Podcasts about film financing

Exploring Differences Between LA and Texas Film Sets | Get Reelisms Podcast Ep. 156 In this episode of the Get Reelisms Podcast, hosts Adam Chase Rani and Christine Chen discuss the differences between film sets in Los Angeles and Texas, particularly regarding dietary options. They share updates on their current projects, including Christine's upcoming slasher vertical film, and the burgeoning trend of vertical filmmaking in LA. Adam and Christine also delve into a variety of filmmaking topics, from budgeting for catering to dealing with sugar withdrawal on set. They offer insights into the ever-changing landscape of the film industry and the importance of adapting to new formats and technologies. Join them for another engaging conversation filled with filmmaking secrets, advice, and gossip.  Hosts: Adam Rani (@adamthechase)   & Christine Chen (@cchenmtf)  For more information about Christine Chen: christinewchen.comFor more information go to getreelisms.com For more information on ERZULIE go to: erzuliefilm.com  WEBISODE version of the Podcastgetreelisms.com 00:00 Introduction and LA Food Scene 00:32 Meet the Hosts: Adam and Christine 01:00 Current Projects and Industry Updates 02:20 Work in Austin and Personal Updates 04:39 Taco Bell and Fast Food Culture 06:59 Quitting Sugar: A Personal Journey 14:56 Mad Max and Filmmaking Techniques 17:57 Vertical Filming Phenomenon 18:42 The Rise of Vertical Filmmaking 19:49 Directing a Slasher Vertical 20:31 Challenges and Excitement of Horror 21:28 The Premise of the Vertical Slasher 22:14 Shooting Techniques for Vertical Films 22:50 The Business Model of Vertical Content 27:27 Media Consumption and Cultural Shifts 31:48 The Impact of Joker on Society 33:42 The Future of Vertical Filmmaking 36:00 Wrapping Up and Final Thoughts Official Get Reelisms PageGet Reelisms Amazon StoreInstagram

Navigating Indie Filmmaking and Distribution with Andre Harrison - Get Reelisms Podcast Ep. 155 In this episode of the Get Reelisms Podcast, hosts Adam Chase Rani and Christine Chen welcome back filmmaker Andre Harrison, who last appeared two years ago. Andre discusses the importance of marketing in filmmaking and his journey through self-distributing his horror film, Midnight Perturbation. He provides insights into the challenges of indie filmmaking in the UK, especially in light of the ongoing strike issues in the U.S. Andre also details his upcoming feature film, a dramatic thriller focusing heavily on character development, revealing the creative process, budgeting, and the technical aspects involved. The conversation touches on the changing landscape of the film industry, the pros and cons of streaming, and the value of physical media in an era of digital convenience. Join us for an in-depth look into the world of independent filmmaking, creative sacrifices, and the drive to maintain artistic integrity.  Hosts: Adam Rani (@adamthechase)   & Christine Chen (@cchenmtf) Guest: Andre Harrison For more information about Christine Chen: christinewchen.comFor more information go to getreelisms.com For more information on ERZULIE go to: erzuliefilm.com  WEBISODE version of the Podcastgetreelisms.com  00:00 Introduction to Marketing in Filmmaking 00:30 Welcome to Get Reelisms Podcast 01:04 Special Guest: Andre's Return 01:33 Catching Up with Andre 03:45 Andre's New Film Projects 08:11 Technical Aspects of Filmmaking 12:39 Challenges and Costs of Filmmaking 17:46 Self-Distribution vs Traditional Distribution 22:46 The Shift from Physical Media to Streaming 24:48 The Lost Art of Behind-the-Scenes Features 28:04 The Impact of Streaming on Ownership 28:44 Challenges of Indie Filmmaking 31:32 The Importance of Physical Media 38:44 The Future of Filmmaking and Distribution 44:55 Balancing Creativity and Practicality 51:59 Conclusion and Final Thoughts Official Get Reelisms PageGet Reelisms Amazon StoreInstagram

In this episode, we welcome Stephen Follows. Stephen is an expert industry analyst, as well as a writer, producer and educator. In our chat, he shares his backstory and his thoughts on the worlds of film financing, festivals, and distribution. He also speaks about how he decodes the industry through data — and provides a “Crystal Ball” view of where things might be heading in the coming years. Stephen also offers real-world advice for filmmakers on how best to position themselves for the evolving road ahead. “The Making Of” is presented by AJA:Explore AJA's New Solutions for Next-Gen Production and BroadcastAhead of NAB 2025, AJA debuted innovative solutions for production and broadcast professionals, including the BRIDGE LIVE 3G-8 IP video bridge for remote workflows/streaming/backhaul, the DANTE-12GAM IP audio embedder/disembedder, and KUMO 6464-12G compact SDI router. Find out how your facility, pipeline, or project can benefit from the flexibility these new tools provide here.OWC Powers Indie Horror-Comedy ScreamboatFrom set to post, the Screamboat team trusted OWC to keep their horror-comedy production running smoothly. Atlas media cards captured the action, while Envoy Pro FX and ThunderBlade drives enabled fast offloads. In post, the ThunderBay Flex 8 anchored their workflow with high-capacity, high-performance storage. Explore how OWC powered this ambitious indie project every step of the way.Read more hereFeatured Book: Engage Filmmakers This new report offers a detailed look at what filmmakers read, share, and trust.Based on over 1.5 million articles and posts, Engage Filmmakers is designed for organisations that want to reach filmmaking audiences in a meaningful way. It shows what topics resonate, which formats perform best, and how to build lasting credibility.What's inside:• Audience segmentation by filmmaking role• The content formats that get attention• Platform strategies backed by real data• Practical guidance for building trust with filmmakersIf your team creates content or campaigns for the film industry, this is built to help you do it better.Explore here — 10% off for “The Making Of” readers!Check out the ZEISS Otus ML:Now on sale, the Otus ML 1.4/50mm photography lens from ZEISS is the new generation of high-quality optics for your photographic art. Find it at your favorite photo retailer!Learn more hereA New Solution from Videoguys:The SanDisk Extreme Portable SSD is built for adventure, fitting seamlessly into your mobile lifestyle while delivering blazing-fast NVMe performance with read speeds up to 1050MB/s and write speeds up to 1000MB/s. Designed for content creators and on-the-go professionals, this high-capacity drive is tested and compatible with iPhone, making it easy to free up space on your smartphone. Its rugged design offers up to three-meter drop protection, IP65 water and dust resistance, and a durable silicone shell for extra security. Backed by a 5-year limited warranty, the SanDisk Extreme Portable SSD is now available in an impressive new 8TB capacity at Videoguys.com.Browse it hereUpcoming NYC Event: Gold Women's Health & Business ConferenceJoin us Thursday, May 8 in NYC for the Gold Women's Health & Business Conference—an empowering afternoon focused on elevating women in business and well-being. Learn SEO, Marketing Strategies, Funding resources, & Wellness insights for women. This powerful experience is designed for Founders, Creatives, & Professionals ready to thrive in 2025 and beyond. Visit us herePodcast Rewind:April 2025 - Ep. 75…“The Making Of” is created by Michael Valinsky.Promote your products or services to 155K filmmakers, content creators, TV, broadcast & live event production pros reading this newsletter… email us at mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

BondIt Media Capital has spent more than $400 million to help produce hundreds of schlocky movies over the past decade. Now its founders are ready to take bigger risks and reap bigger rewards. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Pacitti also shares some stories of how his firm's clients successfully raised production funds for their indie film projects.

