Podcasts about artistic directors

MTU Founder and Artistic Director David Green

Pippa speaks to Bongani Tembe who is CEO and Artistic Director of the Mzansi National Philharmonic Orchestra about their show at City Hall and will feature a mixed programme of both local and international composers, under the baton of conductor Marin Alsop. Lunch with Pippa Hudson is CapeTalk’s mid-afternoon show. This 2-hour respite from hard news encourages the audience to take the time to explore, taste, read and reflect. The show - presented by former journalist, baker and water sports enthusiast Pippa Hudson - is unashamedly lifestyle driven. Popular features include a daily profile interview #OnTheCouch at 1:10pm. Consumer issues are in the spotlight every Wednesday while the team also unpacks all things related to health, wealth & the environment. Thank you for listening to a podcast from Lunch with Pippa Hudson Listen live on Primedia+ weekdays between 13:00 and 15:00 (SA Time) to Lunch with Pippa Hudson broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/MdSlWEs or find all the catch-up podcasts here https://buff.ly/fDJWe69 Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

Pop singers have “American Idol” and “The Voice.” Country singers are competing on a new show called “The Road.” For up-and-coming opera talent, it's all about the Laffont Competition. We talk with Artistic Director and Professor Steven LaCosse about the Metropolitan Opera's annual search for the next great singers, and the North Carolina District portion of the Laffont Competition that's coming to Charlotte in January.

The Queer Urban Orchestra is a local group and the first orchestra in the city specifically serving the LGBTQ community. Ahead of their Refuge-themed concert, members of the orchestra perform live, and David Bloom, Artistic Director and Conductor, Dave Lohman, Principal Bassoonist, and Brian Shaw, Principal Oboist and Orchestral Manager discuss the mission behind the Queer Urban Orchestra. The group's concert is at the Stephen Wise Free Synagogue on December 13.

Oliver Till, Artistic Director of Kansas City Ballet School, walks us through ChoreoLab, their unique summer program that pairs aspiring dancers with emerging choreographers. The program runs two tracks: Movers (dancers 17+) and Makers (choreographers 18-24). Instead of traditional technique classes, participants collaborate on original work, learning about lighting, costume design, and tech rehearsals along the way. The focus is on the creative process, not just the final product, with dancers exploring new movement styles they wouldn't encounter in standard training. Oliver explains the application process, including in-person auditions for dancers and portfolio-based selection for choreographers. He discusses why the program culminates in a ticketed performance to raise the stakes, and how they've incorporated mindfulness sessions to support mental well-being during the intensive creative process. If you're interested in choreography, want to understand how professional work gets made, or are looking for a summer program that goes beyond technique, this episode breaks down what makes ChoreoLab different. Links: Read Our Ballet School Summer & Year-Round Reviews Buy Corrections Journals Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk TikTok:  Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI Takeaways: The Mover track is for aspiring dancers aged 17 and up. The Maker track is for aspiring choreographers aged 18 to 24. The program emphasizes collaboration between dancers and choreographers. Participants learn about lighting, costume design, and tech rehearsals. The focus is on the process of creation rather than just the final product. Dancers are encouraged to explore new movement styles and techniques. The application process includes in-person auditions for movers. Makers are selected based on their choreographic ideas and experience. The culmination performance is a ticketed event to enhance accountability. Mindfulness sessions are introduced to support dancers' mental well-being.  

"The first pew in the old time Black church is the Moaners' bench." - Gary Copeland Lilley Artificial intelligence and it's racist assumptions suggests "mourners' bench" as a clarification, but the moaners' bench refers to the audible expression of those in spiritual need due to grief, the blues, or simply the harshness of our time. Raven On The Moaners' Bench is the title of the latest collection of poetry from Gary Copeland Lilley. Originally from North Carolina, now living in Cascadia, Gary has published nine books of poetry, has work in several anthologies, is a graduate of the Warren Wilson College Creative Writing MFA program, is a Cave Canem Fellow and serves as Artistic Director of the Port Townsend Writers Conference. Check out more of what the Lab does at https://cascadiapoeticslab.org/, and listen to more current and archival podcasts at https://cascadiapoeticslab.org/cascadian-prophets-podcast-2/.

Jana Lee Ross speaks with Barnaby Smith, co-founder and Artistic Director of the vocal ensemble VOCES8, about their holiday performances presented by the Virginia Arts Festival.

We're watching the weather; Australia's ban on social media for kids; Prison drone drop; Wild African Dogs are more monogamous than humans; The Dayton Performing Arts Alliance and Nutracker at Schuster Center, Dec 13-22. Guests include Brittany Laughlin, VP Marketing and Audience Development; Maestro Keitaro Harada from the Dayton Philharmonic; Brandon Ragland, Artistic Director of the Dayton Ballet

In this episode of Whispers in the Wings, Joshua is joined by multi-hyphenate artist Evan J. Lawson (he/they) — composer, writer, curator, singer, conductor, and Artistic Director of Melbourne's Forest Collective. With a career that refuses to sit neatly in one box, Evan shares how following multiple creative threads has shaped a practice that lives at the crossroads of music, theatre, opera and community. Together, they dive into the surprisingly powerful world of Tessitura (yes, the ticketing CRM!), why learning the so-called “unsexy” skills can be the key to staying employed, and how Forest Collective creates brave, interdisciplinary spaces for new work — including an immersive, multi-room opera set inside a labyrinth. Evan also opens up about burnout, boundaries, the realities of funding and ticket pricing, and why accessible, risk-taking art is crucial if we want future generations to fall in love with live performance. In this episode, we chat about:• Wearing multiple creative “hats” and building a portfolio career in the arts• How learning Tessitura helped Evan pay the bills and survive COVID• The origins and ethos of Forest Collective, and supporting artistically vulnerable work• Rest, boundaries and what it really takes to lead an indie company long-term• Ticket pricing, accessibility and why audiences will come back if you meet them where they are• Evan's immersive labyrinth opera and his next steps in electronic/acousmatic music If anything in today's episode brought up questions around balance, burnout or sustainability in the arts, Support Act offers a free, confidential wellbeing helpline for anyone working in Australian music or performing arts: 1800 959 500. If you're listening from overseas or outside the industry, please reach out to your local support service. Follow us on Instagram: ⁠@whispersinthewings⁠ Follow us on TikTok: ⁠@whispersitwings⁠ Follow us on Facebook: ⁠Whispers In The Wings Podcast⁠ Whispers In The Wings is produced by ⁠Marker Creative Co⁠, and is a proud member of the ⁠Broadway Podcast Network⁠. Whispers in the Wings acknowledges the Traditional Custodians of country throughout Australia and their connections to land, sea and community. We pay our respect to their Elders past, present and future. We acknowledge that sovereignty was never ceded. Always was, always will be Aboriginal Land. Learn more about your ad choices. Visit megaphone.fm/adchoices

