Podcasts about Joby Talbot

This time, we listened to and read Ringing the Changes by Robert Aickman. Robert Fordyce Aickman was an English conservationist and writer. As a conservationist, he played a key role in preserving and restoring England's inland canal system. As a writer, he is best known for his supernatural fiction, which he described as "strange stories."On his mother's side, Aickman was the grandson of the prolific Victorian novelist Richard Marsh. Marsh is known for his occult thriller The Beetle, a book as popular in its time as Bram Stoker's Dracula. Aickman is best known for his 48 "strange stories," published across eight volumes.Podcast favorite Jeremy Dyson has adapted Aickman's work in various forms. Listen to episode 8 for our most in-depth look at Jeremy's work. A musical version of Aickman's short story The Same Dog, co-written by Dyson and Joby Talbot, premiered in 2000 at the Barbican Concert Hall.In 2000, Dyson, along with his League of Gentlemen collaborator Mark Gatiss, adapted Ringing the Changes into a BBC Radio Four play, airing exactly twenty years after the CBC adaptation. This adaptation was intended to start a tradition of 'An Aickman Story for Halloween,' but unfortunately, it did not continue. Dyson also directed a 2002 short film based on Aickman's story The Cicerones, with Gatiss as the principal actor.It is this Dyson/Gatiss adaptation that we listened to for this episode. (Thanks to ‘Mysterious Magpie' for putting this up on YouTube so we could listen to it)The cast includes George Baker as Gerald. Baker is known for his roles in The Dam Busters as Flight Lieutenant D. J. H. Maltby, Tiberius in I, Claudius, D.C.I. Wexford in The Ruth Rendell Mysteries, Decider Logrin in the Doctor Who story Full Circle, and appearances in two James Bond films. Fiona Allen plays Phrynne. Allen is an actress and writer known for 24 Hour Party People, Smack the Pony, and Poirot. She has been married to Michael Parkinson since April 2001. This surprised Ross when writing this until he discovered it wasn't ‘That' Michael Parkinson (see episode 18 of this podcast for more about him). Instead, it's the patronymic son of the chat show legend, whom she met while he was working as a location manager on Smack the Pony. Confused? I am! Friend of the show Mark Gatiss appears as the Narrator and Mr. Pascoe, the landlord. Commandant Shortcroft is played by Michael Cochrane, known for his role in 280 episodes of The Archers, Arnold (Private Godfrey) Ridley in We're Doomed! The Dad's Army Story, and for playing three different characters in three different episodes of Heartbeat.Barbara Shelley plays Mrs. Pascoe. Known to our podcast listeners for her portrayal of Barbara Judd in the Hammer version of Quatermass and the Pit (reviewed in episode 34), she also starred in The Village of the Damned (which we need to review soon), Dracula: Prince of Darkness (one of the Dracula films we still need to cover), Rasputin: The Mad Monk, The Gorgon, and the 1958 Hammer wannabe Blood of the Vampire, written by Jimmy Sangster. She also appeared in both Blake's 7 and Doctor Who— as I'm sure James is dying to know, we can tell you she played Sorasta in Planet of Fire and was considered for the role of Tanha in Snakedance… but that's enough Doctor Who for now… Get bonus content on PatreonSupport this show http://supporter.acast.com/general-witchfinders. Hosted on Acast. See acast.com/privacy for more information.

Diese halbe Stunde gehört nur dir. Augen schließen, Kopfhörer auf und die innere Landschaft vorbeiziehen lassen. Diese Musikstücke hast Du in der Folge gehört: Annette Focks – "Nachtzug nach Lissabon" // Joby Talbot – "Ink Dark Moon" // Zucchero – "Diamante" // John Williams – "Marlon's Theme" // August Klughardt – "Schilflieder-Zart" // Den Podcast "Raus aus der Depression" von NDR Info findest du hier: https://www.ardaudiothek.de/sendung/raus-aus-der-depression/90479748/ Wenn Du eine Idee oder einen Wunsch zu einem musikalischen Thema hast, dann schreib mir eine Mail: playlist@ndr.de

"Wonka" (2023), música de Joby Talbot y Neil Hannon.

A TELJES ADÁS MP3 FORMÁTUMBAN: https://drive.google.com/file/d/1VbtM2aMdgm9A9QgnQrB5pQ3swq0W_8BN/view Spotify playlist a hallott dalokról: https://open.spotify.com/playlist/5DV1BGW8HwBTo7PWl20B8r?si=3e4fc7fab3684152 A Tune Up Radio 255. adását hallgathatjátok, melyben 2023 (szerintünk) legjobb filmzenéiről beszélgetünk. Résztvevők: Ákos, András Intro (0:00) Joby Talbot & Neil Hannon: Wonka (0:16:18) Stephen Barton & Gordy Haab: Star Wars Jedi: Survivor (0:32:32) Lorne Balfe: Dungeons & Dragons: betyárbecsület (0:51:06) Natalie Holt: Loki 2. évad (1:09:35) John Debney & Joel McNeely & Andrew Cottee & Kevin Kaska & Bruce Broughton: Orville (1:25:38) Joe Hisaishi: A fiú és a szürke gém (1:41:20) Masayoshi Soken: Final Fantasy XVI (1:50:32) Ludwig Göransson: Oppenheimer (2:04:50) Kevin Kiner: Ahsoka (2:19:58) Sonya Belousova & Giona Ostinelli: One Piece (2:38:14) Daniel Pemberton: Pókember: A pókverzumon át (2:57:22) Legjobban várt zenék 2024-ben (3:11:11) Támogass minket Patreonon: https://www.patreon.com/radiotuneup SOUNDCLOUD https://soundcloud.com/radiotuneup SPOTIFY https://open.spotify.com/show/6g69TlNlr7jk0ojcM05aAb APPLE PODCASTS https://podcasts.apple.com/hu/podcast/tune-up-radio-podcast/id1460229855?fbclid=IwAR0kyH86OgonL8mzsAfFnDCQHDIVEvQcyUX8wD8BA-vL5h5Lk9di3Dp12Ko MP3 LINK: https://drive.google.com/file/d/1VbtM2aMdgm9A9QgnQrB5pQ3swq0W_8BN/view A Tune Up Radio Soundboardot a Google Play Store-ban találjátok, vagy ezen a linken keresztül tudjátok letölteni: https://play.google.com/store/apps/details?id=com.B13Soft.tuneupradio_soundboard Webes változat: https://bbbotond.github.io/tuneup-soundboard/ Facebook: https://www.facebook.com/radiotuneup/ Twitter (X): @radiotuneup Ákos Twitter (X) fiókja: @lennoxasaki András Twitter (X) fiókja: @AndrasUp E-mail: tuneup314@gmail.com

