Podcasts about artistic directors

Are you leading your team the way you want to be remembered?  We're resharing one of our favorite episodes from Kelli Leighton's Innovate to Thrive series because its leadership lessons are just as relevant today as when it first aired. If you've ever felt frustrated by staff performance, struggled with accountability, or found yourself carrying too much of the workload, this episode will challenge you to look at leadership from a new perspective.  Kelli shares the mindset shifts and practical strategies that helped her build a stronger, more innovative team. You'll also hear about the unique role she introduced in her studio—the Director of Removing Friction—and how it's helped streamline operations, improve communication, and reduce stress for both her team and her clients.  What You'll Learn  Why your team is a direct reflection of your leadership  How to perform an effective team audit  The importance of accountability without sacrificing culture  How innovation starts with leadership, not creativity alone  Why your team needs a mindset shift—not just new systems  How to separate emotional feedback from real business data  The difference between macro and micro client pain points  Why empowering staff leads to better decision-making  What a "Director of Removing Friction" does—and why every studio needs one  Practical ways to build a forward-thinking, innovative team  Whether you're growing your team or refining the one you already have, you'll walk away with actionable ideas to become a more confident leader and build a studio culture that supports long-term success.  Kelli Leighton is the owner and Artistic Director of Leighton Dance Project in California and a longtime member and coach inside the Dance Studio Owners Association Inner Circle. Passionate about helping studio owners embrace innovation, Kelli combines creativity with practical leadership strategies to build thriving businesses, strong teams, and exceptional studio cultures. Through her Innovate to Thrive series, she encourages studio owners to think differently, lead confidently, and turn big ideas into meaningful action.  Explore our partners: Try Studio Pro for FREE for 30 Days - gostudiopro.com/transform Join our growing community of people just like you inside our free Facebook group. Click here to join!  Follow The Dance Studio Owners Association:  Instagram: @dancestudioownersassociation | TikTok: @dsoaofficial | Facebook: @dancestudioownersassociation  

We spoke with Julian Adair - President, Director, and Instructor with her company, the Adair Dance Academy, and is also the Artistic Director of Ever After Productions.   We always have a delightful conversation with Julian, and we had podcasted about "A Suite For Small Spaces III", held at Shelterbelt, however, we touched on different things this podcast, including that "A Suite for Small Spaces IV" at the Omaha Fringe Festival at UNO006 will be a different show than the third one!  So even if you saw the third one, you won't want to miss this intimate and exquisitely moving production of the fourth one.  Each vignette has their own texture and feeling and we are excited to see this production! Tickets and Website: https://omahafringe.org Omaha Fringe Festival Kick Off Party - August 5th @ Shelterbelt Fringe Festival Dates: August 6-9, 2026 at UNO, Blackstone and Shelterbelt Theatre Dates for "A Suite for Small Spaces IV" (no production August 6th):  Friday, August 7th at 9:30pm, Saturday August 8th at 6:30pm, and Sunday August 9th at 2pm.     HOW TO LISTEN TO THE PLATTE RIVER BARD PODCAST Listen at https://platteriverbard.podbean.com or anywhere you get your podcasts. We are on Apple, Google, Pandora, Spotify, iHeart Radio, Podbean, Overcast, Listen Now, Castbox and anywhere you get your podcasts. You may also find us by just asking Alexa. Listen on your computer or any device on our website: https://www.platteriverbard.com. Find us on You Tube: https://youtube.com/channel/UCPDzMz8kHvsLcJRV-myurvA. Please find us and Subscribe!

(Celebrating 80yrs of uplifting community radio!)Never get tired of Shakespeare? Never get tired of beer? What would a marriage of those two prospects look like? We at WKXL's NH Unscripted ask that same question! Thanks for asking! It would look VERY much like the brand new professional group called “The Stage of Fools Theatre Company” which the award winning actor Glenn Provost has created. He's the Artistic Director as well and he drops by to talk his new group, beer, Shakespeare, the Stark Brewing Co. hosting their events and what a night combing the two looks like. Think you'd like to AUDITION or help out? Here's a link: SOF involvement page.*NH Unscripted is recognized as one of the Top 100 Acting Podcasts on the web and also featured in the Top 50 New Hampshire Podcasts list by Millionpodcasts.com*(Airs M/W/F @9am on 1450AM/103.9FM Concord, 101.9FM Manchester)

Greg Brady & Lisa Raitt spoke to Peter Toh, Executive and Artistic Director, Afrofest about Afrofest at Woodbine Park cancelled over capacity, safety concerns. Learn more about your ad choices. Visit megaphone.fm/adchoices

Never get tired of Shakespeare? Never get tired of beer? What would a marriage of those two prospects look like? Thanks for asking! It would look VERY much like the brand new professional group called “The Stage of Fools Theatre Company” which the award winning actor Glenn Provost has created. He's the Artistic Director as well and he drops by to talk his new group, beer, Shakespeare, and what a night combing the two looks like. Think you'd like to audition or help out? Here's a link: SOF involvement page. 

Greg Brady & Lisa Raitt spoke to Peter Toh, Executive and Artistic Director, Afrofest about Afrofest at Woodbine Park cancelled over capacity, safety concerns. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thirty-five years ago, Sabine met an 18-year-old dancer in West Africa — talented, a little naïve, and not yet sure she belonged anywhere but the stage. In this episode, that young woman returns as Sabine's guest: Dorina Malcheva, now Artistic Director of MJ – The Michael Jackson Musical in Hamburg, Germany, leading a team of 34.It's a conversation that moves like a memory: the smell of the airport air, the fires along a dark road, the first show they ever built together in an African club. But underneath the nostalgia is a masterclass in becoming. Dorina and Sabine unpack the sacred whisper — that small voice that says "why not?" — and what it costs to actually answer it. They talk honestly about rejection (Vienna said no to both of them, years apart), about the Invisible Stage™ of unseen practice that makes the visible moment possible, and about the goodwill you quietly bank over a career until, one day, someone trusts you with the whole show.And in a world racing toward AI, they land on the one thing no algorithm can replicate: your story, told in your voice, on your stage.Whether you're a performer, an author, a speaker, or an entrepreneur ready to step into your spotlight, this episode is your reminder — try it on, keep going, and connect, connect, connect.Connect with Dorina on Instagram: https://www.instagram.com/dorinamaltschewa/Connect with Sabine: https://sabinekvenberg.com/resourcesYouTube: https://www.youtube.com/SabineKvenbergIG: https://www.instagram.com/sabinekvenberg/LinkedIn: https://www.linkedin.com/in/sabine-kvenberg/Facebook: https://www.facebook.com/sabine.kvenberg.2025/ ⏱️ Timestamps / Chapters0:00 – Introduction 2:45 – Reconnecting after 35 years 5:30 – Inside MJ: The Michael Jackson Musical 7:50 – The lifespan of an artist's career 8:45 – Dorina's origins: raised among artists 11:25 – "It's a shame if you waste it" — Sabine's turning point 12:50 – The sacred whisper: trying life on like a dress 14:55 – Rejection, resilience, and refusing to quit 16:40 – Becoming a triple threat (and a triple threat entrepreneur) 19:30 – The Invisible Stage: the power of unseen practice 22:10 – Reinvention: stepping into artistic director 25:35 – Good vs. perfect and the goodwill bank account 27:45 – Into Africa: first impressions and open arms 31:15 – AI, connection, and the story only you can tell 36:00 – From the stage to the keynote stage 38:45 – Dorina's parting wisdom: connect, connect, connect

Amy Livingston, new Artistic Director of the Egyptian YouTheatre program, discusses how participating in the arts can be an especially powerful and supportive resource for amazing kids who might not fit the typical mold, as well as often illuminating undiscovered talents.

