Podcasts about hi tek

 Seguimos en este día de documentale sy toca revisar el gran trabajo que hace Jon Day al revisar la historia de Die Antwoord, en colaboración con Roger Ballen y narrado por 16 Jones, la hija de la dupla maravilla de Nina y Yo-Landi.Debo confesar que mi conocimiento sobre Die Antwoord era limitado. Al ver el documental pude reconocer algunas de sus rolas o videos, gracias a la imagen visual, pero no es precisamente una agrupación musical a la que le siguiera el rastro. Tras ver este documental mi apreciación sobre ellos no hace que quiera conseguir todos sus discos, pero me ayuda a tener una valoración distinta especialmente sobre el trabajo artístico y propositivo de estos. El documental es visualmente poderoso y la dirección de. Jon Day, quien ha hecho mucho trabajo en videos musicales con Arcade Fire, Lily Allen, ha producido en televisión incluso haciendo proyectos deportivos, y ahora co-dirige junto a Jack Shih, nos trae lo que es la revisión de la vida de músicos más poderosa del año, sin monos. La historia nos trae la fábula idílica de cómo dos personas eran perdedores hasta que se conocieron, y siguieron siendo perdedores pero acompañados. Al momento en que estaban en una situación crítica, gracias al esfuerzo y dedicación (y un cambio de imagen) alcanzan la fama con la que jamás soñaron, y aunque no eran populares en su tierra, se convirtieron en un fenómeno cultural que llegó a influenciar a personajes tan diversos que van desde Jack Black hasta Moonchild Sanelly.La propuesta visual del documental, elaborado a lo largo de los cinco años, ayuda a comunicar lo que simples cabezas parlantes no podrían. Recreaciones, testimonios, conciertos, y videoclips que entremezclan la realidad con la subjetividad que ocurre dentro de las cabezas de Ninja, Sixteen y Yo-Landis, es algo que envidiaría cualquier película de ficción surreal de directores de alto calibre en Hollywood. Este seguimiento es curado y muestra la versión aprobada por los artistas, y a pesar de estas limitaciones que impiden un acercamiento más honesto y directo con las etapas bajas de su historia, hacen un producto atractivo a quien empiece a verlo. En uno de los momentos de entrevistas, en donde se entrevista a D.J. Hi-Tek, el DJ y tercera rueda del triciclo musical sudafricano, este menciona que parte de lo que ha vuelto a la agrupación relevante, es que nunca son aburridos. Puede que en su música o videos encuentres algo que es meramente un gancho para atraerte, pero no se queda ahí, y continua desafiando al espectador para mostrarle más sobre sus propuestas, segundo a segundo. Es exactamente lo que pasa con el documental, el cual es visual y narrativamente poderoso. El documental se volverá a proyectar el viernes 13 de Junio en la Cineteca FICG, acá en Guadalajara.

Discover how Hitek Computer School's award-winning software QA training combines hands-on learning, industry-relevant curriculum, and comprehensive career support to transform students into in-demand tech professionals in Vancouver's competitive job market. Hitek Computer School City: Vancouver Address: 1100-1200 West 73rd Avenue Website: https://hitekschool.com/ Phone: 1-800-604-0254 Email: info@hitekschool.com

Medline shows us how it's done with ill turntable antics and fantastic deep digs from Vic Upshaw, Fairuz, Leprechaun, Leo Acosta and Grupo Santa Cecilia. Plus poisonous Wu darts from Dabrye and Swollen Members, an underground classic from Hi-Tek and the "battle of the Burning Spears" with Néstor Álvarez and Woodfield Rd Allstars. View the full playlist for this show at https://www.wefunkradio.com/show/1241 Enjoying WEFUNK? Listen to all of our mixes at https://www.wefunkradio.com/shows/

The boys at TNT are back with the second episode in our series about the dynamic Los Angeles indie label Stones Throw Records. This month, Thanh + Tim are coming to you with the sophomore release by the multi-talented LA-based violinist, singer, rapper, producer Sudan Archives, 2022's “Natural Brown Prom Queen.” Get your selfish soul to your nearest turntable and enjoy

Aujourd'hui, je vous propose de faire un récapitulatif des vidéos sur le Studio Ghibli avec Princesse Mononoké, Totoro, Le château dans le ciel, Kiki la petite sorcière, Arrietty et Ponyo. Adhérez à cette chaîne pour obtenir des avantages : https://www.youtube.com/channel/UCN4TCCaX-gqBNkrUqXdgGRA/join Pour soutenir financièrement la chaîne, au choix: 1. Cliquez sur le bouton « Adhérer » sous la vidéo. 2. Patreon: https://www.patreon.com/hndl Avec: Laurent Turcot Écriture :Jean-Mickaël Tardy, https://www.youtube.com/@LeherautdelHistoire et Laurent Turcot Montage: DeadWill. Wilfried Kaiser https://www.youtube.com/c/DEADWILL Musique issue du site : epidemicsound.com Abonnez-vous à ma chaine: https://www.youtube.com/c/LHistoirenousledira Facebook: https://www.facebook.com/histoirenousledira Instagram: https://www.instagram.com/laurentturcot Images provenant de https://www.storyblocks.com Chaîne DeadWill: https://www.youtube.com/c/DEADWILL/videos Les vidéos sont utilisées à des fins éducatives selon l'article 107 du Copyright Act de 1976 sur le Fair-Use. Sources et pour aller plus loin: Susan Napier, Le monde de Miyazaki, Paris, IMHO, 2021. Hervé Joubert-Laurencin, Quatre films de Hayao Miyazaki: Mon voisin Totoro, Porco Rosso, Le Voyage de Chihiro, Ponyo sur la falaise, Yellow Now, 2012. Gael Berton, L'œuvre de Hayao Miyazaki, Le maître de l'animation japonaise, Third Edition, 2018. Hélène Vial. « Hypothèses sur la présence de l'Antiquité grecque et romaine dans l'oeuvre de Hayao Miyazaki. » L'Antiquité dans l'imaginaire contemporain. Fantasy, Science-fiction, Fantastique, 2014. hal-01818236 Mon voisin Totoro : Production, Buta connection https://buta-connection.net/index.php/longs-metrages/films-de-hayao-miyazaki/mon-voisin-totoro?start=4 Alexandre Mathis, Un monde parfait selon Ghibli, Playlist Society, 2018. Sébastien Bénédict, Hayao Miyazaki, au gré du vent, Rouge Profond, 2018. Hayao Miyazaki, génie de l'animation, Derwell Queffelec, lundi 3 février 2020 https://www.franceculture.fr/cinema/hayao-miyazaki-genie-de-lanimation Alexandre Manceau (27 octobre 2021) "Une théorie offre un tout nouveau regard sur le personnage de Totoro", L'Écraireur FNAC https://leclaireur.fnac.com/article/41490-une-theorie-offre-un-tout-nouveau-regard-sur-le-personnage-de-totoro/ "Kiki, la petite sorcière: Production" (7 octobre 2022) Buta Connection https://www.buta-connection.net/index.php/longs-metrages/films-de-hayao-miyazaki/kiki-la-petite-sorciere?start=4 9 Vérités cyniques véhiculées par les contes de fées de notre enfance, que nous n'avions pas comprises à l'époque https://sympa-sympa.com/articles/9-verites-cyniques-vehiculees-par-les-contes-de-fees-de-notre-enfance-que-nous-navions-pas-comprises-a-lepoque-1003210/ DÉFI PIANO #29# MIYAZAKI Ponyo sur la Falaise, Theme Song par Cazimir Costea https://liberer-son-piano.com/defi-piano-29-miyazaki-ponyo-sur-la-falaise-theme-song/ Il était une histoire, Urashimataro https://www.iletaitunehistoire.com/genres/contes-et-legendes/lire/biblidcon_067#histoire Toutes les références culturelles dans One Piece (personnages et lieux), 14 décembre 2015 https://djonepiece300.wordpress.com/2016/10/16/toutes-les-references-culturelles-dans-one-piece-personnages-et-lieux/ Payot Libraire https://mobile.payot.ch/Detail/la_petite_sirene Wikimini https://fr.wikimini.org/wiki/Thread:Bienvenue_Pchcp_(2) cinetv Ponyo sur la falaise http://www.cinetv.fr/ponyo-sur-la-falaise/ Wikipedia La petite Sirène https://fr.wikipedia.org/wiki/La_Petite_Sirène Peuple Féerique, LE PETIT MONDE DE RICHARD ELY, février 2009 http://peuple-feerique.com/fees-lutins-elfes/tag/siegfried/ Ariel, La Petite Sirène, LALIEWINNIE le 28/04/2019 https://danslescoulissesdedisney.home.blog/2019/04/28/ariel-la-petite-sirene/ Voyage de Chihiro, Ponyo sur la falaise, Yellow Now, 2012. Hayao Miyazaki. » L'Antiquité dans l'imaginaire contemporain. Fantasy, Science-fiction, Fantastique, 2014. hal-01818236 Gaetan Desrois (9 janvier 2019) "Dossier: Princesse Mononoké vs l'histoire", Hitek.fr https://hitek.fr/actualite/princesse-mononoke-vs-l-histoire_18270 Kiki la petite sorcière" Wikipédia (FR) https://fr.wikipedia.org/wiki/Kiki_la_petite_sorci%C3%A8re Le texte et les sources ont été vérifiés de manière indépendante par un historien PhD. Autres références disponibles sur demande. #histoire #documentaire #totoro #mononoke #ponyo #arrietty #ponyo #miyazaki #StudioGhibli #ghibli

1/ CELIA BSOUL. Cara de Perra.2/ FEMME FATENE. High voltaje.3/ HABLÓ PABLO. No soy nadie, pero soy yo.4/ DR JUHH. Nas ánimas.5/ NANO D. Sigo en pie.6/ EL CLAN DE LOS DEDETÉ. Vaivén.7/ NAPI PRESIDENTE. El indómito.8/ JAZZY O & FIRE PEREZ. V.p.o. dreamers 4.9/ TRAD MONTANA & DANNY WELL. Luvin’ it.10/ JAY Z. Holy Grail. con Justin Timberlake. 11/ SELF SCIENTIFIC. Everywhere I go. con THE GAME y TALIB KWELI. 12/ TALIB KWELI. More less. con DION. (Eardrum).13/ HI-TEK. Keep it moving. con DION, Q TIP y KURUPT. 14/ THE ROOTS. The Fire. feat JOHN LEGEND.Escuchar audio

Tracklist 01. ABC - say it (Black Box Mix) 02. East Side Beat - divin' in the beat 03. Two Door Cinema Club - bad decisions (Purple Disco Machine Mix) 04. Hercules & Love Affair - blind (Frankie Knucles Mix) 05. Black Motion - rainbow (DJ Spen & Michele Chiavarini Mix) 06. Solu Music - fade (Grand Nelson Mix) 07. Ferreck Dawn & Redondo - love too deep 08. Danny L Harle - broken flowers (Franky Rizardo Mix) 09. Ross Couch - triping on your love 10. Camelphat - the quad 11. Soul Central - strings of life 12. Jazzy M - jazzin the way you know (Ministry mix) 13. ATFC - bad habit (Club Mix) 14. RJ & Family - Glória 15. Cappella - everybody listen to it 16. 49 Ers - touch me 17. Petra & Co - just let go 18. Hi Tek 3 - come on and dance 19. Fedde Le Grand & Funkerman - 3 minutes to explain 20. Red Carpet - alright 21. Daft Punk - one more time Presented & mixed by Brizzi at studios Homecast. instagram.com/brizzimusic Powered by House Inc T-shirts www.houseinctshirts.com.br

As we open 2025 to continue Season 7, B. Cox reviews The Game's debut album The Documentary as it turns 20. After coming up with a rough upbringing which led him to gang life, the drug game and shooting that left him in a coma, the Compton native embarked on a journey to become a rap star, studying the classic albums of his youth and adolescence as a blueprint to pattern himself after. After he got started and released mixtapes on Get Low Records with Bay area star, JT the Bigga Figga, he was discovered by Dr. Dre who signed him to Aftermath and he was placed with G-Unit Records and partnered with 50 Cent. His debut album was a costly experiement, but one that was destined to make a mark. An all-star cast of producers (Dre, Timbaland, Just Blaze, Scott Storch, Kanye West, Hi-Tek, Eminem, Mark Elizondo and more) laced his freshman effort with a fresh sound for a West Coast Emcee. Paired with Game's flow and reality rap bars that spoke of his hard knock life, ambitions and dreams, it made for a true soundtrack of what the new West Coast hip-hop scene would like in this era. The album was boosted several successal chart topping signals, most notably "How We Do", "Hate It Or Love It" (both featuring 50 Cent) and the Kanye West produced "Dreams". In total 5 singles all saw at least some success with the best charging the album towards a double platinum effort within two years. It has sold over 5 million copies worldwide and is recognized by many as The Game's best work and a notable album in the 21st century West Coast hip-hop scene. Support this podcast at — https://redcircle.com/the-vault-classic-music-reviews-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

