole book on them that was published by Assouline probably six or seven years ago. It's a company called Lotus Arts de Vivre. They're based in Bangkok. They've been around since the early 80s, I want to say. It's a real family business. The patriarch is originally from Germany. He moved to Bangkok in the 60s and fell in love with a woman who had been born in Thailand but was the product of many years of intermarriage. Her grandfather was a Scottish captain who fell in love with a tribeswoman from north Thailand. Her other grandfather was an Englishman who married a woman from Malaysia. So, she was the distillation of generations of inner marriage between European and Asian backgrounds. They have this huge compound in Bangkok, and they have two sons that now help run the business.    They do extraordinary objects in jewelry. They started out as jewelers, but they do everything from home goods to accessories for people's cars. They use a lot of natural materials in addition to the finest gemstones. They use Golconda diamonds or emeralds from the Panjshir Valley in Afghanistan combined with snakeskin and buffalo horn and different woods. They're huge on different exotic woods from across southeast Asia. They find the finest craftspeople across Asia, whether it's lacquer artists from China or Japan to carvers from Indonesia. They will employ those crafts in their work, and it's just stunning.    They used to be with Bergdorf Goodman for many, many years. They are still available in the States. In fact, they won at the recent Couture show for some of their work. So, they're still here and they're everywhere. They have boutiques in different hotels, especially in Asia, like the Peninsula in Hong Kong or Raffles in Singapore. They have a presence, but they're not as well known, I would say, in the States.   Sharon: I'll check them out, especially if you wrote a whole book about them.    Victoria: The family is beyond interesting. It's the von Bueren family. He's a raconteur, somebody who you could listen to for hours. He's very, very interesting and has seen a lot, and their clients are very interesting. They appeal to a lot of high-society people across Asia, so they have these events. They have a space, a showroom, at their factory in Bangkok right on the river, and they host these soirées that are just magnificent.   Sharon: Wow! I'm sure you know all the ins and outs. You can go down a long list of jewelers and manufacturers. You could tell me about all of them. Victoria, thank you so much for being here today. This is so interesting. I'm sure our audience will enjoy hearing what you have to say about JCK since it is such a stalwart. Thank you very much.   Victoria: Thank you, Sharon. This is lovely. Thank you for giving me such an opportunity to talk about myself.   Sharon: So glad to have you.   We will have images posted on the website. You can find us wherever you download your podcasts, and please rate us. Please join us next time, when our guest will be another jewelry industry professional who will share their experience and expertise. Thank you so much for listening.   Thank you again for listening. Please leave us a rating and review so we can help others start their own jewelry journey.  

The Golconda fort is one of Hyderabad's major tourist attractions, but many don't know that the ticketed area they go to is just one part of the fort - the royal area. And beyond that, there's a massive 6.5 km area of the fort which lies completely unexplored. The fact that the Golconda fort has (or at least had) 87 bastions and eight gates, is massively underrated. Moreover, years of neglect have led to many historical parts of the fort either getting encroached upon as well. Host Yunus Lasania speaks with his former colleague and fellow journalist Serish Nanisetti about the history of the Golconda fort, and how years of neglect by authorities led to the destruction of many important sites within it. See sunoindia.in/privacy-policy for privacy information.

Lindsay and Joseph leave Circle City for the shores of Lake Michigan where they will investigate the sightings of a mysterious ghost ship in this, the first ever Halloween special from The Endless Elsewhere Podcast. Please remember to rate, review, and subscribe. The expanded story awaits at endlesselsewhere.com The Endless Elsewhere Volume I, a companion book to this podcast, is available wherever you get your books.  Amazon,  Barnes & Noble   or  an autographed copy from usLindsay Leck as Lindsay Mallyn J.P. Leck as The Circle City Collector Laura Morrison Richcreek as Haley Wyckham Thomas Machin as Leonard Dyer Jack Draga as Dylan Kathy Dumas as the Local David Dumas as the Redneck Tourist Hudson Leck as the Boy Tourist Liberty Leck as the Weirdo Tourist and Stephen E. Foxworthy as the Irish Tourist The Endless Elsewhere Podcast was created by J.P. Leck. It is written, directed, recorded, engineered, and mixed by J.P. Leck. All rights reserved. Original Music from Revealing Deities and Miscreations by Hans Leck. Additional music from Zapsplat. Artwork by J.P. Leck. Check out our sister show The Unmaking of Monsters, an audio fiction podcast

If there is one place in Hyderabad that can usurp the Charminar and Golconda fort and replace both as the main tourist attraction in Hyderabad, it's the Qutb Shahi tombs. The Qutb Shahi tombs are the royal necropolis of the Qutb Shahi or Golconda dynasty (1518-1687), which ruled from the Golconda fort, and later founded Hyderabad in 1591. The complex has nearly 100 structures, including tombs, gardens, pavilions and mosques. The site is currently being restored by the Aga Khan Trust for Culture (AKTC) in association with the Telangana Department of Heritage. In a detailed conversation, AKTC CEO and well-known conservation architect Ratish Nanda discusses the ongoing work on the Qutb Shahi tombs and how it has the potential to even surpass the Charminar, which is considered to be Hyderabad's main tourist attraction. See sunoindia.in/privacy-policy for privacy information.

Donizetti Ouvertures01. Adelia 02. L'Ajo nell'imbarazzo 03. Alahor in Granata04. Alina, Regina di Golconda 05. Anna Bolena 06. Belisario 07. Betly 08. Il Borgomastro di Saardam 09. Il Diluvio Universale 10. Don Pasquale 11. Elisabetta (Élisabeth/Otto mesi in due ore/Gli esiliati in Siberia) 12. Enrico di Borgogna 13. Il Falegname di Livonia (Pietro Il Grande) Artisti vari.