About This Episode: Tim Carroll has been the artistic director of the Shaw Festival for a decade, and in that time he's reshaped the festival's mandate, expanded its reach into the community, and built a company culture grounded in playfulness, humility, and genuine artistic ambition. This episode explores: How Tim balances directing two major productions, Heartbreak House and Amadeus, in a single season, and why Tom Rooney is at the centre of both The economics of theatre: why even one of Canada's largest festivals relies on donations for half its income, and how a small-audience show can be as valuable as a sellout musical Why Tim abolished the Shaw Festival's mandate and replaced it with a mission; and what that difference actually means in practice How working at Shakespeare's Globe with Mark Rylance shaped every aspect of Tim's directing philosophy, from shared light to trusting the unexpected And much more! Guest:

Ken Wolf, Artistic Director of Manhattan Repertory Theatre in New York City, presents the 497th episode of THE PLAYWRITING PODCAST. Episode Story Topic: BE COURAGEOUS!   Midsummer Madness 40% Discount on all my Playwriting and Actor Services until July 31st, 2026 at:   https://www.manhattanrep.com/     Playwriting Coaching Premiere Playwriting Coaching Script Consultations Short Play Script Consultation Script Review Write Your Own One Actor Show Monologue Coaching and more.   And   Check out our 3 Tiers of developing your play in NYC with Manhattan Rep:   Manhattan Rep's Play Production Reading   We will put together a Professional Reading of your play in NYC!   https://www.manhattanrep.com/reading       Manhattan Rep's Play Production Workshop   We will bring to life a workshop production of your play in NYC!   https://www.manhattanrep.com/workshop     Manhattan Rep's Play Production Program   Let us help you self-produce your best play in New York City or anywhere in the world.   https://www.manhattanrep.com/play-production-program       AND...   Also, Check out Manhattan Rep's INSTAGRAM    @manhattanrepertorytheatre       Email: How2WritePlays@yahoo.com

International Film Festival has showcased feature films from across the globe, kicking off at the Civic with the Aotearoa premiere of drama Big Girls Don't Cry, directed by Kiwi Paloma Schneideman. Artistic director Paolo Bertolin spoke to Ingrid Hipkiss.

Sam LaFrage is the founder and Artistic Director of Ragtag Theatre Company. Winner of the Best Performing Arts Company (KidsPass Parent's Choice Award), Ragtag Theatre Company is a group of diverse artists dedicated to creating fresh and inclusive LGBTQ+ theatre for families.

Blythe (she/her) holds her Bachelor of Fine Arts in Acting from the University of Alberta, but calls Toronto home, where she is an active member of the community. For Gangway she is currently working on their play Digital Divergence, a design first creation process centring on who we are in different mediums. For her solo projects, Blythe is developing her play Uplifting Stories for Seniors, which won Second Place Winner of the Toronto Fringe 2025 24 hour Playwriting Contest. An active member of Showing Up For Racial Justice, her art practice has come to involve work with grassroots community advocacy, melding together direct action and art; she was a co-producer/performer of the political play reading community event 8 Men Speak (The Theatre Centre, 2024); Favourite performances: The Drowning Girls (Guild Festival Theatre), An Acorn: a text for performance (impel Theatre/Oldham Coliseum) and the play-turned-short film & Other Concerns (dir. Sabina Olivia Lambert), which debuted at the Big Apple Film Festival (NYC) and the Female Eye Film Festival (Toronto) in 2024, and Available Now on CBC Gem. Honourable mentions: She has had the opportunity to work on two Thomas McKechnie projects - 12 Letters from Your Lover, Lost at Sea (zietpunktheatre), and was an anti-capitalist worm in Life and death and life and death and life (dir. Steven Hao).Blythe is an AMY Project Board Member, and also works with the project Anchoring Accessibility (with lead artist Leslie Ting, Dr. Jessica Watkin and Macy Siu) - which “works to find ways through practice-based research to support artists in the sector to develop relational and pragmatic approaches to accessibility and confidence by creating creative tools (the protocol) and educational materials.”Instagram: @blythe_haynes@and_other_concerns Hosted on Acast. See acast.com/privacy for more information.

Born in Florence, Italy, into a family whose legacy in the performing arts dates back to the 1800s, Valentina Castellani Quinn has spent a lifetime immersed in storytelling. An actress, producer, and international advocate for cinema, she is the Chairman of Quinn Studios Entertainment in Los Angeles and Artistic Director of the Matera International Film Festival. Through her work in film, culture, and education, she has become a strong supporter of international collaboration, including Saudi Arabia's rapidly evolving film industry.

Ken Wolf, Artistic Director of Manhattan Repertory Theatre in New York City, presents the 496th episode of THE PLAYWRITING PODCAST.   Episode Story Topic:   Developing a Musical!     Midsummer Madness 40% Discount on all my Playwriting and Actor Services until July 31st, 2026 at:   https://www.manhattanrep.com/     Playwriting Coaching Premiere Playwriting Coaching Script Consultations Short Play Script Consultation Script Review Write Your Own One Actor Show Monologue Coaching and more.   And   Check out our 3 Tiers of developing your play in NYC with Manhattan Rep:   Manhattan Rep's Play Production Reading   We will put together a Professional Reading of your play in NYC!   https://www.manhattanrep.com/reading       Manhattan Rep's Play Production Workshop   We will bring to life a workshop production of your play in NYC!   https://www.manhattanrep.com/workshop       Manhattan Rep's Play Production Program   Let us help you self-produce your best play in New York City or anywhere in the world.   https://www.manhattanrep.com/play-production-program       AND...   Also, Check out Manhattan Rep's INSTAGRAM    @manhattanrepertorytheatre       Email: How2WritePlays@yahoo.com

I have been so inspired to discover the brilliant British-American violinist Tamsin Waley-Cohen's wonderful discography and I so enjoyed this opportunity to talk to her about her creative life. She spoke to me about the debut of her sister's violin concerto and you'll hear about Freya Waley-Cohen's earlier work Permutations. Tamsin has performed and recorded extensively with the great pianist and composer Huw Watkins and you'll also be hearing short excerpts from their album “Reflection” including two works written for Tamsin: Huw's Violin Sonata and the late Oliver Knussen's Reflection. She opened up about postpartum anxiety, depression,and also the creativity parenting requires, and connected to that, her upcoming album with Cordelia Williams “Dreamscapes and Lullabies”. Tamsin is Artistic Director of the Two Moors Festival in the U.K. and she shared her thoughtful curation of their upcoming October programming. We also talked about the satisfaction and intensity of touring and her wholistic approach to playing the violin. Finally, Tamsin shared some powerful musical memories with some of her great mentors. Complete Show Notes with all the LINKS! You can also watch the video on my YouTube, I've also linked the transcript along with Tamsin's website, other suggested episodes, newsletter, podcast merch: LINKS(00:00) Intro(02:13) Freya Waley-Cohen composer and sister, Permutations and Unveil with clips, new concerto(17:05) album Reflection with Huw Watkins with many clips of music by Oliver Knussen, Watkins, Prokofiev, Stravinsky(32:27) C.P.E. Bach sonatas, playing on gut strings(37:04) other suggested episodes and ways to support this podcast(38:05) motherhood, anxiety and depression, matrescence with clip of 3rd mvt Prokofiev F minor Sonata(50:28) new project “Dreamscapes and Lullabies” with Cordelia Williams (56:37) balancing her performance career,(59:28) Two Moors Festival 2026 programs(01:05:53) ECHO award, approach to music making with clip of Stravinsky 5th mvt Duo Concertante(01:13:41) practicing violin, Prussia Cove, András Keller. Ruggiero Ricci, Stephen Kovacevich(01:18:16) Tüür's Memoirs with Colin Currie

