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Last time we spoke about the Russian Counter Offensive over the Heights. On the Manchurian frontier, a Japanese plan hatched in the hush before dawn: strike at Hill 52, seize the summit, and bargain only if fate demanded. Colonel Sato chose Nakano's 75th Regiment, delivering five fearless captains to lead the charge, with Nakajima rising like a bright spark among them. Under a cloak of night, scouts threaded the cold air, and at 2:15 a.m. wires fell away, revealing a path through darkness. By dawn, a pale light brushed the crest; Hill 52 yielded, then Shachaofeng did, as dawn's demands pressed forward. The Russians responded with a thunder of tanks, planes, and relentless artillery. Yet the Japanese braced, shifting guns, moving reinforcements, and pressing a discipline born of training and resolve. The battlefield fractured into sectors, Hill 52, Shachaofeng, the lake, each demanding courage and cunning. Night winds carried the buzz of flares, the hiss of shells, and the stubborn clang of rifles meeting armor. The Russians tried to reweave their strength, but Japanese firepower and tenacious assaults kept the line from bending. By nightfall, a quiet resolve settled over the hills; the cost was steep, but the crest remained in Japanese hands.   #182 The Second Russian Counteroffensive over the heights Welcome to the Fall and Rise of China Podcast, I am your dutiful host Craig Watson. But, before we start I want to also remind you this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Perhaps you want to learn more about the history of Asia? Kings and Generals have an assortment of episodes on history of asia and much more  so go give them a look over on Youtube. So please subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry for some more history related content, over on my channel, the Pacific War Channel where I cover the history of China and Japan from the 19th century until the end of the Pacific War. The Japanese retained their hard won positions despite fierce Russian counterattacks. For the Japanese command structure at the front, 3 August was of prime importance. Suetaka concluded that he could not merely direct the fighting around Changkufeng nor abandon Kyonghun, given his need to manage relations with Korea Army Headquarters and central authorities, as well as the special characteristics of these battles and his grave concerns about the Wuchiatzu front to the north. By 5 p.m., the newly arrived 37th Brigade commander, Morimoto Nobuki, was assigned control of all sectors from Hill 52 and Changkufeng to Shachaofeng, establishing his command post at the former site of the 75th Regiment at Chiangchunfeng. The Japanese estimated losses from the Soviet counterattacks on 2–3 August as follows: Hill 52-Changkufeng, at least 300 Soviet casualties and four tanks; Shachaofeng, about 300 casualties and several tanks, plus several heavy machine guns knocked out. By 17:00 on 3 August, Russian strength committed to the front and immediate rear was assessed at ten infantry battalions, 40 artillery pieces, and 80 tanks. Japanese casualties on the 2nd and 3rd totaled 16 killed and 25 wounded. Suetaka judged the Soviet bombardments on 3 August powerful, but their infantry assaults were not particularly bold, likely due to their heavy losses on the 2nd. Even though morale was not high, there were signs of reinforcements from elite units, including armor and large artillery formations. Suetaka concluded the Russians would again attempt to retake the Shachaofeng sector and positions around Changkufeng. During the night of 3–4 August, the 75th Infantry, still on alert against resumed enemy counterattacks, intensified security and worked energetically to strengthen defenses. K. Sato remained at Chiangchunfeng to complete the turnover to the 37th Brigade and to brief Morimoto. The regiment established its new command post for the right sector at the foot of Fangchuanting. Throughout the night, Soviet vehicles with blinking lights were observed moving south along the high ground east of Khasan, and a new buildup of mechanized forces and artillery appeared in the area. At 05:30, 36 tanks were seen advancing to Hill 29, followed by the apparent withdrawal of 50–60 Russian horsemen into the same area. At 07:00 on 04 August, Soviet artillery began a bombardment. Although there was a lull around noon, by 14:00 intensity peaked, described as "like millions of lightning bolts striking at once." After another quiet spell, enemy guns renewed their tempo at 19:30, targeting Hill 52 and Changkufeng. The Russians' artillery was not precisely zeroed in; "many of the shells plopped into the Tumen, which delighted us considerably." Beginning on the 4th, Soviet artillery sought to cut lines of communication by bombarding the river crossing site, disrupting daytime supply. Japanese artillery records add: "Until today, this battalion had been fired on only by field artillery; now 122-mm. howitzers went into action against us. We sustained no losses, since the points of impact were 100 meters off. Apparently, the Russians conducted firing for effect from the outset, using data provided by the field artillery in advance." Around midnight, Ichimoto, the old commander of the 1st Infantry Battalion, arrived at the 75th Regiment Headquarters to resume command. He was "itching to fight." K. Sato described the casualties in detail, but "he didn't look beaten at all." "To the contrary, the colonel was strong and in excellent spirits. Yet while he wasn't pessimistic, one could not call him optimistic." At the battalion site, about 100 men were in operational condition out of an original 400. Some soldiers were hauling ammunition, rations, and position materiel; others were cremating the dead, since corpses would rot in the August heat. Japanese casualties on 4 August were light: the 75th Infantry lost five killed and three wounded; among attached engineers, the platoon leader and two men were wounded. Ammunition expenditure was very low. The Japanese press noted that although the Russians had been reported retreating behind the lake to the northeast, investigation showed a redeployment forward from south of Changkufeng. An American observer in Tokyo stated that "the best information obtainable is that the Russians now occupy the lower slopes of Changkufeng, while the Japanese still occupy the heights." From this period dates a series of pleas from the 19th Division for the dispatch of long-range artillery from the Kwantung Army. Suetaka believed that the addition of long-range artillery was necessary and feasible. As Kitano predicted, Suetaka submitted his recommendation at 05:00 on 5 August for the attention of the Korea Army commander and the AGS deputy. As dawn approached on 5 August, the Korea Army received Suetaka's request. A message was dispatched to the vice minister of war and the AGS deputy, and an inquiry was sent to Hsinking. The note detailed Soviet artillery on the Changkufeng front, eight to ten batteries of field and mountain guns, including 10-cm cannons and two or three 15-cm howitzers, and described how these long-range pieces kept up a slow fire beyond Japanese firing range. Overnight, Soviet traffic pressed along the high ground east of Khasan, and by 06:30 the horizon brimmed with new threat: 48 tanks concentrated near Hill 29, with fresh artillery deployed once the Russians realized their own guns were receiving scant challenge from the Japanese. Movement across the lake suggested continued armor in play; at dawn, 10 to 15 tanks lingered on the Crestline, while closer still, six Russian tanks prowled near the southern edge of Khasan. By 03:00, Changkufeng came under bombardment again. K. Sato urged the mountain artillery to answer dawn with counterfire against the high ground east of Khasan and against Hill 29. Between 05:00 and 05:40, the artillery struck armor concentrations, knocked out two tanks, and forced the rest toward the east of Hill 29. Observation posts were neutralized, and cavalry was driven north. At the same hour, the Soviet barrage against the Japanese rear intensified, targeting lines of communication across the Tumen. The Sozan link failed by day, and telephone lines to the artillery battalion were severed, though signalmen managed to restore communications. The river crossings, Fangchuanting, Hill 52, and Shachaofeng bore the brunt of the shelling, with 15-cm blasts jolting the frontline. "From today enemy shellfire was coned and grew increasingly accurate, until every area along our front was deprived of its dead angles and our casualties mounted." The Hill 52 zone endured a slow siege, but tank fire from the eastern heights remained severe. Noguchi's company, positioned south of Changkufeng, found itself trapped in crossfire from positions across the lake. Suetaka, his front-line subordinates, and their worries about artillery superiority pressed onward. He did what he could with the resources at hand, and, in the morning, shifted a two-15-cm howitzer battery from Kyonghun to the sector opposite Changkufeng, a modest increment in reach but a needed one. At 10:00, Suetaka ordered replenishment of frontline strength. He calculated the enemy's power and their own limits: the Russians had deployed three or four infantry battalions, around 120–130 tanks, 50–60 armored cars, about 1,000 mounted troops, and three or four artillery battalions. Yet he found a glimmer in their morale; "the morale of our own units has risen, as we have been dealing grievous blows to the foe on occasion and have been steadily breaking hostile intentions." By 5 August, he noted, fifty enemy tanks had already fallen. Morimoto watched the ominous lull that threatened another attritional test and warned that the situation demanded constant vigilance. "Even if the front seems quiet, we must tighten security, reinforce positions, and not give the foe even the slightest advantage to exploit." The 5th saw only four Japanese soldiers wounded, three from the 75th and one from the mountain artillery, while ammunition usage remained low. Anti-aircraft guns west of Sozan drove off two aircraft that appeared over Changkufeng at 11:45, triggering a counterbarrage from the northeast of Khasan. A few Soviet planes skimmed over Hill 52 and Changkufeng in the afternoon, but their flights felt more like reconnaissance than threat. Across the line, the Russians continued to probe the east side. Northeast of Khasan, waves of infantry and trucks, dozens at a time, slipped south, while roughly 20 tanks began their own southern march. The Russians worked to erect new positions along the Khansi heights. In the meantime, conversations in Moscow pressed toward a decision, with intelligence predicting that a breakthrough would come by noon on the 5th. Around midnight on 5 August, Morimoto observed that the Russians' forward elements seemed to have been pulled back and the front lay quiet. He ordered vigilant guard duties, stressing that crossing the border, trespassing, and fomenting trouble were prohibited by all units and even by scouts. Meanwhile, the Japanese had been preparing for night attacks and consolidating positions. Throughout the foggy night, mechanized units moved on the Crestline east of Khasan. At daybreak, a platoon leader north of Changkufeng reported tanks heading toward Hill 29, estimating the total force at about 70 tanks and 50 troop-laden trucks. Japanese observers at Hill 52 detected new artillery positions on both sides of Hill 29 and 40 tanks on the Crestline south of the hill. By 07:00, the high ground was covered by no fewer than 100 tanks, with 8 or 9 infantry battalions deployed ahead and behind. As early as 03:00, K. Sato had urged his artillery liaison officer to ensure friendly guns fired at daybreak against the Hill 29 sector to thwart the enemy's intentions in advance. When morning fog lifted a bit at 06:00, Kamimori's mountain artillery battalion "hit the tanks very well," and front-line officers spotted shell impacts, though visibility improved only until 10:00, when mist again hampered observation. By 07:00, Soviet guns began firing from near Hill 29, triggering a duel in which the Japanese outranged them. Around 09:00, as the fog lifted from the higher crest of Changkufeng, Japanese gunners added their fire against the 40 Russian tanks near Hill 29. From Fangchuanting, the lone Japanese mountain piece also engaged armor and troop-laden trucks around Hill 29. As time wore on, the Soviet artillery showed its power, and Hill 52 became a beehive of shelling. From 11:00 onward the defenders began to suffer more and more casualties, with works shattered in succession. Flank fire from Gaho and heavy guns from Maanshan took a toll. The 100 tanks deployed on the Crestline north and south of Hill 29 delivered furious low-trajectory fire, gradually turning the front walls of our firing trenches into something resembling a saw. Russian shellfire pounded defenses at Hill 52, Noguchi Hill, and Changkufeng. Between 02:00 and 05:00 the Russian shells had been dispersed; now they concentrated their bombardment. They even struck the rear headquarters of the 37th Brigade and the 75th Regiment. The crossings at Sozan and Matsu'otsuho took heavy hits, and Sato worried that friendly batteries would become exposed to counter-battery fire if they opened up too soon. A peak of intensity arrived near 13:30 as the Soviet ground assault began. Now 30 Soviet aircraft bombed Changkufeng, Fangchuanting, and Hill 52, and Russian tanks moved toward Hill 52, with infantry 300–400 meters behind. To blunt the assault, Hirahara ordered ammunition caches and instructed troops not to open fire prematurely. The Soviet infantry and tanks pressed to a line about 900 meters from the Japanese, paused briefly, then continued. By 14:00, the advance resumed, led by three battalions and 50 tanks. Lieutenant Saito, commanding the 3rd Battalion's antitank battery, waited until tanks were 800 meters away and then opened fire with his three pieces. In a furious exchange between 13:50 and 14:30, as armor closed to 300 meters, the Japanese stopped 14 tanks and seriously damaged others in the rear. One antitank squad leader, a corporal, would later receive a posthumous citation for destroying more than ten tanks. Several tanks fled into a dip near Khasan; some Soviet troops were reportedly crushed by their own tanks in the melee. Supporting Saito's fire were Hisatsune's regimental guns and the captured antitank gun at Changkufeng, which the Japanese used to engage armor along the lake's slopes. Noguchi's unit fired battalion guns against the tanks while the attached mountain pieces bombarded the Russians despite intense counterbattery fire. At Hill 52, liaison lieutenant Fuji'uchi observed the shelling and coordinated infantry–artillery actions with a platoon leader, never flinching even after being buried in trenches three times by shell blasts; he was killed near 14:00. Captain Shiozawa, the mountain battery commander, took charge of directing fire and also was also slain. The Russians' assault pushed forward; 16 tanks followed behind the vanguard, moving along the Crestline behind Hill 52, and joined the tanks in firing but did not advance further. To the rear, a large force moved along the lake north of Hill 52 until checked by fire from Noguchi's positions. A dozen Russian tanks converged southwest of Khasan at 16:00. Master Sergeant Kobayashi, acting platoon leader of the engineers, proposed a close-quarter demolition attack since Japanese antitank strength was limited. After approval from Hirahara, at around 16:30 he and 13 men crept forward 300 meters undetected. Twenty meters from the tanks, Kobayashi urged his men: "One man, one tank! Unto death for us all!" The assault wrecked six to eight (or possibly ten) of the 12 enemy tanks and killed many crew members inside and outside the vehicles, but Kobayashi and seven of his men were killed; only one soldier, Kabasawa, survived to perform a posthumous rescue of a fallen comrade. Of the 60 Russian tanks and at least four battalions that rushed to Hill 52, only one tank charged into the hill positions. At 17:30, this machine reached within 150 meters of the 11th Company lines but was destroyed by armor-piercing heavy machine-gun fire. Back at the 75th Regiment command post, K. Sato received reports from the line units, but hostile fire cut communications with Hill 52 in the afternoon. His antitank guns were increasingly inoperable, and casualties mounted. He reinforced Hill 52 first with heavy machine guns and then with an infantry company. North of Hill 52, Noguchi had been in position with an infantry platoon, a machine-gun platoon, and the battalion gun battery. By 09:30, enemy bombardment forced him to pull back temporarily to the lower Scattered Pines area to avoid needless casualties. At Akahage or "Red Bald" Hill, Noguchi left only lookouts. Around 16:00, about two enemy companies were observed moving toward Changkufeng. Noguchi redirected fire to meet the threat. The Japanese, pinned by infantry and four tanks approaching within 150 meters, endured infantry guns and other tanks in a protracted exchange. Shelling continued until sundown. Casualties mounted; the machine-gun platoon leader, Master Sergeant Harayama, fell with 20 of his men. "It was a hard battle, but we retained our positions, and the enemy advance toward Changkufeng was checked." After sunset there were occasional fire exchanges; tanks remained visible burning. Soviet troops attempting to breach barriers faced hand-grenade assaults. A great deal of noise signaled casualties being evacuated and tanks salvaged behind enemy lines, but no fresh assaults followed. The effective barrage by the 2nd Mountain Artillery Battalion helped deter further attempts.  Around 13:30 the advance began. Soviet ground troops laid down a barrage of field, heavy, and mountain gunfire against Hill 52, Noguchi Hill, and Fangchuanting until sunset. Casualties were heaviest between 15:00 and 17:00. Soviet cutoff fire against the Tumen crossings continued even after the sun went down. Japanese close-support artillery attracted instantaneous counterbattery fire. Enemy planes also seemed to be bombing in quest of the artillery sites. On the sector defended by T. Sato, throughout the night of 5-6 August, Russian movements had been frequent on the Kozando-Paksikori road and east of Khasan, trucks and tanks making round trips. The roar of engines and rumbling of vehicles were especially pronounced on the lake heights. Headlights shone brightly, causing Japanese lookouts to speculate that the Russians were putting on a demonstration to suggest that their main offensive effort was being aimed against Hill 52. Nevertheless, the left sector unit was ready for an enemy dawn assault, which did materialize around 06:00. One or two Soviet battalions struck forward, encountered a torrent of fire at 300 meters, and fled, leaving 30 bodies behind. Near 09:00 the left sector experienced a fierce series of bombardments; all of the men except lookouts took cover in trenches. The Soviet guns thundered unrelentingly, apparently in preparation for an offensive. At 14:30 several dozen bombers struck. Simultaneously, a wave of 60 tanks moved forward, followed by three battalions of infantry. Major Obo, battalion commander on the right wing, had his heavy machine guns, battalion guns, and line companies engage the foot soldiers, while antitank and regimental guns concentrated against armor. The tanks fanned out and approached within 700 meters, stopping to fire on occasion in "mobile pillbox" fashion. Despite unrelenting enemy tank and artillery shelling, the Japanese regimental guns, and the rapid-fire pieces in particular, shifted position and laid down raiding fire. In conjunction with heavy weapons belonging to Takenouchi's battalion, Obo's men succeeded in stopping 20 tanks. The rest of the armored group continued to push forward. The Russian infantry had pressed on another 200 meters behind the tanks, but eventually they lost momentum 400 meters from the Japanese positions. Having managed to separate the tanks from the infantry, the Japanese units staged close-in assaults in concert with heavy weapons and smashed ten more tanks. Thirty machines had been immobilized by now after a furious struggle lasting five hours. Although Lieutenant Ikue was killed by machine-gun fire, his mountain artillery platoon, emplaced at Shachaofeng, rendered yeoman service, stopping 20 tanks. The forward elements of Soviet infantry, still firing from 400 meters behind the tanks, had apparently abandoned the attack. Second-line forces seemed to have pulled far back, northeast of the lake.   Several dozen Soviet bombers struck Takenouchi's left-wing battalion around 14:30 and lost one plane to machine-gun fire. At the same time, 50 Soviet tanks closed to 800 meters. Engaging this armored formation were battalion guns, heavy field artillery, and mountain artillery attached to the sector unit, as well as heavy weapons firing from the neighboring battalion. In succession the tanks were knocked out, perhaps 20 in all. Under cover of artillery and bombing, a battalion of Soviet infantry, who had been advancing behind the tanks, got as close as 30 or 40 meters before being checked by guns firing from the Nanpozan area and by the vigorous resistance of the defenders. The enemy withdrew 600 meters and began to dig in. T. Sato noted at 19:00 that, although the Russians on the right and left sectors seemed to have sustained considerable losses, they apparently were "planning something at point-blank range in front of our positions." The 73rd Infantry would therefore cope with a twilight or night attack by the one battalion and several tanks immediately facing it. On 06:08, immediately after large-scale air attacks involving four-engine bombers between noon and 14:00, enemy barrages began. Enemy artillery positions, 6,000–7,000 meters away, were not engaged by the Japanese since their gunners were trained only at 1,000 meters. Longer ranges were ineffective, would betray the guns, and would waste ammunition. Near 16:00 50 tanks appeared at 3,000 meters, and infantry could also be seen, wearing high boots and marching around the lake. Although the Russians may have closed to 200 or 300 meters, Tominaga received no impression that their foot soldiers were particularly aggressive. Soviet armored tactics were poor: some tanks were moving, some stopped, but they did their firing from rises, which made them easy targets. Perhaps it was because of the terrain, undulating and swampy. Without armor-piercing rounds, the Japanese guns could not penetrate the heaviest armor, so they aimed at the treads or at the belly when the tank was on a rise. Tominaga's weapons were aided by rapid-fire pieces and machine guns and by the 15-cm howitzers from across the river. Of the ten targets which came within effective range, Tominaga's battery claimed five light tanks. Major Takenouchi remembered a tank-led Soviet attack that day on Takenouchi's sector. The enemy infantry deployed in good order four kilometers from the defenses. As the formations drew closer, the Japanese counted more than 40 tanks and 3,000 ground troops. The commander knew he had a serious problem, for there were only 20 antitank shells for the rapid-fire guns. When the Russians got within 4,000 meters, the Japanese opened fire with all available heavy weapons. The attackers hit the ground and continued to advance in creeping formation, although the terrain consisted of paddy fields. All the Japanese could see were Russians, wearing reddish-purple trousers and carrying rifles, deployed every 200 meters behind the front lines and apparently exhorting the soldiers. These must have been the "enforcers." The Japanese let the tanks close to 800 meters before opening fire with their precious antitank ammunition. Both the lead and the last tanks were knocked out, but there were by now only four or five shells left, and the firing had to be stopped. Fortunately for the Japanese, the tanks never again advanced, perhaps because of the wet terrain. The Soviet infantry, however, pressed forward tenaciously all day and wormed their way close to the front edge of the barbed wire under cover of artillery and machine guns. Throughout the day, pleas for reinforcement were made frequently by the two Japanese line companies, but the battalion had no reserves, only the few soldiers in the command team. Requests were met with the reply to "hold on for a while; help is coming." Luckily, there was no close-quarter fighting by the time night fell, but the Russians did lay down concerted machine-gun fire after dark. When dawn broke without a Soviet assault, Major Takenouchi surmised that the barrage of machine-gun fire laid down by Russian infantry the evening before must have been intended to cover disengagement from the lines or to check a Japanese attack. Now, in daylight, Russian assault troops which had closed to the entanglements the day before had pulled back to a distance of 400 or 500 meters and could be seen constructing positions. At 19:10 Morimoto warned that while the Soviet offensive had bogged down, "all units are to be wary of attacks after twilight and are to crush them in good time." Ito, in charge at Changkufeng, was consequently alert, although regimental headquarters did not particularly share his concern. Ito had only two infantry squads from the 6th Company and Hisatsune's regimental gun battery, 121 men in all. A little after 20:00, Ito received a report from lookouts that enemy troops were advancing onto the southern skirt. At 20:30 two Soviet companies attacked the advanced lines, hurling grenades. One Japanese squad was almost wiped out; "they died heroic deaths, leaping into a hostile force which outnumbered them 20:1." Immediately, the Russians surged toward the main Japanese positions farther up the hill, while other strong elements sought to encircle the crest on the left. Accompanying the Soviet troops were "wardens." From north, east, and south the Japanese defenses were being overrun, and the regimental guns were in jeopardy. Wounded men fell back and down the hill, one by one. Lieutenant Hisatsune personally sought to repulse the Russians. Taking his command team, a dozen men under a master sergeant, and the two regimental gun squads which possessed only captured rifles, he led a desperate charge at 21:10. With fixed bayonets, the Japanese rushed forward, yelling loudly and hurling rocks, since there were not enough grenades. The Russians retreated in confusion, pursued by the Japanese. Hisatsune cut down several Russians, was wounded badly by grenades, but plunged into the enemy one last time before meeting a "matchlessly heroic death" at 21:40. Almost all of the noncoms and soldiers fell with him. Suddenly, at 21:20, Ito's antitank squad leader staggered to the 75th Regiment command post at Fangchuanting, his face mangled. "Changkufeng is in danger! Avenge us!" Nishimura and the reinforcements had to run 1,200 meters to reach the hill. Major Ichimoto also worked desperately to retrieve men from logistical chores; somehow he assembled 45. Grabbing every grenade available at the command post, Ichimoto ran with his men to the relief of Changkufeng. Next, Regimental Aide Suko sent 10 soldiers, the last being headquarters clerks and runners. When 16 men from the 2nd Company turned up, having delivered their supplies, Suko rushed them out, also. At regimental headquarters there now remained only a dozen soldiers and one heavy machine gun. By then, the Russians had climbed up and across Changkufeng peak and were pushing halfway down the Japanese slope of the hill. Enemy machine guns fired fiercely, but it was mainly grenades that felled Murakoshi's unit; although few were killed, half of the lead platoon was wounded. Murakoshi, struck by a grenade fragment, tied a cloth around his knee and kept on running. Clinging to Changkufeng, Ito now had little more than 50 men left—only seven of his own soldiers, the rest gunners. The latter had lost their pieces, however, and had never been armed with rifles in the first place. The survivors had to use stones, picks, and shovels to grapple with the foe in the trenches.  A little before 22:00, the 17-man contingent under Nishimura arrived. Ten minutes later, Ichimoto rushed up with his 45 men, bunched closely. The survivors, inferior to the reinforcements in numbers, were heartened immensely. Soon afterward, at 22:30, the regimental warrant officer, Nishizawa, caught up with another dozen soldiers, and Murakoshi brought 16 more at 23:00. Wild fighting ensued, furious grenade exchanges, the crisscrossing of fire, and shouts and flashes. Ichimoto remembered that by the time he arrived, the last remnants of Ito's company were fighting hand-to-hand in the trenches on the north side in utter darkness. Thirty meters from the peak, he and Nishimura scouted the situation. Then, having combined the 120 reinforcements into one line, Ichimoto drew his sword and led the charge. In the constant flashes, shapes could be discerned rather well. The Russian machine guns were firing "crazily," all tracers, probably to warn away their own troops. But the firing was very high, sometimes ten meters over the heads of the Japanese, perhaps because of the darkness, the 40-degree slope near the crest, and the angle of the guns. Much of the fire was considerably lower, but the Japanese had only to observe the roots of the tracer fire and stay down, ducking behind boulders. The Soviets had been committing new troops steadily, and a considerable amount of heavy weapons had been emplaced. Near midnight the Russians were driven south, down the cliff, but most of the Japanese had been killed or wounded, and ammunition was exhausted. The mere dozen unscathed survivors were pushed back, but Master Sergeant Isobe and his platoon from Inokuma's company reached the crest in the nick of time at 02:00. With this reinforcement, Ichimoto led a new charge and again drove the enemy below the cliff.  At 22:50 P.M., Inokuma set out with only 49 men, crossed the border, and headed for the enemy's rear. First to be encountered, probably at 01:00, were several dozen Soviet soldiers, armed with machine guns, who were surprised and almost destroyed, abandoning more than 20 corpses. Inokuma veered north along Khasan, cutting down Russian phone lines on the way. The Japanese detected no evidence of enemy retreat. Instead, voices and the sound of oars on the lake could be heard from the eastern foot of Changkufeng, perhaps they came from Soviet reinforcements. Inokuma decided that the best course would be to plunge ahead and take the Russians by surprise. On his own initiative, he began his new operation, although by now he had lost permanent touch with the assault teams. At 02:00, Inokuma's unit broke silently through the "imperfect" lines of barbed wire and charged through another enemy force of company size which was equipped with machine guns. Next, Inokuma directed an attack against a concentration just behind the company location, a unit estimated to number two battalions massing west of the Khasan crossing. The Russians were "stunned" by the assault. According to Akaishizawa, the enemy were killing their own men by wild firing. A portion fled north, leaving over 30 bodies behind. At the same time, the foe called down fire from all areas, causing very heavy Japanese casualties. Inokuma charged, managed to scatter the foe, and seized the cliff. By now he had only a half-dozen men left. His own sword had been shattered and his pistol ammunition exhausted; he picked up a Russian rifle and bayoneted several enemy soldiers. Now the Soviet troops, who had fallen back once, were approaching again from the right rear. Inokuma charged once more, shouting. The Russians retreated to the foot of the heights on the northeast. Daybreak was near. Already hit several times, Inokuma sought to resume the attack, this time from the rear of hostile forces desperately engaging Ichimoto's elements on Changkufeng crest. Akaishizawa said his last orders were, "Ito is just ahead. Charge on!" Although he had only a few soldiers left, Inokuma was trying to move forward when a bullet or a grenade fragment struck him in the head, and he died at 03:00. Sergeant Okumura, although wounded seriously, had remained with Inokuma to the last and defended the positions that had been reached. He saw to it that Inokuma's corpse was recovered first and next struggled to evacuate the wounded. Only then did he withdraw. Around 07:00, Okumura got back to Fangchuanting with one unscathed and two badly wounded soldiers. A day later, the seriously injured but indestructible M. Saito appeared at the regiment command post, somehow dragging a rifle and light machine gun with his one good arm, for "we were always trained to respect our weapons." It was estimated that, during the fighting throughout 6 August, the Russians lost 1,500 killed and wounded as well as 40 tanks knocked out in K. Sato's right sector alone. Japanese casualties were heavy on the 6th. The 75th Infantry lost three officers; 44 enlisted men were killed and 85 wounded. In the engineer platoon seven were killed and five wounded out of 19 men. The 54 killed and 90 wounded in the right sector amounted to 17 percent of the 843 men available. I would like to take this time to remind you all that this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Please go subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry after that, give my personal channel a look over at The Pacific War Channel at Youtube, it would mean a lot to me. Japanese leadership under Colonel Sato assigned Nakano's 75th Regiment for a dawn assault, seizing Hill 52 and Shachaofeng despite fierce Soviet counterattacks,tanks, aircraft, and heavy artillery. Across the front, sustained bombardment, shifting fire, and nocturnal maneuvers characterize the period. Yet the crest endured, losses mounting but resolve unbroken, until the sun dipped and the hillside remained stubbornly Japanese