A Transplant Surgeon's Journey To Help Others, with Dr Madison Cuffy During this episode of This Thing Called Life podcast, host Andi Johnson speaks with Dr. Madison Cuffy, an Associate Professor at UC Health. Dr. Cuffy has built trust-filled relationships with his transplant patients throughout the years and loves nothing more than to see them live their lives to the fullest after getting their transplant.   Episode Highlights:  Dr. Cuffy started his medical journey back in 2002 which led to a multi-organ  transplant fellowship at New York Presbyterian. Growing up in Brooklyn, Dr. Cuffy was first introduced to Cincinnati by Talib Kweli and Hi Tek. As a 14-year-old, Dr. Cuffy became interested in medicine while volunteering in a hospital cleaning instruments. Even to this day, no one in Dr. Cuffy's family has experience in medicine, nor any clue what a transplant surgeon does. Dr. Cuffy was born in the Caribbean and grew up with his great aunt in New York. One of the most common misconceptions surrounding organ donation is that the medical community will let you die. After being in transplant and seeing how one can help create life during a time of despair, Dr. Cuffy became an organ donor. The medical community is not out to harm organ donors in order to harvest their organs, contrary to popular belief. According to the statistics, on average, 22 people die every day waiting on an organ transplant. While most of his focus is on kidney transplants, Dr. Cuffy does work with all transplant organs. There is an access problem for people who need a kidney transplant and are on dialysis. Dr. Cuffy facilitates living kidney donation as the best option to treat end-stage renal disease. Andi has noticed that people of color tend to shy away from sharing their donation needs with other people. Socioeconomic issues and disadvantages can make it more difficult for certain patients to share their stories. People who don't want to share their stories need a donor champion to do it for them. There are different forms of literacy, so Dr. Cuffy makes sure his patients know that there is no stupid question. It's important for patients to speak up about their questions to their doctor so that they don't get misinformation from another source. If your physician is too busy to answer your questions now or in the future, you may need to find a different provider. Dr. Cuffy feels rewarded by his job when he sees his patients experiencing life after their transplant. His grandmother's advice was “Always be yourself”, even when things get tough, this message helps Dr Cuffy get through hard days. Raised without his parents in Brooklyn, Dr. Cuffy knows first hand that you can do anything you set your mind to. Dr. Cuffy has always had an extra gear that has allowed him to outwork everyone around him. When he goes back to Brooklyn now, Dr. Cuffy gets a different kind of respect from the people he grew up with. Dr. Cuffy thoroughly enjoys going to J. Alexanders in Cincinnati because of the sheer amount of professional African Americans that go there. 3 Key Points: While volunteering at a hospital with the hopes of staying off the streets as a 15-year-old boy, Dr. Cuffy had the opportunity to watch a kidney transplant up close, and that's how he chose the transplant route. Unlike in other cities that have multiple transplant programs with different surgeons, Cincinnati has a single transplant program where the doctors act as one unit. Living donor kidneys last anywhere from 15 to 20 years, recipients don't have to wait on a list to get one, and the quality is usually very good. Resources: https://www.networkforhope.org/ https://www.networkforhope.org/about-us/ https://www.facebook.com/NetworkForHopeOPO https://getoffthelist.org/ https://www.uchealth.com/en/transplant Dr Madison Cuffy  

Here we go! You had to know it was coming based on the intro. A full episode showcasing 90's EUROHOUSE, EURODANCE and even some HIP HOUSE. Sorry, Underground-Purists, you'll want to skip this one. Chalk full of delicious cheeze, everything from Snap!, Culture Beat, The Real McCoy - even Vanilla Ice - it's all laid out here to take you back to the 90's and the countless compilations that came out during that time. This started it all and brought dance music to the masses. I just had to pay tribute and boy did I! 47 tracks in 2 hours was no feat but here we go! Enjoy! Tracklisting: 01. Ce Ce Peniston - Finally (12 Inch Mix)
02. Captain Hollywood Project - More and More 03. MC Sar & The Real McCoy - Another Night (US Club Mix) 04. Black Box feat. Loretta Holloway - Ride on Time 05. Snap! - Rhythm is a Dancer (Radio Edit)
06. Culture Beat - Mr Vain (Vain Mix) 07. The Immortals - Techno Syndrome (7 Inch Mix) 08. Psykosonik - Silicon Jesus (Mind Transfer Mix) 09. Culture Beat - Got to Get it (Extended Album Mix)
10. Snap! feat. Einstein - The Power '96 11. Aqua - Barbie Girl (Extended Mix) 12. C+C Music Factory - Just a Touch of Love (Everyday) 13. Rage - Run to You (12 Inch Mix) 14. Black Box - Strike It Up 15. Tribal House - Moov! 16. N.Y.C.C. - Fight For Your Right (To Party) 17. Run DMC - It's Like That (Jason Nevins' Remix) 18. Vanilla Ice - Ninja Rap 19. Sir Mix-A-Lot - Baby Got Back (Hurricane Mix) 20. Marky Mark & The Funky Bunch - Good Vibrations (Ultimix) 21. Haddaway - Rock My Heart (Extended Mix) 22. 2 Unlimited - The Magic Friend (Extended Mix) 23. Livin' Joy - Dreamer 24. Cathy Dennis feat. D-Mob - Just Another Dream 25. Ya Kid K - Awesome (You Are My Hero) 26. Hi Tek 3 feat. Ya Kid K - Spin That Wheel (First Feel Mix / Spin That Body Mix) 27. Haddaway - What is Love? (12 Inch Mix) 28. 2 Fabiola - Release Your Soul (Radio Edit) 29. Maxx - Get-A-Way (Club Mix) 30. 2 Unlimited - Burning Like Fire 31. Scooter - Fire 32. Praga Khan feat. Jade 4 U - Injected With A Poison (Digital Orgasm Mix) 33. Scooter - It's a Biz (Ain't Nobody) (Club Mix) 34. Moby - Feeling So Real (Ecstatic Mix) 35. La Bouche - Be My Lover (Club Mix) 36. 2 Fabiola - Lift U Up (Radio Edit) 37. 2 Unlimited - No Limits (Extended Mix) 38. Technotronic feat. Ya Kid K - Move It To The Rhythm (Club Mix) 39. Cascada - Every Time We Touch 40. Moby - Bring Back My Happiness (Extended Mix) 41. Brooklyn Bounce - Get Ready to Bounce 42. Tony De Vie feat. Nikki Man - Feel My Love (Trade Mix) 43. Darkness - In My Dreams (Nightmare Mix) 44. Culture Beat - Anything (Grosser Club Mix) 45. Fun Factory - Close to You (Close to Ragga Remix) 46. 2 Unlimited - Escape in Music 47. 2 Unlimited - The Real Thing NEXT EPISODE: 2010 Tech Trance (Live)  

Matthew Schilt p/k/a Matt Fingaz has a long history in the hip-hop game. He was one of the pioneers of New York's late 90s underground indie rap boom with his label Guesswhyld Productions. He's credited with being 1 of the first people to work with Just Blaze, being a key factor in the start of his career. He did the same for Hi-Tek, Talib Kweli, Mos Def, 88-Keys, Sha Money XL and countless others. Matt was one of the producers of the 1st Hip Hop Show at Lincoln Center,NYC(The Roots, Talib Kweli, Large Professor & Jay-Z).  Throughout the years, Matt has been and still is a go to person for coordinating recording artists, music producers and various other resources in all genres of entertainment. His resume includes such notables as Kanye West (1st major label featured performance for Sony/BMG), Snoop Dogg, Swizz Beatz, T.I., Rakim, Fat Joe, Nelly, Kehinde Wiley, French Montana, Big Boi of Outkast, Ty Dolla $, The Game, Nas, Questlove, Sean Paul, R City, Austin Mahone, Cyhi The Prynce, Sean Kingston, Jason Derulo, Marsha Ambrosius, Mos Def, Talib Kweli, Busta Rhymes, Trina, G-Unit, Raekwon, ODB, Xzibit, Mobb Deep and many more.  Producers worked with: Kanye West, Just Blaze, Boi-1da, Organized Noize, DJ Marley Marl, JR Rotem, Scott Storch, DJ Khalil, Salaam Remi, Rockwilder, Erick Sermon, Havoc, Midi Mafia, The Fliptones, Terrace Martin, Focus, The Nasty Beatmakers, Seige Monstracity, Sndtrak, DJ Jazzy Jeff, Jake One, 88-Keys, Bink!, Cool + Dre  and many more. Recently, he has created his own multi-tiered company, B.O.C. (Business Of Coordination), which specializes in talent coordination, content development, project consultation, artist booking and many other services in the field of entertainment. 

HiTek Tek - FUTURE (STR8NGEREMIX) by STR8NGE

This week's full broadcast of Computer Talk Radio includes: - 00:00 - Nerd Myths instead of news - SearchGPT, cookies, Disney+, ransomware, Tesla, Google - 11:00 - Crowdstrike outage detailed - Benjamin shares how Crowdstrike took down 8.5 million PCs - 22:00 - Slow news cycles breed rumors - Keith and Benjamin chatter on about slow news cycle effects - 31:00 - Marty Winston's Wisdom - Marty covers the recent HITEK hotel expo, and limited tech - 39:00 - Scam Series - Malvertising - Scammers are pleading for donations, by pretending to be real - 44:00 - Keske on chess computers - Steve and Benjamin chat about Deep Blue and Gary Kasparov - 56:00 - Technology Adoption Curve pt2 - Benjamin covers the Technology Adoption Curve and setbacks - 1:07:00 - Professional IT Series - 287 - Benjamin continues by describing how he sometimes leads - 1:16:00 - Professional IT Series - 287 - Drew asks Benjamin if it's OK to use artificial intelligence at work - 1:24:00 - Listener Q&A - long boot times - Joe asks Benjamin why his computer takes so long to boot

Trong tập podcast mới của Vietnam Innovators, chúng ta sẽ cùng khám phá đề tài “Gỡ bỏ những thách thức thanh toán quốc tế” với khách mời Nghiệp Lê (Giám đốc kinh doanh của Payoneer Vietnam), và Khôi Trần (CEO của Hitek Group Joint Stock Company). Nhiều doanh nghiệp, đặc biệt là startup Việt, vẫn đang gặp khó khăn với các vấn đề thanh toán quốc tế như việc lập pháp nhân ở nước ngoài, tỷ giá, và phí chuyển tiền. Payoneer nỗ lực mang đến các giải pháp tiện lợi nhất cho khách hàng.Hãy cùng host Kim Dung tìm hiểu họ đã làm gì và những lợi ích mà họ mang lại cho doanh nghiệp nhé.Xem phiên bản video trên YouTubeVà đọc những thông tin thú vị trên vietcetera.com.Nếu có bất cứ góp ý, phản hồi hay mong muốn hợp tác, bạn có thể gửi email về địa chỉ team@vietcetera.comĐọc bài viết về những nhà tiên phong trên kho nội dung trên Vietnam Innovators tại: https://vietcetera.com/vn/bo-suu-tap/vietnam-innovator---Cám ơn Payoneer đã đồng hành cùng Vietnam Innovators. Payoneer là nền tảng thanh toán quốc tế toàn diện, giúp hỗ trợ các doanh nghiệp SMB mở rộng, thúc đẩy giao thương sang các thị trường mới và tăng trưởng toàn cầu. Think business payments. Think Payoneer.

This episode is mostly about video games. Jaleel and Justin start the show by taking losses in Predecessor and Hell Divers. The rest of the cast joins in with stories about being bullied online, and Keyara shares the death threats she got as a gamer. Kelsey questions whether A.I. in video games takes away from the art. Justin reminisces about playing games you weren't old enough to play, and asks the cast what they would do if they found out their child was being bullied. They also get into rental car scams, rigged sports, and more! Non-Stop Kelsey: Deep End Freestyle - sleepy Hallow Justin: Just Begun - Talib Kweli, Hi-Tek, Jay Electronica, J. Cole, Mos Def Jaleel: Yeern 101 - ScHoolboy Q Keyara: Facing the Worst Fear - Jerry Socials Instagram: @culturepaletteshow Twitter: @culture_palette YouTube: @CulturePaletteShow

BANG! @southernvangard #radio Ep386! This week we celebrate NINE YEARS of Southern Vangard Radio…since 2015…YOU WAAAAALCOME!!!!! #SmithsonianGrade #WeAreTheGard #YouWaaaaalcome // southernvangard.com // @southernvangard on all platforms #undergroundhiphop #boombap #DJ #mixshow #interview #podcast #ATL #WORLDWIDE #RIPCOMBATJACK Recorded live January 7, 2023 @ Dirty Blanket Studios, Marietta, GA southernvangard.com @southernvangard on all platforms #SmithsonianGrade #WeAreTheGard twitter/IG: @southernvangard @jondoeatl @cappuccinomeeks Pre-Game Beats - Sebb Bash Talk Break Inst. - "40" - 9th Wonder "Pavement Drop" - Crotona P (prod. Noam Chopski, cuts Optimus Prime) "Somethings Change" - Wish Master x Klever Skemes ft. Josiah Hotwire "Ladies And Gents" - Leaf Dog "AL SKRATCH PREEMO Freestyle" - Al Skratch (prod. DJ Premier) "2Day" - Doza The Drum Dealer & D. Goynz "Set In Stone" - Bun B & Statik Selektah ft. Method Man & JFK Talk Break Inst. - "45" - 9th Wonder "94 Ghost Shit" - Westside Gunn, Conway The Machine & The Alchemist "Ocean Gate" - DiFuture & Yung Markey "Spaghetti" - Dynas ft. Money Mogly & Shottie (prod. Jah Freedom) "'Till The End / Slum Angel" - XP The Marxman (prod. Tone Beatz) "Robbed The World" - Beedie & Rim ft. Eddie Kaine "Bad Guy 2'" - The Musalini ft. Izzy Hott Talk Break Inst. - "35" - 9th Wonder "Euros" - The Musalini ft. Eddie James "Godzilla Mac 10s" - Mickey Diamond & Big Ghost Ltd "Lord Father" - Lordy aka Ankhlejohn "Let Them Birdz Sing" - DiFuture & Yung Markey "Blackout 3" - Jamal Gasol "Mind Tricks" - Conway The Machine & Wun Two ft. KNDRX "Judas" - Westside Gunn, Conway The Machine & The Alchemist Talk Break Inst. - "38" - 9th Wonder ** TWITCH ONLY SET ** ALL 9'S "9th Wonder (Blackitolism)" - Digable Planets "Ninety Degrees A Piece" - Rok One ft Shabaam Sahdeeq, Kwest and L-Fudge "Whutcha Want" - Nine "99 Problems (DJ Jon Doe Remix)" - Jay-Z "The Choice is Yours (Revisited)" - Black Sheep "Nine & Two Clips" - M.O.P. "One-Nine-Nine-Nine" - Common ft Sadat X (prod. Hi-Tek) "Nine Spray" - Roc Marciano ft. Ka (prod. Ray West) "Nine 4 Judas" - Rome Streetz & Futurewave "Nine 2 Fives Make You Fake" - Chris Crack "Nine Years Part 2" - Count Bass D "Nine On My Lap" - Elcamino ft. Conway "Dirt Off Your Shoulder (DJ Jon Doe Remix)" - Jay-Z ft. Eddie Meeks "Threat (DJ Jon Doe Remix)" - Jay-Z