Wonka is a 2023 musical fantasy film directed by Paul King, who co-wrote the screenplay with Simon Farnaby based on a story by King. It tells the origin story of Willy Wonka, a character in the 1964 novel Charlie and the Chocolate Factory by Roald Dahl, featuring his early days as a chocolatier. The film stars Timothée Chalamet in the title role and an ensemble cast including Calah Lane, Keegan-Michael Key, Paterson Joseph, Matt Lucas, Mathew Baynton, Sally Hawkins, Rowan Atkinson, Jim Carter, Natasha Rothwell, Olivia Colman, and Hugh Grant. It is the third live-action film based on Dahl's novel, following Willy Wonka & the Chocolate Factory (1971) and Charlie and the Chocolate Factory (2005). Development began after Warner Bros. Pictures reacquired the rights to the character in October 2016 and announced that the film would serve as an origin story. While the film tells a standalone story with no connection to prior adaptations, King developed Wonka to exist as a "companion piece" to the 1971 film by reprising some of the music, thematic elements, and visual design of the Oompa Loompas. In May 2021, Chalamet was confirmed to be portraying Wonka and the supporting cast were announced in September of that year. Filming began in the United Kingdom in September 2021, taking place in Warner Bros. Studios, Leavesden, in Watford, as well as Oxford, Lyme Regis, Bath, St Albans and at the Rivoli Ballroom in Crofton Park, London. The original songs for the film were contributed by Neil Hannon, while its original score was provided by Joby Talbot. Wonka had its world premiere in London at the Royal Festival Hall, Southbank Centre, on November 28, 2023. It was released in the United Kingdom on December 8 and in the United States on December 15 by Warner Bros. Pictures. The film has grossed $469 million worldwide and received generally positive reviews from critics. For his performance, Chalamet was nominated for a Golden Globe Award for Best Actor – Motion Picture Musical or Comedy. The film also received two Critics' Choice Award nominations for Best Young Actor/Actress for Lane & Costume Design. --- Send in a voice message: https://podcasters.spotify.com/pod/show/popcorn-junkies/message

Min 5: EL FILTRO DE LA NIEVE Por fin tenemos la oportunidad de salir de dudas. Llega el momento de "La sociedad de la nieve", la ambiciosa revisión que JA Bayona ha hecho de la histora que Frank Marshall nos contó en "Viven" (1993). En enero llega a Netflix, es la gran favorita a los Goya y según la crítica tiene serias opciones de pujar por un nuevo Oscar para España. Una coproducción España-EEUU que tienen vista y rumiada Alberto Luchini y Raquel Hernández, que tendrán que explicarnos por qué es para tanto la peli más arriesgada y valiosa del director de "El Orfanato", "Lo Imposible" o "Un Monstruo viene a verme". min 17: CAMPEONES vs CHAMPIONS. ¿Te imaginas que Hollywood se encaprichase de la brillante idea que Javier Fesser tuvo con la laureada "Campeones" y hacen su propia versión made in USA? Pues lo que ha hecho Bobby Farrelly es una comedia irregular que clona algunos de los momentos más reconocibels de la original y en la que Woody Harrelson es el émulo americano de nuestro Javier Gutiérrez. Sin pelos en la lengua ponemos a "Champions" en el lugar que le corresponde. MIn 22: "LA ESPERA": CINE PEGADO A LA TIERRA Otra de las apuestas españolas que no podemos dejar pasar nos devuelve ese cine auténtico e intenso que remueve nuestras raíces y que sigue el legado de Borau, Camus o el primer Saura. En "La espera" F. Javier Gutiérrez convierte a Victor Clavijo en una guarda de finca que tendrá que pagar las consecuencias de un soborno maldito. min 27: GOLDA, UN BIOPIC PARA MUY CAFETEROS Y acabamos repaso a la cartelera con el biopic que Guy Nattiv ha llevado a la pantalla para sacar brillo a la labor de Golda Meir, "La Dama de Hierro de Israel", a la que caracteriza más allá del deber una de nuevo impecable Helen Mirren. min 32: BSO: WONKA sabe a musical Navideño Clásica, emotiva, vitalista, tierna, emocionante y por momentos brillante. La banda sonora que Joby Talbot ha compuesto para el "Wonka" de Paul King parece sacada del baúl de los mejores musicales navideños. Con Ángel Luque valoramos la alta calidad musical de la película que está cautivando a miles de espectadores y familias en esta prenavidad. Si el escritor Roald Dahl levantara la cabeza es muy posible que se emocionara con la partitura que Talbot le ha regalado a su Willy Wonka. ¿Te animas a comprobarlo?

It's a Wonka special for you today, as writer director Paul King, songwriter Neil Hannon and composer Joby Talbot join Edith to discuss their origin story of the eccentric chocolate maker, who is brilliantly played by Timothée Chalamet. It's a beautiful, all-singing, all-dancing spectacular, with all the characteristic charm of Paul's work, and with fine contributions from Neil and Joby.

