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Aaron Kaplan and Jim Hipp join me to discuss AMERICAN BUFFALO, opening soon at TheatreWorks New Milford.
Penetration testing, an essential component of software security testing, allows organizations to proactively identify and remediate vulnerabilities in their systems, thus bolstering their defense mechanisms against potential cyberattacks. One recent advancement in the realm of penetration testing is the utilization of Language Models (LLMs). We explore the intersection of LLMs and penetration testing to gain insight into their capabilities and challenges in the context of privilege escalation. We create an automated Linux privilege-escalation benchmark utilizing local virtual machines. We introduce an LLM-guided privilege-escalation tool designed for evaluating different LLMs and prompt strategies against our benchmark. Our results show that GPT-4 is well suited for detecting file-based exploits as it can typically solve 75-100% of test-cases of that vulnerability class. GPT-3.5-turbo was only able to solve 25-50% of those, while local models, such as Llama2 were not able to detect any exploits. We analyze the impact of different prompt designs, the benefits of in-context learning, and the advantages of offering high-level guidance to LLMs. We discuss challenging areas for LLMs, including maintaining focus during testing, coping with errors, and finally comparing them with both stochastic parrots as well as with human hackers. 2023: A. Happe, Aaron Kaplan, Jürgen Cito https://arxiv.org/pdf/2310.11409
You are watching/listening to the Alien Murder Sex Podcast With hosts: -Lauryn Petrie: -Adrianne Kuss Welcome to our subversive style of dark comedy! Comedian Lauryn Petrie and Punk rock star & hairdresser Adrianne Kuss talk true crime, aliens, and review a porn at the end of every episode. ALL THE TRIGGER WARNINGS NSFW!! ______________________ On this episode we have guest Aaron Kaplan! You can find everything Aaron here ______________________ Please check out our affiliate Protection Avenue and use code: AlienMurderSex666 for 10% off! Please check out our friends at TromaNow Streaming _________________________ If there's anything else you'd like us to cover in the show notes, please tell us in the comments. Send us hate/love mail that we can read on air: AlienMurderSex@gmail.com
Prometheum Inc. co-founder and co-CEO Aaron Kaplan joins "First Mover" to discuss the upcoming launch of the platform.To get the show every day, follow the podcast here.Prometheum Inc. co-founder and co-CEO Aaron Kaplan joins "First Mover" to discuss the potential timeline for the launch of its fully compliant crypto platform within SEC regulations. Plus, insights on Prometheum's approach to compliance and whether ether is classified as a security.-Consensus is where experts convene to talk about the ideas shaping our digital future. Join developers, investors, founders, brands, policymakers and more in Austin, Texas from May 29-31. The tenth annual Consensus is curated by CoinDesk to feature the industry's most sought-after speakers, unparalleled networking opportunities and unforgettable experiences. Register now at consensus.coindesk.com.-This episode was hosted by Jennifer Sanasie. “First Mover” is produced by Jennifer Sanasie and Melissa Montañez and edited by Victor Chen.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Aaron Kaplan is the Founder and Co-CEO of Prometheum. In this interview we discuss:- Prometheum's Ethereum custody launch - Will they add support for XRP?- Prometheum's Crypto Strategy & future products - SEC and FINRA approvals- Tokenization and Prometheum's plans for supporting tokenized assets - Prometheum's CCP ties and connections- Is Prometheum getting special treatment from the SEC? - Bill Hinman's speech & is Ethereum a security?- Bitcoin Spot ETF launch- US Crypto Regulations
Comedians Jericho Davidson & Aaron Kaplan join Zac Amico this week for a tale of tour and terror, as one unlucky band shreds their way across the country. Having their strings tangled by everything from zombies to werewolves to defunct dictators and town hall meetings, this band must persevere beyond the pale to preserve their innocent love for sick tunes and romance. You won't want to miss this hidden gem hailing from 1984, and their farewell concert is to die for! It's none other than Hard Rock Zombies, directed by Krishna Shah.Support Our Sponsors!If you're looking for a little extra "oomph!" in the bedroom, Mango (think "Man-Go!") helps men get hard, and go hard. Visit https://www.mangorx.com/ and use the promo code GAS15 to receive 15% OFF your first order!Fans over the age of 21, go to YoDelta.com and use promo code GAS for 25% OFF your order!Fans over the age of 21, visit YoKratom.com for all your Kratom needs. No promo code necessary, just head over to YoKratom.com, home of the $60 kilo!For the full watch-along experience, head over to www.GaSDigital.com and use promo code ZAC for a 7-day free trial and access to all of our episodes, completely UNCENSORED!Follow The Show!Zac Amico:https://www.instagram.com/zacisnotfunnyhttps://twitter.com/ZASpookshowJericho Davidson:https://www.instagram.com/jerichofing...https://linktr.ee/JerichodavidsonAaron Kaplan:https://www.instagram.com/aaronkapcomedySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Aaron Kaplan founded Prometheum to create a trading venue for digital assets that is compliant with federal securities laws. However, Kaplan's firm came under fire following the SEC's approval of Prometheum's special purpose broker-dealer license back in May of this year — the only such license issued by the SEC to date. In this episode, Kaplan lays out how Prometheum managed to secure the special purpose broker-dealer license and why he believes strict adherence to the federal securities laws is the key to increased institutional participation in the digital asset industry. While companies like Coinbase claim regulatory ambiguities exist surrounding digital assets, Kaplan firmly believes that existing federal securities laws can be applied to digital assets without alterations. As Kaplan explains, "Our approval shows that if you put your head down, you work hard, you focus on how the regulators have laid out the rules and regulations, that you can be compliant."
This week Dave is joined by Aaron Kaplan, founder and co-CEO of Prometheum to discuss crypto regulation and what constitutes a security.
On this week's episode, Writer/Showrunner Bill Martin (The Unicorn, The Neighborhood, 3rd Rock From The Sun, and many many more) talks about his showbiz career and starting out writing in sketch comedy then eventually transitioning over to scripted. Tune in as he also talks about his experiences working with a writing partner.SHOW NOTESBill Martin's IMDB Page - https://www.imdb.com/name/nm0551979/Free Writing Webinar - https://michaeljamin.com/op/webinar-registration/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Watchlist - https://michaeljamin.com/watchlistAUTOGENERATED TRANSCRIPTBill Martin:When we got on board, we just got an overall deal with A, B, C. So we were assignable to this and we thought, this is insane. We'd love the commercials about anybody, but there's no way they're going to put on. So we thought it was just like, we'll help out a pilot, meet some new people, and then we'll do something else. It was shocking to us that they put it on tv.Michael Jamin:Oh, howBill Martin:Interesting. Because it just seems so unlikely, but with anything you do, you know how it is. Once you're given your assignment, you've got to find a way to take pride in it.Michael Jamin:You're listening to Screenwriters Need to Hear This with Michael Jamin.Hey everyone, welcome back to Screenwriters. Need to hear this. I got another great guest today Actually. Ordinarily I would never have a sitcom writer who's more successful than me on my show. I out of Insecurity, but I'm doing it today to prove that I'm more magnanimous than he is. And so welcome to the show, bill Martin, whose credits are fricking crazy good and he had so many great credits. I'm going to list some of the great credits and I'm also, maybe I'll throw in some not so great credits to humble you, to keep you humble.Bill Martin:There are plenty of,Michael Jamin:But you started in Living Color and I wanted to talk about that. I love that show. But then she tv, third Rock from the Sun, grounded for Life, and I'm skipping many. Okay, cavemen, the singles table. Hank How to Rock Malibu Country Soul Man, which I believe, I think we met on that and I think you guys beat us out with good reason.Bill Martin:That's what I'm really here for. Revenge.Michael Jamin:Yes. Right, right, right. Living Biblically. We'll talk about that. And the, the unicorn, the neighborhood, the unicorn, which you and your partner created and the neighborhood. Are you guys running that as well, neighborhood or no? We are. You are. Damn. What's it like to be welcome to the show and what's it like to be a working sitcom writer? What's it like working on a network TV show nowadays?Bill Martin:Yeah. Well, I mean, I will point out that it's fantastic and I know that because I've also been a non-working sitcom writer. Plenty. I mean, that's the awful thing about this life we've chosen is that every spring is the panic of, oh my God, am I retired? I just don't know it yet.Michael Jamin:What do you know? Brian Bihar? Do you know who he is?Bill Martin:Yes.Michael Jamin:He said me and he said to me that people in the business are retired seven years before they know it.Bill Martin:Yes.Michael Jamin:I hadn't heard that. I was like, oh God, is the clockBill Martin:Running? I knew that makes perfect sense though. Yeah, yeah.Michael Jamin:But the thing is not even about staffing season anymore now you don't even know when you're not working. You justBill Martin:True. True.Michael Jamin:So what is it like, how is it, honestly, haven't written on a network television show in many years we've been on cable or whatever, streaming. And how has it changed? How has Network changed? More notes, last notes.Bill Martin:That's the weird thing is it has not changed. I mean, we are preserved in Amber. The neighborhood is just the good old days. It's a big writer's room. It's run throughs, it's show nights. It's really almost unreal. When we took the job, we expected it to, COVID obviously jumbled everything up, but once the covid restricted to Lifted, it was like, oh, this is exactly the classic sitcom situation.Michael Jamin:See, one of my fears is that multi cameras will go away because there's so few people still doing it. I mean, do you feel that way?Bill Martin:Yeah, we keep thinking that they're done, but at the same time, people are still watching friends in Seinfeld and there still aren't that many single camera comedies that are that sticky with people. So I'm not sure that they're being given up on yet. I mean, there's pros and cons to them, but I think that kind of warmth that you only have when you're watching an audience show is something that people still crave.Michael Jamin:But I mean in terms of there's so few multi-camera shows being made now, then let's say in 10 or 15 years if they want to make more, who's going to know how to do it?Bill Martin:The breeding pool is, yeah, the breeding pool has shrunk to the point where we'll all be just inbred ligers. Yeah, you're right. Frankly, that's why I'm working because there's not a minor league for it anymore. Yeah, I know N B C and a BBC are trying them. They are developing them, but really right now it's Monday night on c b s and that's about it. So we are fully prepared to just turn off the lights when we leave and that'll be the end. ButMichael Jamin:Now tell me how you broke in, because I think your first creative was living single, I mean not living single, but living color.Bill Martin:Living color andMichael Jamin:Living, which, so there was a sketch show, which huge for the young people. I mean it, Jim Carrey and all these huge stars came out of that, which you couldn't have been imagined back then. It's one of the first shows on Fox. But how did that come to be? How did you get on that?Bill Martin:That was purely a situation where Keenan burned through writers so fast that they were always hiringMichael Jamin:Really.Bill Martin:And we got our first agent and this says 92, and she said, there's openings that in living color. There's always opening today in living color because Kena was demanding and he was hard to work for, but it was a great job. And so we went in and pitched, and I think it was kind of a conveyor belt of new writers coming in there all the time. And we actually managed to stick for the final two years of the show and not get fired, which is a very small club for people who've worked for Keenan, I think.Michael Jamin:And so you put together a sketch packet. How did you even know what to do? I wouldn't know what to do to get hired in a sketch show.Bill Martin:It was write a couple of sketches for existing characters and write a couple of sketches that are new ideas or commercial parodies or something likeMichael Jamin:That. And did any of those ever make it to air?Bill Martin:No, but I think because of how anal my partner Mike Schiff is what we came in with were very thoroughly thought out ideas. I think that's what must have impressed Keenan, was that we didn't come in pulling stuff out of our ass. We were prepared.Michael Jamin:It was such an amazing show. And then you went to she tv, which is interesting. That show was produced. I don't know if it's any interesting for anyone other than me and you, but it was produced by Tamara Rawitz who gave me my first Yes, sheBill Martin:And Tamara was also the producer of In Living Color, where she wentMichael Jamin:There. Oh, I guess I did know that. And she, TV was another sketch show, but it didn't last very long.Bill Martin:Yep. No, I don't even know if they aired all the episodes. It was a summer replacement show when that was still a thing, and it was produced by George Slaughter of Laughin Fame and it felt Laughin vintage even in the mid nineties. It felt a little like a good old fashioned throwback variety show.Michael Jamin:Interesting. Because she went on to produce the Mike and Maddie show, and so she hired me on that and then she jumped ship. I thought she was going to be a big break in, but alright. And then Third Rock on the Sun. I should make it clear we've never even worked together, but you're one of these people. I always felt like one of these days we're going to work together and just never happened. ButBill Martin:Yes. And we also have the Alschuler Krinsky Bridge between us. That's right. Weirdly, they're some of my oldest friends and I've never worked with them either.Michael Jamin:Oh, I didn't know thatBill Martin:Either it's inevitable or we're like the opposite ends of a magnet that can never work together.Michael Jamin:Yeah, right, right.Bill Martin:We'll find out.Michael Jamin:But also, yeah, Abramson Thompson, we worked with him for many years and we great guy. But alright, so then Third Rock from the Sun, another great show. Tell me a little about your experience on that.Bill Martin:Well, those days there were sketch writers and there were sitcom writers and we were sketch guys and we'd written lots of spec sitcoms. We couldn't get a job. We kept working on sketch shows and we had, after she tv, we actually did a House of Buggin in New York, the John Zamo.Michael Jamin:Right. He's great.Bill Martin:That was a blast. It was fun to work in New York, although our producer had to take a brown bag full of cash to some guy in Brooklyn so that we were allowed to film there. So we're kind of in Sketch jail. But Bonnie and Terry Turner, who created she TV then created Third Rock in the Sun. And because they'd come from Saturday Night Live and they'd written movies, they'd kind of done a lot of different things. They didn't have those expectations that you hire, sketch people for sketches and sitcom people for sitcom. So we had a great experience with them on ctv. So we were some of the first people they thought of for Third Rock. So they helped us break out of the sketch jail.Michael Jamin:And did it feel like that? Why does it feel like a sketch jail? It seems fun to me. IBill Martin:Don't know. I think it's just that it took such a specific skillset to just crank out, joke, joke, joke, parody, parody, parody. I think it was just, it may not have been a bad thing. I think it was just because there weren't a lot of people who'd had a track record with it that they were desperate to find you. Yeah, I don't really know. It wasn't fair though.Michael Jamin:I'mBill Martin:Never going back to sketch jail.Michael Jamin:Right. So you don't want to do that ever again. You don't want to write sketches again.Bill Martin:Well, I guess there aren't really any sketch shows left. The sketch shows now I think you should leave is the greatest thing I've ever seen in my life, but it doesn't need me.Michael Jamin:But you don't have, in other words, that craving, we've never done it. I was like, well, I wonder what that been like. ButBill Martin:Yeah, sometimes the idea for a fun parody, it's still hits you every so often and there's just no place for parity other than that. So yeah, I do find myself saying, oh, that's a good idea. I hope Saturday Night Live does thatMichael Jamin:BecauseBill Martin:That's kind of the last game in town,Michael Jamin:But it's a whole new skillset that you had to learn. I mean, what was that jump like to go into scripted narrative to television?Bill Martin:Actually, it was pretty easy just because that's what we set out to do when I met Mike in film school in New York, and we were just cheers fanatics. And so we had written seven or eight sitcom specs before we got that job at a leaving color. So it was all we wanted to do it just that Keller was a job we could get.Michael Jamin:Right.Bill Martin:Interesting.Michael Jamin:We worked with the Stein Kelner who ran Cheers a couple of years. Oh yeah. To me that was so exciting to be, I don't know, because I love Cheers. Cheers was everything. That's why I wanted to be a sit car writer. It was so exciting to be able work. By the way,Bill Martin:Our cheer spec, the plot of it was was a John Henry man versus Machine Cliff Klavin racing a fax machine. That's how long ago it was. SoMichael Jamin:One of the wordsBill Martin:That was a legit idea.Michael Jamin:So he would deliver a letter faster than a fax machine could.Bill Martin:He claimed he could beat a faxMichael Jamin:Machine. That's funny.Bill Martin:The fax machine still took 18 seconds, but it was faster than Cliff.Michael Jamin:That's pretty funny. I like that idea. Oh, well. So then tell me your career. Honestly, you've so many shows way more than we have, so, so then you just jump after Third Rock. How many seasons were you there? You were four Seasons?Bill Martin:Five.Michael Jamin:Five until the end.Bill Martin:Yeah, halfway through our fifth season we left to create Grounded for Life, but it was all at the Car Seat Warner Company, so we didn't really say goodbye. We just moved one building over.Michael Jamin:Now it's so interesting because what was creating that life? Because back then, back then you might leave a hit show to create your own show. I'm not sure you'dBill Martin:Do that to Yeah, no, I think And we didn't know better. And because it was all part of Cari Warner, the risks were low. If it had failed, we could've gone back to Third Rock. I assumeMaybe It felt like we had a net, at least we weren't jumping ship completely. But because at that point, Cy Werner had five or six shows on networks. They owned network comedy, and we thought, and we pitched the show and it sold that, oh, this is easy. You just have an idea. And then Ly Warner puts it on tv. It's great. We were batting a thousand and in very short order, we were batting a hundred and then batting 50. And we realized we had a very skewed idea about how easy the business was at that point.Michael Jamin:And how did you come up with that idea? Walk me through the whole process of,Bill Martin:Well, Mike Schiff, my partner is a bit of a jerk. He's a curmudgeon, he's a grumpy guy, and he was itching to do something different. He didn't want to just do a multicam that hit all the same notes we'd already been hitting for a while. And we went out for lunch one day with our friend Chris Kelly, who ended up writing on the show, and Chris told us a story about taking his daughter to the CAMA dome and having to wait outside the ladies room down those stairs. And it turned into a really horrible, awkward situation. And the story was just hilarious. And we came back from lunch and Mike said, why can't we make a show? That's as much fun as hearing someone tell a great story. And that's kind of the genesis of Third Rock, which was, it was a hybrid back before, the word hybrid was kind of thrown around, but it was a show where you started in the middle, something had happened and someone would say, what's going on here? How did this happen? And you'd go back and tell the story in single Cam. And so it's just a way to make stories more fun to tell, and much, much harder to produce. It was a nightmare because we'd shoot three days of single cam and then two days for the audience. So everybody you worked on, it was gratified by it, but it was hell.Michael Jamin:But did you think about that when you came up with it? Because that would've been on my mind, do I really want to produce this show?Bill Martin:At the time, we thought it was going to be a breeze.Michael Jamin:WeBill Martin:Just didn't know any better. We were young and we'd never run a single cam show before. And the problem also was directors. It was interesting. A lot of Multicam directors had no problem doing the single cam stuff, but then we had single cam directors who were absolutely gobsmacked by the Multicam, the demands, the Multicam.Michael Jamin:Yeah, it's veryBill Martin:Different. It almost killed some of them. DidMichael Jamin:You spend a lot of, how did you divide up time on set? Was it one of you guys on set at all times or what?Bill Martin:Yeah, we'd always thank God we were a partnership because someone would always be on the, we had 12 hour shooting days for the single cam, Monday, Tuesday, Wednesday. And one of us would always be down there, and usually whatever writer had gotten their name on that episode. And then upstairs we were keeping the sausage factory.Michael Jamin:And while the other person's writing the scripts or rewriting whatever, let's say, let's say you're on the set and you come back, what's your involvement with those scripts? If you are not a hundred percent on board at that point, are you, how do you handle that?Bill Martin:Yeah, you're in a partnership that's kind of, if you don't have a lot of trust in the other person, I mean, it could be a disaster. I've heard stories about shows, I don't name them, where the creator would spend the whole day on the set and then come into the writer's room at nine o'clock at night and throw everything out, and you just can't do that. And we would have lots of disagreements, but we also, we still had table reads, so we still had a chance to try things out and fix them. At that point, a lot of single cams weren't even doing table reads. The production demands were so intense that you just had to kind of go with it. But we loved having table reads, nothing like hearing it once and getting that one day to take a whack at it. And we also had hiatus weeks, unlike a lot of single cans. So we do three, but then we'd have a week to decompress and reload, and that made it a lot more doable.Michael Jamin:And how many episodes were you doing in a season? Most of the timeBill Martin:It was crazy. We got a 13 order, but then they asked for six more and then we got a full order. But then Fox canceled us in the middle of the third season. But WB picked us up and added more episodes. So we kind of had this weird staggered thing where it could be as few as 18 as many as 21. And