Podcasts about artistic directors

Playing on Air's Leadership team, Artistic Director, Joshua Kahan Brody and Associate Artistic Director & Creative Producer, Garlia Cornelia Jones ‪announce the '25 - '26 Season! Their 1st season together! ​ This new season includes 5 plays, 4 of which are World Premieres and 3 of which are commissions and 1 Playing on Air regular! • 73, SK. Written by Else Went, Directed by Emma Rosa Went • THE CORNER CAFE Written by Charles Mee, Directed by Tom Dugdale • A HEADSPACE MEDITATION Written by Mara Nelson-Greenberg, Directed by Sarah Lunnie • FATHER'S SIN Written by Maleek Rae, Directed by Goldie E. Patrick • THE RED COAT Written and Directed by John Patrick Shanley   WATCH the '25-'26 Announcement Here! ​ Visit our website: www.playingonair.org/2526-season to learn more about the season and SUBSCRIBE to Listen to our upcoming season! ​

Playing on Air is back for a new season!  We've got 5 plays for '25 - '26 Season, 4 of which are new plays, and 3 of those new plays are commissions.  First up, is "73, SK." by Else Went, directed by Emma Rosa Went. "73, SK" features a company of actors each making their Playing on Air debut! We are thrilled to welcome: Olivia Rose Barresi, Paul Joseph Bernardo, Zachary Desmond, Chukwudi Iwuji and Joe McGurl. Playing on Air is hosted by Artistic Director, Joshua Kahan Brody and Associate Artistic Director & Creative Producer, Garlia Cornelia Jones.  ABOUT THE PLAY, "73, SK.": In the Central Coast of California, a community exists over the airwaves, an obscure group of radio operators who key up to discuss the minutiae of their lives and the county's goings on. When an unfortunate event reduces their number, the remaining members mourn, and return to life with renewed purpose. Hosted by Joshua Kahan Brody & Garlia Cornelia Jones Produced by Garlia Cornelia Jones & Joshua Kahan Brody Recording, editing and sound design by John Kilgore Theme Music by Tom Kochan Radio jingle composed and arranged by John Kilgore "Side by Side" Music and lyrics by Harry M. Woods.  Arrangement by Charlie Rosen Featuring Vocal Trio: The New York Nightingales: Katy Lombardi, Brianna Barnhart & Natasha Bergman.  The New York Nightingales was Founded by Jennifer Mergele. Season Artwork: Tylar Greer-Travis Visit our website, www.playingonair.org for more information and to support our programming.

Exploring the connections between Bharata Natyam dance and zazen, Anusha Enryu Fernando helps listeners remember the joy of practice.This conversation was originally recorded on the Paths of Practice Podcast. Listen to more episodes HERE.Today's podcast is brought to you by BetterHelp. Give online therapy a try at betterhelp.com/beherenow and get on your way to being your best self.This time on the BHNN Guest Podcast, Anusha and Vincent discuss:Zen practice and doing full-body meditationsBharata Natyam: a sacred and ancient dance that focuses on the mind-body connectionPaying attention to the body so intently that there is no space for thoughtThe non-abiding mind and continuing to move through human experienceUnderstanding the devotional gestures that are built into zen practiceAnusha's profound experience learning Sanskrit for both ancient dance and studying the dharma The most important vow: to really be alive in this lifeFood preparations, making offerings, and connecting with the ancestors through foodHow people get stuck on the first noble truth and forget that there is joy in practiceCheck out The Great Vow Zen Monastery in Oregon and learn more about residencies, workshops, and more.About Anusha Enryu Fernando:Anusha Enryu Fernando was born in Sri Lanka to a Theravadin Buddhist family. Her grandparents founded the Vipassana Meditation Centre located in Colombo, Sri Lanka in 1957. She began practicing Zen Meditation with Hogen and Chozen Roshi in 2007, and became a dharma holder in 2021. She holds a BA in Religious Studies, specializing in Buddhism and Hinduism from McGill University, and a Masters of Arts in Asian Studies from the University of British Columbia, specializing in Sanskrit. In her dissertation, she translated a Sanskrit poem of the life story of the Buddha, called the Padyacudamani. Enryu has been a teacher and performer of Bharata Natyam, a form of Indian Classical Dance, for the past thirty years and is the founder and Artistic Director of Shakti Dance Society. She has also been the book purchaser at Banyen Books and Sound, Vancouver's iconic spiritual and metaphysical bookstore, for the past twenty-eight years. She is the mother of an adult daughter and lives with her husband, parents, and multiple furry friends in Vancouver, Canada. Read more about Anusha's work in Shakti Dance HERE."Movement is a huge part of the experience of zazen. You're not sitting there like a fallen rock. The connecting with just the aliveness of that experience, that juicy, wonderful aliveness which is movement, is the practice.” –Anusha Enryu FernandoAbout Vincent Moore:Vincent Moore is a creative and creative consultant living in San Francisco, California, with over a decade of experience in the entertainment industry and holds a graduate degree in Buddhist Studies. For years, he performed regularly at the Upright Citizens Brigade Theatre, an improv and sketch comedy theatre based in New York and Los Angeles. As an actor, Vincent performed on Comedy Central, The Tonight Show Starring Jimmy Fallon, The Late Show with Seth Meyers, Above Average, and The UCB Show on Seeso. As a writer, he developed for television as well as stage, including work with the Blue Man Group, and his own written projects have been featured on websites such as Funny or Die. Additionally, he received a Masters of Buddhist Studies from the Institute of Buddhist Studies with a Certificate in Soto Zen Studies and engages in a personal Buddhist practice within the Soto Zen tradition. Vincent is also the creator and host of the podcast, Paths of Practice, which features interviews with Buddhists from all over the world. Learn more on Vincent's website HERE.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We preview Saturday night's Candlelight Concert at First Presbyterian Church in downtown Racine. We speak with Jim Schatzman and Pat Badger, Artistic Director and Associate Conductor respectively of the Choral Arts Society, which is headlining the concert. Other participants will include Mark Paffrath, Victoria Vollman, and dancers from the Studio of Classical Dance Arts.