Vily na chorvátskom pobreží si obľúbil nielen Robert Fico, ktorý tam trávi čas a do Bratislavy len odbieha. Naša redaktorka sa bola pozrieť na vilu v Sukošane, kde väčšinu apartmánov vlastnia ľudia blízki prezidentovi Pellegrinimu. Postavil ich expolitik zo strany Most-Híd Andrej Hrnčiar, no aktuálne spájajú prezidentovu sestru, poslanca za Hlas Petra Náhlika, smeráckeho poslanca Ľubomíra Vážneho, u ktorého kedysi Peter Pellegrini začínal, a pravdepodobne deti ďalšieho poslanca Hlasu.Poslanec, bývalý minister a tiež bývalý šéf Sociálnej poisťovne Ľubomír Vážny kedysi pripustil, že cena jedného dovolenkového apartmánu bola 300 tisíc eur. Odkiaľ na to vzali politici? A majú tieto nehnuteľnosti v majetkových priznaniach?A ako vznikli známa fotka a video s Robertom Ficom v mori? V dnešnom podcaste Aktuality Nahlas nám o tom viac povie redaktorka Aktualít Kristína Braxatorová, ktorá sa vrátil z pracovnej cesty v Chorvátsku.Nahrával Peter Hanák.Všetky naše podcasty nájdete na jednej stránke tu. Na odber všetkých nových dielov sa môžete prihlásiť cez iTunes alebo Spotify. Sledujte nás aj na facebookovej stránke Podcasty Aktuality.sk.