it was crazy.Michael Jamin:I remember back, I haven't done multi-camera in a while, but we were on these multi-camera shows. That's not really true. I did one kind of recently, but towards the end of that long season, if it was like you're up to 20 episodes, you're just exhausted, man, and you're like, oh, how am I going to do another one? But we never ran one. And I think the amount of stress on a showrunner for that, that must've been something else for you guys.Bill Martin:Yeah, it was a lot. But you know what I got to say? The stress of working on a show where the cast is difficult, even if the writing is easy, is much, much more stressful than a show where the cast is great, but the writing is hard. And that's the thing is that for me, I get stressed out, but if I go to stage and the people there are good and they appreciate what you're doing, the stress is always, you can always maintain. Right. It's when you get called to the stage and it's going to be a nightmare and someone's mad, then that's when the stress boils over.Michael Jamin:Right. Because then you've got to do a giant rewrite and there's no time for it. Yeah. Yeah.Bill Martin:We've been pretty lucky on that front. And this was Donor Logan, Kevin Corrigan and Megan Price. They were just great actors and pros and we're thrilled to be there. And if something was wrong, they trusted us. And if something wasn't working, we trusted them. So despite the fact that the workload was grim, it never destroyed us.Michael Jamin:Some people don't realize that. Sometimes you'll get an actor on a show who, who's not that happy to be there, even though you're paying them and they auditioned or whatever, got an offer, they're not happy to be there. So it's odd, but okay. And then Caveman, which is based, that was based on a giant hit commercial, right?Bill Martin:It was a hit commercial and it was a hit show. It was just one of those shows that just America embraced. They loved it. And I think it went five seasons.Michael Jamin:I got to check the numbers there.Bill Martin:I can see your face going, wait, does he?Michael Jamin:I got the wrong show. I'm turning Red.Bill Martin:Oh, yeah.Michael Jamin:But that must've been hard because you guys developed that as well, right?Bill Martin:We did not, actually, that was one where the original directors and the writer of the original commercials developed it, and the studio felt they needed some experienced hands to come in and help. So we were actually brought in during the pilot after it was already mostly cast and on the way to production. So it was kind of a runaway train at that point.Michael Jamin:See, I love hearing stories when other writers were being tortured.Bill Martin:Yes.Michael Jamin:That's what I'm getting at. Yes. So is that what Yeah,Bill Martin:It was torture. And the weird thing was it wasn't, first of all, it wasn't a bad idea, it just that because it was perceived as such a cynical idea, the knives were sharpened for it. So I don't think any of us realized how ready critics would be to hate something that was based on a commercial, because that said, the creative people behind it were all fun and interesting and good. We ended up being friends with all the guys. It wasn't a bad creative situation other than it was a fool's errand. We were being sent into the Lion Stand, and once it got into production, a single cam show with a certain, the visual stylists of the show, the guys who did the commercials really wanted to be sleek and clean and neat looking and modern, like the commercials. And that was a high bar to reach. But add to that, that every single cast member had to be in makeup for four hours before they could shoot. I mean, literally by the end of the second episode, their faces were chafed and red and they were in agony, and they were upset and met. And these were good professional actors. Like Nick Kroll, wonderful, but you can only torture a man's face so many days in a row before they go, oh my God, what's happening? So it was almost reproducible.Michael Jamin:But that's interesting. You said, I think you're exactly right. There's something, it was already labeled with a cynicism of like, oh, okay, it's based on a commercial and therefore it can't be any good. But did you know that when you signed up, could you even possibly have thought about that when you got on board?Bill Martin:Well, when we got on board, we just got an overall deal with A, B, C. So we were assignable to this, and we thought, this is insane. We love the commercials budget, anybody, but there's no way they're going to put this on. Okay. So we thought it was just like, we'll help out a pilot, meet some new people, and then we'll do something else. It was shocking to us that they put it on tv.Michael Jamin:Oh, how interesting.Bill Martin:Because it just seems so unlikely, but with anything you do, you know how it is. Once you're given your assignment, you've got to find a way to take pride in it. You can't blow it off. So we dug in and the pilot had some issues, and the first episode that we ran, we kind of got into shape. It wasn't quite there. And then suddenly the third episode, I said, okay, that's funny. We figured out, and in no small part, Nick Kroll was a secret weapon, but by the time we figured out on episode three how we could make a show that we could be somewhat proud of, after the first episode aired, we were already dead. We were summarily executed, but go to YouTube and watch some of the later episodes of Caveman, which are still illegally out there. And it's actually a pretty funny show, and it's got a great cast. I'm not sure Steve McPherson was in his right mind when he picked it up.Michael Jamin:It's so interesting. I mean, you're absolutely right. No matter what show you're working on, you're going to find something that you love about it. You'll take pride and you'll lean into that. But yeah, you're right, because we did an animated show and for some reason they decided to put a laugh track on the first episode. And I remember yelling, why wouldn't there be a laugh track on an animated who exactly is laughing? Are we going to see the other animated characters in the audience who's laughing and lost that fight? For sure. And we got raked over the coals justifiably. So once you had that stink on you,Bill Martin:Yeah, yeah.Michael Jamin:We fought it. You can't fight. You can't win every fight. What are you going to do?Bill Martin:I don't think you can win any fight, can you?Michael Jamin:I wouldn't know what that's like.We did a show, oh my God. We did a show that was very low budget, and we had a slow mall budget for food. And so I sent the PA to go to the Whole Foods and get me these yogurts that I like that has the fruit on the side. It was a hundred dollars, whatever, just get some yogurt. And we submitted it in, and then we got yelled at by the studio saying, why is this bill from Whole Foods? And I remember saying, well, whatever, it's a hundred dollars. Does it matter where we spend it? And they go, yeah.Bill Martin:Oh no,Michael Jamin:You're not. A Whole Foods kind of show.Bill Martin:This is a Ralph's show.Michael Jamin:This is the Vaughn's Show. Yeah, that was So, yeah, you don't even win that fight, but maybe you wouldn't morph. I don't know. You must be able to win some fights.Bill Martin:Well, it's also one of the things, I think because I'm not an aggressive person, I always start every show with, I'm so lucky to have this. How lucky I got a parking space and a computer. I get to make a TV show. And sometimes I don't realize until I'm doing something I hate, I'll go like, oh, shit, I should have this. Didn't have to be this way.Michael Jamin:SoBill Martin:I think as we've gotten older, we've gotten crunchier, and we'll be a little more blunt about things, but certainly early on it was just like, pinch me. I can't believe you guys are letting me drive the car here. It'sMichael Jamin:Great. Yeah. But that's a big jump because was the first show you ran, was it grounded for Life?Bill Martin:No, the first show we ran was actually House of Bugging because of some weird politics. The showrunners got fired and we got bumped upstairs out of nowhere, and we were in our twenties and didn't know what we were doing, but we were already in Queens and they needed someone to,Michael Jamin:You were in Queens?Bill Martin:Yeah, we were the only ones in QueensMichael Jamin:WhoBill Martin:Could possibly do this job. So when we came back to do Third Rock, we had artificially inflated titles because we'd run House of Buggin. But then during the second season of Third Rock, the Turners tapped us to take over for them. Oh,Michael Jamin:I didn't even know that. I'm sorry. I didn't know that. Was that scary for you running?Bill Martin:You know what? It wasn't because it was the happiest place on earth and curtained. I mean, I hate to be Mr. Aw Shucks show business so fun. But that cast made work such a joy that there was no way it go wrong. Had an amazing writing staff, and the actors were delightful. It felt weirdly easy to do. I mean, we were stressed because we knew that we were being handed a baby and the baby was successful and 20 million people watching the baby every week. So there was certainly some pressure on us, but at the same time, we knew we could do it. And we knew that everybody had our backs with a very nice familial situation.Michael Jamin:It really was. I mean, that show really was, it was a big show. It was one of the shows everyone talked about if you were trying to break into show business, you had a spec for that show. It was a big responsibility. It was an honor to get tapped.Bill Martin:Yeah.Michael Jamin:Yeah. Everyone loved that. Yep. Then, okay, what shows should we talk about more? I don't know. What shows do you want to talk? They're all great. I dunno. Tell me some experiences that you've had. I don't want to go one by one, there's too many.Bill Martin:Yeah. Well, so far the ones you've skipped are good ones to skip. You steer running into caveman, but that's fine.Michael Jamin:I did.Bill Martin:I guess really for me, shows are divided up into the shows we ran and the shows you worked on. And typically, if you're not running a show, there are creative frustrations that you feel because you wish things were different. That said one of the most fantastic experiences of our career was working on trial and error because Jeff Astro of the showrunner and he'd worked for us. So we kind of had that, you got to listen to us a little bit, Jeff, and we helped get John Liko to agree to do it. And at that point, we'd been on a few Multicam that weren't great, and this was a real interesting single cam, fake doc with John, and he was super serialized, like a true crime series. And that was just a blast. And I'm still very proud of that season. We did not work on the second season. They sent it to Canada and shaved off half the staff and it killed Jeff Astro.Michael Jamin:Really? When you say,Bill Martin:Well, was Christian Chen, it was still a great season, but it was not as easy. It was kind of Warner Brothers was trying to cut every corner they could on it. SoMichael Jamin:When you say killed them, they overworked him and cut the staff. Yeah, yeah. People don't realize that I think be brutal. And then of course, the Unicorn, which went two seasons, and that's a big deal. That's really, when I think about it now, it's actually quite a big deal that you got your own show on a network these days when they pick up two shows a year, maybe it's nothing.Bill Martin:No, that was really threading a needle there because we had pitched it all over the place, and it's based on a true story, based on a friend of ours who went through this awful situation where he lost his wife when his kids were young. And we finally sold it c v s on the last day of selling anything. It was like October and Julie Per Worth calls the last second and said, we want to do it. We went, oh, no fucking way. So I mean, it was something that was both a passion project and just endless sadness for us. And so we started doing it and it went back and forth single multi, single, multi. We're trying to find the right guy to play the guy. And we knew, we'd always said, this is a single cam and it's going to be serialized and it should probably be on a streamer because that was when streamers seemed like the promised land, but c b s one, even though their forte was malteses. But then we met Walton Goggins who only came in because one of our producers is Peyton Reed, who's an old college friend of ours, and the guy who inspired the show and he'd worked with Walton on Antman. And so Walton trusted him and he came in for a meeting and Walton is just the greatest guy.Michael Jamin:SoBill Martin:He saw this, he found he had a personal identification with the guy, and once he jumped in, he said, I'll do it. I mean, it's going to be single, obviously, but I'm in. And David Nevins and everybody at CCBs were so thrilled that Walton Goggins wanted to do a sitcom that's like suddenly we were fast tracked and it was all the way onto television.Michael Jamin:Wow. Did you pitch it cool with the title The Unicorn? Because I was like, that's a smart title. I would think that, yeah,Bill Martin:It's funny. It did. And Mike Schiff never liked it.Michael Jamin:Oh really?Bill Martin:By the way, Mike's usually right, and I'm wrong about stuff, but I do like to Lord it over him. I assume he's going to listen to this. He didn't care for it. But it's one of those things, once it leaked out, people said, oh my God, oh my God, that's perfect. And the fact was it had to happened to coincide with a time when unicorns were everywhere. Unicorn kitty pools. And it was the unicorn moment anyway. Yeah,Michael Jamin:Yeah. I remember hearing about it. It was like, ah, damn, I'm surprised you said it took so long to sell. Like damn it, that one sells right away. That's an idea that sells. SoBill Martin:It's interesting.Michael Jamin:Yeah,Bill Martin:We didn't make up the title. It's whatMichael Jamin:I know.Bill Martin:Guys like Grady are known as on Tinder. They check all these magical boxes for what a perfect guy should be.Michael Jamin:Yeah, right. That's such a great, and then after that, the neighborhood which you jumped in, it had already been running for, no, tell me if I'm wrong.Bill Martin:Yes, it had, here's my vindictive tale of revenge. It's not vindictive at all by the way, but we had a pilot with Cedric. We had run his show, the Soul Man on TV Land for a couple of years.Great guy. We had a great time there. And when that ended, he said, let's do another show together. So we pitched out a show that it was his idea and his manager, Eric's idea, to do a show where he's a fire chief. So we pitched it and c b s bought it. We wrote it, it was a single cam, was kind of gritty because we wanted to do something that was hard to produce as usual. And at the end of the day, they didn't want to pick it up. But we were producing with Eric Kaplan, I should me, Aaron Kaplan. And Aaron quickly plucked Cedric out of our pilot and put him in the neighborhood, which was his other pilot. So we were basically just for him, a Cedric delivery system.So we weren't bitter because we knew Jim Reynolds. He's a great guy. And we were happy for everybody except that shit. And there goes our pilot. But it's funny, when we were producing the Unicorn, we were in the neighborhood's offices. It just happened to be that we were having the same line producer, pat Kinlin, who had done Third Rock with us. And Jim was in the midst of the first season of the neighborhood. And it was hard because first seasons are hard. And he was like, oh my God, this is killing me. And I jokingly said, don't worry when you get fired season three, we'll come in and take over. And it seemed hilarious at the time. And what do you know? It happens. And to Jim's credit, he did think it was funny that my smart ass remark had come full circle.Michael Jamin:And what was it like stepping into the show that wasn't yours? I mean, you've, not that you've done it before, but stillBill Martin:It's hard. Yeah, it's hard. And we came in with a whole new people. The feeling was clean slate, let's reboot this. And we had heard from Pat Kinlin the producer, you're going to love it here. It's the happiest set since Third Rock. And I was like going, yeah, yeah, yeah, nice try. But it kind of was, the cast had jelled and the crew was cool, and it was a very happy place. I mean, there had been issues, but we pretty quickly felt at home there. It was nice. And that's why we would love to stay there as long as possible.Michael Jamin:Maybe you will. I mean, well, we'll see what happens to the strike, but maybe you will. I mean, it seems like now they're giving shows a longer, tell me if I'm wrong, networks are giving shows a longer chance because it's too risky almost to not.Bill Martin:Yeah. Yeah. And I think for c b s shows built around someone that people love, said it's hard to recreate that when you have someone who's that warm and magnetic at the center of a show. You're halfway there already and the show is steadily. I mean, obviously all audiences are declining and atomizing all over the place, but it feels like the numbers have defied gravity a little.Michael Jamin:Hey, it's Michael Jamin. If you like my videos and you want me to email them to you for free, join my watch list. Every Friday I send out my top three videos. These are for writers, actors, creative types. You can unsubscribe whenever you want. I'm not going to spam you and it's absolutely free. Just go to michaeljamin.com/watchlist.What's it like now? Because one of the biggest things, you've obviously staffed a million shows and you got to read specs from, you must stick through a pile of specs every season when you're doing this. What are you looking for in new writers?Bill Martin:Yeah, it's funny. For the last 10 years or so, you only read pilots because there aren't any spec shows to write anymore because there aren't any water cooler shows that everybody knows.So I mean, it used to be, and I kind of like it because someone could write a good per enthusiasm that sounded right and had the rhythms, but it might not mean they were capable of a lot of things. It just meant they had created a good version of this very specific thing. Pilots, the writer's whole personality comes out. And I think it's nice to you get a peek into how weird someone is, and we just want people who are different and weird, and you want that array of points of view to be very, you don't want eight Mike Schiffs lock, Lord, help us. And I think it's really just if someone catches you off guard with something you didn't expect to be funny. And people who just write characters, the one thing I hate more than anything, and if your spec starts with single people in an apartment talking about sex, I'm not going to read page two. It's like there's thousands of them, and it's very hard to get anything out of that.Michael Jamin:That's interesting. I've said the opposite. I've said to me, it's easier to read a speck of an existing show. I know the characters, I might know the characters, and it's easier for me to see do they get the voice. But if it's a pilot, it'sBill Martin:Easier. That's the key, Michael. It's too easy.Michael Jamin:But if it's a pilot,Bill Martin:Someone's,Michael Jamin:It's hard for me. Don't make me do more work. If I'm reading, that's the problem. If I'm reading an original pilot sometimes, okay, first I have to remember with the characters, okay, who's this character? What's their relationship? And then I'm like, okay, what's the tone here? It's hard for me to, are they trying to be big or is this just bad writing? You have to figure that out too. No, you're more of thatBill Martin:Mind. It's more work to read a pilot. It is, but I think when someone pops out of a pile, it's a bigger pop when they've created something entertaining whole cloth.Michael Jamin:Right. Well, that's true. That's true. AndBill Martin:Also for Multicam, s, jokes matter, but for single cams, you need a couple of people who write jokes. But also then it's a lot about story and character. And I think it's harder to get that from sitcom specs. It's easier to get that from something that's personal to somebody.Michael Jamin:Do you have a preference as to what you want a single or multi?Bill Martin:The artist in me wants to do single. The person who has to wake up and go to work and then get home and be happy, likes multi,Michael Jamin:But the Multicam, the hours are worse,Bill Martin:Is so great.Michael Jamin:Wait, multi. If you're doing a rewrite on a multi-camera after a network run through, you might be there at all midnight or whatever.Bill Martin:Never.Michael Jamin:Never. You always have good,Bill Martin:Well, no, by the way, yes, you're right. But on the neighborhood, I don't think we had dinner three or four times. There is, and that's not because we're so fantastic. It's because the show works. If a Multicam works, the hours are great. If a Multicam doesn't work, then you're right. If the run through is so bad that you're reworking the story. And we've been there too, and we had even Third Rock early on, we had some late nights. But in the ideal world, when a Multicam is working, it's the best job in the world, and Sedric knows what he wants. He's also approving the stories. He's approving the pitches early on. So we're not taking something to the table that he's not invested in. So I think, and if he were an ogre or had bad taste, it would be terrible. But the combination of him trusting us and us trusting him has made it a really sweet gig.Michael Jamin:So you'll pitch him, okay, I'm curious how it works. You'll start breaking a story. You won't get too far. Maybe you'll have some act breaks and then you'll bring it to Cedric. But you won't do more than that. You won't do more work than that. Right.Bill Martin:You never know when he'll say, and sometimes he does that thing too, where he'll go like, no, I don't know about that. How about that? Instead like, oh, okay, that fine. That's easy to do. He's great at having that natural story sense of what his character would do.Michael Jamin:Now, did you ever pitch him or anybody else? This is my fear. You pitch them, here's a great story idea for you. And they go, oh yeah, they love it. And then you go take it to the room and you go, I don't know how to break this.Bill Martin:Yes,Michael Jamin:I thought I know how to break it, but I don't how to break it.Bill Martin:That is what I would do if I didn't have a super anal partner. But Mike, and we know we still have those times, but once I have an idea, I'm good to go, Hey, look at this great idea. Let's go. But Mike's only like, I need to stare this for a day. So we say we give Cedric ideas early in the process, but the fact is we send them through the ship Aron 8,000 beforeMichael Jamin:TheBill Martin:Upgrade, they get out of the room.Michael Jamin:And so I'm just curious. So it's a couple of you may spend, let's say two or three days on a story idea and then bring it to him.Bill Martin:Yeah. I mean, some are easy, some are one day, some we will break five different times and still get it wrong. And the six time will do it. I mean, we work hard and Lord knows when we go back into production and we're going to have a three minute pre-production period, we're going to be fucked. But last season we had eight weeks. It was plenty of time to find our rhythm there,Michael Jamin:Right then. Okay. Then after that, you still got a picture to the studio and then the network, and they can still say no or to you saying, well, Cedric really likes this.Bill Martin:Yes, we do. And the thing is, it's not just Cedric, it's also Wendy Trilling who used to be the head of CCB ss. And she is cool, and she's smart, and she's not afraid to hurt our feelings, which I love about her Eted, her trust her. So in a weird way, by the time the network sees it, they know Wendy likes it. And if Wendy and Cedric like it, they tend to say, in fact, at a certain point, we said, can we stop doing outlines and