FILM FINANCING OPTIONS IN TODAY'S MARKET PGA producer Jim Holt will dive into equity investors, bank loans, pre-sales, and everything in between in this mini version of our finance intensive. (Episode 64) Hosted by Director/Producer⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jenn Page.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you want to be notified when the next accelerator goes live and other fun events fill out the form on our website at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheWorkingDirector.Pro.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ You can also go there to join our private FB group for directors so you can attend these live conversations and get your questions answered; as well as, to learn about The Working Director course that helps emerging filmmakers become working directors faster. MORE ON JAMES: James has 15+ years' experience as a Production and Finance executive. Recently Executive Produced Showdown at the Odessa, starring Terrance Howard and release by Shout Releasing in 2023, and Executive Produced Dangerous, starring Mel Gibson and Scott Eastwood, released by Lionsgate Pictures in 2022. Produced and structured the financing with Vertebra Films. The pictures included Arthur Newman starring Colin Firth and Emily Blunt. The comedy was shot in North Carolina and directed by award winning commercial director, Dante Ariola. Two Eli Roth thrillers, Aftershock, shot in Santiago, Chile, and Clown, shot in Ottawa, Canada. Clown was di-rected by Jon Watts, who recently completed Spiderman “Homecoming”, “Far from Home” and “No Way Home”. The pictures were released by The Weinstein Company and sold internationally by Filmnation. Executive V.P. of production and finance at Winchester Capital Management. Produced and managed the financing for The Men Who Stare at Goats, directed by Grant Heslov. It starred George Clooney, Kevin Spacey, Ewan McGregor and Jeff Bridges. The picture premiered at the Venice and Toronto Film Festivals. Executive V.P. of production and finance at Samuels Media. Produced and coordinated the financing structure for Michael Clayton. It was directed by Tony Gilroy and starred George Clooney, Tilda Swinton and Tom Wilkerson. The Warner Brothers release earned six Academy Awards nominations, including Best Picture, Best Actor, and Tilda Swinton won the Academy Award for Best Supporting Actress. Produced In the Valley of Elah directed by Academy Award winner Paul Haggis starring Tommy Lee Jones. Mr. Jones was nominated for the Academy Award for Best Actor in the Warner Independent release. The pictures premiered at the Venice and Toronto Film Festivals.

Discover the world of Film3 with the Mogul Productions' team: Randy Charach (Head of Film Development), James Pratt (Head of Film Production), and Joe Dimeck (PR Specialist). In this exclusive interview, the team explains how blockchain technology is revolutionizing film financing and production.  Discover how our newly launched token is bridging the gap between filmmakers and fans, creating unprecedented investment opportunities in the entertainment industry. Learn how you can:• Participate in film financing, decision-making, and creative process• Gain exclusive Hollywood access• Potentially profit from successful productionsWatch the video until the end to find out more about upcoming projects like 'Lady Samurai', 'Titi', and 'City of Dreams', how Mogul Productions is addressing challenges in today's film industry climate, and how you can be part of this cinematic revolution.Learn more about Mogul Productions and their projects: https://www.mogulproductions.com/Watch the full YouTube interview here: https://youtu.be/i7n7HJtGaEAAnd follow us to stay updated: https://www.youtube.com/@GlobalOneMedia?sub_confirmation=1

Lights, Camera, Blockchain.

In this episode of "Don't Kill the Messenger," entertainment research expert Kevin Goetz engages in an insightful conversation with Bill Block, a renowned agent, executive producer, and former studio head. As a producer, Block played a pivotal role in the groundbreaking success of The Blair Witch Project. Block's other films include the Oscar-nominated The Holdovers, Bad Moms, the critically acclaimed Fury, and the upcoming film Here starring Tom Hanks and Robin Wright. The pair delve into Block's remarkable career, the critical role of audience research in filmmaking, and the potential impact of artificial intelligence on the entertainment industry.Bill Block's background and early career (1:47)Bill shares his journey from starting as a secretary at the Irv Schechter agency to becoming a successful agent then moving on to form Artisan Entertainment.The acquisition of Live Entertainment and the success of The Blair Witch Project (7:12)Block shares the story behind the acquisition and distribution of The Blair Witch Project, a groundbreaking film that defied traditional marketing strategies and became a massive success.Using audience research to make decisions on the Halloween franchise reboot (15:37)Kevin and Bill discuss how audience research played a crucial role in the decision-making process for the Halloween franchise reboot.Navigating the complexities of film financing (24:37)Kevin and Bill discuss the financial deals behind Oliver Stone's W., Bad Moms, and Jason Statham action films.Bill's insights on packaging and financing independent films (35:39)Block discusses the importance of attaching talent, securing presales, and finding the right equity partners to fill the financing gap. Block touches on films he has been involved with like Bad Moms, Fury, and Guy Ritchie's The Gentleman.The potential impact of AI on the entertainment industry (41:19)Bill and Kevin explore the rapidly advancing world of artificial intelligence and its potential to disrupt the entertainment industry.Bill Block's extensive experience, combining financial expertise with respect for the audience, makes him an invaluable voice in the entertainment industry. His insights into the evolving landscape of film financing, distribution, and the integration of artificial intelligence demonstrate his ability to navigate the complexities of the business. His stories and observations, shared in this engaging conversation with Kevin, offer a fascinating glimpse into the future of filmmaking. If you enjoyed this episode, please leave us a review or connect on social media. Next Guest:  Greg Foster, Former CEO of IMAX EntertainmentHost: Kevin GoetzGuest: Bill BlockProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, and Kari CampanoFor more information about Bill Block:IMDB: https://www.imdb.com/name/nm1088848/Wikipedia: https://en.wikipedia.org/wiki/Bill_BlockLinkedIn: https://www.linkedin.com/in/bill-block-ba3525104For more information about Kevin Goetz:Website: www.KevinGoetz360.com46s Film Making 46s: Filmmakers talk origins, challenges, budgets, and profits.Listen on: Apple Podcasts Spotify

Financing films is usually a tough business, often requiring filmmakers to secure sponsors who may dictate the production process. Mogul Productions is revolutionizing film financing by harnessing the power of cryptocurrencies and NFTs. This innovative approach connects aspiring filmmakers with their audience and potential investors, providing a whole new level of creative freedom and financial support.In this interview, we sit down with Funky Matas, a renowned influencer in the tattoo social media sphere, who is gearing up to release his new show entitled "WHY" on Mogul.  He gives an exclusive sneak peek into the show's premise, which dives into unconventional topics and pushes artistic boundaries. Moreover, he highlights his positive experience working with Mogul and how the platform has helped him get his show off the ground.  Discover how Mogul Productions is reshaping the landscape of film financing and empowering talented creators like Funky Matas bring their unique visions to life: https://www.mogulproductions.com/. Watch the full YouTube interview here:  https://youtu.be/rxlK5-rrrLQ. And follow us to stay updated: https://www.youtube.com/@GlobalOneMedia?sub_confirmation=1

Hello, Hello!    A few corrections from episode 364: Charlton Heston was in Ben Hur - but not as a primary actor. He was in a scene in which he rode a horse.  Our social media handle on Instagram and X are @_makeitpodcast (not @themakeitpodcast). However, you can find us at www.themakeitpodcast.com   In this episode, Chris and Nick discuss blockchain technology and its potential applications in the film industry with Chris J. Davis, Co-Founder and CTO of Film.io.   We also talk about…    Chris J. Davis explains his vision for using blockchain to democratize film financing and distribution by bringing fans, creators, and investors together on one platform. The conversation explores the history of blockchain in film, including the first movie released and purchased with cryptocurrency. Potential future applications of NFTs and smart contracts for additional content, rewards programs, and independent verification of project support are discussed. Challenges of regaining public trust after past blockchain hype and issues are addressed. Possibilities that major studios like Disney may adopt blockchain-based models to enhance fan engagement and monetization of ancillary content are considered.  And, an all-new Things We Should Know from Producer Papa Bear.   Enjoy!      *How you can continue to enjoy MAKE IT content:*   Subscribe to the MAKE IT YouTube channel. Subscribe to the MAKE IT Podcast wherever you listen to podcasts. Subscribe to our newsletter at https://www.bonsai.film/subscribe.   The MAKE IT podcast amplifies the voice of the filmmaker by exploring the filmmaking journeys of actors, writers, directors, producers, and a host of other creatives from across the film industry.