Presenter Sara Mohr-Pietsch explores the musical legacy of the Windrush generation, as part of the BBC's coverage of the 75th anniversary of HMT Empire Windrush's arrival at Tilbury Docks on 22nd June 1948. The composer Shirley J. Thompson joins Sara to discuss a new piano version of her one-singer opera with film, Women of the Windrush, and we hear specially recorded excerpts from the work by soprano Nadine Benjamin and pianist Caroline Jaya-Ratnam. The composers Errollyn Wallen and Des Oliver talk, too, about their own family connections and musical influences, and we hear the story of Belizean folk singer Nadia Cattouse as told by her son, Level 42 keyboardist Mike Lindup. The French-Canadian conductor Nicole Paiement, Founder and Artistic Director of Opera Parallèle in San Francisco, speaks to Sara from her home over-looking the bay while preparing to give the UK premiere of Joby Talbot and Gene Scheer's opera Everest - a work which tells the harrowing story of climbers caught in a blizzard in 1996 - in what will be a semi-staged version with the BBC Symphony Orchestra. Plus the conductor, composer and arranger Nigel Brooks discusses his life in music, from his first job during a Proms performance of music by Vaughan Williams with the BBC Singers in 1950, to his own group the Nigel Brooks Singers, and what drives him to continue writing music - including an orchestral piece inspired by that first Proms appearance - at the age of 96.

This week's guest wins the award for most glamorous location for a live link up - It's internationally renowned ‘cellist Matthew Barley and he's in the rainforests of Brazil!Matthew kindly took time away from his holiday to chat with Seb and Verity about his soon to be released album Electric. This album brings together a unique collection of works for cello and electronics from the last 40 years and features compositions by the likes of Anna Meredith, Joby Talbot, Jonathan Harvey and Oded Ben-Tal.Matthew talks about the joys of being hands on through the editing process, how he grapples with letting go of imperfections whilst constantly striving for improvements. He also chats about his ‘Around Britten' tour and the weird and wonderful venues he performed in - think caves, a lighthouse & a swimming pool amongst others!They also discuss the conundrum of getting audiences into contemporary music concerts and Matthew's excitement/trepidation at recording his own compositions for the first time….There are classic Zencastr issues which present in the form of a healthy two second delay. Seb has worked his editing magic on it but there may be a few eggy moments which we can assure you are purely tech related….we hope!Tracks featured in this episode:Noticing Things: II. Replica - Jan BangConstant Filter - John MetcalfeFalling - Joby TalbotMoonmoons - Anna MeredithMotion Detector - Joby TalbotTo read more about Matthew visit his website; https://matthewbarley.com/Check out the first singles released from Electric here; https://music.apple.com/gb/album/electric/1667564338You can follow Three In a Bar on Instagram @threeinabarpodhttps://www.instagram.com/threeinabarpod/We are on Twitter @threeinabarpod https://www.twitter.com/threeinabarpodAnything you'd like to share with us? Any guests you'd love to hear or anything you'd like us to do better? Drop us a line at hello@threeinabar.comSUPPORT THREE IN A BAR ON PATREONJoin our Members' Club for a bonus podcast feed plus many more rewards.Click here: https://www.patreon.com/threeinabar Click here to join the Members' Club on Patreon! Hosted on Acast. See acast.com/privacy for more information.

An epic and spiritual adventure for choir, Joby Talbot's Path of Miracles captures the hope, the expectation and the moments of overwhelm (both positive and negative) of travellers on the ancient and still popular pilgrimage trail the Camino de Santiago (Way of St James). Simon Clark, scientist, author and singer joins me to share his passion for the piece and guide us on a journey of musical and maybe spiritual fulfilment! Listening time: podcast 24 mins, music 62' Music here on Youtube, Spotify, Apple Music and Amazon.   f you like to see your singers in action, there's a live concert video performance on Youtube here. Path of Miracles was commissioned and premiered by the choir Tenebrae and their conductor Nigel Short. Their recording and performances remain the 'benchmark' for this increasingly popular piece. You can buy the above recording as a cd or high-quality download here, direct from the choir. The text is a mix of ancient Latin and early European languages (often taken from religious writings or music) alongside an English text writen by the poet Robert Dickinson. The complete words are here (starting on Page 4). Simon Clark's The Wikicast is on all major podcast platforms and his science videos are on his Youtube channel. Simon also appears on Cacophony episode 134, unpicking some celestial science as we investigate The sound of the solar system?   What do you think? Let me know with a comment at Cacophonyonline.com. I ‘d love to hear from you! If you'd like to support Cacophony there are easy, great, ways: – send us a little something or make a regular payment at ko-fi.com – share this episode with someone you know – share the 100 second trailer – subscribe/ review and keep listening! Thanks for listening!          

Joby Talbot is the only living composer to have written the music for three full-length ballets for The Royal Ballet in London. In this sixth episode of Composing Myself Wise Music CEO and Creative Director Dave Holley and Gill Graham catch up with the genre-bending maestro to talk about his “horrible” jobs before he became a composer (Night shift at the local mortuary! Laundry at a mental institution!), working with Nigel Godrich and their close professional bond, the key differences between composing for animations versus live action projects, the culinary genesis of the Like Water For Chocolate ballet score, and the upside-down sensibility of composing for choreography - “you're trying to give a platform for the choreographer and the dancers to do their thing, without knowing what that thing is”. -----http://www.jobytalbot.comhttps://www.instagram.com/jobytalbotmusic/-----Joby Talbot was born in London in 1971. He studied composition privately with Brian Elias and at Royal Holloway and Bedford New College, before completing a Master of Music (Composition) at the Guildhall School of Music and Drama under Simon Bainbridge.Talbot's diverse catalogue includes full-length narrative ballets (Alice's Adventures in Wonderland , 2011; The Winter's Tale, 2014) and contemporary dance works (Chroma, 2007); small- and large-scale choral and vocal works (The Wishing Tree, 2002; Path of Miracles, 2005; A Sheen of Dew on Flowers, 2019); orchestral pieces (Sneaker Wave, 2004; Chacony in G Minor, 2011; Worlds, Stars, Systems, Infinity, 2012); concerti (Desolation Wilderness, 2006; Ink Dark Moon, 2018); and scores for the screen (The Lodger, 1999; The Dying Swan, 2002; Vampyr, 2018).Talbot's critically acclaimed first opera, Everest, was given its premiere in 2015 by The Dallas Opera. His second opera based on the true story The Diving Bell and The Butterfly, a further collaboration with librettist Gene Sheer, premieres in November 2023. Like Water for Chocolate, Talbot's third narrative ballet with Christopher Wheeldon premiered in June 2022 at The Royal Ballet and will be presented by partner commissioner ABT, in March 2023 in Costa Mesa and at the Metropolitan Opera in New York in June 2023. Hosted on Acast. See acast.com/privacy for more information.