JR Swiftz - https://www.instagram.com/jrswiftzofficial/JR Swiftz is a hip hop producer born and raised in Brooklyn, New York.  His journey into beat making began shortly after relocating to Virginia at the age of ten. There he would watch his father Jayswiftz who is also a producer, interact with many well known artists such as Busta Rhymes, Kool G Rap, AZ and Papoose just to name a few. JR's love for the craft grew deep as he watched his father make music but he also had outside influences such as Nottz, Black Milk, AraabMuzik, Hi-Tek and J-Dilla. He would first make his beats on Fruity Loops, then Ableton and now the MPC Live. He took his experience and inspirations to develop his own style and at age 29, he's created tracks for artists such as Conway the Machine, Westside Gunn, Flee Lord, Skyzoo, Elzhi, Armani Caesar and Rome Streetz. He also produced the entire album 'Seven Times Down Eight Times Up' for Elzhi that's garnering a lot of praises in the hip hop community. JR Swiftz now resides in Charlotte, NC and is working with many upcoming artists such as B-Dot and Ke Turner.This week's episode is brought to you by Manscaped! Get 20% Off and Free Shipping with the code THECHOPSHOP at Manscaped.com. That's 20% off with free shipping at manscaped.com and use code THECHOPSHOP. Unlock your confidence and always use the right tools for the job with MANSCAPED™Support the show Support the showWEBSITE AND MERCH! - http://www.officialchopshoppod.com

WutUpDoe!Welp, this mix is just for me! Just wanted to hear more of what I would play for myself during a Happy Hour right after a cover charge begins at the door of the club or more of what I call "Ridin' Outta Town" music. I think I can squeeze another Happy Hour Vibes mix in for the month of July, but now that August is on the horizon, I gotta get ready to do what I really love to do: Soulful & Afro House Music!Once again, I'll be in Hyattsville, MD for their annual House On The Waterfront Weekender for the 11th - 13th., so that means, Soulful, Afro, and Deep House mixes are coming up very soon!Hope you dig what you hear, and let me know what cha think. Peace!The Artists: De La Soul; DMX ft. Faith Evans; Fugees; Shyne ft Barrington Levy; Snoop Dogg; Lil Kim; Tony Yayo & G Unit; The Roots ft Jaguar Wright; The Lost Boyz; Keith Murray; Hi-Tek ft. Common & Vinia Mojica; De La Soul; A Tribe Called Quest; 2Pac ft;  Daz Dillinger; Method Man; Kurupt; Redman; Rick James; Jay-Z; Junior Mafia ft. The Notorious BIG; Slum Village; Queen Pen ft. Markell Riley, Mr. Cheeks, Nutta Butta 

BANG! @southernvangard #radio Ep367! YA DADDYS ARE BACK! WHO'S YA DADDY? DOE & MEEKS, THAT'S WHO! This is an episode for the ages, Vangardians. Our good friends DJ POCKET and CLAYWAY were in the house, that BMORE ORANGE was everywhere and the energy was on 1 trillion. We also have WORD EXCLUSIVES from FIVE STEEZ, SON RAW and the SPEAKER BULLIES - that's SUPASTITION & PRAISE if you didn't know. They let us fire off two shots from their upcoming album, and they both featured our own DJ Jon Doe as well as the one and only KE TURNER! Say it a little louder, YA DADDY'S can't hear you..that's right…THAAAAAANK YA and YOU WAAAAALCOME!!!!! #SmithsonianGrade #WeAreTheGard // southernvangard.com // @southernvangard on all platforms #undergroundhiphop #boombap #DJ #mixshow #interview #podcast #ATL #WORLDWIDE #RIPCOMBATJACK ----- Recorded live June 18, 2023 @ Dirty Blanket Studios, Marietta, GA southernvangard.com @southernvangard on all platforms #SmithsonianGrade #WeAreTheGard twitter/IG: @southernvangard @jondoeatl @cappuccinomeeks ----- Talk Break Inst - "Pretty Lady" - Hi-Tek "The Calm" - Jay Royale "Champaign Toast" - Vic Monroe "Pimps Prayer" - Wais P & Dame Grease "AL GO" - MC WhiteOwl & $20 Dolla Julio (prod. Bombeardo) "Nobody Better Than" - Speaker Bullies (Supastition X Praise) ft. DJ Jon Doe ** WORLD EXCLUSIVE ** "Pops" - Da Flyy Hooligan, Tesla's Ghost & DJ Jon Doe Talk Break Inst - "Long Over Due" - Hi-Tek "Zambezi Zinger" - Stik Figa & The Expert ft. Tanya Morgan "Broken Heart" - Five Steez & Son Raw ** WORLD EXCLUSIVE ** "Art of Disrespect" - Speaker Bullies (Supastition X Praise) ft. Ke Turner & DJ Jon Doe ** WORLD EXCLUSIVE ** "Disease" - YL "Observatory Window" - Enkay & New Villain "God In Da Ghetto" - Royalz ft. The Hidden Character "Time Is Only What You've Been Thru" - Chris Crack Talk Break Inst - "Click Bounce" - Hi-Tek "Two Days" - Killer Mike ft. Ty Dolla $ign (prod. Don Cannon) "3 Shooters" - Bizarre & Foul Mouth ft. Fat Ray & Piff James "Worth The Risk" - DJ MK ft. Sonnyjim "Cold Pasta Flannels" - Chubs & Machacha ft. Mickey Diamond "Black Ice" - DJ Rude One & RXKNephew "Goldie" - Semi Six "Can We" - Chubs & Machacha ft. Snotty Talk Break Inst - "Rock The Party" - Hi-Tek "Down By Law" - Killer Mike ft. Cee-Lo Green (prod. Corey Mo) "Shed Tears" - Killer Mike ft. Mozzy (prod. No I.D.)

WutUpDoe! Here's another mix I wanted to hear in my ride, so lucky you. This one is similar to Volume 2 where it's a lil more upbeat and mixes directly with Volume 3. Hope you dig what you hear because I'm gonna be jammin' near the end with A Tribe Called Quest!If you want to hear me spin some Soulful/Afro House, I'll be joining my Fam based in Hyattsville, Maryland from 4-6 pm on Saturday 6/17/2023, and then the next Friday 6/23/2023 from 4- 6 pm on their Twitch Channel ( https://www.twitch.tv/cyberjamz_radio )Peace!The Artists: Heavy D & The Boyz; Rell ft Jay-Z; J. Holiday; Marques Houston; Avant; Jaheim ft Keyshia Coles; Brandy; Jay-Z; De La Soul; Jamie Foxx; Jadakiss; Keith Murray; Jaheim; Buju, The Notorious BIG; Busta Rhymes; Mary J Blige ft. Keith Murray; Slum Village; Mase ft. Total; A Tribe Called Quest x 3; Hi-Tek , Talib Kweli ft. Vinia Mojica; Fundisha

BANG! @southernvangard #radio Ep361! We could take a spring break after last weeks Ep360 that was ALL EXCLUSIVES E'RYTHANG - but we won't do that, good Vangardians. There's more work to be done! Our good friends J57 and LORD TOOZY dropped by this week to celebrate as they just dropped their debut album together, “757 RED EYE”. Not only did we get some fun facts about about the new record, but Toozy and the Memphis Don Dada himself, Eddie Meeks, had an impromptu freestyle bar fest at the end of the show! Don't play with it, stop everything you're doing, press play now, and thank the heavens above ‘cause YOU WAAAAALCOME!!!!! #SmithsonianGrade #WeAreTheGard // southernvangard.com // @southernvangard on all platforms #undergroundhiphop #boombap #DJ #mixshow #interview #podcast #ATL #WORLDWIDE #RIPCOMBATJACK Recorded live April 30, 2023 @ Dirty Blanket Studios, Marietta, GA southernvangard.com @southernvangard on all platforms #SmithsonianGrade #WeAreTheGard twitter/IG: @southernvangard @jondoeatl @cappuccinomeeks Talk Break Inst. - "The Next Level" - Hi-Tek "Loose Cannon" - Lord Toozy & J57 "Lookin In The Mirror" - Substance810 & Observe ft. Ralphiie Reese "Let Me Get Mines" - Flee Lord & Crisis "Alone" - El Michels Affair & Black Thought "Winning Song" - Charlie Smarts & DJ Ill Digitz ft. Jansport J Talk Break Inst. - "Flowers" - Hi-Tek "MoonShine" - Willie Evans "Fat Lacing" - The Good People (Milkcrate Remix) "Gotta Get Away" - 1773 & Terse "Top Of The Mountain" - Dango Forlaine x The Roses "Spread Luv" - Kwam Corleone & JR Swiftz ft. Skyzoo & Yung Miss "Hieroglyphics" - Lord Toozy & J57 ft. DJ Bless 1ne Talk Break Inst. - "New Birth" - Hi-Tek "Jordan 3s" - Ill Bill (prod. Stu Bangas) "Omega Therion" - Ill Bill (prod. BodyBagBen) "Ghetto Youths Rise" - Falcon Outlaw & Daniel Son "Ron Francis" - Fuego Base ft. Bono (prod. Superb "Get It Baby" - Crimeapple (prod. Loman) Lord Toozy & Eddie Meeks Freestyles Talk Break / Freestyle Inst. - "Broken Down" - Hi-Tek Talk Break / Freestyle Inst. - "Roll Call" - Hi-Tek Talk Break / Freestyle Inst. - "Don't Let The Devil" - No I.D., El-P & Little Shalimar Talk Break Inst - "Slipping Into Darkness" - Hit-Boy

Les références : Inkscape sur Wikipédia Python sur Wikipédia MuseScore sur Wikipédia Ardour sur Wikipédia LaTeX sur Wikipédia Pandoc sur Wikipédia Dossier StopCovid sur Framablog « Numérique alternatif et alternatives numériques » sur le blog de Louis Derrac « Nous sommes attentifs aux composants qui équipent nos téléphones. » sur le blog de Fairphone « Les usines d'Apple ont des filets anti-suicide » sur Hitek « [MyCO2] Empreinte carbone française moyenne, comment est-elle calculée ? » sur Carbone4Vous pouvez commenter les émissions, nous faire des retours pour nous améliorer, ou encore des suggestions. Et même mettre une note sur 5 étoiles si vous le souhaitez. Il est important pour nous d'avoir vos retours car, contrairement par exemple à une conférence, nous n'avons pas un public en face de nous qui peut réagir. Pour cela, rendez-vous sur la page dédiée.Pour connaître les nouvelles concernant l'émission (annonce des podcasts, des émissions à venir, ainsi que des bonus et des annonces en avant-première) inscrivez-vous à la lettre d'actus.