We were at the dress rehearsal of BIRDY, one Hung Dance's most critically acclaimed productions, which will be premiering in New York at NYU Skirball on July 17 & 18th. BIRDY explores the relationship between freedom, limitation, and identity through a distinctive movement language inspired by Tai Chi, traditional Peking opera and contemporary dance. Related Links: https://talkingtaiwan.com/birdy-explores-universal-themes-of-freedom-limitation-and-identity-relevant-to-taiwan-ep-353/ We sat down to speak with Lai Hung-Chung, Choreographer and Artistic Director of Hung Dance about his artistic vision for BIRDY and Wei-Ping Chen the dance company's Operations Director. Lai told us that the themes of freedom, limitation, and identity not only reflect his personal struggles but also relate to Taiwan's situation.   Hung Dance is an award-winning Taiwanese contemporary dance company founded in 2017. The troupe's name comes from the Chinese character 翃 (Hóng), meaning to fly.   Related Links: https://talkingtaiwan.com/birdy-explores-universal-themes-of-freedom-limitation-and-identity-relevant-to-taiwan-ep-353/

Prague Shakespeare Festival Coriolanus: Act 3, Scene 3July 15, 2026 “There is a world elsewhere.” Guy Roberts came to the Czech Republic, a country literally ‘born in theatre', with the dream of creating an English language theatre company in the heart of Europe. After nearly two decades of experience living and working in a city with over eight centuries of theatre history, the founder and Artistic Director of Prague Shakespeare Company presents an “old-world” model with lessons for the theatre makers of tomorrow. "Change your life, change the world, Speak Shakespeare." Click here for information about The Prague Shakespeare Festival Click here for Guy Roberts Ted Talk. Click here to follow along with the text. Click here for a First Folio Version.

Roise Goan, Artistic Director and CEO of Dublin Theatre Festival, unveils this year's Dublin Theatre Festival Programme.

Crystal Manich has directed over 90 productions of opera, plays, musical theatre, and circus across the USA, Argentina, Australia, and Europe. Her work has been acclaimed by the New York Times, The Wall Street Journal, and other major publications for her “lively” and “imaginative staging.” She wrote and directed her first opera libretto, Time to Act, written with composer Laura Kaminsky, which premiered at the Pittsburgh Opera in 2026. I saw Time to Act and found it to be well-written, hard-hitting, and compelling. She is also the writer-director for Triângulo: A Mixed Martial Arts Opera, which premieres in 2027.Crystal served as Artistic Director for Cirque du Soleil's Crystal and previously on Quidam. She directed the opera The Copper Queen as a western-thriller feature film for Arizona Opera, garnering an award at the 2021 Toronto International Women's Film Festival.She was nominated for a 2021 Chicago EMMY for a multi-camera livestream of Daniel Catán's Spanish-language opera La Hija de Rappaccini for Chicago Opera Theater at the Field Museum.Crystal holds a BFA in Drama-Directing and a Master's in Arts Management from Carnegie Mellon University, a certificate in Business and Management of Entertainment from UCLA Extension, and a Professional Certificate in Screenwriting from UCLA.

For this Out Takes, we were very excited to welcome back MIFF a.k.a the Melbourne International Film Festival which is back in cinemas and online this August. Our special guest was Al Cossar, the Artistic Director of the Melbourne International Film Festival, who discussed with us many of the queer highlights and special events on offer for this year’s festival. We also heard from Dr Patrick Kelly who has curated two films, My Own Private Idaho’ and ‘Scorpio Rising’, that are coming to the Capitol Theatre on Tuesday July 21 for ‘The Best Films You’ve Never Seen: Queer Edition’. The post MIFF 2026 with Al Cossar and the ‘Best Films You’ve Never Seen – Queer Edition’ with Dr Patrick Kelly appeared first on Out Takes.

HMSG Interview Whit Flint! “Eraserhead”This week we finally chat about one of our favorite films, David Lynch's debut feature, ERASERHEAD (1977). We brought along all of our sweet baby faces to discuss, including friend of the show and multi-hyphenate Whit Flint to get into all the gory details!  We hope you enjoy this freshly served episode!Pardon some of our sound elements this episode! We had some technical challenges this week with our audio in some spots! Sierra is on vacation! More about our Guest! Whit Flint is a theatre and film writer / director, known for a style and avant garde approach based in new European surrealism and theatre of the absurd. He has directed over 30 productions internationally and serves as Artistic Director of the theatre collective, Riot Act, founded in 2015 in East London. Whit received his MFA from East 15 at The University of Essex in the UK and also studied at the Russian Institute of Theatre Arts in Moscow. He was also a member of the Young Vic Directors' Programme and an Invitee Director of Toneelgroep Amsterdam. His life's obsession with the plays of Anton Chekhov has led him to adapt and direct all of the iconic writer's major works, including a radical reimagining of The Seagull entitled The Misbegotten Hope of the Dirty Bird, which will premiere in Brooklyn, New York Fall of 2026. As a filmmaker he wrote and directed Artéfact's recent short films, Lulu and a meditation of Sophocles' plays, Tragic Figure. As an actor, Whit's career spans four and a half decades, most notably in Steven Spielberg's Jurassic Park and most recently received a Broadway World Best Performer nomination as Vanya in the site specific production, Gross Old Man. Whit is also an accomplished abstract painter and is based in Los Angeles.Whit Flint on IMDB: https://www.imdb.com/name/nm0381035/?ref_=mv_descFollow Whit Flint here: https://www.instagram.com/whithertford/Check out Whit's Art here: https://www.instagram.com/whitflint/Support the show

What happens when a ballet company invests in its dancers' futures both on and off the stage?In this episode of The Brainy Ballerina Podcast, I'm joined by Jill Marlow Krutzkamp, former professional dancer and current Artistic Director of the Louisville Ballet Studio Company.Jill shares the story behind an exciting partnership between Louisville Ballet and Bellarmine University that allows dancers to pursue a Bachelor of Arts in Arts Administration while continuing their professional training.Key “Pointes” in this Episode: Jill's professional journey from dancer to arts leader The partnership between Louisville Ballet and Bellarmine University Why higher education matters for aspiring professional dancers Arts administration as a career pathway Preparing dancers for life beyond performance Building sustainable careers in the dance industry The value of dual-career development for young artistsConnect with JillLOUISVILLE BALLET WEBSITE: louisvilleballet.orgLOUISVILLE BALLET STUDIO COMPANY: louisvilleballet.org/studio-company/INSTAGRAM: instagram.com/jillekrutzLinks & Resources:SHOP MSeam Apparel: https://mseamapparel.com/ (use code BRAINY25 at checkout for 25% off all items)SHOP ORZA: www.orzabrand.com (use code BRAINYBALLERINA for 10% off)Let's connect!My WEBSITE: thebrainyballerina.comINSTAGRAM: instagram.com/thebrainyballerinaQuestions/comments? Email me at caitlin@thebrainyballerina.com