In this episode of Mission Matters, Adam Torres interviews Abraam Mikhael, Co-Founder, Artistic Director & Filmmaker at the Hollywood Arab Film Festival. Abraam talks about his journey from pharmacy and clinical work to film school and festival leadership, and how his Arab, Christian, immigrant background shapes his storytelling. He also shares the mission behind the festival—to bring authentic, human-centered Arab and diaspora stories to Los Angeles—and gives a glimpse into his upcoming production company and debut feature film centered on redemption and spiritual truth. Follow Adam on Instagram at https://www.instagram.com/askadamtorres/ for up to date information on book releases and tour schedule. Apply to be a guest on our podcast: https://missionmatters.lpages.co/podcastguest/ Visit our website: https://missionmatters.com/ More FREE content from Mission Matters here: https://linktr.ee/missionmattersmedia Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode of Mission Matters, ⁠Adam Torres⁠ interviews ⁠Abraam Mikhael⁠, Co-Founder, Artistic Director & Filmmaker at the Hollywood Arab Film Festival. Abraam talks about his journey from pharmacy and clinical work to film school and festival leadership, and how his Arab, Christian, immigrant background shapes his storytelling. He also shares the mission behind the festival—to bring authentic, human-centered Arab and diaspora stories to Los Angeles—and gives a glimpse into his upcoming production company and debut feature film centered on redemption and spiritual truth. Follow Adam on Instagram at ⁠https://www.instagram.com/askadamtorres/⁠ for up to date information on book releases and tour schedule. Apply to be a guest on our podcast: ⁠https://missionmatters.lpages.co/podcastguest/⁠ Visit our website: ⁠https://missionmatters.com/⁠ More FREE content from Mission Matters here: ⁠https://linktr.ee/missionmattersmedia⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ken Wolf, Artistic Director of Manhattan Repertory Theatre in New York City, presents the 467th episode of THE PLAYWRITING PODCAST. Episode Story Topic: The Three Things you need to FOCUS ON when you are writing a play! LAST DAY! SPECIAL BLACK FRIDAY WEEK SALE on Playwriting Services until Monday December 1, 2025. Everything I offer is on Sale with a BIG DISCOUNT  - up to 50% off! Check it out here! https://www.manhattanrep.com/black-friday   Check out my BIG Brand New Playwriting Event: HOW TO WRITE A FANTASTIC PRODUCTION-BASED PLAY IN 28 DAYS! https://www.manhattanrep.com/28dayplay Check out our 3 Tiers of developing your play in NYC with Manhattan Rep: Manhattan Rep's Play Production Reading We will put together a Professional Reading of your play in NYC! https://www.manhattanrep.com/reading Manhattan Rep's Play Production Workshop We will bring to life a workshop production of your play in NYC! https://www.manhattanrep.com/workshop Manhattan Rep's Play Production Program Let us help you self-produce your best play in New York City or anywhere in the world. https://www.manhattanrep.com/play-production-program   AND... Also, Check out Manhattan Rep's INSTAGRAM  @manhattanrepertorytheatre   And... MY PREMIERE PLAYWRITING COACHING - A year long program where I help you write a perfect play, and teach you everything you need to know about Playwriting and connecting your plays to theatres and producers. Now 30% off  Book it here:   https://www.manhattanrep.com/premiere   And lastly, My Coaching Program: Write your Own One Actor Show is 30% off  https://www.manhattanrep.com/one-actor-show   Email: How2WritePlays@yahoo.com

Episode 126 of our B>Podcast. BIDE Artistic Director, Sebastián García Ferro, interviews Francesca Abela Tranter, Artistic Director of Dance Festival Malta.

In this NBN episode, host Hollay Ghadery speaks with Yvonne Blomer about her stunning narrative poetry, Death of Persephone: A Murder (Caitlin Press, 2024). In Death of Persephone, the patriarchal myth of the maiden taken, raped, and made the potent and sexualized queen of the underworld is questioned, altered, flipped. Instead, we have Stephanie, a girl of seven, taken and raised by her Uncle H. who is obsessed by her, tries to control her, to keep her, to have her even as she blooms out from underneath him. In poems both lyrical and narrative, a woman paints Hecate on a building, a Hyacinth Macaw flies overhead, a detective bumbles from crime to crime. This is a city with a vast underground where bats hang and paperwhites bloom, a city where men still rule. Who sees what, who will pay, and who will survive in this ancient story altered at the core? About Yvonne Blomer: Yvonne Blomer is the author of the critically acclaimed poetry collections The Last Show on Earth (Caitlin Press, 2022) and As if a Raven (Palimpsest Press, 2015) as well as the travel memoir Sugar Ride: Cycling from Hanoi to Kuala Lumpur (Palimpsest Press, 2017). Blomer served as the city of Victoria poet laureate from 2015 to 2018. Through poetry, she has raised awareness for the plight of the Pacific Ocean and its ecology. She is the creator and editor of Refugium: Poems for the Pacific (Caitlin Press, 2017), the first in a trilogy of water-based poetry anthologies that was followed by Sweet Water: Poems for the Watershed (Caitlin Press, 2020). She was the Artistic Director for the weekly Planet Earth Poetry series and edited the anthology Poems for Planet Earth. Yvonne recently edited Hologram: Homage to P.K. Page (Caitlin Press, 2023). She has been longlisted for the CBC Poetry Prize and shortlisted for the Montreal Poetry Prize and the Troubadour International Poetry Prize and won the Gwendolyn MacEwen Poetry Prize for Death of Persephone. She has performed at reading series and festivals in cities across the country and has had poems published in Canada, the UK and Japan. Yvonne lives, works and raises her family on the traditional territories of the WSÁNEĆ (Saanich), Lkwungen (Songhees), Wyomilth (Esquimalt) peoples of the Coast Salish Nation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this NBN episode, host Hollay Ghadery speaks with Yvonne Blomer about her stunning narrative poetry, Death of Persephone: A Murder (Caitlin Press, 2024). In Death of Persephone, the patriarchal myth of the maiden taken, raped, and made the potent and sexualized queen of the underworld is questioned, altered, flipped. Instead, we have Stephanie, a girl of seven, taken and raised by her Uncle H. who is obsessed by her, tries to control her, to keep her, to have her even as she blooms out from underneath him. In poems both lyrical and narrative, a woman paints Hecate on a building, a Hyacinth Macaw flies overhead, a detective bumbles from crime to crime. This is a city with a vast underground where bats hang and paperwhites bloom, a city where men still rule. Who sees what, who will pay, and who will survive in this ancient story altered at the core? About Yvonne Blomer: Yvonne Blomer is the author of the critically acclaimed poetry collections The Last Show on Earth (Caitlin Press, 2022) and As if a Raven (Palimpsest Press, 2015) as well as the travel memoir Sugar Ride: Cycling from Hanoi to Kuala Lumpur (Palimpsest Press, 2017). Blomer served as the city of Victoria poet laureate from 2015 to 2018. Through poetry, she has raised awareness for the plight of the Pacific Ocean and its ecology. She is the creator and editor of Refugium: Poems for the Pacific (Caitlin Press, 2017), the first in a trilogy of water-based poetry anthologies that was followed by Sweet Water: Poems for the Watershed (Caitlin Press, 2020). She was the Artistic Director for the weekly Planet Earth Poetry series and edited the anthology Poems for Planet Earth. Yvonne recently edited Hologram: Homage to P.K. Page (Caitlin Press, 2023). She has been longlisted for the CBC Poetry Prize and shortlisted for the Montreal Poetry Prize and the Troubadour International Poetry Prize and won the Gwendolyn MacEwen Poetry Prize for Death of Persephone. She has performed at reading series and festivals in cities across the country and has had poems published in Canada, the UK and Japan. Yvonne lives, works and raises her family on the traditional territories of the WSÁNEĆ (Saanich), Lkwungen (Songhees), Wyomilth (Esquimalt) peoples of the Coast Salish Nation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

For thousands of years, Greek tragedies have helped people make sense of fear, grief, conflict, and the complexities of being human. Bryan Doerries—co-founder and Artistic Director of Theater of War Productions and a newly selected Tällberg-SNF-Eliasson Global Leadership Prize winner—has spent nearly two decades bringing these timeless texts to contemporary audiences. In this episode, he reflects on how classical stories open space for empathy, dialogue, and healing in the 21st century. By stripping away the myth that our struggles are unique to our time, Doerries helps reveal what connects us across cultures and generations.