Vily na chorvátskom pobreží si obľúbil nielen Robert Fico, ktorý tam trávi čas a do Bratislavy len odbieha. Naša redaktorka sa bola pozrieť na vilu v Sukošane, kde väčšinu apartmánov vlastnia ľudia blízki prezidentovi Pellegrinimu. Postavil ich expolitik zo strany Most-Híd Andrej Hrnčiar, no aktuálne spájajú prezidentovu sestru, poslanca za Hlas Petra Náhlika, smeráckeho poslanca Ľubomíra Vážneho, u ktorého kedysi Peter Pellegrini začínal, a pravdepodobne deti ďalšieho poslanca Hlasu.Poslanec, bývalý minister a tiež bývalý šéf Sociálnej poisťovne Ľubomír Vážny kedysi pripustil, že cena jedného dovolenkového apartmánu bola 300 tisíc eur. Odkiaľ na to vzali politici? A majú tieto nehnuteľnosti v majetkových priznaniach?A ako vznikli známa fotka a video s Robertom Ficom v mori? V dnešnom podcaste Aktuality Nahlas nám o tom viac povie redaktorka Aktualít Kristína Braxatorová, ktorá sa vrátil z pracovnej cesty v Chorvátsku.Nahrával Peter Hanák.Všetky naše podcasty nájdete na jednej stránke tu. Na odber všetkých nových dielov sa môžete prihlásiť cez iTunes alebo Spotify. Sledujte nás aj na facebookovej stránke Podcasty Aktuality.sk.

Hoy ha venido a divertirse a La Silla, el gran Sergio González, más conocido como "Suko". ✅ En el hormiguero a parte de ser coordinador de guiones, le conocemos por ser "El espía tecnológico". ✅ Es es líder de la banda de rock del bueno "The Buyakers". ✅ También es director, ha rodado 6 cortos, el último llamado "Osito" junto a Alberto Pons. Un saludo a "El Club de los Curiosos" (Podcast de referencia). ✅ También es monologuista. Se ha batido el cobre por toda la geografía de nuestro País. ✅ Autor junto a Dani Fontecha del libro: "Si luchas por lo que quieres, no lo vas a conseguir... ni falta que hace" (con la friolera de menos de 2 millones de libros vendidos) ➡️ Es experto en venta por Wallapop, Belén le concedió el Título de: "El lobo de Wallapop" Programa patrocinado por Cruzcampo Podéis seguir a Suko en redes sociales (Instagram, TikTok) como: @sukomedy

Gossip Kai and Suko by Marie by 826 Valencia

1/ JUICY BAE. Bitch. feat Hoke.2/ Lil Baby. In A Minute. 3/ Pharrell Williams. Cash In Cash Out. ft. 21 Savage, Tyler The Creator.4/ DREAMVILLE. Ma boy. feat Lute y JID.5/ ABHIR HATHI. Lazos y Nudos. 6/ LÍA KALI. Parásitos.7/ GASPAR. Ferrari. 8/ SIR. Air Down. feat Kendrick Lamar. 9/ JIDENNA. Tribe. 10/ PEPE VIZIO. Me bendijo.11/ SUKO. Yeezy3.12/ KALI NINMAH. Bless.13/ ANTONY Z. Cuando me duermo.14/ CARDI B. Wap.15/ Busta Rhymes, Vybz Kartel. The Don & The Boss.16/ Lil Wayne. Mamma mia.17/ DJ KHALED. It’s secure. feat NAS, TRAVIS SCOTT. Escuchar audio

Für die aktuelle Diggytalk-Folge durften wir Martin May interviewen. Er ist Schauspieler und Synchronsprecher. Die Hörspielfans unter euch kennen ihn u.a. als Suko aus „Geisterjäger John Sinclair“. Eine Rolle, die Martin schon seit 1999 begleitet! Wie hat er wohl die ersten Aufnahmen in Erinnerung und wie ist er überhaupt zu dieser Rolle gekommen? Lasst es uns gemeinsam herausfinden!Darüber hinaus gehen wir hier auch auf das Crossover mit „Dorian Hunter“ ein und zeigen bzw. besprechen die Facetten eines Live-Hörspiels. Hier lassen wir natürlich wieder einige lustige Anekdoten mit einfließen. Seid gespannt! Im Laufe des Interviews werden auch einige wichtige Fanfragen beantwortet.Selbstverständlich können wir seiner Stimme auch bei den Drei ??? und TKKG lauschen und er hat auch als Kind schon EUROPA-Schallplatten gehört.Auch die Animefans unter euch kommen hier auf ihre Kosten. Martin spricht in „Naruto“ die Rolle des Kakashi. Wusstet ihr, dass er bis heute auf diese Rolle angesprochen wird? Hierzu erzählt er uns auch einiges!In diesem Sinne: Ein Shinobi sollte stehts wissen was das Richtige ist und auch das Richtige tun. Denn das macht einen guten Shinobi aus. (Zitat: Kakashi) Besucht uns auch auf unserem Social-Media. Hier findet ihr unter www.instagram.com/diggytalk/ weiteren Content „Rund um die digitale Welt“. Copyright 2024 DiggytalkDiggytalk ist eine eingetragene Marke von Dominik Grote Hosted on Acast. See acast.com/privacy for more information.

Jessica and Chris are live from G-Fest 2024 with special guests Brian Buccellato (Justice League vs Godzilla vs Kong, The Flash, Injustice) and Jared Krichevsky (Legacy Effects artist, Godzilla Evolved, Suko, Shimo and Skar King designer) as we talk working with the Monsterverse Youtube: Twitter/X @TheKaijuKingdom Instagram.com/TheKaijuKingdom Facebook.com/TheKaijukingdomPodcast

Los directos de The Buyakers son una auténtica fiesta, un alegre y ecléctico carrusel musical donde manejan con gusto estilos como el rock, el blues, el ska o el funk, sumando grandes dosis de humor. Con su sólida propuesta sobre el escenario, la banda manchega de Puertollano nos presenta el que será su próximo disco, que este año están avanzando con un single cada mes. The Buyakers se inicia con un encuentro casual entre Víctor Mohedano y Sergio González 'Suko' en un avión con destino a Estados Unidos, lugar en el que harían resonar, como dúo, su ilusión a través de los grandes éxitos del rock. Después de unos años viajando y llevando esta fórmula por varios países, The Buyakers continúan como trío (junto a Jonathan Blanco a la trompeta), fieles a su marca personal, por España, hasta que se conforma definitivamente como banda en 2014, grabando su primer single, 'No somos Tarantino'. En 2015 ve la luz su primer EP, 'Empieza la función', y en 2017, su segundo LP, 'El bar de los muertos', bajo la producción y el sonido de Lichis (líder de La Cabra Mecánica). En 2019 lanzan su último álbum hasta la fecha, 'Entidad cuernos', de nuevo con Lichis a la producción.Escuchar audio

Yasushi SUKO is a doctoral student at the Faculty of Social Sciences/Psychology, Tampere University, Finland. He studies the effects of nature experience on people, especially the restorative effect of repeatedly listening to natural sounds (e.g., birdsong, the sound of a running river, etc.). He is currently a member of the EnviWell Research Group, directed by Professor Kalevi Korpela.   In this episode we deep-dive into the acoustic stimuli and elaborate on the various potentials listening to specific sounds can have for health promotion, restoration and wellbeing. The roles of nature sounds are discussed and practical applications both for clinical and non-clinical contexts are investigated.   Time Stamps and Related References/Projects:   PART II:   04:40 Y. Suko's interest in natural sounds originates from J.S. Bach's (1685-1750) music and Ivan Shishkin's (1832-1898) forest landscape paintings.   06:10 Y. Suko's research on alleviating surgeons' stress through listening to natural sounds.   Suko, Y., Shindo, T., Saito, K., Takayama, N., Warisawa, S., Sakuma, T., Ito, M., Kytölä, P., Nummi, T., & Korpela, K. (2022). Alleviating surgeons' stress through listening to natural sounds in a half-encapsulated rest space after an operation: A pilot, longitudinal field study. International Journal of Environmental Research and Public Health, 19(19), 12736. https://doi.org/10.3390/ijerph191912736   11:28 Literature on which Y. Suko based the audio files for his studies.   Ratcliffe, E. (2021). Sound and soundscape in restorative natural environments: A narrative literature review. Frontiers in Psychology, 12, 570563. https://doi.org/10.3389/fpsyg.2021.570563   Ratcliffe, E., Gatersleben, B., & Sowden, P. T. (2013). Bird sounds and their contributions to perceived attention restoration and stress recovery. Journal of Environmental Psychology, 36, 221–228. https://doi.org/10.1016/j.jenvp.2013.08.004   13:20 Three theories explaining why natural sounds are restorative: attention restoration theory (ART), stress recovery theory (SRT), and conditioned restoration theory (CRT).   Kaplan, R., & Kaplan, S. (1989). The experience of nature: A psychological perspective. Cambridge university press.   Ulrich, R. S., Simons, R. F., Losito, B. D., Fiorito, E., Miles, M. A., & Zelson, M. (1991). Stress recovery during exposure to natural and urban environments. Journal of Environmental Psychology, 11(3), 201–230. https://doi.org/10.1016/S0272-4944(05)80184-7   Egner, L. E., Sütterlin, S., & Calogiuri, G. (2020). Proposing a framework for the restorative effects of nature through conditioning: Conditioned restoration theory. International Journal of Environmental Research and Public Health, 17(18), 6792. https://doi.org/10.3390/ijerph17186792   21:20 PART II   22:35 Y. Suko's research on the effects of faint traffic noise mixed with birdsong.   Suko, Y., Saito, K., Takayama, N., Warisawa, S., & Sakuma, T. (2019). Effect of faint road traffic noise mixed in birdsong on the perceived restorativeness and listeners' physiological response: An exploratory study. International Journal of Environmental Research and Public Health, 16(24), 4985. https://doi.org/10.3390/ijerph16244985   33:20 Future applications of restorative natural sounds in clinical and non-clinical settings.   38:50 Restorative natural sounds are related to salutogenesis.   Antonovsky, A. (1996). The salutogenic model as a theory to guide health promotion. Health Promotion International, 11(1), 11–18. https://doi.org/10.1093/heapro/11.1.11   40:00 Application of restorative natural sounds in public spaces.   46:45 Ideas for playing restorative natural sounds in prisons and psychiatric wards.   Chrysikou, E. (2014). Architecture for psychiatric environments and therapeutic spaces. Ios Press.   Maja, V., & Ojala, K. (2022).