go, we have a very detailed story document. Can we just go to script? And they'll say, okay. So that also helped us that they would trust that process.Michael Jamin:Yeah, that's actually, it's a big advantage that Wendy's producer in the show because yeah, she knows what the network wants. They trust her. And so it's almost like it almost removes an obstacle in the future. You get it out of the way. Now that's interesting.Bill Martin:And also, it's something that we want to do, and Wendy has signed off on it. It's like, we don't have to be dick's. We can say, I know, but let's see it on its feet because everybody over here likes it. It usually works for us.Michael Jamin:And are they bringing audiences back now? How does it work?Bill Martin:They started to, the problem we had last year was they did the whole season before we got there, block and shoot, because they had no choice. And it frankly made everybody a little relaxed because it was very easy lifestyle. And the fact is, when you have an audience that's basically crew and extras, it's easy to not go hard for the laughs on the other side when you have Tashina Arnold and Cedric, the Entertainer, and Max and Beth, these are people who swing for the fence every time. So I honestly don't think you can tell they weren't doing it for audience because they're selling it so hard in a great way. So last season we still did block blockage shoot, and we kept saying, the audience is going to be back any second. We're about to go back to audiences. But it was working. WhatMichael Jamin:Do you do? So now that you're on strike, what is it like for you now on strike when you don't have these creative muscles to flex? What, are you craving anything? Or are you doing anything on the side, a novel or something?Bill Martin:No, I mean, I think me and Mike are revisiting things that we had to put aside and doing brain work on them, because we don't want to waste this time completely. But early on, early on, it had been a long time since we had an off season where we knew we had a job to go back to. Third Rock was like that, and Grounded was like that. But it's been years since we had a non panicky off season. And this finally, we had a pickup. This was like, ah, I'm going to go on vacation, A real vacation. And that vacation turned into the strike, but I was like going, it's a strike, but still, we're going back. It's September. And it just gradually dawned on me like, oh, this is really hurting the show. So I've kind of been in denial that I needed to worry.I mean, all signs are that when the strike is over at whatever, we are going to go back to work. And people still want the show, and Cedric's still ready to go, but it takes some of the fun out of it, obviously. And I shouldn't be complaining because we're still in such an ideal position. The last strike, we had to walk off the set on cavemen and let other people edit the show and completely divorce ourselves from that. We've been killing ourselves on and getting force majeure out of a deal. I mean, it just destroyed our career completely. This is a much less terrifying strike, even though it's plenty terrifying.Michael Jamin:It's so interesting because howBill Martin:About you? I mean, are you able to function creatively? Are youMichael Jamin:Retaining yourBill Martin:Wife?Michael Jamin:No. Well, I have definitely both, but I have a book that I'm writing on the side, so that's my little passion project that keeps me entertained writing and performing it. But in terms of, it's interesting that you still panic about that next job. And for me, it feels like, wow, I guess I stopped panicking a long time ago. I don't know why, but you're so successful and you always get that next job and don't know.Bill Martin:That's how it looks. I'm looks,Michael Jamin:I'm looking at your I M D V page. It definitely looks that way,Bill Martin:Yes. But it's a lot of times where we were falling off the building and grabbed onto the ledge with our fingernails, and we took a lot of jobs that were under our quote just to keep working. We've had our feast and famine. Certainly I M D B looks chock full of stuff, butMichael Jamin:We've taken jobs who always, I mean, plenty of jobs under our quote. I mean, it's just like, while it's that unemployment, so you take the job, yeah.Bill Martin:After you take three jobs in a row under your quote, it's no longer a quote.Michael Jamin:Well, I remember on that first one, I was like, we have a quote. We have no anonymous quotes anymore, so why is it a quote? What's going on here? But yeah, it's so interesting that you still have that feeling looking at, for me, from where I stand, wow, the grass is really green where UI guys are. So it's interesting. Well,Bill Martin:I hope I'm relaxing now. I finally got my kids out of college, so this was my first year without tuition payments.Michael Jamin:Interesting.Bill Martin:In 25.Michael Jamin:What are they going to do now? Are they going to get in Hollywood in theBill Martin:Business? Nope. Nope. None of them are interested. I mean, one of them in particular certainly should be, he's hilarious. But the thought of putting himself out there creatively in a business that has no easy way in anymore, I think he just is very happy to be a barista, not put himself out there because it's nerve wracking. And I get it.Michael Jamin:How do you see most people, the new people that you're working with, the young kids, how are they breaking in then?Bill Martin:Yeah, I don't know. That's the scary thing about this tipping point we're at right now is when I hear stories about young writers who make a year out of four mini rooms on shows that they've even heard of. I mean, the fact is that the business has become so diffuse that those clear paths, pa, writer, assistant writer's room, job, those are so few and far between now. I can't figure it out. People aren't going through these main arteries. They're going through these weird tiny capillaries to weird things.Michael Jamin:Right?Bill Martin:Pretty good analogy.Michael Jamin:I love it. You should be a doctor. But don't ask, would they show up? I mean, you have a staff and you don't ask 'em where the script has somehow got on your desk to an agent or a manager, and you're like, okay, you're hired, basically.Bill Martin:But the thing is, on the neighborhood, it's quite a few standups,And it's a few people that we know and trust from years of working with them and a couple of young people who were writer assistants who are knocking on doors. But it's funny because we had so many people in place, it wasn't like we were out beating the bushes for new voices that were coming out of nowhere. But I'm sure that's true in a lot of places. It's just that when you're at a C B S studio show that's already running, it's kind of like that old fashioned machinery that's feeding you. These writers is already there.Michael Jamin:Yeah. Yeah. It's so interesting because I don't know, I'm not sure how people are doing it. We gave a talk at, I think at L M U, and there's a young woman, and she just made a hit podcast, and then that got her discovered. It was like a scripted podcast. I was like, oh, tell me about that. Interesting. So do you have advice then for people listening, words,Bill Martin:Encouragement? Last night, I was giving advice to this year's crop of interns from the U N C Chapel Hill, which is where I went to college. In fact, look, there it is. And I had to apologize because I said, look, here's the traditional way in. If you want to get in the writer's room, become a pa. And I also admit that that way of getting into the business may disappear. And if you have other creative outlet, if you can do a great podcast, if you put stuff up on YouTube or you have TikTok, there's a lot of ways to express your comic voice that aren't writing sitcom specs and waiting for your turn in the writer's room as a dinosaur. I'm not really the perfect person to ask,Michael Jamin:But I think you're right. It's about put the creative energy out there, stop begging for work, start making your own opportunities, and probably good things. Good things may come your way, I guess. Right?Bill Martin:Hopefully. And I also would like to think as the strike goes on, people will periodically say, why doesn't someone do what Charlie Chaplin did? Do United Artists start a creator, talent driven production? And I do feel like when I listen to a great podcast like Valley Heat, which we were talking about before we went on, you realize there are ways to create an entire world for a show for no money. And in my mind, valley Heat, everyone should listen to this thing.Michael Jamin:Yeah, listen to it. TheyBill Martin:Should just take that, put it on camera, it's ready to go. I mean, it's a show that is fully developed that no one owns a piece of. And I guess that would be what my hope is, that if we don't like working within the system with these jerks, if you're young and have that energy, make something. Yeah. And who knows? I mean,Michael Jamin:See, we agree on that. We didn't agree on spec versus original pilots, but we agree on this.Bill Martin:That turned into a pretty ugly fight.Michael Jamin:It was contentious.Bill Martin:But that's the kind of heat that I think gets these podcasts to catch on.Michael Jamin:I think so. But also as you're learning your craft, you're getting better at it. And I don't know. I see it happening. I see people making a name for themselves. I was on the picket line, I think it was at Disney, and I ran into this guy. He was on my podcast, and he recognized me, and he was a joke writer on Kimmo. I go, how did you get that job? He goes, well, I was just tweeting Day and Jokes. I like doing it. And after about a year or two, they found me and they hired me. Good for you. But he was putting the work out. He was doing the work and getting better, and that's how he got hired. SoBill Martin:GoodMichael Jamin:For him.Bill Martin:And it's been, I guess, shit, my dad says was the original tweet becomes a show, andMichael Jamin:We all rolled eyesBill Martin:That from the caveman syndrome of cynicism about how are you tuning it Twitter into a show? But if you're funny, people will find you.Michael Jamin:Yeah. But like I said, I remember that happening, really? Is this how it works now? But they were just at the forefront and yeah, that's how it works now.Bill Martin:Yeah. Yeah.Michael Jamin:Damn right. I'm always late to the trend. So Interesting. And I guess before I wrap up, what is it like for you working? People want to know, working with a writing partner, how does that dynamic work with you guys?Bill Martin:Well, there aren't a lot of writing partnerships that last this long. I mean, you guys and Al and Krinsky, there's a few. And I think for me, it's having that yin yang thing. I'm not a worrier, I'm not detail oriented. I don't tend to stress out, and Mike does, and I only really want to do half the job of running a show. Luckily, he can do the other half. So I mean, I think a lot of partnerships are based on people having the same sense of humor and just getting along, and that's great. But for me and Mike, we don't actually get along all that great, but we do agree on what's funny and we respect each other and it makes the job doable.Michael Jamin:Wait, you said you don't get along that great?Bill Martin:Well, we get along great, but I mean, one of us is a drunk pot smoking redneck from Florida who doesn't give a shit. And the other's an incredibly neurotic, buttoned up Jewish guy from the priest side. The only thing we have in common is Cheers and Albert Brooks.Michael Jamin:But you met in school, right? In film school,Bill Martin:Yes.Michael Jamin:Right.Bill Martin:Yeah. We just met because he was the only person in our writing class first year who I thought was funny. And so we just kind of found each other because we're the two guys writing comedy in that big screenwriting workshop.Michael Jamin:And you leapt into each other's arms. Yeah.Bill Martin:Yes.Michael Jamin:It's so interesting. But it is so funny when you said about it, you only want to do half the job of a showrunner. Yeah, it's a lot of work. It's a big job. That's something my partner and I say all the time, I don't really want to make this decision. Can you make it? It's a lot of work.Bill Martin:Yes.Michael Jamin:And a lot of times we'll punt it to even a hair and makeup. Well, what do you guys think? All right. You guys seem to got a good handle on what the wardrobe should be that you do it. Yeah. SoBill Martin:Interesting. I'm always very happy to let someone else do that.Michael Jamin:Yeah,Bill Martin:We do take turns firing people. That's the one awful, horrible thing. We haven't done it a lot. But the last guyMichael Jamin:Are talking about writers or other people.Bill Martin:Anything. Anybody. Yeah.Michael Jamin:Interesting. Because when we were on set on a single camera show, if one of us has to run onto the stage to give the actor a note or the director a note, it's always like, you do it. You do it. I don't want to, how many times am I going to go on set and tell them they're doing it wrong? Can't you tell them they're doing it wrong? I don't want to be that guy all the time. Yeah.Bill Martin:We had a great run for several years where whenever we would get a pickup, I'd be on stage and get to announce it, and every timeMichael Jamin:We Good news gotBill Martin:Our order cut, Mike would be on stage and it was hilarious. I was the hero with the, and it was killing him. It was happening over and over again, just by God smiling onMichael Jamin:Me. Oh, that's so funny. That's freaking great. We did an episode, I think it was Andrew shoot me, we're writing a script and I was adamant that this joke was going to work, and Seever it was like, I don't even get it right. And I'm like, no, this joke is great. You have no idea what you're talking about. And so we take the descrip, I guess it got to the table somehow, and at the table we hit this joke, nothing, and the room's just silent. And I just start busting out laughing. I was like, oh my God, I can't believe how wrong I was. And I'm laughing at her wrong. And then afterwards, everyone's looking at Seabert. They're like, assuming it's his joke because I'm laughing at him and now I'm laughing even more pushing him under the bus. But yeah, there's that. But yeah, there's always, I guess I feel like maybe you feel the same way. If he comes up with a line, great. That's one last line I got to come up with. You know what I'm saying? It's mine now. Anyway, so yeah,Bill Martin:For me, the great thing about writing teams is, well, you're a single writer. You turn on a draft. When a team turns in a draft, it's a third draft because you've already fought it and it just makes things better. I mean, everybody has their partners. It just may not be there, someone they write with, but when you take it to the table or you take it to the writer's room, everyone's going to get a whack at it anyway. But for me, I think it just makes that initial idea, everything has to kind of, you beat things back and forth and you find 'em out and you end up with better drafts.Michael Jamin:Yeah, I totally agree. I always see that with writing teams. Their scripts just tend to be a little tighter. Just somehow they're a little tighter. They've already fought it, fought over it. So yeah. That's interesting. Well, bill Martin, thank you so much for doing this. This is a real pleasure. Honestly, it is an honor to have you on this and talk about your experience as a showrunner and a creator of really great television and yeah, it really is an honor. Thank you.Bill Martin:This has been great for my self-esteem. I don't normally talk about myself a lot, but man, I come off great.Michael Jamin:You certainly do. I'll fix that in editing. I'll ask these questions then put a long dead pause before you answer. People are like, what's wrong with this guy? Why is he taking so long to answer? But thank you again so much. Anything you want to promote or plug other than your shows orBill Martin:Watch Season six of the Neighborhood when it comes on sometime in 2024? Yes.Michael Jamin:Hopefully that's sad. Yeah, that is sad. Well, thank you again so much. Alright, everyone, another great episode. I have to say of my podcast screenwriters, need to hear this. Keep following me and keep writing more. Good stuff coming. Thank you. Again,Phil Hudson:This has been an episode of Screenwriters. Need to Hear This with Michael Jamin and Phil Hudson. If you're interested in learning more about writing, make sure you register for Michael's monthly webinar @michaeljamin.com/webinar. If you found this podcast helpful, consider sharing it with a friend and leaving us a five-star review on iTunes. For free screenwriting tips, follow Michael Jamin on social media @MichaelJaminwriter. You can follow Phil Hudson on social media @PhilaHudson. This podcast was produced by Phil Hudson. It was edited by Dallas Crane Music, by Ken Joseph. Until next time, keep writing. I.
In honor of Hip-Hop's 50th anniversary, we decided to show our guest Aaron Kaplan the first ever hip-hop film "Wild Style".
If you want early fireworks before the 4th tomorrow, listen to last week's Unchained Podcast where Laura Shin “interviewed” Aaron Kaplan, co-CEO of Prometheum, and Paradigm Special Counsel Rodrigo Seira. I put “interview” in quotes because it's more like she refereed a prize fight. Listen to that before you listen to this, then come back here and hear why Aaron's arguments don't hold much water.Key Points From This Episode:Reg D is an issuer exemption.What's Rule 144 and why is it hard to apply in the context of digital assets?Why Prometheum can't fulfill its mission to protect investors (hint: because it has none…because it has no tokens to list).Disclaimer:This show is for informational purposes only. Nothing presented here constitutes legal advice. Tokens of Wisdom is produced by Dave Rothschild, partner at Cole-Frieman & Mallon LLP headquartered in San Francisco, California. For more information, visit https://colefrieman.com/Links Mentioned in Today's Episode:Unchained from June 27 - https://unchainedcrypto.com/prometheum-and-paradigm-in-debate-can-the-status-quo-work-for-crypto/. Dave Rothschild - https://www.linkedin.com/in/davidcrothschild/Cole-Frieman & Mallon LLP - https://colefrieman.com/Music by Joe Ginsberg - https://www.instagram.com/thejoeginsbergFor any questions or comments, email: tow@colefrieman.com
Aaron Kaplan, co-CEO of Prometheum, the trading platform that recently acquired a special-purpose broker dealer license for digital asset securities, has become a major lightning rod in the crypto community. Does the firm represent, as Kaplan has argued, a compliant path forward for crypto in the United States? Or, as Paradigm Special Counsel Rodrigo Seira maintains, does it only demonstrate that the SEC's crypto regime is simply unworkable? The two join the show to debate the specifics – and it certainly gets heated. Listen to the episode on Apple Podcasts, Spotify, Overcast, Podcast Addict, Pocket Casts, Stitcher, Castbox, Google Podcasts, TuneIn, Amazon Music, or on your favorite podcast platform. Show highlights: whether it is even possible to compliantly register a crypto exchange in the U.S. following SEC Chair Gary Gensler's recent public statements which tokens Prometheum can list, if any why Rodrigo and Aaron disagree over what constitutes a security whether the Howey Test applies in secondary market transactions for tokens sold pursuant to a SAFT why Aaron says that Paradigm should reassess its entire thesis and that the status quo benefits venture capital firms like Paradigm why Rodrigo says Prometheum has a license, but not a business who would be responsible for providing required disclosures for a decentralized network like Ethereum how many tokens Aaron expects to list on the Prometheum platform whether Aaron and Prometheum had specific discussions with the SEC about what tokens are securities Aaron's response to allegations that the Chinese Communist Party is infiltrating the U.S. financial system through Prometheum whether Aaron had previewed the questions he was asked by representatives in his Congressional hearing what they believe should be included in disclosures about tokens if federal securities laws didn't exist and guidelines for disclosures were written from scratch what Aaron has to say about the Blockchain Association's recent FOIA request whether Prometheum is open to being acquired by other entity Thank you to our sponsors! Crypto.com TOKEN2049 OKX Guest: Aaron Kaplan, co-CEO and co-founder of Prometheum. Previous appearance on Unchained: These 2 Crypto Trading Platforms Agree With SEC Chair Gary Gensler Aaron's written testimony Rodrigo Seira, special counsel at Paradigm. Rodrigo's thread on Prometheum Links Unchained: Crypto Community Unearths Questionable History of SEC-Aligned Prometheum Former SEC Cyber Chief Calls the Agency's Way of Labeling Tokens Securities ‘Not Fair' Investopedia: Schwab and Fidelity-Backed Crypto Exchange EDX Goes Live, Adds More Backers CoinDesk: Gary Gensler's Catch-22 Vision of ‘Regulated' Crypto Brokers Key Takeaways From House Hearing on Future of Digital Assets The Crypto Basic: Prometheum Founder Says SEC Will Win Ripple Lawsuit, XRP Community Reacts Digital Asset Investor's video on SEC setting up a Chinese back door into crypto Thread from Blockchain Association's Marisa Coppel Adam Cochran points out a slew of details that call Prometheum into question. Matt Walsh questions how Kaplan can be called a securities expert since the law school he earned his degree from is now unaccredited by the American Bar Association. A clip from Aaron's exchange with U.S. Rep Mike Flood Learn more about your ad choices. Visit megaphone.fm/adchoices
Aaron Kaplan, co-CEO of Prometheum, the trading platform that recently acquired a special-purpose broker dealer license for digital asset securities, has become a major lightning rod in the crypto community. Does the firm represent, as Kaplan has argued, a compliant path forward for crypto in the United States? Or, as Paradigm Special Counsel Rodrigo Seira maintains, does it only demonstrate that the SEC's crypto regime is simply unworkable? The two join the show to debate the specifics – and it certainly gets heated. Listen to the episode on Apple Podcasts, Spotify, Overcast, Podcast Addict, Pocket Casts, Stitcher, Castbox, Google Podcasts, TuneIn, Amazon Music, or on your favorite podcast platform. Show highlights: whether it is even possible to compliantly register a crypto exchange in the U.S. following SEC Chair Gary Gensler's recent public statements which tokens Prometheum can list, if any why Rodrigo and Aaron disagree over what constitutes a security whether the Howey Test applies in secondary market transactions for tokens sold pursuant to a SAFT why Aaron says that Paradigm should reassess its entire thesis and that the status quo benefits venture capital firms like Paradigm why Rodrigo says Prometheum has a license, but not a business who would be responsible for providing required disclosures for a decentralized network like Ethereum how many tokens Aaron expects to list on the Prometheum platform whether Aaron and Prometheum had specific discussions with the SEC about what tokens are securities Aaron's response to allegations that the Chinese Communist Party is infiltrating the U.S. financial system through Prometheum whether Aaron had previewed the questions he was asked by representatives in his Congressional hearing what they believe should be included in disclosures about tokens if federal securities laws didn't exist and guidelines for disclosures were written from scratch what Aaron has to say about the Blockchain Association's recent FOIA request whether Prometheum is open to being acquired by other entity Thank you to our sponsors! Crypto.com TOKEN2049 OKX Guest: Aaron Kaplan, co-CEO and co-founder of Prometheum. Previous appearance on Unchained: These 2 Crypto Trading Platforms Agree With SEC Chair Gary Gensler Aaron's written testimony Rodrigo Seira, special counsel at Paradigm. Rodrigo's thread on Prometheum Links Unchained: Crypto Community Unearths Questionable History of SEC-Aligned Prometheum Former SEC Cyber Chief Calls the Agency's Way of Labeling Tokens Securities ‘Not Fair' Investopedia: Schwab and Fidelity-Backed Crypto Exchange EDX Goes Live, Adds More Backers CoinDesk: Gary Gensler's Catch-22 Vision of ‘Regulated' Crypto Brokers Key Takeaways From House Hearing on Future of Digital Assets The Crypto Basic: Prometheum Founder Says SEC Will Win Ripple Lawsuit, XRP Community Reacts Digital Asset Investor's video on SEC setting up a Chinese back door into crypto Thread from Blockchain Association's Marisa Coppel Adam Cochran points out a slew of details that call Prometheum into question. Matt Walsh questions how Kaplan can be called a securities expert since the law school he earned his degree from is now unaccredited by the American Bar Association. A clip from Aaron's exchange with U.S. Rep Mike Flood Learn more about your ad choices. Visit megaphone.fm/adchoices