Thank you for listening to our show this season!!Here are the favorite choral pieces from our guests in the first season: Even When He Is Silent, Kim André ArnesenThe Gift I Leave You, Kim André ArnesenBist du bei mir, J. S. BachDer Geist hilft unsrer Schwachheit auf, J. S. BachSt. Matthew Passion, J. S. BachWarrior, Kim BarylukChichester Psalms, Leonard BernsteinHymn to St. Cecilia, Benjamin BrittenWar Requiem, Benjamin BrittenIn the Beginning, Aaron Copland (x2)Ka Huliau ‘Ana, Palani Vaughan, arr. Randie FongOn the Strangest Sea, Daniel HallO Magnum Mysterium, Morten LauridsenBe Not Afraid, Knut NystedtThreshold of Night, Tarik O'ReganThe Road Home, Stephen PaulusTo Touch the Sky (Mvt. 9: Most Noble Evergreen), Kevin PutsBogoroditse Devo, Sergei RachmaninoffGospel Mass, Robert RayLet My Love be Heard, Jake Runestad (x2)Concerto for Choir, Alfred SchnittkeSymphony of Psalms, Igor StravinskyPath of Miracles, Joby Talbot (x2)Sea Symphony, Ralph Vaughan WilliamsAs Vesta Was from Latmos Hill Descending, Thomas WeelkesA Boy and a Girl, Eric WhitacreCloudburst, Eric WhitacreLeonardo Dreams of His Flying Machine, Eric WhitacreHere are the composers that our guests suggested you check out:Amy F. BernonAbbie BetinisB. E. Boykin (x2)Maddalena CasulanaWilliam DawsonAshi DayRob DietzMelissa DunphyAntonin DvorakĒriks EšenvaldsReena EsmailLaura FarnellRyan GundersonJocelyn HagenElaine HagenbergBo HoltenDavid LangUndine Smith MooreMaryAnne MugliaKyle PedersonRosephanye PowellSarah QuartelZanaida Robles Kentaro SatoMoira SmileyIngrid StölzelZ. Randall StroopeJoby TalbotRandall ThompsonDale TrumboreGwyneth WalkerTracy WongManuel de ZumayaEmail choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson from Pexels

Conductor Lidiya Yankovskaya joins me and speaks about her experience preparing for, conducting, and navigating a career thriving between concert halls and opera pits.Russian-American conductor Lidiya Yankovskaya is a fiercely committed advocate for Russianmasterpieces, operatic rarities, and contemporary works on the leading edge of classical music. She has conducted more than 40 world premieres, including 16 operas, and her strength as a visionary collaborator has guided new perspectives on staged and symphonic repertoire from Carmen and Queen of Spades to Price and Prokofiev. Yankovskaya has recently made major debuts with Chicago Symphony Orchestra and Dallas Symphony, and conducted the symphony orchestras of Omaha, Pasadena, and Fort Worth. As Music Director of Chicago Opera Theater, she has led the Chicago premieres of Jake Heggie's Moby-Dick, Rachmaninov's Aleko, Joby Talbot's Everest, Tchaikovsky's Iolanta, and Adamo's Becoming Santa Claus. Elsewhere, she has recently conducted Carmen at Houston Grand Opera, Don Giovanni at Seattle Opera, Pia de' Tolomei at Spoleto Festival USA, Il barbiere di Siviglia at Wolf Trap Opera, Ellen West at New York's Prototype Festival, and the world premiere of Taking Up Serpents at Washington National Opera.