Hi-Tek has been responsible for some of the most iconic hip hop beats of all time, IYKYK his catalog of productions with everyone from G Unit, Anderson .Paak, to Mos Def, Common and Bahamadia. ✨

Mixed by DJ Crosby (Singapore) 01. The Sugarhill Gang - Apache 02. Earth, Wind & Fire - Thinking Of You 03. Lisa Stansfield - This Is The Right Time 04. Whitney Houston - Love Will Save The Day 05. MC Hammer - Pray 06. C+C Music Factory - Just A Touch Of Love 07. Betty Boo And The Beatmasters - Hey DJ/ I Can't Dance (To That Music You're Playing) 08. Hi Tek 3 - Spin That Wheel 09. Mr Lee - Get Busy 10. The Beatmasters - Rok Da House 11. Technotronic - This Beat Is Technotronic 12. 2 Brothers On The 4th Floor - Can't Help Myself 13. Afrika Bambaataa - Just Get Up And Dance 14. 2 In A Room - Wiggle It 15. Monie Love vs Adeva - Ring My Bell 16. Seduction - Two To Make It Right 17. Lonnie Gordon - Happenin' All Over Again 18. Black Box - I Don't Know Anybody Else MORE RETRO MIXTAPES ▶️ bit.ly/RA_RetroMixtape reactivateasia.com FIND US ON OUR SOCIALS! FACEBOOK

BANG! @southernvangard #radio Ep357! It's treat time, Vangardians! Not only do we have WORLD EXCLUSIVES from MONDO SLADE, J57, LORD TOOZY, JUNCLASSIC & ULLNEVANO - our good friend J57 made an unexpected surprise in-studio appearance and obviously brought the goods with him. If that ain't enough, we in books- check ‘em out and YOU WAAAAALCOME!!!!! #SmithsonianGrade #WeAreTheGard // southernvangard.com // @southernvangard on all platforms #undergroundhiphop #boombap #DJ #mixshow #interview #podcast #ATL #WORLDWIDE #RIPCOMBATJACK Recorded live March 19, 2023 @ Dirty Blanket Studios, Marietta, GA southernvangard.com @southernvangard on all platforms #SmithsonianGrade #WeAreTheGard twitter/IG: @southernvangard @jondoeatl @cappuccinomeeks Talk Break Inst. - "True Story" - Hi-Tek "More Important Things" - Lord Toozy & J57 ft. DJ Jon Doe **WORLD EXCLUSIVE** "Mijos In The Alpes" - DOAMPEACE prod. Dface, cuts William Bostick "Wreckless" - Meeco & DJ Access ft. Inspektah Deck and Fashawn "Unpredictable" - Statik Selektah ft. Inspectah Deck, Ghostface Killah, Raekwon, & Method Man "NY Is Killing Me" - Nems & Scram Jones ft. Uncle Murda & Dave East Talk Break Inst. - "People In The Universe" - Hi-Tek "Strong Arm Aggression" - Ty Farris & Machacha ft. WateRR "Ichor" - Four Elements & Beyond (prod. Freak Tha Monsta) "End Game" - Jay Royale ft. Styles P (prod. Ray Sosa, cuts Dj Crypt) "Feastin" - Alcapella ft. El Gant, Ackurate & Noveliss "Enigma" - O Dawg x Passport Rav "Mulberry St." - J57 ft. Junclassic & Ullnevano **WORLD EXCLUSIVE** Talk Break Inst. - "Crown Heights" - Hi-Tek "Da Count" - Mondo Slade **WORLD EXCLUSIVE** "Penny Penchin'" - Estee Nack x V Don "Find Out (Afterhours Freestyle)" - EL Maryacho x Nowaah The Flood "Parrying" - Rigz ft. Jai Black "Finesse" - Grafh & 38 Spesh ft. Rome Streetz "Almighty Captain" - Knowledge The Pirate (prod. e.l.e.m.n.t) "Rawthentic" - J57 ft. Locksmith, Dillon, MCRE, H3RO Talk Break Inst. - "Tek Jader" - Hi-Tek Talk Break Inst. - "Slow Motion" - Hi-Tek

Mike2Bless bobs and weaves between forgotten cuts from indie stalwarts Maspyke and Hi-Tek, luscious vamps from the Detroit Experiment and Otis McDonald, and 80s funk gems by Vickie D and the Strikers. Plus Terry Britten's psych knockout "Bargain Day", down-home soul from Carrtoons & Nigel Hall, and a warm salute to Trugoy and his mighty De La Soul family. View the full playlist for this show at https://www.wefunkradio.com/show/1149 Enjoying WEFUNK? Listen to all of our mixes at https://www.wefunkradio.com/shows/

On Episode 083, today's guest hails from the Philadelphia, Pennsylvania by way of “The Bay Area” San Francisco, California. He's a Beatmaker, Co-Organizer for Flipabeatclub - Philly Chapter and more. Please welcome Q No Rap Name to the show. Enjoy!During this episode, we chopped it up about his signature moniker, musical upbringings/inspirations and . Q No Rap Name talked about moving from The Bay to Philadelphia, going to a concert with Homeboy Sandman, Quelle Chris and DIBIA$E. Linking with SYDEQUEST looked out for him. Q No Rap Name creates music compulsively since 2016 and created over 20 projects during the pandemic where he was able to focus on creating. He shared how learning music theory outside of the classroom and trying to rap but turned to creating beats. Q No Rap Name names his Greatest Beats of All Time from They Reminisce Over You (T.R.O.Y.) by Pete Rock & CL Smooth and “The Blast” by Talib Kweli and Hi-Tek. He names his Beatmaker/Music Producer Superheros…DIBIA$E, MADLIB, Alchemist, The Neptunes, Roc Marciano, Pete Rock, Swizz Beatz, DJ Preimer, RZA, Large Professor and more. Q No Rap Name started creating music with Roland SP303 and ✌

80s Club Classics Mix 2   Features some of my favorite 80s tracks by Madonna, M/A/R/R/S, Cappella, Milli Vanilli and more.     Tracklist:    Paula Abdul - Straight Up (12" Remix)    Howard Jones - Like To Get To Know You Well    Milli Vanilli - Girl You Know It's True (Super Club Mix)    Kariya - Let Me Love You for Tonight (House Club Version)    Nitro Deluxe - Let's Get Brutal    M/A/R/R/S - Pump Up The Volume (Tezshouse Brutal Bootleg)    Cappella - Push The Beat (Bauhaus)    S-Express - Theme From S-Express (7" U.S.A. Mix)    Richie Rich - Salsa House (Original Mix)    Club House - I'm A Man / Yé Ké Yé Ké    Taylor Dayne - Tell It to My Heart    Shannon - Let The Music Play (1989 European Remixed Version)    Madonna - Into the Groove    Raze - Break 4 Love (Caught In The Act Mix)    Dionne - Come Get My Lovin' (Remix)    Time Bandits - I Am Only Shooting Love    The Human League - Don't You Want Me (Extended Dance Mix)    The Human League - Don't You Want Me    Rebel MC & Double Trouble - Street Tuff (Scar Mix)    Black Box - Ride on Time (Massive Mix)    Marshall Jefferson - Move Your Body    Jungle Brothers - I'll House You    Royal House - Can You Party (Club Mix)    Bäs Noir - My Love Is Magic (Club Mix)    Technotronic - Get Up! (Before The Night Is Over)    Landlord Featuring Dex Danclair - I Like It (Blow Out Dub)    Reese & Santonio - Rock To The Beat    Jomanda - Make My Body Rock (Feel It) (The Smoothe Edit)    Ralphi Rosario - You Used To Hold Me (Mucho Michie House Mix)    49ers - Touch Me (Sexual Version)    Cappella - Get Out Of My Case    Annette - Dream 17    Hi Tek 3 feat. Ya Kid K - Spin That Wheel (First Feel Mix)    The 28th Street Crew - I Need A Rhythm (Vocal Club Mix)    Man 2 Man Meets Man Parrish - Male Stripper    Underworld - Underneath The Radar

UAE's Facilities Management industry is at a confluence of two demands -- buildings are being upgraded to become smart, while the built environment needs to proactively move towards Net-Zero targets. Javeria Aijaz, Managing Director of  HITEK, a  Farnek Services company, speaks to Community Management Today on the range of services she is bringing to her clients. She also speaks about harnessing the Internet of Things (IoT), Building Management Systems (BMS), Machine Learning (ML), and Artificial Intelligence (AI) based technologies to be future-ready.

REKS: Rhythmatic Eternal King Supreme joins POP Buchanan on the Sober is Dope podcast to discuss his healing journey. Topics Discussed: Eastern philosophy and Godhead, Yoga and Kemetic principles, The importance of reading books, Inner Standing and Introspection, Cutting out Pork, Exercise, Choosing Sobriety as part of the path to Alignment, The healing power of his Queen, Financial Literacy, Ray Dalio's Book "Principles", Cutting out toxic people, places, and things, Hip Hop and Alcohol, Quitting Cigs, and more. You can follow REKS on Instagram Watch the Video clip here ⏩ Youtube Snippet Corey Isiah Christie (born August 24, 1977), better known as Reks (styled in all caps as REKS), is an American rapper. Reks emerged from Lawrence, Massachusetts' underground rap scene. His debut underground album, Along Came The Chosen, was released on Brick Records in 2001. Reks has released eight additional albums and has appeared on various albums and mixtapes. Reks was a breakdancer in his teens and was part of a local B-boy crew called Funk Town Connection. By the time he entered college at University of Massachusetts Amherst, Reks had built a reputation for himself in the local Boston rap scene, and eventually quit school to begin recording for Brick Records. A few 12" singles, "I Could Have Done More" and "Fearless," arrived first in early 2001, before Brick issued his debut LP, Along Came the Chosen, later that year. This earned Reks nominations for Hip-Hop Album and Artist of the Year by the Boston Music Awards. Reks worked with DJ Premier, Styles P, Alchemist, Hi-Tek, and many others on his 2011 album Rhythmatic Eternal King Supreme. On October 14, 2016, he released the critically acclaimed album "The Greatest X" --- Send in a voice message: https://anchor.fm/soberisdope/message

B.Cox looks back at underground powerhouse label Rawkus Records and their first major compilation album Soundbombing, which turns 25. After releasing Company Flow's now legendary debut LP Funcrusher Plus earlier in the summer, the label released the compilation with previously released 12" singles in mixtape format. Mixed, scratched and hosted by DJ Evil Dee of Da Beatminerz and Black Moon, the album introduced us to future prominent emcees such as Yasiin Bey (fka Mos Def),Talib Kweli and Shabaam Sahdeeq and producers such as Hi-Tek, Nick Wiz and Shawn J. Period. Sticking to their underground roots with he mixtape format, Rawkus sought to appeal to their underground base and wanted to capitalize on the success that Company Flow had with their debut that summer.While the album did not chart commercially, it made its buzz in the underground with DJs and fans. Several songs are considered underground classics and the release started a run of compilation releases including the beginning of the Lyricist Lounge series and the continuation of Soundbombing series. It also led to the formation of two groups that would have great success: Black Star (Def and Kweli) and Reflection Eternal (Kweli and Hi-Tek); all which helped Rawkus to achieve rare success both in the underground and limited success commercially.Visit The Vault Classic Music Reviews Onlinewww.vaultclassicpod.comSupport The Vault Classic Music Review on Buy Me A Coffeehttps://www.buymeacoffee.com/vaultclassicpodShow NotesThe Hundreds: Counting Down Our 10 Favorite Rawkus Records Albumshttps://thehundreds.com/blogs/content/counting-10-favorite-rawkus-records-albumsSupport this podcast at — https://redcircle.com/the-vault-classic-music-reviews-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Alicia Reece, Hamilton County Commissioner, Cincinnati Black Music Walk of Fame Founder. Alicia Reece will lead the induction of the second class of inductees for the Cincinnati Black Music Walk of Fame on Saturday, July 23, 12-3 p.m. at the new Walk of Fame located in front of the Brady Music Center at The Banks. The 2022 Cincinnati Black Music Walk of Fame Inductees are: Penny Ford, Wilbert Longmire, Midnight Star and Hi-Tek. https://www.cincyblackmusicwalkoffame.org/