“Lack of regulatory clarity” is the catchall complaint levied against U.S. regulators by most major players in the crypto industry. But the founders of Bosonic and Prometheum disagree. Both firms have spent years chasing the necessary regulatory approvals to compliantly trade digital assets, including those seen as securities. Last week, Prometheum secured a potentially landmark approval to operate as a special purpose broker-dealer for digital asset securities. Prometheum co-founder Aaron Kaplan and Rosario Ingargiola, founder of Bosonic, which earlier secured a similar approval, discuss why big players like Coinbase need to quit carping in the court of public opinion and do the hard work of getting approved. Listen to the episode on Apple Podcasts, Spotify, Overcast, Podcast Addict, Pocket Casts, Stitcher, Castbox, Google Podcasts, TuneIn, Amazon Music, or on your favorite podcast platform. Show highlights: what Bosonic and Prometheum Capital do how Aaron and Rosario started working in crypto what it means to be a special purpose broker-dealer what the three-step letter from the SEC is and why it's relevant for scaling a digital asset business how exchanges work in traditional finance and how crypto differs why Aaron believes there's a “pathway forward for crypto in the U.S.” whether the argument that there's a lack of regulatory clarity is convenient for crypto incumbents why Aaron agrees with SEC Chair Gary Gensler on his stance that everything except BTC is a security how a token registration would work and what the nuances would be why Coinbase's approval to be a publicly traded company does not mean that the SEC is in line with the business whether ETH is a security, with Aaron arguing it is and Rosario saying it's a commodity what the different requirements are for national securities exchanges and alternative trading systems what Aaron and Rosario would tell existing crypto companies as it relates to compliance whether regulation kills innovation Thank you to our sponsors! Crypto.com Guests: Aaron Kaplan, co-CEO and co-founder of Prometheum Rosario Ingargiola, Founder and CEO of Bosonic Previous coverage of Unchained on crypto regulation: Ex-CFTC Commissioner Berkovitz Says ‘DeFi Should Be Regulated' – But How? ‘Is ETH a Security?' Why Gary Gensler Couldn't Give Congress a Straight Answer Coinbase's Legal Action Against the SEC: How It Will Likely Unfold Rep. Emmer on Why He Believes Gary Gensler Is a ‘Bad-Faith Regulator' Is the Government Trying to Kill Off Crypto in the US? Coinbase's Top Lawyer Calls SEC Wells Notice a ‘Massive Overreach' Links CoinDesk: SEC Proposal Could Bar Investment Advisers From Keeping Assets at Crypto Firms U.S. SEC Moves Toward DeFi Oversight as It Reopens Proposed Regulations Prepared Remarks of Gary Gensler On Crypto Markets Penn Law Capital Markets Association Annual Conference SEC Issues Investigative Report Concluding DAO Tokens, a Digital Asset, Were Securities Unchained: SEC Chair Gary Gensler Avoids Question: ‘Is Ethereum a Security?' Coinbase Seeks to Compel SEC Response to Rulemaking Petition SEC Asks Court to Deny Coinbase Demand for Crypto Rules Financial Institutions Hub: SEC Proposal Targets Crypto Exchanges, Trading Platforms, and Brokers Emmer and Soto Introduce Bipartisan Bill to Provide Regulatory Clarity for Digital Assets Learn more about your ad choices. Visit megaphone.fm/adchoices
“Lack of regulatory clarity” is the catchall complaint levied against U.S. regulators by most major players in the crypto industry. But the founders of Bosonic and Prometheum disagree. Both firms have spent years chasing the necessary regulatory approvals to compliantly trade digital assets, including those seen as securities. Last week, Prometheum secured a potentially landmark approval to operate as a special purpose broker-dealer for digital asset securities. Prometheum co-founder Aaron Kaplan and Rosario Ingargiola, founder of Bosonic, which earlier secured a similar approval, discuss why big players like Coinbase need to quit carping in the court of public opinion and do the hard work of getting approved. Listen to the episode on Apple Podcasts, Spotify, Overcast, Podcast Addict, Pocket Casts, Stitcher, Castbox, Google Podcasts, TuneIn, Amazon Music, or on your favorite podcast platform. Show highlights: what Bosonic and Prometheum Capital do how Aaron and Rosario started working in crypto what it means to be a special purpose broker-dealer what the three-step letter from the SEC is and why it's relevant for scaling a digital asset business how exchanges work in traditional finance and how crypto differs why Aaron believes there's a “pathway forward for crypto in the U.S.” whether the argument that there's a lack of regulatory clarity is convenient for crypto incumbents why Aaron agrees with SEC Chair Gary Gensler on his stance that everything except BTC is a security how a token registration would work and what the nuances would be why Coinbase's approval to be a publicly traded company does not mean that the SEC is in line with the business whether ETH is a security, with Aaron arguing it is and Rosario saying it's a commodity what the different requirements are for national securities exchanges and alternative trading systems what Aaron and Rosario would tell existing crypto companies as it relates to compliance whether regulation kills innovation Thank you to our sponsors! Crypto.com Guests: Aaron Kaplan, co-CEO and co-founder of Prometheum Rosario Ingargiola, Founder and CEO of Bosonic Previous coverage of Unchained on crypto regulation: Ex-CFTC Commissioner Berkovitz Says ‘DeFi Should Be Regulated' – But How? ‘Is ETH a Security?' Why Gary Gensler Couldn't Give Congress a Straight Answer Coinbase's Legal Action Against the SEC: How It Will Likely Unfold Rep. Emmer on Why He Believes Gary Gensler Is a ‘Bad-Faith Regulator' Is the Government Trying to Kill Off Crypto in the US? Coinbase's Top Lawyer Calls SEC Wells Notice a ‘Massive Overreach' Links CoinDesk: SEC Proposal Could Bar Investment Advisers From Keeping Assets at Crypto Firms U.S. SEC Moves Toward DeFi Oversight as It Reopens Proposed Regulations Prepared Remarks of Gary Gensler On Crypto Markets Penn Law Capital Markets Association Annual Conference SEC Issues Investigative Report Concluding DAO Tokens, a Digital Asset, Were Securities Unchained: SEC Chair Gary Gensler Avoids Question: ‘Is Ethereum a Security?' Coinbase Seeks to Compel SEC Response to Rulemaking Petition SEC Asks Court to Deny Coinbase Demand for Crypto Rules Financial Institutions Hub: SEC Proposal Targets Crypto Exchanges, Trading Platforms, and Brokers Emmer and Soto Introduce Bipartisan Bill to Provide Regulatory Clarity for Digital Assets Learn more about your ad choices. Visit megaphone.fm/adchoices
Charlie introduces Aaron Kaplan and Prometheum. Aaron discusses his thoughts on securities laws serving as a framework for crypto. Aaron explains the significance of the DAO report. Charlie and Aaron discuss tokens going through a proverbial car wash to become compliant. Aaron walks through Prometheum's capabilities and how it will help companies launch compliantly. Charlie and Aaron speculate on how “bank runs” on crypto could've been avoided. Aaron shares what he views as securities in crypto and how Prometheum can support them. Aaron provides his thoughts on how regulators and the crypto industry ended up where they are today. Aaron speculates on how recent companies failed so spectacularly in the crypto industry. Aaron shares Prometheum's beliefs on digital assets as securities and how they will support them.
Pete Angelo is back along with Aaron Kaplan making his debut in the pod. We talk about crazy funerals, sex with the homeless, and apparently, I'm gayer than Pete. Subscribe, write a review, and tell other people to listen where/whenever you can. It is not, and we die, you can't come to our cool funerals. Follow these dudes @metalpetecomedy and @aaronkapcomedy
The chair of the U.S. Securities and Exchange Commission, Gary Gensler, said in a recent interview that he thinks pretty much every crypto asset other than spot bitcoin is a security. If that thinking prevails, what consequences would it have for the industry? Ash Bennington is joined by Aaron Kaplan, a securities lawyer and the co-founder and co-CEO of the SEC-registered crypto trading platform Prometheum, to answer that question. Plus, Silvergate Capital's woes grow larger, the EU is worried about metaverse competition, Japanese banks experiment with stablecoins, Australia starts a CBDC trial, and Binance launches an AI generator of NFT art. Learn more about your ad choices. Visit podcastchoices.com/adchoices
In today's Distortion of the Day!, I talk about Emotional Reasoning. Distortions of the Day! are brief episodes running under 10 minutes where I introduce psychological concepts in a fun, practical, useful way. Thanks for tuning in!
In today's Distortion of the Day!, I talk about Personalization. Distortions of the Day! are brief episodes running under 10 minutes where I introduce psychological concepts in a fun, practical, useful way. Thanks for tuning in!
In today's Distortion of the Day!, I talk about Mind Reading. Distortions of the Day! are brief episodes running under 10 minutes where I introduce psychological concepts in a fun, practical, useful way. Thanks for tuning in!
In today's Distortion of the Day!, I talk about Overgeneralization. Distortions of the Day! are brief episodes running under 10 minutes where I introduce psychological concepts in a fun, practical, useful way. Thanks for tuning in!
In today's Distortion of the Day!, I talk about Jumping to Conclusions. The reason why Jumping to Conclusions can be such a problem is it can cause you to make rash or wrong decisions based on a lack of accurate information. Thanks for tuning in!
In today's episode of Distortion of the Day!, I discuss Black and White Thinking, also known as All Or Nothing Thinking or Absolute Thinking. When you engage in Black and White thinking, you approach things from an extreme point of view. Either something is all good or all bad. A person either's got your back, or you cant count on them. A situation is either totally awesome or totally screwed. And another person's perspective or point of view is either completely in alignment with yours, or you are in total disagreement. There is no in-between. And that's an unfortunate way to approach life because it creates barriers between you and the world around you by shutting out the possibilities of connection and growth that lie in the grey areas. Thanks for tuning in!
I'm super excited to release my first episode of Distortion of the Day! These episodes will run under 10 minutes and I will introduce psychological concepts in a fun, practical, useful way. Today's episode explains Catastrophic Thinking, or Catastrophizing. This is a common cognitive error where you tend to focus on the worst case scenario in the absence of logic or data to support your fear. I hope you find the episode helpful, and wishing you the best in cognitive clarity! Thanks for tuning in!
In this episode I discuss a helpful therapeutic topic called Core Irrational Beliefs (CIB). CIB's typically stem from the experiences a child has growing up with learning from his or her family of origin, messages from the media, interactions with peers, and from trauma. CIB's significantly shape the way we view the world around us and about our roles and relationships. I like to conceptualize CIB's as pertaining to the Self, Others, and the World around us. I spend time in this episode discussing these types of CIB's and where they come from, and I use case studies to illustrate the various CIB's. I also highly recommend listening to Episode 46: The ABC's of Cognitive Therapy which is directly pertinent to this topic of CIB's.
It's time for Luke Pennock & Brendan Flaherty to review episode 123 and 124 of ECW, from August 29th & September 5th, 1995. Malenko and Guerrero have their classic 2 out of 3 falls match! J.T. Smith might think he's Italian! Cactus Jack reckons with the legacy of empire! All this and more tangents than a high school math class. This week's guest: comedian Aaron Kaplan. He shows up around 1:04:45 Support us on Patreon! Only a buck for our THREE WEEK PUSH! https://www.patreon.com/hardcorehaven/ IG & Twitter: @hcorehavenpod Contact us: hardcoreahavenpod@gmail.com Luke on Twitch: http://www.twitch.tv/pukelennock/ Logo by Raymond Biesinger Theme song by RANX
Karak Chai| Batch no.1 Celebrating all things Theatre, Film, Series and Podcast. I have curated a collection of hidden gems to watch and listen to-- all whilst sipping on your first or fifth Karak Chai. This is batch No.1 of many more to come. I hope you enjoy and do let me know which one was your favourite and also, this is the the first time I am putting this type of episode out. So, please do give me some feedback innit. The Projects in the episode are as Follows: Theatre An Adventure by Vinay Patel & Kash Arshad at Octagon Theatre An Adventure follows three decades tale of a couple who meet in post-partition India in 1954, marry and move first to Nairobi then 1970s England. Cast: Esh Alladi, Saba Shiraz, Daon Broni & Jessica Kaur. Period Party by Gayathiri Kamalakanthan at Hampstead Theatre with Kali Theatre Period party tells a story of a South Asian non-binary Queer teen. Who through this journey and celebration of a period party is going on a journey of discovering who they are. Concha by Carly Fernandez & Manisha Sondhi at Brixton House Concha is a semi-autobiographical show following our lead who is queer and trans, on discovering they have chlamydia, and how they must now inform their recent sexual partners. Cast: Carly Fernandez. 10 Nights by Shahid Iqbal Khan & Kash Arshad at Bush Theatre with Tamasha Theatre 10 Nights about our lead character Yasser who decides to take part in itikaf, which is sleeping and fasting in the mosque for the last ten nights of Ramadan. And how that experiences pushes him to deal with certain things in the past. Cast: Zaqi Ismail, Safyan Iqbal & Sumayya Si- Tayaeb. After The End by Dennis Kelly and Lyndsey Turner at Theatre Royal Stratford East After The End tells a tale about a city under attack from a nuclear blast. As the dust settles, Louise wakes to find herself in a fallout shelter with Mark, the colleague who has saved her life. They have enough water and food to last two weeks. Now they just need to find a way of surviving each other. Cast: Nick Blood & Amaka Okafor. Our Streets by Beth Kapalia & co at Tara Theatre Our Streets explores through film and live performance, a group of 14-18-year-old women and non-binary people of Wandsworth will take the audience on an adventure through the city, all while never leaving the theatre. Delving into a variety of themes, including recent events and discussions around women's safety in London, Our Streets will open up the conversation of what Wandsworth could and should look like if we all played a part in designing and imagining our local urban landscapes. Cast: Hania, Leona, Issy, Charly, Shania, Anousha, Violet, Daniella & Blu. The Hen-nah Party by Amani Saeed at Richmix The Hen-Nah Party is all of the joy of a henna night without the stress, gender norms, and aunties at the wedding. Featured Artists: Amrit Kaur, Amani Saeed, Sanah Ahsan and Meral Alizada. Rouge by Marion Motin by Rambert Dance Rouge is about finding our real selves: our instinct and nature, rather than our culture. It's about leaving the artificial world to just live, to connect with real bodies and real people Cast: Daniel Davidson, Juan Gil, Liam Francis, Miguel Altunaga, Aishwarya Raut, Simone Damberg Würtz &Guillaume Quéau. Film Stalling it by Jemma Moore & Caroline Ward Stalling It follows five toilet stalls, three bridesmaids, one pregnancy test, one nosey neighbour - zero ideas of what to do next. The 1980's an era of female independence, sexual freedom, experimentation, self expression and style. Sometimes. It's 1988, Sammy, Bethan and Jo are bridesmaids at their best friend's wedding. Their outfits are fabulous, their hair do's are huge, the nuptials have been made and the drinks are now flowing. We join our bridesmaids in the midst of the time honoured female tradition...the joint bathroom break. Cast: Sophie Hopkin, Jemma Moore, Caroline Ward & Sacharissa Claxton. Little Sky by Jess X Snow Little Sky follows the journey of SKY, a Chinese-American pop star who returns to the city they were raised in to find their estranged immigrant father. Haunted by their childhood memories, SKY risks their non-binary identity to end the cycle of violence in their family. In the confrontation, SKY discovers something that changes how they feel about the people they love. Cast: Wo Chan, Kyoko Takenaka, Fenton Li, Yiging Zhao, Austin Deng, Bruce Liu & Tao Qiu. How To Raise a Black Boy by Justice Jamal Jones How To Raise a Black Boy follows four boys as they journey through a fantastical world of black boyhood, queer identity, and fraternity in a modern reimagining of the fairy tale genre. Cast: Maiya Blaney, Rodney Chrome, Christian Coston-Payne, Emperor Kaioyus, Eric Payne, Rayceen Pendarvis, Justin Smith, Nicklaus Vallie & Cory Walkers. Yaha Waha by Sarah Li Yaha Waha follows a South Asian DJ and a performance artist use their platforms to celebrate their heritage. Cast: Almas Badat, Anthony Pius (Bolly Illusion). Shams by Pauline Beugnies Shams follows Eden, a 30-year-old Belgian woman, works in a cultural center a few thousand kilometers away from her home, in the bustling capital of Cairo. She makes a life-changing encounter with a young woman named Shams. One day, Shams brutally disappears. With the support and friendship of two valiant young Egyptians, Eden starts a fight against her own fears, denials and bias to find Shams. Cast: Claire Beugnies, Amina El Banna, Reem El Maghraby, Zainab Magdy & Alaa Taha. Baba by Adam Ali & Sam Arbor Baba is about an unexpected discovery forces Britannia, a gay Libyan teenager, to question whether to stay or flee his beloved homeland. Cast: Adam Ali, Mudar Abbar, Ahmed Elmusrati, Ali Gadema, Samar Abu Kaf, Elysia Kazinos, Colette Dala Tchantcho & Usaim Younnis. Beirut Dreams in Color by Michael Collins Beirut Dreams in Color tells the stories of Masrou' Leila, a Lebanese rock band with an outspoken gay singer, and Sarah Hegazy, an Egyptian activist. Both parties have experienced oppression because of their sexual orientation and beliefs. The short documentary shows what it's like for the LGBTQIA+ community to be oppressed and threatened by the governments in the Middle East. The Syed Family Xmas Eve Game Night by Fawzia Mirza & Kausar Mohammad The Syed Family Xmas Eve Game Night is about Pakistani Muslim woman brings her Puerto Rican girlfriend home for the first time on the family's annual game night. Cast: Kausar Mohammad, Vico Ortiz, Meera Rohit Kumbhani, Pia Shah & D'Lo. Meenakhsi Sundareshwar by Vivek Soni & Aarsh Vora Meenakhsi Sundareshwar is about a couple who are forced to live apart due to a unique job prospect. Follow along as the two newlyweds face the hassles, hiccups - and hilarity - that arise from their long distance marriage. Cast: Sanya Malhotra, Abhimanyu Dasani , Shivkumar Subramaniam, Nivedita Bhargava, Purnendu Bhattacharya, Komal Chhabria, Manoj Mani Mathew, Archana Iyer, Ritika Shrotri, Kalp Shah, Mahesh Pillai, Sonali Sachdev, Varun Shashi Rao, Sukhesh Arora, Khuman Nongyai, Danish Sood & Guneet Wahan Muhafiz by Pradipta Ray & Ashutosh Pathak Muhafiz is set against a backdrop of sectarian violence, can a gay Hindu man find the courage to help a Muslim? Cast: Jaydeep Ashra, Deepak Chunara, Rishabh Dhangra, Prerna Gandhi, Pradeep Kumar, Arfi Lamba, Prince Mahajan, Angel Modi, Kamiesh Rajendra Patil, Rohan Pujari, Sushant Sharma, Mukesh Shukla, Akash Sinha, Shiv Tandan & Neha Vyas. Series Delhi Crime by Richie Mehta. Delhi Crime is based on the Nirbhaya case, Delhi Crime follows the Delhi Police investigation into the finding of the men who perpetrated this crime. Cast: Shefali Shetty, Adil Hussain, Denzil Smith, Rasika Dugal, Rajesh Tailang · Yashaswini Dayama, Aaron Kaplan, Jeff Sagansky, Anurag Arora, Jaya Bhattacharya, Vinod, Sharawat, Gopal Datt, Sidharth Bhardwaj, Swati Bhatia, Gaurav Rana, Amitabh Acharya, Sanjay Bishnoi, Shobhna Bharadwaj, Mridul Sharma & Abhilasha Singh. A Black Lady Sketch Show by Robin Thede. A Black Lady Sketch Show is A half-hour sketch comedy written by and starring Robin Thede. Cast: by Robin Thede, Gabrielle Dennis, Ashley Nicole Black, Quinta Brunson and Skye Townsend. Yearly Departed by Linda Medoza & Amazon Prime Yearly Departed is a comedy special that tackles some of the end of year highlights that people probably want to forget about. There is a 2020 show as well a 2021 instalment. Cast: (2020) Phoebe Robinson featuring Rachel Brosnahan, Tiffany Haddish, Patti Harrison, Natasha Leggero, Sarah Silverman, Christina Aguilera, Natasha Rothwell, and Ziwe. (2021) Yvonne Orji featuring Chelsea Peretti, Jane Fonda, Aparna Nancherla, Alessia Cara, Dulcé Sloan, Megan Stalter & X Mayo. Special by Ryan O'Connel Special follows A young gay man with cerebral palsy branches out from his insular existence in hopes of finally going after the life he wants. Cast: Ryan O'Connell, Jessica Hecht, Punam Patel. Marla Mindelle, Augustus Prew, Patrick Fabian & Max Jenkins. Sort Of by Bilal Baig & Fab Filippo Sort Of follows a gender-fluid millennial who straddles various identities, exposing the identities and labels that are no longer applicable. Cast: Bilal Baig , Gray Powell, Amanda Cordner, Ellora Patnaik, Grace Lynn Kung, Supinder Wraich, Alanna Bale & Kaya Kanashiro. Chernobyl by Craig Mazin Chernobyl is based on a true story where in April 1986, an explosion at the Chernobyl nuclear power plant in the Union of Soviet Socialist Republics becomes one of the world's worst man-made catastrophes. Cast: Jared Harris, Stellan Skarsgård, Paul Ritter, Jessie Buckley, Adam Nagaitis, Con O'Neill, Adrian Rawlins, Sam Troughton, Robert Emms, David Dencik, Nadia Clifford, Douggie McMeekin, Alan Williams, Emily Watson, Paul Ritter, Karl Davues, Michael Socha, Laura Elphinstone & Jan Riccia. Q-Force by Gabe Liedman Q- Force follows handsome secret agent and his team of LGBTQ superspies embark on extraordinary adventures. Cast: Sean Hayes, Matt Rogers, Wanda Sykes, Patti Harrison, Gary Cole, David Harbour & Laurie Metcalf. Honourable Mentions Made in Heaven on Amazon Prime. Four More Shots Please! On Amazon Prime. Podcasts Las Culturistas by Bowen Yang and Matt Rogers. Las Culturistas is a pop-culture and comedy podcast co-hosted by Bowen Yang and Matt Rogers, Honourable Mentions No Thank You, Please Brown People We Know Talk Art Bitten Peach Pod I'm Still Standing The Front Room Kiki In The Cronx Social: Myself: https://www.instagram.com/chaiwithrai_/ Links: Myself: https://linktr.ee/raimuitfum Hope you all enjoyed it and Thank you for tuning in. To Subscribe, share, follow my work and everything else is listed above.