Hello, Hello!    A few corrections from episode 364: Charlton Heston was in Ben Hur - but not as a primary actor. He was in a scene in which he rode a horse.  Our social media handle on Instagram and X are @_makeitpodcast (not @themakeitpodcast). However, you can find us at www.themakeitpodcast.com   In this episode, Chris and Nick discuss blockchain technology and its potential applications in the film industry with Chris J. Davis, Co-Founder and CTO of Film.io.   We also talk about…    Chris J. Davis explains his vision for using blockchain to democratize film financing and distribution by bringing fans, creators, and investors together on one platform. The conversation explores the history of blockchain in film, including the first movie released and purchased with cryptocurrency. Potential future applications of NFTs and smart contracts for additional content, rewards programs, and independent verification of project support are discussed. Challenges of regaining public trust after past blockchain hype and issues are addressed. Possibilities that major studios like Disney may adopt blockchain-based models to enhance fan engagement and monetization of ancillary content are considered.  And, an all-new Things We Should Know from Producer Papa Bear.   Enjoy!      *How you can continue to enjoy MAKE IT content:*   Subscribe to the MAKE IT YouTube channel. Subscribe to the MAKE IT Podcast wherever you listen to podcasts. Subscribe to our newsletter at https://www.bonsai.film/subscribe.   The MAKE IT podcast amplifies the voice of the filmmaker by exploring the filmmaking journeys of actors, writers, directors, producers, and a host of other creatives from across the film industry.

In this episode, we delve into the intricacies of film finance, a critical yet often underappreciated facet of the movie-making process. Our journey begins with "True Hollywood Stories," where we uncover real-life anecdotes that reveal the strategic selection of finance methods, navigate the legal terrain of investor financing, and offer sage advice to independent producers on securing funds.As the reel unwinds, we explore the impact of Securities Law Enforcement on the silver screen's financial scaffolding. Filmmakers must be vigilant of the legalities when courting investments, and our discussion illuminates these crucial considerations.The narrative then transitions to an "Overview of Film Finance," where we dissect the various financing models trending in the industry. Each model carries its own risk-reward profile, and understanding these nuances is key for filmmakers looking to fund their next project."Pre-Offering Considerations" takes center stage as we highlight the preparatory steps essential before any deal is inked. These considerations are not just formalities; they are the bedrock of a sound financial strategy in film production.In "Fitting Investor Financing into a Film Finance Plan," the conversation shifts to the art of aligning investor expectations with the stark financial realities of filmmaking. Striking this balance is both an art and a science, and we provide insights into navigating this complex dance.The spotlight then shines on the role of a Business Plan or Securities Disclosure Document, as discussed in Chapter 6. This document is more than mere paperwork; it's a filmmaker's pitch to potential investors, and we discuss how to craft it compellingly.Documentation is the unsung hero of film finance, and in breaking down the "Three Forms of Documentation for Film Financiers," we reveal the significance of each in the broader context of securing funding."Contingent Promissory Notes as a Film Finance Method" introduces a unique approach to film financing. We examine how these instruments operate and what distinguishes them from traditional funding avenues.The intricacies of the SEC's Regulation D, including Rule 506(b) and Rule 506(c) Exemptions, are decoded to clarify their implications for filmmakers. These regulations can be a labyrinth, but understanding them is crucial for legally securing investment."The Federal Equity Crowdfunding Law" has rewritten the script for film financing, presenting new opportunities for independent filmmakers. We analyze how this law has transformed the landscape and the doors it has opened for creative projects.Finally, we spotlight "Investor Tax Incentives" and their magnetic pull in attracting investment. These incentives are not just perks; they're powerful tools that, when leveraged effectively, can bring a film from storyboard to screen.Join us as we navigate the financial undercurrents of film production, providing filmmakers with the knowledge to turn their cinematic visions into reality.https://www.filmfinanceattorney.comBuy the book here: https://www.ebay.co.uk/itm/386497002892?chn=ps&_ul=GB&norover=1&mkevt=1&mkrid=710-134428-41853-0&mkcid=2&mkscid=101&itemid=386497002892&targetid=885285326120&device=c&mktype=pla&googleloc=9045981&poi=&campaignid=10215174691&mkgroupid=101743826123&rlsatarget=pla-885285326120&abcId=1063846&merchantid=137623468&gclid=EAIaIQobChMI2ZyL4sOtgwMVWJNQBh3WbwCNEAQYAyABEgL28fD_BwEContact John for any other information or a discount here: Email: jwc6774@gmail.comAlso, you can check out my documentary The People of Brixton, on Kwelitv here: The People of Brixton Damien Swaby Social Media Links:Instagram:InstagramTwitter:twitterWebsite: http://filmmakingconversations.com/If you enjoy listening to Filmmaking Conversations with Damien Swaby, I would love a coffee. Podcasting is thirsty work: Buy me a coffee!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4532542/advertisement

In this episode, the ReSolve team sits down with William Santor, a seasoned financier and producer. They delve into a variety of topics, from Santor's unexpected journey from ballroom dancing to finance, to his innovative approach to the film industry, and the role of AI in content discovery.Topics Discussed• William Santor's unique journey from professional ballroom dancing to finance and how this shaped his approach to finding 'the inches' in financial services• The exploration of the film industry as an investment opportunity, with a deep dive into the financial structures, government rebates, and interim financing that make it possible• The impact of COVID-19 on film production and how Santor's team navigated the challenges to continue producing films• The role of AI and large language models in content discovery and how they can enhance the user experience by providing personalized recommendations• The concept of 'co-watching' and how it can be leveraged to improve content recommendations and user engagement• The evolution of the film industry with the advent of streaming platforms and the challenges and opportunities this presents for content creators and financiersThis episode is a must-listen for anyone interested in the intersection of finance and the film industry, the role of AI in content discovery, and the future of the entertainment industry. With William Santor's unique insights and experiences, listeners will gain a deeper understanding of these complex topics and their implications for the future of content consumption and creation.ReSolve Riffs – published on YouTube every Friday afternoon to debate the most relevant investment topics of the day, hosted by Adam Butler, Mike Philbrick, and Rodrigo Gordillo of ReSolve Global* and Richard Laterman of ReSolve Asset Management Inc.*ReSolve Global refers to ReSolve Asset Management SEZC (Cayman) which is registered with the Commodity Futures Trading Commission as a commodity trading advisor and commodity pool operator. This registration is administered through the National Futures Association (“NFA”). Further, ReSolve Global is a registered person with the Cayman Islands Monetary Authority.

How do you answer the dreaded "So, tell me about yourself"? What should you have prepared for your project pitch? How many projects should you have in your back pocket? What materials should you bring in? How do you engage the room, and why are you pitching the room not the project? That and more on this episode with producer Stu Pollard.   (Episode 52) Hosted by Director/Producer⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jenn Page.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you want to be notified when we open our doors to our green screen virtual production studio dedicated to indie filmmakers (and indie film budgets) fill out the form on our website at ⁠⁠⁠⁠TheWorkingDirector.Pro.⁠⁠⁠⁠ You can also go there to join our private FB group for directors so you can attend these live conversations and get your questions answered; as well as, to learn about The Working Director course that helps emerging filmmakers become working directors faster. More on Stu: Filmmaker Stu Pollard has produced 9 films in his home state of Kentucky, including survival thriller RUST CREEK, powerful high school drama AND THEN I GO, and bowling comedy SPLIT. He has produced more movies outside the Bluegrass as well. These include the uproarious Jack Quaid & Maya Erskine wedding rom-com PLUS ONE, Syrian refugee documentary THIS IS HOME, and docu-drama FREELAND, starring Krisha Fairchild. Stu has also directed two features: romantic comedy NICE GUYS SLEEP ALONE and suspense drama KEEP YOUR DISTANCE, both set against a vibrant Kentucky backdrop. Pollard founded Lunacy Productions in 2015 to expand his storytelling horizons and break free of the “one-at-a-time” indie filmmaking model. This has sparked numerous new collaborations with both emerging talent and established creators. Lunacy's current development slate includes WE'RE HAUNTED, a horror comedy about dysfunctional roommates confronting an evil spirit; THE MAN WHO KNEW BELLE STARR, a riveting Western-infused revenge drama; THE TRESTLE, a supernatural thriller revolving around an infamous Kentucky legend; and ALAS, BABYLON, a post-apocalyptic survival parable based on the classic novel. Also an entrepreneur, Stu has spearheaded a number of other creative endeavors including the event planning app REUNACY, nostalgic web series THE EIGHTIES EMPORIUM, whiskey lifestyle brand BOURBONALITY, content creation collective SMALL BATCH CONTENT, and philanthropic nonprofit organization TRUNACY. In addition to teaching at Film Independent and USC's School of Cinematic Arts, Stu recently founded LunacyU, an online educational platform dedicated to teaching the next generation of independent filmmakers. At LunacyU, he currently teaches classes on Film Financing and Cinematic Music. He holds a BS in business from Georgetown and an MFA in film from USC, is a member of the DGA and PGA, and serves on the boards of the Louisville Film Society, the Horse Farm Workers' Educational Assistance Fund and GU's Alumni Board of Regents. https://lunacyproductions.com/ Stu's course on financing: https://lunacyu.com   Our essential Indie Film Financing course for independent filmmakers is designed to help you think like an entrepreneur, find the right financial partners, and finish what you start. Through video lessons and supplemental documents, this course will guide you on a transformative journey that will infuse you with confidence, empower you with resources, and put you in the best possible position to raise money for your project. Our Film Music Master Class covers the world of film music from licensing to composers and music supervisors. Music is one of the most confusing, challenging, and expensive parts of filmmaking. This course helps you navigate all of it with 9 sections of on-demand videos to go through at your own pace.     --- Send in a voice message: https://podcasters.spotify.com/pod/show/theworkingdirector/message