Les dues ànimes de Golconda, Miquel Martínez, de Sant Cugat, flauta i veu i Luca Palazzo, guitarra i composicions, ens parlen del concert que oferiran al parc del castell per la Festa Major. També ens expliquen com estant treballant en el seu disc debut i que veurà la llum properament. El rubinenc Gerard Tort és el bateria del grup. podcast recorded with enacast.com

In this special celebratory episode, The Narrator invites you into his multistoried library yet again to answer the questions you wanted him to answer on Twitter, Instagram and Discord. Tonight, we discuss the meaning of Golconda, how to fix the Kuei-Jin, learn The Neonate's Clan and sire, as well as some of the thought processes behind the immensely popular Kindred Wheelchair Homebrew for Vampire: The Masquerade Fifth Edition. Fan favourite Colin the Gargoyle makes a return as well, as addresses the most important of questions: when can we give him head pats and cuddles? This is truly a Q&A like no other!

Can a Vampire achieve salvation? Can their soul be saved? Some whisper of Golconda, of a mystical state of existance where the Curse of Caine is lessened almost to a point of them becoming mortal again. ★ https://www.patreon.com/theprimogen ★ ★ https://twitter.com/ThePrimogen ★ ★ https://www.youtube.com/c/ThePrimogen ★

In the southeastern coastal region of India, sits the state of Andhra Pradesh. Beginning in the 16th century, a region of the state known as Golconda became the premier location for mining and trading precious gems. For 300 years merchants from around the world would travel to this specific area to search for diamonds that were of unmatched quality and size. Kings, Sultans, and Emperors all came to covet and desire the gems produced at the Golconda Mines. Throughout history, some of the wealthiest and most powerful rulers throughout Asia and Europe all possessed massive diamonds that were brought up from the depths of the Indian mines. Legends and rumors swirl about some of the most notable diamonds that came from the area. Tales of jewels stolen from ancient temples and ancient gods seeking vengeance on those that would seek to possess their power. Of the multitude of world-famous diamonds that still survive to this day in collections around the world, one has been marked as perhaps one of the most cursed items in modern history. Many of those who possessed it in the past met grisly ends and suffered disastrous misfortune. This case file, join the Theorists as they try to talk nice about some evil ice in...The Curse of the Hope Diamond Patreon, Socials, Website and everything ATT here: https://linktr.ee/alientheoristspodcast --- Send in a voice message: https://anchor.fm/alientheoriststheorizing/message

One of the idiosyncrasies in Hyderabad is its language – Dakhni. Known as ‘Hyderabadi’, ‘Hyderabadi Hindi’ or even ‘Hyderabadi Urdu’, people in general, in Hyderabad and even the Deccan region, don’t actually know what it is called due to lack of awareness. Many in fact are even unaware that modern Urdu is in fact younger than Dakhni. Host Yunus Y. Lasania did a three-part mini-series on the history of Dakhni, and how the language has managed to remain as a spoken vernacular over the last few centuries, and even till today. For part 2 of the mini-series, Let’s talk Dakhni, Yunus and Karthik Nalli continue their conversation about Dakhni, and talk about how the language evolved through the 16th and 17th centuries in the Deccan states like Golconda and Bijapur. See sunoindia.in/privacy-policy for privacy information.

What is the role of chaplains in the military, and what is the path to military chaplaincy? How do our Lutheran confessions play a role in how LCMS chaplains function in this role? How do chaplains handle following both military policy and theological doctrine as they fulfill their vocations? Rev. David Otten, Pastor of Faith Lutheran Church in Eldorado and Our Redeemer Lutheran Church in Golconda, Illinois, and Retired Captain Navy Chaplain, joins host Rev. Sean Smith to discuss why Conocrd Matters for military chaplains.

In this episode, Ali and Lindsey are joined by Dr. Keelan Overton, an independent scholar in Santa Barbara, and Dr. Subah Dayal, Assistant Professor at the Gallatin School of Individualized Study at NYU, to talk about Iran and the Deccan: Persianate Art, Culture, and Talent in Circulation, 1400-1700 (Indiana University Press, 2020). They highlight the shared and oft overlooked history of Iran and the Deccan plateau of southern India over a three-hundred-year period. During this time, the sea routes between Iran and the Deccan became a major point of exchange for not only trade, but also the circulation of precious objects, poetic styles, as well as kings, saints, artisans, and statesmen. The volume paints a picture of a complex world wherein fashions and styles travel across myriad languages and social contexts. It shows how the Sultanates of the Deccan were embedded in, an integral part of, and inheritors to the norms of the Timurid period that are usually associated with the Ottomans, Safavids, and the Mughals. The result was "the creation of a robust transregional Persianate network linking such distant cities as Bidar and Shiraz, Bijapur and Isfahan, and Golconda and Mashhad." While clear hierarchies developed that privileged the Persian language and its customs, there was also a creative adaptation of Persianate archetypes into Deccani vernaculars. For example, Subah explains how one 17th-century poet tells the story of contemporary battles and political events in the form of the Shahnameh, but in Deccani language. In architecture, Keelan describes how Deccani basalt rock was used to frame the panels of otherwise archetypical Persianate tilework inscriptions. Together, they reveal the merits of interdisciplinarity and creativity for telling global histories. *Correction, ~16:16: Keelan mentioned the Timurid envoy Abd al-Razzaq going to Bidar. She meant to say Vijayanagara. After four months in the port of Calicut (the destination of his mission on behalf of Shah Rukh), Abd al-Razzaq headed inland and north to the Vijayanagara court of Deva Raya II (see pages 9-10 of the book).