Ken Wolf, Artistic Director of Manhattan Repertory Theatre in New York City, presents the 495th episode of THE PLAYWRITING PODCAST. Episode Story Topic: Writing a Musical!   AND ONLY at Howtowriteplays.com MY PREMIERE PLAYWRITING COACHING - A year long program where I help you write a perfect play, and teach you everything you need to know about Playwriting and connecting your plays to theatres and producers. Now 40% off!    Book it here:   https://www.howtowriteplays.com/premiere-playwriting-coaching   Playwriting Coaching  - 40% off -  Book it here:  https://www.howtowriteplays.com/consulting-coaching   AT MANHATTANREP.COM Check out our 3 Tiers of developing your play in NYC with Manhattan Rep: Manhattan Rep's Play Production Reading We will put together a Professional Reading of your play in NYC! https://www.manhattanrep.com/reading   Manhattan Rep's Play Production Workshop We will bring to life a workshop production of your play in NYC! https://www.manhattanrep.com/workshop   Manhattan Rep's Play Production Program Let us help you self-produce your best play in New York City or anywhere in the world. https://www.manhattanrep.com/play-production-program   AND... Also, Check out Manhattan Rep's INSTAGRAM  @manhattanrepertorytheatre   Email: How2WritePlays@yahoo.com

July 10, 2026This week Erika B. Hess returns to the podcast to talk about the Chautauqua Visual Arts Program at the Chautauqua Institution. The program, which was founded in 1909, features a residency program, visiting artists and faculty, public lectures, and exhibitions by professional and emerging artists at The Fowler-Kellogg Art Center & Strohl Art Center.

Tom was born and raised in New Jersey. He grew up in the town of Howell, where he attended the Fine and Performing Arts Center at Howell High School. Upon graduation, he attended Mason Gross School of the Arts at Rutgers University (obtaining a BFA in acting), where he also had the opportunity to study Shakespeare at the Globe Theatre in London, England. Tom's first professional job was on the long-running CBS daytime show Guiding Light. During the two and a half years he was on the show, he was nominated for four consecutive Daytime Emmy Awards, winning twice (in 2006 and 2008). Having worked in theater, television, and independent film, he eventually became a series regular on the hit Cinemax show Banshee, playing former neo-Nazi Kurt Bunker. Tom is a founding member and the current Artistic Director of the Apothecary Theatre Company—a NYC-based non-profit that develops and produces world premieres of new plays by up-and-coming playwrights. He made his Broadway debut in 2012 as Judy Garland's last husband, Mickey Deans, in the critically acclaimed End of the Rainbow, directed by Tony Award Winner Terry Johnson. Since his breakout in Ozark and David Fincher's Mank, he has gone on to star in Outer Range, Love and Death, She Said, and HBO's Task. Considering that this interview was done via Zoom (a TOA first), as a means of moving forward in spite of the COVID-19 pandemic, it is befitting that this episode of That One Audition retells the stories of adaptation and triumph that landed Tom Pelphrey right here. Credits: Task Ozark Banshee Outer Range Mank Love and Death She Said Iron Fist Guiding Light Guest Links: IMDB: Tom Pelphrey, actor Instagram: @tommypelphrey THAT ONE AUDITION'S LINKS: For exclusive content surrounding this and all podcast episodes, sign up for our amazing newsletter at AlyshiaOchse.com. And don't forget to snap and post a photo while listening to the show and tag me: @alyshiaochse & @thatoneaudition THE BRIDGE FOR ACTORS: Become a WORKING ACTOR (50% off special) THE PRACTICE TRACK: Membership to Practice Weekly CONSULTING: Get 1-on-1 advice for your acting career from Alyshia Ochse COACHING: Get personalized coaching from Alyshia on your next audition or role INSTAGRAM: @alyshiaochse INSTAGRAM: @thatoneaudition WEBSITE: AlyshiaOchse.com APPLE PODCASTS: Subscribe to That One Audition on Apple Podcasts SPOTIFY: Subscribe to That One Audition on Spotify STITCHER: Subscribe to That One Audition on Stitcher EPISODE CREDITS: HOST/PRODUCER: Alyshia Ochse WRITER: Maddie McCormick WEBSITE & GRAPHICS: Chase Jennings SOCIAL: Alara Cerikcioglu

Petite Jamilla is an internationally acclaimed belly dancer, choreographer, instructor, and performer who began her professional career at just 15 years old. Trained from childhood by her mother, folkloric dancer Jamilla Rasa, and further inspired by Polynesian dance, she has dedicated her life to bridging traditional folkloric roots with contemporary belly dance. Petite Jamilla toured internationally for nearly a decade with Bellydance Superstars, where she became renowned for her signature Double Veil performances, served as the company's spokesperson, and briefly held the role of Artistic Director. A multiple award-winning artist, accomplished choreographer, musician, and sought-after teacher, she continues to share her passion for dance through workshops, performances, and creative projects, inspiring dancers around the world with her distinctive artistry and lifelong commitment to the art form.In this episode you will learn about:- How growing up with a belly dancing mother shaped one dancer's entire artistic journey- What it was like to spend nearly a decade touring the world with Bellydance Superstars- How a fascination with whirling transformed into a signature style of turns and veil work- The emotional transition from an international touring career to motherhood and family life- What it's like to teach belly dance to your own daughter—and let her discover her own voiceShow Notes to this episode:Follow Petite Jamilla on FB, and Instagram.Details the BDE shows and training programs are available at www.JoinBDE.comFollow Iana on Instagram, FB, and Youtube . Check out her online classes and intensives at the Iana Dance Club.Find information on how you can support Ukraine and Ukrainian belly dancers HERE.Podcast: www.ianadance.com/podcast

In this episode of The Impostor Syndrome Files, we talk about career reinvention, identity and what happens when the path you've spent your life pursuing no longer feels aligned. My guest this week is Kate Kayaian, author, speaker and former professional cellist.Kate shares her journey from building a successful career in classical music to realizing, after decades as a performer, that the identity she had always carried no longer fit. We explore the emotional complexity of walking away from something you once loved, especially when it has shaped your sense of self for most of your life.In our conversation, we discuss the stories we tell ourselves about success, obligation and what we “should” want. Kate reflects on the guilt that can come with changing direction after years of investment and achievement, and why so many people stay in careers that no longer fulfill them because they fear disappointing others or starting over.We also talk about how impostor syndrome shows up during periods of transition, the importance of reassessing old narratives and how reconnecting with childhood curiosity can offer clues about what's next. Kate shares why she believes career pivots are becoming increasingly common and why permission to evolve matters more than ever.Finally, we explore the idea that closing one chapter does not erase who we've been. Kate reminds us that we can honor past versions of ourselves while still creating space for new possibilities, new identities and new ways of contributing.About My GuestKate Kayaian is an author, speaker, and career strategist for high achievers who want to build lives of impact, purpose, and sustainable success. A former professional cellist, Kate performed as a soloist, chamber musician, and recitalist in venues ranging from Boston's Jordan Hall to leading European concert halls. She trained at the New England Conservatory of Music and held a fellowship with the New World Symphony Orchestra under Michael Tilson Thomas. Today, Kate's work centers on helping accomplished professionals—creatives, executives, educators, and entrepreneurs—define success on their own terms and create careers that feel as good as they look. Through her 1:1 coaching and her signature group program, the Creatives Leadership Academy, she guides clients to develop clarity, confidence, and the practical strategies needed to lead at the highest level without sacrificing their well-being. She is the author of Beyond Potential, a practical guide for high performers navigating the next chapter of their professional lives, and the host of Tales from The Lane, a podcast exploring the hidden challenges and unexpected joys of success. As a sought-after speaker, Kate delivers keynotes and workshops on leadership presence, mindset transformation, and redefining what's possible for high achievers across industries. Alongside her private practice, Kate serves as President and Artistic Director of the Bermuda Philharmonic Orchestra, where she continues to champion creativity, collaboration, and innovation in the arts. She lives on the island of Bermuda, where she spends her days coaching clients around the world, writing, speaking, and tending to her garden.~Connect with Kate:Website: https://katekayaian.com/ Freebie: https://mailchi.mp/585d0fbc5a61/quarterly-retreat-planning-guide~Connect with Kim and The Impostor Syndrome Files:Join the free Impostor Syndrome Challenge:https://www.kimmeninger.com/challengeLearn more about the Leading Humans discussion group:https://www.kimmeninger.com/leadinghumansgroupJoin the Slack channel to learn from, connect with and support other professionals: https://forms.gle/Ts4Vg4Nx4HDnTVUC6Join the Facebook group:https://www.facebook.com/groups/leadinghumansSchedule time to speak with Kim Meninger directly about your questions/challenges: https://bookme.name/ExecCareer/strategy-sessionConnect on LinkedIn:https://www.linkedin.com/in/kimmeninger/Website:https://www.kimmeninger.com