In this episode of The Compassionate Capitalist Show™, Karen chats with Jon Gosier, a successful entrepreneur turned venture capitalist, who has made a significant impact in the worlds of adtech, fintech, and film financing. Here are the key points they explore: 1. Unlikely Combinations in Entrepreneurship: Jon Gosier is a prominent figure in both the tech and film finance spaces. We'll discuss how this unusual combination of expertise came about and the challenges young entrepreneurs face when deciding which problem to solve and build a company around, and then transitioning from building a company to becoming investors solving the problems they're passionate about. 2. The Film Industry and Georgia's Tax Credits: Georgia's generous tax credits have transformed the state into a filmmaking hub with a massive economic impact. Karen highlights the significance of these credits and how they have attracted big studios, making Georgia second only to California in producing blockbuster movies. However, the challenge remains to create a sustainable year-round industry with benefits for all stakeholder.  This includes both ends of the spectrum - helping creatives understand what is needed to attract funding and includes attracting and educating private investors to back projects with the great potential. 3. Jon Gosier's Entrepreneurial Journey: Learn from Jon's journey, from his early days as a graduate of the Savannah College of Art and Design (SCAD), where he focused on the technology side of the music industry, to being recognized as one of the "new faces of Black Leadership" by TIME Magazine. Along the way, he co-founded companies like AfriLabs and Appfrica . We'll also touch on his latest venture, Audigent, a rapidly growing adtech data platform for audience engagement analytics in the music industry. 4. Film Financing and Fintech: Jon's most recent ventures, FilmHedge and Southbox Entertainment, are at the heart of this podcast episode. FilmHedge, with $100 million under management, is one of the few groups capable of green-lighting films in Georgia, bringing much-needed capital to the state. Southbox Entertainment, with $80 million in fresh funds, introduces an innovative film finance model, which contributes to the financial funding stack for films and streaming entertainment. We'll explore how fintech is used to manage the risk associated with financing future distribution contracts, revolutionizing the film financing landscape. Join us for an insightful conversation with Karen Rands and Jon Gosier as they explore his entrepreneurial journey, beginning with his Afro Tech businesses in Uganda, to the market impact of his ad-tech innovation in Audigent,the evolution of Georgia's film industry, and his game-changing impact of fintech in film financing. Whether you're passionate about tech, film, or finance, this episode has something to inform and inspire you. To watch Jon's Ted Talk: The problem with 'Trickle-down Techonomics"  https://youtu.be/POTosC2q6Hs?si=o8fn9kG0s8VHz0bb  To learn more about Film Hedge:  http://Filmhedge.com   To learn all about Jon's history visit his Wikipedia page: https://en.wikipedia.org/wiki/Jon_Gosier To watch this episode on YOUTUBE: https://youtu.be/0ZSXVjHmcEw Karen Rands is the leader of the Compassionate Capitalist Movement™ and author of the best selling investment primer: Inside Secrets to Angel Investing: Step-by-Step Strategies to Leverage Private Equity Investment for Passive Wealth Creation.  She is an authority on creating wealth through investing and building successful businesses that can scale and exit rich.  Karen is an enthusiastic speaker on these topics for corporations, economic development groups, angel investor networks, and professional  business networks.   About Karen https://www.karenrands.co/about-karen-rands/ Visit http://Kugarand.com and learn more about the Compassionate Capitalist Wealth Maximizer System™.  Read about the Due Diligence Services, Investor Relations, Capital Strategies, Capital Access, and Capital Readiness Coaching serviced offered by her firm, Kugarand Capital Holdings.  The Compassionate Capitalist Show™ is a Podcast on YouTube.  Please visit and subscribe and share.  It is great to watch Karen and her guests live, in action.  The whole library of podcasts and interviews since 2020 can be found there by category or chronological. https://bit.ly/CCSyoutubepod  Imagine the feeling of investing in a way that had massive impact and a potential pay you back 10x your money. The time is now to find out if Angel Investing / CrowdFunding Investing is the wealth creation strategy for you.  Take action on Karen's offer to learn how to invest with confidence in entrepreneurs and sign up (FREE FOR NOW) the new Compassionate Capitalist Wealth Maximizing System. http://dothedeal.org    

I promise the title of today's episode is not clickbait.Our guest, Wayne Godfrey is a British film producer, CEO of Fintech platform, Purely Capital, and expert film financier who've raised nearly $325 million for more than 120 independent feature films.Wayne founded Purely Capital in 2018 to enables film and TV rights owners a way to accelerate payments from years to days, for their content from streaming platforms.This year, he became a mentor at Creative Futures Collective in the UK to contribute to unearthing the next generation of creative industry leaders from disenfranchised backgrounds and empower them to break cycles of systemic inequalities they've experienced. He's credited as executive producer for numerous independent feature films, including, The Man Who Invented Christmas, Robert Rodriguez‘s Sin City, Martin Scorsese‘s Silence, and Joe Carnahan's Boss Level. An undeniably impressive career Wayne has built as a ‘problem solver in film procurement investment – a long way from DJ-ing around London as a young guy with only a deep interest and some skill in sound production.Some of his other key production credits include The Foreigner.THE FOREIGNER, starring Jackie Chan and Pierce Brosnan, is a timely action thriller by the director of “Casino Royale.” The film tells the story of humble London businessman Quan (Chan), whose long-buried past erupts in a revenge-fueled vendetta when the only person left for him to love — his teenage daughter — is taken from him in a senseless act of politically motivated terrorism.In his relentless search for the identity of the terrorists, Quan is forced into a cat-and-mouse conflict with a British government official (Brosnan), whose own past may hold clues to the identities of the elusive killers.It was really cool getting Wayne's perspective on what he considers as the pillars of a successful film from a marketing POV to thrive in the current diluted and competitive marketplace. He points out that a great story, recognizable talent, and capital can determine a film's success right out of the gate.I know it has not been smooth for a lot of indie filmmakers during these COVID times and I promise, there is something in this conversation for everyone because Wayne doesn't speak only from a marketing standpoint, but he understands extensively, the development, negotiating, and production structures of film financing are always an assuring point of sale for filmmakers.Enjoy my eye-opening conversation with Wayne Godfrey.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Join us to learn how to make successful films for Netflix with Michael Mendelsohn and Natalie Perrotta.  To learn more about Carole Dean and From the Heart Productions please visit FromtheHeartProductions.com

Schuyler (“Sky”) M. Moore is a partner in the corporate entertainment department of Greenberg Glusker LLP, practicing entertainment, corporate, and tax law. Sky has been practicing in the entertainment industry since 1981, represents producers, sales agents, foreign distributors and financiers, and has handled some of the largest financing transactions in Hollywood. He is Chair of Stroock's Entertainment Practice Group. Sky is the author of 'The Biz', currently in its 5th edition - a popular book on the film industry, and the treatise, Taxation of the Entertainment Industry. He is a mainstay on Hollywood Reporter's “Power Lawyers” list of the top 100 entertainment lawyers in the country. He is consistently listed as one of the top entertainment lawyers by Variety and was recently recognized in the publication's annual “Dealmakers Impact Report.” The Daily Journal honored Sky as one of its Top 100 Lawyers in California, and The National Law Journal named him to its list of “Most Influential Lawyers.”