In this episode, Ali and Lindsey are joined by Dr. Keelan Overton, an independent scholar in Santa Barbara, and Dr. Subah Dayal, Assistant Professor at the Gallatin School of Individualized Study at NYU, to talk about Iran and the Deccan: Persianate Art, Culture, and Talent in Circulation, 1400-1700 (Indiana University Press, 2020). They highlight the shared and oft overlooked history of Iran and the Deccan plateau of southern India over a three-hundred-year period. During this time, the sea routes between Iran and the Deccan became a major point of exchange for not only trade, but also the circulation of precious objects, poetic styles, as well as kings, saints, artisans, and statesmen. The volume paints a picture of a complex world wherein fashions and styles travel across myriad languages and social contexts. It shows how the Sultanates of the Deccan were embedded in, an integral part of, and inheritors to the norms of the Timurid period that are usually associated with the Ottomans, Safavids, and the Mughals. The result was "the creation of a robust transregional Persianate network linking such distant cities as Bidar and Shiraz, Bijapur and Isfahan, and Golconda and Mashhad." While clear hierarchies developed that privileged the Persian language and its customs, there was also a creative adaptation of Persianate archetypes into Deccani vernaculars. For example, Subah explains how one 17th-century poet tells the story of contemporary battles and political events in the form of the Shahnameh, but in Deccani language. In architecture, Keelan describes how Deccani basalt rock was used to frame the panels of otherwise archetypical Persianate tilework inscriptions. Together, they reveal the merits of interdisciplinarity and creativity for telling global histories. *Correction, ~16:16: Keelan mentioned the Timurid envoy Abd al-Razzaq going to Bidar. She meant to say Vijayanagara. After four months in the port of Calicut (the destination of his mission on behalf of Shah Rukh), Abd al-Razzaq headed inland and north to the Vijayanagara court of Deva Raya II (see pages 9-10 of the book).

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La princesa está triste… ¿Qué tendrá la princesa? Los suspiros se escapan de su boca de fresa, que ha perdido la risa, que ha perdido el color. La princesa está pálida en su silla de oro, está mudo el teclado de su clave sonoro, y en un vaso, olvidada, se desmaya una flor. El jardín puebla el triunfo de los pavos reales. Parlanchina, la dueña dice cosas banales, y vestido de rojo piruetea el bufón. La princesa no ríe, la princesa no siente; la princesa persigue por el cielo de Oriente la libélula vaga de una vaga ilusión. ¿Piensa, acaso, en el príncipe de Golconda o de China, o en el que ha detenido su carroza argentina para ver de sus ojos la dulzura de luz? ¿O en el rey de las islas de las rosas fragantes, o en el que es soberano de los claros diamantes, o en el dueño orgulloso de las perlas de Ormuz? ¡Ay!, la pobre princesa de la boca de rosa quiere ser golondrina, quiere ser mariposa, tener alas ligeras, bajo el cielo volar; ir al sol por la escala luminosa de un rayo, saludar a los lirios con los versos de mayo o perderse en el viento sobre el trueno del mar. Ya no quiere el palacio, ni la rueca de plata, ni el halcón encantado, ni el bufón escarlata, ni los cisnes unánimes en el lago de azur. Y están tristes las flores por la flor de la corte, los jazmines de Oriente, los nelumbos del Norte, de Occidente las dalias y las rosas del Sur. ¡Pobrecita princesa de los ojos azules! Está presa en sus oros, está presa en sus tules, en la jaula de mármol del palacio real; el palacio soberbio que vigilan los guardas, que custodian cien negros con sus cien alabardas, un lebrel que no duerme y un dragón colosal. ¡Oh, quién fuera hipsipila que dejó la crisálida! (La princesa está triste. La princesa está pálida.) ¡Oh visión adorada de oro, rosa y marfil! ¡Quién volara a la tierra donde un príncipe existe, (La princesa está pálida. La princesa está triste.) más brillante que el alba, más hermoso que abril! -«Calla, calla, princesa -dice el hada madrina-; en caballo, con alas, hacia acá se encamina, en el cinto la espada y en la mano el azor, el feliz caballero que te adora sin verte, y que llega de lejos, vencedor de la Muerte, a encenderte los labios con un beso de amor».

The Ryder Family is three years into their chase of the agritourism dream. They'd done farmer's markets near their home area of Golconda, Illinois, but once the lockdown caused by COVID-19 hit, the couple worried their farm's business would dry up. But a shortage of eggs in a grocery store prompted a scramble to fill a need which was followed by more orders for their CSA. Now that the fall season is here, the Ryders are tired as they prepare for what they hope to be a boom in business.