Pour ce dernier épisode de la saison 2, on a décidé de revisiter la carrière du producteur Hi-Tek. Bien connu pour son duo Reflection Eternal aux côtés de Talib Kweli, Hi-Tek s'identifie énormément grâce à sa patte à la fois west coast et soul. Il a travaillé pour les grands dont Dr. Dre, le G-Unit, Common, Snoop Dogg, Mos Def ou encore Anderson Paak. Marc et Denzel Macintosh nous présentent de manière passionnelle comment Hi-Tek a marqué la musique à sa manière.  Hosts : Marc & Denzel Macintosh Monteur : Emmanuel Sabathé Prod by Denzel Macintosh Production : Playose.com      Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Twenty-four years after their debut album, Black Star — the duo of Talib Kweli and Yasiin Bey — is back with its sophomore release, “No Fear Of Time.” Talib joined Trapital to discuss the long-awaited return album (which dropped in May) and why it was released exclusively on the paid-subscription podcast platform Luminary. Spurning traditional streaming platforms like Apple Music or Spotify was about serving its true fans, Talib told me during our interview.The pair was already in business with Luminary, hosting an original podcast “The Midnight Miracle” alongside Dave Chappelle. The way Talib sees it, the group's most dedicated fans — one's that care about them on a personal level beyond just spitting bars — were already rocking with them on Luminary. And after a career that's spanned four decades, Talib is more interested in engaging his core fanbase rather than reaching the masses. Disruptive art is on-brand for Black Star. Similarly, Yasiin's latest solo album was exclusively distributed inside a 10-week art exhibit in Brooklyn. For Talib, he's blended different musical genres and sounds his entire career. “As an artist, it's my duty to try everything I can,” he told me on this episode. For a closer look at Talib's creative and business approach, you'll want to hear our interview in full. Here's all our talking points during the episode:[3:16] Black Star's New Album “No Fear Of Time”[4:10] Why The Album Released Exclusively On Luminary Podcast Network[8:07] Why Talib Moved Away From Patreon[10:37] Art Vs. Business[14:11] What Talib Has Learned In Different Creative Pursuits [15:55] Yasiin Bey Makes Talib “Step Up”[19:23] TikTok's Influence On Modern-Day Music[23:00] Why Talib Avoided Clubhouse [25:12] Talib Doesn't Miss Twitter[29:41] Speaking Out Against Online Trolls[33:51] Putting Out Music On “Own Terms”[35:24] Talib Did 200 Shows A Year For Two DecadesListen: Apple Podcasts | Spotify | SoundCloud | Stitcher | Overcast | Amazon | Google Podcasts | Pocket Casts | RSSHost: Dan Runcie, @RuncieDan, trapital.coGuests: Talib Kweli, @talibkweli Sponsors:beatBread is your music platform to get funding and stay in control. You can get advances from $1,000 to $2 million, and you keep your masters. To learn more, go to beatBread.com MoonPay is the leader in web3 infrastructure. They have partnered with Timbaland, Snoop Dogg, and many more. To learn more, visit moonpay.com/trapital Enjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapital Trapital is home for the business of hip-hop. Gain the latest insights from hip-hop's biggest players by reading Trapital's free weekly memo. TRANSCRIPTION[00:00:00] Talib Kweli: Most of my music is available for free on YouTube. On Kweliclub.com, you can get all my mixtapes for free. You can get the album Fuck the Money for free. My biggest song Get By, you could, if that shit came on in the store, you could Shazam it and listen to it on Shazam for free, you know what I'm saying?[00:00:16] Talib Kweli: Like, it's got 15 million views on YouTube. You could go listen to it on YouTube for free. You mean to tell me I can't get $10 or $5 or $30 with a new Black Star album with all this free music you're getting? What are we even talking about? You know what I'm saying? Like, how are you ignoring all of this, to complain about this?[00:00:42] Dan Runcie: Hey, welcome to the Trapital podcast. I'm your host and the founder of Trapital, Dan Runcie. This podcast is your place to gain insights from executives in music, media, entertainment, and more who are taking hip-hop culture to the next level. [00:01:03] Dan Runcie: Today's guest is the one and only Talib Kweli. He is one half of Black Star which is back with its second album since their debut 24 years ago, 24 years. It's crazy how long it's been. But it was great to talk to him about why he chose to release it now and also why he chose to release it exclusively on Luminary.[00:01:25] Dan Runcie: Luminary is a paid audio platform, specifically known for podcasting. So we talked about that decision, why it was important for him and Yasiin to release it on a platform where they already had a podcast and what that means for him moving forward. And what it ultimately focuses on is the quest for autonomy and control and independence in being able to reap the rewards that come from it.[00:01:49] Dan Runcie: This is nothing new to Talib Kweli. He's released music on his own website, Kweli Club. He's used Patreon as well to release his music. So we talked about what the decision was like to release on Luminary and more broadly what this means for him as an artist. He's someone that has toured a lot over the years.[00:02:07] Dan Runcie: So we talked about what it's been like since the pandemic. What it's been like finding the right sound and themes given so much of the conscious rap that Black Star and Talib himself were known for over the years. And we talked about a whole bunch of other trends in the industry. Great conversation, really insightful.[00:02:24] Dan Runcie: Hope you enjoyed it as much as I did. Here's my chat with Talib Kweli. All right. So today we have the one and only Talib Kweli, one half a Black Star, which is back with its latest album, No Fear of Time. So the album's been out for a little bit, man. How are you feeling? How do you feel about the response? [00:02:41] Talib Kweli: I feel grateful and blessed, and I'm happy that the fans have gotten a chance to hear it. I've been listening to it or iterations of it for a number of years now. And I'm just happy to have gotten it out. [00:02:53] Dan Runcie: Yeah, I bet. I think too, I'm glad that the fans are hearing it 'cause one of the big discussion points about the album, which stuck out to me, was how you chose to release it. And I give you so much respect for doing it on your terms and not necessarily following the main path because we all know that artists have their own autonomy and independence. Like, you don't have to just do the standard thing. So credit to you on that. [00:03:16] Talib Kweli: Well, yeah, you know, all praises due to the most high and really, I give the credit to Yas he was the one that really stuck to his guns on that. You know, my music is widely available or many platforms, not all of it, you know, some, some things I have exclusive, but we've had offers as you can imagine all through the years to ways to put out the Black Star album in a more traditional way.[00:03:37] Talib Kweli: Yasiin stuck to his guns on that. And by default, just me, me being in a group with him, I benefit from that. Because the situation absolutely was a beneficial situation to me and, to be frank with you, one of my most favorite situations I've been in business-wise in terms of my relationship with my art and how it gets out to people.[00:03:59] Dan Runcie: That's good. That's good to hear because I know that you've done a few different things independently. You've released albums on your own website before, you've done Patreon. What made you choose Luminary this time? [00:04:10] Talib Kweli: Well, we were already in a very fruitful relationship with Luminary due to the fact that we had the podcast on Luminary with Dave Chappelle, the Midnight Miracle Podcast.[00:04:19] Talib Kweli: And it was attractive to us, the idea that fans who are willing to put their money where their mouth is, so to speak, fans that are already spending money with us, fans that are following us enough to know where we at, fans that are interested in our conversation, right? Fans that are interested in us as men, as human beings and not just like feed us, feed us, feed us art, feed us content, but fans that are really interested in what we think and how we see the world and how we see art. [00:04:50] Talib Kweli: Those fans, I feel like, that niche was either already on Luminary rocking with the Midnight Miracle or if they had heard about the Midnight Miracle, that would be exciting to them. And so just automatically it weeds out the people who are like, Nah, I'm not interested in you as a human being. I'm not interested in how you feed your family.[00:05:11] Talib Kweli: I'm not interested in your, your thoughts on the state of the industry. I just like them bars and the beats. I just want to hear the music. But that's not the fan I want, you know, and that's not a fan. That's pop music. Pop music is like a blanket, trying to blanket and cover everything and get every single ear.[00:05:28] Talib Kweli: And I don't need every single ear and I don't need all eyes on me. I just want to rock with the people who want to rock with me. And that, that's the first thing beyond the fact that, you know, the business of Luminary is, that we're in is a fair arrangement. It's not, you know, it's not ownership.[00:05:45] Talib Kweli: It's just fair. It's the antithesis of what happens with most of these streaming networks, most of these DSPs. So it's, it's just a, it's a good situation. And it's not, you know, the news was, was announced that Dave Chappelle at other people had been invested in Luminary. So it's not just something where it's like, we're asking people to come to something that we personally don't put our money where our mouth is, you know what I'm saying? [00:06:11] Dan Runcie: Yeah. Because that's what I saw. I saw that Dave Chappelle was an investor. I assumed that maybe you and Yasiin were as well. And 'cause I know some people, I wondered, okay, well, if I was going to do $5 a month, is that $5 that I could just put directly in Talib's pocket?[00:06:25] Dan Runcie: But you're like, Hey, we also want to support the people that have clearly been with us, paying for Midnight Miracles, paying for our content. So it's not just about the monetary aspect. It's about being able to share and celebrate with the people that have already been with you. [00:06:39] Talib Kweli: Yeah, exactly. And I can't speak for Yasiin's investment to what he do with his money. You know, that's, that's really his business. I really don't know. But for me, I, I have Kweli Club, as you mentioned, and I'm very proud of Kweli Club, but people are not there. You know, I've never been on Bandcamp. I just started a page on Bandcamp this week for the first time because I've heard about Bandcamp.[00:07:02] Talib Kweli: But in my mind, I'm like I could do that with Kweli Club. I could have my own Bandcamp. And Kweli Club is still rocking and is a unique experience to sell books there, there's product and information and things you could get from me there that you can't get no place else. But now you can also get my music, some of it on Bandcamp and the Black Star album is on Luminary. And I think I'm going to probably do some more things with Luminary. [00:07:23] Talib Kweli: It has all these other podcasts and it's like, whether you're into those podcasts or not, right? Like, you might not want to hear Trevor Noah, or Roxane Gay, or Russell Brand, or some of the other podcasts they have there, or the People's Party, or Midnight Miracle. But you can't say, well, we're just asking you to pay for this album. You can't say that 'cause that's not accurate. What you're paying for, you're getting a lot more than an album. [00:07:47] Dan Runcie: I agree with that. And I think the distinction here, too, that I think about, I know you mentioned on your website, of course, you could do it there, but that's not necessarily whereas many of the fans are, as you mentioned, how does this compare to Patreon? For instance, I know you've used that in the past to release art and release your work specifically.[00:08:07] Talib Kweli: I respect the Patreon audience, and the Patreon people, and the people who started it. It's a very good idea. That is very artist-centric. But for me personally, it was Patreon just like everything else is based on your level of engagement. It's a social media platform, right? So the more you engage there, the better it's going to be.[00:08:25] Talib Kweli: And they got, what, the Discord. They're plugged in LinkedIn with, and it's just for me, we're already engaging on other social media apps to then take that time. And I engage where I enjoy, right? I don't do it just for business. Like, I'm talking about things I enjoy. And also that, because I enjoy the engagement, it's also rewarding to me.[00:08:45] Talib Kweli: It brings followers and listeners, whatever, but you just to add time to do it on Patreon, I didn't, I couldn't get into the engaging in the social media part of Patreon. And I feel like for me personally if you're not going to, I feel like if I wanted to engage to the level of some of the other creators on Patreon, I probably would've done better there, but my interest never, never quite got to there.[00:09:11] Talib Kweli: And so that's what this is, there's no disrespect to that platform. I just think it's a personal taste or what you enjoy doing. And I see, I see people who do very well on Patreon. [00:09:20] Dan Runcie: Yeah. And I feel like for you specifically, we are talking about being able to invest in a platform, not just with your money, but with your time as well.[00:09:32] Dan Runcie: And if you're going to get the most out of a platform, you got to put a lot into it. And you already had work in luminaries. So I feel like that connection was there for you. And this also makes me think back to when you had released your Gutter Rainbows album. This was back in 2011, and I feel like at least of what you had written at the time, this was a bit of a, a turning point for you because I think what we're talking about is the autonomy, and the independence, and the impact of that, especially from an economic perspective where you're like, you know, you put up your own money, you tripled your investment in a few months, and you're like, even at the more commercially successful albums you had before that, you never saw something like that. And I feel like that shaped a lot of your experience and outlook forward.[00:10:15] Talib Kweli: Yeah. And it's even in 2022, it's even more like that. I'm still learning, and growing, and bending, and shifting. And the space I'm in now is even a lot more independent than I was when Gutter Rainbows came out. Now it's just like the industry's completely broken down. Like, when Gutter Rainbows came out, it was like on the way to really, really breaking down.[00:10:37] Talib Kweli: But now it's completely broken down. It's like the wild, wild west. And it's like really about what you invest in yourself. It's really about focusing on the business aspect of it, like where you completely leave the ego out of it. And that's so difficult for a lot of artists because a lot of art can be, for better or for worse, ego-driven. And it can be, you know, people say that art is reciprocal. You want people to like your art, you put it out in the world, and you search around to see who's feeling it. And that could really have an adverse effect on your ego and what your value system is, right?[00:11:10] Talib Kweli: And, you know, me as an artist personally, I've spent money. I've invested in things that I knew I wasn't going to see no return on, over and over and over again, just for the sake of the art, just for the sake of the culture. And I'm not just talking about my art. I'm talking about other artists on Javotti Media, you know, there's things that I've invested in and I'm like, I don't see a path to making a profit here unless by some stroke of luck or miracle, something, someone feels as strongly about this art as I do.[00:11:39] Talib Kweli: And it gets a placement somewhere. Someone picks it up for a movie or something, like that's possible, or use it in a commercial, stuff like that. But I mean, those are long shots. That's not a guarantee. That's not like a plan for success, unless you're going into those situations where you're, you're knowing how to pitch those things and have those relationships, which I did not and do not, you know, so yeah.[00:12:02] Talib Kweli: My thinking on it now is not that at all. Because I've done that. I've done the artist thing for so, so, so, so long, and I'm not really a businessman at all. I'm a businessman by default. I'm a businessman because I have to be, I love, I love this art so much. I love this culture so much. And in order to sustain myself, in order to live the life I want to live and to feed my family, offer this art I had to learn a certain degree of money management, time management, business management in order to just do what I do, but I don't enjoy it.[00:12:32] Talib Kweli: and this is why this conversation was in, in doing this podcast was interesting to me because I think it's very important whether I enjoy it or not.[00:12:41] Dan Runcie: I think that's an important distinction, because I do think that we see artists now that clearly you could get the sense that music is an afterthought for the bag that they're trying to get. But at the end of the day, I still believe that most of the people in this want to do it primarily because they love the art and they are much more aligned with you where it's like, they had to do this because they didn't want to get, you know, taken advantage of by the system.[00:13:05] Dan Runcie: They didn't want to not have things work out in their favor. So by default, you have to have some, you know, cursory level of knowing what works and what doesn't. And as you kind of mentioned earlier, that bar has increased a lot since Gutter Rainbows, that has increased a lot since so many of these things.[00:13:22] Dan Runcie: So the landscape forces you to do that, or else you may likely get taken advantage of unless things work out luckily in your favor.[00:13:31] Dan Runcie: I think, too, for you, something else you mentioned with this, just thinking about needing to reach so many fans, if you are relying on this major system, so much of that relies on taking you away from the core people that are really rocking with you, because if you're trying to reach the masses and you're trying to do what a major label may want you to do to try to reach the masses.[00:13:53] Dan Runcie: then you may have, they may want you to either shift your sound. They may want you to try to do all these things, which further take away from the autonomy and control that you clearly want to be able to have. So I get the sense that this more recent stage of your career has likely been more freeing from that perspective.[00:14:11] Talib Kweli: Yeah, I mean, as an artist, I really, really, really want to try everything. I've definitely tried in my music to make music, to take aspects of what I do, who I am as an anti-racist person, as a pro-black person, as a person who likes a certain type of what they call underground hip-hop and take those sensibilities and stretch them, expand them and find global audiences.[00:14:34] Talib Kweli: And I've worked with artists all over the world from different genres. I've tried many different styles. I've sang. I've done double time. I've done, you know, I've round over trap beats. I've done it at all. I've tried every single thing because as an artist, not only is that my right, feel like it's my duty to try everything I can.[00:14:52] Talib Kweli: But in that trying, what I've learned is is that the more I try different things, the more I start to lean towards being comfortable in being the best at what I do, finding that thing that what it is that's unique about me and finding that. And I've tried that through my career.[00:15:09] Talib Kweli: People, there's albums of songs, things that people are, like, maybe be like, I don't like when Talib did this, or I don't like when Talib did that. And some of that, some of it worked and some of it didn't. There's some of it that I love that people hate. And some of it that people hate that I love, I don't even know if I just said the same thing twice, but you know what I'm getting at.[00:15:27] Talib Kweli: But in this state, business-wise and creative-wise, I'm closer to the vest and more about what is it that I do best. And try to put that on display. [00:15:40] Dan Runcie: Right. And that last piece you talked about in terms of doing things you loved that the fans didn't like, or the fans not doing things you liked, but then you actually liked it yourself. Did any of that influence how you and Yasiin went about this latest album? [00:15:55] Talib Kweli: Well, the good thing about Yasiin is that he try, he does try as much as I do. He tries different styles. Absolutely. I've heard him rap and sing on all different types of things. But what really helps shape the Black Star sound is I'm the steward of the beats and the administration.[00:16:12] Talib Kweli: Like, I'm going out and finding the beats, and looking for producers, and booking studios. I'm doing all that. But what Yasiin is doing is he's trying to get closer to God in his lyrics. You know, all his albums, all his projects start with Bismillah and all his bars and where he is trying to go lyrically is always about a higher level of self. And trying to get closer to God, whatever that is for you. And so it makes me step up, frankly, and it doesn't make me just step up, but it makes me because let's not get it fucked up. Like I don't slouch from my, on my other projects. You know what I'm saying? So it's not just about stepping up, but it's also about the focus.[00:16:54] Talib Kweli: It's just different. And it's like that when I worked with Styles P, it was a different type of focus. When I worked with 9th Wonder in them, it was a different type of focus. When I work with Hi-Tek, it was a different type of focus and, you know, even on my solo albums, even the producers I work with, whether it was DJ Scratch or Kanye, will.i.am, whoever. Like, wherever I go with that person is is pulling some out of me. And what Yasiin pulls out of me is wanting to be closer to God. [00:17:19] Dan Runcie: Yeah. I definitely get the sense of that. And even listening to y'all two conversations, hearing it from the album and even just, you know, his own evolution with religion, I always got the sense that, for you two, like spirituality and the importance of that was always going to have a theme through its music.[00:17:36] Dan Runcie: And it's been interesting to see how, like, that piece from a tonality has evolved over time as well. The debut album you had, there were so many things that were timely to that era. And I think in this album, too, we're kind of seeing so much of it because I think that there's a lot of things, whether it's about, you know, black liberation, freedom that I think were relevant then, relevant now. However, it looks different in a way that I feel like you all are able to keep a lot of the same themes, but have more of a modern shift to it, which I don't think necessarily applies to a lot of people that are still creating music from the late nineties and putting it out today.[00:18:13] Talib Kweli: Yeah. I hear you. And I think that was very intentional on our part. This album was formed over a lot of conversation and, you know, it's 24 years since the last project in them, you know, there was a lot of attention to detail. A lot of attention to detail, but also with the idea that it's got to sound loose. It's got to sound organic, and raw, and loose. It can't sound overproduced. [00:18:37] Dan Runcie: Right. And it has to be timely as well in a way that it can both stand, you know, the test of time. But it also, you know, whether you're talking about millennials and how people are relating to particular things, it has to relate to that piece.