UNDERCARD BATTLES: Michael Clayton vs Sarah Garner Stan Talouis vs David Rey Martinez Kattoo King vs Carla Sadornil Geo Perez vs Aaron Kaplan MAIN EVENT: Joe Gorman vs Bobby Sheehan JUDGES: Erik Marino, Amy Cardinale, James Mattern, Ilya Laksin OFFICIALS: Mark Henely, Niko Pav, Patrick Haggerty, Ben Miller DJ: Derick Gonzalez HOST: Matt Maran This episode was recorded on February 6th, 2022. This show is usually recorded LIVE at The Stand Comedy Club in NYC. Not in the NYC area? You can still watch Comedy Fight Club on youtube and follow us on Instagram and Twitter @comedyfightnyc If you want access to old episodes and bonus content subscribe to our Patreon page! https://www.patreon.com/comedyfightclub Follow this week's battlers on Social Media: Michael Clayton: @claytoncomedy, Sarah Garner: @sarahgarnerlol, Stan Talouis: @funnymanstan, David Rey Martinez: @davidreymartinez, Kattoo King: @queenkattoo, Carla Sadornil: @mildcomedycarla, Geo Perez: @geoperez86, Aaron Kaplan: @aaronkapcomedy, Joe Gorman: @joewgorman, Bobby Sheehan: @bobbysheehanlol, Erik Marino: @theerikmarino, Amy Cardinale: @real.amy.cardinale, James Mattern: @thejamesmattern, Ilya Laksin: @ilyalaksin, Mark Henely: @markhenely, Matt Maran: @realmattmaran, Nikola Pavlovic: @ironicpunhere, Derek Gonzalez: @officiallyderickgonzalez, Ben Miller: @thisisbenmiller, Patrick Haggerty: @patrickhaggertycomedy
This week I chat with newly sober-ish Aaron Kaplan. He talks about why he quit drinking and how it has helped him, the benefits of microdosing, and how he can still do cocaine.
UNDERCARD BATTLES: Karthik Raj vs Alden Skaedas Abigail Nolan vs Nic Crespo Priya Blunts vs Cher Landman Aaron Kaplan vs Jerry Lalee MAIN EVENT: Espi Rivadeneira vs Luke Gralia JUDGES: Myka Fox, Amy Cardinale, Dalton Pruitt, Robbie Goodwin OFFICIALS: Mark Henely, Niko Pav, Patrick Haggerty DJ: Derick Gonzalez HOST: Matt Maran This episode was recorded on December 5th, 2021. This show is usually recorded LIVE at The Stand Comedy Club in NYC. Not in the NYC area? You can still watch Comedy Fight Club on youtube and follow us on Instagram and Twitter @comedyfightnyc If you want access to old episodes and bonus content subscribe to our Patreon page! https://www.patreon.com/comedyfightclub Follow this week's battlers on Social Media: Karthik Raj: @karthikraj_, Alden Skaedas: @aldskeedorhino, Abigail Nolan: @walttitman, Nic Crespo: @_nichead, Priya Blunts: @priyablunts, Cher Landman: @cherthecomedian, Aaron Kaplan: @aaronkapcomedy, Jerry Lalee: @jerrylalee, Espi Rivadeneira: @espirivadeneira, Luke Gralia: @graliass, Myka Fox: @mykafox, Amy Cardinale: @real.amy.cardinale, Dalton Pruitt: @saltydalty69420, Robbie Goodwin: @robbiegoodwin, Mark Henely: @markhenely, Matt Maran: @realmattmaran, Nikola Pavlovic: @ironicpunhere, Derek Gonzalez: @officiallyderickgonzalez, Patrick Haggerty: @patrickhaggertycomedy,
Dr. Aaron Kaplan has several startups and many years of cardiology practice under his belt, and he is uniquely positioned to give a physician's perspective on the medical device startup space and how big ideas actually impact the clinic. As a practicing interventional cardiologist and Director of Clinical Research, Heart & Vascular Center, at Dartmouth-Hitchcock Medical Center, Kaplan is intimately aware of the challenges facing cardiology today and the needs facing both patients and their care providers. And as an entrepreneur and inventor, he's learned to maximize his role in the startup arena. “The role of the doc is not to design the device, but to define the problem,” Kaplan told Medtech Talk. Kaplan says he brings ideas to the table “that often violate one if not two of Newton's laws”, but he has learned to hand them over to creative engineers and others with diverse perspectives. While, as a physician, he alone answers for all the care decisions that were made for a patient, as an entrepreneur, he instead builds multidisciplinary teams with competencies that are divorced from medicine. One of the biggest differences between the two roles, Kaplan says, is that entrepreneurs must learn to accept failure. In speaking with Geoff Pardo, Kaplan employs a physician's traditional habit of postmortem assessment of one of his previous startups, candidly breaking down the problems in the market approach, the trial strategy, and the leadership structure—valuable lessons for him—and others—to apply to future projects.Dr. Kaplan is a practicing interventional/structural cardiologist and a medical device entrepreneur. Aaron supervises cardiology fellows and lectures regularly at the Tuck School. In addition, he directs the Clinician-MBA Scholars Program at Dartmouth. Prior to Dartmouth, he was Director of Interventional Cardiology at the Palo Alto VA/Stanford University. Dr. Kaplan has authored >75 peer-reviewed papers and serves on the Editorial Board of Cardiac Catheterization & Intervention and J Soc Cardiovascular Angiography & Interventions. Aaron is an active entrepreneur who has been on the founding team of a number of companies including Conformal Medical, Tryton Medical, LocalMed and Perclose (acquired by Abbott). Dr. Kaplan is on the Board of Cairn Surgical and was an Entrepreneur-In-Residence at Three Arch Partners. Aaron has authored 60 U.S. Patents and was inducted into the National Academy of Inventors (Class of 2015). He received a BS in Engineering Sciences (Cum Laude) from Tufts University, MD from Wake Forest University, medical training at Northwestern University and cardiology training at Stanford University.
Today on EP. 200 of the BlockHash Podcast, Co-founder Aaron Kaplan and Brandon Zemp talk about Prometheum. They are building the world's first SEC and FINRA regulated, full-service market for digital asset securities (issuance, trading, clearing, settlement and custody). Listen to the full episode wherever you go on Anchor, Spotify, Apple, Google, Amazon Music and more! The podcast is available on… Apple Podcasts: https://podcasts.apple.com/us/podcast/blockhash-exploring-the-blockchain/id1241712666 Amazon Music: https://music.amazon.com/podcasts/6dc84ee4-845b-4bea-b812-b876daab2c7e/BlockHash-Exploring-the-Blockchain Spotify: https://open.spotify.com/show/4AGqU8qxIYVkxXM4q2XpO1 Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy9iNmNhNWM0L3BvZGNhc3QvcnNz Website: www.blockhashpodcast.com On Social Media… Website: https://www.prometheum.com/ LinkedIn: https://www.linkedin.com/company/prometheum/ Twitter: https://twitter.com/prometheuminc Find Brandon Zemp & the podcast on Social Media… Instagram: https://www.instagram.com/theblockhash/ Instagram: https://www.instagram.com/zempcapital/ Twitter: https://twitter.com/zempcapital Facebook: https://www.facebook.com/theblockhash LinkedIn: www.linkedin.com/in/brandonzemp NFTs by BlockHash… OpenSea: https://opensea.io/collection/zemp OpenSea: https://opensea.io/collection/kiseokkim OpenSea: https://opensea.io/collection/officialcryptoghosts Sign up for the newsletter… (FREE) Blockchain Weekly: https://www.getrevue.co/profile/zemp (MEMBERS ONLY) Blockchain Insider: https://www.getrevue.co/profile/zemp/members
Creative M Projects Founder Melissa Sharee hosts featuring ERICA L ANDERSON - Erica L. Anderson was most recently a Co-Executive Producer on SURFACE, an upcoming Apple+ TV series produced by Reese Witherspoon. Preceding that, Erica was a Co-Executive Producer on WOMEN IN THE MOVEMENT, an upcoming ABC series produced by Will Smith, Aaron Kaplan, and Jay-Z, a Co-Executive Producer on the upcoming NETFLIX series, IN FROM THE COLD, a Supervising Producer on Ryan Murphy's 9-1- 1, and a Writer/Producer on Oprah Winfrey's award-winning show, GREENLEAF, on BET's rating giant, BEING MARY JANE, and the long-running Bruckheimer series, COLD CASE. A native of Charlotte, North Carolina, Erica received her B.A. from Howard University's School of Communication and earned her MFA from the University of Southern California's Graduate Screenwriting Program. In 2017, Erica L. Anderson was nominated for an NAACP IMAGE AWARD for OUTSTANDING WRITING IN A DRAMA SERIES for an episode of GREENLEAF entitled, “The Bear. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/4theartists/message Support this podcast: https://anchor.fm/4theartists/support
This episode was produced remotely using the ListenDeck standardized audio production system. If you're looking to upgrade or jumpstart your podcast production please visit www.listendeck.com. You can subscribe to this podcast and stay up to date on all the stories here on Apple Podcasts, Google Play, Stitcher, Spotify, Amazon and iHeartRadio. In this episode the host John Siracusa chats remotely with Aaron Kaplan, Founder & Co-CEO of Prometheum. Prometheum is a SEC and FINRA-regulated, full-service market ecosystem for blockchain securities. Tune in and Listen. Subscribe now on Apple Podcasts, Google , Stitcher, Spotify, Amazon and iHeartRadio to hear next Tuesdays interview with Jack McDonald from polysign. About the host: John, is the host of the ‘Bank On It' podcast recorded onsite in Wall Street at OpenFin and the founder of the remotely recorded, studio quality standardized podcast production system ListenDeck. Follow John on LinkedIn, Twitter, Medium
This episode was produced remotely using the ListenDeck standardized audio production system. If you're looking to upgrade or jumpstart your podcast production please visit www.listendeck.com. You can subscribe to this podcast and stay up to date on all the stories here on Apple Podcasts, Google Play, Stitcher, Spotify, Amazon and iHeartRadio. In this episode the host John Siracusa chats remotely with Craig J. Lewis, Co-founder & CEO of Gig Wage. Gig Wage is a fintech payroll company for gig workers and contractors. Tune in and Listen. Subscribe now on Apple Podcasts, Google , Stitcher, Spotify, Amazon and iHeartRadio to hear Thursdays interview with Aaron Kaplan from Prometheum. About the host: John, is the host of the ‘Bank On It' podcast recorded onsite in Wall Street at OpenFin and the founder of the remotely recorded, studio quality standardized podcast production system ListenDeck. Follow John on LinkedIn, Twitter, Medium
What a great episode filled with laughter, education, and simple explanations about trading platforms, securities, and the Prometheum.com project. Join the host of Crypto and Blockchain Talk, Aviva Ounap, as she talks to the co-founder and CEO of Prometheum.com, Aaron Kaplan, and they explore these topics and more, giving you everything you need to be smarter in the world of crypto and blockchain. Warning: There is a lot of laughter. Tune in to CryptoAndBlockchainTalk.com, the podcast that makes you smarter about the worlds of blockchain and cryptocurrency, and everything in between. It is our mission to interview the brightest stars in this space, bringing them straight to your ears for your listening pleasure, and best of all, for free! In addition, all interviews are streamed on Crypto24Radio.com, bringing you the latest news on all things blockchain and crypto-related all day, every day - plus music! So stay tuned and enjoy. We LOVE having you as our listener, and friend! __________________________ Do you want us to talk about your project or company? Email us: education@saviidigital.com Disclaimer: NO FINANCIAL ADVICE The information on this channel/website is provided for education and informational purposes only, without any express or implied warranty of any kind, including warranties of accuracy, completeness, or fitness for any particular purpose. The information contained in or provided from or through this channel is not intended to be and does not constitute financial advice, investment advice, trading advice, or any other advice. The information on this channel/website and provided from or through this channel/website is general in nature and is not specific to you, the user, or anyone else. This channel/website not a substitute for financial advice from a professional who is aware of the factual circumstances of your individual situation. You should not make any decision, financial, investment, trading, or otherwise, based on any of the information presented on this channel/website without undertaking independent due diligence and consultation with a professional broker or financial advisor.
On this episode of the Bento Box Gaming Podcast, Aaron Kaplan, I mean Aaron Keller announces the first Overwatch 2 livestream that promises a good look at PvP! Be sure to find us on our socials and snag your own Bento Box Merch! https://whatsneu.gg/collections/bento-box-gaming Bento Box: @BentoBGaming (Twitter) @BentoBoxGaming (Instagram) Nick: @TheMechanick (Twitter) bb_pepperoniichan (Twitch) Jordon: @Jordon Malick (Twitter, Instagram, Twitch)
Dr. Ron Waksman's next guest is Dr. Aaron Kaplan, of Dart-Hitchcock Medical Center. They discuss Dr. Kaplan's accomplishments in the field of interventional cardiology, including his go-to solution to problems he encounters during procedures: inventing devices.
Aaron Kaplan is the founder and co-CEO of Prometheum, Inc., a NYC based fintech company building a Federal Securities Law compliant, blockchain native, public market infrastructure servicing the entire digital asset lifecycle. Aaron is also of counsel at Gusrae Kaplan Nusbaum, where since 2013 he has focused his practice on the applications of distributed ledger technology in the securities industry. In this episode hosted by Ethan, Aaron offers extensive insights into the legalities around blockchain and the future of digital asset securities. Articles referenced in the episode: Ethereum Homestead Doc: https://ethdocs.org/en/latest/ Prometheum Architecture Paper: https://info.prometheum.com/papers
Hey Disney Music Lovers! I am so excited about this episode! I think you are really going to love it! We are talking about The Lion King Musical on Broadway. It is one of my favorite shows, and I believe after listening, you will agree that it is absolutely amazing! Aaron Kaplan again joins me on this podcast. And as always he brings his amazing knowledge of music and theater to the podcast. I always learn things when he is on the podcast! As always, I would love to hear from you! I want this to be a conversation, not just a one-way conversation (which really isn't a conversation. That is more of a lecture!) You can reach me on Facebook at Magic Music Review. I'm also on twitter at @disneymusicdude. And you can also comment on the episode at my website MagicMusicReview.com. I would also kindly ask that you leave a five-star rating for this podcast on iTunes! That will help others find this podcast so we can share our love of Disney music! Also, be sure to check out my other podcast The Goofy Guy Podcast! We talk about Disney news and various Disney Topics! It comes out twice a week, and it is a lot of fun! You can find it where you get this podcast! You can also sign up for The Goofy Guy newsletter at www.thegoofyguy.com It is a great place to get more Disney fun! Thanks, and here we go! Jim
Hey Disney Music Lovers! I am so excited about this episode! I think you are really going to love it! We are talking about The Lion King Musical on Broadway. It is one of my favorite shows, and I believe after listening, you will agree that it is absolutely amazing! Aaron Kaplan again joins me on this podcast. And as always he brings his amazing knowledge of music and theater to the podcast. I always learn things when he is on the podcast! As always, I would love to hear from you! I want this to be a conversation, not just a one-way conversation (which really isn't a conversation. That is more of a lecture!) You can reach me on Facebook at Magic Music Review. I'm also on twitter at @disneymusicdude. And you can also comment on the episode at my website MagicMusicReview.com. I would also kindly ask that you leave a five-star rating for this podcast on iTunes! That will help others find this podcast so we can share our love of Disney music! Also, be sure to check out my other podcast The Goofy Guy Podcast! We talk about Disney news and various Disney Topics! It comes out twice a week, and it is a lot of fun! You can find it where you get this podcast! You can also sign up for The Goofy Guy newsletter at www.thegoofyguy.com It is a great place to get more Disney fun! Thanks, and here we go! Jim
Hardcore wrestler, and King of the no ring death match, Casanova Valentine and comedian Aaron Kaplan join Zac this week for a very special episode of vile and visceral violence, all stemming from a "Viper". When a case of toxic liquor is found and sold off for cheap, hobos are the first to fall prey to temptation. The boys reminisce over malt liquors lost, while Vietnam veteran Bronson (Vic Noto) becomes the only heroic hope for the homeless against the batch of booze. Tune in for this wonderfully shot piece of James M. Muro's steadicam origin story, it's Street Trash from 1987.FOLLOW THE SHOW!Zac AmicoInstagram: https://www.instagram.com/zacisnotfunnyCasanova Valentine:Twitter: https://twitter.com/CasanovaVal666Instagram: https://www.instagram.com/mcdeathbear/Aaron KaplanTwitter: https://twitter.com/akapman87Instagram: https://www.instagram.com/aaronkapcomedy/The newest 15 episodes are always free, but if you want access to all the archives, watch live, chat live, access to the forums, and get the show five days before it comes out everywhere else - you can subscribe now at http://www.GaSDigitalNetwork.com and use the code ZAC for a 14-Day FREE Trial and save 15% on your subscription to the entire network.