En este episodio hablamos de Humanidad, la brújula moral básica de todos los vampirosGolconda, el mítico estado de trascendencia a la condición vampíricaNuestro Canal de Discord: https://discord.gg/k39sEzANuestros patrocinadores:Vaping Jrz: https://www.facebook.com/VapingJRZ/Oliver de la Parra, el Jugador Causal está en: https://www.facebook.com/oliverjugadorcasual/  https://www.youtube.com/channel/UCW264O8WM1sJwj2yqUdqIzQ  https://open.spotify.com/show/4CpeDuA2sk1KxNBQul8fIy https://www.instagram.com/jugador.casual/Vlad:https://www.instagram.com/antlered_head/Gelial: www.twitch.tv/gelialtron www.facebook.com/GelialGamingEdgar Meritano:https://www.instagram.com/emeritano/ https://www.flickr.com/photos/emeritano/https://twitter.com/emeritanoOdile Clio:https://twitter.com/OdileCliohttps://www.instagram.com/odileclio/Nuestro amigos:WOD Latino America: https://www.facebook.com/WoDLatinoAmericahttps://www.instagram.com/wodlatinoamerica/El Gremio de la Frontera: https://www.facebook.com/groups/443096336234894/Ones for all Roleplay: https://www.instagram.com/ones_for_all_roleplay/Shire Filaments: https://www.instagram.com/shire_filaments/Master Phase: https://open.spotify.com/show/64fwdiaY5eivxzS5qZDYyfJose Antonio Badia: https://twitter.com/ElBadiablo https://www.instagram.com/elbadiablo/El Dollop: https://www.youtube.com/channel/UCgtRDZyErd_QQwnclSyyo4Ahttps://open.spotify.com/show/5o5VNgyXWpa1161ppev6mlhttps://twitter.com/eldollop?lang=enhttps://www.instagram.com/eldollop/Leyendas Legendarias:https://www.youtube.com/channel/UCugC9R-gE-6mgUgIqNy387Q/featuredhttps://open.spotify.com/show/6wF969GfLUfypoKaicH5grhttps://twitter.com/leyendaspodcast?lang=enhttps://www.instagram.com/leyendaspodcast/?hl=enRecuerden que pueden contactarnos con comentarios, sugerencias y preguntas a juarez.by.night@gmail.com y seguirnos en https://www.instagram.com/juarez.by.night/ y en https://www.facebook.com/juarez.by.night/ para conocer más de Juárez by Night y noticias sobre Vampiro la Mascarada.Y si tienen algún evento, grupo o mesa de juego que gusten publicitar con mucho gusto los mencionaremos en el programa.Algunas partes de los materiales son derechos de autor y marcas registradas de Paradox Interactive AB, y se usan con permiso. Todos los derechos reservados. Para obtener más información, visite white-wolf.comEste programa no forma parte del material oficial del Mundo de Tinieblas de White Wolf.Música de Fondo: Esoterica - Humanity, del álbum "In Dreams" (2020)

Toda a riqueza que você procura pode estar mais perto do que você imagina. Preste atenção no seu quintal. Ouça essa história inspiradora do best seller Insight de Daniel Carvalho Luz, que eu escolhi pra compartilhar com você hoje.

Toda a riqueza que você procura pode estar mais perto do que você imagina. Preste atenção no seu quintal. Ouça essa história inspiradora do best seller Insight de Daniel Carvalho Luz, que eu escolhi pra compartilhar com você hoje.

Alina, regina di Golconda (Alina, Queen of Golconda) is an opera in two acts by Gaetano Donizetti. The Italian libretto was written by Felice Romani after Michel-Jean Sedaine's French libretto for Pierre-Alexandre Monsigny's ballet-heroine Aline, Reine de Golconde (Paris Opera, 1766), in its turn based on the novel by Stanislas de Boufflers. The opera was commissioned for the opening festivities of the Teatro Carlo Felice, Genoa, where it premiered with success on 12 May 1828. Soon after, a revised version debuted at the Teatro Valle, Rome on 10 October 1829. Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber #LaunchAmerica Support us on Patreon https://www.patreon.com/user?u=4186107 staff@classicalmusicdiscoveries.com

Hyderabad is known as the 'city of the Nizams', but it was the Qutbshahi rulers before them who created the city. Catch the fascinating story of the beginnings of Hyderabad and the truth behind its origins, with historian Sajjad Shahid.

The Golconda or Qutb Shahi dynasty founded Hyderabad in 1591. Its history isn’t known to much of the Hyderabadis, let alone the smaller details of Qutb Shahi heritage scattered in and around Hyderabad. In an effort to document Golconda history, author and journalist Serish Nanisetti gives us an idea of how the fort and city grew, and also a basic understanding of the complex history of the Persian Qutb Shahi Empire, that lasted from 1518 to 1687. It has left an indelible imprint on Hyderabad's core culture.

You can find sweets in virtually all shapes, sizes and maybe even flavors at the Chocolate Factory near Golconda in the heart of Illinois’ Shawnee National Forest. Find out the back story to the winter Partners magazine article and hear from business owner Linda Meherg, her daughter and co-worker Angela Bailey, story author Kim Hill and video producer Helen Dobbyn Reedy.

You can find sweets in virtually all shapes, sizes and maybe even flavors at the Chocolate Factory near Golconda in the heart of Illinois’ Shawnee National Forest. Find out the back story to the winter Partners magazine article and hear from business owner Linda Meherg, her daughter and co-worker Angela Bailey, story author Kim Hill and video producer Helen Dobbyn Reedy.