Today on conduct(her) Kyra and McKenna interview Dr. Marie Bucoy-Calavan, Artistic Director of Choral Arts in Washington D.C.

Creativity through the lens of a multi-hyphanate creative"Creativity is: Authenticity. Helping others find themselves."Alexandra Beller, Artistic Director of Alexandra Beller/Dances, (2002-present), was a member of the Bill T. Jones/Arnie Zane Dance Company from 1995-2001. Alexandra has created over 50 original Dance Theatre works, presented at/commissioned by theatres throughout NYC, and companies in Korea, Hong Kong, Oslo, Cyprus, and the US. Alexandra currently choreographs predominantly for Theatre. Credits: Off Broadway: Sense and Sensibility (Helen Hayes Award, Lortel Nomination, IRNE Best Choreography), The Mad Ones (59E59), Bedlam's Peter Pan (Duke Theatre), How to transcend a happy marriage (Lincoln Center Theatre). Regional: La Jolla Playhouse, The Goodman Theater, Folger Shakespeare Library, ART, Portland Center Stage, Milwaukee Rep. She was on faculty at Princeton from 20152022 and teaches at The Laban Institute for Movement Studies. She currently runs workshops in Somatics, Theater, Laban, Bartenieff, coaches private Somatics clients, and is writing 2 books.https://www.alexandrabeller.com/https://www.alexandrabellerdances.org/https://www.instagram.com/alexandrabellerdances/https://www.linkedin.com/in/alexandra-beller-0a56a57/https://www.tiktok.com/@thelabanistahttps://www.facebook.com/alexandrabellerdanceshttps://www.youtube.com/channel/UC8suG0TLGKqufov8IpqLrKwSend us Fan Mail

This month on Laura Flanders & Friends we're lifting up the people, the stories, and the ideas driving disability justice forward.  This week, two artists expand our ideas about beauty, mobility and inclusion. This show is made possible by you! To become a sustaining member go to LauraFlanders.org/donate Description:  As the nation marks another anniversary of the Americans with Disabilities Act (ADA), disability advocates are calling attention to the work still left undone—from expanding accessibility and representation in public life to protecting disability rights and ensuring equitable access to the arts. In this episode, Laura Flanders speaks with two groundbreaking performance artists whose work challenges assumptions about disability, creativity, and who gets to belong in our cultural spaces. Alice Sheppard, acclaimed wheelchair dancer, choreographer, and artistic director of Kinetic Light, and Jess Thom, performer, comedian, and founder of Touretteshero, explore how disability and neurodiversity expand artistic possibility rather than limit it. Through their work, they invite audiences to rethink conventional ideas of beauty, access, productivity, and "normalcy." In conversation with Laura, they examine the role of art in advancing social change, the importance of disabled leadership in cultural institutions, and why accessibility should be understood not as an accommodation for a few, but as a creative and democratic practice that benefits everyone. At a moment when disability rights, inclusive design, and authentic representation remain pressing civic issues, Sheppard and Thom offer a vision of a richer, more imaginative society—one that recognizes difference as a source of collective strength, innovation, and cultural vitality. Guests:  Alice Sheppard: wheelchair dancer and choreographer, artistic director, Kinetic Light. Jess Thom: performer, comedian and founder of Touretteshero.   Watch the episode released on our YouTube channel; PBS World Channel 11:30am ET Sundays and on over 300 public stations across the country (check your listings, or search here via zipcode); and airing on community radio (check here to see if your station airs the show) & available as a podcast. Related Laura Flanders Show Episodes: •Design for Justice: Disabled Hackers are Leading the Way •Special Report: Ableism Out, Independent Living Now! •F-Word: Inclusive Design and Me Related Articles and Resources: • “I Dance Because I can.” by Sheppard, Alice, The New York Times, February 27th, 2019.  • “Road Map for Inclusion: Changing the Face of Disability in Media” by Heumann E, Judith, The Ford Foundation, April 2019.  •Risk Pool. Triple Canopy, Issue #24. Published from January 17, 2018 to April 25, 2019. •“When it come to sex, are your Sins Invalid?” by Silverberg, Cory. Interview with  Sins Invalid founders Leroy Moore and Patricia Berne. •Touretteshero Welcome to Biscuit Land: A Year in the Life of Touretteshero by Jess Thom Bios: Alice Sheppard is the Artistic Director of Kinetic Light, as well as a choreographer and dancer in the company.  Read More Jess Thom, British performer, comedian and activist. Thom created Touretteshero to increase awareness of and expand perceptions of what is possible with Tourette's Syndrome. Read More   Laura Flanders and Friends Crew: Laura Flanders-Executive Producer, Writer; Sabrina Artel-Supervising Producer; Jeremiah Cothren-Senior Producer; Veronica Delgado-Video Editor, Janet Hernandez-Communications Director; Jeannie Hopper-Audio Director, Podcast & Radio Producer, Audio Editor, Sound Design, Narrator; Sarah Miller-Development Director, Nat Needham-Editor, Graphic Design emeritus; David Neuman-Senior Video Editor, and Rory O'Conner-Senior Consulting Producer. FOLLOW Laura Flanders and FriendsInstagram: https://www.instagram.com/lauraflandersandfriends/Blueky: https://bsky.app/profile/lfandfriends.bsky.socialFacebook: https://www.facebook.com/LauraFlandersAndFriends/Tiktok: https://www.tiktok.com/@lauraflandersandfriendsYouTube: https://www.youtube.com/channel/UCFLRxVeYcB1H7DbuYZQG-lgLinkedin: https://www.linkedin.com/company/lauraflandersandfriendsPatreon: https://www.patreon.com/lauraflandersandfriendsACCESSIBILITY - The broadcast edition of this episode is available with closed captioned by clicking here for our YouTube Channel