Hey Everyone! We are back with another episode of the Magic Music Review! I'm so excited about this episode! We are talking about the 1994 Disney Animated Classic, The Lion King! There is so much great stuff to talk about with this masterpiece! Aaron Kaplan is with me again to talk about this film! He first saw it when he was 5! So this definitely has a special place in his heart! This movie has great songs and a great score! Elton John (Music) did a brilliant job with Tim Rice (Lyrics) and Hanz Zimmer (Score). We also talk about the impact that Lebo M. had on the music in this movie! He is an unsung hero in this story! As always, I would love to hear from you! I want this to be a conversation, not just a one-way conversation (which really isn't a conversation. That is more of a lecture!) You can reach me on Facebook at Magic Music Review. I'm also on twitter at @disneymusicdude. And you can also comment on the episode at my website MagicMusicReview.com. I would also kindly ask that you leave a five-star rating for this podcast on iTunes! That will help others find this podcast so we can share our love of Disney music! Also, be sure to check out my other podcast The Goofy Guy Podcast! We talk about Disney news and various Disney Topics! It comes out twice a week, and it is a lot of fun! You can find it where you get this podcast! You can also sign up for The Goofy Guy newsletter at www.thegoofyguy.com It is a great place to get more Disney fun! Thanks, and here we go! Jim
Dooner's Guide Episode 35 Aaron Kaplanhttp://aaronkaplanmusic.com/Support the show (https://www.patreon.com/user?u=39941006&fan_landing=true)
On this episode of STO Unplugged, Frank is joined by Aaron Kaplan, co-CEO of blockchain securities firm Prometheum. Aaron shares his industry background, why he’s excited about digital securities, and explains Prometheum’s goals of becoming a full-service, SEC-regulated blockchain security ecosystem... [1:02] Aaron and Frank also discuss the current regulatory environment... what it’s like to help a company raise funds and trade tokens... and Aaron gives his take on the future of digital securities… -------------------------------- YouTube: https://www.youtube.com/channel/UCqDn04jbJk7HpxlFhAyd2_Q Facebook: https://www.facebook.com/TheTokenTracker Twitter: https://twitter.com/TokenTrackerWeb -------------------------------- STO Unplugged podcast is available at: Website : https://thetokentracker.com/
Professor Aaron Kaplan studies ecological processes in photosynthetic organisms, and is looking particularly close at green algae—the fastest growing photosynthetic organism on the planet. On today's podcast, he talks about the “crust” that this cyanobacteria helps form, called biological soil crust. He explains a number of interesting topics, including the following: How biological soil crust is formed, why it varies in thickness, and what it's composed of Why it is so important to understand cyanobacteria in order to eliminate toxic algal blooms that are destroying ecological systems What mechanisms organisms acquire in order to grow in the harshest environments on Earth What is meant by saying that organisms use “languages” Professor Kaplan discusses a range of compelling, technical details about some of the most unique habitats on Earth characterized by biological soil crust, which is a complex system comprised of many organisms which thrive off the metabolites produced by cyanobacteria or green algae. He talks about the effects of algal blooms on ecological systems—particularly lakes in parts of China, why he aims to better understand the biological role of toxic secondary metabolites, oxidative stress and signaling between different organisms, and how one toxin can actually bind to and protect proteins from oxidative stress. Professor Kaplan expounds on the technical aspects of the science behind his work, and emphasizes the importance and relevance of it to the health of both humans and the environment.
Shilpi Roy is a film & TV director and writer who sold her first show without having an agent. She is currently a staff writer on a Netflix show and has a few more shows in the pipeline. Host Jenn Page and Shilpi Roy dive into how she sold her first show to ABC Family (now Freeform) without having an agent, what it was like writing and filming that show, what she does to keep getting work, and how she utilized her time and connections while in the studios’ diversity programs. Intuitive Conversation: True Offering -- trusting that the path you are being given is the path that is taking you somewhere. More about Intuitive Filmmaker Podcast: If you want to submit a question or comment to the show please send and email or short video to intuitivefilmmakerpodcast@gmail.com. Or you can leave a voicemail at http://anchor.fm/intuitivefilmmaker. Please subscribe on Apple Podcasts to help us keep bringing more shows to you. Find us on all of your favorite podcast apps by clicking http://anchor.fm/intuitivefilmmaker Hosted by: Jenn Page, Filmmaker More on Shilpi: Hailing from North Carolina, Shilpi Roy comes from a traditional Indian family and grew up watching only the song-and-dance numbers from Bollywood movies. Roy sold her first television show, BROWN GIRLS, to Freeform TV. Working with Aaron Kaplan of Kapital Entertainment (AMERICAN HOUSEWIFE, A MILLION LITTLE THINGS), Nastaran Dibai (DEAR WHITE PEOPLE, ACCORDING TO JIM), and Mark Cendrowski (THE BIG BANG THEORY, YOUNG SHELDON), Roy co-wrote and co-executive-produced the pilot. Roy was also the showrunner of MATCHELORETTE, a CMT pilot for SoulPancake (a division of Participant Media). She currently writes on the Netflix Original Series TEAM KAYLIE and is developing a show for The Disney Channel with Lilly Singh’s (A LITTLE LATE WITH LILLY) company Unicorn Island. Roy began her career working for Warren Littlefield, executive producer of TV’s FARGO and THE HANDMAID'S TALE, as well as the former head of NBC Television. Roy then attended the USC School of Cinematic Arts and received an MFA in Film Production where she was the recipient of an Annenberg Scholarship. She has also participated in the prestigious AFI Directing Workshop for Women Program, as well as Universal Studio’s Directors Initiative. Shilpi began her career writing and directing the award-winning comedy web series HIPSTERHOOD, which won multiple awards across two seasons. She then produced and directed the magician-comedy series DISILLUSIONED, which garnered a Best Comedy Web Series Award from the HollyWeb Festival. She has also directed episodes of the Emmy®-winning web series EMMA APPROVED. Roy lives with her husband, cinematographer Anthony C. Kuhnz, in Los Angeles with 2 cats. https://www.youtube.com/shilpiroy --- Send in a voice message: https://anchor.fm/intuitivefilmmaker/message
Katy Foley and Tatiana Mariesa are breaking down season 3 episode 6 of Divorce “knock knock” in which A woman lives unhappily with her husband and children. She finds courage and decides to start her life afresh and considers divorcing her husband. Comment your thoughts below and hit that thumbs up! ABOUT DIVORCE: Frances, a woman who suddenly begins to reassess her life and her marriage, and finds that making a clean break and a fresh start is harder than she thought. Other series regulars include Thomas Haden Church, Molly Shannon, Talia Balsam and Tracy Letts. The series, currently in production in New York, was created by Sharon Horgan. It is executive produced by Horgan, Paul Simms, Sarah Jessica Parker, Alison Benson and Aaron Kaplan. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV Buy Merch at http://shop.spreadshirt.com/AfterbuzzTV/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Katy Foley and Tatiana Mariesa are breaking down season 3 episode 6 of Divorce “knock knock” in which A woman lives unhappily with her husband and children. She finds courage and decides to start her life afresh and considers divorcing her husband. Comment your thoughts below and hit that thumbs up! ABOUT DIVORCE: Frances, a woman who suddenly begins to reassess her life and her marriage, and finds that making a clean break and a fresh start is harder than she thought. Other series regulars include Thomas Haden Church, Molly Shannon, Talia Balsam and Tracy Letts. The series, currently in production in New York, was created by Sharon Horgan. It is executive produced by Horgan, Paul Simms, Sarah Jessica Parker, Alison Benson and Aaron Kaplan. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV Buy Merch at http://shop.spreadshirt.com/AfterbuzzTV/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Dallas gets her job threatened, Diane gets propositioned by the Grandpa and the craziest high school girls basketball trip you’ve ever seen. Tune in as @ktdidwhatnow and @TatianaMariesa break it down! ABOUT DIVORCE: Frances, a woman who suddenly begins to reassess her life and her marriage, and finds that making a clean break and a fresh start is harder than she thought. Other series regulars include Thomas Haden Church, Molly Shannon, Talia Balsam and Tracy Letts. The series, currently in production in New York, was created by Sharon Horgan. It is executive produced by Horgan, Paul Simms, Sarah Jessica Parker, Alison Benson and Aaron Kaplan. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV Buy Merch at http://shop.spreadshirt.com/AfterbuzzTV/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Dallas gets her job threatened, Diane gets propositioned by the Grandpa and the craziest high school girls basketball trip you’ve ever seen. Tune in as @ktdidwhatnow and @TatianaMariesa break it down! ABOUT DIVORCE: Frances, a woman who suddenly begins to reassess her life and her marriage, and finds that making a clean break and a fresh start is harder than she thought. Other series regulars include Thomas Haden Church, Molly Shannon, Talia Balsam and Tracy Letts. The series, currently in production in New York, was created by Sharon Horgan. It is executive produced by Horgan, Paul Simms, Sarah Jessica Parker, Alison Benson and Aaron Kaplan. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV Buy Merch at http://shop.spreadshirt.com/AfterbuzzTV/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
On this episode of Divorce, Jackie finally admits she’s jealous of Robert and Frances, Frances and Henry break up and Diane dates a grandpa. Tune is as hosts @ktdidwhatnow and @TatianaMariesa break it down! ABOUT DIVORCE: Frances, a woman who suddenly begins to reassess her life and her marriage, and finds that making a clean break and a fresh start is harder than she thought. Other series regulars include Thomas Haden Church, Molly Shannon, Talia Balsam and Tracy Letts. The series, currently in production in New York, was created by Sharon Horgan. It is executive produced by Horgan, Paul Simms, Sarah Jessica Parker, Alison Benson and Aaron Kaplan. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV Buy Merch at http://shop.spreadshirt.com/AfterbuzzTV/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
On this episode of Divorce, Jackie finally admits she’s jealous of Robert and Frances, Frances and Henry break up and Diane dates a grandpa. Tune is as hosts @ktdidwhatnow and @TatianaMariesa break it down! ABOUT DIVORCE: Frances, a woman who suddenly begins to reassess her life and her marriage, and finds that making a clean break and a fresh start is harder than she thought. Other series regulars include Thomas Haden Church, Molly Shannon, Talia Balsam and Tracy Letts. The series, currently in production in New York, was created by Sharon Horgan. It is executive produced by Horgan, Paul Simms, Sarah Jessica Parker, Alison Benson and Aaron Kaplan. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV Buy Merch at http://shop.spreadshirt.com/AfterbuzzTV/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Tom doesn’t want to go to college and Francis can’t stand for it. Robert supports Francis on this decision which causes a rift between him and Jackie (who also didn’t go to college). Diane catches a child shoplifter and ends up bonding with her. Cathy is back and although she seems to have good intentions initially it is crystal clear by the end that she just wants more of Robert’s money to take care of herself and their father. Tune in as hosts @ktdidwhatnow & @TatianaMariesa break it down. ABOUT DIVORCE: Frances, a woman who suddenly begins to reassess her life and her marriage, and finds that making a clean break and a fresh start is harder than she thought. Other series regulars include Thomas Haden Church, Molly Shannon, Talia Balsam and Tracy Letts. The series, currently in production in New York, was created by Sharon Horgan. It is executive produced by Horgan, Paul Simms, Sarah Jessica Parker, Alison Benson and Aaron Kaplan. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV Buy Merch at http://shop.spreadshirt.com/AfterbuzzTV/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Tom doesn’t want to go to college and Francis can’t stand for it. Robert supports Francis on this decision which causes a rift between him and Jackie (who also didn’t go to college). Diane catches a child shoplifter and ends up bonding with her. Cathy is back and although she seems to have good intentions initially it is crystal clear by the end that she just wants more of Robert’s money to take care of herself and their father. Tune in as hosts @ktdidwhatnow & @TatianaMariesa break it down. ABOUT DIVORCE: Frances, a woman who suddenly begins to reassess her life and her marriage, and finds that making a clean break and a fresh start is harder than she thought. Other series regulars include Thomas Haden Church, Molly Shannon, Talia Balsam and Tracy Letts. The series, currently in production in New York, was created by Sharon Horgan. It is executive produced by Horgan, Paul Simms, Sarah Jessica Parker, Alison Benson and Aaron Kaplan. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV Buy Merch at http://shop.spreadshirt.com/AfterbuzzTV/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Katy and Tatiana discuss Season 3 Episode where Francis plans to go to Miami with Henry to get away from Robert’s wedding but the whole thing is thwarted by Lila. Robert has cold feet about the wedding. And Diane seems like she is moving on with her life but Nick’s crime comes back to haunt her. Tune in as @ktdidwhatnow @TatianaMariesa Break it down! ABOUT DIVORCE: Frances, a woman who suddenly begins to reassess her life and her marriage, and finds that making a clean break and a fresh start is harder than she thought. Other series regulars include Thomas Haden Church, Molly Shannon, Talia Balsam and Tracy Letts. The series, currently in production in New York, was created by Sharon Horgan. It is executive produced by Horgan, Paul Simms, Sarah Jessica Parker, Alison Benson and Aaron Kaplan. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV Buy Merch at http://shop.spreadshirt.com/AfterbuzzTV/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Katy and Tatiana discuss Season 3 Episode where Francis plans to go to Miami with Henry to get away from Robert’s wedding but the whole thing is thwarted by Lila. Robert has cold feet about the wedding. And Diane seems like she is moving on with her life but Nick’s crime comes back to haunt her. Tune in as @ktdidwhatnow @TatianaMariesa Break it down! ABOUT DIVORCE: Frances, a woman who suddenly begins to reassess her life and her marriage, and finds that making a clean break and a fresh start is harder than she thought. Other series regulars include Thomas Haden Church, Molly Shannon, Talia Balsam and Tracy Letts. The series, currently in production in New York, was created by Sharon Horgan. It is executive produced by Horgan, Paul Simms, Sarah Jessica Parker, Alison Benson and Aaron Kaplan. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV Buy Merch at http://shop.spreadshirt.com/AfterbuzzTV/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Frances is starting over with a new life in New York and struggling to find a new Job. Jackie is pregnant and Robert tries to help her through her maternal difficulties. But it is clear Robert is unsure about how he feels about having anothe child. Dallas is pushing everyone away by momming them. And Nick and Diane are finally getting divorced. Tune in to our hosts @ktdidwhatnow @TatianaMariesa break it down! ABOUT DIVORCE: Frances, a woman who suddenly begins to reassess her life and her marriage, and finds that making a clean break and a fresh start is harder than she thought. Other series regulars include Thomas Haden Church, Molly Shannon, Talia Balsam and Tracy Letts. The series, currently in production in New York, was created by Sharon Horgan. It is executive produced by Horgan, Paul Simms, Sarah Jessica Parker, Alison Benson and Aaron Kaplan. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV Buy Merch at http://shop.spreadshirt.com/AfterbuzzTV/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Frances is starting over with a new life in New York and struggling to find a new Job. Jackie is pregnant and Robert tries to help her through her maternal difficulties. But it is clear Robert is unsure about how he feels about having anothe child. Dallas is pushing everyone away by momming them. And Nick and Diane are finally getting divorced. Tune in to our hosts @ktdidwhatnow @TatianaMariesa break it down! ABOUT DIVORCE: Frances, a woman who suddenly begins to reassess her life and her marriage, and finds that making a clean break and a fresh start is harder than she thought. Other series regulars include Thomas Haden Church, Molly Shannon, Talia Balsam and Tracy Letts. The series, currently in production in New York, was created by Sharon Horgan. It is executive produced by Horgan, Paul Simms, Sarah Jessica Parker, Alison Benson and Aaron Kaplan. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV Buy Merch at http://shop.spreadshirt.com/AfterbuzzTV/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
In today’s episode, we’ll learn about community networks around the world, including NYC Mesh, FunkFeuer, and Rhizomatica. Community Networks offer local communities the opportunity to own and control their communication infrastructure. To learn more about NYC Mesh visit www.nycmesh.net. To learn more about Rhizomatica, including projects outside of Oaxaca, Mexico, visit www.rhizomatica.org. To learn more about FunkFeuer, visit www.funkfeuer.at. Thanks to Jonathan Dahan, Myf Ma, Aaron Kaplan, and Peter Bloom for speaking with us for this episode. Music – Onward and Upward by junior85. Produced by Interference Archive.
In today’s episode, we’ll learn about community networks around the world, including NYC Mesh, FunkFeuer, and Rhizomatica. Community Networks offer local communities the opportunity to own and control their communication infrastructure. To learn more about NYC Mesh visit www.nycmesh.net. To learn more about Rhizomatica, including projects outside of Oaxaca, Mexico, visit www.rhizomatica.org. To learn more about FunkFeuer, visit www.funkfeuer.at. Thanks to Jonathan Dahan, Myf Ma, Aaron Kaplan, and Peter Bloom for speaking with us for this episode. Music: Onward & Upward by junior85. Produced by Interference Archive.
Santa Clarita Diet Santa Clarita Diet is an American horror-comedy web television series created by Victor Fresco for the streaming service Netflix, starring Drew Barrymore and Timothy Olyphant. Fresco serves as the showrunner, and is an executive producer alongside Drew Barrymore, Timothy Olyphant, Aaron Kaplan, Tracy Katsky, Chris Miller, Ember Truesdell and Ruben Fleischer. The Single-camero series premiered on February 3, 2017. The first season, consisting of 10 episodes, has received generally positive reviews, with critics praising the cast and premise, but criticizing the number of graphic scenes. On March 29, 2017, it was announced that Netflix renewed the series for a second season, which premiered on March 23, 2018. On May 8, 2018, the series was renewed for a 10-episode third season set to premiere in 2019. Hosted by Chris, Tim, and Drew Follow us on Twitter @JamesCSherry1 @Dtharaldson @CreativeHNDL
Walter Trout – Me my guitar and the blues – Survivor Blues – 2019 Dannielle Nicole – Save me (feat Kenny Wayne Shepherd) – Cry no More – 2018 Tasha Taylor – Feesl so good – Honey for the biscuit – 2016 Little G Weevil – When the king was Told - Back In Alabama - 2018 Seth Roosenblum – Right about you - Keep On Turning – 2019 Michael Burks – Game two can play - I'm A Bluesman - 2016 The Weight Band – remedy (live) - World Gone Mad (2018) Wille and the bandits – Judgement day - Paths – 2019 Roy Buchanan – Roy’s Bluz - Live At Town Hall 1974 Aaron Kaplan & Kevin Globerman – Tear the roof off - The Moonshine Music Co. Chicago Blues – 2018 Bluebird – Smiling Machine - Live At Missy Sippy – 2018 Blue Chevys – Sitting on a stone - Twice Fifteen – 2018
Alex Capraro former drummer of Ritz Riot & current bassist//back up vocalist for Dead Tenants, stops by to talk mixing your own music, writing a concept album, warehouse shows & Dead Tenant's first real studio album, coming out soon. With special guest host Aaron Kaplan.
Hey everyone! This episode is about the stage musical The Hunchback Of Notre Dame! Aaron Kaplan is again a guest on the podcast! We talk about it's history, it's start in Germany, it's change of book writer, and obviously share opinions about the music! Feel free to connect with me on Facebook at www.Facebook.com/MagicMusicReview. I'm also on twitter @disneymusicdude, and the website is www.magicmusicreview.com. I want this to be a conversation, and I'm really interested in our opinion! We don't have to agree, just be respectful of each other's ideas! Enjoy the episode! We sure had fun making it!