In this NBN episode, host Hollay Ghadery speaks with Yvonne Blomer about her stunning narrative poetry, Death of Persephone: A Murder (Caitlin Press, 2024). In Death of Persephone, the patriarchal myth of the maiden taken, raped, and made the potent and sexualized queen of the underworld is questioned, altered, flipped. Instead, we have Stephanie, a girl of seven, taken and raised by her Uncle H. who is obsessed by her, tries to control her, to keep her, to have her even as she blooms out from underneath him. In poems both lyrical and narrative, a woman paints Hecate on a building, a Hyacinth Macaw flies overhead, a detective bumbles from crime to crime. This is a city with a vast underground where bats hang and paperwhites bloom, a city where men still rule. Who sees what, who will pay, and who will survive in this ancient story altered at the core? About Yvonne Blomer: Yvonne Blomer is the author of the critically acclaimed poetry collections The Last Show on Earth (Caitlin Press, 2022) and As if a Raven (Palimpsest Press, 2015) as well as the travel memoir Sugar Ride: Cycling from Hanoi to Kuala Lumpur (Palimpsest Press, 2017). Blomer served as the city of Victoria poet laureate from 2015 to 2018. Through poetry, she has raised awareness for the plight of the Pacific Ocean and its ecology. She is the creator and editor of Refugium: Poems for the Pacific (Caitlin Press, 2017), the first in a trilogy of water-based poetry anthologies that was followed by Sweet Water: Poems for the Watershed (Caitlin Press, 2020). She was the Artistic Director for the weekly Planet Earth Poetry series and edited the anthology Poems for Planet Earth. Yvonne recently edited Hologram: Homage to P.K. Page (Caitlin Press, 2023). She has been longlisted for the CBC Poetry Prize and shortlisted for the Montreal Poetry Prize and the Troubadour International Poetry Prize and won the Gwendolyn MacEwen Poetry Prize for Death of Persephone. She has performed at reading series and festivals in cities across the country and has had poems published in Canada, the UK and Japan. Yvonne lives, works and raises her family on the traditional territories of the WSÁNEĆ (Saanich), Lkwungen (Songhees), Wyomilth (Esquimalt) peoples of the Coast Salish Nation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

What happens when you put someone on stage to tell their personal story in front of their community? Unexpected and unforgettable connection. In this episode of Cut to the Chase: Podcast, Gregg Goldfarb sits down with David Levy, the Founder and Artistic Director of Cincinnati's True Theatre, for an eye-opening conversation about the power of unscripted, real-life storytelling. Inspired by The Moth, David built a thriving storytelling community in Cincinnati where everyday people take the stage to share honest, personal stories around universal themes, from love to crime to the color blue. In this episode, David pulls back the curtain on how True Theatre operates: how storytellers are selected, how themes are chosen, how live events are produced, and why authenticity—not performance—creates the deepest human connection. Whether you're a storytelling enthusiast, a lawyer looking to improve your narrative skills, or simply curious about personal growth and community-building, this episode offers inspiring stories and a roadmap for getting involved (or even launching your own storytelling event).   What to expect in this episode: How True Theatre turns ordinary people into unforgettable storytellers The secret behind using single-word themes to spark powerful, unexpected stories What really happens behind the scenes: pitches, coaching, and picking the perfect lineup Why raw, unscripted stories connect audiences more than polished performances How storytelling strengthens communities and deepens human connection The surprising ways storytelling transforms self-awareness and personal growth How to start your own storytelling event (with no prior experience) Why authenticity (not perfection) is the ultimate storytelling superpower Upcoming themes for True Theatre: True Love (Jan 22, 2026), True Bird, and a return of True Crime Stay tuned for more updates, and don't miss our next deep dive on Cut to the Chase: Podcast with Gregg Goldfarb!   Subscribe, rate, review, and share this episode of the Cut to the Chase: Podcast!   Resources: Attend a live True Theatre show or livestream: https://truetheatre.org  Pitch a story or start a similar event: Email David Levy at dave@truetheatre.org  Follow @truetheatre on Instagram & Facebook for updates The Moth: https://themoth.org    This episode was produced and brought to you by Reignite Media.  

“Going into high school, I did everything possible to avoid the performing arts. My vice principal called me into the office and said, ‘you can't have an open period. I'm gonig to put you in choir.' Within weeks, it became a life-changing experience for me – I discovered a community, a way to express myself. I knew by the end of my junior year in high school that this is what I wanted to do.” - Brandon Elliott“If you are coming as a conductor to composing, you already have a resource that a lot of composers lack. You know what your singers need. You have already identified a lack in the repertoire that you're looking for, something that you might fill as a composer. If you can get into that mindset with your own ensemble, you'll be so ready, so prepared to take that on for other groups.” - Dale TrumboreDale Trumbore is a Los Angeles-based composer and writer whose music has been called “devastatingly beautiful” (The Washington Post) and praised for its “soaring melodies and beguiling harmonies deployed with finesse” (The New York Times). Trumbore's compositions have been performed widely in the U.S. and internationally by Atlanta Master Chorale, the Chicago Symphony's MusicNOW ensemble, Conspirare and the Miró Quartet, Los Angeles Children's Chorus, Los Angeles Master Chorale, National Youth Choir of Scotland, Pasadena Symphony, Phoenix Chorale, and Seraphic Fire.Trumbore is the recipient of ACDA's inaugural Raymond W. Brock Competition for Professional Composers, an ASCAP Morton Gould Award, and a Chamber Music America Classical Commissioning Grant. She has written extensively about working through creative blocks and establishing a career in music in essays and in two books, Composing a Living (cowritten with Brandon Elliott) and Staying Composed. Learn more about Trumbore's music and writing at daletrumbore.com.Dr. Brandon Elliott is a conductor, educator, and consultant specializing in creative and strategic leadership in the arts and entertainment industry. He is a Professor of Music at Saddleback College and Founder & Artistic Director of Choral Arts Initiative, an award-winning ensemble dedicated to contemporary choral music. A sought-after consultant and Fulbright Specialist, he advises on artist management, organizational change, career development, and the evolving music industry.To get in touch with Dale, you can visit her website, daletrumbore.com, where you can also sign up for her newsletter. To get in touch with Brandon, visit his website, brandon-elliott.com, which also provides links to his social media accounts.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

After a three-year hiatus, I’m excited to be back with MikeyPod. This conversation with Kevin (as a robot) Laibson is exactly what I needed—it cracked open things I’ve been grappling with in my own work. I’ve been thinking about AI and human interaction as I work on my creative projects, and Kevin is exploring these same questions through performance. He’s a director and performer working at the intersection of live performance and emerging technology. His solo show The Harmnf—an adaptation of Chekhov using AI tools—is a meditation on failure, alienation, and our relationship with technology. We talk about directing AI actors, how the show evolved, and what he’s learned about human error and connection when technology mediates everything. This is the kind of peer thinking I need—someone building serious work at the edge of what performance can be. Get tickets for this weekend’s performance of The Harmnf right here. Based in New York City, Kevin Laibson is a director, performer, and educator working at the intersection of live performance and emerging technology. As a mixed-reality artist, he explores what happens when human creativity meets AI and code. His work has been featured at SXSW, SIGGRAPH, and venues including National Sawdust, The Flea, and Abrons Arts Center. He’s served as Artistic Director of Magic Futurebox and The Peoples Improv Theater, and currently leads XR performance research at Agile Lens in collaboration with institutions like the Royal Shakespeare Company and NYU. His solo performance The Harmnf—an adaptation of Chekhov using AI tools—is a meditation on failure, alienation, and our uneasy relationship with technology. This podcast is powered by my subscribers on Patreon who, in addition to the warm feeling they get from co-creating with me, get lots of sweet perks including bonus podcast episodes, free downloads, zines, and more! This week's bonus podcast will feature an extended conversation with today's guest, Kevin! Learn more right here!