An analysis of latest twist in Philippine politics.

Jessica and Chris deep dive into the latest episode of the Monstervers Saga: Godzilla X Kong The New Empire.  What did they think? What of Shimo, Skar King and Suko?  Godzilla's new form? Kong's power glove?  Tune in to find out. Youtube: Twitter/X @TheKaijuKingdom Instagram.com/TheKaijuKingdom Facebook.com/TheKaijukingdomPodcast

BONUS EPISODE! Joe and Adam give quick takes on the key plot points in Godzilla x Kong: The New Empire. -Will Godzilla eventually transition into Reptar? -Old Man Kong and his oral hygiene. -Is Skar a rip-off of Scar from Lion King? -Will Diddy Kong (aka Suko) get his red hat? -Are we eventually going to get a Diddy Kong/Reptar vs Mechani-Kong/Mechani-Reptar film?

Godzilla x Kong The New Empire means the Big G is back, throwing down with Kong against an ape army!  Speaking of apes, we also have the beastly brawl that is War of the Gargantuas!  I smell burning hair.  #godzillaxkongthenewempire #godzillaxkong #godzilla #kingkong #kong #warofthegargantuas

Today's guest is Toni Suko, a certified medical Reiki master. Toni shares a guided healing meditation for anyone having a medical condition or "dis-ease." In this session, listeners are encouraged to connect with their bodies, acknowledging any tension or discomfort. Imagining bubbles of light surrounding them, they are invited to breathe deeply, allowing the healing energy to flow in and out. The visualization aims to support healing, releasing illness and disease. Listeners are prompted to affirm their wellness and express gratitude. Toni's gentle guidance offers a moment of solace and empowerment.To learn more or book a session, visit her website at kimoonrising.com. Take a moment to nurture your body, mind, and spirit with this transformative practice.Usui Holy Fire Reiki Master Certified Medical Reiki Master Website is kimoonrising.com Toni's Website

Welcome to From My Mom's Garage, the podcast where we dive deep into the epic world of Titans and their colossal battles. In this episode, we explore the blockbuster movie "Godzilla vs. Kong: The New Empire." Join us as we dissect the thrilling plot, from Kong's quest for identity in the Hollow Earth to Godzilla's relentless defense of humanity on the surface. We'll discuss the emergence of The New Empire, a clandestine organization unleashing genetically enhanced monsters. Delve into the character dynamics, from the bond between Kong and the young Kong named Suko to the telepathic connection between Jia and the Iwi tribe. We'll also analyze the motivations of the Skar King as  he fights for dominance over Earth's Titans. But it's the breathtaking action sequences that truly steal the show. From the icy battlegrounds of Hollow Earth to the bustling streets of Rio de Janeiro, every clash between Titans is a spectacle to behold. And with the fate of humanity hanging in the balance, the final showdown will leave you on the edge of your seat. So grab your headphones and join us as we journey into the heart of "Godzilla vs. Kong: The New Empire." Get ready for a podcast experience that's as epic as the Titans themselves.   Follow us:  Facebook Twitter Instagram

Byrd is joined by Lux, Tom (of the Final Forum Dragonball Podcast), and Trev (of the Failure to Franchise Podcast) to talk about the new film Godzilla x Kong: The New Empire!  This new entry in Legendary Pictures' Monsterverse is another crossover between the two monster icons, as they go up against the threat of the evil ape Skar King and his army of apes and the frost monster Shimo.  Along the way, Kong forms a bond with the young ape Suko.  We'll talk about the production history as well as give our thoughts on the film.  But first, we discuss Godzilla Minus One's recent Oscar win!  Kick back and enjoy!

Godzilla x Kong The New Empire: Episode 289 - Only one movie dare asks the question, what if two giant sized kaiju teamed up to kick ass? On a very primal episode we head to the hollow earth and talk Godzilla x Kong: The New Empire on Normies Like Us! Is that a Mini Podcast? Insta: @NormiesLikeUs https://www.instagram.com/normieslikeus/ @jacob https://www.instagram.com/jacob/ @MikeHasInsta https://www.instagram.com/mikehasinsta/ https://letterboxd.com/BabblingBrooksy/ https://letterboxd.com/hobbes72/ https://letterboxd.com/mikejromans/

Rise together or fall alone. The Podzilla journey officially comes to an end with Godzilla x Kong: The New Empire. Join us straight off the pink carpet as we break down the latest Monsterverse movie and answer the question everyone has been asking... is Suko a better son than Minilla? Send something in for our AMA episode! CHAPTERS (00:00:00) Intro & Welcome (00:05:36) Godzilla News (00:06:15) Godzilla x Kong: The New Empire (00:56:17) Final Thoughts & Ratings (01:06:58) Next Episode... LINKS We'd love to hear from you! Send us a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠voice message⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠email us⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Join our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord, support us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Check out our amazing artist ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Cassie Selin⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

JOHN SINCLAIR - EIERSUCHE IM TOTENREICHEINE HUMORISTISCHE JOHN SINCLAIR-OSTERSTORYGeschrieben von Ian Rolf Hill, gesprochen von Dietmar WunderWir hatten ja schon einige seltsame Gestalten in unserem Büro empfangen, doch die Totengöttin Hel toppte sie alle. Vor allem, als sie uns den Grund ihres Besuches nannte. Ehe wir uns versahen, fanden sich Sir James, Suko und ich im Totenreich wieder. Dort lud Hel uns in ihre Festung Eljudnir ein. Natürlich nicht ganz uneigennützig, immerhin stand Ostern vor der Tür und damit hatte Hel offenbar ein Problem. Und so machten wir uns gemeinsam auf Eiersuche im Totenreich ... Hosted on Acast. See acast.com/privacy for more information.

➡️ Schirmchendrink Fresh Downloads can be downloaded using the link provided below We're proud to present a next treasure as part of our Fresh Download franchise: Diego Hernan & Milton Bo beautifully revised the Afro House gem 'Mano Mano' by Suko. Their special edit retains the original essence of this melodic prayer and spiritual dialogue while infusing a unique organic house touch. Diego Hernan, hailing from Buenos Aires, blends Deep House, Organic House, Progressive House, and Melodic Techno. He's signed with labels like Polyptech, The Purr and more. Milton Bo, born in Bolivia and residing in Argentina, crafts melodic atmospheres influenced by artists like Kora and Mood. 'Mano Mano' by Suka was originally released on MoBlack. We extend our sincere gratitude to the label and its owner, Mimmo, for his blessing to release this exclusive edit as a FRESH DOWNLOAD. It's an honor to contribute to the legacy of this fantastic track. Discover more at:

Episode #PutCast kali ini menemui Dr. Suko Widodo, dosen sekaligus pakar komunikasi politik dari Universitas Airlangga (Unair) Surabaya. Tema obrolan kali ini adalah soal pentingnya komunikasi politik dalam debat capres dan cawapres yang sudah digelar beberapa kali. Termasuk bagaimana situasi demografi Jawa Timur yang akan menjadibattleground pada Pilpres 2024.

Self-Love meditation, with Toni SukoReiki Master Medical Reiki Master Toni's Website

Charlas Mutantes #3: Paula Suko.⁠ ⁠Conducido por: Jonathan Weis y Nico Línea, transmitido en vivo los Lunes de 21:30 a 22:30 por Jobs TV.

Llegaron las vacaciones de verano al Club de los Curiosos y lo celebramos con más de 50 historias exclusivas de terror veraniego vividas por amigos, curiosos y oyentes. Desde Guadalmar, al borde de una piscina y en territorio Marnofliano nos reunimos para disfrutar de vuestras historias a tumba abierta. Búscate un buen lugar donde desconectar y mejor que sea de noche, con las olas del mar como banda sonora y disfruta de estos grandes: Roberto López, Nuria Fergó, Koldo Serra, Antonio Montiel, José Manuel Frías, Sagan Ummo, Tania Lamarca, Fernando Bayona, Guillermo Díaz, Iñaki Berasaluze, Rosa Escribano, Javier España, Sergio González “Suko”, Antonio Rubio, Zulheica López, Gabriel Santana, Julio Corral, Adrián de la Posada del Cuervo, Quim del Nombre del Podcast, Monje Vidente, Pedro Cantalejo, Walter Saravia, José Antonio López, Julio Chaves, Vanesa García, Victor Puertollano, Elena Gómez, David Bodas, Francisco Pérez Bustamante, Fernando Roldan, Cachola, Cristina Marley, Joaquín Cross, Kiko Guerrero, Lica Malacria, La Enana Barbuda, Martino, Pepe Arjona, Juan Carlos Extremedura, Lord Falsarius, Mariu DM, Mari Cruz, Rosa Bayona, Retbhza y Johana. Todas las historias analizadas por Jaime Noguera, Manolo del Pryca, Virginia Delgado, Marnofle, Rocío, Martino y el Glan Lidel Kim Jon Pons. Programa patrocinado por el abuelo cebolleta Fernando Roldan y Rubén Iglesias, se os quiere mazo. Nos vemos en Septiembre con las pilas cargadas!!!!!!!!!!!! Visita la nueva web del Club de los Curiosos: www.elclubdeloscuriosos.com ¿Quieres anunciarte en este podcast? Hazlo con advoices.com/podcast/ivoox/614720 Nuevo Telegram del Club de los Curiosos: https://t.me/elclubdeloscuriosos Apoya el tratamiento de nuestra curiosa Elena Gómez, firma en Change.org: https://www.change.org/p/ministerio-de-sanidad-si-me-quitas-el-tratamiento-para-la-ame-qu%C3%A9-futuro-tengo Hazte #Mecenas del Club para apoyar la lucha de los anormales por el mundo o bien haz una donación por #Bizum indicando tu nombre y la palabra anormal al 688 323 552 Web del Glan Lidel: www.albertoenriquepons.es Compra el Libro Oficial del Club “Historias para Anormales”: https://www.amazon.es/dp/8409315343?fbclid=IwAR189XyUIcGvMjQg1C8M_cEgQMMMq-PIe9pOGtIpw-hX8w4Ob0PDfLpY5tQ También en EBook: https://www.amazon.es/dp/B09B2TXRZ8 Libro de Mark Knopfler Málaga 360: https://360malaga.es Libro de Elena Gómez “Eros y Thanatos”: https://www.amazon.es/EROS-THANATOS-13-ENTRE-L%C3%8DNEAS/dp/841204357X No dejes de dejar comentarios, todos serán leídos y respondidos en el próximo programa, se os quiere. Estamos en Twitch, Instagram, TikTok, Youtube, Facebook y Twitter. Nuestro Mail de Contacto: albertoenriquepons@gmail.com Twitch del Club de los Curiosos: https://www.twitch.tv/el_club_de_los_curiosos Youtube del Club de los Curiosos: https://www.youtube.com/channel/UC6KgIO7QIVyYNY8LDbVvErA Facebook del Club de los Curiosos: https://www.facebook.com/elclubdeloscuriosos Instagram del Club de los Curiosos: https://www.instagram.com/elclubdeloscuriosos/?hl=es Tema Cierre: Lastre Tema Cabecera: Makuki No dejes de visitar el Canal de Youtube de nuestra Cristina Marley:https://youtube.com/c/CristinaMarley Ivoox de Narraciones de un Burro: https://www.ivoox.com/podcast-narraciones-burro_sq_f1507763_1.html Youtube de Bendito Caótico: https://www.youtube.com/channel/UCWWabzn2yB-XVmPN9QnPeIQ Instagram Marta González Vallovera: https://www.instagram.com/artealday/?hl=es.Javier Si te gustan los animales visita www.airedelatoscana.com Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Vėl Tie Patys #142 į svečius užsuko ROSE NAMAJUNAS by Negyvas Eteris

Hrvatski predsjednik Zoran Milanović  i dalje se protivi odluci Vlade da podrži ulazak Finske i Švedske u NATO. Otac Mateja Periša, nestalog pred gotovo 4 mjeseca u Beogradu,  krenuo u Beograd nakon vijesti da je pronađeno tijelo mladića koji bi  mogao odgovarati opisu njegovog sina.U  shopping centru u Zagrebu lažna dojava o bombi.U Saboru rasprava o rebalansu proračuna.  Svećenik iz Sukošana, koji je prošlog mjeseca pretukao časnu sestru, završio opet u pritvoru jer je pretukao ženu koja je  svjedočila  o  njegovom iživljavanju nad časnom sestrom. Izvrsni rezultati hrvatskog turizma. 