For the latest Scots Whay Hae! podcast Ali spoke to theatre director and producer David Hewitson who is the co-founder and Artistic Director of Theatre 118, a new fringe venue dedicated to grassroots, DIY and emerging theatre makers.David gave some background to Theatre 118, where they are based and why, and what their aims are.The two then talk about the work of the Outer Spaces charity and the work they do, before discussing the importance of place more widely, and the history of independent and grassroots theatre in Glasgow.David explains how he came to be involved in theatre, and what it was which attracted him to start Theatre 118, who else is involved and the importance of collaboration, before he goes through some of the shows they have put on to date, and what's coming in the future - including the forthcoming panto Jack & the Privately Owned Beanstalk.Theatre 118 is the latest in the long and fine tradition of DIY small theatre producers and makers, and this conversation with David is the perfect place to get acquainted and learn how to get involved.For full details, including all the ways to listen, head over to scotswhayhae.com

Episode 127 of our B>Podcast. BIDE Artistic Director, Sebastián García Ferro, interviews Nicolas Poggi, Artistic Director of the Compañía juvenil de Danza Contemporánea de la UNAM.

Send us a textWhat if the next chapter of your creative life needed a stage you had to build yourself? We sit down with Steve Furst—comedian, actor, writer, and the man behind cabaret icon Lenny Beige—to share how an eviction notice on a beloved Hampstead room sparked Circle and Star, a new intimate theatre with a big heartbeat. From raising funds at speed to converting favours into an opening season, Steve reveals the practical playbook and the personal resolve it takes to bring a venue back to life.We dig into the why and the how: why Hampstead lost something vital when its small spaces closed, and how a modern theatre can serve both the room and the wider world with streaming, multi-cam capture, and podcast capability. Steve talks candidly about the network that rallied—Matt Lucas, David Walliams, Marcus Brigstocke—and the decision to prioritise community over hype. He also shares the quieter habits that keep him match-fit: Transcendental Meditation as a reset that sharpens presence between shows, and a habit of listening forged by a childhood steeped in classical music.Fans of character comedy will love the peek into his creative toolbox: the Hammond organ's pull (Jimmy Smith, McGriff, McDuff), the communal charge of Northern Soul, and the power of unfussy documentaries that let real people speak. We explore Lenny Beige's continuing life at Circle and Star, including a playful AI assistant voiced as Lenny's mum, and a new project re-examining Fagin—juxtaposing Dickens and Lionel Bart while wrestling with identity and representation. It's part love letter to small theatres, part field guide to building one, and wholly a testament to staying curious, collaborative, and brave.If you care about live arts, new voices, and spaces that make talent possible, this one's for you. Subscribe, share with a friend who loves intimate theatre, and leave a review to help more listeners find the show. Your support keeps stages like this alive.Tune in next week for more stories of 'Distinction & Genius' from The Good Listening To Show 'Clearing'. If you would like to be my Guest too then you can find out HOW via the different 'series strands' at 'The Good Listening To Show' website. Show Website: https://www.thegoodlisteningtoshow.com You can email me about the Show: chris@secondcurve.uk Twitter thatchrisgrimes LinkedIn https://www.linkedin.com/in/chris-grimes-actor-broadcaster-facilitator-coach/ FaceBook Group: https://www.facebook.com/groups/842056403204860 Don't forget to SUBSCRIBE & REVIEW wherever you get your Podcasts :) Thanks for listening!

Discover how the Marrakech International Film Festival showcases and promotes diverse Arab and African cinema, celebrating bold narratives and new talents on the global stage, through the words of its Artistic Director Remi Bonhomme. The post Remi Bonhomme, Artistic Director of the Marrakech International Film Festival appeared first on Fred Film Radio.

Discover how the Marrakech International Film Festival showcases and promotes diverse Arab and African cinema, celebrating bold narratives and new talents on the global stage, through the words of its Artistic Director Remi Bonhomme. The post Remi Bonhomme, Artistic Director of the Marrakech International Film Festival appeared first on Fred Film Radio.

Discover how the Marrakech International Film Festival showcases and promotes diverse Arab and African cinema, celebrating bold narratives and new talents on the global stage, through the words of its Artistic Director Remi Bonhomme. The post Remi Bonhomme, Artistic Director of the Marrakech International Film Festival appeared first on Fred Film Radio.

Discover how the Marrakech International Film Festival showcases and promotes diverse Arab and African cinema, celebrating bold narratives and new talents on the global stage, through the words of its Artistic Director Remi Bonhomme. The post Remi Bonhomme, Artistic Director of the Marrakech International Film Festival appeared first on Fred Film Radio.

Discover how the Marrakech International Film Festival showcases and promotes diverse Arab and African cinema, celebrating bold narratives and new talents on the global stage, through the words of its Artistic Director Remi Bonhomme. The post Remi Bonhomme, Artistic Director of the Marrakech International Film Festival appeared first on Fred Film Radio.

Discover how the Marrakech International Film Festival showcases and promotes diverse Arab and African cinema, celebrating bold narratives and new talents on the global stage, through the words of its Artistic Director Remi Bonhomme. The post Remi Bonhomme, Artistic Director of the Marrakech International Film Festival appeared first on Fred Film Radio.