We're joined by the founder of Hamilton Bros Media, Fred Hamilton. Fred talks to us about creating his media company and writing and producing his first tv series titled "Black Day". We dig into the steps it takes to create a media company, hiring staff, and the daily challenges of runnning it. He talks about how he made the transition from music to film and what inspired him to write Black Day. https://www.hbmedianetwork.com/ https://www.youtube.com/channel/UCigk79ht5vEXOiirKlg97NQhttps://www.facebook.com/hamiltonbrosmedianetwork https://www.instagram.com/hamiltonbrosmedianetwork/https://twitter.com/hamiltonbrosnet https://www.kingscanmoveon.com/Buzzsprout - Let's get your podcast launched! Start for FREEDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.

In this business of show, the quest for knowledge has to be never ending....On this very special episode we have the distinct pleasure of sitting down and talking with the CEO of Patriot Pictures, the one and only Mr. Michael Mendelsohn to discuss the in and outs of film finance and production as well hear stories about his current production 'God Is A Bullet' from director Nick Cassavettes which is coming to theatres on June 23rd.We learned some of the in and outs and global financing on a feature film and how the business has evolved in recent years with the streaming services as well as some behind the scenes insights on how movies ultimately make it from screenplay to the big screen.'God Is A Bullet' is in theatres on June 23rd in the US.

❤️❤️❤️ Just in time -Valentine's Day is 2 days before PROUD will be released and available on the Amazon Prime platform in the US. Celebrate with some chocolate, roses, and scripted and unscripted LGBTQ content. https://www.outtv.com/ Brad Danks is honest, direct, reflective. With a good dose of laughter, Brad and host, Michelle Zeitlin talk about the network, distribution, original content and his experiences running a gay network.  says:  "I come from a legal background where I practiced as an entertainment lawyer for more than 10 years. For a number of years after practicing law I consulted for a number of entertainment and new media companies regarding matters from financing, business planning and development of new strategies to adapt to the emerging digital distribution universe. I was COO of OUTtv for 10 years and now CEO since 2016. I oversee all aspects of the operational side of the business including all corporate and legal affairs, strategy, acquisitions and programming, production, marketing, new media initiatives and joint ventures. OUTtv has more than tripled its subscriber base and quadrupled advertising dollars since 2006. In August 2016 we launched our direct to consumer OTT OUTtvGo in Canada. In addition, I have developed and Executive Produced a significant number of feature films and television properties over the past 12 years." Specialties: Broadcast Media, Film Financing, Television, Television Series Financing, Television Property Development, Acquisition and Sales, Television Programming, Developing New Media Content, New Media Strategies Michelle Zeitlin enjoys this conversation with Brad Danks after CES and before the new launch.  For more on Michelle and her business services with Passion to Power, visit http://www.passion-power.com or for info on her people and projects see www.morezap.com for talent and literary development and representation.

Tue, 14 Feb 2023 16:00:00 +0000 https://efm-industry-insights.podigee.io/32-future-proofing-financing-strategies-for-feature-films-and-tv-series 228767b59ee03be1218243c117d2ede5 Industry Insights – The EFM Podcast is presented by the European Film Market of the Berlinale. Hosted by industry analyst Johanna Koljonen, it delves deep into the rapidly evolving film industry. In this episode, Linda Beath, Petri Kemppinen and Fredrik af Malmborg, three hand-picked international experts share their insights on strategies how to finance a feature film or TV Series in this fast changing financing landscape. Linda Beath works with producers to find funding for projects ranging from features to documentaries to animated films to primetime television dramas. She trains producers and other industry practitioners and consults for public funders on policy issues. Linda Beath set up Ideal Filmworks in Canada 30 years ago to raise development and production financing. The company was later incorporated in Italy, adding business and strategic planning to its core business. Fredrik af Malmborg is the CEO of Eccho Rights, a development, investment and distribution company with offices in Stockholm, London, Istanbul, Madrid and Seoul with 40 employees and strong annual growth. The mission is to support producers in developing top TV series and to help them retain and grow the value of IP. Eccho is since 2022 part of Night Train Media, a venture-backed by investor Serafin. Petri Kemppinen has over 30 years of experience in the audio-visual sector, journalism, and publishing. CEO at Aurora Studios since August 2021, he has through his career worked internationally with financing, production, and development, in several roles within film and TV. Prior to Aurora Studios, Kemppinen worked as an independent consultant in his company P1 Kemppinen and between 2013 to 2019 as CEO of the pan-Nordic funding body Nordisk Film & TV Fond in Oslo. His past employers include The Finnish Film Foundation and YLE The Finnish Broadcasting Company. Johanna Koljonen is a media analyst, broadcaster, and experience designer based in Sweden. She is co-founder of boutique consulting firm Participation Design Agency, and the author of the Göteborg Film Festival's annual Nostradamus Report. This podcast episode has been developed in collaboration with the Nostradamus Project of the Göteborg Film Festival. The Berlinale's European Film Market is the first international film market of the year, where the film industry starts its business. Industry Insights - The EFM Podcast puts a spotlight on highly topical and trendsetting industry issues, thereby creating a compass for the forthcoming film year. The year-round podcast is produced in cooperation with Goethe-Institut and co-funded by Creative Europe MEDIA. full no Film Financing,Entertainment Industry,Financing TV Series,Berlinale,Film Business,EFM,Johanna Koljonen,Göteborg Film Festival,European Film Market European Film Market

I promise the title of today's episode is not clickbait. Our guest, Wayne Godfrey is a British film producer, CEO of fintech platform, Purely Capital, and expert film financier who've raised nearly $325 million for more than 120 independent feature films. Wayne founded Purely Capital in 2018 to enables film and TV rights owners a way to accelerate payments from years to days, for their content from streaming platforms.This year, he became a mentor at Creative Futures Collective in the UK to contribute to unearthing the next generation of creative industry leaders from disenfranchised backgrounds and empower them to break cycles of systemic inequalities they've experienced.He's credited as executive producer for numerous independent feature films, including , The Man Who Invented Christmas, Robert Rodriguez's Sin City, Martin Scorsese's Silence and Joe Carnahan's Boss Level. An undeniably impressive career Wayne has built as a ‘problem solver in film procurement investment - a long way from DJ-ing around London as a young guy with only a deep interest and some skill in sound production.Some of his other key production credits include The Foreigner.THE FOREIGNER, starring Jackie Chan and Pierce Brosnan, is a timely action thriller from the director of “Casino Royale.” The film tells the story of humble London businessman Quan (Chan), whose long-buried past erupts in a revenge-fueled vendetta when the only person left for him to love -- his teenage daughter -- is taken from him in a senseless act of politically-motivated terrorism.In his relentless search for the identity of the terrorists, Quan is forced into a cat- and-mouse conflict with a British government official (Brosnan), whose own past may hold clues to the identities of the elusive killers.It was really cool getting Wayne's perspective on what he considers as the pillars of a successful film from a marketing POV to thrive in the current diluted and competitive marketplace. He points out that a great story, recognizable talent, and capital can determine a film's success right out of the gate. I know it has not been smooth for a lot of indie filmmakers during these COVID times and I promise, there is something in this conversation for everyone because Wayne doesn't speak only from a marketing standpoint, but he understands extensively, the development, negotiating, and production structures of film financing are always an assuring point of sale for filmmakers.Enjoy my eye-opening conversation with Wayne Godfrey.