Ken Wolf, Artistic Director of Manhattan Repertory Theatre in New York City, presents the 466th episode of THE PLAYWRITING PODCAST. Episode Story Topic: Moving a Play in to NYC from Montana! SPECIAL BLACK FRIDAY WEEK SALE on Playwriting Services until Monday December 1, 2025. Everything I offer is on Sale with a BIG DISCOUNT  - up to 50% off! Check it out here! https://www.manhattanrep.com/black-friday   Check out my BIG Brand New Playwriting Event: HOW TO WRITE A FANTASTIC PRODUCTION-BASED PLAY IN 28 DAYS! https://www.manhattanrep.com/28dayplay Check out our 3 Tiers of developing your play in NYC with Manhattan Rep: Manhattan Rep's Play Production Reading We will put together a Professional Reading of your play in NYC! https://www.manhattanrep.com/reading Manhattan Rep's Play Production Workshop We will bring to life a workshop production of your play in NYC! https://www.manhattanrep.com/workshop Manhattan Rep's Play Production Program Let us help you self-produce your best play in New York City or anywhere in the world. https://www.manhattanrep.com/play-production-program   AND... Also, Check out Manhattan Rep's INSTAGRAM  @manhattanrepertorytheatre   And... MY PREMIERE PLAYWRITING COACHING - A year long program where I help you write a perfect play, and teach you everything you need to know about Playwriting and connecting your plays to theatres and producers. Now 30% off  Book it here:   https://www.manhattanrep.com/premiere   And lastly, My Coaching Program: Write your Own One Actor Show is 30% off  https://www.manhattanrep.com/one-actor-show   Email: How2WritePlays@yahoo.com

On this week's episode of Out and About, Dr. Mae Gilliland of ArtsPartners of Central Illinois talks with Dr. Joshua Russell, the new Artistic Director of the Peoria Area Civic Chorale.

Doc Talk travels to Amsterdam for IDFA, the world's biggest docmentary festival. We speak with new Artistic Director Isabel Arrate Fernandez about assuming leadership of the festival after many years heading up the IDFA Bertha Fund. Arrate Fernandez discusses reaction to the festival's controversial decision to ban Israeli organiations that accept money from Israel's government to support their activities. We also visit with Brazilian filmmaker Petra Costa in Amsterdam. Her Oscar-contendng Netflix documentary, Apocalypse in the Tropics, explores the rise of Christian nationalism in Brazil. Costa tells us her film has directly led to the launch of an investigation into her protagonist, fiery televangelist Sila Malafaia, a key backer of former right-wing President Jair Bolsonaro. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textA few days before ars ad hoc presents the Portuguese premiere of his String Quartet 2.5 "Playing with Seeds" [2017] at the Serralves Museum, American composer George E. Lewis  (Chicago, 1952) shares some reflections on his long-standing fascination with the classical trope of depiction in American music. A professor in Columbia University's Department of Music and the Edwin H. Case Professor of American Music, Lewis is also the Artistic Director of the International Contemporary Ensemble, as well as co-editor and co-author of "Composing While Black: Afrodiasporic New Music Today." While pondering the question, “If we get what we want, what will it sound like?”, Lewis has been creating a series of musical meditations on the sound of decolonisation. Can music function as sociological research? Well, why not?credits: Weathering [2023], for symphonic orchestra | American Composers Orchestra; Vimbayi Kaziboni > conductorvortextemporum.com

About This Episode: This week on Stageworthy, host Phil Rickaby welcomes Fiona Sauder, co-founder and Artistic Director of Bad Hats Theatre. Known for their inventive, musical, family-friendly adaptations of classic literature, Bad Hats has become one of Toronto's most celebrated indie theatre companies. Fiona shares the origin story of the company, beginning with a serendipitous brewery production of Peter Pan and growing into a long-standing partnership with Soulpepper, as well as their upcoming production of Narnia. This episode explores: The origins and evolution of Bad Hats Theatre How Fiona approaches adapting iconic children's literature Theatre as a space of joy, presence, and shared imagination Fiona's artistic journey from Ottawa to George Brown to Soulpepper And much more! Guest:

Paavali Jumppanen, directeur artistique de ANAM fait le point sur Harmonies du Soir, un festival de musique de chambre proposant plusieurs concerts donnés par des musiciens exceptionnels du Australian National Academy of Music. Les concerts auront lieu du 27 au 29 novembre prochain.

On this week's episode of Out and About, Dr. Mae Gilliland of ArtsPartners of Central Illinois talks with Jessie Williams, Artistic Director of Central Illinois Ballet, about their upcoming production of The Nutcracker.

Recorded live at the State Library of NSW, this episode of Baroque Banter takes you on a captivating journey into the origins and afterlife of Handel's Messiah. Ahead of Pinchgut Opera's upcoming performance of the Original 1742 Dublin Version, Dr Erin Helyard, Artistic Director of Pinchgut Opera and Associate Professor at the University of Sydney, guides us through the rich history, context, and evolution of Handel's masterpiece. The episode also features a special live performance by mezzo-soprano Ashlyn Tymms, accompanied by Erin on harpsichord. Select Bibliography Donald Burrows, Handel: Messiah (Cambridge Music Handbooks, 1991) Lydia Goehr, The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (Oxford, 1992) Charles King, Every Valley: The Story of Handel's Messiah (Random House, 2024) Ruth Smith, Charles Jennens: The Man Behind Handel's Messiah (Handel House Trust, 2012) Ruth Smith, Handel's Oratorios and Eighteenth-Century Thought (Cambridge University Press, 1995)

Screenwriter Vince Gilligan is the creative mind behind the multi-awardwinning television dramas Breaking Bad and Better Call Saul. His latest offering is Pluribus - a post-apocalyptic science fiction tale where it's up to the only miserable human being on earth to save the world.The news that Durham's Lumiere festival is coming to an end has led to a political row in the North East. Helen Marriage, Artistic Director of Artichoke, the arts organisation behind the event, on creating Lumiere and why this year's edition could be the final one.Cherie Federico, Director of the York-based Aesthetica Short Film Festival, and Philip Illson, Artistic Director of the London Short Film Festival discuss how short films are rising up the cultural agenda.Reselling tickets to live events for a profit is to be banned by the government. Annabella Coldrick, CEO of the Music Managers Forum started the FanFair campaign back in 2016 to take a stand against profiteering in the secondary ticketing market. Presenter: Nick Ahad Producer: Ekene Akalawu