Kenny and Sally talk to Myles Russell-Cook, Artistic Director and CEO, ACCA; Highlights of his First Year. Myles discusses his first year in the hot seat at the Australian Centre for Contemporary Arts and what’s coming up Myles commenced in the role of Artistic Director & CEO of ACCA in 2024 and was formerly Senior Curator of Australian and First Nations Art at the National Gallery of Victoria (NGV). Myles has a long-standing interest in cultural, gender and sexual diversity within both Australian and International contemporary practice and has worked across a broad range of exhibitions and projects. For over eight years Myles was one of a team of curators who oversaw major contemporary art exhibitions at the National Gallery of Victoria, including NGV Triennial, and Melbourne Now. Myles is the curator of the upcoming touring show, The Stars We Do Not See: Australian Indigenous Art, presented in partnership with the National Gallery of Art in Washington DC. This exhibition is the largest exhibition of Aboriginal and Torres Strait Islander art ever presented internationally. The post Saturday, 6th, Dec, 2025: Myles Russell-Cook, Artistic Director and CEO, ACCA; Highlights of his First Year appeared first on Saturday Magazine.

Playing on Air's Leadership team, Artistic Director, Joshua Kahan Brody and Associate Artistic Director & Creative Producer, Garlia Cornelia Jones ‪announce the '25 - '26 Season! Their 1st season together! ​ This new season includes 5 plays, 4 of which are World Premieres and 3 of which are commissions and 1 Playing on Air regular! • 73, SK. Written by Else Went, Directed by Emma Rosa Went • THE CORNER CAFE Written by Charles Mee, Directed by Tom Dugdale • A HEADSPACE MEDITATION Written by Mara Nelson-Greenberg, Directed by Sarah Lunnie • FATHER'S SIN Written by Maleek Rae, Directed by Goldie E. Patrick • THE RED COAT Written and Directed by John Patrick Shanley   WATCH the '25-'26 Announcement Here! ​ Visit our website: www.playingonair.org/2526-season to learn more about the season and SUBSCRIBE to Listen to our upcoming season! ​

Playing on Air is back for a new season!  We've got 5 plays for '25 - '26 Season, 4 of which are new plays, and 3 of those new plays are commissions.  First up, is "73, SK." by Else Went, directed by Emma Rosa Went. "73, SK" features a company of actors each making their Playing on Air debut! We are thrilled to welcome: Olivia Rose Barresi, Paul Joseph Bernardo, Zachary Desmond, Chukwudi Iwuji and Joe McGurl. Playing on Air is hosted by Artistic Director, Joshua Kahan Brody and Associate Artistic Director & Creative Producer, Garlia Cornelia Jones.  ABOUT THE PLAY, "73, SK.": In the Central Coast of California, a community exists over the airwaves, an obscure group of radio operators who key up to discuss the minutiae of their lives and the county's goings on. When an unfortunate event reduces their number, the remaining members mourn, and return to life with renewed purpose. Hosted by Joshua Kahan Brody & Garlia Cornelia Jones Produced by Garlia Cornelia Jones & Joshua Kahan Brody Recording, editing and sound design by John Kilgore Theme Music by Tom Kochan Radio jingle composed and arranged by John Kilgore "Side by Side" Music and lyrics by Harry M. Woods.  Arrangement by Charlie Rosen Featuring Vocal Trio: The New York Nightingales: Katy Lombardi, Brianna Barnhart & Natasha Bergman.  The New York Nightingales was Founded by Jennifer Mergele. Season Artwork: Tylar Greer-Travis Visit our website, www.playingonair.org for more information and to support our programming.

Dublin's arts scene has been dealt another blow, as The Complex in Smithfield announces its closure this January.More than 30 artists face eviction after a planned deal to secure the site collapsed due to missing Government funding.The loss of the much-loved venue adds to growing concern over the shrinking number of cultural spaces in the city…Joining Andrea to discuss this is Vanessa Fielding, CEO & Artistic Director of The Complex, George Hooker, artist at The Complex and Dr Anthony Haughey, Artist and Lecturer at TUD Dublin and Chair of Five Stations Artist Studio Board.

Exploring the connections between Bharata Natyam dance and zazen, Anusha Enryu Fernando helps listeners remember the joy of practice.This conversation was originally recorded on the Paths of Practice Podcast. Listen to more episodes HERE.Today's podcast is brought to you by BetterHelp. Give online therapy a try at betterhelp.com/beherenow and get on your way to being your best self.This time on the BHNN Guest Podcast, Anusha and Vincent discuss:Zen practice and doing full-body meditationsBharata Natyam: a sacred and ancient dance that focuses on the mind-body connectionPaying attention to the body so intently that there is no space for thoughtThe non-abiding mind and continuing to move through human experienceUnderstanding the devotional gestures that are built into zen practiceAnusha's profound experience learning Sanskrit for both ancient dance and studying the dharma The most important vow: to really be alive in this lifeFood preparations, making offerings, and connecting with the ancestors through foodHow people get stuck on the first noble truth and forget that there is joy in practiceCheck out The Great Vow Zen Monastery in Oregon and learn more about residencies, workshops, and more.About Anusha Enryu Fernando:Anusha Enryu Fernando was born in Sri Lanka to a Theravadin Buddhist family. Her grandparents founded the Vipassana Meditation Centre located in Colombo, Sri Lanka in 1957. She began practicing Zen Meditation with Hogen and Chozen Roshi in 2007, and became a dharma holder in 2021. She holds a BA in Religious Studies, specializing in Buddhism and Hinduism from McGill University, and a Masters of Arts in Asian Studies from the University of British Columbia, specializing in Sanskrit. In her dissertation, she translated a Sanskrit poem of the life story of the Buddha, called the Padyacudamani. Enryu has been a teacher and performer of Bharata Natyam, a form of Indian Classical Dance, for the past thirty years and is the founder and Artistic Director of Shakti Dance Society. She has also been the book purchaser at Banyen Books and Sound, Vancouver's iconic spiritual and metaphysical bookstore, for the past twenty-eight years. She is the mother of an adult daughter and lives with her husband, parents, and multiple furry friends in Vancouver, Canada. Read more about Anusha's work in Shakti Dance HERE."Movement is a huge part of the experience of zazen. You're not sitting there like a fallen rock. The connecting with just the aliveness of that experience, that juicy, wonderful aliveness which is movement, is the practice.” –Anusha Enryu FernandoAbout Vincent Moore:Vincent Moore is a creative and creative consultant living in San Francisco, California, with over a decade of experience in the entertainment industry and holds a graduate degree in Buddhist Studies. For years, he performed regularly at the Upright Citizens Brigade Theatre, an improv and sketch comedy theatre based in New York and Los Angeles. As an actor, Vincent performed on Comedy Central, The Tonight Show Starring Jimmy Fallon, The Late Show with Seth Meyers, Above Average, and The UCB Show on Seeso. As a writer, he developed for television as well as stage, including work with the Blue Man Group, and his own written projects have been featured on websites such as Funny or Die. Additionally, he received a Masters of Buddhist Studies from the Institute of Buddhist Studies with a Certificate in Soto Zen Studies and engages in a personal Buddhist practice within the Soto Zen tradition. Vincent is also the creator and host of the podcast, Paths of Practice, which features interviews with Buddhists from all over the world. Learn more on Vincent's website HERE.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Ray White speaks to Debbie Turner, Artistic Director and Co-Founder of Cape Ballet Africa, about how The Nutcracker which is set to transform the Teatro into a festive world of colour and fantasy. The production features top South African dancers alongside international stars Arthur Wille and Denis Cherevychko, performing in Africa for the first time, with Tchaikovsky’s iconic music, Maina Gielgud’s choreography, and dazzling costumes and sets. 702 Breakfast with Bongani Bingwa is broadcast on 702, a Johannesburg based talk radio station. Bongani makes sense of the news, interviews the key newsmakers of the day, and holds those in power to account on your behalf. The team bring you all you need to know to start your day Thank you for listening to a podcast from 702 Breakfast with Bongani Bingwa Listen live on Primedia+ weekdays from 06:00 and 09:00 (SA Time) to Breakfast with Bongani Bingwa broadcast on 702: https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/36edSLV or find all the catch-up podcasts here https://buff.ly/zEcM35T Subscribe to the 702 Daily and Weekly Newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702See omnystudio.com/listener for privacy information.