Did you miss your girls?! Your TCL ladies are back! Brittany is fresh off her B DAY weekend, discusses all the eventful things her and her besties did, while Suko shares bits of her trip to Vegas! They also share their Mother's Day experiences and strained mother-daughter relationships. From Kevin Samuels passing, to the breaking news with Meg Thee Stallion, there are way more than two cents being thrown around this episode!!

Here in Livin' Proof, Blue Strip Pablo joins the TCL ladies on the couch! It's Two Cent Court today y'all, and B, Suko, & BSP chime in on this Meg vs Tory situation. They also get the opinion of a few callers on her interview, including OfficiallyIce from the Joe Budden Podcast. Discussions on deal breakers, cheating, and loyalty are all jam packed in this episode as well! What's your two cents? Did Megan's interview help or hurt her narrative? Leave us a comment below!

Double whammy this week! The TCL ladies are here with a bonus episode celebrating 4/20! This episode B and Suko discuss jealousy from parents, the Kalaan Walker charges, The Wades family BBQ and if it is inappropriate for any young children to be photographed kissing. They also discuss if faking orgasms, their WCWs, and the difference between white women's victimization and black women's vindictiveness. You know these two have a mouthful, tap in now! Leave a comment and your two cents!

Hoy viene a visitarnos al Club de los Curiosos el amigo Sergio González Olmo 'Suko', un tipo que además de ser natural de Puertollano, que no es poco, es coordinador de guion, guionista y colaborador en el programa de Antena 3 'El Hormiguero', donde ha tocado semidesnudo con “Los swingverguenzas” o donde actualmente acojona al personal con “El espía tecnológico”. En un programa dedicado a los Falsos Gurús viene de lujo recomendar su último libro escrito junto a Dani Fontecha, otro crack, titulado “Si luchas por lo que quieres no lo vas a conseguir… ni falta que hace”. Y atentos, todos los comentarios de este programa en Ivoox entran en un sorteo del libro firmado de puño y letra por estos dos figuras, sin escroto incluido, eso pa nuestro Noguera. Hablando de Jaime Noguera, hoy nos trae 20 consejos psicomágicos de Jodorowsky para mear y no echar gota, un tipo no exento de polémica. Doctor Osorio trae un enorme listado de peligrosos y falsos Gurús de la medicina, donde también se incluye algún psicólogo de curso CCC. Mark Knopfler casi recuperado del terrible partido de pádel saca la guitarra a pasear y se marca un solo de Carlos Castaneda digno de los grandes punteadores de la historia. Martino sigue perdido en la Argentina profunda, desde allí nos manda sus rimas para alegrar nuestras almas pecadoras de la pradera. Joao participa activamente en los comentarios y sigue haciendo posible que el Club se vea en Twich, recuerda que necesita un ordenador para que el Club siga llegando a más gente. Hazte #Mecenas del Club para apoyar la lucha de los anormales por el mundo o bien haz una donación por #Bizum indicando tu nombre y la palabra anormal al 688 323 552 Merchandising del Club de los Curiosos: https://www.creandacosas.com/categoria-producto/curiosos/ Libro de Suko y Fontecha: https://www.amazon.es/luchas-por-que-quieres-conseguir/dp/8412424603 Web del Glan Lidel: www.albertoenriquepons.es Compra el Libro Oficial del Club “Historias para Anormales”: https://www.amazon.es/dp/8409315343?fbclid=IwAR189XyUIcGvMjQg1C8M_cEgQMMMq-PIe9pOGtIpw-hX8w4Ob0PDfLpY5tQ Tambien en EBook: https://www.amazon.es/dp/B09B2TXRZ8 Libro de Mark Knopfler Málaga 360: https://360malaga.es Libro de Elena Gomez “Eros y Thanatos”: https://www.amazon.es/EROS-THANATOS-13-ENTRE-L%C3%8DNEAS/dp/841204357X No dejes de dejar comentarios, todos serán leídos y respondidos en el próximo programa, se os quiere. Estamos en Twitch, Instagram, TikTok, Youtube, Facebook y Twitter. Nuestro Mail de Contacto: albertoenriquepons@gmail.com Twitch del Club de los Curiosos: https://www.twitch.tv/el_club_de_los_curiosos Youtube del Club de los Curiosos: https://www.youtube.com/channel/UC6KgIO7QIVyYNY8LDbVvErA Facebook del Club de los Curiosos: https://www.facebook.com/elclubdeloscuriosos Instagram del Club de los Curiosos: https://www.instagram.com/elclubdeloscuriosos/?hl=es Tema Cierre: Guru Josh Tema Apertura: The Buyakers Ivoox de Narraciones de un Burro: https://www.ivoox.com/podcast-narraciones-burro_sq_f1507763_1.html Ivoox de la Catedral Atroz: https://www.ivoox.com/podcast-catedral-atroz_sq_f1879852_1.html No dejes de visitar el Canal de Youtube de nuestra Cristina Marley: https://youtube.com/c/CristinaMarley Instagram Marta González Vallovera: https://www.instagram.com/artealday/?hl=es.Javier Si te gustan los animales visita www.airedelatoscana.com Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

When we last spoke with our friend Caleb Suko, the Russia-Ukraine war hadn't yet begun. Now, he's taken refuge—along with two million others—in another country. In this episode, he provides live updates from Moldova and explains how God is at work among the body of Christ and the masses of refugees. You can support the Ukraine Crisis Fund at abwe.org/ukrainehelp. Since 2007 Caleb has served as a missionary in Odessa, Ukraine where he is pastor at Hope for People Church and director of the “Evangelism Today” center for evangelism and discipleship. Caleb attended Shasta Bible College and graduated from Northwest Baptist Seminary in 2005 with a Master's of Divinity. Together with his wife Christina their desire is to help believers and churches to do biblical evangelism and discipleship through training seminars on evangelism and discipleship for churches, personal discipleship, and working closely with national pastors to help strengthen and multiply the church in Ukraine and beyond. The Sukos also have five children. Support their ministry. Subscribe now to never miss an episode when it drops. Support this podcast and impact God's mission. Want to ask a question or suggest a topic? Email us.

Watch the video version of this episode here. Tensions are rising between Ukraine and Russia. The US is considering involvement. What does that mean for Christian workers and churches in Ukraine? Caleb Suko, pastor and ABWE worker, shares his first-hand perspective. Since 2007 Caleb has served as a missionary in Odessa, Ukraine where he is pastor at Hope for People Church and director of the “Evangelism Today” center for evangelism and discipleship. Caleb attended Shasta Bible College and graduated from Northwest Baptist Seminary in 2005 with a Master's of Divinity. Together with his wife Christina their desire is to help believers and churches to do biblical evangelism and discipleship through training seminars on evangelism and discipleship for churches, personal discipleship, and working closely with national pastors to help strengthen and multiply the church in Ukraine and beyond. The Sukos also have five children. Support their ministry. Subscribe now to never miss an episode when it drops. Support this podcast and impact God's mission. Want to ask a question or suggest a topic? Email us.

Mažytė Afganistano krikščionių bendruomenė ir jautėsi nesaugiai ir tada, kai jos narių skaičius siekė 12 tūkstančių, tačiau į valdžią sugrįžus Talibanui, Bažnyčios egzistavimui Afganistane iškilo didžiulis pavojus.Apie sumanymą mokyti pabėgėlių vaikus pasakoja Nukryžiuotojo Kristaus vienuolijos sesuo Viktorija Voidogaitė.Kardinolo Stefano Wyszynskio beatifikacijos atgarsius Lenkijos žiniakslaidoje apžvelgia Giedrius Tamaševičius.Redaktorė Rūta Tumėnaitė.