Russian-American conductor Lidiya Yankovskaya is a fiercely committed advocate for Russian masterpieces, operatic rarities, and contemporary works on the leading edge of classical music. She has conducted more than 40 world premieres, including 16 operas, and her strength as a visionary collaborator has guided new perspectives on staged and symphonic repertoire from Carmen and Queen of Spades to Price and Prokofiev. As Music Director of Chicago Opera Theater, Ms. Yankovskaya has led the Chicago premieres of Jake Heggie's Moby-Dick, Rachmaninov's Aleko, Joby Talbot's Everest, Tchaikovsky's Iolanta, and the world premiere of Dan Shore's Freedom Ride. Her daring performances before and amid the pandemic earned recognition from the Chicago Tribune, which praised her as “the very model of how to survive adversity, and also how to thrive in it,” while naming her 2020 Chicagoan of the Year. In the 2021/22 season, Ms. Yankovskaya makes a trio of Texan debuts, leading performances of Carmen at Houston Grand Opera, a tribute to Ruth Bader Ginsburg at Dallas Symphony Orchestra, and concerts featuring works by Gershwin and Dawson at Fort Worth Symphony. Elsewhere, she debuts with Chicago Symphony Orchestra in Prokofiev's Peter and the Wolf, leads a program of Brahms and Wagner at Elgin Symphony, conducts Boulanger, Debussy, and Ravel at Omaha Symphony, and makes her Pasadena Symphony debut conducting works by Tchaikovsky, Rimsky-Korsakov, and Gabriela Lena Frank. At Chicago Opera Theater, she conducts the Chicago premiere of Mark Adamo's Becoming Santa Claus and a concert version of Carmen, starring Jamie Barton opposite Stephanie Blythe. Ms. Yankovskaya has recently conducted Don Giovanni at Seattle Opera, Pia de' Tolomei at Spoleto Festival USA, Il barbiere di Siviglia at Wolf Trap Opera, Ellen West at New York's Prototype Festival, and the world premiere of Taking Up Serpents at Washington National Opera. On the concert stage, she has been recently engaged with Chicago Philharmonic, Rhode Island Philharmonic, and the symphony orchestras of Hawaii and Oviedo, Spain. Ms. Yankovskaya is Founder and Artistic Director of the Refugee Orchestra Project, which proclaims the cultural and societal relevance of refugees through music, and has brought that message to hundreds of thousands of listeners around the world. In addition to a National Sawdust residency in Brooklyn, ROP has performed in London, Boston, Washington, D.C., and the United Nations. She has also served as Artistic Director of the Boston New Music Festival and Juventas New Music Ensemble, which was the recipient of multiple NEA grants and National Opera Association Awards under her leadership. As Music Director of Harvard's Lowell House Opera, Ms. Yankovskaya conducted sold-out performances of repertoire rarely heard in Boston, including Tchaikovsky's The Queen of Spades, Britten's A Midsummer Night's Dream, and the U.S. Russian-language premiere of Rimsky-Korsakov's The Snow Maiden. Her commitment to exploring the breadth of symphonic and operatic repertoire has also been demonstrated in performances of Rachmaninoff's Aleko and the American premieres of Donizetti's Pia de' Tolomei, Rubinshteyn's The Demon, and Rimsky-Korsakov's Kashchej The Immortal and Symphony No. 1. An alumna of the Dallas Opera's Hart Institute for Women Conductors and the Taki Alsop Conducting Fellowship, Ms. Yankovskaya has also served as assistant conductor to Lorin Maazel, chorus master of Boston Symphony Orchestra, and conductor of Boston Youth Symphony Orchestra. She has been featured in the League of American Orchestras Bruno Walter National Conductor Preview and Cabrillo Festival for Contemporary Music, and assisted Vladimir Jurowski via a London Philharmonic fellowship. Ms. Yankovskaya holds a B.A. in Music and Philosophy from Vassar College, with a focus on piano, voice, and conducting, and earned an M.M. in Conducting from Boston University. Her conducting teachers and mentors have included Lorin Maazel, Marin Alsop, Kenneth Kiesler, and Ann Howard Jones. Ms. Yankovskaya's belief in the importance of mentorship has fueled the establishment of Chicago Opera Theater's Vanguard Initiative, an investment in new opera that includes a two-year residency for emerging opera composers. Committed to developing the next generation of artistic leaders, she also volunteers with Turn The Spotlight, a foundation dedicated to identifying, nurturing, and empowering leaders – and in turn, to illuminating the path to a more equitable future in the arts. Recipient of Solti Foundation U.S. Career Assistance Awards in 2018 and 2021, Ms. Yankovskaya has been a featured speaker at the League of American Orchestras and Opera America conferences, and served as U.S. Representative to the 2018 World Opera Forum in Madrid.

Miloš Karadaglić — The Moon & the Forest (Decca)  Jump to CD giveaway form “Joby Talbot's piece Ink Dark Moon is a modern masterpiece and Howard Shore's concerto, The Forest, has a classical elegance to it,” said guitarist Miloš Karadaglić about the two new guitar concertos composed for him and his new album, The Moon & the Forest. Also featured on the album is Canada’s National Arts Centre Orchestra, conducted by Alexander Shelley, and the BBC Symphony Orchestra, led by Ben Gernon. Why do you consider this new recording your personal fairy tale come true?  “Ever since I started recording, it's been my dream to inspire composers to write guitar pieces. To have those composers, Howard Shore and Joby Talbot, to write for me has really been a dream come true.” Tell us about the musical journey we hear in Talbot’s Ink Dark Moon? “Everything I heard reminded me of the moon. I said to Talbot that in the second movement, particularly how the open strings evolve from lighter textures, to richness then suddenly emptiness, is similar to the phases of the moon. I am also reminded of how the moon transforms nightly with shades of gray and blue which are so intense and seductive.” How does the orchestration and the guitar line in the third movement break the glass ceiling of possibilities? “I don't have to be a shy guitarist all the time. I said, ‘Give me fireworks.’ I want to break my nails and fingers and play like there's no tomorrow. He came up with passages which are incredibly fast and loud which are also difficult to play. The piece really just explodes. That's why I say it's breaking a glass ceiling. Every time I've played it live or in the studio I felt it is the best thing I have played. It's just so much fun.” How did the Canadian National Art Center commission Howard Shore to write The Forest for you? “I remember during the 2014-15 concert season, I was playing The Aranjuez Concerto all over the world, and one of the performances was in Munich with the wonderful young British conductor Alexander Shelley. It was such a success that afterwards we where talking about collaboration in the future and thought, ‘Why don't we ask Howard Shore?’ Also, while I was learning Shore’s concerto I would come across references to other works which were like little fossils you would find inside a rock. Can you give me an example of some of the references that you found in this concerto?    “There is an interesting reference to the theme from The Aranjuez Concerto in the tutti section of the second movement. I asked Shore afterward, ‘Why did you do that?’ and he responded, ‘I wanted to honor composer Joaquín Rodrigo for writing one of the most beautiful pieces ever written, not just for guitar, but in the whole world. Also, because of this piece, I am here with you writing another work.’” To hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts. Watch now You must be 13 or older to submit any information to American Public Media. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy. This giveaway is subject to the Official Giveaway Rules. Note: Due to the coronavirus quarantines, we cannot send physical product at this time. Winners will be notified at the conclusion of the giveaway and will receive their prize as soon as possible after the crisis abates. Resources Miloš Karadaglić — The Moon & the Forest (Decca) Miloš Karadaglić — The Moon & the Forest (Amazon) Miloš Karadaglić (Official site)