We preview Saturday night's Candlelight Concert at First Presbyterian Church in downtown Racine. We speak with Jim Schatzman and Pat Badger, Artistic Director and Associate Conductor respectively of the Choral Arts Society, which is headlining the concert. Other participants will include Mark Paffrath, Victoria Vollman, and dancers from the Studio of Classical Dance Arts.

In this episode of Mission Matters, Adam Torres interviews Abraam Mikhael, Co-Founder, Artistic Director & Filmmaker at the Hollywood Arab Film Festival. Abraam talks about his journey from pharmacy and clinical work to film school and festival leadership, and how his Arab, Christian, immigrant background shapes his storytelling. He also shares the mission behind the festival—to bring authentic, human-centered Arab and diaspora stories to Los Angeles—and gives a glimpse into his upcoming production company and debut feature film centered on redemption and spiritual truth. Follow Adam on Instagram at https://www.instagram.com/askadamtorres/ for up to date information on book releases and tour schedule. Apply to be a guest on our podcast: https://missionmatters.lpages.co/podcastguest/ Visit our website: https://missionmatters.com/ More FREE content from Mission Matters here: https://linktr.ee/missionmattersmedia Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode of Mission Matters, ⁠Adam Torres⁠ interviews ⁠Abraam Mikhael⁠, Co-Founder, Artistic Director & Filmmaker at the Hollywood Arab Film Festival. Abraam talks about his journey from pharmacy and clinical work to film school and festival leadership, and how his Arab, Christian, immigrant background shapes his storytelling. He also shares the mission behind the festival—to bring authentic, human-centered Arab and diaspora stories to Los Angeles—and gives a glimpse into his upcoming production company and debut feature film centered on redemption and spiritual truth. Follow Adam on Instagram at ⁠https://www.instagram.com/askadamtorres/⁠ for up to date information on book releases and tour schedule. Apply to be a guest on our podcast: ⁠https://missionmatters.lpages.co/podcastguest/⁠ Visit our website: ⁠https://missionmatters.com/⁠ More FREE content from Mission Matters here: ⁠https://linktr.ee/missionmattersmedia⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ken Wolf, Artistic Director of Manhattan Repertory Theatre in New York City, presents the 467th episode of THE PLAYWRITING PODCAST. Episode Story Topic: The Three Things you need to FOCUS ON when you are writing a play! LAST DAY! SPECIAL BLACK FRIDAY WEEK SALE on Playwriting Services until Monday December 1, 2025. Everything I offer is on Sale with a BIG DISCOUNT  - up to 50% off! Check it out here! https://www.manhattanrep.com/black-friday   Check out my BIG Brand New Playwriting Event: HOW TO WRITE A FANTASTIC PRODUCTION-BASED PLAY IN 28 DAYS! https://www.manhattanrep.com/28dayplay Check out our 3 Tiers of developing your play in NYC with Manhattan Rep: Manhattan Rep's Play Production Reading We will put together a Professional Reading of your play in NYC! https://www.manhattanrep.com/reading Manhattan Rep's Play Production Workshop We will bring to life a workshop production of your play in NYC! https://www.manhattanrep.com/workshop Manhattan Rep's Play Production Program Let us help you self-produce your best play in New York City or anywhere in the world. https://www.manhattanrep.com/play-production-program   AND... Also, Check out Manhattan Rep's INSTAGRAM  @manhattanrepertorytheatre   And... MY PREMIERE PLAYWRITING COACHING - A year long program where I help you write a perfect play, and teach you everything you need to know about Playwriting and connecting your plays to theatres and producers. Now 30% off  Book it here:   https://www.manhattanrep.com/premiere   And lastly, My Coaching Program: Write your Own One Actor Show is 30% off  https://www.manhattanrep.com/one-actor-show   Email: How2WritePlays@yahoo.com