My hero, Roger Joseph Manning Jr. joins the show this week to discuss his new E.P, Glamping! Hear Roger talk about future plans and answer questions from his adoring public! Click here to pre order Glamping along with a ton of other cool RJMJ merchandise! Also featuring music from my band, Toxic Melons and Aaron Kaplan. Please support his brother and his drive to raise funds for a new liver by clicking here. Pablo's Poppin' Podcast is proudly sponsored by... "Fifteen Surefire Tips for Relieving Back Pain (Plus 192 Others, Just in Case)" R J Painting & Decorating - Based in South Shields, Tyne & Wear.
Hi Everyone! Welcome to season 2 of the Magic Music Review! The first episode of the season is about the movie The Hunchback Of Notre Dame! I am joined by my good friend, and amazing musician Aaron Kaplan! We have a great time discussing the movie and the music. We laugh a lot, and hopefully shed some light on this under appreciated gem in the Disney Canon of animated movies! The episode is longer than normal, but I truly believe that it is worth it! Enjoy! And please let me know your thoughts! I am truly want this to be a conversation, and not a one way road. You can find me on Facebook at www.facebook.com/magicmusicreview and on twitter I am @DisneyMusicDude.
What is it linguistics? How is it useful? What kind of job can you get with a linguistics degree? Why is there growing demand in the tech industry to hire linguists? Aaron Kaplan, assistant professor of linguistics in the College of Humanities, answers all of these questions.
AFTERBUZZ TV — Divorce is a weekly "after show" for fans of HBO's Divorce. In this show, hosts Fern Ronay, Katey Foley, Monique Loveless, and Miriam Gonzalez discuss episode 8. RSS Feed: http://www.afterbuzztv.com/aftershows/divorce-afterbuzz-tv-aftershow/feed/ ABOUT DIVORCE: Frances, a woman who suddenly begins to reassess her life and her marriage, and finds that making a clean break and a fresh start is harder than she thought. Other series regulars include Thomas Haden Church, Molly Shannon, Talia Balsam and Tracy Letts. The series, currently in production in New York, was created by Sharon Horgan. It is executive produced by Horgan, Paul Simms, Sarah Jessica Parker, Alison Benson and Aaron Kaplan. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV Buy Merch at http://shop.spreadshirt.com/AfterbuzzTV/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
AFTERBUZZ TV — Divorce is a weekly "after show" for fans of HBO's Divorce. In this show, hosts Katey Foley and Monique Loveless discuss episode 7. RSS Feed: http://abtvtest.wpengine.com/aftershows/divorce-afterbuzz-tv-aftershow/feed/ ABOUT DIVORCE: Frances, a woman who suddenly begins to reassess her life and her marriage, and finds that making a clean break and a fresh start is harder than she thought. Other series regulars include Thomas Haden Church, Molly Shannon, Talia Balsam and Tracy Letts. The series, currently in production in New York, was created by Sharon Horgan. It is executive produced by Horgan, Paul Simms, Sarah Jessica Parker, Alison Benson and Aaron Kaplan. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV Buy Merch at http://shop.spreadshirt.com/AfterbuzzTV/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
AFTERBUZZ TV — Divorce is a weekly "after show" for fans of HBO's Divorce. In this show, hosts Fern Ronay, Katey Foley, Monique Loveless, and Miriam Gonzalez discuss episode 6. RSS Feed: http://abtvtest.wpengine.com/aftershows/divorce-afterbuzz-tv-aftershow/feed/ ABOUT DIVORCE: Frances, a woman who suddenly begins to reassess her life and her marriage, and finds that making a clean break and a fresh start is harder than she thought. Other series regulars include Thomas Haden Church, Molly Shannon, Talia Balsam and Tracy Letts. The series, currently in production in New York, was created by Sharon Horgan. It is executive produced by Horgan, Paul Simms, Sarah Jessica Parker, Alison Benson and Aaron Kaplan. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV Buy Merch at http://shop.spreadshirt.com/AfterbuzzTV/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
AFTERBUZZ TV — Divorce is a weekly "after show" for fans of HBO's Divorce. In this show, hosts Fern Ronay, Katey Foley, and Monique Loveless discuss episode 5. RSS Feed: http://abtvtest.wpengine.com/aftershows/divorce-afterbuzz-tv-aftershow/feed/ ABOUT DIVORCE: Frances, a woman who suddenly begins to reassess her life and her marriage, and finds that making a clean break and a fresh start is harder than she thought. Other series regulars include Thomas Haden Church, Molly Shannon, Talia Balsam and Tracy Letts. The series, currently in production in New York, was created by Sharon Horgan. It is executive produced by Horgan, Paul Simms, Sarah Jessica Parker, Alison Benson and Aaron Kaplan. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV Buy Merch at http://shop.spreadshirt.com/AfterbuzzTV/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
AFTERBUZZ TV — Divorce is a weekly "after show" for fans of HBO's Divorce. In this show, hosts Fern Ronay, Katey Foley, Monique Loveless, and Miriam Gonzalez discuss episode 4. RSS Feed: http://abtvtest.wpengine.com/aftershows/divorce-afterbuzz-tv-aftershow/feed/ ABOUT DIVORCE: Frances, a woman who suddenly begins to reassess her life and her marriage, and finds that making a clean break and a fresh start is harder than she thought. Other series regulars include Thomas Haden Church, Molly Shannon, Talia Balsam and Tracy Letts. The series, currently in production in New York, was created by Sharon Horgan. It is executive produced by Horgan, Paul Simms, Sarah Jessica Parker, Alison Benson and Aaron Kaplan. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV Buy Merch at http://shop.spreadshirt.com/AfterbuzzTV/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
AFTERBUZZ TV — Divorce is a weekly "after show" for fans of HBO's Divorce. In this show, hosts Miriam Gonzalez, Fern Ronay, Katey Foley, and Monique Loveless discuss episode 3. RSS Feed: http://abtvtest.wpengine.com/aftershows/divorce-afterbuzz-tv-aftershow/feed/ ABOUT DIVORCE: Frances, a woman who suddenly begins to reassess her life and her marriage, and finds that making a clean break and a fresh start is harder than she thought. Other series regulars include Thomas Haden Church, Molly Shannon, Talia Balsam and Tracy Letts. The series, currently in production in New York, was created by Sharon Horgan. It is executive produced by Horgan, Paul Simms, Sarah Jessica Parker, Alison Benson and Aaron Kaplan. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV Buy Merch at http://shop.spreadshirt.com/AfterbuzzTV/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
AFTERBUZZ TV — Divorce is a weekly "after show" for fans of HBO's Divorce. In this show, hosts Fern Ronay, Katey Foley, and Monique Loveless discuss episode 2. ABOUT DIVORCE: Frances, a woman who suddenly begins to reassess her life and her marriage, and finds that making a clean break and a fresh start is harder than she thought. Other series regulars include Thomas Haden Church, Molly Shannon, Talia Balsam and Tracy Letts. The series, currently in production in New York, was created by Sharon Horgan. It is executive produced by Horgan, Paul Simms, Sarah Jessica Parker, Alison Benson and Aaron Kaplan. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV Buy Merch at http://shop.spreadshirt.com/AfterbuzzTV/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
AFTERBUZZ TV — Divorce is a weekly "after show" for fans of HBO's Divorce. In this show, hosts Fern Ronay, Katey Foley, Monique Loveless, and Miriam Gonzalez discuss episode 1. RSS Feed: http://www.afterbuzztv.com/aftershows/divorce-afterbuzz-tv-aftershow/feed/ ABOUT DIVORCE: Frances, a woman who suddenly begins to reassess her life and her marriage, and finds that making a clean break and a fresh start is harder than she thought. Other series regulars include Thomas Haden Church, Molly Shannon, Talia Balsam and Tracy Letts. The series, currently in production in New York, was created by Sharon Horgan. It is executive produced by Horgan, Paul Simms, Sarah Jessica Parker, Alison Benson and Aaron Kaplan. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV Buy Merch at http://shop.spreadshirt.com/AfterbuzzTV/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Aaron Kaplan talks how growing up with the coolest parents ever (RIP) prepared him for the underground punk comedy scene w/special holiday song at the end by Tiana Miller.
New TV Shows for Fall 2017 As we get older, we gain a deeper appreciation for the subtle joys in life. And few things in life are as joyous an occasion as television premiere season every Fall. You've been waiting for what feels like an eternity for your favorite shows to come back for another season, and not just that, there will be a bunch of new shows that could become one of your favorite shows of all time. If you're interested, Entertainment Weekly has a great post with all the Fall TV Premiere Dates by date, time, and Network. ABC Alex, Inc. Premieres: TBA Midseason Stars: Zach Braff, Michael Imperioli, Tiya Sircar, Hillary Anne Matthews Producers: Matt Tarses, Zach Braff, John Davis Premise: Based on the podcast of the same name, the comedy follows Alex Schuman, an inquisitive journalist, husband, and father who dives headfirst into the brave new world of entrepreneurship when he quits his stable job and starts his own business. The Crossing Premieres: TBA Midseason Cast: Steve Zahn, Sandrine Holt, Rob Campbell, Jay Karnes, Simone Kessell, Grant Harvey, Tommy Bastow, John D'Leo, Kelley Missal, Marcuis W. Harris Premise: Refugees from a war-torn country start showing up to seek asylum in an American town. Only the country these people are from is America and the war they are fleeing is 250 years in the future. The local sheriff with a past, a federal agent and a mother in search of her missing refugee daughter drive this allegory with a surprising conspiracy at the center. Deception Premieres: TBA Midseason Cast: Jack Cutmore-Scott, Ilfenesh Hadera, Amaury Nolasco, Lenora Crichlow, Vinnie Jones Premise: When his career is ruined by scandal, superstar magician Cameron Black has only one place to turn to practice his art of deception, illusion and influence: the FBI. He'll become the world's first consulting illusionist, helping the government solve crimes that defy explanation and trap criminals and spies by using deception. For the People Premieres: TBA Midseason Stars: Britne Oldford, Ben Rappaport, Hope Davis, Anna Deavere Smith, Wesam Keesh, Vondie Curtis-Hall, Regé-Jean Page, Lyndon Smith, Ben Shenkman Producers: Shonda Rhimes, Paul Davies, Betsy Beers Premise: Set in the Southern District of New York Federal Court, known as the "Mother Court," the drama follows attorneys for the prosecution and defense "as they handle the most high profile and high stakes case in the country, all as their personal lives intersect. The Good Doctor Premieres: Monday, Sep. 25 at 10:00 PM Cast: Freddie Highmore, Antonia Thomas, Nicholas Gonzalez, Chuku Modu, Richard Schiff, Beau Garrett Premise: A young surgeon with Savant syndrome is recruited into the pediatric surgical unit of a prestigious hospital. The question will arise: Can a person who doesn't have the ability to relate to people actually save their lives? Kevin (Probably) Saves the World Premieres: Tuesday, Oct. 3 at 10:00 PM Stars: Jason Ritter, JoAnna Garcia Swisher, J. August Richards, India de Beaufort, Dustin Ybarra, Chloe East Premise: The one-hour dramedy revolves around Kevin, a down-on-his-luck man who is tasked by God with a mission to save the world. Marvel's Inhumans Premieres: Friday, Sep. 29 at 9:00 PM Stars: Anson Mount, Iwan Rheon, Serinda Swan, Ken Leung, Ellen Woglom, Eme Ikwuakor, Isabelle Cornish, Mike Moh, Sonya Balmores Premise: The eight-episode series will explore the never-before-told adventure of Black Bolt and the royal family. The Mayor Premieres: Tuesday, Oct. 3 at 9:00 PM Stars: Brandon Micheal Hall, Lea Michele, Yvette Nicole Brown Premise: When an outspoken, idealistic rapper runs for office as a publicity stunt and actually gets elected, he surprises everyone (including himself) when he has a natural knack for the job and slowly transforms City Hall. Roseanne Premieres: TBA Midseason Stars: Roseanne Barr, John Goodman, Laurie Metcalf, Michael Fishman, Lecy Goranson, Sarah Chalke Premise: The '90s hit will return for eight new episodes and will basically ignore the series finale, which revealed Dan (Goodman) died of a heart attack. Chalke, who played Becky after Goranson left the original series, will play a different character. Splitting Up Together Premieres: TBA Midseason Stars: Jenna Fischer, Oliver Hudson, Diane Farr Premise: The story of a couple whose marriage is reignited by their divorce. Based on the 2016 Danish series. Ten Days in the Valley Premieres: Sunday, Oct. 1 at 10:00 PM Stars: Kyra Sedgwick, Erika Christensen, Malcolm-Jamal Warner, Felix Solis, Adewale Akinnuoye-Agbaje, Francois Battiste, Currie Graham, Nelson Lee, Abigail Pniowsky, Josh Randall, Ali Stroker, Ella Thomas, Beth Triffon, Mark L. Young Premise: The 10-episode series centers on TV producer Jane Sadler, whose young daughter goes missing, mirroring the cop drama she produces. CBS 9JKL Premieres: Monday, Oct. 2 at 8:30 PM Stars: Mark Feuerstein, David Walton, Liza Lapira, Matt Murray, Linda Lavin, Elliott Gould Producers: Dana Klein, Mark Feuerstein, Aaron Kaplan, Wendi Trilling, Dana Honor Premise: A family comedy inspired by a time in Mark Feuerstein's adult life when he lived in apartment 9K in the building he grew up in, sandwiched between his parents' apartment, 9J, and his brother, sister-in-law and their baby's apartment, 9L, and his attempts to set boundaries with his intrusive but well-meaning family. By the Book Premieres: TBA Midseason Stars: Jay R. Ferguson, Lindsey Kraft, David Krumholtz, Ian Gomez, Tony Rock, Camryn Manheim Premise: A modern-day man at a crossroads in his life decides to live according to the Bible. Based on A.J. Jacobs' bestseller The Year of Living Biblically. Instinct Premieres: TBA Midseason Stars: Alan Cumming, Bojana Novakovic, Naveen Andrews, Daniel Ings, Khandi Alexander Premise: A former CIA operative who has since built a “normal” life as a gifted professor and writer is pulled back into his old life when the NYPD needs his help to stop a serial killer on the loose. Based on James Patterson's upcoming book. Me, Myself and I Premieres: Monday, Oct. 2 at 9:30 PM Stars: Bobby Moynihan, John Larroquette, Brian Unger, Kelen Coleman, Mandell Maughan, Jaleel White Premise: Examines one man's life over a 50-year span, focusing on three distinct periods: as a 14-year-old in 1991, a 40-year-old in present day and a 65-year-old in 2042. SEAL Team Premieres: Wednesday, Sep. 27 at 9:00 PM Stars: David Boreanaz, Jessica Paré, Max Thieriot, Neil Brown Jr., A.J. Buckley, Toni Trucks Premise: The drama follows the lives of the elite Navy SEALs as they train, plan and execute the most dangerous, high stakes missions our country can ask. S.W.A.T. Premieres: Thursday, Nov. 2 at 10:00 PM Stars: Shemar Moore, Jay Harrington, Kenny Johnson, Peter Onorati, Lina Esco, Levi Fiehler, Alex Russell Premise: Inspired by the 2003 film that was based on the '70s TV series, the drama revolves around a locally born and bred S.W.A.T. lieutenant (Moore) torn between loyalty to the streets and duty to his fellow officers when he's tasked to run a highly trained unit that is the last stop for solving crimes in Los Angeles. Wisdom of the Crowd Premieres: Sunday, Oct. 1 at 8:30 PM Stars: Jeremy Piven, Monica Potter, Richard T. Jones, Jake Matthews, Blake Lee, Natalie Tena Premise: A tech wiz who attempts to revolutionize crime solving – specifically the unsolved case of his daughter's murder – with a crowd-sourcing app that utilizes the public for information. Young Sheldon Premieres: Monday, Sep. 25 at 8:30 PM Stars: Iain Armitage, Zoe Perry, Lance Barber, Raegan Revord, Montana Jordan, Jim Parsons (narrator) Premise: The Big Bang Theory prequel spin-off follows Sheldon Cooper (Armitage) at the age of 9, living with his family in East Texas and going to high school. CW Black Lightning Premieres: TBA Midseason Stars: Cress Williams, Nafessa Williams, China Anne McClain, Christine Adams Premise: Jefferson Pierce (Cress Williams) made his choice: He hung up the suit and his secret identity years ago, but with one daughter hell-bent on justice and the other a star student being recruited by a local gang, he'll be pulled back into the fight as the wanted vigilante and DC legend Black Lightning. Dynasty Premieres: Wednesday, Oct. 11 at 9:00 PM Stars: Nathalie Kelley, Elizabeth Gillies, Grant Show, Sam Adegoke, Robert Christopher Riley, Rafael de la Fuente, Brianna Brown, Alan Dale Premise: The modernized reboot of the '80s soap follows two of America's wealthiest families, the Carringtons and the Colbys, as they feud for control over their fortune and their children. The drama will be told primarily through the perspectives of two women at odds: Fallon Carrington – daughter of billionaire Blake Carrington – and her soon-to-be stepmother, Cristal, a Hispanic woman marrying into this WASP family and America's most powerful class. Life Sentence Premieres: TBA Midseason Stars: Lucy Hale, Dylan Walsh, Gillian Vigman, Elliot Knight, Carlos PenaVega, Jayson Blair, Brooke Lyons Premise: When a young woman (Hale) diagnosed with terminal cancer finds out that she's not dying after all, she has to learn to live with the choices she made when she decided to "live like she was dying." Valor Premieres: Monday, Oct. 9 at 9:00 PM Stars: Matt Barr, Charlie Barnett, Christina Ochoa, Nigel Thatch, Corbin Reid, Melissa Roxburgh, W. Tré Davis Premise: Set at a U.S. Army base that houses an elite unit of helicopter pilots trained to perform clandestine international and domestic missions, the drama unfolds in the present as well as in flashbacks to a failed mission involving one of the first female pilots in the unit, ultimately uncovering layers of personal and government/military secrets, and leading to a season-long plan to rescue a group of MIA soldiers. Fox 911 Airs: Midseason Stars: Angela Bassett Premise: The drama revolves around the lives of 911 operators as they respond to emergency calls. Ghosted Premieres: Sunday, Oct. 1 at 8:30 PM Stars: Adam Scott, Craig Robinson, Edi Patterson, Ally Walker, Adeel Akhtar Premise: A cynical skeptic (Robinson) and a genius "true believer" (Scott) in the paranormal are recruited by The Bureau Underground to look into the rampant "unexplained" activity in Los Angeles – all while uncovering a larger mystery that could threaten the existence of the human race. The Gifted Premieres: Monday, Oct. 2 at 9:00 PM Stars: Stephen Moyer, Amy Acker, Jamie Chung, Coby Bell, Blair Redford, Sean Teale, Natalie Alyn Lind, Emma Dumont, Percy Hynes White Premise: The series follows two ordinary parents who discover their children possess mutant powers. Forced to go on the run from a hostile government, the family joins up with an underground network of mutants and must fight to survive. LA to Vegas Premieres: TBA Midseason Stars: Ed Weeks, Dylan McDermott, Kim Matula, Olivia Macklin Premise: Set on the Friday night flight from LAX to Vegas and the returning flight on Sunday, it follows a group of underdogs trying to find their place in the world who all share the same goal: to come back a winner in the casino of life. The Orville Premieres: Sunday, Sep. 10 at 8:00 PM Stars: Seth MacFarlane, Adrianne Palicki, Penny Johnson Jerald, Scott Grimes, Peter Macon, J Lee, Halston Sage Premise: Set 300 years in the future, the live-action dramedy follows the adventures of the Orville, a not-so-top-of-the-line exploratory ship in Earth's interstellar Fleet. Facing cosmic challenges from without and within, this motley crew of space explorers will boldly go where no comedic drama has gone before. The Resident Premieres: TBA Midseason Cast: Manish Dayal, Matt Czuchry, Emily VanCamp, Bruce Greenwood, Valerie Cruz Premise: An idealistic young doctor begins his first day under the supervision of a tough, brilliant senior resident who pulls the curtain back on all of the good and evil in modern-day medicine. Lives might be saved or lost, but expectations will always be shattered. NBC A.P. Bio Premieres: TBA Stars: Glenn Howerton, Patton Oswalt, Mary Sohn, Lyric Lewis, Aparna Brielle, Nick Peine, Jacob McCarthy Premise: A hilariously cynical Ivy League professor loses out on his dream job and goes to work as a high school biology teacher where he imposes his unorthodox teaching style and uses the kids to plot out revenge on those who wronged him. The Brave Premieres: Monday, Sep. 25 at 10:00 PM Stars: Mike Vogel, Anne Heche, Demetrius Grosse, Noah Mills, Sofia Pernas, Hadi Tabbal, Natacha Karam Premise: A heart-pounding look into the complex world of our bravest military heroes who make personal sacrifices while executing the most challenging and dangerous missions behind enemy lines. Champions Premieres: TBA midseason Stars: Anders Holm, Andy Favreau, JJ Totah, Nina Wadia, Mindy Kaling (recurring) Premise: The single-camera comedy follows Vince (Holm), a charismatic gym owner with no ambition who lives with his younger brother Michael (Favreau), a gorgeous idiot. Their simple life of women and working out is put on hold when the teenage son of Vince is dropped off on their doorstep by Priya (Kaling), one of his old high school flings. Good Girls Premieres: TBA Midseason Stars: Retta, Mae Whitman, Matthew Lillard, Manny Montana, Reno Wilson Premise: Three "good girl" suburban wives and mothers suddenly find themselves in desperate circumstances and decide to stop playing it safe and risk everything to take their power back. Law & Order True Crime: The Menendez Murders Premieres: Tuesday, Sep. 26 at 10:00 PM Stars: Edie Falco Premise: This eight-episode installment of Dick Wolf's popular franchise delivers a gripping in-depth dramatization of the notorious murder case that changed America forever. When the Menendez brothers were tried on national TV for brutally killing their parents in Beverly Hills, their story became a national obsession. Now, the first edition of this anthology series delves into the players, the crime and the media circus, detailing the day-to-day battles of the trial and unveiling the shocking truth of what really went down when the cameras stopped rolling. Reverie Premieres: TBA Midseason Stars: Sarah Shahi, Dennis Haysbert, Sendhil Ramamurthy, Kathryn Morris, Jessica L Premise: A grounded and dramatic thriller about a former detective specializing in human behavior who is brought in when the launch of an advanced virtual reality program has dangerous and unintended consequences. Rise Premieres: TBA Stars: Josh Radnor, Auli'i Cravalho, Rosie Perez, Marley Shelton, Rarmian Newton, Amy Forsyth, Casey Johnson, Shirley Rumierk, Joe Tippett, Ted Sutherland, Taylor Richardson, Shannon Purser Premise: Based on the book Drama High by Michael Sokolove and the life of drama teacher Lou Volpe, the series revolves around a high school drama teacher and family man whose passion for the program and his students galvanizes the entire working class town. Will & Grace Premieres: Thursday, Sep. 28 at 9:00 PM Stars: Eric McCormack, Debra Messing, Sean Hayes, Megan Mullally Premise: Eleven years after going off the air, the former Must-See TV staple will return for 12 new episodes. Research compiled with the help of: TV Guide https://www.popsugar.com A look back at the new TV shows for Fall 2016 How many survived? Of the shows we looked at for Fall premieres last year, not that many. This doesn't include shows we didn't talk about, or other late premiere shows like mid-season or summer replacement series. ABC (3/5) American Housewife - renewed Conviction - canceled Designated Survivor - renewed Notorious - canceled Speechless - renewed CBS (4/7) Bull - renewed The Great Indoors - canceled Kevin Can Wait - renewed MacGyver - renewed Man With A Plan - renewed Pure Genius - canceled Training Day - canceled FOX (2/6) 24: Legacy - canceled, version in development The Exorcist - renewed Lethal Weapon - renewed Pitch - canceled Prison Break - canceled Son of Zorn - canceled NBC (4/7) The Blacklist: Redemption - canceled Chicago Justice - canceled Emerald City - canceled The Good Place - renewed Taken - renewed This Is Us - renewed Timeless - renewed CW (0/2) Frequency - canceled No Tomorrow - canceled
It’s People… Peeeeople!!! This week Johnny and Brian visit Santa Clarita to learn all about the new dieting craze. Summary Santa Clarita Diet is an American horror-comedy web television series created by Victor Fresco for the streaming service Netflix, starring Timothy Olyphant and Drew Barrymore. Fresco serves as the showrunner, and is an executive producer alongside Barrymore, Olyphant, Aaron Kaplan, Tracy Katsky, Chris Miller and Ember Truesdell. The single-camera series premiered on February 3, 2017 and consists of 10 episodes. The first season has received generally positive reviews, with critics praising the cast and premise, but criticizing the number of graphic scenes. Plot Married couple Sheila and Joel are real estate agents in Santa Clarita, California. The couple’s lives take a dark turn after Sheila goes through a transformation – becoming a zombie who feeds on human flesh. Cast Regulars – Timothy Olyphant as Joel Hammond, Sheila’s husband and Abby’s father – Drew Barrymore as Sheila Hammond, Joel’s wife and Abby’s mother – Liv Hewson as Abby Hammond, Sheila and Joel’s daughter – Skyler Gisondo as Eric Bemis, the Hammond’s neighbor Lisa’s son and Dan’s stepson Recurring – Ricardo Chavira as Dan Palmer, a sheriff’s deputy and the Hammonds’ neighbor...