[00:18:51] Dan Runcie: And I feel like that resonated with me, at least, for being able to hear things as well. But there was something else you said even earlier in this conversation that I was thinking about in terms of doing things and you always willing to try things, whether it's going with EDM, working with different producers. I'm curious, how does that shift with looking at different formats as well to put out music? Because I know that there's this ongoing debate right now about artists and whether or not they should be forced to use TikTok or not, and whether or not people like to use TikTok. How do you feel about that?[00:19:23] Talib Kweli: Yeah, I was watching the Billboard Awards and that's when I first, I knew in the abstract that everything was moving towards TikTok, right? But watching the Billboard Awards, it hit me when they were introducing every single artist that was popular. Most of them I hadn't heard of or heard their song, but every single thing they were announcing was like, this is how it performed at TikTok. And for how I grew up, that was the radio.[00:19:43] Talib Kweli: And so I was like, now we're an era where the radio is not on his way to be obsolete, but completely obsolete. And let me be clear. I don't mean radio as a concept. I mean, commercialized pop radio and that system. Because clearly what you're doing is radio, you know, what I'm doing with People's Party and in Midnight Miracle is radio. So that's driving, right?[00:20:04] Talib Kweli: I feel like we're in almost in a golden age of radio, but as far as, like, with the music business, man, oh, man. Yeah, TikTok is, I just posted something today from, or that Earn Your Leisure poster about Isaac Hayes Jr., for Fanbase, talking about the algorithms and Instagram, and how, when it first started, you could gain 300,000 followers, very quickly, a million followers very quickly, but then once they had video and once they had ads, well, now you could be a network and now, the advertisers are going to come to you instead of coming to Instagram. So now they've made it so, that's why they shadowbanned people and limit content. I have a million people following me. If I post something, maybe 5,000 people will see it or like it, I don't know who, how many people see it.[00:20:44] Talib Kweli: I have to look at the insights, but I'm definitely not reaching everybody who I'm supposed to reach. And they'll be like, oh, well you could, if you pay us, you know what I'm saying? And so it's just interesting to see how with TikTok, which is Chinese-based if I'm not mistaken, I don't think they're doing that. I think they're allowing the content to reach who it's going to reach, or I might be mistaken about that. I don't know. [00:21:05] Dan Runcie: I think that's going to shift with TikTok as well though, because I think we kind of saw the early stage where you could put up a song and, you know, like a Megan Thee Stallion song could blow up or whoever song could blow up.[00:21:16] Dan Runcie: But I think now they got over a billion people using it every day. I think we're going to see or using it every month rather. I think you're going to see the same type of shift happen there, too, eventually. [00:21:27] Talib Kweli: Yeah. I mean, I post on TikTok and no one follows me on TikTok. It's like 4,000 people following me on TikTok. But again, it's the same thing with the Patreon thing. I'm not there, right? I'm not engaging with the people. I'm not clicking on videos, and scrolling through it, and, like, commenting. And I'm not doing anything. I'm just posting things, trying to get some engagement because people are there. I'm putting things up. But that's not really where my fans are looking for me yet at this point.[00:21:54] Dan Runcie: Right. Yeah. And especially with the demo that you're reaching, and they're not looking at you to go do some TikTok dance or something like that, right? [00:22:01] Talib Kweli: Yeah. I saw The Game doing a TikTok dance. I mean, I hope that that's what he really wanted to do, you know what I'm saying? I hope that he's like, yo, I think that dance is hot, and I'm going to do that dance. Instead of like, damn I got to get on TikTok and do a dance, you know what I'm saying? [00:22:15] Dan Runcie: Yeah. I do think even that piece of it's going to change too, though, because kind of like we saw on YouTube, right? Like people avoided YouTube for a while because they're, okay, I'm not going to go out here and go dance like Soulja Boy and try to do some viral video, but it eventually matured. And I think we're going to see the same with TikTok where, yeah, you don't have to do some dance that could fit in a vertical video, but you're going to see, you know, folks that you know, are trying to reach your demo, doing whatever the version is that's relatable to them. So it'll take time. In some ways, I feel like it's already happening. Yeah.[00:22:47] Dan Runcie: For you, I do think about even, you know, we're talking about spending time on different platforms. Did you dip into Clubhouse, especially when, you know, the hype on Clubhouse was big or? [00:23:00] Talib Kweli: Oh no. They kicked me off at twitter for, they didn't like the way I was talking on Twitter. If they can't take what I write in text, they damn sure ain't going to be able to take my voice, you know what I'm saying? Clubhouse got popping right when I got kicked off of Twitter, and so I started getting like, you know, you got to invite people, right?[00:23:17] Talib Kweli: So I started getting like, literally I would get 15, 20 invites a day of people like, you got to join. People would take time out of their day to call me, be like, yo, you should be at Clubhouse. It's perfect for you. And because of that, I was like, there's no way I'm ever going on Clubhouse. because nah, like me talking to these things? Nah. That would go left quick. [00:23:41] Dan Runcie: The wild thing is I do think that people can get away with saying wilder shit on audio than they can on written text on Twitter, at least from some of the stuff I've heard. [00:23:51] Talib Kweli: Yeah. That's exactly right. That's exactly right, which is why I don't need to be on it. That's exactly right because here's the thing, here's the problem with me, right? I'm a very intersectional person, you know, I'm not out here, slut-shaming. I'm not here calling women bitches and hoes. I'm not out here using the R word or using the F word. I don't do none of that. I'm not a bigot. I don't use bigoted language.[00:24:14] Talib Kweli: But I'm very good with words. And so with the shit that I write in text, and I'm very blunt and direct. And so the shit I write in text, I feel like it triggers a lot of people in terms of, like, because I'm like, Hmm, nah. And I'm just very blunt and direct. If you come at me wrong, I can be insulting without lowering to this vibration of bigotry, right? Or, that's not true. Every man has fucking bigotry issues, but I try my best. I feel like I try more than most of the people I converse with, right? And so, that me, that shit just comes off as snark, bro, and people just be upset, 'cause they feel like you making 'em look stupid and they get very upset and very tight. And that's what it would be for me at Clubhouse. I would say some slick shit and people would get very upset very quick. [00:25:04] Dan Runcie: No, I hear that. I hear you on that. It's been, what, almost two years since you've been off Twitter. [00:25:09] Talib Kweli: Yeah, it's been since 2020. [00:25:11] Dan Runcie: Okay. Do you miss it? [00:25:12] Talib Kweli: No, I don't. It was time. I had been on Twitter for 10 years. I don't miss it at all. I enjoyed my time there though. But, you know, I don't miss it because I honestly, for real, in my heart of hearts, I really, truly, truly, truly do not want to be someplace where I'm not wanted. Like, I stand by that. Like, mm-hmm. Like, if they don't want me there, I don't have no desire to be there.[00:25:35] Dan Runcie: Yeah. You're not missing much. I'll be honest with you. As someone who spends too much time on that place, you're not missing much. [00:25:42] Talib Kweli: Yeah. What I do realize is that being on Twitter, as much as I was on Twitter and then not on Twitter, is that the things that I was talking to people about on Twitter, and these things, let's not get it twisted, right?[00:25:53] Talib Kweli: These are things that are shifting the culture. And these are things that are shaping the world. The things I was talking about in particular, I wasn't talking about frivolous shit. I wasn't talking about rat beefs or whatever I was talking about, you know, real things. The things I was talking about on Twitter became mainstream news years later, things that I was ringing a bell on, and a lot of us were ringing a bell on and people were just not paying attention.[00:26:14] Talib Kweli: But what I realized was a lot of the things that were elevated in my mind to a level of super I importance that we have to talk about this, people who are not on Twitter, not thinking about none of that shit, not talking about none of it. And so that's why a lot of the stuff that I was going through on Twitter, a lot of stuff that became so ugly and toxic, part of it that I wasn't understanding was when I was like, yo, how is this happening? How's the community letting this happen? Because the community really didn't care, really didn't care. And I'm not saying that to disparage anybody on Twitter. I don't want to seem like now, now, cause I'm not on Twitter, like, haha, oh, y'all whack up being on Twitter. I'm not saying that because Twitter is still a very important tool.[00:26:57] Talib Kweli: That's why all the conversation about Elon Musk and all that stuff is so prevalent and so important. There are people who still use Twitter in amazing ways. Absolutely. But I agree with you. Twitter is a cesspool and it was a cesspool when I was there. It's just a lot clearer not being there and a lot more understanding for why people didn't give a shit about it, you know, now looking at the engagement. I'm glad I was there. I learned a lot. I gained a lot. It was a gift and a curse, but mostly a gift for me. But yeah, it was time for me to go and they decided that before I did, but they were correct. [00:27:31] Dan Runcie: And I think with that, too, it's a bit of that double standard that I think public figures like yourself are kind of put towards, right? People can, you know, reply at you and talk all sorts of shit to you and take what you say out of context. But if you go back at them, then they're going to say, okay, he's putting his fan base back at me. He's doing this. [00:27:47] Talib Kweli: Yeah, that's such an important part of this conversation, right? And I want to be clear here because like I said, I'm an intersectional person. So, you know, I don't want to be the guy that he's here to protect black women. And, well, what about men, you know what I'm saying? Because as a man, I'm a member of a privileged, oppressor group, I'll go as far to say. But there's a phrase, black men are often the white men of the black community, right? Now that phrase is funny, is hyperbolic, right, but it's based in some truth. And I understand why people would say that. When women be like all men are dogs. Yeah. I get it. I don't personally feel like I'm a dog. I've done some dog shit before, but I don't personally look at myself like that. I don't feel offended by that, but just because black men can and often are the white men of the black community, if we're going to be hyperbolic, right? [00:28:37] Talib Kweli: Doesn't mean that we're not still part of a marginalized group of people. It doesn't mean that we're not still under attack. Doesn't mean that we're not still faced with many threats and that we don't still need protection, 'cause we absolutely do. And the conversation in our community has to be about the black community, has to be about women, and children, and men, and gay people, and disabled people, and rich people, and poor people, has to be about all of us.[00:29:07] Talib Kweli: If we're talking about the conversation around systemic oppression. And so the idea that because I've earned an extra layer of privilege, 'cause I'm already born with some privileges. I'm already born in America, born as a man, but because I've mastered my craft, worked hard to master my craft. And it's earned me a degree of fame, and a degree of celebrity, and a degree of money that a lot of people can't earn or not in a position to earn resource and all that, because of that, I'm now supposed to allow people to disrespect, not just me, but my family and particularly the women in my family?[00:29:41] Talib Kweli: And I'm not allowed to be a human being and want to respond and have a response? The things that people say about celebrity is that they're disconnecting, that they don't engage. I don't view myself as celebrity. I view myself as an artist. Well, as an artist, I'm going to talk to the people and for better or for worse, you know? What I realize now is that me talking to the people has put a target on my back because a lot of these people don't even deal with these people. They just block people, look and call 'em trolls.[00:30:10] Talib Kweli: They don't even talk to anybody. And I'm not built that way. And I understand the logic behind it, but I also, there's also a method to my madness as well. And so the idea, I push back hard against the idea that you have a pass to undervalue my humanity or to not treat me like a human being because you haven't earned what I've earned in terms of cultural currency, you know, because you choose to be anonymous, or because you are not famous, or because you are not, I don't know, whatever, like, I can't abide by that. I can't. I find myself inclined to speak out against that idea that we lack humanity, or we are less human, or we deserve to be treated less than because we're famous, or because we have a million followers, or whatever the metric is, I don't know. [00:31:00] Dan Runcie: And I think this point brings the conversation full circle, right? Because so many people, when you and Yasiin decided to release the album on your terms, they're like, oh, well, you're not going to put it on streaming. You're missing out, that you shouldn't be doing this. And y'all are like, This is our music. You can't tell us what to do. Like, this is our craft. And I think it just goes back to the entitlement of people feeling like they have the ability to dictate what you do when you are the one that is in control of what you do. [00:31:31] Talib Kweli: Yeah. I mean, that's, I'm glad you brought that up 'cause for me, those conversations are difficult, right? Because I'm an advocate for artists. I'm a fan. So when we talk about fans, right, we're not talking about, I'm not separate from that group. When you see me post on Instagram videos of me with Bun B, and I'm jumping up and down just like any fan would. I'm not playing it cool, you know what I'm saying? Like, so I'm a fan as well. And me as a fan, I'm a fan of these artists as human beings. That's why I wrote that article In Defense Of Ms. Hill ' cause it's like, if I'm a fan of her music, then yo sis, take your time. If you don't feel like showing up at the show tonight, Hey, I guess we got to eat that one tonight.[00:32:09] Talib Kweli: But you're still Ms. Hill, you're a human being. You're not some product that rolls out on stage. You press a button, it just goes. If you're having a human issue, you're a human being that's having a human issue. Let us know when you got some new shit and I'll be happy to support. I likely, if you give me an option, I'll overpay for it.[00:32:25] Talib Kweli: How about that? Because I can't quantify what you've given me, and that's honestly how I feel. So it's hard for me to relate to these fans, be like, I want, first of all, that's even the wrong language to be using with me, talking about what you want, you know what I'm saying? If you want the Black Star, I'm going to make the Black Star out.[00:32:41] Talib Kweli: And if you can't, then meet us halfway, bro, and come to where I'm at, because guess what? The first Black Star album, Universal says they own and they don't own it. We've never signed a contract for that album. So they've been profiting off of that. So if you bought that or listen to streaming, you've been paying some rich white company that has nothing to do with Black Star.[00:33:01] Talib Kweli: Every song in that album is available on YouTube. Most of my music is available for free on YouTube. On Kweliclub.com, you could get all my mixtapes for free. You could get the album Fuck the Money for free. My biggest song Get By, you could, if that shit came on in the store, you could Shazam it and listen to it on Shazam for free, you know what I'm saying? Like, it's got 15 million views on YouTube. You could go listen to it on YouTube for free. You mean to tell me I can't get $10 or $5 or $30 with a new Black Star album, with all this free music you getting? What are we even talking about? You know what I'm saying? Like, how are you ignoring all of this, to complain about this?[00:33:39] Dan Runcie: Right. It's like, you've had so much up to this point. It's not like you haven't had anything, you know, like, if you want to be able to put this one out on your terms, then yeah, here it is. You know, you don't owe anyone anything. [00:33:51] Talib Kweli: Yeah. I find it hard to relate to the people who don't understand that, which is why, if you notice, when I've been on social media and people ask about it, my response has been, well, this album is not for you.[00:34:00] Talib Kweli: And maybe I should stop doing that because that's such a triggering thing to say to people. And I've been saying it a lot 'cause I mean it. But then it starts these long arguments with me. Fuck you and you're mean to the fans. It's like, nah, my fans are listening to the album. Now whether or not they like it or not, that's subjective. [00:34:18] Talib Kweli: My fans were listening to Midnight Miracle. And if they weren't, if you are a fan, who's watching this podcast right now and you didn't know about Midnight Miracle, go listen to it because you're a fan. You want to hear what we got, you want it. If you are a fan of us, be a fan of us.[00:34:33] Talib Kweli: I don't believe to separate the artists from the music. I don't do that. I feel like that's a cop-out. Let me not say that because, let me just speak for myself. You can't do that with me because I am what my music is. All them lies they be telling about me, it doesn't go with my music. It doesn't go with my actions.[00:34:51] Talib Kweli: It doesn't go with the truth. i I am what I say in these bars. I stand on that. I'm very proud of that. [00:34:57] Dan Runcie: Right. And I think the other piece of this, too, that I think has now just become the norm in music is that so many artists are predispositioned to be like, okay, lemme just put my music out on streaming.[00:35:07] Dan Runcie: Treat it like it's marketing, get it out there. And then let me make my money when I go on tour. But the way that you all have it set up, I mean, it doesn't necessarily have to be that way. You can get the money from the art, and you could also get the money, you know, if you and Yasiin choose to do a tour together.[00:35:24] Talib Kweli: I mean, I was touring, I was touring before the pandemic. I was doing 200 shows a year. So that's more than anybody, you know, like I was, that model right there. Think about it. I got 16 albums out, doing 200 shows a year. So that's what, 'you're describing my life. That's exactly what I was doing. And I don't do that anymore, and I don't plan on doing it again.[00:35:43] Talib Kweli: But when I look at pictures or videos for myself from that time, I don't even recognize that person. Like, how was I doing that? That's not sustainable. I was on some super human shit. I don't know what, I don't know how I was doing this. I don't know how I was dropping music and touring at that pace.[00:35:57] Talib Kweli: And still, like, doing activist work, and supporting my family, and just being me, and being on Twitter, you know what I'm saying? Like, all of it, I was doing all of it and I don't know how I was doing all that. [00:36:06] Dan Runcie: How many shows do you think you'll go back to? If 200 was a lot, what do you think is the ideal range?[00:36:13] Talib Kweli: As you're saying, as I'm saying this to you, I'm thinking about it. I'm like, damn. I got a lot of shows coming up, but I can't let it get back to 200 a year. [00:36:20] Dan Runcie: Yeah. I mean, 'cause at that rate, yeah, I mean, you're talking, I mean, like more than half of the days of the year you are out there putting it all out there. I mean, yeah.[00:36:29] Talib Kweli: 20 years straight, I did that for 20 years.[00:36:31] Dan Runcie: And it's wild. It's wild. I mean, I think at least the position that you're potentially in now, you can earn more money from the actual music you're putting out. You clearly have, you know, a bit buy-in with a platform that has other people that are invested in it as well.[00:36:45] Dan Runcie: And then with any other business interest that you may have, like, this is something to build up on, right? It's clearly, like, recurring revenue that you have and if you and Luminary continue to grow, then you can also tour and do any of that other stuff on your own terms. [00:36:59] Talib Kweli: Absolutely. Yeah. [00:37:00] Dan Runcie: Yeah. I feel that's the way to go with it. Well, Talib, this has been a great conversation. I feel like we covered a bunch just in terms of the importance of autonomy, importance of independence, and where you see things going. But for the people that are listening and they do want to follow, I'm sure they already know if they're listening, but where should they go to check for the latest of what you got going on?[00:37:18] Talib Kweli: Man, just follow me on Instagram. If they don't kick me off Instagram, 'cause they be threatening to kick me off Instagram too. They don't like when I talk about racism on Instagram. So for as long as I'll be on Instagram, follow me there. I just joined Fanbase today. So I'm looking forward to exploring Fanbase.[00:37:32] Talib Kweli: But I mean, you got to come see me in the flesh or don't actually, you know, like just, I don't know. Like, I've been out in the flesh a a lot, man. I don't know. I don't know. Just holler at me when you see me, and I'll try to make my presence known. For the near foreseeable future, I'm definitely going to be at Luminary. So I definitely encourage people to subscribe to Luminary. [00:37:52] Dan Runcie: Sounds good. And I appreciate the Fanbase shout out too. Shout out to Isaac Hayes III. I had him on the podcast couple of months ago. Love what he's building. [00:37:59] Talib Kweli: Yeah, me too. I've been knowing about it for a minute, but now as I'm starting to, like, really assess what's valuable to me, I'm, like, starting to look at things a little different, and I'm like, yeah, Fanbase. We can't keep talking about it, right? At some point we got support. [00:38:14] Dan Runcie: Right. Exactly. We know that this is the culture that pushes it forward. It's our culture. I mean, have the people that are about it to be the ones that actually own it in, we can see what happens.[00:38:22] Talib Kweli: Yeah. Word up. [00:38:24] Dan Runcie: Yeah. All right, man. Appreciate you. [00:38:26] Talib Kweli: All right. Peace. [00:38:27] Dan Runcie: All right, man. Thanks. [00:38:29] Dan Runcie: If you enjoyed this podcast, go ahead and share with a friend, copy the link, text it to a friend posted in your group chat, post it in your slack groups, wherever you and your people talk. Spread the word. That's how Trapital continues to grow and continues to reach the right people. And while you're at it, if you use Apple Podcasts, go ahead, rate the podcast, give it a high rating and leave a review. Tell people why you like the podcast that helps more people discover the show. Thank you in advance. Talk to you next week.Advertising Inquiries: https://redcircle.com/brands