Ariel Fristoe: Theater as a Civic CommonsWhat happens when theater stops asking audiences simply to watch and starts inviting communities to listen, speak, and act?In this conversation, Bill Cleveland talks with Ariel Fristoe, founder and Artistic Director of Out of Hand Theater in Atlanta, about a lifetime spent reclaiming theater's oldest purpose—not entertainment alone, but civic life. Together they explore how storytelling, conversation, and community partnerships can become practical tools for reducing polarization, strengthening democratic participation, and helping neighbors encounter one another as fellow human beings rather than strangers.From foster parenting to community organizing, from performances in living rooms to citywide dinners on racial equity, Ariel describes a practice built on a deceptively simple recipe: Art to open hearts. Information to open minds. Conversation to inspire action.In this episode:Why theater originally existed as a civic commons—and why Ariel believes it should become one again.The story behind Decatur Dinners, where more than 1,200 strangers gathered in homes across one city for conversations about race.Ariel's vision for a modern “federal theatre project” that would put artists to work helping communities address their most pressing challenges.How community conversations created through theater can strengthen civic participation and democratic life.ART IS CHANGE Episode 184 Notable MentionsPeopleAriel Fristoe — Founder and Artistic Director of Out of Hand Theater, nationally recognized for developing theater-based civic engagement models that combine performance, dialogue, and community action.Bill Cleveland — Host of Art Is Change, artist, researcher, and founder of the Center for the Study of Art & Community.Dr. Martin Luther King Jr. — Civil rights leader whose vision of the “Beloved Community” profoundly influences Ariel's work and the mission of Out of Hand Theater.Bryan Stevenson — Civil rights attorney, founder of the Equal Justice Initiative, and author of Just Mercy. Ariel references his conviction that hope is the enemy of injustice.Malunga Casquelourd — Congolese cultural leader and teaching artist whose work at San Quentin Prison used traditional storytelling, music, and movement to create dialogue across prison factions.Nikki Young — Playwright whose work appears in the Decatur Dinners performance excerpt featured in this episode.Jesenia Ingram — Atlanta actor performing the excerpt from Nikki Young's play during the Decatur Dinners segment.Brian Goldstone — Journalist and anthropologist whose Pulitzer Prize-winning book There Is No Place for Us examines housing insecurity and the working poor in Atlanta.Organizations & InitiativesOut of Hand Theater — Atlanta-based theater company working at the intersection of art, civic engagement, and social justice through performances, community dialogue, and partnerships.Community Impact Lab — Out of Hand Theater's national training initiative helping artists, activists, and community leaders develop arts-based civic engagement projects.“Equitable Dinners” — Out of Hand's signature model combining a short play, shared meal, facilitated dialogue, and concrete civic action.“Shows in Homes” — Long-running initiative bringing professional theater into private homes to spark conversations around difficult community issues.“We Hold These Truths” — Out of Hand Theater's America250 initiative using four original plays and community dinners to encourage conversations across political, racial, and cultural differences.Center for the Study of Art & Community — Producer of Art Is Change.Charles F. Kettering Foundation — Partner through its Democracy and the Arts program.National Endowment for the Arts — Federal arts agency supporting public access to the arts, including Out of Hand's America250 initiative.The King Center — Atlanta institution dedicated to advancing Dr. King's philosophy of nonviolence.The Carter Center — International nonprofit advancing peace, democracy, and public health.National Center for Civil and Human Rights — Atlanta museum and educational center exploring links between the U.S. Civil Rights Movement and global human rights.United Way of Greater Atlanta — Regional nonprofit working to improve education, housing, and economic mobility.Atlanta Regional Commission — Metropolitan planning agency serving the Atlanta region.Mixed Blood Theatre — Minneapolis theater company licensing Out of Hand's community dinner model.RealTime Arts — Pittsburgh arts organization presenting Out of Hand's civic engagement model.Events & ProjectsAmerica250 — National commemoration of the 250th anniversary of the Declaration of Independence, inspiring Out of Hand's “We Hold These Truths” initiative.“Decatur Dinners” — Landmark civic arts initiative in which more than 1,200 participants gathered in homes across Decatur for performances and conversations about racial equity.Publications & ResearchThere Is No Place for Us: Working and Homeless in America — Brian Goldstone's Pulitzer Prize-winning investigation into working homelessness in Atlanta.International Journal of Arts Management — Peer-reviewed journal publishing Ariel Fristoe's research on Out of Hand Theater's community-centered business model.Journal of Arts Management, Law, and Society — Scholarly journal publishing research related to arts management and cultural policy.American Theatre — National publication covering nonprofit theater, including Out of Hand Theater's America250 initiative.“Out of Hand Theater: Monetizing Creativity”— Harvard Business School case study examining Out of Hand Theater's innovative business model.Places & InstitutionsMartin Luther King Jr. National Historical Park — Historic district where Ariel Fristoe lives and works.Hope-Hill Elementary School — Neighborhood school Ariel describes as transforming her understanding of segregation and systemic racism.San Quentin Rehabilitation Center — California correctional institution referenced in Bill Cleveland's story about arts-based conflict resolution.Boston Children's Theatre — Historic theater where

Episode 679 also includes an E.W. Poetic Piece titled, “Light After Dark.” Thank you to Rob Roth for introducing me to Vangeline. Commercial Free, Small Batch Radio Crafted in the West Mountains of Northeastern Pennsylvania... Heard All Over The World. Tell Your Friends and Neighbors.

RHR interviews Christine Gevert, Founder and Artistic Director of Crescendo.We talk about the upcoming Choral Workshops and Talks taking place at Saint James Place, 352 Main Street, Great Barrington, MA Wednesdays, July 8 – August 5, 2026at Saint James Place, 352... Read More ›

Ken Wolf, Artistic Director of Manhattan Repertory Theatre in New York City, presents the 494th episode of THE PLAYWRITING PODCAST. Episode Story Topic: Developing Grit!   All my Playwriting Services are 40% off until Wednesday Night July 1 at Midnight. Check it all out at the link below: https://www.manhattanrep.com/playwright   Check out our 3 Tiers of developing your play in NYC with Manhattan Rep: Manhattan Rep's Play Production Reading We will put together a Professional Reading of your play in NYC! https://www.manhattanrep.com/reading   Manhattan Rep's Play Production Workshop We will bring to life a workshop production of your play in NYC! https://www.manhattanrep.com/workshop   Manhattan Rep's Play Production Program Let us help you self-produce your best play in New York City or anywhere in the world. https://www.manhattanrep.com/play-production-program   AND... Also, Check out Manhattan Rep's INSTAGRAM  @manhattanrepertorytheatre And... Playwriting Coaching  -  Book it here:  https://www.manhattanrep.com/playwriting-coaching at 40% off! Email: How2WritePlays@yahoo.com