Water, Wood & Wild Things: Learning Craft and Cultivation in a Japanese Mountain TownBy Hannah Kirshner Intro: Welcome to the number one cookbook podcast, Cookery by the Book with Suzy Chase. She's just a home cook in New York City, sitting at her dining room table, talking to cookbook authors.Hannah Kirshner: I'm Hannah Kirshner and my first book is out now it's called Water, Wood & Wild Things: Learning Craft and Cultivation in a Japanese Mountain Town.Suzy Chase: Water, Wood & Wild Things is the engrossing brilliant book we need right about now. Part travelogue, part meditation on the meaning of work, and full of your beautiful drawings and local recipes. But first I want to tell you that I have been a huge fan of yours for years, since you were with Food52 back in 2016 and you would do these Facebook lives and I just adored your kitchen in Brooklyn. It was so organized.Hannah Kirshner: That's amazing, you know, broadcasting those I really had no idea who was watching in a way it just felt like I was alone in my kitchen. And yeah, it's amazing to hear that you were watching and enjoying them.Suzy Chase: I loved it. And you know, what's so funny for the longest time I didn't know your name was Hannah. I was like oh Sweets & Bitters is on.Hannah Kirshner: Right, so that was the name of the magazines that I self-published. It just kind of stuck. Actually I chose the name when I was still, I hadn't even started the magazines, but I was a baker and I was a bartender and I was doing some cocktail events and baking cupcakes and all sorts of things. Then I was like, well, this will just sort of work for whatever I do I think.Suzy Chase: It was perfect. And I still just want to call you Sweets & Bitters.Hannah Kirshner: Well, I think I'm stuck with it. So that's good.Suzy Chase: So in 2017 you did some videos for Food52 in Japan and my favorite of all time was when you went to Kathy's Kitchen and Kathy does all this American baking and her cookbook collection was fantastic. She showed you a cookbook from when she was 10 that was all about Pennsylvania Dutch Baking. I will always remember that episode. I loved her shop.Hannah Kirshner: She's amazing. So Kathy is her American name, but her real name is Kei Yamaguchi and so she has this baking space in Kyoto. Now, I can't remember if at that time it was her old space or her new space, but she sells baked goods and she runs baking classes. Most people in Japan don't have an oven in their home kitchen. So she's able to teach people and give them an opportunity to cook all these baked goods that require an oven and she has this amazing cookbook. I think she's published two of them now called Friendship Cooking, where she travels around Japan and cooks with different friends and learns their recipes.Suzy Chase: Let's start off with your first foray into Japan. When you spent a month with bike, when you were 22, how did that come about?Hannah Kirshner: At the end of college and the years that followed, I had started bike racing and I was working in a bike shop. I had actually applied for a Fulbright to go to Japan and write a graphic novel about bicycle culture, not surprisingly the Fulbright committee didn't quite get it. And so I figured, well, I can't afford to go for a whole year without funding, but I could save up enough money to go for a month. When I was writing the proposal, I had seen a flyer for a bike messenger race in Kyoto, and I contacted...there was an email on it I didn't know who I was writing to, but I wrote to them, it turned out to be this man named Takuya and Takuya invited me to come and stay in this bike messenger house with his friends, as long as I wanted to. And so that's what I did and as soon as I was there, I was just sort of immersed in that subculture going to bike messenger events. I got to go on a bike ride with a woman that's a national champion in Japan, and I got to meet my favorite artist, it was incredible and I stayed in touch and stayed friends with those folks and Takuya who had been my host about almost a decade later, introduced me to Yusuke Shimoki who runs a bar here in Yamanaka Onsen. And that is the town that my book is about.Suzy Chase: Yes. That leads me to my next question. How did sake and a dinner party in New York lead you to where you are today?Hannah Kirshner: So Takuya had been telling me about this magical mountain town called Yamanaka that I had to visit. But at that point I was a food stylist in New York. I had met the man that would become my husband. You know, I had a full life so it was hard to imagine just going to Japan at that point, but he told me, well, the owner of the cocktail bar in that town Yusuke Shimoki he's about 30, your same age, he really wants to come to New York. Can you host him? Meanwhile, what Shimoki had heard was my friends in New York really want to meet you. Can you go visit them? So I'm not sure if Takuya was an intentionally setting us up to be friends or what, but the did come to New York and I happened to be having a dinner party while he was there. And he basically had brought his entire bar to Brooklyn and so he unpacked multiple bottles of Sake, a whole set of different kinds of glassware and Yamanaka Shikki the lacquerware wooden cups that this town is famous for and then he put on this apron, it was one of those great Japanese apron, like half a waist apron that has like navy blue with the bars insignia and the white and orange and navy waist tie and I was like, where can I get an apron like that? And he said, you have to work in my bar. And I said, okay. And he said, well, you have to come for two months. Okay. And so it became a plan and I came to Yamanaka and apprenticed in his bar. I was here for about three months at that time. So, you know, working in the Sake bar immediately kind of made me part of this community. And it was not only a place to learn about that game. So I met all these amazing people like artists and craftsmen and farmers and hunters, and realized I wanted to learn about what they were doing too, and how it all wove together into the culture and community of Yamanaka. And that's where the book idea came from.Suzy Chase: So tell us a few of the jobs slash skills you learned that are in the book.Hannah Kirshner: When I was apprenticing in the bar, Shimoki-san, very proudly introduced me to Takehito Nakajima, a wood turner and he invited me to his studio to try out wood turning, which at first I was actually not so sure, like seemed kind of scary to, you know, take a sharp tool and put it on a moving hunk of wood, of course I said, yes and it turned out that I loved wood turning and over the months and years that followed, he continued to teach me, I made various cups and bowls with him and that experience. And then also becoming friends with Mika Horie the paper maker and photographer. Those sort of came about organically through meeting them through friendships. Once I knew I wanted to write the book, I really set out to find people that represented sort of the essential material called the town. What were the things made harvested, farmed in Yamanaka that defined that place. So that included boar hunting, growing rice, growing vegetables, gathering wild edible. I took tea ceremony lessons, and then eventually I worked in the sake brewery.Suzy Chase: So this all became your life. What was the pivotal moment for you when you said, I, I want to live here. Had you figured out at that point that you wanted to live there or were you just doing all of these jobs and learning these crafts under the mentors, thinking that you're going to come back to New York City.Hannah Kirshner: It's hard to pinpoint an exact moment coming to Yamanaka really felt in a way like coming home for me and connecting to a part of myself that I had sort of pushed aside and adulthood. I grew up on a small farm in the Pacific Northwest, outside of Seattle in a town called North Bend, which anybody who's a fan of Twin Peaks will know as the place where Twin Peaks was filmed and my mother grew a lot of our own food. We had chickens, we had sheep for wool and also occasionally for me, and in a lot of ways that landscape really resembles Yamanaka too. You have this intersection of all these amazing micro-climates ocean lands and forest so the variety and freshness of ingredients for food is just incredible.Suzy Chase: Japanese cycling friends were surprised to hear that you had grown up with cherry blossom picnics too.Hannah Kirshner: Yea that's right. We used to have cherry blossom picnics at the University of Washington. There are hundred year old cherry trees there that came from Japan. And so my mom used to take us every year for a cherry blossom picnic. You know, Seattle has, and the Pacific Northwest, in general has a really long history of the Japanese community there actually many different Asian communities, but the Japanese community in particular came right around the time that Japan was opening its borders for international trade and travel at the end of the 1800's, it was sort of the end of the gold rush beginning of the logging industry and railroads and so all these workers were needed and a lot of Japanese young men would come over hoping to make their fortune and then go home. But many of them stayed and then brought wives and established a Japantown in Seattle so like even in my little small town, an hour outside of Seattle, we could get Yakisoba and Udon in the supermarket. And those were things that we ate quite often.Suzy Chase: Fewer than 8,000 people live in Yamanaka and its surrounding villages and that number is shrinking and yet young artists, designers, and entrepreneurs move there to make a life in the countryside. Can you talk a little bit about that?Hannah Kirshner: So like a lot of rural towns in Japan, it can often feel like almost everybody in Yamanaka is elderly. There are not that many young people. There are not that many children, but Yamanaka has a 1300 year history of tourism because of its onsen, its hot springs and alongside that grew various craft industries like the wood turning because you could sell your wooden wares to travelers who wanted souvenirs. So students actually come from all over Japan to study at the wood turning school here in Yamanaka and even though the town is very isolated geographically, the onsen, the hot spring was sort of a retreat for physical and spiritual healing monks would come, merchant sea men would come in from the port to rest between trips so you always sort of had this exchange of culture here, even though it is a rural mountain town and I think the combination of those craft communities and just the character of the town really seems to draw a lot of young people who are interested in perhaps learning older ways or living a slower life or learning farming, both connecting to traditional culture, but also creating new things like even Shimoki's sake bar. That's quite unusual for someone in a small town to start their own business like that. Normally you'd either take over the family business or move to a city for a good salary man job, or to work in a big business where you could have like a good, steady income.Suzy Chase: Did he ever tell you his story, why he decided to open the sake bar in the town? And because it seems like..Hannah Kirshner: You know, he's actually from the next town over Yamashiro and this is something really interesting. He said that he feels like Yamanaka is more open-minded that people are more willing to accept new things or that you can sort of try something without being sure if it will succeed.Suzy Chase: It's funny it's just one town over.Hannah Kirshner: Yea, but it really does. I mean, it's one town over, but it feels quite different. I mean, maybe part of that is the history Yamanaka was known as a destination for healing and rest and Yamashiro was more of a red light district. And even now like Yamashiro has more big hotels, Pachinko parlors, karaoke, like more entertainment has a different vibeSuzy Chase: Times Square versus the West Village.Hannah Kirshner: Yea right. They're like very nearby, but totally different.Suzy Chase: There are recipes in each chapter, some foods rarely seen outside Yamanaka. Can you give us one example of a rare dish?Hannah Kirshner: The one that's in the book is called Suko and it made from the stems of taro, but this particular one pickle is made from zuiki, the red taro stems and I've never seen this pickle outside of this region though. The stems are sort of like spongy, almost that you peel them and then it's like a sweet vinegar, pickle, and they're bright red. They can be a side dish or they can be a drinking snack. They go really well with the local sake obviously that's not something that most readers are going to be able to reproduce exactly if they're not in Japan but I still think that there's a value to having a recipe that explains how something is made that documents a local food that tells a story in some way. Like sometimes I think it's frustrating when recipes aren't translated to English because they wouldn't be practical for us. I still want to know about it and so much of this book, both in the narrative in the recipes is about curiosity about how things are made and why they're made the way they are.Suzy Chase: I think that's what I love so much about you is you have so many various different curiosities and it's just fascinating. It's almost like what's Hannah into now.Hannah Kirshner: It's kind of a problem cause I get into all these different things and then I just like, can't manage to keep up with them allSuzy Chase: I love from the outside looking in, it's like, oh, Hannah's doing that and I can learn from her.Hannah Kirshner: Well, writing is just about the best profession for that reason because it's my job to be curious about things and learn about them.Suzy Chase: In this book you limited your geographic scope to places you could reach by bike from your apartment, except for Chapter 9 Samurai at the Duck Pond. Can you talk a little bit about that?Hannah Kirshner: So about 20, 30 minutes west on the coast, there's this duck pond where about 25 men carry on this sport. That was once a form of samurai skills training. So the story is that the samurai was returning from fishing at the coast and as he walked up over the sand dune, a flock of ducks flew over and he took his net and he threw it up into the air and he caught one of the dock. And from that, he created the sport where, as it exists, now you have this Y shaped net, the pole that you hold is wood. And then it's got bamboo arms and a net like a fishing net stretched in between them. So they go up on the slopes on the hillsides, around the pond and as the ducks are leaving in the evening, they wait and they have the, the net like in front of them. The way I describe it in the book is like a tennis racket ready for a serve and then when the ducks fly over, bring it up vertically and toss it into the air. And the net comes up from below the dock, below their line of sight. And the duck flies into the net and it falls to the ground and is stunned. And then while it's stunned, they strangle it, just tie a little string around its neck. So it is a very, very inefficient way to hunt and really is more about a sort of skills training. And I found for these hunters, it's also just very much a way of being in nature and observing and being connected to that world.Suzy Chase: What was interesting to read as these duck hunters are natural experts in the wind and the youngest hunter was 39. So these guys are old.Hannah Kirshner: So Kawamoto-san, the man who brought me along, who I followed along for a season of hunting, the season goes from mid-November to mid-February. And he told me... he's in his mid-fifties, I believe and so he's considered one of the younger guys too. He told me it takes 10 years to get good at it. Plus you have to pay licensing fees. You have to have your nets. You have to be part of the club. You have to volunteer to take care of the pond. Like a lot of what they do is stewarding the landscape too. So it's a big commitment. It's a lot of money, a lot of time. And also the timing for hunting is like in the early evening, usually around five, like just before it gets dark. So it's not really that easy to just take up the hobby. And I think that they're struggling to find young people who want to join and continue it.Suzy Chase: And there are two restaurants in the area that serve net caught duck, which I think is amazing.Hannah Kirshner: As you can imagine, they don't catch very many of these ducks. And they're said to be especially delicious because the duck doesn't know what's about to die. So there are no stress hormones released. There's no damage from, you know, shooting it with a gun or killing it in some brutal way. So the meat is really prized and only two restaurants in this area serve the meat. One is Bantei and the other is Yamagishi. So the signature dish at these places is a kamo nabe or a duck, nabe means pot literally, but it also means the dish that's cooked in that pot. So usually like a hot pot, like a broth with various things, simmered in it. And there's actually a very particular kind of nabe in this area called Jibuni. It's a soy sauce based broth with various vegetables, sort of cooked consecutively in the broth and the meat is actually dipped in starch before it's simmered. So it makes this little sort of coating that helps keep the broth flavor on the meat as it simmers in the broth. And then the absolute best part is that when you're done simmering everything, you've got this concentrated stock with a flavor of the vegetables and the flavor of the duck meat. And you put either soba noodles or rice into that. That is absolutely my favorite part of the whole dish. It's a little elaborate. And the restaurants that make it are very protective of their proprietary recipes, but Kazu Yamagishi the chef at Yamagishi taught me how to make a really easy recipe for these duck and scallion skewers that are in the book. And he's that young Hunter that you mentioned the 39 year old, well, 39 at the time of writing. So I guess in his early forties now.Suzy Chase: You have an author's note in the back of the book that talks about how you had to go back to New York after the research for this book was done. And you didn't know at the time that the pandemic would make it a year before you could return a year later, how is Yamanaka doing? And the crafts people, the artisans and the shop owners, the restaurant owners, et cetera, et cetera.Hannah Kirshner: Yeah. Coming back here from New York after spending the spring and summer of 2020 in New York, it was the biggest culture shock. This time was how normal it felt here, although that sort of conceals the fact that people are really struggling economically without tourism, that a lot of the businesses rely on. Now, they're having to rely on government subsidies to get them through the sake brewery. He expected to have a big year because of the Olympics. And then not only were the Olympics canceled, but restaurants closed during the state of emergency people. Aren't going out to eat as much. So, yeah, they're definitely struggling in that sense, but people are very stoic about it, but Yamanaka still has had no known cases of COVID-19. So it took me a while to get used to like, I'm still very careful here, but there are certain things where I feel like, okay, rationally the risk of having dinner at a friend's house with like two people, probably more like the sort of normal risks that we choose to take. And it's tricky, but, and I don't really know why Yamanaka has done so wellSuzy Chase: At the very end of this book, you tell the story of Hato-chan a pigeon that kept you company. Can you talk a little bit about this pigeon?Hannah Kirshner: Oh my gosh. I'm so glad that you asked this. So Hato-chan the name literally means like pigeon dear or pigeon sweetie. I sort of thought like, you know, in Breakfast At Tiffany's she has the cat and she calls it cat because they don't belong to each other. So this is sort of how I felt with the pigeon. I found her injured on the sidewalk here in Yamanaka, and like, we have doves here, but not pigeons and she looked fancy. So she looks kind of like a New York pigeon, but like fancier something's weird here. And she was hanging around on the sidewalk. Like she was sort of like looking for help. So it's like, this is an animal that sees people as helpers somehow. And so I picked her up and I brought her back to my apartment thinking like, well, maybe she'll recover in a few days and want to fly away but I learned that she was actually a racing pigeon that had probably been discarded because she didn't have the band that she would have if someone was actually keeping her for racing and she just became this lovely companion. Clearly she was a domesticated bird and it wouldn't have been safe to release her. So she just hung out with me in my apartment and gradually got to trust being where she would come and eat my hand. And she would just kind of do her own thing during the day. I'd let her out of her cage and she would just walk around and she would like, come and check on me. Like, what are you doing? Okay. Now I'm going to go back to my thing. Uh, she was my buddy through those final solitary months of really getting the book done before my deadline. So when I was coming back to New York at the end of 2019, I needed to find some home for Hato-chan. I did look into bringing her back with me and that would have required her going through quarantine. And it would've cost like a thousand dollars. At least did not seem like a reasonable thing to do. So when I left Japan, I took her in a box on the Shinkansen, the bullet train. But this man outside of Tokyo who keeps pigeons, he was this Emirati Pakistani man who told me as we were going to take her to his house, that he believes that pigeons are close to the spirits. So if you want to talk to the spirits, you can talk to pigeons, any feeds the pigeons at the station. And he tells me that they come to him in his dreams when he hasn't fed them in a while and tell them that they're hungry. He was just so sweet. And so my Hato-chan went to live with this man outside of Tokyo. And she now has her own family there. She found a mate and she had babies and she has her own little family outside Tokyo now.Suzy Chase: Oh my gosh, you have to write a whole book about her.Hannah Kirshner: I actually wrote a graphic novel just to like entertain one of my friends. So, but I haven't, haven't finished that.Suzy Chase: Now to my segment called Last Night's Dinner where I asked you what you had last night for dinner.Hannah Kirshner: I know that you asked this question and I was worried that I was going to be self-conscious about it and like plan my dinner so that I could tell you about it. And then I completely forgot until after dinner. Last night I had Yuba, which is like, when you make tofu, the sort of skin or skim that rises to the top, there's like a a firm version. That's kind of like a noodle. And then there's a soft version that's sort of like creamy and goopy. So Moriguchi-san, who is one of the craftsman in the book, he carves these wooden trays called Wagatabon, he brought me some Yuba from Kyoto. They had that and just rice and a very simple miso soup and a umeboshi pickled plum. Technically it's not a plum. It's close botanically, closer to an apricot, but that's okay.Suzy Chase: Oh my gosh. I have to tell you your easiest, fastest, best fried rice is my favorite. It's garlic, ginger scallion fried eggs. And that's it. And you say to use day old rice, because that's the best who to thought that because you think it would be dry, but it's not.Hannah Kirshner: You have to use the day old rice cause otherwise it sticks to the pan and you get so mad. It, the worst thing, if you make fried rice with rice, that's too fresh. And then you've just got that, that goop burning on your pan.Suzy Chase: That recipe is so good. Thank you. Everyone needs to look that up after they get your book. So where can we find you on the web and social media?Hannah Kirshner: I'm at SweetsnBitters sweets, the letter N, bitters on Instagram and Twitter.Suzy Chase: The way live and create is incredibly inspiring to me. It's reassuring to know that there are still places you can't find on the internet. Thank you so much, Hannah, for coming on cookery by the book podcast.Hannah Kirshner: Thank you so much for having me on.Hannah Kirshner: I just want to add something to acknowledge the horrific violence that happened earlier this week in the context of the rise in hate crimes against Asian-Americans. I talked about the influence that Japanese and other Asian communities have had on the Pacific Northwest in talking about my book and that influence in the food and architecture and gardens and culture exists in spite of the terrible injustices against those Asian communities. I've written about the internment of Japanese Americans during World War Two and before that there was the Chinese exclusion act and of course, all that time, there was violence against Asian Americans and Asian immigrants, vandalism, destruction of their businesses. And I think that history is so clearly still with us. I think we can look to Min Jin Lee or Cathy Park Hong written so eloquently about this Roxane Gay also. So if we're interested in Japanese food, in Asian food and cultures, I think it's so important for us to know and understand that history and to keep listening and learning.