In this episode of Improv and Magic, we spotlight the transformative world of improvisation with guest Jill Eickmann, co-founder and Artistic Director of Leela Improv Theatre. Known for her holistic approach to improv, Jill shares insights on ensemble building, truthful artistic play, and the healing power of performance.Jill Eickmann is a nationally recognized improvisational theatre artist, director, and educator. She co-founded Leela Improv, a bi-coastal training center and theatre company based in San Francisco and Raleigh. With over 20 years of experience, Jill has designed Leela's seven-level improv curriculum, rooted in authenticity, collaboration, and joyful play.Her background includes an MA in Drama Therapy from the California Institute of Integral Studies, training with renowned institutions such as iO, Annoyance Theatre, and Upright Citizens Brigade, and corporate workshops for companies like Google, YouTube, Facebook, IBM, Visa, and McKinsey & Company.Beyond teaching, Jill is a performer and drama therapist who integrates improvisation with therapeutic practices, emphasizing connection, creativity, and self-expression.In this episode, Jill discusses the mission of Leela Improv: truthful, artistic play that blends authenticity with ensemble-driven creativity. She explores how improv fosters community, risk-taking, and resilience, both on stage and in everyday life. Jill shares her journey from studying acting and drama therapy to building one of the most respected improv training centers in the U.S.Tune in to hear Jill Eickmann's inspiring perspective on improvisation as both an art form and a tool for personal growth. This episode is a must-listen for anyone passionate about improv, theatre, or creative collaboration.Find out more about Jill at jilleickmann.com, and follow Leela Improv Theater at leela-nc.com.Don't forget to like and review! For more information on LD Madera and how you can sponsor an episode of Improv and Magic, visit ldmadera.com.

David Girard, Artistic Director of Troy Foundry Theatre, is back for the third year playing ALL the characters in an adaptation of Charles Dickens' classic "A Christmas Carol." We discuss the timeless appeal of the story, how it resonates in today's world, and the tricks to tackling a one-man show.   This episode is sponsored by Harbinger Theatre's production of "Swing State" running Nov 15 - 23, 2025

From Frost to Flame – Featuring Nicholas Tamagna A Concert to Benefit Crescendo’s Musical Productions Sunday – November 22, 2025 – 4:00 PM Lime Rock Trinity Church – Lime Rock CT

From Frost to Flame – Featuring Nicholas Tamagna A Concert to Benefit Crescendo’s Musical Productions Sunday – November 22, 2025 – 4:00 PM Lime Rock Trinity Church – Lime Rock CT

We're joined this week by artist Rachel Wright of VirtuoSew Adventures. Ancient history, particularly Egypt, is what captivates and drives her embroidery. For Rachel, it's not the finished product that she enjoys. It's the process of developing a piece and the many adjustments that are involved in getting the needlework to tell the story she wants shared and does so in just the right way. When she needs a break from, what is intense work, she turns to canvas work for an escape. Her approach and insight into her inspiration can be explored in her book, “Dreams of Amarna: Stitching an Egyptological Adventure.” According to Anthea Godfrey, Artistic Director, The Embroiderers Guild, “Dreams of Amarna is an inspirational book that explores Rachel Mary Wright’s passion for ancient Egyptian culture and art. Her enthusiasm for reinventing the visual ideas she has come to admire manifests itself in her own textile journey, which will, I’m sure, encourage embroiderers to do the same.”—Gary Listen to the podcast: Watch the video You can listen by using the player above or you can subscribe to Fiber Talk through iTunes, Amazon Music, Spotify, Audible, Google Podcasts, TuneIn, Podbay, and Podbean. To receive e-mail notification of new podcasts, provide your name and e-mail address below. We do not sell/share e-mail addresses. Here are some links: Rachel Wright’s website VirtuoSew Adventures on Instagram We hope you enjoy this week’s conversation with Rachel Wright. We’re always looking for guests, so let me know if there is someone you’d like me to have on the show.–Gary To add yourself to our mailing list and be notified whenever we post a new podcast, provide your name and email address below. You won’t get spam and we won’t share your address.

Trailed last week in our main episode, editor-in-chief Alex Wood sits down with Alan Cumming, who has just announced a jam-packed, star-studded first season at Pitlochry Festival Theatre. He may not be taking a salary, but he isn't taking his time either – delivering a huge bill of shows with strong international names. He also discusses his time workshopping the all-male Company under the direction of John Tiffany, and what he hopes to achieve for the much-loved Scottish venue. Hosted on Acast. See acast.com/privacy for more information.

This week, Newport Classical is the subject of the program, with Trevor Neal, Artistic Director. We talk about their upcoming Annual Holiday Concerts, which will run at many locations in the Newport area, and listen to music related to those performances. For more information, go to www.newportclassical.org

This week we're excited to present a special conversation with Peter Hujar's Day director Ira Sachs. An NYFF63 Main Slate selection, Peter Hujar's Day is now playing daily at FLC. Get tickets at filmlinc.org/hujar FLC and Janus Films recently presented a deep-dive discussion into the inspiration behind the film and the connection between Peter Hujar and his deeply felt legacy in New York City. Held in the Amphitheater at the Elinor Bunin Munroe Film Center, this free talk with writer/director Ira Sachs was moderated by Antonio Monda, writer and Artistic Director of the international literary festival Le Conversazioni. The photographer Peter Hujar, whose images exist in an important lineage and dialogue with the work of groundbreaking gay artists such as Robert Mapplethorpe, forms the center of the latest movie by fearless independent American filmmaker Ira Sachs. Based on rediscovered transcripts from an unused 1974 interview by nonfiction writer Linda Rosenkrantz (played by Rebecca Hall), in which she asked Hujar (Ben Whishaw) to narrate the events of the previous day in minute detail, Peter Hujar's Day is a mesmerizing time warp, an illustration of the life of the creative mind, the quotidian and the imaginative at once, fully and lovingly inhabited by its two brilliant actors.

In this episode of F1RST2KNOW, host Elicia sits down with Scotty Scott, Executive and Artistic Director at Yavapai College Performing Arts Center, to discuss the upcoming stage production of Sense and Sensibility — a fresh, non-musical take on Jane Austen's timeless classic.F1RST2KNOW is part of the CAST11 Podcast Network of Prescott. Check out the podcast network website with ALL the shows at: https://CAST11.com Follow the CAST11 Podcast Network on Facebook at: https://Facebook.com/CAST11AZFollow Cast11 Instagram at: https://www.instagram.com/cast11_podcast_network

Jere Righter has been involved with the historic Croswell Opera House for 35 years. Located in Adrian, Michigan, The Croswell is the oldest theater in Michigan and one of the oldest operating theaters in the United States. Jere was hired-on to be The Croswell's Artistic Director in 2009. Working with talented staff and volunteers, Jere has overseen professional caliber and highly acclaimed performances within a regional community theater setting. Prior to The Croswell, Jere served as the Associate Director/Senior Major Gifts Officer at the University of Michigan Health System and VP of Advancement at Siena Heights University. She is the past president of the Adrian Kiwanis Club and chair of Hospice of Lenawee County. A native of Adrian, Jere earned a degree in theater and speech communications from Sienna Heights University. In 2020 her alma mater honored her with the Outstanding Alumni Award.Host/Executive Producer; Brad Rieger, Audio Engineer/Production Coordinator; Kerry Schwable, Social Coordinator; Tim McCarthy, Graphic Designers: Stephen Shankster/Jeremy Thomas. Content made possible by Cooper-Smith Advertising LLC 2023