What's up to my demagogic drum fish and disputatious dunkers!   Welcome back to the BNP everyone and thank you for joining! To my patrons, you all are the spiral arms of my galaxy and the selenium in my brazil nuts- you are appreciated! Well friends, hold onto your butts, because this one's a doozy. In addition to the audio tidbits you know and love, I dive into some heady and provocative topics this week. In weeks past I've discussed a concept I refer to as "The Adversary," or the spirit of negative disruption and darkness that causes unnecessary suffering here on Earth. This week I was moved to dive into one particular aspect of this Adversary: the International Biomedical Cartel. Science only operates cleanly when there is room for dissenting opinions and troublesome hypotheses. When you are no longer allowed to question certain scientific dogmas, then it becomes a kind of religion. Hence we see the rise of Scientism and its attendant high priests' rule by fiat, selective funding and intimidation of dissent to preserve the hegemony of the establishment plunderbund.Featured in this week's episode is an interview with Kary Mullis, published in Spin magazine in July of 1994 and conducted by Celia Farber. Mullis won a Nobel Prize in Chemistry in 1993 for the invention of the PCR (Polymerase Chain Reaction) test. He became a controversial figure for refusing to stop asking pesky questions of Fauci, Gallo, and the medical establishment. Finally, I explore the potential links between the meteoric rise of peanut allergies and the use of peanut oil as an "excipient," (or adjuvant) in inoculations. Adjuvants are ingredients added to shots which compel a more intense immune response by the body. Aluminum is another commonly utilized adjuvant. Help keep the BNP on the air by becoming a patron at www.patreon.com/noetics. For as little as $1/month, you become a partner in the BNP. Help make the magic happen (and help me to afford groceries!) You also receive a dream interpretation and an original haiku when you sign up.  Let's elevate the human spirit y'all!You can also make a small one-time donation at: https://www.buymeacoffee.com/noeticsThank you so much for the support! Thank you for spreading the word and telling a friend about the BNP! Follow the BNP on IG @barbarian_noeticsEmail: barbarian.noetics@gmail.comUntil next week everyone, Be excellent to one another,and kind and loving towards yourself. One Love,Little Raven kaaaawwwwTRACKLIST FOR THIS EPISODE CSPAN Washington Journal Theme MusicRemix Maniacs - Presidential Theme Song (Trap Remix)Dykotomi - Corvid CrunkNoir Deco - Future NoirKainbeats - Atlantis (Lo Fi Mix)Soulection Radio #548 (Hi-Tek & Talib Kwali Edit)Suicide Boys x Pouya - Runnin Thru The 7th With My WoadiesKainbeats - Finding Beauty (Lo Fi Mix)idunnomane - anyways 3001Max Romeo - War Ina BabylonDillon Witherow - Before Sunrise (Lo Fi Mix)Show Dem Camp feat. Buju - Do Me Nice Edvard Grieg - Hall Of The Mountain King (Deficio Remix)The Village People - Macho Man, In The NavyLINKSInterview with Kary Mullis (Spin Magazine, July 1994)https://thedoctorwithin.com/vaccines-and-the-peanut-allergy-epidemic/ Support the show