AFTERBUZZ TV — Divorce is a weekly "after show" for fans of HBO's Divorce. In this show, hosts Miriam Gonzalez, Fern Ronay, Oriana Leo, and Constance Dunn discuss episode 10 with special guest Robert Forster. RSS Feed: http://www.afterbuzztv.com/aftershows/divorce-afterbuzz-tv-aftershow/feed/ ABOUT DIVORCE: Frances, a woman who suddenly begins to reassess her life and her marriage, and finds that making a clean break and a fresh start is harder than she thought. Other series regulars include Thomas Haden Church, Molly Shannon, Talia Balsam and Tracy Letts. The series, currently in production in New York, was created by Sharon Horgan. It is executive produced by Horgan, Paul Simms, Sarah Jessica Parker, Alison Benson and Aaron Kaplan. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV Buy Merch at http://shop.spreadshirt.com/AfterbuzzTV/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
AFTERBUZZ TV — Divorce is a weekly "after show" for fans of HBO's Divorce. In this show, hosts Lem Gonsalves and Constance Dunn discuss episode 9. RSS Feed: http://www.afterbuzztv.com/aftershows/divorce-afterbuzz-tv-aftershow/feed/ ABOUT DIVORCE: Frances, a woman who suddenly begins to reassess her life and her marriage, and finds that making a clean break and a fresh start is harder than she thought. Other series regulars include Thomas Haden Church, Molly Shannon, Talia Balsam and Tracy Letts. The series, currently in production in New York, was created by Sharon Horgan. It is executive produced by Horgan, Paul Simms, Sarah Jessica Parker, Alison Benson and Aaron Kaplan. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV Buy Merch at http://shop.spreadshirt.com/AfterbuzzTV/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
AFTERBUZZ TV — Divorce is a weekly "after show" for fans of HBO's Divorce. In this show, hosts Fern Ronay and Constance Dunn discuss episode 8. RSS Feed: http://www.afterbuzztv.com/aftershows/divorce-afterbuzz-tv-aftershow/feed/ ABOUT DIVORCE: Frances, a woman who suddenly begins to reassess her life and her marriage, and finds that making a clean break and a fresh start is harder than she thought. Other series regulars include Thomas Haden Church, Molly Shannon, Talia Balsam and Tracy Letts. The series, currently in production in New York, was created by Sharon Horgan. It is executive produced by Horgan, Paul Simms, Sarah Jessica Parker, Alison Benson and Aaron Kaplan. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV Buy Merch at http://shop.spreadshirt.com/AfterbuzzTV/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
AFTERBUZZ TV — Divorce is a weekly "after show" for fans of HBO's Divorce. In this show, hosts Miriam Gonzalez, Fern Ronay, Oriana Leo, and Constance Dunn discuss episode 7. RSS Feed: http://www.afterbuzztv.com/aftershows/divorce-afterbuzz-tv-aftershow/feed/ ABOUT DIVORCE: Frances, a woman who suddenly begins to reassess her life and her marriage, and finds that making a clean break and a fresh start is harder than she thought. Other series regulars include Thomas Haden Church, Molly Shannon, Talia Balsam and Tracy Letts. The series, currently in production in New York, was created by Sharon Horgan. It is executive produced by Horgan, Paul Simms, Sarah Jessica Parker, Alison Benson and Aaron Kaplan. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV Buy Merch at http://shop.spreadshirt.com/AfterbuzzTV/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
AFTERBUZZ TV — Divorce is a weekly "after show" for fans of HBO's Divorce. In this show, hosts Miriam Gonzalez, Fern Ronay, Oriana Leo, and Constance Dunn discuss episode 6. RSS Feed: http://www.afterbuzztv.com/aftershows/divorce-afterbuzz-tv-aftershow/feed/ ABOUT DIVORCE: Frances, a woman who suddenly begins to reassess her life and her marriage, and finds that making a clean break and a fresh start is harder than she thought. Other series regulars include Thomas Haden Church, Molly Shannon, Talia Balsam and Tracy Letts. The series, currently in production in New York, was created by Sharon Horgan. It is executive produced by Horgan, Paul Simms, Sarah Jessica Parker, Alison Benson and Aaron Kaplan. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV Buy Merch at http://shop.spreadshirt.com/AfterbuzzTV/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
AFTERBUZZ TV — Divorce is a weekly "after show" for fans of HBO's Divorce. In this show, hosts Oriana Leo and Constance Dunn interview Thomas Haden Church. RSS Feed: http://www.afterbuzztv.com/aftershows/divorce-afterbuzz-tv-aftershow/feed/ ABOUT DIVORCE: Frances, a woman who suddenly begins to reassess her life and her marriage, and finds that making a clean break and a fresh start is harder than she thought. Other series regulars include Thomas Haden Church, Molly Shannon, Talia Balsam and Tracy Letts. The series, currently in production in New York, was created by Sharon Horgan. It is executive produced by Horgan, Paul Simms, Sarah Jessica Parker, Alison Benson and Aaron Kaplan. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV Buy Merch at http://shop.spreadshirt.com/AfterbuzzTV/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
AFTERBUZZ TV — Divorce is a weekly "after show" for fans of HBO's Divorce. In this show, hosts Miriam Gonzalez, Fern Ronay, Oriana Leo, and Constance Dunn discuss episode 5. RSS Feed: http://www.afterbuzztv.com/aftershows/divorce-afterbuzz-tv-aftershow/feed/ ABOUT DIVORCE: Frances, a woman who suddenly begins to reassess her life and her marriage, and finds that making a clean break and a fresh start is harder than she thought. Other series regulars include Thomas Haden Church, Molly Shannon, Talia Balsam and Tracy Letts. The series, currently in production in New York, was created by Sharon Horgan. It is executive produced by Horgan, Paul Simms, Sarah Jessica Parker, Alison Benson and Aaron Kaplan. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV Buy Merch at http://shop.spreadshirt.com/AfterbuzzTV/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
AFTERBUZZ TV — Divorce is a weekly "after show" for fans of HBO's Divorce. In this show, hosts Fern Ronay, Oriana Leo, and Constance Dunn discuss episode 4. RSS Feed: http://www.afterbuzztv.com/aftershows/divorce-afterbuzz-tv-aftershow/feed/ ABOUT DIVORCE: Frances, a woman who suddenly begins to reassess her life and her marriage, and finds that making a clean break and a fresh start is harder than she thought. Other series regulars include Thomas Haden Church, Molly Shannon, Talia Balsam and Tracy Letts. The series, currently in production in New York, was created by Sharon Horgan. It is executive produced by Horgan, Paul Simms, Sarah Jessica Parker, Alison Benson and Aaron Kaplan. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV Buy Merch at http://shop.spreadshirt.com/AfterbuzzTV/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
AFTERBUZZ TV — Divorce is a weekly "after show" for fans of HBO's Divorce. In this show, hosts Miriam Gonzalez, Fern Ronay, Oriana Leo, and Constance Dunn discuss episode 3. RSS Feed: http://www.afterbuzztv.com/aftershows/divorce-afterbuzz-tv-aftershow/feed/ ABOUT DIVORCE: Frances, a woman who suddenly begins to reassess her life and her marriage, and finds that making a clean break and a fresh start is harder than she thought. Other series regulars include Thomas Haden Church, Molly Shannon, Talia Balsam and Tracy Letts. The series, currently in production in New York, was created by Sharon Horgan. It is executive produced by Horgan, Paul Simms, Sarah Jessica Parker, Alison Benson and Aaron Kaplan. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV Buy Merch at http://shop.spreadshirt.com/AfterbuzzTV/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
AFTERBUZZ TV — Divorce is a weekly "after show" for fans of HBO's Divorce. In this show, hosts Ryann Graham, Oriana Leo, and Constance Dunn discuss episode 2. RSS Feed: http://www.afterbuzztv.com/aftershows/divorce-afterbuzz-tv-aftershow/feed/ ABOUT DIVORCE: Frances, a woman who suddenly begins to reassess her life and her marriage, and finds that making a clean break and a fresh start is harder than she thought. Other series regulars include Thomas Haden Church, Molly Shannon, Talia Balsam and Tracy Letts. The series, currently in production in New York, was created by Sharon Horgan. It is executive produced by Horgan, Paul Simms, Sarah Jessica Parker, Alison Benson and Aaron Kaplan. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV Buy Merch at http://shop.spreadshirt.com/AfterbuzzTV/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
AFTERBUZZ TV — Divorce is a weekly "after show" for fans of HBO's Divorce. In this show, hosts Oriana Leo, Miriam Gonzalez, Fern Ronay, and Constance Dunn discuss episode 1. RSS Feed: http://www.afterbuzztv.com/aftershows/divorce-afterbuzz-tv-aftershow/feed/ ABOUT DIVORCE: Frances, a woman who suddenly begins to reassess her life and her marriage, and finds that making a clean break and a fresh start is harder than she thought. Other series regulars include Thomas Haden Church, Molly Shannon, Talia Balsam and Tracy Letts. The series, currently in production in New York, was created by Sharon Horgan. It is executive produced by Horgan, Paul Simms, Sarah Jessica Parker, Alison Benson and Aaron Kaplan. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV Buy Merch at http://shop.spreadshirt.com/AfterbuzzTV/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
This week we travel to Aaron Kaplan's studio in Redondo Beach to discuss his wide variety of works in the TV world. He has provided score for shows like Duck Dynasty, as well as added his guitar skills to The Closer, Rizzoli and Isles, and many more. He has also supported artists like Rod Stewart and Beck in the studio. Have a listen and Enjoy!
Aaron Kaplan is a professional composer, producer and guitarist who (among many other awesome things) played with Roger Joseph Manning Jr. for his solo shows in Japan. We discuss many topics from his beginnings as a musician, to his career which provides a great insight into how to follow your dreams as a musician. We of course talk about his time in Rogers band and there is a lot of general Jellyfish chat :-) For more info, visit http://www.aaronkaplanmusic.com Toxic Melons Kickstarter - https://www.kickstarter.com/projects/11591364/toxic-melons-four-play-ep-release Pablo's Poppin' Podcast is proudly sponsored by"Fifteen Surefire Tips for Relieving Back Pain (Plus 192 Others, Just in Case)" available to buy at Amazon http://www.amazon.com/Fifteen-Surefire-Tips-Relieving-Others/dp/0985201770/ref=sr_1_2?ie=UTF8&qid=1462577643&sr=8-2&keywords=15+sure+fire+tips
Tonight we welcome Aaron Kaplan We discussed Aaron's new book: Deep Analysis: Frightening Conclusion exposes a universal plot where the governing bodies, historical scriptures, and clandestine operations all reveal one thing—-an alien DNA/genetic experimentation performed through abductions on a massive scale that could leave humanity abandoned and then meet its demise in the year 2012. This book will let readers see a dumbfounding but direct correlation between the crash at Roswell, the Fallen Angels or the Nephilim, DNA and genetics, Noah's Ark and the Deluge, alien abductions, the famous seeing eye on the dollar bill, the nuclear bomb, the Internet, and the recent mysterious deaths of hundreds of microbiologists. Supported by factual research and guided by intelligent analysis, discover the apocalyptic destiny that remains hidden from humanity today in each chapter of this book.
Aaron's Book: Deep Analysis: Frightening Conclusion exposes a universal plot where the governing bodies, historical scriptures, and clandestine operations all reveal one thing—-an alien DNA/genetic experimentation performed through abductions on a massive scale that could leave humanity abandoned and then meet its demise in the year 2012.
Gene and Chris present a very unusual episode, featuring Aaron Kaplan, author of “Deep Analysis: Frightening Conclusion,” which purports to link a number of historical events to create what he believes to be a compelling picture about humanity’s future. With the permission of the author, we have posted a copy for you to download in The Paracast Community Forums.
Do certain events here on Earth signify that an extraterrestrial threat places the future of humanity in peril? Author AAron Kaplan attempts to alert the human race of what is about to come by presenting and interpreting historical records, weaved in an expository and informative account. Discover a diabolical event that pervades humanity’s future in Deep Analysis: Frightening Conclusion. Join Shaun and Nathan as they talk with AAron about what did and did not happen at the Roswell UFO crash!Download G&D 06-06-10
Aaron Kaplan und Chris Hager sind Teil des Teams OLPC Austria, das sich die Unterstützung von Projekten rund um den XO-Computer des "One Laptop Per Child"-Projektes auf die Fahne geschrieben hat. Im Gespräch mit Tim Pritlove erläutern sie die Zielsetzung von OLPC, die Geschichte und den aktuellen Stand des Projektes, die Technologie des XO-Computers und seines neuen User Interfaces "Sugar", den Möglichkeiten der Förderung für Entwickler in Europa, die mit dem XO-Computer interessante Projekte realisieren möchten, die Probleme bei der Umsetzung des Vertriebs, die Funktionalität des eingebauten 802.11s Wireless Mesh Networkings und wie man den XO als eBook verwenden kann.
In dieser Episode des BPSE Podcasts spreche ich mit Aaron Kaplan und Christoph Derndorfer von OLPC Austria. OLPC steht für "One Laptop per Child" und ist eine Initiative die vor wenigen Jahren vom MIT Media Lab gestartet wurde. Das Projekt ist auch unter dem Namen "100$ Laptop" bekannt geworden.Es ist ein faszinierendes aber auch umstrittenes Projekt, gleichzeitig ist auch viel Fehlinformation über das Projekt in Umlauf. OLPC Austria hat daher vorige Woche an der TU einen Vortrag zum Thema gehalten und wir wollen heute über das OLPC Projekt im allgemeinen aber im besonderen auch über technische Aspekte und die Herausforderungen im Software Engineering für das Gerät diskutieren.Dies ist besonders auch für Studenten der TU und andere interessant, weil es vielfältige Möglichkeiten der Mitarbeit (auch im Rahmen von TU Praktika, DAs...) gibt.Wir diskutieren im wesentlichen folgende Punkte:Kernidee des Projektes?Zielgruppe des OLPC?Haben die Kinder in Entwicklungsländern keine anderen Probleme als fehlende Laptops?Technische Aspekte:NetzwerkHardwareDisplayRobustheitWie ist der aktuelle Status der Software?Herausforderungen der Software Entwicklung für das GerätUsability"Limitierungen" der HardwareEffektive Nutzung der innovativen Hardware FeaturesLokalisationDokumentation?!Wie sieht die Software-Infrastruktur des Gerätes aus (Programmierumgebung)Best-Practices im SE Prozess?Was kann man noch tun? Motivation für die Mitarbeit?Squeak und OLPCActivity ChallengeInterview als m4a
Highlights from Erev Succot on Shabbat with Kohelet presented by Zöe Jacobs, with Joyce Rosenzweig, Piano, Rollin Simmons, Flute, Arik Luck, Tof, and the choir: Rollin Simmons, Galit Dadoun, Ross Wolman, and Blly Tiep. Sukkot Morning Highlights with Hallel by Aaron Kaplan.
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