In this NBN episode, host Hollay Ghadery speaks with Yvonne Blomer about her stunning narrative poetry, Death of Persephone: A Murder (Caitlin Press, 2024). In Death of Persephone, the patriarchal myth of the maiden taken, raped, and made the potent and sexualized queen of the underworld is questioned, altered, flipped. Instead, we have Stephanie, a girl of seven, taken and raised by her Uncle H. who is obsessed by her, tries to control her, to keep her, to have her even as she blooms out from underneath him. In poems both lyrical and narrative, a woman paints Hecate on a building, a Hyacinth Macaw flies overhead, a detective bumbles from crime to crime. This is a city with a vast underground where bats hang and paperwhites bloom, a city where men still rule. Who sees what, who will pay, and who will survive in this ancient story altered at the core? About Yvonne Blomer: Yvonne Blomer is the author of the critically acclaimed poetry collections The Last Show on Earth (Caitlin Press, 2022) and As if a Raven (Palimpsest Press, 2015) as well as the travel memoir Sugar Ride: Cycling from Hanoi to Kuala Lumpur (Palimpsest Press, 2017). Blomer served as the city of Victoria poet laureate from 2015 to 2018. Through poetry, she has raised awareness for the plight of the Pacific Ocean and its ecology. She is the creator and editor of Refugium: Poems for the Pacific (Caitlin Press, 2017), the first in a trilogy of water-based poetry anthologies that was followed by Sweet Water: Poems for the Watershed (Caitlin Press, 2020). She was the Artistic Director for the weekly Planet Earth Poetry series and edited the anthology Poems for Planet Earth. Yvonne recently edited Hologram: Homage to P.K. Page (Caitlin Press, 2023). She has been longlisted for the CBC Poetry Prize and shortlisted for the Montreal Poetry Prize and the Troubadour International Poetry Prize and won the Gwendolyn MacEwen Poetry Prize for Death of Persephone. She has performed at reading series and festivals in cities across the country and has had poems published in Canada, the UK and Japan. Yvonne lives, works and raises her family on the traditional territories of the WSÁNEĆ (Saanich), Lkwungen (Songhees), Wyomilth (Esquimalt) peoples of the Coast Salish Nation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this NBN episode, host Hollay Ghadery speaks with Yvonne Blomer about her stunning narrative poetry, Death of Persephone: A Murder (Caitlin Press, 2024). In Death of Persephone, the patriarchal myth of the maiden taken, raped, and made the potent and sexualized queen of the underworld is questioned, altered, flipped. Instead, we have Stephanie, a girl of seven, taken and raised by her Uncle H. who is obsessed by her, tries to control her, to keep her, to have her even as she blooms out from underneath him. In poems both lyrical and narrative, a woman paints Hecate on a building, a Hyacinth Macaw flies overhead, a detective bumbles from crime to crime. This is a city with a vast underground where bats hang and paperwhites bloom, a city where men still rule. Who sees what, who will pay, and who will survive in this ancient story altered at the core? About Yvonne Blomer: Yvonne Blomer is the author of the critically acclaimed poetry collections The Last Show on Earth (Caitlin Press, 2022) and As if a Raven (Palimpsest Press, 2015) as well as the travel memoir Sugar Ride: Cycling from Hanoi to Kuala Lumpur (Palimpsest Press, 2017). Blomer served as the city of Victoria poet laureate from 2015 to 2018. Through poetry, she has raised awareness for the plight of the Pacific Ocean and its ecology. She is the creator and editor of Refugium: Poems for the Pacific (Caitlin Press, 2017), the first in a trilogy of water-based poetry anthologies that was followed by Sweet Water: Poems for the Watershed (Caitlin Press, 2020). She was the Artistic Director for the weekly Planet Earth Poetry series and edited the anthology Poems for Planet Earth. Yvonne recently edited Hologram: Homage to P.K. Page (Caitlin Press, 2023). She has been longlisted for the CBC Poetry Prize and shortlisted for the Montreal Poetry Prize and the Troubadour International Poetry Prize and won the Gwendolyn MacEwen Poetry Prize for Death of Persephone. She has performed at reading series and festivals in cities across the country and has had poems published in Canada, the UK and Japan. Yvonne lives, works and raises her family on the traditional territories of the WSÁNEĆ (Saanich), Lkwungen (Songhees), Wyomilth (Esquimalt) peoples of the Coast Salish Nation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

For thousands of years, Greek tragedies have helped people make sense of fear, grief, conflict, and the complexities of being human. Bryan Doerries—co-founder and Artistic Director of Theater of War Productions and a newly selected Tällberg-SNF-Eliasson Global Leadership Prize winner—has spent nearly two decades bringing these timeless texts to contemporary audiences. In this episode, he reflects on how classical stories open space for empathy, dialogue, and healing in the 21st century. By stripping away the myth that our struggles are unique to our time, Doerries helps reveal what connects us across cultures and generations.

In this NBN episode, host Hollay Ghadery speaks with Yvonne Blomer about her stunning narrative poetry, Death of Persephone: A Murder (Caitlin Press, 2024). In Death of Persephone, the patriarchal myth of the maiden taken, raped, and made the potent and sexualized queen of the underworld is questioned, altered, flipped. Instead, we have Stephanie, a girl of seven, taken and raised by her Uncle H. who is obsessed by her, tries to control her, to keep her, to have her even as she blooms out from underneath him. In poems both lyrical and narrative, a woman paints Hecate on a building, a Hyacinth Macaw flies overhead, a detective bumbles from crime to crime. This is a city with a vast underground where bats hang and paperwhites bloom, a city where men still rule. Who sees what, who will pay, and who will survive in this ancient story altered at the core? About Yvonne Blomer: Yvonne Blomer is the author of the critically acclaimed poetry collections The Last Show on Earth (Caitlin Press, 2022) and As if a Raven (Palimpsest Press, 2015) as well as the travel memoir Sugar Ride: Cycling from Hanoi to Kuala Lumpur (Palimpsest Press, 2017). Blomer served as the city of Victoria poet laureate from 2015 to 2018. Through poetry, she has raised awareness for the plight of the Pacific Ocean and its ecology. She is the creator and editor of Refugium: Poems for the Pacific (Caitlin Press, 2017), the first in a trilogy of water-based poetry anthologies that was followed by Sweet Water: Poems for the Watershed (Caitlin Press, 2020). She was the Artistic Director for the weekly Planet Earth Poetry series and edited the anthology Poems for Planet Earth. Yvonne recently edited Hologram: Homage to P.K. Page (Caitlin Press, 2023). She has been longlisted for the CBC Poetry Prize and shortlisted for the Montreal Poetry Prize and the Troubadour International Poetry Prize and won the Gwendolyn MacEwen Poetry Prize for Death of Persephone. She has performed at reading series and festivals in cities across the country and has had poems published in Canada, the UK and Japan. Yvonne lives, works and raises her family on the traditional territories of the WSÁNEĆ (Saanich), Lkwungen (Songhees), Wyomilth (Esquimalt) peoples of the Coast Salish Nation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