Rachel Chavkin received the 2019 Tony Award, Drama Desk Award, and Outer Critics Circle Award for Best Director of a Musical for Anaïs Mitchell's Hadestown. She is a director, writer, and dramaturg, as well as the founding Artistic Director of Brooklyn-based ensemble the TEAM (theteamplays.org), an internationally renowned experimental company whose consensus-driven collaborative process was the subject of the documentary The TEAM Makes a Play (directed by Emmy winner Paulette Douglas). Additional selected: Dave Malloy's Natasha, Pierre, & The Great Comet of 1812 (Broadway featuring Denée Benton & Josh Groban); Carson Kreitzer and Matt Gould's Lempicka (Williamstown); Caryl Churchill's Light Shining in Buckinghamshire (New York Theatre Workshop), Marco Ramirez's The Royale (Old Globe, Lincoln Center); Bess Wohl's Small Mouth Sounds (Ars Nova, Off-Broadway, National Tour); Sarah Gancher's I'll Get You Back Again (Round House); and multiple collaborations with Taylor Mac, including The Lily's Revenge, Act 2 (HERE). In addition to her awards for Hadestown, Chavkin is a recipient of a Tony Award nomination for Best Direction of a Musical, three Obie Awards, a Drama Desk Award, multiple Lortel Award nominations, two Doris Duke Impact Award nominations, and the 2017 Smithsonian Award for Ingenuity along with Dave Malloy. Her first film, Remind Me, was an official selection of the Venice and Beverly Hills Film Festivals. Feature film  - Hadestown and Shrew's Nest (Paramount). Proud NYTW Usual Suspect and Member SDC. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Kingston Chamber Music Festival is the subject of this week's program with Natalie Zhu, Artistic Director. We talk about the upcoming Festival and listen to some of the amazing music that will be presented from July 24th to August 2nd. For more information, you can go to www.kingstonchambermusic.org

Front Row Classics is pleased to welcome Oz enthusiast Sean Barrett. Brandon and Sean discuss the effect of The Wizard of Oz on his life and the time he spent at Artistic Director of The Land of Oz theme park. They also chat about its evolution and inspiration to multiple generations. Sean also has credits in film, television and live theater. 

Hudson Valley Shakespeare's summer season is underway in its first permanent home, the Samuel H. Scripps Theater Center. Designed to immerse audiences and actors in the rich landscape of the Hudson Valley, its unique indoor-outdoor setting for the company's open-air productions offers an unparalleled theater experience.The 2026 Season includes Shakespeare's 'As you Like It' and 'King Lear' this month, and in August, a production of 'Les Mis.' Davis McCallum is the Artistic Director and joins us for a preview this morning.

Alessio Bax is a remarkable Italian born classical pianist - a recitalist, a chamber musician, and a soloist. He's appeared with nearly 200 orchestras, including the New York, London, Royal, and St. Petersburg Philharmonics. He has collaborated with Joshua Bell and his wife, Lucille Chung, another world-class concert pianist, among many others. He's the founding Artistic Director of the London Festival of Chamber Music. He performs regularly at festivals all around the world including at Tanglewood. And he's on the piano faculty of the New England Conservatory.  My featured song is “Ma Petite Fleur String Quartet”, my recent release. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for Start Here Click here for All Episodes  Click here for Guest List  Click here for Guest Testimonials Click here for Pillars Click here for Robert's Project Grand Slam Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH ALESSIO:www.alessiobax.com —---------------------------------------- ROBERT'S NEWEST RELEASE:“THE BUZZ” - Ft. Darius de Haas (vocals) and Dave Eggar (Celo). Short, Sweet and Totally Different CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- Audio production: Jimmy RavenscroftKymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com    

Welcome Sean Barrett Front Row Classics is pleased to welcome Oz enthusiast Sean Barrett. Brandon and Sean discuss the effect of The Wizard of Oz on his life and the time he spent at Artistic Director of The Land of Oz theme park. They also chat about its evolution and inspiration to multiple generations. Sean … Continue reading Ep. 464-Chatting All Things Oz with Sean Barrett →

Ever After Productions presents Julian Adair's talented choreography in "A Suite for Small Spaces III" a New Dance Work by Julian Adair. This will be a beautiful and innovative production that you will want to get your tickets NOW for! We talked with Julian Adair, President/Director/Instructor of Adair Dance Academy and Artistic Director of Ever After Productions. Julian has spent 40 years of her life dedicated to teaching students of all ages about the benefits and beauty of dance, and this production is another installment - and a celebration - of her amazing career! Dates: Thursday, July 2 at 7pm and Friday July 3 at 6:30 and 8:30.  Tickets are $15. Tickets and Website: https://shelterbelt.org Shelterbelt Theatre, 4383 Nicholas Street, Ste 204, Omaha, NE HOW TO LISTEN TO THE PLATTE RIVER BARD PODCAST Listen at https://platteriverbard.podbean.com or anywhere you get your podcasts. We are on Apple, Google, Pandora, Spotify, iHeart Radio, Podbean, Overcast, Listen Now, Castbox and anywhere you get your podcasts. You may also find us by just asking Alexa. Listen on your computer or any device on our website: https://www.platteriverbard.com. Find us on You Tube: https://youtube.com/channel/UCPDzMz8kHvsLcJRV-myurvA. Please find us and Subscribe!    

Ken Wolf, Artistic Director of Manhattan Repertory Theatre in New York City, presents the 493rd episode of THE PLAYWRITING PODCAST. Episode Story Topic: A CALL TO ACTION!   EVERYTHING - all my playwriting services at ManhattanRep.com are 40% off until June 30, 2026 MY PREMIERE PLAYWRITING COACHING - A year long program where I help you write a perfect play, and teach you everything you need to know about Playwriting and connecting your plays to theatres and producers. Now 40% off!    Book it here:   https://www.manhattanrep.com/premiere   ALL MY OTHER PLAYWRITING SERVICES are 40% off including Playwriting Coaching and Script Consultations and can be found at: https://www.manhattanrep.com/playwright   Check out our 3 Tiers of developing your play in NYC with Manhattan Rep: Manhattan Rep's Play Production Reading We will put together a Professional Reading of your play in NYC! https://www.manhattanrep.com/reading   Manhattan Rep's Play Production Workshop We will bring to life a workshop production of your play in NYC! https://www.manhattanrep.com/workshop   Manhattan Rep's Play Production Program Let us help you self-produce your best play in New York City or anywhere in the world. https://www.manhattanrep.com/play-production-program   AND... Also, Check out Manhattan Rep's INSTAGRAM  @manhattanrepertorytheatre And... Playwriting Coaching  -  Book it here at 40% off!  https://www.manhattanrep.com/playwriting-coaching   Email: How2WritePlays@yahoo.com

Gregory Doran stops by on this bonus episode to discuss his production of Shakespeare's Venus and Adonis, performed by puppetry and narrated by Simon Russell Beale. As part of the chat, Doran also dives into the prompts behind his new book Walking Shadow, based on diary entries and experiences following the death of his husband, the legendary actor Antony Sher. Hosted on Acast. See acast.com/privacy for more information.

Twenty years ago, Abraham Burickson and his collaborators asked a simple question: what if a work of art were designed for just one person? Instead of creating experiences for the masses, they spent months crafting deeply personal journeys for an audience of one. That experiment grew into a new way of thinking about design, participation, and transformation. In this revisited episode, Dart and Abraham discuss what those lessons can teach us about management, why experience cannot be fully designed, and how organizations can become platforms for people to create meaning together.Abraham Burickson is an author, speaker, and experience designer who has spent more than two decades exploring how designed experiences can transform people. He is the co-founder and Artistic Director of Odyssey Works and the author of Experience Design: A Participatory Manifesto.In this episode, Dart and Abraham discuss:- How to create a transformative experience for a single individual- Can managers be experience designers?- Why experience is not designable- How to implement experience design at work- Baking experiences within static products- Designing for transformation- Work as a shared experience- The origin story and myths of organizations- And other topics…Abraham Burickson is an author, experience designer, and artist who has spent more than two decades exploring how design shapes human experience. He is the co-founder and Artistic Director of Odyssey Works, where he creates immersive performances for audiences of one, and co-directs the Experience Design Certificate Program. Trained in architecture at Cornell University, his work spans art, design, education, and consulting. He is the author of Experience Design: A Participatory Manifesto and co-author of Odyssey Works: Transformative Experiences for an Audience of One.Resources mentioned:Experience Design, by Abraham Burickson: https://www.amazon.com/Experience-Design-Participatory-Abraham-Burickson/dp/0300269471Odyssey Works, by Abraham Burickson: https://www.amazon.com/Odyssey-Works-Transformative-Experiences-Audience/dp/1616895152The Anatomy of Genres, by John Truby: https://www.amazon.com/Anatomy-Genres-Story-Forms-Explain/dp/0374539227Connect with Abraham:https://www.abrahamburickson.com/https://www.owprograms.com/Work with Dart:Dart is the CEO and co-founder of the work design firm 11fold. Build work that makes employees feel alive, connected to their work, and focused on what's most important to the business. Book a call at 11fold.com.