Jeremy Daniel Davis is an actor, writer and producer. He was born in Phoenix, Arizona on April 2nd. Most recently he produced a film called, Willy's Wonderland starring Nicolas Cage, Emily Tosta, and Beth Grant.Check out Jeremy's YouTube channel, with Behind The Scenes footage from the movie: https://www.youtube.com/user/standalonejd Credits Include...Willy's Wonderland starring Nicolas CagePlease like and subscribe, it helps us out a lot.Music is Sweet Georgia Brown by Latché Swing.Episode still image credit goes to Screen Media, from Willy's Wonderland, still photographer Nick Romanelli, and cinematographer David Newbert.Follow Us on Social Media!Greater & Grander on YouTube - https://www.youtube.com/c/GreaterGrander  Greater & Grander on Facebook - https://www.facebook.com/GreaterGrander Greater & Grander on Twitter - https://twitter.com/GreaterGrander  Greater & Grander on Patreon - https://www.patreon.com/GreaterGrander    Register and Get a Free List of Special Info on Jobs in Hollywood - http://greaterandgrander.com/special-job-openings-giveaways  Check out past episodes and bonus content on the Greater & Grander website - http://greaterandgrander.com/tag/producers-lounge-podcast 

Alexa Jago produces award-winning films and finds funding for them too. The LA-based Brit brings great experience to her work, having started off as an actress, making her movie debut alongside Kevin Costner in ‘Waterworld.'She's a member of the board of directors at BAFTA North America and devotes herself to many more charities in between movie-making. In this enlightening interview with Lauren, Alexa explains how she found success and how you can too.Sign up to receive updates by email when a new episode drops at: www.a-brit-in-la.fmCreated & produced by Podcast Partners: www.podcastpartners.com

Carla Jimenez talks about her acting career and writing and producing her own projects

Bring your notebooks, today Leslie gives a class on all the different ways to get financing for your independent film and also how to avoid getting screwed in the process. She discusses things like Gap financing, bridge financing, equity investing with private money, different loans, how and why to choose a sales agent, how to get distribution, resale agreements and much more.  This is a MUST LISTEN!

Howdy Bitch Talkers! We're taking you back to the March 22 online event that we hosted for San Francisco non-profit WeXL with film financier Chiquita Banks, Esq. We were drawn to host this event because filmmakers and/or creatives need to understand insider knowledge of how projects get made in Hollywood - let's get rid of the gatekeepers already! Chiquita has a wealth of knowledge of how film projects are funded, how streaming has taken over the industry, how Covid changed the way we watch everything, the right and wrong ways (and when) to vet projects, the ways in which filmmakers should educate themselves on what it takes to make a film (first stop - create a budget!), and so much more. We're also excited to be in partnership with WeXL! WeXL is a non-profit that focuses on uplifting  non-normative voices in the media and arts world. WeXL is run by a truly badass Filipina named Arabella DeLucco whose commitment to diverse storytelling is contagious. If you are looking for a way in to support the arts, please join us at WeXL's FUNdraising event on Thursday, May 19 at 111 Minna in SF. We'll be there celebrating diverse creators and supporting the work WeXL promotes through their platforms. Plus the legend DJ Umami will be spinning records. It's gonna be the jam. Links below to follow Chiquita and to get your ticket! WeXL Thursday, May 19 FUNdraiser Event at 111 Minna: https://bit.ly/3M28v9AFollow Chiquita Banks on Instagram  and LinkedIn --Thanks for listening and for your support! We couldn't have reached 600 episodes without your help! --Be well, stay safe, Black Lives Matter, AAPI Lives Matter, and thank you for being vaxxed and masked!--SUPPORT US HERE!Subscribe to our channel on YouTube for behind the scenes footage!Rate and review us wherever you listen to podcasts!Visit our website! www.bitchtalkpodcast.comFollow us on Instagram, Facebook, and Twitter.Listen every other Thursday 9:30 - 10 am on BFF.FMPOWERED BY GO-TO Productions 

Sarah Kinga Smith (European producer) sits down to talk about how she developed projects and sought international film financing at film markets and also discovered the difference between passion and sentiment. Credits Include...Alien: Isolation starring Andrea DeckThe November Man starring Olga Kurylenko and Pierce BrosnanLone Survivor starring Alexander Ludwig and Mark WahlbergCockatoo Spritz starring David CoburnMusic is Adagio in G Minor by Dominic Miller.Episode still image is by Sarah Kinga Smith.Follow Us on Social Media!Greater & Grander on YouTube - https://www.youtube.com/c/GreaterGrander  Greater & Grander on Facebook - https://www.facebook.com/GreaterGrander Greater & Grander on Twitter - https://twitter.com/GreaterGrander  Greater & Grander on Patreon - https://www.patreon.com/GreaterGrander    Register and Get a Free List of Special Info on Jobs in Hollywood - http://greaterandgrander.com/special-job-openings-giveaways  

Filmmaker Heather Lenz interviews Writer, Director, Producer, & Actor Tom Malloy about film financing, his educational website for filmmakers, & his new film, "Ask Me to Dance." 

There seems to be no end to what's possible in the NFT world. From art to real estate, and now onto the film industry, the growth opportunities are exponential. On today's show, Eathan Janney and Josh Kriger are joined by Gorav Seth, Co-Chair of Film Financing at Mogul. Gorav has over 15 years in corporate finance and a background of over a decade working in the film and entertainment industry as a financier. He sees the vision and potential behind NFT in film and is now part of the team pioneering this development through Mogul. Gorav shares how NFT Film poses benefits not only for film buffs but, most importantly, for independent filmmakers in need of funding. There is more to know about this disruption in the film industry. Keep your ears glued to this episode to learn all about where NFTs meet movies at the cutting edge.More from Edge of NFT:

There seems to be no end to what's possible in the NFT world. From art to real estate, and now onto the film industry, the growth opportunities are exponential. On today's show, Eathan Janney and Josh Kriger are joined by Gorav Seth, Co-Chair of Film Financing at Mogul. Gorav has over 15 years in corporate finance and a background of over a decade working in the film and entertainment industry as a financier. He sees the vision and potential behind NFT in film and is now part of the team pioneering this development through Mogul. Gorav shares how NFT Film poses benefits not only for film buffs but, most importantly, for independent filmmakers in need of funding. There is more to know about this disruption in the film industry. Keep your ears glued to this episode to learn all about where NFTs meet movies at the cutting edge.

Co-Chair of Film Financing at Mogul Productions, Paul Sparkes joins DKleine to discuss the NFT phenomenon as it spreads to the film industry. The pair discuss the latest film production decisions as determined by the STARS token community and aspirations for the future of the decentralized film financing platform. This episode of NFP with DKleine is brought to you by the KOII network ( https://koii.network/ ), where you can mint atomic NFTs and earn rewards when others view your creations!