Jess Gillam is joined by conductor Ryan Bancroft to share the music they love, with music by Debussy, Aruna Sairam, Caroline Shaw, Joby Talbot and Massive Attack plus a warm hug from Beethoven. Playlist: Debussy - Prelude a l'apres-midi d'un faune (Orchestra National de la RTF, Constantin Silvestri) Joby Talbot - Once around the sun; January - A Yellow Disc Rising from the Sea Aruna Sairam – Tillana, Kalinga Nardhanam Massive Attack - Unfinished Sympathy Leos Janacek – Taras Bulba; 1. The Death of Andri (Vienna Philharmonic, Sir Charles Mackerras) Nina Simone – Strange Fruit Caroline Shaw – Entr’acte (Attacca Quartet) Beethoven - Emperor Piano Concerto no.5; II. adagio (Murray Perahia, Royal Concertgebouw Orchestra, Bernard Haitink)

Rising w/ The Crossing Track List 1. David Lang (b. 1957) – protect yourself from infection (2019) [5:30] 2. Joby Talbot (b. 1971) – Lost Forever (2000) [3:46] 3. Ēriks Ešenvalds (b. 1977) – Translation (2016) [4:25] 4. Dieterich Buxtehude (1637-1707) – IV. Ad latus from Membra Jesu nostri, BuxWV 75 (1680) [8:10] 5. Paul Fowler (b. 1978) – First Pink (2016) [3:54] 6. David Lang – I. our land with peace from the national anthems (2014) [5:17] 7. Alex Berko (b. 1995) – Lincoln (2018) [5:45] 8. David Lang – IV. keep us free from the national anthems (2014) [4:09] 9. Ted Hearne (b.1982) – What it might say (2016) [4:34] 10. Dieterich Buxtehude – II. Ad genua from Membra Jesu nostri, BuxWV 75 (1680) [8:00] 11. Ēriks Ešenvalds – Earth Teach Me Quiet (2013) [7:18] 12. Santa Ratniece (b. 1977) – Horo horo hata hata (2008) [10:02] Purchase the music (without talk) for only $2.99 at: http://www.classicalsavings.com/store/p1112/Rising.html Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Please consider supporting our show, thank you! http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com

Saxophonist Jess Gillam joins Editor Martin Cullingford to explore some of the themes behind her new album, Time, a very personal project for her. Featuring music and arrangements by composers including Michael Nyman, Max Richter, Thom Yorke and Joby Talbot, it's released on September 25 on Decca.

Jess Gillam and recorder player Tabea Debus have a virtual lockdown listening party to share the music they love including Take 6, Joby Talbot, and Johann Bernhard Bach. Playlist: Johann Bernhard Bach - Ouverture from Suite in E Minor (L’Acheron, Francois Joubert-Caillet) Joby Talbot – Transit of Venus (Royal Liverpool Philharmonic, Christopher Austin) Michel Legrand -Windmills of your mind (Take 6) Johannes Brahms - Cello sonata no. 1 in E minor Op. 38: 1st mvt Allegor non troppo (Truls Mork , cello; Juhani Lagerspetz, piano) Ugis Praulins - The Nightingale: Tableau VII ‘The Artificial Bird’ (Danish National Vocal Ensemble; Michala Petri, recorder; Stephen Layton, director) Basement Jaxx – Where’s your head at Antonio Sartorio – Giulio Cesare in Egitto: Aria, Quando voglio (Anna Prohaska, soprano; Il Giardino Armonico; Giovanni Antonini, director) Maurice Ravel – Concerto in G Major, 1st mvt Allegramente (Martha Argerich, piano; Orchestra della Svizzera Italiana; Jacek Kaspszyk, conductor)

Keturah interviews Gene Scheer about his time on tour with Cats, his eclectic body of work, his collaboration with Jake Heggie, his upcoming premiere with Joby Talbot, and adapting libretti from existing work.

Við fetum þessa slóð hvort sem okkur líkar betur eða verr. Slóðirnar eru jafnmargar og mannfólkið og slóð er þemað í þessum þætti. Við förum á norðurslóð, við fikrum okkur eftir slóð í snjónum norður á Akureyri og við eltum vel troðna slóð pílagríma um Jakobsveginn í för með Hljómeyki og tónskáldinu Joby Talbot. Innslög unnu Dagur Gunnarsson, Jón Þór Kristjánsson og Þórgunnur Oddsdóttir.+ Umsjón: Dagur Gunnarsson

Við fetum þessa slóð hvort sem okkur líkar betur eða verr. Slóðirnar eru jafnmargar og mannfólkið og slóð er þemað í þessum þætti. Við förum á norðurslóð, við fikrum okkur eftir slóð í snjónum norður á Akureyri og við eltum vel troðna slóð pílagríma um Jakobsveginn í för með Hljómeyki og tónskáldinu Joby Talbot. Innslög unnu Dagur Gunnarsson, Jón Þór Kristjánsson og Þórgunnur Oddsdóttir.+ Umsjón: Dagur Gunnarsson

Composer Joby Talbot and Classical KUSC's Brian Lauritzen talk about the many different compositional hats Talbot wears, writing operas, ballets, concert music and film scores. Just in time for Halloween, they discuss Talbot's current project commissioned by LA Opera for the Off-Grand series: a new score for the 1931 German film “Vampyr” performed at the Theatre at Ace Hotel.