Send us Fan MailThis week we're talking about the transformative power of arts education for young learners. All across Georgia, DECAL partners with the Alliance Theater in a program bringing drama, music, puppetry, and dance to enhance language, literacy, and math skills for rising Pre-K and Kindergarten students participating in our Summer Transition Program. Joining us to talk about our partnership is Chris Moses, Artistic Director with the Alliance Theater, Susan Adams is our Deputy Commissioner for Georgia's Pre-K Program and Instructional Supports, and Devon Porter is Summer Transition Program and Outreach Manager.Support the show

Bard SummerScape is an annual multi-arts summer festival offering programs in dance, theater, opera, music, and more.Highlights include the Bard Music Festival, SummerScape Opera, major premieres through Fisher Center LAB, and the Spiegeltent.Bard SummerScape is a must-visit destination for breathtaking, thought-provoking performances and gatherings in an idyllic Hudson River Valley setting. There is A LOT. So, we will get a preview of event with Gideon Lester - Fisher Center Artistic Director and Chief Executive.

Nathan Schram is a 2x Grammy winning composer and the violist of the Attacca Quartet. He has collaborated with Sting, Björk, Billie Eilish, David Crosby, and Becca Stevens, among others. He is an Honorary Ambassador to the city of Chuncheon, South Korea. He's released three solo records and several with Attacca, two of which won Grammys for Best Chamber Music Performance. His arrangement of a Radiohead song was nominated for a Grammy. He's also the Founder and Artistic Director of Musicambia which develops music programs and performances inside prisons and jails. His latest work, “Let Me Out”, delves into the world of artificial intelligence. My featured song is “The Week”, from the album East Side Sessions by Project Grand Slam. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for Start Here Click here for All Episodes  Click here for Guest List  Click here for Guest Testimonials Click here for Pillars Click here for Robert's Project Grand Slam Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH NATHAN:www.nathanschramnoise.com —---------------------------------------- ROBERT'S NEWEST RELEASE:“THE BUZZ” - Ft. Darius de Haas (vocals) and Dave Eggar (Celo). Short, Sweet and Totally Different CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- Audio production: Jimmy RavenscroftKymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com    

Since Autumn first met Leila Awadallah at her aikido dojo, she's wanted to have her on the show. We are blessed to learn Leila's story on our penultimate episode of our art as solidarity season!Leila Awadallah (she/her) is a dancer, choreographer, and film wanderer based between Minneapolis, Mni Sota Makoce and Beirut, Lebanon. Her research in dance centers movement that activates relationships to land / place / peoples, rooted in the context of her own skin as a body and soul that holds indigenous Palestinian, Arab-American, SWANA, Sicilian and mixed Mediterranean worlds and ways. She is the Artistic Director and Founder of the Body Watani (body-as-homeland) dance project and practice in collaboration with Noelle Awadallah, Co-Artistic Director.---⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TRANSCRIPT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠---⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SUPPORT OUR SHOW⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Endoftheworldshow---HTS ESSENTIALS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SUPPORT Our Show on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Endoftheworldshow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠PEEP us on IG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/endoftheworldpc/⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠

Today on the Conversations on Dance podcast we are joined by Susan Jaffe, Artistic Director of American Ballet Theatre. Susan reflects on ABT's Spring Season, the challenges of the Met season shifting later into summer, and the company exceeding attendance goals while continuing strong ticket sales. She talk about how Executive Director Barry Hughson's arrival has strengthened fundraising and operations, freeing her to focus on artistic work. She previews the upcoming Met lineup—two weeks of Swan Lake, Cranko's Onegin, and 10 performances of Don Quixote with seven Kitri/Basilio casts. Jaffe details her Don Quixote refresh: keeping the 1978 production, tightening storytelling and pacing, making music cuts, adjusting mime and choreography, and more. See ABT at the Met June 17 - July 18th. Tickets available at ABT.org: https://www.abt.org/performances/summer-season/Listen to our other episodes with Susan here: https://www.conversationsondancepod.com/search?q=susan+jaffeListen to Conversations on Dance ad-free on Patreon: https://www.patreon.com/cw/conversationsondance____________________________________Introduction: Conversations on Dance with Susan JaffeJoin hosts Rebecca King Ferraro and Michael Sean Breeden on the latest episode of the "Conversations on Dance" podcast as they engage with Susan Jaffe, the esteemed artistic director of American Ballet Theatre (ABT). They dive into the intricacies of ABT's performances, the innovations under Jaffe's leadership, and the exciting future of ballet.Reflections on the Spring SeasonSusan Jaffe begins by reflecting on the challenges and triumphs of ABT's spring season. Originally set for mid-April at the Metropolitan Opera House, a shift pushed performances into summer, prompting concerns about audience engagement. Despite these challenges, ABT exceeded attendance expectations, experiencing what Susan coined as “Timothée Chalamet moments” – standing ovations each night. With the support of Executive Director Barry Hughson, the company navigated these changes with finesse, focusing on enriching its artistic offerings while maintaining strong ticket sales.Previewing the Met Season: New Approaches and Old FavoritesAs the discussion shifts to upcoming performances at the Metropolitan Opera House, Susan announces a packed lineup featuring two weeks of "Swan Lake", George Cranko's emotionally rich "Onegin", and a refreshed "Don Quixote" (Don Q). The conversation reveals how adjustments to the season were strategically planned to cater to both New York residents and the influx of summer tourists.Don Quixote Gets a RefreshThe process behind updating "Don Quixote" was intricate, with Susan focusing on tightening storytelling, enhancing choreography, and making selective cuts to maintain audience engagement. Her collaboration with renowned figures such as Susan Jones and forthcoming music director David LaMarche highlights a commitment to retaining the piece's essence while injecting fresh energy.Conclusion: An Invitation to Experience the MagicThe episode closes with an invitation from Susan Jaffe for audiences to experience the magic of ABT's upcoming performances. With refreshed classics and bold new directions, each ballet is crafted to captivate and inspire. Whether a longtime fan or a newcomer, ABT's vibrant season promises unforgettable experiences for all.Join the ConversationListen to the full episode for a detailed exploration of ABT's artistic journey. Subscribe to "Conversations on Dance" for more illuminating discussions on ballet's vibrant tapestry. Visit conversationsondancepod.com for more information and to explore sponsorship opportunities.LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceCOD MerchListen to COD on YouTubeJoin our email listSponsorship information Hosted on Acast. See acast.com/privacy for more information.