What happens when you put someone on stage to tell their personal story in front of their community? Unexpected and unforgettable connection. In this episode of Cut to the Chase: Podcast, Gregg Goldfarb sits down with David Levy, the Founder and Artistic Director of Cincinnati's True Theatre, for an eye-opening conversation about the power of unscripted, real-life storytelling. Inspired by The Moth, David built a thriving storytelling community in Cincinnati where everyday people take the stage to share honest, personal stories around universal themes, from love to crime to the color blue. In this episode, David pulls back the curtain on how True Theatre operates: how storytellers are selected, how themes are chosen, how live events are produced, and why authenticity—not performance—creates the deepest human connection. Whether you're a storytelling enthusiast, a lawyer looking to improve your narrative skills, or simply curious about personal growth and community-building, this episode offers inspiring stories and a roadmap for getting involved (or even launching your own storytelling event).   What to expect in this episode: How True Theatre turns ordinary people into unforgettable storytellers The secret behind using single-word themes to spark powerful, unexpected stories What really happens behind the scenes: pitches, coaching, and picking the perfect lineup Why raw, unscripted stories connect audiences more than polished performances How storytelling strengthens communities and deepens human connection The surprising ways storytelling transforms self-awareness and personal growth How to start your own storytelling event (with no prior experience) Why authenticity (not perfection) is the ultimate storytelling superpower Upcoming themes for True Theatre: True Love (Jan 22, 2026), True Bird, and a return of True Crime Stay tuned for more updates, and don't miss our next deep dive on Cut to the Chase: Podcast with Gregg Goldfarb!   Subscribe, rate, review, and share this episode of the Cut to the Chase: Podcast!   Resources: Attend a live True Theatre show or livestream: https://truetheatre.org  Pitch a story or start a similar event: Email David Levy at dave@truetheatre.org  Follow @truetheatre on Instagram & Facebook for updates The Moth: https://themoth.org    This episode was produced and brought to you by Reignite Media.  

“Going into high school, I did everything possible to avoid the performing arts. My vice principal called me into the office and said, ‘you can't have an open period. I'm gonig to put you in choir.' Within weeks, it became a life-changing experience for me – I discovered a community, a way to express myself. I knew by the end of my junior year in high school that this is what I wanted to do.” - Brandon Elliott“If you are coming as a conductor to composing, you already have a resource that a lot of composers lack. You know what your singers need. You have already identified a lack in the repertoire that you're looking for, something that you might fill as a composer. If you can get into that mindset with your own ensemble, you'll be so ready, so prepared to take that on for other groups.” - Dale TrumboreDale Trumbore is a Los Angeles-based composer and writer whose music has been called “devastatingly beautiful” (The Washington Post) and praised for its “soaring melodies and beguiling harmonies deployed with finesse” (The New York Times). Trumbore's compositions have been performed widely in the U.S. and internationally by Atlanta Master Chorale, the Chicago Symphony's MusicNOW ensemble, Conspirare and the Miró Quartet, Los Angeles Children's Chorus, Los Angeles Master Chorale, National Youth Choir of Scotland, Pasadena Symphony, Phoenix Chorale, and Seraphic Fire.Trumbore is the recipient of ACDA's inaugural Raymond W. Brock Competition for Professional Composers, an ASCAP Morton Gould Award, and a Chamber Music America Classical Commissioning Grant. She has written extensively about working through creative blocks and establishing a career in music in essays and in two books, Composing a Living (cowritten with Brandon Elliott) and Staying Composed. Learn more about Trumbore's music and writing at daletrumbore.com.Dr. Brandon Elliott is a conductor, educator, and consultant specializing in creative and strategic leadership in the arts and entertainment industry. He is a Professor of Music at Saddleback College and Founder & Artistic Director of Choral Arts Initiative, an award-winning ensemble dedicated to contemporary choral music. A sought-after consultant and Fulbright Specialist, he advises on artist management, organizational change, career development, and the evolving music industry.To get in touch with Dale, you can visit her website, daletrumbore.com, where you can also sign up for her newsletter. To get in touch with Brandon, visit his website, brandon-elliott.com, which also provides links to his social media accounts.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

After a three-year hiatus, I’m excited to be back with MikeyPod. This conversation with Kevin (as a robot) Laibson is exactly what I needed—it cracked open things I’ve been grappling with in my own work. I’ve been thinking about AI and human interaction as I work on my creative projects, and Kevin is exploring these same questions through performance. He’s a director and performer working at the intersection of live performance and emerging technology. His solo show The Harmnf—an adaptation of Chekhov using AI tools—is a meditation on failure, alienation, and our relationship with technology. We talk about directing AI actors, how the show evolved, and what he’s learned about human error and connection when technology mediates everything. This is the kind of peer thinking I need—someone building serious work at the edge of what performance can be. Get tickets for this weekend’s performance of The Harmnf right here. Based in New York City, Kevin Laibson is a director, performer, and educator working at the intersection of live performance and emerging technology. As a mixed-reality artist, he explores what happens when human creativity meets AI and code. His work has been featured at SXSW, SIGGRAPH, and venues including National Sawdust, The Flea, and Abrons Arts Center. He’s served as Artistic Director of Magic Futurebox and The Peoples Improv Theater, and currently leads XR performance research at Agile Lens in collaboration with institutions like the Royal Shakespeare Company and NYU. His solo performance The Harmnf—an adaptation of Chekhov using AI tools—is a meditation on failure, alienation, and our uneasy relationship with technology. This podcast is powered by my subscribers on Patreon who, in addition to the warm feeling they get from co-creating with me, get lots of sweet perks including bonus podcast episodes, free downloads, zines, and more! This week's bonus podcast will feature an extended conversation with today's guest, Kevin! Learn more right here!