On this episode we discuss a new A.I. technology purchased by SoundCloud designed to predict hit songs as their submitted. We give our opinions on where we think music is headed if more of these tech companies are in the minds of the creators during the recording process. Jack Harlow dropped and although my guys didn't listen I give a brief review off first listen. Congratulations is in order for A$AP Rocky and Rihanna the two recently got engaged on set of his new Video for D.M.B. We'll let you know the unique way he did it. Here at UAF we respect the legends as Hi-Tek turns 46 we wish him a happy birthday and give some of our favorite songs he produced. All that and more on episode 85 of UNPROFESSIONAL AF Podcast! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/ramon-barraza85/message

01/ 1 World - Down On Love (Assertive Mix) 02/ Wendy & Lisa - Satisfaction (12'' Dance Mix) 03/ Electronic - Get The Message (DNA Groove Mix) 04/ House Corporation - Jammin On The Dance Floor (Extended Mix) 05/ Roxanne - Respect (Vocal) 06/ Titiyo - My Body Says Yes (Club Mix) 07/ Nikke Nicole Feat. Rockhouse - Sexy! 08/ Paradisio - Here We Go Again (Stairway To Heaven Mix) 09/ Gino Latino - Welcome (Land Of Oz Excursion Mix) 10/ Fortan 5 - Crazy Earth (Acid Rain Mix) 11/ Sonia - You'll Never Stop Me Loving You (Sonia's Kissmix) 12/ Heavy D. & The Boyz - Now That We Found Love (Club Version) 13/ The Menz Club - Burn The House Down (1989 Remix) 14/ Bad Boy Bill Presents White Boy Mike & Strength - How Do Ya Feel 15/ Clio & Kay - Street Groove (Street Mix) 16/ D.J. Pierre Feroldi - Feel The Hit (Piano Version) 17/ Blue Pearl - (Can You) Feel The Passion (Zen Mix) 18/ Hi Tek 3 Feat. Mc Shamrock - Come On And Dance (7'' Remix) 19/ 2 Unlimited - Get Ready For This (Rap Version) 20/ M.C. Miker « G » - Show'm The Bass

Vu sur Beatume (85) : (02/04/2022) : Spéciale Talib Kweli « Bonjour à tous, aujourd'hui c'est une émission spéciale Talib Kweli. Originaire de Brooklyn, NY, il a émergé à la fin des années 90 sous le label Rawkus. Une carrière de plus de 20 ans avec des albums devenus des classiques. Que ce soit en solo (Quality), avec le producteur Hi-Tek sous la bannière Reflection Eternal (Train of Thought) […] Cet article provient de Radio AlterNantes FM

Leading UAE-based facilities management (FM) company launches HITEK as a separate and dedicated FM technology solutions company #farnek #HITEK #smartFM #technology #solutions #JaveriaAijaz #MarkusOberlin #nervecentre #DubaiInvestmentsPark #InternetofThings #BuildingManagementSystems #Cloud #MachineLearning #ArtificialIntelligence #hozpitality https://www.hozpitality.com/Farnek_Hospitality/read-article/farnek-launches-standalone-smart-technology-fm-solutions-4-0-6683.html

On this Episode of "This, That and The Third", Ammbaataa talks with the Homie and his first podcast guest ever in life, Seattle's own Jake One. Since the 1998 Conception Records “Walkman Rotation” Jake One has been on a slow and steady trajectory. A full fledge member of the G-Unit era sorority of producers: Hi-Tek, Needlz, Illmind, Focus, Buckwild, Red Spyda, DJ Khalil, Mr. Porter and last but definitely not least Nottz. Multiple Grammy nods, classic cuts like the De La Soul MF Doom assisted “Rock Co. Kane Flow”, to the Dynamic Duo comprised of himself and Mayer Hawthorne (Tuxedo), to his single from J. Cole's latest full length release The Off Season "My Life" (with 21 Savage and Morray). I was introduced to Jake One's music via the Bay Area music Don Dada Ian Davis (Little Brother/Heiroglyphics). Ian Davis would give me Jake One beat CD’s that eventually became my families Sunday morning traveling music. I wanted to talk specifically about J.Coles “My Life”, but a run down of some of Snare Jordan’s greatest hits became the mission. Tune in. TTT3 J. Cole 2013 • 06. "3 Wishes" J. Cole - Born Sinner G unit "Betta Ask Somebody" November 14, 2003 Rock Co. Kane Flow (2004) by De La Soul feat. MF DOOM Be Easy (2006) by Hot Rod feat. Mary J. Blige "3 Kings" (featuring Dr. Dre and Jay-Z) 2012 Chance the rapper Acid Rain (2013) by Chance the Rapper Do It (2013) by Tuxedo Nipsey Hussle 2017 • Been Down feat. Swizz Beatz (produced with 1500 or Nothin') Drake ”Furthest Thing” 2013See omnystudio.com/listener for privacy information.

Accompanied with an all-star cast, Russ closes out 2021 with the release of the highly-anticipated sequel album, CHOMP 2, out now, via Russ My Way Inc. The second installment to 2020 original, which includes the Ab-Soul-featured hit “Who Wants What,” finds Russ evolving the series from a five-song EP to a high-profile full-length album with 14 new songs. For the sequel, he enlists his most features of both artists and producers yet with guest appearances by Ransom, Papoose, The Game, Westside Gunn, Styles P, Jadakiss, Big K.R.I.T., Snoop Dogg, Jay Electronica, Big Sean, Wale, Joey Badass, Conway The Machine, Ghostface Killah, Cyhi The Prynce, Lloyd Banks and Mozzy. The star-studded cast collaborates with a who's who of legendary producers, including DJ Premier, Jake One, Mr. Porter, Hi-Tek, 9th Wonder, Harry Fraud, The Alchemist, Bink!, Boi-1da, Statik Selektah and Hit-Boy. Prior to CHOMP 2, Russ fed fans an appetizer in the new black-and-white visual, titled “Utah Freestyle.” “Stay away from people who put money over everything,” Russ responds to a fan on Twitter who said they love the new video. Watch the new video below. Announcing the new album's arrival Tuesday morning (Dec. 8), he gave fans who purchased merch the opportunity to hear the new album before everyone else last week. The early listens were met with rave reviews. Peter Rosenberg tweets: “I'm very impressed with the A&R job Russ did on this project man… Westside Gunn floating on a 9th Wonder beat is something I wish I had thought of and pulled off… incredible.” Upon the album's release, Russ tweets to fans: “IT'S OUT!!!! I just wanna say I'm extremely grateful for everyone who decided to be apart of this project. It was a dream of mine to pull this off and I did…independently…just texting and DM'ing shooting shots on a whim and thankfully everyone was down and killed it. CHOMP 2” CHOMP 2 is the first full-length release since Russ announced his departure from Columbia-Sony last year and rejoin the independent landscape. Since July, returning to an old formula of success, Russ has released new music on a weekly basis. In October, Russ and Kehlani teased a possible joint album in the works. What's going on Internet, Analytic here aka Dreamz and I would like to welcome you to mine, which I call the Notorious Mass Effect Podcast! I am your Hip-Hop / Gaming News source with a little bit of R&B mixed in. FOR EPISODE 80 “TORY LANEZ - ALONE AT PROM” “RUSS - CHOMP 2” “THE 2021 GAME AWARD WINNERS ” & “JUICE WRLD - FIGHTING MY DEMONS” But before that make sure to Click my Linktree in my bio to access my social medias and follow, to keep up with my latest activities, if you want to financially support the show click my cash app link located towards the top of my linktree as it helps the show overall, also make sure to share this podcast rating the show 5 stars as this helps the show reach more people so we can grow together and effect the masses! --- Support this podcast: https://anchor.fm/masseffect/support

Chaque jour, en moins de 10 minutes, un résumé de l'actualité du jour. Rapide, simple, accessible. SOURCESZEVENT : Le Parisien, Hitek, Midi LibreTRUMP : L'Express, Le Point, Courrier InternationalG20 : LCI, Le Figaro COP 26 : Le Monde, Le Figaro JOKER À TOKYO : The Huffington Post, 20 MinutesTRODELVY : France Info, Nouvel Observateur Écriture : Blanche Vathonne - Anais Lochon - Hugo Travers Montage : Leo Henry Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

What Up YouTube Peeps! I'm BACK with that Verbal Cardio! And this episode I have a special guest you may know, DJ Hi-Tek!

In 'Part Two' of this week's @EchoChamberFP https://www.instagram.com/echochamberfp/ we checkout the new found footage horror flick 'Curse of Aurore'. AND, speak with the creative minds behind it, Mehran C. Torgoley & Llana Barron. 'Curse of Aurore' is the feature debut from Mehran C. Torgoley who co-wrote with Llana Barron. A thumb drive from the dark web reveals disturbing footage documenting three American filmmakers, Lena (Llana Barron), Aaron (Lex Wilson) & Kevin (Jordan Kaplan), on a script writing trip to rural Quebec This week we have: Curse of Aurore Digital Release Date: 24th September 2021 Director: Mehran C. Torgoley Cast: Llana Barron, Alex Wilson, Jordan Kaplan, Casey Nolan Credit: Cult Cinema, LLC Genre: Drama, Horror, Mystery Running Time: 90 min Cert: 15 Trailer: Here. https://www.youtube.com/watch?v=uYckyEJaax4 Website: Here. https://www.curseofaurore.com/ Twitter: @CurseOfAurore https://twitter.com/curseofaurore Facebook: Here. https://www.facebook.com/CurseOfAurore/ Instagram: @curseofaurore https://www.instagram.com/curseofaurore/ YouTube: Here. https://www.youtube.com/channel/UC3YkM0BGRyDKSGQ6o55lOzQ ------------ *(Music) 'Move Somethin' (feat. Talib Kweli, Hi-Tek) by Reflection Eternal - 2000 --- Send in a voice message: https://anchor.fm/eftv/message

Break It Down Episode #26 w/M-Dot “Days Are All The Same” M-DOT is an award winning MC that represents Boston.  He's an engineer, producer, artist and member of the New England hip-hop collective EMS. Today we discuss "Days Are All The Same" a track produced by the legendary Hi-Tek that highlights how society is stuck in and endless cycle between social media and the rat race. Powerful visuals from Miles Joyner. Listen to "Days Are All The Same" on Spotify or Apple Music Follow M-Dot on YouTube – Twitter – Instagram - Facebook Subscribe to M-Dot's newsletter by messaging M-Dot or Own Lane Music through our social media channels. Follow Own Lane Music on YouTube – Twitter – Instagram – Facebook for more Break It Down episodes and real hip-hop content. Hosted by DJ WorksHard. Presented by Own Lane Music. Copyright Own Lane Media LLC 2021.

The 80z Babies discuss the debut album from super producer Hi-Tek.

In 2004 , Snoop Dogg team up with Neptunes to reintroduce himself to the world and released R&G (Rhythm & Gangsta): The Masterpiece. Executive produced by The Neptunes and with production from Lil Jon, Alchemist, Hi-Tek and features from Nelly, Justin Timberlake, 50 Cent and more. "Drop It Like It's Hot" was the lead single and became Snoop's first #1 single. We revisited the album for this week's podcast. Lock in with us relive some of moments around this album. We also talked about the greatness of Alchemist, Snoop rebranding post No Limit and Death Row and more+ Apple:https://apple.co/3joE6Db Spotify:http://shorturl.at/HIQZ9 Soundcloud:http://shorturl.at/bBPT9 Like, Comment, Share. #SnoopDogg #WestCoast #TheNeptunes #Pharrell #hiphop #storytelling #hiphoppodcast #blackpodcasts #blackpodcastnetwork

This week The Come Up Show presents our interview with artist, entrepreneur, and activist Talib Kweli. This is the second time we've had Kweli on the show, the first was with him and Hi-Tek as Reflection Eternal in 2014.In this interview, we talked about how music streaming is changing the game, what it was like to work with Style P and be featured on A Tribe Called Quest album, and why artists should never quit. Below is an expert, play the podcast to hear more.Each and every Wednesday we'll be uploading a brand new interview with a guest we feel that you should know about. If you love podcasts subscribe at the options below.Check out the new book "Stop Playing By Their Rules: An Artist Guide On How To Market To Fans" bit.ly/2kgGzEVShow us love and leave us a review: bit.ly/tcuspodcastreviewJoin our newsletter: bit.ly/tcusnewsletteriTunes: bit.ly/TCUSiTunesSticher: bit.ly/22OIRfvSupport this show http://supporter.acast.com/thecomeupshow. Hosted on Acast. See acast.com/privacy for more information.

(Fresh HH/R&B) - Wiz Khalifa/Lil Wayne/Super Hood/Chris Brown/Jim Jones/Ice Cube/Hi-Tek/Mike Will Made-It... & More!

(Fresh HH) - Wiz Khalifa/Tyga/YG/Lil Wayne/T.I./Hi-Tek/A$AP Mob/Rae Sremmurd/Puff Daddy... & More!