I go over a bevy of ways you need to employ to raise the necessary funds to make your movie.  Thanks so much for following along! Anderson's Video Review of Shang-Chi HAVE A CHAT WITH ANDY HERE The Latest Tax Incentives for Films. Links to the promised CCP shorts are below. THE COLD COCKLE SHORTS […]

Today Gorav Seth joins us to discuss how Mogul is a decentralized film financing that gives everyone a voice in the filmmaking process. Gorav is the Co-Chair of Film Financing for Mogul - a decentralized film financing platform that brings creators, fans, and film financiers together; allowing everyone to play a part in the next big blockbuster. He's worked for 15 years in corporate finance and investment banking at leading independent investment dealers based in Toronto. During his career, Gorav has worked on over $4b of transactions, successfully advising corporate clients on transactions ranging from M&A and restructuring to IPOs, RTOs and financings. Prior to his career in capital markets, Gorav spent over a decade working in the film and television industry as entertainment manager and financier. Links: Twitter - https://twitter.com/mogulofficial_ (https://twitter.com/mogulofficial_) Telegram - https://t.me/mogulproductions (https://t.me/mogulproductions) Website - https://www.mogulproductions.com/ (https://www.mogulproductions.com/) *Disclaimer. Richard Carthon is the Founder of Crypto Current. All opinions expressed by members of the Crypto Current Team, Richard or his guest on this podcast are solely their opinions and do not reflect the opinions of Crypto Current. You should not treat any opinion expressed by Richard as a specific inducement to make a particular investment or follow a particular strategy but only as an expression of his opinion. This podcast is for informational purposes only. ~ Put your Bitcoin and Ethereum to work. Earn up to 12% interest back withhttps://get.tantralabs.io/earn/?utm_source=cryptocurrent&utm_medium=display&utm_campaign=advertising-display-cryptocurrent&utm_content=lp ( Tantra Labs) ~ New to crypto? Check out ourhttps://bit.ly/394YKFw ( Crypto for Beginners) Step-by-Step Guide to Crypto Investing ~ Follow us onhttp://bit.ly/38yfrqo ( Instagram),http://bit.ly/2TRIArp ( Twitter),http://bit.ly/39DhpHi ( Facebook),http://bit.ly/38wsXL5 ( LinkedIn),https://bit.ly/3aSokfx ( Pinterest),https://bit.ly/2GwosIf ( Discord) andhttp://bit.ly/2Iw0yuo ( Uptrennd) today! ~ Want to make ~$25+ a month for FREE? Sign up to get a FREEhttps://www.emrit.io/?referral=cryptocurrent ( emrit.io Coolspot) today!  ~ Want to learn more about cryptocurrency? Check out ourhttps://bit.ly/2CbaYzw ( educational videos) today! ~ https://bit.ly/2TF3Gtb (Swan) is the easiest and most affordable way to accumulate Bitcoin with automatic recurring purchases. Start your plan today and get $10 of free Bitcoin dropped into your account. ~ Want access to cool crypto/blockchain projects that you can use immediately? Check out ourhttps://bit.ly/3eZ8J1E ( partnerships page)!  ~ Looking to attend a cryptocurrency or blockchain event? Check out ourhttps://bit.ly/2ZVCV8f ( events page)! ~ Tune in onhttps://bit.ly/2CN9bl1 ( Crypto Current TV) throughout the week for a 24/7 crypto stream on the latest action on crypto markets, news, and interviews with the industry's top experts! ~ Enjoying our podcast? Please leave us a 5 star reviewhttp://bit.ly/2Is3iJ9 ( here!) ~ Stay up to date with the latest news in cryptocurrency by opting-in to ourhttp://bit.ly/2xmkKfQ ( newsletter)! You will receive daily emails (M-S) that are personalized and curated content specific to you and your interests, powered by artificial intelligence.  ~ We were featured as one of thehttp://bit.ly/2vRAGGl ( Top 25 Cryptocurrency Podcasts) and one of thehttp://bit.ly/33cnus9 ( 16 Best Cryptocurrency Podcasts in 2020). ~ Are you an accredited investor looking to invest in cryptocurrency? Check outhttp://bit.ly/2IrKABr ( Crescent City Capita)l. ~ Want to take educational courses on cryptocurrency & blockchain? Sign up forhttp://bit.ly/332i2rr ( Blockchain...

I promise the title of today's episode is not clickbait. Our guest, Wayne Godfrey is a British film producer, CEO of fintech platform, Purely Capital, and expert film financier who've raised nearly $325 million for more than 120 independent feature films. Wayne founded Purely Capital in 2018 to enables film and TV rights owners a way to accelerate payments from years to days, for their content from streaming platforms.This year, he became a mentor at Creative Futures Collective in the UK to contribute to unearthing the next generation of creative industry leaders from disenfranchised backgrounds and empower them to break cycles of systemic inequalities they've experienced.He's credited as executive producer for numerous independent feature films, including , The Man Who Invented Christmas, Robert Rodriguez's Sin City, Martin Scorsese's Silence and Joe Carnahan's Boss Level. An undeniably impressive career Wayne has built as a ‘problem solver in film procurement investment - a long way from DJ-ing around London as a young guy with only a deep interest and some skill in sound production.Some of his other key production credits include The Foreigner.THE FOREIGNER, starring Jackie Chan and Pierce Brosnan, is a timely action thriller from the director of “Casino Royale.” The film tells the story of humble London businessman Quan (Chan), whose long-buried past erupts in a revenge-fueled vendetta when the only person left for him to love -- his teenage daughter -- is taken from him in a senseless act of politically-motivated terrorism.In his relentless search for the identity of the terrorists, Quan is forced into a cat- and-mouse conflict with a British government official (Brosnan), whose own past may hold clues to the identities of the elusive killers.It was really cool getting Wayne's perspective on what he considers as the pillars of a successful film from a marketing POV to thrive in the current diluted and competitive marketplace. He points out that a great story, recognizable talent, and capital can determine a film's success right out of the gate. I know it has not been smooth for a lot of indie filmmakers during these COVID times and I promise, there is something in this conversation for everyone because Wayne doesn't speak only from a marketing standpoint, but he understands extensively, the development, negotiating, and production structures of film financing are always an assuring point of sale for filmmakers.Enjoy my eye-opening conversation with Wayne Godfrey.

Hello, Indie Creatives! In this episode, we have a conversation with writer/producer Paula Landry. We talk about how to find and close film financing, creative financing structure, how screenwriting for VR differs from writing for the screen, selling your film as an NFT, using a digital wallet instead of a traditional Escrow account, which social media platforms are most filmmaker friendly, and why Indie Filmmakers should be rooting for theaters to succeed. Enjoy! Listen+Subscribe+Rate = Love Questions or Comments? Reach out to us at contact@bonsai.film or on social and the web at https://linktr.ee/BonsaiCreative Love Indie Film? Love the MAKE IT Podcast? Become a True Fan! www.bonsai.film/truefans #MAKEIT -- Paula Landry, MBA, is an author and award-winning writer/producer who’s a creative catalyst, FireStarter, and IdeaBlizzard for brands, creatives, and companies. As a creator, her purpose is to reduce loneliness; connect people with ideas; artists with entrepreneurial tools, and clients with increased creativity, revenue, and visibility. Landry’s clients include Fortune 500 companies, creative entrepreneurs, and non-profits, from Forbes, Deutsche Bank, Christie’s, Pearson Television, Entertainment Weekly, The Game Show Channel, Tribe Pictures, Fit TV to The Actors Fund, Smile Train, and individual media makers. Her films have debuted at Sundance, Chelsea Film Festival, CineVegas, winning awards from the Best Actors Film Fest, Columbia Pictures Screen Gems, Time Warner Showtime Audience Award, and WorldFest Houston Film Festival; her writing has won the 2nd Round at Austin Film Festival, Lugnut Award, and semi-finals at the Made in NY Writer’s Room. Ms. Landry is a member of Disney’s Creative Talent Development & Inclusion program.

Curious about the future of film financing? Charismatic James Pratt shines light on decentralized film financing and NFTs for independent filmmakers through the work and platform of forward-looking Mogul Productions. Tune in for a real treat. James Pratt: @james_pratt7 Mogul Productions: @mogulproductions www.mogulproductions.com Movies Move Us: @movies.move.us Ruggero Romano: @ruggero_romano