Paano nga ba tayo patuloy na lalaban ngayong taon kung sukong-suko na tayo? Ali and Doc Gia talk about the importance of keeping on trying and continuing to fight onwards, but also how we will literally not be able to do this without slowing down, taking a break, and confiding in people we trust. Para sa mga fellow-mandirigma ng makabagong panahon-- mga naka-WFH, office workers, frontliners, entrepreneurs, students, atbp-- nandito na ang episode na sa totoo lang, kailangan nating lahat mapakinggan. Comments? Reax? Hot takes? Share your unfiltered thoughts and questions with us! #TheLinyaLinyaShow #SaTotooLang #LabanLang #TheLinyaLinyaShowXAlaxan thelinyalinyashow@gmail.com http://twitter.com/@linyalinya http://instagram.com/@thelinyalinyashow

Martin May ist die Stimme von Suko in den Hörspielen. Er spielt Johns Kumpel bereits seit Beginn der Serie, also seit über 20 Jahren. Zu Gast im heutigen Podcast erzählt Martin auch über seine Arbeit als Schauspieler, Drehbuchautor, Synchronsprecher und -regisseur. Mit dabei ist außerdem Sinclair-Fan Thomas Williams, der Gewinner des Kurzgeschichten-Wettbewerbs. Er hat gerade seinen ersten „richtigen“ Sinclair-Roman geschrieben. Amy hat ihm einige Hintergrundinfos entlockt… Viel Spaß beim Anhören!

Programa especial en Directo Valladolid con Oscar Arratia en Radio 4G , 91.3 FM , un programa de 8 horas Nos visita uno de nuestros grupos preferidos Paraíso terrenal , y nos presenta su nuevo disco Fuego , con una versión más renovada, sus componente Componentes: Batería: Javi "Eskape". Bajista: "Pijus Magnificus". Guitarrista y coros: David "Cathy". Guitarrista y coros: "Addy" Alex. Vocalista: "Suko" Sánchez. Ellos son Paraíso Terrenal Banda vallisoletana de hard rock formada en 2011 que se caracteriza por un gran interés en la puesta en escena, en el uso de maquillaje por parte de algunos miembros... Todo surge de la idea original de "Suko" Sánchez, que, por aquel momento, iba a ser el guitarrista del grupo. Cuando conoce a David "Cathy", ambos comienzan a desarrollar el proyecto. El grupo, en un principio, iba a estar formado por "Xenxo" Díaz a la voz, "Suko" Sánchez y David "Cathy" como guitarristas y Juan "Zape" a la batería. No obstante, el proyecto no sale adelante y "Suko" y "Cathy" se ven obligados a continuar con él sin los demás miembros. Pasan un años componiendo canciones y desarrollando ideas para el grupo y por fin consolidan la que será la primera formación del grupo. A mediados de 2012, entra como bajista David "Morty" y, poco después, entran Javi "Eskape" a la batería y "Addy" Álex a la guitarra solista. Una vez está completada esta formación, la banda comienza a componer y da su primer concierto en Enero de 2013. Poco después, sin embargo, David "Morty" sale de la banda y entra en su sustitución como bajista, "Xenxo" Diéz. Tras esto, la banda sigue dando conciertos en las principales salas de la ciudad y en algunos pueblos de la provincia. Además, continúan con la composición de temas, graban maquetas y desarrollan su propio estilo. No obstante, al año siguiente, la formación vuelve a sufrir la salida de "Xenxo", aunque pronto entra en su sustitución "Pijus Magnificus" llegando el grupo a tener su formación hasta ahora definitiva. Desde ahora, la banda se encuentra en su mejor nivel y lo demuestra en sus directos y en sus trabajos. --- Send in a voice message: https://anchor.fm/radio-4g-valladolid/message

Banda vallisoletana de hard rock formada en 2011 que se caracteriza por un gran interés en la puesta en escena, en el uso de maquillaje por parte de algunos miembros... Todo surge de la idea original de "Suko" Sánchez, que, por aquel momento, iba a ser el guitarrista del grupo. Cuando conoce a David "Cathy", ambos comienzan a desarrollar el proyecto. El grupo, en un principio, iba a estar formado por "Xenxo" Díaz a la voz, "Suko" Sánchez y David "Cathy" como guitarristas y Juan "Zape" a la batería. No obstante, el proyecto no sale adelante y "Suko" y "Cathy" se ven obligados a continuar con él sin los demás miembros. Pasan un años componiendo canciones y desarrollando ideas para el grupo y por fin consolidan la que será la primera formación del grupo. A mediados de 2012, entra como bajista David "Morty" y, poco después, entran Javi "Eskape" a la batería y "Addy" Álex a la guitarra solista. Una vez está completada esta formación, la banda comienza a componer y da su primer concierto en Enero de 2013. Poco después, sin embargo, David "Morty" sale de la banda y entra en su sustitución como bajista, "Xenxo" Diéz. Tras esto, la banda sigue dando conciertos en las principales salas de la ciudad y en algunos pueblos de la provincia. Además, continúan con la composición de temas, graban maquetas y desarrollan su propio estilo. --- Send in a voice message: https://anchor.fm/radio-4g-valladolid/message

Suko Widodo adalah seorang pakar sosial yang ada di kampus Universitas Airlangga Surabaya --- Send in a voice message: https://anchor.fm/lppl-suara-sidoarjo/message

Dakota Suko, Sioux Nation's Poultry Production Specialist, talks about her passion for poultry and things you can do to improve your flock. 

Memanfaatkan moment Pandemi ini untuk membuat sebuah komunitas pengguna sepeda, tapi para pendiri komunitas ini udah menekuni kegiatan bersepeda dari lama. Yuk simak cerita dibalik berdirinya komunitas Suko Basapeda

Skip Club Orchestra, Alex Cunningham & claire rousay, Suko & Modus, Rodent, Snafu, Sunk Heaven, JPEGMAFIA, Odd Person, and Superskin.

Skip Club Orchestra, Alex Cunningham & claire rousay, Suko & Modus, Rodent, Snafu, Sunk Heaven, JPEGMAFIA, Odd Person, and Superskin.

Mackenzie Nemeth-Suko of Blue Flame Studio Co. breaks down the art of boudoir photography. Shelby, Tia and Mackenzie dive into how to make clients comfortable when they are at their most vulnerable, the importance of having a circle of supportive women, creating in the moment and overcoming negative self-talk.

Suko Aka Bolero O.M.G by Mayhem Digital Productions

Denne podcastserie handler om Andreas Lund-Drosvad; en ung dansk mand, der drager på eventyr til Grønland for 100 år siden. Hør om ham, hans (kærligheds)liv og noget om det grønlandske samfund. Podcasten er lavet i samarbejde med Aminnguaq Dahl Petrussen og Bibi Nathansen, der sammen med Nunatta Katersugaasivia Allagaateqarfia, har fået støtte af Den Grønlandske Fond.

Uku podcastit tallimat Andreas Lund-Drosvadimut tunngasuupput; angut inuusuttoq qallunaaq, misigisassarsiorluni 1922-mi Nunatsinnut aallartoq. Inuunermi misigisaata ilamininngui podcastini ukunani tusarnaarsinnaavatit, ilaatigut asanninneq Kalaallit Nunaannilu inuiaqatigiit ineriartornerat. Den Grønlandske Fond tapiisoralugit Nunatta Katersugaasivia Allagaateqarfialu suleqatigalugit Aminnguaq Dahl-Petrussenimit Bibi Nathansenimillu uku podcastit pilersinneqarput.

Announcement: It's the show's first birthday! As a way of thanking our loyal listeners, we're giving away some great, free books and spiffy, new ABWE swag. Click here for details and to enter our drawing. What is God's will for my life? Is God calling me to missions? Is there such a thing as a missionary calling—and if so, what is it? ABWE missionary to Ukraine Caleb Suko joins us this week to help us answer ten questions as it relates to the missionary call, desire, affirmation and counsel from loved ones, the local church, experience, prayer, opportunity, and more, based on his new book Is God Calling Me to Missions? 10 Questions to Help You Determine God's Calling.  Since 2007 Caleb has served as a missionary in Odessa, Ukraine where he is pastor at Hope for People Church and director of “Evangelism Today” center for evangelism and discipleship. Caleb attended Shasta Bible College and graduated from Northwest Baptist Seminary in 2005 with a Master's of Divinity. Together with his wife Christina their desire is to help believers and churches to do biblical evangelism and discipleship through training seminars on evangelism and discipleship for churches, personal discipleship, and working closely with national pastors to help strengthen and multiply the church in Ukraine and beyond. The Sukos also have five children. Learn more on their site. You can listen to Caleb's podcast “Now Is the Time” or follow him on Twitter. At the end of the show, we also highlighted some more key resources: Decision Making and the Will of God by Garry Friesen Found: God's Will by John MacArthur Just Do Something by Kevin DeYoung Bonus content! After we recorded this episode, we also joined Caleb on his own podcast to answer the question: “What is Missions Mobilization?” We think you'll enjoy this bonus installment. Click here to listen. Remember to share, rate, leave a review, and subscribe. Together we can help bridge the gap between the worlds of theology and missions. Want to ask a question for a future episode? Email alex@missionspodcast.com. Powered by ABWE International.

Announcement: It's the show's first birthday! As a way of thanking our loyal listeners, we're giving away some great, free books and spiffy, new ABWE swag. Click here for details and to enter our drawing. What is God's will for my life? Is God calling me to missions? Is there such a thing as a missionary calling—and if so, what is it? ABWE missionary to Ukraine Caleb Suko joins us this week to help us answer ten questions as it relates to the missionary call, desire, affirmation and counsel from loved ones, the local church, experience, prayer, opportunity, and more, based on his new book Is God Calling Me to Missions? 10 Questions to Help You Determine God's Calling.  Since 2007 Caleb has served as a missionary in Odessa, Ukraine where he is pastor at Hope for People Church and director of “Evangelism Today” center for evangelism and discipleship. Caleb attended Shasta Bible College and graduated from Northwest Baptist Seminary in 2005 with a Master's of Divinity. Together with his wife Christina their desire is to help believers and churches to do biblical evangelism and discipleship through training seminars on evangelism and discipleship for churches, personal discipleship, and working closely with national pastors to help strengthen and multiply the church in Ukraine and beyond. The Sukos also have five children. Learn more on their site. You can listen to Caleb's podcast “Now Is the Time” or follow him on Twitter. At the end of the show, we also highlighted some more key resources: Decision Making and the Will of God by Garry Friesen Found: God's Will by John MacArthur Just Do Something by Kevin DeYoung Bonus content! After we recorded this episode, we also joined Caleb on his own podcast to answer the question: “What is Missions Mobilization?” We think you'll enjoy this bonus installment. Click here to listen. Remember to share, rate, leave a review, and subscribe. Together we can help bridge the gap between the worlds of theology and missions. Want to ask a question for a future episode? Email alex@missionspodcast.com. Powered by ABWE International.