Revealing the surprising power of mental maps, this episode of the Classic Influence Podcast takes you on a journey to the diamond mines of Golconda, and extracts the lessons we can learn from the tragic loss of the Persian farmer depicted in Civil War captain Russell Conwell's most famous essay, "Acres of Diamonds." Drawing on Henry David Thoreau's experience living in the woods at Walden Pond, this episode also briefly explores the power of the unconscious mind, and the inherent inclination for people to slip into mindless mental habits and routines, often undermining their own deeply held desire to succeed. Geared toward avoiding the mental traps and flawed conceptual maps that so often hold people back, this episode concludes with a few key tactics you can adopt to improve your thinking, and, therefore, your decisions and your life. About Your Host: Harvard and Columbia trained researcher Dr. Johnny Welch is a recognized authority on leadership, power, and influence. He is the author of Mastering the Power of Grit, and the upcoming book The Magic of Assuming Command. Along with his work as a professional speaker, he teaches a graduate course on leadership at Columbia University. Johnny currently lives in San Diego and, in his free time, enjoys weightlifting, running, traveling and, above all, surfing on some clean, hollow, warm water waves. Classic Influence Mission: Our mission is to join you in your journey to the top by bringing to life the stories of the heroes of history and superstars of success, extracting and distilling their insights and wisdom into practical action steps, strategies, tactics, tips, and tools that you can use to achieve your own most daring dreams and goals. For additional resources, updates and more, please visit us online at Classic Influence.

What the Wind Blew in From Golconda by Emmett Schlenz.  Narrated by J.S. Arquin.  Featuring an afterword by Emmett Schlenz. #fantasy #magicalrealism        Cora looked up from her notebook to watch the storm, and in the lingering of a lightning flash she saw something beyond the pomegranate trees, coming up over the bluff.  A dark smudge she took to be a lost balloon, getting closer.  As it neared, Cora noticed it was much too large to be a balloon.  Much too long.  And a balloon would have been shuddering under all that rain.        When she realized it was a person, floating above the orchard, surprise only weighed her down for a moment before she exploded out the backdoor.   Born and raised in Rhode Island, Emmett Schlenz studied English and History at Loyola Marymount University.  Currently he is a proud member of the Burgerville Workers Union in Portland, Oregon, and attends the People's Colloquium writers' workshop.  Everything he writes is a love letter to somebody.   Please help support the Overcast.  Become a Patron Today! Subscribe on iTunes or Stitcher so you never miss an episode.  While you're there, don't forget to leave a review!  

Del 26 de agosto al 8 de septiembre de 1968 se realizó en la ciudad de Medellín, Colombia, una conferencia que, animada por el Concilio Vaticano II, despertaría en el corazón de muchos sacerdotes la necesidad de volver a hacer de la fe una experiencia liberadora. Para rendir un homenaje al grupo sacerdotal Golconda de Colombia, así como a todos los sacerdotes y religiosas de América Latina que han dado su vida por sus hermanas y hermanos, contamos pedazos de esta historia que cumple 50 años a través de conversaciones con el teólogo Leonardo Boff, el escritor Javier Darío Restrepo y el padre Gabriel Díaz.

Pem Nem, a love story of longing, despair, and ultimate unification is discussed in this pod as an example of the multiculturalism of the Deccan Sultanate courts of the seventeenth century. Seen as a period of cultural efflorescence, the reign of rulers like Ibrahim Adil Shah II (r.1579-1627) of Bijapur and Muhammad Quli Qutb Shah (r.1580-1611) of Golconda, themselves creative and erudite, are marked by the vivid richness of their court cultures and the vast literary and artistic production of the period. For references, images, and further readings, visit us at www.masalahistory.com.  

Karl Scheer is the Chief Investment Officer of the University of Cincinnati’s billion-dollar endowment.  Before taking the helm at Cincinnati in 2011, he co-ran a family office and spent eight years in the venture capital industry. Our conversation covers Karl’s background, running a family office in the teeth of the Global Financial Crisis, high-functioning governance, avoiding the worst managers, taking the hard road, conducting due diligence with popular managers and without checklists, and picking your spots. Book Links John Brooks, Once in Golconda:  A True Drama of Wall Street 1920-1938 Edward Chancellor, Devil Take the Hindmost: A History of Financial Speculation John Brooks and Michael Lewis, The Go-Go Years: The Drama and Crashing Finale of Wall Street's Bullish 60s Learn More   Discuss show and Read the Transcript   Join Ted's mailing list at CapitalAllocatorsPodcast.com   Join the Capital Allocators Forum   Write a review on iTunes   Follow Ted on twitter at @tseides   For more episodes go to CapitalAllocatorsPodcast.com/Podcast

Golconda la marcescente. Golconda l'immobile. Golconda la corrotta. Lo sguardo avido dei Diaconi si è aperto sul bagliore limpido e abbagliante che ha reso cenere un intero quartiere... Il profumo delPotere, delle carni bianche e succulente degli angeli si è nuovamente diffuso nelle strade e nei vicoli. La brama si mescola al sospetto, ma i rintocchi corrono. È tempo di far entrare nuovi cacciatori per rompere l'equilibrio...Questo show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1693919/advertisement

Golconda la marcescente. Golconda l’immobile. Golconda la corrotta. Lo sguardo avido dei Diaconi si è aperto sul bagliore limpido e abbagliante che ha reso cenere un intero quartiere... Il profumo delPotere, delle carni bianche e succulente degli angeli si è nuovamente diffuso nelle strade e nei vicoli. La brama si mescola al sospetto, ma i rintocchi corrono. È tempo di far entrare nuovi cacciatori per rompere l’equilibrio...

Golconda la marcescente. Golconda l’immobile. Golconda la corrotta. Lo sguardo avido dei Diaconi si è aperto sul bagliore limpido e abbagliante che ha reso cenere un intero quartiere... Il profumo del Potere, delle carni bianche e succulente degli angeli si è nuovamente diffuso nelle strade e nei vicoli. La brama si mescola al sospetto, ma i rintocchi corrono. È tempo di far entrare nuovi cacciatori per rompere l’equilibrio...