Fri, 07 May 2021 07:00:00 +0000 https://efm-industry-insights.podigee.io/12-global-north-global-south-narrative-sovereignty-2 f4c75bbd29763f7f665bc31bdaf55247 Industry Insights – The EFM Podcast is presented by the European Film Market of the Berlinale. Hosted by curator-producer Nadia Denton and industry analyst Johanna Koljonen, it delves deep into the rapidly evolving film industry. In this series of two episodes, the podcast will re-examine the influence that the Global North has on the film production, aesthetics and perspectives portrayed of the Global South. Alongside esteemed professionals across the spectrum of the film industry who are specialists in this area - Tamara Falicov, Tiny Mungwe, Tessa Boerman, Tamara Dawit, Lamia Belkaied Guiga and Abhishek Nilamber - the discussions and debates will identify the mechanisms that underpin Global North-South dynamics in the film industry, looking in particular at distribution, financing and festival engagement. We will examine the extent of the imposition of a Western gaze on the Global South and how far this leads to content which is either stereotypical or which fails to challenge the actions of the Global North. Nadia Denton [link to www.nadiadenton.com] is film industry specialist with over a decade of experience as a Curator, Impact Producer and Author. Her focus has been on cinema of the African diaspora, she specialises in Nigerian Cinema and is author of two books The Black British Filmmakers Guide to Success and The Nigerian Filmmaker's Guide to Success: Beyond Nollywood [link to www.beyondnollywood.com]. Nadia is also an official V&A African Heritage Tour Guide [link to www.africanheritagetour.co.uk]. Industry Insights - The EFM Podcast puts a spotlight on highly topical and trendsetting industry issues, thereby creating a compass for the forthcoming film year. The year-round podcast is produced in cooperation with Goethe-Institut. full no Film Market,Berlinale,Goethe Institut,EFM,Film Festival,Inclusion,Diversity,Entertainment Industry,Film Financing,Film Business European Film Market

Chris J. Russo, Sue Taylor, Chiah Rodriques and Face2Face host David Peck talk about their new film Lady Buds, Cannabis, big business, trailblazing, racism, sexism, happy accidents, the war on drugs and our authentic selves.More about the movie here.See it at Hot Docs 2021Synopsis:Following the widely praised 2016 decision to legalize cannabis in California, six courageous women emerge from the shadows to enter the new commercial industry. As farmers, entrepreneurs and activists, these modern-day pioneers find their initial optimism is quickly replaced with uncertainty and fear as the new legislation favors deep pocketed corporations. Those who shaped the foundations of the cannabis industry for decades soon find themselves struggling to fight for their piece of the American Dream in a market they helped create.Lady Buds features second-generation cannabis farmer Chiah Rodriques, 72-year-old African American retired Catholic school principal turned dispensary owner Sue Taylor, Latinx queer activist Felicia Carbajal, serial entrepreneur Karyn Wagner, and Humboldt elders The Bud Sisters. Their stories speak to the many opportunities and issues facing commercial cannabis today: the complicated dynamics of raising a family on a cannabis farm, the ongoing fight for those adversely affected by the War on Drugs, educating seniors citizens about the healing power of cannabis, and honoring the LGBTQ activists who fought for legalizing medical marijuana over 25 years ago.At every turn these trailblazers defy stereotypes, while revealing that cannabis is much more than a plant-it's a community.ln her feature debut, award-winning filmmaker Chris J. Russo offers an insightful journey into the lives and work of the women who are the backbone of the cannabis culture in California. Their struggles and triumphs paint a picture of an industry in fux as it grapples with preserving its storied heritage while looking toward the future.About Chris, Chiah and Sue:Chris J. Russo's award-winning short films have screened all over the world, including the Sundance Film Festival, and have been broadcast on Showtime, PBS, lFC, LOGO and NETFLlX. She is a 2018 fellow of the Sundance lnstitute/Women ln Film Financing lntensive with Lady Buds, and is also a fellow of Film lndependent's Director and Screenwriters Labs, with her project, Directed By Dorothy Arzner. Notable short film credits include, A Woman Reported, about the moments before a hate crime occurs; Size 'em Up, a coming of age story; Straight Down The Aisle: Confessions of Lesbian Bridesmaids, winner of the Outfest Best Short Documentary Award for its poignant view on marriage non-equality (pre-Prop 8); and numerous music videos.After receiving two art degrees in Photography - a BFA from the University of Buffalo and MFA from the Visual Studies Workshop in Rochester, NY - Russo moved to Hollywood and worked for Kodak for 15 years and as a Post Production Supervisor on over 15 feature films. Russo is an exhibited fine art photographer, with recent group shows in Los Angeles, West Hollywood and Beverly Hills. She has dedicated the last four years to producing and directing Lady Buds, her first feature film, which will be having its World Premiere at Hot Docs 2021.Sue Taylor is a 72-year old retired Catholic school principal whose mission is to open the first cannabis dispensary for seniors citizens to offer alternatives to pharmaceuticals. As an African- American businesswoman in a white, male-dominated industry, Sue presses forward despite financial concerns, repeated delays and the frustrations of dealing with the local bureaucracy.Chiah Rodriques grew cannabis plants under blackberry trees and hid from federal helicopters growing up. As an adult and second-generation farmer, she's lived most of her life in the shadows until California legalized cannabis, which offered her the opportunity to become a permitted cultivator. With the price of weed dropping and a leap of faith into the unknown, Chiah must find balance between working on the farm and parenting her two sons amidst the harsh financial pressures of legalization.Image Copyright and Credit: Chris J. Russo.F2F Music and Image Copyright: David Peck and Face2Face. Used with permission.For more information about David Peck’s podcasting, writing and public speaking please visit his site here.With thanks to Josh Snethlage and Mixed Media Sound. See acast.com/privacy for privacy and opt-out information.

Hosts: Adam Rani (@adamthechase)   & Christine Chen (@cchenmtf) For more information about Christine Chen: christinewchen.comFor more information go to getreelisms.com  GUESTS:Adam RaniChristine Chen WEBISODE version of the PodcastTo watch our films: https://www.christinewchen.com/films-on-amazon

Today we're concluding our conversation with Micah Gerber on film financing by talking to him about what to do if you financing campaign stalls or fails as well as what Micah wished he knew when he was first getting starting in filmmaking.

We're turning our attention to money in today's episode of The Producer Podcast as we talk with Micah Gerber about his experience fundraising for projects and how you can successfully secure funding for your film.

Rebekah talks to Exec Producer Phil McCauley about the dos and don'ts of film financing and the importance of film festivals. Phil is happy for you to connect with him on LinkedIn: https://www.linkedin.com/in/philip-mccauley-b340b31/

The wonderful and delightfully film investment savvy Exec Producer Peter Dunphy from Gizmo Film joins us to discuss film finance, how important your investors are not just at the beginning and How the feature film Funny Cow starring Maxine Peake, which is out now came to be. How being an Exec Producer can have it's perks but also it's downfalls like having to sack actors but gives us the best way to do it. We discuss his latest TV show Mad to be Normal starring David Tennant and Elizabeth Moss which is coming out soon How he worked for business man James Caan and became an expert on tax which proved to be invaluable. “Every film you are involved in you make big mistake and say I'm not going to doing that again. “ Mistakes are not seeing the route to market. You should be thinking about distribution and sales “If you can't get sales agent or distributor at the early stages. Get a new project” We discuss the best way to move forward with a project when you just have a script. We go into detail on SEIS,  EIS and film tax relief *note SEIS - 50% tax rebate for investors. Limit is 150k. Plus loss relief on top of that. So 75% is risk free. EIS. Investors can raise up to 10mil per investor And by getting advanced assurance. Allows you to give comfort to your investor. Now the government want you to make a slate of films. Rather than one. Film tax relief. If making a film in the UK you qualify up to 25% of film tax relief. “Spend the money as if it was your own” Surviving Christmas. Good cast, EIS advance assurance and UK tax credit in place. “The moment you get the the film wrapped you now have an asset, which the investors have a stake in. We also discuss how to keep investors at bay or entertained. LINKS Trailer 'Funny Cow' https://www.youtube.com/watch?v=5qDFb7qUV30 Film INFO www.funnycowfilm.co.uk www.gizmofilms.com Twitter @Gizmo Films @PeterDunphy1 Follow us www.thefilmmakerspodcast.com @filmmakerspod @gilesalderson @cjamedirect

In this filmmaking podcast, Jason Brubaker explains how to get investors for film financing. For more information, you may wan to check out www.MakeYourMovieNow.com

Our guest Bill Woolery, ET and the Usual Suspects, is  also known as "The Trailer Specialist."  Bill will offer his wisdom on trailer editing from his 25 years of experience with movie studios .He is a donor to the Roy Dean film Grant and wrote a chapter in my book, The Art of Film Funding.  See his brilliant work here: http://www.billwoolery.com/

Film Grants, Crowd Funding, & Fiscal Sponsorship