Ken Wolf, Artistic Director of Manhattan Repertory Theatre in New York City, presents the 465th episode of THE PLAYWRITING PODCAST. Episode Story Topic: How to be Big and Bold in your Playwriting and in your Life! Check out my BIG Brand New Playwriting Event: HOW TO WRITE A FANTASTIC PRODUCTION-BASED PLAY IN 28 DAYS! https://www.manhattanrep.com/28dayplay   Check out our 3 Tiers of developing your play in NYC with Manhattan Rep: Manhattan Rep's Play Production Reading We will put together a Professional Reading of your play in NYC! https://www.manhattanrep.com/reading   Manhattan Rep's Play Production Workshop We will bring to life a workshop production of your play in NYC! https://www.manhattanrep.com/workshop   Manhattan Rep's Play Production Program Let us help you self-produce your best play in New York City or anywhere in the world. https://www.manhattanrep.com/play-production-program AND... Also, Check out Manhattan Rep's INSTAGRAM  @manhattanrepertorytheatre And... MY PREMIERE PLAYWRITING COACHING - A year long program where I help you write a perfect play, and teach you everything you need to know about Playwriting and connecting your plays to theatres and producers.  Now 20% off with the Code: YESYOUCAN Book it here:   https://www.manhattanrep.com/premiere   And lastly, My Coaching Program: Write your Own One Actor Show is 25% off with the code IAMTHESTAR at checkout. https://www.manhattanrep.com/one-actor-show Email: How2WritePlays@yahoo.com

Enjoy readings from The Chaos, Derron Sandy's poetry pamphlet, where his subjects are the individuals and communities who suffer most from injustice, poverty and violence in contemporary Trinidad. Using a variety of forms and approaches, the poems describe scene after painful scene – from the murder of an abusive boss and a killing at a gang member's wake to a child's suicide and the finding of a missing person's body in a barrel – evoking the ‘chaos' in each case with eloquence, clarity and compassion. Sandy offers no easy solutions to the social problems behind these incidents, but his poems are nevertheless imbued with a profound faith, hope and sense of redemption.Derron Sandy is an award-winning Trinbagonian performance poet. In 2021 he won the National Poetry Slam title in Trinidad and Tobago and was long-listed for Bocas Lit Fest's Johnson and Amoy Achong Caribbean Writers Prize. His book for children, A Story of Hope (2020), was published by the Pan American Development Foundation as part of a project building greater understanding between host and migrant communities in the Caribbean. Sandy is Artistic Director of youth spoken word and theatre organisations The 2 Cents Movement and The Quays Foundation, an actor – and an avid basketball fan. The Chaos is his first pamphlet of poems.This episode of BCLF Cocoa Pod was made possible with the support of funds from the Brooklyn Arts Council Local Arts Support Grant.

An abandoned, dilapidated swimming pool in the forest. A pile of trash smoldering in a secluded backyard. A dark and deserted highway flanked by an unexplained light. Michael Endo's kiln formed glass is about the potential of empty spaces and how people inhabit the subliminal area between the civilized world and wilderness. It begs the question: Is our world real or manufactured?  Says Endo: "Locked in a loop of familiarity and strangeness, my gestural paintings, drawings, glasswork and sculptures exist in a moment of tension. By depicting the boundary between a wild space and the city, I present scenes where my interest in alternative communities, the relationship between space and psychology, occult knowledge, eschatology, ecology and the uncanny converge." To reveal and examine the experiences people tend to gloss over is Endo's primary aesthetic goal. He states: "Some people get turned off by what they perceive as a darkness to the work. But it doesn't bother me. They are entitled to their own opinion, and I don't consider it while I am making the work. I don't think the work is exclusively dark. People read that into it, but I am interested in exploring these marginal spaces and experiences and bringing them forward."  Endo's work is currently on view in What Remains, the fourth exhibition at The Byre, a centuries-old stone barn turned into an exhibition space by Bullseye Projects in Caithness, the northern-most county in mainland Scotland. What Remains features site-specific installations and works by Celia Dowson, Katharine Dowson, Endo, and April Surgent that reflect on stories and experiences reconstructed from fleeting shadows in memory and the earthed-over remnants found in the landscape. The show will remain on view until March 2026. Born in Portland, Oregon, in 1979, Endo received an MFA in painting from Cranbrook Academy of Art, Michigan, in 2009 and a BA from Portland State University, Oregon, in 2005. His studio work has been included in national and international exhibitions at venues such as The National Glass Centre (Sunderland, UK), Disjecta (Portland, Oregon), Yuan Yuan Art Center (Jinan, China), and Bullseye Projects (Portland, Oregon and Mamaroneck, New York). Endo is currently the curatorial consultant at Bullseye Projects, organizing exhibitions at The Byre and assisting with traveling exhibitions and art fairs. In 2019, he moved to Yucca Valley, California, where he founded High Desert Observatory with his partner Emily Endo. Michael is currently the Artistic Director at Pilchuck Glass School. This year was "a banner year" for both interest in and enrollment at Pilchuck, says Endo, who sites the school's successful casting conference and upcoming design conference as high points. Enjoy this conversation with the artist about his studio practice and the balance he maintains between curation, administration, and studio as well as the role Pilchuck plays in glass education around the world.  

In my conversation with Jeremy Kisling we talk about the importance of creating a sense of belonging for young people at the Lexington Children's Theatre.  Jeremy emphasizes the universal need for all individuals to find spaces where they can be authentic and free from societal expectations.  The discussion also explores the role of theatre in personal development, community engagement and the future vision for the theatre's impact on youth.  We also talk about the evolution of themes for young people and the substances of contemporary theatre for youth.The Lexington Children's Theatre has been in existence for 87 years, Jeremy having been there for 24 of those years.​He has been a recipient of the Sara Spencer child Drama Award and the Tom Behm Award from the Southeastern Theatre Conference.In 1986 The state legislators demed Lexington Children's Theatre the State children's Theatre of Kentucky.For more and to connect with us, visit https://www.artsconnectlex.org/art-throb-podcast.html

World Ballet Day on Wednesday 12 November 2025 is the global celebration of dance where artists and audiences are invited to experience ballet in new transformative ways as access becomes art. The Royal Ballet in London will be streaming a programme of dance which will have at its heart a brand-new six minute work curated and conceived by choreographer and Artistic Director of Fall for Dance North Festival Robert Binet, in collaboration with blind artist and assistant professor of Disability Studies Devon Healey, who's Immersive Descriptive Audio will take people into the inner world of dance through sensation, sound and storytelling. RNIB Connect Radio's Toby Davey caught up with Devon and Rob to find out more about World Ballet Day 2025 and their collaborative work for the Royal Ballet which will be streamed as part of the celebrations on the day. To find out more and watch Devon and Rob's brand-new six-minute work do visit the following pages of the RBO website - https://www.rbo.org.uk/world-ballet-day-2025 Image shows the RNIB Connect Radio logo. On a white background ‘RNIB' written in bold black capital letters and underlined with a bold pink line. Underneath the line: ‘Connect Radio' is written in black in a smaller font.