Golconda la marcescente. Golconda l’immobile. Golconda la corrotta. Lo sguardo avido dei Diaconi si è aperto sul bagliore limpido e abbagliante che ha reso cenere un intero quartiere... Il profumo delPotere, delle carni bianche e succulente degli angeli si è nuovamente diffuso nelle strade e nei vicoli. La brama si mescola al sospetto, ma i rintocchi corrono. È tempo di far entrare nuovi cacciatori per rompere l’equilibrio...

Sveriges store 1800-talssymfoniker som aldrig fick höra sina symfonier. Motarbetad av kollegerna gjorde han karriär som ortoped och industrialist. Lyssna på alla avsnitt i Sveriges Radio Play. Musik som hörs i programmet: Septet i B-Flat Major: III. Finale. Allegro con spirito Symfoni nr 3, finale, Herbert Blomstedt, Berliner Filharmoniker Symfoni nr 4 sats 2 Adagio Stråkkvartett nr 3, sats 5. Yggdrasilkvartetten Drottningen av Golconda, ”Du anar ej den sorg…” Elisabeth Söderström

Sveriges store 1800-talssymfoniker som aldrig fick höra sina symfonier. Motarbetad av kollegerna gjorde han karriär som ortoped och industrialist. Musik som hörs i programmet: Septet i B-Flat Major: III. Finale. Allegro con spirito  Symfoni nr 3, finale, Herbert Blomstedt, Berliner Filharmoniker Symfoni nr 4 sats 2 Adagio Stråkkvartett nr 3, sats 5. Yggdrasilkvartetten  Drottningen av Golconda, Du anar ej den sorg Elisabeth Söderström

In this episode, we discuss the concepts even the Kindred and Cainites find profane. Sins of the Blood is a sourcebook chronicling the so-called "heresies" of kindred society. From diablerie to Golconda, this book discusses the concepts even ancient vampires find heretical. This book was Written by, Angel McCoy, Matthew McFarland, Joshua Mosqueira-Asheim, Aaron Rosenberg and Lucien Soulban, with development by Justin Achilli and released Aug. 20th, 2001.

"Bringing the world to customers" Alfredo J Molina Chairman and CEO of Molina Fine Jewelers, and Black, Star & Frost the First Jeweler since 1810 is interviewed by David Cogan Host of the Eliances Heroes show and founder of Eliances "The Place Where Entrepreneurs Align" broadcast on am and fm channels and syndicated online. Molina and Black, Star & Frost acquired the historic Archduke Joseph Diamond, the world's 12th largest perfect Golconda type 2A white diamond. www.molinafinejewelers.com www.eliances.com 

"Bringing the world to customers" Alfredo J Molina Chairman and CEO of Molina Fine Jewelers, and Black, Star & Frost the First Jeweler since 1810 is interviewed by David Cogan Host of the Eliances Heroes show and founder of Eliances "The Place Where Entrepreneurs Align" broadcast on am and fm channels and syndicated online. Molina and Black, Star & Frost acquired the historic Archduke Joseph Diamond, the world's 12th largest perfect Golconda type 2A white diamond. www.molinafinejewelers.com www.eliances.com 

Krönet på Berwaldåret 1968, 100 år efter tonsättarens död, var det sceniska uruppförandet av Drottningen av Golconda, den opera Berwald skrev för sin tidigare elev, storsångerskan Christina Nilsson. Ej en ton har jag komponerat till Drottningens roll utan att tänka på Dig, står det i ett av hans vänliga brev till henne. Varken hon eller någon operachef tog sig dock an verket under Berwalds livstid.Men i samband med 100-årsjubileet skulle operan ges en chans på Kungl. Teatern; initiativet hade kommit från Sveriges Radios musikavdelning. Operan innehåller mycket härligt fullödig musik även om den i likhet med Beethovens Fidelio saknar dramatik. Där är så otroligt granna arior, sa Tor Mann hänfört i en intervju. Han visste vad han talade om, för han hade dirigerat både ett konsertant framförande och den radioversion som spelades in 1958.Urpremiären av Drottningen av Golconda sändes direkt i Musikradion på Franz Berwalds dödsdag, och över huvud taget fick radiolyssnarna möjlighet att höra en stor del av Berwalds musikaliska produktion under året symfonier, kammarmusik och musikdramatiska verk. Också Skolradion uppmärksammade Berwald, och SVT producerade en Berwaldfilm på den tiden var SR och SVT samma bolag.Samma år som Berwald drog slutstrecket i Drottningen av Golconda, 1864, invaldes han sent omsider i Kungl. Musikaliska akademien, och tre år senare blev han av samma akademi utnämnd till kompositionslärare vid konservatoriet. Han fick också uppdraget att revidera Haeffners koralbok. Efter att ha livnärt sig som glasbruksdisponent under 1850-talet och därefter bland annat bedrivit affärsverksamhet, kunde han nu livnära sig inom det musikaliska området, och han fick erkännande och en position i musiklivet.Glädjen blev dock kortvarig. På våren 1868 insjuknade Franz Berwald i lunginflammation, och den 3 april gick han bort.Även om Berwald inte var helt bortglömd under senare delen av 1800-talet, var det ändå under 1900-talet som hans musik började förekomma alltmera frekvent på konsertprogrammen. Onekligen har Sveriges Radio genom sin medvetna odling av hans musik och genom att låta Berwaldkännare berätta om både verk och person, bidragit till att Berwald idag med all rätt har en plats som en av de mest betydande tonsättarna i den svenska musikhistorien.När invigningen av Sveriges Radios orkesterstudio närmade sig mot slutet av 1970-talet, diskuterades namnfrågan ingående. Till slut enades man om att kalla det nya konserthuset för Berwaldhallen helt följdriktigt kan det tyckas med tanke på den långa Berwaldtradition som finns inom företaget. Den 30 november 1979 tog Sveriges Radios Symfoniorkester under festliga former sin nya arbetsplats i bruk. På invigningsprogrammet stod bland annat Franz Berwalds uvertyr till Estrella de Soria och Sinfonie singulière. Dirigent var orkesterns dåvarande chefdirigent Herbert Blomstedt.I det fjärde och sista av Christina Tobecks programserie om Franz Berwalds liv och musik i radioperspektiv får vi bland annat höra delar av Ingmar Bengtssons högtidsanförande 1968, avsnitt ur biografiförfattaren Ingvar Anderssons stora Berwaldserie strax efter jubileumsåret, liksom Herbert Blomstedts, Nils Castegrens, Erling Lomnäs, Tor Manns reflektioner. Programmet innehåller också glimtar från Berwaldhallens invigning och citat ur musikinspelningar hämtade ur Sveriges Radios arkiv.En serie P2-dokumentärer av Christina Tobeck Musik av Franz Berwald i P2 i anslutning till dokumentärserien:Tisd 17.11. i Klassisk förmiddag kl 10.03: Pianokvintett nr 2 A-dur Torsd 19.11. i Klassisk förmiddag kl 10.03: Symfoni Ess-dur, Naïve Torsd 19.11. i Musik mot midnatt kl 21.00: Gunnar Bucht, Sinfonie gracieuse ou lApothéose de Berwald (SR:s beställningsverk till Berwaldjubileet 1996)