¿Te quedaste con las ganas de saber como se resuelve todo el enredo de la primera parte? ¿Estás rabiando más que cuando se termina una temporada de tu serie favorita y tu personaje del alma se queda colgando de un balcón? ¿Todavía os preguntáis por que seguimos grabando estas cosas? Dejad de haceros tantas preguntas y escuchar nuestro nuevo capítulo. Uno de los más frescos jamás hechos. Hasta nosotros nos hemos sorprendido de lo bien que ha quedado. Poker de asnos sigue rebuznado somo siempre y en esta ocasión os presentamos: - Intro regreso al piloto II Parte 2. - Saludos y redes sociales. - Debate: ¿A quién le darías un guantazo si sólo pudieras dar uno sólo en tu vida? - Que fue de: Doc M30. - Un nuevo trailer: 50 sombras de Gertrudis. - El retorno al pasado de El Mago Lake Ase. - Que fue de: El personaje secundario. - Noticias brevas...con lavado de cara musical - Desbanda sonora: "Regreso al futuro" (las tres, desde aquí ya vamos pidiendo perdón, ¿va?) - La maravillosa sección de Johnny... o no... - Final con las tomas falsas del prorama Todo ello en el estudio de ancá Dani, con más topazos en el micro que nunca (¿¿¿que queréis??? no tenemos estudio y estamos grabando con los micros de playschool), conducido con maestría por Fran Conesa, Dani Rodríguez, Jonathan Blanco y Sergio González Suko y seguimos estando avalados por los mismos que el máster de Cifuentes. Siguenos en Poker de asnos (Facebook) y @pokerdeasnos (Twitter).

¿Alguna vez habéis pensado como sería un 2018 alternativo donde Johnny hubiese acabado su sección en el programa piloto? ¿Os habéis preguntado alguna vez por qué Doc fue a por los asnos en Noviembre de 2012 con su delorean con eso de que "algo había que hacer con el piloto? ¿Nunca os habéis preguntado nada pero os gustan nuestras mongadas? ¡Estais de suerte! Las tres preguntas se resuelven en este nuevo programa de Poker de asnos, rebuznado por los mismos de siempre y en el que tendremos: - Intro regreso al piloto II - Saludos y redes sociales... alternativas - Debate: El mejor videojuego de la historia... alternativo - Que fue de: Los niños del programa... alternativos - Un nuevo trailer: REBECA... alternativa - Entrevista a THE BUYAKERS... alternativos - Noticias brevas... y alternativas - Despoetrify con KARATE KID EL MUSICAL... alternativo - Que fue de: La señora Doubtfire... alternativa - La maravillosa sección de Johnny... la misma mierda de siempre - Final con las tomas falsas del prorama Todo ello en el estudio de ancá Dani, con mas topazos en el micro que nunca (¿¿¿que queréis??? no tenemos estudio y estamos grabando con los micros de playschool), conducido con maestría por Fran Conesa, Dani Rodríguez, Jonathan Blanco y Sergio González Suko y avalado por los mismos que el máster de Cifuentes. Siguenos en Poker de asnos (Facebook) y @pokerdeasnos (Twitter).

Muy buenas! Con este programa comienza una nueva etapa para Juegos Ocultos, en el que el equipo del programa (Suko, Jose Que Pasa Co, Feniyeitor y FZero) os traemos una buena dosis de arqueología videojueguil acercándoos juegos desconocidos que han pasado desapercibidos para la mayoría de jugadores. Y que mejor forma para comenzar esta nueva etapa que con Binary Domain, un desconocidísimo Shooter en tercera persona con coberturas que, lejos de quedarse en ser "otro clon de Gears of War" aporta ideas y mecánicas muy interesantes. Esperamos que os guste y no olvidéis dejar vuestros comentarios!!! Saludos!

In dieser Folge des kostenlosen Sinclair-Podcasts erwartet euch das große Interview mit Hörspiel-Sprecher Martin May alias „Suko“. Er berichtet über seine Arbeit an JOHN SINCLAIR, seinen schauspielerischen Werdegang … und natürlich die allerneusten Aufnahmen zur großen Sonderedition „Oculus“!

☀️ Opening 12:00 - 13:30 ☀️ MoRi at Falscher Hase & Friends Open Air - MTW - Offenbach - 25.05.2017 01. Laid Back - Sunshine Reggae (Visti & Meyland's Stella Polaris Remix) * https://soundcloud.com/stellapolarismusic/laid-back-sunshine-reggae 02. F.R. - If I Had A Heart (Luca Musto Edition) * https://soundcloud.com/lucamusto/heart 03. David August - J.B.Y. * https://soundcloud.com/davidaugust/jby 04. Sabo - Cause I Gotta Have (GM Tribute) * https://soundcloud.com/user-648963047/cause-i-gotta-have-sabo 05. YokoO - Sacred Tears * https://soundcloud.com/yokoo/sacred-tears-kindisch 06. Timboletti - Papa Papaya * https://soundcloud.com/underyourskinrecords/timboletti-papa-papaya-uysr043 07. RY X - Only (Stevie R & The Acid Beast Edition) * https://soundcloud.com/when-we-dip/free-download-ry-x-only-stevie-r-the-acid-beast-edition-chapter-24-records 08. Chopstick & Johnjon - Obviously She Is A Whore * https://soundcloud.com/suol/chopstick-johnjon-obviously-1 09. Claus Casper - Deep Inside (I Need You) * https://soundcloud.com/claus-casper/claus_casper_deep_inside 10. Satori - Imanis Dress (Ewan Pearson Remix) * https://soundcloud.com/crosstownrebels/satori-imanis-dress-ewan-pearson-remix 11. Devendra Banhart - Für Hildegard von Bingen (Crussen Edit) * https://soundcloud.com/crussen/fu-r-hildegard-von-bingen 12. Snap! & Sagi Rai - Rhythmus ist ein Tänzer (SUKO's Acoustic Summer Edit) * https://soundcloud.com/suko-productions/rhythmus-ist-ein-tanzer-sukos-acoustic-summer-editunmastered 13. Hanne & Lore - My Oh My * https://soundcloud.com/hanne-lore/my-oh-my 14. Monkey Safari - Walking In Memphis * https://www.youtube.com/watch?v=coD0sWsHgo8 15. Clarian - Ver (11 Am Mix) * https://soundcloud.com/kompakt/clarian-ver-11-am-mix 16. Pablo Fierro - La Palma * https://soundcloud.com/innervisions/pablo-fierro-la-palma ----------------------------------------------------------------------------------------- https://www.facebook.com/morimusik/

Marchando un revuelto de la casa. Pop, rock, indie, rap, hard….., de todo un poco como en botica. esta semana un Sonidos y Sonados con Nick Waterhouse, The Head and the Heart, Lory Meyers, Maga, Lili’s House, Los Fletchers, Dani Gancho, Ghost Trip, Kill Your Cookies, Fullresistance, Coffeinne, España Circo Este, Residente, Suko x RCA […]

Caleb Suko and his family are returning to Ukraine after ten months back in the US. Discover how God called them to Ukraine, how they prioritize ministry opportunities, and distance learning in Russian-speaking countries.

http://j.mp/emrs021 (http://j.mp/emrs021) - Caleb Suko and his family are returning to Ukraine after ten months back in the US. Discover how God called them to Ukraine, how they prioritize ministry opportunities, and distance learning in Russian-speaking countries.

Suko talks to Hunter about appreciating your body, her personal experience of food and agriculture, art & yoga, and the greatest benefits of yoga practice. http://hunteryoga.com/podcast/ysp_006_suko.mp3  

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ла-ла-ла-лала

Danke an alle, die bei meinem ersten offiziellen Gig in meiner Geburtsstadt Frankfurt mit dabei waren. Es war mir eine riesengroße Freude! Danke auch an das Klub Melodica-Team (https://www.facebook.com/klubmelodica), Johannes Ebert (http://www.johannes-ebert.com) sowie das D3 am Main (https://www.facebook.com/d3ammain). Und an meine Kollegen Falscher Hase, SUKO & Francois Brésez für einen unvergesslichen Abend! MoRi at Klub Melodica - D3 am Main - Frankfurt - 10.04.2013 01. Fennec & Wolf - Brooklyn ' http://soundcloud.com/fennec-wolf/fennec-wolf-brooklyn-1 02. Rey & Kjavik - Joker ' http://soundcloud.com/reyandkjavik/rey-kjavik-joker-snippet 03. Turntablerocker - Someone Needed (Original Mix) ' http://soundcloud.com/jeudirecords/turntablerocker-someone-needed 04. Round Table Knights – So Good ' http://soundcloud.com/round-table-knights/round-table-knights-so-good 05. Benn Finn - Come Home (Björn Störig Remix) ' http://soundcloud.com/karerarecords/benn-finn-come-home-bj-rn-st 06. Massive Töne - Traumreise (Kleinlaut "Non Vocal" Edit) ' http://soundcloud.com/kleinlaut-official/massive-t-ne-traumreise 07. SoKool - Lika ' http://soundcloud.com/karerarecords/sokool-lika-snippet 08. Tube & Berger - Imprint Of Pleasure ' http://soundcloud.com/tubeandberger/tube-berger-imprint-of 09. Monkey Safari - Hi Life (Cheeky Bold Cover) ' http://soundcloud.com/monkey-safari/monkey-safari-hi-life-cheeky 10. Dan Caster - Marlene ' http://soundcloud.com/dancaster/dan-caster-marlene 11. Andlee - Take More (Original Mix) ' http://soundcloud.com/djandlee/karera002-andlee-take-more-3 12. Rampue - Don't Wanna Leave You (Niconé and Sascha Braemer Remix) ' http://soundcloud.com/grooveonrecords/rampue-dont-wanna-leave-you 13. Dirty Minds - I'm For Pleasure (Claptone Remix) ' http://soundcloud.com/eskimorecordings/dirty-minds-im-for-pleasure-claptone 14. Tube & Berger - Soulgood (Original Mix) ' http://soundcloud.com/tubeandberger/tube-berger-soulgood-pure078 15. Grieche & Vokal - Kleiner Leuchtturm (Arts & Leni Remix) ' http://soundcloud.com/arts-and-leni/grieche-vokal-kleiner 16. Round Table Knights feat. Ghostape - All Night (Monkey Safari Tennis On The Table Remix) ' http://soundcloud.com/monkey-safari/round-table-knights-all-night 17. Mumford & Sons - Little Lion Man (Monkey Safari Remix) ' http://soundcloud.com/monkey-safari/monkey-safari-little-lion-man ----------------------------------------------------------------------------------------- Besucht mich auf Facebook: https://www.facebook.com/morimusik

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In This Episode: It's the End of United Kingdom Radio Special! Yes, UKR is dead, and so the live show will be on hiatus for a while, probably to return on a new venue in the near future. Thanks to everyone who has been part of this family. Look for Suko and Friends on reachonair.com This week, we spend a lot of time chatting with Cyber John about Indian food, genealogy, swords, and more!

On this week’s episode of Greenhorn Radio, Severine interviews Suko Presseau to talk about the intersecting worlds of farming and art.

ПРОДОЛЖЕНИЕ ГОЛОВООТРЫВНОЙ ТЕМЫ:                 DEVIL BREAKS!!!!!КОМЕНТИРУЙТЕ И ПЛЮСИТЕ ИЛИ МИНУСИТЕКОМУ ЧТО НРАВИТСЯ... 1)Mad-Tek - Meteor Shower 2)Youthful Implants - Raw Flex (Original Mix) 3)Beat Assassins Vs Bambata - Get Down 4)C-Vaughn & J-Virtue - Waste Away (Original Mix) 5)Beatman & Ludmilla - Inka (Plastic Shell Remix) 6)Stanton Warriors - Precinct (Original Mix) 7)Specimen A And Xim N Bass - Liberatae Tutamae (Stormtroope) 8)GBX & MKM - I Don't Think So (Original Mix) 9)Access Denied - Real Body Shock (Original Mix) 10)Imogen_Heap - Hide and Seek (Hot Noizes boot) 11)Digital Base - Superfashion (4kuba Remix) 12)Omar Santana, Dre Hectik - Playing With Fire (Original MiX) 13)Jon Lockley & Boss Hawg - Another Planet (Original Mix) 14)Omar Santana, Suko, Dre Hectik - Mic Recka (Original Mix) 15)Peter Paul - Cristalline