“My job is to make people love choral music as much as I do, and that's a lot. I really love choral music. My job is to say ‘you should care about this.' You might care about it because it's ravishingly beautiful or because it has a story to tell you. Even if you're not a person who relates to choral music, you can relate to stories. We're going to weave some sort of through-line through this program that tells you something about life that we hope resonates with you whether you're a musician or not.”Joshua Habermann is in his seventeenth season as Artistic Director of the Santa Fe Desert Chorale, one of the nation's premiere professional chamber choirs. Since joining the ensemble, he has broadened its repertoire to include choral-orchestral masterworks and unique concert experiences ranging from early music to new commissions. Under his leadership, the Desert Chorale has been featured at regional and national conferences of the American Choral Directors Association, and its summer and winter festivals are among America's largest choral events.Habermann's experience with symphonic choruses spans over three decades, encompassing the full range of the choral-orchestral repertoire. From 2011 to 2022 he was director of the Dallas Symphony Chorus, where highlights included Bach's St. Matthew Passion, the Requiem Masses of Mozart, Brahms, and Verdi, Elgar's Dream of Gerontius, Bernstein's Kaddish Symphony, Rachmaninov's The Bells, and Vaughan-Williams' Sea Symphony. He is a frequent guest conductor, and in 2022-2023 prepared Handel's Messiah, Ravel's Daphnis and Chloe, and Benjamin Britten's War Requiem for the San Francisco Symphony.A passionate advocate for music education, Joshua Habermann is a regular clinician for state and national events and has led honor choirs and choral festivals in North America, Europe, Asia, and Latin America. In 2024, he conducted Cantatas 72, 73 and 92 for Bach Santiago (Chile), a concert series dedicated to the first full cycle of Bach Cantatas in South America. He currently teaches choral literature at the University of North Texas.As a singer (tenor), Habermann has performed with the Oregon Bach Festival Chorus under Helmuth Rilling and Conspirare under Craig Hella Johnson. Recording credits include Requiem and Threshold of Night, both GRAMMY® nominees for best choral recording. Recordings as a conductor include The Road Home and Rachmaninov's All Night Vigil with the Desert Chorale.To get in touch with Joshua, you can find him on Facebook (@joshua.habermann) or visit the Santa Fe Desert Chorale website, desertchorale.org.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

Welcome back to The Art Bystander, the podcast that explores the stories, ideas, and people shaping the world of contemporary art. Our host Roland-Philippe Kretzschmar is taking you behind the scenes of one of the most influential art fairs in the world — Paris Photo. Founded in 1997, it has become the leading international fair dedicated entirely to photography, a place where artists, collectors, curators, and institutions converge to celebrate and challenge the medium.Joining me are Florence Bourgeois, Director of Paris Photo, and Anna Planas, Artistic Director. Together, they've been redefining what a photography fair can be — expanding its cultural scope, international reach, and curatorial ambition.In this conversation, we'll discuss the evolving role of photography in the art ecosystem, how Paris Photo bridges artistic and commercial worlds, and what it takes to curate a fair that remains both relevant and visionary. So whether you're a collector, a photographer, or simply curious about how images shape our times — this episode is for you. Hosted on Acast. See acast.com/privacy for more information.

Artistic Director of the Australian Shakespeare Company, Glenn Elston OAM, joins Darren James for Talking Melbourne.See omnystudio.com/listener for privacy information.

This is the third and final part of my conversation with author Rob Schneider, who returns to tell us more about his new book, Queer Musicals — Boy Meets Boy to Jagged Little Pill. On this episode, Fun Home, The Prom, and Jagged Little Pill. Robert W. Schneider is a historian, director, producer, author, educator, and podcast host, and the Artistic Director of the J2 Spotlight Musical Theater Company in New York. And since working as an original programming producer at 54 Below, Rob has directed and produced over 100 concerts for the venue. His first book, 50 Key Stage Musicals, was published in 2022. Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of our Patron Club Members, such as JUDY HUCKA. If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month, you can receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional, in-depth conversations with my frequent co-host, Albert Evans, that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please click on this link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://broadwaynationpodcast.supercast.tech/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Ken Wolf, Artistic Director of Manhattan Repertory Theatre in New York City, presents the 464th episode of THE PLAYWRITING PODCAST. Episode Story Topic: Is your play a Marathon? My Coaching Program: Write your Own One Actor Show is 25% off with the code IAMTHESTAR at checkout. https://www.manhattanrep.com/one-actor-show   Check out our 3 Tiers of developing your play in NYC with Manhattan Rep: Manhattan Rep's Play Production Reading We will put together a Professional Reading of your play in NYC! https://www.manhattanrep.com/reading   Manhattan Rep's Play Production Workshop We will bring to life a workshop production of your play in NYC! https://www.manhattanrep.com/workshop   Manhattan Rep's Play Production Program Let us help you self-produce your best play in New York City or anywhere in the world. https://www.manhattanrep.com/play-production-program AND... Also, Check out Manhattan Rep's INSTAGRAM for more on Manhattan Rep's Celebration of 20 Years, with videos from out productions and so much more! @manhattanrepertorytheatre AND  my standard Playwriting Coaching is 25% off with the code WRITENOW at checkout. https://www.manhattanrep.com/playwriting-coaching And... Script Consultations are 20% off with the code: YESYESYES https://www.manhattanrep.com/script-consultation AND... MY PREMIERE PLAYWRITING COACHING - A year long program where I help you write a perfect play, and teach you everything you need to know about Playwriting and connecting your plays to theatres and producers.  Now 20% off with the Code: YESYOUCAN Book it here:   https://www.manhattanrep.com/premiere   My Fantastic Playwriting Book on Amazon!  The Complete Fantastic Play Series! https://www.amazon.com/dp/B0DT6LQWZC Email: How2WritePlays@yahoo.com