Under en stor del av 1960-talet arbetade många inom musiklivet intensivt med Franz Berwald och hans musik. Ett jubileum närmade sig. 1968 var det 100 år sedan tonsättaren gick ur tiden - Det sjunger om hela symfonin, sa dirigenten Tor Mann när han samtalade med radiomedarbetaren Nils Castegren på nyåret 1967. Framför dem låg partituret till Franz Berwalds Sinfonie sérieuse, och att spela den hörde till de lyckligaste uppgifter Tor Mann kunde ha. Det var två av landets främsta Berwaldexperter som utbytte tankar framför en mikrofon, och båda hade under en stor del av sin yrkesverksamma tid varit knutna till Sveriges Radio.Detta är ett av alla de samtal och intervjuer som finns i Radioarkivet, och i Christina Tobecks program ges möjlighet att höra flera äldre Berwaldkännare reflektera över tonsättaren och hans musik. I det här tredje programmet kommer exempelvis Franz Berwalds barnbarn pianisten Astrid Berwald och ingenjören Ragnar Berwald till tals.1968 var det 100 år sedan Franz Berwald gick ur tiden, vilket gav en god anledning till att sprida kunskap om hans storhet. Inte minst medarbetare vid Sveriges Radio tog många viktiga initiativ. Musikavdelningen hade fått ökade resurser under den musikintresserade Olof Rydbecks tid som radiochef, och det gagnade bland annat Franz Berwald.Men för att musiken ska kunna framföras krävs tillförlitliga notutgåvor. I början av 1960-talet bildades Berwaldkommittén av Svenska Samfundet för musikforskning, Kungl. Musikaliska akademien och Sveriges Radio i syfte att ge ut Berwalds samlade verk i vetenskapliga utgåvor. Radion bidrog generöst med såväl pengar som personella resurser.Vid jubileet 1968 fanns tre av de planerade 25 volymerna i tryck: stråkkvartetterna, Sinfonie singulière och operan Drottningen av Golconda.Berwalds fyra mogna symfonier liksom de två stråkkvartetterna i a-moll och Ess-dur tillkom under 1840-talet, som var en mycket produktiv period i hans liv trots att ekonomiska bekymmer förmörkade tillvaron. Någon tjänst i det svenska musiklivet lyckades han inte få. Berwald var respekterad som musiker, men omstridd som person. Hans unga hustru, Mathilde Berwald, skrev i sin dagbok om intriger och vedervärdigheter. När Sinfonie sérieuse uruppfördes i Stockholm 1843 i och för sig illa repeterad karakteriserades den av kritiker som ett omusikaliskt virrvarr. Detta är alltså samma symfoni som Tor Mann hundra år senare ansåg vara en lycka att få dirigera!Det är inte svårt att förstå, att Berwald längtade ut från det svenska musiklivet, ut till en mera stimulerande musikmiljö. Framför allt Paris hägrade.En serie P2-dokumentärer av Christina Tobeck Musik av Franz Berwald i P2 i anslutning till dokumentärserien:Sönd 8.11. i Klassisk morgon kl 06.00: Uvertyr till Estrella de Soria Månd 9.11. i Musik mot midnatt kl 21.00: Jag går i kloster (operett i radioversion från 1961) Tisd 17.11. i Klassisk förmiddag kl 10.03: Pianokvintett nr 2 A-dur Torsd 19.11. i Klassisk förmiddag kl 10.03: Symfoni Ess-dur, Naïve Torsd 19.11. i Musik mot midnatt kl 21.00: Gunnar Bucht, Sinfonie gracieuse ou lApothéose de Berwald (SR:s beställningsverk till Berwaldjubileet 1996)