Melvin Burgess, who's been dubbed the Godfather of Young Adult fiction, talks about his new book The Lost Witch about a teenage girl who discovers she has magical powers.A record-breaking 3.6 million people watched this year's Love Island final. That's more viewers than were watching BBC One, BBC Two or ITV in the same time slot. Journalist and critic Alix O'Neill discusses the show's cultural impact. In Thursday's Prom concert at the Royal Albert Hall Milŏs Karadaglíc will give the world premiere of Ink Dark Moon, a guitar concerto written for him by Joby Talbot. Milŏs plays live in the Front Row studio, and the pair discuss the relationship between musician and composer. They consider, too, the range of a modern musician's work: Milŏs has recorded classics beyond the classical repertoire - an album of tunes by The Beatles - and Joby writes ballet music, has composed an opera and arranged music for Tom Jones and The Divine Comedy.Brian Friel's Translations is enjoying a sell-out run at the National Theatre; when it comes to an end Aristocrats will open at the Donmar Theatre. Philadelphia Here I Come!, Faith Healer, Dancing at Lughnasa - there is almost always a Friel play on somewhere. All of them are set in Ballybeg (which means 'small town' in Irish) and most are family dramas. Roy Foster, Professor of Irish history and literature, teases out why Friel's domestic dramas of Donegal hold such universal appeal. Presenter: Stig Abell Producer: Jack Soper.Main image: Love Island. Credit: ITV

In the latest Gramophone Podcast, guitarist Miloš Karadaglić talks to Editor in Chief James Jolly, telling him about the new concerto by Joby Talbot that he's premiering at the Proms on August 2, and his new book 'Play Guitar with Miloš', which is available now from Schott.

Without wishing to sound sycophantic, it's hard to imagine a more humble talent that Garth Jennings. During this episode, he and Edith discuss many of his extraordinary creative endeavours - though on hearing the conversation you'd be forgiven for thinking he'd had next to nothing to do with any of them at all.  Don't be fooled.  Having founded production company Hammer & Tongs with Dominic Leung and Nick Goldsmith in 1993, Garth has been instrumental in a string of iconic music videos and also written and directed Hitchhikers Guide To The Galaxy, Son of Rambow and most recently Sing.  Oh yes, he's penned a children's book too.  Expect music from composer Joby Talbot, Blur, Fatboy Slim, Betty Wright and more.

Skylar and Thom Young-Bayer recorded this show for the Strictlyfishwrap Science Radio Hour on WRFR-LP in Rockland, Maine on November 5th, 2017. Hosts: Skylar & Thom Young-Bayer Guest: Nick Record. (Full interview, parts 1 & 2 are uploaded separately). Topics: Power outage wind storm Importance of forests in mental health — stress and anxiety Daylight Savings Circadian rhythms Kansas at the bottom of a shallow sea — fossils ecosystem modeling day dreaming Ecocast: seascapemodeling.org/ecocast.html Tracks: The Gammy Bird by Christopher Young, Me the Machine by Imogen Heap, Animal Arithmetic by Jonsi, So Long, and Thanks for All the Fish written by English composer Joby Talbot, conductor Christopher Austin, and director Garth Jennings and performed by the Tenebrae Choir & Neil Hannon, Photo provided by Nick Record. To report a Tick or Jellyfish sighting in Maine: tick.bigelow.org jellyfish.bigelow.org

Picks from across the week with Sean Rafferty: Carlos Acosta, Joby Talbot, the V&A

Pour ce numéro #15 de Maudit DJ, Radio Rectangle accueille fièrement Frédéric Platéus aka Rec(to), artiste contemporain reconnu et culte, originaire de Liège et figure historique de la scène Graffiti belge. Fred nous a conconcté ici une playlist magnifique, brassant classiques et découvertes, comme - par exemple - cette fantastique version orchestrale du I'm Bound to Pack it Up des White Stripes, magistralement réarrangée par Joby Talbot (ex-Divine Comedy) et le producteur Richard Russell (boss du fameux label briton XL Recordings) sous le nom de Aluminium.Merci Fred !Tracklist :01. Alain Goraguer : Le Bracelet | La Planète Sauvage (Original Motion Picture Soundtrack) (Pathé, 1973)02. Aluminium : I'm Bound to Pack it Up | Aluminium (XL Recordings, 2006)03. Dusty Springfield : Son Of A Preacher Man | Dusty In Memphis (Philips, 1969)04. Group Home : Stupid MF's | A Tear For The Ghetto (Replay Records, 1999)05. Narada Michael Walden : The Dance Of Life | The Dance Of Life (Atlantic, 1979)06. Migos : YRN | Young Rich Niggas 2 (Quality Control Music, 2016)07. Althea & Donna : Uptown Top Ranking | Uptown Top Ranking (Virgin, 1978)08. Ennio Morricone : My Name Is Nobody | Il Mio Nome E' Nessuno (General Music, 1978)09. Wonderful Broken Thing : Girls Guys and Trains | Looking For Mike Lookinland (Long Live Crime Records, 2006)10. Patife Band : Teu Bem | Corredor Polonês (WEA Records,1987)11. Kool Keith : Sexual Intruder | The Personal Album (Kool Keith Enterprises, 2004)12. Sir Menelik AKA Cyclops 4000 : Terror Works | Space Cadillac Remix b/w Terror Works / Game Time (Rawkus, 1999)13. Monster Island Czars : Take Control | Escape From Monsta Island ! (Metal Face, 2003)14. The White Boys (feat. Dirt Nasty, Andre Legacy & Beardo) : What Am I Doing With My Life (Shoot to Kill Music, 2014)15. Roxy Music : Trash | Manifesto (Polydor, 1979)16. Joe Walsh : In The City | The Warriors (The Original Motion Picture Soundtrack) (A&M Records, 1979)