Ken Wolf, Artistic Director of Manhattan Repertory Theatre in New York City, presents the 466th episode of THE PLAYWRITING PODCAST. Episode Story Topic: Moving a Play in to NYC from Montana! SPECIAL BLACK FRIDAY WEEK SALE on Playwriting Services until Monday December 1, 2025. Everything I offer is on Sale with a BIG DISCOUNT  - up to 50% off! Check it out here! https://www.manhattanrep.com/black-friday   Check out my BIG Brand New Playwriting Event: HOW TO WRITE A FANTASTIC PRODUCTION-BASED PLAY IN 28 DAYS! https://www.manhattanrep.com/28dayplay Check out our 3 Tiers of developing your play in NYC with Manhattan Rep: Manhattan Rep's Play Production Reading We will put together a Professional Reading of your play in NYC! https://www.manhattanrep.com/reading Manhattan Rep's Play Production Workshop We will bring to life a workshop production of your play in NYC! https://www.manhattanrep.com/workshop Manhattan Rep's Play Production Program Let us help you self-produce your best play in New York City or anywhere in the world. https://www.manhattanrep.com/play-production-program   AND... Also, Check out Manhattan Rep's INSTAGRAM  @manhattanrepertorytheatre   And... MY PREMIERE PLAYWRITING COACHING - A year long program where I help you write a perfect play, and teach you everything you need to know about Playwriting and connecting your plays to theatres and producers. Now 30% off  Book it here:   https://www.manhattanrep.com/premiere   And lastly, My Coaching Program: Write your Own One Actor Show is 30% off  https://www.manhattanrep.com/one-actor-show   Email: How2WritePlays@yahoo.com

On this week's episode of Out and About, Dr. Mae Gilliland of ArtsPartners of Central Illinois talks with Dr. Joshua Russell, the new Artistic Director of the Peoria Area Civic Chorale.

Doc Talk travels to Amsterdam for IDFA, the world's biggest docmentary festival. We speak with new Artistic Director Isabel Arrate Fernandez about assuming leadership of the festival after many years heading up the IDFA Bertha Fund. Arrate Fernandez discusses reaction to the festival's controversial decision to ban Israeli organiations that accept money from Israel's government to support their activities. We also visit with Brazilian filmmaker Petra Costa in Amsterdam. Her Oscar-contendng Netflix documentary, Apocalypse in the Tropics, explores the rise of Christian nationalism in Brazil. Costa tells us her film has directly led to the launch of an investigation into her protagonist, fiery televangelist Sila Malafaia, a key backer of former right-wing President Jair Bolsonaro. Learn more about your ad choices. Visit megaphone.fm/adchoices

Paavali Jumppanen, directeur artistique de ANAM fait le point sur Harmonies du Soir, un festival de musique de chambre proposant plusieurs concerts donnés par des musiciens exceptionnels du Australian National Academy of Music. Les concerts auront lieu du 27 au 29 novembre prochain.

On this week's episode of Out and About, Dr. Mae Gilliland of ArtsPartners of Central Illinois talks with Jessie Williams, Artistic Director of Central Illinois Ballet, about their upcoming production of The Nutcracker.

Screenwriter Vince Gilligan is the creative mind behind the multi-awardwinning television dramas Breaking Bad and Better Call Saul. His latest offering is Pluribus - a post-apocalyptic science fiction tale where it's up to the only miserable human being on earth to save the world.The news that Durham's Lumiere festival is coming to an end has led to a political row in the North East. Helen Marriage, Artistic Director of Artichoke, the arts organisation behind the event, on creating Lumiere and why this year's edition could be the final one.Cherie Federico, Director of the York-based Aesthetica Short Film Festival, and Philip Illson, Artistic Director of the London Short Film Festival discuss how short films are rising up the cultural agenda.Reselling tickets to live events for a profit is to be banned by the government. Annabella Coldrick, CEO of the Music Managers Forum started the FanFair campaign back in 2016 to take a stand against profiteering in the secondary ticketing market. Presenter: Nick Ahad Producer: Ekene Akalawu

In this episode of Improv and Magic, we spotlight the transformative world of improvisation with guest Jill Eickmann, co-founder and Artistic Director of Leela Improv Theatre. Known for her holistic approach to improv, Jill shares insights on ensemble building, truthful artistic play, and the healing power of performance.Jill Eickmann is a nationally recognized improvisational theatre artist, director, and educator. She co-founded Leela Improv, a bi-coastal training center and theatre company based in San Francisco and Raleigh. With over 20 years of experience, Jill has designed Leela's seven-level improv curriculum, rooted in authenticity, collaboration, and joyful play.Her background includes an MA in Drama Therapy from the California Institute of Integral Studies, training with renowned institutions such as iO, Annoyance Theatre, and Upright Citizens Brigade, and corporate workshops for companies like Google, YouTube, Facebook, IBM, Visa, and McKinsey & Company.Beyond teaching, Jill is a performer and drama therapist who integrates improvisation with therapeutic practices, emphasizing connection, creativity, and self-expression.In this episode, Jill discusses the mission of Leela Improv: truthful, artistic play that blends authenticity with ensemble-driven creativity. She explores how improv fosters community, risk-taking, and resilience, both on stage and in everyday life. Jill shares her journey from studying acting and drama therapy to building one of the most respected improv training centers in the U.S.Tune in to hear Jill Eickmann's inspiring perspective on improvisation as both an art form and a tool for personal growth. This episode is a must-listen for anyone passionate about improv, theatre, or creative collaboration.Find out more about Jill at jilleickmann.com, and follow Leela Improv Theater at leela-nc.com.Don't forget to like and review! For more information on LD Madera and how you can sponsor an episode of Improv and Magic, visit ldmadera.com.

We're joined this week by artist Rachel Wright of VirtuoSew Adventures. Ancient history, particularly Egypt, is what captivates and drives her embroidery. For Rachel, it's not the finished product that she enjoys. It's the process of developing a piece and the many adjustments that are involved in getting the needlework to tell the story she wants shared and does so in just the right way. When she needs a break from, what is intense work, she turns to canvas work for an escape. Her approach and insight into her inspiration can be explored in her book, “Dreams of Amarna: Stitching an Egyptological Adventure.” According to Anthea Godfrey, Artistic Director, The Embroiderers Guild, “Dreams of Amarna is an inspirational book that explores Rachel Mary Wright’s passion for ancient Egyptian culture and art. Her enthusiasm for reinventing the visual ideas she has come to admire manifests itself in her own textile journey, which will, I’m sure, encourage embroiderers to do the same.”—Gary Listen to the podcast: Watch the video You can listen by using the player above or you can subscribe to Fiber Talk through iTunes, Amazon Music, Spotify, Audible, Google Podcasts, TuneIn, Podbay, and Podbean. To receive e-mail notification of new podcasts, provide your name and e-mail address below. We do not sell/share e-mail addresses. Here are some links: Rachel Wright’s website VirtuoSew Adventures on Instagram We hope you enjoy this week’s conversation with Rachel Wright. We’re always looking for guests, so let me know if there is someone you’d like me to have on the show.–Gary To add yourself to our mailing list and be notified whenever we post a new podcast, provide your name and email address below. You won’t get spam and we won’t share your address.