india, deccan_art, south_asia, sultans, islamic_art, islam, architecture, persia

Richard Strauss: Vier letzte Lieder Franz Berwald: Sinfonie sérieuse (nr. 1) Lars-Erik Larsson: Ostinato Wolfgang Amadeus Mozart: ur Cosi fan tutte (med Hjördis Schymberg, Helga Görlin, Isa Quensel, Einar Andersson, Hugo Hasslo samt Sigurd Björling, Kungliga Hovkapellet, från föreställning på Stockholmsoperan den 20 mars 1940) Stockholms filharmoniska orkester Fritz Busch Curt Carlsson letar guldkorn från förr i Sveriges Radios arkiv. Idag konsertupptag- ningar med dirigenten Fritz Busch från bl.a. Stockholms konserthus den 2/5 1951. Solist är Sena Jurinac i Vier letzte Lieder av Richard Strauss, och Stockholms filharmoniska orkester spelar Franz Berwalds första symfoni - Sinfonie sérieuse. Vid konserten den 2 maj 1951 gästades Konserthuset av en av Wienoperans unga solister, den kroatiska sopranen Sena Jurinac. Dirigent var den alltsedan 1932, trogne sverigegästen Fritz Busch, som lett orkestern många gånger tidigare och var en av orkestern särskilt uppskattad dirigent. Först på programmet den gången stod Haydns Sinfonia concertante B-dur och två Mozartarior ur ”Figaros bröllop”, som sjöngs av dagens gäst Sena Jurinac. Den delen av konserten sändes direkt här i radio, så den finns inte bevarad. Fritz Busch var orkesterns ordinarie dirigent mellan 1937 och 1940. Han var född i en mycket musikalisk familj. En av hans bröder var den på sin tid världsberömde violinisten Adolf Busch. 1933 lämnade han Tyskland i protest mot nazisterna. Han konserterade sen en hel del i Skandinavien, både i Sverige och i Danmark. Efter kriget blev han dirigent vid Metropolitan i New York. Men han turnerade regelbundet i Europa. Han var nästan varje sommar i Glyndbourne. Han kom under årens lopp att dirigera en lång rad svenska verk, musik av Rosenberg, Lars-Erik Larsson, Dag Wirén och Gunnar de Frumerie och också Franz Berwald, som vi hör denna gång, Berwalds g-mollsymfoni - Sinfonie sérieuse -, den symfoni som Berwald skrev 1842 under sin vistelse i Wien. Franz Berwald (1796-1868) utbildades i violinspel av sin far och spelade under många år i Hovkapellet. I Wien fick han sitt första erkännande som stor komponist, men i Sverige var han länge misskänd och anlitades först 1867, ett år före sin död som kompositionslärare vid konservatoriet. Flera av Berwalds verk uppfördes aldrig under hans livstid. Operorna ”Estrella di Soria” (1841) och ”Drottningen av Golconda” (1864), samt de fyra symfonierna räknas till hans mest betydelsefulla verk. Richard Strauss (1860-1949) - Hovkapellmästare i Berlin och München, Operachef i Wien, och en av senromantikens mest betydelsefulla kompositörer. Strauss slog igenom med en rad orkestralt virtuosa symfoniska dikter; främst Don Juan (1889) och Till Eulenspiegel (1895). Vidare följde Also sprach Zarathustra (1896, efter Nietzsche), Ein Heldenleben (1899) och Eine Alpensinfonie (1915). Han komponerade även en mängd operor och vokalmusik, och avslutade sitt värv med fyra sista sånger, med texter av Hermann Hesse och Joseph von Eichendorff.

In this episode, Ali and Lindsey are joined by Dr. Keelan Overton, an independent scholar in Santa Barbara, and Dr. Subah Dayal, Assistant Professor at the Gallatin School of Individualized Study at NYU, to talk about [Iran and the Deccan: Persianate Art, Culture, and Talent in Circulation, 1400-1700 (Indiana University Press, 2020)](https://iupress.org/9780253048912/iran-and-the-deccan/). They highlight the shared and oft overlooked history of Iran and the Deccan plateau of southern India over a three-hundred-year period. During this time, the sea routes between Iran and the Deccan became a major point of exchange for not only trade, but also the circulation of precious objects, poetic styles, as well as kings, saints, artisans, and statesmen. The volume paints a picture of a complex world wherein fashions and styles travel across myriad languages and social contexts. It shows how the Sultanates of the Deccan were embedded in, an integral part of, and inheritors to the norms of the Timurid period that are usually associated with the Ottomans, Safavids, and the Mughals. The result was "the creation of a robust transregional Persianate network linking such distant cities as Bidar and Shiraz, Bijapur and Isfahan, and Golconda and Mashhad." While clear hierarchies developed that privileged the Persian language and its customs, there was also a creative adaptation of Persianate archetypes into Deccani vernaculars. For example, Subah explains how one 17th-century poet tells the story of contemporary battles and political events in the form of the Shahnameh, but in Deccani language. In architecture, Keelan describes how Deccani basalt rock was used to frame the panels of otherwise archetypical Persianate tilework inscriptions. Together, they reveal the merits of interdisciplinarity and creativity for telling global histories. *Correction, ~16:16: Keelan mentioned the Timurid envoy Abd al-Razzaq going to Bidar. She meant to say Vijayanagara. After four months in the port of Calicut (the destination of his mission on behalf of Shah Rukh), Abd al-Razzaq headed inland and north to the Vijayanagara court of Deva Raya II (see pages 9-10 of the book).