Pour ce numéro #15 de Maudit DJ, Radio Rectangle accueille fièrement Frédéric Platéus aka Rec(to), artiste contemporain reconnu et culte, originaire de Liège et figure historique de la scène Graffiti belge. Fred nous a conconcté ici une playlist magnifique, brassant classiques et découvertes, comme - par exemple - cette fantastique version orchestrale du I'm Bound to Pack it Up des White Stripes, magistralement réarrangée par Joby Talbot (ex-Divine Comedy) et le producteur Richard Russell (boss du fameux label briton XL Recordings) sous le nom de Aluminium. Merci Fred ! Tracklist : 01. Alain Goraguer : Le Bracelet | La Planète Sauvage (Original Motion Picture Soundtrack) (Pathé, 1973) 02. Aluminium : I'm Bound to Pack it Up | Aluminium (XL Recordings, 2006) 03. Dusty Springfield : Son Of A Preacher Man | Dusty In Memphis (Philips, 1969) 04. Group Home : Stupid MF's | A Tear For The Ghetto (Replay Records, 1999) 05. Narada Michael Walden : The Dance Of Life | The Dance Of Life (Atlantic, 1979) 06. Migos : YRN | Young Rich Niggas 2 (Quality Control Music, 2016) 07. Althea & Donna : Uptown Top Ranking | Uptown Top Ranking (Virgin, 1978) 08. Ennio Morricone : My Name Is Nobody | Il Mio Nome E' Nessuno (General Music, 1978) 09. Wonderful Broken Thing : Girls Guys and Trains | Looking For Mike Lookinland (Long Live Crime Records, 2006) 10. Patife Band : Teu Bem | Corredor Polonês (WEA Records,1987) 11. Kool Keith : Sexual Intruder | The Personal Album (Kool Keith Enterprises, 2004) 12. Sir Menelik AKA Cyclops 4000 : Terror Works | Space Cadillac Remix b/w Terror Works / Game Time (Rawkus, 1999) 13. Monster Island Czars : Take Control | Escape From Monsta Island ! (Metal Face, 2003) 14. The White Boys (feat. Dirt Nasty, Andre Legacy & Beardo) : What Am I Doing With My Life (Shoot to Kill Music, 2014) 15. Roxy Music : Trash | Manifesto (Polydor, 1979) 16. Joe Walsh : In The City | The Warriors (The Original Motion Picture Soundtrack) (A&M Records, 1979)

Dive into a fun and inspiring chat with composer Joby Talbot. Joby's diverse career and versatile talents have led to a multitude of memorable scores such as for The Hitchhiker's Guide To The Galaxy, Penelope, Son Of Rambow and now Sing. We discuss Joby's path to film scoring and how he approaches certain genres of films. We delve into Sing, which is the newest film from Illumination Entertainment who brought us Despicable Me and Minions. Joby talks about the challenge of creating a score for a film that has pop songs and musical numbers throughout. He also discusses his ongoing collaboration with director Garth Jennings across the films they have worked on together. Joby brings his unique voice as a composer into all of his music and it was such a blast to dissect his process with him. Interview Produced & Presented By:Kaya Savas Special Thanks:Joby TalbotJana DavidoffAndrew CohenCW3PR

Welcome to Shuffle and Repeat for the week ending March 10, 2017. This week, we explore the music of Joby Talbot, George Harrison, John Lennon, James Taylor, Iggy Pop, Elvis Costello, U2, The Rolling Stones, David Bowie, Tom Waits, Billy Joel and Coldplay. Come back each Friday for new episodes and reach out to Ari on Twitter @arihalbkram. Merch is now available to anyone who wants to support the show and a great charitable cause at shop.shuffleandrepeat.com

Conspirare | Leitung: Craig Hella Johnson

This week was a podcast made on the run! With both hosts getting sick at different intervals and one host going out of town, it's a wonder that such quality audio comes together at all. With that in mind, please forgive us for any inconsistencies in quality. Week in Geek: Andrew buys a dictator simulator on a Steam sale while Dan accidentally preorders a book twice and laments the amount of Gamecubes seen at a local swap meet. Ready Player One: Steven Spielberg was recently announced as the director for the film adaptation of the nerd-favorite novel. Considering the book was written by a huge fan of '70s and '80s gaming culture, can that translate to the screen and be as impactful with Speilberg at the helm? Fans and their Fiction:  It's widely known that nerdy fans express their appreciation for their beloved stories in many different ways. This week, we examine how fans contribute to the fictions they love so much and many of the implication involved with doing that. Douglas Adams: We couldn't ignore the fact that we're in the middle of episode 42 and not mention Douglas Adams. Conveniently, we make the argument that Mr. Adams is also the most successful fan fiction writer...of himself. Question of the Geek:   With regard to creating original work in a pre-existing fiction, which would you like to create for? Leave your answers in the comments for this page at forall.libsyn.com. You may also leave your answers on our official Facebook an Google+ pages, and join in on the conversations there. Feel free to also e-mail us at forallpod [at] gmail.com. For intents and purposes, that was an episode recap. Featured Music: -"Stayin' in Black" by Wax Audio -"Dead Man's Party" by Oingo Boingo -"Express Yourself" by Charles Wright and The Watts 103rd Street Rhythm Band -"So Long and Thanks for All the Fish" by Joby Talbot and Hilary Summers (from the soundtrack to The Hitchhiker's Guide to the Galaxy) -"The Doctor and I" by John Barrowman -"Professor Oak Theme" by Junichi Masuda (from Pokemon Red/Blue)

Emma Thompson and Celia Imrie discuss their new film comedy The Love Punch; choreographer Chris Wheeldon, composer Joby Talbot and principal ballerina Lauren Cuthbertson look ahead to tonight's opening of The Winter's Tale, the Royal Ballet's first original full-length Shakespeare ballet in 50 years; Gaylene Gould reviews Simon Stephens' play Birdland starring Andrew Scott; and actor Sam West on a new arts funding campaign.

In which I do a Let's Play of classic text adventure, The Hitchhiker's Guide to the Galaxy! Journey of the Sorcerer by Eagles, redone by Joby Talbot; The Hitchhiker's Guide to the Galaxy by Infocom (mainly Steve Meretzky and Douglas Adams).

Optical Identity is a daring work that combines chamber music repertoire with new music and visuals, creating music to be looked at... not just listened to. "flashes of inspired synchronicity that fired the senses into overdrive, even euphoria." The Scotsman The show features some of the best contemporary music from across the globe; Kevin Volans' White Man Sleeps with its South African influence; Franghiz Ali Zadeh's Mugam Sayagi focusing on a secret 16th century Islamic language, Rolf Wallin's Phonotope I exploring the Chinese elements and Manual Override, a commission from Joby Talbot, best known for his work with The Divine Comedy, and as collaborator with Wayne McGregor in the award-winning Chroma.