This is the second part of my conversation with author Rob Schneider, who returns to tell us more about his new book, Queer Musicals — Boy Meets Boy to Jagged Little Pill. On this episode, Falsettos, Hedwig And the Angry Inch, BARE, and Kinky Boots. Robert W. Schneider is a historian, director, producer, author, educator, and podcast host, and the Artistic Director of the J2 Spotlight Musical Theater Company in New York. And since working as an original programming producer at 54 Below, Rob has directed and produced over 100 concerts for the venue. His first book, 50 Key Stage Musicals, was published in 2022. On this first episode in this series, we discuss the musicals Boy Meets Boy, La Cage aux Folles, and The Knife. Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of our Patron Club Members. If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month, you can receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional, in-depth conversations with my frequent co-host, Albert Evans, that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please click on this link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://broadwaynationpodcast.supercast.tech/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Join host Joanne Carey as she chats with Special Guest: Michael Novak Artistic Director of the Paul Taylor Dance CompanyIn this episode of "Dance Talk” ® with Joanne Carey , host Joanne Carey interviews Michael Novak, the artistic director of the Paul Taylor Dance Company. Michael shares his journey into dance, overcoming personal challenges such as stuttering, and his transition from musical theater to ballet and modern dance. He discusses the importance of authenticity in dance, the role of resident choreographers, and the exciting new educational initiatives at the company's new space. The conversation also highlights the upcoming season at Lincoln Center, featuring a mix of new works and classic pieces, and Michael's vision for the future of the company.Michael Novak: became the second Artistic Director in the history of the Paul Taylor Dance Foundation in September 2018, having been selected by Mr. Taylor months earlier to succeed him upon his death. Novak was nominated for the Clive Barnes Foundation Dance Award for his debut Season. During his career with the Company, he performed fifty-six roles in fifty Taylor dances.Raised in Rolling Meadows, Illinois, Novak began studying dance at age ten and by age seventeen was offered a Presidential Scholarship to attend The University of the Arts in Philadelphia to pursue training in jazz and ballet. In 2005 Novak was admitted to Columbia University's School of General Studies, where he was awarded scholarships for academic excellence. He became a member of the Columbia Ballet Collaborative, the University's critically acclaimed resident company, and was named Artistic Associate responsible for advising on the curation of resident choreographers and directing the group's branding and promotion. At Columbia, Novak became immersed in the study of dance history, which ignited a passion for modern dance. He developed a keen interest in the work of François Delsarte, the 19th Century French movement theorist who codified the system linking emotion and gesture that would inspire the first generation of American modern dancers. At Columbia he performed Mr. Taylor's solo in Aureole, which led him to embrace the Taylor repertoire. In a 2009 program celebrating Diaghilev at Columbia's Miller Theatre, Novak embodied Vaslav Nijinsky's role in L'Après-midi d'un faune with an authenticity that brought him to the attention of dance critics and scholars. Upon graduation, he received his BA in Dance magna cum laude with Departmental Honors, and was elected to Phi Beta Kappa. As a distinguished alumnus, he was the Keynote Speaker for the Class of 2020.The Paul Taylor Dance Company continues to be one of the world's premier dance companies. New York Times hailed his inaugural season as Artistic Director as “groundbreaking and inspirational.” In memory of Mr. Taylor, he launched “The Celebration Tour,” a multi-year international touring retrospective of the Taylor repertoire. He co-directed the Company's first virtual live-streamed benefit, Modern is Now: Stories of our Future,. And during the height of the Covid pandemic, he brought the Taylor Company to sixteen venues in eleven American cities for a total of fifty-one performances, earning the designation “Best of Dance 2021” from The Washington Post. 2021 he selected Taylor alumna and dance educator Carolyn Adams to head the Taylor School showing his commitment to broadening the Foundation's impact in arts education. 2022 Novak selected former New York City Ballet dancer Lauren Lovette to be the Taylor Company's first Resident Choreographer.https://paultaylordance.org/“Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."⁠⁠⁠⁠⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠⁠⁠⁠⁠Follow Joanne Carey on Instagram@westfieldschoolofdanceTune in. Follow. Like us. And SHARE!Please leave us review about our podcast! 

 On this episode my guest is Rob Schneider, who returns to the podcast to talk about his new book, Queer Musicals — Boy Meets Boy to Jagged Little Pill. Robert W. Schneider is a historian, director, producer, author, educator, and podcast host, and the Artistic Director of the J2 Spotlight Musical Theater Company in New York. And since working as an original programming producer at 54 Below, Rob has directed and produced over 100 concerts for the venue. His first book, 50 Key Stage Musicals, was published in 2022. On this first episode in this series, we discuss the musicals Boy Meets Boy, La Cage aux Folles, and The Knife. Learn more about your ad choices. Visit megaphone.fm/adchoices

Arianne MacBean writes, “Your anger is the spark of your inner fire.” As outlined in her upcoming book, Tough Shit: The Angry Woman's Guide to Embodying Change, that spark is something every woman deserves to honor. This week she joins me for a conversation that's all about reclaiming that fire and learning how to channel it into transformation. Arianne is a licensed marriage and family therapist in Los Angeles with a certificate in somatic psychotherapies and practices. We talk about the power of anger as a tool for self-knowledge, how the patriarchy taught us to suppress it, and why embracing it is one of the most radical acts of self-compassion a woman can take.  Arianne also shares how her background as a dancer and choreographer shaped her somatic therapy work and how tuning into the body allows us to uncover what's really beneath our anger: fear, sadness, hurt, and ultimately, truth. This conversation is such a beautiful reminder that anger isn't something to fix, it's something to feel, follow, and transform. ✨ If you'd like to watch the video version of this episode, you can find it here. What you'll hear about in this episode: Why anger is powerful information, not something to suppress (3:32) How somatic therapy connects movement, body awareness, and emotional healing (5:36) Ways to use anger as armor and as a guide toward deeper healing (13:20) The surprising history behind the phrase “tough shit” and Arianne's reclamation of it (19:30) That there are men actually doing the inner work on themselves, facing hard truths, and learning to show up differently in relationships (34:35) Learn more about Arianne MacBean: Arianne MacBean is a Somatic Psychotherapist, writer, and educator. She taught dance at the middle, high school, and college levels for over twenty years and was the Artistic Director of The Big Show Co., an LA-based dance-theater group. She holds a BA in Dance from UCLA, a Double MFA in Dance & Writing from California Institute of the Arts, and an MA in Counseling Psychology from Pacifica Graduate Institute. She works with individuals and couples to heal from trauma, learn healthy communication skills, and trust the body's wealth of wisdom. Resources & Links: Focused Strategy Sessions with Kate The Divorce Survival Guide Resource BundlePhoenix Rising: A Divorce Empowerment CollectiveKate on InstagramKate on FacebookKate's Substack Newsletter: Divorce Coaching Dispatch The Divorce Survival Guide Podcast Episodes are also available YouTube! Pre-Order Arianne's book, Tough Shit: The Angry Women's Guide to Embodying ChangeArianne's websiteArianne on Instagram Arianne's Substack =================== DISCLAIMER:  THE COMMENTARY AND OPINIONS AVAILABLE ON THIS PODCAST ARE FOR INFORMATIONAL AND ENTERTAINMENT PURPOSES ONLY AND NOT FOR THE PURPOSE OF PROVIDING LEGAL OR PSYCHOLOGICAL ADVICE.  YOU SHOULD CONTACT AN ATTORNEY, COACH, OR THERAPIST IN YOUR STATE TO OBTAIN ADVICE WITH RESPECT TO ANY PARTICULAR ISSUE OR PROBLEM. =================== Episode link: https://kateanthony.com/podcast/episode-341-the-angry-womans-guide-to-embodying-change-with-arianne-macbean/

This episode was recorded live on October 17, 2025 at The Adrienne Arsht Center for the Performing Arts in Miami before the opening of Miami City Ballet's 40th anniversary season. This pre-performance talk coordinated with the all Peck program that the company opened their season with, which included "Year of The Rabbit," "Chutes and Ladders," and "Heatscape."Listen to Conversations on Dance ad-free on Patreon: https://www.patreon.com/cw/conversationsondanceLINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceCOD MerchListen to COD on YouTubeJoin our email listSponsorship information Hosted on Acast. See acast.com/privacy for more information.