Trailed last week in our main episode, editor-in-chief Alex Wood sits down with Alan Cumming, who has just announced a jam-packed, star-studded first season at Pitlochry Festival Theatre. He may not be taking a salary, but he isn't taking his time either – delivering a huge bill of shows with strong international names. He also discusses his time workshopping the all-male Company under the direction of John Tiffany, and what he hopes to achieve for the much-loved Scottish venue. Hosted on Acast. See acast.com/privacy for more information.

This week we're excited to present a special conversation with Peter Hujar's Day director Ira Sachs. An NYFF63 Main Slate selection, Peter Hujar's Day is now playing daily at FLC. Get tickets at filmlinc.org/hujar FLC and Janus Films recently presented a deep-dive discussion into the inspiration behind the film and the connection between Peter Hujar and his deeply felt legacy in New York City. Held in the Amphitheater at the Elinor Bunin Munroe Film Center, this free talk with writer/director Ira Sachs was moderated by Antonio Monda, writer and Artistic Director of the international literary festival Le Conversazioni. The photographer Peter Hujar, whose images exist in an important lineage and dialogue with the work of groundbreaking gay artists such as Robert Mapplethorpe, forms the center of the latest movie by fearless independent American filmmaker Ira Sachs. Based on rediscovered transcripts from an unused 1974 interview by nonfiction writer Linda Rosenkrantz (played by Rebecca Hall), in which she asked Hujar (Ben Whishaw) to narrate the events of the previous day in minute detail, Peter Hujar's Day is a mesmerizing time warp, an illustration of the life of the creative mind, the quotidian and the imaginative at once, fully and lovingly inhabited by its two brilliant actors.

Jere Righter has been involved with the historic Croswell Opera House for 35 years. Located in Adrian, Michigan, The Croswell is the oldest theater in Michigan and one of the oldest operating theaters in the United States. Jere was hired-on to be The Croswell's Artistic Director in 2009. Working with talented staff and volunteers, Jere has overseen professional caliber and highly acclaimed performances within a regional community theater setting. Prior to The Croswell, Jere served as the Associate Director/Senior Major Gifts Officer at the University of Michigan Health System and VP of Advancement at Siena Heights University. She is the past president of the Adrian Kiwanis Club and chair of Hospice of Lenawee County. A native of Adrian, Jere earned a degree in theater and speech communications from Sienna Heights University. In 2020 her alma mater honored her with the Outstanding Alumni Award.Host/Executive Producer; Brad Rieger, Audio Engineer/Production Coordinator; Kerry Schwable, Social Coordinator; Tim McCarthy, Graphic Designers: Stephen Shankster/Jeremy Thomas. Content made possible by Cooper-Smith Advertising LLC 2023

An abandoned, dilapidated swimming pool in the forest. A pile of trash smoldering in a secluded backyard. A dark and deserted highway flanked by an unexplained light. Michael Endo's kiln formed glass is about the potential of empty spaces and how people inhabit the subliminal area between the civilized world and wilderness. It begs the question: Is our world real or manufactured?  Says Endo: "Locked in a loop of familiarity and strangeness, my gestural paintings, drawings, glasswork and sculptures exist in a moment of tension. By depicting the boundary between a wild space and the city, I present scenes where my interest in alternative communities, the relationship between space and psychology, occult knowledge, eschatology, ecology and the uncanny converge." To reveal and examine the experiences people tend to gloss over is Endo's primary aesthetic goal. He states: "Some people get turned off by what they perceive as a darkness to the work. But it doesn't bother me. They are entitled to their own opinion, and I don't consider it while I am making the work. I don't think the work is exclusively dark. People read that into it, but I am interested in exploring these marginal spaces and experiences and bringing them forward."  Endo's work is currently on view in What Remains, the fourth exhibition at The Byre, a centuries-old stone barn turned into an exhibition space by Bullseye Projects in Caithness, the northern-most county in mainland Scotland. What Remains features site-specific installations and works by Celia Dowson, Katharine Dowson, Endo, and April Surgent that reflect on stories and experiences reconstructed from fleeting shadows in memory and the earthed-over remnants found in the landscape. The show will remain on view until March 2026. Born in Portland, Oregon, in 1979, Endo received an MFA in painting from Cranbrook Academy of Art, Michigan, in 2009 and a BA from Portland State University, Oregon, in 2005. His studio work has been included in national and international exhibitions at venues such as The National Glass Centre (Sunderland, UK), Disjecta (Portland, Oregon), Yuan Yuan Art Center (Jinan, China), and Bullseye Projects (Portland, Oregon and Mamaroneck, New York). Endo is currently the curatorial consultant at Bullseye Projects, organizing exhibitions at The Byre and assisting with traveling exhibitions and art fairs. In 2019, he moved to Yucca Valley, California, where he founded High Desert Observatory with his partner Emily Endo. Michael is currently the Artistic Director at Pilchuck Glass School. This year was "a banner year" for both interest in and enrollment at Pilchuck, says Endo, who sites the school's successful casting conference and upcoming design conference as high points. Enjoy this conversation with the artist about his studio practice and the balance he maintains between curation, administration, and studio as well as the role Pilchuck plays in glass education around the world.  

This is the third and final part of my conversation with author Rob Schneider, who returns to tell us more about his new book, Queer Musicals — Boy Meets Boy to Jagged Little Pill. On this episode, Fun Home, The Prom, and Jagged Little Pill. Robert W. Schneider is a historian, director, producer, author, educator, and podcast host, and the Artistic Director of the J2 Spotlight Musical Theater Company in New York. And since working as an original programming producer at 54 Below, Rob has directed and produced over 100 concerts for the venue. His first book, 50 Key Stage Musicals, was published in 2022. Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of our Patron Club Members, such as JUDY HUCKA. If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month, you can receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional, in-depth conversations with my frequent co-host, Albert Evans, that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please click on this link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://broadwaynationpodcast.supercast.tech/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices